Podcasts about when stuart

As a filmmaker, director of photography Stuart Biddlecombe wants to visually put his ideas on screen, telling stories that he genuinely connects to with true creative collaborators who listen and contribute. When Stuart came aboard to shoot part of season three of The Handmaid's Tale, he knew he was taking on the mantle of what has become an iconic show. He had read the book in high school, and feels that the television series does an incredible job of putting the book into pictures, continuing to tell a meaningful and important story. Stuart was fortunate enough to begin working on the show with former cinematographer and Emmy winner Colin Watkinson, who had moved into directing. He was able to learn the ropes from Watkinson and continue the look of The Handmaid's Tale smoothly into season four. Stuart was very involved in the production of the fourth season of The Handmaid's Tale, and he loved the extraordinary creative input he's had on the show. He would meet with lead actor and executive producer Elisabeth Moss and showrunner Bruce Miller to talk though each episode, discussing with them what they wanted to shoot and what direction each episode should go. Color on The Handmaid's Tale plays a very important role- Gilead is presented with strong red, blue and black costumes while the colors and tones representing Canada are muted and softer. In season 4, as the story follows the main character, June (Elisabeth Moss) as she escapes to Canada, Stuart knew they needed to change the color palette, shifting into stronger colors and contrasts to push the look forward. Stuart began working in television in the UK before he went to film school, on game shows such as Who Wants to be a Millionaire?, but felt no love for the job. He decided to attend college at the National Film and Television School in order to learn more about the art of telling stories using a camera. He was in a very small film class with fellow cinematographer Charlotte Bruus Christensen. After film school, he shot several episodes of Call the Midwife and Doctor Who. Working in television taught Stuart how to shoot quickly, creating storytelling in the purest form, without the need for a lot of coverage. Stuart finds working on many of today's television shows such as The Handmaid's Tale to be very satisfying, as the lines of quality storytelling are blurring between television and film, with many television shows matching or even exceeding much of what can be seen in the cinema. Find Stuart Biddlecombe: https://www.stuartbiddlecombe.co.uk/ Instagram: @stuartdop You can see The Handmaid's Tale season four streaming on Hulu Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep131/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

How do you build a Passive House? The construction of a Passive House requires specific processes and knowledge. Learn what it takes to build the Owl Woods Passive House Project in my interview with Stuart Lee. SHOW NOTES: In this episode, we meet Stuart Lee of Craftsmen Quality Builders. Stuart is the builder for the Owl Woods Passive House, and if you listened to my interview with David Rhind, the client and owner, you may recall that it was when they met Stuart, that they got interested in making this home a Passive House, and dived into this whole process. Stuart is a fantastic advocate for the building industry, as he really demonstrates what quality building, client collaboration and teamwork looks like. Even if you don’t want to build or renovate a Passive House, I really encourage you to listen to this episode and learn what to look for when choosing your own builder. Stuart provides some great advice to support you in your selection. Introducing Stuart Lee, Craftsmen Quality Builders Stuart is a builder and Qualified Carpenter, and he’s also a Certified PassivHaus Tradesman and Accredited Green Living Builder. Stuart has worked in the building industry for over 15 years and is very passionate about building energy efficient and PassivHaus homes. He feels the best way he can support the environment is to build homes that hug the land rather than sit on it. When Stuart learned of the passivhaus standard - and he talks about this in our interview - he felt compelled to focus his business on implementing the key principles it uses. Stuart and the Craftsmen Quality Builders team love what they do, which in turn infuses the structure with love and laughter. Stuart believe this makes their homes feel very special. In this episode, Stuart tells us what is involved in the construction of a Certified Passive House home. These are the questions Stuart and I discuss in this episode ... Why do you believe homeowners should build a passive house (you have a great rundown on this on your website)? What made you commit to being certified as a Passive House Tradesperson? When we look at home construction, how does a Passive House differ to mainstream home construction ... what are you doing differently and how much harder is it? Tell us about your involvement in the Owl Woods Passive House - because I understand you were the one initially that proposed making it a passive house? Is building a Passive House more expensive? How do you suggest homeowners on a budget build a Passive House? It appears to me that a Passive House actually demands a really high level of attention, detail, care and quality from the builder ... and because it needs to be certified at completion to a performance level (with the blower test etc), this is a really good way of getting certainty, as a homeowner, that your home is getting built the way it should. That you’re getting what you’re paying for. Do you see homeowners feeling this way? How do you generally suggest people work well with their builder to get a good result? And do you have key tips for homeowners planning to build a Passive House? How should they start? What should they ask builders they’re speaking to? Even if you are not building a Passive House, I really recommend listening to this episode, as Stuart helps demonstrate the standard to strive for in your renovation or building project. There’s an energy that comes from a great team working well together in a quality, focussed and committed way, that can bring total joy to your life and home in the long term. I think you’ll really hear that in Stuart’s own passion for what he does, and hopefully it inspires you to keep looking until you find a team to support you in the same way for your home. Listen to the episode now. This episode is brought to you by my online course “How to Get it Right in Your Reno or New Home”. This is a superfast course that will help you get ready for your renovation or building project in the best way possible. In it, I share my step-by-step system to help you save time, money and stress in your project, so you can know what you need to know and create the perfect home for you - simply and with confidence … avoiding the dramas and heartaches. You can join now, get access to a fantastic Facebook community, Live Q & A sessions with me, and all the tools and resources you need to achieve success in your project. Head to www.undercoverarchitect.com/howtogetitright to learn more and join us. FOR RESOURCES MENTIONED IN THIS PODCAST CLICK HERE

Today Joey speaks to Stuart Coupe. When Stuart moved from the northern Tasmanian town of Launceston to Adelaide in the mid-70s he was a representative squash player, with a passion for music, and an unlikely taste for counter culture. It was not long before he fell into the world of music – his own zine roadrunner was a quiet step into a career that would see him come face to face with the likes of Bob Dylan, and Mick Jagger, manage Paul Kelly and the Hoodoo Gurus, and promote acts as varied Chris Whitley, Lucinda Williams, and Harry Dean Stanton. In more recent times he has taken up radio. On Tuesday he hosts Tune Up - a show dedicated to covers - due to that and the many other shows he has hosted over the years he is often referred as the god father of FBi radio.

[00:05] PIT - Stuart Kerr - Rock Human Devices - The Pitch [01:40] What is the point of The Pitch? [02:40] Stuart talks about Rock Human Devices, a Singapore-based company building tough, well-designed medical devices - starting with hearing loss [08:15] Stuart and Graham have a look at a functioning prototype of the hearing-aid glasses. How much does it cost to make one? Also, will the hearing-aid glasses be regulated and medically certified soon? [14:15] How did Stuart fund the making of the hearing-aid glass prototypes? What were the assumptions challenged when he did the trial with 25 people? [17:05] How light is the prototype? Also, why hasn't this been done already? [18:30] Stuart studied electronic engineering at Strathclyde and robotics in Japan, worked in Japan developing machines used in particle accelerators in CERN and SUPERKEKB, then worked for Singapore-based startup Pirate 3D in launching a 3D printer, then joined Dyson [22:10] What was Dyson really all about? Ultra-high performance first before aesthetics. Also, the backstory behind Dyson Supersonic hair dryer [27:35] Dyson develops core technology that solves very fundamental problems with how people interact with machines. So why wouldn't companies start with that thought - "this is the problem the customer has. What is the best way of solving it?" [33:00] When Stuart was prototyping the hearing aid glasses, how did he keep it lean? Did he consciously not go out and recruit or was he so busy doing the thing? [35:20] After receiving funding, what's next for Stuart and Rock Human Devices? What would be the value of that to another company? Can Rock Human Devices become the Dyson or Apple of the medical device world, or IPO? [37:35] Stuart says Rock Human Devices will eventually become a software company that has the hardware that the software runs on. Also, he talks about developing a prosthetic limb with machine learning [44:40] Contact Stuart on Linkedin here https://sg.linkedin.com/in/stuart-kerr-35a79449 *Note: If you are a Startup and want to tell your startup story on our Pitchdeck Asia show, Click here - http://www.pitchdeck.asia/pda-soundcloud*

