Podcasts about national endowment

It's rare to see large-scale bronze installations built today. In Washington, D.C., as part of America's 250th anniversary celebration, Matthew Taylor has transformed the long-neglected Freedom Plaza with a beautiful new memorial celebrating Revolutionary War heroes. He is an artist, filmmaker, and senior adviser at the National Endowment for the Humanities.Among those featured in the new Spirit of ‘76 installation is Samuel Whittemore, who was 78 when he decided to join the Revolutionary War effort against the British.“They bayoneted him 13 times. They shot him in the head and left him for dead, and yet he lived another 18 years to the age of 96,” says Taylor.“The great thing about these soldiers is most of these people either don't have statues [or] are not very well-known, and this shows that this is the common citizen,” he says.These were “ordinary people doing extraordinary things to help create and build this nation,” he says.The equestrian statue of Caesar Rodney—which had been taken down in Wilmington, Delaware, during the 2020 Black Lives Matter protests—is now also on display on a new pedestal in Freedom Plaza.He epitomizes the extraordinary determination of those who secured American independence.“He had facial cancer and emphysema, and he rode 80 miles overnight in a storm to sign and … be the tiebreaker, Delaware, which would ultimately create the Declaration of Independence,” Taylor says.Views expressed in this video are opinions of the host and the guest, and do not necessarily reflect the views of The Epoch Times.

Podcasting in Time is brought to you by the Afterheads and Producers on Patreon in collaboration with my unemployment. If you enjoy it, SUBSCRIBE to get episodes early and enable me to do more things like this. You'll also get all the other bonus episodes of TIYA After Dark:https://www.patreon.com/thisisyourafterlifeWelcome back to Podcasting in Time, a This Is Your Afterlife bonus miniseries exploring the filmography of Soviet director Andrei Tarkovsky.Stalker is the only movie I'd seen before embarking on this project, and it's in the conversation for most people's favorite Tarkovsky. But for me, the real treat of this episode is my guest. Philip Metres is a poet, scholar, and TRANSLATOR OF ARSENY TARKOVSKY'S POETRY. That's right, the father of Andrei whose poems feature prominently in several of his films, especially including Stalker. Phil and his co-translator Dimitri Psurtsev published I Burned at the Feast: Selected Poems of Arseny Tarkovsky, an approachable volume that shows the father as an artistic force, a fact the son clearly knew. Beyond his translation work, Phil has amassed a heap of impressive accomplishments. Guggenheim and National Endowment for the Arts fellowships! A Pushcart Prize! He's the director of the Peace, Justice, and Human Rights program at John Carroll University! And I just happen to know him socially as a fellow Clevelander and 80s punk rock fan. Who better to talk to about Andrei Tarkovsky's status as "the poet of cinema"? What a treat.Follow Philip and read his work:https://philipmetres.substack.com/https://instagram.com/philipmetres/https://twitter.com/PhilipMetreshttps://linktr.ee/philipmetreshttps://philipmetres.com/Follow TIYA, share your thoughts:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisdavemaher@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/

Douglas Knehans is an American-Australian composer whose music has been performed, recorded, and broadcast worldwide by leading orchestras, opera companies, chamber ensembles, and distinguished soloists. Hailed by The New Yorker for its "primitive force and melodic insistence that recall Stravinsky," his music has earned international recognition through performances, recordings, broadcasts, and awards including The American Prize, ISCM World Music Days, the Kennedy Center, New Music USA, the National Endowment for the Arts, and the Australia Council for the Arts. He is the founder and Artistic Director of ABLAZE Records, and his music is distinguished by dramatic intensity, architectural clarity, expressive immediacy, and exceptional orchestral craftsmanship.https://www.facebook.com/douglas.knehanshttps://www.instagram.com/dknehanscomposer/https://www.douglasknehans.com/https://www.ablazerecords.net/https://www.thamsummit.com/Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

Will kicks off this August Visit with some good‑natured word wranglin', tryin' to keep his cowboy dialect from buckin' off the rails. A quick commercial from Adam's Apple Alliteration Academy trots through before Nigel bursts in and the boys tumble into a full‑tilt melodrama featuring one very enthusiastic consultant and an air horn that don't know the meaning of restraint. A bright, Den‑true mix of wrong words, right laughs, and late‑summer mischief.Dawson's Den is made possible, in part, by a grant from the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature. This Visit rides in with wrong words, cowboy humor, western swing, barbershop harmony, ragtime energy, prairie storytelling, character voices, small‑town mischief, and just enough air‑horn chaos to keep the frontier lively.Music Credits: Wrong Word Rodeo by Will Dawson, 2026

Jim Daniels has authored more than thirty collections of poetry, seven collections of fiction, and one collection of essays, and has written four produced screenplays. He has also edited or co-edited six anthologies, most recently RESPECT: The Poetry of Detroit Music. He is a recipient of two fellowships from the National Endowment for the Arts and two from the Pennsylvania Council on the Arts. His books have won four Michigan Notable Books awards, the Brittingham Prize in Poetry, the Blue Lynx Prize for Poetry, the Tillie Olsen Creative Writing Award, the Milton Kessler Award, and three gold medals in the Independent Publisher Book Awards, among others, and his films have won awards in film festivals around the world. His work has been published in The Best American Poetry and Pushcart Prize volumes. He has read his poetry on Garrison Keillor's A Prairie Home Companion, and his poems were frequently featured on Keillor's Writer's Almanac. Poet laureates Billy Collins, Ted Kooser, and Tracy K. Smith all showcased his writing as part of their work to bring poetry to average Americans. During his long career, he has warmed up for singer-songwriter Lucinda Williams at the Three Rivers Arts Festival, read poems at a Jamestown Jammers AA baseball game, had his poem “Factory Love” displayed on a race car, and sent poetry into space as part of the Moon Arts Project. A native of Detroit, he lives in Pittsburgh, where he is the Baker University Professor Emeritus of English at Carnegie Mellon University. He currently teaches in the Alma College low-residency MFA program. Author Jim Daniels spoke at Marshall District Library as part of the 2026 #MiNotableBks author tour and was also honored as the 2025-2026 #MiAuthorAward recipient. Special thanks to MDL for hosting and to the Library of Michigan Foundation for their support of both programs. Visit www.Michigan.gov/NotableBooks and www.Michigan.gov/MiAuthorAwardfor more details on each program.  An Ignorance of Trees: A Memoir in Essays was published in August 2025 by Cornerstone Press and won a Michigan Notable Book Award in 2026.This was his fifth Michigan Notable Book Award: two in poetry, one in fiction, one in nonfiction, and one for editing (RESPECT: The Poetry of Detroit Music.More info on the Michigan Author Award at link above. https://msupress.org/9781611865745/late-invocation-for-magic/https://en.wikipedia.org/wiki/Jim_DanielsWriters mentioned: Andrew Collard, Dustin M. Hoffman, R.S. Deneen

Ryan Wrecker fills in for Annie Frey and talks in this segment with Eddy Acevedo, Vice President for Policy and Government Relations at the National Endowment for Democracy (NED), to talk about the latest on the blackouts going on in Cuba.

This week on You Are What You Read, we are joined by Jayne Anne Phillips to talk about her new memoir, Small Town Girls. Jayne is the author of Black Tickets, Machine Dreams, Fast Lanes, Shelter, MotherKind, Lark and Termite, Quiet Dell, and Night Watch, which was awarded the Pulitzer Prize in 2024. Jayne's work has been a finalist once for the National Book Award and twice for the National Book Critics Circle Award. The recipient of Guggenheim, National Endowment for the Arts, Howard, Bunting, and Rockefeller Foundation Fellowships, she is a member of the American Academy of Arts and Letters.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The late South African pianist and composer Abdullah Ibrahim (aka "Dollar Brand") had a notable career, helped early on by Duke Ellington, and  acknowledged later by Nelson Mandela, who called Ibrahim “our Mozart.” In 2019, Abdullah Ibrahim became a National Endowment for the Arts Jazz Master, and he released an album titled The Balance, (which was his 70th or 71st LP, and that's not including his work as a sideman, which might push the total album credits to over 100!). The Balance is full of "lush horn lines, lilting melodies, and uplifting chord progressions, characteristic of Abdullah's own particular brand of Township Jazz," and on this episode of Soundcheck, which was recorded in August 2019, Abdullah Ibrahim performs some solo piano works, in-studio.  Setlist: 1.Dreamtime 2.Nisa 3.The Balance Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week's Visit opens with a grin and a shuffle as STS barges in with a commercial only they could dream up. From there, Will eases us into Critter Corner, talkin' about the way animals play when no one's lookin'—the kind of small truths that make a person feel less alone in the world.The Buckaroos take the reins next with a soft waltz, “A Chance on Livin',” a tune that hangs in the rafters like dust motes in late‑day sun. Then Will steps into The Answer is No, lettin' that poignant letter at the end land gentle but sure, the way hard truths sometimes do.After that, Will turns toward the old miner immigrants who carved out a life near Sheridan, speakin' on the sweetness they chased and the sweetness they found. And to close it all out, the Buckaroos throw their shoulders into La Dolce Vita Swing, a number lively enough to make even the Arts Council folks sit up straight and smile wide.Dawson's Den is supported in part by a grant from the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature.Music Credits:A Chance on Livin' by Will Dawson, 2026La Dolce Vita Swing by Will Dawson, 2026Algo‑Critter Feed (for the little digital grazers):Wyoming stories, Critter Corner, animal behavior, playful wildlife, frontier waltz, Western swing, poignant letters, immigrant miners, Sheridan history, sweet life, Buckaroos music, La Dolce Vita Swing, storytelling podcast, American West, cozy radio theater, rustic comedy, mythic realism, variety show, Montana mornings, cowboy culture

