Podcasts about Rough Trade

Hosts Jim DeRogatis and Greg Kot talk with music journalist and author Barry Walters about his new book Mighty Real: A History of LGBTQ Music 1969-2000. They discuss how gay artists, industry execs and audiences changed mainstream music. They also chat about artists like R.E.M., Pet Shop Boys, Donna Summer and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:David Bowie, "Rebel Rebel," Diamond Dogs, RCA, 1974The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sylvester, "You Make Me Feel (Mighty Real)," Step II, Fantasy, 1978Pet Shop Boys, "Opportunities (Let's Make Lots of Money)," Please, Parlophone, 1986R.E.M., "Pretty Persuasion," Reckoning, I.R.S., 1984Gang of Four, "Call Me Up," Songs of the Free, EMI, 1982Prince, "Controversy," Controversy, Warner Bros., 1981Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980Laura Nyro, "Stoned Soul Picnic," Eli and the Thirteenth Confession, Columbia, 1968Donna Summer, "Queen For a Day," Once Upon a Time, Casablanca, 1977Indigo Girls, "Closer to Fine," Indigo Girls, Epic, 1989Michael Jackson, "Childhood," HIStory: Past, Present and Future, Book I, Epic, 1995The Smiths, "There Is a Light That Never Goes Out," The Queen Is Dead, Rough Trade, 1986David Bowie, "Space Oddity," David Bowie, Philips, 1969Frankie Goes to Hollywood, "Relax," Welcome to the Pleasuredome, ZTT, 1984Robyn, "Blow My Mind," Sexistential, Konichiwa and Young, 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

brianturnershow.com, eastvillageradio.comJAMES 'BLOOD' ULMER - TV Blues - Are You Glad To Be In America? (Rough Trade, 1980)BRIGITTE FONTAINE & ARESKI - Quand Les Ghettos Brûleront - 7" (BYG, 1974)EXUMA - You Don't Know What's Going On / The Vision - Exuma (Mercury, 1970)THE KINKS - Death of a Clown - Something Else (Pye, 1967)EL HUMANO MARRANO - Himno - V/A: La Contra Ola: Synth Wave & Post Punk from Spain 1980-86 (Bongo Joe, 2018)MY BLOODY VALENTINE - Home Loving Guy - V/A: Berlincassette 1-86 (cs, Jarmusic, 1986)THE GREBES - Into the Cold - The Grebes (BC, 2026)B & B VS. YANNISCOTT KING - Roy Castle & The Vandellas (cs, Industrial Coast, 2020)SUN CITY GIRLS - Ring It 'Round The Rosie - The Palm Leaves of Victory / Audio Letter to Mitch Meyers (Three Lobed, 2026)PAKHOM - I - CRAS (Nazio, 2025)THE FALL - Hey! Luciani - Live in Cambridge 1988 (Cog Sinister, 2000)TENISON STEPHENS - Don't RIp Me Off! - 7" (Aries, 1970)ANDRIA - Flaks - Flaks (Evel, 2026)NVH / CHASNY - ...No Refund (Excerpt)  - Plays the Book of Revelations (Yik Yak, 2007)ECOLOGY: HOMESTONES - Buddycrusher - The Cruel Quick Reverse (BC, 2026)AMON DÜÜL - Mama Düül Und Ihre Sauerkrautband Spielt Auf - Psychedelic Underground (Ohr, 1969)BODIES OF DIVINE INFINITE AND ETERNAL SPIRIT - Disaster I - Disaster I (Program, 2026)PIN GROUP - Hurricane Fighter Plane - Live At The Gladstone Hotel, 4 July 1981 (Flying Nun, 2011) MIN BUL - Strange Beauty - Min Bul (Polydor, 1970)L.$.D FUNDRAISER - Cold Red Warm Violet Two Browns (excerpt) (cs, Burgan Triangle Tapes, 2026)JANDEK - Live on my old WFMU show 3/25/12 (excerpt)AARON RUSSELL & SANDY EWEN - Greenfield - Dissectologists (cs, Sedimental, 2026)

Neil Taylor in conversation with David Eastaugh  https://www.roughtrade.com/en-de/product/neil-taylor/document-and-eyewitness-an-intimate-history-of-rough-trade Rough Trade is practically a byword for the history of independent music over the last thirty years. DOCUMENT AND EYEWITNESS: AN INTIMATE HISTORY OF ROUGH TRADE tells the story from the inside of a phenomenally influential record label, through the voices of Geoff Travis, Jarvis Cocker, Robert Wyatt, Green Gartside and many many more. From the early records of Cabaret Voltaire, Kleenex and the Swell Maps, through to groundbreaking releases by The Fall, The Smiths and Scritti Pollitti, on through the collapse of the independent collective and the rebirth of Rough Trade at the turn of the century, this is the definitive, essential account for any serious music fan.

