Podcast appearances and mentions of brett weston

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 17-19, 1977. Photo: Nancy Newhall (American, 1908–1974). "Brett Weston on step of car," negative, 1978. Courtesy of Department of Photography/George Eastman Museum. Gift of Christi Newhall. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 1, 1977. Photo: Abraham Aronow (American, b. 1940). "Brett Weston," ca. 1988. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid, February 1, 1977. Photo: Abraham Aronow (American, b. 1940). "Brett Weston," ca. 1988. Courtesy of Department of Photography/George Eastman Museum. Gift of the photographer. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

HT1595 - What to Do with Your Negatives In order to protect his artistic legacy, Brett Weston supposedly burned his negatives. In truth, have recently heard that he only burned a few of them, for show. I recently received an email from another photographer who said that he just destroyed all of his negatives because he didn't want anybody else to be printing them after he's gone. But what about all those digital files?

Psalm 33 Brett Weston July 17, 2022 by Deer Creek Church

We are excited to have Jennie Shepherd, Daniel P. Premenko & Brett Weston join us on today's podcast as we discuss how God is constantly drawing us to Him and several other topics. Don't miss it!

"(Extra)Ordinary Hope" Brett Weston 11/29/2020 by Deer Creek Church

Welcome to episode 8 of the podcast! This is part 2 of our Learning from the Masters series. This week we are learning from the masters of outdoor film photography.This was a hard list to compile, to narrow it down, the photographers had to match 3 criteria. They are no longer with us.They did most of their work in the pre-digital era.They focused on outdoor and travel pursuits.Photographers we talk about in this episode. This is by no means an exhaustive list. It’s a starting point to get you going on your own learning.Ansel Adams (Gallery)Brett Weston (Gallery)Galen Rowell (Gallery)Brassaï (Gallery)Today we talk about four tips that these masters of photography can teach us to make our travel and adventure photography better.ExplorationDetailPreparationParticipationExplorationTrue masters of outdoor and travel photography all have one thing in common, they explored. They spent thousands of hours on their feet seeing areas.Move around an area. Get to know how it feels. This will come across in your images.Ansel Adams was particularly famous for this. He walked all over the national parks in the states, finding the perfect angles for his photographs. He had a love for the land that you can feel in his images.DetailLook for large, sweeping landscapes that are incredibly highly detailed. This is what Ansel Adams was known for. His images are incredibly detailed and they draw you into these amazing landscapes. But there is another way to photograph nature. Look for the small, little details.The work of Brett Weston is an amazing example of this. He gives us little snippets of landscapes, like trees and grass in unique patterns and unique shadowing. He reminds us to look for the small details in your scenes.PreparationLook up where the light will be hitting your subject and at what time of day you will need to be there.Galen Rowell was a master of preparation. He would spend hours waiting for the light to illuminate his subjects just right.ParticipationOne of the biggest things that Rowell can teach us is to be a part of adventures. You can see that he had a true love for what he was photographing. But beyond that, he knew his subjects because he was a part of what they were doing.What this shows is that we can’t just photograph people enjoying themselves travelling, or skiing, or adventuring, but we have to be right in the heart of it ourselves. We need to be able to be a part of the experiences we are photographing. This also means you understand the subject you are attempting to capture much more deeply, and thus you are able to anticipate moments. This allows you to create deeper and more impactful images.BrassaïHe combines a bit of everything we have talked about here and today is famous for his night time photos of Paris.His images are filled with subtle shapes only perceptible under the dim and dark night light, which is why his work is considered a great study of shape.To Consume:Observe the prints of Brassai and Adams or RowelTo Create:Pick a subject and get to know it very well. Choose different angles to see it from, look for new perspectives and new places to photograph it.WebsiteFacebook

Who Am I? "Our Identity Chosen By God (Ephesians 1:3-14)" Brett Weston 12/1/2019 by Deer Creek Church

Sermon on the Mount "The Golden Rule(Matthew 7:12)" Brett Weston 5/26/2019 by Deer Creek Church

Elevate Hope Brett Weston 11/25/2018 by Deer Creek Church

Sermon on the Mount "Matthew 5:7-9" Brett Weston 10/14/2018 by Deer Creek Church

A New You "A New Work" -Brett Weston 8/05/2018 by Deer Creek Church

A New You "A New Community With a New Unity"-Brett Weston 7/29/2018 by Deer Creek Church

A New You "A New Home"-Brett Weston 7/22/2018 by Deer Creek Church

A New You "A New Life"-Brett Weston 7/15/2018 by Deer Creek Church

Changes 12 31 2017-Brett Weston by Deer Creek Church

Questions, questions. Whose got the questions? Turns out, it's YOU, the listeners! This week, we tackle conundrums about favorite museums, sources of inspiration, archiving strategies, finding the theme of your work, and a whole lot more. Brett Weston is our Photographer of the Week.

Questions, questions. Whose got the questions? Turns out, it’s YOU, the listeners! This week, we tackle conundrums about favorite museums, sources of inspiration, archiving strategies, finding the theme of your work, and a whole lot more. Brett Weston is our Photographer of the Week.

How Gratitude Saved Christmas - Brett Weston-11/26/17 by Deer Creek Church

God can really use me - Brett Weston (8/6/2017) by Deer Creek Church

Can God Really Use ME? part 2 - Brett Weston (7/30/17) by Deer Creek Church

Can God Really Use ME? - Brett Weston (7/25/17) by Deer Creek Church

The existence of suffering is a fact that has plagued Christians and Non-Christians alike, how do we respond?

Jesus gives us the strength we need to carry on.