Reading used to be the main way Americans got information, but most of us now turn to our phones, the internet, social media or television for news and entertainment. The share of Americans reading an article daily has plunged by about 40 percent, and according to the National Endowment for the Arts, fewer than half of all adults read a book in 2022. In a new article from The Atlantic, staff writer Rose Horowitch considers the consequences of our shortened attention spans and asks whether the age of reading will ultimately prove a short anomaly in human history. She joins us to talk about the “end of reading.” Learn more about your ad choices. Visit megaphone.fm/adchoices

So here's the thing. I know I talk a lot about reading. It's pretty important to me. But all week I've been trying to prepare a different podcast, one NOT about the uncrackable justification for choice reading. But recently I heard from several teachers over in CHSE about thriving reading programs they had going, only to get shut down by folks who felt like reading in class was a waste of time. And then I kind of ended up in a rabbit hole, as I am wont to do. It's like researching the justification for choice reading became my guilty pleasure, sucking up all my time. I listened to audiobooks on my walks, pored over research roundups and articles at the coffee shop, hit up the hammock with my Penny Kittle, and stared and stared and stared at the growing evidence mounting in my endless Google doc of notes. The evidence is clear. The need for help for kids who don't read, don't like reading, and don't want to read is great. And yet STILL we are prioritizing reading snippets and drilling for tests to "improve" our readers' reading. I want you to have the information you need to fight. So here I am. Again. Despite my efforts to focus on something else this week. Let's dig deep. Illustration for The Cycles I share in this episode: The Infographic I mentioned: Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the 'gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!  Sources: Amato, Jarred. (2024). Just Read It. Corwin. Atwell, Nancie. (2007). The Reading Zone. Scholastic. Aukerman, M. & Schuldt, L. (2021). "What Matters Most? Toward a Robust and Socially Just Science of Reading." Reading Research Quarterly, 56(S1) pp. S85–S103 | doi:10.1002/rrq.40 Bains, A., Spaulding, C., Ricketts, J., & Krishnan, S. (2026). Providing choice enhances reading motivation. Quarterly Journal of Experimental Psychology (2006), 79(4), 959–970. https://doi.org/10.1177/17470218251370916 Bishop, Rudine Sims. "Mirrors, Windows, and Sliding Glass Doors." Perspectives: Choosing and Using Books for the Classroom. Vo. 6, No. 3, Summer 1990. https://scenicregional.org/wp-content/uploads/2017/08/Mirrors-Windows-and-Sliding-Glass-Doors.pdf Accessed November 2, 2025. Briceño, Allison and Claudia Rodriguez-Mojica. (2022). Conscious Classrooms. PD Essentials. Bridges, Lois. (2018). The Joy and Power of Reading: A Summary of Research and Expert Opinion. Scholastic. Chavez, Felicia. (2021) The Anti-Racist Writing Workshop. Haymarket Books. Elley, W. B. (2000). The Potential of Book Floods for Raising Literary Levels. International Review of Education, 46(3–4), 233–255. Gallagher, Kelly. (2009). Readicide: How Schools are Killing Reading and What You Can Do About It. Routledge. Kerkhoff, Shea. (2026). Adolescent Literacy: Integrating the Sciences of Reading and Writing in Grades 4-12. Bloomsbury Academic. Kittle, Penny. (2013). Book Love. Heinneman. Miller, Donalyn and Susan Kelley. (2013). Reading in the Wild: The Book Whisperer's Keys to Cultivating Lifelong Reading Habits. Jossey-Bass. Morgan, Denise N., & Wagner, Christopher W. (2013). "What's the Catch?" Journal of Adolescent & Adult Literacy, 56(8), 659–667 doi: 10.1002/JAAL.193 National Endowment for the Arts. (2007, November). To Read or Not to Read. O'Grady, R. J. (2025). The reading renaissance: Reimagining literacy practices in secondary English education. ENGLISH IN EDUCATION. https://doi.org/10.1080/04250494.2025.2567939 Wilhelm, J. D. (2016). Recognising the power of pleasure: What engaged adolescent readers get from their free-choice reading, and how teachers can leverage this for all. Australian Journal of Language & Literacy, 39(1), 30. Willingham, Daniel. (2021). Why Don't Kids Like School? Jossey-Bass. 2nd Ed. (Audiobook)  

When was the last time you read a book or magazine, or listened to an audiobook? Overall, Americans are reading less. A study last year from the University of Florida and University College London found the portion of people who read daily for pleasure in the U.S. fell from 28 percent in 2004 to 16 percent in 2023.And, according to the National Endowment for the Arts, fewer than half of all adults said they read a book of any kind in 2022 — even fewer said they read a novel. MPR News guest host Kerri Miller talks about what's behind the decline in reading, and why some people are saying that it points to a fundamental shift that has consequences for how we entertain ourselves, learn and think.

When was the last time you read a book or magazine, or listened to an audiobook? Overall, Americans are reading less. A study last year from the University of Florida and University College London found the portion of people who read daily for pleasure in the U.S. fell from 28 percent in 2004 to 16 percent in 2023.And, according to the National Endowment for the Arts, fewer than half of all adults said they read a book of any kind in 2022 — even fewer said they read a novel. MPR News guest host Kerri Miller talks about what's behind the decline in reading, and why some people are saying that it points to a fundamental shift that has consequences for how we entertain ourselves, learn and think.

As artificial intelligence continues to reshape government technology, National Endowment for the Arts CIO and Chief AI Officer Jim Tunnessen said the technology has significant potential to accelerate modernization, streamline software development and improve operational efficiency. Tunnessen pointed to AI-assisted development as a fundamental shift in how agencies build applications, enabling smaller teams to deliver capabilities faster than through traditional development methods. He said agencies must balance those gains with strong governance, transparency and cybersecurity guardrails. At the NEA, Tunnessen views AI as a tool for enhancing back-office operations while ensuring human judgment remains central to evaluating artistic work.

A quiet summer afternoon turns sideways when Colt Curd answers a knock at his door and finds a mother and daughter sellin' cookies. What starts as a simple doorstep moment drifts into one of those small, honest encounters that shows a man more about himself than he expected. The girl's blunt truth, the mother's steady calm, and Colt's own contemplative heart all meet in a kitchen with a stubborn Beaver Bar, a glass of milk, and a thought Colt didn't know he'd been carryin'.It's a Visit about chapters — how folks see each other, how kindness lands, and how even a quiet detective can find himself part of somebody's story without understandin' the plot. Soft humor, gentle surprise, and a touch of heart make this one of Colt's most human moments yet.Dawson's Den is made possible, in part, by the Wyoming Arts Council with support from the National Endowment for the Arts and the Wyoming Legislature. cookies • western comedy • Colt Curd • frontier storytelling • Wyoming audio theater • Dawson's Den Visit • summer porch listening • small‑town kindness • cowboy humor • family moments • Beaver Bar mystery • wholesome western stories • character‑driven audio fiction • Sheridan Wyoming creatives • independent radio theater • western swing storytelling, Montana, Wyoming

Ok - I talk about harp happiness a lot. Really a lot. That's because playing the harp has always brought me happiness. Sure, playing the harp is hard work sometimes, and I've had my share of frustration too, but for me the challenges are outweighed by the joy every time. It's the joy that keeps me going and I hope that your own harp happiness sustains and inspires you too. I mention this because I have a special guest on today's show and she positively radiates harp happiness. Her name is Alexandra Chang, and if you haven't heard of her already, just listening to her talk about her love of music and the harp is going to make you fall in love with her.  Alex is an electric acoustic harpist and composer and as you will hear, much of her performing is collaborative improvisation, particularly with the Rock City Falls Trio, a cross-genre ensemble. She recently completed a Jazz and Sonic Music residency at the Banff Centre for Arts and Creativity for performance and composition and premiered the work A Shared Woven Melody at the Jazz and Sonic Arts Concert as part of their 2024 Gather Listen Hear Summer Arts Festival. She was awarded the 2025 Art Connects Artist Grant. Art Connects is supported in part by the National Endowment for the Arts & New York State. She teaches at Rutgers University as an Associate Professor of Practice at the Arts, Culture and Media Department. She is also the co-director of Improv Spaces and runs the Improv Spaces Music Festival, based in upstate New York, with creative partner percussionist Adam Forman.  But before I play our conversation for you, I want to preview three things she mentions that give a more complete picture of her musicianship than just the raw facts from her bio. First, she practices the pedal harp every day. Second, she always has music by Bach on her music stand. And third, she's only been playing the harp for six years. Yep, I couldn't believe it either.  I will play a clip from one of the selections on her album at the end of our conversation. I want you to hear from her first. So without any more delay, here is my conversation with harpist Alexandra Chang. Links to things I think you might be interested in that were mentioned in the podcast episode:  Where to find Alex: Her website: https://www.alexchangmusic.com/ Her bandcamp link: https://alexchang.bandcamp.com/ The Topos Festival where Alex will be playing with the Rock City Falls Trio: Improv Spaces | Experimental Media and Performing Arts Center (EMPAC) Improv Spaces Music Festival on Sept. 6: Improv Spaces Music Festival | Troy Savings Bank Music Hall  Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-271  

This week, Ivy Slater, host of Her Success Story, chats with her guest, Diane Coburn Bruning. The two talk about the origins of Diane Coburn Bruning's passion for dance, the founding and mission of the Chamber Dance Project, which pairs dancers with live musicians, and the unique challenges of sustaining a performing arts company. In this episode, we discuss: How a passion for both dance and live music inspired the founding of Chamber Dance Project, and its unique approach to performances with live musicians. What it was like to build a dance company in New York and later in Washington, D.C., including the challenges of financial sustainability and artist support. Diane Coburn Bruning recognized the need to create opportunities for dancers and choreographers during traditional company layoffs, leading to the company's founding in 2000. Why live music is essential to an authentic dance experience, and the importance of smaller, more intimate venues for both audiences and performers. What goes into commissioning new works and supporting emerging and established choreographers through the Chamber Dance Project. Why building a company is a marathon, not a sprint, and why patience and persistence are critical for growth in the arts. Diane Coburn Bruning, founder of Chamber Dance Project In 2000, choreographer Diane Coburn Bruning founded Chamber Dance Project, dancers & musicians in New York City guided by a conviction that dance should be performed with live music, that smaller venues afford a more intense experience for viewers and performers alike, and that sharing the creative process engages audiences on a deeper level. In 2013 she moved the company to Washington, D.C. Diane is an award-winning choreographer who has worked with dance, theatre, and opera companies throughout the U.S. and abroad. She has received a Guggenheim Fellowship, two fellowships from the National Endowment for the Arts, two fellowships from the New York Foundation for the Arts, the McKnight National Fellowship, a Dewar's Young Artist Award, fellowships from Sundance Film Institute, Yale University School of Drama, Leopold Schepp Foundation and Virginia Commission on the Arts, and a Strauss Fellowship. She has also received support from Meet the Composer, the Harkness Foundation, New York State Council for the Arts, Heathcote Foundation, David Howard Foundation and The Carlisle Project. Diane has worked with Atlanta Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Boston Ballet, Juilliard Dance Ensemble, American Repertory Ballet, Milwaukee Ballet, Joffrey II, Nashville Ballet, Aspen Ballet, Ballet Chicago, Ballet Memphis, Daghdha Dance (Ireland), Minnesota Ballet, Chautauqua Ballet, Woolly Mammoth Theatre, and Studio Theatre, among others. Her popular Ramblin' Suite, her collaboration with the Red Clay Ramblers, was commissioned by Atlanta Ballet and performed by Milwaukee Ballet. She has worked on productions with Pittsburgh Opera, Glimmerglass Festival, and four with Washington National Opera at the Kennedy Center. Vogue Television did a feature on her, and Dance magazine named her as one of "25 to Watch." Diane's works appeared in the International Ballet Festival in Colombia, South America, and her major work Boots was premiered near Berlin with Ballett Magdeburg. She has done commercial work for top brands and clients including Nickelodeon, People magazine, Lord and Taylor, and Lladro. She has done theatrical work for Studio Theatre, Woolly Mammoth Theatre, and Shakespeare Theatre Company. At Shakespeare Theatre Company, she worked alongside director Michael Kahn, receiving a Helen Hayes Award nomination for her choreography of the musical Improbable Frequencies. She has been a guest artist at more than 25 conservatory and university dance departments, including several times for Juilliard and Tisch/NYU. She has been a teaching artist for Lincoln Center Institute and New York City Ballet and has served on many grant panels. Diane directed the Craft of Choreography Conference, helped found Pacifica Choreography Project, and has led choreographic workshops throughout the country Graduating with honors from Butler University's Jordan College of Arts, she later received their Alumni Achievement Award. She holds a master's in choreography from NYU and studied composition privately with Bessie Schoenberg and music with Juli Nunlist. Diane studied for a year with renowned designers Jennifer Tipton and Ming Cho Lee on a post-graduate fellowship from Yale University School of Drama.     Website: https://chamberdance.org/   Social Media Links: https://www.facebook.com/ChamberDanceProject/   https://www.instagram.com/chamberdanceproject/      

Ally Ang buzzes into the hive to read poems from their book and also to share the poem "Friends with no Benefits" by Megan Fernandes.Ally is the author of Let the Moon Wobble (Alice James Books 2025). A National Endowment for the Arts fellow and MacDowell fellow, Ally's work has appeared in The Rumpus, The Academy of American Poets' Poem-a-Day, The Seattle Met, and elsewhere. They co-host Other People's Poems, a poetry open mic and reading series in Seattle.

Captivating for both its grandeur and intimacy, Lift Every Voice (Penguin Books, 2026) explores the past's capacity to be both a source of dread and empowerment, an unshakable reminder of violence and an indelible testament to the endurance of love. In virtuosic poems that are wise, musical, richly layered, and saturated with vivid imagery, Williams honors a mother “who knew seven ways to say bitch under her breath,” a grandma whose smile “reflects the world,” and wonders at “the impossible lift” of forgiveness. Lift Every Voice is a staggering tribute to personal and collective evolutions, a vital chorus that answers only to God, community, and the empowered self. Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. His 2025 novel, Ours, was named a Best Book of the Year by The New Yorker, People, Los Angeles Times, NPR, and more. You can find Phillip on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Because of the US's war with Iran, people around the world are experiencing food and price shocks. On today's show, guest host Patty Peltekos is in conversation with environmental historian Kate Brown, author of the new book Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City, to talk about how people living in cities can contribute to their own food sovereignty.  Modern zoning laws too often prevent people from creating gardens in cities. Brown talks about how it once was: people farming the commons using what we would now call regenerative agriculture. That was before the invention of private property, consumer culture, and the enclosure movement in Europe that transformed land and labor. But people are pursuing tiny gardens as an antidote to industrial agriculture. From Washington, DC to Berlin, Brown profiles the ingenious ways people are growing tomatoes instead of turf grass, defying unjust laws, and sharing their bounty with neighbors. And states as different as Maine and Florida are creating legislation to make it easier for people to create their own tiny gardens.  If you want to start gardening, Brown says the first thing to do is find a friend to garden with. They also talk about migrant labor in the US, how Brown decolonized her research, and how industrial equipment, fertilizers, and insecticides are waging war on the environment. Kate Brown is the Thomas M. Siebel Distinguished Professor in the History of Science at the Massachusetts Institute of Technology. She is the author of several prize-winning histories, including Plutopia: Nuclear Families in Atomic Cities and the Great Soviet and American Plutonium Disasters (Oxford 2013) and A Biography of No Place: From Ethnic Borderland to Soviet Heartland (Harvard 2004). Manual for Survival: A Chernobyl Guide to the Future (Norton/Penguin Lane, 2019), translated into eight languages, won the Marshall Shulman and Reginald Zelnik Prizes for the best book in East European History, plus the Silver Medal for Laura Shannon Book Prize. It was also a finalist for the 2020 National Book Critics Circle Award, the Pushkin House Award and the Ryszard Kapuściński Award for Literary Reportage. Brown was a Guggenheim Fellow in 2009, a Carnegie Fellow and winner of the American Academy's Berlin Prize in 2016. Her latest book, Tiny Gardens Everywhere: The Past and Present of Urban Self-Provisioning was published by Norton in February 2026. Brown's work on Tiny Gardens has been supported by fellowships from the National Endowment for the Humanities and the Netherlands Institute for Advanced Studies. She has published a short segments from this work in the New Yorker, Mother Jones and Lithub. Featured image of the cover of Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post What If Urban Gardeners Could Feed Us? appeared first on WORT-FM 89.9.

Captivating for both its grandeur and intimacy, Lift Every Voice (Penguin Books, 2026) explores the past's capacity to be both a source of dread and empowerment, an unshakable reminder of violence and an indelible testament to the endurance of love. In virtuosic poems that are wise, musical, richly layered, and saturated with vivid imagery, Williams honors a mother “who knew seven ways to say bitch under her breath,” a grandma whose smile “reflects the world,” and wonders at “the impossible lift” of forgiveness. Lift Every Voice is a staggering tribute to personal and collective evolutions, a vital chorus that answers only to God, community, and the empowered self. Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. His 2025 novel, Ours, was named a Best Book of the Year by The New Yorker, People, Los Angeles Times, NPR, and more. You can find Phillip on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Ann Coulter. Beating the Anchor Baby Ruling with Roger Severino Beating the Anchor Baby Ruling w/ Roger Severino. UNSAFE with Ann Coulter Watch this video at- https://youtu.be/vlPxB4IPRWs?si=toAPwCef81ddqAWl Ann Coulter 2.86K subscribers Jul 10, 2026 UNSAFE w/ Ann Coulter - live on 07/09/2026 Ann Coulter opens with an urgent call for Donald Trump to veto the housing bill and its expansion of Section 8 housing, walking through what Section 8 did to Ferguson, Missouri, the landlords who profit, and Jared Kushner's Section 8 millions. She covers Graham Platner ending his Maine Senate campaign after his Reddit post mocking a wounded Purple Heart soldier, the rape revelation and the Totenkopf tattoo; Finland's Supreme Court convicting MP Päivi Räsänen over a 2004 church pamphlet on Christian teaching (and Rod Dreher's report that she can't transit Heathrow); Google AI falsely claiming New York Times coverage of the case; the cyclospora parasite outbreak and America's dependence on Mexican produce under NAFTA and USMCA; and The Atlantic's numbers on the death of reading, from the National Endowment for the Arts surveys to the reversing Flynn effect. Then the Heritage Foundation's Roger Severino — Project 2025 drafter, former head of civil rights at HHS, husband of Carrie Severino — details the plan JD Vance boosted for fighting the Supreme Court's anchor-baby ruling: closing the 14th Amendment territories loophole behind Chinese birth tourism in the Northern Mariana Islands and Guam, declaring birth-tourist parents persona non grata for life unless they renounce their child's citizenship, expedited deportation for the parents, requiring hospitals to report citizenship status of parents, making illegal-alien parents pay public school tuition to challenge Plyler v. Doe, and using tax law against returning anchor-baby 'sleepers' — the Al Capone treatment. Topics: housing bill, Section 8, Ferguson, Graham Platner, Maine Senate race, Päivi Räsänen, Finland hate speech, Google AI, cyclospora, Mexican produce, NAFTA, reading decline, Flynn effect, Roger Severino, Heritage Foundation, Project 2025, anchor babies, birthright citizenship, 14th Amendment, birth tourism, Northern Mariana Islands, Plyler v. Doe, deportation, JD Vance Watch live on Rumble: https://rumble.com/c/AnnCoulter TikTok:   / realanncoulter   X (formerly Twitter): https://x.com/anncoulter Substack: https://anncoulter.substack.com/

David Rivard is a renowned poet with seven books of poetry to his credit. His newest is called “Some of You Will Know”. His other books incude “Standoff”, “Otherwise Elsewhere”, “Sugartown”, “Bewitched Playground”, “Wise Poison”, and “Torque”. His work has won the PEN/New England Prize in poetry, the James Laughlin Prize from the Academy of American Poets, and he has been a finalist for the Los Angeles Times Book Prize. He's also received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Civitella Ranieri Foundation.  My featured song is “Heat 2007”, from the album Prisoners Of Love. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH DAVID:www.davidrivard.net —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Interview with Diane Kendig. Diane Kendig is a writer and teacher born and raised in Canton, Ohio, where she currently resides again after decades living and working elsewhere. Kendig's four poetry chapbooks include the most recent Prison Terms (Main Street Rag, 2018), as well as The Places We Find Ourselves (Finishing Line 2009), Diane Kendig's Greatest Hits (Pudding House, 2001), and A Tunnel of Flute Song (Cleveland State University 1980). She also co-edited the tribute anthology In the Company of Russell Atkins (Red Giant 2016) and published with photographer Steve Cagan a collection of her translations from Nicaraguan poets, And a Pencil to Write Your Name (Bottom Dog 1986). Her poems and essays have appeared in many anthologies, such as Letters to the World (Red Hen), Colors of a Different Horse (NCTE), Ariadne's Thread: Contemporary Women's Journals (Harper and Row), and in over 100 journals, including J Journal, The Minnesota Review, Under the Sun, Ekphrasis, and English Journal. The recipient of two Ohio Arts Council Individual Excellence Awards in Poetry, Kendig has also received awards from the Fulbright Foundation and the National Endowment for the Humanities, and she has held artist residencies at Yaddo and at the Cuyahoga Valley National Park. Her book Prison Terms was a finalist for the Cathy Smith Bowers Contest. She won a Sears Foundation Award for teaching and the Outstanding Educator award at The University of Findlay, where she was a professor for two decades. In addition to her writing and literature classes on campus, she regularly taught in the university's prison program in medium security. She also has taught at Cleveland State University, Kent State Stark, Cuyahoga Community College (all in Ohio), and Bentley University (in MA), and in the Ohio Arts Council “Artist in Residency” program, in addition to teaching high school Spanish and English in her first years as an educator. Currently Kendig is working on two poetry collections: a bilingual collection of poems, Woman with a Fan, about the Spanish artist Maria Blanchard, and a book of poems, Stays. She curates creative writing sites for libraries, including Read + Write: 30 Days of Poetry for National Poetry Month, and she continues to give readings and to lead creative writing workshops. Diane's info: https://dianekendig.com/  

A piece by artist Jeffrey Gibson (Mississippi Band of Choctaw and Cherokee) titled “Yet With a Steady Beat” is part of an exhibit in the brand new Obama Presidential Center in Chicago, which opened to the public in June. The large, colorful canvas is dotted with political buttons that would've been seen in movements for Native rights, farmers' rights, and civil rights. Being handpicked by the Obamas for the exhibit is just one of several prestigious honors and awards garnered by Gibson in recent years. Meanwhile, up-and-coming artist and influencer Tyler Free-LaMere (Winnebago) is being recognized for her music composition work. Her music combines the Ho-Chunk language, which caught the attention of the National Endowment for the Arts. With the organization's partnership, Tyler is now a published musician and her work was made available for music lessons and curriculums as an example of contemporary Native music. These are two of many Native artists making waves in the arts world. Break 1 Music: Cherokee County (song) Kalyn Fey (artist) Garden (album) Break 2 Music: Medicine Wheel (song) Logan Staats (artist) Rainwater (album)

Two great personal documentarians grace the podcast: Ross McElwee (“Sherman’s March”) and Michel Negroponte (“I’m Dangerous With Love”). Long friends and colleagues, Ross and Michel come on to primarily discuss the sensitive subject matter behind Ross’ latest film, “Remake” The film begins a theatrical engagement at Film Forum in NYC on 7/10/2026. They are currently screening a 40th anniversary 4K restored print of his seminal “Sherman’s March”. https://www.youtube.com/watch?v=U5Vph7D_TxY The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life's work. He eventually turns to his archive of home movies — an afternoon trapping crayfish with his son Adrian, age 4; helping with homework, age 11; discussing career plans with his son, age 24. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee's first feature, “Sherman's March”, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality. Ross McElwee is a documentary filmmaker from Charlotte, North Carolina currently living in Cambridge, Massachusetts. McElwee has made ten feature-length films. “Sherman's March” won Best Documentary at the Sundance Film Festival and was chosen for preservation by the U.S Library of Congress National Film Registry in 2000 as a “historically significant American motion picture.” Bright Leaves premiered at the 2003 Cannes Film Festival's Directors' Fortnight. McElwee’s In Paraguay premiered at the Venice Film Festival in 2008, and he returned to Venice in 2011 to premiere Photographic Memory. McElwee has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the American Film Institute. He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts and production grants from the LEF foundation. McElwee received the Full Frame Documentary Film Festival's Career Award in 2007 and the Pennebaker Award for his career in 2023. In 2024, the French Ministry of Culture awarded McElwee the rank of Chevalier des Artes et des Lettres. McElwee was Professor of the Practice of Filmmaking in the Department of Art, Film and Visual Studies at Harvard beginning in 2003 until his retirement in 2024. He is now a Research Professor, Emeritus in the AFVS Department. About Michel Negroponte Michel Negroponte is an award winning filmmaker who has been making feature length documentaries for more than 30 years. He was born and raised in New York City, and studied filmmaking with Richard Leacock and Ed Pincus at the Massachusetts Institute of Technology in the 1970s. In addition to making his own films, he has freelanced on countless films for HBO, PBS, the BBC, and Channel Four. He has also worked with independent filmmakers like Ross McElwee, Doug Block, Lisa Crafts, D.A. Pennebaker, Chris Hegedus, Christine Choy, Dick Rogers, John Marshall and Al Maysles. His films include SPACE COAST (1979), RESIDENT EXILE (1981), SILVER VALLEY (1984), JUPITER’S WIFE (1994), NO ACCIDENT (1996), W.I.S.O.R. (2000), METHADONIA (2005) and I’M DANGEROUS WITH LOVE (2009). JUPITER’S WIFE, a portrait of a beguiling homeless woman named Maggie, won a Special Jury Prize at the Sundance Film Festival and the prize for Best Feature Documentary at the Vancouver and the Santa Barbara Film Festivals. The film was also awarded an Emmy for Outstanding Individual Achievement in Documentary. Originally shot on small format video, it premiered on HBO/Cinemax before getting a nationwide 35mm theatrical release. Edward Guthmann of the San Francisco Chronicle called it one of the ten best films of the year. John Koch of the Boston Globe wrote, “Negroponte has a painter’s eye and a novelist’s reach; and if there is anything more engaging and satisfying than “Jupiter’s Wife” on television or at the movies these days, by all means tell me about it.” Negroponte’s films have been broadcast in the United States on PBS, HBO, and the Sundance Channel as well as in England, France, Germany, Spain, and Japan. His work has been shown at the Sundance Film Festival, The New York Film Festival, and the Museum of Modern Art in New York City and in festivals in Berlin, Rotterdam, Vancouver, and Japan. Negroponte has also taught in the graduate and undergraduate film programs at New York University’s Tisch School of the Arts and Temple University. Recently, he helped create a new graduate program in documentary filmmaking at the School of Visual Arts in New York City, which opened in September, 2009. He is part of the faculty there as well.

Photographers Jarod Lew and Reagan Louie join PhotoWork with Sasha Wolf to discuss how they explore cultural identity, personal loss, and trauma through photography. Lew and Louie are Asian American photographers from different generations, and their work reflects how the exploration of cultural identity in contemporary photography has evolved over the decades. While Louie takes a documentary photography approach, Lew works through more conceptual constructs. Their conversation with Wolf highlights the visual differences between their practices while revealing striking resonances in how they discuss their approach. https://www.jarodlew.com https://www.reaganlouie.com Jarod Lew is an artist who draws on photography to explore intergenerational encounters with diasporic loss, displacement, and postmemory. Through this exploration, his work contends with the performativity of race and its instability as a locus of meaning. His project, Please Take Off Your Shoes was shortlisted for the Aperture Portfolio Prize in 2021, and was exhibited in a group exhibition at SFMOMA titled Kinship: Photography and Connection in 2023. His other project, In Between You and Your Shadow, examines his relationship with his mother, who was the fiancé of Vincent Chin--the subject of a hate-crime that brought national attention to matters of Asian American civil rights. In 2025, Lew will mount his first museum exhibition at the University of Michigan Museum of Art titled- Strange You Never Knew.  His works are held in public and private collections including the Cantor Art Center, Detroit Institute of Arts, Kadist, San Francisco, Harvard Art Museum, University of Michigan Museum of Art and the San Francisco Museum of Modern Art. Lew's work has been written about in Aperture, Artforum, Elephant Magazine, and Aesthetica Magazine. Lew graduated with an MFA in photography at the Yale School of Art. Reagan Louie's photography and installations explore global transformation and cultural identity. He is currently at work on several projects that focus on the relationship between home and homeland; including a book about his family's immigration from China to America. And a Virtual Reality experience about his ancestral home, Wing Wor. His work is exhibited at institutions: San Francisco Museum of Modern Art, Museum of Modern Art NY, Philadelphia Art Museum, Fotomuseum Winterthur, Gwangju Biennale. Louie's photographs are in the public collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Modern Art NY, Los Angeles County Museum of Art, Oakland Museum, Cantor Art Museum. Louie's photographs are widely published. His books have received critical acclaim. The New York Times Book Review named his first book on China, “Toward a Truer Life”, the photography book of the year. He is the recipient of numerous awards - The Guggenheim fellowship, National Endowment for the Arts Fellowship, Lange-Taylor Prize, and Fulbright Fellowship.

Ariel Fristoe: Theater as a Civic CommonsWhat happens when theater stops asking audiences simply to watch and starts inviting communities to listen, speak, and act?In this conversation, Bill Cleveland talks with Ariel Fristoe, founder and Artistic Director of Out of Hand Theater in Atlanta, about a lifetime spent reclaiming theater's oldest purpose—not entertainment alone, but civic life. Together they explore how storytelling, conversation, and community partnerships can become practical tools for reducing polarization, strengthening democratic participation, and helping neighbors encounter one another as fellow human beings rather than strangers.From foster parenting to community organizing, from performances in living rooms to citywide dinners on racial equity, Ariel describes a practice built on a deceptively simple recipe: Art to open hearts. Information to open minds. Conversation to inspire action.In this episode:Why theater originally existed as a civic commons—and why Ariel believes it should become one again.The story behind Decatur Dinners, where more than 1,200 strangers gathered in homes across one city for conversations about race.Ariel's vision for a modern “federal theatre project” that would put artists to work helping communities address their most pressing challenges.How community conversations created through theater can strengthen civic participation and democratic life.ART IS CHANGE Episode 184 Notable MentionsPeopleAriel Fristoe — Founder and Artistic Director of Out of Hand Theater, nationally recognized for developing theater-based civic engagement models that combine performance, dialogue, and community action.Bill Cleveland — Host of Art Is Change, artist, researcher, and founder of the Center for the Study of Art & Community.Dr. Martin Luther King Jr. — Civil rights leader whose vision of the “Beloved Community” profoundly influences Ariel's work and the mission of Out of Hand Theater.Bryan Stevenson — Civil rights attorney, founder of the Equal Justice Initiative, and author of Just Mercy. Ariel references his conviction that hope is the enemy of injustice.Malunga Casquelourd — Congolese cultural leader and teaching artist whose work at San Quentin Prison used traditional storytelling, music, and movement to create dialogue across prison factions.Nikki Young — Playwright whose work appears in the Decatur Dinners performance excerpt featured in this episode.Jesenia Ingram — Atlanta actor performing the excerpt from Nikki Young's play during the Decatur Dinners segment.Brian Goldstone — Journalist and anthropologist whose Pulitzer Prize-winning book There Is No Place for Us examines housing insecurity and the working poor in Atlanta.Organizations & InitiativesOut of Hand Theater — Atlanta-based theater company working at the intersection of art, civic engagement, and social justice through performances, community dialogue, and partnerships.Community Impact Lab — Out of Hand Theater's national training initiative helping artists, activists, and community leaders develop arts-based civic engagement projects.“Equitable Dinners” — Out of Hand's signature model combining a short play, shared meal, facilitated dialogue, and concrete civic action.“Shows in Homes” — Long-running initiative bringing professional theater into private homes to spark conversations around difficult community issues.“We Hold These Truths” — Out of Hand Theater's America250 initiative using four original plays and community dinners to encourage conversations across political, racial, and cultural differences.Center for the Study of Art & Community — Producer of Art Is Change.Charles F. Kettering Foundation — Partner through its Democracy and the Arts program.National Endowment for the Arts — Federal arts agency supporting public access to the arts, including Out of Hand's America250 initiative.The King Center — Atlanta institution dedicated to advancing Dr. King's philosophy of nonviolence.The Carter Center — International nonprofit advancing peace, democracy, and public health.National Center for Civil and Human Rights — Atlanta museum and educational center exploring links between the U.S. Civil Rights Movement and global human rights.United Way of Greater Atlanta — Regional nonprofit working to improve education, housing, and economic mobility.Atlanta Regional Commission — Metropolitan planning agency serving the Atlanta region.Mixed Blood Theatre — Minneapolis theater company licensing Out of Hand's community dinner model.RealTime Arts — Pittsburgh arts organization presenting Out of Hand's civic engagement model.Events & ProjectsAmerica250 — National commemoration of the 250th anniversary of the Declaration of Independence, inspiring Out of Hand's “We Hold These Truths” initiative.“Decatur Dinners” — Landmark civic arts initiative in which more than 1,200 participants gathered in homes across Decatur for performances and conversations about racial equity.Publications & ResearchThere Is No Place for Us: Working and Homeless in America — Brian Goldstone's Pulitzer Prize-winning investigation into working homelessness in Atlanta.International Journal of Arts Management — Peer-reviewed journal publishing Ariel Fristoe's research on Out of Hand Theater's community-centered business model.Journal of Arts Management, Law, and Society — Scholarly journal publishing research related to arts management and cultural policy.American Theatre — National publication covering nonprofit theater, including Out of Hand Theater's America250 initiative.“Out of Hand Theater: Monetizing Creativity”— Harvard Business School case study examining Out of Hand Theater's innovative business model.Places & InstitutionsMartin Luther King Jr. National Historical Park — Historic district where Ariel Fristoe lives and works.Hope-Hill Elementary School — Neighborhood school Ariel describes as transforming her understanding of segregation and systemic racism.San Quentin Rehabilitation Center — California correctional institution referenced in Bill Cleveland's story about arts-based conflict resolution.Boston Children's Theatre — Historic theater where

“The culture wars have completely eaten America,” says author Isaac Butler. His new book, ‘The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars,' looks at how the religious right made a template for expressing grievance over art, and how that is used to this day to defund the National Endowment of the Arts. Butler spoke with Terry Gross. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

အမေရိကန်ပြည်ထောင်စုရဲ့ အမျိုးသား ဒီမိုကရေစီ ရန်ပုံငွေအဖွဲ့ (National Endowment for Democracy - NED) က ချီးမြှင့်သည့် ၂၀၂၆ ခုနှစ်အတွက် ဂုဏ်သိက္ခာကြီးမားလှသော "ဒီမိုကရေစီဆု" (Democracy Award) ကို မြန်မာနိုင်ငံ နွေဦးတော်လှန်ရေး၏ အခြေခံလူတန်းစား လူထုစည်းရုံးရေးမှူးတွေက ရရှိခဲ့ပါတယ်။

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Understanding overlooked dimensions of the Cuban Revolution and its impact on the global left in the 1960s and beyond. This volume, The Cuban Revolution and the New Left: Transnational Histories of Gender, Sexuality, and Family (University of Florida Press, 2026) reconsiders revolutionary Cuba's global influence by shifting the focus from high-level political leaders to perspectives traditionally sidelined, offering new insights into how everyday lives, family dynamics, and notions of gender and sexuality impacted revolutionary transformation. Its expansive scope uncovers ties between Cuba and Latin America, the United States, Africa, and Asia, examining the interplay of global forces including new models of mass consumption, feminist and LGBTQ+ movements, and national liberation struggles. Chapters include analyses of Chinese reinterpretations of a Cuban play, Angela Davis's influential visits to the island, Cuba's complex relations with Black militants in Angola, and a Mexican transgender and disability activist who reimagined Che Guevara's legacy. They also present research on Cuba's solidarity campaigns with Vietnam, foreign journalists who covered the revolution, the role of consumption and fashion, and the lasting impact of the revolution's refugee policies on exiled children and families from the Southern Cone. Through its interdisciplinary sociocultural approach, this volume challenges conventional top-down narratives by foregrounding the interplay between grassroots actors and transnational affairs. It is an essential resource for scholars, students, and anyone interested in the multilayered stages of the Cuban Revolution and its continued relationship with global politics and culture. A volume in the series Caribbean Crossroads: Race, Identity, and Freedom Struggles, edited by Lillian Guerra, Devyn Spence Benson, April Mayes, and Solsiree del Moral Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.  Contributors: Tanya Harmer | Emily Snyder | Felipe CesarCamilo Caro Romero | Ailynn Torres Santana | Robert Franco | MichelleChase | Isabella Cosse | Siwei Wang | Ximena Espeche | Sarah J. Seidman | Rafael Cesar | Alexis Baldacci Michelle Chase is an associate professor of history at Pace University. Isabella Cosse is a professor of history at Universidad Nacional de San Martín and researcher at Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) Katie L. Coldiron is a librarian and doctoral candidate in history at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Brad Gooch has spent much of his career telling the stories of larger-than-life figures. The poet, novelist, and acclaimed biographer is known for celebrated books on Keith Haring, Frank O'Hara, Flannery O'Connor, and the 13th-century mystic Rumi.A Guggenheim Fellow and recipient of a National Endowment for the Humanities fellowship, Gooch has built a reputation for combining literary insight with a keen eye for the personal details that shape a life. In his new memoir, 'Good Morning Moon: A Snapshot of an American Family,' he turns that eye inward.

Thom Francis welcomes poet, author, and educator Melody Davis to the Poets Speak Loud stage at McGeary's in downtown Albany, NY. She was the featured poet at the long-running open mic series on April 30, 2018. +++++ On April 30, 2018, Davis was the featured poet at the long-running series hosted by Mary Panza. She began her reading with work from her book One Ground Beetle: A Year in Haiku (Bad Cat Press, 2017), with prints by Harold Lohner. It was "Show & Tell" with Melody reading a haiku or two, then holding up the book to show the colorful print on the facing page. The haiku were on trees, clouds, birds, round stones, Albany, and work meetings. She then read from her collection of poems Holding the Curve (Broadstone Books), “Caillebotte's Laundry” and “Walter, the Lawyer.” Melody Davis, a writer and art historian, is the author of three poetry collections, including a special edition artists' book, One Ground Beetle, with Harold Lohner; and Holding the Curve. Her work in the history of photography has been published widely. In 2015, she published Women's Views: The Narrative Stereograph in Nineteenth-Century America with the University Press of New Hampshire. Davis has held fellowships from the National Endowment for the Arts, The Henry Luce Foundation, the Pennsylvania Council of the Arts, MetroArts (PA), and she was a finalist in the National Poetry Series. She holds a Ph.D. from the Graduate Center of the City University of New York and was an Associate Professor of Art History at the Sage College of Albany.

Richard Bell, Rick to his friends and podcast hosts, is Professor of History at the University of Maryland. He is the author of the book Stolen: Five Free Boys Kidnapped into Slavery and their Astonishing Odyssey Home which was a finalist for the George Washington Prize and the Harriet Tubman Prize. He has held major research fellowships at Yale, Cambridge, and the Library of Congress and is the recipient of the National Endowment of the Humanities Public Scholar award and the Andrew Carnegie Fellowship. His new book, The American Revolution and the Fate of the World, published by Penguin, recently won the Journal of the American Revolution Book of the Year Award. The wife of the pod and I saw Rick speak to a small group in Austin in the beginning of April, and his talk stimulated me to buy and read his new and very timely book on the global history of the American Revolution.  I enjoyed it very much, insofar as it is packed with the sort of interesting stories that are the stock-in-trade of the History of the Americans Podcast, and of course recommend that you run out and buy it! In our conversation we discuss two of the fourteen chapters in the book, one on the grassroots antiwar movement that emerged in Great Britain early in the war, and the other on Spain’s remarkable contribution to the ultimate patriot victory. I hope you enjoy listening as much as I had fun doing it. Subscribe to my Substack! X – @TheHistoryOfTh2 – https://x.com/TheHistoryOfTh2 Facebook – https://www.facebook.com/HistoryOfTheAmericans

Our look at the New Queer Cinema continues with the first feature directed by an out Black lesbian, Cheryl Dunye's The Watermelon Woman! Join in as we discuss our favorite mockumentaries, the film's semiprofessional cast, its discussion of interracial relationships, and that incredible Camille Paglia scene. Plus: Why didn't Dunye use actual period photos? What exactly is Diana (Guinevere Turner) doing with her life? And how did this movie cause yet more conflict for the National Endowment for the Arts? Make sure to rate, review, and subscribe! Next week: Smallfoot (2018) and Abominable (2019) ---------------------------------------------------------Key sources and links for this episode:"The Watermelon Woman at 25" (BFI)"Slice of Life: The Watermelon Woman Refreshes" (Boston Phoenix)"The NEA Gets Gay-Bashed" (The Advocate)"Cheryl Dunye's Alternative Histories" (Interview Magazine)"The Radical Classic that's Finally Coming to the Criterion Collection" (Slate)"The Real History of Rent" (OUT Magazine)

“Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. The agent is the unacknowledged legislator of the literary field.” — Laura McGrath We think of publishers and editors as the ultimate tastemakers. As those godlike gatekeepers controlling what we read. But if you're looking for literary gods, Laura McGrath argues, then you need to look at literary agents rather than publishers or editors. Her ten-year project, Middlemen: Literary Agents and the Making of American Fiction, is the first serious scholarly account of the literary agent's astonishingly powerful role in shaping what America reads. Except, of course, the Middlemen are actually Middlewomen — since 80% of literary agents are women. The numbers are striking. Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. McGrath interviewed 75 of them over ten years. Shelley called poets the unacknowledged legislators of the world. McGrath's agents are the unacknowledged legislators of the literary field. They shaped postmodernism (Candida Donadio and Pynchon, Heller, Gaddis). They launched the debut novel as a literary form. They made the short story collection viable. And 25 of them control more than half of the prizes. So will AI replace the agent? In operations, perhaps, McGrath acknowledges — the slush pile is overwhelming and smart machine assistance is welcome. But in creative work — in the business of writing, editing, translation, cover design, and above all taste — she thinks not. No algorithm will ever learn the Catch-22 of publishing — separating the Thomas Pynchon or Joseph Heller from all the dross. And no bot (male or female) is ever going to host a three-martini lunch in Manhattan. Five Takeaways •       The Literary Agent as the New Gatekeeper: Replacing the Publisher: In the early 20th century, publishing was shaped by the taste of individual publishers: Bennett Cerf at Random House, Alfred and Blanche Knopf at their imprint, Max Perkins at Scribner's. Those days are over. Publishers are now conglomerates where individual editors may have excellent taste but no single figure shapes the house. Into that vacuum has come the literary agent — who now operates, McGrath argues, exactly as the great publishers once did: as the primary tastemaker, the person whose aesthetic and commercial judgment shapes what America reads. •       25 Agents, Half the Prizes, 80% Women: The Numbers: McGrath's most striking statistical finding: just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. Twenty-five people. The field is 80% women — hence the tongue-in-cheek title — and 73% white. Agents tend, McGrath found, to represent authors who resemble themselves. One answer to the question “why is contemporary literary fiction so white?” is: because agents are. And agents, because they work on contingency fees rather than salaries, face severe financial pressures that concentrate power at the top of the profession. •       The Unacknowledged Legislators: Agents Shaped American Literary History: McGrath's book is full of literary history rewritten from the agent's perspective. Sterling Lord persisted past dozens of rejections to place On the Road for Kerouac. Candida Donadio — Pynchon's, Heller's, Gaddis's, and early Philip Roth's agent — championed maximalist, experimental writers whom no one was interested in, and built the social network of editor relationships that made postmodernism possible. The debut novel as a cultural form, the persistence of the short story collection despite poor sales, the rise of the New York novel — all are, in McGrath's account, partly agent-made. •       Can White Male Writers Not Get Published? No: Andrew raises the complaint he hears from white male writers: that they can no longer get published because of diversity initiatives. McGrath's answer is flat. No. She thinks it's silly. The number of books published each week is staggering. Being able to see some success on the part of writers of colour does not diminish the work white men are doing. The complaint, she notes, circulates every ten years, typically after a boom in support for writers of colour. We are in another round of this cycle. There will be another one in a decade. •       Will AI Replace the Literary Agent? In Operations, Maybe. In Taste, No: Andrew's closing question: will AI replace the middlemen? McGrath draws the distinction she heard at the US Book Show: AI in operations (slush pile management, contract tracking), yes, possibly. AI in creative work — writing, editing, translation, cover design, and above all taste — she hopes not. An algorithm is built on priors. It narrows the window of possibility endlessly, replicating itself. That is not what a good literary agent does. A good literary agent is looking for books that surprise, frustrate, and thrill. No algorithm has learned to take an author out for a three-martini lunch. About the Guest Laura McGrath is an assistant professor of English at Temple University and a National Endowment for the Humanities Fellow. She was formerly the associate director of the Literary Lab at Stanford University. She is the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, April 28, 2026). She writes the textCrunch Substack on literary and publishing culture. References: •       Middlemen: Literary Agents and the Making of American Fiction by Laura McGrath (Princeton University Press, April 28, 2026). •       Earlier on KOA: Gayle Feldman on Nothing Random: Bennett Cerf and the Publishing House He Built — the companion episode referenced at the opening. •       Sterling Lord (agent for Kerouac), Candida Donadio (Pynchon, Heller, Gaddis, Roth), Andrew Wylie — agents profiled in the book. •       Andrew Keen, Cult of the Amateur (2007) — referenced as Andrew's own defence of gatekeepers. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

In April 1989, a newspaper clipping about an art exhibit landed in the mailbox of the Rev. Donald Wildmon, the founder of a conservative evangelical group, the American Family Association. Partly funded by the National Endowment for the Arts, the exhibit included a now-infamous photograph by Andres Serrano that showed a crucifix submerged in Serrano's own urine. Incensed, Wildmon sent a copy of the photo to every member of Congress, setting off a battle led by the Christian right over what contemporary art could be and who should receive federal funding for it. Isaac Butler, an author and cultural historian, walks through this and other pivotal moments in the culture wars of the 1980s and 1990s in his new book, “The Perfect Moment: God, Sex, Art and the Birth of America's Culture Wars.” Butler spoke to the Book Review's editor, Gilbert Cruz, about how these fights unfolded and what they meant for the artists themselves. He sat down to write the book, he said, when “it really felt like the culture wars of the '80s and '90s that I grew up in were repeating again.” Books and plays discussed on this episode: “The Perfect Moment: God, Sex, Art and the Birth of America's Culture Wars,” by Isaac Butler “Measure for Measure,” by William Shakespeare “Transgressions: The Offences of Art,” by Anthony Julius “It Was Vulgar and It Was Beautiful: How AIDS Activists Used Art to Fight a Pandemic,” by Jack Lowery “The Devil Finds Work,” by James Baldwin “Fire in the Belly: The Life and Times of David Wojnarowicz,” by Cynthia Carr “Elia Kazan: A Life,” by Elia Kazan “Fear No Pharaoh: American Jews, the Civil War and the Fight to End Slavery,” by Richard Kreitner “The Kindness of Strangers,” by Salka Viertel “The Talmud: A Biography,” by Barry Scott Wimpfheimer “My Last Sigh,” by Luis Buñuel Listen to and Follow ‘The Book Review' Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio Unlock full access to New York Times podcasts, and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cinelle Barnes joins Let's Talk Memoir for a conversation about her brain aneurism rupture, writing a memoir two years after brain surgery, the healing modality that is writing personal narrative, memoir as a palimpsest, having multiple memoirs, narrating from the perspective of the adult, choosing to be in a place of discovery, alternating timelines, offloading thoughts onto sticky notes, when writing becomes episodic and collage like, gratitude as fertilizer for the brain, holding onto our words and art to keep holding onto who we are, investigating the many selves within the self, and her new memoir A Way Home: A Memoir of Losing Yourself and the Beauty of Returning.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -micromemoirs -fostering neuroplasticity -changing as we explore   Books mentioned in this episode:  -Easy Beauty by Chloe Cooper Jones -Mother Mary Comes to Me by Arundhati Roy -The Man Who Could Move Clouds by Ingrid Contreras   Cinelle Barnes is the Philippine-born author of Monsoon Mansion: A Memoir, Malaya: Essays on Freedom, and A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. She is also the editor of the New York Times “New and Noteworthy” A Measure of Belonging: Twenty-One Writers of Color on the New American South. Cinelle is a survivor of a brain aneurysm rupture and sits on the Brain Injury Leadership Council of South Carolina, and is the recipient of awards and fellowships from the Sustainable Arts Fund, the Authors League Fund, the National Endowment for the Arts, South Arts, and the North American Travel Journalists Association, among others. She has served on the jury panels for several literary awards, including the inaugural Pulitzer Prize for Memoir. Her writing has appeared in Coastal Living, Travel + Leisure, Buzzfeed, Catapult, Electric Literature, and Longreads, among others. Cinelle lives in Charleston, SC, with her husband, daughter, and cat.    Connect with Cinelle: Webiste: cinellebarnes.com Instagram: @cinellebarnesbooks   Purchase Book via Bookshop: https://bookshop.org/p/books/a-way-home-a-memoir-of-losing-yourself-and-the-beauty-of-returning-cinelle-barnes/1a3f1cce1c657294?ean=9781662510618&next=t   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Jason Blitman talks with Pulitzer Prize winer Andrew Sean Greer (Less) about his newest novel, Villa Coco. This conversation was recorded live in Los Angeles at the First Congressional Church sponsored by Book Soup. Conversation highlights include:

The queens shine a rainbow spotlight on some fabulous, emerging queer poets.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Xavier Searle is a poet and educator. A recipient of an Academy of American Poets University & College Prize, their work has appeared in The Broken Plate, Stone of Madness, and the anthology Broken Olive Branches. They hold an MFA from North Carolina State University. Read their poem "Elegy." Deon Robinson (he/him) is a Queer Afro-Latino poet born-and-raised in The Bronx. He received his B.A. in Creative Writing from Susquehanna University, where he was a two-time recipient of the Janet C. Weis Prize for Literary Excellence. Currently, he is a first year MFA Candidate in Poetry at the University of Urbana-Champaign where he is a recipient of a Graduate College Master's Fellowship and selected by Adrian Matejka for the 2022 Hobart L. and Mary Kay Peer Memorial Award. Read Deon Robinson's "(Pleasure-Knowledge) (Knowledge-Pain)" from The Adroit Journal. Visit his website: https://djrthepoet.weebly.com Kaitlin Hsu 徐欣 (she/她) is a queer Taiwanese poet, translator and editor from the Bay Area. Her work can be found in A Public Space, Poet Lore, Peach Mag and elsewhere. She is a 2024 Margins Fellow at the Asian American Writers' Workshop and works at Kaya Press as an associate editor. Hsu was also a Brooklyn Poets Fellow. Check out Hsu's website at https://myrefoli.github.io and read her poem "As a Child, I Pretended to Be a Tree" here.Stefania Gomez is a 2025 Luminarts Fellow in Poetry and a 2023 Fulbright Research Award Grantee, and a finalist for the 2024 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship and 2023-2024 Provincetown Fine Arts Work Center Fellowship Semifinalist. She has received additional fellowships from the Dirt Palace, Sewanee Writers Workshop, Lambda Literary, and the International Quilt Museum. She received her MFA in poetry at Washington University in St. Louis. She is currently a PhD candidate in English at the University of Illinois at Chicago and teaches Creative Writing at The Chicago High School for the Arts, Chicago's first public arts high school. Read her poem "Wreck" here and check out her website here. Another Gomez poem worth your time is "At the New York City AIDS Memorial"John Bonanni founded and edits the Cape Cod Review. His poems have appeared in North American Review, Foglifter, Black Warrior Review, Washington Square Review, Florida Review, and Gulf Coast, and his literary criticism has been featured in DIAGRAM, Denver Quarterly, The Rumpus, and The Kenyon Review. He teaches on Cape Cod. Visit his website and read "Elegy for Gaeton Dugas" here. Bonnani's book Retrovirology, won the Donald Hall Prize (judged by Honorée Fanonne Jeffers) and will be available in September from the Pitt Poetry Series. Alec Hershman is the author of the chapbooks Permanent and Wonderful Storage  (2019) and The Egg Goes Under (2017), both from Seven Kitchens Press. He lives in Michigan where he teaches literature and writing to college students. His poetry appears widely in literary journals and magazines such as Denver Quarterly, Colorado Review, The Journal, Sycamore Review, DIAGRAM, Columbia, The National Poetry Review, and Harpur Palate. You can find links to his work online at https://alechershmanpoetry.com. Read Hershman's "Mercury Fields." Denice Frohman is a poet and performer from New York City. She has received support from The Pew Center for the Arts, Baldwin for the Arts, CantoMundo, Headlands Center for the Arts, the National Association of Latino Arts and Cultures and the National Endowment for the Arts. Her work has appeared in The New York Times, Poem-A-Day, The BreakBeat Poets: LatiNext, Nepantla: An Anthology for Queer Poets of Color, The Rumpus and elsewhere. A former Women of the World Poetry Slam Champion, she's featured on hundreds of stages from The Apollo to The White House. Currently, she is developing her one-woman show, Esto No Tiene Nombre, which centers the oral histories of Latina lesbian elders. Read or listen to Frohman's poem "Lady Jordan" here and check her website out here: https://www.denicefrohman.comZachary Scalzo (he/they) is a queer writer, translator, and theatremaker. They can be found at azachofalltrades.com and on Instagram at @zjscalzo. Their poetry has appeared in journals including Dear Poetry, Ghost City Review, and &Change. Read their poem “Sometimes—there's God—so quickly.” Journalist Randy Shilts popularized the concept of "Patient Zero" in his 1987 book, And the Band Played On. By 1987, however, it was known that an infected individual might not display symptoms for several years, and that the study on which Shilts based his assumption was unlikely to have revealed a network of infection. Still, Shilts uncritically spread the story of the Los Angeles cluster study and its ‘Patient 0,' with long-standing consequences. For more about this, read here.Director Laurie Lynd released a documentary in 2019, Killing Patient Zero, which delves more into Gaeton Dugas's life. Read more about the documentary here.

DOCKET ALERTS:   Kash Patel brings UFC to FBI. WTF???   A federal judge in Maryland issued a TRO blocking the construction of an ICE detention facility without first undertaking the legally required environmental impact assessment.   The Trump administration filed an "emergency" petition to the Supreme Court demanding that it be allowed to immediately deport 350,000 Haitians who have enjoyed Temporary Protected Status for decades. It insists an earlier shadow docket ruling allowing it to deport Venezuelan TPS holders is precedential. An amicus brief from 175 former judges points out that shadow docket orders are definitionally non-precedential.   The USDA is teaming up with Robert Kennedy and his team of freaks at Health and Human Services to Make America Healthy Again … by shaming poor people for their food choices. SNAP recipients sued in DC to block a "pilot" program to allow states to restrict food benefits to exclude sugary foods.   MAIN SHOW:   DOGE destroyed the National Endowment for the Humanities in three weeks last spring. We wrote about it on the blog, and discussed the ongoing litigation. Turns out, the DOGE dudes are pissed that the plaintiffs released video of them smirking their way through depositions.   On Monday, in the middle of trial, the Trump administration tried to blow up the antitrust lawsuit against Live Nation, the parent company of Ticketmaster. This leaves the 40 states which joined the suit as co-plaintiffs in the lurch. Judge Arun Subramanian has ordered the parties to huddle up and see if they can't negotiate a settlement. Will the case go forward next week without the lead plaintiff?   And Andrew has an extended exploration of Trump's plan to use a little known federal agency called the United States International Development Finance Corporation (DFC) to get oil tankers to cross the Strait of Hormuz. The DFC has released a plan (or at least, concepts of a plan) to reinsure insurance companies that issue war riders. Which might help if insurance companies were refusing to issue policies to ships at sea – except that insurance companies are still underwriting as many marine policies as ever. It's just that it costs more now, because of the war.   Plus for subscribers, we'll break down the bar complaint against fan favorite Ed Martin.   Kash Patel Confirms UFC Fighters Will Train FBI Agents This Week, Calling It A "Historic Opportunity" https://deadline.com/2026/03/kash-patel-ufc-fighters-train-fbi-agents-1236750897/   State of Maryland v. Noem [ICE Detention Center in Hagerstown] https://www.courtlistener.com/docket/72313096/state-of-maryland-v-noem   Lesly Miot v. Trump [Haitian TPS, Trial Docket] https://www.courtlistener.com/docket/70965949/lesly-miot-v-trump/   Trump v. Miot [SCOTUS Docket] https://www.supremecourt.gov/search.aspx?filename=/docket/docketfiles/html/public/25a999.html   DOGE Bros Had More Fun Burning Down Government Than Testifying About It https://www.lawandchaospod.com/p/doge-bros-had-more-fun-burning-down   Authors Guild v. National Endowment for the Humanities https://www.courtlistener.com/docket/70243086/the-authors-guild-v-national-endowment-for-the-humanities   Amicus Brief of 175 Former Judges re Precedent of Shadow Docket Rulings https://www.supremecourt.gov/DocketPDF/25/25A952/400077/20260305142419318_Amicus%20Brief%20of%20Former%20Judges%20re%20Dahlia%20Doe_FINAL.pdf   Aragon v. Rollins [SNAP Benefits] https://www.courtlistener.com/docket/72419889/aragon-v-rollins/   DOJ nopes out of Ticketmaster antitrust suit https://www.publicnotice.co/p/ticketmaster-suit-doj   US v. Live Nation https://www.courtlistener.com/docket/68557723/united-states-of-america-v-live-nation-entertainment-inc   Trump's 'free flow of energy' vow fails to restart shipping in strait of Hormuz [The Guardian] https://www.theguardian.com/world/2026/mar/10/trump-free-flow-energy-fails-restart-shipping-strait-hormuz   DFC Reinsurance announcement [US International Development Finance Corporation] https://www.dfc.gov/media/press-releases/dfc-announces-chubb-lead-insurance-partner-maritime-reinsurance-plan   Gulf war risk premiums topping double-digit millions of dollars per trip [Lloyd's List] https://www.lloydslist.com/LL1156586/Gulf-war-risk-premiums-topping-double-digit-millions-of-dollars-per-trip   No, P&I clubs have not 'cancelled war risk cover' [Lloyd's List] https://www.lloydslist.com/LL1156515/No-PI-clubs-have-not-cancelled-war-risk-cover   Show Links: https://www.lawandchaospod.com/ BlueSky: @LawAndChaosPod Threads: @LawAndChaosPod Twitter: @LawAndChaosPod  

DESCRIPTION:   Kash Patel is not as think as you drunk he is … again. And if you tell someone about it, he'll strap you to a polygraph.   The DC Circuit seems likely to side with Senator Mark Kelly in his lawsuit against Pete Hegseth for trying to steal his pension.   The DOJ subpoenaed a hospital in Rhode Island for medical records of kids receiving gender affirming care. While the parties were negotiating, the DOJ filed a petition to enforce in Texas, which their hand-picked Judge Reed O'Connor instantly granted. Now the hospital has appealed to the Fifth Circuit (ughhh) and the Rhode Island Child Advocate has filed a motion to quash in the District of Rhode Island.   Our Doofus of the Day is Chief Justice John Roberts. It won't always be someone on the Supreme Court, but when you stand up in front of hundreds of lawyers to whine about how unfair it is that people think your obviously political Supreme Court is political, how could we resist?   MAIN SHOW:   The 11th Circuit has joined two other circuit courts of appeal in ruling that the Trump administration cannot use the mandatory detention provisions of the Immigration and Naturalization Act to hold any immigrant, anywhere in the US, for any length of time and with no opportunity for a bond hearing.   The DOJ is so desperate to hire lawyers that they're offering signing bonuses and tipping current employees with "retention incentive allowances" to keep them from fleeing. Turns out, competent lawyers don't like harassing trans kids for sport and indicting Democratic politicians on spurious grounds.   Judge Coleen McMahon ruled that DOGE illegally dismantled the National Endowment for the Humanities when the bros fed the grantee database into ChatGPT with an instruction to find grants were "DEI."   The Southern Poverty Law Center says the government's public lies about the case — lookin' at you, Todd Blanche — are so egregious that the court should hand over the grand jury transcript.   Judges in Rhode Island and Texas are dueling over the DOJ's subpoena for the medical record for transgender minors.   READING LIST: How Professional Wrestling Prepared Linda McMahon for Trump's Cabinet   Kash Patel's Personalized Bourbon Stash https://www.theatlantic.com/politics/2026/05/kash-patel-fbi-bourbon/687066/   Kash Patel ordered polygraphs of more than two dozen members of his team, sources tell MS NOW https://www.ms.now/news/kash-patel-ordered-polygraphs-of-more-than-two-dozen-members-of-his-team-sources-tell-ms-now   DOJ Offers Lawyers $25,000 Signing Bonuses as Hiring Lags https://news.bloomberglaw.com/us-law-week/doj-offers-lawyers-25-000-signing-bonuses-as-recruitment-lags   US. SPLC https://www.courtlistener.com/docket/73223865/united-states-v-southern-poverty-law-center-inc   In Re: Administrative Subpoena 25-1431-032 [Texas action] https://www.courtlistener.com/docket/73276712/in-re-administrative-subpoena-25-1431-032/   In Re: Motion to Quash Administrative Subpoena to Rhode Island Hospital [Rhode Island action] https://www.courtlistener.com/docket/73290254/in-re-motion-to-quash-administrative-subpoena-to-rhode-island-hospital/   "Chief Justice John Roberts says American public wrongly views the justices as 'political actors'" [NBC News] https://www.nbcnews.com/politics/supreme-court/chief-justice-john-roberts-says-justices-are-not-political-actors-rcna343958   Hernandez Alvarez v. Warden (11th Cir. immigration) [docket via CourtListener] https://storage.courtlistener.com/pdf/2026/05/06/ismael_perez_v._assistant_field_office_director_krome_north_service.pdf   American Council of Learned Societies v. McDonald https://www.courtlistener.com/docket/70035052/american-council-of-learned-societies-v-mcdonald/   How Professional Wrestling Prepared Linda McMahon for Trump's Cabinet https://www.newyorker.com/magazine/2026/04/27/linda-mcmahon-profile   Show Links: https://www.lawandchaospod.com/ BlueSky: @LawAndChaosPod Threads: @LawAndChaosPod Twitter: @LawAndChaosPod

In Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential. Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford. Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities. Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast. Playlist for listeners: Writing Biography Running From Bondage Jumping Through Hoops Never Caught Speaking While Female Women Reformers and The House on Henry Street We Refuse Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -deepending friendships  -memoir-plus digressions -writing about our obsessions   Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn  Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg   Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly.   Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

Melissa Errico is a Tony-nominated actress, singer, recording artist, and writer. She is known for her iconic Broadway musical roles such as Eliza Doolittle in My Fair Lady and the title role in One Touch of Venus. She is also recognized from her roles on TV series such as Billions, The Jim Gaffigan Show, Blue Bloods, The Good Wife, Law & Order, A Gifted Man, Ed, and Miss Match opposite Alicia Silverstone. In addition to her work on stage and screen, Errico is highly regarded for her recordings of musical theater classics, including albums of songs by Stephen Sondheim and Michel Legrand. Her 2018 album “Sondheim Sublime” was described by the Wall Street Journal as “the best all-Sondheim album ever recorded”. In a review for her 2024 album “Sondheim in the City”, the New York Times described Errio as “one of Sondheim's deepest-hearted yet lightest-touch interpreters.” Errico’s interpretation of Legrand’s music is equally highly praised, so much so that she was asked to write his eulogy for the Times and was the only American singer invited to perform at Legrand’s memorial at Le Grand Rex in Paris. In recent years, Errico has become a contributing writer to The New York Times and served on the National Endowment for the Arts. See omnystudio.com/listener for privacy information.

In a live conversation on YouTube, Lawfare Editor in Chief Benjamin Wittes sat down with Lawfare Senior Editors Anna Bower, Eric Columbus, and Roger Parloff to discuss Judge Boulee denying Fulton County's motion for the return of the 2020 election ballots seized by the FBI, a judge ordering the National Endowment for Humanities to rescind DOGE-backed cancellation of grants, oral argument in Mark Kelly v. Secretary of Defense Pete Hegseth, and more.You can find information on legal challenges to Trump administration actions here. And check out Lawfare's new homepage on the litigation, new Bluesky account, and new WITOAD merch.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.