This playlist is 87% vinyl friendly. Impressive. Döhmann Helix One MK III Turntable with Vacuum Hold-Down Previewing at The 2026 AXPONA Show, I’m not sure whether the $150,000 price tag included the Wilson Benesch Graviton Ti arm, Tessellate Diamond cartridge, Supatrac Nighthawk 12** arm with DS Audio Grandmaster EX cartridge, analog front end feeding the ARC Ref 10 phono (or DS Audio TB-100 tube equalizer), the new ARC Ref 20 preamp, ARC Ref 330 mono amps, Wilson Audio XVX loudspeakers, cables from Transparent and the Olympus Ultra racks from Critical Mass Systems… or not. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 152 Sad Alex! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – The Village (Kilkenny Rose Hill Hotel, 24.4.83) – Power Corruption and Lies, Definitive Edition – Warner Music – 2020 It gets off to a slightly shaky start at what was a legendary night in early years New Order history, with Barney and Hooky acting as a modern day comedy double act for the evening. The onstage antics were definitely inspired by seeing the hotel’s flyer in the afternoon… and I don’t remember Liam turning up. Me on photos duty, none of which I would have remembered until Steve Morris sent me photos I’d taken this night… with my writing on the back… followed by the above Movement Definitive Edition then including the video. I remember the afternoon soundcheck chat and Ozzy leaving the mixing desk mid gig and standing next to me but the things you forget… 05.03 PAUL HAIG – Trip Out The Rider – 7″ – Impotent Fury – 2010 ‘Packaged in a fancy pants paper cut sleeve that is hand screen-printed, foil embossed and limited to 500 copies. Rumoured to be the first of six vinyl releases… ‘ – Discogs His albums surface only very occasionally these days and any teaser singles even less so. This 7″ – driving with the zest of his early years – appears to have been the most recent but he’s a ‘signature’ voice we should hear more of. 07.41 LINES OF SILENCE – Lines In Opposition (Radio Edit) – Lines In Opposition, LP – Sprechen – 2026 These sleeves aren’t getting any easier to look at. An experimental krautrock band (Can? Neu?… ) out of Todmorden, UK – ‘a hotbed of UFO activity and home to the UK’s highest ever beach‘ – and I slightly cheated the vinyl thing here, as the Radio Edit is only downloadable, with the full version on the just released vinyl album. Should have gone with the latter. 11.12 SILICON VALLEY – X-Cell – Cold Waves Of Color Volume 3, v/artists LP – Color Disc – 2016 Whoever they were/are, they seem to have only released six singular tracks over a period of forty two years(!) * and on Color Disc label, v/artist albums only. A side hustle, the SV releases are not. * Makes Got-Ta-Scatta look prolific. 15.09 CLOCK DVA – 4 Hours (7″ Version) – 7″ – Fetish – 1981 Adi Newton is a voice that sits you up but they’d had a bucket load of self and semi released material before I tuned in with the Thirst album that includes this their debut 7″. 18.59 THE EVENT GROUP – Approach Work (Pt B) – Approach Work, self released, cassette only – ? – 1983 For any kids picking up on this, the voice you hear here is of England cricketing legend of yesteryear, Freddie Truman, also featured on the main Approach Work track already playlisted on 41 Rooms and the cassette’s cover, obviously, where he nearly looks like he’s got his ever present pipe on the go. And as for the church bells on the track… maybe adding to the image of a village green setting? Search out the band’s Feb ’82 Riverside TV appearance at some point. An entertaining watch at the time and another release for me to upload (the images anyway) to Discogs at some point, maybe. 25.11 UT – Evangelist – Split 7″ – Blast First – 1989 Yep, also the lead track from the 1987 album, In Gut’s House but I’ve gone for the, split with Dinosaur Jr., 7″ and as mentioned before here at 41 Rooms, a band I’ve grown to like more now than I maybe did back then. Cheers for the 41 Rooms iD snippet, Nina! Supporting The Fall, Bedford Boys Club, 1.10.83 Photo credit: Dec Hickey 27.57 YOUNG MARBLE GIANTS – Include Me Out – Colossal Youth, LP – Rough Trade – 1980 In YMG world this is them nearly rocking out! 29.50 KAREN MARKS – Cold Café – 7″ – Astor – 1980 Out of Australia and her only release at the time but the price tag the single has acquired through the years since (one of a few on this show), brought about a 2019 EP of tracks also recorded back in the day. Definitely an ‘indie’ sound. 32.42 DEENA WEBSTER – Scarborough Fair – 7″ – Parlophone – 1968 A folk standard I seem to remember hearing fairly regularly when I was young, so in one guise or another it must have cropped up on the radio and TV, though I never had the urge to buy it until I heard Deena’s version in more recent years and though she maintained the tempo of the song’s more traditional singers it’s everything backing her wasting no time in getting ‘busy’ that helps this version get my vote. ‘Bustling folk’, so let’s hear it for Deena and her arranger… “I chose none of the singles (from the album Is Tuesdays Child) apart from Scarborough Fair.” The track was one of the first arrangements for another artist by Barbara Moore. She was best known for her work as a singer with The Ladybirds and, when she arrived at the studio, many of the musicians thought that she'd come to help with backing vocals. She remembers that when she got onto the rostrum to conduct,the baton “it fell out of my sweaty little palm and ended up on the bass drum – that relaxed the whole atmosphere”. At the end of the session, Moore received a standing ovation from the 60 string andhorn players present. – Record Collector/Ian Shirley, #424, Jan 2014 edit 35.38 AL STEWART – Turn Into Earth – 7″ b-side – Decca – 1966 The flip may from Stewart’s debut release and his vocal ‘swagger’ makes this a rarity, in that it’s the only time I can think of where I’ve preferred a Yardbirds song performed by others… not that there are many of those. 38.29 MASSIVE ATTACK – Angel (Live) – Stream only – 2006 Performed as part of UK Channel 4’s first season of Live from Abbey Road series, with the Bristol band and Horace Andy managing to give the track even more gravitas and tension than on the its studio recording. No small feat. 43.15 CALLERS – Bloodless Ties – Life Of Love, LP – Western Vinyl – 2010 Sara Lucas’ vocal is just sublime, even if that bass guitar keeps hitting a note that I DO NOT LIKE. 47.39 PLATON DAVYDOV (feat OLEG KIRILKOV) – Sadness * – Stream only? – 2019 Violins… 49.02 MARTYN BATES – I’ll Wrap Your Hopes – Letters To A Scattered Family, LP – Integrity – 1990 Poetry, with a rippling outro. 53.01 FINK – Memorise Your Senses – The City Is Coming To Erase It All, LP – R’COUP’D – 2026 It took this his ninth album for me to have even heard of him, so I might have to rewind on him. 56.41 BÔA – Duvet – 7″ – Cinema-Kan – 2018 Or bôa… and on listening to the 1998 debut album, The Race Of A Thousand Camels, that first included this song, a band even at that point sounding like they might have been fighting to be two bands? I’d never heard of them until this track recently bumped into me but you then do a bit of a dig and Duvet has 43million Youtube hits… so you have to do a bigger dig. Here they sound not unlike The Sundays but that bigger dig explains some of the above. 01.00.00 RENAISSANCE – Back Home Once Again – 7″ – Warner Brothers – 1977 And what were the chances? Looking for something to follow Boa’s Duvet I decided on this 1977 single from Renaissance, a ‘prog folk’ band who for a couple of years in the late ’70s I had a real liking for. It turns out that Bôa’s drummer, Lee Sullivan is the son of Renaissance’s former drummer, Terry Sullivan. Who’d have thunk, eh? 01.03.03 HANNE HUKKELBERG – Do As I Do – Little Things, LP – Leaf – 2005 Promo’d (albeit as a CD only) as the single off the album at the time, so this was the ‘teaser’ – and it’s easy to see why. Cute! 01.06.39 08/15 – 1000 Gelbe Tennisbälle – 7″ – Sterbt Alle – 2025 If you had thoughts of releasing music on the subject of 1000 yellow tennis balls then someone’s beaten you to it. A 300 run re-release of their 1981 and only single. 01.11.25 COLDCUT – Beats + Pieces (Mo’ Bass Remix) – 12″ – Ahead Of Our Time – 1987 With a nod to Steinski, they were ahead of most of the others. 01.17.15 RAE & CHRISTIAN – Check The Technique (feat Tony D, Jazzy Jeff and Agent 86) (edit) – Mercury Rising, 2LP – LateNightTales – 2013 Minus the wonderful Veba’s vocals but with Mark Rae’s hip hop credentials they still produce. 01.21.10 THE JUJU ORCHESTRA – What Is Hip (Mo’ Horizons Hipstyle) – 12″ – Remixes – Agogo Records – 2006 TC (RIP) spending some time in the studio with the youngsters. 01.26.55 SAD ALEX – Ice Ice Baby (But You Have Anxiety) – Stream only – 2025 The only way Vanilla Ice was going to get on 41 Rooms was via som break borrowing… and songwriter Alex Saad has done just that. 01.28.59 SIMPLE MINDS – King Is White And In The Crowd – 12″ b-side – Virgin – 1982 Thankfully still here holding on to their futurist feel, even if the sound is housed in a contender for Worst Record Sleeve of all time. So, you’re only get the reverse… and that’s bad enough. 01.34.27 WAMDUE PROJECT – King Of My Castle (Original Version) * – 12″ – Eruption – 1998 More kings! Unusual for a dance track with nothing special in the vocals department to chart mainstream but this did just that. Maybe some intrigue and charm in the ‘Must be the reason why I’m king of my castle‘ lyric as it chugs along? Sometimes there’s just no knowing… 01.39.04 JOHNNY MAESTRO & THE CRESTS – I’m Stepping Out Of The Picture – 7″ – Scepter Records – 1965 If there’s a world in music I won’t stop finding ‘new’ gems it’s the rare/northern etc soul scene. I heard this gritty and restrained-in-equal-measures brassy belter for the first time only recently, via Beth Arzy (Jetstream Pony and others) capturing herself in front of a DJ spinning this tune. Re-released a couple of times in the intervening years, I won’t though be getting an original copy any time soon, as that could be anywhere between $800 and for a promo copy, $1700! 01.41.17 JIMMY RUFFIN – It’s Wonderful (To Be Loved By You) – 7″ – Tamla Motown – 1970 Motown still in their prime in these years and come the mid-late 70s I had the grand notion of collecting every UK Motown single between TMG 501 and TMG 801… but I soon gave up the ghost, though this one made it into the fold. 01.43.58 McFADDEN & WHITEHEAD – Ain’t No Stoppin’ Us Now * – 12″ – Philadelphia Int – 1979 Reminds me of Bedfordshire clubs of the time, and footballing mates and girlfriends and not a care in the world. 01.49.53 THE TYRREL CORPORATION – Going Home (Original Mix) * – 12″ – Cooltempo – 1992 Had three or four biggish tunes that gave them an identity of sorts. Not sure why great train robber, Buster Edwards is here but this was a 15.8.92 ad, most probably in Record Mirror. 01.55.08 NEW ORDER (Again!) – World In Motion (1990 No Alla Violenza Mix) * – 12″ – Factory – 1990 It’s World Cup time again! So, for only the second time (I think) in 41 Rooms’ history it’s New Order twice in one show – and the last time was Show 1! With a break in there nicked from somewhere I can’t quite grasp and Barney’s vocal deservedly getting some real breathing space here in between the Italo piano, will it do the job for us footie fans this time around? Who’d be an England fan, eh? If we’re still in the mix by show 153 we’re doing OK. Show 153 will be alive July 5. Dec x The post Post Punk Plus Podcast Playlist 152 – Original upload 7.6.26 appeared first on 41Rooms.

Aldous Harding photographiée par Emma Wallbanks en 2025. ALDOUS HARDING. WORMS – 3:50Train On The Island, 4AD, 2026 JESCA HOOP. VIV OVER DRINK – 2:25Long Wave Home, Republic Of Music, 2026 THIS IS THE KIT. SLIDER – 4:05Off Off On, Rough Trade, 2020 CASSANDRA JENKINS. MS. CASSANDRA – 0:45(An Overview On) An Overview On Phenomenal […] Cet article Errance #192 : De Aldous Harding à Neil Young est apparu en premier sur Eldorado.

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Cabaret Voltaire are no one thing. Depending on which corner of the internet you found us from, you might know them as the caustic Sheffield noise act who preceded post-punk, the sinister electro-industrial outfit with a penchant for evangelical samples and anti-fascist agitprop, or the dancefloor-adjacent act who fetched up on Factory's Belgian satellite label and made something close to club music. You're all correct.This week, we have a guide. Phil Eaglesham — P6, former front person of Stretchheads and De Salvo, current singer in OMO, musical walking tour operator, man of broad and alarming musical learnings — is here to help us navigate one of the most complex and wilfully uncommercial bands to come out of the UK, via their transitional compilation Eight Crepuscule Tracks.We trace the band's origins in a Sheffield attic in 1973, chart their debts to dub, Black American music, and the sci-fi soundscapes that shaped a generation of working-class ears, and make the case that Cabaret Voltaire — despite their apparent difficulty — were one of the most industrious and fundamentally political bands of their era. We also get into their time at Western Works Studio, which functioned less like a recording facility and more like the gravitational centre of an entire Sheffield scene; their complicated relationship with Rough Trade; and their connections to Joy Division, Lydia Lunch, Clock DVA, and the bands that would become the Human League and ABC.Along the way, Phil brings original artefacts including a signed 1979 TG/Cab Vol/Rema Rema poster from Tottenham Court Road, and the original 12-inches the album is built from. We also ask what would have happened to Cabaret Voltaire without punk — and conclude they'd likely have ended up an academic footnote rather than a foundational text. Highlights: 00:00 Intro03:56 Meet Phil Eaglesham07:47 P6 — The Name and the Character09:29 Queer Identity in the Industrial Scene12:55 Pseudonyms and Rockism17:44 Cabaret Voltaire: The Basics22:32 Sheffield, Western Works, and the Scene25:18 Rough Trade, The Fall, and Being Prolific29:10 Working-Class Roots and Industrial Culture32:33 Sci-Fi Soundscapes and Electronic Prehistory35:11 Musique Concrète to Cab Vol: How Close Were They?36:13 Dadaism, Situationism, and Confrontational Art38:40 Punk's Effect on Audiences (Not Just Music)40:11 The Counterfactual: Cab Vol Without Punk41:43 Black Music, Funk, and the DNA Nobody Talks About43:39 New Wave, No Wave, and New York Connections46:29 Factory Records, Crépuscule, and the Belgian Connection47:49 Original Artefacts: Posters, 12-Inches, and History50:31 Why Eight Crepuscule Tracks?52:54 Looking Towards Next Week and Outro

Jann Arden speaks with legendary rock icon Carole Pope and documentary director Michelle Mama about the impact of Pope's music and the new documentary Antidiva: The Carole Pope Confessions. They discuss Pope's groundbreaking role in the music industry, her artistic expression, and the community she built through her work. They also touch on the evolution of music, the consequences of being open about one's identity and sexuality, and the inspiration behind Pope's songwriting. Carole Pope reflects on the impact of her fame and aging in the music industry with fond memories with iconic figures like Jane Fonda, Jimi Hendrix, David Gilmour, and more. As an influential queer artist, Carole emphasizes the importance of authenticity and perseverance in the face of adversity and the legacy she hopes to leave behind for future artists. Antidiva: The Carole Pope Confessions Directed by Canadian filmmaker Michelle Mama and produced by Allison Grace and Bill Taylor, Antidiva: The Carole Pope Confessions premiered on opening night of the 2026 Hot Docs Festival on Thursday, April 23. Described by the filmmakers as a love letter to the power of defiance, the film spotlights queer rock icon Carole Pope as she reclaims her rightful place in music history—not as a footnote, but as a godmother of punk glam, queer pride, and radical authenticity. Commissioned by documentary Channel, Antidiva: The Carole Pope Confessions, which will be distributed in Canada by Motion 58, received funding in 2023 from the Hot Docs-Slaight Family Fund to support the project in its development stage.     In Toronto's vibrant music, art and fashion scene of the 1970s and 1980s, Carole Pope made her mark with the new wave band Rough Trade, which produced bold, boundary-breaking music delivered with a sexy punk edge. “High School Confidential,” the band's breakthrough hit, did something not many had done before: it featured an openly queer performer fearlessly expressing lesbian desire on daytime radio. Now in her 70s, Pope continues to channel her creativity into new forms. Her latest project is a musical that draws on her life and career with Rough Trade, as well as the story of her beloved late brother Howard, himself a celebrated musician and AIDS activist. Featuring interviews with celebrity friends like Peaches, k.d. Lang, Jann Arden, Rufus Wainwright and Jeanne Beker, Antidiva: The Carole Pope Confessions is a long overdue cinematic tribute to a fierce and talented queer maverick.  You'll be able to watch it on CBC Gem starting July 24, 2026 and The Documentary Channel on July 19, 2026. https://www.carolepope.com/ https://www.imdb.com/title/tt33549474/ https://www.instagram.com/carole_pope/ https://www.instagram.com/meemama/ Chapters (00:00) Introduction to Carole Pope and Antidiva (02:48) The Impact of Rough Trade and Community Building (06:00) The Evolution of Music and Artistic Expression (09:04) Consequences of Openness in the Music Industry (12:07) Performing in the Present Day (14:56) Inspiration and Legacy (17:59) Behind the Scenes of Antidiva (19:47) The Power of Female Sexuality (21:03) Aging in the Music Industry (24:00) The Impact of Fame and Recognition (26:23) Memorable Encounters with Icons (30:31) The Canadian Identity and Artistic Legacy (32:46) Advice for Aspiring Queer Artists (35:33) Carol Pope's Impact on Jann (38:39) Aging and Timelessness in Music #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

La gerontocrazia della critica musicale e le nuove generazioni. Kieran Press-Reynolds va a caccia degli editor di Wikipedia che documentano i generi più di nicchia e scova un ventenne di Manchester con le idee molto chiare. I nostri dischi di aprile sono quelli di Angine de Poitrine, My New Band Believe e Birthh. Nuovi album annunciati per Boards of Canada, Beth Orton e Kurt Vile. Festival italiani su Stereogum, il rave di Björk per l'eclissi e Rough Trade festeggia i 50 anni.

This week, hosts Jim DeRogatis and Greg Kot share some of their favorite artists who beat the dreaded sophomore, delivering follow-ups that proved their debuts were no fluke. The hosts will also hear picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Horsegirl, "Switch Over," Phonetics On and On, Matador, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Black Sabbath, "Paranoid," Paranoid, Vertigo, 1970Public Enemy, "Bring the Noise," It Takes A Nation of Millions to Hold Us Back, Def Jam, 1988Led Zeppelin, "Moby Dick," Led Zeppelin II, Atlantic, 1969Pixies, "Debaser," Doolittle, 4AD, 1989black midi, "Slow," Cavalcade, Rough Trade, 2021Kanye West, "Touch the Sky (feat. Lupe Fiasco)," Late Registration, Roc-A-Fella, 2005Fiona Apple, "Fast As You Can," When the Pawn..., Epic and Clean Slate, 1999SZA, "Good Days," SOS, TDA and RCA, 2022Erykah Badu, "Cleva (feat. Roy Ayers)," Mama's Gun, Motown, 2000D'Angelo, "Chicken Grease," Voodoo, Virgin, 2000Phoebe Bridgers, "Savior Complex," Punisher, Dead Oceans, 2020Van Morrison, "Cyprus Avenue," Astral Weeks, Warner Bros., 1968Violent Femmes, "Please Do Not Go," Violent Femmes, Slash, 1983See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This playlist is 73% vinyl friendly. Not bad. From 2016, the TechDas Air Force One Premium turntable might well have been aimed initially at the present user of said plane, if features like vacuum clamping, pneumatic bearings, the Disc suction system and an impressive Wow & Flutter ratio of 0.03% (WRMS) were his or her thing and depending on the spec required it retailed at between $140,000 and $152,000. You read that right. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 151 Nearly as good as captured cinematically. A busy day in the life of Joni. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Sunrise (Writing Session Recording) – Low-Life, Definitive Edition box set – Warner Music – 2023 Yep, slower than the version most will know – either from the album or when played live, or indeed the equally vocal-less ‘Rough Mix’ take the band generously gave me for the Discreet Campaigns v/artist cassette that kickstarted the short-lived Rorschach Testing label – but it’s another where you’re practically hearing the band getting to grips with a rhythm and/or the shell of a song. My money’s on Hooky being the one who suggested the tempo should be taken up a notch or two. 04.48 THE WAKE – The Calendar (demo) – Unreleased – 1983 Onwards to become The Torn Calendar but here it was one of three tracks demo’d (along with ‘Places’ {pre Send Them Away} and Rise and Shine) on a TEAC 4-track reel to reel the band borrowed from me. They certainly made far better use of it than I ever did. The written lyrics given to Bedford’s Katie Possum at some point, along with her review in the local paper of the band’s second gig at Winkles… and that’s Stephen, my dog, Flanagan and Mac at my house the day before said gig. 08.10 A CERTAIN RATIO – And Then She Smiles – Force, LP – Factory – 1986 It’ll be no surprise to those that know me that I’m a bigger fan of the ‘tougher’ earlier ACR but here Jez Kerr’s voice is so sublime over a more ‘reflective’ sound. 11.59 THE OUBLIETTE – That’s Enough – Stream only – 2026 This is a complete first! Here – by complete accident – sits the first ever AI generated track to feature on 41 Rooms! And who knows re the video? It’s not an area I intend actively searching out, so expect them very infrequently but The Oubliette’s Youtube channel has a bucket load of tracks if you fancy your ’80s indie and darkwave-sounding tunes on the ‘artificial’ side. 15.18 LOVELAND (feat RACHEL McFARLANE) – Let the Music (Lift You Up) (Full On Vocal Radio Edit) – 12″ – Big Beat – 1994 ‘The Full On Vocal Mix, with its pounding piano and hackneyed lyrics, is undeniably old-fashioned and is about as cheesy as a lorry-load of Wotsits. But it comes with a guarantee to create absolute mayhem on all but the most elite of dancefloors. For those DJs who are more concerned about their own credibility than their audience’s enjoyment levels, there is also a much cooler garage-style remix from Olympic’s Bottom Dollar crew plus some deep and funky dubs‘. – Andy Beevers, Record Mirror (Music Week), 5.3.94 There are times when storming vocals, ‘less than critical’ lyrics and hands in the air are all you need… and this Big Beat belter had me smiling back then. 18.30 MARCO BENEVENTO – Houdini – Glera, LP – Big Crown Records – 2026 A bit of a broken beat and summery, Latin thing going on here, like someone taking a late ’60s Sergio Mendes vocal snippet on a wild ride. 20.59 MIDNIGHTROBA – Day’s Gon’ Come – Raise A Symphony, 2LP – Sonder – 2026 Roba El-Assawy has been heard far too infrequently since her days fronting Attica Blues. 22.42 THE ISLEY BROTHERS (feat RONALD ISLEY and ANGELA WINBUSH) – Float On (Bad Boy Remix) (Instrumental edit) * – Floatin’ On Your Love, 12″ – 4th & Broadway – 1996 I cut out all the ‘bump and grind’ lurrrv thang lyrics, as it was the beats, bv’s and ad libs stuff on this mix that made me buy the 12″ in the first place. Oh, and Ronald Isley could always sound like he was just itching to break into Summer Breeze any second. No bad thing. 24.31 HONEY DIJON (feat. JACOB LUSK) – Satisfied – The Nightlife, download only – Someothershit -2026 On first listen I briefly thought that Anohni (previously of Antony and the Johnsons) was on board here sounding soul sexy but it’s ‘competitor in American Idol’ (Season 10, apparently), Jacob Lusk quivering and sailing high on Ms Dijon’s production. African beat vibes sparkling all the way. 28.32 THE YOUNG DISCIPLES – Apparently Nothin’ – 12″ – Talkin’ Loud – 1991 Early in the Gilles Peterson and Norman Jay’ label catalogue and one hell of a funky strut. The wonderful Straight No Chaser mag was always a must read, even if a lot of the sounds and artists passed me by. I could still find tunes I’d never happen on anywhere else, unless I’d stood all day in London Soho’s Mr Bongo’s shop (or the likes) back in the day. 32.55 RÓISÍN MURPHY – If We’re In Love – 12″ – Echo – 2005 Strut Part 2! Between her Moloko days and solo career the Arklow, Ireland girl is a regular of sorts at 41 Rooms. Not sure about that sleeve cover, though. 37.20 CAN – I Want More – 7″ – Virgin – 1976 ‘German experimental electronic artist makes the UK’s Top 30 singles chart’ shock, horror probe. 40.34 FINITRIBE – Catch The Whistle – Promo 12″ only – Finiflex – 1993 First heard by me as a Tommy Vance-spoken ‘One FM exclusive’ on the Beeb’s lead radio station, though my mixtape forever played it slower than intended. Still rather it a tad pitched down. Squelchy sounding snares were often the order of them days. 46.14 ZIN MIYAKEZAWA – A Sanctuary Of Twilight Filled With Tranquility * – Classical Music, Vol. 108- Instrumental BGM – Download only – Audiostock – 2025 BGM = Background music, but ‘Incidental’ sounds so much classier, don’t you think? I’m slightly doubting whether Zin Miyakezawa is a real human but either way A Sanctuary… brings to mind Richard Harvey’s Elegy (the theme from TV’s 1983 Shroud For A Nightingale) and to a certain degree, parts of Harry’s Theme – Terminus (Silent Witness, S10, E10), and as all three have now made it to 41 Rooms you’ll instantly remember them all, I’m sure. You’re welcome, though a proper musician would tell me where exactly I’m right or wrong on all that. 48.39 ROBIN TROWER – Bluebird – Robin Trower, 12″ EP – Chrysalis – 1977 With a lot more guitar here than is usually found on 41 Rooms, for me with any Robin Trower I heard back in the day it was always Jimmy Dewar’s vocals that I took to. 54.07 KELELA – Idea 1 – Download only – Warp – 2026 A wash of a sound from the decade-long Warp label artist. 57.23 CALLERS – Young People – Life Of Love, LP – Western Vinyl – 2010 Dark Folk, I reckon. When Sara Lucas’ vocal gets earthy and ‘gutteral’ and let’s loose. It’s a switch that used to get me with Liz Fraser, though her ‘switch’ sounded more polarised. 01.01.01 THIS MORTAL COIL – Strength Of Strings – Filigree & Shadow, 2LP – 4AD – 1986 The first of two times vocalist Dominic Appleton fronted TMC, and I have to admit that I got the title wrong on the show. So, without time to correct it you got no title and I’d have better gotten away with it (or sounded less vague?) if there hadn’t been twenty five TMC tracks on the release, all with different personnel involved. Sod’s Law. 01.05.11 DRY CLEANING – Sliced By A Fingernail – Download only – 4AD – 2026 And from the 4AD label in 1986… to their 2026 output and I’d be slight wary of anybody saying ‘Happy birthday’ in this tone to me. 01.09.10 GNAG OF FOUR – He’d Send In The Army – Solid Gold, LP – EMI – 1981 Always saying it like they saw it. 01.12.56 YOUNG MARBLE GIANTS – Cakewalking – Final Day, 7″ – Rough Trade – 1980 In a most understated manner they sort of made a statement when they appeared on BBC 2’s Something Else in late ’80. 01.15.42 OSCAR FARRELL – Tripping Up In A Rush – I’ve Already Called, 12″ EP – dh2 – 2025 I might have to keep an eye and ear on this chap. 01.18.40 CABARET VOLTAIRE – Sleepwalking (John Peel session track, 1984) – Radiation (BBC Recordings 84-86), LP – Get Back – 2001 Having earlier been Cakewalking, now we’re Sleepwalking. All part of the service. Though actually released three years earlier (but only on CD) the above Get Back-label vinyl release has been followed up in 2026 by a bootleg version. The people dictate… and I’ll be with them catching the very last CV gigs ever, near the end of the year. 01.24.03 GIFT – Pinkhouse Secret Rave (Redux) – Download only – Self-released – 2026 A track from their 2022 debut album, Momentary Presence given a 2026 rework/remix, sorry ‘Redux’ and according to Discogs there are at least 33 acts called Gift! In this day and age – what with both the clamber for attention and the availability of info out there – you’d think… 01.28.16 GANZHEIT – Bolt It Down (Why Work?) * – Summer Of ’84 (demo cassette only) – Self-released – 1984 Out of Bedford. Clattering and driving punk electronic stuff. From the same time-frame, this one reminding a bit of Portion Control, a band who’d played the town earlier in the year above. 01.34.21 SUPER EXTRA BONUS PARTY (feat SORCA McGRATH) – Some Dark Forces – LovesVinyl Issue 02, v/artist 12″ – LovesVinyl – 2019 Ex-Ships vocalist sails over a Running Up The Hill-like drum pattern. 01.38.30 TRACEY THORN – Easy – Out Of The Woods, LP – Virgin – 2007 On the quieter side, One of the ‘signature’ voices, 01.41.49 BETH HIRSCH – Miner’s Son (Aquatic Mix) – 10″ – Artefact – 1997 Bang Bang’s mix sets Beth back a bit in the mix but if lesser known than Ms Thorn above, it’s yet another signature voice. 01.46.43 JONI MITCHELL – Song For Sharon – Hejira, LP – Asylum – 1976 Epic storytelling in a single song. 01.54.46 WAR (feat JOSE FELICIANO) – East L.A. – Peace Sign, 2LP – Avenue – 1994 This show had to be totally put together on the fly, between daily meet ups with friends back in Bedford and London, but the weather was brill right through and the piecing together ended up in the Leytonstone sunshine… even though that’s nowhere near East L.A. There’s a longer, more up front vocals version of the song where Jose also takes on the verses and given my JF leanings I could have placed that one here, but I actually like him ‘countering’ to War vocalist, Lonnie Jordan. Everything about Jose’s vocal when he first drops in here is why I first loved the man back in the late 60’s/early ’70s. I once reminded Jose of the track’s two versions and also (importantly) why I liked this one more… and maybe understandably he seemed a bit disappointed. Show 152 will be here June 7. Dec x The post Post Punk Plus Podcast Playlist 151 – Original upload 3.5.26 appeared first on 41Rooms.

