Podcasts about Hastings

In this episode, Phil Friedrich interviews Jake Hamburger, a seasoned professional in the world of franchising. Jake shares his journey from growing up in Hastings, Nebraska, to becoming a successful coach and eventually transitioning into the franchising industry. He discusses the importance of mentorship, the realities of franchise ownership, and the lessons learned from his experiences in coaching and business. The conversation highlights the significance of relationships, attention to detail, and the value of surrounding oneself with great people in achieving success.To View This Episode- https://youtu.be/YvWfwU9KuFc

Jason discusses racing at Hastings stopping and his memories of going there over the years. Then we welcome in longtime Hastings TV analyst and jockey agent Drew Forster to talk about the Vancouver track. 

Summer has well and truly arrived, with the heat a big topic of conversation in the RNZ office. MetService has issued a heat alert for Hawke's Bay warning residents to take care as temperatures are expected to hit a high of 34 degrees in Hastings. Gisborne, Napier and Wairoa will also experience temperatures in the early 30s today. That seems hot - especially for early December - but is it? MetService meteorologist John Law joins Jesse

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Gäster: Linus Nordström, Jack Moy För 90SEK/mån får du 5 avsnitt i veckan:4 Vanliga AMK MORGON + AMK FREDAG med Isak Wahlberg Se till att bli Patron via webben och inte direkt i iPhones Patreon-app för att undvika Apples extraavgifter:Öppna istället din browser och gå till www.patreon.com/amkmorgon Relevanta länkar: ...Hongkonginfluensanhttps://www.svt.se/nyheter/lokalt/vasternorrland/tuff-influensasasong-vantar-ilsket-virus-harjar-i-ar ...Viagr aboyshttps://www.nme.com/wp-content/uploads/2025/01/ViagraBoys-new-album-cover-artwork.jpg ...st1https://media.ffycdn.net/eu/st1/3iGiVwE6UcCV4mbFW8pH.jpg?width={width} https://www.reddit.com/r/sweden/comments/1i872gl/hur_uttalar_ni_st1/ ...Sebastian Murphyhttps://media.gettyimages.com/id/2166217156/sv/foto/copenhagen-denmark-sebastian-murphy-of-viagra-boys-performs-on-stage-during-syd-for-solen-on.jpg?s=612x612&w=gi&k=20&c=Mxd_QrM7u4XziVTzj1kHREpYyWHmpgvaZWuyPp0KkPE= https://sv.wikipedia.org/wiki/Sebastian_Murphy ...ansjovisbristenhttps://omni.se/mannerstrom-rasar-mot-ansjovispriserna-daligt/a/PdrQn5 https://www.svt.se/nyheter/inrikes/brist-pa-ansjovis-i-jul-begransat ...norska smörkrisenhttps://sv.wikipedia.org/wiki/Norska_sm%C3%B6rkrisen ...slaget vid Hastings https://www.svt.se/nyheter/utrikes/entusiaster-aterskapade-hastingsslag ...Slaget på Trastfältethttps://sv.wikipedia.org/wiki/Slaget_p%C3%A5_Trastf%C3%A4ltet ...Radioheadhttps://www.aftonbladet.se/nojesbladet/a/JOWmAJ/radiohead-staller-in-konsert-i-kopenhamn https://images.squarespace-cdn.com/content/v1/51bf42fee4b0d7c68c775c69/b8bfb4de-269a-44d9-bbf7-47cce1cb38d2/RH+Feature+artwork.jpg ...John Candy: I Like Mehttps://www.imdb.com/title/tt26683420/ ...Zara Larssonhttps://www.mitti.se/nyheter/zara-larsson-slar-publikrekord-pa-avicii-arena-6.3.333602.0acc8c2b4e ...full retard på Haitihttps://www.theguardian.com/us-news/2025/nov/21/texas-haiti-rape-indictment https://www.telegraph.co.uk/content/dam/en-us/news/2025/11/24/TELEMMGLPICT000450382068_17640085595760_trans_NvBQzQNjv4BqqVzuuqpFlyLIwiB6NTmJwfSVWeZ_vEN7c6bHu2jJnT8.jpeg?imwidth=640 ...Så knarkar Sverigehttps://www.svtplay.se/sa-knarkar-sverige ...Pungt.https://x.com/Svenzvensson/status/1995569226053288438 https://x.com/johanwicklen/status/1995560921884721277 Låtarna som spelades var:Island Rock - Papa DeeSeek and Destroy - Metallica Alla låtar finns i AMK Morgons spellista här:https://open.spotify.com/user/amk.morgon/playlist/6V9bgWnHJMh9c4iVHncF9j?si=so0WKn7sSpyufjg3olHYmg

By popular demand, Adam and Frankie have gone back to the beginning and are reworking their way through series one, now with added denouement! When a woman is found shot in her flat after Bonfire Night, but was it suicide or murder? Poirot, Hastings and Japp must navigate giantesses, boiled owls, stuffed fishes and golf courses to solve the case. You can subscribe to Cosy AF, our next show, NOW on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠, or wherever you get your podcasts. You can also follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠@cosyafpod⁠⁠⁠⁠⁠⁠⁠⁠. Our Patreon page is filled with all kinds of wonderful bonus materials, including videos of interviews, quizzes, bonus shows, and our deep dive into the Poirot movies! Find it at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CosyAF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on Instagram at @laboursofhercule On Threads at @laboursofhercule Or you can email us at bonjour@thelaboursofhercule.com Our amazing music was composed and produced by the fabulous Cev Moore Learn more about your ad choices. Visit megaphone.fm/adchoices

We're in for a hot weekend! Napiers on a heat alert, Christchurch and Hastings aren't far behind... Records have already been broken for hottest November day in parts of the country this week. It isn't just you lying wide awake, melting into the sheets - hot temperatures actually change the structure of our sleep. Senior Lecturer at the Sleep/Wake Research Centre Dr Karyn O'Keeffe spoke to Jesse.

In this week's episode of the League Express Podcast, Editor Martyn Sadler and Host Jake Kearnan break down the latest major stories shaping Rugby League across Super League, the NRL and the international game.They dive into:Rugby League World Cup fixtures – can the tournament deliver on expectations and what challenges lie ahead?The RFL strongly denying claims it owes the IRL £400,000, and what the dispute means for the international game.Magic Weekend moving to Everton's new stadium – is it the right venue and what could it mean for attendance and atmosphere?Harry Newman's blockbuster move to the NRL's new expansion franchise, the Perth Bears, and what the signing says about the club's ambitions.Jackson Hastings signing with St Helens, what role he'll play, and how the move reshapes Saints' spine.The Brisbane Broncos unveiling a new logo – why the club made the change and how fans are reacting.Packed with insight, analysis and debate, this episode covers every major storyline fans need to know heading into another huge week of Rugby League.

Året 1066 og slaget ved Hastings bliver tit sat som skillelinje mellem vikingetid og middelalder. Her er den helt store hovedperson Vilhelm Erobreren, der besejrede Harold Godwinson og satte sig på den engelske trone. Men hvem var Vilhelm egentligt? Den sidste vikingekonge, som røvede og plyndrede, eller den første civiliserede konge i en lysere middelalder? I dagens afsnit af Kampen om Historien taler Asser Amdisen med historiker Anders Lundt Hansen om normannere, vikinger og et erobringstogt, som forandrede Europa. Redaktør: Thomas Vinther Larsen I redaktionen: Otto Christian Korse Lyddesign: Martha Winther

Vietnam began as a distant commitment and became America's longest war. This episode follows the Marines into that storm, from early advisers helping build the Vietnamese Marine Corps to the landings at Da Nang and Chu Lai that drew the Corps into a grinding fight across I Corps. We move from rice paddies and coastal hamlets to high ridges and border valleys, through Starlite and Hastings, the DMZ outposts, the siege of Khe Sanh, and the house to house struggle for Hue. Along the way are names etched in Marine memory, from Con Thien and Dai Do to Dewey Canyon and Go Noi Island, where small units fought under constant fire while air and artillery tried to hold the line. The story ends with withdrawal and the last fights of the Easter Offensive and Mayaguez, then returns to a country that often met its Marines with silence. It is a broken war measured in ruined cities, political fallout, and the weight carried by those who fought it on both sides of the Pacific. Support the Series Listen ad-free and a week early on historyofthemarinecorps.supercast.com Donate directly at historyofthemarinecorps.com Try a free 30-day Audible trial at audibletrial.com/marinehistory Social Media Instagram - @historyofthemarines Facebook - @marinehistory Twitter - @marinehistory

In this episode of 180 with Katie, John and Katie take listeners through just over 180 seconds of highlights from an extraordinary month across all Catholic Social Services of Southern Nebraska locations. From record-setting assistance in Hastings and remarkable volunteer engagement in Auburn to significant increases in homelessness outreach and family support in Lincoln, October showcased CSS's mission in full motion.

