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It's Casual Friday on The Majority Report On today's program: Donald Trump is considering sending troops on the ground to seize Kharg Island in an attempt to force the opening of the Strait of Hormuz. JD Vance asks Americans to take solace in the fact that our "allies" are suffering far more from the energy crisis we caused by our war in Iran. Staff writer at The New Republic, Perry Bacon, Jr. joins Sam to wrap up the week's news. Check out Perry's podcast - Right Now with Perry Bacon, Jr. Senator Chris Van Hollen (D-MD) joins the program to discuss his new proposed tax plan and the war in Iran. In The Fun Half: Senator Mark Warner questions Tulsi Gabbard on why Donald Trump sent her to observe the Fulton County election office raid when the president was not meant to know about the raid ahead of time. Senator Mark Kelly asks Gabbard and CIA director Ratcliffe on their thoughts on Trump offering "unfiltered national security" briefings to his big donors. Donald Trump holds a press conference with the Prime Minister of Japan where he jokes about pearl harbor. Markwayne Mullin is an idiot and thanks to John Fetterman he is moving forward into the Senate to get confirmed as the new secretary of DHS. Patrick Bet-David has really upset their audience over their cheerleading for the war in Iran. The new head all that and more New Yorkers if you live in Senate District 27 which includes the neighborhoods of Lower Manhattan, including the East Village, Tribeca, Little Italy, Chinatown, Soho, and the Financial District and Greenwich Village support Yuh-Line Niou for State Senate To connect and organize with your local ICE rapid response team visit ICERRT.com The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: ZOCDOC: Go to Zocdoc.com/MAJORITY and download the Zocdoc app to sign-up for FREE and book a top-rated doctor. NUTRAFOL: Get $30 off your first box + free Croissants in every box. Go to Wildgrain.com/MAJORITY to start your subscription. SUNSET LAKE: 30% off all CBD tinctures for people and pets with code Spring26 at SunsetLakeCBD.com Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech On Instagram: @MrBryanVokey Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com
It's an Emmajority Report Thursday on The Majority Report. On today's program: An Israeli strike on Iranian facilities in the South Pars gas field marked a significant escalation in the war, prompting Iran to attack major energy facilities of its Gulf neighbors. Trump took to Truth Social to claim the U.S. had no knowledge of Israel's plans to attack South Pars but if warns if Iran continues to retaliate then he'll blow up the entirety of the oil field. A reporter asks Pete Hegseth why we are helping Israel prosecute this war if they are going to pursue their own objectives and Hegseth had no answer. Pete then ended the press conference with a prayer - but it's Iran that is theocratic terrorist state. Helen Yaffe, Professor of Latin American Political Economy, University of Glasgow joins Emma to discuss her book We Are Cuba! How a revolutionary people survived in post-Soviet world. Erin Reed, journalist tracking anti-LGTB+ legislation around the world at Erin in the Morning on Substack joins MR to discuss her Anti-Trans National Legal Risk Assessment Map: Feb 2026 In the Fun Half: Brandon Sutton and Matt Binder join. Senator Jon Ossoff presses the Director of National Intelligence Tulsi Gabbard on whether or not it was the assessment of the intelligence community that there was an imminent threat from Iran. Jonathan Greenblatt continues to be one the leading causes of antisemitism in America. The Wall Street Journal publishes an op-ed about Democrats getting too cozy to Hasan Piker in a piece that reads like a high school newspaper. all that and more New Yorkers if you live in Senate District 27 which includes the neighborhoods of Lower Manhattan, including the East Village, Tribeca, Little Italy, Chinatown, Soho, and the Financial District and Greenwich Village support Yuh-Line Niou for State Senate To connect and organize with your local ICE rapid response team visit ICERRT.com The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: SHOPIFY: Sign up for a $1/month at shopify.com/majority NUTRAFOL: Get 15% off your first order by going to Blueland.com/MAJORITY. SUNSET LAKE: 30% off all CBD tinctures for people and pets with code Spring26 at SunsetLakeCBD.com Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech On Instagram: @MrBryanVokey Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com
Welcome to The Majority Report On today's program: The Illinois primaries deliver mixed results for progressives in a series of campaigns flooded with cash from AIPAC, crypto and AI. Toni Del-Sorbo, Malik Bowers and Luca Negrino from the Gotham Williamsburg Dispensary join Sam to discuss the dispensary's unlawful terminations during their successful union organizing drive to join the Local 338 RWDSU/UFCW. Maximillian Buchholz, assistant Professor in the Department of City & Regional Planning at UC-Berkeley on to discuss a new working paper published by the London School of Economics entitled "Inequality, Not Regulation, Drives America's Housing Affordability Crisis." In the Fun Half: A sexual assault survivor comes out in support of Maine Senate candidate Graham Platner in light of Janet Mills unleashing an attack ad on Platner. Alex Jones appears on Tim Pool's whilst very intoxicated. NBC interviews some folks at a rural Pennsylvania gas station about their thoughts on the war in Iran including a triple Trump voter who feels like an idiot for supporting the president. Senator Rand Paul clashes with Markwayne Mullin at the Senate DHS Secretary Confirmation Hearing. all that and more New Yorkers if you live in Senate District 27 which includes the neighborhoods of Lower Manhattan, including the East Village, Tribeca, Little Italy, Chinatown, Soho, and the Financial District and Greenwich Village support Yuh-Line Niou for State Senate To connect and organize with your local ICE rapid response team visit ICERRT.com The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: PROLON: ProlonLife.com/majority Get 15% off plus a $40 bonus gift when you subscribe to their 5-Day Program. NUTRAFOL: Get $10 off your first month's subscription + free shipping at Nutrafol.com when you use promo code TMR10 SUNSET LAKE: 30% off all CBD tinctures for people and pets with code Spring26 at SunsetLakeCBD.com Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech On Instagram: @MrBryanVokey Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com
Keep The Dream Flowing - Celebrating the History of Woodstock 1969
Folks, in this episode we chat with the incredible ERIC BRAM, musician, photographer and Woodstock attendee! Eric was smack dab in the middle of the Greenwich Village folk scene of the 1960s and shares his memories of this with us, as well as much more...including his time at Woodstock! This is a fun one, and it's part one of two!
In 1964, Lorey Kaye, a twenty-year-old from New Haven, CT, moved to Manhattan to start a new life in the big city. Lorey was a fresh-faced, dark-haired hippie, who attracted attention as much for her headstrong, determined, street smart attitude as for her striking good looks. She was hired as a waitress in a new nightclub that had just opened in Times Square – called Steve Paul’s ‘The Scene'. The club was an immediate hit with gigs by the likes of BB King, Jimi Hendrix, and Sammy Davis Jr., regular visitors like Andy Warhol and Edie Sedgwick – and Lorey was at the heart of the action. Another group, The Lovin’ Spoonful, also played there regularly, and their lead singer, John Sebastian, took a shine to her. John and Lorey started seeing each other, and Lorey became his muse, inspiring him to compose a number of the group's hit singles about her, such as ‘She's A Lady' and ‘Rain on the Roof', even mentioning her by name in some of the lyrics. Lorey and John Sebastian (1967) They got hitched in 1966 – by then Lorey had started work as an insider gossip columnist at Hit Parade magazine – and now known as Lorey Sebastian, she became a popular staple in the 1960s Greenwich Village folk-rock music scene. Lorey and John's relationship was glamorous, high-profile, and short-lived. Lorey broke up with John in 1968 when they were in Ireland. The legend is that she fell in with a group of gypsies, and felt compelled to tune in, drop out, and join them instead. It was said that John never fully recovered from the breakup. Lorey (right), with John Sebastian and Mama Cass (1967) Fast forward to the mid 1970s. Lorey was back in New York, now in her mid 30s and looking for a purpose. She'd become a member of the television and film workers union, with the vague ambition of being a still photographer on movie sets. To make a little extra money, she also did work as a crew member on sex films. It was on a Gerry Damiano movie that she met Jamie Gillis. Jamie sidled up to her, pushing her in the back, and exclaiming, “What a place to bump into a girl like you!” It was corny but it worked, and Lorey invited him back to her place. The mutual attraction was instant and sexual – but, for Jamie, there was something more this time. For a confirmed promiscuous bachelor, Jamie confided to friends that, whisper it quietly, Lorey might actually be the one. He spent time with her, encouraged her photography ambitions, taking her to exhibitions and galleries, and was tickled that one of his favorite songs, The Lovin’ Spoonful's ‘Daydream,' had been written for her. Not to suggest that Jamie's relationship with New York magazine's Insatiable Critic, Gael Greene, was over. Far from it. Even if the novelty of Jamie and Gael's physical and emotional relationship had subsided, they were still intent on documenting their lives, in and out of bed, for a proposed joint-autobiographical book. They continued to go the city's restaurants, cultural events, and glamorous parties, while Jamie spent his in-between time wrestling with whether he wanted an acting career, playing poker, going to the occasional audition, and making semi-regular starring appearances in adult films. In short, Jamie wanted to pursue Lorey, but not give up the affair with Gael. This is Part 2 of the story of Jamie Gillis and Gael Greene in 1978. Jamie This podcast is 49 minutes long. Listen to Part 1 of The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 here. * The post The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 Part 2, Lorey Sebastian – Podcast 159 appeared first on The Rialto Report.
https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 This title was released in February 2026. It will be exclusively available to buy from the Big Finish website until 31 March 2026, and on general sale after this date. Captain Lewis Haworth, young hacker MB, dark web operative Cole Smith and marine biologist Clare MacGregor found themselves in a changed world, controlled by the sinister Rakervia. In a secret military base in Arizona, they reactivated the Time Tunnel and set out across history, on a mission to track down the lost scientists Tony Newman and Doug Phillips, and restore the world as it should be. 2.1 Families and Lies - June 28 1969, by Mark B Oliver Cole arrives, alone, in Greenwich Village, Manhattan on Saturday, 28th June 1969, the day before the Stonewall uprising. With Lewis and MB nowhere to be found, he forges new friendships, but they have their own troubles. Inside the Project Tic-Toc Control Room, Clare must persuade Elenya that reuniting her friends is in all their interests. 2.2 Divine Intervention - April 1429, by Lisa McMullin MB and Cole find themselves in 15th Century France, towards the end of the Hundred Years War. It's France versus England but MB and Cole will be lining up on the side of France - alongside the Maid of Orleans herself - Joan of Arc. Is she a witch, a heretic or a feminist revolutionary? 2.3 Rendezvous with Tomorrow - April 15th 1912, by Gary Hopkins MB and Cole follow in the footsteps of Doctors Newman and Phillips aboard the doomed passenger ship Titanic in the year 1912. It seems that, after all, history can be re-written. Clara MacGregor, meanwhile, discovers that the past can be read in different ways. Is it possible that the journey's end is in sight? **Please note: the collector's edition CD box set is strictly limited to 1,000 copies and will not be repressed** Irwin Allen's The Time Tunnel TM & © 2026 Legendary. All rights reserved. Used under license. Based on the original television series "The Time Tunnel" © Legendary and Twentieth Century Fox Film Corporation. Recorded on: 17-19 July and 14-16 August 2024 Recorded at: The Soundhouse Producer, director and script editor Gary Russell said: "The Time Tunnel is one of those great Sixties science-fiction shows that ended too soon and without resolution. Ever since I was six years old, I used to think, what happened to poor Doug and Tony? To finally have the opportunity to restart Project Tic-Toc's computer spools, flashing lights and boot up the Tunnel again - and along the way maybe finally get an answer to Doug and Tony's fate - was simply too good an opportunity to pass up on. "We've had so much support and encouragement too from Legendary and Synthesis - who look after the Irwin Allen properties with so much love and respect - and for that I'm really grateful. They gave us the chance to bring The Time Tunnel into the twenty-first century with a bang." On making her Big Finish debut, Sandra Dickinson said: "It's a part to die for! The woman I'm playing has a rich history of being a very good human being, a loving, caring person, and is a tough cookie, so it was really fun to play, and to use the New York accent, which has been in my mind for a long time. "The 1960s was an amazing time. It's so apt at the moment to be talking about the LGBTQ rights movement. It's really nice to hear how it all started off in New York. And my dear son-in-law, David Tennant, has been standing up for them, bless him! So it's a great one to have done." The first episode's writer Mark B Oliver said: "I did a lot of research into the Stonewall Uprising, and what I found most fascinating were the oral histories that people have recorded over the years. These are people that were there and experienced what exactly happened. And the common thread is that they agreed to disagree about the exact details!" The second episode is scripted by Lisa McMullin, who said: "I've had a real hankering for quite a while to tell a pure historical story, so this was such a treat. It was really enjoyable telling the story of Joan of Arc. I had loads of interest in her before, and I'm always fascinated by how religion can be a real comforter to people but is also used to justify so much horror." And, finale writer Gary Hopkins said: "At the time we were discussing what we might want to do with this episode, I was reading a fantastic book called The Darks and Bounds of a Failing World, all about the tragedy of the Titanic and the Edwardian era. So it all fell into place at just the right time. I'd grown up watching various representations of the Titanic through film and television, but I always wanted to go back to the factual origin."
March 11, 1973. Around 20 men and women gather in Greenwich Village, New York to form PFLAG, a new gay rights activism group. This episode originally aired in 2025. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.
