Podcasts about bohemians

Here's a cosmic riddle for you: A blind man and a mod walk into a bar…. Is it a coffee bar, with a make-shift stage on a corner platform, attended by the beatnik intelligentsia?, or is it a sweaty discotheque packed with beautiful people unabashedly swinging their hips?   It's definitely a transmogrifying chamber where the musical output of a sharecropper or convict from the work farm can be turned into sexy jazzbo stylings through the sleight of hand of some nifty cultural appropriation and syncopated finesse. There are many manifestations of the “blues” and here we have two vastly different - practically unrecognizable from each other - masters - Sleepy John Estes (1899-1977), and Georgie Fame (born 1943) - existing across the pond, across generations, and across many layers of lived experience, but bonded by their singular love of this primitive music that started in the Mississippi delta, and went on to conquer the world. SLEEPY JOHN ESTESEverybody thought that Sleepy John Estes was dead because Big Bill Broonzy said so. Blind in one eye, folks called him “sleepy” because of a low blood pressure disorder, or some believed he had narcolepsy. He started recording in the 20's with Hammie Nixon on harp, made some records, went basically “radio silent” throughout the 40s and 50s until Sam Charters rediscovered him in 1962, blind and frail, and kick-started his late in life fame. “Rats in my Kitchen” was recorded at Sun Studios in 1952, but it wasn't until 10 years later that his recording career gained traction, fueled by those he was influencing across the pond, like Robert Plant of Led Zeppelin. Sleepy John always wrote about his life, and this record has an almost journalistic authenticity. GEORGIE FAMEWhat can one say about Georgie Fame? The man has style for days, and it was thus from the very beginning - in shark skin suits, tab collars, and skinny ties. Born in 1943 as Clive Powell, Georgie Fame and his Blue Flames made their bones swinging his Hammond organ in the mod clubs of the early 60s, and had big commercial hits with Yeh Yeh, and The Ballad of Bonnie and Clyde. Recently, he's name checked all over the place, and has done notable collaborations with Van Morrison and others. In Parchman Farm you can hear the undeniable influence of the coolest of the cool white blues men, Mose Allison, and the organ of Booker T and the MGs' Green Onions - a persuasive combination. I'm sure that Bukka White, who wrote this bottle neck Delta blues shouter in 1940 had no inkling that his experience in the Mississippi State Pen would become such a sexy signature tune. You never can tell….

Cameron Hill and Mick McCarthy join Eoin Sheahan in studio for Tuesday's Newsround, as Connacht have announced the signing of Will Connors from Leinster for next season. There's also updates from the Australian Open, while Bohemians have signed Senan Mullen to a season-long loan.

"In 1960s New York City lived a blind, often homeless man with a long, flowing beard, who dressed as a Viking and stood sentinel at the corner of West 54th Street and Sixth Avenue in midtown Manhattan. He sold his poetry and performed on custom-built percussion.  His recordings are considered legendary pieces of original sound emanating from a unique artist who continues to be misunderstood and under appreciated.""Nico was used to being treated as a physical spectacle. At the Dom, Leonard Cohen was a regular guest, and he began writing songs in hopes of seducing her. Her improbable bone structure, and her role in “La Dolce Vita,” intrigued prominent rock managers like Albert Grossman, who worked with Bob Dylan. But her songs were less appealing, and the Dom's clientele often laughed through her set. She was eventually accompanied on guitar by Tim Buckley, and then by Jackson Browne, who had just arrived in New York. Browne became enamored with Nico, and before they fell out—she accused him of harassing her with obscene phone calls—he gave her two songs: “The Fairest of the Seasons” and “These Days,” both of which appeared on her 1967 début, “Chelsea Girl.”-

Here are a couple of ladies who span generations and genres. They can rock, swing, and croon like nobody's business, and are renown for their independence. Wanda Jackson is a founding mother of Rockabilly and still partying at 88; She started recording in 1954, and just recently retired. Although she forged the magical fusion elixir that we call Rockabilly, she has also scored hits in the Gospel and Country genres. Sarah Jarosz, 50+ years younger, studied at the New England Conservatory of Music, but remains pure Texas, like Nanci Griffith or Lyle Lovett - indie Americana artists who fuse country with jazz in an irresistible freshness. She has stated that she relishes expansion, collaboration, and experimentation, with a goal toward “honoring the song” and bringing it to life in the most exciting way possible. Both women are accomplished songwriters as well as vocal interpreters, but today we feature them in the latter position - Wanda, from 1962, keens the vertiginous “Whirlpool”, by Fred Burch and Marijohn Wilken, and Sarah crushes Tom Wait's “Come on Up to the House” with a  funky mandolin.SARAH JAROSZI first heard Sarah Jarosz about 10 years ago on Garrison Keillor's radio show, and was smitten immediately. Her tender, and at the same time fluid voice and funky mandolin charms completely - reminding me of the great John Hartford and how he transformed bluegrass to Newgrass.  She continued after Garrison left with successor Chris Thile, teaming up with Sarah Watkins, another star from that ensemble, and Aoife O'Donovan to form the trio I'm With Her. At 34, no longer a prodigy, she has become a contemporary bluegrass goddess, who keeps expanding her range. Here she essays Tom Wait's Come on up to the House, in which she manages to combine spirituality with sex appeal - brilliant. WANDA JACKSONWhirlpool is like a psychedelic Torch Song. Uncharacteristically, Wanda takes the role of a vulnerable, love damaged damsel instead of the Take No Prisoners, kick-ass Rocker she usually projects. Released on Capitol Records and produced by their A&R exec, Ken Nelson, this cut obviously is swinging for the bleachers of commercial Country appeal, but its weirdness kept it from charting. However, it remains a monument to her range and dramatic power. 

To counteract whatever "derangement syndrome" you might be experiencing at the moment, Bill Mesnik of the Splendid Bohemians offers an antidote to your psychic gray skies. Today we're cracking open the big magnums of joy juice, and going back to the very beginning of the Sunny Side of My Street archives with 4 delightful infusions from the land of smiles:100 Years From Today, by Jack TeagardenThe Pink Panther Theme, by Henry ManciniAccentuate the Positive, by Johnny MercerandThe Hut Sut Song, by Horton the Elephant and Freddy Martin.Take as directed.... 

Today we present two piano instrumentals that explore the mysteries of Mist.  Strictly speaking, a “mist” can be defined by some water vapor that obscures your vision, but how many more evocative instances can you think of where a mist appears in a story or film, usually preceding an arrival of some spiritual manifestation? There was a video game called “Myst” (spelled with a Y) which featured a series of puzzles saturated with a heady whiff of the arcane. Your sight is always obscured; your emotional restlessness is never assuaged.  Erroll Garner and Bix Beiderbecke were two jazz titans writing compositions separated by 30 years that hint at this other-worldly quality inherent in the idea of the Mist. Their music excites the senses and tugs at the heart simultaneously; it's music that lifts off and keeps insinuating an urge to maintain altitude in an unresolved quest for landing, but never deciding on a perch.ERROLL GARNERMost of you probably know Johnny Mathis's version of Misty, with lyrics by Johnny Burke, that was a monster hit of 1959, but Erroll Garner wrote the song as an instrumental 5 years earlier, on a plane flight to Chicago's OHare airport, after seeing a rainbow through the airplane window. That's a fitting image for the complicated feelings invoked here: a glimpse of hope through tears. Influenced by Earl Hines, Garner played with spontaneous timing changes, liquidy octaval melodies, and improvised chordal voicings, and his contribution to jazz evolution was to reconcile the gap between BeBop spontaneity and Orchestral formalism. His style was so free that he was dubbed “the happy man” because this joy he exuded was so palpable. Misty was concocted from the eternal music of the spheres - maybe because his feet were not on the ground when he composed it.BIX BEIDERBECKEThe comet of Bix Beiderbecke's talent was a mystery in itself: dead from alcohol in 1931 at the age of 28, his cornet style and compositional originality continues to fascinate almost 100 years later. A self taught musician, Bix appeared from podunk Iowa and immediately became a ragtime sensation at the height of the Jazz era with The Wolverines, then with Paul Whiteman's orchestra (along with Bing Crosby). He was a white man playing a traditionally black form of music, which was a novelty, and that made him easier to market to middle America - but such genius is color blind.Although renowned for his horn playing, he composed In a Mist on piano in 1927 (he was 24), and it's here that you see the influence of the impressionist composer Claude Debussy, the creator of such sensuous works as Prelude to the Afternoon of a Faun and La Mer. Is this Jazz? How did he do it? Clearly, Bix was in touch with mystical forces beyond human understanding, or maybe, like Robert Johnson, he just made a deal with the devil. Either way, the spiritual quest suggested by these chord changes transports us into a misty continent of emotional confusion.

Given that we lost Brian Wilson recently, and there's been a lot of talk about the elimination of the affordable subcompact, I thought we could reflect a bit upon America's obsession with the automobile. The BIG auto; the POWERFUL auto.  Especially here in Los Angeles - you gotta have wheels - and you'll be judged by what you drive. Once, while stopped at an intersection in my little Saturn, I was heckled mercilessly by some tweens on skateboards.On the other side of the argument sits the Goddess Shania Twain - that Canadian Everywoman who raised her siblings single handedly, then went on to conquer Country Pop music with songs like That Don't Impress Me Much - where she declares that you may have a hot car, Hoss, but, that don't make you a man in her book. She puts it all in perspective.LITTLE DEUCE COUPE / THE BEACH BOYSNowadays, I drive a Prius, but occasionally I'll admire the sleek lines of a Dodge Challenger, and fantasize that I could be that muscle car guy. The Prius is wimpy - ya gotta go for The BIG auto; the POWERFUL auto. I can trace this fascination back to '63, when at the age of 10, I heard Little Deuce Coupe for the first time. I didn't know what Deuce Coupe meant, but that was ok because Brian Wilson sang “You don't know what I got!” I now know that the title refers to a 1932 Ford Coupe, and the whole California culture of the drag race was popularized around the country with the invocation of this souped up Franken-car.There were other mechanical beasts in the Wilson canon: There was the T Bird of Fun, Fun, Fun; the “duel in the sun” opponents - the corvette Stingray vs the Mopar described in Shut Down, Granny from Pasadena's brand new shiny red super stock Dodge, and their anthemic ode to the Chevy 409, but The Deuce Coupe was purportedly Brian's favorite. You can thank Brian's lyricist Roger Christian for these automotive articulations, but Brian knew how to implant them into our hearts and minds with his rhythms, melodies, and harmonies.THAT DON'T IMPRESS ME MUCH / SHANIA TWAINThis is where the macho mechanical mythos gets deflated: Shania lets us know in no uncertain terms what makes a man desirable - it's not your looks, brains, and especially not your car. It's your courage to commit, your ability to listen, your kindness and tenderness. These are the qualities that win you a place at her table and in her bed.Because she doesn't need you.  Next to Taylor Swift, Shania is the most successful female Country recording artist. whose albums have spent 97 weeks as the Top Country Albums chart leader. Former husband/producer Mutt Lange may have helped to craft those catchy Pop hits around an image of an accessible Wonder Woman, but even if she hadn't become a mogul, I have a feeling that Shania's integrity and sense of who she is would never have faltered.

SPIRIT ANIMALJONATHAN LIVINGSTON SEAGULL by Neil Diamond (Columbia, 1973)There were alot of self-help manuals popularized in the 70's; I remember gifting my mother the book “Your Eronneous Zones” (but that's another story)…. My acting teacher in college based her syllabus on Eric Berne's “I'm Ok, You're Ok”. But one of the biggest New Age parables making the rounds was Ex-Aviator Richard Bach's Jonathan Livingston Seagull, the story of an anthropomorphized Christ-like Seagull, who has to fly off from the pack to find his true self.It was a zeitgeist sensation, and spawned a movie with this soundtrack by the immortal Neil Diamond. Maestro Diamond is currently in the middle of a career renaissance - his biographical musical A BEAUTIFUL NOISE  is playing on The Great White Way, and although he struggles with Parkinson's he continues to work on new music. No one was bigger in the 70s, and although the 1960s Neil Diamond that I loved, the Brill Building song plugger who wrote and recorded Cherry Cherry, You Got to Me, and Solitary Man had seemingly transformed himself into a borscht belt crooner, there was no denying his powers of voice and composition, no matter how cheesy the venue (The Jazz Singer?)I chuckled ironically when I pulled this tape from the pile, anticipating mounds of Velveeta. But now, listening for the first time, I am moved to tears. (This is probably because all my youthful cynicism has given up the ghost). It's a beautiful musical meditation produced by Tom Catalano, and arranged by Lee Holdridge, and Neil's voice soars, aloft on chords of longing. Indeed, the album out-grossed the movie by 10 million dollars, and garnered the 1974 Grammy for Best Original Score, demonstrating that although the radio-controlled gliders representing the flying birds in the film might have been fake, Neil's inspiration was not. 

Hey hey BATT Family! Welcome to another top ten list! This time Mark and Scott are running down their best games of 2025! This was a great episode to record and it was amazing to realize how many games that we had played that released this year for us to actually be able to do this list. There are some really excellent games here, especially ones that we weren't expecting to be on at all. We hope you have a great time with this one and let us know what YOUR top ten games of 2025 were! --- This episode's segments: 00:00:00 - Intro  00:01:05 - Honorable Mentions 00:02:22 - Scott's 10 (Burgle Bros Blackjack) 00:03:31 - Mark's 10 (Bohemians) 00:06:11 - Scott's 9 (Citizens of the Spark) 00:07:31 - Mark's 9 (Tend) 00:08:43 - Scott's 8 (Santorini: Riddle of the Sphinx) 00:09:51 - Mark's 8 (Pergola) 00:10:28 - Scott's 7 (Tend) 00:10:50 - Mark's 7 (Spooktacular) 00:11:58 - Scott's 6 (Scales of Fate) 00:13:00 - Mark's 6 (Finspan) 00:15:57 - Scott's 5 (Origin Story) 00:17:00 - Mark's 5 (Iliad) 00:18:35 - Scott's 4 (Madcala) 00:19:34 - Mark's 4 (The Dark Quarter) 00:22:01 - Scott's 3 (Twinkle Twinkle) 00:22:59 - Mark's 3 (Enthrone) 00:24:14 - Scott's 2 (Wandering Galaxy) 00:25:06 - Mark's 2 (Chemical Overload) 00:26:33 - Scott's 1 (Critter Kitchen) 00:27:56 - Mark's 1 (Scales of Fate) 00:31:41 - Grand Gamers Guild Sponsor  00:33:42 - Outro --- Notes! 1) Really no notes on this episode! Thanks for checking it out! --- We'd like to thank our sponsors as well: Grand Gamers Guild! https://grandgamersguild.com. Use Discount Code BATT10 to make sure that we are supported AND you let them know that we sent you. Secret Door Games! They can be found at https://www.secretdoorgames.org or 215 S. Main St, Elkhart Indiana 46514. Meeple Source! https://meeplesource.com/?PARTNER=battg Be sure to keep that partner bit (?PARTNER=battg) on the end of any link on their site, and you'll get us our affiliate linking! Victory Roll Cafe! https://victoryrollcafe.com or 711 W McKinley Ave, Mishawaka, IN 46545. --- You can email us at boardallthetimegaming@gmail.com. We finally put a linktree together! https://linktr.ee/boardallthetime We can be found at www.boardallthetime.com and on Facebook at Board All The Time.  We're on BlueSky now and loving it! At this point it really feels like BlueSky is for board gaming, so definitely check us out on there at https://bsky.app/profile/boardallthetime.bsky.social If you would like to check out Mark's Top 100 list, it can be found at: https://boardgamegeek.com/geeklist/347553/top-100-games-2024-edition If you'd like to help support the show and assist with the hosting costs, you can do so with our Ko-Fi: https://ko-fi.com/boardallthetime Our Discord server, which is still in Beta, can be joined at https://discord.gg/VbRWEpc6 Theater Geeks! https://www.twitch.tv/theatergeeks --- We'd also like to thank SoulProdMusic for the intro/outro music. 

“You gotta have faith,” George Michael sang a long time ago. Given the unfortunate fate that befell that conflicted artist, it's worth taking a moment to reflect upon how hard it is to find inner peace, and make a commitment to whatever faith you still possess during this Christmas season. Life is very complicated right now and holding on to love, practicing gratitude, and radiating good intentions will help to get us through these dark days. We here at The Hotel Bohemia want to gift you a holiday sampler chock full of savory contradictions and sweet mysteries, delivered by Jan and Dean, Tom Jones, and Evil Wiener. Since Xmas celebrates the birth of the redeemer, and the gift Christ offered to the world, the three songs lined up today trace the arc of his sacrifice and our crisis of faith: The Annunciation (Jan & Dean); the Crucifixion (Tom Jones); and, finally, the Resurrection (Evil Wiener)The Annunciation (T.A.M.I Show Theme: Jan and Dean)Jan and Dean, like two sun-kissed Angels, announce to the world that a youthful era of optimism has begun. Rock and Roll will save the world, they proclaim, and, we, the youth believed it. In the T.A.M.I. show theme song you can feel the exuberance of their faith. Two years later, Jan Berry almost dies from a car crash, and today the Boomers are rapidly going down in shameful flames, but in this time capsule from 1964 none of that is on the horizon- it's all smooth sailing ahead.The Crucifixion (Charlie Darwin: Tom Jones)Here the smooth sailing is over, and the all encompassing ocean is overwhelming a ship's crew - they are drowning. From out of the God given pipes of Sir Tom Jones, a prayer goes out - but to whom? There is a deep crisis of faith portrayed here in mysterious utterances. Does Charlie Darwin represent an irreconcilable conflict between natural selection and charity? Did he try to tell us something that we weren't ready to hear? That Survival of the Fittest must doom us? Just as Jesus cried out on the cross, “why have you forsaken me?” The crew here is also expressing a crisis of faith. Or, is there a conflict at all? In the end faith is all they have. They are crying out to God as the water consumes them.The Resurrection (All Over the World: Evil Wiener)Bill McCormick, aka Billy Sugarfix, aka Evil Weiner may have had some doubts about the existence of Santa Claus, (and by extension, the Savior), but he's returned to the fold of the faithful. From the special edition EP from 1993 on the Flavor-Contra label, here is Evil Wiener's goofy recommitment to his faith - and a joy filled Birthday Greeting to Jesus Christ. Merry Christmas everybody!  

Eoin Sheahan, Mick McCarthy, and Cameron Hill are here with you this Tuesday evening to talk through the day's biggest sporting news, including Bohemians' return to the Aviva, Carabao Cup action, and some interesting new rugby regulations

Zelenobílé barvy, šašek v kostýmu klokana, na tribuně Antonín Panenka, za brankou tramvajová refýž. Nyní z půlky rozbořený stadion a vážný problém v tabulce. Podcast MVP vsadil na speciální díl o kultovním klubu Bohemians.„Situace je špatná, určitě ne bezradná,“ reagoval bývalý záložník Josef Jindřišek, který v klubu dlouhé roky kapitánoval. Pro současnou generaci fanoušků se stal ikonou. Držákem, který vydržel kopat ligu do čtyřiačtyřiceti let a dvou měsíců. Při svém posledním utkání, letos v květnu, navíc skóroval. V historických kronikách nenajdete staršího střelce, ani staršího hráče: „Já byl vždycky příroďák. Když mi trenéři chtěli dát volno, abych si oddechl, jen mě namíchli: Já chci přece hrát!“Pokud by měla bídná forma pokračovat i na jaře, bude klubu s klokanem ve znaku reálně hrozit sestup. Byť šéfové o víkendu slavnostně poklepali na základní kámen arény, která má na místě té stávající u potůčku Botič vyrůst do roku 2030. Právě tohoto stadionu se mohl Jindřišek stát stavbyvedoucí a správce, jenže podmínky, které mu majitel Dariusz Jakubowicz v létě nabízel považoval za nedůstojné. Raději chtěl mít klid.Co si Josef Jindřišek myslí o mladých hráčích, jaké bylo vyrůstat s matkou samoživitelkou a šesti sourozenci? V MVP jsme také ocenili podzimní finiš Slavie, která doma vládne bez porážky. Zamysleli jsme se, proč Sparta pořád nevyhrává. Ve čtvrtek pak si Letenští a Olomouc střihnou svá poslední utkání v Konferenční lize, pak český fotbal usne. Nikoli však podcast MVP, který čeká ještě příští úterý poslední díl roku 2025. Liga bude pokračovat na přelomu ledna a února.---Fotbal ze všech možných i nemožných úhlů pohledu. MVP jsou bývalí fotbaloví profesionálové Karel Tvaroh, Antonín Rosa, Tomáš Kučera a zkušený novinář Jan Palička, šéf sportovní rubriky Seznam Zpráv. Společně s námi hledejte nejdůležitější hráče, trenéry, přestupy, akce, problémy. Do hloubky a s humorem. I vy můžete být MVP. Každé úterý na webu Seznam Zpráv.Odebírejte na Podcasty.cz, Apple Podcasts nebo Spotify.Sledujte nás na Stream.cz nebo YouTube.Máte návrh, jak podcast vylepšit? Nebo nás chcete pochválit? Pište na audio@sz.cz.

Today, we feature a Christmas cracker that offers some new perspectives on one of our most treasured holiday traditions - The Xmas Song: First, The Turtles, singing “Christmas is My Time of Year,” then, the esteemed actor, Harvey Keitel, telling an off the wall Christmas story, from the film Smoke.Putting on a favorite holiday tape or CD as you wrap the presents or trim the tree was always a highly anticipated ritual - Frank, Dino, Elvis, or Bing never failed to make the season bright. In the 60's Rock era, of course, Phil Spector's album was a must. Every pop artist has made one, even Bob Dylan. It made Irving Berlin and Mel Torme millions.  It's generally a can't miss proposition. But, I'll bet you never considered these selections. One isn't even a song; and then there's the Turtles number, which is seemingly on the money, but not universally known. THE TURTLES"Christmas is My Time of Year" was written by the jewish Howard Kaylan and the Turtle's bassist and veteran of the Modern Folk Quartet, Chip Douglas. Douglas also produced, populating the recording with such country rock luminaries as Gram Parsons and Linda Ronstadt. The track has a folksy flair with its twangy guitars and dobros. It's military 4 on the floor marching beat gives it an overly perky, trying too hard feel, but it's still a lot of fun - and that's the mark of a good Turtles song. isn't it?: always promoting optimism and good feelings. Even when they're singing dark material like PF Sloan's “Let Me Be” the music counterpoints the dreariness with sunshine.HARVEY KEITEL in SMOKERich threw this curveball into the mix, and I LOVE IT! Mr. Keitel has always been a favorite of ours - and in this clip from Wayne Wang's Smoke he knocks it out of the park with this shaggy holiday story negotiating the mixed up urges of conscience and larceny. At the end of the segment there is a black and white rendering of the story accompanied by Tom Waits, singing “Innocent when you Dream”.And, it's here that the overall theme emerges: Christmas is that time when we aspire to live up to our best selves. But, there are so many contradictory images that interfere with this aspiration. We are exhorted to consume, going into debt for the good of the economy, and to our peril. All around us we might notice that the lonely and disenfranchised are suffering worse than ever during this time. So, we look away, trying not to face the disturbing prospect that it could be us next year. We're only human, after all - but, to be better more than just one day out of the year shouldn't be asking too much. But, how to begin?

Rich and I are having a ball, reliving our memorable episodes and sharing the cream with you. Today we feature two dynamic instrumental tracks that warranted some our closer scrutiny: Hawaii 5-0 by the Ventures, and Telstar by the Tornados (written and produced by the legendary Joe Meek. 

I hear Jeff Lynne has recently been sidelined by a mysterious infection, and had to cancel some performances. We wish the revered music producer and founder of ELO good health and a quick recovery. Today, Bill and Rich, The Splendid Bohemians would like to celebrate this versatile Rock stylist by playing two cuts separated by decades, from two vastly different incarnations, but somehow identifiable as his, if only by the unique sensibility in which these cuts are marinated: Imposters of Life's Magazine by The Idle Race, and Tweeter and the Monkey Man by The Traveling Wilburys.There are certain tropes that signify this creator's hand: catchy musical themes, thick layers of horns and strings and witty Beatle-esque harmonies - (he even got to work with the resurrected voice of John Lennon when producing the Beatle's ghostly “reunion”tracks Free As a Bird, and Real Love. Like so many of his generation, Jeff came up under the spell of the mop tops, and even this early recording by the Idle Race has that 1967 Psychedelic flavor, pre-dating by a year, but somehow reminiscent of his future Willburys bandmate, George Harrison's song Savoy Truffle. IMPOSTERS OF LIFE'S MAGAZINEThe personnel changes of the several Birmingham beat groups in the mid-sixties are too numerous to recite here, but one group, The Nightriders are notable because they took on a teenaged Lynne as guitarist in '66 - and changed their name to The Idle Race (a more timely handle). Roy Wood of the Move, Jeff's friend and future partner in the formation of ELO, helped the IR get signed, and influential DJ John Peel was an early and strong promoter of the group. Jeff's tenure with IR was short lived however, and in 1970 he founded (with Wood) the legendary Electric Light Orchestra.This early composition has all the hallmarks that would later define Jeff's work: witty, yet Romantic lyrics; hard driving rhythms, but with plenty of surprisingly lush filigree. The ambition of the work, with its startlingly different movements, is impressive for such a young talent - but, at the core is Jeff's unmistakable ear for the “hook” - marking him as one of the most reliable masters of Pop.TWEETER AND THE MONKEY MANTweeter and the Monkey Man, from 22 years later - demonstrates how far the musician had come professionally.  Here Jeff is, arguably the lowest man on the totem pole of The Traveling Wilburys, a Super Group's Super Group (with a Beatle, George Harrison, future Nobel Laureate Bob Dylan, Tom Petty, and Roy - fucking - Orbison…., yet his mark is unmistakeable. This tune, supposedly written by Bob Dylan, who spittingly delivers it like a parody of Springsteen's New Jersey, drenched in a Sopranos sauce - and it's just plain fun. But, the chorus, penned by Jeff with George Harrison, lifts the track to the existential level of a rock opera, giving it “the hook,” the drama and the flair. The layers on this musical cake are delicious - there's George's sly slide work; the Lady Madonna horns, the timpani booms counterpointed by a tinkling piano riff; the building of the strings and horns and oohing and aaahing harmonies… they suck me in every time. Good stuff!

This week, we're off to the Bohemian Kitchen of Brit-Czech writer, Evie HarburyMy Bohemian Kitchen is a nostalgic trip through the memories of a place Evie only knows through summers with her Czech granny and her dad's childhood memories as she investigates the traditional cooking techniques of this largely untapped culinary region. The result is an adventure in refusing to follow the rules and finding a kindred spirit among the Bohemians of her bloodline.Pop over to Gilly's Substack for a recipe from My Bohemian Kitchen which you can buy from the Cooking the Books shop at Bookshop.org to support this advertising free podcast. Hosted on Acast. See acast.com/privacy for more information.

Reflecting upon this landmark recording made me realize how much Arlo and his song had been fundamental to my life-long, anti-authoritarian world view. And how, years later, when the war had escalated, and my turn came up for the draft, even though I escaped with a high lottery number, I was already weighing my draft dodging options. I was only 14 when the song was released, but it hipped me to the absurdity of the war in Viet Nam, the legal system, and petty bureaucrats in general. Arlo accomplished this “us against them” subversion with genial irony, which he delivered with an easy charm - not to mention an impressive Travis picking style.  It didn't hurt that he had the name recognition as the scion of the OG of poetical protest singers, Woody Guthrie, whose song “This Land is Your Land,” almost became our national anthem, and was the adopted relative of “uncle” Pete Seeger, whose signature sing-along method of inspiring social change, which Arlo employs so effectively here.  It was a cultural bombshell, and a first in many ways: At 18 minutes, FM radio usually played it in three separate parts making each rotation an event. It was the longest song to ever gain radio play when spun in its entirety. However, here at the Hotel Bohemia, time has no meaning, so it can be played all the way through on a continuous loop. 

Brandt begins by discussing his adventures playing Avatar: Aang's Destiny before we move on to reviews of 7 Wonders Dice, Sweet Lands, 3 Wishes, and Children of Morta. The d12 of Fate asks us to gripe about Box Sizes, and our Doubles Review is of Portal Games' latest release, Bohemians. 00:31 - Avatar 04:53 - 7 Wonders Dice 08:37 - Sweet Lands 14:32 - 3 Witches 19:06 - Children of Morta 28:04 - The Big Roll: Box Sizes 41:24 - Doubles Review: Bohemians ___ Check out our Sponsor: https://grandgamersguild.com Support us on Patreon: https://patreon.com/RightBrainRollers Follow us on Facebook: https://facebook.com/groups/914270393090805 Discuss in our BGG forum: https://boardgamegeek.com/guild/4193

Love comes in many forms - sometimes confrontational. Today's episode is a paean to a couple of dominating dames that lit up the punk scene in the late 70s. Johnny Rotten once stated that the only person that actually frightened him was the gone too soon, Poly Styrene of X-Ray Spex. That product of a Somali father and a British mother railed against consumerist culture, and her band's career might have been short lived, but their single, Oh Bondage, Up Yours! with it's bleating saxophone cavalry charge, blown by band mate Lora Logic, was a battle cry to aspiring Riot Grrls everywhere.The other indomitable mistress we wish to spotlight, Chrissie Hynde of the Pretenders, is still rocking 50 years later. This survivor from America's Midwest by way of England, -  this vegetarian restauranteur/punk legend, who fronted one of the most thrilling acts of the era, scored multiple hits across the pop spectrum, including this classic, Middle of the Road.X-RAY SPEXMarianne Joan Elliot-Said died prematurely at age 53, but she lived abundantly, migrating through several personae. Early on, she was a hippie, sleeping in crash pads and nearly dying from sepsis, which she contracted from stepping on a rusty nail while bathing in a stream. Later, inspired by seeing the Sex Pistols, she had found her calling. Choosing her moniker from the Yellow Pages, wearing braces on her teeth and Day-Glo outfits, she became a sensation. Like a comet, she streaked across the pop firmament and burnt out quickly, being diagnosed with bipolar disorder in 1978. She pursued a gentler and jazzier sound for her subsequent solo recordings, and in '83 became a Hare Krishna and a vegetarian. In February 2011 she revealed that she had been treated for breast cancer that had spread to her spine and lungs. She died later that year, yet in her short life she accomplished the nearly impossible: cultural immortality. THE PRETENDERSThe guitar signature, driven by Robbie McIntosh on 1983's Middle of the Road by The Pretenders creates an irresistible force, defining a clear road map for singer, Chrissie Hynde. It feels like she's behind the wheel, with the high beams on, going 120, roaring through the Ohio night, around the bend of a Rust Belt highway. She was already 33, and a single mother, as she tells us in the song. With one fist held high, she assures us that she'll be a survivor, and there's no shame in that. She's listed by Rolling Stone as 114 on its list of the 200 Greatest Singers of all time, and at 74, she's still going strong - still driving that muscle car of rock. This woman has ageless style and charisma. She is also a citizen of Great Britain, having moved there initially in '73, and almost marrying Johnny Rotten, Sid vicious, and Ray Davies (she has a daughter by the Kink).  After several misfires trying to start a band, her solo demo tape made it's way to Dave Hill, the owner of Real Records who helped her put the original Pretenders line up together, and the rest, as they say is “Herstory”.

RNIB Connect Radio's Robert Kirkwood is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews. They head over to the Birmingham Hippodrome as Vidar reviews the audio described production of Moulin Rouge. About ‘Moulin Rouge.' Enter a world of splendour, of eye-popping excess, of glitz, grandeur and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann's revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. A theatrical celebration of truth, beauty, freedom and — above all — love, Moulin Rouge! is more than a musical; it is a state of mind. For more about the show visit: Home - Moulin Rouge! The Musical And for more about access at Birmingham Hippodrome: Access Hub – Birmingham Hippodrome Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

We're so glad you're enjoying our meanderings down memory lane to rediscover these classic Stack o' 45s episodes you might have missed. We're having a ball reminiscing about some of The Splendid Bohemians finest moments, so grab a Sazerac and kick back with the boys as you dig on this pair of Delta Royals: Miss Irma Thomas, The Soul Queen of New Orleans, and the self-titled “Emperor of the Universe,” Ernie K. Doe. 

Edit Piaf once famously sang “Je Regrette Rien” (I Regret Nothing), and listening to the following heart wrenching live performances, I'm reminded that anyone claiming that spiritual stance must be in denial - or, crowing in battered defiance in order to buttress themselves against the memory of life's cavalcade of pain and tortured conscience. For who can sincerely state that they have no regrets? No harsh word you wish you could have retracted?; No unsubstantiated suspicion that poisoned the well of a friendship or a faithful love?; Are you discounting the abuses large and small that have piled up so high that, somehow, you've become numb to them?; What about the road not taken…?These songs tell tales about the burden of living under the crushing weight of regret. If you don't shed a tear listening to them, your fluids need replenishing. The divine Spanish diva, Luz Casal singing Jackson Browne's “These Days”, accompanied by the writer and his ride or die Sancho Panza, David Lindley on his keening fiddle is like hearing a penitent sinner's weary confession; and, then there's the  incomparable Rufus Wainwright, in a duet with Sara Bareilles, delivering her own anthem with a thrilling operatic intimacy. THESE DAYS / LUZ CASAL, JACKSON BROWNE, AND DAVID LINDLEYThe preternaturally wise Jackson Browne was sixteen when he wrote “These Days” for Nico, who intoned it with a teutonic world weariness that spoke volumes. What did he know then about regrets? Certainly, the intervening years have instructed the now 76 year old songsmith in all the permutations of tragedy, yet somehow, he has managed to valiantly soldier on, staying creative, performing, and advocating for humanity.  There is something almost mystical about the voice of Luz Casal, and the delicacy with which she interprets Jackson's lyrics that transcends her heavily accented pronunciations. The words are sometimes hard to follow - but not the meaning - that's never lost. Time collapses as the message of this song, originally brought into being by the foreign born Christa Paffgen - and resurrected now, almost 60 years later, by this Goddess, comes full circle to enfold the aging songwriter in the arms of his own mortality. SHE USED TO BE MINE / SARA BAREILLES AND RUFUS WAINWRIGHTSara Bareilles wrote She Used to Be Mine as a show stopper for her Broadway musical, Waitress, and it's a barn burner. Here, in combination with the musical magus, Rufus Wainwright it morphs into something entirely different from it's template: it has become a religious act of forgiveness and redemption - an acknowledgment of life's profound losses, and at the same time an appreciation for what was - a ritual of devotion that celebrates living in all its ecstasy and futility - the duality of darkness and light, love and death. First Rufus sings alone, then Sara… but, when they harmonize the full extent of the love that was lost, and yet remains, lifts us up to the realization of the eternal knowledge that love is never lost. It is a requiem.

As the holidays roll around, and daylight retracts, the thoughts also cloud over to infuse the mind with a grayish motif. We're encouraged to gather our loved ones close and practice gratitude for life's bounty. But, what if life's gifts have been obscured by the overwhelming influence of a mortal depression, a reflection of the disconnect between what we see around us - (disease, deprivation, tyranny, man's inhumanity to man, etc.) - and, the opposing commercial messages which exhort us to joyfully consume? Is this dark attitude the result of an imbalance of chemicals in the brain which can be easily adjusted by the ingestion of a pill? Or, is the undertow into hopelessness something more fundamental - an irreconcilable part of our genetic makeup - a part of life we just have to stoically accept and get on with? Great artists reckon with these impulses by creating profound music. Today we celebrate two of the most striking practitioners of this heroic enterprise: Will Oldham and Nick Drake.WILL OLDHAMI See a Darkness is a masterpiece of simple straight talk about the things most of us never say. It expresses an honest representation of the apprehension that a sensitive soul feels, yet mostly keeps to themself about the inevitability of the abyss. Death walks beside us at all times, and, it helps to staunch the bleeding of fear by keeping our blindfolds on. But, sometimes, there is an urgency to share these thoughts with a friend or a counselor, and the monologue of this song invites us into that private conversation. It packs an overwhelming punch. Johnny Cash also interpreted this song near the end of his life as everything in his being boiled down to the basics. Bonnie Prince Billy, aka Will Oldham is a DIY, Kentucky based actor-musician with a diverse resume, featuring projects with many collaborators. He's a married man with a child, and perhaps all this inter-activity has grounded him and kept him productive. This makes sense - there is raw boned sense of the practical inherent in his style that complements the mystical. NICK DRAKEThe doomed, etherial Nick Drake was not so lucky. He stood apart, and was other-worldly from the beginning, always uncomfortable in his own skin. His recorded output was sparse, and number of his performances minimal, yet profound in their influence. Dead at 26 from an overdose of antidepressants, Nick didn't live long enough to see the reach that resonates with his work today, 50 years after his passing. River Man, in 5/4 time plucked on a nylon string guitar, abetted by a serene string arrangement by Harry Robertson, is a mysterious descent into the deep waters of associative imagery. Nothing is overtly stated, but the character of Betty and the narrator going to see the River Man who has the answer to the meaning of life puts me in mind of the Millais' painting of drowned Ophelia, floating in the river, surrounded by flowers. At peace at last.

You asked, and we answered. Since you enjoyed the Bobbie Gentry vs. Joey Heatherton marathon smackdown so much, we've resurrected two more tantalizing STACK O 45s archival episodes to enrich your day and fire your imaginations: You Don't Own Me by Leslie Gore, and Is That All There Is? by the one and only Peggy Lee. 

Moin und Gude,herzlich Willkommen zu einer neuen Ausgabe des MonkeyTalks, DEM Brettspiel-Podcast der BoardgameMonkeys! Die SPIEL 25 ist Geschichte und natürlich möchten wir euch unsere Eindrücke von dieser Messe da lassen. Den Anfang machen heute die liebe Alex und der liebe Daniel. Tolle (und weniger tolle) Titel werden besprochen so zum Beispiel "Die glorreichen Gilden von Buttonville" (Ravensburger) und Silverfrost (Pegasus). Aber auch Bohemians, Ghostbumbers, Falsche Schlangen, 7 Wonders Dice, Gardlings, Chaosteria, Dying Message und noch ein paar mehr.Abschließend gibt es noch von beiden schöne Erlebnisse, welche sie auf der Messe hatten. Und jetzt viel Spaß beim Hören.euer MonkeyTalk-TeamPS:Daniel "Menschenfreund" S. - Anno 2025 n. Christus"Ich will Spiele kennenlernen und keine Menschen"Support the show

There is an interesting theme coursing through these are three dynamic pop hits of the Brill Building era, all by one hit wonders, sung by extraordinary, up and coming stylists, and crafted by some of the most influential music men of the time: Cathy Carroll's 1962 hit, “Poor Little Puppet” (produced and arranged by Stan Applebaum, written by Howard Greenfield (Neil Sedaka's partner, here collaborating with Jack Keller); 1963's “Girls Grow Up Faster Than Boys Do,” by Earl-Jean McCrae (with the Cookies), produced by Gerry Goffin, written by Goffin and Carole King, also with Jack Keller; and Tracey Dey, singing “I Won't Tell,” from 1964, produced by Bob Crewe, written by Crewe with The Four Season's Bob Gaudio. The theme is irony. All three feature tough minded, independent young females, endeavoring for autonomy in a man's world, delivering songs written by powerful men who controlled every aspect of their creation and production. These appeared in the time pre-Women's Liberation, and demonstrate strength, heartbreak, and a tension that pulls against the undertoe of subservience.Taken in chronological order:“Poor Little Puppet” was originally recorded by Jan and Dean in 1961 as a sleepy, Everly Brothers clone, and it didn't do much. But, here, as interpreted by Cathy Carroll, and helmed by Stan Applebaum, the tune takes flight in a punchier, more uptempo arrangement. It charted at 91 on the top 100 - Cathy's only showing, and the surprise twist at the end is powerful, when the singer, looking in the mirror, admits that she herself is the puppet, whose strings are being controlled by the man whose love she craves.2. In 1963, The Cookies were on top with “Chains,” the Goffin-King hit, later covered by The Beatles, and “Girls Grow Up Faster Than Boys Do,” (also by those chart-topping songwriters), was perfectly designed for them and their irresistible lead singer Earl-Jean McCrae. When they sing: “I'm everything a girl should be.. 36-21-35,” it feels quite cringe-worthy nowadays. Irresistible is right, because Gerry Goffin proceeded to make a baby with the vocalist, even though his marriage with King remained undissolved until 6 years later. They even continued to write for Earl-Jean, creating (I'm Into Something Good - which she recorded before Herman's Hermits)3. In “I Won't Tell,” from 1964, the singer vows to keep her illicit romance a secret, so as not to hurt her sister. Tracey Dey, born Nora Ferrari in Yonkers, had made a name for herself as the “Teenage Cleopatra” capitalizing on the notoriety of  the Liz Taylor blockbuster. She caught the eye of The Four Season's maestro, Bob Gaudio when she recorded “Jerry, I'm your Sherry” , playing off the title of the group's hit ‘Sherry”. Together with the production genius Bob Crewe, they crafted this pop classic the teenage Cleo.  Tracey soon got out of the business, earned a Master's degree from Columbia, and became a teacher and screenwriter. Clearly, this was a savvy entrepreneur from an early age. (Btw: the original masters of this recording were lost - so, this version was taken directly off a 45 disc). Enjoy!

Daniel Lambert, Bohemians' Chief Operating Officer, discusses the redevelopment of Dalymount Park in Phibsboro, home of Bohemians football club.

Bohemians boss Alan Reynolds sums up his side's season with Stephen Doyle after beating Drogheda United 4-1 on the final day of the season! | #LOI The League Of Ireland with Rockshore 0.0.

The Tarot of the Bohemians by Papus (Gérard Encausse) is one of the foundational texts of Western occultism and esoteric tarot study. Written in the late 19th century, this classic work unveils the mystical structure and symbolic depth of the Tarot as a sacred book of ancient wisdom. Papus reveals the hidden connections between the...

In the mood for some baseball? Of course you are; it's still our national pastime, after all, despite the threat of encroachment by football, soccer, basketball, Nascar and Monster Trucks. And now that the innovation of the pitch clock has trimmed down the times of games, it's a little more dynamic than it used to be back in those lazy, hazy, crazy days of summers past. This World Series has been a humdinger, breaking several records, but it ain't over yet - The Toronto Blue Jays now have a 3 game to 2 advantage as they return to their hometown field and crowd. What had seemed like an inevitable win for L.A. after game three, now is in nail-biting doubt. Just goes to show you that, in the words of Yogi Berra - "it ain't over 'til it's over!"

Springsteen: Deliver Me From Nowhere is one of the best depictions of the creative process that I've ever seen, exploring where an artist's ideas come from: those sources, personal and environmental that are processed via one's family history, dreams, desires - and are then delivered through said artist's private relationship with their tools - (in this case the Tascam Portastudio, Echoplex reverb unit, and a water-damaged boombox). I was thrilled by that examination, and by Bruce's steadfast protection of his lo-fi masterpiece when it was being threatened by corporate pressure to compromise. Jeremy Allen White is one of America's finest exemplars of smoldering emotion, and the close ups on Springsteen's anguished face were a tour de force of inner conflict. The protean Stephen Graham as Bruce's complicated monster of a father found vivid expression with just a smattering of dialogue. And, Jeremy Strong - an actor capable of the deepest levels of immersion portrays Bruce's guardian angel of a manager, Jon Landau with such grace, and generous restraint that it made me cry. Kudos to all.The pace is pokey, and I personally could have done without the manufactured love story in which the actress, Odessa Young has the unenviable task of having to deliver clunky exposition, notably when she psychologizes Bruce for us. But, all in all, for a story that chronicles depression and child abuse, the darkness is mitigated by the knowledge that our hero emerges from this crucible to become a happily married family man and cultural hero, and create a timeless work of art. The Splendid Bohemians are honored to feature a couple of tributes to The Boss, which recognize his influence and influences: First, a duet with Bruce and Pete Seeger, the Patron Saint and Johnny Appleseed of folk music, singing Bruce's still relevant- (sadly)- homage to John Steinbeck's The Grapes of Wrath: The Ghost of Tom Joad.  And, we'll close with Ryan Adams' honorable rendition of Nebraska, the title song from those sources which are celebrated in Warren Zanes book and Scott Cooper's film

00:01:30 Intro00:03:30 Sports ball Topics00:14:00 A Carnivore Did It00:17:00 This Game is Killer00:22:00 Why did you play that?00:26:30 Rules Lawyer Time00:30:30 Taste Buds00:39:30 Miniature Market00:40:30 Bohemians00:59:00 Punica: Rome vs. Carthage01:07:30 Portal Games01:08:30 Fountains01:15:30 Everdell Duo01:23:00 Cookie Run Braverse01:29:00 Outro Halloween is creeping ever closer, ushering in a surge of spooky décor, costume scheming, and sugar-fueled anticipation. Soon, neighborhoods will flicker with jack-o'-lantern grins and haunted house setups, casting eerie shadows perfect for mischief, mayhem, and board games. And yes—Marty's legendary BooBQ is just around the corner. Before the festivities kick off, we squeezed in a few two-player gems that pack a punch without hogging the table. Everdell Duo reimagines the beloved woodland world for two, offering competitive, cooperative, and campaign modes that layer strategy with charm. Cookie Run: Braverse transforms the digital Cookie Run universe into a physical trading card game, introducing a clever twist on health tracking that adds surprise and tension to every skirmish. Punica: Rome vs Carthage throws players into the heat of the Punic Wars, where asymmetric tactics and area control drive a brisk, brainy clash—can you succeed where Hannibal failed and bring Rome to its knees? We also tried a fresh tile-laying release from OP Games. True to form, the components are stellar, but it's the rondel-style drafting that stole the spotlight, injecting strategic depth and just enough “take that” to keep things spicy. Thanks for listening, we really do appreciate it. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Tuesday's Football Daily, Phil Egan brings you all the latest as St. Patricks Athletic and Bohemians hunt a European place takes a hit in a nil-all draw in Dalymount Park.Kenny praises his side's resilience, whilst O'Donnell rues his team's wasteful ones.Carla Ward is happy to have Denise O'Sullivan.Jamie Finn pleased to be back after injury.Jose Mourinho back in familiar territory.Arsenal apologise for lack of hot water.And Carragher on the Dyche appointment.Become a member and subscribe at offtheball.com/join

On Monday's Football Daily, Phil Egan brings you all the latest as Manchester United celebrate an Anfield win, whilst here at home St. Patricks Athletic and Bohemians hunt a European place at Dalymount Park.Dyche is Marinakis' new man.Potter looks to cast some Swedish magic.St. Pats and Bohs meet on the northside for what should be a rainy epic.Athlone's Kelly Brady, the hat-trick hero.Israeli fans clash in Tel Aviv.And Celtic fans continue their protest.Become a member and subscribe at offtheball.com/join

Ben Symes speaks to Athlone Town player Kelly Brady, manager John Sullivan and owner Nick Giannotti after they beat Bohemians 3-2 in the FAI Cup Final at Tallaght Stadium.LOI on Off The Ball with Rockshore

SOCCER: Galway United midfielder Axel Piesold with Galway Bay FM's Mike Rafferty after their 2-0 win over Bohemians

LISTEN TO THE FULL SHOW HERE On this week's first bonus show, Matt Ford and Stefan Bienkowski sat down to discuss some of the biggest topics surrounding fan culture in German football. That naturally led to them discussing the unfortunate scenes of Schalke fans attacking two photographers in Dublin, ahead of the club's friendly match with Bohemians. The duo discuss the wider context around the situation and ask whether it could have been avoided entirely. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan Patriss is back with another round of gaming news! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure Munchkin Land continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Contact us at podcast@majorspoilers.com NEWS Portal Games is releasing a new deck building game Bohemians Oct 25. ($40) UVS Games will release the Godzilla: Reign of Kaiju, themed set for UniVersus CCG March 26 Over on BGG Jamey Stegmeier announced that Origin Story a game which uses trick-taking and tableau building will release at Essen (Limited quantities) and worldwide in Nov (But likely not here in US until 2026?). Being Designed by Pete Wissinger has me VERY excited to check this one out. (Guess $25-30) Asmodee announced the US release of Libellud's Take Time, a co-op puzzle game Oct 25 ($30) Using more Card Crafting mechanics in games-- Alderac Entertainment Group reportedly will release Misfit Heroes next year  April '26 This reminds me of Custom heroes and Ruins from John D Clair a bit. And Speaking of which there will be a new game based off of Mystic Vale called Mystic Lands coming very soon to Kickstarter. Renegade will release a Dice Version of Robo Rally Q1 '26 ($35) And Renegade is releasing a GI Joe Version of Heroscape. With Painted and Unpainted versions (Q1 '26 Painted-- $85 Unpainted $65) Devir Games will release a christmas themed Card game (Real time?) in time for the holidays this year called Rudolph (~$15) CROWDFUNDING KICKSTARTER Return to Dark Tower: Expeditions Red Dragon Inn 10 Cranio's Expansion Pack Tenpenny Parks: Expansion and Collector's Ed The Dealers Tarot Bake Your own Gingerbread Dungeon Don't Starve: The Board Game GameFound Heroes of Might and Magic:The Card Game Uprising:Legendary Big Box and True Solo mode   [su_signoff]

Dan Patriss is back with another round of gaming news! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure Munchkin Land continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Contact us at podcast@majorspoilers.com NEWS Portal Games is releasing a new deck building game Bohemians Oct 25. ($40) UVS Games will release the Godzilla: Reign of Kaiju, themed set for UniVersus CCG March 26 Over on BGG Jamey Stegmeier announced that Origin Story a game which uses trick-taking and tableau building will release at Essen (Limited quantities) and worldwide in Nov (But likely not here in US until 2026?). Being Designed by Pete Wissinger has me VERY excited to check this one out. (Guess $25-30) Asmodee announced the US release of Libellud's Take Time, a co-op puzzle game Oct 25 ($30) Using more Card Crafting mechanics in games-- Alderac Entertainment Group reportedly will release Misfit Heroes next year  April ‘26 This reminds me of Custom heroes and Ruins from John D Clair a bit. And Speaking of which there will be a new game based off of Mystic Vale called Mystic Lands coming very soon to Kickstarter. Renegade will release a Dice Version of Robo Rally Q1 ‘26 ($35) And Renegade is releasing a GI Joe Version of Heroscape. With Painted and Unpainted versions (Q1 ‘26 Painted-- $85 Unpainted $65) Devir Games will release a christmas themed Card game (Real time?) in time for the holidays this year called Rudolph (~$15) CROWDFUNDING KICKSTARTER Return to Dark Tower: Expeditions Red Dragon Inn 10 Cranio's Expansion Pack Tenpenny Parks: Expansion and Collector's Ed The Dealers Tarot Bake Your own Gingerbread Dungeon Don't Starve: The Board Game GameFound Heroes of Might and Magic:The Card Game Uprising:Legendary Big Box and True Solo mode

Dan Patriss is back with another round of gaming news! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure Munchkin Land continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) Contact us at podcast@majorspoilers.com NEWS Portal Games is releasing a new deck building game Bohemians Oct 25. ($40) UVS Games will release the Godzilla: Reign of Kaiju, themed set for UniVersus CCG March 26 Over on BGG Jamey Stegmeier announced that Origin Story a game which uses trick-taking and tableau building will release at Essen (Limited quantities) and worldwide in Nov (But likely not here in US until 2026?). Being Designed by Pete Wissinger has me VERY excited to check this one out. (Guess $25-30) Asmodee announced the US release of Libellud's Take Time, a co-op puzzle game Oct 25 ($30) Using more Card Crafting mechanics in games-- Alderac Entertainment Group reportedly will release Misfit Heroes next year  April ‘26 This reminds me of Custom heroes and Ruins from John D Clair a bit. And Speaking of which there will be a new game based off of Mystic Vale called Mystic Lands coming very soon to Kickstarter. Renegade will release a Dice Version of Robo Rally Q1 ‘26 ($35) And Renegade is releasing a GI Joe Version of Heroscape. With Painted and Unpainted versions (Q1 ‘26 Painted-- $85 Unpainted $65) Devir Games will release a christmas themed Card game (Real time?) in time for the holidays this year called Rudolph (~$15) CROWDFUNDING KICKSTARTER Return to Dark Tower: Expeditions Red Dragon Inn 10 Cranio's Expansion Pack Tenpenny Parks: Expansion and Collector's Ed The Dealers Tarot Bake Your own Gingerbread Dungeon Don't Starve: The Board Game GameFound Heroes of Might and Magic:The Card Game Uprising:Legendary Big Box and True Solo mode

#COYGIG host, Kathleen McNamee, is in with Eoin to break down Carla Ward's latest Ireland Women's National Team squad, which was announced today ahead of Ireland's UEFA Nations League Promotion/Relegation play-off with Belgium. They also touch on the FAI Cup Final coming up this weekend where Athlone Town and star striker, Kelly Brady, take on Bohemians in their chase for the double. #Football on Off The Ball with William Hill Ireland.

Bohemians FC goalkeeper and captain Rachael Kelly and manager Alban Hysa chat to our own Ben Symes at Tallaght Stadium ahead of the Women's FAI Cup Final vs Athlone Town on Sunday. LOI on Off The Ball is brought to you by Rockshore 0.0 #LOI

Athlone Town's star striker Kelly Brady and new Head Coach chat to our own Ben Symes at Tallaght Stadium ahead of the Women's FAI Cup Final vs Bohemians on Sunday. LOI on Off The Ball is brought to you by Rockshore 0.0 #LOI

This nation's troubled history with Manifest Destiny will continue to haunt us for some time. Throughout the decades some Native voices have emerged and contributed to the ongoing cultural conversation: most recently on the Broadway stage, on film, and television, and this awareness might move us towards some, if not restitution for atrocities past, at least a dialogue that might point the way towards the future.Today Double Trouble features the efforts of two important Americana artists, neither one Native American, but both identifying with them. Johnny Cash believed that he was part Cherokee- (a notion disproved by DNA). They both raised their voices in advocacy with the dispossessed. Pete La Farge wrote The Ballad of Ira Hayes, which Johnny Cash delivers here, and then Mr. La Farge himself mourns the disappearance of the Coyote as a consequence of Capitalism's rapacious destruction of sacred lands.JOHNNY CASHFrom his 1963 concept album “Bitter Tears: Ballads of the American Indian”, The Ballad of Ira Hayes tells the story of a WW2 War Hero, one of the men raising the flag over Iwo Jima in that iconic photo. Upon returning to the states, Ira had to confront the irony of his impossibly low status on home soil, and descended into alcohol addiction and death. Pete La Farge wrote 5 of the songs on Cash's album, and became known, along with Buffy St. Marie, as one of the most prominent singer-songwriters concerned with Native themes. Johnny Cash was a life-long representative of Native peoples, trying through his popular status to bring about an awareness of the wrongs that had been committed in the name of “progress”. PETE LA FARGEGiven the focus of his creative output during his short life - he died, age 34, of a stroke - one might assume that Mr. La Farge was Native American, but not so: he was the son of an anthropologist and Pulitzer Prize winning novelist and a Rhode Island heiress. Growing up in New Mexico and Colorado, he developed a love of Native American culture, and that became his artistic touchstone. Most famous for The Ballad of Ira Hayes, his tribute to a discarded, fallen hero, the song has been covered by Bob Dylan and Pete Seeger among many others. Here, in Coyote, La Farge channels the mournful sound of the dispossessed animal as it fades away into the ether, after losing its habitat to business interests - an issue we're still dealing with today. 

What is the fascination that we have with seductive avatars of oblivion? Carolyn Jones as Morticia Addams indoctrinated the adolescent me to the possibilities of the Succubus, and became my tween age, gothic sex symbol; the painting by Pre-Raphaeite John Millet:  Ophelia (who floats beautifully in the river) hung on my dorm wall for years.  Today, Double Trouble features a couple of ice queens who inspire detached sexual delirium, one contemporary, and one long gone, but still as magnetic as when she walked the earth: the enigmatic Lana Del Rey and Andy Warhol's muse - Nico (nee Christa Paffgen). LANA DEL REYWhen Lana Del Rey sings “We were born to die,” you know she's not fooling around. Her voice might be studiously without affect, but you can sense some psychic turmoil underneath. And when she purrs, “you like your girls insane,” she is obviously speaking from experience. Her Greta Garbo air of mystery smolders like an ember that could reignite and singe you at any moment. Of course, LDR is vastly more multi-dimensional as an artist than simply existing as a blank canvas on which to project our emo fantasies. Her later work, such as her fifth album, the widely acclaimed “Norman Fucking Rockwell” has generous reserves of humor, complexity, and intelligence to ponder and appreciate.  And, her recent marriage hints at even further explorations of domestic bliss. So maybe our gothic goddess will be embracing life going forward.NICOSpeaking of blank canvasses on which we can project our fantasies - Nico, the fashion model, turned Chanteuse, was the ultimate receptive surface.  She wasn't even a singer at first, veering off key as she often did, but her voice with its hypnotic, Germanic drone had its undeniable charms. And, Andy Warhol knew the socko glamor that he was wielding when he saddled the Velvet Underground with her, making her their front person. Who knows if the group, as brilliant as they were, would have garnered any attention initially if it wasn't for Warhol's 1960s answer to Marlene Dietrich. Nico struggled with heroin addiction and died tragically young in a senseless bicycle accident, but before she left us she created, (with the help of Velvet's veteran John Cale as producer) some unforgettable mantras. Frozen Warnings is one of the most compelling - It's harmonium and droning viola conjure the sense of tip-toeing across a frozen lake and feeling the ice cracking under your feet as you try to reach the glaciated siren.

In Friday's Football Daily, Phil Egan brings you a full preview of tonight's League of Ireland action, which includes Off The Ball's live game at Tallaght Stadium. We speak to Stephen Bradley and Bohemians defender Cian Byrne ahead of that clash in Tallaght. We also hear from Kevin Doherty, Patrick Hickey and John Coleman before another busy night in the top flight. We've the latest on UEFA's apparent push to expel Israel from their competitions. And Arne Slot discusses Giovanni Leoni's awful debut game injury, and Hugo Ekitike's dumb sending-off in the Carabao Cup.

Last week we saw the family slowly climbing out of the hole that Friedrich IV of the Tyrol had dug them. But despite all these consolidation efforts, the family was still in the second league of European princely families. Then, just 25 years after Ernst the Iron married down into minor Polish royalty, his first cousin once removed, Albrecht V became King of Hungary, King of the Romans and King of Bohemia, all in one single year, 1438. How was that possible? Here is friend of the podcast, Eneas Silvio Piccolomini summarizing events: quote Albrecht grew up and married Elizabeth, daughter of King Sigismund. She was a very beautiful woman, who lived with him most virtuously. After the Bohemians had turned to heresy and terrorised all their neighbours with wars, he alone, with great strength, protected Moravia and Austria, and the damage he inflicted upon the Bohemians was not less than the damage he took from them. He was always in arms and, like the Bohemians, used waggon formations in battle. Making his soldiers undergo hard military training, Albrecht was the only one of all their neighbours whom the Bohemians feared, having been often defeated by him and put to flight.When his father-in-law Sigismund died, the Hungarians soon called him to the kingship, and the Bohemians followed suit. Thus, in a very short time, he gained two large kingdoms. In the meantime, the electors of the Empire, having heard about Sigismund's death, elected Albrecht as King of the Romans and sent their decree to him in Vienna.” End quoteBish bash bosh – that is it, end of episode. Thanks for coming.OK, maybe we have to go with Skipper from the Penguins of Madagascar and demand: Kowalski- AnalysisThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture Controversy

Stephen Bradley speaks to our own Nathan Murphy ahead of our live commentary game of Shamrock Rovers' derby clash with Bohemians, a game which Rovers could secure the league title with.The League of Ireland on Off The Ball with Rockshore 0.0

Cian Byrne speaks to our own Cillian Horan ahead of our live commentary game of Bohemians' derby clash with Shamrock Rovers, a game which Bohs need to win to keep their European push going.The League of Ireland on Off The Ball with Rockshore 0.0

Nathan Murphy was joined by Johnny Dunleavy and Vinny Perth as we gear up to the massive Dublin derby between Shamrock Rovers and Bohemians. The League of Ireland Pod on Off The Ball is brought to you by Rockshore 0.0, refreshingly alcohol free. Always be drink aware, visit drinkaware.ie