Podcasts about Hastings

Heidi sits down with Kathryn Hastings to have a warm and wonderful conversation about the epistolarian arts. For more on Kathryn: kathrynhastingsco.com Follow Heidi: @heidiroserobbins heidirose.com

Are your Tapestry fingers tingling? They should be...because it's here! 1066 and ALL of that! An ill wind blows William the Conqueror (cough spoiler) and his army of awful Normans right onto the big bottom of England. Can Sweet Harold G march really fast and to stop them...or will this prove one battle too far for England's greatest tash! Well you probably know what's going to happen...but you might get ONE IN THE EYE with some facts that's won't be in your school books! Knights, Huscarls. Crack Saracen Archers, Shield walls, Panicky Fyrd, and some suspiciously Welsh Bretons are all part of this very silly Tapestry...that is our longest episode yet!* Ta to Puremusic! Thannks to Tuttkile And of course to ZapSplat for scrums and scrapping noises! And to Scott Buckley for his epic tracks And to   https://audiojungle.net/user/synthezx     Synthezx - Portfolio for the Terminator Trailer Track!       *yes we mean 1066 and ALL that, if we MISSED ANYTHING from the most famous story in English history...then we will gladly eat our hats/nasal helms and cry! *I mean they could be by now...look at us..its been ages since we looked at a school book! *or not as the case may be! *Wait till we do Owain Glyndwr, we'll be in the studio for months, we'll have a studio by then!  

⁠⁠⁠Support the Show Here⁠⁠⁠Kyle sits down at the Excelcia Music Publishing booth at Midwest 2025 with Tim Hendrix after the clinic performance with this students earlier that day, and composer Heather Hastings, winner of the Gladys Knight Composition Competition with WBDI.To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of⁠⁠ thegrowingbanddirector.com⁠⁠Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:⁠⁠Podcast website : Thegrowingbanddirector.com⁠⁠⁠⁠On Youtube The Growing Band Director⁠⁠ ⁠⁠Facebook-The Growing Band Director Podcast Group⁠⁠⁠⁠Instagram @thegrowingbanddirector⁠⁠⁠⁠Tik Tok @thegrowingbanddirector⁠⁠If you like what you hear please:Leave a Five Star Review and Share us with another band director!

Pepper plays Peacock, that's Alan in Hastings and Amii in Telford.

Dan Glover is the speaker this week for our Venue Sunday in Hastings.

Much like last year, when a rollicking 15,000 meatballs were sold, punters can enjoy helpings provided by renowned restaurateurs and top local talent. Hastings Meatball Festival takes place on Heretaunga St East from 5.30pm on Friday 6 March and tell us all about it, Kathryn is joined by Vicky Roebuck, Chief Meatball Officer at Hastings District Council, and celebrity chef Ben Bayly.

Our coverage of the Coldwater Cardinals at Hastings Saxons varsity girls basketball game, part of a Senior Night doubleheader at Hastings High School. Announcers: Sean Watson & Mike Murphy. Final score: Coldwater 71, Hastings 35. Our McDonald's Players of the Game were Coldwater guards Rylie VanAken and Mya Porter.See omnystudio.com/listener for privacy information.

Our coverage of the Coldwater Cardinals at Hastings Saxons varsity boys basketball game, part of a Senior Night doubleheader at Hastings High School. Announcers: Sean Watson & Mike Murphy. Final score: Hastings 69, Coldwater 60. Our McDonald's Player of the Game was Coldwater forward Landon Dirschell.See omnystudio.com/listener for privacy information.

A journey can be something that might be longer or something that can be a little shorter.-In her debut episode, Lydia talks to us about her journey that started in Hastings, UK.-And from that town, there was no turning back.-And after her five week experience in Hastings, something changed. Want to know what it was that changed?-Then it's time to tune in and find out more about Lydia's English journey!

This week on the Friday LIVE Extra podcast, we're going classical. Hear a conversation with members of the Nebraska Chamber Players about their upcoming concerts, as well as from Nebraska's Young Artist Competition winner, who will be playing with the Hasting Symphony Orchestra on their upcoming concert.

This week on the Friday LIVE Extra podcast, we're going classical. Hear a conversation with members of the Nebraska Chamber Players about their upcoming concerts, as well as from Nebraska's Young Artist Competition winner, who will be playing with the Hasting Symphony Orchestra on their upcoming concert.

Wir springen ins 11. Jahrhundert, und sprechen über ein Schwert. Ein Schwert, das nach hunderten Jahren aus dem Fluss Witham in England gefischt wurde, über das wir aber eigentlich sehr wenig wissen. Wir versuchen sein mögliches Leben nachzuzeichnen, und sprechen dabei über Stahl aus Afghanistan, Schwertschmieden im Rheinland und die Bedeutung, die ein Schwert ganz abseits vom Schlachtfeld hatte. //Erwähnte Folgen - GAG158: Al-Biruni und die erste Globalgeschichte – https://gadg.fm/158 - GAG191: Aethelfled - Warrior Queen of Mercia – https://gadg.fm/191 - GAG414: Ibn Fadlān und die Reise zur Wolga – https://gadg.fm/414 - GAG519: Die Warägergarde – https://gadg.fm/519 Literatur - Androshchuk, Fedir. Viking Swords: Swords and Social Aspects of Weaponry in Viking Age Societies. Stockholm: Statens historiska museer, 2014. - Brunning, Sue. The Sword in Early Medieval Northern Europe: Experience, Identity, Representation. Boydell Press, 2019. - Davidson, Hilda R. Ellis. The Sword in Anglo-Saxon England: Its Archaeology and Literature. Woodbridge: Boydell Press, 1962/1994. - DeVries, Kelly. The Norwegian Invasion of England in 1066. Boydell & Brewer Ltd, 1999. - Halsall, Guy. Warfare and Society in the Barbarian West, 450-900. London: Routledge, 2003. - Jones, Robert W. A Cultural History of the Medieval Sword: Power, Piety and Play. Woodbridge: Boydell Press, 2023. - Maryon, Herbert. "A Sword of the Viking Period from the River Witham." The Antiquaries Journal 30, no. 3-4 (1950): 175-179. - Moilanen, Mikko. Marks of Fire, Value and Faith: Swords with Ferrous Inlays in Finland during the Late Iron Age (ca. 700-1200 AD). Turku: Suomen keskiajan arkeologian seura, 2016. - Morris, Marc. The Norman Conquest: The Battle of Hastings and the Fall of Anglo-Saxon England. London: Hutchinson, 2012. - Oakeshott, Ewart. Records of the Medieval Sword. Boydell Press, 2006. - Raffield, Ben. "'A River of Knives and Swords': Ritually Deposited Weapons in English Watercourses and Wetlands during the Viking Age." European Journal of Archaeology 17, no. 4 (2014): 630-655. - Williams, Alan. The Sword and the Crucible: A History of the Metallurgy of European Swords up to the 16th Century. Leiden: Brill, 2012. - British Museum: "Sword with inscription +LEUTLRIT". Inventarnummer 1848,1021.1. https://www.britishmuseum.org/collection/object/H_1848-1021-1 Das Folgenbild zeigt ein Ulfberhtschwert. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

On this 10kTV exlusive Interview, Bossman sat down with Daniel Hastings from the Minneapolis season of Love is Blind. Daniel tells us about his experience on the show before, during, and after filming it. Being that he's a big Minnesota sports fan, we also talk some sports and local golf!

Vancouver City Council will hold public hearings on redevelopment of the 800 block of Granville and the old Army and Navy department store on Hastings, as well as a proposal for a 25-storey hotel a block from Stanley Park. Also this week, OneCity has chosen their candidate for mayor, Vancouver's auditor general comes down hard on the real estate department and lots more in City Beat with Ian Mass.

This week, I sat down with Andrew Hynard to unpack a corporate career that spans more than three decades at JLL, the chief executive leadership of one of London's most prestigious estates, and a post-executive chapter advising some of the most interesting property businesses in the UK. Andrew spent the majority of his career at JLL focused on Capital Markets, ultimately becoming Deputy Chairman of the UK business. He later became Chief Executive of The Howard de Walden Estate, overseeing 90 acres in Marylebone with a portfolio heavily weighted toward private healthcare in and around Harley Street. Today, he advises businesses including Clipstone Investment Management, Howard Group, Orega, Taurus Developments and Love Ventures, a VC investor in early stage technology companies   In this conversation, Andrew reflects on growing up as the son of a surveyor in Hastings and deciding at just ten years old that property would be his path. We explore his early decision to specialise in investment rather than rotate through departments, and why he later regretted not gaining broader technical grounding despite accelerating his capital markets career. We go deep into his time at JLL, including the cultural and strategic forces behind the merger with King Sturge, how he navigated internal politics without burning bridges, and why playing the long game and treating people with decency became his defining leadership philosophy. Andrew also shares the transition from advisory to client side when he became CEO of Howard de Walden, what it really means to run a £3–4 billion estate in one of London's most complex submarkets, and why attracting world class healthcare operators like Cleveland Clinic was a defining moment. We then turn to today's market. Andrew gives a candid view on the state of UK real estate, the leadership reset across major advisory firms, where growth is actually coming from, why income will dominate returns for the foreseeable future, and why he believes we are approaching an inflection point rather than a falling knife moment. Finally, we explore his portfolio of advisory roles, his work in venture capital, and why mentoring the next generation is one of the most important investments he now makes.   Key Topics Covered in This Episode ✅ From Hastings to Deputy Chairman How Andrew set his sights on property at age ten and built a 30+ year capital markets career. ✅ The King Sturge Merger The first conversation that led to one of the most significant UK advisory mergers of the past two decades. ✅ Advisory vs Client Side What changes when you move from broker to principal and how to make that transition successfully. ✅ Leading the Howard de Walden Estate Healthcare, tenant mix strategy, stakeholder management and long term estate stewardship. ✅ The State of the UK Market Flat growth, tentative optimism, income driven returns and why 2025 could be a turning point. ✅ Leadership Change Across UK Agencies Why so many CEOs have changed and what the next generation must get right. ✅ Building a Post Executive Portfolio Advisory roles, venture capital, mentoring and giving back to the industry. And of course, I asked Andrew the big question: Who are the People, what Property, and which Place would you invest in if you had £500 million to deploy? If you have thoughts or questions about this episode, drop them in the comments. I'd love to hear your take. The People Property Place Podcast is powered by Rockbourne, recruiting leadership talent for real estate funds, owners, investors, and developers.

Vancouver City Council will hold public hearings on redevelopment of the 800 block of Granville and the old Army and Navy department store on Hastings, as well as a proposal for a 25-storey hotel a block from Stanley Park. Also this week, OneCity has chosen their candidate for mayor, Vancouver's auditor general comes down hard on the real estate department and lots more in City Beat with Ian Mass.

Chris Duerden is the guest speaker in our Hastings & Bexhill venues this week.

Warning: SPOILERS! If you haven't read “The Murder of Roger Ackroyd,” do yourself a favor and stop here and read it. You'll thank us later.“Checkmate” (2022) is the first official adaptation of Agatha Christie's stories. Situ Yan is an idealistic lawyer and when behind-the-scenes machinations sets an assassin free (think “Murder on the Orient Express”), he's left holding the bag. His train trip to Harbin in Manchuria is eventful and after befriending the soldier Luo Shaochuan (think Hastings), they find themselves investigating murders, kidnappings, stolen dogs, and other crimes.“Checkmate” is a 24-episode telenovella that covers “Orient Express,” “The Murder of Roger Ackroyd” (the subject of today's livestream), “One, Two, Buckle My Shoe,” “Three Act Tragedy,” “The Nemean Lion,” “Curtain,” and more!Teresa Peschel, author of "Agatha Christie, She Watched" and the "International Agatha Christie, She Watched," hosts our livestream. Joining Teresa is her husband, technical adviser, and straight man, Bill Peschel. Together, they are Peschel Press, publisher of intriguing, intelligent, and idiosyncratic books (www.peschelpress.com).HOW TO SEE THIS MOVIE: Links: iQIYI website (login needed) https://www.iq.com/album/checkmate-2022-1vwjz1u3j1p?lang=en_usDVD versions for sale on eBay: https://www.ebay.com/sch/i.html?_nkw=checkmate+dvd+chinese+seriesPeschel Press: www.peschelpress.comInstagram: https://www.instagram.com/peschel_press/NEXT WEEK:We're jumping ahead to “The Seven Dials Mystery.” We're watching first the James Warwick version from 1981 and discussing it on 1/22/26. Then, on Jan. 29, we'll tackle the new Netflix adaptation.

After a five-year hiatus, “Agatha Christie's Poirot” returned in 2000 with a different format (90-minute movies), a more serious tone, and less emphasis on Miss Lemon, Hastings, and Inspector Japp. The series was launched with one of Christie's greatest novels, “The Murder of Roger Ackroyd,” and what they did to the book, well, you'll have to watch us and find out.Teresa Peschel, author of "Agatha Christie, She Watched" and the "International Agatha Christie, She Watched," hosts our livestream. Joining Teresa is her husband, technical adviser, and straight man, Bill Peschel. Together, they are Peschel Press, publisher of intriguing, intelligent, and idiosyncratic books (www.peschelpress.com).Links:Peschel Press: www.peschelpress.comDailymotion: “The Murder of Roger Ackroyd” https://dai.ly/x9kd654DISCLAIMER: FAIR USE. Title 17, US Code (Sections 107-118 of the copyright law) All media in this video is used for the purpose of review and commentary under the terms of fair use. All footage, music and images used belong to their respective owners.

A MacGuffin is an object or event that motivates characters in a story but is generally insignificant. Every justification given for car kill switches, increased surveillance of the general public, for Internet censorship, for war, for government overreach, etc., is a MacGuffin. We need to stop drunk drivers, general crime, block pornography, fight terrorists, and ensure public safety. It's the same story over and over again, told at the expense of liberty. David Knight joins us on this episode for an open-ended conversation on the MacGuffin Kill Switch. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.WEBSITEFREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVE-X / TWITTERFACEBOOKINSTAGRAMYOUTUBERUMBLE-BUY ME A COFFEECashApp: $rdgable PAYPAL: rdgable1991@gmail.comRyan's Books: https://thesecretteachings.info- EMAIL: rdgable@yahoo.com / rdgable1991@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

DAPHNE & THE DUKE TO BE WED!! With the first part of Bridgerton Season 4 streaming on Netflix now, John & Greg continue Lady Whistledown's scandal sheet! Download PrizePicks today at https://www.prizepicks.onelink.me/LME... & use code REJECTS to get $50 instantly when you play $5! BRIDGERTON 1x4 Reaction Highlights:    • BRIDGERTON S1 EPISODE 4 REACTION – ONE KIS...   BRIDGERTON 1x3 Reaction Highlights:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   BRIDGERTON 1x1 & 1x2 Reaction:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Greg Alba & John Humphrey react to Season 1, Episode 5 of Netflix's Bridgerton, titled “The Duke and I,” a pivotal chapter that dramatically reshapes the series' central romance. Following the scandalous duel, the episode shifts into married life for Daphne and Simon—revealing that love, intimacy, and power are far more complicated behind closed doors. Phoebe Dynevor (Younger, Fair Play) portrays Daphne Bridgerton as she navigates the realities of becoming Duchess of Hastings, discovering both passion and painful misunderstandings within her marriage. Regé-Jean Page (For the People, Dungeons & Dragons: Honor Among Thieves) gives a layered performance as Simon Basset, whose unresolved trauma and refusal to confront his vow about having children leads to one of the season's most talked-about and controversial storylines. The episode features standout moments including the lavish wedding ceremony, the emotionally charged honeymoon scenes, and the tense confrontation that exposes the cracks in their seemingly perfect union. Elsewhere, the wider ton continues to churn with intrigue as Lady Danbury (Adjoa Andoh – Doctor Who, Invictus) offers sharp counsel, Queen Charlotte (Golda Rosheuvel – Lady Macbeth, Dune: Prophecy) grows increasingly obsessed with unmasking Lady Whistledown, and Penelope Featherington (Nicola Coughlan – Derry Girls, Big Mood) quietly observes from the sidelines. “The Duke and I” marks a major tonal shift for Bridgerton, trading courtship fantasy for emotional fallout and setting the stage for the conflicts to come. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us as we rabbity-rabbit on again about Four and Twenty Blackbirds (aka the one with boobs in it). Are an eccentric painter's changeable eating habits the key to solving his subsequent murder? Can Poirot and Hastings overcome sticky wickets, oompah bands and Jim Branning and learned the blackberry-stained truth? We're off to the music hall to find out... Plus exciting news about the release of our first episode of Cosy AF! You can subscribe to Cosy AF, our next show, NOW on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or wherever you get your podcasts. You can also follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@cosyafpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Our Patreon page is filled with all kinds of wonderful bonus materials, including videos of interviews, quizzes, bonus shows, and our deep dive into the Poirot movies! Find it at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CosyAF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on Instagram at @laboursofhercule On Threads at @laboursofhercule Or you can email us at bonjour@thelaboursofhercule.com Our amazing music was composed and produced by the fabulous Cev Moore Learn more about your ad choices. Visit megaphone.fm/adchoices

JONATHAN DUELS THE DUKE!! With the first part of Bridgerton Season 4 streaming on Netflix now, John & Greg continue Lady Whistledown's scandal sheet! Visit https://huel.com/rejects to get 15% off your order BRIDGERTON 1x3 Reaction Highlights:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   BRIDGERTON 1x1 & 1x2 Reaction:    • BRIDGERTON SEASON 1 EPISODES 1 & 2 REACTIO...   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Greg Alba & John Humphrey react to Season 1, Episode 4 of Netflix's Bridgerton, titled “An Affair of Honor,” a pivotal installment that pushes the Regency-era romance and scandal to new heights. The episode centers on escalating tensions, secret passions, and the looming consequences of reputation in high society. Phoebe Dynevor (Younger, Fair Play) shines as Daphne Bridgerton, whose carefully curated public image begins to fracture as her feelings for Simon Basset, Duke of Hastings deepen. Regé-Jean Page (For the People, Dungeons & Dragons: Honor Among Thieves) delivers one of his most intense performances of the season as Simon, whose unresolved trauma and fear of intimacy explode into a reckless duel that gives the episode its title and emotional backbone. The dramatic dueling sequence at dawn stands out as one of the show's most memorable early moments, blending romance, danger, and societal pressure. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the show, we recap Hockey Day Minnesota with Hastings native, Erica McKenzie. We also dive into the Minnesota Wild and discuss the proper fashion for a Stanley Cup parade in June.   Thanks to Minnesota Masonic Charities (mnmasoniccharities.org/) & OnX Maps (onxmaps.com/)

