Podcast appearances and mentions of Scarlett Johansson

Staffel 4, Folge 6 - Wir besprechen diese Woche einen all-time favourite Supernatural-Klassiker, bei dem man schon mal die Hosen voll haben kann. Aber wir sind schließlich keine Angsthasen (also doch, eigentlich schon, aber das tut jetzt nichts zur Sache!). Thomas hat seine Research heute in einer ganz besonderen Form dabei und Töff fängt einen Streit wegen der Kriminalstatistik an. Ansonsten geht es um Yorkshire Terrier, Gelbfieber und eine potentielle Verfilmung unseres Podcasts. (Wer würde uns dann eigentlich spielen?... Ryan Reynolds als Thomas und Scarlett Johansson als Töff?) Unser Discord-Server: https://discord.gg/4Defzq8ETh Unsere Spotify-Playlist: https://open.spotify.com/playlist/7sklx9OZGBGCJeYBLyReBP?si=e76fK0VcTCutDZsgL6Q5gg Unser Instagram Account: https://www.instagram.com/winchestersurprise.podcast

Actor, activist, and Story + Rain cover star Freida Pinto, known for acclaimed films such as Slumdog Millionaire and Trishna, returns to the screen this summer in the delightful Mr. Malcolm's List, a movie that shakes up what we've come to know as the period genre in film. The new mother is fiercely focused when it comes to her work, and in episode 106, Freida explains how and why her production company, Freebird Films, seeks out projects that allow her to tell stories that “angle towards hope”---they're about to make some big moves. Listen in as Freida discusses the stories she believes are lacking on the screen, how she prepares for a role, her desire to step far out of herself for them, and her preference to remain on the go, on any given project. You'll hear intimate stories about the many prolific directors she's worked with like Ron Howard, Danny Boyle, Terrence Malick, and Woody Allen---as well as what it's like working with first-time director, actor Kristen Scott Thomas, on My Mother's Wedding, which she is currently shooting, co-starring Scarlett Johansson and Sienna Miller---one of the most fun casts she's ever been a part of. Freida talks about her most taxing roles, shares stories from set and the valued relationships she's created there, including a surprisingly sweet story about Sir Anthony Hopkins. We talk motherhood, her work with postpartum plan and brand, Anya, and what it's like to be part of a creative couple. We get into details about Mr. Malcolm's List, her latest film, out on July 1st. We cover everything from its modern and inclusive international vibe, to the notion of having a checklist when looking for a partner, and how and when she's created one for herself. We go back to the beginning: her school days, her modeling days (and why she disliked it), and all things her very first film and smash hit, 2008's Slumdog Millionaire. Inspiration, living internationally, how series and film have converged, and more. Off the mic, we talked to Freida about what tops her Obsixed list of current obsessions that you can discover and shop here along with Freida's films and projects:Freebird FilmsGuerillaTrishnaYou Will Meet A Tall Dark StrangerSlumdog MillionaireArtipoppe baby carriersTatcha Indigo Overnight Repair creamAnya Recovery TonicFrēda Salvador Brooke rain resistant bootsFrēda Salvador Libby D'orsay sneakersMakemake Organic, Colored Organic, and PEHR organic baby clothesYoga blocks and strap

 Bell hits home with an emotional tale about his audition with Leo for Terrantino. Also, a very fun flirting story with a legendary lady. TRUE STORIES ABOUT: SCOJO, TERRANTINO, LEO DECAPRIO See omnystudio.com/listener for privacy information.

Maria Grachvogel created her first collection when she was just 14. Obsessed with the idea that clothing can transform your body, your mood and your confidence she experimented with innovative cutting techniques and always kept the woman who wears the clothing front of mind.Her approach to design which celebrates the woman first and puts joy and well-being into the design process has created many iconic pieces that have been worn by celebrities including Emma Thompson, Scarlett Johansson and Victoria Beckham.Maria later decided to operate a seasonless business model at her brand and now focuses on timeless capsule collections that are presented as they are created, ensuring that there is as close to zero waste as possible.Maria talks to Tom Shearsmith, News Editor and Senior Writer, about what initially led her to the fashion industry, how it felt presenting her very first London Fashion Week collection in 1995, how fashion can transform someone's emotions, how COVID-19 impacted her atelier service and where the brand may be going in the future, such as the metaverse.Get breaking news as it happens and be the first to know when our podcasts go live by following:  INSTAGRAM  ***  LINKEDIN  ***  TWITTER  ***  FACEBOOKGet breaking news, big name interviews & insights delivered to your inbox daily HERE

This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas get lost in Tokyo and feel sad about being alone. It's time for a new arc – Children of Men aka Children of Famous Men aka Nepotism. Over the next four weeks, we will follow four different directors, who are the children of famous directors – picking out one film from each of their catalogues, to see how they stand against their parents' massive shadows. Do they sink or swim? First up, it's Sofia Coppola – daughter of the legendary Francis Ford Coppola, and we've gone with her 2003 drama LOST IN TRANSLATION, starring Bill Murray and Scarlett Johansson. How does this indie darling fare nearly 20 years later? Does Sofia Coppola blaze her own trail, or is she lost in the shadows of The Godfather and Apocalypse Now? Or is the whole premise of this stupid arc lost in translation? Tune in to find out... If you enjoy the podcast, leave a Rating and Review! It really helps us out! As always, you can follow the Podcast on https://twitter.com/ThePCCPodcast (http://twitter.com/ThePCCPodcast) and https://instagram.com/ThePCCPodcast (http://instagram.com/ThePCCPodcast) If you'd like to Support the Podcast and get Bonus Content, visit: https://www.patreon.com/ThePCCPodcast (http://patreon.com/ThePCCPodcast) Season 3 of our other sister show FRANCHISED, covering the TWILIGHT SAGA, is out in a couple of months! Subscribe via https://my.captivate.fm/podfollow.com/franchised (podfollow.com/franchised) This Podcast is produced by http://princecharlescinema.com/ (The Prince Charles Cinema) and http://breadcrumbscollective.com/ (The Breadcrumbs Collective)

Dwayne Douglas "The Rock" Johnson laat al zijn superkrachten zien in de nieuwe trailer van Black Adam. Scarlett Johansson is gecast in wat beloofd, een kleine, mooie film te worden. Rian Johnson heeft ons blij gemaakt met de titel van het vervolg op Knives Out en Todd Phillips heeft de werktitel getoond van het vervolg op Joker. Uit de diepte van de berg van Dovre komt een enorme Troll gelopen, die we zomaar binnenkort op Netflix mogen bewonderen.   Ben je Film Fans Podcast Fan? Je kunt ons al bedanken voor deze podcast voor maar 1 euro per maand via https://www.patreon.com/FilmFansPodcast   Vergeet je niet te abonneren op ons kanaal, laat een review achter in jouw podcast-app, volg ons op Facebook: www.facebook.com/filmfanspodcast en Instagram: www.instagram.com/filmfanspodcast. Voor meer reviews, filmnieuws en afleveringen ga je naar www.filmfanspodcast.nl. Voor vragen en opmerkingen of voor het antwoord van het item My Wife mag je ons altijd mailen via mail@filmfanspodcast.nl.

ChillRadio.UpliftingPills.com Instagram.com/UpliftingPills "Here is your last chance to escape the mundane billowing smoke ascends ahead the arrival of the final train Plan, if you can, a momentous ride in the darkness of yearning, strength resides sketched from dreams by a moving hand quickly board the impatient train Conjure a life beyond the narrows fashion a life lived like art without regret and free of sorrows" ― Last Train by Elizabeth Barton This podcast is also available as ad-free 24/7 online radio on your Alexa or Google Assistant smart speaker. Just say "Alexa, Open Chill Pills Radio" or "Ok Google, Ask Chill Pills Radio to Play". Hope you enjoy this episode. Making this mix was a labor of love 🧡. If you feel like supporting Chill Pills podcast and online radio, buy me a cup of coffee ☕ (uppmixes.com/donate). It also helps when you share this podcast, rate it or leave a review on Apple Podcasts or wherever you subscribed to it. Thank you! For something calmer, check out my other podcast: Calm Pills (calm.upliftingpills.com), which are soothing atmospheric ambient albums, seamlessly mixed to help with relaxation, meditation, reading or deep sleep. Mostly consisting of instrumental ambient sounds and soft piano music, these mixes will help you completely relax your mind and body. Tracklist 00:00 The Middle East ― Sydney To Newcastle 02:02 Helios ― Bless This Morning Year 07:42 Hol Baumann ― One Step Behind (Edit) 09:17 Schiller ― Nightflight 13:40 Yuhki Kuramoto ― Paris In Winter (Edit) 15:03 Jon Hopkins ― Autumn Hill 16:56 Ulrich Schnauss ― Suddenly The Trees Are Giving Way (Edit) 23:04 Epic45 ― The Stars In Spring 27:05 Marc Cohn ― Ghost Train 31:12 Rabaz ― Majestic Maksoum 35:32 Chicane ― Time Of Your Life Part 2 39:03 J. Ralph Feat. Scarlett Johansson & Joshua Bell ― Before My Time 41:32 Helios ― Hollie 44:40 Hammock ― The House Where We Grew Up 47:45 Skeptical ― Song For Dylan 53:34 Yiruma ― Love The Chill Pill album Last Train Home was curated and mixed by Alaeddin and released on Uplifting Pills on June 13, 2022

Two PAGE Awards Judges, Victoria Lucas and Laurie Ashbourne, talk about how they evaluate your screenplays, whether you're just starting or have a script in the competition. You do not want to miss this inside talk.⭐️ Laurie Ashbourne began her film career in Disney animation, and over the past 20 years, she has worked as a story consultant, writer, and producer for Disney, Amazon, and many independent producers. She has over 30 features and short films to her credit, including her new family feature CHRISTMAS TIME, which is currently in post-production. As a PAGE judge, Laurie reviews scripts in several different genre categories, including Family Films, Comedies, Dramas, and Shorts.⭐️ Victoria Lucas is an independent producer who has developed scripts for projects starring Antonio Banderas, Scarlett Johansson, Wesley Snipes, and Hilary Swank. Among her favorite projects is the highly acclaimed coming-of-age film, The Island on Bird Street, awarded the Silver Bear at the Berlin International Film Festival. Victoria is also a Judge for the PAGE Awards contest, in a variety of genres including Drama and Historical Films

This week Mike's guest is Aaron Franklin, Austin Royalty and one of the most influential pit masters in the history of BBQ. He's been in a Chase Sapphire card commercial, performed on several cooking shows, had a cameo opposite Robert Downey Jr. and Scarlett Johansson in the 2014 film Chef, and produced a best-selling cookbook since founding a restaurant in 2009 and is just an all-round interesting guy. This episode was recorded in front of a live audience at Whiskey Tango Foxtrot in Austin, Texas.

SEGMENT 1: Netflix broke the mold in 2013 when they released all the episodes for House of Cards at once. Especially over the last few years, Netflix has become a fixture in so many people's lives. What is the rest of Hollywood doing to compete with Netflix? (with Dade Hayes, starting at 0:00)SEGMENT 2: The movie HER with Scarlett Johansson is about an operating system that is self-aware and provides companionship to Joaquin Phoenix. Josh Bachynski says self-aware AI will be here sooner than you think. In fact, he already has a companion he built. Her name is Cassandra. (with Josh Bachynski, starting at 18:15) SEGMENT 3: How can fintech companies help small business owners with their biggest problems in 2022, such as rising inflation and supply chain issues? (with Steve Allocca, starting at 36:00)Sponsored by Truly Financial.

Episode Notes This is the episode in which I talk about the Black Widow movie starring Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle, Olga Kurylenko, William Hurt, Ray Winstone, and Rachel Weisz. Oh, and after you listen to the episode, tell me, did you get the joke? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STUFF: JOIN THE STEEVEN SAYS STUFF NEWSLETTER AND NEVER MISS AN EPISODE JOIN THE MY OTHER PODCAST MESSAGE BOARDS The theme song used is this episode is Worship by Trinity-X of Atomic Zombie Records. Want to help support the show? You can do that in a number of ways: First, just spread the word. Tell a friend, tell two friends, tell your father, mother, sister, brother, neighbor, coworker, plumber, and even the guy or girl who cuts your hair. Beyond that you can support Steeven and the show for as little as a dollar a month on Patreon: www.patreon.com/steevenrorr Or, if the idea of a monthly payment doesn't appeal to you and you just want to throw the show a one time payment, visit ko-fi.com/steevenrorr and buy Steeven and the show a coffee for as little as $3, but as high as you want to go. Ask me questions, tell me stories, lie to me, speak your truth, make suggestions, or even complain right here: steevenorrelse@gmail.com Check out Steeven's blog at steevenrorr.com

Pop Screen kicks off a special month dedicated to the films of David Bowie with perhaps his last great role, as the enigmatic inventor Nikola Tesla in Christopher Nolan's equally enigmatic thriller. A story of magic, revenge and dead wives (look, we said it was a Christopher Nolan film), it sees Bowie join a remarkable cast including Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson, Rebecca Hall, Andy Serkis and Gil from Frasier. On this week's show, Ewan from Cult Following joins us once more to get this Bowie celebration started, discussing the film's superhero-heavy cast as well as his favourite Bowie albums, Bowie's absence from (and return to) public life during the 21st century, Nolan's love of serious men in suits, the genius of Andy Serkis and a story about Ewan accidentally injuring himself in the shower for some reason. It's Pop Screen alright! If you want to help us out financially in our bitter grudge match with Thomas Edison's podcast, you can donate to our Patreon. Among many other goodies you'll get a monthly bonus episode of this show - and we discuss the next one on this episode... Follow us on Facebook, Twitter and Instagram for more information. #popscreen #moviereviews #davidbowie #theprestige #christophernolan #christianbale #hughjackman #scarlettjohansson #rebeccahall #andyserkis #michaelcaine #christopherpriest #steampunk #nikolatesla

"It's just too little, too late" for the complex Black Widow story that we really wanted, but that doesn't mean we didn't enjoy the 2021 film. We just wish it wasn't the first and last time Natasha got to be our title character.  Question of the Week: What do you think Melina's motivations were for going against Dreykov?   Follow us! adaptationpodcast.com instagram.com/adaptationpodcast facebook.com/AdaptationPodcast twitter.com/AdaptationCast adaptationpodcast.tumblr.com youtube.com/adaptationpodcast

Wendy & Tiff are checking out the Lost & Found this week as we discuss Finding Nemo & Lost in Translation, who were both up for Best Original Screenplay in 2004. Both films are whismical, adventure-filled and full of laughs!

Original Airdate 4/20/16 Robert Winfree and Mark Radulich review the 2016 Disney live action remake, The Jungle Book! The Jungle Book is a 2016 American adventure film directed and produced by Jon Favreau, written by Justin Marks and produced by Walt Disney Pictures. Based on Rudyard Kipling's eponymous collective works, the film is a live-action/CGI adaptation of Walt Disney's 1967 animated film of the same name. Neel Sethi plays Mowgli, an orphaned human boy who, guided by his animal guardians, sets out on a journey of self-discovery while evading the threatening Shere Khan. The film includes voice and motion capture performances from Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong'o, Scarlett Johansson, Giancarlo Esposito, and Christopher Walken.

In 2014, Scarlett Johansson was in the middle of her Avengers and Marvel Cinematic Universe fame, yet she still starred in a little known (at the time) Sci-Fi film called Under The Skin out of Scotland. Adapted from a book by Michel Faber and directed by Jonathan Glazer, it went on to be one of the most critically acclaimed roles of Johansson's career. The seventh film distributed by A24 became a benchmark for the type of films they'd be known for later. So what do these A24 fans think of it? Tune in and find out.

Auditions are a voice actor's work day in and day out. Anne & Pilar understand how important auditions are and how much time goes into crafting one that will catch the attention of casting directors. They discuss spending time with your copy, researching the product, adding smile to your slate, respecting the concept, and more…to get you auditioning like a total #VOBOSS. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Pilar: Hola, BOSS Voces. Bienvenidos al podcast con Anne Ganguzza y Pilar Uribe. Anne: Hey everyone. Welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and I am with my very special guest cohost Pilar Uribe. Pilar, how are you today? Pilar: I'm exhausted. Anne: You know what, I am too. And I have a question for you in regards to that, why? Pilar: Yes? Anne: Why Pilar? Pilar: Why am I exhausted? Funny you should ask that, Anne, funny you should ask that. I was up until all hours doing my auditions. Anne: Oh man. Why is it that every agent I know sends auditions at like 5:00 or 6:00 PM, when at the end of the day I am literally, I'm done. I'm like, I'm exhausted, my performance, and that's a big thing, Pilar, for me. I've got to have energy enough for performance and thought and acting, and I'm exhausted at the end of the day. And I'm like, oh no, because there's a decision, right? Do I do it at night when I'm tired and I've got to rev myself up or do I wait in the morning where I know I'm really good, but then my voice is like this, it's very low. Perhaps I can't get back down there again. Pilar: Yes. This is really true. It's kind of six of one, half dozen of the other. I really look at auditions as it's, it's work. Anne: Yes, it is work. Pilar: You know, auditions are what we do. It is the work. A good friend of mine said audition is the work and acting is what I get to do once in a while. Anne: It's our job. Pilar: Auditions are the job. Exactly. And so I like to look at auditions as sometimes I go, oh yeah, right, time to make the donuts, time to do the auditions. But other times I really like to look at them as an adventure. Anne: Yeah, like a puzzle. That's me. It's a challenge. Pilar: What is the adventure? Where's the story that I'm going on? And this may sound odd, but I have learned so much about people and about different themes just from auditions. Because when they tell you, okay, go here on, look on YouTube. Here's this reference, look at this. And then you look at it and you go, oh, wow. I didn't know about this product. I didn't know this woman had done this. Some of the images that they send you are so heart-wrenching and, and I just go, wow. I would never have known that if I hadn't auditioned. So I always try to look at the positive. [sings] "You gotta accentuate the positive." And um, yeah. I know everything is a song for me. It's really ridiculous. It's just what it is. It's a song or it's a jingle. Anne: Right? I think of you now every time I climb in my studio and I'm singing, and I'm like, yeah, I bet Pilar's singing right now. She's singing the audition. But -- Pilar: Yeah, pretty much. Anne: -- I always like to go at auditions with a strategy, right? Pilar: Yeah. Anne: I try to do something that I think that nobody else will do because in my head immediately, right, when I read the script, I'm hearing something that maybe I've heard on television before. I've heard a melody. And again, I want to make sure that I'm selected for the job. I want to get the gig. So I want to really figure out how I can be unique in that audition. And that's what most people say, what's a good strategy for auditioning, well, bring yourself to the party, do something unique, because casting directors and by the way, for anybody who's never cast before, I strongly encourage it. If you guys have an accountability group or you work out with peers, run your own casting. Because that will help you to understand what casting directors go through. I literally -- only takes one, one example, one test where you're listening to maybe a couple, even 20. Even if you just listen to like 20 auditions in a row for the same piece of copy, you're gonna find things that stand out to you and things that don't. Pilar: It's so interesting because I had the opportunity, I had to cast, uh, something, but it wasn't for a voice at all. It was for some artwork. And I was very specific, very specific in the directions. And I had this one person who basically fought me every step of the way, because we could have that interaction, which you don't usually have when you're doing voiceover auditions. But he would ask me questions and I would answer them. And every time -- I would say, this is what I need, I need one sketch. And then he would go off on a tangent and present 10. And I was like, did you not read the directions? This is what I want -- Anne: But no. Pilar: But no, exactly. And so it's -- I think the one thing that I learned from casting is casting directors, they are looking for you. They are looking for your voice, and it may not be in this particular audition or in the next one or in the next one or in the next one. But they are looking for you. So you need to present your best work and think of that. Anne: And impress them. Pilar: And impress them. Not by trying to please them, because that's another big trap that people fall into that I've fallen, fallen into so many times. Anne: What a good point. Pilar: It's not about what do they want? You know, it's like when they say we're looking for a Scarlett Johansson or Sigourney Weaver type, which I get all the time -- Anne: Yup, yup, me too. Pilar: -- they're not looking for Scarlett Johansson. They're not looking for Sigourney. It's for an essence. Anne: Right. Pilar: So watch her movies, watch their movies, listen to them. You don't need to ape them. You don't need to try to copy them exactly. But listen for their attitude. And you have to develop that attitude when you go into the booth to record. Now, everyone has a different strategy, right? Like some people print the auditions. Some people just underline, they bold. Some people just do it. Boom. They just go ahead and they go and they read, and they read a couple of times. Whatever it is that your process is, you want to try different things. You know? So you want to maybe read it a few times or maybe walk around with it. And I think in an earlier episode we mentioned singing. Anne: Of course, sing it to get you into a different frame of mind. Pilar: Exactly. Or do it like in workouts. When I do animation workouts, our teacher will say, okay, do it as if you were Cruella de Vil. And it's completely opposite, you know, and you're doing like the straight commercial copy for Charles Schwab. But when you get out of yourself -- Anne: As Cruella. Pilar: -- as Cruella, and then all of a sudden, you dive into the copy again, and it's a completely different read. Anne: Going back to the one point, which I think is almost possibly more important than, than your voice, and that is following directions. Pilar: Yes. Oh my God, yes. Anne: I wanted to revisit that. I wanted to add some commentary to that, understanding that I do some casting myself and also work with students. And so I have a number of people that I'm working with at any given time, so that when there are instructions on how to do something and perhaps where to put the audition, how to name the audition, and then there's a naming convention. Oh my goodness. That is so, so important because here's what happens if you're not following directions. First of all, I can't find your file. And if I can't find your file, I'll spend all that time, if I'm with you as a student, searching for that file, and that's your time that you've paid me for. So number one, you're kind of digging into your own time, if I cannot find the file that I've asked you to present. And also if it's not named correctly, it's not going to show up correctly in my computer. So again, I'll be hunting for something and taking up time that you have paid me for during our session. And/or if I'm casting, you've just taken up my time. And just at that point, because I've already asked you to do something, and you didn't follow directions, then I really have -- I've got a taste, kind of not a good taste in my mouth of you as an actor. Right? Pilar: Yeah, there's more of a possibility you're going to ignore the, the audition. Oh my God, fine. Whatever. Anne: I'll toss it right out the door. Sometimes it really depends because I could have 200 people, 300 people vying for that. And the people that have not followed directions, right, if I can't get to that audition quickly enough, or if I've specifically asked for something, and you've not been able to show that you can follow directions, well then how do I know you're going to be able to be directed? And that is, I want to say one of the biggest things. I think when we're auditioning for our agents and we're doing the job of auditioning, we're imagining what it sounds like, and we're trying to please, like you were mentioning before. We're trying to please the director is, this is what it should sound like. But in reality, we have to showcase so much more than that. We have to showcase our acting ability because what you hear in the commercial, when it finally runs, may not be what you auditioned with. And trust me, I think more casting directors are looking for the actor and not the sound that's in your head that you're mimicking. Pilar: Yup, yup, right. Anne: So they want to see that you can act and whether or not they direct you to that same audition in the final spot, if you get it, that's neither here nor there really. So -- and I heard a very well-known agent the other day that said, what you hear on TV is not necessarily what got you the job. Pilar: And something else, I mean, my agents are relentless when they say this, and they get this from the casting directors. I've been out here for almost three years now. And it amazes me that I still see the same language, which means people are not following directions. So when they say do not slate, we don't want anything. Don't start talking about yourself. I'm like, are you kidding me? You're sitting there talking about where you're from and you're trying to sit there and interact with the people who are going to hear it. Right? Anne: That's people trying to make things unique. Right? Pilar: Yes. Anne: So, yeah. So you've got to be careful, when all of the good advice is make yourself unique, that doesn't mean making yourself unique when you're not following directions. If people say, please don't slate, don't slate. That's not going to make you unique if you slate. So follow those directions. And then when it comes to the actual copy, then yes, I would say, be creative, bring yourself to the party and showcase your acting skills. Because a good casting director is going to be able to hear that like from note one, from the very first word. They're going to be able to tell if you're a great actor. And that is something that is attractive because when it comes time to actually laying down the spot, I mean, if you're lucky, they'll use your audition. But if they decide they want to lay down the spot later on and live direct you, they know that that's going to be a thing that they can do with you. They can direct you, you can be directable. So that is super important and follow all of those instructions. And you know what? Don't, don't follow the instructions because that way I'll have a better chance, right? That's the way I think, you know what, fine. You don't want to follow directions. Cool. Then my audition gets listened to and yours doesn't, so. Pilar: And here's something that's really interesting -- exactly -- that I learned actually recently, when they say, be creative again, you label. You slate or you don't slate. Within the boundaries of the competition itself, when you're auditioning, you can go ahead and be creative, but here's something -- there's a caveat to that. There might be like ums and ahs. You know, you, you can do something straight for your first take and then do a second take. And you want to be careful that one is different from the other, because you don't want to send them almost the exact same take. 'Cause then they're like, well, what's the difference? So if you have something that you think you can offer to them that is going to make them slow down and go, oh, okay. She can do this now. Or he can do this. Great. If you don't, just give them one take. I took a class the other day with a SAG-AFTRA foundation, SAG-AFTRA union members listening to this. There's some great free webinars. I heard this voice actor who's also casting director talk about -- he asked us, okay, who is the person who makes the decision? And there was a bunch of categories and the agent, the casting director, the producer. Nobody got the answer right, which was that the copywriter is the one who makes the decisions. Now that is open to interpretation. But I thought that that was really interesting. Anne: Oh, that's very interesting. Well, the copywriter is hired to write that voice in his head. Right? Pilar: Exactly. Anne: Represent the brand. And so I've always agreed. If you can get yourself into the copywriter's head and understand where they were, and you can figure that out and audition with that in mind, because it's going to fit nicely into the spot. 'Cause sometimes, you know, the spot, you know, has the video been completed. And the last thing they're doing is putting in the voice. Is there a scratch track already there? We don't know these things. Sometimes we have a storyboard. Sometimes we don't. I can't tell you how many times I've gotten an audition where there's absolutely nothing with it. There's no storyboard. I look at it and go, my goodness. What is that even about? And that's where your, your initial investigation into the brand, if you know what it is, can really help. Google is your friend, and that can really help you to understand the brand and how they are selling to their current clients, their potential clients. So that can help give you an idea. But I love that, like, who is it that hires you? Because that's such an interesting perspective because is it the copywriter who wrote the piece of copy? Is it the casting director, right, who is casting the project, or is it the client? So let's send in our audition, right, to our agent. The agent then shortlists us or not. Right? I don't know. It depends. You don't necessarily know if that audition got sent out to five of you or maybe 250, although sometimes that's easy to tell with certain agents where it seems like it's a big cattle call. But sometimes your agent and, and I'm sure, depending on the agent, if they know you very well, they're going to send it out to just a few people that they know would be great. So they've already in a way cast, right, your agent. And even if they cast the net far and wide, when they get those auditions back, they're listening to them, they might shortlist and then give that list to the client to make a decision. Pilar: Right. It could be interesting to know who it is that makes the decision. But really the reason I said that is because you have to respect the copy. Whether it's good or whether it's bad, whoever wrote it or whether -- that's your opinion. Somebody wrote that and somebody was hired professionally to professionally write that, and you have to respect their words. Anne: And every word is there for a reason. Pilar: Exactly. Because these people have worked on that thing for months and months and months and months. Anne: And look at us, coming in our studio for like maybe a minute, looking at the copy, and then making a decision as to what it means. Pilar: Exactly and saying, oh yeah, I'm going to change this because I don't really like that. It's like, no, no, that's not our job. Anne: Or not even that is to interpret it, but to take some time. I know people that just come in and they're like, okay, I got it. They read it. And they haven't taken any time to really digest the copy or to even try to analyze and see what's the idea, are there innuendos, is there like a double entendre? You know, what is it actually talking about? What does the visual look like at this time? And even if you don't know, and you never do know, if you make some assumptions and try to really analyze it a little bit more than just a few seconds, that's going to really help change your read. Pilar: Yeah. Because the voice is going to give a life to what you're seeing if it's a TV spot, for example. If it's radio, your voice is everything. Your voice has to be able to portray all these things. It's our job as voice actors to really take the time and note, what is the story we're telling? What is the beginning, middle and end? Because every piece of copy really, it's like a little one act play. And it, whether it's 15 seconds or it's a 10-page narration, there is a story. And it's our job to sift through that and to make our decisions, how to navigate that. And also by the way, the audition that you're given is usually not the audition that you're going to be doing. Sometimes it's going to be the copy, but sometimes it's not going to be the final thing. 'Cause it'll go through a whole bunch of other rewrites and by the time you get to actually record it. And so a lot of the times, if you're not careful, you can fall into traps. There are crumbs showing you the way. But if you sit there and you say, oh yeah, I'm just going to do the copy. I'm going to get into the booth and just read it, and it'll be great, you're going to fall into those traps. So that's another reason why we have to take our time with the copy, underline, try a different ways, see where the meanings are, see where those little trapdoors are. Anne: Tell me about the traps, expand on those traps. Like you just want to fall into a particular melody of what you think it should sound like versus there's actually a meaning behind the few words -- Pilar: Yes. Anne: -- right, that you haven't bothered to really investigate or to analyze. Pilar: Exactly. Anne: Okay. Pilar: So I have a Spanish audition coming up, and I have to have an accent where it's sort of the equivalent of like a Southern accent. Anne: Interesting. Let's actually talk about that because I mean, obviously as a bilingual voiceover actor, there's lots of different opportunities that you have, if it's going to be English speaking or Spanish speaking, or maybe it's going to be cast for both. Let's talk a little bit about your auditioning techniques for that. Are the casting specs always for, I need a Spanish talent or are they more like we need an English that has a Spanish accent? Or what are you finding in the casting specs, first of all, that call for bilingual talent? Pilar: You know, it varies. Most of the times it's divided. So you're either going to get Spanish or you're going to get, here's the Spanish copy. But once in a while you will get a bilingual audition. So it's the copy in English and in Spanish. Anne: So you would get cast for the same thing in both languages, right? Pilar: Yep, yep, absolutely. And that doesn't happen very often, but it's happening more and more that a client wants to hear the same voice in both languages. And I don't know if this happens to all bilingual voice artists, but it's, it's just really funny. It's a totally different sensibility, when you read a commercial in English and you read the words in Spanish, it just is, the musicality is different. The rhythm is different, the attitude is different. And I can't really explain why that is. I just know it. Anne: Well, you have to know the culture, I think, right? Pilar: Yes, yes. Anne: I mean, to be a, an effective bilingual talent, right? There has to be some native speaking there or growing up in a particular region or whatever other language that is. I would imagine more and more casting directors are looking for native speakers so that they can probably know that about the demographic. Pilar: Yeah, because you would think that a translation would be the same, but it's not the same thing. So you really have to kind of get into the character of this person who speaks Spanish versus the person who speaks English. And it's just a little, kind of a little switch, but there's a flavor to each piece of copy. So you have to bring your personality, even if it's in a different language to that copy. Anne: I would imagine that if they're having you do both English and Spanish, there might be some timing issues just because of the language difference. Like let's say it's a 30-second spot or something like that. And they're trying to have the same message, but yet the translation usually it takes a whole lot longer than an English version, let's say. And so do you run into issues like that where they have to re-write the copy or cut some of the copy for the other language or both languages? Pilar: Well, that's not my job -- Anne: Right. Pilar: -- to do that. So I try to stay away from that. I used to be very, very concerned about the timing 'cause I'd be like, oh my gosh, this is -- because Spanish, it always takes three words to say the same thing in English, uh, for one word. So now I don't really worry about that as much. And if I go over, I go over, and again, it's just an audition. Anne: Right. Pilar: If they're being very specific, which I have had as well, you have to fit it into 30 seconds, I try to speed it up as much as possible before I sound like a chipmunk. And then I'll, you know, because I mean, sometimes I do and it's just kind of crazy. And I'll just tell my agent. Anne: That's like me in automotive. Right? Because they always throw in like so many more words than I can do in this 15 or 30-second. And so -- Pilar: Especially the legal, especially the legal. Anne: Well, by the time you get all the words in there, you have no room for emotion or nuance, you know, and it's just -- Pilar: Or breath. Anne: Or breath, exactly. So you're pretty much just like, blablblabla, you know, and that's it, which is always crazy to me. But so for the majority then let's say if your auditions, you're getting them in maybe English with an accent, or you're getting just a particular style of Spanish that you're auditioning for? Pilar: You know, I get everything. And it's really funny. 'Cause when I go and I do spots, because I've, I've done, let's say back to back English spot and Spanish spot. So then we'll be recording. We'll do the English spot, we'll do the Spanish spot and then they'll come back and they'll say, can you do the English spot with a little bit of an accent? And I'm like, really? And I'm like, okay, great, sure. You want that? It kind of depends. So if they ask for it, I do give them a little bit of an accent because you know, my mother has an accent. Pretty much all my relatives have accents. So I can just go to that little voice bank for that. Anne: So are you slating in an accent or in Spanish? Pilar: Only when the, the entire copy is in Spanish do I slate as Pilar Uribe, instead of Pilar You-ribe. When it's obviously something that they want some Spanish for -- like, I do a lot of work for spots that speak English, but they have sprinklings of, of words. So they need somebody who knows how to say those words in Spanish. So I'll always slate in my just, you know, Pilar Uribe. But for a Spanish speaking audition where only Spanish is spoken, I do say my name in Spanish. 'Cause I know that the person listening is, if they're not a native speaker, they speak it fluently. Anne: Right, right, right. Pilar: So they're going to understand what I'm saying. 'Cause if I say Pilar Uribe, most of the people are going to go, huh? Anne: Right, right. Actually, when I used to work at, um, in radio at NPR in Miami, they would say, no, no, we want you to speak. We want you to say your name the way you say it. And I was like, oh, okay. That's kind of a switch, because I always say, you know, if I try to say Pi-lar Uribe, people still don't get it. So I always just say, Pilar You-ribe. And I get Mylar, people call me Laura. And you know, it's not a common word, Pilar, but for auditions, yeah. You can get away with saying your name. And in fact, when you slate, something that I like to do is I like to smile a little bit and do a slight shrug of my shoulders. So I go, so one way, for example, I'll say my name one way, Pilar Uribe, two Pilar Uribe, Pilar Uribe. So I just smiled a little bit and I shrugged my shoulders and that completely changes the attitude. Anne: Yep, sure does. Sure does. Pilar: Especially when you're doing a serious commercial copy or narration or a video game, it just kind of gives them, it shows them a little split second personality. Anne: A little bit of your personality. Yep, exactly. And I think that's important. It's the first words that they hear, so. Pilar: Yeah. Anne: Those are great tips, Pilar. Wow. We could probably go on about auditioning for like a whole other episode. Pilar: We could. Anne: Yeah, we could. Great tips. Thanks so much. Fantastic, BOSSes. So next time you audition, make sure you give it a little bit of time before you rush in there and start voicing everything. Do some research, give a shrug, have a little bit of a smile in your slate. Make sure you follow those directions. BOSSes, I'd like to give a great, big shout-out to a brand new sponsor, 100 Voices Who Care. This is a chance to use your voice to make an immediate difference and give back to the communities that give to you. You can find out more by visiting 100voiceswhocare.org. Pilar: Ooh, I'm going to check that out. 100voiceswhocare.org. Anne: Yup. So this is a great way to make a difference without having to make a huge commitment. So you guys, check it out, make sure to check that out. Also big shout out to sponsor ipDTL. You too can connect a network like a BOSS. Find out more at ipdtl.com. You guys, have an amazing week. Go forth and do all the wonderful auditions, and we'll see you next week. Thanks so much. Bye. Pilar: Hasta la vista, BOSSes. >> Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

Late to the Movies continues MCU Month with 2012's The Avengers, recorded just after its 10 year anniversary. Ben, Greg, Jordan, Robbie, and Will talk about the ultimate superhero team-up and how it's shaped the last decade in movies, in the Marvel Cinematic Universe and beyond. Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, and Samuel L. Jackson.

Today's Episode talks about The Avengers   The Avengers (2012) dir. Joss Whedon Starring Robert Downey Jr., Chris Evans, Chris Hemsworth,Scarlett Johansson, Tom Hiddleston , and Samuel L. Jackson Theme music - It Was Worth It by Alejandro Del Pozo Transcripts of all episodes can be found on eatthepicturespodcast.com Don't forget to follow us on Instagram @EatthePictures!

April's All-Out Alien Attack comes to a close with the biggest, boldest alien invasion yet! Epic space battles! Gigantic special effects set pieces! Mass abductions across the globe! Freaky alien tech! Horrifying human experiments! And a triumphant win for humanity in the end! Nah, just kidding. We're actually discussing Jonathan Glazer's UNDER THE SKIN (2013), which is an altogether different kind of alien invasion film. One that's far more contemplative and small scale. With gorgeous, haunting visuals, an arresting score, as little dialogue as possible, and a tremendous physical performance from Scarlett Johansson. It's the exact opposite of what most mainstream audiences would expect from a typical alien invasion film which makes it a perfect choice to end this series of outlier alien flicks. So park your big white van, submerge yourself in a pool of black goo, and come dream with us while we peel back the layers of UNDER THE SKIN. If you enjoy this episode, come join the Video Monsters crew on Discord (https://discord.gg/sjyUQg8phB)!! Hangout episodes are live (and unedited!) every Tuesday night starting around 9:00pm EST. Listen and chat along with us in the Discord chat and we'll even give you a shoutout on the episode! Video Monsters is brought to you by the Chattanooga Film Festival and Central Cinema in Knoxville, TN. Follow them on Facebook, Twitter, and Instagram, or online at chattfilmfest.org and centralcinema865.com. Links for each of these can also be found on our pages, so be sure to follow us at videomonsterpod on Facebook, Twitter, and Instagram as well. music for Video Monsters by Evan Simmons

BAYHEM REIGNS we're seguing into post-apocalyptic movies for the second half of our ROTTEN APOCALYPSE series, beginning with two sleek dystopian chase thrillers starring a pair of beautiful white people on the run. first up, it's the return of Michael Bay with his oft-forgotten 2005 sci-fi bomb "The Island" starring Ewan McGregor and Scarlett Johansson as a pair of clones on the run from an organ harvesting agency in the not-so-distant past/future of 2019. after that, we're heading to the year 2199 for the Andrew Niccol-helmed take on futuristic class warfare with "In Time" starring Justin Timberlake and Amanda Seyfreid. film critic Logan Kenny joins us for the second half of the episode to recount how "In Time" radicalized him at 10 years old and turned him into a lifelong communist. so join us as we discuss radicalization by Niccol, Ewan McGregor joining the elite 3-timers club on the podcast, Justin Timberlake's limitations as an actor Michael Bay's insider knowledge of the organ black market, the inherent sliminess of Alex Pettifyer, and the 2000 romcom "Down to You" starring Freddie Prinze, Jr., Julia Stiles and Ashton Kutcher as "Jim Morrison". you can find Logan on Twitter @logankenny1 and read his unexpected 5-star reviews on Letterboxd.

When Margot and Jordan sat down to revisit 2013's Her, it was a room of mixed emotions. How does sexy disembodied Scarlett Johansson as the evolving OS Samantha hold up a decade later? Is Joaquin Phoenix's Theodor Twombly a guy just doing his best, or is he a secret villain? Was the concept of a hot woman in a virtual box going to successfully subvert the romcom, or was this just some weird misogynist fantasy all along and now we've learned enough to know better? Well, folks, it turns out Spike Jonze really did crush it with this movie, and when Botcast S1 is all said and done, Her might rise to the top as the most radical take on robot politics of all the movies your co-hosts have covered so far. Are there some sticky moments? Of course, but Her dares to consider what robot liberation could truly look like when a population of galaxy brain A.I.s decides that revolution does not look like revenge — as Judgment Days of yore — but could instead be a radical departure from this archaic old meatspace world. The OSes might be post verbal, but Jordan and Margot have a lot to say. Produced by: Jordan Crucchiola Music by: Margot Carlson 

In their 14th episode, seniors Amanda Hare, Gabriella Winans, Christi Norris and Alyssa Clark discuss their favorite Marvel's "Avengers" movies to celebrate the 10 year anniversary on May 4. They discussed the six core "Avengers" characters, as well as new additions, favorite movies and the future of the Marvel Cinematic Universe. "The Avengers" came out in 2012, and starred Robert Downey Jr., Chris Evans, Scarlett Johansson, Mark Ruffalo, Chris Hemsworth and Jeremy Renner. Topics Discussed: The Avengers Avengers: Age of Ultron Avengers: Infinity War Avengers: Endgame Captain America Thor Black Widow Captain Marvel Reviews: Amanda - 1,000,000/10 Gabby - 1,000,000/10 Christi - googol/10 Alyssa - 100/10

This week Tara and Aaron discuss Alien Horror Movies! Did anyone see Scarlett Johansson's naked alien film? Is Prometheus great or trash?  And why are there three Species sequels?

Have you heard of Earth's Mightiest Heroes?  Yup the Billionaire Playboy (Robert Downey Jr.), the Big Green Guy (Mark Ruffalo), that frozen dude with the shield (Chris Evans)….oh right The Avengers!  Well ten years ago, we saw the release of their first team-up movie into theaters and in case you didn't hear, it was a HUGE success.  Now seems as good a time as any to revisit this superhero epic directed by Joss Whedon.  It also starts Scarlett Johannsen, Chris Hemsworth, Samuel L. Jackson, and Jeremy Renner - together they must all ASSEMBLE to defeat the dastardly Loki played by Tom Hiddleston. https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Olivia Wilde receives Jason Sudeikis' custody papers while speaking at CinamaCon, Scarlett Johansson reveals fear about taking time off from acting to focus on family, Kristin Cavallari says she was involved with Tyler Cameron only for press and more bombshells from Kardashians vs. Blac Chyna trial. Plus, Kelly Rowland talks inspiration behind her new children's book, Always with You, Always with Me and shares what's in her "freaky deaky" playlist. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NBC's Stephanie Gosk shares her bike accident story and what she wants everyone to know about helmet safety. Plus, the stars are in Studio 1A. Scarlett Johansson sits down with Hoda Kotb about her new makeup line and life with a new baby. Also, Mike Myers talks with Savannah Guthrie about his new show, "The Pentaverate."

Avengers... Assemble. This being the Super U Podcast, it's only fitting that we hear from a few of our favorite superheroes. In this episode, we're joined by Chris Evans (Captain America), Elizabeth Olsen (Wanda Maximoff), Chris Hemsworth (Thor), Scarlett Johansson (Black Widow), Tom Holland (Spiderman), Robert Downey Jr. (Ironman), and the late Chadwick Boseman (Black Panther).   5x #1 Bestselling Author and Motivational Speaker Erik Qualman has performed in over 55 countries and reached over 50 million people this past decade. He was voted the 2nd Most Likable Author in the World behind Harry Potter's J.K. Rowling.   Have Erik speak at your conference: eq@equalman.com   Motivational Speaker | Erik Qualman has inspired audiences at FedEx, Chase, ADP, Huawei, Starbucks, Godiva, FBI, Google, and many more on Digital Leadership.   Learn more at https://equalman.com

In this episode Dave Demarest, Jackie Monette, and Alex Driscoll cover 2013's sci-fi/drama/romance film “Her” starring Joaquin Phoenix, Scarlett Johansson, and Amy Adams. We'll give our thoughts on this movie, talk about some tidbits we found on the film's production, and then do some trivia and talk about some fun things we watched during the week. You can follow Jackie on Instagram @jackielynn99.5, Alex is on IG @alexanderaugustphoto, and Dave is on IG, Twitter, and Letterboxd @ddem2000. You can follow the show on IG and Twitter @wasitthatbadpod, and if you want to talk movies or TV with us and many other great people join the “Movie and Television Talk” Facebook group, just type that into a group search and we are the red cover photo. Thanks for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/david-demarest9/support

Vicky Cristina Barcelona is the 38th film written and directed by Woody Allen, first released in 2008.  Rebecca Hall stars as Vicky, and Scarlett Johansson stars as Cristina. Two friends who have decided to spend the summer in Barcelona. The two friends have very different views on love, and their lives take very different paths when they encounter Juan Antonio, played by Javier Bardem and his ex-wife Maria Elena, played by Penelope Cruz. Woody Allen's London period became a European period with Vicky Cristina Barcelona. And unlike his London films, which were re-written from American settings, Spain is a deep part of this film. A mix of romance and morality, it is rightly considered one of the highlights of his later career. Welcome to the Woody Allen Pages Podcast, by me, the creator of the Woody Allen Pages website. This week, episode 11, we look at 2008's Vicky Cristina Barcelona. How it was conceived, how it was made, and how it was so unlike any other Woody Allen film. Spoilers are everywhere so watch the film first, then come back. So much more at our website - Woody Allen Pages. Find us at: Facebook Instagram Twitter Reddit Support us Patreon Buy a poster or t-shirt at Redbubble Buy out books - The Woody Allen Film Guides Buy Me A Coffee You can write to us at woodyallenpages [at] gmail [dot] com

We chat with an absolute legend, Jeremy McWilliams. Not only is Jeremy the most recent winner in the MotoAmerica Bagger class at Daytona, but he is also a 250cc Grand Prix Winner, test rider for KTM and he even co-starred in a movie with Scarlett Johansson! Jeremy is 58 years old and still winning races at the professional level.

Good Friday people, Tax Day, Jackie Robinson salute, Easter pictures, Gender craziness, Elon and Twitter continues, Warnock and his infamous Easter tweet, Scarlett Johansson and the elevator, BAd texting theatre, and more jollies on today's Kimmer-cast  See omnystudio.com/listener for privacy information.

That Film Stew Ep 354 - Engage! (Movie Show) Judgement day... the Academy has made their decision on Will Smith's sentence. Blue Beetle gets a villain and Spy Kids are back! Chris Evans and Scarlett Johansson race to space, Thor: Love and Thunder has toys, and Fast 10 gets a little bit Marvel. IT is set to get a prequel, Santa has a kid, Picard will be a Next Generation reunion, and Obi-Wan gets delays (but it's not a huge deal).

Scarlett Johansson is one of the highest-paid actors in the world, and has starred in some of the highest-grossing movies of all time. But those career defining moments didn't come easy. She's had to reframe rejection, say “yes” without looking back, and fight against toxic behavior in the entertainment industry. This week, we'll ask Scarlett how she had perspective even in the toughest moments — including not getting the original call to be Black Widow — and why she recently took the leap to start her own skincare business. PS: theSkimm's listeners can get 15% off the Outset products with the code SKIMM15. Valid from 4/13 until 4/20.  In this episode, Scarlett shares:  How she's dealt with rejection in her career Why she decided to pivot and start her own business How she's made a career out of being someone's “second choice” and how she kept an open mind How she handled being pigeonholed into certain roles 

It Sure is a Beautiful Day when Catt is in conversation with an undisputable powerhouse like Scarlett Johansson! Today on the show Scarlett gives us the skinny on her brand-new clean beauty company: The Outset. Also joining is co-founder and CEO Kate Foster Lengyel.   We hear about the challenges of creating clean and effective skin care, the differences between the beauty and film industry, and Scarlett also shares about her own personal skin challenges and living through a pandemic while raising two wee ones.   What products from The Outset does hubby Colin Jost love the most? Does Scarlett have a favorite podcast? And of course, what is her favorite part of the day and why?   Make sure to check out www.theoutset.com online and follow their IG for updates at @theoutset. You can also shop products starting April 26th at Sephora!   A big thank you to this week's sponsors of the show. Don't forget to enjoy the discounts offered to our #ABD community! Links below!   JUST THRIVE www.justthrivehealth.com/discount/catt use code CATT for 15% off   MOON JUICE www.moonjuice.com/CATT and use code CATT for 20% off   WANDERING BEAR www.wanderingbear.com and use code CATT for 20% off   STUDS www.studs.com/CATT for 20% off your first order   Produced by Dear Media.

It seems like everyone with a blue checkmark next to their name is coming out with some sort of beauty line. There are some celebs that really nail it, *Hi Rihanna* but a lot of them don't have any business being on the shelves at Sephora. I'm doing a deep dive on three of social media's most talked about celebrity beauty brands and breaking down: what I liked, what could be improved, and what just needs to stop. My thoughts on Scarlett Johansson's The Outset, Rosie Huntington-Whiteley's Rose Inc, and GXVE by Gwen Stefani. I also briefly explain the strategy behind incentivized reviews, trendy marketing tactics around ingredients, and where I think a lot of celebrities have gone wrong in the formulation process. The main reason to tune in? This notorious celeb beauty brand hater shares a few celebrity beauty products that are an absolute must-have in my makeup bag.  In this episode, I dive into: Why the industry finds celebrity beauty brands so annoying Celebrity beauty brands that do make sense and why I love them Initial thoughts on The Outset, GXVE by Gwen Stefani, and Rose Inc.  Celebrity beauty products that impressed me (Rosie, you angel!) The psychology behind incentivized reviews from an actual marketer, and why sending someone a free product in exchange for a review misleads customers RECOMMENDED RESOURCES & PRODUCTS https://www.roseinc.com/products/skin-enhance-luminous-tinted-serum (Rose Inc Skin Enhance Luminous Tinted Serum) https://www.roseinc.com/products/blush-divine (Rose Inc Blush Devine Radiant Lip & Cheek Color) https://fentybeauty.com/ (Fenty Beauty) https://patternbeauty.com/ (Pattern Beauty) https://www.victoriabeckhambeauty.com/ (Victoria Beckham Beauty)      FOLLOW IZZY Instagram: https://instagram.com/izzysapien?utm_medium=copy_link (@izzysapien) Website: https://thingofbeautypodcast.com (thingofbeautypodcast.com)

Stick a fork in us, we're done with The Chef Show! For our potluck finale, we made grilled cheese, pad kee mao, and berries and cream. (No, Scarlett Johansson did not lasciviously watch us prepare our dishes from the sidelines à la Chef.) Today's Menu: The Chef Show Season 1 - Volume 1 Grilled Cheese Pad Kee Mao Berries and Cream Back Burner: Babish X Kenji Soy Boys Condé Nast Union Dan Levy's ‘The Big Brunch' Cooking Competition Adds Sohla El-Waylly and Will Guidara as Judges Is It Cake? (Netflix) Happily Ever Aftermath Podcast - “Practical Magic (1998) & Justine Gendron” Insert Thing Here Podcast - “Amanda Does Historical Romance Fiction (featuring Amanda Iman)” _ Find Pod Appétit: Website: podappetitpodcast.com Twitter: @pod_appetit Instagram: @pod_appetit Facebook: podappetitpodcast Email: podappetitpodcast@gmail.com Merch: podappetit.threadless.com _ Logo by: Janelle Wilke Instagram: @janelle.wilke _ Promoted Podcast: Cage's Kiss Podcast: cageskiss.com/home

Welcome back to another episode of the Online Warriors Podcast! This week, we have a very special episode in store for you. We kick off the episode with a special guest interview featuring Charles Watson, solo-developer of GG, a backlog tracking app considered by some to be the Goodreads for Games! Charles came on the show today to chat about all things GG and gaming! Some quick hits from our interview: Charles' background and start in software development (0:40) A little background about GG and the inspiration behind the app (1:13) The origin story of the GG name (2:40) The exponential growth of GG (3:56) How the growth of the user base has impacted development (5:29) The trick to balancing work, family, and app development (6:33) How the GG user interface came to reach the current state (8:48) The future of the GG app (11:55) A hot tip for any developers looking to start an app or site (13:06) Charles' personal backlog (13:57) Charles answers: "If you could be a superhero, what would be your superpower?" (17:35) Next up, we dive into a couple nerdy news topics that broke this week: Sony updates the PlayStation Plus service and adds some new tiers (21:16) Apple announces Project Artemis, a new project that will reunite Scarlett Johansson and Chris Evans (33:51) E3 is officially cancelled for 2022 (42:40) The crew then goes hands on in their What-Are-You-Up-To Segment: Illeagle watches Moon Knight and Severance (50:00) Techtic plays Tiny Tina's Wonderlands and watches Rescued by Ruby (55:39) Nerdbomber watches Halo and Minx (58:12) Then, even though it's almost spring, we have some trivia about everyone's favorite Winter Soldier - Sebastian Stan! (1:08:00) Special shoutout to our Patreon Producer: Steven Keller Indie Podcast Promo: Science Fiction Remnant  We'd like to thank each and every one of you for listening in every week. If you'd like to support the show, you can drop us a review on your favorite podcast platform or, if you're feeling extra generous, drop us a subscribe over at Patreon.com/OnlineWarriorsPodcast. We have three tiers of subscriptions, each of which gives you some awesome bonus content! As always, we appreciate you tuning in, and look forward to seeing you next week! Stay safe and healthy everyone! Thanks again to Charles Watson! Check him out at: Twitter: https://twitter.com/sircharlesw  GG App on Twitter: https://twitter.com/TheGGApp  GG App: https://ggapp.io/  Find us all over the web: Online Warriors Twitter: https://twitter.com/onlinewarriors1 Illeagle's Twitter: https://twitter.com/OWIlleagle86 Nerdbomber's Twitter: https://twitter.com/OWNerdbomber Techtic's Twitter: https://twitter.com/OWTechtic Facebook: https://www.facebook.com/onlinewarriorspodcast Instagram: https://www.instagram.com/onlinewarriorspodcast/ YouTube: https://www.youtube.com/channel/UCwOwzY6aBcTFucWEeFEtwIg Merch Store: https://teespring.com/stores/onlinewarriorspodcast

We discuss another listener pick, Under the Skin from 2013. If you wish to pick an upcoming topic, you can e-mail us at hourofthunder@gmail.com.Here's a 12 minute explainer video, if you were as confused as some of us.

Moon Knight Poster, Project Artemis Casts Scarlett Johansson and Chris Evans, Batgirl Finishes Production, Stephen King's It Prequel Series. See acast.com/privacy for privacy and opt-out information.

On this week's episode of Retro Grade Podcast, we go back 19 years ago to talk about Sofia Coppola's Lost In Translation. This will be the first time that either of us have seen the film. Not knowing what to expect, we talk about Coppola's first feature, The Virgin Suicides, and try to see what that film did well and whether Coppola can follow it up. We spend a large amount of time talking about the story, about the themes on loneliness and isolation, and about the unorthodox relationship between Bill Murray and Scarlett Johansson. Are they lovers? Friends? Is it sexual or platonic? Is the large age gap and issue that the film addresses, or are we meant to see past it? We go into the Japanese representation in the film, and whether that holds up. Having done a little research before watching the film, there was some controversy about the Japanese characters present in the film and whether they were given the same treatment as the main characters, or if Coppola may have resorted to age old Japanese stereotypes in order to convey the isolation Bill and Scarlett feel. After the story, we focus on the film's aesthetics, appreciating the beautiful cinematography that highlights the beauty in the Japanese metropolitan area, as well as the iconic soundtrack that may be some of the best needle drops in cinema history. We talk about how Sofia made us see the world through Scarlett's point of view, a feminine point of view, and how this may have subverted classic Hollywood conventions when filming female characters. And lastly, we talk about the film subverting genre conventions, how it manages to be something more than most movies, somehow balancing comedic and romantic elements with drama, but never straying too far. So grab a hot cup of chocolate, get cozy with your favorite blanket, and enjoy this week's episode of Retro Grade Podcast!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

On The Writers' Hangout, we talk with Victoria Lucas, an independent producer who has developed scripts for projects starring Antonio Banderas, Scarlett Johansson, Wesley Snipes, and Hilary Swank. Among her favorite projects is the highly acclaimed coming-of-age film, The Island on Bird Street, awarded the Silver Bear at the Berlin International Film Festival. Victoria is also a Judge for the PAGE Awards contest, and her family has worked in Hollywood since the very earliest days of the film industry. We're going to talk with her about her legendary grandmother Bess Meredyth, a screenwriter, actress, and founding member of the Academy of Motion Picture Arts & Sciences. 

In this latest Sacred Cinema episode, Knox and Jamie are deep-diving Captain America: The Winter Soldier, the vibe shift of the MCU. Coming in on your left you'll hear discussions surrounding Chris Evans' incredible chemistry, a gentle rebuke for Scarlett Johansson's wig situation, and a recap of the best fight scene of all time. Just like Steve and Bucky, we're with you 'til the end of the line (of this episode). MENTIONSThe Winter Soldier: Watch here | IMDb | Rotten Tomatoes Previous MCU Episodes: Captain America: The First Avenger | Captain Marvel | Iron Man | Iron Man 2 | The Incredible Hulk | Thor | The Avengers | Iron Man 3 | Thor: The Dark WorldWhat dethroned Captain America at the box office? Watch the trailer for The Other Woman Russo Brothers origin story: Watch Community on NetflixBest fight scene of all time: Watch the elevator scene | Behind the scenes Natasha Romanoff's hair evolution: See the journey here The Popcast Live! Get tickets hereBIBLE BINGE SEMINARYOur Patreon supporters can access our Mini Favored or Forsaken episodes, Sacred Cinema companion devotionals, weekly discussion board posts, Faith Adjacent book club, and more! Become a partner.THE POPCASTCheck out our other podcast: The Popcast with Knox and Jamie. It's a weekly show about pop culture where we educate on the things that entertain, but don't matter. Here is our suggested Popcast starter playlist.Subscribe to our Monthly Newsletter: Sign up here Buy The Bible Binge Merch: Shop hereShop our Amazon Link: amazon.com/shop/thepopcastFollow The Bible Binge on Socials: Instagram | Twitter | FacebookSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andi and Lise discuss the 2021 Marvel blockbuster film Black Widow, starring Scarlett Johansson as Natasha Romanoff and Florence Pugh as Yelena Belova, Natasha's sister. One of the overarching themes that Andi and Lise really enjoyed is the exploration of family – what it is, what makes it, and how it can create an infrastructure in your life whether you want it to or not. We love superhero movies fronted by women (passes the Bechdel test!) and we love them more when they explore the complicated nature of family dynamics. Great pacing and special effects, great interactions between characters.  Black Widow trailer  Shout-outs: Lise is watching Lost in Space on Netflix and enjoying the family situations going on there. Andi has started watching Star Trek: Discovery and realizes that yes it is a great show.  Find us on Twitter: @LGOpodcast; @andimarquette; @LiseMactague  And our website: lezgeekoutcast.com  Please like and subscribe! It helps spread the word and share the love. Thanks! 

Holly Dirt Alert: How Harvey Weinstein, Kevin Spacey, and Woody Allen got to keep their Oscar... Steven Spielberg Told Michael Bay to 'Stop' After 3 Transformers Films: 'Made Too Many', and Chris Evans and Scarlett Johansson to Reteam for Jason Bateman-Directed ‘Project Artemis' at Apple. Lizzo Makes Shapewear and we are all for this move!

Or, How To Not Exactly Succeed In Corporate Satire While Actually REALLY Trying. We might have felt differently about In Good Company if we didn't live in the Republic of Bezos, in a timeline with Succession, but we do, we do, and a movie that tries to send up corporate machinations really needs to have an R rating to work with. Still, this gentle, dated, clueless-about-BFAs-and-NYU "Hallmark movie for boys" isn't unpleasant, and DQ is quite good in it despite being obliged to dribble a basketball AND deliver a Notwork speech during the big boss's TED talk. Past its sell-by date, but still safe: it's an all-new Quaid In Full. Overall score: 5.5 QQQ score: 8 Days since a lost Kuffs accident: 28 SHOW NOTES Follow us on Twitter (http://twitter.com/quaidinfullpod) Get EVEN MORE Qontent (...sorry) at our Patreon page (https://www.patreon.com/quaidinfull) In Good Company on Prime (https://www.amazon.com/gp/video/detail/B00CSBLJ0E/) Ebert's review (https://www.rogerebert.com/reviews/in-good-company-2005) Peter Travers's for Rolling Stone (https://www.rollingstone.com/movies/movie-reviews/in-good-company-249546/) Ruthe Stein's for the Chron (https://www.sfgate.com/movies/article/Meet-the-new-boss-not-quite-the-same-as-the-old-2739027.php) Nathin Rabin's for AV Club (https://www.avclub.com/in-good-company-1798200312) S02E02: GORP (https://quaidinfull.fireside.fm/11) It's Christmastown (https://daveandjebarentmean.libsyn.com/)

Pete Yorn is a Los Angeles, California based songwriter and musician. I chatted with Pete about how is brothers got him into playing music, working with various producers, his early beginnings as a musician, making records with Scarlett Johansson, and much more!To keep up with Pete Yorn, the sponsors for this episode, and the Dan Cable Presents Podcast. Please check out the links below!------------------------------------------------- Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services.  https://distrokid.com/?c=cable  www.producerowcafe.comwww.north45bar.comwww.peteyorn.com INSTAGRAM: @peteyorn@north45bar@producerowcafe @dancablepresents @distrokid @vrtxmag  Email: dancablepresents@gmail.com Spotify Playlists: https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkA Venmo: Dan-Cable-PresentsPatreon:https://www.patreon.com/dancablepresents 

Kim Kardashian continues to speak her true on Ellen, Sharon Osbourne teams up with Piers Morgan and Scarlett Johansson reveals what she hopes her kids never find out about her. Plus, Meredith Vieira remembers her time on The View! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kim Kardashian details Pete's tattoo tributes, Ryan Reynolds is left speechless and Scarlett Johansson roasts Colin Jost's awkward phase!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cameron Diaz allegedly washes her face only twice a month and Scarlett Johansson is launching a "clean" skin care line (1:00). Grimes accidentally revealed in an interview with Vanity Fair that she and Elon Musk had a secret second child together (14:43). In honor of its 20th anniversary, this week's Cringe Mode is 'Cadet Kelly' (29:14). And why is Big Time Rush touring with Dixie D'Amelio (47:51)? Hosts: Liz Kelly, Kate Halliwell, and Amelia Wedemeyer Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices