Podcasts about CDS

My guest this week is Ted Olson, professor of Appalachian Studies at East Tennessee State University.Ted joins me to celebrate the Rich-R-Tone record label and it's offshoot Folk Star. Rich-R-Tone was founded in 1946 by James Hobart Stanton who, in Ted's words, "was probably single-handedly the most important documentarian of Appalachian music."Ted has extensively researched Stanton and the Rich_R-Tone label for a project he co-produced for Bear Family Records - The Rich-R-Tone/Folk Star Story: Appalachia On Record, 1946-1954. Featuring 317 expertly remastered recordings spread over 12 CDs and including a 144-page hardcover book, this set, produced by Ted Olson, Matteo Ringressi, and Richard Weize, features newly researched liner notes and a complete discography. Many of these recordings are incredibly rare and are taken from 78 rpm discs held in private collections.We talk about Stanton's background in jukebox repair and distribution and how that helped shape his vision for the label; why both place and time are so vital in this particular story; the importance of Rich-R-Tone being a label based in Appalachia, rather than being a major label coming to the region just to record local talent and how Stanton played an important role in The Stanley Brothers' career. It's a fascinating story and one I knew very little about before my conversation with Ted, who was a pleasure to chat with as always.During the conversation  we play excerpts of three tracks from the box set. You'll hear (in order):The Stanley Brothers - Molly and TenbrooksWilma Lee Cooper - The Tramp on the StreetThe Caudill Family - Ain't No Grave Gonna Hold My Body DownFor more info on the box set visit Bear Family RecordsTo hear my previous interviews with Ted, check out the two episodes below:The Bristol Sessions and BeyondDoc Watson's 100th Birthday Celebration (featuring Happy Traum, John McEuen from the Nitty Gritty Dirt Band, T. Michael Coleman, Jack Lawrence, Lindsay Craven of MerleFest and Ted Olson) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Nicole Regnier no llegó a la Selección Colombia ni al Atlético de Madrid por "suerte". Llegó porque, cuando estaba literalmente rota, su meta era más grande que su dolor. En esta conversación, Nicole nos lleva al detrás de escena de lo que significa perseguir un sueño cuando nadie más cree en él.

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

Think of this as the Page Six episode of our interview with Patrick and Marina Fiore of Le Petit Café. After we learn about their relationship with a curious building on the near west side and with TD's CDs and LPs, we get into the celebrity sightings. Of course, we are treated with a few Mellencamp moments, but they also take us in the wayback machine to the cast of Breaking Away and to other famous musicians who have dropped in to the cafe over the years. Thank you to our sponsors, Gretchen and Ruth Nall and Bloomington Rentals and Realty for their support of the pod. And thanks as usual to badknees WE HAVE MERCH! Designed by Chris Mott and sponsored by badknees. Check it out! Support:  Support Bloomington Stories Contact & Follow: Instagram Facebook Bluesky YouTube Threads bloomingtonstoriespod@gmail.com  Content Warning: It is never our intention to hurt or offend people, and we plan to be mindful about not punching down. We are always open to feedback about this because we want to keep growing and evolving until we croak. However, we do like to joke around and we are middle-aged, so our sense of humor may not be for you.

A new investigation reported that convicted sex offender Jeffrey Epstein covertly rented at least six storage units across the United States from as early as 2003 up until his death in 2019, allegedly using them to stash computers, CDs, photographs, and other materials linked to his homes and his private island Little Saint James. Financial records and emails reviewed by The Telegraph indicate Epstein paid private investigators tens of thousands of dollars to move equipment from his properties into these units ahead of police raids, raising the possibility that law enforcement never searched them and that they may still contain never-before-seen evidence connected to his sex trafficking network.Some of the emails suggest private detectives copied or “cloned” data from drives before storing them, and in one instance discussed holding potentially responsive computer materials requested by attorneys for a survivor of Epstein's abuse. Other correspondence shows Epstein instructed aides to transfer items out of his Florida home when tipped off about impending warrants, and discussed the location of storage contents even while incarcerated in 2009. Because these external storage lockers appear never to have been searched by authorities, there is concern among journalists and investigators that crucial evidence – including digital files predating the trove released by the Department of Justice – could still be hidden from public view.to contact me:bobbycapucci@protonmail.comsource:Jeffrey Epstein stashed secret files in storage units across US that may include unseen evidence: reportBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In today's episode, I'm wrapping up the music that I started in episode 536, what I'm calling the "outdoor" Rocketeer theme for the parts of the Rocketeer vs the Third Reich pixelart game I've been making that takes place outdoors.  Since those are sections where Cliff will have his rocketpack and can fly, I wanted to give the music a kind of WW1 flying ace kind of feel.  Most of the track was done from last fall, but I ended up adding a few other instruments to round it out.Pictures: https://13thhr.wordpress.com/2026/02/23/the-thirteenth-hour-podcast-550-and-like-a-hood-ornament-93-updates-on-the-rocketeer-vs-the-third-reich-video-game-6/I also reflect on the nature of making music in this day and age as opposed to before, touching on what previous generations of homebrew music producers had to work with.  I've been reading out the early days of hiphop (before it was really called that), and it's fascinating to think what those guys came up with - e.g. DJ Kool Herc (the father of hip hop) made extended breakbeat compilations of his own for the neighborhood parties in the Bronx in the summer of 1973.  It's easy to lose sight of how good we have it with the tools we have (many of which are not only widely available but free), which make it all the more impressive to think what previous generations did with the tools they had.  More to come next week!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

If you’re thinking about retirement or already living in it, the financial headlines can feel like a carnival — prediction markets, Bitcoin speculation, zero-day options, and apps that let you bet on anything from sports scores to an earnings call. On this episode of The Financial Hour of the Tom Dupree Show, Tom Dupree, James Dupree, and Mike Johnson cut through the noise to explain what separates genuine long-term investing from high-stakes gambling — and why that distinction matters more than ever for your retirement portfolio. The Rise of Prediction Markets: Kalshi, Polymarket, and the Wild West of Financial Betting The conversation opened with a look at Kalshi — an online prediction market platform where users can place contracts on virtually anything: Supreme Court decisions, what words a politician will say in a speech, or the opening song at a Super Bowl halftime show. Unlike regulated sportsbooks such as FanDuel or DraftKings, Kalshi operates under minimal oversight from the CFTC, which currently has zero enforcement staff dedicated to this space. Tom Dupree noted that the real danger isn’t just the unregulated nature of the platform — it’s the potential for insider information to corrupt what should be fair markets: “In my business, if I know about a material fact and I trade based on it, they could take my license and bury me under the jail. But this platform sets up for that to happen, and there’s almost no oversight.” Key concerns raised in this episode: Kalshi allows bets on corporate earnings calls, political speeches, and sporting events — any of which could be exploited by insiders The platform holds user cash at a 3.25% yield, blurring the line between a betting platform and a financial institution Spreads and transaction fees on thinly traded contracts can be extremely wide — in some cases, a buyer pays 32 cents while a seller receives only 70 cents on a contract Robinhood has entered the prediction market space, bringing Wall Street-style algorithmic traders into an unregulated environment James Dupree summed up the deeper problem with unregulated prediction markets: “It calls into question the legitimacy of what actions are taking place — be it in politics, sports, every aspect of life. Can you trust what’s being said, or is it being said because of this bet?” — James Dupree For context on why this matters to your financial future, visit our Market Commentary archive for more episodes on financial trends affecting retirement investors. The 2008 Financial Crisis Lesson: When the Side Bet Becomes Bigger Than the Main Event The team drew a powerful parallel between today’s prediction markets and the derivatives that helped trigger the 2008 financial crisis. Mike Johnson explained it with a vivid analogy: “You’ve got one person at a roulette table placing a $100 bet. Then you’ve got somebody behind them placing a $100 bet on that one. And it goes 50 people deep. On that initial $100 bet, you now have $50,000 tied to how it plays out.” That’s exactly what happened with mortgage-backed securities and credit default swaps (CDS) in 2008. Bonds that appeared AAA-rated were actually junk, and when the underlying mortgages failed, the cascading losses from derivative instruments wiped out financial institutions that had no direct exposure to the original loan. The lesson for retirement investors in Kentucky and beyond is straightforward: complexity and opacity in financial products are a warning sign, not a feature. Want to understand how Dupree Financial Group’s approach differs from firms that chase complexity? Read our Investment Philosophy to see how we think about protecting and growing your portfolio. Investing vs. Gambling: What’s the Real Difference? This is the core question of the episode — and it’s one that applies directly to anyone managing retirement assets. Mike Johnson offered a clear distinction: Gambling is binary. You’re either right or wrong within a short, defined timeframe. Zero-day options, Kalshi contracts, and sports betting all share this characteristic. Even one winning trade can reinforce a gambler’s mindset that makes long-term financial discipline nearly impossible. Investing gives you time. As Tom put it, the companies Dupree Financial holds in client portfolios are real — enterprises of people solving problems, making products, and generating long-term cash flow. A stock price can be wrong in the short-term while the underlying business remains fundamentally sound. Key takeaways from this segment: Volatility is an opportunity for long-term investors, not a threat — it’s when patient investors can buy quality companies at reduced prices “Action junkies” — traders who crave market movement — actually create buying opportunities for disciplined investors Platforms like Robinhood are designed to encourage frequent trading, which behavioral research links to worse outcomes for retail investors Good investment behavior is often doing nothing — holding your position when others panic is one of the most valuable skills a retirement investor can develop “What we’re trying to do at our firm is encourage good behavior. And a lot of times good behavior is to do nothing. Don’t do a trade today. Don’t buy, don’t sell. Hold on to your position.” — Tom Dupree Why Companies Beat Commodities and Crypto for Retirement Income Tom Dupree made a point that often surprises listeners: he doesn’t view Bitcoin, gold, or silver as true investments — he views them as speculation vehicles. The reason? You can’t assign a rational value to them. Unlike a company, you never know if you’re getting a fair price. There’s no cash flow, no optimization, no human capital that can adapt the business model when conditions change. “Our companies are currency for money, as opposed to money being currency for our companies. You put together a productive company of people doing things, solving problems, making products — that is a unique invention in the history of mankind.” This philosophy directly shapes how Dupree Financial Group manages client portfolios — favoring income-producing equities in separately managed accounts over speculative assets, and prioritizing transparency so clients always know what they own and why. Frequently Asked Questions What is Kalshi, and why is it controversial? Kalshi is an online prediction market where users can place contracts on real-world outcomes — from political decisions to sports events to corporate earnings calls. It’s controversial because it operates with minimal regulatory oversight, creating the potential for insider trading and market manipulation that would be illegal in regulated securities markets. How did derivatives contribute to the 2008 financial crisis? In 2008, financial institutions created layers of derivative securities — including credit default swaps (CDS) — tied to mortgage bonds that appeared safe but were actually high-risk. When the underlying mortgages failed, the value of these derivatives collapsed, wiping out far more capital than the original bad loans ever could have. The “side bet” became bigger than the original investment, which is why the contagion spread so quickly. What’s the difference between gambling and long-term investing? Gambling is typically a binary, short-term event where you’re right or wrong within a defined window. Long-term investing allows you to be wrong in the short term and still come out ahead because time lets the underlying value of a quality business work in your favor. Disciplined investors can also take advantage of volatility created by short-term speculators to buy good companies at better prices. Should retirees own Bitcoin or gold? Tom Dupree’s view is that neither Bitcoin nor gold can be rationally valued the way a business can — you can’t analyze cashflows, growth potential, or management quality. While both have their advocates, Dupree Financial Group’s investment philosophy centers on income-producing companies with transparent fundamentals, which are better suited to generating reliable retirement income. How does Dupree Financial Group protect clients from speculation risk? Dupree Financial Group uses separately managed accounts and a fiduciary, fee-based approach that prioritizes income-producing equities over speculative assets. Clients have direct access to their portfolio managers — not a rotating roster of assigned counselors — which means your strategy stays personal, consistent, and grounded in your actual retirement goals. Schedule a Personalized Portfolio Analysis to see how we’d approach your specific situation. Is Your Retirement Portfolio Built to Last — Or Built to Bet? If the prediction markets conversation made you wonder whether your current investments are truly working for your retirement, it may be time for a second opinion. At Dupree Financial Group, we’ve spent decades helping central Kentuckians build retirement income they can count on — not strategies that depend on being right at exactly the right moment. Call us today at (859) 233-0400 or schedule your complimentary Personalized Portfolio Analysis directly on our website. There’s no pressure — just a straight conversation about what you own, why you own it, and whether it’s positioned to carry you through retirement. Explore more episodes and market insights in our Market Commentary archive, and learn more about how we think about long-term wealth in our Investment Philosophy. The post When Side Bets Swallow the Main Event: Investing vs. Gambling appeared first on Dupree Financial.

In this episode, we discuss recordings of “J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos” (Arcana) by Mario Brunello & Mauro Valli, “Italian Perspectives” (Pentatone) by Bamberger Symphoniker / Riccardo Frizza, “American Tapestry” (Signum) by the Calidore String Quartet, “The Modern Ark” (Soul Messin' Records Distribution) by the Jake Mason Trio, “Sugar on My Blackbeans” (ECN Music) by Aleph Aguiar, and “Organ Monk Sings: Introducing Ms. Raina” (Sunnyside Records) by Gregory Lewis.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 248 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos” (Arcana)  Mario Brunello, Mauro Valli https://open.spotify.com/album/5QoDl8555C7A84lp9KpAzb https://music.apple.com/us/album/j-s-bach-on-nine-strings-suite-partita-and-sonata-for/1856090483 https://music.amazon.com/albums/B0G829SPRC   “Italian Perspectives” (Pentatone)  Bamberger Symphoniker / Riccardo Frizza https://open.spotify.com/album/7Hskm6g1A5ZSiGP2Zj0nmA https://music.apple.com/us/album/italian-perspectives/1852052030 https://music.amazon.com/albums/B0G1NH19JZ   “American Tapestry” (Signum) Calidore String Quartet https://open.spotify.com/album/4pibjiF7AFOhzj5WpE3iSb https://music.apple.com/us/album/american-tapestry/1851430307 https://music.amazon.com/albums/B0G1C5ZCQ3   “The Modern Ark” (Soul Messin' Records Distribution) Jake Mason Trio https://open.spotify.com/album/0ttGu6ztkESlCDlTxybFa1 https://music.apple.com/us/album/the-modern-ark/1849054330 https://music.amazon.com/albums/B0FY184C4N   “Sugar on My Blackbeans” (ECN Music)  Aleph Aguiar https://open.spotify.com/album/6CQo1vXupqFkLUGiIl5dku https://music.apple.com/us/album/sugar-on-my-blackbeans/1860046399 https://music.amazon.com/albums/B0G5Q1QMF7   “Organ Monk Sings: Introducing Ms. Raina” (Sunnyside Records)  Gregory Lewis https://open.spotify.com/album/7ypzbT37PTD0b2t6bnhHTs https://music.apple.com/us/album/organ-monk-sings-introducing-ms-raina-feat-raina-welch/1866728783 https://music.amazon.com/albums/B0G8ML9L1Z

This soaring Irish traditional melody, ‘The Lark in the Clear Air' brings a lightness to this Psalm about God's revelation in both creation and scripture. The words of the Psalm remind us that the skies tell a story of who God is, and teach us important things, without words.Get your accompanying journal, which includes further questions for reflection and some invitations to prayer and practicePaid subscribers receive a free journal PDF, or you can purchase a paperback versionVisit the Celtic Psalms website for scores/books, mp3s, CDs, and videos for The Heavens Declare Find out more about the Habits for the Spirit course: an 8-week online course exploring habits and daily spiritual practices to promote wellbeing in body, mind, and spiritFollow Kiran's monthly reflections on Bless My FeetPsalms for the Spirit is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit psalmsforthespirit.substack.com/subscribe

O maestro alemão Helmuth Rilling, que morreu no dia 11 passado, aos 92 anos, foi um dos maiores intérpretes e divulgadores da obra de Johann Sebastian Bach. Nascido em Stuttgart, no sudoeste da Alemanha, em 1933, ele fundou - ainda quando era estudante - o coral Gächinger Kantorei. Em 1965, para acompanhar esse coral, ele criou o Bach-Collegium Stuttgart, uma orquestra que reuniu músicos alemães e suíços. Juntos, o Gächinger Kantorei e o Bach-Collegium Stuttgart, sob a regência de Rilling, gravaram pela primeira vez todas as cantatas sacras de Bach, um projeto que começou em 1970 e terminou em 1985. No ano 2000, a Internationale Bachakademie Stuttgart - outra instituição fundada por Rilling para divulgar a música de Bach - gravou toda a obra do compositor alemão, num total de 172 CDs, lançados pelo selo Hänssler Classic. Em homenagem a Helmuth Rilling, esta edição de Manhã com Bach traz duas composições de Bach regidas pelo maestro alemão: o Concerto para Cravo em Ré Menor (BWV 1052) e a cantata Ihr werdet weinen und heulen, "Vós chorareis e lamentareis" (BWV 103). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 21 e 22 de fevereiro de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

Tunes: William Dixon: Dorrington, Have a Care of Her Johnny, Hacky Honey Daniel Dow: Sandy Gow's Three Pints John McLachlan: Sandy Gow's Three Pints, From David Greenberg and Chris Norman: a John Reid Piece, Garb of the old Gaul and Hacky Honey Big Thank You to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US You can check out Chris Norman's website here: https://boxwood.org/ +X+X+ 1733: Dorrington, Have a Care of Her Johnny, Hacky Honey from William Dixon's Manuscript https://www.mattseattle.scot/product-page/the-master-piper-new-edition +X+X+ 1776: Strike the Bell from William Vickers' Manuscript http://www.farnearchive.com/farneimages/jpgs/R0310200.jpg +X+X+ 1787: Sandy Gow's Three Pint's [sic] From Daniel Dow's: A Collection of Ancient Scots Music for the violin, harpsichord or German flute: http://web.archive.org/web/20250708073125/https://www.wirestrungharp.com/library/local_books/dow_17-25.pdf +X+X+ 1854: Sandy Gow's Three Pints, and The Maid of Glengaresdale From John McLachlan's The Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105010347 +X+X+ Hacky Honey Thanks to Fin Moore for chatting with me a bit about Dixon, more on this to come later, Check out Far North Retreat Here: https://www.facebook.com/farnorthretreats +X+X+ Big thanks to David Greenberg and Chris Norman for allowing me to play their full track: General Reid from their album Let Me In This Ae Night the track is a set of a John Reid Piece, Garb of the old Gaul and Hacky Honey. You can and should buy their whole album, but in the mean time you can stream it on spotify: https://open.spotify.com/album/4DWQdp7wKySlfzuPMVkdO0 amazon music: https://music.amazon.com/albums/B003AMICX2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US Here are some ways you can support the show: Check out the Recording of Pete Stewart Competeing with Hacky Honey in 2014 here: https://lbps.net/j3site/index.php/events-reports/competition-results-blog/343-2014-competition-results Watch Brighde's Performance of Hacky Honey from the 20teens here: https://youtu.be/Urzt_3PuFEs?si=dE4sg8bnKBhX_zT7 Read Pete's Interview with Brighde Chaimbeul Here: https://lbps.net/j3site/index.php/common-stock/archive-issues/138-june-2016/825-bbc-radio-2-folk-award-brighde-chaimbeul Listen to Brighde Chaimbeul and Nicola Benedetti play Hacky Honey here: https://youtu.be/OhDuTwJeE-4?si=gXx5K7SuKXXXWEmg +X+X+ FIN You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

In this episode, we take a ride through one of our favorite rabbit holes — how the world changed insanely fast across just a handful of generations… and how that speed has completely reshaped the way we live, communicate, listen to music, drive cars, raise kids, and even think about time itself.We start with a viral nostalgia post that sparked a massive reaction online and quickly realize that what feels “normal” depends entirely on when you were born. From the Silent Generation to Gen Alpha, we unpack how each group grew up in a totally different technological reality — rotary phones, party lines, and answering machines… all the way to smartphones, streaming, and kids who've never known a world without touchscreens.Generations & Tech Deep DiveAlong the way we revisit:The weirdly communal (and slightly chaotic) days of shared phone lines and busy signals. Generations & Tech Deep DiveDial-up internet — when going online meant tying up the house phone and praying no one picked it up. Generations & Tech Deep DiveRecording songs off the radio, burning CDs, and the lawless Napster era that changed music forever. Generations & Tech Deep DiveThe evolution from pagers and car phones to today's always-connected digital existence. Generations & Tech Deep DiveHow cars, communication, and even our tolerance for risk and convenience have shifted with each generation. Generations & Tech Deep DiveWhat starts as nostalgia turns into a bigger question:Are generational differences really about age — or about the technology that shaped our formative years?This one is part history, part cultural therapy session, and part “how did we survive that?” storytelling. If you've ever tried explaining to a teenager what rewinding a cassette meant, this conversation is for you.This week we accidentally turned a simple nostalgia conversation into a full-blown generational investigation… and possibly a group therapy session for anyone who remembers when the internet made noise.After stumbling across a viral post that set the comment section on fire, we started asking a simple question:Why do people from different generations remember reality so differently?Turns out, it might have something to do with growing up in completely different technological universes.We're talking about a journey that starts with shared phone lines, rotary dials, and answering machines that ate your cassette tape… and ends with kids today who can FaceTime someone across the planet before they can tie their shoes.Generations & Tech Deep DiveIn this episode we revisit:The chaos of party-line telephones, where privacy was basically a myth and your neighbor might be listening. Generations & Tech Deep DiveDial-up internet — when logging on meant sacrificing the household phone and waiting through robot screeches like you were summoning technology from the underworld. Generations & Tech Deep DiveThe golden era of recording songs off the radio, burning CDs for your friends, and pretending Napster wasn't definitely illegal. Generations & Tech Deep DiveThe evolution from pagers and brick phones to today's pocket supercomputers that somehow still run out of battery by 2 p.m. Generations & Tech Deep DiveHow every generation thinks the one after them is ruining everything… while also using technology they don't fully understand. Generations & Tech Deep DiveSomewhere along the way we realized this isn't just nostalgia — it's about how insanely fast culture, risk, communication, music, and even attention spans have changed in just a few decades.If you've ever:Yelled “GET OFF THE INTERNET, I'M TRYING TO MAKE A CALL,”Owned a phone that could survive a nuclear winter,Or tried explaining rewinding a tape to someone born after 2010……this episode is for you.Cheers!m&t