Steven Gee is a London-based artist, curator, and founding Director of Piccalilli. In 2013 he graduated with a BA from the University of East London and in 2015, an MA in Painting from the Royal College of Art.In 2017 Steven subsequently co-founded the curatorial collective IKO (It's Kind Of hard to explain) alongside Corey Bartle-Sanderson and Oliver Durcan, curating exhibition across London, Margate and Hastings. Collaborating with and commissioning early career artists and writers in the UK, they were interested in viewership and challenging how artworks and exhibitions can be engaged with through fabricated specific framing devices (literal and conceptual) to house the artworks. Their projects rejected the showroom model of presenting pre-made artwork in white rooms, working closely with project participants to collaborate and build projects in line with a collective goal.In 2022, Steven co-founded and is current Director of Piccalilli. An artist-led initiative and gallery, supporting early career and under-represented artists by providing them with a supportive framework to develop their practices with ambition and experimentation at the fore. Through cultivating a supportive environment and concept collaboration, piccalilli aims to bridge a dialogue between artists, audiences, community and place.Now based in South Bermondsey, Piccalilli is a permanent space based in the Penarth Centre. Following an ethos where the space and programme are centred around the engagement of commissioned artworks, within a specific environment which acknowledges the architecture rather than ignore. Invited artists are supported to research, develop and realise projects over a dedicated period of time - a space for rumination and fermentation. As an artist, Gee's practice navigates the everyday and the absurd — he works across mixed media, sculpture, installation, painting, and recently bespoke jewellery, often incorporating unconventional materials like mayonnaise, teeth, energy drinks and everyday ephemera. His solo exhibitions — such as Sandwiched, Tasteful Thickness, and Every Time You Lick a Stamp, You're Consuming 1/10th of a Calorie — reveal a playful yet probing engagement with consumer culture, digestion, materiality, and texture.

