American musician
POPULARITY
Categories
In 1997 Annette Gordon-Reed published 'Thomas Jefferson and Sally Hemings: An American Controversy.' Her work has inspired other historians to look beyond the traditional narrative when researching and writing about American history. We talk with Gordon-Reed about her contributions to historical scholarship and dedication to preserving complex American history. Then, we listen back to a 2024 conversation with musician Lucinda Williams about her memoir 'Don't Tell Anybody the Secrets I Told You'. Williams is headlining the Iowa City Songwriters Festival in November. (Part of this episode was originally produced Aug. 20, 2024.)
Grammy winner and Americana Lifetime Achievement Award honoree Buddy Miller chats about everything from his signature guitar licks, to finding the right ramp for Solomon Burke, to the theme of sadness that runs through his joyful-sounding new solo album - his first in 22 years! PART ONE:Paul and Scott reflect on the songwriting, life, and loss of the incomparable Dolly PartonPART TWO:Scott's in-depth conversation with one of his favorite artists, Buddy MillerABOUT BUDDY MILLER:Singer, songwriter, guitarist, producer, and Americana music legend Buddy Miller has worked with Willie Nelson, Linda Ronstadt, Robert Plant, Elvis Costello, John Fogerty, Emmylou Harris, Lucinda Williams, Solomon Burke, Richard Thompson, Steve Earle, and many others. The four-time nominee earned a GRAMMY for his production work on Patty Griffin's acclaimed Downtown Church album. He has taken home 14 Americana Music Awards, including multiple Album of the Year, Song of the Year, Instrumentalist of the Year, and Artist of the Year wins. Buddy was honored with the organization's Lifetime Achievement Award in 2022 and was previously named Artist of the Decade by No Depression. In addition to serving as Executive Music Producer for ABC-TV's Nashville series, Buddy has released seven studio albums as a solo artist, a duo album with Jim Lauderdale, and four duo albums with his wife and longtime musical partner Julie Miller. Buddy's most recent project, his first solo album in 22 years, is the self-titled Buddy Miller. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Este mes la azotea sonora rinde homenaje a una de sus principales debilidades, el cantautor norteamericano Ryan Adams. En este extenso y completo especial, Him repasa su prolífica carrera artística desde sus inicios con los reveladores Whiskeytown hasta sus últimos y numerosos lanzamientos discográficos. Se detallarán importantes cuestiones relativas a su persona, desde su meteórico éxito inicial hasta su actual ocaso personal, recordando sus numerosos enfrentamientos con las discográficas en aras de defender el valor incorruptible de su obra, su lucha constante contra las adicciones, su proliferación creativa fuera de lo humanamente posible, su fascinante e inspiradísima etapa con su banda de acompañamiento The Cardinals, su relación con artistas como Elton John, Johnny Marr o Jesse Malin, su impetuoso y sorprendente romance con Lucinda Williams, sus inclasificables proyectos paralelos, sus tremendos problemas de salud causados por la enfermedad de Ménière hasta llegar a sus tormentosos infiernos derivados del escándalo denunciado por el movimientor MeToo por conductas y coacciones psicológicas abusivas lo que provocó su actual estado cercano a la ruina artística y personal pese a su constante intento de redención y talento innato del todo indiscutible. Un episodio único sobre un artista único.
Brian Lucey, a mastering engineer who began in the late 80s NYC East Village as a professional musician (guitar, voice, piano) who became a student of Robert Fripp and Guitar Craft through the early/mid 90s. He has many years of experience in band creativity: writing, arranging, performing, tracking, mixing and producing organic music (Ampex MM1200 2"). Mastering began in the late 90s and his experience in all other phases has lead to a distinctly musical approach to mastering. Originally from the secret music city of Columbus, Ohio he works out of Los Angeles at Magic Garden Mastering. Credits include: Lucinda Williams, Green Day, The Black Keys, Cage The Elephant, Marilyn Manson, Dr John, The Shins, Depeche Mode and many more… Learn more about your ad choices. Visit megaphone.fm/adchoices
Dan rides solo for this ride and plays a lot of interesting tracks that lack proper flow, but somehow still connect all the dots. Oh, and Hank has 'Ozzy" dad socks. Hear that story and more. Included: Charley Crockett; Jon Batiste; Lucinda Williams; Earth To Eve; Jonathan Richman; Black Sabbath; George Winston; Cat Power; Coldfishstix
Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Country Artist • Songwriter • StorytellerDavid Serby September 1st | 7 PM EST Title: Broken Hearts, Honky Tonks & Finding Common Ground Tagline: Sometimes the songs born from trying, failing, and learning become the stories that connect us most. Description: On September 1st at 7 PM EST, Teatime with Miss Liz welcomes Los Angeles country artist and songwriter David Serby for a conversation where music, storytelling, heartbreak, humour, and human connection all pull up a chair. David's album Broken Heart in a Honky Tonk brings the spirit of the classic roadhouse into modern Americana, drawing from the Bakersfield tradition while creating something distinctly his own. Through upbeat shuffles, introspective songs, flawed characters, and carefully crafted lyrics, David explores people searching for connection while trying to make sense of the situations they've sometimes created themselves. His career has taken him to the Stagecoach Music Festival twice and onto stages alongside artists including Willie Nelson, Lucinda Williams, Emmylou Harris, Kris Kristofferson, Wanda Jackson, Neko Case, Robert Earl Keen, and many others. Yet underneath the accomplishments is a storyteller who describes himself simply as curious. His favorite color is blue. He comes from Southern California and lives in Long Beach. His T-E-E carries a message particularly meaningful for today's world:Seeking Common Ground.And his story can be summed up in three honest words:Trying. Failing. Learning. Grab your cup as Miss Liz and David dig into the stories behind the songs, the beauty of imperfect people, and why sometimes a honky tonk is about much more than music. Welcome everyone to Teatime with Miss Liz, where we don't just talk about what someone has accomplished—we dig into the experiences, mistakes, lessons, and stories behind it. Tonight we're heading somewhere a little different. Picture a gravel parking lot, a glowing jukebox, a live band, strangers sharing a room, and somebody walking through the door carrying a broken heart. My guest tonight knows how to turn that world into a song. Please welcome David Serby, Southern California country artist, songwriter, and storyteller behind Broken Heart in a Honky Tonk. David has spent years creating songs about real people—the complicated, imperfect kind who try, fail, learn, love, lose, and somehow keep going. He's performed at Stagecoach twice and shared stages with some legendary names in American music, but tonight we're going beyond the stage. David describes himself as curious, and his T-E-E is Seeking Common Ground. His three words tell us exactly where tonight's conversation may take us: Trying. Failing. Learning. David, welcome to Teatime with Miss Liz. Grab your cup, and let's dig deep. Closing: Tonight wasn't simply a conversation about country music. It was about the people inside the songs. The ones who make mistakes. The ones nursing broken hearts. The ones searching for connection. And the ones who keep trying even after they've failed. David's story reminds us that failure doesn't have to be the final verse. Sometimes it's simply where the learning begins. And perhaps that's where his message of seeking common ground becomes especially important. We may come from different places, believe different things, and live very different lives—but heartbreak, hope, mistakes, laughter, music, and the desire to belong give us more common ground than we sometimes realize. Thank you, David, for bringing your music, curiosity, and stories to the table. David Serby is a Southern California country artist and songwriter whose music blends Bakersfield traditions with modern Americana. A two-time Stagecoach performer, he creates thoughtful songs about flawed, relatable people searching for connection. His album Broken Heart in a Honky Tonk celebrates storytelling, common ground, and life's imperfect journey.#TeatimeWithMissLiz#DavidSerby#BrokenHeartInAHonkyTonk#CountryMusic #SeekingCommonGround
Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This week's show, after a 1978 Nerves nuking: brand new Peel Dream Magazine, Social Distortion (with Lucinda Williams), Slow Fiction, Haroula Rose, Sunken Planes, Bloococoon, Tremolo Beer Gut, and Gene, plus The Human Expression, Small Faces, Moody Blu...
Brian Lucey, a mastering engineer who began in the late 80s NYC East Village as a professional musician (guitar, voice, piano) who became a student of Robert Fripp and Guitar Craft through the early/mid 90s. He has many years of experience in band creativity: writing, arranging, performing, tracking, mixing and producing organic music (Ampex MM1200 2"). Mastering began in the late 90s and his experience in all other phases has lead to a distinctly musical approach to mastering. Originally from the secret music city of Columbus, Ohio he works out of Los Angeles at Magic Garden Mastering. Credits include: Lucinda Williams, Green Day, The Black Keys, Cage The Elephant, Marilyn Manson, Dr John, The Shins, Depeche Mode and many more… Learn more about your ad choices. Visit megaphone.fm/adchoices
Jim Daniels has authored more than thirty collections of poetry, seven collections of fiction, and one collection of essays, and has written four produced screenplays. He has also edited or co-edited six anthologies, most recently RESPECT: The Poetry of Detroit Music. He is a recipient of two fellowships from the National Endowment for the Arts and two from the Pennsylvania Council on the Arts. His books have won four Michigan Notable Books awards, the Brittingham Prize in Poetry, the Blue Lynx Prize for Poetry, the Tillie Olsen Creative Writing Award, the Milton Kessler Award, and three gold medals in the Independent Publisher Book Awards, among others, and his films have won awards in film festivals around the world. His work has been published in The Best American Poetry and Pushcart Prize volumes. He has read his poetry on Garrison Keillor's A Prairie Home Companion, and his poems were frequently featured on Keillor's Writer's Almanac. Poet laureates Billy Collins, Ted Kooser, and Tracy K. Smith all showcased his writing as part of their work to bring poetry to average Americans. During his long career, he has warmed up for singer-songwriter Lucinda Williams at the Three Rivers Arts Festival, read poems at a Jamestown Jammers AA baseball game, had his poem “Factory Love” displayed on a race car, and sent poetry into space as part of the Moon Arts Project. A native of Detroit, he lives in Pittsburgh, where he is the Baker University Professor Emeritus of English at Carnegie Mellon University. He currently teaches in the Alma College low-residency MFA program. Author Jim Daniels spoke at Marshall District Library as part of the 2026 #MiNotableBks author tour and was also honored as the 2025-2026 #MiAuthorAward recipient. Special thanks to MDL for hosting and to the Library of Michigan Foundation for their support of both programs. Visit www.Michigan.gov/NotableBooks and www.Michigan.gov/MiAuthorAwardfor more details on each program. An Ignorance of Trees: A Memoir in Essays was published in August 2025 by Cornerstone Press and won a Michigan Notable Book Award in 2026.This was his fifth Michigan Notable Book Award: two in poetry, one in fiction, one in nonfiction, and one for editing (RESPECT: The Poetry of Detroit Music.More info on the Michigan Author Award at link above. https://msupress.org/9781611865745/late-invocation-for-magic/https://en.wikipedia.org/wiki/Jim_DanielsWriters mentioned: Andrew Collard, Dustin M. Hoffman, R.S. Deneen
Welcome back to Aquarium Drunkard Transmissions with Jason P. Woodbury. This week on the show, we welcome Nashville-based music journalist, critic and author Erin Osmon, to discuss her tremendous book, Won't Back Down: Heartland Rock and the Fight for America, which chronicles how heartland rock, typified by artists like Bruce Springsteen, John Mellencamp, Tom Petty, Bob Seger, and more, brought a populist, Americana-inspired sound to the airwaves of the radio and MTV. Along the way, Osmon shines a light on lesser heralded artists in the heartland canon, including Bonnie Raitt, Lucinda Williams, and Tracy Chapman, explores the impact of the shift from vinyl and tape to compact discs, the ubiquity of synthesizer technology, and the progressive undercurrent that propels this music. Osmon's writing has appeared in the Los Angeles Times, Rolling Stone, and the New York Times, and she's the author of a 33 ⅓ book on John Prine and Jason Molina: Riding with the Ghost. With Won't Back Down, she traces the origins of heartland rock and its influence on artists like The War on Drugs and The Hold Steady, and best of all, offers deep insight into the complex characters of its most notable figures. Especially intriguing is the Indiana-born Osmon's focus on fellow Hoosier John “Cougar” Mellencamp, who emerges as one of the most fascinating characters, a hothead with a leftist heart and punk rock verve. This year marks the 250th birthday of America, and this conversation was taped this conversation just a few days before the 4th of July. We haven't been feeling all that patriotic—maybe it has something to do with the fascists governing our country and their endless commitment to foreign wars and environmental destruction—but Osmon's book reminds us that this country has at its core something more noble, some promise that has not been stamped out just yet. As the Boss once sang: “Everything dies, baby, that's a fact/But maybe everything that dies someday comes back.” Learn more about your ad choices. Visit megaphone.fm/adchoices
The sound of ocean waves, nighttime bugs in harmony, ice clinking in a glass of your favorite beverage, mosquitos buzzing and biting, the thick humid Southern air, the blistering sun beating down on you. Is summer overrated and/or the worst season? Maybe! But summer is possibly the best season for (good) MUSIC. Today after over a year of planning, we complete the 4th installment of our SEASONAL ALBUM series. 2 albums that exude summer, and happen to be the most celebrated albums in each artists' careers.We start with Animal Collective's 2009 album Merriweather Post Pavilion. The sound of which is a very "live" sounding album even though it was recorded in a studio. Best listened while outside with the sunset in view, imagining you're at an outdoor music venue (such as the titular Pavilion) - buying rounds of beers that don't cost $20!Then we turn to Lucinda Williams' 1998 breakthrough, "Car Wheels on a Gravel Road." A masterclass in songwriting, with production that sounds great on ANY speaker. Car radio, phone, Turtlebox Ranger™, the speakers at your local record store. These songs allow you to get lost in their rich detail and intense personal and/or semi-biographical storytelling - all while grooving along with a particular flavor of rock and roll that encompasses the blues, zydeco, folk, and punk.LINKSAnimal Collective - Monkey Riches / Brother Sport - Pitchfork Music Festival 2011Lucinda Williams Austin City Limits 2007Send us a text message!You can follow us here:InstagramTwitterTiktokCheck out our preview episodes to stay caught up with what we're listening to!Send us a message, we'd love to hear from you! Email is thegmspod at gmailSubscribe, you have no choice! Leave us a rating and review (optional)!Thanks for listening!
This week on eTown, we're featuring indie-folk-rock band Big Thief and legendary Americana singer-songwriter Lucinda Williams, live from Red Rocks Amphitheater in Morrison, Colorado. While the theatre of Red Rocks is dramatic in and of itself, this year's show was electric as storms brewed overhead before, during and after. Paired with incredible music from Big Thief and Lucinda Williams, the set and setting combined for a night that was nothing short of magic. That's all this week on eTown! Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.
Episode 364: As Avery Hellman came of age in California, she took advantage of her good fortune of being from the family that established the game-changing Hardly Strictly Bluegrass festival in San Francisco. It exposed her to standard-setting songwriting and artistry in folk and roots music, and with a bit of reluctance, she became an artist too under the name Ismay. Her two albums, Desert Pavement and the new Half Truth, are alive with a poet's ear for language and eye for landscape, plus a crafty marriage of melodies and chords. She's also the filmmaker behind the exploratory documentary Finding Lucinda, about Lucinda Williams.
It's raining cats and "Dogs" is something we could have said but didn't when discussing Nina Nastasia's Dogs with Josaleigh Pollett, who much more adeptly walked us through their love of the record, plus shared a WORLD PREMIERE PROBABLY of a new song off their upcoming album, “If I Let It Quiet.” If we three hosts were let to be quiet this podcast might become listenable.Also up for quiet reading hour discussion: Utah is the home of bees and also its own iconic pride flag, it's hard to hear a Zoom from Japan over all the breakfast sandwich mayonaisse, and we are forming a Sly and the Family Stone cover band that plays mozzarella music.Bands referenced in this ep: Wilco, Jessica Lea Mayfield, Bill Callahan, Tin Hat, Lucinda Williams, Sly and the Family Stone.Get a little more of a sneak peek (is it a sneakier peek?) at Josaleigh's new music on Bandcamp: The Witness, Like a River10/10 You're Great is presented by The Alternative. Support the site and our show on Patreon.Follow us on Instagram. You can also find Chris @ChrisFavata on most social media sites.Call the Hot Hotline: 360-559-2371Send an email: 1010youregreat@gmail.com Hosted on Acast. See acast.com/privacy for more information.
We had the best time chatting with Avery Hellman—Ismay—about how ranching and how that was the segway into their music career. We talk about re-writing folk songs, the Woollystar music festival (curated by Avery), and of course Ismay's latest album “Half Truth” Avery Hellman has been a rancher, an alt-country musician, and, always, a dreamer. But they recently found themself once more while looking for Lucinda Williams. In 2023, Hellman was hard at work on an album, podcast, and documentary delving into the psyche of the country singer-songwriter when they discovered how much poetry played into Williams' general talents. “That was a really big shift for me,” Hellman says. “I was like, ‘Well, why don't I learn how to write poetry?'” Add another job to that resume. In 2026 Avery helped to launch Fossil Records with Margo Cilker, an indie label whose aim is to capture the expression drawn from seasons of work on ranches and in rural outposts. Currently, Avery is based in the Sierra Nevada Mountains of California. ISMAY also curates a music festival called Woollystar. Be sure to check Ismay out here: Website: ismaymusic.com Bandcamp: Ismay YouTube: Ismay Instagram: Ismaymusic FB: Ismay Fossil Records: fossilrecords.com Woollystar: Woollystar.com
This week on Deeper Roots, we're celebrating the women who helped shape Americana music. From pioneering artists who blazed trails through country, folk, blues, and gospel to the remarkable performers carrying those traditions into the 21st century, we'll spend two hours exploring voices that transformed the sound of American roots music. We'll begin with some of the giants of the genre—artists such as the Carter Family, Patsy Cline, and Dolly Parton—women whose talent, determination, and vision helped create the foundation upon which generations would build. Then we'll follow the road they paved through the work of contemporary Americana artists including Gillian Welch, Lucinda Williams, Margo Price, Sierra Ferrell, and others who continue to redefine and expand the genre today. Join us for a journey through the past, present, and future of Americana music, celebrating the women whose stories, songs, and spirit remain at the very heart of the American musical experience.
We got a good one for ya'll today. The Country Brothers talk about what goes into a good music recommendation and then Producer Xavier asks Duwaun to give him some direction on a couple artists he's not super familiar with.On this episode we dive into Lucinda Williams, Tyler Childers, Margo Price, and Nick Shoulders!We also chat about what kinda books Duwaun reads (or not), Jack Harlow's bad R&B album and why its easy to tell when you don't respect Black art.Follow Xavier on Storygraph @PortlyPlatypusFollow The Country Brothers on Instagram @CountryBrothersPod @Polecat_Supreme @TheDomJohnson
Americana, Roots, Folk, Blues and Country Music. Includes Guy Clark, Lucinda Williams, Neil Diamond, Rosanne Cash and Willie Nelson.VINTAGE AMERICANA SONGS
On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
867 Lucinda Williams - Car Wheels on a Gravel Road
Having already penned much-heralded books on both John Prine and Jason Molina, author Erin Osman is now tackling the wide genre of heartland rock — which she defines more by a spiritual and ideological geography, rather than a literal one. And while Bob Seger, Tom Petty, Bruce Springsteen and John Mellancamp round out the Mount Rushmore of sorts for this soundtrack of working class 80's middle-America, Osmon casts a needed spotlight on the likes of Bonnie Raitt, Tracy Chapman, Lucinda Williams and Bruce Hornsby within the pages of 'Won't Back Down,' available now wherever you get literature. On this week's show, Osman expands upon the relationship between art and province, and why the subject matter of 'Won't Back Down' stretches across generations. Plus, details on her current role on the editorial staff of the Country Music Hall of Fame & Museum in Nashville, and how her two decades as a music journalist have led her there. Visit erinosmon.com for more info, past works and a killer playlist of tunes featured in 'Won't Back Down.' Music on this episode is from The Pretty Flowers, available digitally or on vinyl at theprettyflowers.bandcamp.com or forgeagainrecords.bandcamp.com.
This week on the MAGNET Podcast we're rolling out a rich mix of blues, roots, Americana and soulful grooves from both sides of the Pacific. We've got fresh cuts from Lecia Louise, Kathleen Halloran, Karen Lee Andrews, Heavy Medicine and Jesse Valach N The Testaments flying the Australian flag, alongside legends and favourites including Robert Finley, Lucinda Williams, Gov't Mule, James McMurtry, John Mellencamp and The Derek Trucks Band. Bold Australian content, deep roots grooves and a few surprises along the way — just how we like it. Powered by Salty Dog Blues N Roots www.salty.com.au #Podcast #SaltyDogBluesNRoots #bluesmusicvictoria #BluesPodcast #RootsMusic #AustralianBlues ARTIST / TRACK / ALBUM / LABEL / YEAR ** Australia 01. Tarbox Ramblers / Third Jinx Blues / Tarbox Ramblers / Rounder Records / 2000 02. Robert Finley / Miss Kitty / Black Bayou / Easy Eye Sound / 2023 03. Snocaps, Waxahatchee / Heathcliff / Snocaps / ANTI- Records / 2025 04. ** Lecia Louise / Reeperbahn Blues / Strike To Ignite / Foghorn Records / 2026 05. Teddy Morgan N The Pistolas / I Should Be Gone / Lost Love And Highways / Hightone Records / 1999 06. GA-20 w. Charlie Musselwhite / Crazy Love / BLUES NOW / New West Records / 2026 07. ** Beretta, Sullivan, Sultana / Can't Stop Time / BROTHERS / Independent / 2025 08. ** Karen Lee Andrews / Borrowed Time / Survival / ABC Music / 2024 09. Kirk Fletcher / Sad Sad Day / Hold On / Ogierea Records / 2018 10. Vin Mott / Quit The Women / Quit The Women For The Blues / VizzTone Label Group / 2022 11. James Hunter Six w. Van Morrison / Ain't That A Trip / Off The Fence / Daptone Records / 2026 12. Gov't Mule / The Same Thing / The Tel-Star Sessions / Evil Teen Records / 2016 13. ** Heavy Medicine / Bump N Grind / Love Is. Music Is. We Are / Independent / 2025 14. James McMurtry / You Got To Me / Complicated Game / Compadre Records / 2015 15. John Mellencamp / Troubled Man / Plain Spoken / Republic Records / 2014 16. The Derek Trucks Band / Down In The Flood / Already Free / Columbia Records / 2009 17. ** Jesse Valach N The Testaments / Sooner Or Later / Stroke Of Luck / Independent / 2026 18. ** The High Plains / Let It Grow / Country's Calling / Independent / 2026 19. Margaret Glaspy N Julian Lage / Fruits Of My Labor / The Golden Heart Protector / ATO Records / 2026 20. Lucinda Williams / How Much Did You Get For Your Soul? / World's Gone Wrong / American Recordings / 2026 21. ** Kathleen Halloran / Wolves Like You / Nobody's Baby / Independent / 2026 22. Blackie N The Rodeo Kings / Water Or Gasoline / BARK / File Under Music / 2003 23. Chris Forsyth's BASIC / Positive Halfway / This Is BASIC / No Quarter Records / 2025
This week we're talking to Mike Ness who has led SoCal punk icons Social Distortion since 1978. The band just released Born to Kill which is their first album in 15 years. It's been a long time coming, delayed further by Covid and Mike's cancer diagnosis and successful treatment. Mike discusses the making of Born to Kill, the '70s inspirations behind it, and working with producer Dave Sardy and collaborators Lucinda Williams and Benmont Tench of Tom Petty and the Heartbreakers. We also talk about how beating cancer energized his desire to make even more music, Social Distortion's upcoming tour with The Descendents and The Chats, early Social D documentary Another State of Mind, playing Little Steven's Underground Garage Cruise, five records he thinks everyone should own, and more. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein
Pacific St Blues & Americana May 10, 2025 1. Matthew Curry / Rather Float a River2. Tedeschi Trucks Band / Shout Out 3. Tommy Castro / Everybody Wants to Go to Heaven 4. Albert King / I'll Play the Blues for You5. Deanna Bogart / Have a Little Faith in Me6. Buddy Guy w/ Bonnie Raitt / Feels Like Rain 7. John Hiatt / Riding with the King 8. Linda Ronstadt / When We Ran 9. Boz Scaggs w/ Duane Allman / Loan Me a Dime 10. Bonnie & Delaney / Gift of Love 11. Tinsley Ellis / Too Broke 12. Led Zeppelin / Black Country Woman 13. Fabulous Thunderbirds / Dirty Work14. Lucinda Williams / Sing Unburied Sing 15. Santana / Soul Sacrifice 16. Los Lonely Boys / Heaven
Americana/Folk artist Ismay (Avery Hellman) was in a Lucinda Williams cover band started by their father early in her adult life. As a singer-songwriter herself, the musician, rancher and self-identified “dreamer” went looking for more understanding of the legendary singer-songwriter and produced an outstanding documentary called Finding Lucinda. The film documents their journey of more self-discovery than anything else, but their interviews and path to learn more about Lucinda led them to understand Williams grew up the daughter of, and surrounded by poets. The result, besides the beautifully done film, was Hellman decided to learn to write poetry. Those learnings and evolution in their artistry led to their next big project – a new album called Half Truth, due out June 12th on Fossil Records. Frank and Falls chatted with Hellman about the film, Lucinda Williams, poetry, and the new album on this week's episode of Roots Music Rambler. The trio also discussed Fossil Records, a new label co-founded by Hellman and friend of the show Margo Cilker (see Episode 35). There was a lot to cover and unpack with Hellman's journey and art. Give the full episode a watch or listen. You'll enjoy it. Watch the Episode on YouTube Download the episode and subscribe at rootsmusicrambler.com, watch the full episode on YouTube, or download wherever you get your podcasts. Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available. Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links: Finding Lucinda (film) Ismay Online Ismay on Spotify Ismay on Instagram David LaMotte on Spotify Roots Music Rambler Episode 12 - Does Wilco Suck? Fossil Records Roots Music Rambler interview with Margo Cilker The Roots Music Rambler Store Roots Music Rambler on YouTube Roots Music Rambler on Instagram Roots Music Rambler on TikTok Roots Music Rambler on Facebook Jason Falls on Instagram Jason Falls on TikTok Francesca Folinazzo on Instagram Pickin' the Grinnin' Choices Charley Pride on Spotify Kind Hearted Strangers on Spotify Subscribe to Roots Music Rambler on YouTube, Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Copyright 2026 - Falls+Partners. All music on the program is licensed by ASCAP, BMI and SESAC. Roots Music Rambler is a member of the Americana Music Association. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello friends! Musician, producer, bass player to the stars, singer-songwriter, and artist Elijah Ford returns to the show for episode 1566! Elijah's new solo album, Every Time We Separate comes out on May 19th, but he's releasing singles weekly until the album comes out. He's also celebrating the release with a month-long record release residency at C-Boy's Heart and Soul on Thursdays starting this Thursday, May 7th with special guests Me & Adam and Caroline Hale. Go to elijahfordmusic.com for show info, music, and more. We have a great conversation about making Every Time We Separate in 2019 and putting the release on hold during the pandemic, playing bass and collaborating with Gary Clark Jr. since 2020, what he's learned renovating his home, producing, touring, writing songs, playing private events, playing with his dad Marc Ford (The Black Crowes, Lucinda Williams), the art of the "record", and much more. I had a great time catching up with Elijah. I'm sure you will too. Let's get down! Find Elijah on Spotify, Instagram Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny. If you feel so inclined. Venmo: venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
The bluegrass revival of the early 2000s has it's roots in music that was bubbling just under the surface years before. In the 90s there were artists laying the groundwork for what would become this musical phenomenon. Gillian Welch, Uncle Tupelo, Steve Earle, Lucinda Williams and many other artists were forming the sounds of what was to come. Gillian Welch and Dave Rawlings put out their album Revival in 1996 and it is not only a stalwart record, it also introduced the world to this new sound. A sound that would serve as a template for so many artists to come. So join me as I take a look at this incredible piece of art. I hope you dig it!
Americana, Roots, Folk, Blues and Country music.SOUNDS OF THE OVER 70'S. All artists are aged over 70.This all female special includes Emmylou Harris, Lucinda Williams, Joni Mitchell and more.(Ep. 200 is all male artists.)
Today on the show I speak with 'The Daywalkers' band leaders - Alex Harris MacDonald (vocals/washboard) + Janson Lohmeyer keyboardist/vocals.This was a tough interview for me to post because unfortunately Janson Lohmeyer tragically passed away, only a few days after we had this conversation. I wrestled with myself as to whether or not I should still put it out, but ultimately decided I would - as I believe it could serve as a nice reminder to all of us that knew Janson, as to what a kind soul he truly was. Over the decades 'The Daywalkers' (who fuse Louisiana Roots Music with Cajun, Pop and Zydeco) have developed a reputation as a high quality live band, attracting visiting from all over the world to see the group while visiting the city of New Orleans.Among many notable accolades, the band have released three albums of original material and individually, Janson has appeared on releases by Adam Duritz (Counting Crows), Lucinda Williams and Susan Cowsill. While Alex has held residencies at various Blue Note Jazz Venues with Joe Sample in Japan, has been inducted into the Zydeco Blues Trailride Hall Of Fame class and toured extensively with Louisiana favorite Dwayne Dopsie.During our conversation, we talk about the Bourbon Street scene, hurricane Katrina, musicians healthcare, touring and an array of other topics.For more information on 'The Daywalkers' please visit www.thedaywalkersneworleans.com or visit the band on Facebook.Once again, my deepest condolences to the Lohmeyer family and all of Janson's bandmates and family for the massive loss experienced by his passing.For further information on Travis Marc or 'Musicians-Mentor' website, please visit www.musicians-mentor.com As usual, thanks for checking out the channel and if you're getting anything useful from my content, please feel free to comment, like, share and subscribe, thank you. Additionally, for those interested - you can support this channel by visiting our affiliate page with the lovely folks over at - 'Soundbrenner'. https://www.soundbrenner.com/TRAVISMARCSB
Enjoying Frets? Send me an email.I've been a fan of Kevin's music for a long time and it was great to catch up with him recently. We talked about his early days growing up in Louisiana, his early punk band, his move to Nashville, and also the musicians, including Keith Richards, Scotty Moore, Levon Helm, Webb Wilder and Irma Thomas who've performed his songs. Stay tuned for more music and great stories from a very gifted musical artist. An interview with Kevin GordonPhoto by John Partipilo. You can view John's beautiful work here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Subscribe for FREE at YouTubeFind extras like Frets YouTube Shorts & videos. Your FREE subscription helps keep the podcast going.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…Contact Dave Fey at davefey@me.com or call 314-229-8033
Charlotte Cornfield returns to discuss her new album Hurts Like Hell, living in Toronto after stints in Montreal and New York, how becoming a mother has altered her sense of self and her artistic perspective, notions of connection, teaching, and learning, how Lucinda Williams' memoir impacted her relationship to narrative realities, talking about Neil Young, Zuma, and Tonight's the Night, who the song “Lost Leader” might be about, recruiting special guest vocalists like Feist and Buck Meek, working with Merge Records, new songs, upcoming shows, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1070: Buck MeekEp. #1064: AquakultreEp. #645: Charlotte CornfieldEp. #600: The Weather StationEp. #93: OughtSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Pacific St Blues & AmericanaMarch 29, 2026Part 1 of 2 - Musical Ecclectricity Since 1991 1. Mike Finnigan / Leave That Liar Alone (Salgado)2. Selwyn Birchwood / Should'a Never Gotten Out of Bed3. Joanne Shaw Taylor / Hell or High Water4. Lil' Ed & the Blues Imperials / Bad All By Myself 5. Fabulous Thunderbirds / Full Time Lover6. Jimmie Vaughan & Lou Ann Barton / In the Middle of the Night 7. Joe Bonamassa (BB King Tribute) / To Know You is To Love You 8. Delaney & Bonnie / Are You a Beatle or a Stone?9. Jerry Jeff Walker / LA Freeway 10. Dave Alvin / Redneck Friend 11. Jackson Browne / Minutes to Downtown 12. Keb Mo / Rock Me on the Water 13. Lucinda Williams w/ Mavis Staples / So Much Trouble in the World14. Eric Clapton / I Shot the Sheriff 15. Toots & The Maytals w/ Bonnie Raitt / True Love is Hard to Find 16. Stephen Marley / You Don't Know How It Feels 17. Marcus Trummer / Hard Time 18. Mike Farris / Precious Lord, Take My Hand 19. Sister Rosetta Tharpe/ Gospel Train 20. Aretha Franklin / Spirit in the Dark
Lucinda Williams has been making music for decades. With her new album, she's speaking and singing to this moment, calling it a battle cry and finding grit and grace in a world on edge. Senior arts correspondent Jeffrey Brown sat down with Williams for our series, Art in Action, as part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
Theater director, playwright, and multimedia artist Jared Mezzocchi joins Rhett for a conversation about what it means to make ambitious, technology-forward work without losing the human heart of the story. Mezzocchi shares how he's drawn to projects that seem “impossible” on paper—from a pandemic-era play about content moderation, to a site-specific production about the 1944 Hartford circus fire. He explains why impossibility isn't a deterrent, but an opportunity for experimentation. The conversation moves into the emotional reality of creative life: the grief of letting go after opening night, the dangerous pull of people-pleasing, and the long work of strengthening what Mezzocchi calls a “sense of self.” He reflects on losing his father at 19, how that shaped his relationship to theater and film, and why mortality, impermanence, and presence sit at the center of his work. Rhett and Jared also talk about AI, technology anxiety, and why friction between machines and humanity may actually clarify what makes art—and people—matter. Follow Jared @jaredmezzocchi Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Watch the podcast on Spotify, and listen wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Lucinda Williams, Stewart Copeland, Jennifer Egan, Nick Hornby, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americana icon talks about the songs that played a special role in her career in World Cafe's latest edition of Backtracking. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Ever heard a song that has a shimmering, "angelic" jangle that sits perfectly above a mix? Or how Buddy Miller creates those haunting, rootsy textures on songs like Lucinda Williams' "Car Wheels on a Gravel Road," or Daniel Lanois on Emmylou's Wrecking Ball album?The answer isn't a mandolin, it's the Octave 12-string guitar (often called a mando-guitar). In this video, we're diving into the world of these high-tuned wonders, exploring the gear, the tuning, and the legendary players who made them a staple of modern atmospheric production.Support the show
I've got 5 more songs for you that I'm diggin' this month! Lucinda Williams, Mitski, Ecca Vandal, Flea (Red Hot Chili Peppers), and Kim Gordon (Sonic Youth) all have new music out and I wanted to bring these songs to you. They cover a range of styles from alt-country to indie rock and they are all great. I hope you dig it!
Hosts Jim DeRogatis and Greg Kot talk with Twin Cities DIJ Mary Lucia about her memoir. They discuss interviewing artists, her eccentric family and her harrowing experience being stalked by a fan. They also review the new album from Lucinda Williams. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Replacements, "Left of the Dial," Tim, Sire, 1985The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Lucinda Williams, "The World's Gone Wrong (featuring Brittney Spencer)," World's Gone Wrong, Highway 20, 2026Lucinda Williams, "Sing Unburied Sing," World's Gone Wrong, Highway 20, 2026Lucinda Williams, "So Much Trouble in the World (featuring Mavis Staples)," World's Gone Wrong, Highway 20, 2026Lucinda Williams, "How Much Did You Get for Your Soul?," World's Gone Wrong, Highway 20, 2026Oasis, "Champagne Supernova," (What's the Story) Morning Glory?, Creation, 1995Jake Bugg, "Lightning Bolt," Jake Bugg, Mercury, 2012Slade, "Mama Weer All Crazee Now," Slayed?, Polydor, 1972Prince and the Revolution, "Purple Rain," Purple Rain, Warner Bros., 1984Elastica, "Stutter," Elastica, Geffen, 1995Bruce Springsteen, "Streets of Minneapolis," Streets of Minneapolis (Single), Columbia, 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this week's show, we spend quality time with superlative new records from Lucinda Williams and Langhorne Slim, spin fresh tracks from Snail Mail, Courtney Barnett and King Tuff, and fight the power with Bruce Springsteen, Billy Bragg & Low Cut Connie. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
Lucinda Williams. Julian Lage. The debut from rising Americana star Kashus Culpepper. Stephen Thompson from NPR Music chats with Jessie Scott from WMOT in Nashville about the best new albums out Friday, Jan. 23.The Starting 5(00:00) Intro: Cat Power, 'Redux' EP(02:14) Lucinda Williams, 'World's Gone Wrong'(07:36) Carolina Chocolate Drops, 'Genuine Negro Jig' (15th Anniversary Edition)(15:19) Kashus Culpepper, 'Act I'(20:00) The Lowest Pair, 'Always As Young As We'll Ever Be'(25:29) Julian Lage, 'Scenes From Above'The Lightning Round- Ari Lennox, 'Vacancy'- Sammy Brue, 'The Journals'- V/A, 'Naive Melodies'- Della Mae, 'Magic Accident'Sample the albums via our New Music Friday playlist on NPR.org.CreditsHost: Stephen ThompsonGuest: Jessie Scott, WMOTAudio Producer: Noah CaldwellDigital Producer: Dora LeviteEditors: Otis Hart, Elle MannionExecutive Producer: Suraya MohamedLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
FTB podcast #569 features the album Circle and Square by Eric Brace & Thomm Jutz. Also new music from Tommy Womack, Lucinda Williams, Cordovas, the Sam Grisman Project and more. Full playlist: http://ftbpodcasts.com/?p=9718
Rodney Crowell, often called a “songwriter's songwriter” and a foundational voice in Americana, joins Rhett for a conversation about intention, craft, and the long game of staying creatively alive. Crowell shares hard-won lessons about process: how spending time on memoir pages puts him in a “workshop of words,” so that when he turns back to the guitar he's already thinking in language. He talks about patience as the difference between forcing a song and letting it reveal itself, his approach to collaboration, the discipline of revision, and how creative confidence is built the unglamorous way: by showing up for the work, again and again. His new album “Airline Highway” is available now. Follow Rodney @rodneyjcrowell Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Watch the podcast on Spotify, and listen wherever you get your podcasts. You can also ask Alexa to play it. Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Lucinda Williams, Stewart Copeland, Jennifer Egan, Nick Hornby, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lucinda Williams discusses her recent creative surge with multiple tribute albums, paying homage to the masters, Folkways days, post-stroke recovery and the new album World's Gone Wrong Topics Include: Lucinda announces her 18th album "World's Gone Wrong" releasing January 23rd Reveals dramatic shift from releasing albums every 3-8 years recently Credits husband-manager Tom Overby for keeping creative momentum going post-stroke Explains how new band members made working out songs fun Describes creative process challenges between inspiration and studio deadlines Shares need for quiet, private spaces to write freely Reveals hotel rooms as unexpected creative sanctuaries like John Prine Discusses how songs emerge either formed or requiring detailed work Explains editing process of refining and "trimming the fat" Details collaboration with Tom Overby on "We've Come Too Far" Talks recording at Ray Kennedy's Room and Board studio Shares Steve Earle connection from Car Wheels on Gravel Road Laments losing song ideas when unable to record immediately Recalls taking control in studio despite band's initial surprise Tells sweet story of meeting Ringo Starr at Capitol Records Discusses transformative Beatles albums from early work to Sergeant Pepper Names Bob Dylan as her North Star musical mentor Explains The Doors' influence especially their dark poetic imagery Connects tribute album work to preparing for original songwriting Previews future projects including Neil Young tribute and stroke treatment High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide
Today's Song of the Day is “The World's Gone Wrong feat. Brittney Spencer” from Lucinda Williams' album World's Gone Wrong, out January 23.
Writer David Fleming joins Rhett to dig into craft, career pivots, and the true story behind A Big Mess in Texas—the wild rise-and-fall of the 1952 Dallas Texans (owned by Rhett's grandfather). Fleming talks about finding meaning in real life, learning to “disappear” as a writer, managing deadlines without losing your mind, and why the work (not the label) is what matters. It's a candid, funny, and generous conversation about storytelling, identity, and doing your best work—whether you call it sports writing or just great writing. David Fleming is a Peabody-nominated correspondent for Meadowlark Media, longtime ESPN senior writer, author of Who's Your Founding Father?; Breaker Boys; Noah's Rainbow; and, A BIG MESS IN TEXAS - The Miraculous, Disastrous 1952 Dallas Texans and The Craziest Untold Story in NFL History. Out now! Listen to Rhett's new album “A lifetime of riding by night” https://rhettmiller.com/ Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Listen to previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, Stewart Copeland, Lucinda Williams, and many more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's poem is Arkansabop by Elizabeth Lindsey Rogers. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “Today's poem is as imagistic and musical as a song, and it's deeply rooted in place. The poem borrows a refrain from a Lucinda Williams song.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp