Podcast appearances and mentions of Thomas Mann

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMark is a journalist, political scientist, historian of ideas, and a longtime friend since my twenties, when we studied political thought together. He has taught at NYU and the University of Chicago, and he's currently a professor of humanities at Columbia. His many fine books include The Once and Future Liberal, The Reckless Mind, and The Shipwrecked Mind, and his forthcoming book is Ignorance and Bliss: On Wanting Not to Know. In this episode we focus on his essay, “On Indifference,” and the introduction he wrote for Thomas Mann's Reflections of a Nonpolitical Man. It was a fantastic conversation. For two clips of our convo — on whether political indifference is unjust, and the political consequences of the decline of novel reading — pop over to our YouTube page. Other topics: Mark's working-class upbringing in Detroit; “falling in with Jesus freaks” as a teenager; making it to Harvard; absorbing Thomas Mann and The Magic Mountain; Isaiah Berlin; the rivalry between Sartre and Aron; Orwell's willingness to break ranks; The Lord Chandos Letter and walking away from writing; the moral hysteria after Trump's election; Mark signing the Harper's letter; the lack of perspective among young people who feel oppressed; how the most “privileged” are often the most depressed; rising levels of loneliness among teens; the dwindling of connections with extended family; the impact of the Internet and Covid on interacting with bodies; the importance of facial expressions; the need for silence and meditation; the problem of tourists using phones and drones; Johann Hari's Stolen Focus; slowing the pace of capital for the sake of community; Rod Dreher's The Benedict Option; the cultural impact of Vatican II; the reaction to wokeness in France and Italy; and my 2016 essay, “My Distraction Sickness and Yours.”Browse the Dishcast archive for another discussion you might enjoy (the first 102 episodes are free in their entirety — subscribe to get everything else). Coming up: Nigel Biggar on his qualified defense of colonialism, Tabia Lee on her firing as a DEI director, Chris Stirewalt on Fox News, Ben Smith on going viral, John Oberg on veganism, and Patrick Deneen on a post-liberal future. Send your guest recs and pod comments to dish@andrewsullivan.com.

Na, noch wach? Man kann nur hoffen, dass es mehr Zeugnisse aus diesem Jahrtausend in die Archive der Menschheitsgeschichte schaffen, als ausgerechnet solche Baywatch Berlin Begleittexte, wie dieser hier. Muss man sich mal vorstellen: Was wäre das für ein UNGLAUBLICHES Pech, wenn das Einzige, was über unsere derzeitige Welt in 5000 Jahren von digitalen Archäologen ausgegraben würde, AUSSCHLIEßLICH dieser Text hier wäre. Sodass Historikern und Ahnenforschern irgendwann im Jahr 7250 oder so, gar nichts anderes übrig bleiben würde, als sich aus diesem HINGESCHISSENEN Buchstabensalat unsere komplette Kulturgeschichte zusammen zu puzzeln. Was sollen die denn von uns denken? Vermutlich, dass die größte Angst der Menschen von damals (heute) war, dass einem auf einer Party, einmal lustig angezündet, der Gin Tonic ausgeht und man daher IRGENDWIE lernen muss, wie man zwei so Eimer gleichzeitig trinkt, und trotzdem noch alle Menschen im Saal vollquatschend kann. Ebenso rätselhaft wird den Wissenschaftlern der Zukunft erscheinen, dass ein GEWISSER THOMAS SCHMITT lieber den ganzen Nachmittag Zuhause die Terrasse aufräumt, als mit seinem alten Freund Klaas in Österreich so zu tun als, sei dieser ein INTERNATIONALER PROMINENTER und umsonst Sacher-Torte zu fressen. “Die waren schon ganz schön bescheuert damals, vor allem der mit dem Leguan.” werden die Gelehrten sagen, und sich trotzdem erstaunt darüber zeigen, wie Heufer-Umlauf mit dem Angebot zur Teilnahme an einem Internet Format Namens "7vsWild" umgegangen ist. Hoffen wir einfach mal, dass außer diesem Text den Menschen aus der Zukunft wenigstens noch die aktuelle Folge dieses Podcasts in die Hände fällt. Irgendwo schwafelt da nämlich noch einer der drei was von Thomas Mann und Marie Curie und von da aus lässt es sich dann ja vielleicht etwas einfacher losforschen. Bussi, Baywatch & Baba. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/BaywatchBerlin

durée : 00:59:59 - Les Nuits de France Culture - par : Albane Penaranda - Mémoires du siècle - Golo Mann, fils cadet de Thomas Mann (1ère diffusion : 04/12/1988)

Welcome to our LGBT podcast! In this episode, we meet Gerard Cabrera (he/him) and I talk with him about The Magic Mountain by Thomas Mann. Gerard tells me that, "The Magic Mountain is about educating yourself and trying to make decisions for how you want to live your own life. Do you want to follow a path of seeking freedom or do you want to follow a path of just maintaining a status quo so that you can survive? With AIDS raging, I think that was a very salient sort of internal debate for me."Gerard is the author of the new novel Homo Novus and I talk with him all about it. What is the plot? It's Holy Week 1987. And Fr. Linus Fitzgerald, a Catholic priest, is confined to his hospital bed by an AIDS diagnosis, while being comforted by the seminarian he sexually abused as an adolescent. Episode transcripts and more info are available at thisqueerbook.com/podcast/magic-mountain. Buy the books we discuss on this episode!Visit thisqueerbook.com/bookshop to purchase Gerard's novel Homo Novus and Thomas Mann's The Magic Mountain.Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our LGBT podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, Natalie Cruz, Paul Kaefer, Nicole Olila, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Awen Briem, Stephen D., Thomas Michna, and Gary Nygaard.E-Lending LibraryQuatrefoil Library has created a curated lending library made up of the LGBT books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Visit our friends!Don't miss the Guthrie Theater's production of Born With Teeth running through April 2nd. And be sure to check out our friends at the Well...Adjusting podcast on Spotify, Apple Podcasts, or your favorite podcast app.Support the show

Wie war Gert Westphal im Studio? Was gab es bei Goethe zu Mittag? Und wird Daniel diesmal auch einen Briefroman mögen? Diesmal tauchen Jan und Daniel ein in die Welt der Hörbücher - mit Anna Hartwich, die schon gemeinsam mit dem großen Gert Westphal Hörbücher produziert hat. Die Bestsellerchallenge entpuppt sich als Briefroman - nicht gerade Daniels Lieblingsgenre. Zum Glück hat Jan eine Süßspeise dabei, die für gute Stimmung sorgt - auch wenn er an einer Zutat offenbar zu viel gespart hat. Weitere Tipps führen nach Bosnien und zu südamerikanischen Familiengeheimnissen. Und im Quiz zeigt sich, für welche Vornamen Johann Wolfgang von Goethe ein besonderes Faible hatte. Die Bücher der Sendung: 00:02:12 Thomas Mann: "Lotte in Weimar" (S. Fischer) Als Hörbuch gelesen von Gert Westphal (Universal Music) 00:05:35 Virginie Despentes: "Liebes Arschloch" (Kiepenheuer & Witsch) 00:18:36 Andreas Wunn: "Saubere Zeiten" (Aufbau) 00:21:07 Dževad Karahasan: "Einübung ins Schweben" (Suhrkamp) 00:44:15 Marie-Luise Scherer: "Der Akkordeonspieler" (Eichborn Verlag) 00:47:52 David Guterson: "Schnee, der auf Zedern fällt" (Btb) Als Hörbuch gelesen von Ulrich Matthes (Der Hörverlag) Rezept für Himbeercreme à la Goethe Zutaten: 500 Gramm Himbeeren (möglichst reif) 200 Gramm Magerjoghurt 100 Gramm Mascarpone 150 Gramm Sahne 1 Packung Vanillezucker 2-3 Löffelbiscuits Frische Minzblätter Zubereitung: Die Himbeeren mit dem Pürierstab zu einem Mus vermischen. Einen Löffel pro Portion beiseitelegen. Anschließend das Mus mit dem Magerquark und der Mascarpone vermischen, bis sich eine einheitliche Creme ergibt. Danach die Sahne unterheben und erneut vermischen. Zum Anrichten erst das übrig gebliebene Himbeermus in das Glas geben, dann mit Creme auffüllen. Eine Himbeere und ein Minzblatt zum Dekorieren nutzen. Löffelbiscuits in kleinere Teile brechen und als Zugabe reichen. Link zur Oster-Verlosung: https://www.ndr.de/kultur/sendungen/eat_read_sleep/Verlosung-Post-von-euren-eatREADsleep-Hosts,verlosung986.html Link zum Video von "Wohnen mit Zitronen": https://www.instagram.com/p/Cp238kIsnq2/ Link zu Am Morgen vorgelesen: https://www.ndr.de/kultur/sendungen/am_morgen_vorgelesen/index.html Link zu Am Abend vorgelesen: https://www.ndr.de/kultur/sendungen/am_abend_vorgelesen/index.html

The speaker's handout may be found here: https://tinyurl.com/mry498c9 This lecture was given on February 15, 2023, at the University of Nebraska-Lincoln. For more information on upcoming events, please visit our website at thomisticinstitute.org. About the speaker: Stephen Meredith is a professor at the University of Chicago's Departments of Pathology, Biochemistry and Molecular Biology, and Neurology. He is also an associate faculty member in the University of Chicago Divinity School. He has published more than 100 journal articles, focusing on the biophysics of protein structure. Much of his work has been the application of solution and solid-state NMR to the study of amyloid proteins associated with neurodegenerative diseases such as Alzheimer's Disease. He has also published articles on literature and philosophy in diverse aspects of medical humanities and bioethics. His teaching includes courses to graduate students in biochemistry and biophysics, medical students, and undergraduates and graduate students in the humanities, including courses on James Joyce's Ulysses, St. Thomas Aquinas, Augustine, Dostoevsky (focusing on Brothers Karamazov), Thomas Mann and David Foster Wallace. He is currently working on a book examining disease and the theological problem of evil. Other current writing projects include a study of James Joyce and the problem of evil.

Host Christopher Funderburg is joined by Martin Kessler to finally settle the debate of "what is art?" and "what is trash?" in cinema! Using the similarities between a Tales from the Crypt episode and a Patricia Highsmith short story as a jumping off point, the duo digs into the differences between artists and artisans, art and entertainment, high and low, product and artwork - not as a value judgement distinction but as a way of exploring the meaning of the categories into which films and literature are shifted. Superhero movies, John Carpenter, Thomas Mann, Robocop, Jaws, and Godard - what does it mean to differentiate between Art and Trash? Who's to say if Tarkovsky is better than William Castle? And why would you react negatively to drawing (or not drawing) a distinction between them? Join us for this open-minded, good-natured discussion of a highly fraught subject! Support our Patreon: www.patreon.com/thepinksmoke All Pink Smoke Podcast episodes are made available a week early to our Patreon subscribers, the most open-minded and good-natured of all audiences. The Pink Smoke site: www.thepinksmoke.com Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Va va voom until the end, löd en av rubrikerna efter att aktrisen Raquel Welch avlidit. Artikel efter artikel prisade hennes look och sexighet som aldrig tycktes avta, hur gammal hon än blev. Flera kvinnliga filmstjärnor har utnämnts till sexsymboler efter att ha burit märkliga badkläder i film. Men priset för den knasigaste kostymen i genren går till den bikini av skinn och päls som bars av Raquel Welch i vad hon kallade en löjlig dinosariefilm" (Giganternas kamp). Men, klädd i den förvandlades hon, 26 år gammal, till en av samtidens mest slitstarka sexsymboler.Även om hon faktiskt medverkade i ett trettiotal filmer, fick en Golden Globe, firade framgångar på Broadway, hade egen show i Las Vegas och var med i ett flertal tv-shower så överskuggade alltid hennes sexiga persona det mesta hon gjorde. Till och med vid sin död vid 82 års ålder, i februari i år, var det den som stod i fokus.I veckans Stil frågar vi oss vad det innebär att åldras som kvinna i en tid, då enligt filosofen Wilhelm Schmidt åldrandet ses som en sjukdom som vi ska bota till varje pris. Vi pratar med psykologen Maria Farm och professorn i konstens teori- och idéhistoria Gertrud Sandqvist, som tänkt en del på vad det innebär att bli och se äldre ut, både privat men även i sin profession.Utöver skådespelare kom Raquel Welch att föräras med epitetet 'perukmogul'. För i slutet av 1990-talet lanserades en perukkollektion med hennes mest ikoniska frisyrer, och Raquel Welch peruker kom att bli bland de mest framgångsrika på marknaden. Vi träffar Maria Ryd Lindberg som arbetar med att specialdesigna peruker. Hon har märkt hur en ny kundgrupp i Sverige på senare tid hittat till peruken, de som vill använda den som en sorts accessoar.Och så tittar vi närmare på ett av de mest ikoniska verken när det kommer till att skildra idealiseringen av ungdomlig skönhet, nämligen Thomas Manns kortroman "Döden i Venedig". I den möter läsaren en man som tror sig vara förmer än fåfänga ytligheter, men som tvingas konfronteras med sitt eget åldrande och sin nära förestående död.Veckans gäst Orvar Säfström, filmkännare.

Marcel the Shell with Shoes On is a 2021 American mockumentary comedy-drama film directed by Dean Fleischer Camp (in his feature directorial debut), with a screenplay by Fleisher Camp, Jenny Slate and Nick Paley from a story by Fleisher Camp, Slate, Paley and Elisabeth Holm. It is based on a series of shorts of the same name written by Slate and Fleischer Camp. Slate reprises her voice role as Marcel, an anthropomorphic shell living with his grandmother Connie. Fleischer Camp, Rosa Salazar, Thomas Mann, Lesley Stahl, and Isabella Rossellini also star. https://en.wikipedia.org/wiki/Marcel_the_Shell_with_Shoes_On_(2021_film)

The story of Joseph is one of the greatest sagas in world history. A youth of stunning beauty, beloved of his father but envied by his brothers, who is sold into slavery, before resisting the seductions of his owner's wife and rising up to be governor of Egypt after interpreting Pharoah's dreams. It is a story that has everything: jealousy and love, ambition and humility, edification and adventure. Unsurprisingly, from its scriptural foundations in the Book of Genesis and the Quranic chapter Yusuf (‘Joseph'), the saga has been retold, and reinterpreted, countless times, whether in the influential medieval Persian version of the poet Jami or the masterly modern retelling of the novelist Thomas Mann. In this episode, though, we focus on African versions of the life of Joseph as recounted by generations of Swahili Muslims through utendi poems and qissa tales. Working our way from medieval manuscripts and modern printed texts to more recent online tellings, we hear how East African Muslims have been both entertained and elevated by the memory of the prophet Yusuf. Nile Green talks to Annachiara Raia, author of Rewriting Yusuf: A Philological and Intertextual Study of a Swahili Islamic Manuscript Poem (Cologne: Rüdiger Köppe, 2020).  

What you'll learn in this episode: What to look for when selecting a vintage piece, and why the most important factor is how much you like it Why Schreiner jewelry has increased in value, and how to tell if something is a genuine, high-quality piece of Schreiner Why online auctions are a great way for new collectors to grow their collection of vintage jewelry How Carole started her 40,000-piece collection, and how she allows clients to explore it Which emerging and under-appreciated vintage designers you should keep your eye on About Carole Tanenbaum Carole Tanenbaum has been collecting costume jewelry for over twenty-five years resulting in an unparalleled collection of over 30,000 pieces dating from the Victorian period to today's collectibles. Carole Tanenbaum Vintage Collection is one of North America's premiere collection of vintage costume jewelry. Every piece in the collection has been hand-selected with an eye for design, creativity and exceptional workmanship. The collection integrates vintage costume jewelry as wearable works of art into the fashion world. As a world-renowned collector, Carole has given a number of lectures on vintage costume jewelry at museums, universities, and social clubs. The collection continues to be featured in a multitude of fashion publications, and film and television productions. Additional Resources: Website Facebook Instagram Photos available on TheJewelryJourney.com Transcript: When it comes to vintage costume jewelry, few people can match Carole Tanenbaum's passion. Her 40,000-piece collection covers the history of costume jewelry from the Victorian era to the 90s, along with some emerging contemporary designers thrown in for good measure. She joined the Jewelry Journey Podcast to talk about her interest in Schreiner jewelry; how she wrote her two books on costume jewelry; and what she looks for when adding to her collection. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, my guest is Carole Tanenbaum speaking to us from Toronto. She and her husband have been collectors of everything, including vintage costume jewelry, for years. She herself has written two books on the subject of vintage costume jewelry. “Fabulous Fakes: A Passion for Vintage Costume Jewelry” is the first one, and the newest one is a book on Schreiner jewelry, “Schreiner: Masters of Twentieth-Century Costume Jewelry.” Each week, she holds an auction of vintage costume jewelry, and she'll tell us all about that. Welcome back. That's really interesting. It sounds like you've looked at a million and one pieces. I was under the impression that your auctions were weekly. When I say get rid of it—if you have 40,000 pieces— Carole: No, but what I do occasionally is deaccession my earlier pieces through a couple of the national and international auctions I trust. I do that because if they're sitting in my drawers and not doing anything, it's not that I lost respect for them, it's that I want other people to enjoy them. So, I would say twice a year, I have an auction at Ripley's Auction, I have an auction here at Waddington's Auction. When we were selling our toys, because we're at an age now where you have to start thinking about where these things are going, I did it at Miller and Miller in Canada, a wonderful auction house. Those are the types of auctions and that's the reason why I do them, but they're only occasional. I always post them on my different sites so the public is aware of them. Sharon: Where do you find the pieces you do buy? Just looking around and going to these places on the outskirts? Carole: First of all, we are very fortunate because people know my name. They know about me, so they have offered pieces on many occasions. I'm even buying back pieces from people who don't wear them anymore and want them passed back to me, but I would say that's just by happenstance. We love antiquing, so it doesn't matter whether we find or we don't find. It's getting much harder, as I told you, because there are fewer outlets. A lot of the small antique dealers went under and don't have places where they can show their pieces other than the net. I do think the net now is the best place to look outside of shopping for them, but if you're shopping for them, don't have high hopes, because the very high end is being bought out by savvy collectors. Sharon: I guess that's something that crossed my mind. Sometimes, like you say, the pieces can go for thousands of dollars. Have you ever overpaid, do you think? Do you just love something so much that you paid more than you thought you could at some point? Carole: I wouldn't use the word “overpaid.” I would use the word “I paid more than I expected to,” because if I want a piece, I get it. I haven't been wrong so far, but if I'm wrong, so be it. I feel it's the right way to think about it. If you can afford it and you purchased it at a higher price and you got it, that's fine, because who knows what it's going to be in the future? That was also a good lesson for me. A couple of pieces I really overdid in my purchase are worth four times the amount today than when I originally bought them. Sharon: Tell us the story about the books, then. Carole: What really started my business career was at the very beginning of the 80s, I was showing my pieces in trunk shows in hotels and for charities. I wasn't really a business, but in about 1990, I pitched my collection to Holt Renfrew in Toronto, the equivalent of Neiman Marcus. There was a wonderful director there at the time who I pitched to. He was quiet and he was thinking about it. I wanted to do a trunk show because I wanted to expose people to costume jewelry, and this gentleman said, “Carole, I'm sorry. I won't do a trunk show, but I'm going to give you a department.” They gave me a department at Holt Renfrew, and they branded me Carole Tanenbaum Vintage Collection. In 2006, when I really had a large following, I figured they deserved to see what I feel is the best of my collection. That's how I started “Fabulous Fakes” through Madison Press, which is no longer around. In four months' time, the book was sold out. In a year's time, the book was sold out internationally. People were starving for visuals, and it was kind of a tabletop book. It was my selection from my personal collection. I loved doing that, but I wasn't interested in doing it again. Then, I saw that I really have to educate the audience about Schreiner because nothing has ever been written about Schreiner other than a paragraph or two. Him being my favorite designer, I wanted to do a book on him, but I couldn't find anybody to do the research because he was kind of illusive. He was a very small manufacturer. But a person who was working for me as part of our outfit said to me one day, “Why don't you do a book on Schreiner?” and I said, “I've been thinking about it for years, but I don't want to do another picture book. I want to do a book where people can learn, because I want to show them what to look for with many examples.” At this point, I had about 400 pieces of Schreiner. She said, “I'll do the research. I love to do research,” and I gave her the commission. She went off to New York. She went to the public library there, and she saw a Schreiner address in the outskirts of New York. She knocked on the door of this person, and it turned out to be the grandson of Henry Schreiner and they invited her in. She's a charming woman, Eve Townsend. She's the one who did all the research for the book. She's a terrific gal. They loved her. She had repeated visits to them, the only person who was really permitted to spend time with them. She's the one that gave all the knowledge to the book “Schreiner.” Now we're completely sold out, but I just reprinted. The reprints are coming out in February. I was selling it for $125 because I was selling my personal stash, but the Chinese community, who are very active in the vintage world, were purchasing the book in China for $400. Now people will be able to buy it again for $65. I'm very proud of that because it was a small quantity that I did last time and it's another small quantity this time. Sharon: There was a large gap between the two books. Did you have it with the picture books and say, “That's it. I'm not doing another book”? Carole: I wasn't interested in doing the picture book, but I felt it was my duty to my clients whom I was educating along the way to show them what great pieces are. I had a wonderful publisher. They were terrific to work with, and they laid it out in a way that people could understand the design and comparison to others. I was very happy I did it, but I had no desire to do another one until Eve came around and said, “Carole, we're going to do the book.” That's how the Schreiner came into being. Sharon: How do you define vintage costume jewelry? Carole: The actual definition for vintage is 40 to 100 years old. Antique is from 100 to 300 years old, but in my operation, we sell from the Victorian era to the 80s and 90s. That's our cutoff. Now we're starting to show contemporary designers who I think are valid for future collecting, but that's Carole Tanenbaum Vintage's decision, to focus on that area of time. Sharon: What do you say if somebody says it's not real? I have people say to me, “It's not real. It's fake.” Carole: It's a great question. I say to them, “Yes, it is real. It's real vintage. If you handed me a $10,000 piece of gemstone and showed me a wonderful piece of vintage for $10,000, I would probably purchase the vintage because the vintage pieces have historical value to me as well.” I have always been asked that question, Sharon. It's always been sort of a bone of contention because I really had to educate people that vintage costume jewelry is one category, like apples and oranges. Gemstone is another. They both happen to be jewelry, but they're both valid in their categories. Sharon: Are there people who collect the Schreiner and another who collect the Monet? Carole: Yeah. Sharon: So, you know who. Carole: Yeah. I don't know who, but they come to me and say, “Do you have any Monets?” I love Monet. Actually, he's one of the best kept secrets on the market now because his prices haven't risen in the same way that others have. I would say, “I'll show you a tray of them,” and then my staff would photograph a tray and they would go, “Oh.” At least it introduces them to more than one. That's how we operate our business. People do come to us with very specific requests. Most of the time, we can show them examples of that. Other times, I'm not interested in the designer, and I have very few of them. We refer them to somebody else I know in the field who might have them. Sharon: I'm learning a lot here. Schreiner is a person and a company. Monet is not a person; it's a company. It's interesting that they were originally people. Carole: They were people, exactly. People with very good eyes. Sharon: That's very interesting. How did you come to be in business? Like you said, you didn't have to go into business. How did you start a business? Carole: Through Holt, that's how I started my business. I had no idea they would add me as a counter, as real estate, or that they would have me for three weeks because I said I wanted to expose people. I thought they would have me for three weeks and then be gone, but he said to me—and it's a very important thing I pride myself on—he said, “The way you are different from other people who have approached me is that you have a singular eye, and your collection is curated by that eye. I like your eye and I know your family were collectors. That's why I am taking you on.” That's a good point, because I happen to have the benefit of coming from a family of great collectors, people who have a specific eye and all the pieces they collect are from that eye, and the pieces they collect happen to be very good pieces. That's a real attribute to their inventory and their collection. Other people buy a lot of 50 pieces and go through it to see which ones are sellable. Every piece in my collection I pick personally. I have a wonderful staff and they know the collection, but I feel that my collection is known for my eye. I feel a responsibility in that sense. Sharon: That's interesting because different definitions of a good eye come to mind. I have a friend who's not a dealer, but dealers have told her she has a dealer's eye. She can spot the thing in the back of a cabinet. My father-in-law was a great collector of art. I didn't like any of it until I saw it framed, and then it was like, “Oh my God, that's wonderful!” I don't think I have an eye. That's the thing. Carole: You don't know. Are you a collector? Sharon: I'm one of those who has a lot. I wouldn't say I collect anything. Yes, I don't collect anything. Carole: You have an eye for everything you collect. If you put it together, somebody in a field that understands it would say, “There's a certain rhythm there. There's a certain continuity with what you collect.” Your clothing is of a certain area. You're either conservative or out there, and then you choose things that go with your aesthetic, whatever it is. You might not think you have an eye, but you have a very specific eye. We don't know what it is, but you might look at it that way and find out what it is. Sharon: Somebody who does collect said to me exactly what you said. If they put it all together, they can see what I liked or what I collected. You collect the Schreiner, let's say, but I don't. I don't have something like that. What happens when somebody comes to you and says, “I have a fabulous outfit. I have a great dress, but it needs something. I've looked at all the contemporary stuff and there's nothing that pleases me. What do you have?” Carole: Actually, that's a good part of my business. We do bridal. We do the bride's parents. We do women who are having an event in their family. We do movies. We do television. We're set up in our operation to meet the needs of almost anybody who asks for it. If a stylist comes in here and they're working for a 20s movie, we know exactly what to bring out to her. We do a prep for it. She comes in and goes through areas we know we have. Don't forget we have about 40,000 pieces, but we organize it in such a way that it's very easy for them to see. It's very easy for us to accommodate almost every request of ours. We love dealing personally, by the way, because it brings out the child in many people who are a little constricted. You get a sense of their personality, and you pick accordingly. It's very easy for us. We love to do that. Sharon: Do people come to you and say, “I have a fabulous “real” pin, but it's not enough. It doesn't have the wow factor”? Do you bring them something else? Carole: We show them what we feel they could like. Don't forget, Sharon, if somebody comes to us, they'll see about 20 pieces. There's always a piece they love. Nobody has ever left us without buying something because we're trained in that. My staff is trained to understand the person when they're telling them what they need. Sharon: How do people find out about your operation? I stumbled on it. I didn't realize it was so large. Carole: We've been in business for about 40 years now, but my name is out there because I've been in the field. I'm very generous to other dealers; they're very generous to me. The public knows me through the various clubs I belong to. I belong to the Sherman Club, who's a Canadian designer. I belong to the Schreiner Club and various clubs. You show pictures of what you have, so they see what I have and love it. I don't let a lot of people into the house because I don't feel safe with everything I have here, but we do a lot of business on the iPad. My staff will get a tray together, put together a professional photograph and show the person who's looking, and they'll always be able to pick something from it. Also, don't forget I've been in a lot of magazines and newspaper articles. Those public stands are very important for me. A lot of the stylists use my pieces and my story to inspire. Sharon: I think the big leap that a lot of dealers or people who sold jewelry had to make—I've heard people say, “I have to hold it. I have to see it. I have to feel the piece of jewelry to know it, to see if I want it.” Have you had that? Have you faced that? Carole: Locally people have asked if they could come down after we showed them the pieces. Generally, if we know where they're coming from, we permit them to come up and have fun, but internationally, no. I have a very large Asian clientele and they buy strictly from photos. I have a very large Russian population in Paris and Italy. I think they're savvier than the average collector, so they know exactly what they want. It's very easy to satisfy them. With the Asian community, which actually have been voracious collectors over the last five years, they're very specific with what they want. There's only a handful of designers they love, but when we get new pieces in, we know who they are. Sharon: There's a handful of pieces from designers that Asians or Russians know they want. You mentioned you also have some emerging designers. Who do you think the emerging designers are? Are they costume or are they real? Carole: Never real. I'm really not in the gemstone business. But there are emerging designers or contemporary designers that people don't know about, such as Rafael of Montreal, Vidal of Montreal, Thomas Mann, who has a charming eye and does really playful but sophisticated jewelry. Colette Harmon is another emerging artist. There are other old-timers that still have not made the money mark yet, such as Avon and Art and Fluenza and Napier, whom there's a wonderful telephone book-size book on, yet people haven't really discovered him yet. The prices are very reasonable. He was a wonderful designer of the 50s, and he's somebody who isn't really there yet. He's dead, but he deserves to be recognized. Then there are areas of collecting, like copper. Some of the great studio pieces in copper, whenever I see them, I grab them. I grab wood pieces that were designed at the same time as Bakelite. The wood pieces are really like folk art; they're wonderful. Rarely are they more than $125. I bought them for like $40. Each one of them I wouldn't trade for my three $1,000 pieces because they're really charming. So, there are areas you can start buying without worrying about. Sharon: Carole, thank you so much for being with us today. We've learned so much. I know I have learned a lot. I'm ready to go, “Oh my God, they're overlooked so much.” Carole: Thank you so much for having me. I really appreciate it, Sharon. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

In episode 60 of the podcast, recorded live at Goethe-Institut New York, BISR's Ajay Singh Chaudhary joins translator Tess Lewis, political theorist Corey Robin, and novelist Jessi Jezewska Stevens for a wide-ranging discussion of Ernst Jünger's 1939 novel On the Marble Cliffs, now out from NYRB in a new translation by Lewis. Prompted by the question, “Why read Jünger today?,” their talk explores the various “tangled” scenes of Jünger reception—from his contemporaries (excoriated by Thomas Mann and Walter Benjamin) to his apologists (defended for his denunciation of the Nazis—if only for their vulgarity) to patent aesthetic and thematic parallels in contemporary anime and manga. Is it possible, or worthwhile, to read Jünger in the context of the contemporary right and its concern with its own worldview losing traction in a changing world? Is Jünger literary aristocracy—or, rather, a kind of literary adolescent? And, what is it like to translate something that you feel at odds with?   

Foi há 90 anos que Hitler se tornou chanceler da Alemanha. Thomas Mann, que estava na Suíça, já não regressou, mas Martin Heidegger tornou-se reitor da Universidade de Freiburg 3 meses depois. Porquê?See omnystudio.com/listener for privacy information.

“There is a charming quality, is there not,” he said to me, “in this silence; for hearts that are wounded, as mine is , a novelist whom you will read in time to come, claims that there is no remedy but silence and shadow.  And see you this, my boy, there comes in all lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light; the light which a fine evening like this prepares for us in the stillroom of darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence.” - Marcel Proust, Swann's Way."A solitary, unused to speaking of what he sees and feels, has mental experiences which are at once more intense and less articulate than those of a gregarious man. They are sluggish yet more wayward, and never without a melancholy tinge. Sights and impressions which others brush aside with a glance, a light comment, a smile, occupy him more than their due; they sink silently in, they take on meaning, they become experience, emotion, adventure. Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry." - Thomas Mann, Death in Venice "Good feeling, won't you stay with me just a little longer?" - Violent Femmes "I'll be so alone without you. Maybe you'll be lonesome too." - Price, King & Stewart, You Belong to MeLINKS:Buy Frank Spicer's "My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer".Send your questions/comments/concerns to: info@robynoneil.comMy website: www.robynoneil.com"We shall find peace. We shall hear angels, we shall see the sky sparkling with diamonds."Anton Chekhov

This Double Shot episode features two authors, one familiar and one who soon will be, each tackling similar themes. Through fiction and essays these authors explore social politics and sexual freedom — listen in as both talk separately with Poured Over's host, Miwa Messer.   A Guest at the Feast is a collection of essays by Colm Tóibín on topics ranging from his own cancer diagnosis, how reading the diaries of Thomas Mann led to the creation of The Magician (out in paperback now), the works of Marilynne Robinson and more. Tóibín joins us to talk about making private stories public, the lives of Popes and what he's working on next.   Tom Crewe's debut novel, The New Life, shows us two marriages and two affairs that buck tradition and showcases the struggles of lives deemed unconventional in 19th century London. Crewe talks with us about the reality of being gay in the 1800s, social class in Victorian England and the authors that have influenced him.     Featured Books (Episode):  A Guest at the Feast by Colm Tóibín  The Magician by Colm Tóibín   Brooklyn by Colm Tóibín  Washington Square by Henry James  Buddenbrooks by Thomas Mann  The New Life by Tom Crewe    Featured Books (TBR Topoff):   Homo Irrealis by André Aciman   The Collected Oscar Wilde by Oscar Wilde    Poured Over is produced and hosted by Miwa Messer and mixed by Harry Liang. Follow us here for new episodes Tuesdays and Thursdays with occasional Saturdays. 

Lesen lernte sie mit drei Jahren. Und sie las dann auch alles, was ihr in die Finger kam – es gab wenig, was Susan Sontag nicht interessierte. Dann schrieb sie selbst, Bücher, Aufsätze, Essays: Amerikas klügste und streitbarste Intellektuelle wurde vor 90 Jahren geboren - und prägt die Geisteswissenschaften bis heute. Autorin: Almut Finck Von Almut Finck.

Karen Wookey, Andrea Constand and Face2Face host David Peck talk about their new film The Case Against Cosby, trauma, purpose, trust and aha moments,authenticity, fear, risk, and faith, finding a safe community and how healing is possible.Watch now on CBC GemSurvivors.orgHope HealingBlurb:Of the sixty-three women who have come forward to accuse Bill Cosby of sexual assault, only one was able to gain a conviction. This is her story. With intimate access to Andrea Constand and her family, Cosby's prosecutors, journalists in the courtroom, and experts on predation, pedophilia, and trauma, we are taken on a journey that will leave us shocked, informed, and deeply changed. Woven throughout the stunning legal story are the first-person accounts of five Cosby survivors as they confront the impact of sexual trauma with world-renowned physician and best-selling author Gabor Maté. We will bear witness to the power of healing as these women find strength in one other. A heroine's journey, The Case Against Cosby is a feature length documentary in Canadian markets and a 2 x 1hr documentary in international markets that reveals how one woman's unstoppable courage and search for justice helped raise the voice of an entire generation of women seeking lasting change.About Karen:Karen Wookey has produced numerous feature films and over five hundred hours of series television, both scripted and unscripted. As a Showrunner, Writer/Director Wookey has created and produced several shows for television including Crimes of Passion, a doc series exploring intimate partner homicide, Intervention Canada, Vegas Rat Rods for Discovery Channel, and In Their Own Words: 6 premium bio docs for PBS showcasing Elon Musk, Pope Francis, Jimmy Carter, Lady Diana and Chuck Berry.Since 2011 Karen has been partnered with Prospero Pictures' Martin Katz and together, they have produced many series and feature films, including Man on the Train (Tribeca) starring Donald Sutherland andLarry Mullen Jr., as well as Our House (XYZ International), in partnership with Resolute Films & Entertainment's Lee Kim, directed by Anthony Scott Burns and starring Thomas Mann and Nicola Peltz. They arecurrently in production on Caitlyn Cronenberg's first feature entitled Humane.Image Copyright and Credit: Karen Wookey & Prospero Pictures.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. Hosted on Acast. See acast.com/privacy for more information.

Dans Historiquement Vôtre, Clémentine Portier-Kaltenbach vous raconte les dessous du casting du film “Mort à Venise”, de l'italien Luchino Visconti. Adaptation d'une nouvelle éponyme de Thomas Mann, “Mort à Venise” raconte le trouble exercé sur un vieux compositeur par un adolescent à la beauté sans pareille: Tadzio. Pour Visconti, trouver l'acteur qui incarnera ce personnage est une épreuve. La quête s'annonce si épique qu'il décide de la filmer…

Viel Glanz, viel Qual: Die beiden Thomas Mann-Kenner Dieter Borchmeyer und Hanjo Kesting ziehen Bilanz ihrer jahrzehntelangen Beschäftigung mit den Texten und Kontexten des Schriftstellers. Zwei sich gut ergänzende Zugänge zum Werk des Zauberers.Von Wolfgang Schneiderwww.deutschlandfunk.de, BüchermarktDirekter Link zur Audiodatei

Jewish Faith & Jewish Facts with Rabbi Steven Garten. Aired: December 25th, 2022 on CHRI Radio 99.1FM in Ottawa, Canada. For questions, email Rabbi Garten at rabbishg@templeisraelottawa.com For more CHRI shows, visit chri.ca

Es ist Weihnachten und eine Hörerin hat sich von Ilona Hartmann und Christoph Amend, dem Gastgeberteam von Und was machst du am Wochenende? eine besondere Folge gewünscht: die Lieblingsempfehlungen des Jahres. Also haben sich die beiden für diese Podcastfolge zu zweit im Studio getroffen, sie unterhalten sich über ihre liebsten Bücher, Alben und Konzerte, Filmen und Serien, Podcasts, Sätze, Getränke und Supermärkte – und überhaupt über alles, was ihnen in diesem Jahr besonders gefallen hat. Am Ende spielt dabei auch ein gewisser Thomas Mann eine Rolle. Ilona und Christoph empfehlen in der Sonderfolge: Die Songs: - "Motomami" – Album von Rosalía - "Renaissance" – Album Beyoncé - "Gemini Rights" – Album von Steve Lacy - "Die Nerven" – Album von Die Nerven - "Kiss Me" – Pabst (Coverversion von Sixpence None the Richer) - Wet Leg – Indieband von der Isle of Wight - "Bond 77" – Song von Marvin Hamlisch - "Taxi" – Album von Bryan Ferry Die Filme & Serien: - Christophs Film des Jahres ist "Elvis" von Buz Luhrmann - Ilonas Film des Jahres ist "Everything Everywhere All At Once", ein Science-Fiction-Film von Daniel Kwan und Daniel Scheinert - "Vengeance" – Eine schwarze Komödie von B. J. Novak - "Massive Talent" – Film von Tom Gormican, in dem Nicolas Cage sich selbst spielt - "Top Gun: Maverick" – Fortsetzung des Actionfilms Top Gun mit Tom Cruise - "Die Discounter" – Amazon Prime-Serie - "Eldorado KaDeWe" – Deutsche Miniserie von 2021 - Die Serien "The White Lotus" und "Euphoria" Die Bücher: - "Im Spiegelsaal" – Graphic Novel von Liv Strömquist - "Meine Schwester" – Buch von Bettina Flitner - "Lyrics" – Buch von Bryan Ferry - "Along the color line: Eine Reise durch Deutschland 1936" – Buch von W. E. B. Du Bois Illonas Podcastwoche: - Montag: "Proseccolaune" - Dienstag: "Drinnies" - Mittwoch: "Kaulitz Hills" - Donnerstag: "Da muss man dabei gewesen sein" - Freitag: Natürlich "Und was machst du am Wochenende?" - Samstag: "Quarks Daily" - Sonntag: Fest und Flauschig Christophs Lieblingspodcasts: - James Bond von A bis Z und On von Kara Swisher - Exactly von Florence Given - Almans – neuer Podcast mit Salwa Houmsi - BBQ – Der Black Brown Queere Podcast – von Zuher Jazmati & Dominik Djialeu Außerdem: DailyMann – Auszüge aus Thomas Manns Tagebücher in einem Twitter-Account Das Team erreichen Sie unter wochenende@zeit.de.

Carlos Gamerro es uno de los mayores y más respetados narradores y estudiosos de la literatura argentina y, me atrevo a decir, de la literatura en general. Nació en Buenos Aires, en el año 1962. Narrador, traductor y ensayista, dicta desde siempre celebrados cursos y talleres. Entre sus obras de ficción se encuentran Las islas, El secreto y las voces, La aventura de los bustos de Eva y La jaula de los onas. Algunos de sus ensayos son Ulises. Claves de lectura, Facundo o Martín Fierro, El nacimiento de la literatura argentina y otros ensayos y Borges y los clásicos. Taurus acaba de publicar Siete ensayos sobre la peste, el nuevo libro de Gamerro, en el que a partir de una lectura minuciosa de obras de la literatura, el cine y también de las artes visuales sin desdeñar las aristas filosóficas del tema, el autor busca desentrañar las claves históricas del momento que vivimos como humanidad desde el comienzo de la pandemia, en 2020. Con una erudición amable y cautivante, Gamerro nos lleva hacia un viaje por la historia de las epidemias y las pandemias -de los griegos a Defoe, Bocaccio y Camus hasta Thomas Mann o García Márquez, pasando por las películas de zombies- que es también un viaje al interior de las diferentes sociedades y culturas y, también, a nuestros propios miedos y reflexiones a partir la incertidumbre provocada por la el coronavirus En la sección Libros que sí Hinde recomendó “Animalia”, de Sylvia Molloy (Eterna cadencia) y “El mar nunca se acaba”, de Liliana Villanueva (Fruto de dragón). En Voz alta, la gran actriz argentina Cecilia Roth leyó un fragmento de “El largo adiós” de Raymond Chandler. A Cecilia la podrán ver en la película “Las fiestas”, de Ignacio Rogers, que se estrenará en los cines el 5 de enero. Protagoniza la película junto a Dolores Fonzi, Daniel Hendler. Y en Mesita de luz, Facundo Abal contó que está leyendo “Habitar como un pájaro” de Vinciane Despret, “En la Tierra somos fugazmente grandiosos de” de Ocean Vuong y habla de Marosa di Giorgio. Facundo es Doctor en Comunicación (UNLP), con una Maestría en Artes (UBA). Dictó seminarios de posgrado en Argentina, México, Chile, Colombia y España.  Trabaja como editor de revistas y suplementos científicos y culturales. Escribe sobre arte y cultura en la edición Argentina de la Revista L´Officiel y en el diario Página/12. Actualmente dirige la Editorial de la Universidad Nacional de La Plata. “Un tornado alrededor” es su primera novela con la que ganó el Premio del Fondo Nacional de las Artes y que salió publicada por “Siberia Ediciones”

Today on the show we have producer Bradley Gallo. His production company, Amasia Entertainment, is behind the upcoming Wild Mountain Thyme, starring Emily Blunt, Christopher Walken, Jon Hamm, and Jamie Dornan.His 2019's Official Sundance Selection Them That Follow, starring Olivia Coleman, Jim Gaffigan, Walton Goggins, Kaitlyn Dever, Lewis Pullman, Alice Englert, and Thomas Mann is now on Showtime.Amasia has also recently acquired the rights to the Green Hornet franchise. Bradley's other credits include Mr. Rightwith Anna Kendrick and Sam Rockwell (available on Netflix); The Call with Halle Berry; and Careful What You Wish Forwith Nick Jonas and Dermot Mulroney.Bradley and I discuss the ever-changing film marketplace, how he is positioning his new project to adapt to the new rules of the game, and much more.Enjoy my conversation with Bradley Gallo.

Der Journalist und Autor Wolf Schneider ist verstorben. Er war Chef vom Dienst und Verlagsleiter beim Stern, Chefredakteur der Tageszeitung “Die Welt” und Leiter der Hamburger Journalistenschule. Und: Er ist Schuld an der journalistischen Ausbildung von Gehirn dieses Podcasts! Was ihn ausgemacht hat und warum der Journalismus mehr von ihm vertragen könnte, besprechen wir in dieser Folge. Und so geht es dieses Mal um Thomas Mann, in Stein gemeißelte Kalendersprüche und ein gut gehendes Café in Itzehoe. 00:39 Das war Wolf Schneider 06:30 Wenn man seinen einzigen Leser verliert 13:40 „Aua aua!“ 20:02 Deutsch für Profis 23:29 Freizeit in Itzehoe

Yeni bölüme son yılların en çok konuşulan iki dizisine dair izlenimlerimizle başlıyoruz: The Crown ve The Handmaid's Tale radarımızda. Ardından Türkiye'nin 1969 tarihli ilk animasyon filmi Amentü Gemisi Nasıl Yürüdü üzerine konuşuyoruz. Okuduklarımız arasında Polly Samson'ın Hayalperestler Tiyatrosu kitabı ve Thomas Mann'ın Yolculuk Hikâyeleri var. Dünya'dan her hafta olduğu gibi bir çocuk kitabı tavsiyesi de alıp dijital platformlara yeni gelen filmleri ve bu hafta çıkan kitapları aktararak bölümü noktalıyoruz.

Medizin war für Martin Gumpert mehr als die schlichte Unterscheidung zwischen krank und gesund - Medizin war für ihn eine "Wissenschaft von der Gesellschaft". Er schrieb seine Doktorarbeit über die Syphilis, wollte Geschlechtskrankheiten enttabuisieren. Als die Nazis ihm seinen Beruf verboten, wirkte Gumpert als Schriftsteller - so gut, dass sogar Thomas Mann begeistert war. Autorin: Maren Gottschalk Von Maren Gottschalk.

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn't enough, Mann's writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann's literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn't enough, Mann's writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann's literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn't enough, Mann's writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann's literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mahlers Fünfte ist mehr als ein sentimentaler Soundtrack zu Viscontis Film. Der Komponist schafft in seiner monumentalen Sinfonie eine eigene Welt mit den Mitteln des Orchesters. Trauermarsch, grotesker Humor und Harfenklänge inklusive. (Autor: Christoph Vratz) Von Christoph Vratz.

Guerra, sofferenza, distruzione, Shoah. La poesia di lingua tedesca del secondo dopoguerra rinasce col peso del terribile retaggio di un'era maligna e deve fare i conti con il male assoluto di un regime che aveva abusato anche dei grandi classici Goethe, Schiller e Hölderlin. Dove trovare un nuovo inizio, in quel paesaggio spirituale devastato? E quale fu la risposta dei poeti alle osservazioni di pensatori del calibro di Thomas Mann, Richard Alewyn e Theodor Adorno? Quale fu il ruolo del Gruppo 47?Con questo laser in due puntate, al microfono di Flavia Foradini il filo rosso di questo percorso tra il 1945 e l'avvio della stagione delle rivolte studentesche è dato da Elena Polledri. Professore associato di letteratura tedesca all'Università degli Studi di Udine, la studiosa è fra l'altro co-curatrice assieme a Simone Costagli del volume “Riscritture dei classici tedeschi nella poesia del secondo dopoguerra”, edito da Mimesis, contenente saggi di germanisti di primo piano e dedicato proprio alla rinascita della produzione lirica dopo il secondo conflitto mondiale.In questa esplorazione ci aiutano brani di poesie, riflessioni e commenti fra l'altro di Thomas Mann e Richard Alewyn; di Theodor Adorno, Günter Eich e Paul Celan; di Bertolt Brecht e Gottfried Benn; di Ingeborg Bachmann, Ilse Aichinger, Friedrich Dürrenmatt.

Entre elocubrações de vida e morte, o fazer artístico e o Belo, Andreia D'Oliveira e Gabi Idealli dão um pulinho logo ali, em 1913, para tentar entender quais as mudanças que Gustav Von Aschenbach está passando e qual o papel do garoto Tadzio nestas mudanças em A Morte em Veneza, do escritor alemão Thomas Mann. Comentados no Episódio A morte em Veneza & Tonio Kröger, livro de Thomas MannMorte em Veneza (1971 ‧ Drama ‧ 2h 10m) filme de Luchino ViscontiO Garoto Mais Bonito do Mundo (2021 ‧ Documentário ‧ 1h 33m) filme de Kristina Lindström e Kristian PetriHebe: Um brinde à vida!Boa sorte, Léo Grande

Guerra, sofferenza, distruzione, Shoah. La poesia di lingua tedesca del secondo dopoguerra rinasce col peso del terribile retaggio di un'era maligna e deve fare i conti con il male assoluto di un regime che aveva abusato anche dei grandi classici Goethe, Schiller e Hölderlin. Dove trovare un nuovo inizio, in quel paesaggio spirituale devastato? E quale fu la risposta dei poeti alle osservazioni di pensatori del calibro di Thomas Mann, Richard Alewyn e Theodor Adorno? Quale fu il ruolo del Gruppo 47?Con questo laser in due puntate, al microfono di Flavia Foradini il filo rosso di questo percorso tra il 1945 e l'avvio della stagione delle rivolte studentesche è dato da Elena Polledri. Professore associato di letteratura tedesca all'Università degli Studi di Udine, la studiosa è fra l'altro co-curatrice assieme a Simone Costagli del volume “Riscritture dei classici tedeschi nella poesia del secondo dopoguerra”, edito da Mimesis, contenente saggi di germanisti di primo piano e dedicato proprio alla rinascita della produzione lirica dopo il secondo conflitto mondiale.In questa esplorazione ci aiutano brani di poesie, riflessioni e commenti fra l'altro di Thomas Mann e Richard Alewyn; di Theodor Adorno, Günter Eich e Paul Celan; di Bertolt Brecht e Gottfried Benn; di Ingeborg Bachmann, Ilse Aichinger, Friedrich Dürrenmatt.

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television.Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3.Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner.Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief.Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu.In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work.Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television. Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3. Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner. Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief. Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu. In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work. Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

With an exciting and impressive body of work, Alexis Knapp has established herself as a highly sought-after presence in both film and television. Knapp is known for her standout performance as the sultry and seductive Stacie in Universal's hit musical-comedy franchise Pitch Perfect. She reprised the role in Pitch Perfect 2 and 3. Knapp previously starred alongside Ashley Greene and Pierce Brosnan in Aaron Kaufman's thriller Urge. Set on an island paradise, the film follows a group of friends over the course of a weekend of partying that takes a sinister turn after being introduced to a new designer drug by a mysterious club owner. Knapp is also known for her exceptional work in Nima Nourizadeh's sleeper hit Project X for Warner Bros., in which she starred alongside Miles Teller and Thomas Mann. In addition, Knapp can be seen opposite Ian Somerhalder and Luke Hemsworth in the sci-fi action thriller The Anomaly. Knapp's other film credits include Couples Retreat and Percy Jackson & the Olympians: The Lightning Thief. Knapp will be seen next as the lead in WarnerMedia's The Knocking opposite Shiloh Fernandez and Zelda Williams. She can currently be seen starring in Phobias, released by Vertical Entertainment and available on Hulu. In television, Knapp starred in Bill Lawrence's "Ground Floor" for TBS. The show followed a successful young banker who falls for a woman who works in his building's maintenance department. Knapp played Tori, a girl who hits the clubs at night and catches up on her sleep at work. Knapp briefly reunited with one of her Pitch Perfect cohorts in Rebel Wilson's "Super Fun Night" for ABC. She also starred in the Lifetime movie "My Christmas Prince" and had a memorable appearance in the season premiere of Hulu's "The Orville

Thomas Manns sich im Herbst 1922 immer klarer abzeichnende Metamorphose vom kaisertreu-nationalkonservativen Saulus zum liberal-republikanischen Paulus war hier im Podcast bereits vor einigen Wochen anlässlich der Veröffentlichung seines Essays „National und international“ ausführlich Thema. Noch prominenter wirkte diesbezüglich indes seine (eigentlich dem 60. Geburtstag Gerhard Hauptmanns geltende) Rede ‘Von deutscher Republik‘ vom 13. Oktober des Jahres, in der er sich klar zu eben dieser bekannte und sich vor allem an die studentische Jugend wandte, es ihm gleich zu tun. Im 8-Uhr-Abendblatt vom 16. Oktober berichtet Autor Kurt Pinthus vom Auftritt Manns im Beethovensaal der Alten Philharmonie und beurteilt das dort Vernommene, nicht überraschend, positiv, wenngleich er sich Manns politisches Statement wohl durchaus noch konsequenter vorstellen könnte. Es liest Frank Riede.

Cuando la inventiva y la investigación luchan por una misma causa. Use Lahoz nos habla de 'El mago', de Colm Tóibín, una novela sobre el Premio Nobel Thomas Mann. Escuchar audio

Bis zu vier Millionen Deutsche sollen im Zweiten Weltkrieg BBC gehört haben. Vom Holocaust, den Literaturnobelpreisträger Thomas Mann in einer BBC Radioansprache anprangerte, wollte trotzdem kaum jemand gewusst haben.

Bis zu vier Millionen Deutsche sollen im Zweiten Weltkrieg BBC gehört haben; der britische Rundfunksender strahlte damals ein deutsches Programm aus. Vom Holocaust, den Literaturnobelpreisträger Thomas Mann in einer Radioansprache anprangerte, wollte trotzdem kaum jemand gewusst haben. Autor: Christoph Vormweg Von Christoph Vormweg.

Nach seinem erfolgreichen Debutroman „Buddenbrooks“ hatte Thomas Mann große Sorge, er könne einer jener Schriftsteller werden, die mit ihrem ersten Buch berühmt geworden sind und diese Höhe danach nie wieder erreichten. Jahrelang recherchiert und skizziert er, bis er 1909 mit „Königliche Hoheit“ seinen zweiten Roman veröffentlicht, der auch autobiographische Züge hat, da Mann seine Ehe mit Katja Pringsheim verhandelt. Der märchenhafte Roman spielt in einem fiktiven Duodezfürstentum, das zwar noch die romantische Fassade aufrechterhält, aber dessen Staatskassen längst leer sind. Mehr noch: Der Kleinstaat, den bald Prinz Klaus-Heinrich repräsentieren soll, ist hochverschuldet. Da trifft es sich gut, dass mit Samuel Spoelmann ein Milliardär aus den USA zum Kuraufenthalt anreist und er außerdem seine emanzipierte Tochter Imma mitbringt. Löst der Eisenbahnkönig den feudalen Adel ab? Wie glaubwürdig ist die Liebe? Welches volkswirtschaftliche Grundwissen benötigen ein gesunder Staat und eine gute Ehe? Hochironisch schildert Mann eine kleine Welt, die sich vor dem modernen Kapitalismus nicht länger verschließen kann. In der neuen Folge von „Wohlstand für Alle“-Literatur sprechen Ole Nymoen und Wolfgang M. Schmitt über Thomas Manns „Königliche Hoheit“. Literatur: Thomas Mann: Königliche Hoheit, Fischer. Ihr könnt uns unterstützen - herzlichen Dank! Paypal: https://www.paypal.me/oleundwolfgang Konto: Wolfgang M. Schmitt, Ole Nymoen Betreff: Wohlstand fuer Alle IBAN: DE67 5745 0120 0130 7996 12 BIC: MALADE51NWD Patreon: https://www.patreon.com/oleundwolfgang Steady: https://steadyhq.com/de/oleundwolfgang/about Twitter: Ole: twitter.com/nymoen_ole Wolfgang: twitter.com/SchmittJunior Die gesamte WfA-Literaturliste: https://wohlstand-fuer-alle.netlify.app

Es war ein Privileg, dieser Familie zu entstammen. Die sechs Kinder des berühmten Schriftstellers Thomas Mann und seine Frau Katja waren sich ihrer herausgehobenen Stellung wohl bewusst. Für die vier Jüngeren - Golo und Monika, Elisabeth und Michael - wurde das schon früh zur Belastung, während die beiden Ältesten, Erika und Klaus, bereits als Jugendliche versuchten, daraus Kapital zu schlagen. Sie präsentierten sich der Öffentlichkeit als "geniale Kinder eines genialen Vaters". Ihre Erfolge auf der Bühne und als Autoren täuschten allerdings nicht darüber hinweg, dass es letztendlich immer nur der Glanz des "Großschriftstellers" Thomas Mann blieb, in dem sie sich sonnen konnten. Die Eltern ihrerseits banden nach der Emigration aus Deutschland ihre Kinder nach Möglichkeit in den "Hofstaat des Zauberers" ein, um das Fortbestehen von Thomas Manns Karriere zu sichern. (BR 2015)

In this supper club episode of Syntax, Wes and Scott talk with Thomas Mann about Raycast - an app that can replace Spotlight on your Mac, and do so much more. FireHydrant - Sponsor  Incidents are hard. Managing them shouldn't be. FireHydrant makes it easy for anyone in your organization to respond to incidents efficiently and consistently. Intuitive, guided workflows provide turn-by-turn navigation for incident response, while thoughtful prompts and powerful integrations capture all of your incident data to drive useful retros and actionable analytics.  Did we mention that FireHydrant is free? Get started at Firehydrant.com/syntax   Show Notes @ThomasPaulMann 01:49 What is Raycast? Raycast Raycast Store 08:11 Do you have designers on your team to help guide UI? 10:13 Why build it native instead of HTML and CSS? 13:12 Why did you choose React? 21:54 How do you figure out what's possible in system level APIs? 26:40 Snippets make use of SQLite SQLite 29:05 Encrypted local storage data 33:11 Any plans for theming for Raycast? 35:20 What is the pricing model? 37:06 What was your Y combinator experience like? Y Combinator Careers 42:08 Any plans for future features? 44:08 Supper Club questions Leopold FC660C Black 65% Dye Sub PBT Mechanical Keyboard iTerm Starship 51:25 SIIIIICK ××× PIIIICKS ××× ××× SIIIIICK ××× PIIIICKS ××× Nothing Ear Buds Tweet us your tasty treats Scott's Instagram LevelUpTutorials Instagram Wes' Instagram Wes' Twitter Wes' Facebook Scott's Twitter Make sure to include @SyntaxFM in your tweets

You can lose yourself in cinema -- and you can find yourself in it. Jai Arjun Singh and Subrat Mohanty join Amit Varma in episode 294 of The Seen and the Unseen to talk about the films in their lives, why we should watch old films, why we should watch new films, why Bollywood and Hollywood and other woods are all great, and why we live in a wonderful technicolor world. This episode is a celebration of cinema! (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Jai Arjun Singh on Twitter and Instagram. 2. Haal-Chaal Theek Thaak Hai -- Subrat Mohanty and Pavan Jha's podcast. 3. Jai Arjun Singh Lost It at the Movies -- Episode 230 of The Seen and the Unseen. 4. Jabberwock — Jai Arjun Singh's blog. 5. Jaane Bhi Do Yaaron: Seriously Funny Since 1983 — Jai Arjun Singh. 6. The World of Hrishikesh Mukherjee -- Jai Arjun Singh. 7. Popcorn Essayists: What Movies do to Writers -- Edited by Jai Arjun Singh. 8. The Golden Era -- Subrat Mohanty's YouTube playlist of 100 lesser-known songs from the golden era of Hindi film music (mostly 1935-65). 9. The Unseen Lata -- Subrat Mohanty's YouTube playlist of 54 lesser-heard songs from Lata Mangeshkar, from 1948 to 1976. 10. Old posts by Subrat Mohanty from the Passion For Cinema web archives. 11. Some Spotify playlists, courtesy Nishant Shah, from Haal-Chaal Theek Thaak Hai episodes: 1, 2, 3, 4. 12. Pavan Jha's YouTube channel. 13. The only 1980s Maltova Mum commercial I could locate from the 1980s. (Couldn't find Singer.) 14. Kashmir Ki Kali -- Shakti Samanta. 15. Mughal-E-Azam -- K Asif. 16. Khuda Nigehbaan Ho -- Song from Mughal-E-Azam, sung by Lata Mangeshkar, music by Naushad, lyrics by Shakeel Badayuni. 17. Cinema Paradiso -- Giuseppe Tornatore. 18. Phool Khile Hain Gulshan Gulshan -- talk show by Tabassum.  19. Old episodes of Phool Khile Hain Gulshan Gulshan with RD Burman, Deepti Naval, Anand Bakshi and Bhupinder. 20. The Indiana Jones and Superman franchises. 21. The Evil Dead -- Sam Raimi. 22. Sam Raimi, Wes Craven and John Carpenter. 23. The Fugitive and The Bodyguard. 24. The Unbearable Lightness of Being -- Milan Kundera. 25. The Antichrist -- Friedrich Nietzsche. 26. The 400 Blows -- Francois Truffaut. 27. Salò, or The 120 Days of Sodom -- Pier Paolo Pasolini. 28. Łódź Film School and Andrzej Wajda. 29. Do the Right Thing -- Spike Lee. 30. On Exactitude in Science (Wikipedia) -- Jorge Luis Borges. 31. Titus Andronicus -- William Shakespeare. 32. A Chess Story (previously published as The Royal Game) -- Stefan Zweig. 33. The World of Yesterday -- Stefan Zweig. 34. The Friday the 13th franchise. 35. Tracy and Hepburn -- Garson Kanin. 36. Bhimsen Joshi, Mallikarjun Mansur, Kumar Gandharva and Lata Mangeshkar on Spotify. 37. Vijay Anand, Guru Dutt, Raj Kapoor, Bimal Roy and Hrishikesh Mukherjee. 38. Guide -- Vijay Anand. 39. Kaagaz Ke Phool -- Guru Dutt. 40. Jean-Luc Godard and Federico Fellini. 41. Shankar–Jaikishan, Hasrat Jaipuri, Shailendra, Mukesh, KA Abbas, Ramanand Sagar and Kidar Sharma. 42. Aag, Satyam Shivam Sundaram, Awaara, Barsaat and Shree 420.43. Nargis and Nadira. 44. Mud Mud Ke Na Dekh -- Song from Shree 420, sung by Asha Bhosle and Manna Dey, music by Shankar-Jaikishan, lyrics by Shailendra. 45. Orson Welles. 46. Squid Game on Netflix. 47. The Immediate Experience -- Robert Warshow. 48. Dil Dhadakne Do, Luck by Chance and Gully Boy -- Zoya Akhtar. 49. Casablanca -- Michael Curtiz. 50. Yudh and Tridev -- Rajiv Rai. 51. Amit Varma's Twitter threads on the MAMI festival from 2018 and 2019. 52. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 53. Dead Poet's Society -- Peter Weir. 54. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 55. Pauline Kael on Amazon. 56. Dekalog — Krzysztof Kieślowski. (And Roger Ebert's essay on it.) 57. The Dead — John Huston. 58. In the Bedroom -- Todd Field. 59. Devdas (Sanjay Leela Bhansali) and Parineeta (Pradeep Sarkar). 60. Salman Rushdie, Arundhati Roy and Vikram Seth. 61. Raag Darbari (Hindi) (English) — Shrilal Shukla. 62. PG Wodehouse on Amazon and Wikipedia. 63. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 64. Dharmyug and Dharamvir Bharati. 65. Andha Yug (Hindi) (English) -- Dharamvir Bharati. 66. Suraj ka Satvaan Ghoda -- Dharamvir Bharati. 67. Gunahon Ka Devta — Dharamvir Bharati. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 70. Anil Biswas, SD Burman, Chitragupt, Roshan, C Ramchandra and Madan Mohan. 71. Naushad and Aan. 72. Maan Mera Ehsan -- Song from Aan, sung by Mohammad Rafi, music by Naushad, lyrics by Shakeel Badayuni. 73. Sebastian D'Souza, Anthony Gonsalves, Ghulam Mohammed and Mohammed Shafi. 74. Khayyam and RD Burman. 75. The Long Tail -- Chris Anderson. 76. The Sound of Music -- Robert Wise. 77. Do-Re-Mi -- Song from The Sound of Music. 78. Giacomo Puccini and Giuseppe Verdi on Spotify. 79. Tosca -- Giacomo Puccini -- performed at Arena di Verona. 80. Dua Lipa, Olivia Rodrigo, Lizzo and Billie Eilish on Spotify. 81. About That Time -- Lizzo. 82. Renaissance -- Beyoncé. 83. Ae Dil Hai Mushkil -- Karan Johar. 84. Aar Paar, Geeta Dutt and Eminem. 85. Pet Shop Boys, Guns N' Roses, U2, REM and Stone Temple Pilots on Spotify. 86. Bob Dylan and Leonard Cohen. 87. How This Nobel Has Redefined Literature -- Amit Varma. 88. Mera Joota Hai Japani -- Song from Shree 420, sung by Mukesh, music by Shankar-Jaikishen, lyrics by Shailendra. 89. Sahir Ludhianvi and Majrooh Sultanpuri. 90. Do Bigha Zamin -- Bimal Roy. 91. Dharti Kahe Pukaar Ke -- Song from Do Bigha Zamin, sung by Manna Dey and Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 92. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 93. Mondegreen. 94. Tragedy -- Bee Gees. 95. Aap Jaisa Koi -- Song from Qurbani, sung by Nazia Hassan, music by Biddu Appaiah, lyrics by Masth Ali & Shashi Pritam. 96. Ek Akela Is Shaher Mein -- Song from Gharaonda, sung by Bhupinder Singh, music by Jaidev, lyrics by Gulzar. 97. Jonathan Haidt on Amazon. 98. Amar Akbar Anthony and Andrei Tarkovsky. 99. 2001: A Space Odyssey -- Stanley Kubrick. 100. Mirza Ghalib (and the show on him by Gulzar). 101. Roy Lichtenstein, Drowning Girl, Jackson Pollock, René Magritte, Pablo Picasso and the Pre-Raphaelites. 102. The Wire, Breaking Bad and Better Call Saul. 103. Christopher Nolan, Martin Scorcese, Quentin Tarantino, Coen Brothers and Preston Sturges. 104. Ball of Fire -- Howard Hawks. 105. The Lady Eve -- Preston Sturges. 106. Barbara Stanwyck and Lawrence Olivier. 107. Francis Ford Coppola, Brian De Palma and Alfred Hitchcock. 108. How to Read and Why -- Harold Bloom. 109. Malayankunju -- Sajimon Prabhakar. 110. Muqaddar Ka Sikandar -- Prakash Mehra. 111. Agatha Christie on Amazon and Wikipedia. 112. Nayak -- Satyajit Ray. 113. Prakash Mehra and Kader Khan. 114. Laawaris -- Prakash Mehra. 115. Don and Majboor. 116. Sample SSR conspiracy theory: He's alive! 117. David Cronenberg. 118. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 119. Moonlight — Barry Jenkins. 120. Chacha Bhatija, Parvarish, Amar Akbar Anthony and Dharam Veer -- Manmohan Desai. 121. Man, Woman and Child -- Erich Segal. 122. Man, Woman and Child (1983 film) -- Dick Richards. 123. Masoom -- Shekhar Kapoor. 124. Shyam Benegal, Govind Nihalani, Mani Kaul, Kumar Shahani, Mrinal Sen and Robert Bresson. 125. Au Hasard Balthazar -- Robert Bresson. 126. Uski Roti -- Mani Kaul. 127. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 128. Calcutta 71 -- Mrinal Sen. 129. Ivan's Childhood, Solaris and Andrei Rublev -- Andrei Tarkovsky. 130. Stanislaw Lem on Amazon and Wikipedia. 131. Cahiers du Cinéma and Mayapuri. 132. Black Friday and Paanch -- Anurag Kashyap. 133. Navdeep Singh, Sudhir Mishra, Neeraj Ghaywan, Raj Kumar Gupta and Rajkumar Kohli. 134. Nagin and Nagina. 135. Jaani Dushman -- Rajkumar Kohli. 136. Three Colors: Blue -- Krzysztof Kieślowski. 137. Three Colors: Red -- Krzysztof Kieślowski. 138. Three Colors: White -- Krzysztof Kieślowski. 139. The Double Life of Veronique -- Krzysztof Kieślowski. 140. The legendary Babbar Subhash. 141. Dance Dance -- Babbar Subhash. 142. Aagaya Aagaya Halwa Wala -- Song from Dance Dance. 143. Jaane Bhi Do Yaaro -- Kundan Shah. 144. Leke Pehla Pehla Pyar -- Song from CID, sung by Shamshad Begum, Asha Bhosle and Mohammad Rafi., music by OP Nayyar, lyrics by Majrooh Sultanpuri. 145. Rote Hue Aate Hain Sab -- Song from Muqaddar Ka Sikandar, sung by Kishore Kumar, music by Kalyani-Anandji, lyrics by Anjaan. 146. Kai Baar Yun Bhi Dekha Hai -- Song from Rajnigandha, sung by Mukesh, music by Salil Chowdhury, lyrics by Yogesh. 147. Rim Jhim Gire Saawan -- Song from Manzil, sung by Lata Mangeshkar, music by RD Burman, lyrics by Yogesh. 148. Andrew Sarris and André Bazin. 149. Sergei Eisenstein and the Odessa Steps sequence. 150. Court — Chaitanya Tamhane. 151. Khosla Ka Ghosla, Oye Lucky! Lucky Oye!, Love Sex Aur Dhokha, Shanghai and Detective Byomkesh Bakshy! -- Dibakar Banerjee. 152. Jean Renoir. 153. Akira Kurosawa and Yasujirō Ozu. 154. Tokyo Story -- Yasujirō Ozu. 155. Rashomon -- Akira Kurosawa. 156. The 2012 Sight and Sound poll of the 100 Greatest Films of All Time. 157. Early Summer -- Yasujirō Ozu. 158. Make Way for Tomorrow -- Leo McCarey. 159. Citizen Kane -- Orson Welles. 160. Vertigo -- Alfred Hitchcock. 161. Setsuko Hara. 162. Sara Akash -- Basu Chatterjee. 163. Bhuvan Shome -- Mrinal Sen. 164. KK Mahajan. 165. One Cut of the Dead -- Shin'ichirō Ueda. 166. Unsane -- Steven Soderbergh. 167. Promising Young Woman -- Emerald Fennell. 168. Psycho -- Alfred Hitchcock. 169. Hitchcock's Films Revisited -- Robin Wood. 170. Picnic at Hanging Rock, Gallipoli, Witness, Dead Poet's Society and The Truman Show -- Peter Weir. 171. Buster Keaton and Charlie Chaplin. 172. John Ford and Girish Shahane. 173. Everything is Cinema -- Don Palathara. 174. Hi Mom! -- Brian De Palma. 175. Taxi Driver -- Martin Scorcese. 176. Joyful Mystery -- Don Palathara. 177. The Postman Always Rings Twice -- Tay Garnett. 178. Treasure of the Sierra Madre -- John Huston. 179. Noir's arc - notes on an excellent anthology -- Jai Arjun Singh. 180. Key Largo -- John Huston. 181. Gun Crazy -- Joseph H Lewis. 182. Sullivan's Travels -- Preston Sturges. 183. O Brother, Where Art Thou? -- Coen Brothers. 184. Winchester '73 and Bend of the River -- Anthony Mann. 185. Shaheed (1948) -- Ramesh Saigal, starring Dilip Kumar. 186. Andaz -- Mehboob Khan. 187. Duniya Na Mane -- V Shantaram. 188. Some Like it Hot and Ace in the Hole -- Billy Wilder. 189. Ernst Lubitsch and James Wong Howe. 190. Sweet Smell of Success -- Alexander Mackendrick. 191. Mere Apne -- Gulzar. 192. Haal Chaal Thik Thak Hai -- Song from Mere Apne, sung by Kishore Kumar and Mukesh, music by Salil Chowdhury, lyrics by Gulzar. 193. Mr Sampat -- SS Vasan. 194. Miss Malini -- Kothamangalam Subbu. 195. Mr. Sampath: The Printer Of Malgudi -- RK Narayan. 196. Achhe Din Aa Rahe Hain -- Song from Mr Sampat, sung by Shamshad Begum and ML Vasantakumari, music by Balkrishna Kalla, lyrics by Pandit Indra Chander. 197. Parakh -- Bimal Roy. 198. O Sajna Barkha Bahaar Aayee -- Song from Parakh, sung by Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 199. Oonche Log -- Phani Majumdar. 200. Major Chandrakanth -- K Balachander. 201. Jaag Dil-E-Deewana -- Song from Oonche Log, sung by Mohammad Rafi, music by Chitragupt, lyrics by Majrooh Sultanpuri. 202. Birendranath Sircar, RC Boral and Timir Baran. 203. PC Barua, Bimal Roy and KL Saigal. 204. Devdas (1936) -- PC Barua. 205. President -- Nitin Bose. 206. Ek Bangla Bane Nyara -- Song from President, sung by KL Saigal, music by RC Boral, lyrcs by Kidar Sharma. 207. Street Singer -- Phani Majumdar. 208. Babul Mora Naihar Chhooto Hi Jaye -- Song from Street Singer, sung by KL Saigal, music by RC Boral, lyrics by Nawab Wajid Ali Shah. 209. Wajid Ali Shah. 210. Shatranj Ke Khilari -- Satyajit Ray. 211. Duniya, Yeh Duniya, Toofan Mail-- Song from Jawab, sung by Kanan Devi, music by Kamal Dasgupta, lyrics by Pandit Madhur. 212. Rajnigandha -- Basu Chatterjee. 213. Rajnigandha/राजनीगंधा -- Mannu Bhandari. 214. The Conversation -- Francis Ford Coppola. 215. Deer Hunter -- Michael Cimino. 216. The Godfather -- Francis Ford Coppola. 217. The Godfather: Part 2 -- Francis Ford Coppola. 218. Sisters -- Brian De Palma. 219. Blow Out -- Brian De Palma. 220. Blowup -- Michelangelo Antonioni. 221. The Long Goodbye and Nashville -- Robert Altman. 222. The Missouri Breaks -- Arthur Penn. 223. The Last Picture Show, Paper Moon, What's Up, Doc? and Targets -- Peter Bogdanovich. 224. This is Orson Welles -- Orson Welles and Peter Bogdanovich. 225. Hitchcock -- Francois Truffaut. 226. Bringing Up Baby, His Girl Friday, The Big Sleep and To Have and Have Not  -- Howard Hawks. 227. The Big Sleep -- Raymond Chandler. 228. William Faulkner and Ernest Hemingway on Amazon. 229. Johny Mera Naam and Jewel Thief -- Vijay Anand. 230. Sholay -- Ramesh Sippy. 231. Back to the Future -- Robert Zemeckis. 232. Mr India -- Shekhar Kapoor. 233. Rahul Rawail, JP Dutta, Mukul Anand and Rajiv Rai. 234. Hathyar and Ghulami -- JP Dutta. 235. Raat Bhat Jaam Se Jaam Takrayega -- Song from Tridev with galaxy of villains. 236. Naseeb -- Manmohan Desai. 237. Dan Dhanoa, Mahesh Anand, Dalip Tahil and Tej Sapru. 238. The Ramsay Brothers! 239. Don't Disturb the Dead: The Story of the Ramsay Brothers -- Shamya Dasgupta. 240. Do Gaz Zameen Ke Neeche -- Tulsi and Shyam Ramsay. 241. Veerana -- Ramsay Brothers. 242. Purana Mandir -- Ramsay Brothers. 243. Govinda! 244. Ilzaam -- Shibu Mitra. 245. I am a Street Dancer and Main Aaya Tere Liye from Ilzaam. 246. Jackie Brown and Pulp Fiction -- Quentin Tarantino. 247. Halloween -- John Carpenter. 248. A Nightmare on Elm Street -- Wes Craven. 249. Scream -- Wes Craven. 250. Terminator 2: Judgment Day -- James Cameron. 251. Mad Max: Fury Road -- George Miller. 252. Nicholas Cage and Keanu Reeves. 253. Wild at Heart -- David Lynch. 254. Red Rock West -- John Dahl. 255. The Last Seduction -- John Dahl. 256. Edward Norton in American History X and Rounders. 257. New Delhi Times -- Ramesh Sharma. 258. Drohkaal -- Govind Niahalani. 259. Gupt and Mohra by Rajiv Rai. 260. Sonam! 261. Wild -- Nicolette Krebitz. 262. Waves -- Trey Edward Shults. 263. Climax -- Gaspar Noé. 264. Mother! -- Darren Aronofsky. 265 Eho — Dren Zherka. 266. The Magic Mountain -- Thomas Mann. 267. Invisible Cities -- Italo Calvino. 268. Cosmicomics -- Itali Calvino. 269. If on a Winter's Night a Traveller -- Italo Calvino. 270. A House For Mr Biswas -- VS Naipaul. 271. A Bend in the River -- VS Naipaul. 272. Middlemarch -- George Eliot. 273. Mrs Dalloway -- Virginia Woolf. 274. To the Lighthouse -- Virginia Woolf. 275. Decline and Fall -- Evelyn Waugh. 276. Scoop -- Evelyn Waugh. 277. Brighton Rock -- Graham Greene. 278. Brighton Rock (1948 film) -- John Boulting. 279. Kingsley Amis and Martin Amis. 280. Lucky Jim -- Kingsley Amis. 281. The Siege Of Krishnapur -- JG Farrell. 282. Alfie -- Lewis Gilbert. 283. Get Carter -- Mike Hodges. 284. Blame it on Rio -- Stanley Donen. 285. Gangs of Wasseypur -- Anurag Kashyap. 286. Tamas -- Govind Nihalani. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Jackson Pollock.