Episode 86 Recalling Brigid by Orna Ross Orna Ross reads ‘Recalling Brigid' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/86_Recalling_Brigid_by_Orna_Ross.mp3 This poem is from: Poet Town: The Poetry of Hastings & Thereabouts edited by Richard Newham Sullivan Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Interview transcript Mark: Orna, where did this poem come from? Orna: Hi Mark. Yeah, so it's one of a collection that I'm working on, around Irish women from history and myth. And these are women that I grew up with, as a young person, receiving a sort of a typical Irish education, if you like. Orna: And so some of them are saints, some of them are mythological people. Well, saints are also mythological people! Some of them are historical figures who've been mythologized. And I just wanted to go back in and do my own exploration of each of these women because everybody else had. So I've been gathering these poems over a long time, but it actually started with this one. It started with Brigid. And Brigid is a figure from ancient Irish mythology. And she was Christianized into a Roman Catholic saint. She is the patron saint of Ireland. One of. You've probably heard of the other one. Patrick. You probably haven't heard of this one: Brigid. And, so many things have been projected on her. And it's interesting to read what, what survives of what is written about her because what's written earlier on in time is quite different to what's written later on. And she continues to be an inspiration. Her feast day is the first day of spring in Ireland, which in Ireland is the first day of February. It's much earlier than it is in England. And she's just an interesting, personification of the female virtues as they've been perceived over time. Mark: So you said she was written about differently in earlier times to more recent times, which I think is pertinent to how you're exploring that in the poem. So maybe you could just give us a brief summary of that. Orna: Yes. So I, the poem refers to ‘the takeover'. And by that, I kind of mean the Christian, but hand in hand with Christian goes the patriarchal, takeover of old images of women in general. And Brigid is part of that. So earlier, renditions about her tend to focus on her as a healer, as a wise woman, as a very compassionate person, ‘ale to lepers' is one of the, images in the poem. Whereas later versions tend to emphasize her holiness and her saintliness and, her goodness and I suppose what we would typically think is a good, religious, icon. So it's interesting just to read how that changes and differs as we go. And she also then had her detractors, which is where we get to the ideas, about women generally that are in the poem – the consort, mother, victim, whore, those kinds of ideas. You see them brushing against Brigid over time, but she comes through intact actually, as a woman in her own right. And these don't tend to stick to her as they have stuck to others. Mark: And sometimes when poets use mythological figures like this, there's a kind of a critique of, ‘Well, that's a little bit old fashioned, it's poetry with a capital P'. But reading this and listening to you, it kind of really underlines to me that mythology and religion are really quite present in Ireland. Orna: Oh, gosh, yes! The past is very present in Ireland still, in lots of ways. And. It's interesting. I suppose it's something to do with being a small island on the very edge of, in inverted commas, civilization. Although the Irish like to think they civilized Europe during the dark ages by sending our saints and our scholarship, our images of people like Brigid, the truth is that old ways lingered on a long time, and particularly the part of Ireland where I grew up. So, I grew up in County Wexford down in the small bottom right-hand corner, the very southeast tip of Ireland. Around it, there is a river and a small hill that kind of cuts that area off. And around County Wexford in general, there are larger hills and a big river that cuts Wexford off. So they tended to travel by sea more than road, people from that part of the world. And it was the first part of Ireland to be conquered the Norman conquest and, Old English lingered there right up until, well, there are still words that are used in Wexford that aren't used elsewhere. Carols and songs as well. So other parts of Ireland and, obviously England, had moved on, it but kind of got stuck there. So I'm just kind of pointing up the fact that yes, things stayed, passed on in an oral kind of culture and an oral tradition. And hedge schools and such like, long after such things had faded away in other parts of Europe. Mark: And you say Old English rather than Irish was lingering? Orna: That's right. And, because they had, well, the Normans came to England first Hastings, actually where I live now. One of the reasons I'm here, I think is that I felt a lot of similarities between here and Wexford and I think the Norman invasion in both places, it was part of that. So yeah, a hundred years after the Normans landed in Hastings, they were brought over to Wexford by an Irish chieftain to help him win one of his battles with another Irish chieftain. So English came with the Normans to Ireland. Mark: Right. And this is another amazing thing about Ireland, is the kind of the different layers, like archaeological layers of language. You've got Irish, you've got Old English, you've got Norman French, you've got Latin from the church, you've got Norse from the Vikings and so on. It's incredibly rich. Orna: Yes. More diverse, I think. And again, because of its cut off nature, these things lasted longer, I think, because that's also true of England, but the overlay is stronger and so they don't make their way through. Mark: Right, right. And the ghosts can peep through. So, okay, that's the historical cultural context. What does Brigid mean to you and why did you choose her as the first figure in this sequence? Orna: She chose me, I think. I very much feel this poem, you know, some poems are made and some arrive and this one arrived. I wanted to do something to celebrate her. That was all I knew because it was the first day of spring, which I always loved, that first day of February. You know, when winter is really beginning to bite and you feel, I mean, there is no sign of spring except some crocuses maybe peeking up and, uh, a few spring flowers making a little promise. But usually the weather is awful, but it's the first day of spring and it's, been a really important day for me from that point of view. And then the fact that it does, you know, the fact that Patrick is such a great big deal everywhere and Brigid isn't known at all. So that's kind of where I started and I just knew I'd like to write a poem. And then it was one of those ones that I, if I had set out to write a poem about Brigid, I don't think this is what I would have written. It just arrived. And I found that I was thinking about lots of things and as the first poem of this sequence, I wanted to say some of the things about womanhood in the poem, and I, well, I realised I did, because that's what emerged. So for me, it's very much about that kind of quiet aspect of, so, you know, we've got feminism, which talks very much about women's rights to do whatever it is they want to do in the outer world. But for me, she, in this poem, represents the inner, the quiet virtues, if you like, always there for us. We're not always there for them, but they're always there and active in our lives all the time, and I wanted to celebrate that in the poem. So that's what, you know, I got, the rough draft just came pouring out, and that's what I found myself wanting to bring out. Mark: And the title, ‘Recalling Brigid', you know, I was thinking about that word ‘recalling', because it could mean ‘remembering', but it could also mean ‘calling' or ‘summoning'. Orna: Yes, deliberately chosen for both of those meanings, yes, very well spotted there, poetry reader. Mark: Well, you know, this is a very ancient function of poetry, isn't it? And it's where it kind of shades into charm or spells, to summon, or invoke a spirit or some kind of otherworldly creature or being. Orna: Absolutely. I think you've got the heart of what the poem is trying to do there. It is about calling forth, something, as I say, that's there, that we're all, you know, is there for all of us in our lives, but that we're not always aware of it. And our culture actively stifles it, and makes it seem like it's less important than it is. And so, yes, very much exactly all the words, the beautiful words you've just used there. I was hoping this poem would tap into that. Mark: Very much. And, you know, the beginning, ‘Queen of Queens, they called her'. So presumably this is in the old pre-Christian days, ‘they called her'. So there's that word ‘calling' again, and you give us the kind of the gloss, ‘in the old books, the Irish Mary'. And then you introduce the takeover: ‘such was the sort of woman / preferred as the takeover was made:' And then you get the other version. And then you've got: ‘Brigid said nothing to any of this,' which I think is really wonderful that she keeps – so you've gone from ‘they' in the past, ‘what they called her'. And then Brigid keeping her own counsel about this. She said nothing to any of this, ‘the reverence, or the upbraidings'. And then we get you where you say, ‘I am not as womanly / a woman as she. / So I say: let us see. / Let us say how she is the one. // It is she who conceives, and she who does bear.' Lovely, beautiful repetitions and shifts in there. So you really, you step forward into the poem at that point. Orna: I really wanted to, to place myself in relation to, to her and to all the women in this collection. Which isn't out yet, by the way, it's not finished. So I've got another three to go. No, I really wanted to place myself in relation to the women in the poems. That was an important part of the project for me. And I do that, you know, lots of different ways. But this poem, the first one is very much about, I suppose, calling out, you know, the ‘recalling' that you were talking about there a few moments ago, calling out the qualities. That we tend to overlook and that are attributed to Brigid as a womanly woman. And so, yeah, that's, that's what I was saying. I'm more of a feminist woman who is regarded by some as less womanly. so there is a, that's an interesting debate for me. That's a very interesting, particularly now at this time, I think, it's very interesting to talk about, you know, what is a feminist and what is feminism. And I personally believe in feminisms, lots of different, you know, it's multiple sort of thing. But these poems are born of a, you know, a feminist poet's sensibility without a doubt. So in this first one, I just wanted to call out, you know, the womanly virtues, if you like. Mark: Yeah. So I get a sense of you kind of starting as a tuning fork for different ideas and voices, calling her different things. And then you shift into, ‘Let us see. / Let us say…' I love the description earlier on where you said it's a celebration because by the end of the poem, it really is. It's all her attributes, isn't it? ‘It is she who conceives / and she who does bear.' And so on. Again, how easy was it for you to let go and, and, and step into that? Because it's kind of a thing that it's a little bit, it's not what we associate with modern poetry, is it? Orna: No, not at all. Not at all. But I had to ages ago, give up on modern poetry. If I wanted to write poetry, I had to drop so much, so much that I learned, you know, English Lit. was my original degree. And, you know, I, I was in love with poetry from a very young age. So, I learned everything I could about everything. And then I had to drop it all because I didn't write, I didn't write any poems between the end of my teens and my early forties when I lost a very dear friend. And then when I went on, shortly afterwards to, develop breast cancer. So those two things together unlocked the poetry gates and poems came again. And the kind of poems that came, very often were not, poems that they're not fashionable in that sense. You know, they're not what poetry tends to be. And from that point, in our time, if you like, some are, some, some do come that way, but an awful lot don't. And, for that reason, I'm just so entirely delighted to be able to self-publish because they speak to readers and say they communicate. And to me, that's what matters. And I don't have to worry about being accepted by a poetry establishment at all. I don't spend any time whatsoever thinking about that. I work at the craft, but I, it's for myself and for the poem and for the reader, but not to please anybody that, you know, would be a gatekeeper of any kind. Mark: Well, some listeners will know this – you are very much known as a champion of opportunity and diversity in publishing for writers and self-publishing, independent publishing, however you call it. But I think what I'd like to focus on here is the fact that, you know, by writing a poem like this, you highlight the conventions that we have in modern poetry. And it's easy to see the conventions of the past, but maybe not so much the ones in the present. And I love the fact that you've just sidestepped that or ignored that and written the poem that came to you. Orna: Yes. Yes, very much did and do. And like I said, I don't spend, I did at one time spend time thinking about this, but I spend absolutely no time now thinking about this at all. Mark: That's so refreshing to hear! [Laughter] Orna: No, it's, it's great. It's certainly a liberation. I think very much about the poem and what the poem needs and wants from me. And I make mistakes. I, you know, I don't do well on some poems. I go back, rewrite, sometimes years later, sometimes after they're published. so yeah. It's not that I don't think about form or structure or, you know, all of the things that poets think about but I only think about the master, you know, is the poem itself or the reader possibly or the communication between the bridge between me and the reader, something like that. But yeah, it's liberating for sure. Mark: And how did that play out in this poem? I mean, how close is this to the original draft that came to you? Orna: It's one of the poems that's closest to the original. It kind of arrived and I didn't want to play with it too much at all. So yeah, it, I just left it be. I let it be what I wanted to be because for me there are echoes in this poem as well of Old Irish poetry and ways of writing. you know, that if you, I don't know if you've ever had the pleasure of reading Old Irish poetry in translation? Mark: Yes. Orna: So, you know, that sense of I'm reading something from a completely different mind. It's, it isn't just that the, you know, the structures are different or whatever. It's like the whole mind and sensibility is something else. And that was one of the things I wanted to slightly have to retain in this poem. You know, I felt that it, it carries some of that forward and I wanted to, to leave it there as an echo. Mark: Yeah. Quite a lot of those Old Irish poems have a kind of a litany, a list of attributes of the poet or their beloved or the divine being that they're evoking. And that comes across very strongly here. Orna: Yeah, definitely. That's sort of a list of, which to the modern ear can sound obvious and, you know, just not poetry really. So yeah, I think that's one of the qualities that it carries. Mark: And I love the kind of the incantatory repetitive thing. Like I was saying about the, ‘So I say: let us see. / Let us say', and then ‘It is she… It is she… she who', you know, it just carries you along. It's got a hypnotic quality to it. Orna: Yes. And the she part, you know, the emphasizing the feminine, I suppose, touch of the divine feminine, but very much the physical feminine, and activities as well. So, you know, women held the role of birth and death very much in Irish culture again, up to really quite recently. I remember that, in my own youth and okay, I am getting on a bit, but, it's still, you know, it was quite late in time where, women did the laying out for burial. They did the keening of the, the wake, all of that. I remember very well. so at the beginning and end of life at the thresholds, if you like, that was a woman's job. And, that was lost, I think in the takeover. But I still think all the emotional labour around those thresholds are still very much held by women, you know, silently and quietly. And yeah, Brigid doesn't shout about it, but in this poem, I want to call it. Mark: Yeah. Recall it. Okay. And then let's go back to Hastings, which we touched on earlier, because this, okay. It's, it's going to be in your collection. It's been published in a wonderful anthology poetry from Hastings called Poet Town. Tell us a bit about that book and how you came to be involved. Orna: Yeah. So I heard about it and, Richard [Newham Sullivan] wonderful, poet and, publisher and general literary person. He now lives in New York, but he grew up in Hastings and lived here for many years. And it was a kind of a homesickness project he told me later, for him just. But he carried the idea in his mind for a very long time. He wanted to, he knew that there was an incredible, poetic history in Hastings, which people were not aware of. So Hastings is very well known. Hastings and St. Leonard's, where I live, both are very well known as arty kind of towns. Visual arts are very, very visible here, and all sorts of marvellous things going on, and music as well, there's brilliant Fat Tuesday music festival every year, but there's also, there's classical music, music in the pubs, music coming out your ears, literally. But very little about the literary life that goes on here, and lots of writers living here. And so Richard wanted to just bring forward the poetry side of that. And so he decided it's a passion project for him. He decided to, he worked with the publisher, a small publisher here, in Hastings for it. It's Moth Light Press. And he set out to gather as many living poets into one collection as he could. And this is where I was interested because as, I'm a historical novelist as well, so history is big for me, and I was really interested in the history, you know, the history and the poets who had lived here. There were quite a few. It's not every day you find yourself in an anthology with Lord Byron and Keats, and, two Rossetti's! So that was a joy, discovering all the poets who, had a connection to Hastings back to, I think he went back to the early 1800s with it. So, yeah, it's been a huge success, and, people are loving the book, and it has really brought poetry, brought pride, I think, to the poetry community in the town, which is lovely. Mark: Yeah, I'm really enjoying it, and I love the fact that it's got the old and the new. Because, of course, that's what I do here on A Mouthful of Air. I always think the ghosts of poetry past are always present in the work of the living. I hadn't realized what a deep and rich poetic history Hastings had. So, yeah, Poet Town, a great anthology. Do check that out while you're waiting for Orna's sequence to come to light. And Orna, thank you so much for sharing such a remarkable poem and distinctive take on the poet's craft. And I think this would be a good point to listen to the poem again, and appreciate your praise and celebration once more. Orna: Thanks so much, Mark, for having me. I really enjoyed it. Thank you. Recalling Brigid by Orna Ross Queen of queens, they called herin the old books, the Irish Mary.Never washed her hands, nor her headin sight of a man, never lookedinto a man's face. She was goodwith the poor, multiplied food,gave ale to lepers. Among birds,call her dove; among trees, a vine.A sun among stars. Such was the sort of womanpreferred as the takeover was made:consecrated cask, throne to His glory,intercessor. Brigid said nothing to any of this,the reverence, or the upbraidings.Her realm is the lacuna,silence her sceptre,her own way of life its own witness. Out of desire, the lure of lustor the dust of great deeds,she was distorted:to consort, mother-virgin,to victim or whore. I am not as womanlya woman as she.So I say: Let us see.Let us say how she is the one. It is she who conceivesand she who does bear.She who knitted us in the womband who will cradle our tomb-fraying. Daily she offers her arms,clothes us in compassion,smiles as we wrigglefor baubles. Yes, it is she who lifts you aloftto whisper through your ears,to kiss your eyes,to touch her coolingcheek to your cheek. Poet Town: The Poetry of Hastings & Thereabouts ‘Recalling Brigid' is from Poet Town: The Poetry of Hasting & Thereabouts, published by Moth Light Press. Available from: Poet Town is available from: The publisher: Moth Light Press Amazon: UK | US Orna Ross Orna Ross is an award-winning poet and novelist. Her poetry, rooted in Irish heritage and mindfulness practice, explores love, loss, creativity, and spiritual renewal through a female lens. As founder-director of the Alliance of Independent Authors (ALLi), she champions creative freedom for poets and writers. Her forthcoming collection, And Then Came the Beginning—Poems of Iconic Irish Women, Ancient and Modern—is available for pre-order at OrnaRoss.com/TheBeginning. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom... Alchemy by Gregory Leadbetter Episode 84 Alchemy by Gregory Leadbetter Gregory Leadbetter reads ‘Alchemy' and discusses the poem with Mark McGuinness.This poem is from: The Infernal Garden by Gregory LeadbetterAvailable from: The Infernal Garden is available from: The publisher: Nine Arches...

Adam Hurrey, Charlie Eccleshare and David Walker entertain this month's listener entries for Mesut Haaland Dicks, as the Clichés faithful nominate their niche footballing fascinations and irritations. Among the selections are a tiny loophole in pledging your lifelong allegiance to your club, referees waiting patiently to book an injured player, and whether football-specific injuries ever occurred in ancient times. Meanwhile, the Adjudication Panel take in the sounds of Scotland's World Cup qualification heroics and Mike Dean pluralising referees on The Overlap. Sign up for Dreamland, the new members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Visit nordvpn.com/cliches to get four extra months on a two-year plan with NordVPN Learn more about your ad choices. Visit podcastchoices.com/adchoices

***This show is brought to you by Quince. Go to ⁠⁠http://quince.com/playonpod ⁠⁠for free shipping on your order and 365-day returns.*** Next Chapter Podcasts presents the complete Play On Podcast series, RICHARD III, in its entirety. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jay Rayner and the panel are in Hastings in front of a live audience who are in need of answers to their kitchen conundrums. Joining Jay to offer their best advice are chefs, cooks and food writers Melissa Thompson, Sophie Wright and Shelina Permalloo, alongside resident food historian Dr Annie Gray. Jay welcomes local fishmonger, Sonny Elliot from Rock-A-Nor Fisheries to give a flavour of the local fish while the panel suggest uses for a bottle of advocaat and tackle one of the trickiest of questions… is life too short to peel a pineapple? Also, with the Battle of Hastings serving as inspiration, they turn their taste buds to Normandy, and in particular, the delicious cream produced in the region.Producer: Dominic Tyerman Assistant Producer: Dulcie WhadcockA Somethin' Else production for BBC Radio 4

Send us a textThis week the guys sit down with Dr. Ross Hastings to talk about The Ascension and his new book on this often overlooked but crucial doctrine. W. Ross Hastings (PhD theology, St Andrews; PhD chemistry, Queen's) is the Sangwoo Youtong Chee Professor of Theology at Regent College, Vancouver. Among other books, he is the author of Missional God, Missional Church; Total Atonement; and The Resurrection of Jesus Christ. He also serves as an Anglican priest at St. John's Vancouver and enjoys watching rugby, soccer, and cricket. He lives in Vancouver with his wife, Tammy. They have five children and nine grandchildren.Get a copy of The Glory of the Ascension: Celebrating a Doctrine for the Life of the Church.

Brands don't sell products. They sell benefits. Protein bar company? It's not a meal. It's a consumer who wants to live a better healthier life. Selling soap? Nope, you don't sell soap. You're selling a clean home. Brands often focus on the product to their own detriment, not realizing one important thing; customers don't care about the sale. They just care about the purchase. Jaime Schwarz, Founder of Brand Therapy, goes deep with us on this episode of The Longer Game to enlighten brands on how to stop hyperventilating over KPIs and instead, be mission focused. Working from a mission focus means you know who you're tribe is and you're going after them, no matter what your role is at the company. Put down your broom, pour some whiskey, and get ready for takeoff.The Longer Game (@thelongergame) is a podcast focused on leaning into the trends and advancements in retail so brands see a clearer path to success across ALL channels. We're looking at retail in a whole new way, looking to better understand the future of retail. It's Retail Reimagined. Sharing hope about the future. No one channel can a business sustain. Go omni-channel.Like what you're hearing? Subscribe to our channel and make sure to click or tap the bell so you get notified whenever new episodes drop.Want to learn more about The Longer Game? Head over to https://thelongergame.com to read show notes, watch more episodes, or contact us.Follow us on LinkedIn: https://linkedin.com/company/thelongergameFollow us on Instagram: https://instagram.com/thelongergameFollow us on Facebook: https://facebook.com/thelongergameJaime Schwarz is the founder of the discipline and consultancy, Brand Therapy. After an award winning dozen years in the ad industry he built brand therapy to help companies focus on product market fit using all the tools our modern world has at your disposal. To wit, he has the world's oldest NFT patent focused on brand authentication and commercialization in phygital and digital worlds, and has helped dozens of companies from personal brands to Fortune 500's adapt to the world and market of today and tomorrow. He is an adjunct at City College, lives in Hastings on Hudson, NY with his wife and two boys, and serves on the board of Wayfinders on the Hudson, and advisory board of XRSI.org. You can find them at...Website: https://brandtherapy.coach/Find them on LinkedIn: http://linkedin.com/in/jaimeschwarzFind them on Instagram: @jaime.schwarzFind them on Facebook: /jaimeschwarzMichael Maher, the host, would love to connect with you. Reach out to him at…Email: michael@thinkcartology.comLinkedIn: https://linkedin.com/in/immichaelmaherThis podcast is sponsored by Cartology and Podcastify Me.Cartology is a customized done-for-you service agency that helps brands accelerate growth and get profitable on the Amazon marketplace. They work directly with brands to create strategy and then go right out and execute it. Want to find out more?Website: https://thinkcartology.comFind Cartology on LinkedIn: https://linkedin.com/company/cartologyFind Cartology on Instagram: https://instagram.com/thinkcartologyFind Cartology on Facebook: https://facebook.com/thinkcartologyPodcastify Me is designed to help coaches of all kinds enter the podcasting space with minimal lift for them. And, inviting past, current and future clients to your show as part of your marketing and sales process sets you apart from your competition, in a time where podcasting is really gaining popularity.Website: https://podcastify.meFind Podcastify Me on LinkedIn: https://www.linkedin.com/company/podcastify-me/Find Podcastify Me on Instagram: https://www.instagram.com/podcastify.me/Find Podcastify Me on YouTube: https://www.youtube.com/channel/UCf2biqOTN2UbZ5aaM4Sx6NQ

In tonight's story, you'll join Hercule Poirot, his loyal friend Hastings, and Inspector Japp as they puzzle over the strange vanishing of a wealthy banker. What begins as an ordinary afternoon tea quickly turns into a tale of secrets, speculation, and a most unusual wager. As Poirot uses his famous “little grey cells” to untangle the truth, you'll be gently carried along by the steady rhythm of the mystery.  This is a perfect story to listen to as you unwind, because the intrigue is captivating, with the pace is calm and soothing, helping your mind drift into rest while the great detective does all the thinking for you. Let the atmosphere of old England, the soft lamplight, and the quiet order of Poirot's world guide you gently into sleep Please leave a 5-star review & SUBSCRIBE on Apple and Spotify. Sleep Cove Premium Become a Premium Member for Bonus Episodes & Ad-Free listening: Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.sleepcove.com/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and become a Premium Member. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get Instant Access⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and sign up in two taps. The Sleep Cove Premium Feed includes: - Access to over 400 Ad-free Episodes - Regular Exclusive Bonus Episodes - A Back Catalogue of Dozens of Exclusive Episodes - Full Audiobooks like Alice in Wonderland - Your name read out on the Show - Our Love! Get your 7-day free trial:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://sleepcove.com/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For Apple users, click the TRY FREE button for a 2-week free trial and become a Premium Member Today. Support our Sponsors: This episode of Sleep Cove is brought to you by BetterHelp. Give online therapy a try at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠betterhelp.com/sleepcove ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and get on your way to being your best self. Our Sister Shows: - Calm Cove - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://link.chtbl.com/bgSKfkbt⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Relaxing Music & Ambient Sounds - Mysteries at Midnight - Mystery Bedtime Stories -⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://link.chtbl.com/skj6YFah⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Let's Begin - Daytime Meditations with wake sections at the end -⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://link.chtbl.com/Z--DgSH4 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - YouTube Bedtime Story Channel -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://rb.gy/t7wyjk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - YouTube Sleep Hypnosis & Meditation Channel -⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UClE6WJgPYRBtwVQ1qDBrbqw⁠⁠⁠⁠⁠⁠⁠ Connect: - Join the Newsletter for a Bonus Meditation -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.sleepcove.com/bonus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://rb.gy/azpdrd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.instagram.com/sleep_cove/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.tiktok.com/@sleepcovechris⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Recommended Products: Comfortable Sleep Headphones -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://www.sleepcove.com/headphones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Best Mattress from Puffy:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://sleepcove.com/puffy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _______________ All Content by Sleep Cove is for educational or entertainment purposes and does not provide or replace professional medical advice, diagnosis or treatment. Always seek the advice of your medical professional before making any changes to your treatment and if in any doubt, contact your doctor. Please listen in a place where you can safely go to sleep. Sleep Cove is not responsible or liable for any loss, damage or injury arising from the use of this content. _________________ Sleep Cove content includes guided sleep meditations, sleep hypnosis (hypnotherapy), sleep stories (visualizations) and Bedtime Stories for adults and grown-ups, all designed to help you get a great night's sleep Learn more about your ad choices. Visit megaphone.fm/adchoices

Reo speakers, learners and supporters have gathered in Hastings to celebrate and champion te reo Maori. Maori News Journalist Pokere Paewai reports.

INTERVIEW: Perrin Hastings on the second season of The Gender Agenda by Zac Hoffman on Radio One 91FM Dunedin

Great interview with Russell Hastings (From The Jam)Russ recalls the early days and his current time with the band in our series "Under The Influence"With Paul Collinswww.srbpodcasts.comLike these podcasts?Buy us a coffee! buymeacoffee.com/srbmedia_podcastsSupport this show http://supporter.acast.com/srbmedia. Hosted on Acast. See acast.com/privacy for more information.

In this special episode of The Locher Room, we looked back on the extraordinary life and career of Eileen Fulton, the woman who brought As the World Turns' unforgettable Lisa Grimaldi to life for nearly 50 years.Eileen was a true trailblazer — one of daytime television's first complex, modern women. Her strength, wit, and glamour redefined what a soap heroine could be and made Lisa Grimaldi one of the most iconic characters in television history.Five Oakdale favorites — Don Hastings, Ellen Dolan, Gregg Marx, Hillary B. Smith, and Colleen Zenk — came together to share memories, laughter, and heartfelt reflections on their beloved friend and co-star. Together, they celebrated Eileen's humor, professionalism, and the lasting impact she made on her colleagues and fans alike.A moving tribute to a daytime legend whose light continues to shine brightly in the world she helped create.

***This show is brought to you by Quince. Go to ⁠http://quince.com/playonpod ⁠for free shipping on your order and 365-day returns.*** King Richard gets an onslaught of bad news as he prepares for battle in York's House Garage. The only glimmer of hope is the news that Buckingham's army was dispersed by floods and he was taken prisoner. Richard tells Stanley to muster men but to leave behind his son, George, so he can be sure of Stanley's loyalty. Stanley secretly sends word to Richmond that he will come to his aid once he secures his son's safety. Richmond rallies her army outside a “A Bus Named Larry” as Richard spends the night in an empty warehouse. Both leaders sleep and dream in their separate camps. Richard is haunted by the ghosts of the people he murdered, Richmond is blessed by those same ghosts. The moment of truth arrives when Richard meets Richmond in battle the next day. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer and sound artist Ruby Colley releases her new album Hello Halo on 14 November 2025 — a work shaped by field recordings, family archives, and her lifelong conversation with her nonverbal brother Paul.It premiered at King's Place in February, evolved through performances at Aldeburgh's Britten Weekend, and arrives now as both an album and a film — an invitation to listen differentlyI met composer Ruby for a cup of tea in Hastings. It was a joyous afternoon — unhurried, thoughtful, all very British. The resulting conversation was about the shared joy of listening — to sound, and to silence. It is one of those of handful of very special podcast interactions which captures the spirit of the moment and returns it in spades, perfect for a dark winter evening. Soothing, consolatory and motivating.

Radio Mother co-host, Joel spoke with co-creater, Perrin Hastings on the upcoming season of The Gender Agenda! All things queer, trans, love, and identity. Whakarongo mai!

In episode 1960, Jack and Miles are joined by comedian, John Hastings, to discuss… Fash Tears Raining Down On Us, The Legal Sandwich RECKONING IS NIGH, Did Kim Kardashian Just Make The Worst TV Show Of All Time? And more! MAGA Coping Mechanism: Was It The "Weaponized" Food? Trump allies erupt over Mamdani win: ‘On your Marx, get set, Zo!’ Kim Kardashian Blames ChatGPT for Failing Law Exams NASA Issues Horrified Response to Kim Kardashian Fact Check: Buzz Aldrin interview about moon landing is not proof that it was faked Rotten Tomatoes: Kim Kardashian’s ‘All’s Fair’ Gets 0% Critics’ Score All’s Fair review – Kim Kardashian’s divorce drama is fascinatingly, existentially terrible Kim Kardashian’s new legal drama is a crime against television Kim Kardashian's "empty" divorce drama branded "unwatchable" as it lands 0% Rotten Tomatoes score The ‘worst TV show of all time’ with rare 0% Rotten Tomatoes score Kim Kardashian's 'All's Fair' May Be the Worst New Streaming Show of 2025 All’s Fair greatest show of all time. Ryan Murphy Outdid Himself LISTEN: Palace by A$AP RockySee omnystudio.com/listener for privacy information.

What if the thing holding back your leadership isn't a lack of skill — but your grip on control? In this bold episode of That Will Nevr Work, Maurice Chism sits down with Renee Hastings, CEO of Executive Help Now and leadership strategist, to unpack The Power of Letting Go. Renee reveals how she moved from doing it all herself to building a culture of trust, teamwork, and scalable growth. Together, they explore:The myths leaders believe about control,How trust becomes the true foundation of leadership,The emotional hurdles of letting go,Practical systems that allow leaders to delegate with confidence.Follow Renee on LinkedIn to stay connected with her thought leadership. This episode will challenge your mindset, reveal transformational stories, and inspire you to step into a new model of leadership — one rooted in trust and freedom.

Witness the reenactment of the Battle of Hastings – on the very site in Sussex where the future of England was changed forever in 1066. English Heritage invited the Plodcast to meet the people re-enacting Norman and Saxon life and then watch the battle unfold. So tune in with Plodcast host Fergus for an unforgettable day out in the countryside. Find out more about English Heritage's work preserving and celebrating the nation's history at https://www.english-heritage.org.uk/ Also, the Plodcast is very proud to announce that it is media partner for the Speakies – the British Audio Awards from The Bookseller Magazine. These new awards celebrate the very best in audiobooks. The Plodcast is partnering in the non-fiction category. Find the shortlists here: www.thebookseller.com/the-british-audio-awards And now you can get in touch with the Plodcast team via: The BBC Countryfile Magazine Plodcast group on Facebook & BBC Countryfile Magazine's Instagram page. The BBC Countryfile Magazine Plodcast is the Publishers Podcast Awards Special Interest Podcast of the Year 2024 & 2025 and the PPA Podcast of the Year 2022. If you've enjoyed the plodcast, don't forget to leave likes and positive reviews. Contact the Plodcast team and send your sound recordings of the countryside to: theplodcast@countryfile.com. If your letter, email or message is read out on the show, you could WIN a Plodcast Postbag prize of a wildlife- or countryside-themed book chosen by the team. The Plodcast is produced by Jack Bateman and Lewis Dobbs. The theme tune was written and performed by Blair Dunlop. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this new episode, Crawlspace Media's Tim Pilleri and Lance Reenstierna host a live Youtube show with Paul Jack Fronczak and Tracey Hastings of The Fronczak Files podcast. Jack has an absolutely wild story about being found abandoned at about 2 years old. He was given to the Fronczak family after the FBI made a connection between the abandoned baby in New Jersey in 1965 and a newborn stolen from a Chicago hospital in 1964. Jack lived as Paul Fronczak for decades until eventually taking a DNA test and opening up the incredible mystery of his true identity. Missing Jill Rosenthal: ⁠https://www.missingkids.org/blog/2022/finding-the-missing-piece-brother-searches-for-twin-sister⁠. For more on Jack's story, check out his official site: ⁠⁠www.foundlingpaul.com⁠⁠. Check out the Fronczak Files podcast: ⁠⁠https://www.thefronczakfiles.com/⁠⁠. Follow them on Youtube: ⁠⁠https://www.youtube.com/@TheFronczakFiles⁠⁠. Apple: ⁠⁠https://podcasts.apple.com/us/podcast/the-fronczak-files/id1821960075⁠⁠. Spotify: ⁠⁠https://open.spotify.com/show/3194WehXg2DF0r56mlhnd1⁠⁠. IG: ⁠⁠https://www.instagram.com/thefronczakfiles/⁠⁠. FB: ⁠⁠https://www.facebook.com/thefronczakfiles⁠⁠. Jack's books: ⁠⁠https://www.thefronczakfiles.com/books⁠⁠. Main podcast theme by Kevin Macleod. Check out his work at⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://incompetech.com/⁠⁠⁠⁠⁠⁠. Additional music by David Williams. See his work at⁠⁠⁠⁠ ⁠⁠http://williamsflutes.com⁠⁠⁠⁠⁠⁠. Follow Missing: IG: ⁠⁠⁠⁠https://www.instagram.com/MissingCSM/⁠⁠⁠⁠. TT:⁠⁠⁠⁠ https://www.tiktok.com/@missingcsm⁠⁠⁠⁠. FB:⁠⁠⁠⁠ https://www.facebook.com/MissingCSM⁠⁠⁠⁠. X:⁠⁠⁠⁠ https://twitter.com/MissingCSM⁠⁠⁠⁠. Spotify:⁠⁠⁠⁠ https://open.spotify.com/show/0yRXkJrZC85otfT7oXMcri⁠⁠⁠⁠. Youtube:⁠⁠⁠⁠ https://www.youtube.com/missingcsm⁠⁠⁠⁠. Apple:⁠⁠⁠⁠ https://podcasts.apple.com/us/podcast/missing/id1006974447⁠⁠⁠⁠. Follow Crawlspace: IG:⁠⁠⁠⁠ https://www.instagram.com/Crawlspacepodcast⁠⁠⁠⁠. TT:⁠⁠⁠⁠ https://www.tiktok.com/@crawlspacepodcast⁠⁠⁠⁠. FB:⁠⁠⁠⁠ https://www.facebook.com/Crawlspacepodcast⁠⁠⁠⁠. X:⁠⁠⁠⁠ https://twitter.com/crawlspacepod.⁠⁠⁠⁠ Spotify:⁠⁠⁠⁠ https://open.spotify.com/show/7iSnqnCf27NODdz0pJ1GvJ⁠⁠⁠⁠. Youtube:⁠⁠⁠⁠ https://www.youtube.com/crawlspace⁠⁠⁠⁠. Apple:⁠⁠⁠⁠ https://podcasts.apple.com/us/podcast/crawlspace-true-crime-mysteries/id1187326340⁠⁠⁠⁠. Check out our entire network at⁠⁠⁠⁠ http://crawlspace-media.com/⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** Richard hires the murderer Tyrell to finish off the Princes in the Tower. Richmond demands his Earldom but flees when Richard brushes him off. Ratcliffe brings news that the Bishop of Ely has joined Richmond. When Elizabeth and the Duchess confront him, Richard uses the opportunity to convince Elizabeth to give him her daughter in marriage in order to preserve her line. He celebrates his triumph until Stanley informs him that Richmond is on his way to England, sending him into a rage. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe” Learn more about your ad choices. Visit megaphone.fm/adchoices

Mes amis, mes amis... and so we face the final curtain... As painful as it is, we cannot ignore the final chapter of the Poirot story, and we end as we began - in the company of the fabulous Monsieur Hercule Poirot and his most faithful friend, Captain Hastings, as they find themselves at the scene of their first case together - Styles St Mary. This time, Poirot and Hastings will face their most diabolical foe, and bring down the curtain upon a story that began once upon a friendship for the ages... Join Adam and Frankie for a very special journey, and hold on tight - this might get emotional... You can subscribe to Cosy AF, our next show, NOW on ⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠, or wherever you get your podcasts. You can also follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠@cosyafpod⁠⁠⁠⁠⁠⁠⁠. Our Patreon page is filled with all kinds of wonderful bonus materials, including videos of interviews, quizzes, bonus shows, and our deep dive into the Poirot movies! Find it at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CosyAF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on Instagram at @laboursofhercule On Threads at @laboursofhercule Or you can email us at bonjour@thelaboursofhercule.com Our amazing music was composed and produced by the fabulous Cev Moore Learn more about your ad choices. Visit megaphone.fm/adchoices

The true story of the Donner Party—cannibalism and survival in the Sierra Nevada. In winter 1846–1847, nearly 90 pioneers were snowbound at Truckee/Donner Lake after betting on the Hastings Cutoff and losing critical weeks in the Wasatch Mountains and Great Salt Lake Desert. What followed—starvation, the Forlorn Hope snowshoe escape, and cannibalism—became America's most infamous saga of westward migration.This documentary-style episode of Terrifying & True traces the route from Springfield, Illinois to the blizzards that sealed the pass by Nov 4, 1846, the collapse of order on the Humboldt, and the desperate rescue missions that fought 30-foot drifts, Starved Camp, and the scandal that haunted Lewis Keseberg for life.Inside this episodeThe “shortcut” that killed. Lansford Hastings pushes an untested route; weeks are lost in the Wasatch and on the salt flats.Pass closed, hope fading. Wagons reach Truckee Lake (Oct 31, 1846); an eight-day storm buries the Sierra Nevada by Nov 4.“Hungry times.” Cabins sink under snow; families boil rawhide and tallow as game vanishes and deaths mount.The Forlorn Hope. On Dec 16, fifteen leave on crude snowshoes; starvation, whiteout, and an unthinkable choice decide who lives.Rescues through hell. Relief parties attack the pass; John Stark drags children from Starved Camp two at a time.Aftermath & stigma. Keseberg, rumors, lawsuits—and the lasting warning from Virginia Reed: “Never take no cut-offs and hurry along as fast as you can.”A clear, date-driven reconstruction of choices, storms, and survival. We're telling that story tonight.

SPRINGFIELD — State Senator Michael E. Hastings advanced legislation designed to protect homeowners from excessive insurance rate increases and ensure fairness, transparency and accountability in Illinois homeowners insurance. "With this legislation, we are putting fairness and accountability back into the system," said Hastings (D-Frankfort). "Here is what this means for Illinois homeowners — no more surprise renewals, no more fine print, no more ‘gotcha' letters in the mail.” The legislation would establish clear rules for homeowners insurance, including: No surprise renewals: Companies would be required to give at least 60 days' notice before nonrenewal and at least 60 days' notice for premium increases over 10% or changes in coverage or deductibles. Use of Illinois-specific data: Insurers would need to use credible state-specific loss experience when setting rates. Fair, reasonable and transparent rates: Rates would need to be actuarially sound and not excessive, inadequate or unfairly discriminatory. Accountability and enforcement: The Department of Insurance would be able to review filings, issue orders and require rebates when rates are found unfair. The legislation would apply specifically to fire and extended coverage insurance for residential owner occupied properties, while excluding commercial, rental and unoccupied properties. Hastings emphasized the legislation is leveling the playing field for Illinois residents. "We are tired of the industry cherry picking data from across the country when setting their rates,” said Hastings. “This legislation guarantees homeowners a fair shake, with rates based on real Illinois data." House Bill 3799 passed the Senate on Thursday.

ORIGINAL AIR DATE: OCT 26, 2018“Samhain” (pronounced "sow-in," with the "ow" like in "cow," or “sow-een,” with “ow” as in “glow”) is an Irish Gaelic term for the time of "summer's end,” as well as a festival to mark the end of the harvest season and the onset of winter which, in the Gaelic / Celtic calendar, marked the beginning of the year. Because the Celtic day began and ended at sunset, not sunrise, the festival was traditionally celebrated from October 31 to November 1. Sanhaim is the ancient backdrop to Halloween, not only in terms of the calendar, but also in terms of basically all the modern elements of that holiday. This episode investigates the history of Samhain and its curious links to the ancient biblical worldview of demons, giants, and the realm of the dead.Articles for this episode:In public domain, via archive.org, from Hastings' Encyclopædia of Religion and Ethics (ed. James Hastings, John A. Selbie, and Louis H. Gray; Edinburgh; New York: T. & T. Clark; Charles Scribner's Sons, 1908–1926):“(Celtic) Cosmogony”“Celtic Feasts and Festivals”“Irish Deities”Journal articles not in public domain:Helen Sewell Johnson, “November Eve Beliefs and Customs in Irish Life and Literature,” The Journal of American Folklore 81:320 (Apr. – Jun., 1968), pp. 133-142Jack Santino, “Halloween in America: Contemporary Customs and Performances,” Western Folklore 42:1 (Jan., 1983), pp. 1-20r

Send us a textOh, how we miss Hastings. Please come back. Today Jaden talks about the ZZ Top-influnced Icelandic band KALEO, Zac talks about the absolutley brutal mathcore masterpiece Ire Works by The Dillinger Escape Plan, and Daniel talks about action sports music with National Express by The Divine Comedy.Follow us on Instagram if that's your thing: https://www.instagram.com/theplaylisterspod/

***This show is brought to you by Quince. Go to http://quince.com/playonpod for free shipping on your order and 365-day returns.*** In the parking garage outside The Tower, Richard coaches Buckingham on how to act distraught. The Mayor arrives with Catesby and recoils in horror when Ratcliffe delivers Hastings' head. In order to keep her own, she promises to tell the citizens that Hastings was a traitor who deserved to die. Once she leaves, Richard tells Buckingham to spread the word that King Edward was father to countless illegitimate children, including the two Princes. Later, Richard is planted as a guest on the Maximum Rock-n-Roll Radio Show to pose as a devout Christian and give the impression that he does not want to be King unless the people demand it. Buckingham stages a call into the show to plead with Richard to take the throne, saying that if he doesn't, there will be rebellion. Richard pretends to be reluctant but eventually gives in. Later, outside The Tower parking garage, the Duchess, Elizabeth, Anne and Dorset assemble to visit the Princes, but Brackenbury refuses to let them in. Dorset flees to France to join forces with Richmond. Anne agrees to be crowned in order to save the Princes. Elizabeth goes to Sanctuary to save herself and the Duchess goes to her death. Later, King Richard sits on the throne at The Temple Beautiful with Buckingham at his side, celebrating their rise to power. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Husband and wife duo Te Radar and Ruth Spencer have recently partnered together on a new book 'Kiwi Country: Rural New Zealand in 100 Objects'. You can find photos and read more about the stories in this episode on our webpage, here.With thanks to:Ruth Spencer and Te RadarOne lucky listener can win a copy of the book - tell us the type of milkshed invented in New Zealand. Email country@rnz.co.nz with the answer to go into the draw - the winner will be announced on next week's show.The couple also have a couple of book tours coming up:Hastings, Tuesday 25 NovemberWaipukarau, Wednesday 26 NovemberPalmerston North library, Wednesday 26 NovemberHedley's Masterton, Thursday 27 NovemberGo to this episode on rnz.co.nz for more details

Learn hard money basics, lending criteria, and real-world tips from Austin Hastings. Digital marketer by day, hard money lender by night—Austin explains criteria, ARV math, risk checks, and how networking with the SubTo community turns one flip into a pipeline of projects.

When we think of Europe in the 11th century, one date stands out: 1066. However, as Professor Charles West explains, this was a century of great change, and great events, across all of Europe. In conversation with David Musgrove, Charles talks about why we should perhaps be more concerned with the battle of Manzikert than the battle of Hastings, and why the 11th century is a story of cities and popes as much as it is of conquest and the Normans. (Ad) Charles West is the author of Europe in the Eleventh Century: Beyond Revolution and Reform (Oxford University Press, 2025). Buy it now from Amazon: http://www.awin1.com/cread.php?awinmid=3041&awinaffid=489797&p=https%3A%2F%2Fwww.amazon.com%2FEurope-Eleventh-Century-Revolution-Medieval%2Fdp%2F0198860234%2F%3F_encoding%3DUTF8%26pd_rd_w%3DnAZG5%26content-id%3Damzn1.sym.a7785aa2-ac28-4769-b3eb-cff7b9738627%26pf_rd_p%3Da7785aa2-ac28-4769-b3eb-cff7b9738627%26pf_rd_r%3D130-4414563-4593041%26pd_rd_wg%3DfXSDe%26pd_rd_r%3D5b153ec9-1b16-4286-8ae5-7ff403b76e63&clickref=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The young Prince Edward arrives at The Temple Beautiful and complains to Richard about his uncles imprisonment. Richard tells him his uncles Rivers and Dorset were dangerous. Edward protests but is interrupted by the arrival of the Mayor of London who greets him with flattery. Edward asks about the whereabouts of his mother and brother, the Duke of York. Hastings arrives and tells Edward his mother and brother are in sanctuary. Buckingham orders Hastings to bring York to them by force. The Cardinal protests but Buckingham convinces him there's no need for sanctuary under these circumstances. Alone with his uncle Richard, Edward asks where he and his brother will be staying before their coronation. Richard tells him they're to stay in the Tower. Edward protests but is interrupted by the arrival of his younger brother. Little York teases Richard until he learns they're going to the Tower. He starts to argue but Edward tells him not to fear. They're taken away. Richard and Buckingham call in Catesby to test Hastings' loyalty. Once alone, Richard promises Buckingham the Earldom of Hereford. Later that night, a messenger from Stanley arrives at Barrington Hall to warn Hastings that Richard is going to kill him. Hastings reassures him that Richard won't harm him. Catesby arrives and hears from Hastings that he won't support Richard taking the throne, even though he had his enemies (Rivers and Dorset) killed. Stanley rolls up and warns Hastings not to trust Richard. Buckingham saunters out to meet them and takes them to the Tower for the coronation. Elsewhere, in a warehouse basement in Pomfret, Rivers begs for his life as Ratcliffe drowns him. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Home For the Horrordays continues as we enter spooky season proper! We've been sampling the wares offered by everyone's favorite streaming service, Tubi, and landed on the 2023 found footage horror flick Werewolf Santa! It's Christmas Eve in British seaside town of Hastings, and amateur monster hunters Lucy and Dustin encounter Santa Claus just in time to watch him get mauled by a werewolf. Now it's up to Lucy and her family to save Christmas before the feral monster Santa can devour the entire town. On this episode, we discuss the film's found footage bona fides, ponder the logistics of lycanthropy, and reminisce about our own misspent youth as high school filmmakers! Questions/Comments? Email us at XmasCreeps@gmail.comTweet us @ChristmasCreepsVisit us on the web at ChristmasCreeps.com! Join us on our Discord channel! Intro/Outro: Happy Christmas, You Guys! (Simon Panrucker) / CC BY-NC-SA 3.0  

Joe and Grettelyn talk about finding "the heart in history," and how Chesterton can help us get excited to learn even about obscure things of the past — like the Battle of Hastings! Today is the anniversary of that great battle in 1066, which shaped the whole Western world. What does it mean for us? Why should we care? Listen in and read along! #chesterton #history #gkchesterton #battleofhastings #normaninvasion #williamtheconqueror You can contact us at podcast@chesterton.org. Essays mentioned in today's episode:  "Three Ways of Reading History": https://library.chesterton.org/three-ways-of-writing-history-27303/ "Introduction" to the Song of Roland: https://library.chesterton.org/introduction-18111/ "A View of William the Conqueror": https://library.chesterton.org/a-view-of-william-the-conqueror-86512/ Check out The Troubadours discussing "Belloc vs. Tolkien on 1066": https://www.youtube.com/live/fkjyAibwUlw?si=mdlr2c0tGrY-1pG1 FOLLOW US Instagram: https://www.instagram.com/chestertonsociety Facebook: https://www.facebook.com/AmericanChestertonSociety X: https://twitter.com/chestertonsoc SUPPORT US DONATE TO THE SOCIETY: https://www.chesterton.org/give/ BECOME A KNIGHT: https://www.chesterton.org/knights/ SHOP IN OUR STORE: https://www.chesterton.org/store/

Inside the Tower, Clarence begs for his life. Later, at the Gilman DIY Music Venue, King Edward secures a reluctant peace between his family's rival factions, but collapses in grief when Richard arrives with news of Clarence's death. In the ensuing chaos, Richard secures the alliance of Buckingham and Ratcliffe. That night, Elizabeth and the Duchess grieve the deaths of Edward and Clarence. Richard enters to offer his condolences and Buckingham suggests a quiet coronation for the young prince Edward in order to avoid civil unrest. Meanwhile, Dorset and Rivers rush to secure the safety of Prince Edward in Ludlow. At Rasputin Records, citizens fret over being ruled by a child King with Richard as his Protector. At home with her younger son, the Prince of York, Elizabeth gets a tattoo as she ruminates with the Duchess over their horrible state of affairs. A messenger arrives with the news that Dorset and Rivers have been imprisoned in Pomfret by Richard and Buckingham. Elizabeth grabs York and withdraws in despair to sanctuary, leaving the Duchess behind. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

On 14 October 1066, the armies of William, the Duke of Normandy, and the Anglo-Saxon King Harold Godwinson clashed near Hastings in one of the most famous battles in history and one that would decide the fate of the English throne. We all know the outcome, but how and why did the battle take place? To answer this question, Dan returns with another explainer episode to tell the incredible story of how William was able to defeat Harold on that bloody day in 1066 to become King of England.Written by Dan Snow, produced by McKenna Fernandez and edited by Matthew Wilson & Dougal Patmore.Did you know you can watch this episode on Dan's YouTube Channel? Check it out on https://www.youtube.com/@DSHHPodcastWe'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.

In this new episode, Crawlspace Media's Tim Pilleri and Lance Reenstierna speak with Jack Fronczak and Tracey Hastings of The Fronczak Files podcast. This is part 2 of 2 . Jack has an absolutely wild story about being found abandoned at about 2 years old. He was given to the Fronczak family after the FBI made a connection between the abandoned baby in New Jersey in 1965 and a newborn stolen from a Chicago hospital in 1964. Jack lived as Paul Fronczak for decades until eventually taking a DNA test and opening up the incredible mystery of his true identity. Missing Jill Rosenthal: https://www.missingkids.org/blog/2022/finding-the-missing-piece-brother-searches-for-twin-sister. For more on Jack's story, check out his official site: ⁠www.foundlingpaul.com⁠. Check out the Fronczak Files podcast: ⁠https://www.thefronczakfiles.com/⁠. Follow them on Youtube: ⁠https://www.youtube.com/@TheFronczakFiles⁠. Apple: ⁠https://podcasts.apple.com/us/podcast/the-fronczak-files/id1821960075⁠. Spotify: ⁠https://open.spotify.com/show/3194WehXg2DF0r56mlhnd1⁠. IG: ⁠https://www.instagram.com/thefronczakfiles/⁠. FB: ⁠https://www.facebook.com/thefronczakfiles⁠. Jack's books: ⁠https://www.thefronczakfiles.com/books⁠. Main podcast theme by Kevin Macleod. Check out his work at⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://incompetech.com/⁠⁠⁠⁠⁠. Additional music by David Williams. See his work at⁠⁠⁠ ⁠⁠http://williamsflutes.com⁠⁠⁠⁠⁠. Follow Missing: IG: ⁠⁠⁠https://www.instagram.com/MissingCSM/⁠⁠⁠. TT:⁠⁠⁠ https://www.tiktok.com/@missingcsm⁠⁠⁠. FB:⁠⁠⁠ https://www.facebook.com/MissingCSM⁠⁠⁠. X:⁠⁠⁠ https://twitter.com/MissingCSM⁠⁠⁠. Spotify:⁠⁠⁠ https://open.spotify.com/show/0yRXkJrZC85otfT7oXMcri⁠⁠⁠. Youtube:⁠⁠⁠ https://www.youtube.com/missingcsm⁠⁠⁠. Apple:⁠⁠⁠ https://podcasts.apple.com/us/podcast/missing/id1006974447⁠⁠⁠. Follow Crawlspace: IG:⁠⁠⁠ https://www.instagram.com/Crawlspacepodcast⁠⁠⁠. TT:⁠⁠⁠ https://www.tiktok.com/@crawlspacepodcast⁠⁠⁠. FB:⁠⁠⁠ https://www.facebook.com/Crawlspacepodcast⁠⁠⁠. X:⁠⁠⁠ https://twitter.com/crawlspacepod.⁠⁠⁠ Spotify:⁠⁠⁠ https://open.spotify.com/show/7iSnqnCf27NODdz0pJ1GvJ⁠⁠⁠. Youtube:⁠⁠⁠ https://www.youtube.com/crawlspace⁠⁠⁠. Apple:⁠⁠⁠ https://podcasts.apple.com/us/podcast/crawlspace-true-crime-mysteries/id1187326340⁠⁠⁠. Check out our entire network at⁠⁠⁠ http://crawlspace-media.com/⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this new episode, Crawlspace Media's Tim Pilleri and Lance Reenstierna speak with Jack Fronczak and Tracey Hastings of The Fronczak Files podcast. Jack has an absolutely wild story about being found abandoned at about 2 years old. He was given to the Fronczak family after the FBI made a connection between the abandoned baby in New Jersey in 1965 and a newborn stolen from a Chicago hospital in 1964. Jack lived as Paul Fronczak for decades until eventually taking a DNA test and opening up the incredible mystery of his true identity. For more on Jack's story, check out his official site: www.foundlingpaul.com. Check out the Fronczak Files podcast: https://www.thefronczakfiles.com/. Follow them on Youtube: https://www.youtube.com/@TheFronczakFiles. Apple: https://podcasts.apple.com/us/podcast/the-fronczak-files/id1821960075. Spotify: https://open.spotify.com/show/3194WehXg2DF0r56mlhnd1. IG: https://www.instagram.com/thefronczakfiles/. FB: https://www.facebook.com/thefronczakfiles. Jack's books: https://www.thefronczakfiles.com/books. Main podcast theme by Kevin Macleod. Check out his work at⁠⁠ ⁠⁠⁠⁠⁠⁠https://incompetech.com/⁠⁠⁠⁠. Additional music by David Williams. See his work at⁠⁠ ⁠⁠http://williamsflutes.com⁠⁠⁠⁠. Follow Missing: IG: ⁠⁠https://www.instagram.com/MissingCSM/⁠⁠. TT:⁠⁠ https://www.tiktok.com/@missingcsm⁠⁠. FB:⁠⁠ https://www.facebook.com/MissingCSM⁠⁠. X:⁠⁠ https://twitter.com/MissingCSM⁠⁠. Spotify:⁠⁠ https://open.spotify.com/show/0yRXkJrZC85otfT7oXMcri⁠⁠. Youtube:⁠⁠ https://www.youtube.com/missingcsm⁠⁠. Apple:⁠⁠ https://podcasts.apple.com/us/podcast/missing/id1006974447⁠⁠. Follow Crawlspace: IG:⁠⁠ https://www.instagram.com/Crawlspacepodcast⁠⁠. TT:⁠⁠ https://www.tiktok.com/@crawlspacepodcast⁠⁠. FB:⁠⁠ https://www.facebook.com/Crawlspacepodcast⁠⁠. X:⁠⁠ https://twitter.com/crawlspacepod.⁠⁠ Spotify:⁠⁠ https://open.spotify.com/show/7iSnqnCf27NODdz0pJ1GvJ⁠⁠. Youtube:⁠⁠ https://www.youtube.com/crawlspace⁠⁠. Apple:⁠⁠ https://podcasts.apple.com/us/podcast/crawlspace-true-crime-mysteries/id1187326340⁠⁠. Check out our entire network at⁠⁠ http://crawlspace-media.com/⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices