Podcast appearances and mentions of John Peel

This playlist is 63% vinyl friendly. Very poor. The Vertere DG-1 Dynamic Groove. One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere. My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices. NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 149 On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023 Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings. 05.15 COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026 Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig. There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84. Photo credit / copyright: Dec Hickey 08.37 JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016 A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here. 13.59 EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970 I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble. 17.33 BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023 If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned. 21.17 A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005 It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again. 23.56 KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986 The German maestros with some playful mid ’80s electro. Who else could it be? 27.01 BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984 In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth! 32.37 MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986 With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video. 38.42 ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990 At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches. 43.00 THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015 When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself. 47.23 MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005 Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale. 51.48 OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026 The So Far South EP original rightly has many admirers but I’m more with this moodier take. Screenshot 55.22 NOSTALGIX – Mess With Me – Download only – Confession – 2019 Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there. 58.32 SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977 There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me. 01.01.01 CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026 ‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed. 01.05.10 THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004 If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing. 01.08.19 JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978 I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL. 01.10.40 TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025 They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock. 01.13.00 TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981 Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82. 01.15.27 THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980 Julian in 1980. Sounding ‘quirky pop’ in 2026? 01.18.03 NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982 Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades 01.22.07 IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000 Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it. 01.25.53 STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9 For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour. 01.28.25 MT JONES – I Don’t Understand – Joy, LP – ? – 2026 New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see. 01.31.49 WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970 Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown. 01.34.39 BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019 Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out. 01.39.36 DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992 ‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92 Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird. 01.45.08 RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987 ‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89 ‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows. 01.52.18 RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015 Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places. Show 150 will upload April 5. Dec x The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.

When I was a kid in the 80's, I used to listen to a local radio show called On The Wire, presented by Steve Barker. Steve and John Peel were single handedly responsible for me finding bands and artists like African Headcharge, Sonic Youth, Tackhead, Test Dept, Cabaret Voltaire, Mark Stewart and The Mafia, Keith Le Blanc, Red Lorry Yellow Lorry and so many others. It was so, so thrilling to discover these new artists. And the show is still going, Steve is still going (albeit on Mixcloud because the BBC unceremoniously turfed him off the radio in favour of some shit pretentious show that'll have the listeners running for the hills.Anyway, he tags his shows with the magnificent term of “Undefinable” which makes me just love him even more because I loathe the whole way that genres are used to stereotype and pigeonhole.And this is where – in a long winded way -  my guest, David Roush and his wonderful band Ecce Shnak fit in. Undefinable. Going back to the release of Letter to German Vasquez Rubio around 13/14 years ago to their latest single Katy's Wart from their LP Joke Oso. They are a fascinating kaleidoscope of creative fertility and imagination which I think is one of the most important characteristics to have in the world today and I'm really excited to talk to David about his mindset and how this has helped to shape who he is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Episode 10 opens in the long-running genre they've accidentally perfected — two grown men versus consumer electronics — as Michael explains how he revived his ageing Samsung “smart TV” (now “a bit of a nuff-nuff”) with a cheap HDMI streaming box bought from an Australian online retailer that “rhymes with Hogan”.  The thrill here isn't just 4K; it's the moral victory of upgrading the brain while keeping the body.  The upgraded TV then becomes a portal to two YouTube documentaries that send the pair (and us) into a warmly nostalgic British lane. One is an ARTE doc on Madness — “Princes of Ska” — which prompts Michael to re-fall in love with a band he rates as not just a ska novelty act, but an elite singles machine whose later pop craftsmanship deserves more credit than the pigeonhole allows. The other find is the real rabbit hole: John Peel's Record Box — an hour built around the late BBC DJ's stash of 142 singles kept separate from his famously vast collection (more than 100,000 records). The documentary hauls the box around to fellow travellers and famous fans — Jack White, Elton John, others — letting them rummage, remember and speculate on why those particular records were kept close.  Peel, it turns out, could contain multitudes: Sheena Easton's “9 to 5”, some Status Quo, a heavy White Stripes presence… and a special extra shrine for The Fall, who were apparently too important even for the box.  Then Brian takes the wheel for the episode's marquee music moment: Bob Dylan's Blonde on Blonde turns 60, marked with a concert at Tulsa's legendary Cain's Ballroom, presented by the Bob Dylan Center (sitting right next to the Woody Guthrie Center, because Tulsa is quietly running a curriculum).  Brian's spoken with the Center's director, Steve Jenkins, who teases an event titled Sooner or Later with a lineup that reads like an alternate-universe festival poster:  Naturally, they can't leave the album itself alone. They circle around what makes Blonde on Blonde such a gravitational object: the New York-to-Nashville recording shift, Al Kooper and Robbie Robertson in tow, and the snap-in brilliance of Nashville players like Charlie McCoy and Joe South.  Michael calls it the culmination of Dylan's ridiculous 18-month streak from Bringing It All Back Home through Highway 61 Revisited to Blonde on Blonde — productivity that makes modern “content schedules” look like a wellness day.  Song picks follow: Michael is unwavering on “Visions of Johanna”; Brian leans toward “Most Likely You Go Your Way (And I'll Go Mine)”, while also marvelling that Dylan had “Positively 4th Street” sitting on the bench, unused, like a spare masterpiece. There are lighter detours too: a surprisingly vivid discussion of a film built around stand-up comedy as therapy (Will Arnett, Laura Dern, John Bishop's life story, Bradley Cooper popping up in a minor role because he can), and then Brian's recommendation of Mackenzie Crook's Small Prophets — a title that briefly defeats Michael because he searches the wrong spelling and finds financial advice instead.  Once located, it lands hard: whimsy, sadness, small acts, and a specific episode-four moment that gets Brian teary without him wanting to spoil why. Michael flags the return of Gillian Welch & David Rawlings, apparently digging deep into the back catalogue (with a Guardian five-star review from Toowoomba), plus the pair's Grateful Dead-adjacent moves and upcoming US tribute tour. They also talk up Robert Finley, the 71-year-old, legally blind Louisiana singer with the late-blooming career arc (carpenter most of his life, first records in his 60s, produced by Dan Auerbach of The Black Keys), heading to Australia in May for intimate shows.  Finley's story lands like a parable for anyone who's ever thought they missed their chance. (Michael, who's finishing his own record — under the gloriously self-aware pseudonym Imposter Syndrome, album titled Oversharing with Strangers — certainly hears it that way.) Episode 10, then, is classic On The Record: a podcast held together by cable management, cultural memory, and the belief that the best stories are found when you stop pretending you have a plan. Important Links: Madness - Princes Of Ska (2025 Documentary) John Peels Record Box {Full show} The Fall Bremen Nacht (Vinyl Version) BOB DYLAN CENTER PRESENTS “SOONER OR LATER,” ALL-STAR CONCERT CELEBRATING SIXTIETH ANNIVERSARY OF DYLAN'S CLASSIC ALBUM “BLONDE ON BLONDE”  Emma Swift - "Visions of Johanna" (Live at Layman Drug Company) Bob Dylan - Most Likely You Go Your Way (And I'll Go Mine) (Official Audio) IS THIS THING ON? | Teaser Trailer | Searchlight Pictures Small Prophets | Official Trailer - BBC Gillian Welch & David Rawlings - Brokedown Palace (Grateful Dead) Capitol Theatre, Port Chester, NY Robert Finley - Helping Hand (Later... with Jools Holland) Robert Finley First Australian Tour Details and Tix   

