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2 episodes with dx7
Stack a DX7, a keytar, and enough rack-mount synths to power a small city, and you get one of the most iconic – and polarizing – jazz fusion albums of the '80s. This week, we dive into The Chick Corea Elektric Band (1986), the record that inspired a thousand copycats and split the jazz world. From the jaw-dropping virtuosity of “Got a Match?” to the neon-lit grooves of “Rumble,” we ask: does the tech overshadow the music? Is there too much production polish and not enough stank? Peak fusion or synthmania gone overboard? Join us as we unpack one of the best fusion bands ever assembled.
The first guest from Italy on "Let's Talk Synth... Seriously!!" is the master of Horror meets Comedy meets Synthwave, maestro Vincenzo Salvia! He's gathered millions of streams on Spotify and his track "Italian Gigolo" was featured on Season III of Netflix' record breaking series "Stranger Things"!! So, how did he do that? Learn about it in this episode, along with endless philosophizing about the beauty of Italian Home Organs, the origins of Italo Disco, Movie Soundtracks from Goblin and the Oliver Onions, and why Vincenzo Salvia has arrested a DX7 in his basement.
For this episode we're joined by the Brooklyn-based Andrew Smith, author of the bestselling Moondust, the "dotcom swindle" saga Totally Wired and the brand-new Devil in the Stack. We start by asking Andrew about the peripatetic childhood that took him from Greenwich Village to Hastings via San Francisco's summer of love. A riveting account of auditioning to replace Mick Jones in the Clash leads us to our guest's recollections of writing in the '80s and '90s for Melody Maker and The Face — and eventually becoming chief pop critic at London's Sunday Times. Jumping to Andrew's new book — with its subtitle A Coding Odyssey — we ask him about music's "digital revolution" in the mid-'80s, with particular attention to the ubiquity of Yamaha's DX7 keyboard. From there we revisit his 1995 interview with Björk – an artist who overtly embraced electronic sounds in that decade — and then listen to two audio clips from David Toop's absorbing encounter with the Icelandic maverick six years later. After a fascinating discussion about A.I. – its upsides and its threat not merely to musicians but to humanity at large — we return to the mid-'90s to celebrate the all-too-short life of the Notorious B.I.G., hip hop's "King of New York" in that all-too-violent decade. Mark provides quotes from recently-added library pieces about Captain Beefheart (1969), the Sex Pistols (1978) and oddly Francophobe goths Sisters of Mercy (1987), and Jasper wraps up the episode with his thoughts on articles about pop fanzines (2003) and writer, photographer and recent podcast guest Val Wilmer (2024). Many thanks to special guest Andrew Smith. Devil in the Stack: A Coding Odyssey is published by Grove Press and available now. Visit Andrew's website at andrewsmithauthor.com for more details. Pieces discussed: Andrew Smith on RBP, Björk: An International Word, Sound and Fury: Radiohead, Björk audio, Notorious B.I.G.: B.I.G. Trouble, Biggie, Tupac et al: Hollywood or Bust-up, Black Metropolis: Notorious R.I.P., Captain Beefheart & His Magic Band: Trout Mask Replica, The Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols, The Sisters Of Mercy: After The Flood, The Fanzine Editor: Publish And Be Damned and Val Wilmer: Deep Blues 1960–1988 (Café Royal).
In May of 1983, the world of synthesizers and electronic music as we knew it would change forever with the launch of the Yamaha DX7. To celebrate 40 years since its launch, Rob Puricelli spoke to Dr John Chowning, the developer of FM synthesis, Dave Bristow and Gary Leuenberger, sound designers for the original DX7 and Manny Fernandez, who has worked on all Yamaha's FM projects from the Mk.II DX7 through to today's Montage M series.See the Show Notes for further details.Chapters00:00 - Introduction01:55 - First Experiences Of The DX712:49 - Did The DX7 Meet Expectations?16:57 - The Feedback Loop17:51 - Creating And Sharing Sounds22:47 - A Career From Creating Patches27:55 - Sound Design Using FM31:36 - Hearing Your Own Sounds34:26 - Working With Don Lewis44:26 - Demonstrating The DX757:00 - FM Synthesis 40 Years On01:07:12 - Formant Shaping And The Future Of FMDr John Chowning BiogBorn in Salem, New Jersey in 1934, John Chowning spent his school years in Wilmington, Delaware. Following military service and four years at Wittenberg University in Ohio, he studied composition in Paris with Nadia Boulanger. He received a doctorate in composition (DMA) from Stanford University in 1966, where he studied with Leland Smith. Chowning discovered the frequency modulation synthesis (FM) algorithm in 1967. This breakthrough in the synthesis of timbres allowed a very simple yet elegant way of creating and controlling time-varying spectra. In 1973 Stanford University licensed the FM synthesis patent to Yamaha in Japan, leading to the most successful synthesis engine in the history of electronic musical instruments.He taught computer sound synthesis and composition at Stanford University's Department of Music. In 1974, with John Grey, James (Andy) Moorer, Loren Rush and Leland Smith, he founded the Center for Computer Research in Music and Acoustics (CCRMA), which remains one of the leading centres for computer music and related research. Although he retired in 1996, he has remained in contact with CCRMA activities.Chowning was elected to the American Academy of Arts and Sciences in 1988 and awarded the Honorary Doctor of Music by Wittenberg University in 1990. The French Ministre de la Culture awarded him the Diplôme d'Officier dans l'Ordre des Arts et Lettres in 1995. He was given the Doctorat Honoris Causa in 2002 by the Université de la Méditerranée, by Queen's University in 2010, Hamburg University in 2016, and Laureate of the Giga-Hertz-Award in 2013.Dave Bristow BiogDave was born in London and worked as a professional keyboard player recording and touring internationally with a variety of artists including Polyphony, Slender Loris, June Tabor, Tallis and 2nd Vision. Active in synthesizer development, he played a central role in voicing the Yamaha DX7 synthesizer and is internationally recognized as one of the important contributors to the development and voicing of FM synthesis, co-authoring a textbook on the subject with Dr John Chowning.He spent three years at IRCAM in Paris, running a MIDI and synthesis studio working with contemporary music composers and artists, then moving to the United States in the 1990's to work for Emu Systems, Inc. on sampling and filter-based synthesizers. In 2002, he began working again with Yamaha developing ringtones and system alert sounds for the SMAF audio chip series used in cell phones and mobile devices.He has been an instructor at Shoreline Community College teaching electronic music production and synthesis for ten years, but still finds plenty of time for composing and playing piano with RedShift jazz quartet and developing his interest in computer arts.Gary Leuenberger BiogGary started in music at a young age and, in 1975, founded G. Leuenberger & Co. in San Francisco. It soon became one of the world's largest retailers of pianos, synthesizers and electronic keyboards. In 1980 he started working with Yamaha as part of their product development team. It was through this that he was recruited, along with the likes of Dave Bristow and Don Lewis, to create the factory presets for the DX7. Gary's most famous, or infamous, patch was the legendary E.Piano 1 which became equally one of the most popular and despised sounds ever! Nevertheless, his association with Yamaha continued until 2000, at which point Gary went back into education, gaining his Bachelors of Music and Masters in Classical Piano Performance from San Francisco State University in 2007.Since then, he has taught electronic music at SFSU and gives private tutoring to budding musicians of all ages. Manny Fernandez BiogDr. Manny Fernandez has been involved in synthesizer programming and development with many manufacturers for over 35 years. Initially self-taught prior to traditional university study of analogue synthesis, in the late 1970's - early 1980's the emerging digital synthesis techniques caught his attention with their expanded timbral possibilities.He acquired a DX7 in the fall of 1983 and using Dr. Chowning's original academic articles as a guide began exploring FM synthesis in depth. In 1987 he began his relationship with Yamaha, programming for a wide range of their synthesizers through the years to the current Montage M. Acknowledged as one of the world's foremost FM synthesists and having extensive experience with physical modelling synthesis as well, his programming approach is to create unique and dynamic timbres with interesting yet useful real-time controller implementations.Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/
Interview-Finale des Probe-Podcast-Jahres 2023, heute mit dem Mann hinter Big N und Little N gleichermaßen. Stephan Schmitt, legendärer Tüftler und nach eigener Angabe entgegen Wikipedia nicht Musiker, erzählt aus seinem Leben und Wirken – von der Altbarockblockflöte bis zum Fender Rhodes, vom Modularbaukasten für den Heimcomputer bis zum dicken Digitalsynth-Hardware-Polyschlachtschiff, von 25 Semestern Elektrotechnik bis zur wahnwitzigen Marktstörung per Direktvertrieb, von Native Instruments bis Nonlinear Labs. Ausserdem: Berlin, DX7, Web 1.5, Kreativnachwuchs, ungeliebte Elektromucker, Möbelstücke, Kammfilter, Resonatoren, Magnetfolien und gelebte Jugendträume. Viel Spass damit.
The 2023 Seattle International Film Festival was held on May 11-21. Ron was able to receive press credentials and had the opportunity to check out several short films and a few features. One of the films that was a stand-out was The Unusualist directed by Mike Simses and starring Matt Gourley. Mike not only directed the film, but was also the cinematographer, editor and composer of the score! Matt Gourely researched script ideas and improvised much of his dialogue. The Unusualist is a humorous and light-hearted take on the classic 1970s TV show In Search Of....with Leonard Nimoy as the host. We hope that it somehow finds a way to have a home at the SyFy Channel as a series!A huge thanks to the SIFF Press team (Amie, Dana, Madison, Victoria, Jesse and Jordan) for handling all the logistics and communications to setup this interview! They even booked a Press Suite at the Grand Hyatt Seattle for Mike and myself! Thank you! Post interview corrections from Mike Simses: The Unusualist monologues (incuding th one heard in this episode) were written, rather than improvised, by Mike Simses. The dialogue was among the post production elements written by Mike (e.g. the re-enactments in the film).Other corrections: It's the EMS Synthi, not OMS; and the DX7 came out in ‘83, not ‘84.The 2023 Seattle International Film Festival (SIFF)https://www.siff.net/festivalThe Unusualist (2023)https://www.imdb.com/title/tt27663106/?ref_=fn_al_tt_1https://www.siff.net/festival/the-unusualistMichael Simseshttps://www.imdb.com/name/nm3205976/?ref_=fn_al_nm_2https://www.instagram.com/mikesimses/Matt Gourleyhttps://www.mattgourley.comhttps://www.imdb.com/name/nm13713693/?ref_=tt_cl_i_4Moxie Pictureshttps://moxiepictures.com/In Search Of....(TV series 1977-1982)https://www.imdb.com/title/tt0074007/?ref_=fn_al_tt_1During the interview Mike Simses references "Rinder and Lewis" who are the composers of the famous (or infamous!) In Search Of....theme music.In Search Of.....Bigfoot episode Leonard Nimoy host (YouTube channel ZVJ1216)https://youtu.be/qMGdZoMBfPAIn Search of Ancient Astronauts (1973 Rod Serling film)https://youtu.be/X9KKLZmk5UoMusicCourtesy of Mike Simses....thanks Mike!The Theme from The Unusalist (opening and closing music of episode) composed and performed by Mike SimsesThe Unusualist Journey (closing music of the interview) composed and performed by Mike SimsesThe Wrath of the iOtiansEmail: thewrathoftheiotians@gmail.comInstagram: thewrathoftheiotiansTwitter: @OfiOtiansWebsite: https://thewrathoftheiotians.buzzsprout.com/
Audionautic | Covering the Latest in Music Production, Marketing and Technology
This is our weekly music production, technology and marketing podcast. Today we've got a sound demo of an awesome DX7 mobile app, a look at an interesting new cassette player from We Are Rewind and a Softube Prophet 5 VST. We'll also be talking about the strange world of AI and “cloned voices” of our favorite musicians… where's the line and who holds the copyright on a voice. ----------------------------- 0:00 Hello/what we're up to 6:00 Audiokit Pro King of FM DX7 App (Free) 23:00 New Cassette Players from We Are Rewind 30:00 Softube Prophet 5 Plugin 42:00 Marketing Minute - News from Spotify 50:00 AI Round Robin ----------------------------- Check out our new Eco T-Shirts: https://audionauticrecords.bandcamp.com/merch/audionautic-space-eco-tee Thanks to our Patrons who support what we do: Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen Setzepfandt McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords Join the conversation:
Een heerlijke diepvriespizza met stukjes Italodisco, iemand? We hebben er eentje in de oven staan, en die gaat geweldig lekker zijn! We vullen de pizza aan met deze lekkere ingrediënten: vier kwartjes tarzan, een millenial whoop koekoek, een fond op basis van gezeefde DX7 én een scheutje Irish Stout. Smakelijk!
367 It is Finished, Good Friday It Is Finished, The last words Jesus spoke on Good Friday as he died on the cross to save Humanity. Greetings all my friends and today I am doing something a little bit different on the Dharmic Evolution Podcast I wanted to present a project that I worked on more than 5 years ago on Music Row in Nashville. The band is called “Mercy” and the project was the “I AM VICTORIOUS” Album. Its ultimate purpose is to become a theatrical musical experience, similar to West Side Story, or The Rocky Horror Picture Show, in that it's design is to include the audience as part of the presentation. However, at the time of putting the music together, we had no idea this was part of the plan. My writing partner Archbishop and Captain Chaplain Christine Mercy Johnson and I wrote and Produced this album with Kim Copeland as Music Producer on Music Row in the late Spring and Summer of 2016. I wanted to share 4 of the tracks with you today to give you a glimpse of the story and how important It is for us to remember what actually happened during those last days of the Lord that set up our Eternal spiritual possibilities for all time moving forward, I hope you will listen, and enjoy the story, And realize its importance on your life! AMEN The Lord wanted us to write a song entitled “Amen” that is all we got, just “Amen” I walked around In circles in my small humble studio in this tiny cottage I was renting at the time, it had a loft and fireplace it was perfect actually, I really lived in a small recording studio, on an 80 acre estate surrounded by nature. After being exasperated At the lack of direction, I turned on my DX7, plugged in a couple of guitars, and set up the metronome, and Just started tracking, the rest just came out, pretty much the same as you hear on the recording. The one Icing on the cake was that Christine had told me the Lord wanted her to do a voice over on top of the Recording, and it turns out The Lords Prayer fit into the space perfectly, we had not planned on this And I had no idea that was going to be part of the song, but it fit like a glove. The intro of this song starts with Christine reciting scripture from Revalations 22, its a moving and stirring Message, filled with dire warnings, but also with the promise of beautiful, revealing, and everlasting Light for us all, if only we dare to have the courage to claim it. As the scripture concludes, it moves Quietly into the song. The intro is real birds that I captured at the cottage, I woke up pre dawn one morning and put two hi quality Microphones out of my windows to capture the early morning song birds, then later that day I went for A hike in one of my favorite forests and brought with me a tiny hi quality recorder, my trusty Boss Digital Micro BR recorder. (I still use it today, its smaller than a peanut butter sandwich) I set it on a rock in the Middle of a stream to capture the real water sounds for the recording, and added them into the mix. I always thought of the piece as more of a prayer than a song, it is designed for you to put on in your Car, on the way to a stressful meeting, or uncomfortable situation, and is meant to help you find Peace through the prayer that you are communicating to the Father, Lord Jesus, and the Holy Spirit. Amen~ Bless You This was a beautiful story about Jesus imparting to his disciples how to conduct themselves out in the World and how they can make an impact on society and care for their impoverished brothers and sisters. He spoke in parables not to be overly mysterious, however, he would alway try to trigger our creative minds using storytelling, and touching our imaginations in ways that would inspire thinking in new and prosperous way towards the good of humanity. This showcases what faith and hope really are when these men just left their previous life in a Moments notice. They intuitively knew that they were witnessing something so unusual and so Brilliant, and must have thought “how could we miss this”? I think the rolling piano riff in this song really glued the arrangement together. That is Nashvilles own Buddy Hyatt, with brother Jim Hyatt on Bass guitar. Shawn Fichter (from Tim McGraw's band) is on drums and percussion, James Mitchell on electric guitars, Glen Duncan on Acoustic Guitars and violin. Kim Copeland did a fabulous job producing along with Kelly Schoenfeld handling all Of the highly skilled and challenging engineering, as this was no easy feat to incorporate spoken Scripture with music. I'M AFRAID I'm afraid records the last night that the Lord Jesus has of earthy freedom before the soldiers come To take him away. How torture with the whipping was just brutal, they beat him and scourged him For hours on end before forcing him to carry his own heavy wooden cross up to Calvary where he Was to be crucified. The main beam of the cross was stretched across his shoulders and weighed 80-100 Lbs, he had To carry this more than 600 yards uphill, he was beaten so badly and lost so much blood and bodily fluids, it has been said he barely looked human. I think it was astonishing that he even survived the brutal beatings to get to the crucifixion. As Jesus was in the Garden of gethsemane praying to his father, he had asked his disciples to stay Awake and keep watch while he prayed to his Father. These last hours were so terrifying for him that he began sweating blood as he could see the horrible and brutal torture he would be suffering over the next 24 hours. He returned to them several times to find them all asleep, which must have been even more exasperating for him. He was so terrified that he asked his Father, “If it be possible please take this cup from my Hand, but I serve your command, although I'm Afraid” Everyone played so well on this track and the featured violin playing by Glen Duncan was really Sweet and special. Shawn also added so many elements of drama with the swelling symbol Effects as well. IT IS FINISHED Captures the last moments of Jesus speaking to his Father as he is about to die a brutal Painful physical human death. The hours that led up to this had Jesus in court with Pontious Pilate, the Roman Governor of the province of Judea. Pilate knew this was a very highly Charged political situation and even his wife was trying to influence him not to punish Jesus As she had dreams that he was indeed the messiah. The Jews hated the fact that Jesus was being called the Son of God, and wanted know part Of it, they were screaming “Crucify him” in the town square where Pilate was presenting them A choice to free one prisoner as is customary before passover, he asked “do you want me to Free Barabas, or Jesus”? We were having a bit of trouble with this one, as Christine suddenly said after tracking that it Was not sad enough, James Mitchell suggested to me to change up to a minor 6th and that Was exactly what it needed to give it that sad temperament in all the right places. I remember writing this on my Strat and using a capo up around fret 4 or 5, just really Tore into it without any though whatsoever. Its amazing how all the musicians picked up on the dynamics of the song just from that One very sparse and simple demo. Its another song completely run by the Holy Spirit, All we needed to do was hang on and enjoy the ride! After the vocal on this, I could not even come into the control room for a minute or two, It was almost an out of body experience. Be blessed, and Happy Good Friday, James~
Like the best part of an '80s pop song, this Sleep Song celebrates the Yamaha DX7 synthesizer, and answers the question: What would happen if a song like "Boys of Summer" was stretched like taffy and transformed into an extended soothing melody? The throughline of this piece stems from one sound, a chord reminiscent of pastel sunsets when you cycled until the dinner bell rang. From there, pads, bass, and those classic DX7 chimes will have you drifting off into nostalgic bliss.Original music from composer Eduardo Rivera.Meditative Story combines extraordinary human stories with meditation prompts embedded into the storylines — all surrounded by breathtaking music. Think of it as an alternative way into a mindfulness practice, through vivid stories and cinematic music and production values. Find Meditative Story wherever you listen to podcasts.