Join this channel to get access to perks such as Weekly Zoom Calls & Private Discord!! https://www.youtube.com/channel/UC4BqTVQA1pCwe9QaEPwD3MQ/join Free 30 Day Trial to Go2Lister https://www.go2lister.com/mike Have restricted Books, CDs or DVDs? Get a 50/50 profit split with Max! More information can be found here! https://www.getmaxxaccess.com/ I help teach people how to make money selling books on Amazon, leveraging the platform's vast reach and the profitability of reselling used books. How to sell books on Amazon? Selling books on Amazon can be an excellent side hustle or a full-time endeavor, particularly if you enjoy thrifting through places like Goodwill for hidden treasures. How to start selling on Amazon is accessible, and with my guidance on how to sell books, DVDs, CDs, and other media, beginners can quickly learn the ropes. Utilizing Amazon FBA streamlines operations, allowing sellers to focus more on sourcing and less on logistics. As a reselling coach, I provide tutorials and guidance on navigating challenges like ungating and optimizing listings for maximum visibility and sales. Whether you're looking for a part-time side hustle or aiming to become a full-time reseller, I will teach you the ins and outs of thrifting books and selling books online and can pave the way to creating passive income streams and achieving business growth.

In a follow up to our last episode, we explore a simple but important question: "What is gold, really?" We begin by revisiting our broader discussion about understanding what we actually own in our portfolios. Last month we talked about stocks as ownership in real businesses. This month we shift our focus to gold and examine how it differs. We start with the history. Gold did not become valuable because governments declared it so. It became valuable because of its unique characteristics. It is scarce, durable, divisible, and universally recognizable. For thousands of years, these traits made it an effective store of value and a medium of exchange across cultures. Paper currency originally represented claims on physical gold under the gold standard. Over time, most countries moved to fiat currency, which is backed by trust in the issuing government rather than a physical asset. Even after that shift, gold remained part of the financial conversation because it exists outside the political system. It does not rely on promises. It simply exists. We then clarify a key distinction. Gold preserves value, but it does not create value. Unlike stocks, gold does not generate earnings, innovate, or grow. It does not produce income. Its price is largely driven by perception, including inflation expectations, interest rates, confidence in institutions, and fear. We discuss how gold peaked around $850 per ounce in 1980 and then took decades to recover that level. That example highlights that gold can experience very long periods of weak performance. At the same time, gold can also have strong years, especially during times of uncertainty. We explain that gold is best viewed as a tool, not a core growth engine. Because it often has a lower correlation with stocks, a small allocation can help reduce portfolio volatility. In many cases, that allocation may range from 1 to 5 percent. The purpose matters. Are we hedging inflation, extreme uncertainty, or simply seeking confidence? When used thoughtfully, gold can provide diversification and emotional stability during downturns. Every holding in a portfolio should have a purpose. Gold is not a magical solution, but it is not useless either. Understanding what we own and why we own it remains central to long term investment success. Note: Gold is subject to the special risks associated with investing in precious metals, including but not limited to: price may be subject to wide fluctuation; the market is relatively limited; the sources are concentrated in countries that have the potential for instability; and the market is unregulated. You can always email Alex and Ed at info@birchrunfinancial.com or give them a call at 484-395-2190.Or visit them on the web at https://www.birchrunfinancial.com/Alex and Ed's Book: Mastering The Money Mind: https://www.amazon.com/Mastering-Money-Mind-Thinking-Personal/dp/1544530536 Any opinions are those of Ed Lambert Alex Cabot, financial advisors, RJFS, and Jon Gay, and not necessarily those of RJFS or Raymond James. The information contained in this report does not purport to be a complete description of the securities, markets, or developments referred to in this material. There is no assurance any of the trends mentioned will continue or forecasts will occur. The information has been obtained from sources considered to be reliable, but Raymond James does not guarantee that the foregoing material is accurate or complete. Any information is not a complete summary or statement of all available data necessary for making an investment decision and does not constitute a recommendation. The examples throughout this material are for illustrative purposes only. Raymond James does not provide tax or legal services. Please discuss these matters with the appropriate professional. Diversification and asset allocation do not ensure a profit or protect against a loss. Past performance is not indicative of future returns. CDs are insured by the FDIC and offer a fixed rate of return, whereas the return and principal value of investment securities fluctuate with changes in market conditions. The S&P 500 is an unmanaged index of 500 widely held stocks that is generally considered representative of the U.S. Stock Market. Keep in mind that individuals cannot invest directly in any index, and index performance does not include transaction costs or other fees, which will affect actual investment performance. Individual investor's results will vary. This information is not intended as a solicitation or an offer to buy or sell any security referred to herein. Future investment performance cannot be guaranteed, investment yields will fluctuate with market conditions. International investing involves special risks, including currency fluctuations, differing financial accounting standards, and possible political and economic volatility. There is an inverse relationship between interest rate movements and bond prices. Generally, when interest rates rise, bond prices fall and when interest rates fall, bond prices generally rise. Investing in small cap stocks generally involves greater risks, and therefore, may not be appropriate for every investor. The prices of small company stocks may be subject to more volatility than those of large company stocks. Securities offered through Raymond James Financial Services, Inc. Member FINRA/SIPC. Investment advisory services offered through Raymond James Financial Services Advisors, Inc. Birch Run Financial is not a registered broker/dealer and is independent of Raymond James Financial Services. Birch Run Financial is located at 595 E Swedesford Rd, Ste 360, Wayne PA 19087 and can be reached at 484-395-2190. Any rating is not intended to be an endorsement, or any way indicative of the advisors' abilities to provide investment advice or management. This podcast is intended for informational purposes only.Links are being provided for information purposes only. Raymond James is not affiliated with and does not endorse, authorize, or sponsor any of the listed websites or their respective sponsors.Raymond James is not responsible for the content of any website or the collection or use of information regarding any website's users or members. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the jigs of County Clare to the reels of Donegal, this week we're taking you on a musical journey across Ireland and beyond. We've got everything from Boxing Robin's energetic traditional sets to contemporary voices like Nerea The Fiddler and Irish Millie. Plus, the legendary Altan stops by with a stunning reel selection. Grab your headphones—this is This Week in Celtic Music on the Irish & Celtic Music Podcast #747  -  -  Subscribe now at CelticMusicPodcast.com! Boxing Robin, Alex Sturbaum, Vienna Scheyer, The Drowsy Lads, Nerea The Fiddler, Erin Ruth, Autumn Rhodes, Tulua, ISHNA, Sue Tillotson, Jim Cunningham, Altan, Low Power Trio, Ian Alistair Gosbee, Ironwood music, Callán, Irish Millie, The Irish Rovers GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! THIS WEEK IN CELTIC MUSIC 0:06 - Boxing Robin "Clare to Donegal Jigs" from The View From Here 3:29 - WELCOME 5:29 - Alex Sturbaum "Irishman's Heart to the Ladies / Hills of Glenorchy / When the Cock Crows it is Day (feat. Vienna Scheyer)" from Slash 10:25 - The Drowsy Lads "Memories and Moments" from Time Flies 13:57 - Nerea The Fiddler "A Moment of Absence" from Off The Beatn Path 16:15 - Erin Ruth, Autumn Rhodes "Irish Ways & Irish Laws" from single 19:10 - FEEDBACK 23:09 - Tulua "Rambling Boys of Pleasure" from No Coming No Going 28:56 - ISHNA "Cunla" from Slí Amach 32:57 - Sue Tillotson & Jim Cunningham "Star of the County Down" from Water Horse 35:55 - Altan "The House of Baoithín Selection: Miss Stewart's/Bonnie Annie/Hand Me Down The Tea Things/House of Baoithín (Reels)" from Donegal 39:42 - Low Power Trio "Arthur McBride" from Dirty Old Town 45:13 - THANKS 47:05 - Ian Alistair Gosbee "Grace" from Ray of Sunshine 50:01 - Ironwood "The White Gypsy" from Gretna Green 54:08 - Callán "Young Bridie" from Bloody Callán 56:57 - Irish Millie "Big Red" from GRACE 1:00:49 - CLOSING 1:01:49 - The Irish Rovers "Across The Western Ocean" from Drunken Sailor 1:04:21 - CREDITS Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra - rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. This podcast is for fans of all kinds of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email the artists to let them know you heard them on the Irish & Celtic Music Podcast. These musicians are not part of some corporation. They are small indie groups that rely on people just like you to support their music so they can keep creating it. Please show your generosity. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. IRISH & CELTIC MUSIC PODFEST Join us Sunday, March 8, 2026, from 12 to 6 PM for the Irish & Celtic Music PodFest and Arts Market at The Lost Druid Brewery in Avondale Estates, Georgia. Spend the afternoon surrounded by live Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Grab a pint, enjoy the tunes, and share the energy of a true Celtic gathering. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

Gary and Shannon cover Zuckerberg taking the stand in the landmark tech trial, breaking down how the defense is trying to make him unlikeable and whether his media training will backfire with the jury. Then TMZ's self-imposed gag order on the Guthrie case is already over with another ransom note, and the FBI is now in contact with Mexican law enforcement, raising questions about why that didn't happen sooner. Millennials melted their brains with screens but their Gen Alpha kids want the analog life, buying CDs and reading graphic novels, though Shannon points out the income disparity behind early smartphone access. Mayor Bass calls for Casey Wasserman to step down over Epstein ties and Angelenos fire back. Plus, new ADP data shows the pay bump for switching jobs has shrunk to just 1.9% over staying put.See omnystudio.com/listener for privacy information.