What does it take to rise from the vibrant streets of Buffalo, New York, to become a celebrated voice in the music industry? Join host Buzz Knight on this captivating episode of takin' a walk as he sits down with the legendary singer-songwriter Willie Nile, whose journey embodies resilience and creativity. With over 20 albums to his name and admiration from icons like Bono and Pete Townshend, Nile's story is one of passion, perseverance, and the power of music. Buzz Knight, known for his engaging style and deep dives into music history, guides listeners through Nile's early life, growing up in a lively Irish Catholic family steeped in musical traditions. As Willie Nile shares his transformative journey from studying philosophy at the University of Buffalo to carving out a niche in Greenwich Village during the 1970s, you’ll discover the challenges he faced, including a decade-long struggle against the music industry's often unforgiving nature. Despite these hurdles, Nile's unwavering spirit shines through as he discusses his latest album, "The Great Yellow Light," inspired by the poignant letters of Vincent Van Gogh. This episode is a treasure trove of music history insights, where Nile reflects on his artistic influences, the significance of songwriting, and the importance of authenticity in a world that often pushes artists to conform. Buzz Knight's thoughtful questions lead to profound conversations about the emotional healing that music provides and the connections that fuel creativity. Listeners will be captivated by Nile's heartfelt anecdotes, including his collaborations with fellow musicians like Steve Earle, showcasing the music and community aspect of his career. As the episode unfolds, Nile offers inspiring artist interviews that highlight the music journey of a true icon, emphasizing the importance of staying true to oneself amidst the chaos of the industry. As the conversation wraps up, Willie Nile reflects on his remarkable career, sharing his desire to inspire others through music. This episode of takin' a walk is not just a celebration of a legendary musician's journey; it's an exploration of the stories behind songs and the creative journeys that shape our lives. Tune in for an enriching experience that blends classic rock history, indie music journeys, and the timeless tales of legendary songwriters that continue to resonate with audiences today. Don’t miss out on this enlightening episode filled with music history moments and the vibrant spirit of an artist who has truly made his mark. Grab your headphones and join Buzz Knight for this unforgettable walk through the heart of music! #buzzknight #music history on foot #willie nile interview #inspiring icons #troubadour #greenwich village music history #musician interview #rock and roll legends #music and resilience Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Marsha P. Johnson was a trailblazing figure in LGBTQ+ history whose presence, activism, and compassion left an indelible mark on the movement. From the streets of Greenwich Village to the front lines of early gay rights activism, her life was defined by compassion, resilience, and an unwavering commitment to the most marginalized members of the community.In this episode, we're exploring Marsha's life, her role in the movement that followed Stonewall, and the enduring legacy she left on LGBTQ+ activism, community care, and queer history.Related Episodes:Listen to Episode 17. Mobsters & Mos: How the Mafia Owned Gay NightlifeListen to Episode 51. ACT UP: Silence = DeathListen to Episode 58. Gay Icons: Our Friend, DorothyListen to Episode 63. The Stonewall RiotsAdditional Resources:The Mafia's Control of New York's Gay Bars: A Hidden Chapter in LGBTQ+ HistoryACT UP: The Radical Fight for HIV/AIDS Awareness and LGBTQ+ RightsJudy Garland: The Enduring Legacy of Hollywood's Timeless Star and Gay IconStonewall Riots: A Catalyst for Pride and the Fight for LGBTQ+ RightsMarsha P. Johnson (National Women's History Museum)Overlooked: Marsha P. JohnsonMarsha P. Johnson (Britannica)Marsha: The Joy and Defiance of Marsha P. JohnsonThe Gay Liberation Youth Movement in New York: 'An Army of Lovers Cannot Fail'Pay It No Mind - The Life and Times of Marsha P. JohnsonSupport the showGet Your Merch
“For rising of the womenMeans the rising of the race.No more the drudge and idler,Ten that toil where one reposes,But the sharing of life's glories,Bread and roses, bread and roses.”Mimi Fariña spent most of her life living in someone else's shadow. First, she was the kid sister of folk music's Mother Mary, Joan Baez. Then, she was one half of a duo with her husband Richard Fariña; a mysterious and handsome writer cut down in his prime. Mimi refused to let these larger-than-life figures dictate her story. She found her own voice and her life's work, establishing her nonprofit Bread & Roses to bring music to isolated communities in the San Fransisco Bay Area, and found her purpose in tragedy.Plus, the Dolls Pod gives…hot takes on classic literature and film? Emma and Abby talk about the difficulties of adapting “Wuthering Heights,” and Emma loves a slow film but declares “Gone With The Wind” is an hour too long. Do you agree?“Mimi Fariña: Beyond the Baez Name” is available wherever you stream your podcasts
John 3:1-17Now there was a Pharisee named Nicodemus, a leader of the Jews, who came to Jesus by night and said to him, “Rabbi, we know that you are a teacher who has come from God because no one can do the signs that you do apart from the presence of God.” Jesus answered him, “Very truly I tell you, no one can enter the Kingdom of God without being born from above.” Nicodemus said, “How can one be born after having grown old? Can one enter a second time into the mother's womb and be born?”Jesus answered him, “Very truly I tell you, no one can see the Kingdom of God without being born of water and Spirit. What is born of the flesh is flesh and what is born of the Spirit is Spirit. Do not be astonished that I've said to you, ‘You must be born from above.' The wind blows where it chooses and you hear the sound of it, but you do not know where it comes from or where it goes. So it with everyone who is born of the Spirit.” Nicodemus said to him, “How can these things be?”Jesus answered him, “Are you a teacher of Israel and yet you do not understand these things? Very truly I tell you, we speak about what we know and we testify to what we have seen and yet, you do not receive our testimony. If we speak to you about earthly things and you do not believe, how can you believe when we tell you about heavenly things?“No one has ascended to heaven except the one who descended from heaven, the son of Man. And just as Moses lifted up a serpent in the wilderness, so must the Son of Man be lifted up so that everyone who believes in him may have eternal life.“For God so loved the world that he gave his only son so that everyone who believes in him may not perish, but may have eternal life. Indeed, God did not send the Son into the world to condemn the world, but in order that the world might be saved through him.” I heard about the shoes long before stepping foot into the Holocaust Exhibition yesterday in Cincinnati with the group of Cross of Gracers who made the trip there. Not only had I heard about the shoes, but I'd seen something similar at the Holocaust Museum in Washington, D.C. several years ago. In Cincinnati there were pictures and a couple of stories about individual shoes from murdered Jews. D.C.'s museum hosts an exhibit of actual shoes, though, piled several feet deep – hundreds of them – men's shoes, women's shoes, the tiny shoes of children – stacked, like bodies you might say, as a grisly reminder – not just of the number of lives destroyed by the Holocaust, but the very simple, profound, fairly universal symbol of humanity that was lost in those years.What's also sobering to realize is that there are museums and memorials around the world with equally large and disturbing piles of shoes of their own. Which makes sad, terrifying sense of course. More than six million murdered Jews leave behind plenty of shoes to go around. (And let us not forget the queer folk, the Roma people, those with disabilities, and thousands of others who were also murdered as part of Hitler's Holocaust and Final Solution.)Anyway, and of course, we also saw, yesterday, plenty of pictures, video footage, and so many living, personal testimonies about the horrors of that regime, and of those days, and of that sinful stain on humanity's history. And they are difficult to see – sad, shameful, and scary – but necessary, to look at, in my opinion; as people of faith, as responsible citizens, as human beings on the planet, as children of God.And, for so many reasons, I thought of these things when I thought about this morning's Gospel.See, when Jesus reminds Nicodemus about that time in Israel's history when “Moses lifted up the serpent in the wilderness,” he's recalling that strange story from the book of Numbers when God's people had lost faith and had been disobedient and doubtful of God, so that poisonous serpents showed up to bite them as punishment, so the story goes. When they realized the error of their ways and asked for help, Moses – at God's direction – put a bronze serpent on a pole, and set it up so that God's people could look at the serpent – like some sort of sacred, spiritual anti-venom – and be healed from the poisonous of those snakes that had plagued them. They were called to look back; to face their fear; to stare their struggle, their sadness, their sin – the source of their pain and punishment – in the eye – in order to be healed of it.And isn't that, a lot of the time, the very last thing we are inclined to do – get close to and look at the source of our struggle and sinfulness, I mean? Isn't it hard and scary, sometimes, to look our fear, our