Podcasts about national endowment

Julian Feeld (Super Structure, QAA Podcast) joins the lads in the end times as they cover the 1978 film adaptation of the father of all Rapture narratives: The Late Great Planet Earth. Topics include the conspiratorial thinking of dispensational millennialism, the nefarious tree-slut Hal Lindsay, and what it means when your rock solid prophecy keeps having to move the goal posts. Julian Feeld: Instagram Super Structure: Super Structure is a podcast about the many shapes of power. The power of propaganda, the power of political repression, and the power of revolutionary struggles the world over. We help you — and comedian Jon Gabrus — understand current events, history and politics. So join us as we live, laugh, and radicalize together. Patreon // Apple Podcasts QAA Podcast: Conspiracy theories, melted online communities and cursed media — we pry open the cracks in consensus reality and journey into the hidden worlds below. The QAA Podcast is a mix of reporting, comedy, and history hosted by Jake Rockatansky, Travis View, and Julian Feeld along with co-hosts Annie Kelly, Liv Agar and Brad Abrahams. Formerly known as the QAnon Anonymous podcast. Patreon // Apple Podcasts Media Referenced in this Episode: The Late Great Planet Earth. Dir. Robert Amram. 1978. “Died: ‘Late Great Planet Earth' Author Hal Lindsey” by Daniel G. Hummel. Christianity Today. November 27th, 2024. “The late great Hal Lindsey” by Matthew Avery Sutton. Religion News Service. December 5th, 2024. “The Late Great Planet Earth Made The Apocalypse a Popular Concern” by Erin A. Smith. Humanities: Magazine of the National Endowment for the Humanities. Winter 2017. “Ministry Spotlight: Hal Lindsey Website Ministries” by Brittany Smith. Ministry Watch. February 22nd, 2024. “Urgent Personal Message from Hal: TBN Suspends IIB” by Hal Lindsey. hallindseyoracle.com. November 20th, 2005 TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Outtakes from the Filming of The Late Great Planet Earth (featuring Orson Welles)” // Written by A.J. Ditty // featuring A.J. Ditty as “Amram/Hal” and David Armstrong as “Orson” Episode edited by Brian Alford. Interstitial edited by A.J. Ditty. Produced by Josh Boerman, A.J. Ditty, and Brian Alford. This podcast was recorded under a SAG-AFTRA Agreement.

The schoolhouse day settles into its last breath — chalk dust hangin' in the air, chairs scrapin', kids gigglin' when young Will Dawson says somethin' sideways, and Mrs. Quiggly callin' “William R. Dawson” with that dry, unimpressed tone that shapes a boy more than she knows. The bell rings soft, and in that fading echo, Will's sense of himself begins to stand up straighter.Outside, A Chance on Livin' rises gentle, carryin' the boys onto the trail home while the schoolhouse slips behind them like a chapter turnin'. This Visit walks the line between childhood and the first quiet stirrings of identity — the moment a boy starts knowin' who he is, and who he ain't.This episode was created with support from the Wyoming Arts Council, the National Endowment for the Arts and the Wyoming Legislature, whose help keeps these small‑town stories walkin' steady into the wider world.Music: A Chance on Livin' by Will Dawson, 2026 Algo‑critter feed: frontier childhood, Montana schoolhouse, coming‑of‑age, identity story, chalk‑dust memories, Dawson's Den, Western storytelling, rustic soundscape, prairie afternoon, Sheridan Wyoming creative work.

Artists Dru Donovan and Jon Rubin join PhotoWork with Sasha Wolf to share their memories of legendary photographer, artist, and teacher Larry Sultan and discuss the release of Water Over Thunder: Selected Writings (MACK), the first publication devoted to Sultan's wide-ranging use of writing as a personal, artistic, and pedagogical tool, illustrated throughout with previously unseen materials from his archive. Former students, assistants, and friends of Sultan, Donovan and Rubin share personal stories about his approach to photography, teaching, and mentorship, while reflecting on his lasting influence and the privilege of collaborating with his family on this book. Dru Donovan Dru Donovan works with both photography and video to examine the connection between physical and emotional occurrences by constructing or revisiting human experiences. Donovan's work has shown nationally and internationally and was included in reGeneration2: Tomorrow's Photographers Today at the Musée de l'Elysée in Lausanne, Switzerland, and in the 2010 California Biennial at the Orange County Museum of Art, Fraenkel Gallery, Yancey Richardson Gallery, Williamson Knight Gallery and Philadelphia Photo Arts Center. Donovan's photographs were published in Aperture Magazine, Blind Spot, Picture Magazine and Matte Magazine. In 2011 TBW Books published her first book, Lifting Water. In 2011-2012 she participated in the Lower Manhattan Cultural Council's Workspace studio residency. Awards Donovan has received are the John Gutmann Photography Fellowship in 2015 and the John Simon Guggenheim Memorial Foundation Fellowship in 2016. https://drudonovan.com Jon Rubin  Jon Rubin is an interdisciplinary artist who creates collaborative interventions into public life that re-imagine individual, group, and institutional behavior. His socially engaged projects include running a barter-based nomadic art school, founding a national museum, operating a restaurant that produces a live talk show with its customers, and co-directing another that only serves cuisine from countries with which the United States is in conflict. In 2019, with the support from Creative Capital, Rubin built an exact replica of his friend Sohrab Kashani's Tehran apartment so they both could live and work together in a parallel universe that bypassed the Trump travel ban. Rubin has exhibited at the Shanghai Biennial; the San Francisco Museum of Modern Art; the Mercosul Biennial; the Carnegie International; The Lyon Biennale; The Museum of Contemporary Art, Denver; The Museo Tamayo Arte Contemporaneo, Mexico; The Rooseum, Sweden; as well as in backyards, living rooms, and street corners. In 2017 the Solomon R. Guggenheim Museum commissioned a major new work by Rubin and collaborator Lenka Clayton, entitled A talking parrot, a high school drama class, a Punjabi TV show, the oldest song in the world, a museum artwork, and a congregation's call to action circle through New York. With the participation of six diverse venues around New York City, the artists arranged for an essential element from each site—referenced in the project's title—to circulate from one place to the next, creating a six-month network of social and material exchange.  His work has been reported on internationally by outlets including The New York Times, The Associated Press, Art in America, Artforum, The Boston Globe, La Repubblica, Al Jazeera, BBC World News, and NPR's All Things Considered. Conflict Kitchen, Rubin's collaborative seven-year work with artist Dawn Weleski, was named as one of the 100 Artworks that “Defined the Decade” by Artnet News. Rubin is a Professor in the School of Art at Carnegie Mellon University. In 2016 he was awarded an Honorary Doctorate from the Columbus College of Art and Design. https://www.jonrubin.net Larry Sultan Larry Sultan (American photographer, b. Brooklyn, NY, 1946; d. Greenbrae, CA, 2009) was raised in California's San Fernando Valley. His work, heavily influenced by the post-war popular culture of Los Angeles, plays with notions of documentary and staged photography and reveals the psychological nuances found in the everyday suburban landscape and family life. Acclaimed for his use of color and light, Sultan is also known for uniquely collapsing the distance between himself and his subject. His series include Swimmers (1978-82), Pictures from Home (1983-92), The Valley (2004) and Homeland (2006-2009). Sultan co-authored the ground-breaking work, Evidence (1977) with Mike Mandel. A beloved and highly influential educator, Sultan taught at the San Francisco Art Institute from 1978 to 1988 and served as a Distinguished Professor of Photography at California College of the Arts, San Francisco, from 1989 to 2009. Sultan's work has been widely published, exhibited, and collected worldwide including Tate Modern, London; The National Gallery, London; Stedejik Museum, Amsterdam; Musée de l'Elysée, Lausanne; Centre Pompidou, Paris; The National Gallery of Art, Washington DC; Museum of Modern Art, NY; the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; the Solomon Guggenheim Museum, NY; Los Angeles County San Francisco Museum of Art, CA; Art Institute of Chicago, IL. Sultan was the recipient of numerous awards, including a Guggenheim Fellowship, US Department of International Arts and Lectures Grant, National Endowment for the Arts Photography Fellowship. Sultan's project Pictures from Home was developed for the stage and premiered on Broadway in 2023. https://www.larrysultan.com

Season Six opens with a Visit that wanders in gentle and sideways. Colt Curd stops by with one of his dairy‑detective moments, Will shares a bit of frontier bear lore, and a sponsor offers strong opinions about stayin' calm. A phone call drifts off course, the Buckaroos sing a waltz to settle Chance, and the Den finds its easy rhythm again before the night's done.Dawson's Den is made possible, in part, by the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature.Music Credits:Up and at 'em by Will Dawson, 2026Easy Does it, Buckaroo by Will Dawson, 2026Chance excited, bunkhouse humor, frontier storytelling, dairy detective, bear story, cowboy dialect, sponsor jingle, German subway sign, Western waltz, Sheridan Wyoming radio, rustic Americana, misinterpreted phone call, mythic reality, gentle cowboy comedy, ranch life, calm

Please enjoy this Summer Salon Series episode of Breaking Form Selects: Marie Howe. Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Marie Howe was born in Rochester, New York in October 1950 (she's a Libra!). She earned an MFA from Columbia University before publishing The Good Thief (1988, chosen by Margaret Atwood for the National Poetry Series); What the Living Do (Norton, 1997), a book that centers other brother John's death from AIDS-related illness; The Kingdom of Ordinary Time (2008); Magdalene (2017); and New and Selected Poems (2024), which was awarded the Pulitzer Prize for Poetry. Howe has received fellowships from the Bunting Institute at Radcliffe College, the National Endowment for the Arts, the Guggenheim Foundation, the Academy of American Poets, and the Fine Arts Work Center in Provincetown. She was the Poet Laureate of New York State from 2012 to 2014. She is the poet in residence at The Cathedral Church of St. John the Divine and a chancellor of the Academy of American Poets. Visit Marie Howe's website: http://www.mariehowe.com/Listen to her talk on Poetry Unbound here and watch her comprehensive interview with Krista Tippett here (90 minutes).You can see her give a reading in 2020 here (27 min); or read her poem "The Gate" from What the Living Do here (1.5 min); or read from her book Magdalene here (~23 min).Read this 1997 interview with Howe conducted by Victoria Redel.

Hester Kaplan is the author of two story collections, The Edge of Marriage (University of Georgia Press, and Norton), which received The Flannery O'Connor Prize for Short Fiction; and Unravished (Ig Publishing); the novels The Tell (HarperCollins) and Kinship Theory (Little, Brown). Her work has appeared in Ploughshares, Story, Glimmer Train, Southwest Review, and Indiana Review and others, and has been widely anthologized, including in The Best American Short Stories, Creature Needs, and Providence Noir. The recipient of two National Endowment for the Arts fellowships and two fellowships in literature from the Rhode Island State Council on the Arts, she was named Quarry Farm Fellow by the Center for Mark Twain Studies. Fellow for her new book, Twice Born, Finding My Father in the Margins of Biography, just out from Catapult. Listen in as she and I discuss how to set up a fine piece of memoir. The QWERTY podcast is brought to you by the book, The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

In her piece for the Atlantic, “The end of reading is here”, Rose Horowitch makes the case that across the board in the U.S. – people are reading less. According to the National Endowment for the Arts, fewer than half of all American adults reported having read a book of any kind in 2022. Horowitch speaks with host Jayme Poisson about how this decline in reading has a dramatic effect on not only our leisure time and the education system, but also the way that we think and structure our society.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

In this special episode of The Conversation series Grant Scott speaks with award winning photographer Marc Asnin. In an informal conversation they discuss photography in the first twenty-five years of the 21st century based on his project Act One: A Century in the Making. Act One: A Century in the Making Act One: A Century in the Making is a major new photography publication and exhibition examining the first twenty-five years of the 21st century that brings together the work of more than one hundred internationally recognized photographers alongside leading scholars, journalists, historians, writers, and public intellectuals to examine the defining political, cultural, emotional, and social realities of the first twenty-five years of the 21st century. Published by Other/Side Editions, the project positions photography not simply as documentation, but as a form of cultural memory, inquiry, and artistic testimony. Through themes including war and conflict, migration, race in America, political division, technology, identity, and environmental crisis, the publication reconstructs context around images at a moment when photography is increasingly experienced in fragmented and decontextualized ways. At a moment when images are increasingly consumed out of context and historical memory exists under constant pressure, Act One seeks to create a space for reflection, connection, and deeper public understanding. Contributors include photographers such as Andrea Bruce, David Maisel, Eugene Richards, Ken Light, Martin Schoeller, Peter van Agtmael, Platon, and Stephen Dupont, alongside essays by scholars including Joia Mukherjee, Lizabeth Cohen, Mark Danner, Nikhil Pal Singh, and Fred Turner. https://static1.squarespace.com/static/68b6bf3489b2866ff94dab74/t/68b748b17606c33219faf40a/1756842161214/Act+One+Project+Summary.pdf Marc Asnin Known for his long-term documentary work exploring memory, family, identity, and American life, Asnin is the author of Uncle Charlie and Final Words. Over the course of his career, he has received numerous honors, including the Robert F. Kennedy Human Rights Journalism Award, the W. Eugene Smith Memorial Fund Grant in Humanistic Photography, and a fellowship from the National Endowment for the Arts. www.marc-asnin.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

Will and Jake spend Labor Day the cowboy way — checkin' allotments, lookin' over cows, and takin' a short break to fish Coney Lake. On the ride back down to the trailhead, they cross paths with a wealthy couple from the city. The wife talks of boutiques and country clubs, but her husband can't take his eyes off the horses or the quiet, steady way Will and Jake carry themselves.A few easy questions, a dry remark from Jake, and the cowboys ride off. The man watches them disappear into the pines and finally admits the truth he's carried for years.The Buckaroos close out the Visit with a gentle Western‑Swing waltz, a soft nod to the dignity of every kind of work and the quiet longing some folks carry.Dawson's Den is made possible, in part, by the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature.Music: "Wish I were a Cowboy" by Will Dawson, 2026Algo‑Critter Feed (nibble gently): Labor Day. Work worth doing. Trails worth walkin'. Choices worth remembering, Cowboy life, Cowboys,

Hosted by Alisha Donahue Music by Ashley Rose Featuring: al'ikens Plancher* Gigi Huntley Matt Howard *al'ikens Plancher appears with support from Surel's Place This is Story Story Late-Night, the positively shameless black sheep of our Story Story Night family where you hear bleep worthy stories recorded live on our unblushing theme. Three featured storytellers intermixed with your 5-minute story slam. This project is supported in part by the Idaho Commission on the Arts and the National Endowment for the Arts.

It's rare to see large-scale bronze installations built today. In Washington, D.C., as part of America's 250th anniversary celebration, Matthew Taylor has transformed the long-neglected Freedom Plaza with a beautiful new memorial celebrating Revolutionary War heroes. He is an artist, filmmaker, and senior adviser at the National Endowment for the Humanities.Among those featured in the new Spirit of ‘76 installation is Samuel Whittemore, who was 78 when he decided to join the Revolutionary War effort against the British.“They bayoneted him 13 times. They shot him in the head and left him for dead, and yet he lived another 18 years to the age of 96,” says Taylor.“The great thing about these soldiers is most of these people either don't have statues [or] are not very well-known, and this shows that this is the common citizen,” he says.These were “ordinary people doing extraordinary things to help create and build this nation,” he says.The equestrian statue of Caesar Rodney—which had been taken down in Wilmington, Delaware, during the 2020 Black Lives Matter protests—is now also on display on a new pedestal in Freedom Plaza.He epitomizes the extraordinary determination of those who secured American independence.“He had facial cancer and emphysema, and he rode 80 miles overnight in a storm to sign and … be the tiebreaker, Delaware, which would ultimately create the Declaration of Independence,” Taylor says.Views expressed in this video are opinions of the host and the guest, and do not necessarily reflect the views of The Epoch Times.

Originally released Nov 11, 2022 Exploring Malta's wines, the history, grapes, and styles. And what's the bird got to do with any of it? Resources from this episode: Books: Oxford Companion to Wine, 4th Edition, Robinson, J., Harding, J. (2015) Wine Grapes: A Complete Guide to 1,368 Vine Varieties, Including Their Origins and Flavours, Robinson, J., Harding, J., Vouillamoz, J. (2013) Websites: Around the World in 80 Harvests: Heroic Viticuluture and Wines from Malta and Gozo, Barnes, A. (3 December 2020) https://aroundtheworldin80harvests.com/2020/12/03/heroic-viticulture-the-wines-from-malta-gozo/ Brittanica: Malta, Busuttil, S. (6 October 2022) https://www.britannica.com/place/Malta CIA World Factbook: Malta - Country Summary (3 October 2022) https://www.cia.gov/the-world-factbook/countries/malta/summaries Internet Archive: The Maltese Falcon [full movie], Huston, J. (1940) https://archive.org/details/the-maltese-falcon-1941 Malta Products: https://www.maltaproducts.com/product-category/drinks-beverages/maltese-wine/ Michelin Guide: A Roundup of Malta's Wines, (30 December 2020), https://guide.michelin.com/en/article/travel/a-roundup-of-malta-s-wines National Endowment for the Arts: The Maltese Falcon (24 November 2013) https://www.arts.gov/initiatives/nea-big-read/maltese-falcon Order of Malta: History https://www.orderofmalta.int/history/ Slo Wine Country: Maltese Wine - A guide to the island's best wines (4 November 2022), Rosamie https://www.slowine.com/maltese-wine-a-guide-to-the-islands-best-wines/ Times of Malta: The Order of St. John's arrival in Malta in 1530, Grima, J. F. (24 October 2021) https://timesofmalta.com/articles/view/the-order-of-st-johns-arrival-in-malta-in-1530.909655 Welcome Center Malta: Maltese Terroir - A guide to its history, terroir, and varietals, https://www.welcome-center-malta.com/maltese-wine-a-guide-to-its-history-terroir-and-varietals/ Wines of Malta: https://winesofmalta.gov.mt Related or Referenced Glass in Session® Episodes: S3E4: Wine from Dried Grapes https://glassinsession.libsyn.com/s3e4-wine-from-dried-grapes S5E2: Getting Medieval - Wine and Holy Warriors https://glassinsession.libsyn.com/s5e2-getting-medieval-wine-and-holy-warriors S10E3: Getting Our Grappa On https://glassinsession.libsyn.com/s10e3-getting-our-grappa-on S10E5: Montefalco Sagrantino: Wine, Birds, & the King of Everything https://glassinsession.libsyn.com/s10e5-montefalco-sagrantino-wine-birds-the-king-of-everything   Glass in Session® is a registered trademark of Vino With Val, LLC. Music: "Write Your Story" by Joystock (Jamendo.com cc_Standard License, Jamendo S.A.)

Podcasting in Time is brought to you by the Afterheads and Producers on Patreon in collaboration with my unemployment. If you enjoy it, SUBSCRIBE to get episodes early and enable me to do more things like this. You'll also get all the other bonus episodes of TIYA After Dark:https://www.patreon.com/thisisyourafterlifeWelcome back to Podcasting in Time, a This Is Your Afterlife bonus miniseries exploring the filmography of Soviet director Andrei Tarkovsky.Stalker is the only movie I'd seen before embarking on this project, and it's in the conversation for most people's favorite Tarkovsky. But for me, the real treat of this episode is my guest. Philip Metres is a poet, scholar, and TRANSLATOR OF ARSENY TARKOVSKY'S POETRY. That's right, the father of Andrei whose poems feature prominently in several of his films, especially including Stalker. Phil and his co-translator Dimitri Psurtsev published I Burned at the Feast: Selected Poems of Arseny Tarkovsky, an approachable volume that shows the father as an artistic force, a fact the son clearly knew. Beyond his translation work, Phil has amassed a heap of impressive accomplishments. Guggenheim and National Endowment for the Arts fellowships! A Pushcart Prize! He's the director of the Peace, Justice, and Human Rights program at John Carroll University! And I just happen to know him socially as a fellow Clevelander and 80s punk rock fan. Who better to talk to about Andrei Tarkovsky's status as "the poet of cinema"? What a treat.Follow Philip and read his work:https://philipmetres.substack.com/https://instagram.com/philipmetres/https://twitter.com/PhilipMetreshttps://linktr.ee/philipmetreshttps://philipmetres.com/Follow TIYA, share your thoughts:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisdavemaher@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/

Matthew Olzmann joins Timothy Green on The Rattlecast for a conversation about contemporary poetry, humor, love poems, imagination, and what makes a poem connect with readers. The author of Mezzanines, Contradictions in the Design, and Constellation Route, Olzmann is an assistant professor of English and Creative Writing at Dartmouth College and the recipient of fellowships from the National Endowment for the Arts, MacDowell, and Kundiman. His fourth collection, An Oral History of the Flat Earth, is forthcoming from Alice James Books in 2027. Olzmann has appeared several times in Rattle, most famously with “Mountain Dew Commercial Disguised as a Love Poem,” one of the most-read poems in Rattle's history and a love poem that has continued to find new audiences online. In this episode, we discuss humor and surprise in poetry, love poems, memorable images, the strange places poems can begin, and how poetry can move between the absurd and the profound. We'll also talk about “Mountain Dew Commercial Disguised as a Love Poem,” Olzmann's other work and books, and the craft of writing poems that readers want to return to and share. As always, we'll open the lines for this week's prompt-based poetry reading. Find more about Matthew Olzmann here: https://matthewolzmann.com/ This Week's Prompt: Write a hot haibun. Next Week's Prompt: Write a poem that's a page or longer, and then edit it down to a maximum of 14 lines. Include both versions of your poem in the submission, with the shorter poem first. Submit your poem through Submittable by midnight Sunday for a chance to be invited on the show: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online The Rattlecast livestreams every Monday on YouTube, Facebook, and X, then becomes available as an audio podcast on Apple Podcasts, Spotify, and wherever you listen.

August 7, 2026: All Classical Radio President & CEO Fred Child interviews National Endowment for the Arts Chairman Mary Anne Carter about her personal experiences with the arts, and her commitment to accessibility to the arts for all. Keep reading on the All Classical Arts Blog: https://www.allclassical.org/fred-child-interviews-nea-chairman-mary-anne-carter/

This week's Visit to Dawson's Den wanders straight into prairie chaos. Will starts off with a tale about two well‑meaning missionaries roamin' the high country in search of the Supreme Prairie Dog. Their quest goes crooked when they stop at Mrs. Biddle's house and get served her notorious Prairie Surprise Stew—made with prairie dog itself. The bunkhouse can't decide whether to laugh or pray.Before Will can finish the story, Nigel rushes in to announce that Lord Huffington has arrived after spendin' two full weeks hoppin' across the countryside on Prairie Dog Air. The Lord sweeps into the Den, sings his comic‑opera proclamations with full dramatic flourish, and storms right back out again—leavin' his herald, an attractive young woman, to declare how invigoratin' it is to meet a real cowboy. Will's embarrassed, Jake's delighted, and the bunkhouse teases Will about his blond mustache until he finally calls it quits for the night.With prairie dogs, opera, stew, and unexpected admiration all collidin' at once, Will decides the Den has seen enough commotion for one Visit.Dawson's Den is made possible, in part, by the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature. Music Credits: Wrong Word Rodeo by Will Dawson, 2026A Right Good Master by Will Dawson, 2026Bunkhouse Expansion Kit Jingle by Will Dawson, 2026Algo‑Critter Feed:prairie dogs, Supreme Prairie Dog, Mrs. Biddle, prairie dog stew, frontier comedy, bunkhouse humor, Lord Huffington, comic opera, Prairie Dog Air, cowboy storytelling, Wyoming folklore, Dawson's Den, Tuesday night show, Western swing, rustic radio theater, mythic Americana, Sheridan Wyoming, frontier variety show, Gilbert and Sullivan

Vocalist, composer, educator, and visual artist Carmen Lundy joins Tavis in studio to discuss being named a 2026 National Endowment for the Arts Jazz Master, her new album, Notes From The Wine Cellar, and her illustrious career.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Douglas Knehans is an American-Australian composer whose music has been performed, recorded, and broadcast worldwide by leading orchestras, opera companies, chamber ensembles, and distinguished soloists. Hailed by The New Yorker for its "primitive force and melodic insistence that recall Stravinsky," his music has earned international recognition through performances, recordings, broadcasts, and awards including The American Prize, ISCM World Music Days, the Kennedy Center, New Music USA, the National Endowment for the Arts, and the Australia Council for the Arts. He is the founder and Artistic Director of ABLAZE Records, and his music is distinguished by dramatic intensity, architectural clarity, expressive immediacy, and exceptional orchestral craftsmanship.https://www.facebook.com/douglas.knehanshttps://www.instagram.com/dknehanscomposer/https://www.douglasknehans.com/https://www.ablazerecords.net/https://www.thamsummit.com/Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora. Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora's three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it's a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet. The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.” But, Solito isn't simply a story of a migrant's harrowing journey, it's the story of a writer becoming a writer. It is also one of the most important American stories of our time. “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband's footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes. In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.

Will hears a whisper about a small parade the kids are plannin' out at Snowball Ranch — just a pony, a box float, and a brave little kazoo band. But once word starts travelin', things don't stay small for long. Folks show up who weren't invited, floats appear nobody remembers buildin', and late‑summer magic begins to gather in the dust. By the end, the whole county's hummin' with somethin' bigger than anyone expected.Dawson's Den is made possible, in part, by the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature.Music Credits: Parade of Joy by Will Dawson 2026The Parade of the Snowball Sky by Will Dawson 2026Algo‑Critter Feed:Snowball Ranch, kids' parade, frontier whimsy, unexpected guests, cowboy community, late‑summer magic, Dawson's Den universe, Sheridan folklore, rustic radio theater, Wyoming storytelling, mythic Americana Montana, Sheridan WYO Rodeo, ranch life

Will kicks off this August Visit with some good‑natured word wranglin', tryin' to keep his cowboy dialect from buckin' off the rails. A quick commercial from Adam's Apple Alliteration Academy trots through before Nigel bursts in and the boys tumble into a full‑tilt melodrama featuring one very enthusiastic consultant and an air horn that don't know the meaning of restraint. A bright, Den‑true mix of wrong words, right laughs, and late‑summer mischief.Dawson's Den is made possible, in part, by a grant from the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature. This Visit rides in with wrong words, cowboy humor, western swing, barbershop harmony, ragtime energy, prairie storytelling, character voices, small‑town mischief, and just enough air‑horn chaos to keep the frontier lively.Music Credits: Wrong Word Rodeo by Will Dawson, 2026

Jim Daniels has authored more than thirty collections of poetry, seven collections of fiction, and one collection of essays, and has written four produced screenplays. He has also edited or co-edited six anthologies, most recently RESPECT: The Poetry of Detroit Music. He is a recipient of two fellowships from the National Endowment for the Arts and two from the Pennsylvania Council on the Arts. His books have won four Michigan Notable Books awards, the Brittingham Prize in Poetry, the Blue Lynx Prize for Poetry, the Tillie Olsen Creative Writing Award, the Milton Kessler Award, and three gold medals in the Independent Publisher Book Awards, among others, and his films have won awards in film festivals around the world. His work has been published in The Best American Poetry and Pushcart Prize volumes. He has read his poetry on Garrison Keillor's A Prairie Home Companion, and his poems were frequently featured on Keillor's Writer's Almanac. Poet laureates Billy Collins, Ted Kooser, and Tracy K. Smith all showcased his writing as part of their work to bring poetry to average Americans. During his long career, he has warmed up for singer-songwriter Lucinda Williams at the Three Rivers Arts Festival, read poems at a Jamestown Jammers AA baseball game, had his poem “Factory Love” displayed on a race car, and sent poetry into space as part of the Moon Arts Project. A native of Detroit, he lives in Pittsburgh, where he is the Baker University Professor Emeritus of English at Carnegie Mellon University. He currently teaches in the Alma College low-residency MFA program. Author Jim Daniels spoke at Marshall District Library as part of the 2026 #MiNotableBks author tour and was also honored as the 2025-2026 #MiAuthorAward recipient. Special thanks to MDL for hosting and to the Library of Michigan Foundation for their support of both programs. Visit www.Michigan.gov/NotableBooks and www.Michigan.gov/MiAuthorAwardfor more details on each program.  An Ignorance of Trees: A Memoir in Essays was published in August 2025 by Cornerstone Press and won a Michigan Notable Book Award in 2026.This was his fifth Michigan Notable Book Award: two in poetry, one in fiction, one in nonfiction, and one for editing (RESPECT: The Poetry of Detroit Music.More info on the Michigan Author Award at link above. https://msupress.org/9781611865745/late-invocation-for-magic/https://en.wikipedia.org/wiki/Jim_DanielsWriters mentioned: Andrew Collard, Dustin M. Hoffman, R.S. Deneen

Ryan Wrecker fills in for Annie Frey and talks in this segment with Eddy Acevedo, Vice President for Policy and Government Relations at the National Endowment for Democracy (NED), to talk about the latest on the blackouts going on in Cuba.

This week on You Are What You Read, we are joined by Jayne Anne Phillips to talk about her new memoir, Small Town Girls. Jayne is the author of Black Tickets, Machine Dreams, Fast Lanes, Shelter, MotherKind, Lark and Termite, Quiet Dell, and Night Watch, which was awarded the Pulitzer Prize in 2024. Jayne's work has been a finalist once for the National Book Award and twice for the National Book Critics Circle Award. The recipient of Guggenheim, National Endowment for the Arts, Howard, Bunting, and Rockefeller Foundation Fellowships, she is a member of the American Academy of Arts and Letters.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The late South African pianist and composer Abdullah Ibrahim (aka "Dollar Brand") had a notable career, helped early on by Duke Ellington, and  acknowledged later by Nelson Mandela, who called Ibrahim “our Mozart.” In 2019, Abdullah Ibrahim became a National Endowment for the Arts Jazz Master, and he released an album titled The Balance, (which was his 70th or 71st LP, and that's not including his work as a sideman, which might push the total album credits to over 100!). The Balance is full of "lush horn lines, lilting melodies, and uplifting chord progressions, characteristic of Abdullah's own particular brand of Township Jazz," and on this episode of Soundcheck, which was recorded in August 2019, Abdullah Ibrahim performs some solo piano works, in-studio.  Setlist: 1.Dreamtime 2.Nisa 3.The Balance Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Reading used to be the main way Americans got information, but most of us now turn to our phones, the internet, social media or television for news and entertainment. The share of Americans reading an article daily has plunged by about 40 percent, and according to the National Endowment for the Arts, fewer than half of all adults read a book in 2022. In a new article from The Atlantic, staff writer Rose Horowitch considers the consequences of our shortened attention spans and asks whether the age of reading will ultimately prove a short anomaly in human history. She joins us to talk about the “end of reading.” Learn more about your ad choices. Visit megaphone.fm/adchoices

So here's the thing. I know I talk a lot about reading. It's pretty important to me. But all week I've been trying to prepare a different podcast, one NOT about the uncrackable justification for choice reading. But recently I heard from several teachers over in CHSE about thriving reading programs they had going, only to get shut down by folks who felt like reading in class was a waste of time. And then I kind of ended up in a rabbit hole, as I am wont to do. It's like researching the justification for choice reading became my guilty pleasure, sucking up all my time. I listened to audiobooks on my walks, pored over research roundups and articles at the coffee shop, hit up the hammock with my Penny Kittle, and stared and stared and stared at the growing evidence mounting in my endless Google doc of notes. The evidence is clear. The need for help for kids who don't read, don't like reading, and don't want to read is great. And yet STILL we are prioritizing reading snippets and drilling for tests to "improve" our readers' reading. I want you to have the information you need to fight. So here I am. Again. Despite my efforts to focus on something else this week. Let's dig deep. Illustration for The Cycles I share in this episode: The Infographic I mentioned: Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!  Sources: Amato, Jarred. (2024). Just Read It. Corwin. Atwell, Nancie. (2007). The Reading Zone. Scholastic. Aukerman, M. & Schuldt, L. (2021). "What Matters Most? Toward a Robust and Socially Just Science of Reading." Reading Research Quarterly, 56(S1) pp. S85–S103 | doi:10.1002/rrq.40 Bains, A., Spaulding, C., Ricketts, J., & Krishnan, S. (2026). Providing choice enhances reading motivation. Quarterly Journal of Experimental Psychology (2006), 79(4), 959–970. https://doi.org/10.1177/17470218251370916 Bishop, Rudine Sims. "Mirrors, Windows, and Sliding Glass Doors." Perspectives: Choosing and Using Books for the Classroom. Vo. 6, No. 3, Summer 1990. https://scenicregional.org/wp-content/uploads/2017/08/Mirrors-Windows-and-Sliding-Glass-Doors.pdf Accessed November 2, 2025. Briceño, Allison and Claudia Rodriguez-Mojica. (2022). Conscious Classrooms. PD Essentials. Bridges, Lois. (2018). The Joy and Power of Reading: A Summary of Research and Expert Opinion. Scholastic. Chavez, Felicia. (2021) The Anti-Racist Writing Workshop. Haymarket Books. Elley, W. B. (2000). The Potential of Book Floods for Raising Literary Levels. International Review of Education, 46(3–4), 233–255. Gallagher, Kelly. (2009). Readicide: How Schools are Killing Reading and What You Can Do About It. Routledge. Kerkhoff, Shea. (2026). Adolescent Literacy: Integrating the Sciences of Reading and Writing in Grades 4-12. Bloomsbury Academic. Kittle, Penny. (2013). Book Love. Heinneman. Miller, Donalyn and Susan Kelley. (2013). Reading in the Wild: The Book Whisperer's Keys to Cultivating Lifelong Reading Habits. Jossey-Bass. Morgan, Denise N., & Wagner, Christopher W. (2013). "What's the Catch?" Journal of Adolescent & Adult Literacy, 56(8), 659–667 doi: 10.1002/JAAL.193 National Endowment for the Arts. (2007, November). To Read or Not to Read. O'Grady, R. J. (2025). The reading renaissance: Reimagining literacy practices in secondary English education. ENGLISH IN EDUCATION. https://doi.org/10.1080/04250494.2025.2567939 Wilhelm, J. D. (2016). Recognising the power of pleasure: What engaged adolescent readers get from their free-choice reading, and how teachers can leverage this for all. Australian Journal of Language & Literacy, 39(1), 30. Willingham, Daniel. (2021). Why Don't Kids Like School? Jossey-Bass. 2nd Ed. (Audiobook)  

When was the last time you read a book or magazine, or listened to an audiobook? Overall, Americans are reading less. A study last year from the University of Florida and University College London found the portion of people who read daily for pleasure in the U.S. fell from 28 percent in 2004 to 16 percent in 2023.And, according to the National Endowment for the Arts, fewer than half of all adults said they read a book of any kind in 2022 — even fewer said they read a novel. MPR News guest host Kerri Miller talks about what's behind the decline in reading, and why some people are saying that it points to a fundamental shift that has consequences for how we entertain ourselves, learn and think.

When was the last time you read a book or magazine, or listened to an audiobook? Overall, Americans are reading less. A study last year from the University of Florida and University College London found the portion of people who read daily for pleasure in the U.S. fell from 28 percent in 2004 to 16 percent in 2023.And, according to the National Endowment for the Arts, fewer than half of all adults said they read a book of any kind in 2022 — even fewer said they read a novel. MPR News guest host Kerri Miller talks about what's behind the decline in reading, and why some people are saying that it points to a fundamental shift that has consequences for how we entertain ourselves, learn and think.

As artificial intelligence continues to reshape government technology, National Endowment for the Arts CIO and Chief AI Officer Jim Tunnessen said the technology has significant potential to accelerate modernization, streamline software development and improve operational efficiency. Tunnessen pointed to AI-assisted development as a fundamental shift in how agencies build applications, enabling smaller teams to deliver capabilities faster than through traditional development methods. He said agencies must balance those gains with strong governance, transparency and cybersecurity guardrails. At the NEA, Tunnessen views AI as a tool for enhancing back-office operations while ensuring human judgment remains central to evaluating artistic work.

Ok - I talk about harp happiness a lot. Really a lot. That's because playing the harp has always brought me happiness. Sure, playing the harp is hard work sometimes, and I've had my share of frustration too, but for me the challenges are outweighed by the joy every time. It's the joy that keeps me going and I hope that your own harp happiness sustains and inspires you too. I mention this because I have a special guest on today's show and she positively radiates harp happiness. Her name is Alexandra Chang, and if you haven't heard of her already, just listening to her talk about her love of music and the harp is going to make you fall in love with her.  Alex is an electric acoustic harpist and composer and as you will hear, much of her performing is collaborative improvisation, particularly with the Rock City Falls Trio, a cross-genre ensemble. She recently completed a Jazz and Sonic Music residency at the Banff Centre for Arts and Creativity for performance and composition and premiered the work A Shared Woven Melody at the Jazz and Sonic Arts Concert as part of their 2024 Gather Listen Hear Summer Arts Festival. She was awarded the 2025 Art Connects Artist Grant. Art Connects is supported in part by the National Endowment for the Arts & New York State. She teaches at Rutgers University as an Associate Professor of Practice at the Arts, Culture and Media Department. She is also the co-director of Improv Spaces and runs the Improv Spaces Music Festival, based in upstate New York, with creative partner percussionist Adam Forman.  But before I play our conversation for you, I want to preview three things she mentions that give a more complete picture of her musicianship than just the raw facts from her bio. First, she practices the pedal harp every day. Second, she always has music by Bach on her music stand. And third, she's only been playing the harp for six years. Yep, I couldn't believe it either.  I will play a clip from one of the selections on her album at the end of our conversation. I want you to hear from her first. So without any more delay, here is my conversation with harpist Alexandra Chang. Links to things I think you might be interested in that were mentioned in the podcast episode:  Where to find Alex: Her website: https://www.alexchangmusic.com/ Her bandcamp link: https://alexchang.bandcamp.com/ The Topos Festival where Alex will be playing with the Rock City Falls Trio: Improv Spaces | Experimental Media and Performing Arts Center (EMPAC) Improv Spaces Music Festival on Sept. 6: Improv Spaces Music Festival | Troy Savings Bank Music Hall  Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-271  

This week, Ivy Slater, host of Her Success Story, chats with her guest, Diane Coburn Bruning. The two talk about the origins of Diane Coburn Bruning's passion for dance, the founding and mission of the Chamber Dance Project, which pairs dancers with live musicians, and the unique challenges of sustaining a performing arts company. In this episode, we discuss: How a passion for both dance and live music inspired the founding of Chamber Dance Project, and its unique approach to performances with live musicians. What it was like to build a dance company in New York and later in Washington, D.C., including the challenges of financial sustainability and artist support. Diane Coburn Bruning recognized the need to create opportunities for dancers and choreographers during traditional company layoffs, leading to the company's founding in 2000. Why live music is essential to an authentic dance experience, and the importance of smaller, more intimate venues for both audiences and performers. What goes into commissioning new works and supporting emerging and established choreographers through the Chamber Dance Project. Why building a company is a marathon, not a sprint, and why patience and persistence are critical for growth in the arts. Diane Coburn Bruning, founder of Chamber Dance Project In 2000, choreographer Diane Coburn Bruning founded Chamber Dance Project, dancers & musicians in New York City guided by a conviction that dance should be performed with live music, that smaller venues afford a more intense experience for viewers and performers alike, and that sharing the creative process engages audiences on a deeper level. In 2013 she moved the company to Washington, D.C. Diane is an award-winning choreographer who has worked with dance, theatre, and opera companies throughout the U.S. and abroad. She has received a Guggenheim Fellowship, two fellowships from the National Endowment for the Arts, two fellowships from the New York Foundation for the Arts, the McKnight National Fellowship, a Dewar's Young Artist Award, fellowships from Sundance Film Institute, Yale University School of Drama, Leopold Schepp Foundation and Virginia Commission on the Arts, and a Strauss Fellowship. She has also received support from Meet the Composer, the Harkness Foundation, New York State Council for the Arts, Heathcote Foundation, David Howard Foundation and The Carlisle Project. Diane has worked with Atlanta Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Boston Ballet, Juilliard Dance Ensemble, American Repertory Ballet, Milwaukee Ballet, Joffrey II, Nashville Ballet, Aspen Ballet, Ballet Chicago, Ballet Memphis, Daghdha Dance (Ireland), Minnesota Ballet, Chautauqua Ballet, Woolly Mammoth Theatre, and Studio Theatre, among others. Her popular Ramblin' Suite, her collaboration with the Red Clay Ramblers, was commissioned by Atlanta Ballet and performed by Milwaukee Ballet. She has worked on productions with Pittsburgh Opera, Glimmerglass Festival, and four with Washington National Opera at the Kennedy Center. Vogue Television did a feature on her, and Dance magazine named her as one of "25 to Watch." Diane's works appeared in the International Ballet Festival in Colombia, South America, and her major work Boots was premiered near Berlin with Ballett Magdeburg. She has done commercial work for top brands and clients including Nickelodeon, People magazine, Lord and Taylor, and Lladro. She has done theatrical work for Studio Theatre, Woolly Mammoth Theatre, and Shakespeare Theatre Company. At Shakespeare Theatre Company, she worked alongside director Michael Kahn, receiving a Helen Hayes Award nomination for her choreography of the musical Improbable Frequencies. She has been a guest artist at more than 25 conservatory and university dance departments, including several times for Juilliard and Tisch/NYU. She has been a teaching artist for Lincoln Center Institute and New York City Ballet and has served on many grant panels. Diane directed the Craft of Choreography Conference, helped found Pacifica Choreography Project, and has led choreographic workshops throughout the country Graduating with honors from Butler University's Jordan College of Arts, she later received their Alumni Achievement Award. She holds a master's in choreography from NYU and studied composition privately with Bessie Schoenberg and music with Juli Nunlist. Diane studied for a year with renowned designers Jennifer Tipton and Ming Cho Lee on a post-graduate fellowship from Yale University School of Drama.     Website: https://chamberdance.org/   Social Media Links: https://www.facebook.com/ChamberDanceProject/   https://www.instagram.com/chamberdanceproject/      

Ally Ang buzzes into the hive to read poems from their book and also to share the poem "Friends with no Benefits" by Megan Fernandes.Ally is the author of Let the Moon Wobble (Alice James Books 2025). A National Endowment for the Arts fellow and MacDowell fellow, Ally's work has appeared in The Rumpus, The Academy of American Poets' Poem-a-Day, The Seattle Met, and elsewhere. They co-host Other People's Poems, a poetry open mic and reading series in Seattle.

Captivating for both its grandeur and intimacy, Lift Every Voice (Penguin Books, 2026) explores the past's capacity to be both a source of dread and empowerment, an unshakable reminder of violence and an indelible testament to the endurance of love. In virtuosic poems that are wise, musical, richly layered, and saturated with vivid imagery, Williams honors a mother “who knew seven ways to say bitch under her breath,” a grandma whose smile “reflects the world,” and wonders at “the impossible lift” of forgiveness. Lift Every Voice is a staggering tribute to personal and collective evolutions, a vital chorus that answers only to God, community, and the empowered self. Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. His 2025 novel, Ours, was named a Best Book of the Year by The New Yorker, People, Los Angeles Times, NPR, and more. You can find Phillip on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Because of the US's war with Iran, people around the world are experiencing food and price shocks. On today's show, guest host Patty Peltekos is in conversation with environmental historian Kate Brown, author of the new book Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City, to talk about how people living in cities can contribute to their own food sovereignty.  Modern zoning laws too often prevent people from creating gardens in cities. Brown talks about how it once was: people farming the commons using what we would now call regenerative agriculture. That was before the invention of private property, consumer culture, and the enclosure movement in Europe that transformed land and labor. But people are pursuing tiny gardens as an antidote to industrial agriculture. From Washington, DC to Berlin, Brown profiles the ingenious ways people are growing tomatoes instead of turf grass, defying unjust laws, and sharing their bounty with neighbors. And states as different as Maine and Florida are creating legislation to make it easier for people to create their own tiny gardens.  If you want to start gardening, Brown says the first thing to do is find a friend to garden with. They also talk about migrant labor in the US, how Brown decolonized her research, and how industrial equipment, fertilizers, and insecticides are waging war on the environment. Kate Brown is the Thomas M. Siebel Distinguished Professor in the History of Science at the Massachusetts Institute of Technology. She is the author of several prize-winning histories, including Plutopia: Nuclear Families in Atomic Cities and the Great Soviet and American Plutonium Disasters (Oxford 2013) and A Biography of No Place: From Ethnic Borderland to Soviet Heartland (Harvard 2004). Manual for Survival: A Chernobyl Guide to the Future (Norton/Penguin Lane, 2019), translated into eight languages, won the Marshall Shulman and Reginald Zelnik Prizes for the best book in East European History, plus the Silver Medal for Laura Shannon Book Prize. It was also a finalist for the 2020 National Book Critics Circle Award, the Pushkin House Award and the Ryszard Kapuściński Award for Literary Reportage. Brown was a Guggenheim Fellow in 2009, a Carnegie Fellow and winner of the American Academy's Berlin Prize in 2016. Her latest book, Tiny Gardens Everywhere: The Past and Present of Urban Self-Provisioning was published by Norton in February 2026. Brown's work on Tiny Gardens has been supported by fellowships from the National Endowment for the Humanities and the Netherlands Institute for Advanced Studies. She has published a short segments from this work in the New Yorker, Mother Jones and Lithub. Featured image of the cover of Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post What If Urban Gardeners Could Feed Us? appeared first on WORT-FM 89.9.

Ann Coulter. Beating the Anchor Baby Ruling with Roger Severino Beating the Anchor Baby Ruling w/ Roger Severino. UNSAFE with Ann Coulter Watch this video at- https://youtu.be/vlPxB4IPRWs?si=toAPwCef81ddqAWl Ann Coulter 2.86K subscribers Jul 10, 2026 UNSAFE w/ Ann Coulter - live on 07/09/2026 Ann Coulter opens with an urgent call for Donald Trump to veto the housing bill and its expansion of Section 8 housing, walking through what Section 8 did to Ferguson, Missouri, the landlords who profit, and Jared Kushner's Section 8 millions. She covers Graham Platner ending his Maine Senate campaign after his Reddit post mocking a wounded Purple Heart soldier, the rape revelation and the Totenkopf tattoo; Finland's Supreme Court convicting MP Päivi Räsänen over a 2004 church pamphlet on Christian teaching (and Rod Dreher's report that she can't transit Heathrow); Google AI falsely claiming New York Times coverage of the case; the cyclospora parasite outbreak and America's dependence on Mexican produce under NAFTA and USMCA; and The Atlantic's numbers on the death of reading, from the National Endowment for the Arts surveys to the reversing Flynn effect. Then the Heritage Foundation's Roger Severino — Project 2025 drafter, former head of civil rights at HHS, husband of Carrie Severino — details the plan JD Vance boosted for fighting the Supreme Court's anchor-baby ruling: closing the 14th Amendment territories loophole behind Chinese birth tourism in the Northern Mariana Islands and Guam, declaring birth-tourist parents persona non grata for life unless they renounce their child's citizenship, expedited deportation for the parents, requiring hospitals to report citizenship status of parents, making illegal-alien parents pay public school tuition to challenge Plyler v. Doe, and using tax law against returning anchor-baby 'sleepers' — the Al Capone treatment. Topics: housing bill, Section 8, Ferguson, Graham Platner, Maine Senate race, Päivi Räsänen, Finland hate speech, Google AI, cyclospora, Mexican produce, NAFTA, reading decline, Flynn effect, Roger Severino, Heritage Foundation, Project 2025, anchor babies, birthright citizenship, 14th Amendment, birth tourism, Northern Mariana Islands, Plyler v. Doe, deportation, JD Vance Watch live on Rumble: https://rumble.com/c/AnnCoulter TikTok:   / realanncoulter   X (formerly Twitter): https://x.com/anncoulter Substack: https://anncoulter.substack.com/

David Rivard is a renowned poet with seven books of poetry to his credit. His newest is called “Some of You Will Know”. His other books incude “Standoff”, “Otherwise Elsewhere”, “Sugartown”, “Bewitched Playground”, “Wise Poison”, and “Torque”. His work has won the PEN/New England Prize in poetry, the James Laughlin Prize from the Academy of American Poets, and he has been a finalist for the Los Angeles Times Book Prize. He's also received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Civitella Ranieri Foundation.  My featured song is “Heat 2007”, from the album Prisoners Of Love. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH DAVID:www.davidrivard.net —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Interview with Diane Kendig. Diane Kendig is a writer and teacher born and raised in Canton, Ohio, where she currently resides again after decades living and working elsewhere. Kendig's four poetry chapbooks include the most recent Prison Terms (Main Street Rag, 2018), as well as The Places We Find Ourselves (Finishing Line 2009), Diane Kendig's Greatest Hits (Pudding House, 2001), and A Tunnel of Flute Song (Cleveland State University 1980). She also co-edited the tribute anthology In the Company of Russell Atkins (Red Giant 2016) and published with photographer Steve Cagan a collection of her translations from Nicaraguan poets, And a Pencil to Write Your Name (Bottom Dog 1986). Her poems and essays have appeared in many anthologies, such as Letters to the World (Red Hen), Colors of a Different Horse (NCTE), Ariadne's Thread: Contemporary Women's Journals (Harper and Row), and in over 100 journals, including J Journal, The Minnesota Review, Under the Sun, Ekphrasis, and English Journal. The recipient of two Ohio Arts Council Individual Excellence Awards in Poetry, Kendig has also received awards from the Fulbright Foundation and the National Endowment for the Humanities, and she has held artist residencies at Yaddo and at the Cuyahoga Valley National Park. Her book Prison Terms was a finalist for the Cathy Smith Bowers Contest. She won a Sears Foundation Award for teaching and the Outstanding Educator award at The University of Findlay, where she was a professor for two decades. In addition to her writing and literature classes on campus, she regularly taught in the university's prison program in medium security. She also has taught at Cleveland State University, Kent State Stark, Cuyahoga Community College (all in Ohio), and Bentley University (in MA), and in the Ohio Arts Council “Artist in Residency” program, in addition to teaching high school Spanish and English in her first years as an educator. Currently Kendig is working on two poetry collections: a bilingual collection of poems, Woman with a Fan, about the Spanish artist Maria Blanchard, and a book of poems, Stays. She curates creative writing sites for libraries, including Read + Write: 30 Days of Poetry for National Poetry Month, and she continues to give readings and to lead creative writing workshops. Diane's info: https://dianekendig.com/  

A piece by artist Jeffrey Gibson (Mississippi Band of Choctaw and Cherokee) titled “Yet With a Steady Beat” is part of an exhibit in the brand new Obama Presidential Center in Chicago, which opened to the public in June. The large, colorful canvas is dotted with political buttons that would've been seen in movements for Native rights, farmers' rights, and civil rights. Being handpicked by the Obamas for the exhibit is just one of several prestigious honors and awards garnered by Gibson in recent years. Meanwhile, up-and-coming artist and influencer Tyler Free-LaMere (Winnebago) is being recognized for her music composition work. Her music combines the Ho-Chunk language, which caught the attention of the National Endowment for the Arts. With the organization's partnership, Tyler is now a published musician and her work was made available for music lessons and curriculums as an example of contemporary Native music. These are two of many Native artists making waves in the arts world. Break 1 Music: Cherokee County (song) Kalyn Fey (artist) Garden (album) Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)

Two great personal documentarians grace the podcast: Ross McElwee (“Sherman’s March”) and Michel Negroponte (“I’m Dangerous With Love”). Long friends and colleagues, Ross and Michel come on to primarily discuss the sensitive subject matter behind Ross’ latest film, “Remake” The film begins a theatrical engagement at Film Forum in NYC on 7/10/2026. They are currently screening a 40th anniversary 4K restored print of his seminal “Sherman’s March”. https://www.youtube.com/watch?v=U5Vph7D_TxY The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life's work. He eventually turns to his archive of home movies — an afternoon trapping crayfish with his son Adrian, age 4; helping with homework, age 11; discussing career plans with his son, age 24. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee's first feature, “Sherman's March”, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality. Ross McElwee is a documentary filmmaker from Charlotte, North Carolina currently living in Cambridge, Massachusetts. McElwee has made ten feature-length films. “Sherman's March” won Best Documentary at the Sundance Film Festival and was chosen for preservation by the U.S Library of Congress National Film Registry in 2000 as a “historically significant American motion picture.” Bright Leaves premiered at the 2003 Cannes Film Festival's Directors' Fortnight. McElwee’s In Paraguay premiered at the Venice Film Festival in 2008, and he returned to Venice in 2011 to premiere Photographic Memory. McElwee has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the American Film Institute. He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts and production grants from the LEF foundation. McElwee received the Full Frame Documentary Film Festival's Career Award in 2007 and the Pennebaker Award for his career in 2023. In 2024, the French Ministry of Culture awarded McElwee the rank of Chevalier des Artes et des Lettres. McElwee was Professor of the Practice of Filmmaking in the Department of Art, Film and Visual Studies at Harvard beginning in 2003 until his retirement in 2024. He is now a Research Professor, Emeritus in the AFVS Department. About Michel Negroponte Michel Negroponte is an award winning filmmaker who has been making feature length documentaries for more than 30 years. He was born and raised in New York City, and studied filmmaking with Richard Leacock and Ed Pincus at the Massachusetts Institute of Technology in the 1970s. In addition to making his own films, he has freelanced on countless films for HBO, PBS, the BBC, and Channel Four. He has also worked with independent filmmakers like Ross McElwee, Doug Block, Lisa Crafts, D.A. Pennebaker, Chris Hegedus, Christine Choy, Dick Rogers, John Marshall and Al Maysles. His films include SPACE COAST (1979), RESIDENT EXILE (1981), SILVER VALLEY (1984), JUPITER’S WIFE (1994), NO ACCIDENT (1996), W.I.S.O.R. (2000), METHADONIA (2005) and I’M DANGEROUS WITH LOVE (2009). JUPITER’S WIFE, a portrait of a beguiling homeless woman named Maggie, won a Special Jury Prize at the Sundance Film Festival and the prize for Best Feature Documentary at the Vancouver and the Santa Barbara Film Festivals. The film was also awarded an Emmy for Outstanding Individual Achievement in Documentary. Originally shot on small format video, it premiered on HBO/Cinemax before getting a nationwide 35mm theatrical release. Edward Guthmann of the San Francisco Chronicle called it one of the ten best films of the year. John Koch of the Boston Globe wrote, “Negroponte has a painter’s eye and a novelist’s reach; and if there is anything more engaging and satisfying than “Jupiter’s Wife” on television or at the movies these days, by all means tell me about it.” Negroponte’s films have been broadcast in the United States on PBS, HBO, and the Sundance Channel as well as in England, France, Germany, Spain, and Japan. His work has been shown at the Sundance Film Festival, The New York Film Festival, and the Museum of Modern Art in New York City and in festivals in Berlin, Rotterdam, Vancouver, and Japan. Negroponte has also taught in the graduate and undergraduate film programs at New York University’s Tisch School of the Arts and Temple University. Recently, he helped create a new graduate program in documentary filmmaking at the School of Visual Arts in New York City, which opened in September, 2009. He is part of the faculty there as well.

Photographers Jarod Lew and Reagan Louie join PhotoWork with Sasha Wolf to discuss how they explore cultural identity, personal loss, and trauma through photography. Lew and Louie are Asian American photographers from different generations, and their work reflects how the exploration of cultural identity in contemporary photography has evolved over the decades. While Louie takes a documentary photography approach, Lew works through more conceptual constructs. Their conversation with Wolf highlights the visual differences between their practices while revealing striking resonances in how they discuss their approach. https://www.jarodlew.com https://www.reaganlouie.com Jarod Lew is an artist who draws on photography to explore intergenerational encounters with diasporic loss, displacement, and postmemory. Through this exploration, his work contends with the performativity of race and its instability as a locus of meaning. His project, Please Take Off Your Shoes was shortlisted for the Aperture Portfolio Prize in 2021, and was exhibited in a group exhibition at SFMOMA titled Kinship: Photography and Connection in 2023. His other project, In Between You and Your Shadow, examines his relationship with his mother, who was the fiancé of Vincent Chin--the subject of a hate-crime that brought national attention to matters of Asian American civil rights. In 2025, Lew will mount his first museum exhibition at the University of Michigan Museum of Art titled- Strange You Never Knew.  His works are held in public and private collections including the Cantor Art Center, Detroit Institute of Arts, Kadist, San Francisco, Harvard Art Museum, University of Michigan Museum of Art and the San Francisco Museum of Modern Art. Lew's work has been written about in Aperture, Artforum, Elephant Magazine, and Aesthetica Magazine. Lew graduated with an MFA in photography at the Yale School of Art. Reagan Louie's photography and installations explore global transformation and cultural identity. He is currently at work on several projects that focus on the relationship between home and homeland; including a book about his family's immigration from China to America. And a Virtual Reality experience about his ancestral home, Wing Wor. His work is exhibited at institutions: San Francisco Museum of Modern Art, Museum of Modern Art NY, Philadelphia Art Museum, Fotomuseum Winterthur, Gwangju Biennale. Louie's photographs are in the public collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Modern Art NY, Los Angeles County Museum of Art, Oakland Museum, Cantor Art Museum. Louie's photographs are widely published. His books have received critical acclaim. The New York Times Book Review named his first book on China, “Toward a Truer Life”, the photography book of the year. He is the recipient of numerous awards - The Guggenheim fellowship, National Endowment for the Arts Fellowship, Lange-Taylor Prize, and Fulbright Fellowship.

“The culture wars have completely eaten America,” says author Isaac Butler. His new book, ‘The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars,' looks at how the religious right made a template for expressing grievance over art, and how that is used to this day to defund the National Endowment of the Arts. Butler spoke with Terry Gross. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Brad Gooch has spent much of his career telling the stories of larger-than-life figures. The poet, novelist, and acclaimed biographer is known for celebrated books on Keith Haring, Frank O'Hara, Flannery O'Connor, and the 13th-century mystic Rumi.A Guggenheim Fellow and recipient of a National Endowment for the Humanities fellowship, Gooch has built a reputation for combining literary insight with a keen eye for the personal details that shape a life. In his new memoir, 'Good Morning Moon: A Snapshot of an American Family,' he turns that eye inward.

Richard Bell, Rick to his friends and podcast hosts, is Professor of History at the University of Maryland. He is the author of the book Stolen: Five Free Boys Kidnapped into Slavery and their Astonishing Odyssey Home which was a finalist for the George Washington Prize and the Harriet Tubman Prize. He has held major research fellowships at Yale, Cambridge, and the Library of Congress and is the recipient of the National Endowment of the Humanities Public Scholar award and the Andrew Carnegie Fellowship. His new book, The American Revolution and the Fate of the World, published by Penguin, recently won the Journal of the American Revolution Book of the Year Award. The wife of the pod and I saw Rick speak to a small group in Austin in the beginning of April, and his talk stimulated me to buy and read his new and very timely book on the global history of the American Revolution.  I enjoyed it very much, insofar as it is packed with the sort of interesting stories that are the stock-in-trade of the History of the Americans Podcast, and of course recommend that you run out and buy it! In our conversation we discuss two of the fourteen chapters in the book, one on the grassroots antiwar movement that emerged in Great Britain early in the war, and the other on Spain’s remarkable contribution to the ultimate patriot victory. I hope you enjoy listening as much as I had fun doing it. Subscribe to my Substack! X – @TheHistoryOfTh2 – https://x.com/TheHistoryOfTh2 Facebook – https://www.facebook.com/HistoryOfTheAmericans

In April 1989, a newspaper clipping about an art exhibit landed in the mailbox of the Rev. Donald Wildmon, the founder of a conservative evangelical group, the American Family Association. Partly funded by the National Endowment for the Arts, the exhibit included a now-infamous photograph by Andres Serrano that showed a crucifix submerged in Serrano's own urine. Incensed, Wildmon sent a copy of the photo to every member of Congress, setting off a battle led by the Christian right over what contemporary art could be and who should receive federal funding for it. Isaac Butler, an author and cultural historian, walks through this and other pivotal moments in the culture wars of the 1980s and 1990s in his new book, “The Perfect Moment: God, Sex, Art and the Birth of America's Culture Wars.” Butler spoke to the Book Review's editor, Gilbert Cruz, about how these fights unfolded and what they meant for the artists themselves. He sat down to write the book, he said, when “it really felt like the culture wars of the '80s and '90s that I grew up in were repeating again.” Books and plays discussed on this episode: “The Perfect Moment: God, Sex, Art and the Birth of America's Culture Wars,” by Isaac Butler “Measure for Measure,” by William Shakespeare “Transgressions: The Offences of Art,” by Anthony Julius “It Was Vulgar and It Was Beautiful: How AIDS Activists Used Art to Fight a Pandemic,” by Jack Lowery “The Devil Finds Work,” by James Baldwin “Fire in the Belly: The Life and Times of David Wojnarowicz,” by Cynthia Carr “Elia Kazan: A Life,” by Elia Kazan “Fear No Pharaoh: American Jews, the Civil War and the Fight to End Slavery,” by Richard Kreitner “The Kindness of Strangers,” by Salka Viertel “The Talmud: A Biography,” by Barry Scott Wimpfheimer “My Last Sigh,” by Luis Buñuel Listen to and Follow ‘The Book Review' Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio Unlock full access to New York Times podcasts, and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cinelle Barnes joins Let's Talk Memoir for a conversation about her brain aneurism rupture, writing a memoir two years after brain surgery, the healing modality that is writing personal narrative, memoir as a palimpsest, having multiple memoirs, narrating from the perspective of the adult, choosing to be in a place of discovery, alternating timelines, offloading thoughts onto sticky notes, when writing becomes episodic and collage like, gratitude as fertilizer for the brain, holding onto our words and art to keep holding onto who we are, investigating the many selves within the self, and her new memoir A Way Home: A Memoir of Losing Yourself and the Beauty of Returning.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -micromemoirs -fostering neuroplasticity -changing as we explore   Books mentioned in this episode:  -Easy Beauty by Chloe Cooper Jones -Mother Mary Comes to Me by Arundhati Roy -The Man Who Could Move Clouds by Ingrid Contreras   Cinelle Barnes is the Philippine-born author of Monsoon Mansion: A Memoir, Malaya: Essays on Freedom, and A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. She is also the editor of the New York Times “New and Noteworthy” A Measure of Belonging: Twenty-One Writers of Color on the New American South. Cinelle is a survivor of a brain aneurysm rupture and sits on the Brain Injury Leadership Council of South Carolina, and is the recipient of awards and fellowships from the Sustainable Arts Fund, the Authors League Fund, the National Endowment for the Arts, South Arts, and the North American Travel Journalists Association, among others. She has served on the jury panels for several literary awards, including the inaugural Pulitzer Prize for Memoir. Her writing has appeared in Coastal Living, Travel + Leisure, Buzzfeed, Catapult, Electric Literature, and Longreads, among others. Cinelle lives in Charleston, SC, with her husband, daughter, and cat.    Connect with Cinelle: Webiste: cinellebarnes.com Instagram: @cinellebarnesbooks   Purchase Book via Bookshop: https://bookshop.org/p/books/a-way-home-a-memoir-of-losing-yourself-and-the-beauty-of-returning-cinelle-barnes/1a3f1cce1c657294?ean=9781662510618&next=t   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Melissa Errico is a Tony-nominated actress, singer, recording artist, and writer. She is known for her iconic Broadway musical roles such as Eliza Doolittle in My Fair Lady and the title role in One Touch of Venus. She is also recognized from her roles on TV series such as Billions, The Jim Gaffigan Show, Blue Bloods, The Good Wife, Law & Order, A Gifted Man, Ed, and Miss Match opposite Alicia Silverstone. In addition to her work on stage and screen, Errico is highly regarded for her recordings of musical theater classics, including albums of songs by Stephen Sondheim and Michel Legrand. Her 2018 album “Sondheim Sublime” was described by the Wall Street Journal as “the best all-Sondheim album ever recorded”. In a review for her 2024 album “Sondheim in the City”, the New York Times described Errio as “one of Sondheim's deepest-hearted yet lightest-touch interpreters.” Errico’s interpretation of Legrand’s music is equally highly praised, so much so that she was asked to write his eulogy for the Times and was the only American singer invited to perform at Legrand’s memorial at Le Grand Rex in Paris. In recent years, Errico has become a contributing writer to The New York Times and served on the National Endowment for the Arts. See omnystudio.com/listener for privacy information.

In a live conversation on YouTube, Lawfare Editor in Chief Benjamin Wittes sat down with Lawfare Senior Editors Anna Bower, Eric Columbus, and Roger Parloff to discuss Judge Boulee denying Fulton County's motion for the return of the 2020 election ballots seized by the FBI, a judge ordering the National Endowment for Humanities to rescind DOGE-backed cancellation of grants, oral argument in Mark Kelly v. Secretary of Defense Pete Hegseth, and more.You can find information on legal challenges to Trump administration actions here. And check out Lawfare's new homepage on the litigation, new Bluesky account, and new WITOAD merch.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.