This bonus episode finally lifts the lid on Patrick and Russ's long-awaited book project, Laurel & Hardy: Silents. Eight years in the making, this exclusive limited edition book(s) promises to be the definitive record of Stan and Ollie's silent era and will be the only book to publish every available production still for these classic, formative comedies. Patrick and Russ are joined by a friend of the podcast, Chris Seguin, as they discuss the genesis, the transformative production process and the final physical product. Also included in the conversation are details of how to order, the cost and the predicted timescale. In addition to all this, the tables are turned, as Patrick and Russ both face the Atoll Question! For more information on Laurel & Hardy: Silents, to join the mailing list or watch the promotional videos, visit the boys' website at https://www.laurelandhardyfilms.com/books To become part of the new 'Fraternally Yours' online discussion group, and to access bonus Patron-only exclusive podcasts, just sign up to show your appreciation and support for the show and become a 'Plumtree Tier' Patron by clicking the link here: ⁠⁠⁠⁠⁠⁠⁠https://patreon.com/user?u=88010194⁠⁠⁠⁠⁠⁠⁠For more information on The Laurel & Hardy Podcast visit the website at ⁠⁠⁠⁠⁠⁠www.laurelandhardyfilms.com⁠⁠⁠⁠⁠⁠⁠To contact Patrick, email ⁠⁠⁠⁠⁠⁠⁠theboys@laurelandhardyfilms.com⁠⁠⁠⁠⁠⁠⁠If you'd like to leave feedback about the podcast, make a point, ask a question, or generally join in the discussions about the podcast and all other things Laurel and Hardy related, why not become part of the podcast community by joining the Fraternally YoursFacebook Group here: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/2920310948018755⁠⁠⁠⁠⁠⁠⁠To purchase CDs of the Beau Hunks Orchestra's music contained in these podcasts, click here: ⁠⁠⁠⁠⁠⁠⁠https://amzn.to/2CgeCbK⁠⁠⁠⁠⁠⁠⁠

Send a textA rapper in a Honda Civic just outplayed the internet. We break down how J. Cole's trunk-sold CDs, city-to-city drop-ins, and breadcrumb clues turned casual listeners into dedicated hunters—and why more than 200,000 people still crushed a single presale queue. The story isn't just hype; it's a blueprint for connection in a noisy era. When an artist hints this might be the last “J. Cole” album for a while and then shows up in person, the stakes change. Scarcity turns into urgency, and presence becomes the product.We dig into the album's grip and a tantalizing what-if: Cole bar-for-bar over outside producers like Alchemist and 9th Wonder. Would a fully external soundscape unlock a new chapter? The conversation widens into the Big Three debate, where craft, persona, and promotion all collide. Cole's rollout didn't chase spectacle—it built trust—while still driving record physical sales and impossible queues. We swap stories from the field, including a near-miss sighting tracked with Google Lens, and the white-knuckle hunt for tickets, VIP shock included.Culture never sits still, so we push further. Jill Scott's new album shines, Floetry's reunion sparks nostalgia questions, and a left turn to Mobile Suit Gundam (1979) reminds us why some worlds never age: strong stakes, moral weight, and style that still punches. We also unpack the latest streaming shuffle with Cartoon Network and Warner Bros. content sliding to Tubi, plus a spirited tier list of game franchises—Fallout, Mass Effect, The Sims, Dragon Age, Wolfenstein, Halo, The Witcher—to test what truly endures. Hit play for a fast, thoughtful ride through music, fandom, and the mechanics of staying power. If this run is Cole's last lap for a while, it's a masterclass in how to finish strong. Subscribe, share with a friend, and tell us: where does Cole rank for you right now? https://www.carolinaotakus.com/

Send a textBack in 2022, I talked with Ben Vaughn, whose music and radio show I've been a fan of for years. Ben has enjoyed a great career as a performer, songwriter, composer for film and TV, and record producer. He's produced records by Ween, Arthur Alexander, and Charlie Feathers, and also collaborated with Alan Vega, Alex Chilton and Los Straitjackets. His songs have also been recorded by artists including Marshall Crenshaw, The Morells, and Deer Tick. Needless to say, Ben Vaughn has encountered some colorful characters in his musical journey. His friend Laura Pochodylo, who works for Sun Records in Nashville, wrote the names of those colorful characters down and placed them in a hat. Names like Jonathan Richman, Arthur Alexander, Willie Nelson, Nancy Sinatra and more. So, what do they do with those names? Laura selects a few at random and Ben relives the stories—no pre-planning, no filter —just telling it like it was, straight from the hat. The new podcast is called, of course, Straight from the Hat and on today's episode of Frets, I happily welcome…the return of Ben Vaughn.Songs featured in this episode:“Quote Unquote” by Ben Vaughn“Asking for a Friend” by Ben Vaughn“My Reservation's Been Confirmed” – a Herman's Hermits song (one of my favorites) covered by Ben and written by Charles Silverman, Derek Leckenby and Keith HopwoodListen to Straight From the Hat here.Find music by Ben Vaughn here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Find or Sell Guitars and Gear at ReverbFind great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.     AT A GLANCE - ON THE SHOW THIS WEEK  Interview with Eurovision Winner Charlotte Perrelli (Nilsson) (Sweden 1999) - done at the Aftershow Party of Heat 2 of Melodifestivalen 2026 in Gothenburg Interview with Maja Ivarsson (Melodifestivalen 2025, Sweden) - done at the Aftershow Party  of Heat 1 of Melodifestivalen 2026 in Linköping Malta Eurovision Song Contest (MESC) 2026 - Review continue Interview with Kelsy Attard (MESC 2026, Semi Finalist) Interview with Kelsie Borg (MESC 2026, Number 11)  Interview with Liston (MESC 2026, Semi Finalist)  Eurovision Spotlight: Eurovision 2026 National Finals with Ross Bennett Eurovision News with Nick van Lith from www.escXtra.com  Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal  National Final Update for Eurovision Song Contest with Alain Forotti  New Music Releases by Eurovision Artists  Your music requests      Melodfestivalen 2026:  Radio International continues with the coverage next week when JP will be in Malmö at Heat 4 of Melodifestivalen 2026. This week check out the Eurovision Spotlight with Ross for the qualifiers of Heat 3 from Kristiansta.  The Heats are scheduled as follows: Heat 1:  31 Jan 2026 - Linköping - Saab Arena Heat 2:  07 Feb 2026 - Gothenburg - Skandinavium Heat 3:  14 Feb 2026 - Kristianstad - Kristianstad Arena Heat 4:  21 Feb 2026 - Malmö - Malmö Arena Heat 5:  28 Feb 2026 - Sundsvall -  Gärdehov Grand Final of Melodifestivalen 2026:  07 Mar 2026 - Stockholm - Strawberry Arena in Solna    Charlotte Perrelli with JP  at the Aftershow Party of Heat 2 of Melodifestivalen     Interview with Charlotte Perrelli (Eurovision Winner 1999, Sweden):  At the aftershow party of Heat 2 of Melodifestivalen 2026 in Gothenburg in Sweden, Radio International's JP had the pleasure to meet Charlotte Perrelli who as Charlotte Nilsson won the Eurovision Song Contest in 1999 with the song "Take me to your heaven". Charlotte and Gina Dirawi (Host of Melodifestivalen 2026) performed an Interval Act in Heat 2. How this came about listen to the interview on the show today.      Maja Ivarsson with JP  Interview with Maja Ivarsson (Melodifestivalen 2025, Sweden):  At the aftershow party of Heat 1 of Melodifestivalen 2026 in Linköping in Sweden, JP had the pleasure to meet again Maja Ivarsson after she had taken part in Melodifestivalen 2025 making it to the Grand Final with the song "Kamikaze Life". Maja performed an interval act at Heat 1 of Melodifestivalen 2026.          The Malta Eurovision Song Contest 2026 (Part 3): The Malta Eurovision Song Contest is the National Final to select that song that will be representing the country at the Eurovision Song Contetest 2026 in Vienna, Austria in May. The Malta Eurovision Song Contest 2026 was hosted hosted by Keane Cutajar, Destiny Chukunyere (who won Junior Eurovision 2015 and represented Malta in Eurovision 2021) and Gaia Cauchi (who won Junior Eurovision 2013). The Semi Final with 18 artists took place on Thursday, 15 Jan 2026 followed by the Grand Final on Saturday, 17 Jan 2026 from MFCC (Malta Fairs and Convention Centre).  Congratulations to Aidan who won the Malta Eurovision Song Contest 2025 with the song "Bella" which will be in Semi Final 2 in the Second Half at the Eurovision Song Contest 2026 on Thu 14 May 2026.      Malta Eurovision Song Contest 2026 Scoreboard   Radio International already broadcast some of the interviews from Malta Eurovision Song Contest 2026 in last week's edition. Listen to more interviews this week with:  Kelsie Borg (MESC 2026, Number 11), Kelsy Attard (MEC 2026, Semi Final) and the Liston (MEC 2026, Semi Final).   Kelsie Borg at Malta ESC 2026 ("Let a girl breathe")     Liston at Malta ESC 2026 ("Mela")     Kelsy Attard at Malta ESC 2026 ("Perfectly Broken") You can watch all our Interviews with the Malta Eurovision Song Contest 2026 participants on this page - CLICK HERE     The Eurovision Spotlight - The Eurovision National Final Season:  The New Eurovision Year 2026 has started and with that also the National Final Season for the Eurovision Song Contest 2026 is in full swing with countries selecting their entry to the Eurovision Song Contest. JJ won Eurovision 2025 and with that Austria will host the Eurovision Song Contest 2026 in the Wiener Stadthalle on 12 and 14 May 2026 for the two Semi Finals and the Grand Finale to take place on Saturday, 16 May 2026. Until the end of March 2026 the National Final Season for Eurovision 2026 is on and Radio International's team members will be highlighting the best picks of the national finals. Ross Bennett continues the series with taking a look at National Finals of the last seven days.     Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar: Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Javier stands in for Nick and will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and Alain Forotti gives us already the updates of the National Finals to the Eurovision Song Contest 2026 and and....       Eurovision 2 Album: The Eurovision 2 Album is now available on powerworldmusic.bandcamp.com, and CDs are also available by messaging Tony Power on Facebook to order copies.  https://powerworldmusic.bandcamp.com/album/eurovision-connects-2 For full details of this week's Show Content and Play List - click here

John and Craig gather our listeners' favorite news articles and ask, How Would This Be a Movie? Stories include an underground network delivering menstrual supplies in Minneapolis, a millennial travel group, how the US hacked ISIS, and a fake college squash team. But first we follow up on modern comps, email issues, teaching screenwriting, and what it means to be undeniable. We also answer listener questions on querying reps with a published book and whether writers really need to repeat the plot for a second-screen audience. In our bonus segment for premium members, what do we do with all our old CDs and DVDs? We weigh the pros and cons of physical media. Links: How an errand for a 12-year-old immigrant in Minneapolis became an underground operation by Jasmine Garsd and Sarah Ventre for NPR I Went on a Package Trip for Millennials Who Travel Alone. Help Me. by Caity Weaver for The New York Times How the US hacked ISIS by Dina Temple-Raston for NPR Whitman College: The Best College Squash Team in History by James Zug for Squash Magazine Shipping Out by David Foster Wallace Email deliverability tester Disempowerment patterns in real-world AI usage by Cornell University and Anthropic The world's greatest song that simply shouldn't exist Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Gloom Canyon (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.

The episode opens with an emotional look into Jamie Foxx’s new breakup‑inspired single “Somebody”, which he revealed was fueled by a painful Valentine’s Day split with a Spanish-speaking ex—a heartbreak he said “messed [him] up,” as he described blinking and still seeing her face. Meanwhile, the team dives into the online uproar surrounding Michael Jordan’s viral Daytona 500 moment, where footage showed him pinching and tapping Tyler Reddick’s young son; although critics called it inappropriate, new context and closer footage suggest he was likely removing ice that had fallen into the child’s clothing during the chaotic celebration. The show also takes time to honor the profound legacy of Rev. Jesse Jackson, who passed away at 84 and is being celebrated nationwide as a towering civil rights leader, global activist, and inspiration whose decades of work—from marching with Dr. King to running historic presidential campaigns—reshaped American politics and expanded pathways for future Black leaders. The episode closes with a high‑energy highlight as J. Cole continues popping up on HBCU campuses—including Howard, Hampton, and North Carolina A&T—to personally deliver his new album The Fall Off directly from the trunk of his Honda Civic, creating nostalgic, fan‑packed moments reminiscent of his early career hustling CDs hand‑to‑hand. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

J. Cole continues popping up on HBCU campuses—including Howard, Hampton, and North Carolina A&T—to personally deliver his new album The Fall Off directly from the trunk of his Honda Civic, creating nostalgic, fan‑packed moments reminiscent of his early career hustling CDs hand‑to‑hand. See omnystudio.com/listener for privacy information.

In this episode, The Annuity Man discusses:  RMDs as a built-in income stream Building a reliable income floor for Chapter Two Stacking income sources intentionally Choosing truth over product-driven advice   Key Takeaways:  Required Minimum Distributions are not just tax events but forced withdrawals that create predictable income. Like Social Security, they function as an annuity whether you planned for one or not. Seeing RMDs as income rather than irritation changes how retirement planning is approached. Retirement is reframed as Chapter Two, a season focused on lifestyle and freedom. The priority is creating a guaranteed income floor that covers essential expenses regardless of markets. With that baseline secured, retirees gain confidence and flexibility in their financial decisions. An income floor can include Social Security, pensions, RMDs, dividends, rentals, bonds, CDs, treasuries, and MYGAs. RMDs must be factored in because they are predictable and legally required. Failing to include them can lead to unnecessary product purchases and inefficient planning. Not everyone needs to buy an additional annuity. If projected RMD income already meets lifestyle needs, additional guarantees may be unnecessary. A truth-first approach prioritizes client needs over sales, reinforcing trust and long-term credibility.   "You already own an annuity, and it's called Social Security, and it's the best inflation annuity on the planet." —  Stan the Annuity Man   Connect with The Annuity Man:  Website: http://theannuityman.com/  Email: Stan@TheAnnuityMan.com  Book: Owner's Manuals: https://www.stantheannuityman.com/how-do-annuities-work YouTube: https://www.youtube.com/channel/UCCXKKxvVslbeGAlEc5sra2g  Get a Quote Today: https://www.stantheannuityman.com/annuity-calculator!

2:00 - WrestleMania Ticket Pricing Controversy Analysis of WWE's expensive WrestleMania packages in Las Vegas5:00 - Vegas Travel Costs & Accessibility Issues How expensive flights and accommodations are affecting WrestleMania attendance10:00 - WWE's Disconnect with Fan Base Discussion of WWE being out of touch with their core audience's economic reality15:00 - Physical Media Comeback DVDs, records, and CDs returning due to streaming concerns20:00 - WrestleMania Package Breakdown Detailed look at the $37,500 premium packages and what they include30:00 - Economic Reality Check Comparing ticket prices to actual fan income levels and affordability38:00 - The 2025 Dave Meltzer Wrestling Awards39:00 - Worst Gimmicks Top 5 including Heel John Cena (#1), Wyatt Sicks (#2), House of Torture (#3)42:00 - Toni Storm takes both worst (#4) and best (#1) gimmick awards43:00 - Best Booker of the Year Tony Khan wins despite AEW's struggles46:00 - Worst Promotion WWE takes the top spot48:00 - Best Major Wrestling Shows All top 5 are AEW shows (All In, Double or Nothing, Revolution, All Out, Stardom)50:00 - Worst TV Shows WWE NXT (#1), SmackDown (#2), with AEW Collision making the list at #558:00 - Best Non-Wrestlers Don Callis (#1), Paul Heyman (#2), discussion of manager roles60:00 - Worst TV Announcers Booker T (#1), Pat McAfee (#2), debate about commentary styles73:00 - Best TV Announcers Bryan Danielson (#1), Walker Stewart (#2), discussion of commentary quality85:00 - Most Overrated Wrestlers Jay Uso (#1), CM Punk (#2), Jade Cargill (#3)88:00 - Most Underrated Wrestlers Beast Mortos (#1), Chevon Evans (#2)90:00 - Best Flying Wrestler Mascara Dorada (#1), Will Ospreay (#2)91:00 - Best Technical Wrestler Zack Sabre Jr. (#1), discussion of technical wrestling standards95:00 - Best Brawler John Moxley & Hangman Adam Page tie for top spots98:00 - Wrestler of the Year (Lou Thesz Award) Mistico (#1), John Moxley (#3), Saya Kamitani (#4), John Cena (#5)99:30 - Closing RemarksBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

In this episode of the Faces of the Future Podcast Millz and Rocket are back with a music heavy podcast. They first react to their first listen of Brent Faiyaz's new album, next they react to Baby Keem coming back from a 5 year hiatus and announcing his new album CA$INO accompanied by his first headlining tour, they give their thoughts on J.Cole handing out CDs in different cities, who would have the better half time performance Ye or Chris Brown, plus more.Support the show

Lucie Arnaz is a renowned actress, singer, and producer. For nearly three decades, she has performed her acclaimed nightclub act throughout the United States and Europe, in Las Vegas, Atlantic City, at Feinstein's, 54 Below, Birdland and the Café Carlyle. She has performed at The Academy Awards show and at the White House. And she's released several acclaimed CDs. She's known also for her roles in the film “The Jazz Singer” alongside Neil Diamond and the TV series “Sons And Daughters”. And she also starred together with her parents in “Here's Lucy”. For anyone living in a cave since the 1950s, or who just isn't old enough, Lucie's parents were the iconic superstars Lucille Ball and Desi Arnaz, who were the stars of the show “I Love Lucy”, one of the most famous and most important shows in the history of television.My featured song is “Juliet Dances” from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LUCIE:www.luciearnaz.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

We list the lists while Mikey dies.Check out our Patreon for bonus shows and more!Musical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

Enjoyed this episode or the podcast in general? Send me a text message:A cargo jet that doesn't dogfight, doesn't sneak, and rarely breaks the speed of sound reshaped modern power by doing one thing better than anyone else: showing up with the right cargo, at the right place, right on time. We dig into the C‑17 Globemaster's improbable rise from near‑cancellation to cornerstone of air mobility, and why professionals talk logistics when the stakes are highest.We take you from the Cold War gap that demanded a new kind of airlifter to the audacious requirements that forced a revolution in design. Externally blown flaps, a full HUD, and a protective fly‑by‑wire system let a 585,000‑pound jet land on 3,500‑foot strips and turn quickly with minimal support. Inside, the cargo bay becomes a shape‑shifter—moving an M1 Abrams, 18 pallets, or over a hundred paratroopers with minutes of reconfiguration—collapsing the distance between plan and presence. Along the way, we unpack how Boeing's merger stabilized production, turning early turbulence into a platform nine nations rely on.From Iraq and Afghanistan to the 2004 tsunami and the 2010 Haiti earthquake, the C‑17 proved that logistics is strategy. We revisit REACH 871's extraordinary Kabul evacuation of 823 civilians, a moment that showed both the aircraft's capacity and the crew's courage. Then we go low and quiet with CDS airdrops and special operations missions, and far and cold to blue ice runways in Antarctica. Viewer stories round it out with firsthand details: green‑lit cabins, short‑field landings that feel like magic, and the odd wrong‑airport arrival that still ends safely. With service projected to 2075, the Moose continues to blend strategic reach with tactical nerve.If this story moved you, follow and subscribe, share it with a friend who loves aviation, and leave a review with your biggest C‑17 question or memory. Your support helps us bring more deep, human stories of airpower to life.Support the showTo help support this podcast and become a PilotPhotog ProCast member: https://www.buzzsprout.com/1555784/supportIf you enjoy this episode, subscribe to this podcast, you can find links to most podcast streaming services here: PilotPhotog Podcast (buzzsprout.com) Sign up for the free weekly newsletter Hangar Flyingwith Tog here: https://hangarflyingwithtog.com You can check out my YouTube channel for many videos on fighter planes here: https://youtube.com/c/PilotPhotog If you'd like to support this podcast via Patreon: https://www.patreon.com/PilotPhotog And finally, you can follow me on Twitter here: https://twitter.com/pilotphotog

In today's episode, I'm wrapping up the music for the indoors castle sections of the Rocketeer vs the Third Reich pixelart game I've been making.  Last week, I based the melody on the Jenny Theme from the Rocketeer soundtrack by James Horner and made a short segment (about 30 sec long), trying to make it sound both regal and ominous.  I think the theme in the film plays when Jenny is captured by Neville Sinclair, who is both Hollywood royalty and a secret Nazi spy, so that seems appropriate.  I think in that segment, she is taken to his Frank Llyod Wright style house after being drugged and wakes on his bed (I think after real life events mirroring such events have hit a little too close to home in recent years, Hollywood probably would not go there today, but this was 1991).  Nonetheless, I wanted to give the theme an ominous theme to play up the tension in the castle so besides the melody itself, also added some ambient castle noises to try to give you an idea you are in a large stone building.  More to come next week!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2026/02/16/the-thirteenth-hour-podcast-549-and-like-a-hood-ornament-92-updates-on-the-rocketeer-vs-the-third-reich-video-game-5/

In this episode, we discuss recordings of “The Greco Brothers & Friends: Works for Basse De Violon, Violoncello and Keyboard” (Challenge Classics) by I Mastricelli, “Schumann: Fantasie, Op. 17 - Carnival Scenes From Vienna – Humoreske” (Harmonia Mundi) by Nikolai Lugansky, “Augusta Read Thomas: Sol” (Nimbus) by the Grossman Ensemble, DePaul Wind Ensemble & various artists, “Axes Duo” (Da Vinci Jazz) Gianni Virone & Alessandro Chiappetta, “Philly 3” (Spring Garden Records) by James Fernando, and “Dragon Boat” (Laika Records) by Tobias Frohnhöfer.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 247 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “The Greco Brothers & Friends: Works for Basse De Violon, Violoncello and Keyboard” (Challenge Classics)  I Mastricelli https://open.spotify.com/album/1WQKMk4Tn8LHYGVOs7zOFn https://music.apple.com/pe/album/the-greco-brothers-works-for-violoncello-bass-violin/1852287851 https://music.amazon.com/albums/B0G1TZPJR7   “Schumann: Fantasie, Op. 17 - Carnival Scenes From Vienna – Humoreske” (Harmonia Mundi) Nikolai Lugansky https://open.spotify.com/album/1yTEsniXooT5repxRCtpvm https://music.apple.com/pe/album/schumann-fantasie-op-17-carnival-scenes-from-vienna/1846245724 https://music.amazon.com/albums/B0FWB9JS5Z   “Augusta Read Thomas: Sol” (Nimbus) Grossman Ensemble, DePaul Wind Ensemble, and various artists https://open.spotify.com/album/74GVJT8F1T9B1XFUQ0MIaP https://music.apple.com/pe/album/augusta-read-thomas-sol/1853051287 https://music.amazon.com/albums/B0G2CZTR9X   “Axes Duo” (Da Vinci Jazz) Gianni Virone, Alessandro Chiappetta https://open.spotify.com/album/3rQbg4zdi9JpE27cPyU1TG https://music.apple.com/pe/album/axes-duo/1867533892 https://music.amazon.com/albums/B0GFPJ6S17   “Philly 3” (Spring Garden Records)  James Fernando https://open.spotify.com/album/3Yu5ddg4QQK7InHlcYpX1y https://music.apple.com/pe/album/philly-3/1850417817 https://music.amazon.com/albums/B0FZBVJS13   “Dragon Boat” (Laika Records)  Tobias Frohnhöfer https://open.spotify.com/album/1L7buWGGVOrfCuozSLjfVG https://music.apple.com/pe/album/dragon-boat/1870278141 https://music.amazon.com/albums/B0GGJRJTWL

These ancient words of lament, combined with a haunting medieval traditional Irish melody, express the human longing to see God's face in times of sorrow. The original tune ‘The Lament of the Three Marys/Coaineadh na dTrí Muire' depicts the three Marys' cries of sorrow at the tomb of Jesus - a moving complement to this prayer expressing sorrow and abandonment, and the yearning for signs of hope.Get your accompanying journal, which includes further questions for reflection and some invitations to prayer and practicePaid subscribers receive a free journal PDF, or you can purchase a paperback versionVisit the Celtic Psalms website for scores/books, mp3s, CDs, and videos for How LongFind out more about the Habits for the Spirit course: an 8-week online course exploring habits and daily spiritual practices to promote wellbeing in body, mind, and spiritFollow Kiran's monthly reflections on Bless My FeetPsalms for the Spirit is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit psalmsforthespirit.substack.com/subscribe

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 This title was released in January 2026. It will be exclusively available to buy from the Big Finish website until 31 March 2026, and on general sale after this date. 1954, an ordinary morning at Matthews and Small, until the screaming starts. Racing upstairs, they find everyone's dead on floor three. What was the mysterious firm upstairs? Can the prompt arrival of an investigator from Torchwood find a traitor? Please note: the collector's edition CDs have now sold out Recorded on: 18 July 2025 Recorded at: The Soundhouse Lead actor Samuel Barnett, who has played Norton Folgate in many audio adventures since 2016, said: "This is set in the 1950s, which is Norton's real time period, rather than any of the time-travelling type stuff that he does. He is trying to stop a time bomb going off in a building. But he's been a very naughty boy! As usual with Norton, is he good? Is he bad? We love that he's slightly bad, but we ultimately want him to be good." Samuel Barnett (Norton Folgate) Julian Bleach (Robert Matthews) Aruhan Galieva (Angela Carr) Cassius Hackforth (Timothy Small) Alistair Toovey (William Ledbury)

In this raw, emotional, and unforgettable interview, UNKASA visibly struggles to hold back emotion as he finally tells the truth about Dipset, brotherhood, money, ego, and being erased from hip-hop history. For the first time in decades, UNKASA opens up about the pain behind the legacy, watching relationships fall apart, being counted out, and carrying the weight of Harlem and the music industry without ever being properly credited or paid. As the conversation deepens, the moment becomes overwhelming as he speaks on: * Dipset's rise, fracture, and internal breakdown * Never making a dollar from Dipset * How money and ego destroyed real brotherhood * Being present in the early days but written out later * Selling hundreds of CDs hand-to-hand before industry deals * Losing friends, funerals, and unresolved grief * Why vulnerability is punished while disrespect is celebrated * Mental health and surviving the industry * His message to Cam'ron, Jim Jones & Juelz Santana * Why “we don't have time anymore” This isn't internet drama.This isn't revisionist history. This is a grown man confronting years of pain in real time, speaking honestly about legacy, loss, and love for a culture that doesn't always love you back.

This special Saturday episode of the Very Dental Podcast is all about the upcoming Chicago Midwinter Dental Meeting! Alan Mead sits down with Dr. Phil Schefke, President of the Chicago Dental Society (CDS), to preview the 2026 Midwinter Meeting. Whether you're a 30-year veteran of the meeting or a dental student looking for your first experience, this episode dives into why Chicago remains the premier destination for dental innovation, collegiality, and—believe it or not—puppies. The Guest: Dr. Phil Schefke Dr. Schefke serves as the President of the Chicago Dental Society, the largest component of the ADA. With a board of 15 members and a dedicated staff, Phil has spent nearly a decade on the leadership ladder to help orchestrate a meeting that hosts attendees from all 50 states and over 60 countries. What's New at the Midwinter Meeting? The CDS team has spent three years redesigning the attendee experience based on direct feedback. Here are the new features and highlights discussed in this episode: Streamlined Registration: No more waiting for badges in the mail. Attendees will receive a QR code to print their badges at self-service stations at McCormick Place or at three partner hotels (Hyatt Regency on Wacker, Hyatt McCormick, and Marriott McCormick). Enhanced Exhibit Floor Layout: The floor has been redesigned with shorter aisles for easier mobility and "crisscross" navigation. Refresh & Recharge Stations: Scattered throughout the floor, these areas offer water and phone charging ports to keep you hydrated and connected. Grab-and-Go Dining: New food stations on the exhibit floor designed for quick lunches between CE courses. The "Hadley" Puppy Corner: A dedicated space in the back of the exhibit hall to play with puppies and melt away the stress of the day (named after the first CDS president). Early Career Dentist Lounge: A comfortable space featuring couches and networking opportunities specifically for the next generation of clinicians. CDS "Swag" Booth: For the first time, attendees can purchase official CDS-branded jackets, sweaters, and coffee cups. Tech Upgrades: A brand-new, intuitive registration system that prevents double-booking courses and high-quality, reliable Wi-Fi throughout the venue. On-Site Mobile Clinic: The Illinois Masonic Hospital will have their mobile dental van on the floor for tours and demonstrations. Free Professional Headshots: Available at the CDS footprint for attendees to update their professional profiles. Special Events & Keynotes Thursday: Keynote speaker Chris Chelios, three-time Stanley Cup champion, discussing leadership and championship-level teamwork. (Plus, Garrett's Popcorn giveaways!) Friday: "Sip, Suds, and Sales" (beer and wine on the exhibit floor) followed by the Beats and Bites DJ party. Saturday: The traditional President's Dinner Dance, a black-tie event featuring a live band to celebrate the week's successes. The "Fourth Level" of Dentistry Alan and Phil discuss the "secret sauce" of CDS membership. At just $125 (for ADA members), membership provides free registration to the meeting, offering incredible value compared to standard registration fees. It's a tradition that spans 161 years, proving that while technology changes, the value of face-to-face collegiality remains priceless. Some links from the show: The 2026 Chicago Midwinter Dental Meeting Join the Very Dental Facebook Group using one of these passwords: Timmerman, Paul, Bioclear, Hornbrook, Gary, McWethy, Papa Randy, or Lipscomb!  The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! I'm a big fan of the Bioclear Method! I think you should give it a try and I've got a great offer to help you get on board! Use the exclusive Very Dental Podcast code VERYDENTAL8TON for 15% OFF your total Bioclear purchase, including Core Anterior and Posterior Four day courses, Black Triangle Certification, and all Bioclear products. Are you a practice owner who feels like the bottleneck in your own business? If you're tired of being the hardest-working person in your office, I've got something you need to hear. Dr. Paul Etchison, is hosting a virtual event that is a total game-changer. Paul is honestly one of the most brilliant minds in dental leadership today, and he's hosting the 3-Day Freedom Practice Workshop from February 19th through the 21st. He's going to show you exactly how to break through that two-million-dollar revenue ceiling while actually compressing your clinical week. It's about building a leadership team that takes ownership so you can finally step into the CEO role you deserve. Head over to DentalPracticeHeroes.com/freedom to grab your spot. And do me a favor—mention the Very Dental podcast when you sign up. It's 100% guaranteed, so you've got nothing to lose but the stress. Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code "VERYSHIP" you'll get free shipping on your order! Go save yourself some money and support the show all at the same time! The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!  