The following is a short piece of audio that was edited out of the original podcast interview with Don Lewis back in November 2020, where he discusses his time programming the Yamaha DX7's factory sounds. In the wake of Don's passing we decided to publish this excerpt, along with a tribute on the website.Chapters00:00 - Introduction02:29 - Yamaha DX7 and DX9 Demo03:02 - The Beginnings Of FM Synthesis09:26 - Working For The Competition12:26 - Yamaha DX7 and DX9 DemoDon Lewis BiogDon Lewis was a gifted musician and educator whose mission was to inspire and empower audiences to achieve their dreams. Whether presenting a solo concert or collaborating with other musicians and artists, Don's music brought a message of hope, respect and community. Don began playing piano as a Dayton, Ohio high school student. Later, at Tuskegee Institute, he accompanied and sang with the Tuskegee Chorus and played for Dr. Martin Luther King, Jr.'s Freedom Rallies.Uniting his interest in engineering with his musical talent, Don became one of the pioneers in synthesizer use and technology. In 1977, he designed and built a synthesizer system, Live Electronic Orchestra (LEO) that was an inspiration for Musical Instrument Digital Interface (MIDI), now on display at the Museum of Making Music in Carlsbad, CA.Don performed at concerts worldwide and appeared as a soloist with many symphony orchestras. As a studio artist, he worked with such greats as Quincy Jones, Sergio Mendez and Michael Jackson. Don also created scores for film and television productions including the award winning Rainbow's End and Were You There series featured on PBS. In addition he scored commercials for such clients as Nissan, Pacific Telephone, and Digital Equipment Corp.Also an enthusiastic teacher, Don taught courses in the history of Gospel Music, multimedia, and synthesizer technology at University of California at Berkeley Extension, San Jose State University and Stanford University. In 1987, Don combined his love of children, education and music to create Say “Yes” to Music! He delighted thousands of students, teachers and school administrators across the United States and Canada with his inspiring musical assemblies.Throughout the years Don had been a concert artist and consultant with various musical instrument manufacturers including Hammond, Arp, Yamaha, Roland Corporation, and Rodgers Instruments. He continued to delight and touch the hearts of his fans in his concerts at home and throughout the world until his untimely passing on November 6th, 2022.Links / Credits Music from Yamaha's DX7 and DX9 demonstration cassette.https://donlewismusic.com/https://www.donlewisleo.comhttps://www.augustenborgproductions.com/ Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/
"You have to take yourself seriously and find your own voice."Our guest for this episode of MFM Speaks Out is Hubert Howe. Hubert Howe grew up in Los Angeles, California, where he began his musical studies as an oboist. He was educated at Princeton University, studied with J.K. Randall, Godfrey Winham, and Milton Babbitt, and received the A.B., M.F.A. and Ph.D.. He was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama.He has been a member of the Society of Composers, Inc. since its founding in 1965 and served on the Executive Committee from 1967 to 1971. He served as President of the US section of the League of Composers / International Society of Contemporary Music from 1970 until 1979. In 1980, he received a commission from the CSC at the University of Padua, Italy, for his composition Astrazioni (Abstractions), which was presented at the Biennale of Venice.He is a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College in 1980. In 1994, he was the composer-in-residence at the Third Annual Florida Electroacoustic Music Festival at the University of Florida in Gainesville. He is also a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director. He is also a member of the Association for the Promotion of New Music (APNM).Recordings of his computer music have been released by Capstone Records, Ravello Records, and ABLAZE Records.Topics discussed:The topics discussed include studying composition at Princeton under people like Milton Babbitt and J.K. Randall, his opinions of Karlheinz Stockhausen, becoming a Professor of Music and Director of the Electronic Music studios at Queens College in New York and Julliard, his involvement with the New York Composer's Circle, how electronic music was and is accepted in the classical music world, his thoughts about the influence of electronics on American popular music, such as Progressive Rock, Hip Hop, EDM, and composers and improvisers like Frank Zappa, Brian Eno, or Miles Davis, how he approaches and draws inspiration composing for electronics as opposed to acoustic instruments, his thoughts on the unprecedented factor of Artificial Intelligence and its application as a compositional tool, how the domination of streaming the economics of a career as a professional music composer changed over the years, how recent changes in the sales and marketing structure of recorded music, coupled with the domination of streaming services affected composers of orchestral, chamber, and electronic music, thoughts of Modern Classical Music's relevance, and music in general, in contemporary American life, and in the near future, and his advice to aspiring composers. Music featured in this episode:Nocturne, Dance and Dream (a live performance featuring Craig Ketter on piano)Inharmonic Fantasy No. 7Harmonic Fantasy No. 5(All compositions by Hubert Howe. Used with permission)
Endless possibilities can lead to a horrible user experience, and when it comes to musical instruments in particular it can be hard to find the balance between functionality and how cumbersome is the interface is. What might have been a nightmare in synths like the DX7 can be avoided today, thanks to touch screens and large screen interfaces. In this episode, I'm discussing the topic with Loki Davison from @polyeffects. We cover a lot of ground, from his creative process, failed experiments, and a brief dive into convolutional reverb all the way to the screens of Beebo and Hector. Join our community: https://www.synthux.academy/join-discord Check out the website for prototype images and extra content: https://www.synthux.academy/blog/screen-yes-menu-diving-no
This week, we're excited to present a synth-laden, 80s-inspired mix by special guest @simfossil: “The theme of this mix is a certain new age sound and flavor from 80s recordings. I traced this sound through the work of many Japanese artists (hence the Shibas on the cover) and I would say this became the backbone of the mix: music by the legendary Haruomi Hosono, Yuji Toriyama and many more. The vibe is unique and experimental, a new age-y, jazz-rock-y type of deal. I've been quite inspired for a long time by the character and creativity of this era; something about the guitar and instrumentation gives it that special touch. Personally, as a producer, I'm a big fan of Yamaha instruments, in particular the DX7, which I've come to associate with this time in music. Though Japanese artists are the central thread, I've made a kind of fusion of many different things that to me capture this special flavor.” Tracklist: mmarzmix.com/114
Playlist ARP demonstration. Roger Powell and Harry Coon, the ARP 2600—How it Works, side 1 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Narrated and all music by Roger Powell. 7:38 ARP demonstration. Roger Powell and Harry Coon, the ARP 2500—How it Sounds, side 2 from The Electronic Sounds Of The Arp Synthesizer 2600 And 2500 (1972 ARP Instruments). Vinyl, 7", 33 ⅓ RPM. Music by Harry Coon and an improvisation by Roger Powell. 6:20 ARP demonstration, Dave Fredericks, “I Can See Clearly Now” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:24 ARP demonstration, unknown artists, The First Symphonic Keyboard - ARP Omni (1976 ARP Instruments). Flexi-disc, 7", Promo, 33 ⅓ RPM, Single Sided. 5:05 ARP demonstration, Dave Fredericks, “Zarathustra” from The ARP Pro Soloist Synthesizer (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, EP. 2:58 ARP demonstration, Music and Narration By Roger Powell from side 1 of The ARP Family Of Synthesizers (1973 ARP Instruments). Vinyl, 7", 33 ⅓ RPM, Stereo Music By Dave Fredericks, Harry Coon. The narrator is credited as being musician Roger Powell, but I don't think that's true. Powell was an ARP sponsored artist around this time and some of his works from Cosmic Furnace are played on the disc, though. 7:08 PAiA Synthesizers demonstration. “Selections From Epsilon Boötis” by Richard Bugg from PAiA Synthesizers (1974 PAiA Electronics, Inc.). Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo, Red.Uses the Paia 2720 and Paia 4700 synthesizers. Interesting demonstration that also includes instruments being processed through PAiA modules. PAiA demonstration record which included an 18-page booklet with pictures and schematics of the featured composition. 6:17 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “Fame and Fortune” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. Record was basically made to feature and promote high-end electronic guitar/bass/voice effect devices by Electro-Harmonix. Detailed explanations of each device and its role in each given track are given in the liner notes on the sleeve. This track features the Golden Throat, a mouth filter device running guitar sound through a tube into the player's mouth; and Octave Multiplexer, a downward octave displacer with tone control possibilities, used here on voice. 5:08 Electro-Harmonix demonstration of guitar pedals and effects. The Electro-Harmonix Work Band. “I Am Not a Synthesizer” from State-Of-The-Art Electronic Devices (1976 Electro-Harmonix). Vinyl LP. Directed by Elliott Randall who organized a band of studio musicians recruited to play a variety of Electro-Harmonix effects boxes and pedals. Bass, Will Lee; Drums, Gary Mure; Engineer, Joe Vanneri; Guitar, Dan White, Jim Miller; Producers, Dan Gershon, Elliott Randall, Mike Matthews; Vocals, Piano, Philip Namanworth. This track features the Hot Foot universal pedal, “allowing real-time foot control of any potentiometer (knob) on any other device; Frequency Analyzer, or ring modulator; Memory Man, a solid state echo/analog delay line; Electric Mistress, a flanger; Doctor Q, an envelope follower and voltage controlled filter; and Big Muff Pi, a harmonic distortion and sustain device. Not synthesizer was used in the making of these sounds. 8:19 The Elektor Music Synthesiser demonstration , no artist, (1977 ESS). Flexi-disc, 7", 33 ⅓ RPM, Single Sided. This was a small, analog synthesizer with 3 VCO's, 1 VCF, and a dual VCA.The Elektor Formant had a three octave keyboard and was made in the Netherlands and available by kit. From the manual: “Formant is not a suitable project for the beginner. The complexity of the synthesiser demands a high degree of competency in soldering p.c. boards and interwiring if an unacceptably large number of faults are not to arise.” 7:35 RMI Keyboard Computer demonstration. Mike Mandel, “Mandel Does it” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Mike Mandel, RMI Keyboard Computer. 1:58 RMI Keyboard Computer demonstration. Clark Ferguson, “Voices” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 1:38 RMI Keyboard Computer demonstration. Clark Ferguson, “Strings” from RMI Harmonic Synthesizer And Keyboard Computer (1976 Rocky Mount Instruments, Inc.). Vinyl LP. Clark Ferguson, RMI Keyboard Computer. 3:00 Prophet 5 demonstration. Part 1, Performed by John Bowen from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. Recorded at Music Annex, Menio Park, CA. 3:27 Prophet 5 demonstration. Part 2, “Sinfonia No. 11 in G minor” (Bach) performed by Dan Wyman from The Prophet (1978 Sequential Circuits). Flexi-disc, 7", 33 ⅓ RPM, Two Sided. John Bowen, Recorded at Sound Arts, Los Angeles, CA. 2:23 Synclavier demonstration. Denny Jaeger and Patrick Gleeson, side 1 from The Incredible Sounds Of Synclavier II (1981 New England Digital Corp.). Vinyl, LP, Compilation, Stereo, Blue Translucent. Demonstration disc for Synclavier sampling system. Includes “Untitled,” composed, programmed, and performed by Denny Jaeger; additional programming, composition, and performances by Bill Keenan. 14:23 Equinox 380 MusiComputer demonstration , Bob Snyder, “Heaven Came Down” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.” All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer. No "over-dubbing" was utilized in the production of this album.” Snyder himself recorded the following demo tracks that are different than the album I am sourcing for this podcast, Here is that recording of a YouTube video that demos this organ synthesizer with added narration and audience clapping. 2:46 Equinox 380 MusiComputer demonstration, Danny Saliba, “Runaway” from Equinox - Featuring The Amazing Equinox 380 MusiComputer Electronic Keyboard (1982 CBS). Vinyl LP. Equinox 380.”All selections were recorded 'Live" with a standard production model of the Gulbransen Equinox 380 MusiComputer.” 2:18 LinnDrum demonstration. Side 1 from The Ultimate Drum Machine (1982 Linn Electronics, Inc.). Red Flexi-disc, 7", 33 ⅓ RPM, Single Sided, Promo. 2:25 Emulator Demonstration, Side 1, “The Andrew Wilson Emulator Demo” (written by Andrew Thomas Wilson); and “Batteries Not Included” (written by Marco Alpert); narrated by Marcus Hale from Emulator Demonstration (1982 E-mu Systems, Inc.). Flexi-disc, 8.” Featuring the E-mu Emulator sampler. 6:51 Fairlight Computer Music Instrument demonstration. Don Blacke, narrator. Side 1 of the cassette, Just Fairlight - Number Three (1982 Fairlight Instruments Pty Ltd). Cassette. “Cassette released by Fairlight Instruments Pty Ltd promoting the Fairlight Computer Musical Instrument - the first polyphonic digital sampling synthesizer. Cassette was available when purchasing the synthesizer from the company. Printed information and tracklisting included on a separate sheet of paper. Side A includes informative narration explaining the Fairlight CMI and features various samples and short compositions. The last quarter of Side A includes recording of a presentation by Dr Robert Moog commenting on the Fairlight CMI. Side B contains all musical extracts from Side A, though without the commentary.” 20:02 Yamaha Electone demonstration. Claude Dupras, “Pulstar” from Interface Yamaha FX-1 (1983 Yamaha). Vinyl LP. Dupras, a longtime Yamaha Electone user, recorded this album for Yamaha to showcase the features of the latest model, the digital Electone FX-1. Here he plays the Vangelis piece “Pulstar.” 3:21 Yamaha DX7 demonstration. Side 1 from DX7 Sound Sensation (1983 Yamaha). Flexi-disc, 33 ⅓ RPM, Stereo. Tracks: Bell, Female Voice (2); Bagpipe, Snare Drum, Footsteps (3); Stardust (1); Harp, Cello (2); Electric Guitar (2); Church Organ (1); Violin (1); Train, Banjo, Fiddle, Honky-Tonk Piano (4); Volcano (1); Pan-Flute, Timpani, Shimmer, Chinese Organ (4). Notes on DX7 settings per track: (1) Signal processors used on this recording: Reverb, Delay, Graphic Equalizer, Parametric Equalizer, Flanger (used on 'Guitar'); (2) Number in parentheses indicate the number of overdubs used for the corresponding voice; (3) The entire recording was made with a single Yamaha DX7." 6:37 Background Music Excerpts from the Moog 900, RCA Music Synthesizer, Sound of Moog, ARP family of instruments, E-mu Emulator, demonstration recordings. Blue Marvin, “Release Time” from the album With Arp Sinthesyzer 2600 (1973 Joker). Blue Marvin is Alberto Baldan Bembo in this Italian release of ARP Odyssey tracks. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.
Saint DX est de retour sur Konbini Radio avec son "Unfinished Mix" ! Il nous raconte : "Unfinished Mix est un mix uniquement composé de démos ou de versions jamais sorties d'artistes que j'aime particulièrement. Pour "Unmixtape", mon EP qui sort vendredi, ma démarche a été de sortir les chansons dès que je les composais (unmixed - non mixées- donc). J'aime la spontanéité des démos. Il n'y a pas d'intermédiaire entre l'artiste et l'auditeur. C'est une partie du travail qui reste souvent cachée. J'aimais ici la dévoiler. Le point de départ de ce mix a été cette démo de Phil Collins, présente dans cette sélection. Une 808, un DX7, sa voix et rien d'autre. Rendez vous vendredi 1er ocotbre pour la sortie de l'EP. Bonne écoute et bonnes découvertes. - Robin Riccitiello Episode : Konbini Radio Mix S05E14 Artist : Saint DX Release date : 30 septembre 2021 Radio producer : Robin Riccitiello
The Deep Purple Podcast Show Notes Episode #125 September 6, 2021 Deep Purple - The House of Blue Light (Part 1) Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! How To Support Our Show: Leave us a 5-Star Review on Apple Podcasts Buy Merch at Our Etsy Store! Become a Patron on Patreon Donate on Paypal (Donate one time or click “make this a monthly donation” box) Thanks to Our Executive Level Patrons: Social Media Update: Deep Dive Podcast Network Dead Daisies coming to Joliet, IL on September 11, 2021! Lead up to the Album: Personnel: Bass, Synthesizer [Peavey, Steinberger, Vigier, Yamaha Qx1, Emulator 2] – Roger Glover Composed By – Gillan*, Paice* (tracks: A2), Lord* (tracks: A1 to A3, A5), Blackmoore*, Glover* Drums [Pearl], Cymbal [Paiste] – Ian Paice Guitar [Fender Stratocaster] – Ritchie Blackmore Keyboards [Hammond B3, Minimoog, Yamaha Dx1, Cp70 (midi), Dx7, Emulator 2] – Jon Lord Vocals, Congas, Harmonica – Ian Gillan Technical: Producer – Deep Purple, Roger Glover Production Manager – Raymond D'Addario Engineer – Nick Blagona Recorded By – Guy Charbonneau Tour Manager – Colin Hart (2) Management – Bruce Payne, Thames Talent Ltd. Mastered By – Greg Calbi Mixed By – Harry Schnitzler Crew – Charlie Lewis (4) Crew – Cookie Crawford Crew – John Murphy (15) Crew [Maintenance] – Dawk Sound Album Art & Booklet Review Photography By [Portraits] – Dieter Zill* Design, Art Direction – Andrew Ellis Design, Art Direction – Davies And Starr Cover Symbols theories Thanks to Our Core Level Patrons: Album Tracks: Side One: Bad Attitude (Gillan, Blackmore, Glover, Lord) The Unwritten Law (Gillan, Blackmore, Glover, Paice) Call of the Wild (Gillan, Blackmore, Glover, Lord) Mad Dog (Gillan, Blackmore, Glover) Black and White (Gillan, Blackmore, Glover, Lord) Thanks To Our Foundation Level Patrons: For Further Information: Deep Purple: A Matter of Fact by Jerry Bloom Smoke on the Water: The Deep Purple Story by Dave Thompson Black Knight: Ritchie Blackmore by Jerry Bloom Child in Time by Ian Gillan The Complete Deep Purple by Michael Heatley A Hart Life by Colin Hart with Dick Allix Listener Mail/Comments Comments about the show? Things you'd like us to cover? We'd love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.
Welcome back to this second episode of Talking Tunes season 2! This is a music podcast in which our host Vakle talks to other musicproducers and songwriters about their work - in this episode we feature Farao talking about her song Marry Me from her album Pure-O. Farao is a NO/DE artist who has a deep passion for classic sounds and beats, as you will clearly notice as we go through the process of writing and producing Marry Me in the episode. Tune in! People mentioned: Drummer: Magnús Trygvason Eliassen Co-producer: Ådne Meisfjord Play in Jaakko Eino Kalevi's band Gear mentioned: Fave hardware: Korg Delta Electronica EM - 25 Juno-60 Soviet Synthesizer Kvintet Moog Sub Phatty Yamaha CS-15 E-bass 1 on DX7 (bass from take on me) RX7 Fave soft synths: FM8 Korg M1 Fave drums to sample: linn drum 707 rx7. Edit by Mikkel Larsen
Matt Tackles this bonafide Queen Classic from the Kind of Magic Album. We discuss the film, Freddie's version, DX7 synths, pianos, Video making, hiring orchestras and of course the scores.