shame, our guilt, and our greatest threat in the eye? Aren't we pretty good at – if not inherently wired for – avoiding so many of the difficult, scary, broken parts of our lives and of our history, rather than face them, admit them, let alone engage and get close to them and expect good things to come of it?And it's no wonder, really. Our world is an unforgiving, judgmental, punishment- seeking, vengeance-hungry, score-keeping, death-dealing kind of place to live in. Admitting mistakes is bad for approval ratings – just ask a politician. Failure is to be avoided at all costs – just ask a student or a young athlete in your life. Admitting sin and seeking forgiveness feels like weakness – just look in the mirror.But this is what I hear Jesus ask of us in this morning's Gospel. “Just as Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up” … on a pole… on a tree… on a cross for all the world to see, so that we might look at him, so that we might look to him for deliverance from that which we fear threatens us most – our greatest mistakes, our deepest guilt, our darkest shame, our unfathomable brokenness, our Sin – with a capital S – heaped upon God, in Jesus, and left to die on a cross.And that's the power – and the practical, holy importance – of museums and memorials that point to and remind us of our history, and that force us to look it straight in the eye, even when, especially when, it's terrible and terrifying – like any Holocaust exhibit, like the Lynching Memorial in Montgomery, Alabama, like the Vietnam Wall, the 9/11 Museum, the Stonewall National Monument in Greenwich Village, New York.These are hard, holy reminders of humanity's capacity for inhumanity. But there is also warning and hope and potential for transformation when we dare to confront, study, learn from, and be changed by what we've done.- I don't know how anyone could spend 5 minutes in that Cincinnati exhibit and deny the atrocities of Hitler's regime – but there are too many who still pretend it didn't happen or that it wasn't as bad as it was, and who refuse to believe what their eyes could see if they'd just look.- After learning that some of the Nazi's first sinister steps toward “Making Germany Great” included very deliberately “Germanizing” the names of towns, villages, and streets, I'll think even harder every time I hear or see someone refer to “The Gulf of America” on a map.- And when I hear about innocent US Citizens being unfairly, unjustly detained, imprisoned, and deported, I'll remember the way that happened to innocent Japanese Americans once before, too, while we were simultaneously, ironically, fighting to liberate Jews from similar tyranny in the same damn war.We need all the reminders and reality checks we can get, people. Because, as Maya Angelou used to say, something with which I believe Jesus would agree: “When you know better, you do better.”That's why yesterday – and all of this – is more than a history lesson for me. It's an exercise of faith because these Lenten days are all about doing this work – looking back, acknowledging, admitting, confessing, repenting of our sins – working to change and be changed because of them – and extending mercy, grace and love to the world of God's children as a result.Because “God so loved the world that he gave his only Son, so that everyone who believes in him might have eternal life.” And because “God did not send the Son into the world to condemn the world, but in order that the world might be saved through him.”It's hard to look at what hurts, horrifies and threatens to kill us – at what has killed too many of us – and trust that, in doing so, we can be saved. But that's Jesus' invitation today, nonetheless… “to look and live” like those Israelites were commanded to do, way back when. To look at the Sin that has bitten us and that bites us, still. To see, repent for, and change all the ways we manage to break the heart of God; not avert our eyes, not run from, not pretend or deny the fullness of our Sin – and to not be fooled into believing God can't redeem it, either.And that's why we look to the cross … so that we might stop hiding from the sins that hang there – all the things done, left undone, and yet to be done – so that we might look full in the face at our greatest shame and our deepest fears and into the threat of our own brokenness – into the face, even, of death – and to see God's promised salvation in spite of it all.Because when we see the whole of our SIN crucified and killed … then forgiven and raised to new life … it can't bite, burden, or betray us any longer. And when we receive and accept the fullness of this grace, we can learn to walk in the shoes of our neighbor and live transformed lives in return – asking for forgiveness, extending mercy, and loving one another – wholly – the way we have already been loved, by God, in Jesus Christ, our Lord. Amen
Why are the streets of Manhattan's West Village so unusually charming and romantic? Why does it make such an excellent place for a night out in New York City? Why is the real estate so expensive? And when did it become a distinct place separate from Greenwich Village? We hope to get to the bottom of these questions in the first part of our epic new limited series on the history of the West Village. People have been living in this region of Manhattan Island for centuries -- first the Lenape, then the Dutch, who gave the area its distinctive name ("Groenwijck"). During the English colonial period, several large estates were developed here, and their memories survive today in certain street names -- like Christopher Street. By the 19th century, the fear of yellow-fever epidemics in the crowded city south of here brought new residents, new housing development -- and new streets, built every which way, conforming to hills, farms, and private property. It immediately clashed with the city's plan for an organized Grid Plan of streets and avenues. The result is a bewildering map that often seems to bend space and time (as at the intersection of West 4th and 11th Streets). Visit our website for more Bowery Boys podcasts and images from this show. This episode was edited and produced by Kieran Gannon Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
On this episode of the podcast Phillip is joined once again by movie reviewer Jaylan Salah. Check out her YouTube channel at https://www.youtube.com/@jaylansalahsalman. Phillip and Jaylan discuss the badass Pam Grier and her 1973 film Coffy. After a little Tarantino Talks, Phillip starts the show by giving the general information about the movie as well as some trivia. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then they discuss the movie. It's a great discussion. Phillip and Jaylan then answer the question of what they think Tarantino might have seen from this move that he liked or used in one of his films. They then individually rate the movie. Then they answer the question of whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; The Pope of Greenwich Village (1984). Jaylan then gives her recommendations; Seeds (2025) and The Tale of Silyan (2025). Then Phillip promotes next week's show, when he will be joined by Shon Wheeler from Scareflair Records to talk all about My Bloody Valentine (1981). Thanks for listening.
Jaume Segalés y su equipo comentan asuntos de la actualidad y traen las mejores recomendaciones culturales. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Enfermedades Raras Mañana sábado 28 de febrero se conmemora el Día Mundial de las Enfermedades Raras. Una jornada que da pie a reflexionar sobre los retos pendientes que afectan a quienes las padecen: mejorar el diagnóstico precoz; avanzar en la creación y acceso a tratamientos; y visibilizar la realidad de los que conviven con estas patologías poco frecuentes. Se conocen más de 7.000 enfermedades raras, pero sólo aproximadamente el 6% dispone de tratamiento. En España, se estima que más de 3 millones de personas padecen alguna de estas patologías. Muchas de ellas son graves, crónicas, potencialmente mortales y la gran mayoría (alrededor del 70%) se desarrollan durante la infancia. Además, el diagnóstico suele retrasarse por el desconocimiento de sus síntomas, lo cual incrementa la carga física, emocional y social para los pacientes y sus familias. Este año, ponemos el foco en las entidades que investigan y desarrollan medicamentos para este tipo de enfermedades, cuyos tratamientos están dirigidos a un número muy reducido de pacientes. Tal es el caso de Recordati Rare Diseases, división del grupo Recordati (que este año celebra su centenario) especializada en patologías poco frecuentes. Desde 2007, centra su actividad exclusivamente en enfermedades raras como la de Cushing, la acromegalia, la porfiria o el neuroblastoma de alto riesgo. Entrevistamos al director general de Recordati Rare Diseases en España y Portugal, David Marín Raboso. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre "Mi hermana Elena" (My sister Eileen). Película musical estadounidense de 1955 dirigida por Richard Quine, con guion de Blake Edwards, Richard Quine y Joseph Fields, y protagonizada por Janet Leigh, Jack Lemmon y Betty Garrett. Dos hermanas muy diferentes, una explosiva rubia y una tímida morena, llegan a Nueva York dispuestas a abrirse camino: una como actriz, la otra como escritora. Narra la historia de las hermanas Ruth (Betty Garrett) y Elena Sherwood (Janet Leigh), nacidas en Columbus (Ohio), que llegan a NYC para conseguir fama y fortuna. Ruth, la mayor, es tímida, se considera poco agraciada, teme quedar soltera, escribe cuentos y es portadora de una carta de recomendación para Robert "Bob" Baker (Jack Lemmon), editor de la revista "L'Amour". Elena es rubia, extrovertida, guapa, simpática y desea triunfar como actriz de teatro. Ambas se instalan en un semisótano destartalado de Greenwich Village, rodeado de vecinos excéntricos.
Danny Carey reveals that Tool is in talks for a Las Vegas Sphere residency for 2027 to coincide with a new album release, Jimi Hendrix is honored in New York this week as they co-name West Eighth Street in Greenwich Village to “Jimi Hendrix Way” to pay tribute to his legendary Electric Lady Studios, the lead singer for an Italian heavy metal band won the bronze medal for the men's downhill skiing finals at the Olympics earlier this month, Rage Against The Machine guitarist Tom Morello debuts his heavy metal documentary ‘The Ballad Of Judas Priest' at the Berlin Film Festival and teases a wider release later this year, The Lemonhead's Evan Dando is hospitalized for mental health treatment after sending unsolicited lewd videos to a fan online & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#DannyCarey #Tool #Sphere #JimiHendrix #EvanDando #TheBalladOfJudasPriest#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases
La pochette de l'album The Freewheelin' Bob Dylan est aujourd'hui une des images les plus iconiques des années 60. On y voit deux jeunes gens qui marchent bras dessus bras dessous dans une rue enneigée de New York, serrés l'un contre l'autre pour résister au froid. Et on grelotte avec eux, c'est vrai, mais ce qu'on ne peut pas louper, c'est la lumière qui se dégage leur sourire. Une lumière dont on devine, bien évidemment, l'origine : l'amour et la jeunesse, le monde est à leurs pieds.Quand il la rencontre, Bob a vingt ans, pas vraiment d'adresse, et est financièrement raide. Il dort chez des gens sur des canapés, parfois par terre, traîne toute la journée à Greenwich Village, joue dans les petites salles pour le chapeau et vit avec une guitare, un harmonica, un carnet et l'idée obstinée que quelque chose va arriver.Suzanne Rotolo, c'est son nom, est plus jeune que lui, mais plus stable. Elle a un toit, un vrai travail, comme disaient les parents à l'époque, mais aussi des idées politiques et une curiosité immense. Quand Dylan arrive chez elle, il a vite fait de poser tout ce qu'il possède. Suze lui fait à manger : une soupe et des pâtes, rien d'extraordinaire, sauf que pour lui, ça compte énormément.Bob reste. Il parle beaucoup, écrit tout le temps, vit comme si chaque jour était décisif. Suze écoute, l'emmène au théâtre, aux manifestations, lui fait écouter autre chose que du folk. Ils marchent beaucoup, surtout le soir, parce que rester dehors ne coûte rien. Ils s'aiment fort, se disputent aussi. Bob peut être dur, absorbé par son art. La photo de cette pochette d'album qui va se vendre par millions, est prise en plein hiver 1963, dans Jones Street, à Manhattan. Il fait très froid et ils n'ont pas vraiment ce qu'il faut pour s'en protéger. Dylan n'est pas encore une voix mythique, c'est un garçon qui tient debout parce qu'une jeune femme marche à son bras. Vous devriez voir cette autre photo prise un instant plus tard, quand il l'embrasse, et elle fermant les yeux, le visage collé à son épaule à en mourir, c'est bouleversant.Quand l'album sort, et qu'on se met à entendre Blowin' in the wind partout, les choses vont changer, c'est vrai. Bob va devenir Dylan. Suze, elle, va s'effacer peu à peu. Mais pour l'éternité, il reste cette image : avant la légende, un hiver, deux manteaux trop fins, et un amour en guise de soleil.Avant d'être une pochette mythique, The Freewheelin' Bob Dylan est le souvenir d'un hiver new-yorkais, d'un artiste en attente de reconnaissance, et d'une jeune femme formidable qui l'a aidé à tenir le temps que sa voix trouve sa place. Alors on reste figé, comme cette photo que des milliers et des milliers de couples sont allés reproduire depuis dans Jones street. La vieille camionnette Volkswagen n'est plus garée sur la gauche de la rue mais le vent d'amour et de cette jeunesse insolente y souffle toujours. Rien ne pourra le faire tomber, pas même le ciel.
Life begins for Anita in 1968 when she graduates from college, leaves her family home in Brooklyn, and moves to Greenwich Village, stepping into the revolutionary heyday of her times. Against the turbulent backdrop of charged school strikes, the Stonewall Inn and Attica uprisings, and the nascent feminist movement, Anita grapples with gang violence, job restrictions, gender stereotypes, as well as the corrosive nature of familial secrets and regrets, and, ultimately, her own evolution as a woman during and after this volatile era. As she ages, Anita asks herself and her friends the question: “Did you have the life you wanted?” prompting surprising and heartbreaking responses. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Discover the rich history of Royal Oak, Michigan, from its origins as a legendary tree to a vibrant city. This episode explores the city's transformation through stories of resilience, innovation, and community. Learn about the influential figures and events that shaped Royal Oak, and how its past continues to influence its future. Join us for an insightful journey into the heart of Michigan's history.
On the afternoon of December 22, 1984, shots rang out beneath the streets of New York, from the subway's 2 Seventh Avenue express train.A Greenwich Village man named Bernhard Goetz shot four black teenagers who he believed were about to assault him. The incident made international news, amplified by the city's shameless tabloid newspapers because it so perfectly embodied all the cultural stereotypes about New York City in the 1980s.Goetz became a sort of folk hero, the so-called Subway Vigilante, who took things into his own hands because the city's weakened and inept services could not.The facts of this case only came to light in the courtroom, playing out over the years. And, if you're old enough to remember this incident, chances are that you may not be remembering it accurately.To untangle the truth from the hype, Greg is joined in the studio by Elliot Williams, the author of the gripping new book Five Bullets: The Story of Bernie Goetz, New York's Explosive ‘80s, and the Subway Vigilante Trial that Divided the Nation.This episode was produced and edited by Kieran GannonOther Bowery Boys episodes you may enjoy: Ford To City: Drop Dead, the Subway Graffiti Era 1970-1989 and Taxi Driver (Bowery Boys Movie Club) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Book of Reservations is the second installment of The Ghost Table trilogy. It picks up one year after The Coat Check Girl ends. It is autumn 2000 and Miss Sylvie's Bistrot in Greenwich Village, New York is struggling to survive. Growing pains, an unreliable clientele, and the threat of a hotshot real estate developer loom large. Josie Gray, co-owner, is confident things will turn around, while her much more pragmatic partner thinks she's being unrealistic. She's not. Josie has the benefit of friends on the “other side” of the veil who make her feel like everything's going to be all right. Unfortunately, those same friends drive a wedge further in her relationship with her partner, who wants nothing to do with the spirit world. This would be okay were it not for the fact the spirit world is trying desperately to reach him, and Josie is their only conduit. For more info: https://www.laurabuchwald.com/https://www.instagram.com/laurabuchwaldauthor/ Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Robin Dellabough, writer and editor, shares her unconventional journey from growing up in a bohemian Greenwich Village household to spending decades supporting other people's creativity. Raised by beatnik parents who gave her the confidence to try anything, she hitchhiked Europe at 17, lived in a Hawaiian treehouse, worked as a theater stage manager, and ghostwrote books—all while her own creative voice remained underground. Dellabough explains the pattern of talented people who facilitate others' success while neglecting their own work, how she eventually claimed her creative life through poetry and writing, and why direct feedback without sugarcoating serves creative growth better than false encouragement. Hosted on Acast. See acast.com/privacy for more information.
The Trump Administration took down the Pride flag at New York's Stonewall Monument in Greenwich Village. Local lawmakers and activists rallied to put the flag back today. WFUV's Sonia Weliwitigoda has more on what protesters say about the flag's cultural significance. The Trump administration said the immigration crackdown in Minneapolis is ending. WFUVs Sienna Reinders has more on the state's response. After a month-long strike, more than 10,000 New York City nurses are returning to work. But more than 4,000 are still striking. More details on the tentative deal. WFUV's Livia Regina shares part of an interview with Jesse Welles about his new studio and field recordings. Plus, details about the agency losing clients because of the Jeffrey Epstein files. Host/Producer: Xenia Gonikberg Editor: Lainey Nguyen Reporter: Livia Regina Reporter: Sienna Reinders Reporter: Sonia Weliwitigoda Theme Music: Joe Bergsieker
What happens when a legendary music venue prioritizes live music over food and drink? Join host Buzz Knight on this episode of takin' a walk as he dives deep into the heart and soul of The Bottom Line, a Greenwich Village landmark that shaped the landscape of American music. Buzz welcomes Alan Pepper and Billy Altman, co-authors of the compelling book Positively Fourth and Mercer, which chronicles the rich history of this iconic venue. Alan, the visionary owner of The Bottom Line, shares fascinating insights into the unique concept that made the venue a haven for music lovers. With a focus on creating an intimate, theater-like experience, The Bottom Line became a stage for legendary musicians, including Bruce Springsteen and Darlene Love. As the conversation unfolds, listeners will be captivated by the emotional connections formed through music and the bittersweet memories surrounding the venue's closure in 2004. Buzz Knight, known for his engaging music conversations, guides the discussion as Alan and Billy recount their journeys interviewing over 100 artists for the book. They explore the diverse range of genres showcased at The Bottom Line, offering listeners a glimpse into the vibrant tapestry of rock music history, jazz music, and even country musicthat resonated within its walls. The episode highlights the cultural impact of music and the role of FM radio in nurturing an audience for these diverse styles. Throughout the episode, listeners will discover not only the stories behind iconic songs but also the lasting legacy that The Bottom Line has left on the New York music scene. Buzz Knight's friendly style makes this music history podcast a delightful journey for anyone passionate about exploring music history. As they reflect on the past, Alan and Billy also offer a forward-looking perspective on how the spirit of The Bottom Line continues to inspire new generations of artists and music lovers. Whether you're a fan of indie music, classic rock, or simply love music storytelling, this episode of takin' a walk is sure to resonate with you. Tune in to hear inspiring artist interviews, emotional healing through music, and the stories behind the songs that have shaped our lives. Don't miss this chance to walk down memory lane with Buzz Knight, Alan Pepper, and Billy Altman as they celebrate the magic of The Bottom Line and its enduring influence on the music world. #bruce springsteen #inspiring icons #music legends #music history podcast #New York Music History Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Betty Boyd Caroli's biography of Mary Kingsbury Simkhovitch is the first full-length work on a seminal figure in the settlement house movement, which spearheaded efforts to improve the life of immigrants and to counter urban squalor in cities around America in the early 19th century. Greenwich House, the community center Simkhovitch founded in 1902 in Greenwich Village, then a destination point for new immigrants to New York, quickly gained a reputation equal to that of Jane Addams's Hull House in Chicago, providing services in health, recreation, education, and the arts (which Greenwich House continues to do to this day). Simkhovitch became a tireless advocate of public housing and has been called by some "the mother of public housing." She played a central role in designing and administering the first public housing projects in America during the New Deal, in which she was an integral figure. The National Housing Conference, which she founded in 1931, continues to operate in our current "housing crisis" as among the most prominent advocates for safe, affordable housing. She co-wrote the National House Act of 1937, the first piece of legislation to establish the federal government's responsibility to help provide low-income families with housing. A Slumless America: Mary K. Simkhovitch and the Dream of Affordable Housing (Oxford University Press, 2026) by Caroli, best-known for her work on presidential First Ladies, which has gone through multiple editions, will become the standard account of a truly remarkable life. Born in New England and educated in Boston and at the University of Berlin, Simkhovitch married a Russian intellectual seven years her junior who spoke no English and had no job prospects. Raising a family while working for her rapidly expanding set of causes, Simkhovitch was portrayed in a DC Comics series (also featuring Diana Prince) in the early 1940s as a "Wonder Woman of History" for her seeming ability to do it all: take on the full spectrum of urban ills while also raising and supporting her family. Her husband eventually joined the Columbia faculty and became a noted art collector, advising collectors such as J. P. Morgan, while she exposed the squalor of Downtown slums. The stress of trying to do it all took a heavy toll on Simkhovitch, but her lifelong, passionate advocacy of and contributions to housing reform continued unabated and remains both inspiring and relevant. Betty Boyd Caroli is a graduate of Oberlin College and holds an MA in Mass Communication from Annenberg School of University of Pennsylvania, as well as a Ph.D. in American Civilization from New York University. She studied at the Università Per Stranieri in Perugia, Italy, and the Salzburg Seminar in Austria. A Fulbright in Italy led her to teach at the British College in Palermo, the English School in Rome, and two branches of City University of New York (Queens College and Kingsborough Community College). Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Vincent “Chin” Gigante was the most powerful mob boss in America...and he was also the mob's best performance artist. By day, he wandered Greenwich Village in a bathrobe, muttering to himself, selling the world on the idea that he was crazy. By night, he ran the Genovese crime family with near-absolute discipline, avoiding wires, indictments, and the spotlight that destroyed flashier dons. For decades, he convinced the FBI and the courts he was too mentally ill to stand trial, all while green-lighting murders, controlling unions, and skimming millions, turning the Genovese family into the most powerful criminal group in America. Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a textThe Power of No Like many women of earlier generations the ability to utter the word “no” was difficult. But I quickly learnt its power when I arrived in NYC at age 16 and had to survive a new and abstract environment .Fresh from a village in the Corentyne of nearly 500 people I landed in Greenwich Village , Manhattan- the bohemian community of artists, hippies, gamsters, gangsters where live accelerated- surrounded by cozy pubs, pool halls, record shops, vintage clothing shops ( where I found my first style in a Balenciaga dress, and Givaunchy coat for than one hundred dollars, feasted on lunches at a Cuban cafetiera - arroz, black beans, and fried platanos for less than five dollars… traded Vidal Sassoon haircuts for fashion tips with my new friend, Miwa… a metropolis exploration where I learned to unreign my free will to bolster and materialise an infinite sense of creativity. I trained myself to learn the word “no”, No to taking the easy route No to being exploitedNo to jobs that underpaid immigrantsNo to unscrupulous landlordsThe most aggrieved No was to my father who was adamant about my pursuing my academic studies. The power of No did not alleviate mistakes and blindspots along the way but it safeguarded my focus. I had no choice but to succeed with my new life. With the power of NO, I was able to step by step build a new life with revolutionary clothing designs and empowered the brand name Maya which fashion designs in the seventies were featured by 80% of America's hi fashion fashion retailers. I had delved into unearthing remembered skills. Then cancer struck at the height of my fashion career. A five year long journey that took me through the first fire of imitation of adult life. Cancer rerouted me back to the rich ground of my Vedic ancestry. My father was the pivotal oarsman In this transition. He reminded me that my birth path was a sacred one. I belonged not to the path of celebrity, but to the path of service. Just like that the power of No which had rapidly grown my success in the fashion world morphed into itself to bail me out of the cursory industry of commerce and commodity. His echo was a resounding NO to my life in the fashion industry. I closed the doors to my quintessential Madison Ave boutique, Closed all retailers access to my designs, closed out my licensing project that had just opened its first flagship store. The journey of Yes had begun: Yes to realigning with ancestral wisdom. Yes to being the first of my family to return to the Motherland. Yes, to the grace of an intensely disciplined and structured vocation of studying Vedas. Yes to my remarkable Guru, who was one of the rare and authentic scholar of Vedas. After my spiritual initiation, I returned to a fresh blossoms of new life, with abundant pristine energy, and opened the Wise Earth School for disseminating Ayurveda holistic medicine way of life. The Spiritual Life of YES40 years of Yes ( while there were thousands of noble deeds and lessons culled in these years, what stands out in the wane of energy is the priceless cost of Yes.Yes to women who needed my spiritual energy without accountabilityYes to women who needed a mother because their own relationship with their mother was deficient. Yes to those who needed to heal without doing the work Yes to the Support the showMay Peace Be Your Journey~www.mayatiwari.comwww.facebook.com/mayatiwariahimsa.Buzzsprout.com Mothermaya@gmail.com Get Maya's New Book: I Am Shakti: https://www.collectiveinkbooks.com/o-books/our-books/I-am-shakti Amazon.com Bookshop.org
Meg and Jessica school each other on wintry New York ghosts that haunt The Palace Theatre and The Ear Inn, plus fun facts about the bird population of Central Park, Bob Dylan's Greenwich Village, and the very first murder in New York.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica
In this episode of Reading Is Funktamental, we discuss the long history and profound influence of a single song, “Hey Joe,” a tune that binds nearly every strand of 20th-century American popular music. “Hey Joe” was written sometime in the early 1960s by a man named Billy Roberts, an obscure singer and guitarist from South Carolina who moved to New York City, drawn by the burgeoning folk music scene in Greenwich Village. It was a time when original material was scarce, leading other singers to quickly adapt quality songs in the spirit of folk music's oral traditions. Thus began the long journey of “Hey Joe” from New York coffeehouses to the bars on L.A.'s Sunset Strip to the ears of a young guitarist named Jimi Hendrix, who launched his career with his radical, electrified interpretation. The story is related by Jason Schneider, author of That Gun In Your Hand, a new book that also presents previously unpublished information about the life of Billy Roberts, a shadowy figure whose 2017 death went unreported by all news outlets. For more, read my review at NYSMusic.com https://nysmusic.com/2025/10/20/the-strange-saga-of-hey-joe-revealed/ "Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.
Life begins for Anita in 1968 when she graduates from college, leaves her family home in Brooklyn, and moves to Greenwich Village, stepping into the revolutionary heyday of her times. Against the turbulent backdrop of charged school strikes, the Stonewall Inn and Attica uprisings, and the nascent feminist movement, Anita grapples with gang violence, job restrictions, gender stereotypes, as well as the corrosive nature of familial secrets and regrets, and, ultimately, her own evolution as a woman during and after this volatile era. As she ages, Anita asks herself and her friends the question: “Did you have the life you wanted?” prompting surprising and heartbreaking responses. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Rainy Greenwich Village Tales
In November 1987, first responders arrived at a Greenwich Village townhouse to find six-year-old Lisa Steinberg unconscious and severely injured. Her adoptive father, a prominent New York defense attorney, claimed she had choked. But doctors quickly determined Lisa had suffered months of abuse, with injuries far too severe to be accidental.As investigators dug deeper, they uncovered a disturbing reality inside the home. Lisa had never been legally adopted, leaving her invisible to the child welfare system. Her adoptive mother, Hedda Nussbaum, was also found to be a victim of extreme domestic abuse, with broken bones and untreated injuries that shocked authorities. Warning signs had surfaced for years through neighbors, teachers, and officials, yet no one intervened in time.Lisa was declared brain-dead three days later and removed from life support. The televised trial that followed captivated the nation and ended with a manslaughter conviction that many believed was far too lenient. But the impact of Lisa's death went far beyond the courtroom.Her case led New York to reform private adoption practices, expand mandatory reporting laws, and restructure how child welfare cases are handled. Lisa Steinberg's life was tragically short, but the reforms that followed ensured her story permanently changed how vulnerable children are protected.
The Book of Reservations is the second installment of The Ghost Table trilogy. It picks up one year after The Coat Check Girl ends. It is autumn 2000 and Miss Sylvie's Bistrot in Greenwich Village, New York is struggling to survive. Growing pains, an unreliable clientele, and the threat of a hotshot real estate developer loom large. Josie Gray, co-owner, is confident things will turn around, while her much more pragmatic partner thinks she's being unrealistic. She's not. Josie has the benefit of friends on the “other side” of the veil who make her feel like everything's going to be all right. Unfortunately, those same friends drive a wedge further in her relationship with her partner, who wants nothing to do with the spirit world. This would be okay were it not for the fact the spirit world is trying desperately to reach him, and Josie is their only conduit. For more info: https://www.laurabuchwald.com/https://www.instagram.com/laurabuchwaldauthor/ Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Merriam-Webster's Word of the Day for December 17, 2025 is: espouse ih-SPOWZ verb To espouse an ideology, belief, etc., is to take it up and support it as a cause. Espouse is usually encountered in formal speech and writing. // The article explores some of the lesser-known viewpoints espoused by the charismatic leader. See the entry > Examples: “Crammed into a tiny apartment in Greenwich Village, they [Yoko Ono and John Lennon] immersed themselves in the city's counterculture, absorbing progressive politics whenever they weren't glued to the television set. Lennon's celebrity secured the duo a large platform to espouse these ideas ...” — Stephen Thomas Erlewine, Pitchfork, 11 Oct. 2025 Did you know? As you might guess, the words espouse and spouse are hitched, both coming from the Latin verb spondēre, meaning “to promise” or “to betroth.” In fact, the two were once completely interchangeable, with each serving as a noun meaning “a newly married person” or “a partner in marriage” and also as a verb meaning “to marry.” Their semantic separation began when the noun espouse fell out of use. Nowadays, espouse is almost exclusively encountered as a verb used in the figuratively extended sense “to commit to and support as a cause.”
Sarah Vogel was born in Auschwitz and liberated at age three, but she has no memories of being there and nobody to tell her the story of her birth or her mother. Becoming Sarah (Diane Botnick, She Writes Press 2025) grapples with identity, memory, belonging, and reinventing oneself. Sarah's trajectory is filled with both happiness and extreme loss, and she finds love, friendship, and home, but the lies she invented as a survivor follow her through her daughters and granddaughters, each of them survivors of something. Diane was born and raised in Akron, Ohio, but always knew she'd wind up in New York City. Her first night in Greenwich Village she went to a double feature of Godard's “Weekend” and Wiseman's “Titicut Follies,” and her romance with the city began. For the next 30 years, Diane worked around, starting out in Italy assisting people like Jerome Robbins and Ellen Stewart with their contributions to the Spoleto Festival, then back in the City for the Dia Art Foundation, Isamu Noguchi, Great Performances at WNET, and finally, Workman Publishing. Along the way, she returned to school in pursuit of a master's in creative writing at City College. Fulfilling all requirements but unable to pass the French exam (with a dictionary!), she was never awarded her diploma. However, the privilege of being mentored by Donald Barthelme and being appointed student editor of the literary magazine FICTION gave her far more than a diploma ever could. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Sarah Vogel was born in Auschwitz and liberated at age three, but she has no memories of being there and nobody to tell her the story of her birth or her mother. Becoming Sarah (Diane Botnick, She Writes Press 2025) grapples with identity, memory, belonging, and reinventing oneself. Sarah's trajectory is filled with both happiness and extreme loss, and she finds love, friendship, and home, but the lies she invented as a survivor follow her through her daughters and granddaughters, each of them survivors of something. Diane was born and raised in Akron, Ohio, but always knew she'd wind up in New York City. Her first night in Greenwich Village she went to a double feature of Godard's “Weekend” and Wiseman's “Titicut Follies,” and her romance with the city began. For the next 30 years, Diane worked around, starting out in Italy assisting people like Jerome Robbins and Ellen Stewart with their contributions to the Spoleto Festival, then back in the City for the Dia Art Foundation, Isamu Noguchi, Great Performances at WNET, and finally, Workman Publishing. Along the way, she returned to school in pursuit of a master's in creative writing at City College. Fulfilling all requirements but unable to pass the French exam (with a dictionary!), she was never awarded her diploma. However, the privilege of being mentored by Donald Barthelme and being appointed student editor of the literary magazine FICTION gave her far more than a diploma ever could. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Jess is joined by interior designer Dale Saylor (Hollymount Design) to react to some of our favorite Architectural Digest home tours. Topics — BETHENNY FRANKEL's Florida move, ANY COHEN's West Village duplex, AMY SEDARIS' Greenwich Village funhouse, SARAH PAULSON's Malibu studio, RUPAUL in LA, NEIL PATRICK HARRIS' Harlem brownstone & KELLY RIPA's UES townhouse. Plus — advice for max impact in small spaces AND Dale critiques a walk-through of Jess' apartment. ⭐ IG: @jessxnyc | hollymountltd.com ⭐ Jess' docu-series on the rise & fall of SoulCycle — Cult of Body & Soul ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island
In this episode of Reading Is Funktamental, we discuss Bob Dylan's New York, a guidebook and history of New York's key role throughout Dylan's lengthy career. It places Dylan's early career within the storied history of Greenwich Village, a hotbed of artistic innovation. A contemporary of Dylan's, musician/author/educator Dick Weissman walked the same streets, played music in the same venues, and witnessed the growth of the folk music revival from before Dylan became popular to after the height of his impact on the music scene. In this episode, Weissman discusses ten easy-to-follow walking maps and historic photographs, allowing the reader to retrace Dylan's footsteps and experience both Dylan's New York and contemporary New York. It also goes beyond the Village to include the many areas of the city where Dylan lived and worked, as well as the storied time he spent in Woodstock. Combining cultural history with personal history and anecdotes, Bob Dylan's New York illuminates the life and times of this seminal artist. For more, see my print review of the book here: https://nysmusic.com/2025/09/10/bob-dylans-new-york-city-profiled-in-new-book/ "Reading is Funktamental" is a monthly one-hour podcast and radio show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it.
A burst of gunfire on a quiet November night. Two lives lost, more injured and an icon gay bar turned crime scene forever.On November 19, 1980, 38-year-old ex-transit cop Ronald K. Crumpley opened fire on patrons entering RAMROD, a beloved gay leather bar in Greenwich Village. What began as a night out ended in chaos. People ducked behind parked cars, others ran but two men, Vernon Kroening and Jörg Wenz, were killed, and many more wounded. In this episode of our LGBTQ+ true crime podcast we trace the horror of that massacre, the homophobia and mental illness behind it, and the ripple effect it had in a community already living in the shadows. We explore how a single act of hatred cracked open the illusion of safety for queer New Yorkers and why that reckoning still echoes today.Hosted by Jordi and Brad, Beers With Queers brings chilling crimes, queer stories, and twisted justice to light with a cold one in hand. Press play, grab a drink, and join us as we uncover the darkest corners of LGBTQ+ history.To sign our online petition to have a memorial or plaque added to the building that once was the RAMROD please visit: https://c.org/L6QfmV4Q6N
Richard returns to discuss the 2024 documentary One to One: John & Yoko, which focuses on the years John Lennon and Yoko Ono spent together in a Greenwich Village apartment from 1971 to 1973. The film also centers on the benefit concert "One to One," held at Madison Square Garden in August 1972. We conclude with a rundown of our favorite John Lennon and Beatles songs.The film is now streaming on HBO Max.Support the show
It started as a normal trip home. A group of teenage girls coming back from a night in Greenwich Village, laughing, tired, just minding their own business waiting for the bus in downtown Newark. Minutes later, one of them was bleeding on the sidewalk, stabbed for saying one simple truth. “We're lesbians.” She was just fifteen years old, a child. Her tragic death would expose the risks that queer people, including children face daily while navigating public spaces. But it also revealed the strength of a community that refused to let her disappear into silence. This episode of our LGBTQ+ true crime podcast unpacks the intersection of racism, homophobia, and the dangerous cost of visibility.Hosted by Jordi and Brad, Beers With Queers brings chilling crimes, queer stories, and twisted justice to light all with a cold one in hand. Press play, grab a drink, and join us as we uncover the darkest corners of queer history.
We have so much to tell you about! In this episode, we dig into the life of Storme DeLarverie, a man who was born to a black mother and white father. Mom was a servant and Dad was wealthy. Because he was a child of black and white parents he was never issued a birth certificate and chose to celebrate his birthday on December 24th. His dad paid for his education but he was raised mostly by his grandfather. He joined the Ringling Brothers Circus as a show rider and began to get on stage at Jazz Clubs at only 15. He would travel Europe with a jazz ensemble before returning to the United States where he joined the Jewel Box Revue. The Jewel Box was at the time the only interracial drag show and it toured all over the country even to military bases. And Storme became the show's lone drag king and emcee. He was on hand at the Stonewall when the infamous uprising began in New York City aand may have been the one to kick off violence. He later went on to become the Guardian of Greenwich Village in this, wow this was a true American episode of the Family Plot Podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.
Willa Cather, the beloved American novelist who lived during the height of America's Gilded Age, is perhaps best known for her insightful passionate writing about life on the Nebraska Plains where she spent her childhood. But Cather's writing and life included much more than that. She spent a significant part of her adult life in Pittsburgh before coming to New York and establishing her life with her partner Edith Lewis in bohemian Greenwich Village. Her work is set in an astonishing array of locations from New York to London to the American Southwest. Cather's characters span the broad range of humanity and are deeply universal in their passions as well as their struggles. Historian and educator Peter Cipkowski joins The Gilded Gentleman to share his insight on the work and life of the extraordinary and fearless American writer of the early 20th century. For more information, please visit the Willa Cather ArchiveThis episode was edited and produced by Kieran Gannon Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The aviation hero Amelia Earhart, who became one of the world's most famous women during the Great Depression, is one of those historic figures that people think they know quite well.But during her lifetime, much of her public image was the product of a New York book publisher. And even today, Earhart's legacy is reduced down to seemingly strange disappearance over the Pacific Ocean in 1937.Laurie Gwen Shapiro, author of The Aviator and the Showman: Amelia Earhart, George Putnam, and the Marriage that Made an American Icon, joins Greg on this week's show to untangle her surprising and even provocative true story -- as a young midwestern woman who embodied the possibilties of flight through the persona of 'Lady Lindy' even though the lofty ambitions of her publisher (and lover) George Putnam often placed her in dangerous situations.And New York City figures into both her story -- and that of early American flight. From the airfields of Governors Island to the Greenwich Village settlement house which became her home.ALSO: What really did happen to Amelia Earhart? Her biographer has the answer.This episode was edited by Kieran Gannon Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.