Podcast appearances and mentions of John Peel

In this episode we welcome the great Paul Gambaccini into RBP's world and ask him about his 50+ years as one of Britain's best-loved broadcasters. "The Great Gambo" tells us about his early radio days at Dartmouth College's WDCR station and explains how he slipped his foot in the door at Rolling Stone in 1970. He then recounts his first meeting with "underground deejay" John Peel (plus his BBC producer John Walters) while still an Oxford postgraduate fleeing Richard Nixon's America, We ask our guest about his famous Stone interviews with Elton John (and Bernie Taupin) and Paul McCartney, then hear about his Radio 1 debut in 1974. Paul discusses his sexuality, his winding up on the Beeb's "Christmas tree" list, and his nightmare year of being witch-hunted without evidence by the sleuths of Operation Yewtree. After offering his thoughts on the constitutional crisis in his homeland, our guest expresses his approval of Beyoncé ahead of her "Cowboy Carter" tour's London leg in June. We listen to clips from a 2003 audio interview with "Queen Bey" by The Observer Music Monthly's Simon Garfield. After Mark quotes from newly-added interviews with Elvis Presley (1969) and Roxy Music's (Brian) Eno (1973), Jasper talks us out with his thoughts on pieces about the Roots (2005) and Beyoncé's sister Solange (2007). Many thanks to special guest Paul Gambaccini. Hear his radio shows on the air, including the Paul Gambaccini Collection on BBC Radio 2. Pieces discussed: Paul Gambaccini's writer's page on RBP, The Rolling Stone Interview: Elton John, Paul McCartney, Beyoncé audio, Elvis the Husband talks about Elvis the Pelvis, The Strange World of Roxy Music, The Roots: Growing Underground, Romanthony: A Prince Among Men and Why Solange Matters.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Wendy Robinson in conversation with David Eastaugh https://www.thecalmzone.net/ The band was formed by Wendy Robinson (vocals) and Polly Hancock (vocals, guitar), initially with a drum machine. This line-up recorded the debut "Don't Go Back" EPon Big Cat UK (catalogue number BBA02) in August 1988) achieving "Single of the Week" in Melody Maker. A John Peel session, produced by Dale Griffin and recorded at the BBC studios in Golders Green, London, was first broadcast on 21 September 1988 and repeated on 11 October 1988. It featured four original songs; "Perfect Dream Home", "Fine Lines", "Dr Fell" and "Backward" Daydream. They then recruited Dana Baldinger (born Seattle,), and signed to One Little Indian Records, releasing "Please Let Me Go" as a single in April 1990; this too attained Single of The Week in Melody Maker. Baldinger was eventually replaced by Anne Rogers of The Crowd Scene.

I had the pleasure to talk to frontman HARRY STAFFORD of Manchester post-punk legends INCA BABIES about the band's latest album Ghost Mechanic Nine, released on Black Lagoon Records. We also talked about the  "Inca Babies Documentary on the Making of Ghost Mechanic Nine - From 80s Hulme to 2024." A vibrant part of Britain's early postpunk/goth/death rock scene, INCA BABIES amassed a steady following through touring and releasing six singles and four albums, all entering the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988. The band reformed in 2007 and hasn't looked back since.Stafford (guitar, keys, vocals) revisits the raw guitar sounds of the band's 80s output, joined by Rob Haynes (drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet).Watch the Interview on YouTube :  https://youtu.be/iP6IwbGg2Tw?si=0jB8EUpodZo_HizfInca Babies Documentary on the Making of Ghost Mechanic Nine - From 80s Hulme to 2024:https://youtu.be/B3vjByUSSSY?si=A3Z1u7R5Ceonk9u6https://incababies1.bandcamp.com/Photo of Harry taken by Mick PeekThank you for liking, subscribing and sharing this podcast !  DARK ALOHA for your continued support !  Follow me on my other social media sites YouTube :   https://www.youtube.com/@DJNocturnaWebsite: https://djnocturna.comFacebook:   / nocturna.remixed  Instagram:   / djnocturna  Tiktok: https://www.tiktok.com/dj.nocturna  Bsky: https://bsky.app/profile/djnocturna.bsky.socialX: https://x.com/djnocturna

Liverpool post-punk pioneers The Room are back with 'Nemesis', the potent second single from their latest album 'The Telling', presenting their trademark blend of progressive, alternative pop and sultry post-punk. As with the lead track 'The Teller', the accompanying video was produced by Mark Jordan. A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics alike.Firm favourites of the late great John Peel, The Room was formed in 1979 in the golden years of northern English post-punk. In 2023, they re-formed after a lengthy hiatus, releasing their critically acclaimed 'Restless Fate' album, their first release in 38 years. Their melodic blend of progressive, alternative pop and sultry post-punk is as fresh and relevant now as when they disbanded in 1985.Formed by singer Dave Jackson and bassist Becky Stringer, they are joined by original drummer Clive Thomas, along with guitarist Darren Brown, keyboardist Ethan Kyme, and the haunting backing vocals of Helena Jacks. 

Episode 1000: A classic episode with an extended extra bit!

Ethereal Encounters Unveiled welcomes Mark Christopher Lee February 20th, 2025 Topic:Are Aliens A Part of God's Creation? Investigative Film Maker Mark Christopher Lee Born - not so recently in a Northern mill town where he studied Classical music at the renowned Huddersfield School of Music - eventually escaped to the glorious south of England and found solace in indie pop and after a short stint with morose Scots band The Jesus And Mary Chain he formed his band The Pocket Gods in 1998. Some 25 years later, and 76 albums and 5,000 songs later, the band has gone from playing gigs to a couple of dogs and a piano tuner to obtaining 10 Guinness World Records millions of streams, bringing real change to a broken music industry. High-profile champions along the way have been John Peel, the legendary BBC Radio 1 D.J. who loved their track Ballad Of The Peshwari Naan, and more recently Tom Robinson of 2,4,6,8 Motorway fame. His campaign for fair royalties from Spotify led to them changing their playlist rules to allow 30-second tracks on them and also led to them increasing their subscription rates, which hopefully will be passed on to artists. He has also given evidence to the U.K. parliament in their investigation into the economics of music streaming. He has been interviewed by the Wall Street Journal, Fox News, BBC World News, BBC 5 Live, TalkTV, ITV, London Live, The Independent, The Times, and many more. He decided to start making films in 2019 to tell the story of his band and then to make T.V. so that he could explore his love of UFOs and the paranormal. Check out Mark's world-first album, 100X30, which featured 100 songs all 30 seconds long—this led to the first of many Guinness World Records.

"Nine Nine Nine" nicht winken (not waving) no, no, no. 

Ethereal Encounters Unveiled welcomes Mark Christopher Lee February 20th, 2025 Topic:Are Aliens A Part of God's Creation? Investigative Film Maker Mark Christopher Lee Born - not so recently in a Northern mill town where he studied Classical music at the renowned Huddersfield School of Music - eventually escaped to the glorious south of England and found solace in indie pop and after a short stint with morose Scots band The Jesus And Mary Chain he formed his band The Pocket Gods in 1998. Some 25 years later, and 76 albums and 5,000 songs later, the band has gone from playing gigs to a couple of dogs and a piano tuner to obtaining 10 Guinness World Records millions of streams, bringing real change to a broken music industry. High-profile champions along the way have been John Peel, the legendary BBC Radio 1 D.J. who loved their track Ballad Of The Peshwari Naan, and more recently Tom Robinson of 2,4,6,8 Motorway fame. His campaign for fair royalties from Spotify led to them changing their playlist rules to allow 30-second tracks on them and also led to them increasing their subscription rates, which hopefully will be passed on to artists. He has also given evidence to the U.K. parliament in their investigation into the economics of music streaming. He has been interviewed by the Wall Street Journal, Fox News, BBC World News, BBC 5 Live, TalkTV, ITV, London Live, The Independent, The Times, and many more. He decided to start making films in 2019 to tell the story of his band and then to make T.V. so that he could explore his love of UFOs and the paranormal. Check out Mark's world-first album, 100X30, which featured 100 songs all 30 seconds long—this led to the first of many Guinness World Records. https://tubitv.com/person/f4581e/mark-christopher-lee

Episode 998: "We listen almost every week.... not knowing where the next show will take us.... thanks!"

What more can be said about returning guest Steve Michener (Big Dipper, Volcano Suns) that hasn't been said already during his SEVEN previous appearances?!? Perhaps not much, but Steve is ALWAYS a great guest, and he returns with a gem of a record that many may not have heard of before - the delightful one-and-done release by British singer/songwriter multi-instrumentalist Henry Badowski, 1981's 'Life Is A Grand' Songs discussed in this episode: All Going Out Together - Big Dipper; Life Is A Grand - Henry Badowski; I Dream Of Jeannie - Hypnolovewheel; My Face, Baby, Sign Here With Me - Henry Badowski; Right To Work - Chelsea; Antipope - King; Kids In America - Kim Wilde; My Face, Henry's In Love - Henry Badowski; That Summer Feeling - Jonathan Richman; Swimming With The Fish In The Sea, The Inside Out - Henry Badowski; The New World - Robert Fripp; Lester Leaps In - The Monochrome Set; Life Is A Grand - Henry Badowski; Don't Bring Harry - The Stranglers; Silver Trees, This Was Meant To Be - Henry Badowski; Common People - Pulp; Anywhere Else - Henry Badowski; Baby, Sign Here With Me - King; Edward The Bear - The Damned; Baby, Sign Here With Me - Henry Badowski; Shot By Both Sides - Magazine; Dead Finks Don't Talk - Brian Eno; Rampant - Henry Badowski; Love Is The Drug -Roxy Music; Making Love With My Wife - Henry Badowski; She's Fetching - Big Dipper; My Baby Don't Care - King

Episode 997: It was Australia in 2022, Scotland in 2023, France in 2024, who is dominating 2024 so far.... Italy

Episode 996: "Unearthing ever more gems outside the music mainstream"

Episode 995: "Your shows lift me up each week - amazing music!"

Episode 994: Great Authors inspire in this new music

Episode 993: Is the feminine voice the finest experience in music?

Episode 992: The first show of 2025 is full of crackers fit for FFO 2025 come December!