On this week's episode we return to 70s for the first of a mini-series on post-punk. A historical period, an unhelpful genre descriptor, a structure of feeling? Whatever it is, the guitar bands of the UK and NYC in 1978 were creating some serious music. Jeremy and Tim discuss where the term came from, what exactly the ‘punk' it was following was, and some the music's early proponents. With reference to The Slits, Wire, Talking Heads and more, we hear about the Hacienda, John Peel, Modernism and Mark E Smith. The guys unpack how funk and reggae were influencing bands like The Contortions in their experimentation with rhythm, visit the CBGB club in New York, and dispute received ideas about the division between punk and disco. Finally, we introduce a major character in out story over the coming months: Arthur Russell.Tracklist:The Slits - New Town (John Peel Session) Wire - I Am the Fly The Fall - Stepping Out Talking Heads - Tentative Decisions The Contortions - I Can't Stand Myself Books:Simon Reynolds - Rip It Up and Start AgainJohn Savage - ‘The New Musick' in Time Travel

On this weeks edition of Family Desert Island Discs I am joined by my nephew James Gething Lewis.Below are his favourite songs that would be keeping him happy during his time on his Desert Island Track 1 — Desert Island Discs Theme (The Sleepy Lagoon)Track 2 — Prologue: Jellicle Songs for Jellicle Cats (Cats)Track 3 — Do-Re-Mi (Sound of Music)Track 4 — Take Your Mama (Scissor Sisters)Track 5 — Sweet Transvestite (Rocky Horror)Track 6 — Life on Mars? (David Bowie)Track 7 — In Love (Prince)Track 8 — Sit Down (James)Track 9 — Sex Is In The Heel (Kinky Boots)Track 10 — Potiphar (Joseph and the Amazing Technicolor Dreamcoat)Track 11 — Bit of a Sort (Only Fools and Horses: The Musical)If could take just one Record: In Love by Prince Luxury: CD/Radio playerOne Book : The life of radio 1 broadcaster  John Peel  

Ray Russell in conversation with David Eastaugh  http://tartaruspress.com/ray/fifty-forgotten-records.html Ray Russell was not at the crossroads when Robert Johnson met the devil, and he didn't see Elvis Presley perform live. He wasn't at Woodstock, or Altamont, or on the roof of the Apple Building. To his enduring frustration, he didn't get to see The Sex Pistols in Manchester at the Lesser Free Trade Hall in June 1976, because he was only ten years old. There will be many others who are just as passionate about music as Russell, who also failed to be in the audience at seminal moments in music history. But, like him, they own records that mean the world to them, and have seen bands play who blew them away. The point is, we all treasure our own personal musical histories because they enrich our lives. This book is a celebration of being a committed music fan. He formed a band at seventeen and discovered he couldn't sing. Close friends released a record which used his lyrics, but John Peel played another of their songs. He ran a record label for a month, worked in a record shop and has released a few records of his own music.

We've got Drew Ailes (aka David Lunch, aka Egg Norton) from Minneapolis punk outfit Citric Dummies. We spend a suspicious amount of time talking about the horrors of SEO and marketing because, apparently, being a punk doesn't pay for the artisanal bread anymore. Drew explains how his background in "mucking about with systems" on the internet led to a career in corporate consulting, and why having a drummer who is actually a musical genius is the only reason the band hasn't folded in on itself. Expect tangents on the "blokey-bloke" culture of Oasis, the mystery of what on earth Arby's is, and why John Peel is the patron saint of record nerds. We also touch on the lighthearted topic of the political chaos in Minneapolis and ICE agents eating at the very Mexican restaurants they're supposed to be patrolling. You know, the usual cheery stuff. Drew Citric Dummie's track choices 1. Red Dons - Hard Feelings 2. Pinchers - Tonight 3. Sado Nation - Mom and pop democracy 4. Chipmonks Sludgefest - Diamond Dolls 5. Harry Chapin - W.O.L.D Dr Sam's track choices 1. Citric Dummies - Being Male is Embarrassing 2. Citric Dummies - I Can't Relate 3. Citric Dummies - Look Out World (I'm Eatin' At Arby's) 4. Citric Dummies - Life is so Horrifying

Julie & Paul in conversation with David Eastaugh  https://thewouldbes.bandcamp.com/album/hindzeitgeist Indie pop band from Ireland formed in 1988 by the three Finnegan brothers, evolving from their earlier band The Nobody's. Another brother James Finnegan managed the band, and footed the bill for the recording and for the first pressing of 250 copies of their debut single, released by Danceline Records. This single was famously championed by John Peel (it reached number 12 in that year's Festive 50). 17 year old singer Julie McDonnell left the band shortly afterwards, replaced by Eileen Gogan before breaking up in 1991. 

Vox, lead vocalist of Chameleons, discusses the group’s successful reformation and their latest album Arctic Moon. The conversation explores the Chameleons’ origins in Manchester’s late 1970s post-punk scene, their breakthrough John Peel session, and challenging relationships with CBS Records and producer Steve Lillywhite. Vox reflects on their early years and the tensions that led to the band’s original dissolution. Throughout, the conversation highlights the Chameleons’ status as one of the most influential guitar bands of the 1980s, whose atmospheric sound has cemented their legacy as Manchester’s most underrated musical export. Further information chameleonsband.com Chameleons podcast tracks Podcasts also available: Steve Diggle – Buzzcocks, David Gedge – The Wedding Present, Peter Perrett – The Only Ones, Andy Gill – Gang of Four, Barry Adamson – Magazine This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Vox – Chameleons appeared first on The Strange Brew .

A full retrospective of the most featured and most consistently great group to perform multiple Peel Sessions, THE FALL. Join us for a final go-around with the group as they provide us with two solid final sets for the BBC (Sessions 23 and 24; 2003-2004). Also included in the final celebration is a personal gift of a couple Fall songs on a one-off acetate that only John Peel owns, in honor of his 65th birthday. [Video] The Fall Recording Their Final Peel Session: https://www.youtube.com/watch?v=d14DQ2PzcT4Are you searching for the new episode now? Are you looking for the real thing, yeah? You may be missing out on more great Fall-related explorations… but not if you join ⁠WATF PATREON:  Full A & B-SIDE discussions (Now!), special (Patreon-only) bonus episodes, side excursions into Fall-member side projects, and early access to all episodes! ⁠⁠⁠⁠⁠⁠Join WATF Pod on PATREON and get them all! Including rare Fall content, merch, and exclusive chats with Gavin & Steve as they discuss everything Fall-related.⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow WATF Pod on: ⁠Instagram⁠  //  YouTube  //  ⁠Twitter⁠  //  ⁠Facebook⁠For more Fall-related info, please visit our fellow Fall-heads' great work at:  TheFall.org  //  Annotating The FallTheme Song by Gavin Watts: ⁠https://wearethefallpod.bandcamp.com/⁠Produced and presented by Watts Happening Records: ⁠www.TheWattsHappening.com⁠Advertising & Guest Inquiries - Contact:  wearethefallpod@gmail.com

Send us a textIn this Rugby Coach Weekly podcast, Dan Cottrell sits down with Darren Rea, John Peel, and Gareth Lewis to explore how inclusive SEND rugby has grown from a few Sunday sessions into a powerful community movement known as KatieFest.Together, they share how simple, values-led coaching has created safe, joyful, and challenging rugby environments for players with Special Educational Needs and Disabilities, while also bringing parents, carers, coaches, and clubs closer together. The conversation goes beyond drills and sessions to unpack confidence, belonging, routine, and why rugby is uniquely placed to adapt without losing its essence.From mash-ups with mainstream teams to national recognition and the ripple effect spreading across clubs and counties, this is a story about coaching with empathy, ambition, and belief. It is not about doing something “special,” but about making inclusion normal, visible, and lasting, and showing how rugby can genuinely be a sport for all.https://www.facebook.com/groups/1477604696958236/https://checkout.justgiving.com/c/3830429

Graham Cunnington & Paul Jamrozy in conversation with David Eastaugh  https://testdept.bandcamp.com/album/industrial-overture Formed in London in the early 1980s, Test Dept are regarded as one of the pioneering forces of ‘industrial music', recognised for their groundbreaking sound and powerful performances that pushed the boundaries of music, art and protest while exploring political and social issues. Centred around the founding duo of Paul Jamrozy and Gray Cunnington since resurfacing in the mid-2010s, the group recently signed to the Artoffact label and have just issued the first in a series of carefully curated box sets that will chronicle their career. ‘Industrial Overture. Studio & Live Recordings 1982-1985' consists of 42 tracks across 4 CDs and also available digitally. It includes a first ever reissue of the group's 1983 cassette-only debut album ‘Strength Of Metal In Motion', the classic ‘Ecstasy Under Duress' and ‘Atonal & Hamburg' albums (both unavailable for over three decades), plus a disc of hitherto unreleased studio recordings that incorporate two sessions recorded for the John Peel show on BBC Radio 1.

Welcome to the 21st Century!Or did you call it Y2K? And if so, can I ask WHY?Yes, pop fans and curators of variously compiled pop, we had survived the End of the Century. The millennium bug turned out to be nowhere near as life threatening as as we were told. No planes fell from the sky, no computer meltdowns and no return to the dark ages overnight. In fact the most terrifying thing about December 31st 1999 was the turgid TV schedules as we watched the Royal Family trying to join hands with Tony Blair, or worse - the cost of drinks and cloakroom queues in the nightclubs.So, as we entered the third millennium - with Cliff Richard still intact and fresh from his (nearly 4th) Festive chart topping prayer - how was the pop world faring? Despite the seeming lack of guitars (SO NINETIES), the charts were bursting with new, fresh and mostly young shiny talent!And Bryan Adams.And Tom Jones.And John Lennon.BUT, apart from these ‘legacy artistes', pop was back, Back, BACK. NOW 45 was here!Scandinavian superstar producers were serving up Britney, Backstreet, Aqua and, er, Lene for our delectation. Steps, S Club and Atomic Kitten were waving the Brit flag in their crop tops and combats (even H). Solo Spice was blossoming quicker than the viewing figures for Castaway (not hard) with Mel C and Geri leading the way. RnB and Garage was freshening up the charts. And of course EVERYONE was queuing in the airport terminals for another summer of dance and there is plenty of that on these two shiny discs. Bu t there is SO much more to this dazzling 45th volume of variously compiled pop. And taking us through it is GENUINE CONTRIBUTOR to the album - electronic producer and musician John Matthews aka Ricardo Autobahn aka the Cuban Boys! Yes, the Hamster Dance song as featured here!Join us as we climb aboard our futuristic Y2K hoverboards and not only revisit NOW45, discover the full story of how The Cuban Boys topped John Peel's Festive Top 50 and almost toppled the might Cliff and Westlife in the final Official Chart of the millennium. All from their bedroom. You couldn't make it up!All of this and Daphne and Celeste! Ooh (and quite literally) Stick You! Hosted on Acast. See acast.com/privacy for more information.

Send us a textJoin DJ Paulie and Lou, The Back in Time Brothers as they dive deep into the revolutionary world of 1980s UK indie music. This episode features DJ Brit's expertly curated top-ten countdown, celebrating the bands that defined a generation with their independent spirit and authentic sound—from The Cure's genre-defying evolution to The Smiths' jangly perfection, Joy Division's haunting post-punk, and the dream pop pioneers Cocteau Twins.Plus, contributor Todd Snyder delivers a fascinating "Rock Talk" segment exploring the most controversial and banned album covers in rock history, from The Beatles' infamous "butcher cover" to Nirvana's Nevermind baby. Discover how censorship battles often made these albums legendary.Throughout the show, enjoy the signature segments: "Busted" featuring hilariously inept criminals (including a bank robber who left his wallet behind), "Random Facts" with surprising trivia about the human body, and "Crazy Classifieds" with absurd fictional ads.Whether you're a die-hard indie fan or discovering these influential bands for the first time, this episode celebrates the DIY ethos, chaotic clubs, and John Peel sessions that shaped modern alternative music. Join The Back in Time Brothers for a journey through the sound that changed everything.Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Taking a break from watching their Go Ahead Eagles microwaves spinning, magazine editor Andy Lyons, writer Harry Pearson and host Daniel Gray continue with new-ish feature Backward Glance, in which a Random Issue Generator picks out an old copy of WSC magazine from the archives for them to chat about. This time, Issue 10 from Autumn 1987 pops up to deliver news of tiny Colin Moynihan's incognito hooligan checks, John Peel tape recorder mishaps, Geoff Denial of Oxford United, the Mick Co-op Appreciate Society and so much more. And magazine Deputy Editor Ffion Thomas previews WSC issue 458 and Record Breakers brings us some Fortuna funk.Support the showWould you like to hear twice as many podcasts and longer editions of these ones, and support our print magazine? You would? Then join the WSC Supporters' Club! Sign up here: www.patreon.com/whensaturdaycomes

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

brianturnershow.com, eastvillageradio.com. This week: Linda Steelyard and Mick Derrick from Prolapse chat on their return to full force with their first LP in 26 years: I Wonder When They're Going To Destroy Your Face, we zoomed on the eve of their upcoming UK tour and had a great gabfest.STARE KITS - Tycoon - Live in NYC 1979 (Feeding Tube, 2025)DAVE E. & THE COOL MARRIAGE COUNSELORS - Searching Through Sears - 7" (Christmas Pets, 2008)MEATUS MURDER - Sad Old Michael Love - More Songs About Balling And Food (NL, 2008)ERIC BURDON & THE ANIMALS - I'm An Animal - Love Is (MGM, 1968)MÀQUINA - Look Away Our Happiness - Why? (Picap, 1971)DANIELE BRUSASCHETTO - Trascino - Bluviola (Radon, 2001)SIR EU & TONY KILL - Cha (+ Pacific Yew) - African-American Psycho (NL, 2018)SNAREWAVES - Lock & Load  (BC, 2025)MONOSHOCK - Crypto-Zoological Disaster - Walk to the Fire (Blackjack, 1995)MODEL MANIA - Epic Cowboy - 7" (Boob, 1979)VON LMO - Flying Saucer 88 - Tranceformer (Future Language 2.001) (Munster, 2003)TAC POUME SYSTEME - Asmodel - V/A: model (FR) 200 Feet Deep In A Purple Idea (1971, re: Dig the Fuzz, 2025)THE STERILLES - Gravy Sucking Pig - On the Rag (Screaming Skull, 1987)ANNIE ANXIETY - To Know Evil - Soul Possession (Corpus Christi, 1984)BRIDGETTE & PAULA POWERS SPEAK TO TV NEWSNASA RECORDING OF WIND ON MARSPROLAPSE - On The Quarter Days - I Wonder When They're Going To Destroy Your Face (Tapete, 2025)BT CHATS WITH PROLAPSE'S LINDA STEELYARD & MICK DERRICKPROLAPSE -  Psychotic Now (w/John Peel intro) - Pointless Walks To Dismal Places (Cherry Red, 1994)PROLAPSE - Autocade - The Italian Flag (Jetset, 1997)PROLAPSE - Killing the Bland / Slash/Oblique (Live Roundhouse, London, 6/24/15)

Remembering the great BBC DJ John Peel on what would have been his 86th birthday with journalist Stephen Dalton and Paul Hanley of The Fall

In this episode of the Who's He? Podcast.... Review - The Evil of The Daleks In this podcast continuing Troughton Month, Phil, Paul and Scott provide their thoughts on the differing novelisations of The Evil of The Daleks, one written by John Peel and the other written by Frazer Hines. But is this really the best Doctor Who story as was voted for during the shows 30th anniversary year, or is it a long winded story, bloated with too many characters that serve no purpose other than to be Dalek fodder? Listen to find out what they thought as they discuss the differences between the written and visual versions and will Paul wearing no trousers really help matters? You can currently find us on X, Threads, Mastodon, Bluesky and Facebook.  Don't miss an episode by subscribing to our show on Apple Podcasts/iTunes, Spotify, Amazon Podcasts, plus many other podcatchers of your choice. 

The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Blacknell dated Kate Bush and flew on Concorde with Phil Collins from London to Philadelphia during Live Aid—just two highlights from a life lived at full volume. A former BBC presenter and MTV VJ, Steve introduced New Order on Riverside, hosted Breakfast Time and Radio1's In Concert, and interviewed everyone from Lemmy to David Cassidy (in a hotel jacuzzi). He got his start in hospital radio thanks to advice from John Peel, worked in PR for labels like Decca and Chrysalis, and did PR for Peter Stringfellow in the '80s. Now CEO of the Central London School of TV and Media Training and host of Soho's Waffle Club, Steve's memoir Tales From The Bedroom Wall, charts his journey through fame, addiction, reinvention—and everything in between . Steve Blacknell is our guest in episode 509 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Steve Blacknell's memoir, Tales From The Bedroom Wall: The Life & Times of a Serial Thrill Seeker, is out now, copies are available to buy from https://www.steveblacknell.comFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Christopher & Jobst im Gespräch mit Marcus. Wir reden über Stilrevolutionen, Cretins & Ideal, die Gegenwart an der Vergangenheit messen, Verlust von Solidarität, Digitalisierung als Ego-Maschine, mehr Beratung brauchen können, Mut haben Sachen auszuprobieren, ein priviligiertes Leben führen, eine 10 Jahre ältere Punk-Cousine, Ritterburg spielen, der einzige Psychobilly in Xanten, die Müslis, Schließmuskel in der Rockbar, die beste Pommesbude, teilen lernen müssen, "Ich möchte, dass Du niemals einer Frau auf die Nerven gehst.", sich nicht für Gesellschaftsspiele interessieren, ein Jugendbett mit Radio, Mix-Tapes, John Peel grüßt Christopher, TC Blau-Weiß Rees, früh auf Konzerte gehen können, die Klingonz, Stompen das Pogen der Psychobillys, Mad Sin & The Quakes & Ghoul Town, das Zwischenfall in Bochum, "New Day Rising" immer im Unterricht spielen, alle zum Techno, Team Mudhoney, die beiden "Touch Me"s, das Ding einer totalen Endlichkeit, tiefe Verbindungen zu Menschen, Pathos furchtbar finden, die Mythen über den Schwanz von Iggy Pop, Nick Hornby furchtbar finden, nach Woodstock reisen wollen, Press Club entdecken, Studium mit Auflegen finanzieren, wenn Tom Waits anfängt zu hauchen, stimmfixiert sein, der größte Trick von Lana Del Ray, The Flaming Cowboys, ein Jahr Schlagzeugunterricht, mal wieder rausgeflogen, Stress mit Sandro, plötzlich HiWi an der Uni, Promotion nahegelegt bekommen, Gründung eines Kulturverlags, Existenzphilosophie, Radio mit Stefanie Tücking, einen Agenten brauchen, endlich politisch schreiben können, legitimierte Sprecher:innen, Fred Perry & Tennis, die Wichtigkeit von Distanz, Interesse an Bildung, Räume werden enger, vermehrte Unsicherheiten, affirmative Zeiten, Feindlichkeit gegenüber Grundsäulen der Demokratie, mehr Differenz & Widerstreit aushaltbar, John McEnroe, die Rebarbarisierung von Tennis, ein Egotronic-Zitat, Zielgruppe: Boomer:innen, wie Werbung bei Reclam geht, "Keine Macht für Niemand" als Dokuserie, koreanisches Essen, dankbar für Vertrauen, eine Allergie gegen Robbie Williams, uvm.Drei Songs für die Playlist1) Ein Lied, das der 15-jährige Marcus geliebt hat: STOOGES - Search & Destroy2) Ein wichtiger deutscher Pop-Song, den zu wenig Leute auf dem Schirm haben: CRETINS - Samen im Darm3) Ein richtig gute musikalische Neuentdeckung von Marcus: PRESS CLUB - To All The Ones That I Love

In this episode we welcome the great Paul Gambaccini into RBP's world and ask him about his 50+ years as one of Britain's best-loved broadcasters. "The Great Gambo" tells us about his early radio days at Dartmouth College's WDCR station and explains how he slipped his foot in the door at Rolling Stone in 1970. He then recounts his first meeting with "underground deejay" John Peel (plus his BBC producer John Walters) while still an Oxford postgraduate fleeing Richard Nixon's America, We ask our guest about his famous Stone interviews with Elton John (and Bernie Taupin) and Paul McCartney, then hear about his Radio 1 debut in 1974. Paul discusses his sexuality, his winding up on the Beeb's "Christmas tree" list, and his nightmare year of being witch-hunted without evidence by the sleuths of Operation Yewtree. After offering his thoughts on the constitutional crisis in his homeland, our guest expresses his approval of Beyoncé ahead of her "Cowboy Carter" tour's London leg in June. We listen to clips from a 2003 audio interview with "Queen Bey" by The Observer Music Monthly's Simon Garfield. After Mark quotes from newly-added interviews with Elvis Presley (1969) and Roxy Music's (Brian) Eno (1973), Jasper talks us out with his thoughts on pieces about the Roots (2005) and Beyoncé's sister Solange (2007). Many thanks to special guest Paul Gambaccini. Hear his radio shows on the air, including the Paul Gambaccini Collection on BBC Radio 2. Pieces discussed: Paul Gambaccini's writer's page on RBP, The Rolling Stone Interview: Elton John, Paul McCartney, Beyoncé audio, Elvis the Husband talks about Elvis the Pelvis, The Strange World of Roxy Music, The Roots: Growing Underground, Romanthony: A Prince Among Men and Why Solange Matters.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Wendy Robinson in conversation with David Eastaugh https://www.thecalmzone.net/ The band was formed by Wendy Robinson (vocals) and Polly Hancock (vocals, guitar), initially with a drum machine. This line-up recorded the debut "Don't Go Back" EPon Big Cat UK (catalogue number BBA02) in August 1988) achieving "Single of the Week" in Melody Maker. A John Peel session, produced by Dale Griffin and recorded at the BBC studios in Golders Green, London, was first broadcast on 21 September 1988 and repeated on 11 October 1988. It featured four original songs; "Perfect Dream Home", "Fine Lines", "Dr Fell" and "Backward" Daydream. They then recruited Dana Baldinger (born Seattle,), and signed to One Little Indian Records, releasing "Please Let Me Go" as a single in April 1990; this too attained Single of The Week in Melody Maker. Baldinger was eventually replaced by Anne Rogers of The Crowd Scene.

I had the pleasure to talk to frontman HARRY STAFFORD of Manchester post-punk legends INCA BABIES about the band's latest album Ghost Mechanic Nine, released on Black Lagoon Records. We also talked about the  "Inca Babies Documentary on the Making of Ghost Mechanic Nine - From 80s Hulme to 2024." A vibrant part of Britain's early postpunk/goth/death rock scene, INCA BABIES amassed a steady following through touring and releasing six singles and four albums, all entering the UK Indie Charts. They also recorded four sessions for BBC's legendary John Peel show between 1984 and 1988. The band reformed in 2007 and hasn't looked back since.Stafford (guitar, keys, vocals) revisits the raw guitar sounds of the band's 80s output, joined by Rob Haynes (drums, percussion), Jim Adama (bass) and Kevin G. Davy (trumpet).Watch the Interview on YouTube :  https://youtu.be/iP6IwbGg2Tw?si=0jB8EUpodZo_HizfInca Babies Documentary on the Making of Ghost Mechanic Nine - From 80s Hulme to 2024:https://youtu.be/B3vjByUSSSY?si=A3Z1u7R5Ceonk9u6https://incababies1.bandcamp.com/Photo of Harry taken by Mick PeekThank you for liking, subscribing and sharing this podcast !  DARK ALOHA for your continued support !  Follow me on my other social media sites YouTube :   https://www.youtube.com/@DJNocturnaWebsite: https://djnocturna.comFacebook:   / nocturna.remixed  Instagram:   / djnocturna  Tiktok: https://www.tiktok.com/dj.nocturna  Bsky: https://bsky.app/profile/djnocturna.bsky.socialX: https://x.com/djnocturna

Liverpool post-punk pioneers The Room are back with 'Nemesis', the potent second single from their latest album 'The Telling', presenting their trademark blend of progressive, alternative pop and sultry post-punk. As with the lead track 'The Teller', the accompanying video was produced by Mark Jordan. A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics alike.Firm favourites of the late great John Peel, The Room was formed in 1979 in the golden years of northern English post-punk. In 2023, they re-formed after a lengthy hiatus, releasing their critically acclaimed 'Restless Fate' album, their first release in 38 years. Their melodic blend of progressive, alternative pop and sultry post-punk is as fresh and relevant now as when they disbanded in 1985.Formed by singer Dave Jackson and bassist Becky Stringer, they are joined by original drummer Clive Thomas, along with guitarist Darren Brown, keyboardist Ethan Kyme, and the haunting backing vocals of Helena Jacks. 

Episode 1000: A classic episode with an extended extra bit!

Ethereal Encounters Unveiled welcomes Mark Christopher Lee February 20th, 2025 Topic:Are Aliens A Part of God's Creation? Investigative Film Maker Mark Christopher Lee Born - not so recently in a Northern mill town where he studied Classical music at the renowned Huddersfield School of Music - eventually escaped to the glorious south of England and found solace in indie pop and after a short stint with morose Scots band The Jesus And Mary Chain he formed his band The Pocket Gods in 1998. Some 25 years later, and 76 albums and 5,000 songs later, the band has gone from playing gigs to a couple of dogs and a piano tuner to obtaining 10 Guinness World Records millions of streams, bringing real change to a broken music industry. High-profile champions along the way have been John Peel, the legendary BBC Radio 1 D.J. who loved their track Ballad Of The Peshwari Naan, and more recently Tom Robinson of 2,4,6,8 Motorway fame. His campaign for fair royalties from Spotify led to them changing their playlist rules to allow 30-second tracks on them and also led to them increasing their subscription rates, which hopefully will be passed on to artists. He has also given evidence to the U.K. parliament in their investigation into the economics of music streaming. He has been interviewed by the Wall Street Journal, Fox News, BBC World News, BBC 5 Live, TalkTV, ITV, London Live, The Independent, The Times, and many more. He decided to start making films in 2019 to tell the story of his band and then to make T.V. so that he could explore his love of UFOs and the paranormal. Check out Mark's world-first album, 100X30, which featured 100 songs all 30 seconds long—this led to the first of many Guinness World Records.

"Nine Nine Nine" nicht winken (not waving) no, no, no. 

Ethereal Encounters Unveiled welcomes Mark Christopher Lee February 20th, 2025 Topic:Are Aliens A Part of God's Creation? Investigative Film Maker Mark Christopher Lee Born - not so recently in a Northern mill town where he studied Classical music at the renowned Huddersfield School of Music - eventually escaped to the glorious south of England and found solace in indie pop and after a short stint with morose Scots band The Jesus And Mary Chain he formed his band The Pocket Gods in 1998. Some 25 years later, and 76 albums and 5,000 songs later, the band has gone from playing gigs to a couple of dogs and a piano tuner to obtaining 10 Guinness World Records millions of streams, bringing real change to a broken music industry. High-profile champions along the way have been John Peel, the legendary BBC Radio 1 D.J. who loved their track Ballad Of The Peshwari Naan, and more recently Tom Robinson of 2,4,6,8 Motorway fame. His campaign for fair royalties from Spotify led to them changing their playlist rules to allow 30-second tracks on them and also led to them increasing their subscription rates, which hopefully will be passed on to artists. He has also given evidence to the U.K. parliament in their investigation into the economics of music streaming. He has been interviewed by the Wall Street Journal, Fox News, BBC World News, BBC 5 Live, TalkTV, ITV, London Live, The Independent, The Times, and many more. He decided to start making films in 2019 to tell the story of his band and then to make T.V. so that he could explore his love of UFOs and the paranormal. Check out Mark's world-first album, 100X30, which featured 100 songs all 30 seconds long—this led to the first of many Guinness World Records. https://tubitv.com/person/f4581e/mark-christopher-lee

Episode 998: "We listen almost every week.... not knowing where the next show will take us.... thanks!"

What more can be said about returning guest Steve Michener (Big Dipper, Volcano Suns) that hasn't been said already during his SEVEN previous appearances?!? Perhaps not much, but Steve is ALWAYS a great guest, and he returns with a gem of a record that many may not have heard of before - the delightful one-and-done release by British singer/songwriter multi-instrumentalist Henry Badowski, 1981's 'Life Is A Grand' Songs discussed in this episode: All Going Out Together - Big Dipper; Life Is A Grand - Henry Badowski; I Dream Of Jeannie - Hypnolovewheel; My Face, Baby, Sign Here With Me - Henry Badowski; Right To Work - Chelsea; Antipope - King; Kids In America - Kim Wilde; My Face, Henry's In Love - Henry Badowski; That Summer Feeling - Jonathan Richman; Swimming With The Fish In The Sea, The Inside Out - Henry Badowski; The New World - Robert Fripp; Lester Leaps In - The Monochrome Set; Life Is A Grand - Henry Badowski; Don't Bring Harry - The Stranglers; Silver Trees, This Was Meant To Be - Henry Badowski; Common People - Pulp; Anywhere Else - Henry Badowski; Baby, Sign Here With Me - King; Edward The Bear - The Damned; Baby, Sign Here With Me - Henry Badowski; Shot By Both Sides - Magazine; Dead Finks Don't Talk - Brian Eno; Rampant - Henry Badowski; Love Is The Drug -Roxy Music; Making Love With My Wife - Henry Badowski; She's Fetching - Big Dipper; My Baby Don't Care - King

Episode 997: It was Australia in 2022, Scotland in 2023, France in 2024, who is dominating 2024 so far.... Italy

Episode 996: "Unearthing ever more gems outside the music mainstream"

Episode 995: "Your shows lift me up each week - amazing music!"

Episode 994: Great Authors inspire in this new music

Episode 993: Is the feminine voice the finest experience in music?

Episode 992: The first show of 2025 is full of crackers fit for FFO 2025 come December!

Broadcaster and Radio DJ Annie Nightingale passed away earlier this year. In memory of her, please enjoy this episode of the Book Club podcast, from the archives, in which she joined Sam Leith in 2020 to talk about the publication of her book Hey Hi Hello.   Annie Nightingale was Britain's first female DJ, an occasional Spectator contributor, and the longest serving presenter of Radio One. Annie spoke to Sam about the Beatles' secrets, BBC sexism, getting into rave culture, the John Peel she knew - and how while most people never get past the music they love in their teens, she's never lost her drive to hear tunes she's never heard before.

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

Mark Hoyle in conversation with David Eastaugh https://www.route-online.com/all-books/swerve https://dubsex.net/about Dub Sex are often cited as one of Manchester's greatest ‘lost' bands. Formed in the concrete landscape of 1980s Hulme, their music is appropriately raw and intense, bass-led with wiry guitar patterns swirling around the impassioned vocal style and presence of frontman Mark Hoyle.  They came to prominence over the release of five critically acclaimed EPs and mini-albums in the late 80s. John Peel picked up on them from the outset playing a demo recording of ‘Tripwire!' later describing the band on-air as “one of my very favourites”. Dub Sex went on to record 4 sessions for his BBC Radio show, the first of which incredibly aired 3 times in just 6 weeks during Feb/Mar 1987.   ‘Tripwire!' saw a formal release later in 1987 on the band's debut EP. The mini-album ‘Push' and ‘The Underneath' EP soon followed. Enthusiastic music press reviews helped the band's profile rise amongst the post-punk fraternity and incendiary live shows led to several TV appearances including BBC's influential ‘Snub TV' and Tony Wilson's Granada show ‘The Other Side of Midnight'.   By early 1989 and the release of the ‘Swerve' EP, Dub Sex had become Indie Chart regulars with ‘Swerve' also making John Peel's ‘Festive Fifty' at the end of that year.  

Episode 986: Last show and last chance to get your VOTES into the Festive Fifty One F51 - https://inmemoryofjohnpeel.com/festive-51-2019-voting/

Episode 985: Obsession and Mysterious Intent as listeners vie for their best of the year VOTES in the Festive Fifty One F51 https://inmemoryofjohnpeel.com/festive-51-2019-voting/

At my invitation, Steve Albini appeared on Kreative Kontrol at least once a year since its inception in 2013. We started a tradition where we spoke just ahead of annual, poverty alleviation Letters to Santa live events, such as the gala they're holding on November 23, 2024, at the Brookfield Zoo Chicago: Discovery Center, featuring Jeff Tweedy, Fred Armisen, and Kim Deal among others. To maintain the tradition and spirit of the talks we had, I plan to feature archival interviews I conducted with Steve over the years, presenting them here ahead of Letters to Santa events for as long as possible. Here's the second radio interview we ever did. It took place in the early summer of 2007 and was ostensibly about the then new Shellac album, Excellent Italian Greyhound, and touched upon local radio fame, Martina Navratilova, people who film concerts instead of participating in them, Canada, SCTV, John Peel, and more.Support vish on Patreon! Specifically by November 21, 2024 to help reach our membership drive goal of 600 paid subscribers!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:My first Steve Albini interview (2006)Ep. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #806: The BreedersEp. #692: WilcoSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Somedays you want to hide away with just a seagull for company... if so, why not let us join the party with nine songs from The Sewer Cats, Johnny Nasty Boots, The Chords UK, Mothra Slapping Orchestra, The Hard Toms, Alldeepends, Bermuda Squares, HS2 and Hood Rats.Voice of Jeff, Comedy Suburbs, Tony has your Facebook comments, Timo, sad news about The Hard Toms, seagull, last week, house hunting, Shropshire, John Peel, renovations, Chuck, Tour rained off, From the Vaults, Tony's International Gig Guide, this week, Lincolnshire, Forest v Wolves, Rockin' The Boneyard, no Izzatwat, Quiztime for Tony, jingles, Quatrro Tonaggio and a reminder of the ways you can listen.Song 1: The Sewer Cats – Tell Me Something TrueSong 2: Johnny Nasty Boots - SohoSong 3: The Chords UK – Indie Disco Friday NightSong 4: Mothra Slapping Orchestra – Ain't Got The SameSong 5: The Hard Toms – She's A LadySong 6: Alldeepends – El Surf Ya TengoSong 7: Bermuda Squares - OutsiderSong 8: HS2 – Don't Really Matter To MeSong 9: Hood Rats – We Can Be Zeros