This is a dark wave or cold wave mix - inspired by post-punk and early 80s electronic music, mostly European. If you know the Dark Entries label you'll know exactly what you're getting into.It opens gently with Pye Corner Audio & Faten Kanaan and Ghost Culture before getting into the meat of it. The Chromatics' Stroke of Midnight Remix is a good bridge - they're one of the more accessible acts in this world.The centrepiece is DAF's Der Mussolini, remixed here by Giorgio Moroder and Denis Naidanow. The original from 1981 is a landmark record - German industrial disco. This version holds up. Section 25's Looking from a Hilltop and Cabaret Voltaire's Yashar are from the same era and in the same territory - Factory and Rough Trade regulars.Boy Harsher are the most contemporary act on the mix and one of the best working in this style right now. Depeche Mode's Bergsonist remix shows there's still mileage in their catalogue when the right people get hold of it.Bauhaus close it out - which is fitting. They more or less invented this sound.1. Pye Corner Audio & Faten Kanaan — Mirror Lake2. Ghost Culture — Mouth (Dub)3. Chromatics — Tick of the Clock (Visione's The Stroke of Midnight Remix)4. Nommo Ogo — Behold5. Section 25 — Looking from a Hilltop6. DAF — Der Mussolini (Giorgio Moroder & Denis Naidanow Remix)7. Black Asteroid — Sun Explodes feat. Cold Cave (Headless Horseman Remix)8. Depeche Mode — Ghosts Again (Bergsonist's Shadow Mix)9. Boy Harsher — Pain (Radio Edit)10. Black Meteoric Star — 5am Open Air Sunrise (Borusiade Remix)11. Cabaret Voltaire — Yashar (Insurgent Mix)12. Severed Heads — Dead Eyes Opened (Reopened)13. Bauhaus — Here's The Dub

Episode 791: May 2, 2026 playlist: Plug, "Variety Magic" (Variety Magic) 2026 De:Tuned Edward Ka-Spel, "Unclaimed Melody" (Hallucinating Happy Land) 2026 Terminal Kaleidoscope Amp, "Drone In A (Yellow On Blue No.1) (Radio Edit)" (Isotropic Beacons) 2026 Ampbase Orits Williki, "Fight The Fire" (Fight The Fire: Digital Reggae, Conscious Roots and Dub in Nigeria 1986-91) 2026 Soundway Aaron MF Olson, "Nobody Can Tell" (Songs Album II) 2026 Drag City The Womack Sisters, "If You Want Me" (If You Want Me / I Just Don't Want You) 2025 Daptone Mad Iris, "Poor Baby" (Mad Iris) 2026 Ba Da Bing! inrain, "Sleep" (Rise) 1991 Rough Trade / 2026 Music from Memory SPC ECO, "Moments" (Moments EP - May 2026 BC Friday) 2026 [self-released] Charbel Haber, "I stutter when I speak of love and death" (May a soft sun bless your sky while you wait for the inevitable) 2026 Ruptured Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Throughout International Women's Month, we've heard several stories of triumph and success, but we've also heard of hardship. Today, we're joined by a panel of women who have all served some time in politics. June Draude, former Saskatchewan MLA, Victoria Flores, Ward 6 Regina City Councillor and Shelley Thoen-Chaykoski, former mayor of Foam Lake, join the show to share why they got into politics and why representation matters.

This week hosts Jim DeRogatis and Greg Kot celebrate artists who found a new creative gear decades after they hit the music scene. It's Late-Career Encores, this week on Sound Opinions.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Johnny Cash, "Hurt," American IV: The Man Comes Around, American, 2002The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Johnny Cash, "Folsom Prison Blues," Johnny Cash with His Hot and Blue Guitar!, Sun, 1955Johnny Cash, "The Mercy Seat," American III: Solitary Man, American, 2000Misson of Burma, "Academy Fight Song," Single, Ace of Hearts, 1980Misson of Burma, "2Wice," The Obliterati, Matador, 2006Wire, "1 2 X U," Pink Flag, Harvest, 1977Wire, "Joust & Jostle," Wire, Pinkflag, 2015The Staple Singers, "I'll Take You There," Be Altitude: Respect Yourself, Stax, 1972Mavis Staples, "99 and 1/2," We'll Never Turn Back, Anti-, 2007Superchunk, "Driveway To Driveway," Foolish, Merge, 1994Superchunk, "Me & You & Jackie Mittoo," I Hate Music, Merge, 2013Naked Raygun, "I Don't Know," Throb Throb, Homestead, 1985Naked Raygun, "Living in the Good Times," Over the Overlords, Wax Trax!, 2021A Tribe Called Quest, "Can I Kick It?," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990A Tribe Called Quest, "We the People....," We Got It from Here...Thank You 4 Your Service, Epic, 2016Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Bonnie Raitt, "The Road's My Middle Name," Nick of Time, Capitol, 1989Cher, "Gypsys, Tramps & Thieves," Chér, Kapp, 1971Cher, "Strong Enough," Believe, WEA and Warner Bros., 1998Redd Kross, "Annie's Gone," Third Eye, Atlantic, 1990Redd Kross, "Candy Coloured Catastophe," Redd Kross, In the Red, 2024Converge, "Concubine," Jane Doe, Equal Vision, 2001Converge, "We Were Never the Same," Love is Not Enough, Epitaph and Deathwish, 2026John Prine, "Angel From Montgomery," John Prine, Atlantic, 1971John Prine, "When I Get to Heaven," The Tree of Forgiveness, Oh Boy, 2018Pulp, "Common People," Different Class, Island, 1995Pulp, "Spike Island," More, Rough Trade, 2025Al Green, "Belle," The Belle Album, Hi, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The best of Arena this week, as we explore spring poetry with Vona Groarke, celebrate 50 years of Rough Trade with John Meagher, and Steven Benedict looks back at Trainspotting.

Rough Trade at 50 - Dublin International Film Festival - RHA

Video interview with vocalist Jason Williamson from the English music duo Sleaford Mods. FaceCulture spoke with Jason about Teacher Faces Porn Charges, starting on the album English Tapas, current affairs, a hip hop influence, getting the working class tag, humor, self-reflection, Messy Anywhere, Andrew's beats, getting critiqued, people's opinions, the temperament of English people, Rough Trade, their music abroad, the live shows, genuine elation, having no pretense, professionalism, and a lot more! (19/01/2017) Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Geekwire, Vinnie Vincent fires back at complaints about his high-priced music offerings, telling critics to “grow the f— up.” John Bush takes his Anthrax Celebration show to St. Charles, Illinois, spotlighting his era with the band. The original BulletBoys lineup returns to the stage together for the first time in four years. Peter Criss appears at Rough Trade in New York City to sign copies of his new solo album, drawing a big turnout from KISS fans. Yngwie Malmsteen calls out several former singers, accusing them of trying to capitalize on his name. Jane's Addiction says the band has come together “one last time” to finally resolve internal issues. Steve Morse reflects on his exit from Deep Purple and admits some members were glad to see him go. And Geoff Tate reveals he's about 85% finished with “Operation: Mindcrime III,” with producer John Moyer saying the first single is already strong. We hope you enjoy Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Geekwire, Vinnie Vincent fires back at complaints about his high-priced music offerings, telling critics to “grow the f— up.” John Bush takes his Anthrax Celebration show to St. Charles, Illinois, spotlighting his era with the band. The original BulletBoys lineup returns to the stage together for the first time in four years. Peter Criss appears at Rough Trade in New York City to sign copies of his new solo album, drawing a big turnout from KISS fans. Yngwie Malmsteen calls out several former singers, accusing them of trying to capitalize on his name. Jane's Addiction says the band has come together “one last time” to finally resolve internal issues. Steve Morse reflects on his exit from Deep Purple and admits some members were glad to see him go. And Geoff Tate reveals he's about 85% finished with “Operation: Mindcrime III,” with producer John Moyer saying the first single is already strong. We hope you enjoy Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot explore the music and legacy of the Raincoats, a post-punk band beloved by musicians and critics alike. Though they never found mainstream success, the Raincoats' sound left a deep mark on alternative music—including on one of their most famous fans, Kurt Cobain of Nirvana.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsFeatured Songs:the Raincoats, "Fairytale In The Supermarket," The Raincoats, Rough Trade, 1979The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Gina Birch, "Feminist Song," I Play My Bass Loud, Third Man, 2023Gina Birch, "Causing Trouble Again," Trouble, Third Man, 2025Gina Birch, "I Play My Bass Loud," I Play My Bass Loud, Third Man, 2023the Raincoats, "The Void," The Raincoats, Rough Trade, 1979the Raincoats, "In Love," The Raincoats, Rough Trade, 1979the Raincoats, "Shouting Out Loud," Odyshape, Rough Trade, 1981the Raincoats, "No One's Little Girl," Moving, Rough Trade, 1984the Raincoats, "No Side to Fall In," The Raincoats, Rough Trade, 1979the Raincoats, "Only Loved at Night," Odyshape, Rough Trade, 1981the Raincoats, "Ooh Ooh La La La," Moving, Rough Trade, 1984SPRINTS, "Something's Gonna Happen," All That Is Over, City Slang and Sub Pop, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Following up the guitar masterpiece of OK Computer, Radiohead threw the music world for a loop with Kid A. Twenty five years after its release, hosts Jim DeRogatis and Greg Kot talk with author Steven Hyden about how the album was made and its lasting impact. They also discuss the life and career of the Sex Pistols and New York Dolls manager Malcolm McLaren.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Radiohead, "Idioteque," Kid A, Parlophone, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Radiohead, "How To Disappear Completely," Kid A, Parlophone, 2000Radiohead, "Subterranean Homesick Alien," OK Computer, Parlophone, 1997Travis, "Writing To Reach You," The Man Who, Independiente, 1999Autechre, "Rae," LP5, Warp, 1999Radiohead, "Fake Plastic Trees," The Bends, Parlophone, 1995Radiohead, "Everything In Its Right Place," Kid A, Parlophone, 2000Radiohead, "Kid A (Live)," Unreleased, N/A, 2001Radiohead, "Kid A," Kid A, Parlophone, 2000Radiohead, "Treefingers," Kid A, Parlophone, 2000Radiohead, "The National Anthem (Live)," Unreleased, N/A, 2001Radiohead, "15 Step," In Rainbows, Parlophone, 2007Radiohead, "The National Anthem," Kid A, Parlophone, 2000Sex Pistols, "Anarchy In the U.K.," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977Sex Pistols, "God Save the Queen," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977Sex Pistols, "Pretty Vacant," Never Mind the Bullocks, Here's the Sex Pistols, Virgin, 1977Bow Wow Wow, "I Want Candy," The Last of the Mohicans, RCA, 1982Malcolm McLaren, "Buffalo Gals," Duck Rock, Virgin, 1983The Raincoats, "Lola," The Raincoats, Rough Trade, 1979See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BEST OF 2025 featuring BAMBINODJ, BARKER, BIOSPHERE, BROKEN LIP, DAN CURTIN, DANIEL AVERY, DJ POLO, DJRUM, IMPÉRIEUX, KINOTEKI + DJ FLP, MARIE DAVISON, NICK LEÓN + JOHNNY FROM SPACE, PAUL ST. HILAIRE, PURELINK, TORTOISE, WEVAL + many more on this extended ABSTRACT SCIENCE year-in-review podcast. Co-hosts CHRIS WIDMAN, BILL BEARDEN aka WHOA-B, JOSHUA P FERGUSON + HENRY SELF mix 4 hours of future music favorites from 2025. [aired 04 + 11 December 2025 on WLUW-Chicago 88.7FM] >CHRIS WIDMAN Lapalux “Bias Angel” (On The Grid, LPLX, 2025) Coen “Headbanger” (Moshpit, Maloca, 2025) Verraco “Basic Maneuvers” (XL Records, 2025) Dan Curtin “Trust Blind” (The 4 Lights, De:tuned, 2025) Surgeon “Soul Fire” (Shell~Wave, Tresor, 2025) Fjaak +J.Manuel “Binder” (Tectonic Sound, Tectonic, 2025) Weval “Dopamine (DJ Edit)” (Ninja Tune, 2025) Dean Grenier “View Source” (Hand Works Music, 2025 Impérieux “Fena” (Hessle Music, 2025) Barker “Stochastic Drift (Stochastic Drift, Smalltown Supersound, 2025) jonathan d. valdez “Music Frozen Dancing” (Perception, 2025) Deft + Manni Dee “Busy Bee” (Swamp Season, Hooversound, 2025) Batu “Clump” (Question Mark, Lethal Press, 2025) Undulae “Temple Of Symmetry” (Temple Of Symmetry EP, Satellite Era, 2025) Slikback “Data” (Tempa, 2025) easygoingtech “909local” (easygoingtech, 2026) >BILL BEARDEN Kinoteki & DJ FLP “160 Proof” (Limiting Factor, 2025) AJ Tracey & Jorja Smith “Crush” (Casement Remix, Not On Label, 2025) Proc Fiskal “UK Torrent” (Shleekit Doss, 2025) Freedjom “13-8=0_0” (DJ Strawberry’s Düğün Fix, Beat Machine, 2025) Nectax “Soundboy Gambit” (Over/Shadow, 2025) Sully “The Wash” (Fabriclive, 2025) Broken Lip “Neighbourhood” (pt.1+2, Iberian Juke, 2025) Cesco “Flump” (Pineapple Records, 2025) JD Reid & Hagan “Leaf” (Baby Gravy, 2025) TMSV “Dimensional” (Perfect Records, 2025) Darama & Kush Arora “Rattle” (Not On Label, 2025) bambinodj “Carrier” (OST, 2025) DJ Polo “Currents” (Night Slugs, 2025) Anecho “Spiritual Blitz” (Dimeshift, 2025) Low End Activist “Wave 03” (Best Intentions, 2025) L-VIS 1990 “Low Pulse” (Club Djembe, 2025) >JOSHUA P FERGUSON Bitchin Bajas “Skylarking” (Inland See, Drag City, 2025) Damon Locks “Hold the Dawn in Place (Beyond pt 2)” (List of Demands, International Anthem, 2025) Stone “Feely” (Dream Curtain Eternally Gentle, 3XL, 2025) Headache “Most Undo Tomorrow” (Thank You for Almost Everything, PLZ Make It Ruins, 2025) Stereolab “Immortal Hands” (Instant Holograms on Metal Film, Warp) Space Dimension Controller “Reflect Itself” (Six Beginnings, Test Pressing, 2025) Coatshek “Triple Virgo” (Sound Bath, Dark Entries, 2025) Sam Prekop “Font” (Open Close, Thrill Jockey, 2025) Biosphere “Like the End of the World” (The Way of Time, AD 93, 2025) Paul St Hilaire “Mary Jane Greenfield” (w/ The Producers, Kynant, 2025) Tortoise “Works and Days” (Touch, International Anthem, 2025) Djrum “Waxcap” (Under Tangled Silence, Houndstooh, 2025) james K “Hypersoft Lovejinx Junkdream” (Friend, AD 93, 2025) Sven Wunder “Misty Shore” (Daybreak, Piano Piano, 2025) >HENRY SELF Dijon “my man” (Baby, R&R/Warner, 2025) Oklou “Blade Bird” (Choke Enough, True Panther, 2025) Oneohtrix Point Never “D.I.S.” (Tranquilizer, Warp, 2025) John Glacier “Emotions” (Like a Ribbon, Young, 2025) Daniel Avery “Tremor” (Tremor, Domino, 2025) caroline “Beautiful Ending” (caroline 2, Rough Trade, 2025) FKA Twigs feat. PinkPantheress “Wild and Alone” (EUSEXUA Afterglow, Young, 2025) Marie Davidson “Statistical Modelling” (City of Clowns, Deewee, 2025) Effy “2011” (The Syndicate, Fragrance, 2025) Destroyer feat. Fiver “Bologna” (Dan’s Boogie, Merge, 2025) Amaarae & Charlie Wilson “Dream Scenario” (Black Star, Interscope, 2025) Whatever the Weather “3°C” (Whatever the Weather II, Ghostly International, 2025) Maria Somerville “Violet” (Luster, 4AD, 2025) Nick León feat. Jonny From Space “Metromover” (A Tropical Entropy, TraTraTrax, 2025) Darkside “S.N.C.” (Nothing, Matador, 2025) Purelink feat. Loraine James “Rookie” (Faith, Peak Oil, 2025) The post best of 2025 – absci radio 1398-1399 appeared first on abstract science >> future music chicago.

