Podcasts about National Film

In this inspiring episode of Best in Fest, host Leslie LaPage sits down with one of Hungary's most celebrated directors, Krisztina Goda, whose breakout hit Just Sex and Nothing Else catapulted her to fame. Goda shares her journey from the prestigious National Film and Television School to UCLA, her experience navigating Hungary's male-dominated film industry, and the creative challenges of writing and directing both indie features and commercial work. They discuss the evolving role of women in film, the impact of streaming platforms on foreign-language cinema, and what it takes to stay passionate about storytelling in a shifting global market. Whether you're an aspiring filmmaker or a seasoned storyteller, this episode offers a masterclass in resilience, artistic integrity, and international vision.

Today's poem explains why some Australians wear beards.Andrew Barton "Banjo" Paterson, CBE (17 February 1864 – 5 February 1941) was an Australian bush poet, journalist and author, widely considered one of the greatest writers of Australia's colonial period.Born in rural New South Wales, Paterson worked as a lawyer before transitioning into literature, where he quickly gained recognition for capturing the life of the Australian bush. A representative of the Bulletin School of Australian literature, Paterson wrote many of his best known poems for the nationalist journal The Bulletin, including "Clancy of the Overflow" (1889) and "The Man from Snowy River" (1890). His 1895 ballad "Waltzing Matilda" is regarded widely as Australia's unofficial national anthem and, according to the National Film and Sound Archive, has been recorded more than any other Australian song.-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

¡Envíanos tus comentarios por aquí!En este episodio, conversamos con Alexandra Henao, reconocida directora de fotografía venezolana, cuya pasión por la imagen la llevó a abandonar su sueño de ser médica para dedicarse a contar historias con luz y encuadres.Alexandra nos comparte cómo descubrió su vocación trabajando como asistente en un cortometraje, su paso por la National Film and Television School de Londres, y su evolución profesional desde la publicidad hasta su primer largometraje, Puras Joyitas. Hablamos de su resiliencia frente a los desafíos de la industria venezolana, y de la determinación que la ha llevado a abrirse camino en el mundo del cine.Gracias a nuestros patrocinadores :ARRIEFD STUDIOSBAND PRO - ANGENIEUX AMERICASSONYCINESONICACinefotolatino es contenido on demand producido por CINESONICARealización e idea original : Alfredo AltamiranoProducido por Andres Saldaña y Alfredo AltamiranoProducción en línea y Sonido : Isabel AdulfoCámara, Edición y Post producción : Adrian de León y Ricardo GómezPágina web y Redes Sociales : Milton Barrera Redacción de textos de Redes y páSupport the show

There’s Nothing Cooler than a Laser Show If you head along to the National Film and Sound Archive at the moment you can see an immersive audiovisual experience (AKA a laser show) called Constellations. Rod and Gabi had a chat to the creator of the installation Robin Fox who told us that working with lasers is actually kind of dangerous…See omnystudio.com/listener for privacy information.

In the second hour of "Connections with Evan Dawson" on March 6, 2025, Edward Ashton joins us for a conversation on reincarnation and how his book "Mickey 7" became a major motion picture.

In this conversation, Keltie Maguire interviews filmmaker Sophia Seymour about her personal journey with egg freezing, and her documentary, Harvest, which Sophia created about the experience.  You'll hear them discuss: The emotional and physical aspects of the egg-freezing process, and the decision-making involved. The societal pressures surrounding motherhood and fertility. Sophia's advice for anyone considering freezing their eggs. Why she wouldn't recommend egg-freezing as a means of getting clarity on the Kids or Childfree choice, despite having done so herself. Insights from her discussions with other women about the decision to have or not have kids. About Sophia: Sophia Seymour is a British award-winning writer/director living between London and Naples and writes regularly for The Guardian, Condè Nast and Time Out. She has a background in music management and highlights of her career so far include co-directing/producing Teranga - Life in the Waiting Room (Guardian Documentaries and BBC Africa Eye), appearing alongside Richard E Grant for his BBC4 Write Around the World series and working with Paolo Sorrentino for his Netflix documentary Through the Eyes of Sorrentino. She has worked as a producer on documentaries for the Guardian, Netflix, BBC2, BBC4 and graduated with a masters from The National Film and Television school in 2024. She is currently developing a slate of fiction and non-fiction films. As mentioned in the show: You can find Sophia online at: www.sophiaseymour.com Instagram: @sophia_seymour_says_ X: @SophiaSeymour2 Facebook: facebook.com/sophia.seymour Watch Sophia's film, Harvest, online at The Guardian. __ Join the March session of my Confidently Childfree Coaching Intensive: kidsorchildfree.com/confidently-childfree-support-series Check out our free resources here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species. - В декабре 2024 года в коллекцию «Звуки Австралии» были добавлены десять выдающихся аудиозаписей, иллюстрирующих культурный и политический ландшафт страны. Среди них — первая запись, задокументировавшая культуру Коренных народов, рекламный джингл пива, а также запуска того, что сейчас называется SBS Audio.

Aujourd'hui dans notre rétrospective, Valentine Sabouraud revient sur les débuts compliqués du service de sécurité sociale Medicare auquel, 40 ans plus tard, les Australiens restent très attachés. Récit avec des extraits issus de National Film and Sound Archive of Australia.

AC contributor Tara Jenkins talks with cinematographer Edu Grau, ASC, AEC — who was invited to join the Society in 2021. Grau details his experiences at the Cinema and Audiovisual School of Catalonia and the National Film and Television School in London, the chain of events that lead to his breakthrough work in Tom Ford's A Single Man, overcoming self-doubt, and the importance of being a good person both on and off the set.

Sarah Roberts is a comedian and writer, who is quickly becoming one of comedy's most exciting new voices. Among her award nods are: Komedia New Comedy Award finalist 2023, Leicester Square New Act runner-up 2022, a 99 Club bursary winner and BBC New Comedy Award regional finalist 2024 as well as Soho Theatre Labs Plus alumni 2022. A graduate of the National Film & Television School's Writing & Producing Comedy course, Sarah's graduation project, OnlyFran was featured by Director's Notes as one of 10 essential shorts from NFTS 2022 graduates and was shortlisted for the Funny Women Shorts Award 2022. Her debut stand-up comedy hour, Silkworm, was listed as a stand-out show at Edinburgh Fringe 2024 by Rolling Stone, The Guardian, PinkNews, and The iPaper, and is now going on tour in Spring 2025, including a run at Soho Theatre. Get you tickets here - https://www.sarahjroberts.com/services-7Sarah Roberts is our guest in episode 458 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For tickets for Sarah Roberts' tour, visit - https://www.sarahjroberts.com/services-7Follow Sarah Roberts on Instagram: @sarahroberts_69 . Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

We're joined by Director of Digital Preservation at The Strong National Museum of Play Andrew Borman to recap the events of the first ever Save the Games Symposium put on by the museum in August 2024, a conference dedicated to digital preservation and advancing the field of video game preservation. Chris Arneil, National Film and Sound Archive of Australia report: International Video Game Preservation Survey Report Game Availability Study (87% Study): Survey of the Video Game Reissue Market in the United States You can listen to the Video Game History Hour every other Wednesday on Patreon (one day early at the $5 tier and above) or on Spotify. See more from Andrew Borman: Twitter/X: @borman18 YouTube: /ptoponline Website: http://museumofplay.org Facebook: /icheg Video Game History Foundation: Podcast Twitter: @gamehistoryhour Email: podcast@gamehistory.org Twitter: @GameHistoryOrg Website: gamehistory.org Support us on Patreon: /gamehistoryorg

This is episode 34 and the FINAL EPISODE in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad do a round up of their 2024 highlights, lowlights and their favourite episodes from the second season of the podcast, before throwing out some optimistic feels for the year ahead.  It's been a tough year, but we are here to bring you some positivity for 2025 with a little help from our friends and guests of past episodes.  Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the week   Marcus: The Telepathy Tapes by Ky Dickens Oz: The Actors Guide to Success by Michaela Longden   Our Favourite Episodes of Season 2 Marcus:  Episode 1 - How I Directed Baby Reindeer with Weronika Tofilska Episode 17 - Demystifying VFX with Beetlejuice Beetlejuice's Angus Bickerton   Episode 8 - Showrunning BBC's Domino Day with Lauren Sequeira    Episode 19 - Demystifying the road to BAFTAs & Oscars with Flair PR's Catherine Lyn Scott   Episode 31 - How we created EMILIA PÉREZ with Jacques Audiard & Thomas Bidegain   Oz: Episode 1 - How I Directed Baby Reindeer with Weronika Tofilska Episode 15 & 16 - The Journey to Directing PRESUMED INNOCENT with Greg Yaitanes Episode 9 - How I Directed HOUSE OF THE DRAGON with Clare Kilner Episode 13 & 14 - The Journey to Directing SUPACELL with Sebastian Thiel Episode 6 - Is Perfectionism Killing Your Creativity? With Dr. Thomas Curran   Credits Music by Oliver Wegmüller   Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. - 10 ไฟล์เสียงถูกเพิ่มลงในคอลเลคชัน Sound of Australia ของหอจดหมายเหตุภาพยนตร์และเสียงแห่งชาติปี 2024 เพื่อสะท้อนภูมิทัศน์ทางวัฒนธรรมและการเมืองของออสเตรเลียประจำปี มีทั้งเสียงประกอบโฆษณาเบียร์ สุนทรพจน์ เสียงเล่าขานวัฒนธรรมพื้นเมืองออสเตรเลีย และเสียงการออกอากาศรายการ SBS ครั้งแรก

This is episode 33 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Director Jim O'Hanlon, whose directorial work has been nominated for BAFTAs, Golden Globes and Emmy's. Jim began his career working in continuing Drama on Coronation Street and has since gone on to direct Inside Number 9, 100 Streets with Idris Elba, Netflix's The Punisher, Catastrophe with Sharon Horgan & Rob Delaney and also on Apple TV's hit show Trying.    Jim is a fountain of knowledge and in this episode we get right down into his process of what being a working director is to him. This chat includes: -What is directing? -How did you begin your career and enter the industry?  -What is tone? -How do you pick projects?  -How does he work between mediums and genres? -What is his directing playbook after getting hired?  -What is your approach to blocking?  -How do you communicate and work with actors of varying levels of experience?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the week Jim: The Holdovers Directed by Alexander Payne - Directors UK Podcast Marcus: Raging Bull Directed by Martin Scorsese Oz: Oz was inspired by a recent conversation we had with students at Oxford University.   Credits Music by Oliver Wegmüller   Socials Jim O'Hanlon: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This is episode 32 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by the Director of the National Film & Television School, Dr. Jon Wardle. In this episode we demystify exactly what the NFTS is to give you all of the information necessary to understand how it can fit into your pathway into the industry.    This episode covers:   -What is the NFTS?  -What is the NFTS' mission statement?  -Is the NFTS the only way for someone to get into the industry nowadays?  -What are the challenges faced by those attending and graduates?  -The responsibility they have in an ever shifting industry.  -We discuss listener questions and recent controversies.   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the week Jon: The World of Tim Burton at The Design Museum Marcus: Steve McQueen interviewed by Danny Leigh | BFI London Film Festival Screen Talk 2024 Oz: GNX by Kendrick Lamar   Credits Music by Oliver Wegmüller   Socials Jon Wardle: Twitter (X)  The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Feature: Wallace & Gromit return to the big screen with ‘Vengeance Most Fowl,’ we talk to the directors It’s been 19 years since the intuitive, Wensleydale-loving Wallace and Gromit graced the big screen, with their last feature being The Curse of the Wererabbit; now the duo returns with Vengeance Most Fowl, which also marks the return of an old foe, the silent penguin Feathers McGraw. Having begun as a graduation project at the National Film and Television School, and now being a three-time Academy Award-winning cast of characters, Wallace & Gromit creator Nick Park has teamed up with longtime collaborator Merlin Crossingham to direct this latest feature. So for this week’s FilmWeek feature, Larry sits down with Wallace & Gromit: Vengeance Most Fowl directors Nick Park and Merlin Crossingham to discuss all the work that went into making this stop-motion animated feature a reality. Wallace & Gromit: Vengeance Most Fowl will be released in select theaters on December 18 and streaming on Netflix on January 3.

ஆஸ்திரேலியாவின் கலாச்சார மற்றும் அரசியல் சூழலை விளக்கும் பத்து அசாதாரண ஒலிப்பதிவுகளை National Film & Sound Archive தனது Sounds of Australia காப்பகத்தின் சேகரிப்பில் சேர்த்துள்ளது.

သြစတြေးလျနိုင်ငံ၏ ယဉ်ကျေးမှုနှင့် နိုင်ငံရေးအခင်းအကျင်းကို သရုပ်ဖော်သည့် ထူးထူးခြားခြား အသံဖမ်းယူမှု ၁၀ ခုကို National Film & Sound Archive's Sounds of Australia စုစည်းမှုတွင် ထည့်သွင်းထားပါသည်။

This is episode 31 in the second season of The Directors Take Podcast. In this week's special episode your hosts Marcus Anthony Thomas and Oz Arshad are joined in conversation by legendary French Director Jacques Audiard (A Prophet, Rust and Bone) and his long-time Writer and Artistic collaborator Thomas Bidegain to discuss their latest project in partnership with Netflix, the musical crime comedy film EMILIA PÉREZ. This live conversation which was conducted as part of a NFTS masterclass covers the following:   -What is Directing?  -How did they have to adjust their process to create a musical?  -How did the casting process shape the journey of creating the story?  -What is your relationship with tone and genre during the writing process?  -What was the learning curve like in creating the musical sequences?  -How did you go about creating the world in a very intentional way to marry the use of a soundstage and real world locations?  -Audience questions. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. The NFTS run a range of Masterclasses such as this one you can listen to today, with filmmakers from all across departments and the filmmaking spectrum. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Credits Music by Oliver Wegmüller   Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Through his passion for stop motion and modelling clay, we have come to love his silent (but wise) dog and well-meaning owner.Wallace and Gromit are Nick Park's most famous creations, but what more do we know about this Preston born Oscar winner?He would use his mother's home movie camera to record his early films; he studied animation at the National Film and Television School in Buckinghamshire; and joined Aardman Animations in the mid-80s.Over the last few decades, Nick Park has gained critical acclaim for feature films, Chicken Run and Early Man. So, as we await the latest Wallace and Gromit offering this Christmas, Mark Coles has donned the RIGHT trousers to take a closer look at the multi-award winning animator.Archive Credits Wallace & Gromit: A Grand Day Out directed by Nick Park (Aardman Animations/National Film and Television School) Wallace & Gromit: Vengeance Most Fowl directed by directed by Nick Park and Merlin Crossingham (Aardman Animations) Creature Comforts directed by Nick Park (Aardman Animations) Chicken Run directed by Peter Lord and Nick Park (Aardman Animations/Pathé/DreamWorks Animation) Wallace & Gromit: The Curse of the Were-Rabbit directed by Nick Park and Steve Box (Aardman Animations/DreamWorks Animation) Wallace & Gromit Christmas Jumper Ident (Aardman Animations for the BBC) Merlin Crossingham & Nick Park on WALLACE AND GROMIT: VENGEANCE MOST FOWL at AFI Fest 2024 (American Film Institute) The Bike Ride (Collett Dickenson Pearce)Production Team Presenter: Mark Coles Producers: Bob Howard and Natalie Ktena Editor: Richard Vadon Sound: Gareth Jones Production Co-ordinator: Maria Ogundele

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species. In the latter half of this podcast, Davide Schiappapietra, the Head of Language Content for Audio and Language Content at SBS, reflects on the broadcaster's rich history, its pivotal role in promoting multiculturalism in Australia, and the evolution of its platforms since its establishment in 1975. He also discusses the transformative changes SBS has undergone over the past five decades and details the commemorative events planned to celebrate this remarkable achievement. - अस्ट्रेलियाको बहुभाषिक तथा बहुसांस्कृतिक सार्वजनिक प्रसारण संस्था स्पेसल ब्रोडकास्टिङ सर्भिस (एसबीएस) अस्ट्रेलियन पहिचानको एक महत्त्वपूर्ण भागको रूपमा सदाका लागि सुरक्षित भएको छ। नेश्नल फिल्म एन्ड साउन्ड आर्काइभ (एनएफएएस) को साउन्ड्स अफ अस्ट्रेलिया कलेक्सनमा देशको सांस्कृतिक तथा राजनीतिक अवस्था झल्काउने १० विशेष अडियो रेकर्डिङहरू समावेश भएसँगै एसबीएस अस्ट्रेलियन पहिचानको अभिन्न अङ्गका रूपमा सदाका लागि सुरक्षित भएको हो। यो रिपोर्टसँगै अर्को साल आफ्नो ५० औँ वार्षिकोत्सव मनाउने तयारीमा रहेको एसबीएसको बहुसांस्कृतिक अस्ट्रेलिया निर्माणमा योगदान र भविष्यमा रहने आवश्यक्ता बारे एसबीएस अडियोका भाषा सामाग्री प्रमुख डाभिडे स्कापापिएत्रासँगको कुराकानी सुन्नुहोस्। नोट: यो कुराकानी अङ्ग्रेजी भाषामा रहेको छ।

Da oggi la collezione del National Film & Sound Archive, l'Archivio Nazionale del cinema e del suono si arricchisce di dieci registrazioni audio che illustrano il panorama culturale e politico dell'Australia, incluso il programma in italiano della 2EA di Franca Arena registrato nel 1975.

SBS Audio will celebrate its 50th anniversary in 2025, marking a significant milestone in its history. As part of this occasion, the National Film & Sound Archive's Sounds of Australia has included SBS's language broadcasts in its collection, highlighting their cultural and historical significance. - SBS ஆடியோ 2025 ஆம் ஆண்டில் தனது 50 ஆம் ஆண்டு விழாவைக் கொண்டாடுகிறது. இதன் ஒரு பகுதியாக, National Film & Sound Archive's Sounds of Australia, SBS இன் கலாச்சார மற்றும் வரலாற்று முக்கியத்துவத்தை சிறப்பிக்கும் விதமாக SBS இன் மொழி ஒலிபரப்புகளை அதன் சேகரத்தில் இணைத்துள்ளது.

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species. - 国家电影和声音档案馆（NFSA）年度收藏中收录了SBS广播服务在1975年开播时的声音，SBS 音频和语言内容总监 David Hua 表示，能收录入这个系列是一种荣幸（收听播客，了解详情）。

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film and Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture; hip hop; speeches; a theme tune; the launch of what is now SBS Audio; an advertising jingle for an iconic Australian beer; and the last known recording of a now-extinct species.

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species. - 國家影音檔案館（National film & Sound Archive）公布「澳洲之聲」（Sounds of Australia）系列的年度新增內容。今年2024年度有10段錄音獲納入館藏，包括首位澳洲原住民或托勒斯海峽島民利用錄音技術記錄原住民文化，以及嘻哈歌曲、廣告歌曲等等，還有現在是多語言廣播SBS電台當年開播的剪輯錄音。

Десет изванредних аудио снимака који илуструју аустралијски културни и политички пејзаж додато је у аустралијску архивску националну колекцују филмских и звучних записа "National Film & Sound Archive's Sounds of Australia collection". Додатак колекцији ове године су и први снимци оригиналних пет програма СБС радија , сада познатог као СБС Аудио.

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species. - অস্ট্রেলিয়ার সংস্কৃতি এবং রাজনৈতিক প্রেক্ষাপটকে তুলে ধরা দশটি অসাধারণ অডিও রেকর্ডিং অন্তর্ভুক্ত করা হয়েছে ন্যাশনাল ফিল্ম অ্যান্ড সাউন্ড আর্কাইভের ‘সাউন্ডস অফ অস্ট্রেলিয়া' সংগ্রহে। ২০২৪-এর সংযোজনগুলির মধ্যে ফাস্ট অ্যাবরিজনাল বা টরেস স্ট্রেট আইল্যান্ডার অস্ট্রেলিয়ান অন্তর্ভুক্ত রয়েছে যা আদিবাসী সংস্কৃতি, হিপ হপ, বক্তৃতা, একটি থিম টিউন, এখনকার এসবিএস অডিওর প্রথম সম্প্রচারের রেকর্ডিং, একটি আইকনিক অস্ট্রেলিয়ান বিয়ারের বিজ্ঞাপন জিঙ্গল এবং এখন বিলুপ্ত প্রজাতির সর্বশেষ পরিচিত রেকর্ডিং অন্তর্ভুক্ত রয়েছে।

More details have come to light about that antisemitic incident in Sydney’s eastern suburbs, where anti-israel slogans were spraypainted on buildings and a car was set alight. An iconic 1968 beer commercial is among 10 pieces of audio that have been added to the National Film and Sound Archive’s time capsule. The president has been briefed and the FBI is investigating after a number of bizarre drone sightings in the skies above New Jersey. Travis Kelce has paid tribute to his girlfriend, Taylor Swift, after she wrapped her recorded breaking Era’s Tour. One of the stars of The Bachelor Australia has welcomed a baby with his partner who he met on the show. Cricket Australia has launched a major push to have the Gabba scrapped as a Test venue and replaced by a stadium that could sustain the sport for another 50 years. See omnystudio.com/listener for privacy information.

Ten extraordinary audio recordings illustrating Australia's cultural and political landscape have been added to the National Film & Sound Archive's Sounds of Australia collection. The 2024 additions include the first Aboriginal or Torres Strait Islander Australian to use recorded sound to document Aboriginal culture, hip hop, speeches, a theme tune, the launch of what is now SBS Audio, an advertising jingle for an iconic Australian beer, and the last known recording of a now-extinct species.

This is episode 30 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by High-End TV Director Marc Jobst for the second part of our conversation. Marc began his career working in continuing drama on Casualty and Eastenders before working his way up to creating exceptional work on Hannibal, Daredevil, The Witcher and most recently as the lead director on the hit Netflix show One Piece. This conversation covers the following:   -What's the first thing you do after being hired on a job? -The importance of casting.  -Remaining flexible with your plans to adapt to different actors methods. -The use of camera plans. -How schedule minded do you need to be as a director?  -How do you honour beloved IP when working in HETV. -What is Marc's approach to action?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Credits Music by Oliver Wegmüller   Nugget of the Week Marcus: Script Apart - Andrew Haigh All of us Strangers Oz: Marc Jobst's Blog Marc: This Cultural Life - Interview with Alejandro Iñárritu   Socials Marc Jobst: Twitter (X) & Instargam The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Send us a textBumper episode this week as Steff kicks off by telling us about his busy film and TV related weekend.In our Alone in the South Passage section this week we have a rundown of new Star Wars series: Skeleton Crew (but not from Hutch, he didn't watch it). Then news of a Boba Fett crowdfunding opportunity that's too good to miss!Our main attraction is a review of 2010's Tron Legacy, directed by Joseph Kosinski. Can we see past the appalling de-aging technology and loose legalities of business succession, to appreciate this Sci-Fi sequel? Tune in to find out.There's a new feature this week as we discuss must see films leaving streaming services in the near future, in our Last Chance Cinema Club section.You can contact us at:podcast@2ndchancecinemaclub.comWe can be found on:Instagram - @2ndchancecinemaclub

This is episode 29 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by High-End TV Director Marc Jobst. Marc began his career working in continuing drama on Casualty and Eastenders before working his way up to creating exceptional work on Hannibal, Daredevil, The Witcher and most recently as the lead director on the hit Netflix show One Piece.   This conversation covers the following:   -How did you become a director? -What does collaboration mean to you?  -What were the big obstacles you faced in working in High-End TV?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Credits Music by Oliver Wegmüller   Socials Marc Jobst: Twitter (X) & Instargam The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

TAINTED, 11min,. Singapore Directed by Ian Wee In a world driven by corporate greed and unethical genetic experimentation, Darien, the pioneering human clone, finds himself obsolete against a superior 2nd Generation Clone, leading to his and his mentor's targeting. Following his mentor's death, Darien's hidden hybrid nature—combining human and vampire DNA—surfaces during a critical confrontation, granting him unexpected survival. Marked as a “Tainted” failure yet possessing newfound powers, Darien faces an ambiguous future, embodying the narrative's critique of ambition's perils and the poignant fallout of manipulative sciences. http://www.brightvoxelstudios.com/ https://www.instagram.com/film_tainted/ Get to know writer/producer Graham John Lamb: What motivated you to make this film? I was Virtual Production Supervisor on a film in Singapore, when the IMDA (InfoComm Media Development Authority Singapore) announced that they were funding projects in this particular area. My producer, director and director of photography were at the time over in the UK at the National Film and Television School also attending a Virtual Production immersion program aimed at industry professionals to learn about this new way of film making. So excited with this new surge of enthusiasm I asked Jeffrey about joining this content creation initiative and we all got together and created Tainted. What were your initial reactions when watching the audience talking about your film in the feedback video? Honestly I got a little teary, when I was looking at the reviews, I am greatly appreciative that the reviewers talk about the whole film in general from stunts, makeup, sound & music to performance and that really shows that the team was really the best – such a dynamic group all around and I have nothing but high praise for everyone involved. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

This is episode 28 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Award winning  actor, writer and director Charlotte Hamblin. This conversation was recorded at the Norwich Film Festival 2024.   In this chat we cover:- The importance of preparation in development Developing an idea Preparation Meets Improvisation: Rehearsals and Blocking Navigating vulnerability. The creative grind of development. Problem-Solving on Set: From Challenges to Creativity Moments of Magic: When Everything Clicks The Development Process: Polishing the Diamond Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the Week Charlotte - Song by Tom Rassmussen - There's a lot to be happy about https://open.spotify.com/track/3dG4ESSkfeytc0DH7cJOsg?si=e71d9e408e604136 Oz is a lyric from the song Eye of the Tiger :  https://youtu.be/btPJPFnesV4?si=MokAVPDr1Q1b8Tk3   Credits Music by Oliver Wegmüller   Socials Charlotte Hamblin: Profile& Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz:  Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com  

This is episode 27 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad take you behind the scenes of their short films, Space Plug and Opening Up.  Recorded in June 2023, the episode gives you their fresh thoughts on the wins and challenges of production one week after they wrapped on set.  This conversation covers:  - We break down the lessons learned, the challenges faced, and what it takes to bridge the gap between short films and long-form projects. Expect insights on: - Applying what we learned on House of the Dragon to the challenges we faced - Tackling the sci-fi spectacle of Space Plug while balancing visual storytelling and technical hurdles. - How Oz pivoted Opening Up from the north to London.  - Last-minute location changes & Police on set. - Managing technical complexity and tight schedules on a limited budget. - Thoughts and conclusions before going into production Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.   We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Credits Music by Oliver Wegmüller   Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com  

This is episode 26 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by BAFTA winning producer Chris Hees, who works across both animation and live-action.  This conversation was recorded at the Spirit of Independence Film Festival in Sheffield alongside a bunch of other industry talks, as we aim to demystify producers. In this chat we cover:-   -What is producing? -What opportunities did a BAFTA win and an Oscar nomination bring? -How have you sustained yourself whilst pursuing a producing career?  -How does he choose the stories that he works on?  -What short-sighted decisions do directors make when working with producers? -What are the key challenges in going from shorts to longform?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Credits Music by Oliver Wegmüller   Socials Chris Hees: Website & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Clare and Yves are joined by Jazz Money, a queer Wiradjuri filmmaker, poet and artist whose debut feature film WINHANGANHA (2023) uses archival footage by or about First Nations people from the National Film and Sound Archive to ‘make sense of the archival inheritances that shape our present realities'. What does it mean for First Nations creators to speak back to the colonial archive? How can we honour the archive of the body? And why is it essential to foreground love and joy and sexiness and strength, alongside violence and suffering?

This is episode 25 in the second season of The Directors Take Podcast.   In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad discuss the process of giving and receiving notes as a Writer & Director. We were joined in this conversation by Venetia Hawkes, who is the author of the book We Have Some Notes… The Insider's Guide to Notes, Script Editing and Development. This book is an excellent resource and features chapter interviews from some of the finest Writers & Directors in the UK such as Edgar Wright, Lynne Ramsay, Russell T Davies, Sally Wainwright and many, many more.    So as ever we get right into it to help demystify the notes process for you all! This conversation covers:   -What inspired her to write this book? -What did she discover about the notes process that went against her expectations?  -What are the do's and don'ts when giving and receiving notes?  -How should you deliver notes? -What makes a bad note? -How specific should notes be?  -How do you navigate communicating and dealing with notes around tone? -When are notes not useful?  -The notes process for women and people from a global majority. -How did her research inform her own writing process when putting the book together?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the Week Venetia: Climate spring - Organisation - Climate Spring harnesses the storytelling power of the screen to shift how society perceives and responds to the climate crisis. Oz: We Have Some Notes… by Venetia Hawkes Marcus: Ancient Apocalypse: The Americas    Credits Music by Oliver Wegmüller   Socials Venetia Hawkes: Twitter (X) & Instagram  The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This week I'm speaking to the wonderful Wharton, who is of Chinese and white European heritage. Wiz's debut nove, Ghost Girl, Banana follows Sook-Yin in 1960s England, exiled from Kowloon, and her daughter Lily in 1990s, embarking on a secret pilgrimage to Hong Kong to discover the lost side of her identity, following  a mysterious letter telling her she has inherited a LOT of money from a stranger. It's no surprise that this sweeping story is being adapted for TV, and it is such a brilliant read.Wiz Wharton was born in London of Chinese-European heritage. She is a prize-winning graduate of the National Film and Television school, where she studied screenwriting under the filmmakers Mike Leigh, Stephen Frears and Kenith Trodd. Her debut novel Ghost Girl, Banana deals with issues of identity, belonging and familial secrets. In 2023, she was named by the Scottish Government Expo Fund as one of the 40 writers predicted to set the literary world alight. I'm so glad she's my guest today.  Support the show

This is episode 24 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad get candid about directing actors and building trust on set. From early mistakes to big lessons, they share stories about casting, blocking, and working with actors to elevate on-screen moments. Drawing on experiences from their respective works, they break down the craft of guiding performance. This episode covers: First experiences directing actors The role of blocking and “business” on set The impact of blocking and micro-blocking How to collaborate through trust and clarity Lessons learned from working with experienced actor What they learnt from watching other directors Effective casting and rehearsals Adapting to surprises on the day Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the Week   Oz: https://www.youtube.com/watch?v=8QU9qZgodWw&ab_channel=FilmCourage Judith Weston Marcus: Life    Credits Music by Oliver Wegmüller Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Instagram (Oz is off Twitter)   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com  

One of South Africa's most prolific criminal cases, “The Station Strangler”, will be streamed on Showmax. The documentary delves into the world of serial killer Norman Afzal Simons, who is believed to have killed 21 young boys and one adult from the mid-80s to the mid-90s in the Cape Flats.The schoolteacher was convicted of the rape and murder of 10-year-old Elroy van Rooyen and sentenced to 25 years in in 1995. Twenty-eight years after his imprisonment, Simons was released on parole and placed under 24-hour monitoring in November 2023, opening up fresh wounds in a community where justice has been denied for decades. Meanwhile, the true-crime feature documentary, which will premiere on November 6, is produced by IdeaCandy which brought viewers “Tracking Thabo Bester”, “Devilsdorp” “Steinheist” and “School Ties”. Joining us this evening to talk about this documentary is award-winning director, Nadine Cloete. Nadine has won the Audience Award at Encounters for Action Kommandant, while Address Unknown won the SAFTA for Best Short Film. She is also the Production and Development Manager for Non-Fiction at the National Film and Video Foundation.  See omnystudio.com/listener for privacy information.

This is episode 23 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Jess Hong a New Zealand actor who since graduating from Drama School landed the lead role in Showrunners David Benioff and D. B. Weiss Game of Thrones follow up, the Multi-Emmy award nominated show 3 BODY PROBLEM, which was also created by Alexander Woo. In this episode we break down her early journey, successes and learnings in order to help demystify what the actor and director relationship can look like. This conversation covers:   -What is acting?  -How did you get into acting in the first place? -How did you land the job on 3 Body Problem? -How did you begin to prepare for the job of a life time? -How do you embody a character that is distant from yourself?  -How did the individual directors approach Director's Rehearsals? -How do you like receiving notes from Directors? -How do you create trust between yourself and collaborators on set?  -How do you navigate working on such a large production? -What does the future look like for you?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.   We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake  Nugget of the Week   Jess: Make more good memories with family and friends. That's what people will remember. Marcus: The Hitchcock and Truffaut interviews Oz: The Making of The Girl with the Dragon Tattoo   Credits Music by Oliver Wegmüller   Socials Jess Hong: Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com  

This is episode 22 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Adam Pearson who is an actor and star of the new A24 feature film, A Different Man alongside Sebastian Stan (Captain America: The Winter Soldier), Renate Reinsve (The Worst Person in the World) and is written & directed by Aaron Schimberg. Adam got his first acting break in Jonathan Glazer's Under the Skin starring Scarlett Johansson and he has used his platform to become an award-winning disability rights campaigner, public figure and presenter.    This chat covers:   -What is acting?  -How he ended up working on Under the Skin. -What was his first experience like on a film set? -How did he end up being cast in A Different Man?  -What did he learn from his A-List Co-Stars?  -How he felt seen by this film's narrative. -How confidence plays a part in acting.  -Learning to manage a disability and access in the industry.   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nugget of the Week Adam: Four Favourites with Sebastian Stan, Adam Pearson, and Aaron Schimberg (A Different Man) Oz: Nobody wants to buy this Abadoned $10.5million Mansion - Luxury Cars inside!!!   Marcus: In Proximity | Jordan Peele and Ryan Coogler on Genre, Fear and Filmmaking    Credits Music by Oliver Wegmüller   Socials Adam Pearson: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

My guest today is Nainita Desai, the British composer for film, television and video games. Born and raised in London by her Indian parents, she earned a degree in mathematics, then studied sound design at the National Film and Television School. She started her career as a sound designer on the films Little Buddha, Lessons of Darkness and Death Machine, before branching into composition for television, including, among hundreds of others, the Oscar-nominated For Sama, the hit Netflix series American Murder and the BBC drama series Unprecedented. In 2022 she won the Emmy for ‘Outstanding Music Composition' for her work on The Reason I Jump, a film that explores the experiences of non-speaking autistic people around the world. More recently she has entered the world of video games, composing the scores for Telling Lies, Immortality, Call of Duty: Modern Warfare 2, and, most recently, Tales of Kenzera: Zau for which she has been nominated for a World Soundtrack Award.  Be attitude for gains. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

This is episode 21 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay's closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others.  Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers:   -What is Sound Design? -What was his journey into the industry like?  -The importance of mentors?  -How did he come to meet Lynne Ramsay and build that relationship?  -Why do people keep coming back to him?  -How to sync up the process between sound and the edit?  -How does he approach character and perspective with sound?  -What are the mistakes that directors make when working with sound designers?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Paul's Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli.    In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK's film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here.    Nugget of the week   Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death's Founder Started a $700million Water Brand | Found Effect   Credits Music by Oliver Wegmüller   Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This is episode 20 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Nichola Wong, a Writer and Director who has successfully navigated her way from making short films to directing over 20 episodes of the continuing drama Hollyoaks.  The transition from shorts to TV is one of the most challenging leaps to make as a filmmaker and continuing drama's often come with a very systemic approach to delivering a constant stream of episodes for their audiences, so we brought on Nichola to break that process down for you all.  This chat covers:    -What is directing? -How and why did she want to be a filmmaker? -How did she break into the industry?  -Gaining and losing an agent. -How did she get her first break in TV?  -What were the challenges she came up against in directing continuing drama?  -How have mentors helped her career so far?  -How has that helped her career going forward?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nichola's Bio Nichola is an award-winning Writer-Director, Sundance Fellow, BFI NETWORK x BAFTA Crew listed Director, and a graduate of the prestigious NFTS Directors Workshop, supported by Walt Disney. Her 1st TV pilot won All3 Media's New Drama Script award at Edinburgh TV Festival and was one of eight out of 3000+ projects to be selected for the Sundance Episodic Lab. Her short films have screened at film festivals all around the world, as well as on Hulu, US broadcast TV (FX, Freeform) and Film 4/All4.  She is currently developing various TV ideas and her 1st feature film with Ardimages. She has been mentored by Hong Khaou, Nick Rowland, Claire Tailyour and Tessa Hoffe.   She also directs the 2nd unit on high-end TV shows, as well as directing over 20+ episodes of the continuing drama Hollyoaks.   Nugget of the week   Nichola: Notes on a Nervous Planet by Matt Hague Oz: Song Exploder Marcus: 6 days to air: The Making of South Park   Nichola's Films https://www.youtube.com/watch?v=ssb7wRrdMOc   Credits Music by Oliver Wegmüller   Socials Nichola Wong: Twitter (X) & Website The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This is episode 19 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Catherine Lyn Scott from London Flair PR, who specialise in running BAFTA and Oscar award campaigns for short films. Catherine has helped her clients gain 32 Oscar nominations including 6 wins with films such as An Irish Goodbye (2023), The Long Goodbye (2022) starring Riz Ahmed and The Silent Child (2018). She was also attached to the most recent BAFTA nominated short Yellow and the eventual BAFTA winner Jellyfish and Lobster. She is a master in her field and so we brought her on for a chat to help demystify the process of tackling awards season and to offer you all some very practical tips on how to up your own PR game.    This chat includes:-   -What is PR? -What attracts her to a project?  -What does she look for in the filmmakers she represents?  -Is there a formula?  -How do you make the most out of a film festival run? -What practical tips can you give to help people with their own campaigns? -What mistakes do filmmakers make?  -Do you need social media?  -How do you build a personal brand?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nuggets of the week   Catherine: The Academy giving its own section to Short Films.   Oz: Fasting as a means to appreciate our fortune. Marcus: DUNE part Two Q&A w/ Denis Villeneuve and Steven Spielberg   Credits Music by Oliver Wegmüller   Socials London Flair PR: Twitter (X), Facebook & Instagram Catherine: Twitter (X), Facebook & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This is episode 18 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Andy Harrower who is the CEO of DIRECTORS UK, who help amplify the collective voice of working directors in the UK in tackling the multitude of issues that they might face. The TV & Film industry has undergone massive amounts of change over the last decade and beyond, so we wanted to get Directors UK's perspective on the challenges faced by its 8,000 strong membership of Directors and by the wider industry too.  In this chat we cover:-   -What is Directors UK and what do you represent?  -So are you or are you not a union? -Why was it founded in the first place?  -How are residuals collected?  -How disruptive has streaming been for working Directors and the industry over the last ten years and what other issues have come to light outside of residuals? -The issue of late scripts and the subsequent mental health impacts.  -How sustainable is the UK industry for Directors at the moment? -The lack of joined up thinking around Talent Development in the UK. -Talent Development within Directors UK. -What other issues are in the crosshairs for Directors UK to attack?   Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Nuggets of the week   Oz: Murder on the Orient Express - Tour Marcus: Selling Sunset - Season 8    Credits Music by Oliver Wegmüller   Socials Directors UK: Twitter (X), Facebook & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

This is episode 17 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by legendary VFX Supervisor Angus Bickerton, whose career has stretched over 40 years and landed him jobs on films such as Lost in Space, Tim Burton's - Dark Shadows & Batman (1989), Kingsman Gold Circle, Rocketman, HBO's House of the Dragon and most recently on Tim Burtons sequel to his 80s hit BEETLEJUICE BEETLEJUICE starring Michael Keaton.   This chat includes: How does a VFX supervisor collaborate with the director to bring a vision to life on film and TV? The role of pre-vis in VFX workflows on projects? How can a VFX supervisor balance creative freedom with tight budget constraints? Working with different creative approaches - Tim Burton, Matthew Vaughn, Miguel Sapochnik. What makes the volume and blue screen techniques different for actors and crew? How do VFX artists adapt to changes on set and in post production? Crafting iconic sequences like the Batwing shot in Batman (1989) and dragon chases in House of the Dragon. The VFX of Beetlejuice Beetlejuice. How can directors be better equipped for VFX on their projects? Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake  Nuggets of the week   Marcus: Jim Cummings The Beta Test documentary https://x.com/jimmycthatsme/status/1797659509172654512?s=46    Oz: https://merlin.allaboutbirds.org/   Angus: Mach Loop in Wales - Military Aircraft fly low through the valleys,  https://www.youtube.com/watch?v=fyszRvOOVmg   Credits Music by Oliver Wegmüller   Socials The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz:Instagram  If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com