[00:05] PIT - Stuart Kerr - Rock Human Devices - The Pitch [01:40] What is the point of The Pitch? [02:40] Stuart talks about Rock Human Devices, a Singapore-based company building tough, well-designed medical devices - starting with hearing loss [08:15] Stuart and Graham have a look at a functioning prototype of the hearing-aid glasses. How much does it cost to make one? Also, will the hearing-aid glasses be regulated and medically certified soon? [14:15] How did Stuart fund the making of the hearing-aid glass prototypes? What were the assumptions challenged when he did the trial with 25 people? [17:05] How light is the prototype? Also, why hasn't this been done already? [18:30] Stuart studied electronic engineering at Strathclyde and robotics in Japan, worked in Japan developing machines used in particle accelerators in CERN and SUPERKEKB, then worked for Singapore-based startup Pirate 3D in launching a 3D printer, then joined Dyson [22:10] What was Dyson really all about? Ultra-high performance first before aesthetics. Also, the backstory behind Dyson Supersonic hair dryer [27:35] Dyson develops core technology that solves very fundamental problems with how people interact with machines. So why wouldn't companies start with that thought - "this is the problem the customer has. What is the best way of solving it?" [33:00] When Stuart was prototyping the hearing aid glasses, how did he keep it lean? Did he consciously not go out and recruit or was he so busy doing the thing? [35:20] After receiving funding, what's next for Stuart and Rock Human Devices? What would be the value of that to another company? Can Rock Human Devices become the Dyson or Apple of the medical device world, or IPO? [37:35] Stuart says Rock Human Devices will eventually become a software company that has the hardware that the software runs on. Also, he talks about developing a prosthetic limb with machine learning [44:40] Contact Stuart on Linkedin here https://sg.linkedin.com/in/stuart-kerr-35a79449 *Note: If you are a Startup and want to tell your startup story on our Pitchdeck Asia show, Click here - http://www.pitchdeck.asia/pda-soundcloud*

Stuart Lord joined me on the podcast this week to discuss building his company Lockelec. When Stuart first walked into the family engineering and design business, he knew things were bad. Not one to shy from a challenge, he rolled up his sleeves, pounded the pavement, drummed up business and took on jobs he didn’t know how to do. He did basically anything that would bring in money for the company. But imagine this, you find the work, do the job and collect payment only to have money disappear from your bank account due to unpaid bills and other hidden liabilities. Stuart’s predicament lasted for over 4 years. Today, he has a growing business and services some of Australia’s biggest and most well-known company’s including Metro, Siemens, the Government of South Australia, Ambulance Victoria and Coles. Coles is one of Australia’s biggest supermarket chains and Stuart along with the team at Lockelec have just won the 2017 Coles Supplier of the Year Award. We discussed: dealing with constant set backs the moment it all turned around the importance of forming good relationships landing big clients, and  being interviewed on the TV program 60 minutes.   If you’d like to know more about Stuart, you can find him at his website lockelec.com.au. To get every episode of Trench Talk on release please remember to hit the subscribe button in your chosen podcast player. Enjoy Trench Talk Episode #016 with Stuart Lord… ---- Show notes and links for this episode can be found at xrm.com.au/podcast. Feel free to email me with any suggestions or feedback to podcast@xrm.com.au. You can find Matt Reynolds on Facebook, Instagram, Twitter and on LinkedIn.

Stuart Shirley is a college student at the Colorado School of Mines, he is obtaining a 4 year degree from the Colorado School of Mines in Metallurgical and Materials Engineering.  Currently, as part of pursuing his degree, he is completing an internship at the Center for Metal Arts in Florida New York.  What We Talked About Stuart’s interest in blacksmithing started in high school. His welding instructor offered to help Stuart build a forge of his own if Stuart agreed to build two forges, one for the school and one for him to keep. Stuart’s forge is called Great Owl Forge and he has both coal and gas forges there. He also has a treadle hammer (he built in high school), an anvil, horizontal bandsaw, oxy/acetylene set up and a utility pneumatic power hammer. While he has been working at the Center for Metal Arts as an intern, Stuart has become familiar with the 4 power hammers CMA has in the shop. They have a Ritter, Falcon, Anyang and a Nazel. Steel production and failure analysis is what interests Stuart the most and will continue to study that in his next internship with New Corp in their hot mill. As an intern at CMA, Stuart started off cleaning and organizing the shop by building racks. Patrick Quinn (program developer and instructor at CMA) and Kyle Martin are teaching him how to use a mill, a lathe for machining and how to build jigs for production work. In his second and third months, Stuart has made a total of 58 sets of tongs for the classes CMA holds every weekend. When Stuart makes 10 sets of tongs, Patrick had made a deal that Stuart keeps one pair, Patrick keeps a pair and 8 sets stay in the shop for class use. Patrick and Stuart set aside Monday and Tuesday nights to have weekly meetings and focused forging sessions. Other than that, Stuart works from 9 am to 5 pm every day in the shop. Stuart has been able to attend the weekend classes that CMA offers on the weekends. One of them being the Seth Gould Forge a Hacksaw class. Stuart will be attending his next internship right after his CMA internship, it is with New Corp and he will be working in the hot mill steel production department. Guest Links: Center for Metal Arts website – www.centerformetalarts.com Patrick’s email for internship questions -  info@centerformetalarts.com  Seth Gould Instagram - @sethgould Thanks so much for your support!    

“The D-Word” on PRX About The D-Word What is the D-Word? – It’s a 30-minute documentary that attempts to explore our rather neurotic relationship with that five-letter word: death. It was produced as part of my thesis project for an MSc in Science Media Production at Imperial College London and so is my first try at producing a feature length documentary piece. It explores the subject through the voices of those who deal with death on a regular basis and is my attempt at making sense of a particularly complex human issue. Why Death? It’s a subject that resonates with me personally – just under two years ago a close friend of mine decided to take his own life. Being 23 at the time, death wasn’t really something I’d had much ‘experience’ with and I found it particularly difficult to make sense out of what had happened. I realized that I’d gone through most of my life not having to confront or even think about death. It was through this event that I was forced to finally pay attention. At the time there was a huge degree of emotional confusion and I often felt many different, conflicting things at the same time. Grief, anger, guilt and apathy were all things that I experienced and I never knew what it was that I was meant to be feeling. I had no point of reference. I also discovered that experiencing death in this way was quite isolating – people don’t like talking about death (it makes them nervous I think) and they treat you differently as a result – I believe that this stems from the fact that most people don’t really know how to talk about death anymore. Delving into Death Following all this, I really wanted to create something that delved into the subject of death and attempted to address some of the issues, which I myself had experienced. As such it became a very personal project, but I was keen to avoid focusing upon my own experiences. Instead I used them more as a guide to allow me to ask the right questions. A hospital mortuary Travelling to the north of England, I went to visit pathologist Dr Stuart Hamilton at the mortuary of the Sunderland Royal Infirmary. This was one of the most interesting interviews I recorded for the piece, but one I entered into with the greatest trepidation. I simply didn’t know what I was going to encounter, I’d never been to a hospital mortuary before. It obviously brought thoughts of my friend’s death to the forefront of my mind, but at the same time, there was no denying that I felt a sense of excitement. As a Biology graduate it’s hard to gross me out, so there was a real sense of fascination accompanying my visit to the mortuary. It felt like I was getting a rare opportunity to peer into a world which most people would not ordinarily see. There was some apprehension as I first entered the central refrigeration room. The temperature drops immediately as you step into it, causing the hairs on the back of your neck to stand up in the most cliché of ways. The mortuary was also a sonically rich environment, with the mechanical hum of the refrigeration units becoming one of the dominant characteristics of the room. When Stuart later came to open up the doors of the refrigeration units, it was as if he purposefully intended to ramp up the suspense, opening several of the doors before we eventually came to one with a body lying inside. It was strange looking in at that body, once belonging to a conscious being, but now covered by a white sheet. But it was strange not because of any fear or repulsion. It was because I didn’t really have any reaction to it. I think that surprised me. Death is what it is… What was obvious from this interview, and in fact all of the subsequent interviews, was that death was a very normal part of life. Those I interviewed demonstrated that death shouldn’t be something that we fe...

“The D-Word” on PRX About The D-Word What is the D-Word? – It’s a 30-minute documentary that attempts to explore our rather neurotic relationship with that five-letter word: death. It was produced as part of my thesis project for an MSc in Science Media Production at Imperial College London and so is my first try at producing a feature length documentary piece. It explores the subject through the voices of those who deal with death on a regular basis and is my attempt at making sense of a particularly complex human issue. Why Death? It’s a subject that resonates with me personally – just under two years ago a close friend of mine decided to take his own life. Being 23 at the time, death wasn’t really something I’d had much ‘experience’ with and I found it particularly difficult to make sense out of what had happened. I realized that I’d gone through most of my life not having to confront or even think about death. It was through this event that I was forced to finally pay attention. At the time there was a huge degree of emotional confusion and I often felt many different, conflicting things at the same time. Grief, anger, guilt and apathy were all things that I experienced and I never knew what it was that I was meant to be feeling. I had no point of reference. I also discovered that experiencing death in this way was quite isolating – people don’t like talking about death (it makes them nervous I think) and they treat you differently as a result – I believe that this stems from the fact that most people don’t really know how to talk about death anymore. Delving into Death Following all this, I really wanted to create something that delved into the subject of death and attempted to address some of the issues, which I myself had experienced. As such it became a very personal project, but I was keen to avoid focusing upon my own experiences. Instead I used them more as a guide to allow me to ask the right questions. A hospital mortuary Travelling to the north of England, I went to visit pathologist Dr Stuart Hamilton at the mortuary of the Sunderland Royal Infirmary. This was one of the most interesting interviews I recorded for the piece, but one I entered into with the greatest trepidation. I simply didn’t know what I was going to encounter, I’d never been to a hospital mortuary before. It obviously brought thoughts of my friend’s death to the forefront of my mind, but at the same time, there was no denying that I felt a sense of excitement. As a Biology graduate it’s hard to gross me out, so there was a real sense of fascination accompanying my visit to the mortuary. It felt like I was getting a rare opportunity to peer into a world which most people would not ordinarily see. There was some apprehension as I first entered the central refrigeration room. The temperature drops immediately as you step into it, causing the hairs on the back of your neck to stand up in the most cliché of ways. The mortuary was also a sonically rich environment, with the mechanical hum of the refrigeration units becoming one of the dominant characteristics of the room. When Stuart later came to open up the doors of the refrigeration units, it was as if he purposefully intended to ramp up the suspense, opening several of the doors before we eventually came to one with a body lying inside. It was strange looking in at that body, once belonging to a conscious being, but now covered by a white sheet. But it was strange not because of any fear or repulsion. It was because I didn’t really have any reaction to it. I think that surprised me. Death is what it is… What was obvious from this interview, and in fact all of the subsequent interviews, was that death was a very normal part of life. Those I interviewed demonstrated that death shouldn’t be something that we fe...