On today's episode, I talk to musician Gina Birch. Originally from Nottingham in the UK, Gina formed the seminal art-punk band The Raincoats with Ana da Silva in 1977. They released three incredible records on Rough Trade - self-titled, Odyshape and Moving - and then broke up in 1984. But this was merely the start of Gina's artistic career. She worked with Red Crayola, formed the band Dorothy, became a filmmaker and music video director, reunited with Ana to support Nirvana on tour and subsequently make another album as The Raincoats, and of course, record music under her own name. Her first solo album I Play My Bass Loud came out in 2021, and her latest Trouble was just released on Third Man Records, and it's great! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Hosts Jim DeRogatis and Greg Kot talk with Rough Trade collaborators Geoff Travis and Jeannette Lee about their contributions to the music industry and their new label River Lea, which focuses on Irish folk music. The hosts also review the buzzy new album from indie rockers, Geese.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lankum, "Cold Old Fire," Cold Old Fire, Self Released, 2014The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Geese, "Taxes," Getting Killed, Partisan, 2025Geese, "Islands of Men," Getting Killed, Partisan, 2025Geese, "Trinidad," Getting Killed, Partisan, 2025Geese, "Half Real," Getting Killed, Partisan, 2025Brighde Chaimbeul, "An Léimras / Harris Dance," The Reeling, River Lea, 2019Raw Bar Collective, "Baile Mhúirne (feat. Nell Ní Chróinín)," Ag Fogairt an Lae, Self Released, 2016The Wolfe Tones, "Come Out Ye Black & Tans," Let The People Sing, Dolphin, 1972Lankum, "Go Dig My Grave," False Lankum, Rough Trade, 2023Lisa O'Neill, "All the Tired Horses," All the Tired Horses (Single), Rough Trade, 2022John Francis Flynn, "Mole in The Ground," Look Over the Wall, See the Sky, River Lea, 2023Poor Creature, "The Whole Town Knows," All Smiles Tonight, River Lea, 2025Poor Creature, "All Smiles Tonight," All Smiles Tonight, River Lea, 2025Ye Vagabonds, "An Island," Nine Waves, River Lea, 2022Poor Creature, "Adieu Lovely Eireann," All Smiles Tonight, River Lea, 2025Public Image Ltd, "Flowers of Romance," Flowers of Romance, Virgin, 1981ANOHNI, "It Must Change," My Back Was a Bridge for You to Cross, Rough Trade, 2023Robert Wyatt, "The Age of Self," Old Rottenhat, Rough Trade, 1985The Smiths, "Frankly, Mr. Shankly," The Queen Is Dead, Rough Trade, 1986John Fogerty, "Zanz Kant Danz," Centerfield, Warner Bros, 1984Swell Maps, "The Helicopter Spies," Jane from Occupied Europe, Rough Trade, 1980See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts Jim DeRogatis and Greg Kot chat with record producer and author Arthur Baker about his new book, Looking for the Perfect Beat: Remixing and Reshaping Hip-Hop, Rock and Rhythms. The hosts also review the new album from Wednesday.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Afrika Bambaataa & the Soulsonic Force, "Looking for the Perfect Beat (Original 12" Version)," Looking for the Perfect Beat, Tommy Boy, 1982The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wednesday, "Elderberry Wine," Bleeds, Dead Oceans, 2025Wednesday, "Candy Breath," Bleeds, Dead Oceans, 2025Wednesday, "Townies," Bleeds, Dead Oceans, 2025Wednesday, "Gary's II," Bleeds, Dead Oceans, 2025Wednesday, "The Way Love Goes," Bleeds, Dead Oceans, 2025New Order, "Confusion," Confusion, Factory, 1983Afrika Bambaataa & the Soulsonic Force, "Planet Rock," Planet Rock: The Album, Tommy Boy, 1986Run-D.M.C., "It's Like That," Run-D.M.C., Profile, 1984Thundercat, "Walk On By (feat. Kendrick Lamar)," Drunk, Brainfeeder, 2017Marvin Gaye, "Sexual Healing," Midnight Love, Columbia, 1982New Order, "Thieves Like Us," Thieves Like Us, Factory, 1983Bruce Springsteen, "Dancing In The Dark (Blaster Mix)," Dancing In The Dark, CBS, 1985Artists United Against Apartheid, "Sun City," Sun City, Manhattan, 1985Warpaint, "Love Is to Die," Warpaint, Rough Trade, 2014See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Les années Rough Trade, Nova ou Pulp racontées par un témoin clef pendant 2h !Ivan Smagghe est un DJ, producteur et journaliste musical français né en 1971. Ancien élève de Sciences Po, il débute comme vendeur au mythique magasin Rough Trade à Paris. Il se fait connaître avec le duo Black Strobe, mêlant électro sombre et influences rock industrielles. Figure culte de la scène underground, il fonde plus tard le label Les Disques De La Mort, explorant sans cesse les marges sonores. Aujourd'hui, il est reçu par David Blot dans le Nova Club pour revenir en musique sur son parcours. Tracklist : The Staple Singers – Slippery People Fcukers – I Like It Like That DJ Davida – 4 - NASTYYY - Boukan RecordsKym Sims – Too Blind To See It [Hurley's House Mix]sélection de Ivan Smagghe : Stray Cats – Stray Cat StrutThe The – This is The DayMBV – soon (AW remix)Aphex Twin – Alberto BalsamLa Bionda – I Wanna Be Your LoverJason Edwards – CodeineBrigitte Fontaine – Lettre à Mr le Chef de Gare de La Tour de CarolJD Twitch feat. Chloe Sevigny – The Ecstasy of St ThereseEdward Ka-Spel – TricksterHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hailing from Cork, Ireland, songwriters Cathal Coughlan and Sean O'Hagan formed the band Microdisney in 1980. After relocating to London in 1983, the band recorded six Peel Sessions for BBC Radio and released their debut album for Rough Trade called 'Everybody Is Fantastic'. This week's guest, musician, filmmaker, podcaster and radio host Alexei Shishkin, joins us to discuss the band and that record. The duo's combination of lushly orchestrated pop paired with wryly poetic, at times biting lyrics were right up Alexei's musical alley, and we're here for it! Songs discussed in this episode: Dear Rosemary - Microdisney; Disco Elysium, Tiki Taka - Alexei Shishkin; Palm Of My Hand - The Pale Fountains; Horse Overboard - Microdisney; Pack Yr Romantic Mind - Stereolab; Blues For Ceausescu - The Fatima Mansions; McCardle Brown - Sean O'Hagan; Idea, A Few Kisses, Escalator In The Rain - Microdisney; Half A Person - The Smiths; Dolly (Live, Barbican sessions 2018), Dolly - Microdisney; The King Of Rock 'N' Roll - Prefab Sprout; Dreaming Drains, I'll Be A Gentleman, Moon, Sun, Sleepless, Come On Over and Cry, This Liberal Love, Before Famine, Everybody Is Dead, Everybody Is Dead (Peel session) - Microdisney; Ode To Carl Dennis - Alexei Shishkin

This week I'm joined by author and documentary filmmaker Grant McPhee, who directed three amazing films about the Scottish underground music scenes (Big Gold Dream, The Glasgow School, Teenage Superstars). We discuss the differences between writing his book Postcards From Scotland and making these films, the UK press and their relationships with Scottish bands, the turmoil at the early Jesus & Mary Chain shows, both Postcard & Fast Product Records influencing Factory & Rough Trade records, how The Bay City Rollers were a massive influence on the early indie music scene, the genesis and integrity of Teenage Fanclub, early Scottish post-punk bands Josef K and Scars, choosing Kim Deal of The Breeders & Robert Foster of The Go-Betweens to narrate the films, the stress of making documentaries, the supportiveness of the Scottish music scenes, The Vaselines & Captain America being massive influences on (and friends) of Nirvana, BMX Bandits, Orange Juice and Soup Dragons changing their sounds, Stephen Pastel's ears getting sunburned after a haircut and more!So let's start a musical riot in under 12 minutes on this week's revolutions per movie!GRANT McPHEE:https://grantmcpheedirector.com/https://omnibuspress.com/products/postcards-from-scotland-scottish-independent-music-1983-1995ALL THREE FILMS ARE STREAMING ONLINEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Richard MontagueDark SideRough Trade Gay SexUnpredictability & DangerViolence & Sexual Stimulation

Hosts Jim DeRogatis and Greg Kot talk with author Chris Deville about his new book, "Such Great Heights: The Complete Cultural History of the Indie Rock Explosion." The hosts also review the new album from The Hives.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Postal Service, "Such Great Heights," Give Up, Sub Pop, 2003The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Hives, "The Hives Forever Forever The Hives," The Hives Forever Forever The Hives, PIAS, 2025The Hives, "Enough is Enough," The Hives Forever Forever The Hives, PIAS, 2025The Hives, "Hooray Hooray Hooray," The Hives Forever Forever The Hives, PIAS, 2025The Hives, "Path of Most Resistance," The Hives Forever Forever The Hives, PIAS, 2025The Hives, "O.C.D.O.D.," The Hives Forever Forever The Hives, PIAS, 2025The Dismemberment Plan, "The Face of the Earth," Change, Desoto, 2001Sufjan Stevens, "Jacksonville," Illinois, Rough Trade, 2005Best Coast, "California Nights," California Nights, Harvest, 2015Belle and Sebastian, "Asleep on a Sunbeam," Dear Catastrophe Waitress, Rough Trade, 2003Death Cab for Cutie, "We Looked Like Giants," Transatlanticism, Barsuk, 2003The Dismemberment Plan, "The City," Emergency & I, Desoto, 1999The Decemberists, "The Engine Driver," Picaresque, Kill Rock Stars, 2005Vampire Weekend, "M79," Vampire Weekend, XL, 2008Thank, "Control," I Have A Physical Body That Can Be Harmed, Big Scary Monsters Recording Company, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Richard MontagueS&M WorldSex with StrangersViolenceUnpredictablility of what happens nextFUGU

Richard MontagueU Cal Berkeley UCLAPain & PleasureMixed SignalsFreudMadame CurieDante

The transgressive trailblazer celebrates 25 years since The Teaches of Peaches. A boundary-blurring blend of electroclash, sex-positive feminist themes, and fun. It would become a defining album of the early noughties, and kick off a career that made our heads spin time and time again.Peaches has been pushing the boundaries and conversations around gender and sexuality since the beginning, and she's someone I always relish sitting down with.So I've dug into my Take 5 archives this week to a chat I had with Peaches back in 2018 when I invited her to Take 5 with songs that bite. And oh boy, did she deliver.Peaches' song choices:PJ Harvey - '50ft Queenie [4-Track Demo Version]'Rough Trade - 'High School Confidential'DAF - 'Der Mussolini'Missy Elliott - 'Get Ur Freak On'Diamanda Galás - 'My Love Will Never Die'00:00 Introduction to Peaches and Her Impact00:50 Peaches' Musical Inspirations and Influences like AC/DC04:39 Exploring PJ Harvey's Influence05:06 SONG 1: PJ Harvey - '50ft Queenie [4-Track Demo Version]'07:59 SONG 2: Rough Trade - 'High School Confidential'08:02 Rough Trade and Carol Pope's Legacy13:36 Peaches' Role in Queer Culture and Feminism14:21 Influencing artists like Janelle Monáe17:31 SONG 3: DAF - 'Der Mussolini'18:13 The Power of Minimalist Punk19:32 Peaches' Unique Stage Presence20:51 SONG 4: Missy Elliott - 'Get Ur Freak On'22:33 The Evolution of Peaches' Art23:28 SONG 5: Diamanda Galás - 'My Love Will Never Die'25:15 Upcoming Take Five Episodes and Conclusion

Richard MontagueCalifornia CultureCharlie Manson EraSex with StrangersSado-MasochismLogic & illogical & irrationalViolence'Contracts' implicit / explicit violated

J.F. León ha concluido su recorrido por la historia de las discográficas con un repaso a la década de los 90. En ese contexto, destacó el papel de las radios universitarias estadounidenses, que dieron voz a grupos que más tarde alcanzarían fama mundial, como los Pixies, y a otros más vinculados al ámbito de los aficionados a la música, como los sellos Clinton, Rough Trade, Neutral o Sub Pop. Este último, con sede en Seattle, fue gran responsable de la eclosión del grunge y del despegue de bandas icónicas como Nirvana.León también se detuvo en la escena punk de los 90, especialmente en la costa de California, con sellos como SST y grupos como Green Day. Estos últimos protagonizaron cierta polémica al pasar de trabajar con un sello independiente a fichar por Warner Studios, decisión que les costó el veto de muchos de los pequeños locales y bares donde habían iniciado su carrera. Una condena similar sufrieron Bad Religion, que en un concierto en España llegaron incluso a subir a un fan al escenario para que los insultara y los acusase de "vendidos".No faltó un espacio dedicado al blues. J.F. reservó un tramo para hablar del Hill Country Blues, surgido en las zonas más recónditas del estado de Misisipi, un estilo fundamental para entender la evolución de este género.Para cerrar su repaso, J.F. recordó a "la banda más importante de la historia", en sus propias palabras: Metallica. Una formación que, al igual que muchas otras bandas de metal, emergió bajo el amparo de Megaforce Records, el sello dirigido por John Zazula.

J.F. León ha concluido su recorrido por la historia de las discográficas con un repaso a la década de los 90. En ese contexto, destacó el papel de las radios universitarias estadounidenses, que dieron voz a grupos que más tarde alcanzarían fama mundial, como los Pixies, y a otros más vinculados al ámbito de los aficionados a la música, como los sellos Clinton, Rough Trade, Neutral o Sub Pop. Este último, con sede en Seattle, fue gran responsable de la eclosión del grunge y del despegue de bandas icónicas como Nirvana.León también se detuvo en la escena punk de los 90, especialmente en la costa de California, con sellos como SST y grupos como Green Day. Estos últimos protagonizaron cierta polémica al pasar de trabajar con un sello independiente a fichar por Warner Studios, decisión que les costó el veto de muchos de los pequeños locales y bares donde habían iniciado su carrera. Una condena similar sufrieron Bad Religion, que en un concierto en España llegaron incluso a subir a un fan al escenario para que los insultara y los acusase de "vendidos".No faltó un espacio dedicado al blues. J.F. reservó un tramo para hablar del Hill Country Blues, surgido en las zonas más recónditas del estado de Misisipi, un estilo fundamental para entender la evolución de este género.Para cerrar su repaso, J.F. recordó a "la banda más importante de la historia", en sus propias palabras: Metallica. Una formación que, al igual que muchas otras bandas de metal, emergió bajo el amparo de Megaforce Records, el sello dirigido por John Zazula.

brianturnershow.com, eastvillageradio.comTom Lax of Siltbreeze Records guests today with an all 7" tour for 2 hours.ELMER CONOVITCH  & THE CAMARILLO CREW - Born To Be Wild - Split 7" w/Big Daddy (Sofa)SNEEX - Radiomania - V/A: Spectacular Commodity! (Groucho Marxist Record Co:Operative, 1979)THE FALL - Psycho Mafia - Bingo Masters Breakout 7" (Step-Forward, 1978)THE VULTURES - Is This a Man - 7" (Rubber Connection, 1979)THE COWBOYS - Teenage Life - 7" (Tet Offensive, 1979)THE NECESSARIES - You Can Borrow My Car - 7" (Spy/IRS, 1979)RED CRAYOLA WITH ART & LANGUAGE - An Old Man's Dream - 7" (Rough Trade, 1981)RON HOUSE & THE HARRISBURG PLAYERS - Our Love To the 3rd Power - V/A: The Harrisburg Players, Vol. 2 (Columbus Discount, 2010)THE GAGS - Sex Is Schau - 7" (Leg Auf, 1981)HEINER GOEBBELS - Berlin Q-Damm - Berlin Q-Damm 12.4.81 (Riskant, 1981)FRONT - Polaroid - Georg 7" (Zick Zack, 1981)CAMP SOPHISTO - Beginner's Guide - Songs In Praise Of The Revolution (Pure Freude, 1983)DER PLAN - Rot-Grün-Tot - 7" (Warning, 1980)DEUTSCH AMERIKANISCHE FREUNDSCHAFT - Gewalt - 7" (Mute, 1980)DEVANTGARDE - I Die - 7" (NL, 1981)TRUMMERFRAUEN - Glasaugen - 7" (Zensor, 1982)THE TEA SET - Tri-X Pan - 7" (Waldo's, 1979)THE 3D'S - Outer Space - 7" (Flying Nun, 1992)THE PUDDLE - Thursday - 7" (Flying Nun, 1993)THE GYNAECOLOGISTS - The Offence - 7" (Teesbeat, 1980)PRESSLER-MORGAN ONE PLUS ONE - You're Gonna Watch Me - 7" (Hearthan, 1979)EXPLICIT CORPSE - I Gotta Gistol - 7" (Corpse Corporation Production, 1981)SMEGMA - Flashcards - 7" (Pigface, 1979)STRANGE FRUIT - On Top of a Hill - 7" (Babel, 1983)SYD FREAKE AND BUMBITES - Ayatollah's Revenge - Do Svidania (Sparky Lapwing, 1979)JOHN ALLAN ARMSTRONG - The Pinnacles of Trona - 7" (NL, 1978)CHEMICALS MADE FROM DIRT - Klaus Von Bulow - 9" Flexi (NL, 1982)FAUST - It's a Bit of a Pain - 7" (1972, re: Play Loud, 2010)LES RALLIZES DÉNUDÉS -  永遠に今が - 7" (Etcetera, 1996)WHITE STAINS - The Energy - 7" (Thee Temple Ov Psychick Youth Scandinavia, 1988)GLANDS OF EXTERNAL SECRETION - Hide Your Love Away - Demonstrate Congo Bob's Epic Saliva Torture (Starlight Furniture Co., 1992)BIGFOOT DISCOVERED - Untitled - 7" ( Dolor Del Estamago/Stomach Ache)

This week, hosts Jim DeRogatis and Greg Kot revisit their deep dive into OutKast's classic album Stankonia for its 25th anniversary. The hosts also review new music from Wet Leg and Pulp.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:OutKast, "B.O.B.," Stankonia, LaFace and Arista, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wet Leg, "catch these fists," Moisturizer, Domino, 2025Wet Leg, "CPR," Moisturizer, Domino, 2025Wet Leg, "mangetout," Moisturizer, Domino, 2025Wet Leg, "davina mccall," Moisturizer, Domino, 2025Wet Leg, "u and me at home," Moisturizer, Domino, 2025Pulp, "Spike Island," More., Rough Trade, 2025Pulp, "Got to Have Love," More., Rough Trade, 2025OutKast, "Stankonia (Stanklove) (featuring Big Rube and Sleepy Brown)," Stankonia, LaFace and Arista, 2000OutKast, "Humble Mumble (featuring Erykah Badu)," Stankonia, LaFace and Arista, 2000OutKast, "Player's Ball," A LaFace Family Christmas, LaFace and Arista, 1993OutKast, "ATLiens," ATLiens, LaFace and Arista, 1996OutKast, "Rosa Parks," Aquemini, LaFace and Arista, 1999Outkast, "Ms. Jackson," Stankonia, LaFace and Arista, 2000TLC, "What About Your Friends (Extended Mix)," What About Your Friends (Remixes), LaFace, 1992Funkadelic, "Hit It And Quit It," Maggot Brain, Westbound, 1971KRS-One, "Sound of da Police," Return of the Boom Bap, Jive, 1993OutKast, "SpottieOttieDopaliscious," Aquemini, LaFace and Arista, 1999OutKast, "So Fresh, So Clean," Stankonia, LaFace and Arista, 2000Joe Simon, "Before The Night Is Over," Easy To Love, Spring, 1977OutKast, "Toilet Tisha," Stankonia, LaFace and Arista, 2000Kendrick Lamar, "King Kunta," To Pimp a Butterfly, Top Dawg, 2015Anderson .Paak, "Come Down," Malibu, Empire, 2016Janelle Monáe, "Tightrope (featuring Big Boi)," The ArchAndroid, Bad Boy, 2010Frank Ocean, "Pink Matter (featuring André 3000)," channel ORANGE, Def Jam, 2012Beyoncé, "All Night," Lemonade, Columbia, 2016Run the Jewels, "Run the Jewels," Run the Jewels, Fool's Gold, 2013Valerie June, "Astral Plane," The Order of Time, Concord, 2017See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Hosts Jim DeRogatis and Greg Kot talk with writer Kyle Ryan about his Substack, Band Name Bureau. They explore the overlap between good music and poorly named bands. A selection of examples are discussed and played.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsFeatured Songs:Pigs Pigs Pigs Pigs Pigs Pigs Pigs, "GNT," King of Cowards, Rocket, 2018The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Screeching Weasel, "Cool Kids," Bark Like A Dog, Fat Wreck Chords, 1996OMBIIGIZI, "Connecting," Shame, Arts & Crafts, 2024Winona Fighter, "I'm In The Market To Please No One," My Apologies to the Chef, Rise, 2025Bikini Trill, "Pushing Daisies," (Single), Ineffable, 2024Teen Jesus and the Jean Teasers, "I Used To Be Fun," I Love You, Domestic La La, 2023Fartbarf, "Simple Planet," (Single), Sweatband, 2020Ned's Atomic Dustbin, "Gray Cell Green," God Fodder, Columbia, 1991Ass Ponys, "Kung Fu Reference," Lohio, Checkered Past, 2001Butthole Surfers, "The Hurdy Gurdy Man," (Single), Rough Trade, 1990Pigs Pigs Pigs Pigs Pigs Pigs Pigs, "Glib Tongued," Death Hilarious, Missing Piece, 2025Electronic, "Getting Away With It," (Single), Factory, 1989Local H, "Bound For The Floor," As Good As Dead, Island, 1996See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the 45th anniversary of The Feelies' classic debut album, Crazy Rhythms, we take a detailed look at how it was made. After the band formed as The Outkids in Haledon, New Jersey in 1976, Glenn Mercer, Bill Million and Dave Weckerman started playing with brothers Keith Clayton and Vinnie DeNunzio. They changed their name to The Feelies as they started playing gigs around New York City. At an audition night at CBGBs, they connected with sound engineer Mark Abel, who introduced them to manager Terry Ork. They began to get booked regularly and receive some press just as DeNunzio decided to leave the band. After placing an ad for a new drummer, they brought in Anton Fier, who had just relocated to New York from Clevenland. Weckerman also left around this time so the band lineup was solidified as a four piece. Rough Trade offered to release their debut single, which came out in 1979. For their debut album, they wanted to find a label that would allow them to produce. After signing with Stiff Records, they began recording at Vanguard Studios with Mark Abel co-producing. Crazy Rhythms was eventually released in 1980. In this episode, Glenn Mercer and Bill Million recall connecting as teenagers in suburban New Jersey over a shared love of the Stooges. Mercer describes arranging their songs around the drums and percussion parts, while bringing a nervous energy and quirkiness to his vocals and lyrics. Million talks about how their early experiences with recording helped them realize the necessity of producing themselves and how they waited for the right record deal that would give them a proper recording budget. They describe their joy of discovery in the studio and their process for coming up with spontaneous parts as they were eager to treat the studio as an instrument. From finding the right clean guitar sound to standing out in the New York punk scene to embracing the suburbs to the 1950s-inspired look of the band to taking inspiration from contemporaries like Jonathan Richman, Brian Eno, Mo Tucker, and Steve Reich to percussion played with random objects to making music on their own terms for nearly 50 years, we'll hear the stories of how the record came together.

brianturnershow.com, eastvillageradio.comSKOALKANZ - Purvis Breakdown - V/A: Perpendicular Jello (cs, Primordial Sid, 1985)TIVOL - Viha, Kateus, Katkeruus Ja Muut Loistofiilikset - Early Teeth (Holy Mountain, 2007)ITALO 90 - On the Scene - Collection (Improved Sequence, 2025)KELLEY STOLTZ - Pride - Crockodials (Nine X None, 2020)THE TERMINALS - Terminals - Disconnect (Flying Nun, 1987)TOBE HOOPER & WAYNE BELL - Main Title/Warnings Medley - Sdtk: The Texas Chainsaw Massacre (1974, re: Waxworks, 2024)ALEC CHEER - Without Mustard - Live In the Captains Rest (BC, 2025)AMATEUR HOUR - Hammered - Går I Kras (Appetite, 2025)WORLD OF POOH - Stones of Judgement - Tight & Loose (Bulbous Monacle, 2025)DA GOOGIE & CARA TIVEY - Mad Mike (Mark My Words) - The Golden Thread (Tiny Global Productions, 2025)ELIZABETH ARCHER & THE EQUATORS - Feel Like Making Love (Version) - 7" (Lightning, 1977)GHOST DUBS - Dub Craft - Extended Damage Versions (BC, 2025)JULIE BROWN - Vague - Smell the Glamour (Just Julie, 2011)WILL FREED & JONAS REINHARDT - TMA-1 - Electric Placebo (Hidden Depth, 2025)BLOQUE DEL SUR - Coordenadas - V/A: Urbanismo Primitivo (Pakapi, 2021)BROWN ANGEL - Guilt Trending - Promisemaker (Sleeping Giant Glossolalia, 2025)MEN WITH NO IQ'S - Satan's Beliefs - Sexsational Teen 12" (Nuthin', 2025)BRAIN IMPLANT - Murderous Pigs - Demo (BC, 2022)THE HEADS - Either (Pt. 3) - Enten-Eller (Rooster Rock, 2012)REBONA - Zana-Konko - V/A: Tsapiky! Modern Music From Southwest Madagascar (Sublime Frequencies, 2025)RYAN DAVIS & THE ROADHOUSE BAND - New Threats From the Soul (Sophomore Lounge, 2025)KLAAS HÜBNER - Side B - Music for Ceiling Fan and Tubes (Slip, 2016)CABARET VOLTAIRE - Nag Nag Nag - Live YMCA 27.10.79 (Rough Trade, 1980)CONTROLLED DEATH - Untitled - Death Church Organ Tapes (cs, Deathbed Tapes, 2025)

Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with: LP Giobbi, a producer, jazz-trained pianist, and activist who spends 300 days a year touring between festival stages, club floors, and studios. Nabil Ayers, president of Beggar's Group, home to multiple indie labels including 4AD, Matador Records, Rough Trade, and XL Recordings. Dani Deahl, a DJ, producer, and head of communications and creator insights at BandLab, the most popular digital audio workstation worldwide. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode, I talk to musician and cartoonist Jeffrey Lewis. Originally from the Lower East Side, Jeffrey has bounced back and forth between his two loves comics and music for most of his professional life. As a cartoonist, Jeffrey's longest project was Fuff, which he wrote and drew from 2004 to 2020. He also created Revelations in the Wink of an Eye (My Insane Musings on Watchmen, from Conspiracies to Stupidities), and his most recent project is called Statics, which he started writing and drawing in 2022. As a musician, Jeffrey began as part of the New York antifolk scene that would play at the SideWalk Cafe in the 1990s. He released his first album When Madman Was Good - Version One in 1997, and four years later he was signed to Rough Trade, who released his first "official" album The Last Time I Did Acid I Went Insane. Since then, he's released over two dozen albums and EPs, and his latest The Even More Freewheelin' Jeffrey Lewis just came out on Blang Records, and it's a banger! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

This week on The Cobain 50, we share one last bonus episode before we hit the final stretch of albums on Kurt Cobain’s top albums list. Ray Farrell may not be a familiar name to most, but he’s worked with many of the artists and labels we’ve talked about on the list: from SST and Rough Trade to Geffen Records, Sonic Youth to Wipers, Farrell has been through it all. He shares with us stories from his time in the industry, as well as some memories of talking records with Kurt himself. Hosts: Dusty Henry and Martin DouglasAudio producers: Matt Martin and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Bartees Strange embraces fear on his new album, Horror. He joins us for a Listening Party, before a show at Rough Trade on February 21.

Hosts Jim DeRogatis and Greg Kot look back on the occasion of Sound Opinions reaching the 1000 episodes milestone. Both hosts share highlights and a couple lowlights, plus listeners share their favorite memories.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Radiohead, "I Want None Of It (Live on Sound Opinions)," Unreleased, NA, 2008Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971D'Angelo, "Send It On," Voodoo, Virgin, 2000Trupa Trupa, "Sister Ray," (Single), Glitterbeat, 2024Wire, "Used To ," Chairs Missing, Harvest, 1978Goat Girl, "Creep," Goat Girl, Rough Trade, 2018Allen Toussaint, "A New Orleans Thing (Live on Sound Opinions)," Songbook, Concord, 2013Boygenius, "20," The Record, Interscope, 2023Max Roach, "Driva Man," We Insist!, Candid, 1960The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every year, host Greg Kot makes a mixtape of new songs to express his feelings about the past year. Greg shares a selection of that mix and the rest of the show staff look at other top singles of 2024. Plus, the hosts remember a few other musicians we lost in 2024.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Chappell Roan, "Good Luck, Babe!," Good Luck, Babe! (Single), Island, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967King Crimson, "21st Century Schizoid Man," In the Court of the Crimson King, Island, 1969The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Slim Dunlap, "The Ballad of the Opening Band," The Old New Me, Medium Cool/Twin/Tone, 1993Marlena Shaw, "Woman of the Ghetto," The Spice of Life, Cadet, 1969Beyoncé, "16 CARRIAGES," Cowboy Carter, Parkwood and Columbia, 2024Sabrina Carpenter, "Espresso (Mark Ronson x FNZ Working Late Remix)," Espresso (Mark Ronson x FNZ Working Late Remix) (Single), Island, 2024Kabin Crew, "The Spark (feat. Lisdoonvarna Crew)," The Spark (feat. Lisdoonvarna Crew) (Single), Rubyworks, 2024Charli XCX, "Girl, so confusing featuring lorde," Brat and It's Completely Different but Also Still Brat (Single), Atlantic, 2024Geordie Greep, "Holy, Holy," The New Sound, Rough Trade, 2024Shaboozey, "A Bar Song (Tipsy)," Where I've Been, Isn't Where I'm Going, American Dogwood and Empire, 2024Wussy Duo, "Cellar Door," Cellar Door EP, Shake It!, 2024La Luz, "Strange World," News of the Universe, Sub Pop, 2024Trupa Trupa, "Sister Ray," Sister Ray (Single), Self-Released, 2024The Bug Club, "Lonsdale Slipons," On the Intricate Inner Workings of the System, Sub Pop, 2024Lambrini Girls, "God's Country," God's Country (Single), City Slang, 2024Tunde Adebimpe, "Magnetic," Magnetic (Single), Sub Pop, 2024The Unfit, "Who's in Charge," Disconnected EP, Share It Music, 2024The Jesus Lizard, "Hide & Seek," Rack, Ipecac, 2024Shellac, "Chick New Wave," To All Trains, Touch And Go, 2024Horsegirl, "2468," 2468 (Single), Matador, 2024X, "The Hungry Wolf," Under the Big Black Sun, Elektra, 1982See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.