Podcasts about national endowment

Everyone knows the long history of the Central Intelligence Agency overthrowing foreign governments, but most are unfamiliar with its two favorite cut-outs that now carry out much of the dirty work openly that the CIA did covertly for decades. The United States Agency for International Development (USAID) and the National Endowment for Democracy (NED) are the public face of the CIA and operate as sister agencies that report back to the mothership. They seek to influence, corrupt, compromise, and control political groups, business groups, and trade unions in order to ensure that the correct America-friendly regime ends up in office. Sometimes that process is peaceful, but not always.   — Subscribe to the Macroaggressions video channels: Rumble: https://rumble.com/c/Macroaggressions  YouTube: https://youtube.com/channel/UCn3GlVLKZtTkhLJkiuG7a-Q?si=DvKo2lcQhzo8Vuqu  — MACRO & Charlie Robinson Links Hypocrazy Audiobook: https://amzn.to/4aogwms The Octopus of Global Control Audiobook: https://amzn.to/3xu0rMm Website: www.Macroaggressions.io  Merch Store: https://macroaggressions.dashery.com/  Link Tree: https://linktr.ee/macroaggressionspodcast Activist Post Family Activist Post: www.ActivistPost.com  Natural Blaze: www.NaturalBlaze.com  Support Our Sponsors C60 Power: https://go.shopc60.com/PBGRT/KMKS9/ | Promo Code: MACRO Chemical Free Body: https://chemicalfreebody.com/macro/ | Promo Code: MACRO Wise Wolf Gold & Silver: https://macroaggressions.gold/ | (800) 426-1836 LegalShield: www.DontGetPushedAround.com  EMP Shield: www.EMPShield.com | Promo Code: MACRO Christian Yordanov's Health Program: www.LiveLongerFormula.com/macro  Above Phone: https://abovephone.com/macro/ Van Man: https://vanman.shop/?ref=MACRO | Promo Code: MACRO The Dollar Vigilante: https://dollarvigilante.spiffy.co/a/O3wCWenlXN/4471  Nesa's Hemp: www.NesasHemp.com | Promo Code: MACRO Augason Farms: https://augasonfarms.com/MACRO  —

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

With tensions mounting in British America over Parliament's Coercive Acts, colonists begin losing faith in King George III, while British soldiers march out of Boston to seize arms and ammunition in Lexington and Concord.  Featuring: Rick Atkinson, Fred Anderson, Wendy Bellion, Katherine Carté, Frank Cogliano, Brad Jones, and Andrew O'Shaughnessy. Voice Actors: Anne Fertig, Adam Smith, Evan McCormick, John Turner, John Winters, Grace Mallon, Peter Walker, Craig Gallager, Spencer McBride, and John Terry. Narrated by Dr. Jim Ambuske. Music by Artlist.io This episode was made possible with support from a 2024 grant from the National Endowment for the Humanities.  Help other listeners find the show by leaving a 5-Star Rating and Review on Apple, Spotify, Podchaser, or our website. Follow the series on Facebook or Instagram. Worlds Turned Upside Down is a production of the Roy Rosenzweig Center for History and New Media at George Mason University.

Linda Daniels creates vibrant abstract paintings.Linda Daniels (b. 1954) spent her formative years in California. She earned her B.F.A. in General Fine Arts from the California College of the Arts.   In 1984, she moved to New York City, where her first solo show debuted at fiction/nonfiction gallery in 1988. Over the following decades, her art was featured in numerous solo and group exhibitions across New York, Los Angeles, San Francisco, and Palm Beach. Linda's artwork has been reviewed in major publications including The New York Times, The Los Angeles Times, Artforum International, Art in America, and The Brooklyn Rail. In 1991, she was awarded a National Endowment for the Arts Fellowship in Painting. Linda returned to California's Central Coast in 2014, where she currently lives and creates her artwork. Linda Daniels, Orange-Red with White, 16"x16", AcrylicCanvas, 2018 Linda Daniels, Orange-Yellow with White, 16"x16", AcrylicCanvas, 2020 Linda Daniels, Turquoise-BlueYellow-Green with White, 40"x80", Acrylic on Canvas, 2021  

Merging art, science, and spirit, authors and intellectuals Susan Magsamen and Ivy Ross illuminate why creativity is essential for humanity.Grab a copy of Susan and Ivy's Book: Your Brain on Art: How the Arts Transform UsIn this episode of Mindrolling, Raghu, Susan, and Ivy explore:Redefining art as any medium that allows someone to express themselvesLearning to see the world with fresh eyes and creative curiosityThe powerful reflection: has there ever been a time when the arts have personally affected you?Resonance and vibration as the center of the universe Music as a pathway to experience oneness with all thingsThe miracle of neuroplasticity—rewiring the brain and making new pathwaysConfronting ourselves with a new piece of art or doing a new arts practice Play through art: letting go of any preconceived outcome and simply playing with ideas and conceptsWhy change requires time, patience, and habitual practice Remembering that art in ancient cultures was highly valued and integrated into daily lifeThe aesthetic mindset and walking through the world with attention to beauty in every detailListen to Sit Around the Fire, a collaborative musical journey with Jon Hopkins, East Forest, and Ram DassAbout Susan Magsamen:Susan Magsamen is the founder and director of the International Arts + Mind Lab, Center for Applied Neuroaesthetics at Johns Hopkins University School of Medicine, where she is a faculty member. She is also the co-director of the NeuroArts Blueprint. Susan works with both the public and private sectors using arts and culture evidence-based approaches in areas including health, child development, education, workforce innovation, rehabilitation and social equity.“It's personal; it could be crocheting for her, gardening for somebody else, it could be I'm a collager, we're all talking about personalized medicine and precision medicine, and the arts are probably the most personalized medicine that there is.” –Susan Magsamen About Ivy Ross:Ivy Ross is the Vice President of Design for hardware product area at Google, where she leads a team that has won over 225 design awards. She is a National Endowment for Arts grant recipient and was ninth on Fast Company's list of the one hundred Most Creative People in Business in 2019. Ross believes that the intersection of arts and sciences is where the most engaging and creative ideas are found. “I think we've been focusing on productivity and efficiency and pushing these arts aside as a ‘nice to have', not as an imperative to our health and wellness. Through the work on this book with Susan, learning more about the physiology of how we are wired to receive the sensorial nature of life, it's no wonder when we deprive ourselves of that, why we're in the state we're in.” –Ivy RossSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

SPECIAL EPISODE:This week, we dive into the heart of storytelling and community as we gear up for the 30th annual Ojai Storytelling Festival, taking place this Thursday through Sunday (October 23-26) in the beautiful Ojai Valley. I'm joined by two remarkable voices behind the festival: Kara Martin Lakes, the Executive & Artistic Director of Performances To Grow On, which produces the Festival; and Regi Carpenter, internationally acclaimed storyteller and master of ceremonies for the weekend.What we talk aboutKara walks us through this year's schedule — community-free events, workshops, the iconic Sunset Soirée celebration, the Story Slam, and how the festival is being brought into the heart of the town. Ojai Story Fest+2Ojai Story Fest+2Regi reflects on what it means to tell a story — and to hear one — in our modern age, and why the spoken word still has the power to move, to heal, and to connect. Ojai Story Fest+2Ojai Story Fest+2A candid conversation about facing financial hurdles: how the Festival is navigating the loss of a key $25,000 grant from the National Endowment for the Arts (NEA), and what it says about sustaining arts in a small town in today's environment.How the Festival is intentionally reaching into the community — schools, youth outreach, inclusive programming — and why Ojai is the perfect place for this kind of gathering. ojaiwomensfund.org+1A moving (and hilarious) moment from Regi: a story about her mother buying a piano — how a seemingly simple act became a rich metaphor for memory, legacy, and resilience.Tips for listeners: how to get the most out of this year's festival, whether you're coming for one show or planning a whole-weekend pass.And: Why you might consider adding a story to your toolbox — not only as a listener but as a teller.Why this mattersThe Ojai Storytelling Festival isn't just another arts event. It's a gathering where stories live out loud under the oaks, where children in our valley hear voices from around the world, and where the tradition of the spoken word reminds us that despite technology, despite the hustle, what really brings us together is story. The Santa Barbara IndependentListen in ifYou're curious about the behind-the-scenes of a 30-year-old festival.You've ever wondered how arts organizations survive budget setbacks and keep community alive.You love storytelling or want to start telling your own.You're local — or thinking of making the drive to Ojai — and want a preview of what to expect.

Today on The Dig In Podcast, Johnny Ova welcomes Dr. Guy MacLean Rogers, one of the world's leading historians of the ancient world, for a deep dive into the destruction of the Jerusalem temple in 70 AD. This is the moment that forever changed Jewish life, shook the Roman Empire, and influenced the rise of Christianity.Dr. Rogers is Professor of History and Classical Studies at Wellesley College. He earned his PhD in Classics from Princeton University, has received fellowships from the National Endowment for the Humanities, the American Philosophical Society, and All Souls College, Oxford, and is an award-winning author. His acclaimed book, For the Freedom of Zion: The Great Revolt of the Jews against Rome, 66–74 CE (Yale University Press), was named an Outstanding Academic Title by Choice. You can grab it here: https://a.co/d/chKjInNIn this conversation we explore:The explosive tensions that led from uneasy peace to open revolt in JudeaJosephus, Roman inscriptions, and archaeology as our key sourcesMessianic and apocalyptic expectations in the first centuryThe siege of Jerusalem and the burning of the temple under TitusHow Rome celebrated this “victory” and what it meant for the empireHow Jewish life shifted from sacrifice to scripture after the temple's destructionThe ripple effects on the early Christian movementThis is not just history, it's the story of identity, empire, and faith colliding in one of the most dramatic turning points of the ancient world.

For 13 days beginning on October 16, 1962 the world teetered on total nuclear destruction. Today, Dr. Renata Keller joins in to talk about the Cuban Missile Crisis, how it is depicted in the film 13 Days, and how the events played out in Latin America. This is a deep dive into arguably the most consequential two weeks in world history.About our guest:Dr. Renata Keller specializes in Latin American and Cold War history. Her second book, The Fate of the Americas: The Cuban Missile Crisis and the Hemispheric Cold War (UNC Press, 2025), uncovers how people and governments across the Americas caused, participated in, and were affected by the Cuban Missile Crisis. Her first book, Mexico's Cold War: Cuba, the United States, and the Legacy of the Mexican Revolution (Cambridge, 2015), explored how the Cuban Revolution transformed Mexico's domestic politics and international relations. It was awarded SECOLAS's Alfred B. Thomas Book Prize and honorable mentions for RMCLAS's Thomas McGann and Michael C. Meyer Prizes.She received her B.A. in History and Spanish from Arizona State University and her Ph.D. from the University of Texas at Austin. She taught international relations at Boston University for five years before joining the History Department at the University of Nevada in 2017. She has published journal articles in The Journal of Latin American Studies, The Journal of Cold War Studies, The Journal of Cold War History, The Latin American Research Review, Diplomatic History, Contexto Internacional, and Mexican Studies/Estudios Mexicanos, as well as popular articles in History Today and The Washington Post. Her research has received funding from the National Endowment for the Humanities, the Fulbright Foundation, the Social Science Research Council, the Philanthropic Educational Organization, the Kluge Center at the U.S. Library of Congress, the American Philosophical Society, and other institutions. She is co-editor of InterConnections: The Global Twentieth Century, a new book series at UNC Press that is home to innovative global, international, and transregional histories of the long twentieth century.She is also a dedicated educator. She teaches classes on modern Latin American history, Cuban history, the global Cold War, and drugs and security in the Americas. She also enjoys training the next generation of thinkers, historians, and history teachers in my classes on historical research and writing, historiography, historiography of the Americas, and her graduate research seminar on twentieth-century history.

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a great show we have for you this week! The hilarious and talented John Craigie travels to eTown Hall from Portland, Oregon along with his band. Also on the bill is the Americana songstress, Jobi Riccio who comes to us from just down the road in Morrison, Colorado. She shares songs from her Nashville debut - Whiplash. Nick also interviews the first Native American Chair of the National Endowment for the Humanities - Shelly C. Lowe. That's all this week on eTown!  Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.

In this *spoiler free* conversation, host Jason Blitman talks to author Victoria Redel about her book I AM YOU, the November Gays Reading Book Club pick with Allstora.I AM YOU subverts the idea of a 17th-century historical novel  — it's intimate, modern, and deeply queer in the way it explores gender, art, and identity. The characters feel so alive and complex that you can't help but get pulled into their world, which makes it a perfect book for thoughtful, layered discussion. It's the kind of book that lingers — beautifully written, emotionally charged, and full of questions about power, love, and what it means to truly see and be seen.Victoria Redel has written four books of poetry and six books of fiction. Her short stories, poetry, and essays have appeared in Granta, The New York Times, Los Angeles Times, and BOMB, and she's received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fine Arts Work Center. Victoria is a professor at Sarah Lawrence College and splits her time between New York City and Utah.What do you get when you join the Gays Reading Book Club?Curated book delivered monthly to your door (at a discount!) – the books we'd call “accessibly literary”30% Off Allstora's websiteAccess to the book club “Kiki” to talk about the booksExclusive author Q&AsAllstora donates a children's book to an LGBTQIA+ youthThis club exclusively supports LGBTQIA+ authorsAnd more!Support the showBOOK CLUB!Sign up for the Gays Reading Book Club HERE October Book: Middle Spoon by Alejandro Varela SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join "Dance Talk” ® with Joanne Carey and special guest Tamar Rogoff.In this episode of "Dance Talk” ® with Joanne Carey, host Joanne Carey interviews Tamar Rogoff, a renowned dancer and choreographer, about her extensive career in dance, her influences, and her upcoming performance 'Drop Dead ...Gorgeous.' which is a multimedia dance performance that explores our obsession with the one “perfect“ youthful body and the intersection of money, media and madness that keeps us going to greater and greater lengths in the hopes of finding happiness in the mirror. Joanne and Tamar discuss the importance of storytelling in dance, the impact of social media on body image, and the need for diversity and body positivity in the dance community. They discuss the unique way Tamar is presenting this new work. Tamar shares her journey through various dance forms and her reflections on the insecurities that many face regarding their bodies. The conversation also touches on the significance of audience engagement through talkbacks and the collaborative nature of creating art.Tamar Rogoff is a New York filmmaker and choreographer who explores the outer limits of how people negotiate extreme circumstances. Rogoff's large scale site works, films, and more traditional proscenium performances house her life-long experimental process. The Ivye Project took place in Belarus, at the mass graves of Rogoff's relatives killed in the Holocaust. This became the subject of Summer in Ivye, a documentary by Rogoff and Daisy Wright which screened at the Hamptons International Film Festival. Rogoff choreographed a solo at P.S.122 for Claire Danes, and was her movement coach in HBO's Emmy award winning movie Temple Grandin. Rogoff was a Sundance Institute Documentary Film Fellow where she worked with Daisy Wright on Enter The Faun. Rogoff's methods of release through unorthodox body practices address protagonist Mozgala's cerebral palsy. The documentary, Enter the Faun, toured festivals and was broadcast on PBS America Reframed and in Belgium. Rogoff's short, Wonder About Merri, won “Most Daring Film” at Dare to Dance in Public Festival.Rogoff received grants from National Endowment for the Arts, Rockefeller, Fledgling Fund and is a Guggenheim Fellow. She teaches at LaMama and NYU's Experimental Theater Wing. Rogoff was a founding member of Montreal's Theater 1.More about Tamar Rogoffhttps://tamarrogoff.com/Tickets to the performance of Drop Dead Gorgeous at La Mama on Oct 17-Nov 2https://ci.ovationtix.com/42/production/1248081“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Sandra Jackson-Opoku is the author of three award-winning novels. The River Where Blood is Born won the American Library Association Black Caucus Award. Hot Johnny and the Women Who Loved Him was an Essence Magazine Bestseller in Hardcover Fiction. Debut mystery novel, Savvy Summers and the Sweet Potato Crimes won the Malice Minotaur Award for First Mystery. Her fiction, nonfiction, poetry, and dramatic works are widely published and produced, appearing in Midnight & Indigo, Aunt Chloe, Another Chicago Magazine, New Daughters of Africa, Adi Magazine, Africa Risen: A New Era of Speculative Fiction, About Place Journal, the Chicago Humanities Festival, Lifeline Theatre, and others. She also coedited the anthology Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks.Jackson-Opoku has scripted original and adapted works for stage and screen. Stage plays include the co-authored Indignant Women: A Conversation with Lorraine Hansberry and Gwendolyn Brooks, and the novel adaptation, Hungry Ghost Festival, a play with music. Her television screenplays have won the Circle of Confusion Writers Discovery Fellowship, and ranked in the quarterfinals of the Stage 32 Diversity Springboard, ScreenCraft Cinematic Prose, We Screenplay Diverse Voices, and M Lab Summer Shorts.Other professional recognition includes a National Endowment for the Arts Fellowship, an American Library Association Black Caucus Award, the Chicago Esteemed Artist Award, a Lifeline Theatre BIPOC Adaptation Showcase, the Globe Soup Story Award, a Plentitudes Journal Fiction Prize, a Circle of Confusion Writers Discovery Fellowship, the Iceland Writers Retreat Alumni Award, the Hearst Foundation James Baldwin Fellowship at MacDowell Arts, a Pushcart Prize nomination, the Casa África Purorrelato Prize, and the Chicago Sun-Times “Finding Chicago's Next Voices” Award, and the Travis Bogard Fellowship at the Eugene O'Neill Center at Tao.Sandra Jackson-Opoku taught literature and writing at the University of Miami, Columbia College Chicago, and Chicago State University. She presents workshops, readings, and literary events worldwide. Website: https://flowauthors.com/sandra-jackson-opokuhttps://us.macmillan.com/books/9781250351906/savvysummersandthesweetpotatocrimes/Facebook Page: https://www.facebook.com/sandra.jacksonopokuInstagram: https://www.instagram.com/sjacksonopoku/LinkedIn: https://www.linkedin.com/in/sandra-jackson-opoku-81625617/Mentioned in the PodcastResearch on Cozies: https://www.sistersincrime.org/page/ARG2021Report#Sandra%20Jackson-OpokuFrank London Brown, Trumbull ParkJewell Parker Rhodes, Free Within Ourselves: Fiction Lessons for Black AuthorsStoryknife Writers Retreat: https://storyknife.org/William F. Deeck Malice Domestic Grant: https://www.malicedomestic.net/grantCrime Writers of Color: https://www.crimewritersofcolor.com/Queer Crime Writers: https://www.queercrimewriters.com/Every Fifth Reading Challenge: https://www.sistersincrime.org/page/everyfifth*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgFacebook: https://www.facebook.com/sincworldwideInstagram: https://www.instagram.com/sincworldwide/Threads: https://www.threads.com/@sincworldwideBluesky: https://bsky.app/profile/sincworldwide.bsky.socialTikTok: https://www.tiktok.com/@sincworldwideeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

The Nobel Peace Prize was awarded to María Corina Machado, a far-right Venezuelan coup-plotter who has long been funded by the US government. She strongly supports Israel as it commits genocide against the Palestinian people, and she is at the center of Donald Trump's war on Venezuela, pushing for regime change against President Nicolás Maduro. Ben Norton exposes the ugly truth. VIDEO: https://www.youtube.com/watch?v=ks9uDtd7Msc Topics 0:00 María Corina Machado: US-funded coup-plotter 0:45 Nobel "Peace" Prizes for US war criminals 1:44 Machado supports genocidal Israeli regime 2:38 Venezuela supports Palestine 3:04 Machado requested Israeli military intervention 3:46 UN experts: Israel is committing genocide 4:24 Trump's war on Venezuela 6:26 Machado wants to privatize Venezuela's oil 7:32 Trump's 2019 coup attempt in Venezuela 8:12 (CLIP) Trump wants Venezuela's oil 8:24 Trump backs Venezuelan opposition 9:09 (CLIP) Machado called & thanked Trump 9:34 US-backed coup attempt in 2002 10:16 Obama declared Venezuela a "threat" 10:49 US sanctions on Venezuela 11:43 Machado called for foreign intervention 12:06 (CLIP) Machado requests "international force" 12:38 Norwegian politician criticizes Nobel committee 14:14 Machado lobbies for more sanctions 15:04 Sanctions kill many Venezuelans 16:08 Sanctions cause millions of deaths 17:31 Marco Rubio lobbied Nobel committee 19:00 Machado met with George W Bush 20:10 US government funded Machado 21:52 National Endowment for Democracy (NED) 22:56 NED congratulates Machado 24:59 Nobel laureate Obama: war criminal 26:53 Nobel laureate Kissinger: war criminal 28:02 Nobel laureate Dalai Lama: CIA asset 29:29 Nobel "Peace" Prize for war 30:13 Outro

Maxine Chernoff and Paul Hoover talk with Roxi Power in this second part of our interview, revealing their mutual love of film and poetry inspired by it. From Chernoff's surreal meditations on François Truffaut's French New Wave film, Jules et Jim, toHoover's weaving of Wim Wenders' Lisbon Story into his dreamlike language, we look through the lenses of other artforms—including the deep and unsettling Brazilian musical genre, Fado—to experience the strange and gorgeous interior worlds of these prolific and beloved Bay Area poets. Listen to Part 1 of our interview from 8-9-25 here. Maxine Chernoff is professor emeritus of creative writing at San Francisco State University. She is the author of 19 books of poetry and six of fiction, including recent collections from MadHat Press:  Light and Clay: New and Selected Poems (2023)and Under the Music: Collected Prose Poems (2019).  Peter Johnson called her the most important prose poet of her generation. She is a recipient of a 2013 National Endowment for the Arts in Poetry and, along with Paul Hoover, the 2009 PEN Translation Award for their translation of The Selected Poems of Friedrich Hölderlin. In 2016 she was a visiting writer at the American Academy in Rome. A former editor of New American Writing, she lives in Mill Valley. Paul Hoover is the author of over a dozen collections of poetry; his most recent book of poetry is O, and Green: New and Selected Poems (MadHat Press, 2021). He has also published a collection of essays and a novel, and translated or co-translated a few books, including Black Dog, Black Night: Contemporary Vietnamese Poetry.  Founding and current Editor of the literary annual, New American Writing–now published by MadHat Press–and two editions of the indispensable Postmodern American Poetry: A Norton Anthology, Hoover teaches at San Francisco State University.  He's also won an NEA and numerous awards, including the Carl Sandberg Award in poetry which Chernoff has also won.  

Aaron Robertson who is a writer and translator from Italian. His nonfiction debut, The Black Utopians: Searching for Paradise and the Promised Land in America (FSG, 2024), was a finalist for the 2024 Los Angeles Times Book Prize for History and the 2025 Zora Award for Nonfiction. It was also named a best book of the year by The New York Times, The Washington Post, The New Yorker, TIME, and elsewhere. His translation of Beyond Babylon by Igiaba Scego was shortlisted for the 2020 PEN Translation Prize and the National Translation Award. A recipient of a National Endowment for the Arts grant, he has written for The New York Times, Foreign Policy, The Nation, and other publications.

Rickey Laurentiis is the author of Boy with Thorn, which won the Cave Canem Poetry Prize and the Levis Reading Prize. Laurentiis is the recipient of fellowships from the Center for African American Poetry and Poetics (CAAPP), the National Endowment for the Arts, and the Poetry Foundation, among others. Her poems have appeared in The New Republic, BOMB, and poets.org. A 2018 Whiting Award winner, she lives in New Orleans. Below are excerpts from the interview with James Morehead on the Viewless Wings Poetry Podcast.

Melissa Febos is the author of The Dry Season: A Memoir of Pleasure in a Year Without Sex, available from Knopf. Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Having been raised in Los Angeles, a place with vast swathes of single-family homes connected by freeways, arriving in Costa Rica was an eye opener for the young cultural anthropologist Setha Low. “I thought it was so cool that everybody was there together,” she tells interview David Edmonds in this Social Science Bites podcast. “… Everybody was talking. Everybody knew their place. It was like a complete little world, a microcosm of Costa Rican society, and I hadn't seen anything like that in suburban Los Angeles.” That epiphany set Low, now a distinguished professor at the Graduate Center of the City University of New York, onto a journey filled with the exploration of public spaces and a desire to explain them to the rest of the world. This trek has resulted in more than a hundred scholarly articles and a number of books, most recently Why Public Space Matters but including 2006's Politics of Public Space with Neil Smith; 2005's Rethinking Urban Parks: Public Space and Cultural Diversity with S. Scheld and D. Taplin; 2004's Behind the Gates: Life, Security and the Pursuit of Happiness in Fortress America; 2003's The Anthropology of Space and Place: Locating Culture with D. Lawrence-Zuniga; and 2000's On the Plaza: The Politics of Public Space and Culture. Low is also director of the Graduate Center's Public Space Research Group, and has received a Getty Fellowship, a fellow in the Center for Place, Culture and Politics, a fellowship from the National Endowment for the Humanities, a Fulbright Senior Fellowship, and a Guggenheim for her ethnographic research on public space in Latin America and the United States. She was president of the American Anthropological Association (from 2007 to 2009) and has worked on public space research in projects for the Center for Advanced Study in the Behavioral Sciences at Stanford and was cochair of the Max Planck Institute for Religious and Ethnic Diversity's Public Space and Diversity Network.  

Bruce Smith joins Kevin Young to read “Open Letter To My Ancestors” by Mary Ruefle, and his own poem “The Game.” Smith, the author of eight poetry collections, including the forthcoming “Hungry Ghost,” has received awards from the Academy of American Poets and the American Academy of Arts and Letters, in addition to fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He teaches at Syracuse University. Learn about your ad choices: dovetail.prx.org/ad-choices

Thank you to everyone who came out to our first live show at Studio 4! We will continue our live adventure back in that same space on Saturday, January 10th, 2026! The show will start at 7:00pm, but there may be some pre-show entertainment! We'll have more updates as we get closer to the date! --- LIVE SHOW DETAILS, at a NEW VENUE: Our next live show will be on Saturday, January 10th, 2026, 7:00pm, and it will be located at Studio Four, part of the St. Louis County Depot.  The entrance is easy to find at the corner of 5th Avenue West and Michigan Street, and it's nestled between two public parking lots for easy access, and it is once again completely free!  --- "Twin Portals" is unofficial Fan Content permitted under the Fan Content Policy. Not approved/endorsed by Wizards. Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC. --- The title song, "Avernum," used with permission, and thanks to Leeland Campana of Star Wolf. --- Scott Hebert is a fiscal year 2025 recipient of a Creative Individuals grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts. --- Content Inquiries: twinportalsgame@gmail.com Business Inquiries: scootalongproductions@gmail.com

Award-winning and celebrated filmmaker Jeff Orlowski-Yang is a masterful storyteller who documents the profound stories of our time. Founder and Creative Director of Exposure Labs, Jeff came to the Hoffman Process after hearing about it through many friends. One of Jeff's friends knew a woman who was offering to pay for anyone ready to step into parenthood to attend the Process. Jeff was curious about and deeply moved by the nature of her offer. He felt there must be something important about the Process he'd heard so much about. A key theme in this conversation is the power and nature of the stories we tell. The ones we carry on our backs, feeling like we cannot let them go, even knowing they are weighing us down. The ones we tell in hopes of changing hearts and minds. And the ones we create anew in our hopes for a different future. As a documentarian, Jeff knows both how to tell a great story and to listen to others telling their story. At his Process, he was able to listen deeply to the stories being shared around the classroom by his classmates. This helped him realize the nature of the story he has carried within. In recounting his Process experience, Jeff weaves in the wisdom he's gained from his work. He highlights the difference between communication and connection, a distinction that became clear to him while directing The Social Dilemma. And he speaks to the nature of change and how powerful stories can be great catalysts of change, both personally and collectively. We hope you enjoy this illuminating conversation with Jeff and Drew. More about Jeff Orlowski-Yang: Photo by Larissa Rhodes Jeff Orlowski-Yang is the Founder and Creative Director of Exposure Labs, a film and impact production studio that uses stories to change the world. Most recently, he directed Chasing Time (2024), a 40-minute short documentary currently screening at festivals around the world. Previously, he directed one of the most-watched documentaries on Netflix, The Social Dilemma (2020), which premiered at the 2020 Sundance Film Festival, and was nominated for seven primetime Emmy awards, winning two. He was the director, producer, and cinematographer of the award-winning feature documentaries Chasing Coral (2017) and Chasing Ice (2012), both of which screened at Congress and the United Nations and have garnered awards and accolades worldwide. Jeff has several directorial projects currently in development and continues to support other filmmakers from concept to impact campaign as an executive producer and mentor. Orlowski-Yang won the 2017 Champion of the Earth Award, the UN's highest environmental honor, and serves on the boards of Green 2.0 and Netflix's Sustainability Advisory Group. He has traveled on tour representing the Sundance Institute, President Obama's Committee for the Arts and Humanities, and the National Endowment for the Arts, among many other speaking and press engagements. Jeff lives in Boulder, Colorado. Learn more about or get in touch with him at JeffOrlowski-Yang.com. Listen on Apple Podcasts As mentioned in this episode: eTown Studios •   Take a video tour of eTown Studios. Staten Island, New York National Geographic Magazine James Balog, National Geographic Photographer Guinness World Record •   Greenland - Largest calving event ever filmed: "CHASING ICE" Official Video Coral bleaching in Australia - Coral turns white due to heat The Adventure of Jason and the Argonauts from the Argonautica Chasing Ice Trailer at Sundance •   Nominated for an Academy Award Existential Crisis Tristan Harris - Tech ethicist and co-founder of the Center for Humane Technology (CHT). Thoreau quote, "I went to the woods because I wished to live deliberately..." Sundance Film Festival is moving from Sundance, Utah, to Boulder, Colorado. The Unpredictable Award and Dopamine Addiction. •   Article: Hooked: The Psychology of Variable Rewards

Today I talk with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etal Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of Mermaid Theory (Haymarket Books, 2026), How to Make an Algorithm in the Microwave (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. She can be found @mayaslmh or mayasalameh.com.  

Robert Marx is president of The Fan Fox & Leslie R. Samuels Foundation, one ofNew York City's leading arts philanthropies.  Since 1995, Rob has appeared on the Metropolitan Opera's live Saturday afternoon radio broadcasts as an intermission host, commentator and Opera Quiz panelist.  His many broadcast interview subjects have included the late Supreme Court Justice Ruth Bader Ginsburg, stage director Robert Wilson, and former Met general manager Joseph Volpe.  From 1989-99 he was executive director of Lincoln Center's New York Public Library for the Performing Arts.   Among many new initiatives there, he created the Library's first touring program, sending exhibitions about choreographers Alvin Ailey and George Balanchine, director Harold Prince, and stage designer Ming Cho Lee across America and to Asia.  Major collection acquisitions included the personal archives of choreographer Jerome Robbins, impresario Lincoln Kirstein, composer John Cage, stage designer Boris Aronson, and producer Joseph Papp.   From 1987-1989 Rob was director of the National Endowment for the Arts Theatre Program, and was director of the New York State Council on the Arts Theatre Program from 1976-1983.

Part 1 Shownotes In this eye-opening first part of a special two-part episode of "Impact Theory with Tom Bilyeu," Tom sits down with Mike Benz—former State Department official, executive director of the Foundation for Freedom Online, and a leading authority on the intersection of technology, media, and soft power. Benz unpacks the tangled web of non-governmental organizations (NGOs), the shifting dynamics of global influence, and how soft power has supplanted traditional warfare in the modern era. Tom and Mike go deep into the true origins and motivations behind NGOs, illuminating how many of these organizations operate as statecraft tools, intelligence fronts, and economic levers for the world's elite. From the rise of philanthropic organizations as vehicles for influence to the coordinated manipulation of global media, Part 1 shines a light on the hidden infrastructure behind democracy building, narrative control, and regime change. Mike exposes the intricate interplay between hedge funds, government foreign policy, media, and activism—detailing how policy and profit become inextricably linked through a process he dubs "drafting off of policy." If you've ever questioned who really pulls the strings behind elections, color revolutions, and the headlines you read every day, this episode will give you a radical new lens through which to see the world. SHOWNOTES00:00 NGOs as Instruments of Power02:43 History of Elite Media Control05:12 Media Manipulation and American Influence Abroad10:44 Soft Power vs. Military Might12:07 Hedge Funds, Donors, and Policy Manipulation (Soros Example)14:35 The “Blob”: Inside the Foreign Policy Establishment20:31 How Economic Interests Drive Foreign Policy23:01 Color Revolutions: Playbooks and Statecraft29:26 Can These Playbooks Be Used Domestically? (Transition Integrity Project)32:24 The National Endowment for Democracy and Modern “Democracy Building”38:28 Media, Music, and Cultural Warfare44:39 Education, Language, and Censorship as Soft Power FOLLOW MIKE BENZ:X (Twitter): https://twitter.com/mikebenzcyberYouTube: Mike Benz CyberRumble: Mike Benz CyberInstagram: https://www.instagram.com/mikebenzcyber/ SleepMe: Visit https://sleep.me/impact to get your Chilipad and save 20% with code IMPACT. Try it risk-free with their 30-night sleep trial and free shipping. Vital Proteins: Get 20% off by going to https://www.vitalproteins.com and entering promo code IMPACT at check out Hims: Start your free online visit today at https://hims.com/IMPACT. Linkedin: Post your job free at https://linkedin.com/impacttheory Shopify: Sign up for your one-dollar-per-month trial period at https://shopify.com/impact Tailor Brands: 35% off https://tailorbrands.com/podcast35 Found Banking: Try Found for FREE at https://found.com/impact What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER:  https://tombilyeu.com/zero-to-founder?utm_campaign=Podcast%20Offer&utm_source=podca[%E2%80%A6]d%20end%20of%20show&utm_content=podcast%20ad%20end%20of%20show SCALING a business: see if you qualify here.:  https://tombilyeu.com/call Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here.: https://tombilyeu.com/ ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jason Blitman talks to 2025 Kirkus and National Book Award longlisted author Angela Flournoy about her newest book, THE WILDERNESS. Highlights include:

With British authority collapsing in North America, Britons on both sides of the Atlantic including Benjamin Franklin, Caroline Howe, and Lord Dartmouth engage in desperate and secret negotiations to avoid all the horrors of civil war.  Featuring: Julie Flavell, Mary Beth Norton, Michael Hattem, and Frank Cogliano. Voice Actors: Grace Mallon, Amber Pelham, Evan McCormick, Adam Smith, Craig Gallagher, and John Terry. Narrated by Dr. Jim Ambuske. Music by Artlist.io This episode was made possible with support from a 2024 grant from the National Endowment for the Humanities.  Help other listeners find the show by leaving a 5-Star Rating and Review on Apple, Spotify, Podchaser, or our website. Follow the series on Facebook or Instagram. Worlds Turned Upside Down is a production of the Roy Rosenzweig Center for History and New Media at George Mason University.

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Finding your Revolutionary War Roots THE INTERVIEW Renowned documentary filmmaker Ken Burns talks about his new documentary film on the American Revolution, his Vietnam War documentary series, his path to a career in movies and more. He has created a legendary catalog of documentary movies including “The Vietnam War,” “The Civil War,” “Baseball,” “The War,” “The National Parks: America's Best Idea;” and more. His films have been honored with dozens of major awards, including 17 Emmy Awards, two Grammy Awards and two Oscar nominations. Other topics include the impact of funding cuts on PBS and NPR, what Reddit is saying about watching documentaries by Burns and more. SCUTTLEBUTT Ken Burns support for PBS, CPB and the National Endowment for the Humanities Reddit Rabbit Hole: Bingeing Burns documentaries Special Guest: Ken Burns.

Yasi and Steven into the fascinating world of circus performance and how a movement is taking shape to help protect performers in the industry. With us today is Dr. Stephanie Greenspan, a performing arts physical therapist, the chair for the surveillance of injuries for research on Circus working group and co-editor of the sciences section for the journal, circus arts, life, and sciences. She also created the concept of Artletic science in 2021. Also joining us is Shenea Stiletto, a Two-Time world champion acrobatic gymnast, a Cirque du Soleil performer and Founder of the Circus Arts Guild of America.For more information on performing arts medicine, go to https://athletesandthearts.comFor more about Shenea, go to https://circuspreneur.com/author/sheneastiletto/Shenea's social media: FB: https://www.facebook.com/sheneabooth?_rdr. Instagram: https://www.instagram.com/sheneastiletto/?hl=enFind Dr Greenspan at https://www.linkedin.com/in/stephanie-greenspan-dpt/Bios: Dr. Stephanie Greenspan is a performing arts physical therapist with post-graduate residency and fellowship training and board specialties in orthopaedic and neurologic physical therapy. As an Adjunct Associate Professor at Samuel Merritt University, she studies injuries in circus artists and 3D motion in aerialists. She chairs the Surveillance of Injuries for Research on Circus (SIRC) working group that created a consensus statement for injury surveillance in circus and a guideline for concussion management in the circus arts. She is also co-editor of the Sciences section for the journal Circus Arts, Life and Sciences. She founded Artletic Science in 2021 with the mission to enhance the health and performance of artist athletes through research, education, and physical therapy. As a clinician, she works with recreational to professional circus artists and dancers with a focus on decreasing injury risk and optimizing performance.Shenea Stiletto is a former Two-Time World Champion AcrobaticGymnast , USA Gymnastics Hall of Fame Member, Survivor of USA Gymnastics, Honorary Olympian for 2 Olympic Tours, SAG Stunt Woman, and a World Class Circus Handbalancer inducted into the World Acrobatic Hall of Fame, who has performed with elite entertainment companies worldwide. Shenea's career highlights have included performing the lead character and acrobatic role in a Cirque Du Soleil production, in which she performed in Varekai as The Promise character.Most recently, Shenea toured with Cirque Du Soleil's newest production SongBlazers, and is the face of Cirque Du Soleil's first ever Wine Brand Collaboration with StagsLeap Winery. Shenea Stiletto is also a circus trainer, educator, and circus advocate as Founder of for the Circus Arts Guild of America. The Circus Arts Guild of America was the strategic partner for the historic Circus Arts Industry Roundtable at the White House in 2024. The White House Roundtable in discussion with the Department of Labor, included panel representation from the National Endowment for the Arts, OSHA, U.S Center for SafeSport, Actors Equity, American Musical Artists Guild of America, and Circus Arts Industry Advocates.Additionally, Shenea Stiletto is also a lead Contributor and Circus Analyst for StageLync.com, and hosts the popular Circuspreneur Podcast sponsored by StageLync.com.

What happens if you took one of the classic characters of Chinese literary fiction and dropped him into early 20th-century China? That's the premise of Wu Jianren's novel, New Story of the Stone (Columbia UP, 2025), written in 1905, which takes Jia Baoyu, from the classic Dream of the Red Chamber, and takes him first to Qing China and the Boxer Rebellion, and then to the fantastical “Realm of Civilization,” a world that, in Wu's eyes, reflected what he thought would happen if people embraced Chinese beliefs. Liz Webber just released a new translation on New Story of the Stone, and joins us today to talk about this piece of literary fanfiction, and what political points Wu wanted to achieve by writing his work of early Chinese science fiction. Liz Evans Weber is currently an assistant professor of instruction in Chinese and research assistant professor at the University of Rochester in New York, where she teaches a wide range of courses on Chinese literature and a workshop course on Chinese-to-English literary translation. Her published translations also include the short story “Boundless Night” by Yu Dafu (Renditions, Spring 2021) In 2025, she was awarded a Translation Fellowship by the National Endowment for the Arts for work on her next translation project, Flower in a Sea of Resentment by Jin Songcen and Zeng Pu. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of New Story of the Stone. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What happens if you took one of the classic characters of Chinese literary fiction and dropped him into early 20th-century China? That's the premise of Wu Jianren's novel, New Story of the Stone (Columbia UP, 2025), written in 1905, which takes Jia Baoyu, from the classic Dream of the Red Chamber, and takes him first to Qing China and the Boxer Rebellion, and then to the fantastical “Realm of Civilization,” a world that, in Wu's eyes, reflected what he thought would happen if people embraced Chinese beliefs. Liz Webber just released a new translation on New Story of the Stone, and joins us today to talk about this piece of literary fanfiction, and what political points Wu wanted to achieve by writing his work of early Chinese science fiction. Liz Evans Weber is currently an assistant professor of instruction in Chinese and research assistant professor at the University of Rochester in New York, where she teaches a wide range of courses on Chinese literature and a workshop course on Chinese-to-English literary translation. Her published translations also include the short story “Boundless Night” by Yu Dafu (Renditions, Spring 2021) In 2025, she was awarded a Translation Fellowship by the National Endowment for the Arts for work on her next translation project, Flower in a Sea of Resentment by Jin Songcen and Zeng Pu. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of New Story of the Stone. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

“Language is more than just how we communicate and how we connect, right? It also can convey who you are and why you should or should not be monetized and taken seriously.” -Kanene Holder   Kanene Holder is an inclusive marketing strategist, AI ethics expert, and diversity consultant dedicated to reshaping how organizations communicate and innovate. With three National Endowment for the Humanities awards and a rich background in education and interactive theater, she has a unique ability to turn complex topics into transformative learning experiences for corporations, schools, and nonprofits. Recognized with a Colin Powell Fellowship for Policy Study and numerous speaking engagements on equity and the future of work, Kanene continues to be a leading voice in creating inclusive practices. As AI Integrations Manager for DEIGPT, she helps individuals and companies design ethical and effective AI strategies. In this episode, Kanene unpacks the intersections of marketing, AI, HR, and diversity—offering insight into how businesses can prepare for the future while keeping inclusion at the core.   Website: https://www.futurefixer.ai/ Facebook: https://www.facebook.com/kanene.holder LinkedIn: https://www.linkedin.com/in/kaneneayoholder/ Instagram: https://www.instagram.com/blackissuesissues/   Apply to join our marketing mastermind group: https://notypicalmoments.typeform.com/to/hWLDNgjz   Follow No Typical Moments at: Website: https://notypicalmoments.com/ LinkedIn: https://www.linkedin.com/company/no-typical-moments-llc/ YouTube: https://www.youtube.com/channel/UC4G7csw9j7zpjdASvpMzqUA Instagram: https://www.instagram.com/notypicalmoments Facebook: https://www.facebook.com/NTMoments

Notes and Links to Joan Silber's Work    Joan Silber was raised in New Jersey and received her B.A. from Sarah Lawrence College, where she studied writing with Grace Paley. She moved to New York after college and has made it her home ever since. She holds an M.A. from New York University. She's written ten books of fiction--most recently, Mercy, out in fall 2025.  Secrets of Happiness was a Washington Post Best Book of the year and a Kirkus Reviews Best Fiction of the Year.  Improvement won The National Book Critics Circle Award for Fiction and the PEN/Faulkner Award.  She also received the PEN/Malamud Award for Excellence in the Short Story.  Her other works of fiction include Fools, longlisted for the National Book Award and finalist for the PEN/Faulkner Award, The Size of the World, finalist for the Los Angeles Times Prize in Fiction, and Ideas of Heaven, finalist for the National Book Award and the Story Prize.  She's also written Lucky Us, In My Other Life, and In the City (to be reissued by Hagfish in 2026), and her first book, Household Words, won the PEN/Hemingway Award. She's the author of The Art of Time in Fiction, which looks at how fiction is shaped and determined by time, with examples from world writers.  Her short fiction has been chosen for the O. Henry Prize, Best American Short Stories, and the Pushcart Prize.  Stories have appeared in The New Yorker, Tin House, The Southern Review, Ploughshares, Zyzzyva, and other magazines. She's been the recipient of an Award in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and grants from the National Endowment for the Arts and the New York Foundation for the Arts. For many years Joan taught fiction writing at Sarah Lawrence College and in the Warren Wilson MFA Program for Writers.  Joan lives on the Lower East Side of Manhattan, with Jolie, her rescued street dog from Taiwan, and she travels as often as she can, with a particular interest in Asia. Buy Mercy   Joan Silber's Website   Joan Silber's Wikipedia Page   Boston Globe Review of Mercy   At about 2:55, Joan talks about responses about her new novel and how uncertainty is always  At about 3:45, Joan talks about places to buy her new novel and upcoming book events At about 5:05, Joan traces her early relationship with reading and writing and talks about early inspirations like Louisa May Alcott At about 6:55, Joan responds to Pete's question about the catalysts for her writing career, and she references the wonderful Grace Paley and her generative teaching methods At about 8:35, Joan talks about contemporary writers and influences like Charles Baxter, Andrea Barrett, and Margo Livesy At about 9:50, Pete bumbles through a vague comparison in complimenting Joan on her depiction of New York in the 1970s and gives some exposition of the book, especially regarding the book's main protagonist, Ivan  At about 11:25, Joan reflects on Ivan and Eddie as “intellectuallizing” their drug adventures  At about 12:35, Joan responds to Pete asking about Eddie and his mindset and personality  At about 14:45, the two trace the book's inciting incident, involving Eddie and Ivan indulging in drugs to an extreme  At about 17:30, Joan expands on her initial thoughts for the book, and on the secret that Ivan keeps to himself, as well as how she views Ivan in a “complicated” way At about 18:45, Joan responds to Pete's question about whether or not she “sit[s] in judgment of [her] characters” At about 20:20, Pete highlights Ivan and asks Joan's about Eddie “hav[ing] his own kingdom” in Ivan's life, especially with regard to his atonement for Alcoholics Anonymous At about 21:50, Pete traces Astrid/Ginger's career arc, as Ivan sees her rise and connects to Eddie, and Joan expands on why her film being done in Malaysia is connected to real-life regulations in China At about 23:30, Pete asks Joan about how she gets into the mindset to write about “What if?” At about 24:50, Chapter Two is discussed, with a new narrator in Astrid, and her tragedies and triumphs At about 26:10, Joan talks about the movie that takes place in the book, with Astrid as a star; Joan expands upon the “circle” of heroin/opioids in the novel At about 28:30, Joan discusses the “echo in the title” about heroin as the “drug of mercy” At about 29:00, Joan gives background on her choice in including Cara as a character who is a “bystander” to Eddie's abandonment  At about 30:15, Joan and Pete discuss the whys of Cara leaving and getting on the road At about 31:40, Joan talks about Chapter Three as a previously-published chapter/standalone, and how she likes “getting her characters in trouble” At about 32:00, Joan explains how she “follows” Nini into the next chapter, based on a previous quote, and how Joan's own travels influenced her writing about the Iu Mien of Thailand and Laos At about 35:00, Joan describes how Nini's injury in Southeast Asia serves as a vessel for a description of opium's uses/the way it's viewed in a variety of ways around the world  At about 36:15, Pete and Joan discuss the roles of anthropologists and their roles At about 38:30, Cara's chapter is highlighted, with Cara's relationship with her previously-absent father discussed   At about 41:00, Pete asks Joan to discuss the book's title-its genesis and connections to the book's events and characters  At about 42:30, Joan differentiates between mercy and forgiveness  At about 43:00, Pete compliments Joan's work in tracing a long but coherent storyline and her depiction of New York At about 44:10, Joan discusses an exciting upcoming project  At about 45:20, Pete and Joan discuss youth and innocence and aging as key parts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 293 with Melissa Lozada-Oliva, a Guatemalan-Colombian-American writer. Her chapbook peluda explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories is BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! The episode airs on September 2, today, Pub Day.    This episode airs today, September 2, Pub Day.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.