EAGLE SESSIONS #329 Eagle Sessions Number 329 is out now. This time with a fun guestmix by a good buddy of mine. Say ‘Hello' to DERALINEA! He himself describes his musical development as that of house music: from disco to R'n'B to Kraftwerk. At the age of 14, he stocked his vinyl collection with disco, soul and funk. Artists such as Gloria Gaynor or Earth, Wind & Fire were pioneers who determined his sound when he frst started playing in public at the age of 16. To this day, the musician is fascinated by the wide range between Detroit, Chicago House and Techno. On his musical journey, he pursues a clear goal: to always remain open to all electronic genres. DerAlinea stands for a cross-genre style mix of house, techno, deep and minimal techno. The focus, however, is on quality, which is not measured by genres but by thinking outside the box. "For me, the value of good electronic music lies in the fact that tracks dare to do something," the artist defnes it. "In my case, that also means moving back to the (analogue) times of the 303, 808, Moogs, Jupiter's and DX7's" After times of reinventing himself, all his concentration is now on what he loves: the music. "DerAlinea" was born, a name as a programme - after all, "Alinea" marks a paragraph, a new beginning. The essence: sustainable productions, releases and the booking business. As an artist and booker, DerAlinea is now part of the Swiss Nervoes family, resident and musical idea generator at Club Frau Holle in Hamburg. He never let himself be diverted from the path of making his own sound, remaining unpretentious and multilayered. DerAlinea wants to introduce people to music that is perhaps unknown but exciting. As a DJ, he sees himself as part of an event, drifting and musically engaging with what is moving at the moment. "I prefer to play long sets where I become one with the audience and follow the dynamics. I want people to go home happy at the end of a long night. "Chicago House, especially Frankie Knuckles, is his lasting inspiration. He is also inspired by the innovative production techniques of Alan Wilder, the unorthodox of Ricardo Villalobos, and artists who creatively bring music to the forefront. Emotionality and passion for inspired creation are omnipresent and also allow the thoroughbred musician to grow constantly. "Life is too short to do something without passion. " Links: Soundcloud: @deralinea Facebook: www.facebook.com/deralinea Instagram: www.instagram.com/deralinea The Eagle Sessions are presented by AlBird. Follow via: Facebook: https://www.facebook.com/DJAlBird Instagram: https://www.instagram.com/albird81/ Soundcloud: https://soundcloud.com/djalbird Beatport: https://www.beatport.com/artist/albird/391040 Twitch: https://www.twitch.tv/albird81 Spotify: http://bit.ly/AlBird81 Tracklist: Not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
EAGLE SESSIONS #329 Eagle Sessions Number 329 is out now. This time with a fun guestmix by a good buddy of mine. Say ‘Hello' to DERALINEA! He himself describes his musical development as that of house music: from disco to R'n'B to Kraftwerk. At the age of 14, he stocked his vinyl collection with disco, soul and funk. Artists such as Gloria Gaynor or Earth, Wind & Fire were pioneers who determined his sound when he frst started playing in public at the age of 16. To this day, the musician is fascinated by the wide range between Detroit, Chicago House and Techno. On his musical journey, he pursues a clear goal: to always remain open to all electronic genres. DerAlinea stands for a cross-genre style mix of house, techno, deep and minimal techno. The focus, however, is on quality, which is not measured by genres but by thinking outside the box. "For me, the value of good electronic music lies in the fact that tracks dare to do something," the artist defnes it. "In my case, that also means moving back to the (analogue) times of the 303, 808, Moogs, Jupiter's and DX7's" After times of reinventing himself, all his concentration is now on what he loves: the music. "DerAlinea" was born, a name as a programme - after all, "Alinea" marks a paragraph, a new beginning. The essence: sustainable productions, releases and the booking business. As an artist and booker, DerAlinea is now part of the Swiss Nervoes family, resident and musical idea generator at Club Frau Holle in Hamburg. He never let himself be diverted from the path of making his own sound, remaining unpretentious and multilayered. DerAlinea wants to introduce people to music that is perhaps unknown but exciting. As a DJ, he sees himself as part of an event, drifting and musically engaging with what is moving at the moment. "I prefer to play long sets where I become one with the audience and follow the dynamics. I want people to go home happy at the end of a long night. "Chicago House, especially Frankie Knuckles, is his lasting inspiration. He is also inspired by the innovative production techniques of Alan Wilder, the unorthodox of Ricardo Villalobos, and artists who creatively bring music to the forefront. Emotionality and passion for inspired creation are omnipresent and also allow the thoroughbred musician to grow constantly. "Life is too short to do something without passion. " Links: Soundcloud: @deralinea Facebook: www.facebook.com/deralinea Instagram: www.instagram.com/deralinea The Eagle Sessions are presented by AlBird. Follow via: Facebook: https://www.facebook.com/DJAlBird Instagram: https://www.instagram.com/albird81/ Soundcloud: https://soundcloud.com/djalbird Beatport: https://www.beatport.com/artist/albird/391040 Twitch: https://www.twitch.tv/albird81 Spotify: http://bit.ly/AlBird81 Tracklist: Not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration
Welcome to the Murder Booth! From his shallow grave, a fully organic Jon has been braving slugs and worms to bring you his best mycelium impression, with a penitential side-order of Kentucky-fried Huapango. Meanwhile, Mike's gone full Karate Kid in a world of Don LaFontaine's chewy syllables, while slapping himself with his own gauntlet and pinch-zooming a perspex shield. They're not alone either: MIT's finest have been playing 'Mary Had A Little Lamb' on an off-piste DX7 and expressing amino acids through the medium of uncooked spaghetti. Even the colour-balance-proof spiders have been scuba-diving, paragliding, and jamming along. And in case you wanted to experience those quotes from Professor Buehler in their original context, here are links to those interviews: https://www.lx.com/science-tech/researchers-have-turned-spider-webs-into-music-is-talking-to-them-next/35969/ https://news.mit.edu/2020/qa-markus-buehler-setting-coronavirus-and-ai-inspired-proteins-to-music-0402 Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.
Welcome to the Murder Booth! From his shallow grave, a fully organic Jon has been braving slugs and worms to bring you his best mycelium impression, with a penitential side-order of Kentucky-fried Huapango. Meanwhile, Mike's gone full Karate Kid in a world of Don LaFontaine's chewy syllables, while slapping himself with his own gauntlet and pinch-zooming a perspex shield. They're not alone either: MIT's finest have been playing 'Mary Had A Little Lamb' on an off-piste DX7 and expressing amino acids through the medium of uncooked spaghetti. Even the colour-balance-proof spiders have been scuba-diving, paragliding, and jamming along. And in case you wanted to experience those quotes from Professor Buehler in their original context, here are links to those interviews: https://www.lx.com/science-tech/researchers-have-turned-spider-webs-into-music-is-talking-to-them-next/35969/ https://news.mit.edu/2020/qa-markus-buehler-setting-coronavirus-and-ai-inspired-proteins-to-music-0402 Fancy more of our nonsense? Then please support the podcast at https://www.patreon.com/projectstudioteabreak and check out the merch store at https://www.projectstudioteabreak.com/merch For more episodes, as well as links relating to each one (via our zero-spam but 100-percent-idiocy mailing list), check out https://www.projectstudioteabreak.com. Or get in touch by email at teabreak@projectstudioteabreak.com.
How can U just leave me standing? ...in search of Prince Rogers Nelson.
Summary, themes and chapters1mins - Memories of First Avenue and the debut performances of Purple Rain.5mins - Choreographing Prince & The Revolution and the changing face of the band.8mins - Movie premieres, wardrobe disagreements, concerts and 'craziness'.11mins - Prince and poducer bands: Mazarati; The Time; Vanity 6 and The Family.13mins30s - 'Too much too young is not a good thing' - the pressures of stardom on tour.18mins - The full story of how one of Prince's most famous songs was recorded.24mins15s - Being fined for missing notes, and working for one of music's most demanding bandleaders.27mins - Meeting the expected standards, and the parting of the ways.
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.近日，智跑系车型给出了最高1.4万元的现金优惠，库存方面，店内现车充足。2.全新一代斯巴鲁傲虎于3月3日正式上市，全新一代斯巴鲁傲虎在车身尺寸方面，长4880mm宽1875mm高1670mm轴距为2745mm。简约和深沉的内饰，11.6英寸中控屏幕，内置斯巴鲁StarLink多媒体系统，支持语音控制，同时保留的实体物理按键。3.吉利旗下博越这款SUV吉利为了让博越这款车的销量继续领先在今天上午推出了两款新车，这款车被命名为吉利博越亚运版，上市的两款车型指导价为9.18~10.88万。为了吸引潜在的客户，吉利对首批购车用户提供主要零部件终身质保和5年免流量服务费。4.听众及网友问题来了解一下：想入手君越顶配版本，可以买吗？ / 东南DX7想要开10年左右，值得入手吗？/ 12~13W，想要给刚毕业的孩子选一台合资品牌的SUV / 高配车值得买吗？ / 10W以内纯电动SUV，上下班接送孩子，有哪些？ / 上汽荣威RX5选哪个配置？ / 宝马X5 40i与GLE 450该选谁？ / 奔驰S40和宝马740四驱豪华版 该选择谁？ / 奥迪S6选装LSD差速锁合适吗？ / 上汽大通G20 商务MPV性价比高吗？ / 奥迪Q3和Q5怎么样？ / 长安UNI—K与星越L怎么选？值得等吗？ / 奇骏SUV买那个配置? 更多问题，收听节目留言即可~
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.近日，智跑系车型给出了最高1.4万元的现金优惠，库存方面，店内现车充足。2.全新一代斯巴鲁傲虎于3月3日正式上市，全新一代斯巴鲁傲虎在车身尺寸方面，长4880mm宽1875mm高1670mm轴距为2745mm。简约和深沉的内饰，11.6英寸中控屏幕，内置斯巴鲁StarLink多媒体系统，支持语音控制，同时保留的实体物理按键。3.吉利旗下博越这款SUV吉利为了让博越这款车的销量继续领先在今天上午推出了两款新车，这款车被命名为吉利博越亚运版，上市的两款车型指导价为9.18~10.88万。为了吸引潜在的客户，吉利对首批购车用户提供主要零部件终身质保和5年免流量服务费。4.听众及网友问题来了解一下：想入手君越顶配版本，可以买吗？ / 东南DX7想要开10年左右，值得入手吗？/ 12~13W，想要给刚毕业的孩子选一台合资品牌的SUV / 高配车值得买吗？ / 10W以内纯电动SUV，上下班接送孩子，有哪些？ / 上汽荣威RX5选哪个配置？ / 宝马X5 40i与GLE 450该选谁？ / 奔驰S40和宝马740四驱豪华版 该选择谁？ / 奥迪S6选装LSD差速锁合适吗？ / 上汽大通G20 商务MPV性价比高吗？ / 奥迪Q3和Q5怎么样？ / 长安UNI—K与星越L怎么选？值得等吗？ / 奇骏SUV买那个配置? 更多问题，收听节目留言即可~
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.近日，智跑系车型给出了最高1.4万元的现金优惠，库存方面，店内现车充足。2.全新一代斯巴鲁傲虎于3月3日正式上市，全新一代斯巴鲁傲虎在车身尺寸方面，长4880mm宽1875mm高1670mm轴距为2745mm。简约和深沉的内饰，11.6英寸中控屏幕，内置斯巴鲁StarLink多媒体系统，支持语音控制，同时保留的实体物理按键。3.吉利旗下博越这款SUV吉利为了让博越这款车的销量继续领先在今天上午推出了两款新车，这款车被命名为吉利博越亚运版，上市的两款车型指导价为9.18~10.88万。为了吸引潜在的客户，吉利对首批购车用户提供主要零部件终身质保和5年免流量服务费。4.听众及网友问题来了解一下：想入手君越顶配版本，可以买吗？ / 东南DX7想要开10年左右，值得入手吗？/ 12~13W，想要给刚毕业的孩子选一台合资品牌的SUV / 高配车值得买吗？ / 10W以内纯电动SUV，上下班接送孩子，有哪些？ / 上汽荣威RX5选哪个配置？ / 宝马X5 40i与GLE 450该选谁？ / 奔驰S40和宝马740四驱豪华版 该选择谁？ / 奥迪S6选装LSD差速锁合适吗？ / 上汽大通G20 商务MPV性价比高吗？ / 奥迪Q3和Q5怎么样？ / 长安UNI—K与星越L怎么选？值得等吗？ / 奇骏SUV买那个配置? 更多问题，收听节目留言即可~
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.3月1日，第8个工作日，预测油价累计上调幅度270元/吨，折算为0.20-0.23元/升，加满一箱油将又多花10-11.5元，调价窗口时间为：2021年3月3日24时。2.新车上市：东风标致4008 上市时间：3月内 车型特点：还是那么酷。/ 东风标致5008 上市时间：3月内 车型特点：跟4008一样酷，并且实用了不少。 / 一汽奔腾T55 上市时间：3月内车型特点：辨识度很高的家族设计语言 / 五菱征途 上市时间：3月内 车型特点：青春型皮卡 / 长安CS35PLUS 上市时间：3月内 车型特点：SUV外形完善 / WEY摩卡 上市时间：3月内 车型特点：实车足够有吸引力，新奇的命名风格。 / 比亚迪唐DM-i 上市时间：3月内 车型特点：新的混动系统 / 比亚迪秦PLUS DM-i 上市时间：3月内 车型特点：比亚迪混动技术的全面更新 / 一汽-大众奥迪e-tron 上市时间：3月内 车型特点：国产3.听众及网友问题了解一下：大通G50 家用MPV，考虑维修养护成本，值得入手吗？同级别还有哪些推荐？ / 奥迪Q2L怎么样，同级别还有谁？ / 宝马5系买两驱还是买四驱？ / 凯迪拉克XT5，别克昂科旗，大众途昂，30W左右该选谁？ / 宝马GT62值得入手吗？与奥迪A7相比谁更香? / 东南DX7怎么样？ / 瑞虎8与吉利豪越考虑维护油耗，该买谁？ / 雷克萨斯NX纯油4驱与斯巴鲁森林人最高配谁更好? / 亚洲龙与迈腾该选谁？ / K5凯酷，君威，迈锐宝XL都选1.5T，要求后期保养低选谁？更多问题，欢迎给我留言奥~
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.3月1日，第8个工作日，预测油价累计上调幅度270元/吨，折算为0.20-0.23元/升，加满一箱油将又多花10-11.5元，调价窗口时间为：2021年3月3日24时。2.新车上市：东风标致4008 上市时间：3月内 车型特点：还是那么酷。/ 东风标致5008 上市时间：3月内 车型特点：跟4008一样酷，并且实用了不少。 / 一汽奔腾T55 上市时间：3月内车型特点：辨识度很高的家族设计语言 / 五菱征途 上市时间：3月内 车型特点：青春型皮卡 / 长安CS35PLUS 上市时间：3月内 车型特点：SUV外形完善 / WEY摩卡 上市时间：3月内 车型特点：实车足够有吸引力，新奇的命名风格。 / 比亚迪唐DM-i 上市时间：3月内 车型特点：新的混动系统 / 比亚迪秦PLUS DM-i 上市时间：3月内 车型特点：比亚迪混动技术的全面更新 / 一汽-大众奥迪e-tron 上市时间：3月内 车型特点：国产3.听众及网友问题了解一下：大通G50 家用MPV，考虑维修养护成本，值得入手吗？同级别还有哪些推荐？ / 奥迪Q2L怎么样，同级别还有谁？ / 宝马5系买两驱还是买四驱？ / 凯迪拉克XT5，别克昂科旗，大众途昂，30W左右该选谁？ / 宝马GT62值得入手吗？与奥迪A7相比谁更香? / 东南DX7怎么样？ / 瑞虎8与吉利豪越考虑维护油耗，该买谁？ / 雷克萨斯NX纯油4驱与斯巴鲁森林人最高配谁更好? / 亚洲龙与迈腾该选谁？ / K5凯酷，君威，迈锐宝XL都选1.5T，要求后期保养低选谁？更多问题，欢迎给我留言奥~
大家好，我是杨扬，今天的节目依然是采用了山东交通广播线上及视频直播以及‘杨扬侃车'抖音号视频直播多媒体呈现方式，热线和网络上的朋友买车选车的问题依然不少，来看今天的内容概要：1.3月1日，第8个工作日，预测油价累计上调幅度270元/吨，折算为0.20-0.23元/升，加满一箱油将又多花10-11.5元，调价窗口时间为：2021年3月3日24时。2.新车上市：东风标致4008 上市时间：3月内 车型特点：还是那么酷。/ 东风标致5008 上市时间：3月内 车型特点：跟4008一样酷，并且实用了不少。 / 一汽奔腾T55 上市时间：3月内车型特点：辨识度很高的家族设计语言 / 五菱征途 上市时间：3月内 车型特点：青春型皮卡 / 长安CS35PLUS 上市时间：3月内 车型特点：SUV外形完善 / WEY摩卡 上市时间：3月内 车型特点：实车足够有吸引力，新奇的命名风格。 / 比亚迪唐DM-i 上市时间：3月内 车型特点：新的混动系统 / 比亚迪秦PLUS DM-i 上市时间：3月内 车型特点：比亚迪混动技术的全面更新 / 一汽-大众奥迪e-tron 上市时间：3月内 车型特点：国产3.听众及网友问题了解一下：大通G50 家用MPV，考虑维修养护成本，值得入手吗？同级别还有哪些推荐？ / 奥迪Q2L怎么样，同级别还有谁？ / 宝马5系买两驱还是买四驱？ / 凯迪拉克XT5，别克昂科旗，大众途昂，30W左右该选谁？ / 宝马GT62值得入手吗？与奥迪A7相比谁更香? / 东南DX7怎么样？ / 瑞虎8与吉利豪越考虑维护油耗，该买谁？ / 雷克萨斯NX纯油4驱与斯巴鲁森林人最高配谁更好? / 亚洲龙与迈腾该选谁？ / K5凯酷，君威，迈锐宝XL都选1.5T，要求后期保养低选谁？更多问题，欢迎给我留言奥~
Each month we release a new full-length album right on our podcast.Today we bread down the album &#%!in' Covid [Improv No. 18]. This album was written and recorded from December 31, 2020 to January 4, 2021.Thank you for listening. Stay safe.Order/Stream &#%!in' Covid [Improv No. 18]: https://smarturl.it/effincovidSubscribe to our YouTube Channel: https://www.youtube.com/channel/UCs94XWuYNzUP1eE0QmIyVQg
Chapters00:39 - Introduction01:18 - How does it feel to have a movie made about you?04:16 - Why make a film about Don?05:45 - Why create LEO, the Live Electronic Orchestra?09:18 - Is it about taking control?11:25 - The documentary process15:22 - A whole lotta love and struggles20:26 - The technology of LEO26:29 - Have you ever been tempted to move LEO from hardware to software?29:52 - Gathering testimonies32:12 - The documentary production36:21 - How have you found pitching this movie to distributors?40:31 - How LEO inspired MIDI48:21 - Where can we watch the movie?49:28 - EndingDon Lewis BiogDon Lewis is a gifted musician and educator whose mission is to inspire and empower audiences to achieve their dreams. Whether presenting a solo concert or collaborating with other musicians and artists, Don's music brings a message of hope, respect, and community. Don began playing piano as a Dayton, Ohio high school student. Later, at Tuskegee Institute, he accompanied and sang with the Tuskegee Chorus and played for Dr. Martin Luther King, Jr.'s Freedom Rallies.Uniting his interest in engineering with his musical talent, Don became one of the pioneers in synthesizer use and technology. In 1977, he designed and built a synthesizer system, Live Electronic Orchestra (LEO) that was an inspiration for Musical Instrument Digital Interface (MIDI), now on display at the Museum of Making Music in Carlsbad, CA.Don has performed at concerts worldwide and has appeared as a soloist with many symphony orchestras. As a studio artist, he has worked with such greats as Quincy Jones, Sergio Mendez and Michael Jackson. Don has also created scores for film and television productions including the award winning Rainbow's End and Were You There series featured on PBS. In addition he has scored commercials for such clients as Nissan, Pacific Telephone, and Digital Equipment Corp.Also an enthusiastic teacher, Don has taught courses in the history of Gospel Music, multimedia, and synthesizer technology at University of California at Berkeley Extension, San Jose State University and Stanford University. In 1987, Don combined his love of children, education and music to create Say “Yes” to Music! Since then, he has delighted thousands of students, teachers and school administrators across the United States and Canada with his inspiring musical assemblies.Throughout the years Don has been a concert artist and consultant with various musical instrument manufacturers including Hammond, Arp, Yamaha, Roland Corporation, and Rodgers Instruments. He continues to delight and touch the hearts of his fans in his concerts at home and throughout the world.Ned Augustenborg BiogNed Augustenborg has produced a wide range of content in the television industry, having produced or directed for ESPN, MSNBC, CNN, The Mountain Sports Network, Canadian Sports Network, Prime Ticket, CNBC and Sports Net.Following his formal education at the University of Southern California and the University of Arizona, Augustenborg began his career in computer animation while collaborating on experimental video projects at the Long Beach Museum of Art Video Annex, followed by producing documentaries on such diverse subjects as the California Department of Corrections, a struggling Los Angeles Latino rock band and the early life of Nobel Prize winner Glenn T. Seaborg.In addition to his freelance production career, Augustenborg also managed several studios for a variety of Cable TV operators throughout Southern California. A recipient of multiple Emmy and Cable ACE Awards in the categories of Entertainment, Documentary, Experimental Video, News; Augustenborg most recently produced and directed for Time Warner Cable's newly developed sports channels in Southern California for which he received two Emmy nominations for "Best Live Sports Coverage" in 2014.Links / Credits All music clips produced, arranged, composed and performed by Don Lewis and taken from the soundtrack to the film, “The Ballad of Don Lewis” © Don Lewis Music 2020.“Fall in Pleasanton”“Hold On”“Be-Noun-Chi”Original Don Lewis LEO performances are available on the Album “Twelve Gates to the City” Available from Apple Music and Amazon.Film website: https://www.theballadofdonlewis.com/Trailer: https://vimeo.com/442861162Available from: https://4bri.net/newReleasesx5.asphttps://donlewismusic.com/https://www.augustenborgproductions.com/Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners.He also writes reviews and articles for his website, failedmuso.com, and other music-related publications, and has guested on a number of music technology podcasts and shows. He can often be found at various synthesizer shows demonstrating his own collection of vintage music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/
Chapters00:00 - Introduction00:50 - Manny's history 01:29 - Before the DX7 11:22 - The unpredictability of FM 14:58 - How do YOU do FM?17:44 - How did you get to work with Yamaha?24:56 - Birth of the Preset Industry28:09 - The move to the SY 39:47 - FS1R and beyond 53:08 - Montage & MODX58:03 - Where next for FM? 1:03:11 - EndingManny Fernandez BiogDr Manny Fernandez has been involved with sound programming and synthesizer development for over 30 years. Initially self taught on an ARP Odyssey and Sequential Pro-One, he also studied academically on Buchla modular systems in the early 1980's. With that solid background in analog synthesis, he transitioned into digital synthesis with the release of the original DX7.Manny has been heavily involved in development & programming for Yamaha and is best known for his FM and Physical Modelling work. He says he was “really fortunate” to be with Yamaha through their glory years of developing new synthesis technologies in the DX7II, SY77/99, VL1 & VP1, EX5, AN1x and FS1R. More recently he has been working with the Reface DX and Montage, doing development work for the various Montage firmware & feature updates, including the new realtime FM ‘SmartMorph' AI control of multiple FM parameters.Way back in the 90's, he also did development and factory programming work for Kurzweil (K2000), Kawai (K1, K4, K5), Korg (Wavestation, O/1W), Alesis (Quadrasynth), Ensoniq (TS10), Peavey (DPM3) & E-MU (Proteus 2000). He was also known for his work with Sound Source Unlimited and their many sound libraries.Around 2005 he returned to programming to explore advanced FM techniques; for the last 15 years he's been hacking every nook and cranny of the AFM implementation within the SY99, exploring the interactions of operator phase, multiple patchable feedback loops and ‘zero frequency” waveshaping. He has developed methods for creating FM models of analog oscillator and filter behaviours along the way, as well as mimicking physical modelling and the abstract electronica of his college Buchla days.Manny has contributed many FM synthesis programming tutorials on YamahaSynth.com and YouTube: https://www.youtube.com/c/DrSynthSoundcloud: https://soundcloud.com/manny-fernandez-4856421 Credits Incidental music clips performed by Rob Puricelli using a Yamaha DX5. Closing musical clip performed by Manny Fernandez.Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners.He also writes reviews and articles for his website, failedmuso.com, and other music-related publications, and has guested on a number of music technology podcasts and shows. He can often be found at various synthesizer shows demonstrating his own collection of vintage music technology.www.failedmuso.comTwitter: @failedmuso Instagram: @failedmuso Facebook: https://www.facebook.com/failedmuso/
Antonia Alessia Virginia Beeskow und Frithjof Gawenda geben ein unvergessliches klassisches Synthesizer Konzert in traditionellster Midi-Conducter Komposition zusammen mit dem Mellotron V, dem Operator, dem Wavetable, dem DX7, dem Prophet V, dem Casio M4L, dem Matrix-12 V2, dem Grand Piano, der orchestral Woodwinds und Absynth 5.
Antonia Alessia Virginia Beeskow und Frithjof Gawenda geben ein unvergessliches klassisches Synthesizer Konzert in traditionellster Midi-Conducter Komposition zusammen mit dem Mellotron V, dem Operator, dem Wavetable, dem DX7, dem Prophet V, dem Casio M4L, dem Matrix-12 V2, dem Grand Piano, der orchestral Woodwinds und Absynth 5.
In this episode of the Bassfug podcast we talk with Håkan Lidbo. Håkan has a massive resume of accomplishments and cool projects ranging from doing Remixes for Depeche Mode to collaborating with the Swedish Space Corporation to beam music out into space. We talk about the future of music, what happens when you give monkeys a Yamaha DX7, Robots, and try to answer the question "What can music be?". It's another "the host laughs way too hard into the microphone again" episode that you don't want to miss! LINKS: https://www.hakanlidbo.com https://youtu.be/PRbWW-HZd0Q
Erano altri tempi, quando dei ragazzini squattrinati, cercando di mettere in campo abilità improvvisate, riescono a risolvere un problema, che ha segnato la loro vita, per sempre insegnandogli sul campo, davvero tante cose.Tutte le parti sonore presenti in questo episodio, sono tratte da spezzoni di brani realizzate con le nostre mani e il nostro sudore e provengono da tempi che per molti di voi è preistoria.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web
Erano altri tempi, quando dei ragazzini squattrinati, cercando di mettere in campo abilità improvvisate, riescono a risolvere un problema, che ha segnato la loro vita, per sempre insegnandogli sul campo, davvero tante cose.Tutte le parti sonore presenti in questo episodio, sono tratte da spezzoni di brani realizzate con le nostre mani e il nostro sudore e provengono da tempi che per molti di voi è preistoria.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web
It's now always a late 1970's Sunday afternoon in the in the days of the contemporary Pest A mechanical timer prised from a discarded kitchen in a Bruxelles back street, provides an analogue rhythm around which we build today’s program. Camus provides some words, we tune in to some intercultural networked improvised music from The Ethernet Orchestra, sample a new livestream sound work from Matthew Olden, and all as we gently muse on our world spun upside down on an unfamiliar axis. 7-8PM UTC+01:00 resonancefm.com Ethernet Orchestra is an Internet-based musical ensemble that explores intercultural improvisation through musical performances in located venues and on the web. Founded by trumpeter Roger Mills, the ensemble was formed to address the underrepresentation of the diverse musical cultures in online music making. The group combines electronic and traditional instruments, including Mongolian moron khuur (horse fiddle) and throat singing, tabla, Persian tanbur, tar, balaban, and the Japanese shakuhachi, blended with Buchla synthesizer, DX7, Ableton, voice, guitar, trumpet, and sax. Oceans between Sound is the second album by Ethernet Orchestra and covers a 4 year period of the groups performances and online jam sessions. It is free to download with artwork and CDR disc prints from the Chilean net label Pueblo Nuevo https://pueblonuevo.cl/catalogo/oceans-between-sound/
#Frequencymodulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The frequency of an oscillator is altered "in accordance with the amplitude of a modulating signal". (Dodge & Jerse 1997, p. 115) FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. #FMsynthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Digital FM synthesis (implemented as phase modulation) was the basis of several musical instruments beginning as early as 1974. Yamaha built the first prototype digital synthesizer in 1974, based on FM synthesis,[1] before commercially releasing the Yamaha GS-1 in 1980.[2] The Synclavier I, manufactured by New England Digital Corporation beginning in 1978, included a digital FM synthesizer, using an FM synthesis algorithm licensed from Yamaha.[3] Yamaha's groundbreaking DX7 synthesizer, released in 1983, brought FM to the forefront of synthesis in the mid-1980s. FM synthesis had also become the usual setting for games and software until the mid-nineties. Through sound cards like the AdLib and Sound Blaster, IBM PCs popularized Yamaha chips like OPL2 and OPL3. OPNB was used as main basic sound generator board in SNK Neo Geo operated arcades (MVS) and home console (AES). The related OPN2 was used in the Fujitsu FM Towns Marty and Sega Genesis as one of its sound generator chips. Similarly, Sharp X68000 and MSX (Yamaha computer unit) also use #FM -based soundchip, OPM. An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. #synthesizer weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message
#Frequencymodulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The frequency of an oscillator is altered "in accordance with the amplitude of a modulating signal". (Dodge & Jerse 1997, p. 115) FM #synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Digital FM synthesis (implemented as phase modulation) was the basis of several musical instruments beginning as early as 1974. Yamaha built the first prototype digital synthesizer in 1974, based on FM synthesis,[1] before commercially releasing the Yamaha GS-1 in 1980.[2] The Synclavier I, manufactured by New England Digital Corporation beginning in 1978, included a digital FM synthesizer, using an FM synthesis algorithm licensed from Yamaha.[3] Yamaha's groundbreaking DX7 synthesizer, released in 1983, brought FM to the forefront of synthesis in the mid-1980s. FM synthesis had also become the usual setting for games and software until the mid-nineties. Through sound cards like the AdLib and Sound Blaster, IBM PCs popularized Yamaha chips like OPL2 and OPL3. OPNB was used as main basic sound generator board in SNK Neo Geo operated arcades (MVS) and home console (AES). The related OPN2 was used in the Fujitsu FM Towns Marty and Sega Genesis as one of its sound generator chips. Similarly, Sharp X68000 and MSX (Yamaha computer unit) also use FM-based soundchip, OPM. weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message
Pour ce nouvel épisode en DUO je reçois 2 artistes dont j’aime beaucoup la musique. Ils ont en commun une chose : celle d'avoir baigné dans une culture musicale et un environnement spirituel qui a indéniablement marqué la musique qu'ils composent et produisent aujourd'hui. Et c'est à peu près tout ce qu'ils ont en commun. Je vous propose pour commencer d'écouter un extrait de mon entretien avec Martin Casual Melancholia. Il le dit lui même, ses chansons s'inscrivent dans une mouvance néo classique, un genre musical assez peu représenté en France. Il a sorti début septembre “Birth“ un EP de 4 titres magnifiques dont je vous recommande évidemment l'écoute. Avec Martin on parle de sa relation avec le piano, de son rapport à instagram en tant qu'outil pour développer et faire connaître son travail. On parle de son mode de vie minimaliste, et il nous arrive de parler de Mona Chollet cette autrice suisse qui a sorti un livre qui a beaucoup circulé “Sorcières, le pouvoir invaincu des femmes“. Je le mentionne pour que vous ne soyez pas perdus. Dans la seconde moitié de cet épisode, je rencontre Aurélien Saint DX, moitié de feu Apes and Horses, musicien régulièrement en tournée avec d'autres artistes comme récemment avec Charlotte Gainsbourg. Il sort ce vendredi 8 novembre son premier mini album « SDX » dont 4 titres sont déjà dispo. Son kiff a lui c'est d'utiliser les presets de son yamaha DX7, un synthétiseur qui a donné à la fois le nom et la direction de son projet musical très influencé par des sons années 80, et des B.O comme celle du Grand Bleu. Son obsession était de retrouver le son de cette fameuse chanson du groupe Berlin “Take My Breath Away“. Deux artistes, deux coups de coeur, c'est DUO. Crédits photos Alexandre Desmidt, Charlotte Krieger. Tous les épisodes du podcast sont disponibles sur onlike.net rubrique podcast et sur toutes les applications de podcast et plateformes de streaming. Extraits diffusés dans l’épisode 46 : ‘Take my breath away’ Berlin (02:15) ‘Memory’ Casual Melancholia (12:52) ‘Birth’ Casual Melancholia (18:52) ‘Take my breath away’ Berlin (32:18) ‘I Still Care’ Saint DX (28:15) ‘Prime Of Your Life’ Saint DX (33:57) ‘Regrets’ Saint DX (40:46) ‘First Fantasy’ Galo DC (47:11) Enregistrement et montage : Alexandra Lebrethon Production : Alexandra Lebrethon et Jean-Patrick Labouyrie
*Financiamento encerrado e não bateu a meta mínima*Para o episódio 2 da 2a temporada de Dias Digitais acontecer os hackers precisam de SUA ajuda. Saiba mais sobre o projeto e o apoie em: https://www.catarse.me/diasdigitaiss02ep02 Roteiro: Danilo Battistini Produção, Direção e Mixagem: Danilo Battistini - Contador de Histórias Com as vozes de:Narrador……………..……………..Julio Franco Juno..........…………..……………..Fabricio Rinaldi Prophet.............…………..……...Glaucia Franchi Oberheim…………..……………...Rodrigo Araújo DX7…………..……………..............Guilherme Marques Servidor IA…………..……………Lene Bastos Catarse…………..…………….......Danilo Battistini __________________ Site: www.contadordehistorias.art.br Twitter: @CDHCast Instagram: @CDHCast Facebook: /podcastcontadordehistorias
Podcast realizado para el programa "Sintonía Fina" conducido por Pau Candi emitido por Radio 102.3FM Mas que Música de la Universidad Nacional de Córdoba. Capítulo #02 "Historia de la música y tecnología en Córdoba, ARG." Oscar Bazán fue un compositor que marca vanguardia en su arte conceptual desde los años 50 en el interior de Argentina. En ésta ocasión relato un hecho que se destaca por sobre el resto y que consistió en que se convirtió en el primer músico en el país en utilizar el sintetizador digital DX7 (1983-1986) de la empresa Yamaha. Ésta misma empresa lo buscó como referente experimental para posicionar su producto y dotar al compositor de una herramienta fundamental que marca una época estética del arte cordobés.
DX7 and S900. Bivouac. Archive. 2003
Things we discuss:Andrew Nonlinearcircuits - http://nonlinearcircuits.blogspot.com/?m=1cellF - brains in a petri dish making music http://guybenary.com/work/cellf/ (kill it with fire please thanks)Eurorack module with soil in it - https://www.1010.co.uk/org/ERD.htmlCerith Wyn Evans - Composition for 37 Flutes https://hepworthwakefield.org/news/cerith-wyn-evans-wins-the-hepworth-prize-for-sculpture-2018/Pow! Academy - https://m.facebook.com/powcademy.tv/?tsid=0.7207275966938277&source=resultThe Pure Data Musican was called Aimee-Sofia Brown.Tom’s Strange Music you can and should purchase on Bandcamp: https://tomwhitwell.bandcamp.comDave Bristow on Programming the DX7 https://youtu.be/JVsV6wAB5GgEven longer Dave Bristow talk on the DX7 https://youtu.be/pkaexAbLLFITom’s DX7 MKII http://www.vintagesynth.com/yamaha/dx7ii.phpWhimsical Raps Modules that are obviously amazing but are explained in a way I find baffling (whoops, “Mannequins” is their module, shows what I know) https://www.whimsicalraps.comW/ ‘tape loop’ module https://www.whimsicalraps.com/products/wslashCold Mac module: https://www.whimsicalraps.com/pages/coldmacJohn Cage Bot https://mobile.twitter.com/botwhitwellJohn Cages Diary http://sigliopress.com/book/diary-how-to-improve-the-world/George Antheil - The Bad Boy of Music https://en.m.wikipedia.org/wiki/George_AntheilHedy Lamarr & George Anthiel Inventing Spread Spectrum Radio http://www.women-inventors.com/Hedy-Lammar.aspGottwood Festival (highly recommended) https://www.gottwood.co.ukHoughton Festival (also highly recommended) https://www.houghtonfestival.co.ukMoog DFAM https://www.moogmusic.com/products/dfam-drummer-another-motherThe New Sound of Music Documentary which includes Synthi 100: https://youtu.be/6MsyOe7xCqgDavid Vorhaus: https://www.soundonsound.com/people/david-vorhausGain bach’s youtube channel Hainbach - Resolution - YouTubehttps://m.youtube.com › watchFourtet Live on Spotify - https://open.spotify.com/artist/5iL1nEyS7dk7ogGGosP91v?si=xK39AF6fRHuPT7jM6pFgTgEiko Ishibashi - The Dream My Bones Dream https://open.spotify.com/album/7fF92i519qJTQRu1yM36Gd?si=463WQvyHRPqoErHz1HNP0Q h/t to @frozenreeds on twitterZoo Look Album https://open.spotify.com/album/5AWvWkGvVtkZy9JfPYnLeS?si=dfpZscpgTISnruW2_-Ju_AAphexs New EP https://open.spotify.com/album/3SbGxJVC8fHv41RFKCGIl3?si=s8tAfaHwQLaFQd4HOz6wLQSequentix Cirklon Sequencer https://www.sequentix.com/shop/cirklon-hardware-sequencerAbleton Push 2 https://www.ableton.com/en/push/Yamaha A4000 Sampler http://www.donsolaris.com/?p=764HxC Floppy Emulator http://hxc2001.free.fr/floppy_drive_emulator/My album of 2018 - Susumu Yokota - Sakura https://open.spotify.com/album/4eN1ho9NT7q1YlG5xDNYNM?si=p5vZ19NEQ4qy8iMx_BZ4vQSusumu Yokota - Symbol (Tom’s pick) https://open.spotify.com/album/0ntm3YaiXVkkGitWl2XASV?si=EtPlOryKSd-1lPrMJu1W6QPrince - Piano & a Microphone https://open.spotify.com/album/6gbmDvcU1JDPy1niL6YFJY?si=K257eaj4TI-5k6_iXupiQgBeardytron’s amazing new music making rig - https://youtu.be/HbX6_IOhSgMThonk Prok Drum Modules https://www.thonk.co.uk/product-category/manufacturer/prok-modular/Arturia Analog Lab https://www.arturia.com/products/analog-classics/analoglabPygmy Gamelan http://pauldemarinis.org/PygmyGamelan.html
Al & Ryan takes on the classic 80s music video of "Take on Me."
Al & Ryan takes on the classic 80s music video of "Take on Me."
Jan Hammers Soundtracks are legendary and influenced also the dance music. We made that sond with Roland Jupiter 8, MiniMoog, Yamaha DX7, Lindrum, Ober heim OBXa and Faitlight Sounds. The guitar sounds are made with DX7 and a Marshal Amp like the original.
本期主要内容： 标致308和朗逸，谁的故障率低？ 福特锐界VS别克昂科威 购买哈弗要谨慎； 东南的DX7是否值得入手？ 昂科威有什么缺点？ 对比雪铁龙C4L和大众高尔夫主要提及车型： 奔驰GLC、E200，宝马320LI、X5、X3、525，捷豹F-PACE，凯迪拉克ATS-L，标致308，雪铁龙C4L，大众朗逸、高尔夫，别克昂科威，福特锐界，丰田雷凌双擎、卡罗拉双擎、凯美瑞，本田思域、缤智、XR-V，现代朗动，起亚K3，传祺GS4，哈弗H8，东风风神AX5，东南DX7……
New Love Underground stopped by to do one sweet tune and several hours of chit chat. Making notes for your Stonehall Sessions Dream Journal? Make sure to add: DX7, LA Synthesis, Riley and Adam don’t know how to ask questions, Australian Speak and Spells
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