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠Dive into the monumental arrival of J. Cole's purported final chapter on Notorious Mass Effect with Analytic Dreamz. This segment examines "The Fall-Off," the rapper's seventh studio album and only double album, released February 6, 2026, via Dreamville and Interscope Records.Analytic Dreamz details the project's ambitious scope: 24 tracks split across two discs ("Disc 29" and "Disc 39"), exceeding 100 minutes in runtime, with a reflective, career-summation narrative echoing mixtape-era aesthetics. Features include Future (on multiple tracks), Tems, Burna Boy, Erykah Badu, Morray, Petey Pablo, PJ, and others, backed by production from Cole himself, T-Minus, The Alchemist, Boi-1da, FnZ, and more.As of February 13, 2026, industry projections from Hits Daily Double and echoed across Complex, XXL, and HotNewHipHop position the album for a No. 1 debut on the Billboard 200 with approximately 291,000 album-equivalent units in its first week—around 115,000 in pure sales (CDs, vinyl, digital downloads) driven by the innovative "Trunk Sale" tour tactic for direct-to-consumer physicals, plus 176,000 from streaming and equivalents. This would mark Cole's seventh consecutive No. 1, surpassing his 2021 The Off-Season (282K) and far exceeding 2024's Might Delete Later (115K), amid the "final album" hype fueling media and fan amplification.Analytic Dreamz analyzes the market signals: robust physical component stands out in modern rap, long tracklist boosts streaming volume, and strategic narrative plus tour activation align for strong commercial impact. Critical reception highlights lyrical introspection and evolution, though some note self-referential elements and length. With no major contradictory forecasts, this positions "The Fall-Off" among 2026's top rap openings, confirming Cole's enduring dominance while priming for official chart confirmation.Stay tuned as Analytic Dreamz provides the comprehensive breakdown on this landmark release and its place in hip-hop legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the monumental arrival of J. Cole's purported final chapter on Notorious Mass Effect with Analytic Dreamz. This segment examines "The Fall-Off," the rapper's seventh studio album and only double album, released February 6, 2026, via Dreamville and Interscope Records.Analytic Dreamz details the project's ambitious scope: 24 tracks split across two discs ("Disc 29" and "Disc 39"), exceeding 100 minutes in runtime, with a reflective, career-summation narrative echoing mixtape-era aesthetics. Features include Future (on multiple tracks), Tems, Burna Boy, Erykah Badu, Morray, Petey Pablo, PJ, and others, backed by production from Cole himself, T-Minus, The Alchemist, Boi-1da, FnZ, and more.As of February 13, 2026, industry projections from Hits Daily Double and echoed across Complex, XXL, and HotNewHipHop position the album for a No. 1 debut on the Billboard 200 with approximately 291,000 album-equivalent units in its first week—around 115,000 in pure sales (CDs, vinyl, digital downloads) driven by the innovative "Trunk Sale" tour tactic for direct-to-consumer physicals, plus 176,000 from streaming and equivalents. This would mark Cole's seventh consecutive No. 1, surpassing his 2021 The Off-Season (282K) and far exceeding 2024's Might Delete Later (115K), amid the "final album" hype fueling media and fan amplification.Analytic Dreamz analyzes the market signals: robust physical component stands out in modern rap, long tracklist boosts streaming volume, and strategic narrative plus tour activation align for strong commercial impact. Critical reception highlights lyrical introspection and evolution, though some note self-referential elements and length. With no major contradictory forecasts, this positions "The Fall-Off" among 2026's top rap openings, confirming Cole's enduring dominance while priming for official chart confirmation.Stay tuned as Analytic Dreamz provides the comprehensive breakdown on this landmark release and its place in hip-hop legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Join this channel to get access to perks such as Weekly Zoom Calls & Private Discord!! https://www.youtube.com/channel/UC4BqTVQA1pCwe9QaEPwD3MQ/join Free 30 Day Trial to Go2Lister https://www.go2lister.com/mike I help teach people how to make money selling books on Amazon, leveraging the platform's vast reach and the profitability of reselling used books. How to sell books on Amazon? Selling books on Amazon can be an excellent side hustle or a full-time endeavor, particularly if you enjoy thrifting through places like Goodwill for hidden treasures. How to start selling on Amazon is accessible, and with my guidance on how to sell books, DVDs, CDs, and other media, beginners can quickly learn the ropes. Utilizing Amazon FBA streamlines operations, allowing sellers to focus more on sourcing and less on logistics. As a reselling coach, I provide tutorials and guidance on navigating challenges like ungating and optimizing listings for maximum visibility and sales. Whether you're looking for a part-time side hustle or aiming to become a full-time reseller, I will teach you the ins and outs of thrifting books and selling books online and can pave the way to creating passive income streams and achieving business growth.

Send a textAir Date:  February 9, 2026 on 91.3FM WVKR-This week on In The Field Radio, Rapz and Erin Boogie jump straight into J. Cole's highly anticipated album ‘The Fall-Off' and neither of them made it through the entire project in one sitting. The duo gives their unfiltered opinion and breaks down what they heard from the project.They also debate the art of the old-school album rollout. With J. Cole channeling his early grind by selling CDs out of the trunk of his Honda Civic, and Cardi B famously selling CDs to fans on the NYC subway, are grassroots rollouts making a comeback in today's streaming era? Is selling nostalgia the new marketing strategy in hip-hop?In this week's hip-hop news and trending headlines:RIP to DJ Young Slade, son of Lil Jon.The Super Bowl may have been underwhelming, but the Benito Bowl was a whole different story.Bad Bunny delivered what might be the greatest Super Bowl halftime production we've ever seen.Central Cee's 12-year sneaker collection was reportedly stolen from a storage unit.The duo also taps into conversations around the Olympic Winter Games and the global spotlight on sports and culture.In this week's Unfiltered & Unqualified, Boogie and Rapz tackle workplace attraction. Thinking about dating a colleague? Their advice is simple: don't do it. They break down why mixing business with pleasure can get messy fast.From hip-hop album reviews and music industry marketing strategies to Super Bowl halftime analysis, celebrity news, and relationship advice, In The Field Radio brings raw, witty, culture-driven commentary every week.Press play and get in the field.

My conversation with Jim begins at 48 mins Get your podjam tickets April 9-12 in Vegas Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous souls Comedian Jim David's comedy has been seen on Comedy Central Presents, ABC's The View, Tough Crowd with Colin Quinn and many more. He can currently be seen in the Netflix documentary OUTSTANDING - A COMEDY REVOLUTION.  He can be heard on his comedy CDs, EAT HERE AND GET GAS, LIVE FROM JIMVILLE, NOTORIOUS F.A.G and HARD TO SWALLOW, all available on iTunes along with his Comedy Central special. He also performed on Comedy Central's USO COMEDY TOUR, OUT ON THE EDGE, FRIARS CLUB ROAST OF ROB REINER, COMIC CABANA, NEW JOKE CITY, NBC COMEDY SHOWCASE, A&E's CAROLINE'S and EVENING AT THE IMPROV, MTV, VH1, SHOWTIME and USA LIVE.  A headliner around the world, he is a three time winner of the MAC Award and the Backstage BISTRO Award for Outstanding NY Comedian. He has appeared on and off Broadway, in films and commercials, and many comedy festivals including HBO US Comedy Arts, TBS Las Vegas and Montreal Just for Laughs. His one-man comedy SOUTH PATHETIC was produced to raves at the New York International Fringe Festival, the Provincetown Tennessee Williams Festival and many regional theaters. He was a Tennessee Williams Fellow in writing and performance at the University of the South. He produced and hosted COMEDY CARES, the stand-up comedy benefit for Broadway Cares/Equity Fights AIDS. He is heard frequently on Sirius XM radio. His comic novel YOU'LL BE SWELL is available on Amazon. On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete   Listen rate and review on Apple Podcasts Listen rate and review on Spotify Pete On Instagram Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on Twitter Pete Personal FB page Stand Up with Pete FB page  

What happens when the life you worked relentlessly to build suddenly stops feeling like you belong in it?From the outside, Ali Brown had it all. An epic brand. Massive influence. Serious revenue. The kind of success most people spend their lives chasing. But from the inside, something was missing.Growing up, Ali Brown was surrounded by the stability of a working father and a creative, stay-at-home mother who filled her days with books, crafts, and art. She credits her self-sufficiency and drive for entrepreneurship to this blend of independence and encouragement. With no explicit entrepreneurial role models, her path to self-employment emerged almost by necessity and through sheer resourcefulness, with how-to books from Barnes & Noble as her guides. Back in a time without the relentless comparison and distraction of social media, she learned to “do what she could from where she was with what she had.”The journey from being a freelance writer to running a multimillion-dollar coaching empire wasn't planned. Ali describes a period of explosive growth, fueled by her willingness to share freely, innovate with early email marketing, and cultivate a loyal following of women in a space otherwise dominated by “bro marketing” and big promises. Her signature info products complete with big instruction binders and CDs felt radical at the time. As her brand grew, so did her sense of responsibility, not only to her expanding team and loyal clients, but to her own evolving sense of purpose.Despite the incredible outward success, she found herself pulled in a different direction after a life-changing appearance on ABC's “Secret Millionaire” and the birth of her twins.She had to figure out what to do after her identity outgrew the model that built it. And have you ever assured yourself that listening to your heart was the right thing to do even though it felt disloyal to everyone else? Motherhood, faith, and finally finding clarity forced Ali to make a hard pivot.This episode is about permission. The kind of permission you give yourself. To change. To disappoint people. To shut things down that still make money. To choose peace over approval. And to stop confusing momentum with meaning.If you've ever wondered why the thing you worked so hard to build suddenly feels heavy, keep listening.HYPE SONG:Ali's hype song is “I Know a Name” by Brandon Lake and “Sure Shot” by the Beastie BoysRESOURCES:Ali Brown's website: www.alibrown.comAli Brown's other website: www.JoinTheTrust.orgLinkedIn: https://www.linkedin.com/in/alibrownla/Instagram: instagram.com/alibrownofficialInvitation from Lori:This episode is sponsored by Zen Rabbit. Smart leaders know trust is the backbone of a thriving workplace, and in today's hybrid whirlwind, it doesn't grow from quarterly updates or the occasional Slack ping. It grows from steady, human...

Send a textBright lights can hide hard truths. We sit down with Mark Van Heerden, a South African guitarist who left home with his band after winning LA awards and chasing a label-fueled dream, only to land in a cramped Beverly Hills apartment, hustling tickets on Sunset and selling CDs by hand. The myth of Hollywood met the math of survival, and what followed is a rare, unfiltered look at how ambition, culture shock, and timing can collide for expats and artists alike.Mark walks us through the grind behind the glamour: recording with a respected Manhattan Beach producer, learning the limits of indie distribution before streaming took off, and realizing that the “right” city isn't always the right launchpad. He shares the lessons he'd apply today—why the Midwest might have been smarter for rock, how local scenes can nourish momentum, and how perception from afar often misses the small rooms and big disappointments. When the band splintered, each member reinvented: animation, touring production, academia, and a return to South Africa. Mark's reinvention took a stunning turn.A volunteer project filming a helicopter ride for a documentary opened a door to aviation. After scrubbing hangar floors and trading work for flight hours, Mark earned his wings and now manages a San Diego operation with five helicopters, serving the power grid and fighting wildfires. It's a story about purpose over applause, competence over clout, and the radical hope of a second calling. We also talk about the pull of South Africa—family, food, landscapes—and the complex truth of home when your heart lives in two places.If you're drawn to stories of reinvention, expat life, and creative grit, this one's for you. Listen, subscribe, and share with someone who's weighing a big leap. And if this episode moved you, leave a review—your words help others find the show.Support the showjoin our Facebook page South Africans Abroad the podcast https://www.facebook.com/groups/5237575539627532/

“We've been saying for years — stop telling everyone that the CD is dead, because it's not.”— Karen Emanuel OBE, Key ProductionIn this exclusive Music Biz Chat, Phil Aston from Now Spinning Magazine goes inside the physical music industry with Karen Emanuel OBE, CEO of Key Production — one of the UK's leading manufacturers of CDs, vinyl and premium physical formats.Forget the headlines. Karen shares what labels, artists and independents are actually ordering, why CDs are far from dead, how vinyl is evolving, and what collectors should expect next.If you care about physical music, this is a conversation that truly matters.

Talking Real Money opens with a stark illustration of why Bitcoin fails as a usable currency, showing how volatility can destroy real-life budgets overnight. Don and Tom compare crypto to historic speculative bubbles, argue that stability—not hype—is the core function of money, and dismantle the “store of value” narrative. The show then shifts to practical listener calls covering CD ladders, Treasury yields, retirement readiness, estate planning, and early-retirement balance. Throughout, they emphasize boring, diversified, evidence-based investing over speculation, reminding listeners that long-term financial security comes from discipline, planning, and emotional restraint—not chasing the next hot trend. 0:04 Bitcoin paycheck scenario and real-world income collapse 1:04 Currency volatility vs. household budgeting reality 2:22 Bitcoin's 45% drop and “currency vs. speculation” argument 3:24 Hyperinflation examples and why stability matters 4:03 “Greater fool” theory and vanishing crypto hype 4:47 Why Bitcoin fails as a functional currency 5:59 Tulip mania and historical bubbles comparison 6:59 Tangible assets vs. pure speculation 7:39 “At least you can live in a house” argument 8:26 Michael Saylor, HODL culture, and empty promises 9:30 NFT collapse and Beeple example 10:11 Crypto returns vs. real assets 11:14 Listener question: CDs vs. Treasuries 12:22 Current CD rates and Bankrate reference 13:56 Risks of long-term bonds and rate changes 15:32 Don's real CD ladder example 16:37 Fixed income diversification strategy 18:35 Hot money leaving crypto for prediction markets 19:45 Generational blind spots and bubble psychology 21:08 Retirement planning call: housing proceeds and savings 23:57 Social Security timing and cash-flow planning 25:41 Importance of fee-only fiduciary planning 27:32 Vernita Toll Bridge digression (classic TRM) 30:33 Estate planning: wills vs. trusts 33:49 RetireMeet promotion and resources 35:43 FIRE listener call: saving vs. living balance 38:58 Permission to spend responsibly Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest on this week's Bitesize episode is Sara Watkins, who joins me to talk about I'm With Her's Grammy winning album 'Wild and Clear and Blue'. It's an album I really love (and a conversation I loved too) and I wanted to put something out to celebrate not only the Grammy win, but also the Grammy they won for the opening track 'Ancient Light'.Sara talks about the process behind writing the record, which began to take shape shortly after the pandemic, why collaboration was so important and the central themes that emerged during the process. We also talk about community and connection in music and how the line between audience and stage is a little thinner in folk music than for some other formats.This comes from a longer conversation we had in 2025. You'll find the full interview with Sara here.Sara also mentions an interview I did with her bandmate Sarah Jarosz, about her album 'Blue Heron Suite'.For more info on I'm With Her, including upcoming tour dates and to buy I'm With Her vinyl, CDs and merch, visit imwithherband.comFor regular updates follow Sara on Instagram and Facebook Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

On this episode of Bulture podcast:“Relationship goals” on Amazon Prime, was the movie just bad or very misleading because the usage of Kelly Rowland and Method Man for promotion??Our thoughts and prayers are with Rickea Jackson. It's time to have an honest conversation. Parents should start to warn their daughters not to date football players. The same way we do with dating street dudes!! The NFL is polluted with abusers!-Atlanta Falcons' James Pearce Jr. charged with aggravated battery and stalking of WNBA star and ex girlfriend Rickea Jackson; he allegedly crashed his Lamborghini into her car. Pearce Jr is currently being held in Miami-Dade County on a $20,500 bond as he faces five domestic violence-related felony charges, per court records.-Ex-NFL Star Darron Lee arrested for murder after girlfriend found dead in Tennessee. Former First-Round draft pick held without bond following domestic incident.Nike faces Civil Rights investigation over claims white workers were treated unfairly.Actress Paige Hurd confronts her Power co-stars Michael Rainey Jr. & Gianni Paolo for unfollowing her and never hitting her up after she got engaged to NBA player Royce O'Neal.Don Toliver claims the No. 1 spot on Billboard 200 as “OCTANE” debuts with 162K unitsDJ Akademiks speaks out after previewing an unreleased Drake song before J. Cole's album "The Fall-Off" dropped last night, clarifying that Drake did not tell him to play it.Several fans and celebrities say the energy for this year's Super Bowl feels dry compared to other years.The Seahawks' PR page, along with NFL fans, didn't appreciate Druski's joke about Jaxon Smith-Njigba's name. Druski was announcing JSN as the Offensive Player of the Year.J. Cole announces he's driving across the U.S. to sell 'The Fall-Off' CDs out of the trunk of his old Honda Civic! "Trunk Sale Tour 26"Michelle Obama doc sees 47 million viewership boosts during 'Melania' opening weekend.GloRilla's sister, Scar Face Woods, believes Memphis rapper has obligation to help struggling familyLast night, Trump posted a video to his social media platform that contained a racist clip showing Barack and Michelle Obama as monkeys.Jalen Hurts says he'd pick NBA YoungBoy to do the Super Bowl halftime show if it were his choice.BrittanyRenner is now a devoted born again Christian and prays with her new boyfriend at the start of every podcast episode. Renner ends child support case with PJ Washington, citing happiness over money.The Washington Post cut one third of their staff on Wednesday. Laid off WaPo employees urge readers to not cancel subscriptions while demanding better conditions.J. Cole's "Bunce Road Blues" features Future & Tems over production from The Alchemist26-year-old Chicago woman Gabryel Ayres was k**led in the passenger seat yesterday in the viral sh**ting. Her baby was in the backseat and survived with no injuries, the boyfriend survived as well.Channing: “$100 million dollars you can have my soul “Terence Crawford: “Now we know your character. The frantic search for Today show anchor Savannah Guthrie's mother, Nancy, has entered its fifth day. On Wednesday night, Savannah, accompanied by her siblings Annie and Cameron, shared a heartbreaking video in which she provided an update on the case.50 Cent Tucks Diddy jokes into new DoorDash commercial about 'Delivering Quality Beef'.Anthony Davis Traded to Wizards65-year-old man says he was shot in the back of the head after flexing with fake money on social media after someone called him broke. Two-armed intruders dressed up as police broke into his home for the cash then shot him excitation style luckily, he survived.Female truck driver calls out men standing outside for not helping her unload her truck while she was working and dropping off shipments.Odell Beckham Jr. took his entire $750k salary in bitcoin when he signed with the Rams in 2021. Btc was worth $64k, today It's worth $65k.

Why aren't your records selling? This week, I'm breaking down five common reasons your CDs, tapes, vinyl (and even your streams) might be stuck… and what to do about it. ---- Presented by LANDR - http://landr.com/otherrecordlabels ---- No, I'm not promising you'll magically sell out overnight. But I do believe in the compound effect: a bunch of small 1% improvements that add up—going from no sales → a few sales → more sales → “okay wait… this is working.” Everything in this episode comes from a mix of my own experience, the labels I've interviewed and learned from, and one underrated perspective: I'm also a buyer. I'm constantly checking out new music, adding albums to Apple Music, ordering on Bandcamp, digging through stores… and I can't tell you how often a label makes it weirdly difficult to even listen to the music, let alone buy it. So here are the five reasons your records aren't moving: You make it really hard If people can't instantly hear what you do and instantly find where to buy it, you're losing them. Fast. You're not asking (explicitly) Press is great—but are you actually selling to retailers, distros, and your buyer list? One post isn't a campaign. Your package is unappealing Artwork, presentation, bundling, and the whole campaign vibe matter more than most labels want to admit. Your pricing structure is off Too high, too low, shipping friction, perceived value—pricing is psychology and math. Your music is bad (or not interesting yet) Sometimes it's not ready. Sometimes it's the wrong fit. Sometimes it's “good” in the worst way: forgettable. Let's talk about aiming for interesting. If you've been feeling stuck, this episode is meant to give you practical tweaks you can make immediately—without turning your label into some salesy corporate robot. Listen now and pick one change to implement this week.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 This title was released in January 2026. It will be exclusively available to buy from the Big Finish website until 31 March 2026, and on general sale after this date. The Doctor and Yaz have been sent a list of coordinates, each one pointing to a location in time and space where people are disappearing - but why? The trail leads to a war-torn world, where conscripted humans battle the terrifying Banshee. Can the Doctor end this conflict before she loses her best friend? Please note: the collector's edition CDs have now sold out. Recorded on: 25 and 27 June 2025 Recorded at: Fitzrovia Post Writer Rochana Patel said: "The Thirteenth Doctor Adventures really are incredibly special. This TARDIS team still feel fresh from their TV adventures, which means we can do modern and relevant storytelling, in a way that wouldn't sit quite right in other ranges. "As such, I threw absolutely everything I could into Ride or Die, to make it feel like a hard-edged, contemporary, science-fiction drama. There's no cosiness or nostalgia here, and as a result, this one certainly isn't your average episode! Plus, in the background, there's an even bigger story arc starting to unfold..." Mandip Gill said: "Yaz meets an old friend, Megan, and there's history there. Megan had a crush on Yaz which Yaz wasn't sure about. So, when Megan brings it up, it makes her think about what it is that she feels about the Doctor. She's stopped in her tracks by somebody from back home reminding her that this might not go on forever, and that she needs to stay in touch with reality." Jodie Whittaker added: "I thought this was an amazing story. It feels very timely. The discussion of profits of war and violence is a very important theme at the moment. What's fascinating about the Doctor is that they never give up hope, they're always there to guide humans to make the right choices. And I really love that about the Thirteenth Doctor, particularly how she always has so much energy even when she's hitting herself against a wall continually!" Jodie Whittaker (The Doctor) Mandip Gill (Yasmin Khan) Maddison Bulleyment (The Tourist) Jason Forbes (Prospero) Giulia Innocenti (Banshees) Ako Mitchell (Sergeant Johnson) Lauren O'Leary (Megan Miller) Harry Ryan (Corporal Chapman) Cover Art by Rafe Wallbank Director Ken Bentley Executive Producer Jason Haigh-ElleryNicholas Briggs Music by Joe Kraemer Producer Noga Flaishon Script Editor Matt Fitton Sound Design by Joe Kraemer Written by Rochana Patel Senior Producer John Ainsworth Product Format: 1-disc CD (jewel case) Number of Discs: 1 Duration: 70 minutes Physical Retail ISBN: 978-1-80240-625-2 Digital Retail ISBN: 978-1-80240-626-9 Production Code: BFPDW13TH04

In which author, music executive and host of the Identified podcast Nabil Ayers discusses selling used CDs, The Terminator, The Drum Doctor and more. Certificate #48391.