Podcasts about Jojo Rabbit

In this episode, it's time once again for our monthly Roundup segment where we go around the room and discuss the other movies we watched in the month of April! This month included "Sinners" (2025), "Presence" (2025), "We Live in Time" (2024), "Heretic" (2024), "Jojo Rabbit" (2019), "Hot Fuzz" (2007), "Pather Panchali" (1955) and more! We also reveal our Year of the Nineties selections for May. Listen now!

Rebel Wilson (Pitch Perfect, Bridesmaids, Jojo Rabbit) asks Handsome a very personal question on today's episode! Plus Mae's teenage tapes, Biggie's sensitive tummy, and more!You can still watch the replay of Handsome's live show in Austin, TX! Get your ticket here.Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media @handsomepodMerch at handsomepod.comWatch Handsome on YouTubeThis is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Handsome via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bob and Brad are joined by returning guest Zach Johnston, master blender at Blackwood Distilling, for a conversation about Taika Waititi's 2019 film Jojo Rabbit. This genre-bending satire explores the absurdity of hatred, nationalism, and innocence lost…all through the eyes of a 10-year-old boy and his imaginary friend: Adolf Hitler.Then, the guys sip and savor one of the most premium releases to ever grace the podcast—Barrell Craft Spirits' Dovetail Gold Label. With an MSRP of $500 and proof that clocks in at 140.18, this high-octane bottle is finished in Rum, Port, and Dunn Vineyards Cabernet barrels and aged up to 25 years. Is it worth the splurge? You'll want to hear their full review before deciding.(0:00) Intro(6:34) Brad Explains(10:37) Themes and Performances(42:51) Barrell Dovetail Gold Label review(55:48) Two Facts and a Falsehood(1:01:19) Final Analysis(1:18:18) Let's Make it a Double and Final ScoresSave on your bottle of Blackwood (use code FILMWHISKEY)Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

In part two of this double episode, Nick and Rger look at more parodies of Hitler on film, with Look Who's Back (2015) and Jojo Rabbit (2019). Your browser isn't showing you an HTML5 audio player. Download

In this bonus episode of Popcorn & Catch-Up, we discuss the filmJojo Rabbit.Remember to spread the word about the show! Reach us on X/Twitter, Facebook, or BlueSky to share your thoughts! Enjoy!

Die Oscar-Nominierungen 2025 sind raus – und wir sind maßlos enttäuscht! In der neuesten Folge diskutieren wir warum die Auswahl so ernüchternd ist und wie es dazu kommen konnte. Besonders kontrovers: "Emilia Perez", ein Film der polarisiert und aus Jans Sicht absolut nicht in die Top-Riege gehört. Zum Vergleich blicken wir auf das Oscar-Jahr 2020, das voller großartiger Filme steckte: "Le Mans 66", "Once Upon a Time in Hollywood", "Parasite", "Jojo Rabbit" und "1917" – ein Jahrgang, der bewiesen hat, dass Blockbuster und Arthouse-Meisterwerke perfekt nebeneinander existieren können. Doch es gibt auch Positives: "Blink Twice", das Regiedebut von Zoë Kravitz, überrascht auf ganzer Linie! Mit Channing Tatum in einer ungewohnten Rolle liefert dieser Film eine starke Performance und zeigt, dass es doch noch echte Streamin-Überraschungen gibt! Hört rein, wenn wir unseren Frust über die Oscars 2025 rauslassen, in Nostalgie über 2020 schwelgen und darüber sprechen, warum "Blink Twice" unbedingt auf eure Watchlist gehört. Hausaufgabe für nächste Woche: "Back in Action" (Netflix) #NapalmamMorgen

  Get ready for a unique blend of humor, heart, and history as the podcast dives into Jojo Rabbit! Taika Waititi's bold satire takes us into the imaginative world of a young boy whose life is hilariously and heartbreakingly upended during WWII. With standout performances by Roman Griffin Davis, Scarlett Johansson, and Waititi himself as an absurd version of Hitler, this film masterfully balances comedy and emotion. We'll explore its quirky storytelling, touching themes of love and acceptance, and its Oscar-winning script. Join us for a thoughtful and entertaining review of this unforgettable cinematic gem!

Laughter…in times of tragedy. On this one, we have two films taking place during WWII. We have Roberto Benigni's 1997 Oscar-winning “Life is Beautiful” vs. Taika Waititi's 2019 WWII satire “Jojo Rabbit”. Which one wins? Let's see! Aftershow: – Blak gives a spoiler-free review of “Flow” – Brad gives a spoiler-free review of the series […]

Hoy hablamos del movie que según muchos debió ganar Best Picture del 2019: Jo Jo Rabbit. Vemos el por qué es tan buena, cuáles son los mejores aspectos, cuáles personajes resaltan más y que la hace q pienses en ella mucho después que termina. It's a really bad time to be a Nazi.Disponible en YouTube con Video: https://youtu.be/HhjjEQSNggkMúsica de outro: Komiku - Intensive puzzle resolution from freemusicarchive.orgSuscríbanse al Podcast y coméntenlo con sus amigos. 

2019's Jojo Rabbitt  A young German boy in the Hitler Youth, whose hero and imaginary friend is the country's dictator, is shocked to discover that his mother is hiding a Jewish girl in their home. We had so much fun with this film.  It's smart, it's clever and heartfelt.  You will cry at the end.  This is a much watch!  Cheapseat Reviews the podcast the explores the Hollywood film industry for the greater good . 

Send us a textImagine movies without music.  Impossible.  It's part of the magic.  And Michael Giacchino creates that magic, in movies like Coco, The Batman, Ratatouille, Jojo Rabbit and his Oscar winner, Up.  A love of movies came early.  Michael was the kid in the neighborhood making super 8 films.  The love of music followed.  Eventually, his two loves met and thus a career was forged.  And now it's come full circle; Michael is making his feature directorial debut with a remake of the 1954 sci fi thriller Them.  Those super 8 films of his youth were a lifetime ago.  But his passion for making music and movies is as bright as ever.

Like us on Facebook - https://www.facebook.com/The-Movie-Men-Podcast-2335323586526490/ Support us on Patreon - https://www.patreon.com/themoviemenpodcast Follow us on Instagram - https://www.instagram.com/themoviemenpodcast/ Follow us on X - https://twitter.com/TheMovieMenPod Buy our Merch - https://shop.spreadshirt.ca/the-movie-men-podcast/ MOVIE MEN BINGO - https://mfbc.us/m/jz85dn?fbclid=IwAR2sBAj4B4gZWApb91_azca4QfYX6WGzu7YxHwiIwOHqVONtd9bOoTwPQAI Brady' Gaming Channel - https://www.youtube.com/channel/UCH6K0vldmqS05fxegNrwWHw   Theme Catch It - Coma Media Licensed through - https://pixabay.com/

Simply put, Thomasin McKenzie is of the best young actresses working today, appearing in the likes of Leave No Trace (one of Ali's favourite dramas of the past decade or so), Last Night In Soho, The Power Of The Dog, Jojo Rabbit, Eileen and now Joy, her latest, now on Netflix. Joy tells the story of the three British fertility pioneers who helped make IVF a reality, namely an obstetrician called Patrick Steptoe (Bill Nighy), a physiologist called Robert Edwards (James Norton) and a nurse / embryologist called Jean Purdy (McKenzie). In this episode of the podcast, Thomasin talks about working within this trio of charming acting types, the importance of highlighting Purdy's achievements and her love of My Neighbour Totor (you'll see).

From our Mom's indoor skydiving birthday adventure to an incredible list of film recs from New Zealand, this joyful (and boozy) episode was recorded over a wine tasting at the beautiful Mondillo Vineyard and it is not to be missed. We're joined by BOTH Fanny (Mom) and Roger (Dad), as well as our incredible tour guide and filmmaker Constance Gervasi of the Road Trip and Mondillo's James Harcombe (who drops in with his soothing voice to describe the wines we're drinking throughout the episode). We talked about so many movies from New Zealand, including We Were Dangerous, Nude Tuesday, Eagle vs. Shark, Jojo Rabbit, Whale Rider, Snakeskin, Dead Alive, and more! To see the full list of Kiwi film recommendations from this ep, click here. Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at frinightmovie.com.

Für viele deutsche Filmemacher*innen gilt Hollywood als der ultimative Maßstab. Die magische Anziehungskraft des amerikanischen Kinos hat unzählige Kreative inspiriert und motiviert, selbst Filme zu machen. Trotz der stark kommerziellen Ausrichtung der US-Filmindustrie stammen viele der künstlerisch anspruchsvollsten und einflussreichsten Geschichten aus Hollywood. Es sind Filme, die das Publikum herausfordern, überraschen und berühren. Oft wird dabei über den vermeintlichen Gegensatz zwischen kommerziellem Erfolg und künstlerischem Anspruch diskutiert. Doch nur weil ein Film an den Kinokassen erfolgreich ist, bedeutet das nicht zwangsläufig, dass er künstlerisch weniger wertvoll ist. Regisseur*Innen wie Christopher Nolan, Alfred Hitchcock, Sofia Coppola, Denis Villeneuve, Greta Gerwig, Bong Joon-ho und Ava DuVernay haben bewiesen, dass es möglich ist, Filme zu schaffen, die sowohl kommerziell erfolgreich als auch intellektuell und künstlerisch anspruchsvoll sind. Doch es sind nicht nur die Regisseur*Innen, die außergewöhnliche Filme kreieren. Eine zentrale Rolle spielt das Drehbuch – das Herzstück eines jeden Films. Was viele nicht wissen: Hollywood verfügt über eine Plattform, die Produzent*innen und Filmstudios Zugang zu den besten unverfilmten Drehbüchern der Gegenwart ermöglicht – die sogenannte Black List. Filme wie Jojo Rabbit, Juno, Spotlight, The King's Speech und The Revenant wurden dank dieser Plattform realisiert. Unser heutiger Gast, Felix Seefranz, hat eines seiner Drehbücher bei der Black List eingereicht und damit beeindruckende 8 von 10 Punkten erreicht, die sein Drehbuch in die Toplist geführt haben. Sein Drehbuch handelt von einer selbstoptimierenden KI, die von einem manischen Softwareingenieur entwickelt wird, aber schließlich gestohlen wird. Im Mittelpunkt steht die Frage: „Wie kontrolliere ich etwas, das mir überlegen ist?“ Die KI stellt keine direkte Bedrohung für die Menschheit dar, doch ihre Überlegenheit bringt eine neue Herausforderung mit sich. Darüber und über die Funktionsweise der Black List sprechen wir heute mit ihm. UNSER GAST Felix Seefranz GESAMTER BEITRAG MITARBEIT Moderation & Redaktion: Susanne Braun Schnitt: Sara-Marie Plekat Social Media & Redaktion: Anna Maria Ortese IHR FINDET UNS UNTER... Unsere Webseite: https://indiefilmtalk.de/ Unser Discord-Channel: https://discord.com/invite/eQYk4REftu Unser Newsletter: https://indiefilmtalk.de/ift-newsletter/ Feedback, Wunschgäste & Themen bitte an: comment@indiefilmtalk.de Susanne Braun (Homepage): https://www.dialogpartnerin.de/ FOLGE UNS Instagram: @indiefilmtalk Facebook: Indiefilmtalk Podcast Linked In: https://www.linkedin.com/company/indiefilmtalk/

Scarlett Johansson is an actor, director, producer, and co-founder of the skincare company The Outset. She began acting at age nine and continued to work steadily through adolescence and beyond, making films alongside industry legends like Robert Redford and taking on increasingly ambitious roles like the titular character in Girl With the Pearl Earring. Her career climbed to new heights in the last decade, as she was nominated for Academy Awards for the films Jojo Rabbit and Marriage Story, and played the lethal superhero Black Widow in the Marvel movie franchise. But after years as an accomplished actress, she knew that she wanted to expand her horizons and use some of her hard-earned expertise for her own projects. She then founded her own production company, These Pictures, and in 2022, co-founded the skincare company, The Outset, to provide solutions for adult acne and other skin issues that had plagued her for years. The brand, which launched on Amazon and QVC earlier this year, has come to be known for its effective ingredients and simple, nonirritating formulas. As if that wasn't enough, this year, Scarlett directed her first feature film, Eleanor the Great, starring the 94-year-old acting legend June Squibb.PS: Listeners can use code SECONDLIFE for 20% off their purchase of The Outset products (bundles and sets not included)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Austin Film Festival (AFF) stands out for its unique focus on writers and emerging filmmakers, providing a space for attendees to connect with industry professionals and discover creative collaborations. With its welcoming atmosphere, AFF offers an ideal environment for networking, learning, and exploring new opportunities. The conversation also delves into the career of cinematographer Mihai Malaimare Jr., who shares his journey from film school to working with legendary director Francis Ford Coppola, offering insights into his approach to cinematography and navigating the evolving role of technology in film.   Andy Volk is the Senior Film Programmer at Austin Film Festival. He selects films from around the world and helps shape the festival's diverse lineup.   Emily Lock is the Conference Director at Austin Film Festival. She organizes panels and events focused on screenwriting and filmmaking.   Mihai Malaimare Jr. is a cinematographer known for Megalopolis and Jojo Rabbit. He began working with Francis Ford Coppola shortly after film school and is recognized for his innovative approach to both film and digital cinematography. Mihai has worked on several acclaimed films, blending artistry with evolving technology.   In today's episode, No Film School's GG Hawkins and Ryan Koo speak with Andy Volk, Emily Lock, and Mihai Malaimare Jr. to discuss: How to make the most of your time at the Austin Film Festival Why AFF stands out as a community-driven festival Tips for networking, pitching, and finding creative collaborations at the festival Mihai Malaimare Jr.'s journey from film school to becoming Francis Ford Coppola's go-to cinematographer How Mihai navigates the evolving landscape of VFX-heavy productions and maintains the balance between technology and artistry Building lasting professional relationships with directors and how to stay open to creative ideas on set   Memorable Quotes: “[AFF] is one of the more welcoming festivals that I've ever been to, and it really is about community. And I think that's one of the things that we really pride ourselves on at the festival is making it feel really warm and really open.” (7:34) “It's a very rare opportunity for an aspiring and emerging storyteller to get in a room with someone who's an actual gatekeeper for Hollywood, to hear their perspective on what they're looking for and their advice to emerging voices, and to have the opportunity to speak with them, either one-on-one or in a group, and really pitch themselves.” (16:22) “I want any of our listeners who sort of skew on the shyer side to practice introducing themselves to somebody that they don't know.” (19:03) “My advice is watch everything. And I know that sounds trite, but it's so important to get outside your own taste bubble.” (25:34) “Make space for things that don't jump out at you. And you would be surprised how much you can love something that didn't really necessarily call to you.” (25:58) “It can be very stressful when you're not prepared, and you're used to productions that are really very carefully planned. If you move an inch, then it's a disaster.” (38:09) “I'm still trying to figure out why, but I'm more attracted to still photography than stills from other movies.” (52:18)     Resources Mentioned: Austin Film Festival   On Story podcast   Mihai Malaimare Jr. on Instagram    Mihai Malaimare Jr. on IMDb   Mihai Malaimare Jr.'s website     Find No Film School everywhere: On the Web https://nofilmschool.com/   Facebook  https://www.facebook.com/nofilmschool   Twitter  https://twitter.com/nofilmschool   YouTube    https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jackson from 'History with Jackson' joins Sean to discuss one of his favourite films: Jojo Rabbit (2019). Jackson and Sean use the film as a framework to delve into the world of Nazi Germany, totalitarian regimes and how this film stays funny and effective, whilst dealing with such a grim subject matter. Guest: https://historywithjackson.co.uk/Discussion Points:-The unique and weird tone of the film.-Jackson and Sean discuss some of the criticism aimed at the film.-The power of humour.-Sean compares the films opening to Austin Powers: International Man of Mystery (1997).-Sean and Jackson dive into totalitarian regimes, indoctrination and the cult of personalities.-Taika Watiti's portrayal of Adolf Hitler. -The lasting memory of Occupation.-The role of women in Nazi Germany.-The strong performances and dialogue of Jojo Rabbit.-The power of 'doing what we can' and the power of love.Raised Questions:-Do overwhelming positive reviews put you off seeing a film?-How do you tackle such a depressing and serious subject?-Is this film a good place to introduce this subject to new generations?-Does a good cast guarantee a good film?-Which line did Sean really not like?-Why didn't Nazi Germany collapse sooner?-Did you expect an Augustus Gloop impression in this review?-How is this film THIS funny, given the subject matter?-Has the term 'Nazi' been diluted and devalued?Thanks for Listening!Find us here: X: @YourselfReviewInstagram: reviewityourselfpodcast2021YouTube: https://www.youtube.com/@ReviewItYourself⁠ Hosted on Acast. See acast.com/privacy for more information.

This week, the Dames wrap up Fall Festival season with Taika Waititi's Oscar-winning Jojo Rabbit. From (Fox) Searchlight, the film was nominated for six Academy Awards including Best Adapted Screenplay and Best Picture. With so much humor and heart, we explore the brilliance of this World War II film told through the perspective of a 10-year-old Nazi.

The Dames go deep (hehe) on Guillermo del Toro's glorious magical realist fable (and Best Picture winner) The Shape of Water, and its deceptively simple narrative that combines fairy tale, biblical allegory, and transcendental love into something that is truly unique. Is this just the "fish-fucking movie" or is it so much more? Next week, we'll be discussing Taika Waititi's Jojo Rabbit, so get ready for that!

THE BEST X-MEN MOVIE?! Logan Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en With Deadpool & Wolverine arriving, Andrew Gordon & Tara Erickson are ONE STEP CLOSER in their Fox Marvel Movie Marathon as they give their REACTION, Commentary, Analysis, Easter Eggs, Breakdown, & Full Movie Spoiler Review for the Western Comic Book Epic directed by James Mangold (The Wolverine, Walk the Line, Indiana Jones and the Dial of Destiny). The film stars Hugh Jackman (Les Miserables, The Greatest Showman) as Wolverine along with Sir Patrick Stewart (Star Wars: The Next Generation, X-Men) returning as Charles Xavier / Professor X, Dafne Keen (The Acolyte) as Laura aka X23, Boyd Holbrook (The Predator), Stephen Merchant IExtras, Jojo Rabbit), Richard E. Grant (Loki, Star Wars), & MORE! Andrew & Tara REACT to all the Best Scenes & Most Exciting Moments including Logan vs X-24 - First Fight Scene, Logan vs. Thugs - Opening Scene, Wolverine's Berzerker Rage - Forest Fight Scene, Wolverine & Caliban - "Something's Happening To You, Logan" Scene, & Beyond! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

The brains behind Flight of the Conchords and The Inbetweeners (and Jojo Rabbit) have taken on our childhoods and created a television adaptation of Terry Gilliam's legendary film Time Bandits, but have they succeeded in pulling off the impossible and doing a good job? Presented by J.R. Southall, with Simon Brett

Hot Date has reached another tenth episode and that means a Top Ten extravaganza of movie memories and memorable moments.  This time Dan and Vicky discuss their favorite Moms and Dads from film across the ages.  The mission was accepted differently by your co-hosts so you're getting an eclectic list of perfect and imperfect parents.  Dan, of course, found his choices mostly from the horror genre and included couples while Vicky broke her list into her five favorites of each gender.     This episode is a freewheeling discussion covering everything from Vicky's shopping obsession to your hosts opinions on embattled Kevin Spacey's life and careeer.  There's also some recently seen including Netlfix's Baby Reindeer, Pamela Adlon's Babes, Celine Song's Past Lives, 90's horror gems Mute Witness and Ghost Watch, and the doc Misery Loves Comedy. Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

She's stolen every scene she's ever been in, but her hardest role might be being herself Rebel Wilson is an Australian actress and producer best known for her roles in films such as, ‘Bridesmaids', ‘Pitch Perfect' and ‘Jojo Rabbit'. In this conversation Rebel and Steven discuss topics such as, her battles with self-esteem and her weight, her malaria vision to be an actress, being a virgin at 35, and the truth about Sacha Baron Cohen. You purchase Rebel's memoir, ‘Rebel Rising', here: https://amzn.to/4b2hMeh Follow Rebel: Instagram - https://bit.ly/3JIZ1R6 TikTok - https://bit.ly/4dzvl6O Watch the episodes on Youtube - https://g2ul0.app.link/3kxINCANKsb My new book! 'The 33 Laws Of Business & Life' is out now - https://smarturl.it/DOACbook Follow me: https://beacons.ai/diaryofaceo Sponsors: LinkedIn: https://www.linkedin.com/doac Learn more about your ad choices. Visit podcastchoices.com/adchoices

Soup du Jour. Episode Nine. The guys reveal their top 5 World War II films since they covered The Ministry of Ungentlemanly Warfare (2024) in part one of the livestream. They close the episode by doing an impromptu review of one of the best films in 2023 during the One Last Thing segment.What are your top 5 World War II films? Email us your comments/feedback at weeklyreelpod@gmail.com. Subscribe to The Weekly Reel Podcast YouTube channel. Follow The Weekly Reel Podcast on Instagram (@weeklyreel) and TikTok (@weeklyreelpod).Co-host: Ken Arceo (@free_ken_a)Co-host: Jeremy Pulumbarit (@jp_flicks)Social Media: Andrea Pilapil (@andreajpilapil) / Linktree / PatreonMusic: Gunnar Olsen - "Late Night Snack" (from the YouTube Audio Library)

With the release of Guy Ritchie's The Ministry of Ungentlemanly Warfare, the Cinema Specialists decide to discuss two other alt-history films: Jojo Rabbit and The Great Dictator. Have you seen both of these movies? What do you think of them? Become a patron to help support the podcast and get weekly movie content:  patreon.com/thespecialists   Follow us on Twitter: @cinemaspclsts #TaikaWaititi #CharlieChaplin #WorldWar2 #JojoRabbitFilmReview #FilmReviews #ClassicFilm Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/5742935964385280

This film was a listener request, er...I mean, demand. We are glad for it, because JoJo Rabbit was a movie we did not expect. Who knew that a story about a ten year old boy in Nazi Germany whose imaginary friend is Hitler could be so compelling? Take a listen, and if you have not seen JoJo Rabbit, what are you waiting for?

Beave and Len go through the filmography of actress Scarlett Johansson, and discuss her career. They pick their top five movies and go through their favorite performances as well. They also pick her most underrated movies. Tune in for ULTIMATE JOHANSSON EXPERTISE!

This 579th edition of Have You Ever Seen wraps up our 9th Annual Oscar Month on the very day that also happens to be this podcast's 11th anniversary. Jojo Rabbit is one of the funniest movies of recent years and it's also one of the best. The tone is remarkable and it's consistent, especially considering something as deadly serious as Hitler, Nazis and the Holocaust are made so funny here. Credit to writer/director Taika Waititi and his cast for pulling that off. Scarlett Johansson and Sam Rockwell are terrific, but child actors Roman Griffin Davis, Thomasin McKenzie and Archie Yates are the keys. They give some of the best child performances we've ever seen...and they're hilarious when they're not being touching. So goof around with your imaginary friend while learning to care about your real best friend as we tie our own shoes and have a great time discussing Jojo Rabbit. Johannes and his best friends aren't old enough to be coffee drinkers, but if you sip the stuff, then take a look at "sparkplug.coffee". You can nab a 20% discount by using our "HYES" promo code (so add "/hyes" to the address in your browser). Contact us. We're Twi-X people (@moviefiend51 and @bevellisellis), Bev is on Threads (@bevellisellis) and we have an email address of course (haveyoueverseenpodcast@gmail.com). Our shows also go up on YouTube (@hyesellis). Comment, review, rate, like, subscribe, all that.

We've hit the halfway point in our Conversations with Oscar series! Today we are talking about Anatomy of a Fall. A lot of the films this season are bigger in scope and feel, while this one is much smaller it still packs a giant punch. Justine Triet and Arthur Harari wrote a spectacular original screenplay that obfuscated the truth to not just the audience but to the star, Sandra Hüller herself. Listen to our thoughts here and see just how much further this season is dividing us. What did you think of Anatomy of a Fall? Let us know! Follow us on Twitter and Instagram Listen to our episode about The Trial of the Chicago 7 Listen to us talk another great animal performance -  War Horse Read Keeping Faith by Jodi Picoult Listen to our episode about Marriage Story Listen to our other episodes about other great child performances - Jojo Rabbit, Minari, Room, Beasts of the Southern Wild, and Lion Theme music by RomanBelov  #AnatomyOfAFall #BestPicture #BestDirector #BestActress #BestOriginalScreenplay #BestEditing #JustineTriet #SandraHüller #Oscars2024 #2024Oscars #AcademyAwards #Oscars

We cover the Taiki Watiti dark humor about a young german boy in WW2 Germany whose imaginary friend is the leader of Nazi Germany & finds out he has an unexpected guest in his home. -Follow us on socials- Instagram- https://instagram.com/viewanonpod Facebook Group- ⁠V. A. Podcast Watch Group | Facebook⁠ Don't forget to subscribe to gain access to exclusive content! Only $2.99 to sign up. Just click the link below. https://podcasters.spotify.com/pod/show/vap/subscribe --- Send in a voice message: https://podcasters.spotify.com/pod/show/vap/message

It was a year of political assassinations, unpopular wars, and global protests. Luckily, we can relive 1968 through movies alone. This week, Jake Ziegler recommended that Brad Garoon watch the Producers, the first of Mel Brooks' 11 feature films. After getting over how embarrassing it was for Brad to have not seen the film already, they talk about Gene Wilder and Zero Mostel's brilliant comedic performances, the legacy of character actor Kenneth Marz, and the allure of Lee Meredith. Things turn to the fantastic as Brad recommends Planet of the Apes for Jake, and Jake doesn't like it. They talk about the film's surprising courtroom setting, the bizarre plotting, the movie's important place in science fiction history, and the long-running Planet of the Apes franchise as a whole. Other movies mentioned in this episode: New Faces of 1937 (1937), The Great Dictator (1940), Rodan (1956), The Fortune Cookie (1966), Once Upon a Time in the West (1968), Romeo and Juliet (1968), Who's That Knocking at My Door (1968), 2001: A Space Odyssey (1968), Barbarella (1968), Blackbeard's Ghost (1968), Night of the Living Dead (1968), Rosemary's Baby (1968), Hot Millions (1968), The Odd Couple (1968), The Twelve Chairs (1970), What's Up, Doc (1972), The Sunshine Boys (1975), Planet of the Apes (2001), The Producers (2005), Rise of the Planet of the Apes (2011), Dawn of the Planet of the Apes (2014), War for the Planet of the Apes (2017), Jojo Rabbit (2019), Albert Brooks: Defending My Life (2023).

Er ist einer der angesagtesten Filmemacher Hollywoods, Regisseur von "Jojo Rabbit", den letzten beiden Thor-Filmen und ab dieser Woche auch von "Next Goal Wins": Taika Waititi ist in dieser Folge zu Gast. Außerdem schauen wir auf mögliche Film- und Serien-Highlights 2024.**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Our Morons discuss their favorite movies of the last decade, the 2010s. This is the 3rd episode of a trilogy of top ten episodes. You can watch our top ten of the 90s and 2000s in links below. #topte #toptenmovies #2010s Top Ten of the 2000s:https://youtu.be/ZnB-E8jLbws?si=4kNj20L3sRgHV46oTop Ten of the 1999s:https://youtu.be/HBSA5AFTBJo?si=W27eGwPYeFSmOLMpTik Tok:https://www.tiktok.com/@moronsmakesenseInstagram:https://www.Instagram.com/moronsmincemovieshttps://www.Instagram.com/samtheinkblothttps://www.Instagram.com/arkham_arturoAudio Versions:Spotify: https://open.spotify.com/show/7IgR9Sh6B95Ms9fyx28jOl?si=55bdb47d5c0848dbApple: https://podcasts.apple.com/ee/podcast/morons-make-sense/id1581117590Twitter:https://www.twitter.com/samtheinkblotFacebookhttps://www.facebook.com/samtheinkblotIntro 00:00#10s Skyfall, Joker, Inception 05:25#9s Once Upon A Time in Hollywood, Split, Jojo Rabbit 11:30#8s Her, Train to Busan, Marriage Story 19:30#7s MIB3, Deadpool, 12 Years a Slave 26:25#6s Harry Potter, Mad Max, Ex Machina 35:00#5s Toy Story 3, The Guest, Interstellar 45:40#4s Inception, Days of Future Past, The Wolf of Wall Street 55:26#3s Rouge One, Logan, Django Unchained 01:06:30#2s Joker, Joker, Toy Stroy 3 01:15:20#1s Interstellar, Endgame, Inception 01:24:23 Become a Patreon supporter Become a member at https://plus.acast.com/s/MoronsMakeSense. Hosted on Acast. See acast.com/privacy for more information.

“He's neither good, nor bad; he's ugly.” It's Christmas and it's just the two of us! Not only do we share a lovely conversation about three Christmas movies YOU chose, but we surprise you with a gift opportunity… FOR US! All this giving, plus we give you a fond bonus awards segment covering the whole podcast year.   0:00 -- Intro and Patreon announcement!8:15 -- Christmas viewings11:52 -- The Holiday 31:50 -- Spirited55:34 -- The Holdovers1.16:35 -- Contact information 1.19:13 -- Awards and rankings1.58:56 -- Year-end awards2.22:12 -- Future business 2.34:58 -- Outro, and outtakes Hey! Be sure to watch E.T. the Extra-Terrestrial, Parenthood, and Jojo Rabbit for next time! Hey! We have a Patreon (Ours, Ours, & Ours)! Hey! DON'T leave us a voicemail at (801) 896-4542! Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Home swap! Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list! Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!

Happy Hanukkah! This week, Cozi tells Bri about the 1997 Roberto Benigni classic Life Is Beautiful! The movie's first half is a physical-comedy rom-com, its second half is a stirring drama about trying to cope emotionally during the Holocaust, and together, they create a deeply touching piece of art. Listen to this episode to learn more! Recommendations: Bri – The productivity app Forest, and fact-check what you read! Cozi – Don't be antisemitic or really any kind of bigot, aaaand watch Jojo Rabbit (2019)! Follow You Need to See This! on: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Facebook⁠⁠⁠ ⁠⁠⁠X --- Support this podcast: https://podcasters.spotify.com/pod/show/youneedtoseethis/support

In this episode, we speak with Hollywood director, actor, screenwriter and producer Taika Waititi. The Kiwi filmmaker is the man behind New Zealand films, Boy and Hunt for the Wilderpeople, as well as global blockbusters like Thor: Love and Thunder, and critically acclaimed Holocaust dramedy JoJo Rabbit. Hosting the conversation about his latest movie, Next Goal Wins starring Michael Fassbender, and how Waititi has been, for the past 22 years, flying to NZ from wherever he is in the world to play rugby every Saturday (kidding!), is Good Weekend senior writer, Konrad Marshall. See omnystudio.com/listener for privacy information.

New Zealand's Taika Waititi is prolific if nothing else. As an actor, he's played roles from an endearing vampire in “What We Do in the Shadows,” to Adolf Hitler in his film “Jojo Rabbit.” Taika's new film, “Next Goal Wins,” takes you to American Samoa and the attempt to turn the worst team in soccer around. Tom talks to Taika about what drew him to this “underdog” story, why he finds humour in the mundane, and why he thinks New Zealand humour translates across the world. Plus, the Nova Scotia rapper Kayo tells the story behind a new song off his EP “Trip.”

Editor - Tom Eagles ACE NEXT GOAL WINS editor Tom Eagles ACE first made a name for himself with his ACE Eddie-winning work on JOJO RABBIT (2019).  That film would also get Tom an Oscar® nomination for Best Film Editing.  With NEXT GOAL WINS, Eagles once again is found in the cutting room of a Taika Waititi film. Tom joined editors Nat Sanders ACE, Nick Monsour and Yana Gorskaya ACE for the "sports comedy with a heart". Based on the 2014 documentary of the same name by Mike Brett and Steve Jamison, NEXT GOAL WINS is about Dutch American coach, Thomas Rongen's efforts to lead the American Samoa national football team, considered one of the weakest football teams in the world, to qualification for the 2014 FIFA World Cup. The storyline also includes fa'afafine player Jaiyah Saelua, who was the first transgender player ever to compete in a World Cup game. TOM EAGLES ACE Back in his home country of New Zealand, Tom Eagles built his career on a foundation of work with director Taika Waititi; including films such as WHAT WE DO IN THE SHADOWS (2014), HUNT FOR THE WILDERPEOPLE (2016), the TV series WELLINGTON PARANORMAL (2018) and their critically acclaimed film, JOJO RABBIT (2019). Looking to expand his career and broaden the scope of the work he could choose from, Tom moved his family from New Zealand to Los Angeles.  Aside from his work with Waititi, Eagles has also worked with director Jeymes "The Bullitts" Samuel on his first feature, THEY HARDER THEY FALL (2022), and their upcoming effort, THE BOOK OF CLARENCE (2024). Editing Next Goal Wins In our discussion with NEXT GOAL WINS editor Tom Eagles, we talk about: Adding a character to give the film character Coming and going on the cutting crew Needle dropping Dolly The dailies delights of improv Taika Waititi - couch surfer The Credits Visit ExtremeMusic for all your production audio needs Keep an eye on Holiday season "Special Offers" for Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Welcome back to the Over/Under Movie Podcast! In this episode, we're discussing New Zealand writer/director Taika Waititi! Join us as we explore his unique filmmaking style, discuss his iconic movies, and share behind-the-scenes stories. From his early days of 'What We Do in the Shadows' and 'Hunt for the Wilder People' to 'Thor: Ragnarok' and 'Jojo Rabbit' we'll cover it all! With his latest film 'Next Goal Wins' hitting theaters soon, we thought it would be a perfect time to look back on his career so far. So, grab your popcorn and let's embark on this cinematic journey together.Join Dylan DeAngelis and Jason Gong on the Over Under Movies podcast as they discuss the Kiwi writer and director who is making waves in the film industry. From exploring his rise to fame to analyzing his unique style, this episode is a must-listen for movie enthusiasts. Don't miss out and subscribe now!Follow us on all our socials! linktr.ee/overunderpodSupport the podcast on Patreon! patreon.com/overunderpodJoin our Discord server! discord.gg/Zqev7jEnXzBusiness Inquiries: overunderpodcastshow@gmail.comGrow your YouTube channel w/ VidIQ!vidiq.com/r?code=9cFKKLPodcast Hosts: Dylan DeAngelis and Jason GongIntro/Outro Music: Leva - The Vortex (Instrumental Version)#TaikaWaititi #ThorRagnarok #NextGoalWins #OverUnderPodcast #moviepodcastSocials ---> https://linktr.ee/overunderpod

Today you listeners will be involved in such activities as war games, ambush techniques, listening to "Ya, Reel Good" and blowing stuff up.

The first Golden Pandas Awards is held in the southwestern Chinese city of Chengdu on Sep. 19-20. It showcases top-notch films, TV programs, documentaries and animations by participants from around the world. In our special series, we introduce some great content featured at this year's event. For this episode, we present to you the Chinese historical drama A Dream of Splendor and Jojo Rabbit, a 2019 comedy-drama film. On the show: Laiming, Xingyu & Josh Cotterill

Summer is winding down but the fall lineup remains up in the air, so we bring you an episode of organized chaos. We hear from "The Nanny" star Fran Drescher, who is president of SAG-AFTRA and recently talked about the state of the actors strike. We also hear from "Breaking Bad" star Bryan Cranston. After talking about finally watching the Netflix series "Dahmer," co-host Bruce Miller talks about all of the movies that are trickling out that might only be in theaters briefly before they head to streaming. His choices might not compete with "Barbie," but they are certainly movies you won't want to miss and will be under consideration when awards season heats up. And co-host Terry Lipshetz talks about "Silo" on Apple TV+, which recently wrapped its first season. This ultimately opens a discussion about which streaming services are worth our time and navigating screen time selections with the kids. Where to watch "Election" on Max "Dahmer" on Netflix "Red, White & Royal Blue" on Amazon Prime Video "Theater Camp" in theaters "Jules" in theaters "To Leslie" on Netflix "Golda" in theaters "The Lesson" in theaters "Challengers" in theaters "Next Goal Wins" in theaters "The Morning Show" on Apple TV+ "The Changeling" on Apple TV+ "Silo" on Apple TV+ "Shrinking" on Apple TV+ "For All Mankind" on Apple TV+ Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and Screened and Entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz is senior producer at Lee and co-host of the program with the legendary Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, you're back. So you took a little week off. I mean, the listeners wouldn't know this because they would know that advance. But yeah, yeah, you're right. Bob Barker Here I am. But yeah, and you know, I really got a chance to dig in to TV and see what's there, because right now, normally I would know all of the new shows that were coming out in the fall. I would have seen all of them. I would probably have talked with the people who were involved. And this year is this big question mark. We don't know what we're getting. I don't know what kind of shows are out there, what kind of period we're going to be going through, how long the strike will last. It's very, very weird. And so what I've been doing is revisiting things. And one of the things I did do, I was scared to death of watching Dahmer when it first came out. I really because I don't. Is that giving him too much credibility? Is it, you know, endorsing something that I don't want to be a part of? But I you know, it's nominated for a lot of Emmys. And so I thought, you know, I should watch it. I should see it. Well, I was so scared after the first two episodes. I thought I got to watch something that's going to kind of calm me down a little bit. And so I found election election on Max. They're kind of pushing it now. Do you remember election was an Alexander Payne film about Tracy Blake. She was is this kind of rabid girl who was running for student council president in high school, played by Reese Witherspoon and Matthew Broderick played the the adviser to the the student council. And fascinating to see it again because, you know, they were really serious. Wasn't that big when she made this. And Matthew was kind of coming off his Ferris Bueller run and the movie was, you know, I hear it, but it's now prompted a sequel. There's going to be a sequel called Tracy Flick. What is it? Tracy Flick doesn't win or it doesn't always win or shouldn't win or I don't know. It's based on a new book and they decided to go back and do it. And Reese is producing the thing. We'll see what happens with that. But it was fun to see that because it did cleanse the palette from Dahmer and it gave me a chance to kind of look forward to something that will be coming. Paramount Plus is is actually doing it. I don't know how far they are in the process, but it is scheduled for the next year. What what was your overall thought on Dahmer? Because I know this was a little bit of an older one. It was on it was last year on Netflix. I watched it especially because of, you know, living in Wisconsin, even though it happened before I lived in Wisconsin. It's still something that people talk about, you know, a lot out here. What were your thoughts? I would like to say it was creepy, but it reminds you can tell it was a Ryan Murphy product because like his American Horror Story and all those other kind of things, it has that edge that you got. Oh, my God. I think it's going to go over the edge, I think. And it did. I thought some of those those murder scenes or just even opening the refrigerator was enough to send me reeling. But Evan Peters does a good job because you do see the kind of the the groundwork that's put into play that makes him kind of screwed up. And he plays it very kind of low key. And then you see what he does and it's like, whoa, I don't you know, this would not be made as anything but a streaming service thing. I don't know that you I know that they've done Dahmer movies and stuff, but they've never done it this intensely. And then I looked up the story of him online, of course, you Google everything, right? Right. And you look and you see, well, how many did he kill? And then you realize I've seen two deaths and there are like 17. I'm going to have a long haul with this. And this is really hard for me to watch. So, you know, it was fun to see Michael learn it in there as his grandmother. And, you know, there are good supporting performances, but it's tough. It's a tough slog. Yeah, it it was difficult to watch. I'm glad it didn't get as gory as it could have been. I mean, I was I was that was the one thing that I really because I'm not a big gore. I don't like horror movies. I don't you know, that's not my thing. And, you know, but I do like a thriller. Like I like like Silence of the Lambs, which is the only movie I can think of that's really comparable to you know, that's obviously fiction, although based on some aspects of reality with this, you know, I didn't need to see him like dismembering everybody and in all that. So I'm glad it didn't quite go down that road, but it was very difficult to watch. But it was also fascinating because the story I don't think the story's been told it's been told, but it's not like some stories. It just keeps on getting retold over and over again. I don't you know, this is the the deepest dive I think I've seen on Dahmer to date. I don't think it needed ten episodes. I'll be Oh, no, no, no. And I kept questioning why people didn't complain more. You like when they're in he's in this apartment, he's got all this crap and the smell is bad. You'd complain and I think somebody would do something. And then you see these instances where the cops are in the place and they kind of just bypass it, you know, It's like, Oh, yeah, we'll move on. And I, I would be screaming at the top of my lungs. Plus, here's the other thing. Never go home with somebody that you don't know right now. I mean, if somebody says, come on over to my house and we'll have a drink or something. No, that is a big animal that you can put on anybody's door and do not do it right. You know, I won't even sell something on Facebook. Marketplace and let somebody come in to buy like Nintendo. We're going to go to the parking lot of the QuikTrip and we will make a transaction there or somewhere holding a gun on you at all times. And I pass the merchandise to you, right? Yeah. Yeah. There is no way. I mean, unless unless it's I've got like we sold our swing set for the kids on Facebook marketplace. Obviously somebody has got to come to the house and pick that thing up, but it's like I'm doing a deep dive on your face. I'm like, looking to make sure you seem halfway normal or more. Yeah, yeah, yeah, I know I'm with you. And I remember, too, when I watched that Dahmer with my wife. The thing that we kept on commenting over and over again is like, why is this thing ten episodes? Because on one hand, it just it was it was such it became a slog after a while, but we couldn't stop watching because we kind of wanted to know. I mean, we know what happens, but you kind of wanted to know what happens, if that makes sense. So it's like we hit that point where we're just we're in it for the long haul, so I guess we're going to suck it up. But yeah, I wanted to see Niecy Nash because I like her and she's nominated for Best Supporting Actress and she's in right away at the beginning. And then she disappears for a long period of time. And so I thought, well, there must be some big scene that she gets at some point that would have justified her getting nominated for best supporting actress. So I'm not done with it, but I always know now that I have to have something that's very light afterwards. And I have been looking at, you know, streaming is still putting crap out there. There's still stuff out there. I think Amazon had red, white and royal blue. Have you seen this? It's about a ten, I think, the American president's son. And then like some spare in the British lineup become secret lovers. And of course this is a huge scandal and it's all it is. It's just a romance that you probably saw on Hallmark, except it's two guys and one is British and one is America. That's that's about all it is. And they were getting a lot of attention. I mean, interesting. But I don't know that that's something that I would mark my time off to see. Yeah, well, it wasn't is as kind of controversial as they thought it would be. And there are a lot of ones like that that are now popping up. You're going to see in the next month on Hulu. Theater camp and theater camp is this kind of mockumentary done by Ben Platt from Dear Evan Hansen and a bunch of his friends about going to summer camp for theater kids. And it looks darling from it's you know, it's previews, but who knows? And that's one of those things these films he's there are a slew of these films that maybe get a week in a market and then disappear because they can't stand up against the pressure of a Barbie or a Oppenheimer and Barbie. Look at that. The money that Barbie is rolling in. She never made that much money when she was a doll. So now as a movie, she's she's just rake. And, you know, the sequel is probably already not being written by the writers who are on strike right now. But yeah. And so you you see these films that maybe will get a window, but if you are watching very carefully for them, you're not going to find them. One that opened this last week was called Jules and Julie's. It stars Ben Kingsley as Ed and this is what I loved. He's 78 and he's like, seen as this real doddering old man. And I'm thinking, God, I'm closer to 78 than I am to, you know, 21. And he get an alien lands in his itty azalea bushes in the backyard, and he tries to tell people about it, and they just think he's just out of his mind and he doesn't know what he's doing and he needs to go to assisted living. Well, it is an alien or there is an alien there and he communicates with him and two friends of hers also get to get it. Get in on the secret. Jane Curtin is one of the ones and it's a very, very clever film about aging and what kind of things people go through at a certain point in their lives. It's very much in the tone of what Clint Eastwood has been doing lately. You know, it's his Gran Torino kind of concept where old people aren't kind of given their due for having an opinion or, you know, being feisty or whatever. It's just kind of, Oh, that's the effects of aging. Yeah. Was there an alien, you know, is it just all in his mind? But it's a cute film that will it'll make its rounds and you'll see it somewhere on your schedule or maybe on a streaming thing. If you remember last year at the Oscars, there was this thing called to Leslie. Yeah, Yeah. Andrea Riseborough was nominated for best actress for that. And like everybody goes to where is this? How do I see this to Leslie? It's nowhere. And it wasn't. It was in nowhere. And it's like these little films that crop up and then suddenly after it gets traction, somebody will sell it to a streaming service and then it pops up. And I have since seen two Leslie and it was good, and it should have gotten some kind of attention. But the the bigfoot's kind of stomp him out and you don't find him. But there is a whole herd of them, a list of them that I went through and said, you know what? These are ones that maybe we need to look at before the end of the year. Okay. Well, that sounds like an interesting list because we are running out of things. I must say. We're running out of things to talk about, but we're in this interesting period right now because you mentioned, of course, that you would normally be out in L.A. previewing the fall season. We have no idea what's what's even going on because of the strike. This writer's strike in this actors strike, it is it is looking like they're digging in for the long haul. I mean, just last week while you were gone, Fran Drescher, the president of the Screen Actors Guild, was talking about this being an inflection point. And, you know, they're waiting on a deal. So I actually have a quick clip. We're going to play this really quick and we'll listen to her and then bring it back and we'll talk a little bit more about that and then dive into your list. Sounds good. Actors Union President Fran Drescher says there's been no negotiations with the movie and TV studios on a new contract as actors have been on strike for six weeks. I marches are a letter with the latest SAG after a president. Fran Drescher says the union is getting the silent treatment from the Alliance of Motion Picture and Television Producers, which represents major studios. Drescher says the contract dispute is at an inflection point. I don't think anybody that's in charge of the AMPTP quite understands that this is not like any past negotiation. The actors demands include better pay and protections involving artificial intelligence. The studios have said their offer includes historic pay increases and an A.I. proposal that protects actors likenesses. And then, you know, that was last week. And then just right before we hopped on, I got another clip because the actors from Breaking Bad and Better Call Saul gathered and they were talking about it. So here's one more clip from Bryan Cranston from Breaking Bad. We realize that without organized labor, management will just keep stuffing their pockets and they don't. They don't and will not ever just go, You know what? I don't think this is being fair to those people. I'm going to pay them more. It's just not what they do. All right, Bruce, we had talked a few episodes ago about like, you know, where to put money down. When is this thing ending? You were a little bit more optimistic. I was much more pessimistic saying that this could go on until later this year. And then the freak out moment would be once kind of the NFL season, college football season, you know, was kind of wrapping up. And then and then the networks or everybody needs something to air come January that's going to be the problem. So, you know, what are you thinking right now? Are you hearing anything? I think there's you know, it could go whenever. It could go whenever. But they probably will ride it out because it isn't fair. It isn't fair that these people are getting next to nothing and these networks are making pretty big bucks off this stuff. So there are, you know, and the studios come on, if they make a big deal about Margot Robbie getting, what, $50 million for doing Barkley? Well, she's a producer on the thing. She also is a blue chip star. And I hate when we see these clips of, you know, some famous person, like if Meryl Streep decided she was going to walk with the others. That isn't the instance at all. Meryl Streep and all those blue chip names should not be on the picket line because they don't have a beef with what's going on. It's the guy who you maybe recognize his face, but you don't know his name that is getting jobbed in all of this. Right. And those are the people that I think those stories need to be told much more. And I would not doubt that the story about Margot getting 50 million is a studio generated story because they want to say, see, look, they're making big money. Why aren't you know, come on, don't be crying to us. And I think the AIG thing could be a real problem. I've seen some things that have already been written that are not bad, you know, done by a computer because they've been able to input all this other stuff. But where did the other stuff come from that they're trying to duplicate or mimic or whatever that gives us this thing? I would not doubt that in the future the computers are going to be doing all of our writing. I would not doubt that. But you've got to hold the line somewhere because are we eliminating humans entirely? Is that our goal? With every job? You know how it is where they say, well, we're going to we're going to outsource this and we're going to let computers do it. Yeah, maybe sometimes you need that personal touch that comes from having a human in there. I don't know. But I find it really disturbing. And I'll turn on Entertainment Tonight on a regular basis. And it's like, Oh, today, look who showed up on the picket line. And, you know, I don't care. I don't care that the big names, because they'll come for an hour or whatever, eat a sandwich and act like they're part of the the normal people. And what you're doing is not necessarily cheating them out of a job or money, but you are cheating all of those ancillary businesses that rely on this to drive their business. The drivers, the actors, caterers, the set builders, the electricians, I mean, all those kinds of jobs. It's a factory town. Hollywood is a factory town. And if you start cutting that and yet these ones are making just a statement, you know, come on. I don't know why why those studios need so much money for their executives? I've never believed that that's a good way of doing business, because when you see that somebody is getting a $400 million paycheck for the year, really, is that where they make that kind of decision? A $400 million one? There should be caps on those things. But, you know, now I'm saying it's only political and I don't mean. Yeah, it is. I read a story, a few weeks ago even where they were actually talking about that point, because, you know, somebody brought up like where are all the stars while everyone else's, the rank and file are marching. But but that's the point, too, is that it gets a little bit touchy because the percentage of people that are making tons and tons of money is very small compared to the rank and file, which is really it has the most to lose out of this. Right. And then as you mentioned with like a lot of these folks, they're producers on shows now. They're also executives. They're not necessarily running a studio, but it's hard, you know. Sure, they're a member of the Actors Guild and maybe they're a member of the Writers Guild, but if they're a producer or also doing directing work, they're in their hands are in too many parts, and it's probably best that they just stay on the sideline and let things work because it's at some point you got to recuse yourself. And I think that's what happens. We've had, you know, now for me, the impact is the actors are not doing interviews. They're not going to be talking about a project that's coming up. And I get that. I see the the impact it has on me. But some actors who are producers will do an interview. Now, is that really are you playing the game or what? You know, which hat is a better hat or a bigger hat? And which one should you be wearing at any given time? Well, hopefully things will wrap up soon because we need we want it. We need our content. Yeah, we need something. We need something. I know you've got a list here of okay, I've got a list of films that are out there that I have seen some and not seen others. Okay. Golda Which is the Golda meir story? Oh, yeah. Is one that will I think it's starting now in theaters and it's could be another shot for her to win another Oscar. It's set in just a limited period of time. The 19 days of the Yom Kippur War and how she kind of negotiated all that, what she did, what her thought process was. And it's a great a great character piece, because I do not think of Golda meir when I think of Helen Mirren. They are not alike at all. But I think that she captures the essence and she brings to life a character that, you know, did we forget her? Do we still think about her? I don't know. But that's one that's out there. That's that's hanging fire. Blue Gene, have you heard of Blue Jean? No, no. This set in the in the 1980s in in England. And it's about a gym teacher who has this secret kind of private life where she's a lesbian and she doesn't dare come out because she's in Margaret Thatcher. England. And what does this mean for her career? You know, these are things that it seems so long ago and yet these issues come up. And it's a fascinating look at the times. They really get the costumes right. They get the period right. You see things you think, Yeah, I remember that. I remember the eighties like that. And there's people that maybe you don't you don't recognize, but they've been in a lot of British TV series and things. There's one called The Lesson, and this stars Richard E Grant. You remember him from Oh, man, he's been in so many things. He was nominated for an Oscar for the Thing with Melissa McCarthy, where she was a writer. I wish I could tell you right off the top of my head. But he. And this he plays another author. Okay. But he, Audie kind of rich author who, you know, is I mean, he's in the driver's seat. He's not a rank and file guy. And they hire he and his wife hire a tutor for their son. And the tutor sees how this family dynamic is all shaking down Darryl McCormick, who is in. Good luck to you, Leo. Grand. You remember that from with Emma Thompson. He played the guy who was her kind of sex therapist. Okay. Yeah, he was the he was the prostitute. He plays the tutor in this one. Julie Delpy, if you remember her from all those things with Ethan Hawke, she plays the wife and it's a fascinating look at a family situation. Challengers. Challengers is a film that's set in the tennis world, and it's about three tennis players, you know, and it's who's up, who's down, who's wherever. Zendaya plays a champion, I think like Serena, Venus, one of those kind of, you know, big superstars. And then Josh O'Connor from the crown, he played Chas, Prince Charles. Okay. He's one of the tennis players. And Mike Feist, who was in West Side Story and has been in Broadway on Dear Evan Hansen. Those are the three. And there just like who is with whom at what time Now it's done by the guy who did call me by your name and it it has the potential to be very dirty. I'm just throwing that out. It could be a very, very scary next goal wins. Taika Waititi The guy behind Jojo Rabbit and a lot of those, you know what we do in the shadows. A very kind of fun South. I think he's New Zealand. I don't want to say he's Australia, I think he's New Zealand director who focuses on a football coach or a soccer coach played by Michael Fassbinder. Fassbinder MM hmm. Who has to try and turn a Samoan teen into winners. Now, this is very Ted Lasso in it. Yeah, but I think it could be very, very funny and it could be one of those kind of breakout things. Again, these are all these little kind of pocket films that will show up but not be in theaters as long as Barbie is. So look for them. Because I think and if nothing else, within a month after that, more than likely they'll turn up on streaming services. Yeah, it could be what we're watching for the next two or three months, Right? Well, and these are also those films, too, that when the Oscar nominations come out, we get by, you know, we'll know the big ones. But then all of a sudden we're looking at each other and being like, wait, goal while you need it is like 200 people to put your name first. They could be there now. They know that they know what to do. So yeah, and it's funny because I've seen a number of them. They'll, they'll send them to me and then they'll say, See what you think. And if you can write something, it'd be great. And it's fascinating because a lot of, a lot of times they're better than most of the things that you're seeing. Mm hmm. Yeah. I love a good small time film. You know, sometimes it's sometimes those are the the best ones because it's it's under the radar. It catches you by surprise. You have no expectations. And it's just kind of fun to see. And we're getting some of the new series are coming back The morning show on Apple is right back with Reese Witherspoon and Jennifer Aniston. Another one that I did watch was The Changeling, and it's based on a novel by Victor Lovell or Victor LAVALLE, depending on how you pronounce it, who also does the narration for the film. And it's so bizarre because it goes back in time and forward in time and back way back in time. I mean, in the first episode, you must be in about six different time periods and it shows how maybe there was some kind of I don't know, black magic that was going on and it affected different generations. And what they what it turned out to be for these kids that are in today's world. Yeah. Fascinating. Lakeith Stanfield is in it and a good acting exercise. But I think it has far too much to try and unpack right away. Okay, We're coming up in in September. We're coming up also around that period where my three month free trial of Apple TV Plus is about to expire and I'm not. So we just watched Sidel go, which it was okay. And I know it's gotten some decent traction on like rotten tomatoes from critics and fans. It started out I thought it started out a little bit slow. It's your typical the story on that one is it's it's a you know, a post-apocalyptic kind of sci fi world. There's 10,000 people living underground in a silo and they are governed by the pact. And the pact is, you know, just their kind of their constitution, their law and order. But the society is broken down to you have this it branch that runs the computer systems and keeps things chugging along. That's run by Tim Robbins. You have a judicial branch which kind of enforce this some of the pact and, you know, make sure everybody is law abiding and common stars is one of the leaders of judicial who kind of, you know, runs a crew that it's almost like a military group. There's also the sheriff's office, which is more of a police type of thing, which is the main character, Julia Nichols. She she works like down below where where keeps the engines running, but kind of gets pushed into this situation where she's the next sheriff, because one of the things that happens is if you say you want to go outside the silo, it's irrevocable and you have to go out to clean off the little camera that shows the desolate world that has become And the it this isn't really much of a spoiler because it sets up the entire series. But the wife of the current sheriff goes outside to clean and then a year later, the sheriff himself goes outside to clean, but kind of picks Juliet Nickels to become the next sheriff. And, you know, so it's there is this mystery as to like whether what you see on that screen is actually what it's true to be. But then it's also in like a lot of these stories. Is Tim Robbins a good guy or is he a bad guy? Is common a good guy, or is he a bad guy or are they just put in such unusual circumstances that there's really no good or bad? Everybody is just kind of trying. They're trying to act within the best interests of the society that they're running. So it's it's not a bad series. I thought that the first few episodes were a little bit of a slog. It definitely picks up once you get through about three or four, it's ten episodes. A few familiar faces, obviously. As I said, Tim Robbins is in it, Carmen is in it. Ian Glen, He played for a moment on Game of Thrones. He plays the father of Sheriff Nichols, Julia Nichols, who's played by Rebecca Ferguson, and then one other person who's in it that a lot of folks have probably seen lately, Harriet Walter. She plays this woman who lives all the way at the bottom of society. But she was in succession as the mother of the three Roy siblings, younger Roy siblings. So it's a good one if you need something to watch, you know, we've been kind of like bouncing through things and slamming through things. So that and then of course, I've been now watching Asoka, which is back on, just made its debut, the latest Star Wars series. So do you find, though, that Apple has a lot of dark shows? They do, yeah. Yeah. It's like some executive must have had some midlife crisis or something and then is trying to explain all of it through these because they I honestly besides Ted Lasso and maybe the after party maybe the after party I'm hard pressed to think of comedies that they really embrace. The one with Harrison Ford or that was. Yeah, yeah, yeah. That's shrinking with Harrison Ford and Jason Segel. Yeah that's that one was good. My wife and I just we watch it right before Silo and really enjoyed it and kind of looking forward already this season to there's a few like that Yeah like these midlife crisis kind of concepts and I would like Snoopy I think is the only thing that's on there that is not really kind of dark underneath, right. Yeah. For all mankind. I don't know. I love Vermont for all mankind. There's the space to alternate history space show. But again, you're getting into a world they'll go to another world to, I think, try and make commentary about our world today. Right? Yeah. It's very sci fi driven. Yeah, a lot of sci fi. I don't know that I would see that as apples. Best calling card. Yeah, I'm. I'm like, really on the fence here because even with the morning show, I watch season one, I watched about half of season two and then kind of got sidetracked and then ended up canceling Apple TV Plus. So now I've got the decision is like, all right, am I going to go back and watch the next five episodes? And then I'll stick around and watch the third season? Or do or am I at the point now where do I just let the subscription run out? I cancel it, I wait six months or a year, get a new Mac, then. Yeah. And then just kind of like crush through that because I just feel like with Apple TV Plus it just does not have the programing yet. Still still like Hulu or Netflix, which those are those I can't cancel. There's just too much stuff that comes on them constantly. I think Apple put a lot of money in a few projects and it's big money. You know, it's this is not just anything but I, I don't know if I were to choose that that would be one of the first ones I would pick for my my extra channels. It's a good one too. You know, you get your, your whatever, a 30 day, 90 day freeze every time you buy an iPhone. So it's really that's what it's you get your free you get your free phone. Well, not a free phone. You pay for your phone. You get a little Apple TV plus on top of it. I mean, it's not expensive. It's it's like, what, six bucks a month? So it's it's one where if you let it go for a few months and you don't really watch it, you don't necessarily feel guilty about it. It's not like like Netflix is creeped up or HBO. Well, now it's Max. They've creeped up in the price where it's, you know, 16, 17 bucks a month. And you start to notice that one if you're not watching Apple TV Plus is still low enough where you're kind of like, wow, it's a $6. I'll get it. It's like that gym membership that, you know, that I never catch. You know, it's like, I guess 12. What about Disney Plus then? Are you sold on that one or is that on? Yeah, no. Well, that's with the kids and I've got the bundle. So it's like I don't I have Hulu, Disney Plus and ESPN plus bundled together which, which maybe if I was only doing one of them I would think twice like, all right, well maybe I'll drop this. But the bundle is it's pretty cheap so I'm not paying a whole lot for all three. So what what is the determiner then, for you to choose a a service, a streaming service? Is it a certain program that gets you in? Is it the price, Is it you know, the potential it has or where does this all land? Because how would you choose you in this day? You can't have it all. I'm sorry. No, you can't have it. I'm I. Yeah, I don't know. It's a good I think right now because of the kids I'm fine having Disney plus semi permanently You'll like it too because you get all that Star Wars stuff and you get all the Star Wars stuff. Right. But it's also, you know, when they like ESPN. Plus I get that bundled in. I don't remember the last time I turned it on, but because I get the Hulu and the Disney Plus packaged in there, I occasionally will put on ESPN plus, but not enough for me to I wouldn't I would definitely never subscribe to that one separately. You know, it's fascinating because you hear people complain about cable when cable keeps raising its prices and stuff, and I can't afford this. This is terrible. And yet they'll add on all these streaming services. And so what gives? And maybe that's the way it just all has to be. All is all a card. Yeah. Just things as you go along and maybe you just have a buy in for X number of weeks or months Yeah, I think at some point and I think it'll, it'll come a little bit more as the kids get older and we're, we're less attached to certain things. But I feel like I'm getting really close to the point where I don't have anything against Apple TV Plus because I do think it has some good programs. It's just not enough for me to commit 12 months out of the year. And I think we're getting to that point where I need one like $6 a month option. So I maybe going to do Apple TV Plus this month and then maybe next month I do peacock and then maybe the month after that I do Paramount Plus, is it hard to go there? Gym? Is it hard to get out of the that's that's where unlike cable, because cable's a nightmare like cable. You're on the phone for 45 minutes because I did it a year ago when I finally cut the cord. Right. And it just it takes forever. And it's it's a pain in the butt. But with all of these streaming services, you just log in online. You know, you got to make sure you get it at the right time because you don't get a refund of $3.18 because you only used it. Right. You know, 42% of of it for the month. So you got to jump before the month is up. Correct. So you like I go to my Google calendar, I put in a reminder like this is the day I got to go cancel Apple TV. Plus, I'll do it. You know, it'll it'll take me through the end of the month and I'll still have like three more days to watch it because I do it a few days in advance. And then the first of the month I'll subscribe to something else. And as long as you can commit to doing that, you can, you can manage them and you can opt in and out and it's pretty darn easy. And that's that's the advantage they have over cable, to be honest. It's not even it's almost the point where it's not the cost anymore. Because once although I'm saving a lot of money by not subscribing, I have YouTube TV for my my right were over the year. I figured it out one time like by by dumping the cable. I'm saving like 100 and something dollars a month. Which can I ask, how much do you spend in a month on services? And you have to factor in the costs for Internet. So between Internet, YouTube, TV and then the other streaming, it's somewhere between 160 and 200 a month. That's not too bad. No, not too bad. I was well over 200 well before I was. Yeah. And I thought, this is silly. I don't watch all these channels. And I it's just a matter of I, I'm too lazy to go and cancel things. Yeah. And when cable dropped my email and I no longer had email through my cable system, I thought, well, this is, this is the wakeup call I needed. And so then I would like you. I went to YouTube TV and I was very impressed with that. I find it kind of strange when you're watching a show where it kind of goes to your moment of Zen, where it's they're covering up an ad that isn't going to be shown on your thing. Right. But I'm fine with that. Yeah. And I do like I, I am now looking more for old content. I really want to see old content. Not because I am nostalgic because that's not me, but I want to see how good it was back then compared to what we have now, what the quality is, you know, and some of the writing was good, but a lot of the production was not as good. You know, you'll see an office or a living room or whatever, and it barely has furniture in it. And today everything is so overly designed and and done that I think it's made for these very high def TVs where you can look at every little aspect and realize that that ashtray is there for a purpose. You know? So it's fascinating, but I do think I spend too much money on it. But then that's my life. I mean, it's obviously for you as somebody who's who needs to be on top of things, having a little bit more than than somebody is fine. You know. But yeah, it's tough. Like, you know, when you're just trying to get through with your household and figure out, okay, you know, the wife watches this, the kids watch this, I watch this, what do we need? And, you know, honestly, I have I have not noticed missing very much since ditching traditional cable. There's a few things there's a few things here and there that I can't watch anymore. But honestly, it doesn't make much of a difference to me how how vigilant are you with your children? Do you say you only get one hour of television time at night? Do you really? Yeah. Really? Yeah. Yeah. And I grew up turning the TV on in the morning with the test pattern and turning off at night. When the test pattern came back on, that was how much TV I watched as a child. Oh, yeah? Yeah. No, the kids are. They're pretty good with it. I mean. Well, it's getting a little bit tougher now as they've gotten older. And there's other things like, okay, we're not watching TV, but I'm going to play my video game system and or, you know, so we try to limit the screen time. You know, we try to insist that they're reading X number, you know, 30 minutes a day of reading as opposed to something else. Do you think you are the exception and not the rule? Yeah, I'm watching a lot more than they are, that's for sure. Yeah, but, but, but it for them. Yeah. No, I mean, but we know we've, we talk, I mean some we know some parents they let their kids watch anything. There's another family that we know that they're pretty similar to us with how much TV they let their kids watch. And so it's just it's you know, there's no right or wrong here. You know, every every family has to make their own decisions. We just choose to limit it. And kids don't have TVs in their bedrooms. It's it's we have a TV in the living room. We have a TV in the family room. I have a TV in our bedroom. But we're we're trying to limit it so you know, it. It's weird because I don't a do you look at it at the ratings of anything before you like? Oh, yeah. You do. Okay. I do think that because television doesn't really have those standards anymore, or at least it's not as policed below as it was, that it's impossible now to say that kids are being influenced by books or whatever when it's a free for all on television. Yeah, you can say that. You know, all my kids are going into whatever because they've watched too much television or what. There's not enough policing on television itself to to kind of guide you through that. And I remember the times when there was family hour, the first hour, the broadcast night was family television. It should not have been anything that had any adult content. And I think parents were safe then just saying, oh, you can watch until 8:00 and then we're not watching TV. That's not the case now, because 7:00 shows can be very R-rated with us. We rely a little bit with like a common sense media where we will go to that website. It's I think it's pretty good. It'll give you some information of like, you know, kids say it's 12 plus, parents say it's ten plus, we say it's 12 plus. You know, it'll give you that kind of information and it'll also explain, like why the show? So this one has a little bit too much sex talk or this one talks about, sure, you know, alcohol or drugs or cigarets and it gives you some decent information. But you know what you mention, too, with you know, that our block of like these shows should be safe. Were they? Because I've gone back and seen, you know, like some some shows like we haven't let our kids watch Seinfeld and I mean, like Seinfeld was of like, well, that's that's not that's not adult time. But it is they're talking about sex and yeah, I worked it out tonight on NBC on Thursdays and come on that isn't appropriate for 12 year olds. That's not happy days. No, it's not. So you know, I know, like, you kind of think about it nostalgically and all that, but there's stuff today that if we had the shows that I grew up with today, we would not let the kids watch the ones that I was allowed to watch. Definitely not. Yeah, it's it's funny how in its day, something like Cinemax, you'd got all the dirty one. Cinemax. Yeah right. We knew right away. Yeah. That was the dirty one. And so if you were subscribing to that, good, like you're getting everything and everything, that's the bad one. But today it's everywhere. Yeah. I don't know that you can even, you know, there are some of those high end cable networks now though. I mean high end in terms of channel numbers where they've bleeped it or they've done, you know, they've done somehow, But it's still the concept, you know, there are dirty movies on those channels, too. They just haven't said two or three words out loud. Yeah, I think it's interesting it with HBO in particular, because I remember as a kid, like as a teenager, not not not as like an eight or nine year old, but as a teenager. If you stayed up just late enough on a Saturday night, you would catch something like their real sex show, right, where it would be, things like that, where it's very adult content. There was nudity and all that. And if you go to HBO now, they've really gone and scrubbed those things like you can't find real sex or what was the other one? It was like taxicab confessions. Oh, yeah. You know, they're kind of dirty, kind of raunchy. And I think HBO and I think that's part of the reason why they they rebranded HBO. Max is just Max, because they're trying to get away from that concept of HBO being very adult. Like it wasn't it was never quite Cinemax, you know, Cinemax because it never got there. But HBO, you knew that if you stayed up past 10:00 or 11:00 at night, you were going to see some stuff. So if you're, you know, a teenage boy like 15, 16 or whatever, and your parents didn't know you're staying up late to watch something until two in the morning. It was it was an interesting time to watch HBO. What was that? Bunny Ranch one where? Yeah, right. They went on to the one night at Las Vegas somewhere and then they would go out there and they'd be a bunch of prostitutes basically locking up. And then they pick one of them and and they show the encounter. Yeah, yeah. I mean, I don't think HBO does any of that kind of programing anymore. And I think and I think they've largely eliminated it from the archives. So you can't like if even if you subscribe to you know, where they have pretty much all their programing ever on like Macs. Now I don't think you can watch any of those because they've tried to really, you know, nothing more than R-rated. And we're going to we're going to tamp it down. So, yeah, it's fascinating how those things shift. And you look at something now on like The Bachelor, right? They're going in directions that I'd be really careful about letting my kids see. Yep. And I, I again, I'm not that person. I'm not one who's uptight about any of that stuff. But I do think that maybe there's a time for innocence and they need to have that, that I don't have to know something about this. And I think those kind of shows which are showing at 7:00 at night in my territory are a little too much right away after dinner. Yeah, absolutely. Well, how about this? We'll we'll kind of wrap up the show. Now, if you heard it, I got on a tangent. I did it. It's a digital picture missing. And then it went on to this. But no films on those streaming services. Absolutely. So. Well, how about we do this too? And we'll just open it up. And if we happen to get some feedback, we'll talk about it on the next episode. But you know, if you're a parent, you're listening to the show, give us some thoughts. Reach out and send us an email to podcasts@lee.net. There will be a link in this episode, show notes as well. And just shoot a short line like, you know, where you watch the streaming gear, traditional cable. How often are you with the kids when it comes to what they're watching, things like that. And well, you know, we can pick up the discussion in the future. So I'm good. I'm that sounds great. That sounds like fun because I want to allow I mean, I, I watch everything. So there is no there is no barrier for me. But I do want to know if people do have those barriers and how they determine what they are. Perfect. All right. Well, on that note, we will let things go and we will be back again next week with another episode of Stream The Screen. Have a great one.See omnystudio.com/listener for privacy information.

Brian tries to keep control of himself and this pod as he's joined by Iris, Kai and Ailyn to discuss Taika Waititi's amazing 2019 comedy-drama film 'Jojo Rabbit'. Artwork by I.C.

Jurandir Filho, Thiago Siqueira, Rogério Montanare e Fernanda Schmölz conversam sobre os filmes e séries que retratam períodos históricos, mas que possuem um tom de comédia. Embora a maioria dos filmes e séries que retratam eventos históricos tendam a ser dramas épicos, existem algumas joias que conseguiram combinar comédia e história de uma forma brilhante. Vamos explorar algumas produções que utilizaram o humor como uma ferramenta para iluminar momentos significativos da história. Alguns exemplos: "The Great", "A Favorita", "Amadeus", "Jojo Rabbit", "Carlota Joaquina – A Princesa do Brasil", "O Discurso do Rei”, "Era uma vez em Hollywood", "A Vida de Brian", "História do Mundo Parte 1", "Doutor Fantástico", "O Grande Ditador" e muitos outros. Esses são apenas alguns exemplos de filmes e séries que conseguiram combinar humor e períodos históricos de forma brilhante. Essas produções nos mostram que é possível abordar temas sérios e eventos marcantes da história de uma maneira divertida, ressaltando as nuances e contradições do passado. Através da comédia, podemos aprender, refletir e nos entreter ao mesmo tempo, criando um diálogo único entre o passado e o presente. || PATROCINADOR DO PODCAST - Assista "The Great" 3ª Temporada na Lionsgate+

The guys discuss gangsters today, specifically the Godfather and why there's something compelling about the big happy Italian mob families portrayed -- at least until the murders start. But first: Nate's kids correct Brian's error that Jojo Rabbit won an Oscar. It was only nominated -- Parasite won in 2019. At this point, the guys wander into a discussion of violent portions of world history, foraying into ancient Israel and King David. Brian recently finished "Blood Meridian" by Cormac McCarthy, and explains why that book was so unpleasant and violent (it's about the Glanton gang of scalp-hunters on the Tex-Mex border). Nate never wants an episode to be too unobjectionable, so they stray into a discussion of why Untouchables is such a loser of a movie -- Elliot Ness/Kevin Costner is killing people over alcohol? And we thought our current tyranny was bad... Lest this episode be too Italian, the guys mix Ireland into the discussion with "Banshees of Inisherin" and "The Irishman" (also nominated for an Oscar in 2019). #SASF #StoriesAreSoulFood #gangsters #Godfather #BloodMeridian #violence #AlCapone #Untouchables #Italians #Irishman (edited)

JOIN OUR PATREON https://www.patreon.com/ivebeenmeaningtowatch Taika Waititi, a genuine renaissance man and recipient of numerous prestigious awards, is a New Zealand filmmaker, actor, and comedian. His accolades include an Academy Award, a BAFTA Award, and a Grammy Award, along with two nominations at the Primetime Emmy Awards. Taika's multifaceted talents extend beyond the film industry, as he has also garnered acclaim for his painting, photography, design, and stand-up comedy.  In this episode, we are joined by Derek Gayle from the Gimmicks podcast, which explores high-concept, experimental, structure-breaking gimmick episodes of TV. In the conversation, we delve into Taika Waititi's inspiring journey and remarkable achievements as a producer. Taika, an exceptional director, has exhibited immense talent and creativity throughout his extensive career in the film industry. Listen in and learn from Taika's captivating journey and his invaluable contributions to filmmaking. Gain profound insights into his impressive work, and join us in celebrating his remarkable achievements as a director. [00:01] Intro and a bit about our guest today, Derek Gayle  [01:33] Carry To Watch: New releases and news going up the timeline  [30:40] About Taita Waititi and Manika and Derek's introduction to his work  [34:58] Taika's observatory eye in his films and what makes him an attractive filmmaker [40:27] Taika's amazing filmmaking style and why it shines more in his TV shows [45:45] The sincerity behind Taika's films and how they are grounded in characters [48:11] Why you need to watch What We Do in the Shadows and why it's famous [01:01:16] Why Taika Waitit's Jojo Rabbit film is such a fascinating one [01:23:07] Why the second season of a movie is always its turning point [01:16:38] What sets Taika Waititi's TV shows on another level [01:35:03] Reasons why Jojo Rabbit should be on your next watch list [01:46:07] Sneak peek into Taika's upcoming film; the Next Goal Wins [01:53:43] Derek's recommendation to watch Hunt for the Wilderpeople [01:55:56] Films and Shows recommendation for you to check out [02:02:38] Ending the show and calls to action  Standout Quotes “A lot of times when it comes to filmmaking and seeing someone directing style, it's better to see in television because it's more drawn out, they have more time to develop the characters and to know people while in films, they're constrained to keep it under two hours.”- [40:48] “If you don't have empathy for your own characters and writing them as people you clearly care about them, it can come across as mean.”- [47:13] “The second season is always the best season of any film.”- [83:07] Twitter: https://twitter.com/DerekBGayle Instagram: https://www.instagram.com/mr.darebear/ Linktr.ee: https://linktr.ee/DerekBGayle About Derek https://www.podchaser.com/creators/derek-b-gayle-107aNJV35Q Podcast Socials Facebook: https://www.facebook.com/Ive-Been-Meaning-To-Watch-That-113280083760521/ Instagram: https://www.instagram.com/ivebeenmeaning2/ Thank you so much for listening to the podcast. We really appreciate it. If you would like to support the podcast, you can subscribe for 4.99 a month. https://anchor.fm/ivebeenmeaningtowatchthat/support Manika's Socials Youtube: https://www.youtube.com/channel/UC1CmokqeLIagz7nYQJfeRIw Instagram: https://www.instagram.com/mdulcio98/ Twitch: https://www.twitch.tv/manika3000 Tiktok: https://www.tiktok.com/@manika3000?is_copy_url=1&is_from_webapp=v1 --- Support this podcast: https://podcasters.spotify.com/pod/show/ivebeenmeaningtowatchthat/support

This episode begins with something you probably missed in Jojo Rabbit -- and it answers the question "what's up with Yorki?" Brian thinks he has figured it out: The answer is that Adolf isn't the only imaginary character in Jojo Rabbit -- Yorki is also only in Jojo's head. Listen to the arguments and see if Nate is convinced. This episode is how to handle holocaust in stories, exaggeration and characterization, the strengths of caricature and its weaknesses, and why Taika Waititi chose this subject and this way of telling his story. For a movie that's so funny, Jojo Rabbit packs quite an emotional punch, set up perfectly with shoelaces. Yes, the guys also discuss the fabulous Klinzendorf, Taika's mockery of pre-WW2 Germany, and how in the world Taika thought of ending the movie with a David Bowie dance scene. If, like the guys, you grew up watching WW2 movies (Schindler's List, Boy with the Striped Pajamas, Inglorious Basterds, Saving Private Ryan, Band of Brothers, etc.) or reading WW2 books like All the Light We Cannot See, The Book Thief, or Snow Treasure, this episode will be a great listen. #JojoRabbit #Yorki #imaginaryfriends #TaikaWaititi #SchindlersList #BoywiththeStripedPajamas #IngloriousBasterds #SavingPrivateRyan #BandofBrothers #AlltheLightWeCannotSee #TheBookThief

PSA: The LAMPC discussion for Jesus Revolution got postponed a week (sorry, it's almost like Jon Erwin is busy or something). In the meantime.... Puke or pass out: Ah, the joys of spring sports! Nate coaches track, BK coaches little kid rugby, and life lessons abound. The takeaway is that both boys and girls should be playing spring sports. Nate can't remember any individual moments from his school education, but can remember a multitude from high school sports. Brian thinks Nate must have been a very different kind of student. The guys discuss how good it is to have unhinged parents screaming at your kid on the basketball court. They discuss how good it is to be made to puke. They also discuss the dangers of being obsessed with sports. All around, another good time is had on the SASF podcast. A final PSA: Send in your Jojo Rabbit questions sooner rather than later to brian+sasf@canonpress.com, so we can be sure to see them before we record. #StoriesAreSoulFood #sasf #sports #football #basketball #JojoRabbit

LAMP Club is postponed a week because John Erwin, director of "Jesus Revolution", is coming on the SASF pod next week to discuss the movie himself! So in the meantime: You might remember that Nate had thrown out some reckless bait about Breaking Bad. A few bold listeners pushed back: Surely Breaking Bad isn't so very Bad, is it? The guys dig into the nuts and bolts of Christian artistic appreciation: the responsorial tier (what does the audience do with what they've watched), the aesthetic tier (how well or poorly is it made), and the objective tier (does God like it). You'll find such a system of criticism maps perfectly onto the classical trifecta of the true, the good, and the beautiful. So how does that apply to Breaking Bad? Listen to find out. Hint: It doesn't look like hosting a Breaking Bad party with rock candy in place of meth, as some Christians have done. The guys also discuss the next LAMP Club pick, which will be Taika Waititi's "Jojo Rabbit." #StoriesAreSoulFood #sasf #BreakingBad #JojoRabbit