Podcasts about anti-nazi

In this episode of our podcast, DLS co-founder Katy Derbyshire brings us the story of  Therese Giehse, a German actor, pacifist and exile known for founding an anti-Nazi cabaret (which, really, we could all get behind these days). Therese had artistic and other adventures with her lover Erika Mann (daughter of Thomas Mann), was photographed by Annemarie Schwarzenbach, and embodied several of Bertolt Brecht's best-known characters on stage. She also acted in movies with Vivien Leigh and previous DLS star Romy Schneider.   Born in Munich in 1898, she went against her liberal Jewish family's expectations to train as an actor, cast as older characters even as a young woman. The Pfeffermühle cabaret started up in 1933, swiftly moving to Zürich to escape the Nazis. With Erika and Klaus Mann, Giehse toured the political show around Europe, never mentioning any names but using parables and storytelling to rip the piss out of Hitler and his henchmen.    Therese returned to Zürich in 1937, where she joined the outstanding cast at the Schauspielhaus theatre, many of them also emigrants like her. During the war, she performed in the premiere staging of Brecht's anti-war play Mother Courage, defining the title role in what some directors have called the greatest play of the 20th century.    She went on working with Brecht and other key playwrights and directors after 1945, in Munich, Zürich and East Berlin. Therese Giehse maintained her pacifist stance throughout her life, criticizing the Vietnam War at public events. She died in 1975 and is buried with her sister in Zürich.   For more on Therese Giehse, please visit our episode notes at  https://deadladiesshow.com/2024/07/19/podcast-73-therese-giehse   Our theme music is “Little Lily Swing” by Tri-Tachyon https://freemusicarchive.org/music/Tri-Tachyon/the-kleptotonic-ep/little-lily-swing   Check out our Patreon here: www.patreon.com/deadladiesshowpodcast   Thanks for listening! We'll be back with a new episode next month.   **** The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live in Berlin and beyond. This podcast is based on that series. Because women's history is everyone's history.   The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone.    

Dietrich Bonhoeffer was a German Lutheran pastor, theologian, anti-Nazi dissident, and key founding member of the Confessing Church. He talked at length about the relationship between the church and state. IMO the church in America has done a poor job advocating for rights and installing quality representatives. Its time to tear down the wall between church and state a little.patreon.com/patriotradio

The 2 Dudes review Taika Waititi's newest film, Jojo Rabbit. Sky and Colin were excited to see it, but does it live up to their expectations? The Trailer Park enrolls in manners classes, as the dudes discuss the trailer for The Gentlemen. Spoiler ahead... And possibly some offensive humor.                                                                                     2dudesmoviereviews.com

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]

The Unite the Right rally in Charlottesville, Virginia, August 12, 2017, was a defining moment for the alt-right, but not in the way the racist movement had hoped. A long read written by the Right Response team, read by Dr. Joe Mulhall

Asst. Pastor Travis Jackson

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]

Ernst Lubitsch’s controversial anti-Nazi political satire "To Be or Not To Be" is celebrated as one of the most subtle meditations on power, politics, and performance to emerge from Hollywood during the war. Professor Emily Carman (Film and Media Arts, Chapman University) joins Carsey-Wolf Center Director Patrice Petro for a discussion about the original ambivalent reviews and how perceptions have changed since its 1942 release. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33093]