Broadcaster and Radio DJ Annie Nightingale passed away earlier this year. In memory of her, please enjoy this episode of the Book Club podcast, from the archives, in which she joined Sam Leith in 2020 to talk about the publication of her book Hey Hi Hello.   Annie Nightingale was Britain's first female DJ, an occasional Spectator contributor, and the longest serving presenter of Radio One. Annie spoke to Sam about the Beatles' secrets, BBC sexism, getting into rave culture, the John Peel she knew - and how while most people never get past the music they love in their teens, she's never lost her drive to hear tunes she's never heard before.

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

Mark Hoyle in conversation with David Eastaugh https://www.route-online.com/all-books/swerve https://dubsex.net/about Dub Sex are often cited as one of Manchester's greatest ‘lost' bands. Formed in the concrete landscape of 1980s Hulme, their music is appropriately raw and intense, bass-led with wiry guitar patterns swirling around the impassioned vocal style and presence of frontman Mark Hoyle.  They came to prominence over the release of five critically acclaimed EPs and mini-albums in the late 80s. John Peel picked up on them from the outset playing a demo recording of ‘Tripwire!' later describing the band on-air as “one of my very favourites”. Dub Sex went on to record 4 sessions for his BBC Radio show, the first of which incredibly aired 3 times in just 6 weeks during Feb/Mar 1987.   ‘Tripwire!' saw a formal release later in 1987 on the band's debut EP. The mini-album ‘Push' and ‘The Underneath' EP soon followed. Enthusiastic music press reviews helped the band's profile rise amongst the post-punk fraternity and incendiary live shows led to several TV appearances including BBC's influential ‘Snub TV' and Tony Wilson's Granada show ‘The Other Side of Midnight'.   By early 1989 and the release of the ‘Swerve' EP, Dub Sex had become Indie Chart regulars with ‘Swerve' also making John Peel's ‘Festive Fifty' at the end of that year.  

Episode 986: Last show and last chance to get your VOTES into the Festive Fifty One F51 - https://inmemoryofjohnpeel.com/festive-51-2019-voting/

Episode 985: Obsession and Mysterious Intent as listeners vie for their best of the year VOTES in the Festive Fifty One F51 https://inmemoryofjohnpeel.com/festive-51-2019-voting/

Mark Wilson & Pete Barker in conversation with David Eastaugh https://www.youtube.com/watch?v=RWEISh0MznA Anarchic rockabilly beloved by the late John Peel. "If Elvis had been a Marx Brother, he would have invented Pink Peg Slax" (James Brown, NME) With a name derived from an obscure Eddie Cochran rocker, Pink Peg Slax promise rockabilly revivalism, but these veterans of the Leeds 80s music scene deliver musical subversion. Borne out of punk, the Slax line-up were original members of the Mekons, the Sisters of Mercy and The Gang of Four. Celebrated by John Peel and Andy Kershaw (4 Radio 1 sessions), the NME (3 singles and 2 albums gained 5-star reviews) and TV chef Keith Floyd (who wrote sleeve notes) Pink Peg Slax knocked out 100% original tunes with a deft rockabilly-cajun approach. Pink Peg Slax provided the necessary knowing wink to counter the gothic scowl on the face of indie music in the mid-80s. The Smiths released Meat Is Murder; the Slax released Eat More Meat. The only band ever to offer James Cagney impressions as serious musical output on night-time Radio One, Pink Peg Slax busked their way onto C4's The Tube, annoyed legions of Goths by supporting The Mission on tour and wrote songs about drunken pigs, deaf railwaymen, murderous Frenchmen and Holsten Pils. Frontman Vince Berkeley, often at odds with the world and the time of day, once thanked an audience of fairground workers for not being "gippos", told an indifferent audience in Dusseldorf to "go away and make some chemicals" and regularly spat on, kicked or threatened audience members he felt were disrespecting the band. And yet the band's Roman Catholicism led to album reviews in The Universe, the premier UK religious weekly. After a break of 20 years to raise families and conquer the world of work, Pink Peg Slax return with their original line-up and most of their hair intact..

Episode 984: Joy, tragedy, suspense and celebration all contained under maximum pressure!

Episode 983: "Can't wait for the Festive Fity One!"

Episode 982: "It's a mixed-up, muddled-up world, but we have this show to lift us up"

It's jangly and jarring, but irresistibly hypnotic.  Mark E Smith chants this incantation as if he is literally crawling out of his skin. The performance is teeth grinding punk rock in its distilled essence. a portrait of a poet in service to anarchy. And, funny. Deeply biting and ironical, this was DJ champion, John Peel's favorite group. The lyrics here seem improvised, but he's a gonzo beat poet extraordinaire - he's written it all down, and delivers it with his signature repetition in a discordant bray.  “You don't have to be weird to be wiredYou don't have to be an American to be strangeYou don't have to be strange to be strangeYou don't have to be weird to be weird”After seeing the Sex Pistols in '76 Mr Smith had a vision that carried him for 42 years through a ridiculous number of personnel changes. It doesn't matter who is playing as long as Mark is at the mic. He said once, “if it's me and your granny, it's The Fall”.Mark was a difficult, complex man who died in 2018 at the age of 60, leaving behind 32 studio albums and countless live versions. One could pick out practically any Fall tune, and experience that singular voice - “attitude personified,” one journalist dubbed it. I chose this cut because it makes me smile every time I hear it. I hate being in that condition myself, but it's fun to vicariously share Mark's flirtation with psychosis. 

1969 - T rex, el proyecto del ex modelo y músico glam Marc Bolan, realiza su primera gira por Estados Unidos. AL comienzo del tour le envía una nota a John Peel, célebre dj de la BBC.

At my invitation, Steve Albini appeared on Kreative Kontrol at least once a year since its inception in 2013. We started a tradition where we spoke just ahead of annual, poverty alleviation Letters to Santa live events, such as the gala they're holding on November 23, 2024, at the Brookfield Zoo Chicago: Discovery Center, featuring Jeff Tweedy, Fred Armisen, and Kim Deal among others. To maintain the tradition and spirit of the talks we had, I plan to feature archival interviews I conducted with Steve over the years, presenting them here ahead of Letters to Santa events for as long as possible. Here's the second radio interview we ever did. It took place in the early summer of 2007 and was ostensibly about the then new Shellac album, Excellent Italian Greyhound, and touched upon local radio fame, Martina Navratilova, people who film concerts instead of participating in them, Canada, SCTV, John Peel, and more.Support vish on Patreon! Specifically by November 21, 2024 to help reach our membership drive goal of 600 paid subscribers!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:My first Steve Albini interview (2006)Ep. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #806: The BreedersEp. #692: WilcoSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Episode 981: Things are building to a crescendo 

A BONUS midweek show to highlights some tracks I'd missed earlier in the year.

Episode 979: “one of the most consistently interesting music radio shows around” 

Episode 978: "phenomenal music that leads me to stop, replay a couple of times and then check out individually"

Episode 977: Living in the moment during Daylight Savings

Jimi Hendrix, David Bowie und The White Stripes: Sie alle hat der legendäre britische Radio-DJ John Peel (Todestag 25.10.2004) entdeckt oder bekannt gemacht. Von Amy Zayed.

John Peel hat ein Gespür für Rock- und Popmusik abseits des Mainstreams. Der Moderator hilft Bands wie "The Cure", "White Stripes" und "Pulp" zum Durchbruch – und wird selbst zur Legende.

NEW Epic tracks with plenty of light relief mixed in for your listening comfort...

Our record-breaking partnership faces a fresh set of spin bowlers on the rock and roll pitch but rifles a few shots over the pavilion roof, among them … … the time Elvis let his daughter ride her pony through the house. … when Moon Zappa (10) found naked hippies making candles in the garden. … “Can you get that? It might be someone important.” The Queen when her mobile rang. … Billy Joel's daily commute to work by helicopter. … John Peel, Elton John, Robert Christgau … who's listened to the most music in the history of the planet? … “Choice is a tax, a penalty”: the faint sense of nausea you get from Netflix' fathomless sense of abundance. … how Elvis became a hillbilly with an unlimited budget. … are ChatGPT's music recommendations actually quite useful? We test the Beatles, Joni Mitchell and Miles Davis. … “what kind of a genius doesn't have medical insurance?” … old WW2 movies v the new Netflix series? There's only one winner … … plus Abba, Steampacket, Steeleye Span and Humble Pie: supergroups that worked.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Our record-breaking partnership faces a fresh set of spin bowlers on the rock and roll pitch but rifles a few shots over the pavilion roof, among them … … the time Elvis let his daughter ride her pony through the house. … when Moon Zappa (10) found naked hippies making candles in the garden. … “Can you get that? It might be someone important.” The Queen when her mobile rang. … Billy Joel's daily commute to work by helicopter. … John Peel, Elton John, Robert Christgau … who's listened to the most music in the history of the planet? … “Choice is a tax, a penalty”: the faint sense of nausea you get from Netflix' fathomless sense of abundance. … how Elvis became a hillbilly with an unlimited budget. … are ChatGPT's music recommendations actually quite useful? We test the Beatles, Joni Mitchell and Miles Davis. … “what kind of a genius doesn't have medical insurance?” … old WW2 movies v the new Netflix series? There's only one winner … … plus Abba, Steampacket, Steeleye Span and Humble Pie: supergroups that worked.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Poets speak as the world hooks on an Edinburgh loop 

Episode 974: Q: "Your segues are ridiculous - how do you come up with them?" A:"I had to look that up - I thought they were segways"

This week's show-you did it again. Fucking brilliant and political ❤️❤️

Episode 972: "That was the best show you've ever done... then again, I have thought that before"

We're back for the first episode of Peter Capaldi's final year — a simple, well-told tale of Girl Meets Girl, Girl Becomes Puddle, Girl Loses Girl and, finally, Girl Goes off with Her Tutor on a Series of Adventures in Time and Space. Welcome aboard, Bill Potts. It's The Pilot. Notes and links Friend from the Future was a promotional short designed to introduce Bill Potts first broadcast during Match of the Day on 23 April 2016, nearly a year before this episode aired. You can see the entire short here. Peter mentions the Star Trek: The Next Generation episode Skin of Evil as another TV episode containing a high-concept puddle. It's famously not very good, as Joe and Nathan discovered in this episode of Untitled Star Trek Project. You'll be relieved and probably unsurprised to learn that Nathan is wrong: John Peel doesn't claim that Genesis of the Daleks took place in 1831. However, TARDIS Wikia dates it as set in the 15th or 16th centuries, probably because in The Daleks, one of the Daleks claims that there were two races on Skaro 500 years ago. But the whole idea is absolutely enervating, don't you think? The squishy thing Todd mentions as a possible companion for the Doctor is, of course, Mr Huffle from The Return of Doctor Mysterio. The Doctor does apparently take it with him at the end of the story. And Pearl Mackie married her wife Kam Chhokar on 4 May this year. Here's a wedding photo from Tumblr. Douglas is Cancelled is Steven Moffat's most recent TV show — a four-part miniseries starring Hugh Bonneville, Karen Gillan and Alex Kingston, about a middle-aged male TV personality who is overheard making a sexist joke at a friend's wedding. Worth a look. Follow us Nathan is on Bluesky at @nathanbottomley.bsky.social and James is at @ohjamessellwood.bsky.social; Todd is on X as @toddbeilby. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow Flight Through Entirety on Mastodon and Bluesky, as well as on X and Facebook. Our website is at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we'll invent a massively high-concept backstory for you which prevents you from ever truly realising yourself as a person. And more You can find links to all of the podcasts we're involved in on our podcasts page. But here's a summary of where we're up to right now. 500 Year Diary is our latest new Doctor Who podcast, going back through the history of the show and examining new themes and ideas. It's first season came out early this year, under the title New Beginnings. Check it out. It will be back for a second season early in 2025. The Second Great and Bountiful Human Empire has broadcast our hot takes on every new episode of Doctor Who since November last year, and it will be back again in 2025 for Season 2. There's also Startling Barbara Bain, our Space: 1999 commentary podcast. We've covered the first six episodes of Series 1; Episode 7 should be out some times in the next couple of weeks. The Blakes 7 podcast Maximum Power has been on hiatus for a while, but arrangements for the recording of Series D are well underway, and we will definitely have some new episodes for your before the end of the year. And finally there's our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. Last week, they took a trip with Kirk, Spock and McCoy to the Planet of Space Ancient Rome in Bread and Circuses.

Episode 971: It's crunch time - the peak season for music releases - here you get 100s of hours work distilled

"WHO's OUT THERE? - Every DJ's question... perhaps now applies to us all... " Zaph Mann

Somedays you want to hide away with just a seagull for company... if so, why not let us join the party with nine songs from The Sewer Cats, Johnny Nasty Boots, The Chords UK, Mothra Slapping Orchestra, The Hard Toms, Alldeepends, Bermuda Squares, HS2 and Hood Rats.Voice of Jeff, Comedy Suburbs, Tony has your Facebook comments, Timo, sad news about The Hard Toms, seagull, last week, house hunting, Shropshire, John Peel, renovations, Chuck, Tour rained off, From the Vaults, Tony's International Gig Guide, this week, Lincolnshire, Forest v Wolves, Rockin' The Boneyard, no Izzatwat, Quiztime for Tony, jingles, Quatrro Tonaggio and a reminder of the ways you can listen.Song 1: The Sewer Cats – Tell Me Something TrueSong 2: Johnny Nasty Boots - SohoSong 3: The Chords UK – Indie Disco Friday NightSong 4: Mothra Slapping Orchestra – Ain't Got The SameSong 5: The Hard Toms – She's A LadySong 6: Alldeepends – El Surf Ya TengoSong 7: Bermuda Squares - OutsiderSong 8: HS2 – Don't Really Matter To MeSong 9: Hood Rats – We Can Be Zeros

This week jD is joined by Kyra from the cornfields of Western Illinois to discuss both her Pavement origin story as well as her perspective on track 19. Transcript:Track 2:[0:00] Previously on the Pavement Top 50. Blackout. So what do you think, Jessica, from Ann Arbor? I think it is a very solid Pavement song. Yeah. Like, I think it belongs in the top 20 to 30. Okay. Because, I don't know, it hits all the right Pavement beats. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[0:27] And you're listening to The Countdown. Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminal Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus, six taquitos, and a bottle of bismal. How will your favorite songs fare in the rankings? Rankings you'll need to tune in to find out so there's that this week i'm joined by pavement superfan kyra from the cornfields of western illinois illinois illinois how the fuck is it going my friend it's uh pretty fucking great thank you for asking all right well um let's let's not beat around the bush let's get right into this let's talk about your pavement origin story.Track 3:[1:27] Okay um i got into pavement in the early 90s um i um graduated high school in 1994 so that was the year oh cool all right so um so you know um yeah i was 18 years old i was getting ready to graduate high school and um i'd been hearing about pavement you know and like spin and stuff magazine spin magazine and stuff like that and it sounded cool but here in the middle of fucking nowhere cornfield um they just didn't have everything you know or um you know just things were slower to get here maybe yeah stuff like that um but it's a it's a small town western illinois i lived in a town of 800 people 801 people and um i'm right now i'm in the college town that's not far from there which is a town of like 20 000 i think okay western illinois University and that's where I live now and that's where I kind of grew up around here and ended up back here but so anyway I was a teenage kid and I was into Nirvana and Pearl Jam Soundgarden all that all that stuff Alice in Chains but I was also getting into cool stuff I had a really cool curiosity I think you know I was into uh Dinosaur Jr. I was getting into Sonic Youth and uh.Track 3:[2:43] Sugar, The Replacements, REM, Morphine, just stuff like that. I think I was getting into alternative type music. And I was also really getting into Bob Dylan around that time. Oh, wow. That's pretty diverse.Track 3:[3:00] So Pavement kind of clicked with me. I got that CD called No Alternative. It was a compilation. It had a bunch of cool bands. It had a new Nirvana song on it. I think that's why I wanted to get it, because it had a cool Nirvana. A new hidden track on it or something like that um but the pavement song was really cool it was unseen power of the picket fence which is that weird rem kind of tribute not one of their best tunes but it's fun and it's cool and it introduced me to their how goofy and uh quirky and there's there's their sound and stuff like that right right so and i thought that's cool i like that filed it away maybe, hip-pocketed it. But then I got off work. I worked at the Hardee's here in town, the fast food restaurant. I got off work, went home, and I turned on my little black-and-white TV I had in my room and watched the end of the Jay Leno show. And he had pavement as his guests on his show, and I just, they played Cut Your Hair. Yeah. And it was, I just thought, I fell in love right there. I was like, this is the coolest thing I've ever heard.Track 3:[4:17] And... And you're not wrong. Yeah, right? And it was around that time where Kurt Cobain died, too. And I was a big Nirvana fan. And shit was just really serious and heavy and kind of depressing. I was listening to a lot of Pearl Jam and Nirvana and Soundgarden and Alice in Chains. And everybody was a junkie and everybody was depressed. And pavement was a cool thing to come across around that time when I was an 18-year-old impressionable youth. because it wasn't really like that. It was fun, but it still felt very urgent, I felt. Their music felt vital and urgent and had a lot of depth and meaning for an 18-year-old kid, I think. Yeah. So it was a good breather from that serious stuff I've been listening to, and I was just instantly in love with that. And my friend, I think I went to school a couple days later, and my friend's like, hey, I bought that pavement tape that you told me about on Jay Leno or whatever. And he loaned it to me, and it was Crooked Ring, Crooked Ring. And of course, that's the greatest album ever made. So that was a pretty big one to get and get into. And I fell in love with that instantly, all those great songs. Songs, you know, Gold Sound, Silent Kid, Fillmore Jive, Ranged Life.Track 3:[5:47] Every song on that one's a banger, right? It's a masterpiece. Yeah, so I got into that. I was like, well, I got to go get more of this. So I came over here to the record store. We used to have four record stores in this town. Now we have zero. Oh, shit.Track 3:[6:02] Sucks but um anyway there's uh i came over here and bought the i saw another pavement cd and it was uh watery domestic chicken on the cover and that that's also the greatest thing ever made the greatest ep ever made i guess the greatest album ever no argument from me right and this was all within like maybe a few weeks a week or a week of each other and i just loved that i thought that was the best best thing i'd ever heard um and yeah i was just in love with paper after that And I was like, this is my band. You found your band. Yeah. And I eventually, over the next few months, started getting the other stuff. I got that Westing, which I don't know if you can see it back there, my little Steve Keen of the Westing cover. A friend gave me that. She bought it down from him in Oklahoma. But anyway, that's a great, that's a cool collection of tunes. And I was like, introduced me to their early stuff, which I thought was pretty cool. But I really like what they were doing currently more, you know, yeah, they're crooked rain stuff and you know And then I started just buying everything I could get from pavement and then I heard slanted enchanted I'm like, holy shit. This is also the greatest album ever made. So Yeah, yeah all that stuff. And then wowie zowie came out like maybe a year later, you know It wasn't very long and that one was pretty amazing too little little more of a head fuck than the other ones which is I.Track 3:[7:27] Awesome you know and i just a big fan ever since um did you convert people as well i tried you had like so that you had some sort of echo chamber to be talking about this or were you isolated with your fandom um well that's a good question because my friends some of my friends kind of dug when i dug pavement and when i played it for them but i don't think they were they clicked with it like i I did, where they were totally in love with it, but they enjoyed that album, Crooked Rain and Crooked Rain. I think I might have played them something off Debris Slide or something like that. I don't know about this one, but I remember that. I actually joined the Navy right after I graduated high school and found out in the Navy that nobody liked pavement or heard of pavement.Track 3:[8:18] I hardly met anybody. buddy um but i was traveling a lot and i would go to different towns to different record stores and find the find different pavement things so that was kind of fun and i would try to turn people onto it and it didn't really click very much i converted a few people though over the years i guess i had a roommate have people to talk to about it right yeah i had a roommate who was a drummer and i played him uh watery domestic i think and he was just blown away by the drumming I think that's Gary Young, right? Doing the crazy drumming on that one. Yeah, the drumming on that was Texas Never Whispers is so cool. And he was pretty blown away by that. He's like, this drumming is so different and not your typical drumming, I guess. So I converted a few people here and there over the years. Did you ever manage to see them live?Track 3:[9:08] I did, yeah, finally, two years ago. Oh, cool. I saw them at the Chicago Theater. Yeah, good venue? They were so good. It's a classic venue, but it's not my preferred type of venue to see them in, but it was a beautiful place, and I was seeing the greatest band ever there. They sounded really good. They sounded so good on that. Yeah, they were great. So um i saw that i saw um steven malchemist and the jicks also when they first went on tour in like 2001 and that was a really cool show yeah yeah um bob was driving the rv and uh selling t-shirts really it just seemed really like a cool little tour um i think steven's um malchemist's girlfriend was in the band kind of for a while there um and she was kind of like doing background own vocals and stuff like that so it was kind of a fun gig um yeah i saw him on the pig lib tour.Track 3:[10:13] Uh but i didn't make it out i don't i wonder where he would have played here for pig lib he played at a bar called lee's palace which is like just a great venue to you know just yeah he's into and i like those be with your people right i would rather do that than be at the show the Chicago theater but um this was at the metro where I saw in Chicago which is a it's kind of the cool venue in Chicago where all the cool bands play but um and I'm from small town it's three hours to Chicago for me a three or four hour drive um and you know it's scary in Chicago because it's hard to drive and traffic and stuff like that but that's why I didn't go to a lot of shows when I was a kid.Track 3:[10:56] Just because I'm a hillbilly and uh I um didn't make it to see them when I when I would have loved to have seen them when they were at Lollapalooza or playing small clubs and stuff like that, touring behind Slanton and Enchanted. But no, I just kind of didn't get the chance to actually see them. I remember actually my now ex-wife bought me tickets to see them just on a whim. I told her I wanted to go see them in New York when they first reunited, like the reunion in 2010. 2010, I guess it would have been. Yeah, and she actually bought tickets, but we ended up going to Jamaica and getting married instead around the same time, so I had to cancel that. I mean, that's kind of a bust.Track 3:[11:45] So I kind of missed the opportunity there, I guess. But yeah, I've just been a huge fan ever since. I always felt like all of their album releases were like an event. And I remember hanging out like when I was stationed in Texas, hanging out with some friends when Bright in the Corners came out.Track 3:[12:08] Playing it for them, and they actually really liked some of the songs on it. I remember, like, Stereo and Shady Lane and stuff like that. I thought that stuff could have been a hit. I was like, this stuff's going to be a hit, guys. And they're like, yeah, sure. And, of course, I'm always wrong. I was always wrong about that. I'm actually a radio person. I used to run the alternative rock station here in town when they had one, and I was always a champion of pavement.Track 3:[12:32] I do have a funny story, I guess, kind of funny. So I worked for the radio station here in town. there's like this local group of six radio stations yeah um and i was the um i ran the alternative station i was the music director and the dj there and then uh also was like the classic morning classic rock morning show person and um also the news kind of a news person too i just kind of did a lot of things jack of all trades or whatever but um our little station group got bought out by this uh corporate butthole hedge fund dude came down and bought the stations and then fired all the people basically but um they kind of kept me around for a couple months and i learned how to they talked told me i had to do the news so i was the news director and i had to make news stories and stuff like that which not much of a journalist but i was doing i was trying but um eventually they had they were going to fire me too and they did and i knew they were going to fire me so i did not go out without a fight and i um made this news story about how oh, the new owner was a butthole and all this stuff. But, you know, I still had like two something minutes left on my newscast.Track 3:[13:40] So I play, I'm like, oh, and here's pavement, gold sounds. And then I put gold sounds in there. And then I broadcast that out the rest of the day. They fired me across the whole area on all six of their stations. And so that went out and I exposed people to pavement and made my little...Track 3:[14:03] Snide remarks about the the butthole uh guy who bought the stations and fired everybody and, it was uh it was a good feeling you played gold sounds yeah yeah i just i just thought that was a good it was it was a good length i think it's it's it might be my favorite of their songs i i don't know what i don't have i don't think i have a favorite but i have many but um yeah that Very nostalgic. Yeah, it is. Yeah, it's just got that feel. Yeah, just something wistful about it, I guess.Track 3:[14:37] But, yeah, that was... Do you have a go-to record at this point? Like, do you have one that you'll put on, you know, when you're feeling pavement-y? Or does it depend on a specific mood? It's definitely a mood thing. It seems like Wowie Zowie is always getting played around here a lot for some reason. Um because that one's that one's big it's like the white album kind of you know favorite albums so it's a big long one with uh different moods and stuff like that and i kind of it's kind of how i am a moody person so i like the roller coaster ride of that one and i like the kind of woozy sound of a lot of the songs on that one i think it's just this beautiful sounding record and.Track 3:[15:20] Um, it's got songs I don't like on it, even like a couple that kind of, I find a little more jarring, but, uh, it's still the one I've been listening to the most, I guess. But I, um, the first three, I think are, you know, the greatest albums ever made. And, um, I like the other ones also. So I have those ones on vinyl. I don't have the last two albums on vinyl and I play a lot of vinyl. So I guess that's why I, um, but my kids are into it too. That's kind of cool. They've, uh, tick tock was the harness your hopes thing. I heard my kids listening to it and I was like, Whoa, that's so cool. And they, uh, they would like, I had a t-shirt and didn't fit me anymore. So they would, they would fight over the t-shirt. They had a couple of daughters.Track 3:[16:10] Yeah. Right. But they, uh, they did. I tried to get them a little deeper into it, but they, they know harness your hopes. Which is cool and uh i was like why what does this mean my daughter said it's for a fit check i'm like what the heck is a fit check it's like an outfit showing off your outfit yeah i didn't know that it's been around yeah yeah so that's it's over my head too i'm 50 years old yeah, so i think that's pretty cool and then i've they've gotten into it it's cool seeing younger kids get into it i see it every once in a while i see somebody who's considerably younger than to myself almost in my kids age and getting into Pavement I'm like that's good it means it's I was right this whole time you know about this great band justice.Track 3:[16:55] Exactly well Kyra what do you say we flip the record and get into track number 19.Track 3:[17:08] Okay alright we'll do that right after this.Track 3:[19:46] This week, we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song. Say it's, you know, song number one. Yeah, yeah, exactly. Which is cool. And it's one that really holds up, I think, too. So I was saying, if you're just joining us, I got into Pavement in 1994 at Crook and Rain, and it was awesome. And then I got Watery Domestic, and then I think a few weeks later, I got the Westing collection of tunes. And yeah, I just remember that one, immediately liking that song.Track 3:[20:37] One thing I like about it is it's got a twee kind of twee element to it almost like a beat happening or something like that, like K Records Calvin Johnson kind of sound which I didn't really know much about then but when I hear it now and there's also something R.E.M. About that guitar riff on that I agree with you there Early R.E.M., for sure. Yeah, and I know that it was a big influence on them. And I'm a huge R.E.M. fan now. So there's that. And that song, I actually had to look this up, but it said that it's a true collaboration between the two, Stephen and Scott. Spiral, yeah. Yeah, they kind of just, it was his riff, I think, and then Malcolm Husky wrote the lyrics and sang over it. And they didn't really write songs like that before or after. It's kind of one of the only ones that was like really a collaboration like that, I guess. Very. I mean, I think they were all collaborations in one way or the other, but...Track 3:[21:42] Yeah, for sure. On that tune. I love the lyrics of the tune. I love the meaning of it. I'm from Vermont, Illinois. Vermont IL, population 801. And Box Elder MO is just, I'm going to head to Box Elder MO. It's just he's going to head to some hillbilly ass town in Missouri. It's kind of what that's what i got out of it anyway um but being from a small town and being somebody who's different i'm a transgender woman um i didn't know it then but it's something i've always felt and it's something i still feel and getting hearing that line i've got to get the fuck out of this town meant something back then and recently maybe in the last couple years that tune is really everyone's like man i really love this song because i love that line i've got to get get the fuck out of this town because i was living in this other small town nearby which is just very, bigotty town and i was ready to get the fuck out of there so i'm glad to be out of that town um had to get the fuck out of that town and come over here to yes box elder love that that it means box elder yeah it's got some deep deep meaning um i think and uh yeah i'm in a place where there's I was in the town, there's not a lot of pavement fans, you know?Track 3:[23:02] So get the fuck out of this town. So yeah, it's a cool song. I think their sound and their songwriting improved significantly after that. But as an early tune, I think it's definitely one of their best. And it's one that definitely means something to me, I think, for sure. Love that song. Love Box Elder. It's a good one. What do you think about where it landed on the countdown, number 19?Track 3:[23:33] That's actually perfect. Do you think it's a fair spot for it? Yeah. I guess, yeah. I think it's a perfect spot. I mean, considering they made so many other great songs and that they really improved on their sound after that, but also as an early tune and they're finding their sound, I think that was definitely one of the most important songs in there.Track 3:[23:56] In their canon of awesome tunes. Well, really, I mean, if you think back, this song was covered by Wedding Present and played by John Peel. And I wonder if John Peel hadn't got his hands or mine wrapped around pavement. Like, they are so huge in the UK. Yeah. And it just makes me wonder what, you know, what would have happened had they not had access to you know john peel it would have been very interesting but so that's how he got into them through wedding presents cover that's how uh my memory is so shit but i feel that sounds yeah okay yeah if i'm wrong send me an email jd meeting malcolmus at gmail.com new email address everybody well kyra it's been good talking to you today from uh western illinois and uh talking about box elder i enjoyed myself i hope you enjoyed yourself and um that's about what we have to say do you have anything you want to plug.Track 3:[25:04] Um no i mean i i host a i host a folk uh alternative country americana radio show on tri-states public radio every sunday night at seven o'clock if people are into that sort of stuff um but uh that's what i do but nothing to plug i'm just here to talk about pavement.Track 3:[25:25] Love it i love the show it's a it's great show keep up the good work oh thanks that means a lot for real that's what i gotta say this week and uh we'll be back next week with song number 18 we are in the thick of the top 20 my goodness wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Baxie talks to Iain Slater from Scottish post-punk/funk band APB! This was incredibly influential band whose 1981 single “I'd Like to Shoot You Down” became a surprise hit through the NYC club scene—unbeknownst to the band! A new collection of Radio 1 session on the BBC has just been released by Liberation Hall Records. It also included several sessions with the late John Peel. Coming Monday on Apple Podcasts, SoundCloud, Spotify, the Rock102 website, and on the all new Rock102 app (available for FREE for both iPhone and Android) Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee