American singer-songwriter, musician, poet, author, and artist
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Legal Docket recaps three recent Supreme Court rulings, Moneybeat covers Elon Musk's trillion-dollar milestone, and History Book highlights Bob Dylan's landmark recording. Plus, the Monday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Harbinger Tours, supporting Israel through luxury tours, with a November departure led by Marshall and Jessica Pennell. HarbingerTours.net
This week Baxie talks with legendary bass player Tony Marsico! Tony was not only the bass player for The Plugz--one of the first predominantly Latino punk bands. The were also the band that scored the 1984 film “Repo Man”. After The Plugz the band rebranded themselves as the The Cruzados. The Cruzados were quickly signed by Clive Davis from Arista records and released two outstanding records until breaking up in 1987. But Tony hardly stopped there. Since the band's original break up Tony became one of the most in-demand session players in America. His list of credits includes the likes of Bob Dylan, Neil Young, Roger Daltry, Marianne Faithful, Willie Nelson, Linda Ronstadt, the Divinyls, Juliana Hatfield, Matthew Sweet, and many more. He also found time to release 25 solo albums, act in several feature films, write four books, and revive the Cruzados in 2021. Tony talks about all of that—and a whole lot more! Just amazing! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!
Pacific Street BluesSpotlight on Bessie SmithJune 14, 20261. Janis Joplin / Black Mountain Blues2. Bob Dylan & The Band / Bessie Smith (Happy and Artie Traum)3. Dory Previn / (Janis Joplin bought a) Stone for Bessie Smith4. John Coltrane / Bessie's BluesInfluences 5. Ma Rainey / See See Rider Blues (Elvis Presley)6. Ida Cox / Wild Women Don't Have the Blues 7. Albert Hunter / Down Hearted Blues8. Maime Smith / Crazy Blues Duets: Charlie Green of Omaha9. Bessie Smith w/ Charlie Green / Empty Bed Blues10. Jim Croce / Charlie Green Play that Slide Trombone11. Bessie Smith w/ Louis Armstrong (trumpet) / St Louis Blues 12. Clara Smith w/ Bessie Smith / I'm Going Back to My Used to Be James P Johnson, The Invisible Pianist 13. Bessie Smith w/ James P Johnson / Back Water Blues 14. Fats Waller / Ain't Misbehavin' 15. Count Basie / April in Paris 16. Duke Ellington / Take the A Train (Billy Eckstine) Lieber & Stoller 17. Wilbert Harrison / Kansas City18. Kathy Tyree / Hound Dog 19. Elvis Presley / King Creole20. The Rolling Stones / Down Home Girl21. The Beatles / Young Blood John Hammond Sr. Legendary A&R Columbia Records22. Billie Holiday / Gimme a Beer and a Pigfoot23. Aretha Franklin / Soulville 24. Bruce Springsteen / Sandy (4th of July) 25. Lionel Hampton w/ Nat Cole Trio / House of Morgan Covers of Bessie Smith's Music26. Sue Foley / Send Me to the 'Lectric Chair 27. Ella Fitzgerald / Gulf Coast Blues 28. Della Reese / You've Been a Good Old Wagon 29. Etta James / Don't Cry Baby30. Bessie Smith / Tain't Nobody's Business If I Do 31. Rhiannon Giddens / You Put the Sugar in My Bowl 32. Rory Block / I'm Down in the Dumps 33. Kenny Wayne Shepherd / Back Water Blues
WBCQ/The Planet airdate - 6/13/26 Welcome to Fluxedo Junction! Each episode we bring you the best music of all genres from throughout the world, and this week we'll be speaking with legendary singer-songwriter Tom Rush. His most recent album is "Gardens Old, Flowers New", and he has 2 area performances coming up: On June 20th as part of a celebration of the music of Paul Simon and Bob Dylan at Symphony Space in New York City, and on August 14th he'll be performing at My Father's Place in Roslyn, NY.
Escucha el programa de esta semana con Fernando Navarro, María Canet, Lucía Taboada y Alfonso Cardenal.
The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The episode launches the Pride in Bruce series for Pride Month, celebrating LGBTQ+ stories and the ways Bruce Springsteen's music can be a lifeline. Host Jesse Jackson interviews Jason Bisogni, a Westchester, New York marketing professional and lifelong music fan, about his path into classic rock, his early concert experiences, and the moment he became a dedicated Springsteen fan after seeing the 1999 E Street Band reunion tour. Jason shares that he came out later in life (to two people at 39, more fully at 41 in 2021) and explains how Bruce's lyrics took on new meaning afterward, citing songs like “Darkness on the Edge of Town,” “Trapped,” “Living Proof,” and “Two Hearts.” He credits Bob Dylan's “It's All Over Now, Baby Blue” line “He not busy being born is busy dying” as pivotal, discusses chasing songs live, recounts meeting Bruce several times, and answers the “Thunder Road” question by saying Mary does not get in the car. 00:00 Pride in Bruce Intro 01:48 Meet Jesse and Jason 02:21 Jason's Music Roots 03:18 Family Soundtrack Growing Up 06:43 Wrestling Detour and WWE 11:45 Concerts That Sparked It 14:59 Finding Bruce Springsteen 17:29 First E Street Show Magic 19:34 Counting Shows and Fandom 20:48 Static Setlist Debate 24:25 Health, Travel, and Missing Shows 26:27 Bruce and Coming Out Journey 27:01 Coming Out With The Boss 29:32 Lyrics Hit Different Now 32:07 Gay Icon Podcast Picks 34:23 Forever Favorites Playlist 38:18 Born Or Busy Dying 41:04 Songs Still Chasing Live 43:24 Meeting Bruce Stories 48:25 Thunder Road Mary Debate 50:39 Gratitude Pride Month Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices
(00:00) Zo, Beetle, and McKone debate who the real Knicks fans are on celeb row. Beetle says Swift was in Cleveland cheering for the Cavs. How does Swift get those seats? Bertrand asks who is the bigger fraud Knicks fans Kraft or Swift?(9:06) Zo and Beetle discuss what Timothy Chalamet is best known for and Zo does his best Bob Dylan impression. Then they hit the phone lines to get thoughts on Game 4 and more.(20:14) Zo, Beetle, and McKone take calls on Game 4 between the Knicks and Spurs(31:09) Today's Takeaways.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Cindy Bullens Sang With Elton, But Cidny Bullens Got The Moves Like Jagger There are more facets to Cidney Bullens than there are to the Hope Diamond… and they're all fascinating! The two-time Grammy nominee, who sang with Elton John and Bob Dylan, tells how and why he chose to tour with Elton and pass on Dylan. What a choice for a young rocker from Massachusetts to have to make. How he met Sir Elton, and how a momentary encounter led to the gig and friendship of a lifetime, and how youth, and addiction cost him said gig two plus years later. The friendship has endured all these decades. Sobering up in his early 20s, having already had extraordinary success, and then singing with Rod Stewart, long-time pal, Bonnie Raitt, and Don Everly, to name but a few, singing lead on three songs on the 8x platinum-selling Grease soundtrack, earning his first Grammy nod, and his second for Survivor off his first solo album, Desire Wire. He left the biz for a decade to raise a family, then returned with more solo work and formed The Reugees with Wendy Waldman and Deborah Holland. Soon after, Cindy became Cidny. That's a story… woven throughout his whole story. Cid told the story in his one-man show, Somewhere Between: Not An Ordinary Life, and in his sensational memoir, Transelectric. Cid's currently resurrecting Somewhere Between and will be touring with it, starting this summer. Has it ever been more relevant and important? Cid told us of always feeling male and how that translated to being a sister, daughter, wife, mother, grandfather, and husband. This is not a simple story, and a far more complex life, made more so by parental tragedy. Cid did not always live with grace, but lessons were learned, and the man who sat before us is wiser, stronger, and… softer. A friend for the last many years, I've had the good fortune to bear witness to Cid's many talents, as an actor in the brilliant new musical, The Civility of Albert Cashier, where Cid portrayed a true-life character whose life in some ways mirrored his own, in concert with The Refugees, and I was honored to be asked to blurb his memoir, Transelectric. Cid is a treasured friend with a story that screams to be heard, especially today. For all things Cid… his show dates, signed copies of his book, and all of his music, visit www.cidnybullens.com - what a life! Cidny Bullens Live on Game Changers With Vicki Abelson Wed, June 10, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn
Eve of Destruction is a film by Peter Finnemore, made in 2004, duration 4 minutes and 2 seconds. The film opens to an empty improvised stage in a luscious green garden on a bright autumn afternoon with a large weathered concrete slab set within the grass and a washing line with clothes swinging in the background. In front of the slab is a sunflower in a terracotta pot, with only three drooping leaves below its top flower which faces away from us. Sitting on the slab to the right of the sunflower is a grey and white cat in front of two stacked blue plastic boxes, and next to a green beer bottle. In character as an Elvis Presley Impersonator, artist Peter Finnemore enters comically to the left in full green camouflage, sunglasses and an Elvis wig, beginning an interpretive dance. Using the central sunflower as a mock microphone, replicating the iconic gyrations of Elvis and miming along to the song, Eve of Destruction written by nineteen-year-old P. F. Sloan in 1965, but best-known in Barry McGuire's version. Written in the style of Bob Dylan, Finnemore was attracted to the teenage angst quality of the lyrics. The rock'n'roll ceremony culminates in a crescendo of motion as Peter pulls the sunflower from its pot and repeatedly smashes it on the concrete, kicking the flower towards us and swinging the stem vigorously around his head before smashing it to the ground and finally throwing it at us before walking off to the right. Finnemore said: “This work is part of the Zen Gardener series, which explored the intimacy of a garden space as a site of performance, artistic activity, of drawing and imagination. Importantly these series of works with their absurdist performances reflect their historical moment. Made during the second Iraq war whose justifications were fabricated by political forces.” Eve of Destruction was first shown in 2004 as part of the Zen Gardener exhibition at Oriel Mostyn.
Ffilm 4 munud a 2 eiliad o hyd a wnaed gan Peter Finnemore yn 2004 yw Eve of Destruction. Mae'r ffilm yn dechrau gyda llwyfan byrfyfyr gwag mewn gardd werdd ar brynhawn llachar yn yr hydref. Mae slab concrit hindreuliedig mawr wedi'i osod yn y glaswellt ac mae lein sychu â dillad arni yn siglo yn y cefndir. O flaen y slab y mae blodyn haul mewn pot terracotta a dim ond tair deilen yn hongian yn is na'i flodyn uchaf, sy'n wynebu oddi arnon ni. Yn eistedd ar y slab i'r dde o'r blodyn haul y mae cath lliw llwyd a gwyn o flaen dau flwch plastig glas mewn pentwr a gerllaw potel gwrw werdd. Yn portreadu cymeriad sy'n dynwared Elvis Presley, mae'r artist Peter Finnemore yn cyrraedd mewn modd comig i'r chwith, gan wisgo dillad cuddliw gwyrdd llawn, sbectol haul a wig Elvis wrth iddo ddechrau dawns sy'n dynwared y canwr. Mae'n defnyddio'r blodyn haul canolog fel microffon ffug, gan efelychu ystumiau eiconig Elvis a meimio i'r gân Eve of Destruction, a gyfansoddwyd gan P. F. Sloan ac yntau'n 19 oed ym 1965, ond sydd fwyaf adnabyddus oherwydd fersiwn Barry McGuire. Ysgrifennwyd y gân yn arddull Bob Dylan a denwyd Finnemore gan ansawdd ingol geiriau rhywun yn ei arddegau. Mae'r seremoni roc a rôl yn arwain at ddiweddglo llawn symudiadau wrth i Peter dynnu'r blodyn haul o'i bot a'i guro droeon ar y concrit, gan gicio'r blodyn tuag aton ni a siglo'r coesyn yn ffyrnig o gwmpas ei ben cyn ei falu ar y llawr a'i daflu aton ni yn y diwedd a cherdded i ffwrdd i'r dde. Meddai Finnemore: “Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener, a archwiliodd breifatrwydd man gardd i gynnal perfformiad, gweithgarwch artistig, darlunio a dychymyg. Mae'n bwysig bod y gyfres hon yn adlewyrchu ei chyfnod hanesyddol drwy'r perfformiadau absẃrd. Gwnaed y gyfres yn ystod yr ail ryfel yn Irac, a gafodd ei gyfiawnhau gan luoedd gwleidyddol ar seiliau ffug.” Dangoswyd Eve of Destruction yn gyntaf yn 2004 fel rhan o'r arddangosfa Zen Gardener yn Oriel Mostyn.
In this episode of The Cordial Catholic, I'm joined, for an absolutely remarkable conversation, by Steve Sjogren, the founding pastor of one of the most influential churches in America, the Vineyard Church Cincinnati, to talk about his conversion to Catholicism. Steve not only founded and pastored one of the most influential churches in America, but was one of the founding pastors of the Vineyard Church movement from the beginning – worshipping alongside the likes of Bob Dylan and Keith Green in the earliest incarnation of the charismatic church movement in Los Angeles. Steve's story is one of servant leadership, radical evangelization, and following the Holy Spirit wherever he was led – including right into full communion with the Catholic Church. You're going to absolutely love Steve's story.For more from Steve Sjogren visit his website. Send your feedback to cordialcatholic@gmail.com. Sign up for our newsletter for my reflections on episodes, behind-the-scenes content, and exclusive contests.To watch this and other episodes please visit (and subscribe to!) our YouTube channel.Please consider financially supporting this show! For more information visit the Patreon page. All patrons receive access to exclusive content and if you can give $5/mo or more you'll also be entered into monthly draws for fantastic books hand-picked by me.If you'd like to give a one-time donation to The Cordial Catholic, you can visit the PayPal page.Thank you to those already supporting the show!A very special thanks to our Patreon co-producers who make this show possible: Amanda, Elli and Tom, Fr. Larry, Gina, Heather, James, Jorg, Michelle, Noah, Robert, Shelby, Susanne and Victor, and William.Beyond The BeaconJoin Bishop Kevin Sweeney for inspired interviews with Catholics living out our faith!Listen on: Apple Podcasts SpotifySupport the showFind and follow The Cordial Catholic on social media:Instagram: @cordialcatholicTwitter: @cordialcatholicYouTube: /thecordialcatholicFacebook: The Cordial CatholicTikTok: @cordialcatholic
Host Jesse Jackson interviews Jason Bisogni, a Westchester, New York marketing professional and lifelong music fan, about his path into classic rock, his early concert experiences, and the moment he became a dedicated Springsteen fan after seeing the 1999 E Street Band reunion tour. Jason shares that he came out later in life (to two people at 39, more fully at 41 in 2021) and explains how Bruce's lyrics took on new meaning afterward, citing songs like “Darkness on the Edge of Town,” “Trapped,” “Living Proof,” and “Two Hearts.” He credits Bob Dylan's “It's All Over Now, Baby Blue” line “He not busy being born is busy dying” as pivotal, discusses chasing songs live, recounts meeting Bruce several times, and answers the “Mary” question. 00:00 Pride in Bruce Intro 01:48 Meet Jesse and Jason 02:21 Jason's Music Roots 03:18 Family Soundtrack Growing Up 06:43 Wrestling Detour and WWE 11:45 Concerts That Sparked It 14:59 Finding Bruce Springsteen 17:29 First E Street Show Magic 19:34 Counting Shows and Fandom 20:48 Static Setlist Debate 24:25 Health, Travel, and Missing Shows 26:27 Bruce and Coming Out Journey 27:01 Coming Out With The Boss 29:32 Lyrics Hit Different Now 32:07 Gay Icon Podcast Picks 34:23 Forever Favorites Playlist 38:18 Born Or Busy Dying 41:04 Songs Still Chasing Live 43:24 Meeting Bruce Stories 48:25 Thunder Road Mary Debate 50:39 Gratitude Pride Month Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices
In a remarkable feat, Bob Dylan recorded 14 original compositions in a single three-hour session between 7pm and 10pm on the evening of June 9, 1964. 11 were chosen for the album that would become Another Side of Bob Dylan. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Click on the link/picture to hear my music podcast from June 8, 2026 featuring The Grateful Dead, Jefferson Airplane, Bob Dylan, Jerry Garcia with Merl Sanders and more. Thanks for listening and hope to meet up with you all at music shows this summer.
Ian talks to Death Cab For Cutie's Dave Depper about making a great rock record, the Gibbardian work ethic, his status as the Ron Wood of Death Cab, his induction into the band, going indie 30 years into a career, raging against the dying of the light, taking selfies with Mike Love and Al Jardine in the catering tent—plus a dispatch from the debut performance of Bob Dylan's Long Hot Summer 2026 Tour. FOLLOW DAVE ON INSTAGRAM LISTEN TO "I BUILT YOU A TOWER"
What if the secret to staying irreplaceable in the age of AI isn't working harder — it's getting more creative? That's the central argument of SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence, the new book by global keynote speaker James Taylor. In this episode of the Business of Story, Park Howell sits down with James to explore how the world's top communicators are using AI not to replace their stories — but to tell them with far greater precision, resonance, and impact. From managing Rolling Stones members at the Royal Albert Hall to speaking for Apple, Cisco, L'Oreal, and PwC across 25+ countries, James brings a rare combination of creative instinct and strategic intelligence to the AI conversation. In this episode you'll discover: • Why AI is fueling a New Roaring Twenties — and what that means for entrepreneurs and business leaders • How James uses psychometric AI analysis to profile audiences before he ever steps on a call or stage • The 250-story story bank system that powers his hyper-personalized keynotes • Why your emotional promise matters even to the most analytical, data-driven audiences • What a live StoryCycle Genie® brand analysis revealed about James's Visionary Magician archetype and emotional promise of "possibility" • The standing ovation story from a billionaires' bank in the UAE that proves emotional storytelling transcends every culture and industry • How to build a speaker brand with the same discipline James learned managing rock stars About James Taylor James Taylor M.B.A., F.R.S.A. is an internationally recognized keynote speaker on creativity, innovation, and AI. He has spoken for Fortune Global 500 companies including Apple, Cisco, Deloitte, Accenture, L'Oreal, EY, Visa, and Dell, and was recently the subject of a 30-minute BBC documentary. He has personally interviewed over 750 of the world's leading creative minds and reached hundreds of thousands of people in 120+ countries. He is a Fellow of the Royal Society of Arts — alongside Benjamin Franklin, Bob Dylan, and Nelson Mandela. His new book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. Connect with James Taylor:
In this episode, Laura talks to history professor Court Carney about Bob Dylan and Nostalgia – Dylan's relationship to the past and the future, The Odyssey, and Don Draper. Here are a few things we reference that you might want to check out: Eric Lott's book, Love and Theft: Blackface Minstrelsy and the American Working Class, from which Dylan took the title of his 2001 album. Mad Men - Carousel pitch Mad Men - Don't Think Twice sceneYou can buy The Politics and Power of Bob Dylan's Live Performances: “Play a Song for Me”, edited by Court and Erin C Callahan here.You can read my essay in this collection, “Today and Tomorrow and Yesterday Too”, about Bob Dylan and Time in the 2020s –which I think is highly relevant in the context of this conversation– for free over on Patreon. And you can watch the talk I gave in Miami about film, painting, and making time stand still over here: Court's Substack and website: https://www.courtcarney.com/You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Get your Definitely Dylan baseball cap here.
Episode 392 of RevolutionZ uncovers and visits a half-century-old file on my computer to address a surprisingly urgent question: are we building new revolutionary ideas, or just renting space in inherited ones. I recently rediscovered the text of my 1974 book What Is To Be Undone? written when the arguments between Marxism-Leninism, Maoism, anarchism, and other currents were not academic history but living fuel for organizing. Reading my own early investigations as the Sixties slipped into the Seventies feels like opening a time capsule and realizing the contents still impact what people believe is possible. On the same day, a friend pointed me toward Gabriel Rockhill's Who Paid The Piper Of Western Marxism? and the storms around his claim that contemporary revolutionary theory drifted into a “respectable” left alignment with capitalism and imperialism. I share a long excerpt from Rockhill laying out his case: a purge of dialectical and historical materialism, class analysis pushed aside by culturalism, and a call to rebuild a disciplined, organized left that can actually win. We agree on the need to rejuvenate anti-capitalist, anti-imperialist struggle, but we very seriously diverge on whether the path forward is a return to classical Marxism-Leninism and democratic centralism or a break from their limits. From there, I grapple with a personal and political test: was my younger and then on-going self part of the problem Rockhill describes, or was I trying to learn from past failures to strengthen future movements. Along the way I revisit blurbs from Noam Chomsky, Howard Zinn, and Herb Gintis, reflect on the dangers of sectarian dismissal, and end with Bob Dylan's “My Back Pages” as a reminder that clarity sometimes comes from letting go of certainty. This episode begins another sequence of episodes whose number of entries depends on what seems the case. Me then and now: a deluded, deceived, sell out CIA symp rejector of Marxism Leninism, or me then and now a sincere whipper snapper trying to overcome past ideological problems on the way to a better society? Is our ideological problem anti anti imperialism, as Rockhill asserts, or is it that in going forward from the Sixties we actually retained too much from dead men's minds? This episode is a scene setting opening shot on the way to aggressively and hopefully definitively determining which way we need to orient our thinking Back to classical Marxism Leninism, or forward to a participatory self managing future.Support the show
Gina Gershon is here to discuss her new memoir, AlphaPussy: How I Survived the Valley and Learned to Love My Boobs, creating the perfect breakfast cereal, how this new book came to fruition, similarities shared between cats and men, why some younger artists see a toughness in her they feel they can't harness themselves, writing a reflective book about being an independent, somewhat unparented child while caring for and then grieving for her mother, boxing with Bob Dylan and their enduring friendship, the gratitude she receives from fans inspired by her strong characters in Bound and Showgirls and rekindling her conflicted relationship with the latter in its thirtieth anniversary year, what's next for her, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1066: Michael LongfellowEp. #1056: ‘Plenty for All: The Art of Rick Fröberg' with Sohrab Habibion & Johnny TempleEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #901: John EarlyEp. #826: Steve Albini and Fred ArmisenEp. #799: Allison RussellEp. #616: tune-yardsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
For your listening enjoyment BJ presents a collection of cover versions of Bob Dylan songs. ROBERT HAZARD - BLOWIN IN THE WIND THE WANDERERS - THE TIMES THEY ARE A CHANGIN THE BRAKES - LIKE A ROLLING STONE THE SPINATRAS - MY BACK PAGES THE DOGS - MR. TAMBOURINE MAN MAU MAUS - A HARD RAIN'S (A GONNA FALL) TELEVISION - KNOCKIN' ON HEAVEN'S DOOR GREG KIHN - SUBTERRANEAN HOMESICK BLUES COUNTRY GENTLEMAN - IT'S ALL OVER NOW BABY BLUE DAN MCCAFFERTY - BOOTS OF SPANISH LEATHER THE FLAMIN' GROOVIES - ABSOLUTELY SWEET MARIE THE DAILY FLASH - QUEEN JANE APPROXIMATELY ROGER TAYLOR - MASTERS OF WAR PJ HARVEY - HIGHWAY 61 REVISITED BRYAN FERRY - IT AIN'T ME BABE THE MARMALADE - I SHALL BE RELEASED NICK DRAKE - DON'T THINK TWICE IT'S ALRIGHT THE WATERBOYS - GIRL FROM THE NORTH COUNTRY NICO - I'LL KEEP IT WITH MINE SANDY DENNY - TOMORROW IS A LONG TIME ELLIOTT SMITH - WHEN I PAINT MY MASTERPIECE (LIVE) BRUCE SPRINGSTEEN - I WANT YOU (LIVE 1975) CHEAP TRICK - PLEASE MRS. HENRY (LIVE 1977) Learn more about your ad choices. Visit megaphone.fm/adchoices
Alert your local DSA chapter because Joe Rogan of the left and known Zohran Mamdani associate Adam Friedland zoomed in from his studio in NY to talk Marc Maron, Bob Dylan and Patrick Bet David, and then LA via Aleppo's own Bedouine (aka singer-songwriter Azniv Korkejian) and her wonderful band performed "One Thing Right" from her album "Neon Summer Skin" which is out tomorrow!Support Office Hours, watch another hour of today's episode with a look at the latest nonsense from Donald Trump, a game from Doug, and much more with OFFICE HOURS+. Try it FREE for seven days at patreon.com/officehourslive.Shop our merch store at officehours.merchtable.com and find the rest of our links at linktr.ee/officehourslive.One thing to pack, five ways to power! Get up to 40% off @Ridge during their Father's Day Sale at Ridge.com/officehourslive #Ridgepod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of the J.E.T. Setting Divas podcast, Jeanette, Evette, and Tina talk about concerts. Music is timeless, but seeing your favorite artists perform is a once-in-a-lifetime experience. They talk about Fifa, Bob Dylan, Keith Sweat, Jodeci, Chris Brown, Usher, and much more. Tina has a special message for Smokey Robinson.
Click on the picture/link and hear the music of The Grateful Dead. Also music of artists of that era, jam bands or musicians with a connection to The Dead. Included are songs from The Allman Brothers last concert, Donovan, Cold Blood, The Polish Ambassadors, Bob Dylan and more Dead.
Nach der Pfingstpause sind Till & Henning zurück - und im Doku-Wahn! Henning hat die „Beastie Boys Story" von Spike Jones aufgewühlt und ihn daran erinnert, dass hinter jeder Band Menschen mit denselben Zweifeln und Voraussetzungen stehen wie wir alle, egal ob in Brooklyn, Münster oder Hamm. Till erzählt, wie ihn die Rolling Stones einst zu Sonny Rollins und zum Jazz führten, warum Bob Dylan 1984 bei David Letterman mit einer Punkband „Jokerman" rausrotzte - und weshalb ihn ein todkranker Schauspieler in David Lynchs „The Straight Story" zu Tränen rührt, der nur unter einer Bedingung mitspielen wollte: Keine Schimpfwörter! Über Suchende, Klickmomente und den Mut zur Überzeugung – persönlich, emotional und voller Liebe zur Musik. Wie immer!Die Songs zur Folge:So What'cha Want / Beastie BoysRoot Down / Beastie BoysSailin' On / Bad BrainsSlave / The Rolling StonesJokerman (live bei David Letterman, 1984) / Bob DylanLaurens Walking (aus „The Straight Story") / Angelo BadalamentiLinks zur Sendung:Doku-Empfehlung: The Beastie Boys Story von Spike Jones (Apple TV) Film-Empfehlung: The Straight Story von David Lynch (1999) Buch-Empfehlung: Pledging My Time – Interviews mit Musiker:innen, die mit Bob Dylan gespielt haben Hosted on Acast. See acast.com/privacy for more information.
In this edition of the Iconograph, Jack and Miles are joined by comedian/musician Chris Crofton to talk about the weird guy with the scary songs: Bob Dylan! They'll explore his humble Midwest beginnings, his biscuit tin of lyrics, his many phases and much more!See omnystudio.com/listener for privacy information.
Ian chats with Ian O'Neil and John McCauley of Deer Tick about taking their time, writing rock songs about Rhode Island, the Providence scene, the Newport Folk Festival, being upstaged by Joni Mitchell, Dan Bejar's turn to synthesizers, the Adult Correctional Institution, Bob Dylan, Weird Al, Brian Wilson, and the new Deer Tick record Coin-O-Matic. FOLLOW DEER TICK ON INSTAGRAM COIN-O-MATIC OUT JUNE 5th DEER TICK ON TOUR THIS SUMMER/FALL
This week we are joined by Holly Brown! Holly's comedy is what you get when the girl next door has a little bite - mixing dark humor and millennial nostalgia with an honesty that makes you laugh and squirm. Named one of WhoHaHa's Comedians of the Year in 2022, Holly has been featured on popular podcasts The Daily Zeitgeist and The Dork Forest, and has performed at SF Sketchfest, Big Pine, the SLO Comedy Festival, and more across the country. She is the host and creator of the darkly comedic narrative podcast Everybody Knows But Me, produced with Next Chapter Podcasts and Companion Arts, which explores family secrets, grief, and growing up through the lens of 90s sitcoms. Her work has been featured in Funny or Die videos, she headlines nationally, loves calling dogs good boy, listening to Bob Dylan, and investigating her father's deathbed confession! In this episode, we dive into a nostalgic conversation about beloved TV shows from our childhood, including "Fairly OddParents" and "Frasier," and discuss their impact on our lives. Holly shares her experiences growing up in Los Angeles and her connection to the entertainment industry. We explore Holly's family secret and discuss her podcast, "Everybody Knows But Me.” Check it out! Recommendations From This Episode: Aaahh!!! Real Monsters Murphy Brown Follow Holly: @hollybrowncomedy Follow Carly: @carlyjmontag Follow Emily: @thefunnywalsh Follow the podcast: @aloneatlunchpod Please rate and review the podcast! Spread the word! Tell your friends! Email us: aloneatlunch@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In today's Bob Dylan Hotline, Laura and Rebecca get a little mystical. Bob Dylan himself has often described the creative process as magical, and through the years has also been drawn to mysticism like the Tarot. We talk about creativity as alchemy, which Tarot card Bob Dylan most identified with, and the spell that music can cast. The Tarot deck we're referring to is the Rider-Waite-Smith deck from 1909, illustrated by Pamela Coleman Smith.Listen to the podcast episode about Creation and Creativity in "My Own Version of You" and "Mother of Muses" here.If you have a question for us, send us a voice memo to bobdylanhotline@gmail.com.For anything else get in touch at itsdefinitelydylan@gmail.comYou can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.
This week on Potluck Saturday, Kev explores the deeper meaning behind some of music's greats! Using Bob Dylan's infamous decision to go electric as a jumping-off point, he examines why growth, reinvention, healing, authenticity, and setting boundaries often come with an unexpected cost: upsetting the people around you. Why the world can love you—right up until you stop being who they emotionally needed you to be. And why constantly managing other people's expectations can become one of the most exhausting jobs you'll ever have. Kev also contrasts Dylan's story with Elvis's, looking at how one man seemed willing to be misunderstood while the other became trapped inside an image he could never escape. Along the way, he unpacks the hidden dangers of people-pleasing, over-performing, and carrying everyone else's emotional needs while slowly losing touch with your own. The conversation expands into where social media has turned many of us into our own public relations teams—branding, filtering, curating, and performing carefully crafted versions of ourselves for approval. Why so many people aren't really living anymore—they're managing perception. Why success, visibility, and admiration don't heal old wounds, but often magnify them. And why burnout happens when your soul and your role stop matching. Plus, a reflection on the fine line between selfishness and self-protection, why loved ones can sometimes resist the version of you that finally becomes free, and how it's possible to become so loved publicly that you quietly disappear privately. Most importantly, Kev explores the idea that the goal isn't perfection. In a world obsessed with flawless images and certainty, real growth comes from embracing contradiction, integrating your flaws, doing the shadow work, and allowing yourself to evolve. Because maybe the real achievement isn't becoming untouchable—it's becoming fully human. HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop My Macy's Storefront EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.
Patchouli by Hové + Slow Train Coming (1979), Saved (1980), and Shot of Love (1981) and Chronicles: Volume One (2004) by Bob Dylan (1941- ) + D. A. Pennebaker's Don't Look Back (1967) + Martin Scorsese's No Direction Home (2005) with Jeff 5/29/26 S8E31 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
On Episode 301 of Outside The Round, Matt Burrill sits down with rising country artist Elizabeth Nichols. From leaving law school at Belmont University to becoming one of the most unique voices in country music, Elizabeth shares the journey behind her viral rise and songwriting style. The conversation dives into growing up in Kentucky and living in Oklahoma, her love for witty storytelling inspired by artists like Kacey Musgraves and Zach Bryan, and how songs like “Sweet Cigarette,” “Tough Love,” and “Paul Revere” came to life. Elizabeth also talks about touring with artists like Wyatt Flores, festival season, viral TikTok moments, and building friendships with fellow rising artists including Gabriella Rose and The Castellows. From Red Door stories and Nashville nights to playing the Grand Ole Opry, this episode is packed with laughs, songwriting stories, and a look at one of country music's fastest-rising new artists. Follow on Social Media: Elizabeth Nichols: @elizabethnicholsmusicMatt Burrill: @raisedrowdymattOutside The Round: @outsidetheroundRaised Rowdy: @raisedrowdy Chapters (00:00:00) - Reeded Rowdy(00:01:44) - Tennessee Country Star on Going to Law School(00:03:17) - Louisville Singer on Searching for Jack Harlo(00:06:03) - Elizabeth Nichols on Writing Her Songs(00:07:52) - Bob Dylan on His Co-Writing Crew(00:11:05) - CMA Fest 2017: From Facebook to FaceTime(00:11:46) - Was Casey Musgraves a big inspiration for you?(00:12:29) - Zach Bryan on Tough Love EP(00:16:22) - The Spirit of Detroit(00:16:30) - What other concerts have you seen? Country Music(00:18:38) - Sweet Cigarette(00:22:40) - Selena Gomez on hitting 10k on Instagram(00:23:33) - What is the interaction with fans at live shows?(00:26:48) - Keith Urban on His Grand Ole Opry Debut(00:28:25) - Elizabeth Nichols on Having a Balanced Life(00:30:51) - Are You a Kentucky or Louisville Fan?(00:32:22) - Rodeo Star Rocker At NFR(00:33:41) - Favorite Bars in Tulsa(00:35:56) - Dancing at Skinny Dennis(00:37:20) - Paul Revere on His New Album(00:40:40) - Top 10 Nashville Bars You Know(00:42:56) - People Try Patron In Their Salsa(00:43:08) - What Would You Tell Law School Student Elizabeth Nichols?
Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
In Episode 194 of Who's Your Band?, Jeffrey Paul and Sean Morton discuss Sean's unforgettable experience seeing the Foo Fighters in a tiny club setting while Jeff explains why he passed on the opportunity—and instantly regretted it. Then the guys take on The New York Times' controversial list of the greatest living American songwriters, debating everyone from Billy Joel, Bob Dylan, and Willie Nelson to Taylor Swift, Kendrick Lamar, and more. A fun, passionate, and sometimes heated conversation for music fans of every generation.
crecas e turbulências impediram a nave de alçar voo normalmente. mas esse VAPODN#44 (vale a pena ouvir de novo) vem na medida para comemorar os 8.5 de dylan, celebrados dia 24, relembrando o especial “dylan / basement tapes” com eduardo bueno! programa histórico que foi ao ar pela primeira vez em 30dezembro2014! vem… confira AQUI … Continue lendo o #703 em modo “vale a pena ouvir de novo” com o aniversariante da semana… →
Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Zoh Amba is here to discuss their astonishing new album Eyes Full, making their podcast debut and a recent hang with folk bitch trio, how they got into guitar, songwriting, and rock music, recurring lyrics about God, eyes, searching, and observational behaviour, why “Southern Soil” is such a key song for them in their Tennessee trajectory, the story behind their collaboration with Jim White and Guy Picciotto on Jim's recent album Inner Day, Jim's joyful presence and great sense of fun, learning more about their Eyes Full collaborators or “musical babies” as they call them, getting an email from Iggy Pop requesting their presence in his band, writing new songs, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1086: The Sadies & Billy RayEp. #1053: Mint MileEp. #1046: Jim White and Guy PicciottoEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #496: Iggy PopEp. #26: James Williamson of Iggy and the StoogesSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In a very special peek inside the 2016 Decade Project, I catch up with my dear friend, the host of INCREMENT VICE, Travis Woods, to declare Ezra Edelman's O.J.: Made in America, the greatest American film of this century.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
From Oscar Gold to Fiction Filmmaking: Daniel Roher on Tuner How do you follow up winning an Academy Award? If you are Daniel Roher (Navalny), you resist the pressure to stay in your lane, take a leaf out of Bob Dylan's book, and make a massive leap into fiction! This week on The Filmmakers Podcast, Dom Lenoir sits down with Daniel to discuss his debut narrative feature, Tuner. Starring Leo Woodall, Dustin Hoffman, Havana Rose Liu, Lior Raz, and Jean Reno, the film is a brilliant blend of character drama and heist thriller. Daniel pulls no punches in this candid conversation about the realities of the industry. He shares how the Oscar opened doors, but why even at his level, the rejection never stops. He also breaks down the craft behind the film, explaining why he wrote the sound design into the script from day one, what it was like collaborating with master sound designer Johnny Burn, and his baptism of fire directing actors for the very first time.
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Getting kissed by Sean Connery, whilst he was James Bond, fanned repeatedly by Bob Dylan when she sang, plucked for a film by Frank Sinatra, bagels and the part of a lifetime from Tom Hanks, gaslit and insulted by Jerry Lewis, adored and showcased by Dean Martin, wildly successful club proprietor with Hugh Hefner, best friends with Connie Stevens, and Diane Ladd, taught a golden secret by Shelley Winters, asked to serenade her hero Judy Garland, and then had the favor returned, making the funny with Renee Taylor, the straight serious with John Houseman, stress understudying Barbara Streisand, mad love for Bette Midler, who almost played her, Tony, Emmy Golden Globe nominee, Lainie Kazan, dancer, singer, actor, spilled all this and so much more! My favorite character in my favorite movie, My Favorite Year, we got the behind-the-scenes fun, Peter O'Toole and his wonderfulness, improvising one of the funniest lines, likewise with My Big Fat Greek Wedding, which she waited a year to hear, then had the time of her life with a cast she's still connected to. What a life Lainie's led! What work she's done! And what a fun, fierce, and fabulous woman she is! Blessed to call her a friend and even more to know she was off to have drinks and dinner with my mother, which she does most nights. I can't wait for her in-process memoir, sure to shock, delight, and thrill. I love Lainie! Who doesn't! Lainie Kazan Live on Game Changers With Vicki Abelson Wed, May 27, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn
Kort smakprov, för att höra detta avsnitt bli prenumerant för 39 kr i månaden på https://underproduktion.se Om det uppstår problem/frågor mejla support@underproduktion.seOla om varför mormoner är optimerade för att vara mammainfluerare.Jonatan om vem som sjunger bäst av Bob Dylan och Michael Lindgren.Bok som refereras:Fortesa Latifi - Like, follow, subscribe
Greg Olsen beats out Tom Brady for a Sports Emmy, followed by why the Jaxson Dart/Abdul Carter situation is just media fodder that John Harbaugh won't let affect the team. Then, Gio reacts to a viral Dez Bryant post, Jerry sings Bob Dylan to start his final update, and we hear postgame sound from OKC taking a 3-2 lead over the Spurs. Next, positive Mets fan Kenny from Baldwin calls in, Boomer reveals he brushes his teeth like Bryce Harper, and Gio orders the "Primal Viking" supplement for the Moment of the Day. We close with Hank farting during a Pardon My Take taping.
We kick off with Becky Hammon's Jalen Brunson comments, the Knicks' future, OKC's series lead, a 15-1 Yankees blowout, and a tough Mets loss. Next, Boomer addresses the Abdul Carter and Jaxson Dart viral drama, followed by social media algorithm talk, an "unacceptable" Brewers crotch thrust, and Ray J's podcast appearance. Then, Boomer reviews the movie Pressure, Gio discovers a "Primal Viking" supplement, Ron Darling critiques the Mets, and Wembanyama "lays an egg." We wrap up with Greg Olsen winning an Emmy, John Harbaugh brushing off locker room fodder, Jerry singing Bob Dylan, a positive Mets fan calling in, and Hank farting on Pardon My Take.
The distinctive sound of the psychedelic era was not just component of the rock music of the period, there was a good bit of folk music which was influenced by the times. That sound did not end with advent of the 1970s and lives on in the work of many artists today. On the next two editions of SORM, we look back to that magical period and forward to today. This week we'll hear some classic music from Bob Dylan, Jefferson Airplane and Paul Siebel, among others. We'll also hear some contemporary players like In Gowan Ring, Helen Dorothy and The Creaking Tree String Quartet. A little mind-bending music … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysThe Creaking Tree String Quartet / “Zig Zag” / The Creaking Tree String Quartet / Self-producedBob Dylan / “Mr. Tambourine Man” / Bringing it All Back Home / ColumbiaIn Gowan Ring / “On the Butterfly's Wing” / Hand-Eye / H-EPat Kilrory / “The Magic Carpet” / Light of Day / ElektraJefferson Airplane / “The Other Side of this Life” / Live at the Fillmore Auditorium 11/25 & 27/66 SonyHelen Dorothy / “Be Kind to Your Heart” / Light Time & Sound / Self-producedStrawbs / “Pieces of 79 & 15” / Strawbs / A+MThe Creaking Tree String Quartet / “Scotland Yard” / The Creaking Tree String Quartet / Self-producedLal & Mike Waterson / “Bright Phoebus” / Bright Phoebus / DominoFairport Convention / “Chelsea Morning” / Fairport Convention / PolydorJohn Martyn / “Solid Air” / Live at Leeds & More / ScrapperQuicksilver Messenger Service / “Shady Grove” / Shady Grove / BGOPaul Siebel / “Then Came the Children” / Woodsmoke & Oranges / ElektraPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways
Steve Holmes and Steve Lamos from American Football are here to discuss American Football (LP4), the joys of marking final papers by the college students you teach, the story behind the alluring, unsettling drum part in “Man Overboard” and an appreciation for James Bond soundtrack songs, why Lamos left and returned to American Football in recent years, the factual aspects of LP4's lyrical themes and thoughts on Mike Kinsella's direct, unadorned vocals, whether my theory that the album flows like a theatrical production has legs, a shoutout to English degrees, working with producer Sonny DiPerri in California and a surprising but very welcome surfing lesson, playing many shows, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1083: RheostaticsEp. #1075: Bill FrisellEp. #1069: The Messthetics and James Brandon LewisEp. #1052: Sleepytime TrioEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1026: TortoiseEp. #914: American FootballEp. #900: Fugazi and Jem CohenEp. #897: Tom MullenEp. #884: Tim KinsellaEp. #507: Robbie RobertsonEp. #483: American FootballSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Episode 635 is brought to you by:Chase BlissStringjoy ReverbSupport this channel on PatreonWant to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Chapters00:00 Intro00:37 We're going to talk about bands that got banned 01:45 Bands banned from venues02:24 Pink Floyd07:55 Metal gets banned from Six Flags13:15 Marilyn Manson14:53 Led Zeppelin18:14 Ozzy Osborne21:06 Sinead O'Connor got banned from SNL24:07 Elvis Costello27:18 Rage Against the Machine31:32 Frank Zappa36:32 Thanks Patreon!40:12 The Beatles45:30 The Rolling Stones47:39 Bob Dylan, Bon Jovi, and MORE!49:57 THE KINKS59:55 This song was sent by the Matt Lewis Experience and is called "Oliver's Pajamas" ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/
For Bob’s 85th birthday, another great collection of interpretations of his work, with a special tribute to The Freewheelin’ Bob Dylan, which came out in May 1963! (72 minutes) Sponsored by Factor Meals – listen to this episode to found out how you can get 50% off your first subscription, and free greens!