The Vikings sure could use a QB like San Darnold.Hockey Day in Hastings sure was a cold one.Joe got a weather game in Denver yesterday.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 88 Occupied by Tim Rich   Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/88_Occupied_by_Tim_Rich.mp3 This poem is from: Dark Angels: Three Contemporary Poets Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Interview transcript Mark: Tim, where did this poem come from? Tim: So, almost always for me, poems just emerge out of some sort of inner dusk. I'm not someone that can go to their desk with a plan to write about a particular message or topic or piece of content. The poem just presents itself to me. And actually I don't really have any choice in the matter. I'm sort of just forced to be a transcriber in that moment. And I was looking at the sea the other day, and I had this moment when I just thought my poems are a bit like strange sea creatures that live on the seabed. And at a particular point in their life, they decide that they just want to go to the light and they start floating up through the murky water and explode in bubbles on the surface. And, you know, hopefully I'm there sitting in the poet's boat ready to haul them on board. So, that's almost always how poems start for me. And this poem very much began that way. I was at home on a winter's evening, and it just began to come through me, as it were. And the context for that was that after many years of living in the same house, my wife and I were starting to think about the possibility of moving. And, you know, it was a really exciting prospect but also it definitely was stirring up the sediment of my unconscious. I'm someone that really feels the need for a settled home, a settled place, and this unsettled me. So, I think that that was what was giving the raw energy to the content. And there was something else, which is what informed the scenery of the poem, if you like, which is this idea of light withdrawing from a space and what that does within the space. And when I was 11, I was living just with my dad, and he would come home from work later than I would get home from school. So, for the first year or so, he arranged for me to go to some elderly neighbours on the way home from school. So I was, sort of, watched, and we would sit in their front room, and they would load up their coal fire. And through the windows, the sun would set slowly, and they were so calm. They would hardly speak. When they did speak, it was about these, kind of, wonderful domestic details like, you know, what needs to be chopped for dinner, or are there any windfalls in the garden that we can harvest tomorrow? It was very, very calm. And, you know, the coals in the fire were glowing red, but the rest of the room just lost its light. And I remember the shape of their very heavy old furniture, and the picture frames, and the curtains all began to disappear. And that must have just lodged somewhere deep within me, because that's very much, as the poem came out, where I was also taken to in my mind. Mark: So, I like this. So, I mean, to put it bluntly, it's not like you moved into a house and then you wrote this. You were thinking about moving and then a house emerged from your unconscious, from memories of other houses and so on. Tim: Yeah, yeah. Absolutely. Mark: And I think that's kind of a salutary thing to hear because… And this is a poem that really you read it and you totally believe it. It feels like a first-hand account of, well, we did this and this is what happened. And yet you're, kind of, pulling the rug from under our feet here, which is a nice thing in poetry. I think that you can't necessarily take it literally or face value. Tim: Well, we moved house… Yeah, we moved house about six months after I wrote the poem. So, I went through the experience of living the poem, which seems to be quite a good way around. Mark: Did you conjure the house, Tim? Tim: Actually, it was wonderful because it confirmed to me part of what motivated the poem, which is that I think we can all become a little bit… I don't know. Complacent seems to be too loaded a term, but we get so used to how our houses speak that we stop hearing them. And actually, there's this kind of wonderful symphony going on the whole time, you know, radiators making those strange percussive noises, and the way that the door squeaks, or suddenly, you know, how your staircase gets to a particular temperature in the middle of the night and decides to squeak. And they're constantly making these noises. And when you're living there, you stop hearing them. But when you move to somewhere for the first time, or sometimes if you go and stay in a haunted Airbnb in the woods, that first night particularly, everything's coming to you fresh. So, I think there's a strong sense of what's it like when a person moves into a space for the first time and that space has a character, and an energy, and a being of its own. Mark: So, really it's that state of heightened awareness, isn't it? You know, apparently this is how the mind works. If you've got a constant stimulus, the mind will tune it out. It's that Heaney line, you know, ‘The refrigerator whinnied into silence,' which is just that moment of… You only hear the fridge when it stops. Tim: Yeah. Mark: And what you're describing is the reverse of that. When you're in the house for the first time and everything is new and you're on hyperalert for the voices of the house. Tim: Yeah. And we're listening to our houses right now because there's a 1066 Line train from Hastings that's just gone into the tunnel over there. But we probably can't quite hear it on the microphones, but it's in the air and it's just touching elements of the house. And we're surrounded by this the whole time. And I think it's important to say, as soon as the poem had laid itself out on the page for the first time, it was clear to me that this poem was about people moving into a home for the first time, but it is also quite a vivid description, I think, of what was going through me at the time in terms of that unsettled nature. You know, I was quite surprised by the nature of the metaphors that my unconscious had presented me with. I mean, it's quite a portrait of anxiety to double-check the curtains, to lock a bolt as if it's an old rifle. You know, this is partly a portrait of an unsettled, anxious mind, which is, I think, something that I was going through at the time. Mark: And you've got some great similes, you know, the iron door bolts like an old rifle. And there's this lovely bit where you talk about ‘drawing drawn curtains'. And if you look on the website, then you can see that there's a line break after drawing, so it's drawing, line break, drawn curtains, which really just emphasises it's already drawn. You don't need to do it. This is the OCD kicking in, which really speaks to that anxiety you're describing. And I really love the second section where you say, ‘All that first day, the house talked to itself about us,' which is just a wonderfully unsettling idea that we are the intruders and the house has an opinion. Tim: Yeah, I definitely wasn't being sort of whimsically mystical about infrastructure and materials. It was definitely the feeling that there is an exchange when animals, human and other, come into a space. There's a change in energies and temperatures and sound and smells. And, you know, the dynamism of creatures come into a space that has been unoccupied, which is what generally most houses are, you know, sometimes for days, sometimes for months, and years before the new occupants come in. And I was just really taken with that idea that the house also needs to find its way of settling under these new occupants. And that seemed like a moment of 24 hours of the two parties eyeing each other and listening to each other and wondering about, ‘Who is this that I need to live with for these next years?' Mark: And it's quite a humbling poem, isn't it? Because, you know, when you think of owning the house or occupying the house, it's like you're the one in charge. But this poem just kind of subverts that idea that it's the house that's weighing us up, as in the people in the poem. It made me think of that TV series David Olusoga does, A House Through Time, where he gets an old house, and he goes through the records, and he looks at all the people who lived in the house and tells their story. And there's quite a lot of them, like, much more than I would have expected. You know, each episode goes on and on and on, and you just realise the house is staying there. The house is constant. These people, they're temporary. They might think they're the owners, but we're just passing through. Tim: We are passing through. It is a reminder of our mortality and our houses often way outlive us. Also, in recent years and decades, there's been an increase in the way in which people work from home, but that isn't a new thing. So, I wrote this poem in the house we lived in before, which was built to be a weaver's cottage, a live/work weaver's cottage. And, you know, they would find their living accommodation in quite modest corners of the house because a lot of it, at different times in the process, was given to equipment and storing material and a very intense version of live/work and working from home. And, you know, I think that part of when people suddenly a whole generation through particularly lockdowns but also just this change in working habits are spending much more of their life within the home quite often and what that means in terms of their relationship to the space and how the house relates to that. Tim: I think, just as I'm speaking, it occurs to me that perhaps also part of the influence of the atmosphere in the poem is around some of the fiction that I enjoy. And I haven't thought about this until we were talking now, but I like an M. R. James novel, or, you know, The Haunting of Hill House has just come to mind, and buildings and atmospheres that speak, as sort of some of the atmospheres you get in a Robert Aickman type horror novel. So, some of the classic British horror novels and that type of fiction. And just as we were talking about that, and I was also casting my eyes down the poem, there's some of the dusk that you get with those places, which is in this poem. And it's great, isn't it, coming back to one of your own poems quite a while after you wrote it, and you perhaps see some of the reasons for its being in a slightly different way. Mark: I mean, that's the basic premise of the haunted house is that the house is alive. I mean, you've not gone full Hammer Horror with this one. It's maybe a little more subtle, but you've definitely got some really wonderfully suggestive details. I loved ‘inner doorways muttering behind / flat hands, oak floors – masonic / in their black treacle gloss'. And that's so true. There are so many of these old houses. It's like, what happens to the wood? How does it get to be like treacle? And there's that heaviness and that opacity about it that you convey really well. Tim: Yeah. I was taken with the idea of the house being almost quite an august figure in some ways. It would be wrong to say it's proud of itself, but deciding whether to settle under our presence is quite… Mark: It's not aiming to please, is it? Tim: It's not. It's not easily won over. I mean, you know… Yeah, let's see what these new occupants are like. You know, what do they get up to? What are their tastes? What do we think of the prints that they put up on the wall? Mark: Yeah. Will they get it? Will they behave themselves? So you've got this lovely line in the third paragraph, ‘So the room released its form / and we sat among one another.' Well, thinking about the form of the poem, how close is this to, say, the first draft when you were hauling the sea creature out from the depths over the side of your poetic boat? Tim: Yeah, when the poem came out onto the page, it actually made a demand of me. It said, ‘I don't want you to put me into very organised type measures. I don't want to be sorted into regular stanzas. And also, I want you to be quite careful about any linguistic bells and whistles.' It just was a bit like the house. It had almost a sort of slightly stern feeling to it as a poem. It was very clear, and it was saying each of these stanzas, or scenes maybe, has to be as long as it wants to be. ‘I don't want you to spend time evening things up or creating consistency.' And there are many other poems that I've written where, of course, I'm deliberately very measured, very consistent. At the moment, a lot of the poems I'm writing have a lot of half rhymes but particularly a lot of internal rhymes. And, goodness, audaciously, you know, I even have a rhyming couplet in a poem that I'm working on at the moment. But this poem just said, ‘I don't want any of that.' Now, that's not to say that there aren't some half rhymes or suggestions of rhymes, and certainly some lovely withholding with words at the end of the line that only resolve as you move through into the next line, the enjambment of the word and the meaning falling over into the next line. Definitely that happens. But I tried to edit this into different shapes. I probably tried it five different ways, and each time it just felt wrong quite quickly actually. I tried to give it a consistent number of lines per stanza, and it repulsed me as a poem. It just said, ‘No, I need to be this free form.' And also, I had to accept that it's probably a little bit messier than I normally feel comfortable with. And it was good. I was like, ‘Actually, you know, just stop fighting. Just stop fighting it.' Sometimes your poems can be more irregular, more free, less obviously organised. And I think it has its rhythms that hold it together. It does for me. And listeners will decide, when they hear it, whether those rhythms are actually holding it together. Mark: Well, for me, it feels a bit like one of those old houses where you go in and there's not a right angle in sight. You know, the floors are sloping. The doors have to be a kind of trapezium to open and close, which I think is obviously true to the spirit of the thing. And it's like the house itself. It's not trying too hard. You can read it quite quickly, and it seems quite plain-spoken and spartan. But when you look, you notice the little details. Like, you know, there's the door bolts like a rifle, and the ‘nasonic', a wonderful adjective. And I've just noticed now, as we were talking, in the final verse, ‘In time, each stray thought / went to its home, leaving this / accommodation to take place'. And that's a lovely reframing of ‘accommodation', because the everyday sense is a place where you go and live, but it's an accommodation in the sense of a mutual alignment, almost like a negotiation or getting used to each other, which I think is really delightful. Mark: Okay, Tim, so I have to ask, looking again at the poem, what on earth is going on with buttering the cat's paws at the beginning? Tim: So, buttering the cat's paws is a bit of folk wisdom. And the idea is that when you move to a new house, if you have a cat or cats, that you actually put lovely, creamy butter on their paws and that they, you know, as cats do, will then spend time licking and licking and licking. And it means that more of their scent is put into the floor and the grounds of the place so they feel at home quicker and sooner. So they're sensing the place much more actively sooner. Now, I don't think there's any scientific evidence to suggest it works. But, you know, if anyone has any experience with this, I would love to hear it. But I don't really care, because the whole image of spreading beautiful, creamy butter onto the paws of the cat and that somehow just inviting them to feel that this place is home is more than enough for me. And I'd heard the phrase years and years and years before. And again, I think it was just the very first phrase that came out as the poem emerged. I think it was opening the doorway to the poem, and it felt very natural for it to be the beginning of the poem. I wonder now, looking back, whether there's something to do with the eye opened with an animal spirit. And so much of this poem really has come up from the unconscious. And I'm not starting with a very measured, conscious human, you know, activity or… I'm not saying, you know, ‘we made the decision to move'. It's not a person-led piece in the sense that, okay, we're doing the buttering, but it's the cat that's front and centre in that open line. And that's not something that I particularly thought about consciously at the time. But looking back, I think there's a hint there that we're not just talking about a straightforward human, rational response to living in a place. There are animal spirits too. Mark: Yeah, and it feels like a wonderful piece of folk magic. I mean, cats are magical creatures like witches' familiars. And, you know, maybe there's a magical aspect to that. It's a little ritual, isn't it? Tim: It is. I had a question for you, but it just came out of part of my experience of this poem going out into the world, which is that I've just been surprised, in a wonderful way, by how diverse and often surprising people's responses are to poems, how I can never really tell what it is about a poem someone's going to pick up and come back to you about. You know, for example, someone has given copies of this poem to friends when they move house. Mark: Oh, lovely. Tim: …as a housewarming present, a printed letterpress, which is very, very beautiful. Someone else said that they really loved sort of, what did they say, the soft absurdity around the house being almost this grand piece. And others have responded in different ways. And I think it's one of the wonders of poetry, maybe something that doesn't get talked about quite so much, which is that we interrogate the meaning for ourselves. And if you work with your editor and sometimes reviewers, meaning is discussed. But actually, my experience, when poems go out into the world, is it's just incredible how broad the range of response is and what people pick up on. And I suddenly think, well, is that just my experience? So what's it like for you? Are you constantly surprised by what people pick up and come back to and focus on with your poems? Mark: Yeah, it's a little bit like a Rorschach test, isn't it? People see themselves in it to a degree, or they see something that will resonate for them. And to me, it's the sign of a real poem if it can do that, if different people see different things in it. If it was too obvious and too, you know, two-dimensional, then that's fine, but it's not really a poem. And I think this is part of the magic of why poems can persist over time. Society is shifting all around them. Maybe a few of the houses are constant, but the poem still inhabits the space, and people still relate to it for decades or hundreds or even thousands of years sometimes. Tim: Yeah, I think there's an important point for poets that you have to maintain your confidence in ambiguity and what might feel like potential confusion. Of course, you need to think through how you're writing it and avoid unintended, poor consequences. But there's also a point in which I think you have to protect some of the messiness of meaning and not try to pin things down too much. Of course, there are different types of poets, and some poets need to be very clear and very message-driven. But I'm thinking, for me, there are sometimes moments when I think, ‘Am I just leaving this hanging and ambiguous and a bit dusky in terms of meaning?' And that's the point at which I think, ‘No, quite often just trust that people will find their own way into the poem.' Mark: Yeah, absolutely. And this is something I've seen a lot in classes, and it certainly happened to me very often. You know, the teacher will say you can cut the last line because we already get it. You don't need to underline the message of the poem. Sometimes we feel a bit nervous just leaving it hanging. And you've absolutely had the confidence to do that with the wonderful ending of this, where you talk about ‘the punctuating crack and hiss / as fresh eggs are broken / into a smoking pan. Someone / opening a window' – and that's it. I mean, tell me about that ending. How did you arrive at that? And did you go back and forth? Did you think, ‘Can I leave that window open, that line?' And by the way, listener, there is no full stop either to hang on to at that point! Tim: Yeah. I have to say, I do find myself clearing away more and more of the furniture of the poems. And there is a very deliberate lack of a full stop there. It was all there in the first draft that came out. It wasn't a constructed or reconstructed ending later on. Again, the poem seemed to want to open into something rather than close itself down and make a point. I think that in the action of the poem, we've moved through this dusky night, including a sort of bout of insomnia, of staring into the darkness. And then morning is coming, and it's full of new things. And there is something about that morning of waking up in a new house. What a moment in someone's life that is. Mark: Yeah. Yeah, yeah, yeah. Tim: It's just extraordinary. And there's a natural link there into the egg as a symbol. Something new, something is being born. And yeah, there may be many reasons why that window needed to be open. The smoke from the pan is one thing, which is all about the… Mark: Right, right. Setting the smoke alarm off! Tim: Yeah, it goes off in our kitchen quite often. And of course, the cooking is, again, this thing of humans being in a house and occupying it and all of the energy and dynamics. And how are you most going to make a new home your own? You're going to get out and start cooking and making a mess and eating together and getting things moving. I have no idea who the someone is, and I don't know what their motivation is for opening a window. And I like that. Mark: Okay. Well, let's have another listen to the poem and maybe, you know, each of us, as we listen to this this time, just see what associations come up for you. You know, houses you've lived in, places you've been, memories it conjures up. Thank you very much, Tim. What a lovely space to explore with this poem.   Occupied by Tim Rich We buttered the cat's pawsand baked bread in borrowed tinsto make the unfamiliar speak of pleasureand our intentions to remain All that first daythe house talked to itselfabout us Later than I expected, light withdrew across our table, unopened cratesback through thin glasstowards tomorrow So the room released its formand we sat among one anothergiving our ears to the conversation:inner doorways muttering behind flat hands; oak floors—masonic in their black treacle gloss—deciding whether to settleunder our presence Later still, in bed, I stared sideways into an unlit universe, absentlymindwalking the bounds,relocking iron door-bolts like an old rifle, drawingdrawn curtains a little closer,charting the evaporating pathbehind that plane's descent In time, each stray thought went to its home, leaving this accommodation to take place: the air held here sighing gently,like contented tortoise breaths; the softening percussion of bodies sleeping; the punctuating crack and hiss as fresh eggs are brokeninto a smoking pan; someoneopening a window   Dark Angels: Three Contemporary Poets ‘Occupied' is from Dark Angels: Three Contemporary Poets, published by Paekakariki Press. Available from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK     Tim Rich Tim Rich grew up in the woods of Sussex and now lives and writes by the sea in Hastings. His poems have been published in numerous anthologies and journals, including Dark Angels: Three Contemporary Poets (Paekakariki Press) and Poet Town (Moth Light Press). The Landfall series – exhibited at the Bloomsbury Festival, London — brought together his poetry and photography. He has five poems in the anthology Family Matters, a collection of poetry about family, to be published in 2026. Alongside poetry, Tim writes, edits and ghostwrites books.  timrich.com Photograph by Maxine Silver   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold  Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town.

The Vikings sure could use a QB like San Darnold.Hockey Day in Hastings sure was a cold one. Joe got a weather game in Denver yesterday. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nothing celebrates community hockey in Minnesota quite like Hockey Day Minnesota, and Hastings and the local organizing committee there absolutely crushed it. Carts and King dive into the wildly successful event, the jerseys, the layout, the facilities, you name it, it was top notch. As for the Wild game against FLA, the fans were treated to entertaining game, and for the 20th time this season, the Wild pushed the game into extra time. Unfortunately coming up short in OT, because of a much less favorable RAT, the Wild grabbed a point and look to finish the month strong before their Olympic break. Later in the show, we are joined by the GusBus himself, #32 Filip Gustavsson, for some typical Gus insight, that ranges from potty training to video games. This Swedish goaltender talks about his aspirations with team Sweden, his daily fun being a dad with a couple youngsters at home, and how he sneaks in time to join teammates online for some gaming. Always fun to have this tendy on the show! Like, subscribe, and listen up. Howdy boys, it's Filip Gustavsson.

The Vikings sure could use a QB like San Darnold.Hockey Day in Hastings sure was a cold one. Joe got a weather game in Denver yesterday. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Now streaming! The Harbour Bazaar looks up to The Big Sky in the year of the horse and fire. Davey Hal & Steven Hastings get pantheistic, chat about the big man WAM and choosing tracks from I Am Kloot, PJ Harvey, Father John Misty, Spaceman 3, Big Starr, Jimmy Cliff, Carl Sagan and many more plus new from Portrait Generation Hope you enjoy…. hallelujah! PLAYLIST Cecilia Ann - The Surftones Big Sky  - The Kinks Gods and Monsters - I Am Kloot Jesus Christ - Big Star A Glorious Dawn - Carl Sagan Lord Can You Hear Me - Spacemen 3 Uncloudy Day - The Staple Singers This Is the Sea  - The Waterboys King Of Kings - Jimmy Cliff Stubborn, Cold & Senseless - Portrait Generation Cichosza - Grzegorz Turnau Closer – Mercy Girl Lotus Flower - Radiohead To Bring You My Love - PJ Harvey Holy Shit - Father John Misty Queen of Denmark - John Grant Sun King - The Beatles SHIP FULL OF BOMBS THAMES DELTA INDEPENDENT RADIO If you would like to support the station and are able to do so then please pledge only what you can genuinely afford at www.patreon.com/sfob Please like and subscribe from wherever you stream your music and podcasts.

It's Friday & busier than ever! Rep. Megan Jones gives Simon an update on everything that happened in the Iowa House this week. Greg Bovino, U.S. Border Patrol Chief, gives an update on the work his agents are doing all across the country, including arrests made in MN of illegals from 31 different countries that have been apprehended in the last 12 months. And WHO"s very own "man on the ground", Nathan Fischer, calls in LIVE from "Hockey Day Minnesota" in Hastings where the Iowa Wild are playing. Tonight the Wild are playing on an outdoor rink in -8 degree weather. That means this is the COLDEST PLAYED HOCKEY GAME IN U.S. HISTORY, EVER!!!

The Vikings impacted European history -- west and east -- for centuries, from 793, when they attacked Lindisfarne Abbey in England, up until 1066, when they attacked England and lost to Harold Godwinson (though Harold would lose the next battle, at Hastings, in his fight against the Normans or, "French Vikings," as your hosts like to call them).  These dates aren't really true, since the Vikings raided before and after them. They're just nice clean dates to remember. But at any rate, centuries it was, and the Vikings were very scary, and very good at snatch-and-grab attacks, except sometimes they settled down in places like York, or of course, Normandy. And during all this time, they often attacked the island of Iona, targeting the Abbey, since that was where most of the stuff was. On Christmas Eve of 986, however, when they attacked Iona again, slaughtering the abbot and 15 monks, it wasn't a raid for raiding's sake. Times had shifted, and the Vikings were becoming church patrons. Iona was attacked in 986 as part of a struggle between secular powers and church powers. There was slaughter and raiding, to be sure, but those were the methods, not the point. In somewhat of a reversal of our usual roles, Michelle explains this all to you, and Anne gets really excited about the possibility of taking a retreat on Iona, with meditative tours and, of course, a tea room.

This week on the show, a special preview of Hockey Day Minnesota, which happens Saturday in Hastings. Our guest is Mike Snee from the Minnesota Wild. Mike is overseeing a wonderful project called Skate It Forward. Great info and a fun hockey conversation right here.    Thanks to Minnesota Masonic Charities (mnmasoniccharities.org/) & OnX Maps (onxmaps.com/)

Hockey Day Minnesota is happening in Hastings and it comes amid very cold temperatures in Minnesota. Alayna Adamez and Keira Brennan will be playing outside during the event and talk about how they are preparing.

(00:00) Darren McKee, co-host of Polumbus, Hastings and DMac on Altitude Sports Radio 92.5, joins Toucher & Hardy to offer a Denver perspective on Sunday's AFC Championship showdown between the Patriots and Broncos.(20:29.87) The Email Bit (Proudly brought to you by Jeffery Glassman Injury Lawyers)(32:17.59) THE STACK (Proudly brought to you by Colonial Volkswagen)Please note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Note: "Act 1" was a separate published audio podcast.*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics:*Vid of psycho attempting to shoot pastor. However, upon reviewing, EZ thinks it's staged.*Kid Rock pisses a bunch of people off with these comments on Jesse Waters.*Kid Rock and a bunch of country artists are coming to the small town of Hastings, MI *Chick returns pizza after eating 25% of it.*Insane footage from Kamchatka, Russia after massive snowfall.*Kamchatka residents car is stuck in snow cave.*Asshole of the Day!Sponsors:Merchant Automotive, SkyDive Grand Haven, Impact Powersports, Kuiper Tree Care, Frank Fuss / My Policy Shop Insurance, Kings Room Barbershop, Shoreliners,  Ervines Auto Repair Grand Rapids Hybrid & EV, TC PaintballInterested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterOur Sponsors:* Check out Aura.com: https://aura.com/removeSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join us for a "Damned Offensive" re-run of our most infamous episode - The Adventure Of Johnnie Waverly And who knows, maybe we'll pick up a few new catchphrases along the way...? Poirot and Hastings are off to Surrey to investigate a series of kidnapping threats being made against the son of a simple country squire. But will it be a case of "Gather round fam" or "Sack the lot of 'em"? You can subscribe to Cosy AF, our next show, NOW on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠, or wherever you get your podcasts. You can also follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠@cosyafpod⁠⁠⁠⁠⁠⁠⁠⁠⁠. Our Patreon page is filled with all kinds of wonderful bonus materials, including videos of interviews, quizzes, bonus shows, and our deep dive into the Poirot movies! Find it at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CosyAF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on Instagram at @laboursofhercule On Threads at @laboursofhercule Or you can email us at bonjour@thelaboursofhercule.com Our amazing music was composed and produced by the fabulous Cev Moore Learn more about your ad choices. Visit megaphone.fm/adchoices

In this music-filled episode of Stories of Change and Creativity, Judy Oskam sits down with singer-songwriter and education leader Dr. Candace Hastings to explore what it means to live a creative life of purpose.  They talk about identity, community, and meaning. Along the way, you'll hear excerpts from Candace's new album, including “Soft Place to Land” and “Horses I Left Behind,” songs shaped by memory, place, and belonging.Dr. Hastings is the Associate Vice Provost for the Center for Teaching, Learning, and Scholarship at Texas State University, an acclaimed singer-songwriter and a tribal member of the Citizen Potawatomi Nation. Her Potawatomi name is Mskwagishgokwe [Red Sky Woman].  Candace shares how being adopted and later discovering her Indigenous heritage helped her come “full circle,” shaping both her leadership and her songwriting. This episode features excerpts of Candace's music, including “Soft Place to Land” and “Horses I Left Behind.”What You'll Learn in This EpisodeHow Candace integrates creative practice and leadership in higher educationHow identity and heritage shape her songwriting The Potawatomi concept of mno-bmadzewen - walking in a good way on the earth—a life guided by balance, responsibility, and relationship with community and the landWhy curiosity and creativity are essential for learning, teaching, and innovationHow work and play overlap when your work is aligned with meaning Creativity and Letting the Song LeadCandace describes her musical genre as Americana—and says each song “tells her what it needs to be.” Sometimes that means swing (as in “Lone Star Christmas”) and sometimes it means a fully layered studio production.The song “Horses I Left Behind,” was written during Candace's trips to Oklahoma where she deepened her connection to her Potawatomi roots. She told me that she later learned she drove past the cemetery where her grandmother was buried.  This gives special meaning to the song.  Candace has a new album coming out in spring 2026, featuring the following songs:Soft Place to Land (title track)Horses I Left BehindLove and Cowboys It's Too Damn Hot Call Your Mama You can find out more about Candace Hastings and her music here:  https://www.candacehastings.com/ This episode was recorded at Live Oak Studios on the campus of Texas State University.   I'd love to hear from you - send me a text! Hi Friend - Thanks for listening! Check out my TEDx talk. Why you should take action - then figure it out.

Well the home stretch for the Minnesota Wild did not go as planned, only racking up one point during that time back and now they head out east for the next week - we chatted with Jess Myers of the Pioneer Press on what exactly has led to the Wild's struggles as of late! We also preview next weekend's Hockey Day Minnesota in Hastings!

Gopher Hockey (and beyond) great Jeff Taffe talks Hockey Day Minnesota in Hastings, PA & Dubay and more, Mark Parrish comes up big for Hawk

Gopher Hockey (and beyond) great Jeff Taffe talks Hockey Day Minnesota in Hastings, PA & Dubay and more, Mark Parrish comes up big for HawkSee omnystudio.com/listener for privacy information.

Lexi Hastings makes history as she transitions from UConn softball standout to draftee of Boston's inaugural Women's Pro Baseball League team. Can her athletic resilience and fearlessness spark success in the league's first season? Her journey — from foster care in Virginia to competing at the highest collegiate level — exemplifies passion, mental toughness, and unwavering drive.Gabby (Hurlbut) Maljanian spotlights Hastings' unique background, the technical challenges of switching from softball to baseball, and the significance of Boston's representation in the new league. Key topics include the mental grind of college athletics, position versatility, and the evolving landscape of women's professional baseball. Hastings shares advice for young athletes, discusses her training strategies, and offers insights into the league's competitive edge and community spirit. Get ready to follow Boston's newest star as she shapes the future of women's sports.

Your Nebraska Update headlines for today, Jan. 15, include: Gov. Jim Pillen says senator's removal of images from PragerU historical display at State Capitol warrants criminal investigation, Pillen appoints familiar face to fill the Legislative District 41 vacancy after Sen. Dan McKeon's resignation, parents and advocates urge DHHS to drop proposed caps on family caregiver pay under Aged and Disabled Waiver, Hastings moves forward with long-planned east entrance project, medical device maker BD announces $110 million expansion in Columbus adding about 120 jobs.

MUSICSammy Hagar will bring his Best of All Worlds tour back this summer, from June 13th in St. Louis through June 27th in Oxon Hill, Maryland, with Rick Springfield opening all the shows except June 26th and 27th. Tickets go on sale Friday. Jelly Roll, Shinedown, Creed and Kid Rock will headline various stops of the Rock the Country festival this summer. Jelly will headline Bloomington, Georgia May 30th and Ashland, Kentucky July 10th. Creed will headline July 25th and Creed the 26th in Anderson, South Carolina. Kid Rock will headline Belleville, Texas May 2nd, Bloomington, Georgia May 29th, Sioux Falls, South Dakota June 27th, and Hastings, Michigan on August 8th.Speaking of Country: Chris Stapleton's song "Tennessee Whiskey" is now officially the first country song ever to hit Double Diamond. That means it has more than 20 million units sold. TVNBC has pulled Thursday's episode of "Law & Order: SVU" because it features Timothy Busfield, who's facing child sexual abuse charges. The U.S. Marshals Service has joined the Albuquerque Police Department in the search for actor and director Timothy Busfield, whose location remains unknown days after an arrest warrant was issued in a child sex abuse case.Busfield faces two counts of criminal sexual contact with a minor and one count of child abuse in connection with alleged incidents involving 11-year-old twin boys who worked on the TV series The Cleaning Lady, authorities said.The warrant was issued January 9th, and law enforcement has not yet taken Busfield into custody, a police spokesperson said. U.S. Marshals are assisting with locating and apprehending him.Busfield, known for roles in The West Wing and Thirtysomething, has denied the allegations. His wife, actress Melissa Gilbert, has not commented publicly. Kit Harington, known for his role as Jon Snow in Game of Thrones, expressed his anger over a fan petition demanding HBO remake the show's eighth and final season. https://www.superherohype.com/tv/647083-kit-harington-talks-idiocy-game-of-thrones-petition-over-ending The 50th Survivor season is resurrecting the live finale to end the upcoming season. https://www.complex.com/pop-culture/a/bernadette-giacomazzo/survivor-live-finale-returns MOVING ON INTO MOVIE NEWS:The streaming premiere of "The Running Man" on Paramount+. Thora Birch and her husband got into a really intense screaming match with an autograph seeker who was apparently being too pushy. https://www.tmz.com/2026/01/12/thora-birch-husband-autograph-fight-beverly-hills/ Thanks to the success of "Avatar: Fire and Ash", Zoe Saldana is now THE highest-grossing actor of all time with $16.8 billion at the box office throughout her career. AND FINALLYAt the Golden Globes, host Nikki Glaser joked that all we know about Leonardo DiCaprio's personal life is what he said in a 1991 interview with "Teen Beat" magazine.Well, somebody dug up that interview, so we could discover MORE personal info about Leo. Here's what we learned: https://www.eonline.com/news/1427218/golden-globes-2026-leonardo-dicaprios-1991-teen-beat-interview See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Dojo Talks, we rank and debate the 10 greatest chess tournaments of all time — from historic classics like London 1851, Hastings 1895, and St. Petersburg 1914 to legendary modern events featuring Kasparov, Fischer, Tal, Topalov, and more. Joined by ChessNerd, the Dojo team breaks down: Kasparov's breakout at the Soviet Championship 1981 The birth of international chess tournaments at London 1851 Pillsbury's stunning win at Hastings 1895 The controversial 1948 World Championship tournament Steinitz and the rise of positional chess in Vienna 1873 Topalov's dominant run at San Luis 2005 Fischer's emergence at the Portorož Interzonal Tal's shocking victory in the 1959 Candidates Tournament From early romantic-era events to brutal Soviet-era candidates and modern super tournaments, we debate what truly makes a tournament great: strength of field, historical impact, legendary games, and cultural significance. Join the Dojo - https://chessdojo.club Watch Live - https://twitch.tv/chessdojo Play Chess - https://go.chess.com/chessdojo Merch - https://www.chessdojo.club/shop Want to support the channel? Patreon - https://patreon.com/chessdojo Donate - https://streamelements.com/chessdojo/tip Find all of our chess book & supplies recommendations (& more!) on our Amazon storefront: https://www.amazon.com/shop/chessdojo Shopping through our link is a great way to support the Dojo. We earn a small affiliate % but at no cost to you. Website: https://chessdojo.club Twitch: https://twitch.tv/chessdojo Discord: https://discord.gg/GhKsJtjpFw Twitter: https://twitter.com/chessdojo Patreon: https://patreon.com/chessdojo Instagram: https://www.instagram.com/chessdojo Facebook: https://www.facebook.com/chessdojo Podcast: https://chessdojotalks.podbean.com TikTok: https://tiktok.com/@/chessdojoclips 00:05 – Ranking format and guest intro 01:25 – Kasparov breakout at Soviet Championship 1981 04:13 – London 1851 and early tournament history 07:16 – Hastings 1895 and Pillsbury's rise 10:10 – World Championship tournament 1948 debate 12:26 – Steinitz and positional chess in Vienna 1873 15:41 – Topalov's run at San Luis 2005 18:10 – Fischer emerges at Portorož Interzonal 23:29 – Candidates 1959 and Tal's ascent

There's a lot of noise around AI in recruitment. Some people are selling it as a silver bullet. Others are predicting a job apocalypse for recruiters. Neither is true. In this episode of The Resilient Recruiter, Mark Whitby sits down with Rebecca Hastings to talk about what's actually happening inside businesses using AI right now and what recruiters are getting wrong. Rebecca advises CEOs, boards, and AI leaders on strategy, governance, and implementation. She's reviewed hundreds of real-world AI transformation case studies and brings a grounded perspective most recruiters never see. Alongside that, she's built a retained-only executive search firm focused on senior AI leadership and a sales system that consistently books high-quality meetings without volume-driven hustle. This conversation isn't about tools or tactics. It's about judgment, trust, and process. You'll hear why AI doesn't make work faster unless human capability is already in place, how weak sales systems are exposed when automation is added, and why recruiters who can explain how they use AI will earn more trust, not less. Rebecca also breaks down how she thinks about sales as a system, from market focus and listening time to multichannel outreach and AI-supported preparation. The result is fewer calls, better conversations, and more consistent meetings. If you want to understand where AI genuinely helps recruiters and where it quietly causes damage, this episode will change how you think about it. In this episode, you'll learn: Why there won't be a job apocalypse for recruiters How AI shifts bottlenecks instead of removing them Why trust and psychological safety matter in AI adoption How to build market expertise AI can amplify The sales system Rebecca uses to book more meetings with less effort Episode highlights: [3:42] How Rebecca billed £360,000 in her first year [14:08] Lessons from market downturns [32:17] Why listening time beats talk time [59:37] What actually happens when AI is introduced [1:15:26] The multichannel sales system behind consistent meetings Guest bio: Rebecca Hastings is the founder of Lucent Search, specialising in senior AI leadership appointments globally. She works with CEOs, CTOs, heads of AI, and boards on AI strategy, governance, and transformation, and is an AI and systems coach with Recruitment Coach.