Podcasts about national endowment

In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over.    For more on Gilbert Baker and the history of the rainbow flag see the  Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP?  “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic.    The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000.  For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco.  Thanks to Sue Fulton for permission to use “This Little Light of Mine.”  Thanks to Cris Williamson for permission to use “Song of the Soul.”  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over.    For more on Gilbert Baker and the history of the rainbow flag see the  Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP?  “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic.    The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000.  For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco.  Thanks to Sue Fulton for permission to use “This Little Light of Mine.”  Thanks to Cris Williamson for permission to use “Song of the Soul.”  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over.    For more on Gilbert Baker and the history of the rainbow flag see the  Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP?  “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic.    The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000.  For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco.  Thanks to Sue Fulton for permission to use “This Little Light of Mine.”  Thanks to Cris Williamson for permission to use “Song of the Soul.”  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood.    “Freedom is Coming”  is by Anders Nyberg.  “All Things New” is by Rory Cooney. “Blessed Assurance” is by Franny Crosby. “Gloria (Angels We Have Heard on High” is a traditional Christmas hymn.  “The Potter's House” is by V. Michael McKay.  For images and links about this episode visit https://www.heavenpodcast.org/episode-9. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Special thanks to Tom Ammiano, Tommi Avicolli-Mecca, Stuart Gaffney, John Lewis, Dr. Jen Reck, Matt Sharp, and Dana Van Gorder for their help with this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Lyric Center for LGBTQQ+ Youth The Ali Forney Center The Trevor Project's 2022 report on LGBTQ youth and homelessness Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood.    “Freedom is Coming”  is by Anders Nyberg.  “All Things New” is by Rory Cooney. “Blessed Assurance” is by Franny Crosby. “Gloria (Angels We Have Heard on High” is a traditional Christmas hymn.  “The Potter's House” is by V. Michael McKay.  For images and links about this episode visit https://www.heavenpodcast.org/episode-9. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Special thanks to Tom Ammiano, Tommi Avicolli-Mecca, Stuart Gaffney, John Lewis, Dr. Jen Reck, Matt Sharp, and Dana Van Gorder for their help with this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Lyric Center for LGBTQQ+ Youth The Ali Forney Center The Trevor Project's 2022 report on LGBTQ youth and homelessness Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood.    “Freedom is Coming”  is by Anders Nyberg.  “All Things New” is by Rory Cooney. “Blessed Assurance” is by Franny Crosby. “Gloria (Angels We Have Heard on High” is a traditional Christmas hymn.  “The Potter's House” is by V. Michael McKay.  For images and links about this episode visit https://www.heavenpodcast.org/episode-9. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Special thanks to Tom Ammiano, Tommi Avicolli-Mecca, Stuart Gaffney, John Lewis, Dr. Jen Reck, Matt Sharp, and Dana Van Gorder for their help with this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Lyric Center for LGBTQQ+ Youth The Ali Forney Center The Trevor Project's 2022 report on LGBTQ youth and homelessness Learn more about your ad choices. Visit megaphone.fm/adchoices

Budgets frozen. Institutions wobbling. Political earthquakes everywhere. In the middle of all that, many artists and cultural workers are stepping straight into the messy moral world of community change.This episode is the fourth in our special series where we're unpacking the building blocks of effective art and social change practice, This episode we explore: What happens when “good intentions” aren't enough?What do we owe the communities we hope to serve?And how does an artist even begin to understand the ethical weight of their presence in places carrying trauma, tension, or long histories of power imbalance?Notable MentionsPeopleBill Cleveland – Host of Art Is Change and Director of the Center for the Study of Art & Community.Leni Sloan – Activist, performer, impresario, and cultural historian.Barbara Schaffer Bacon – Educator, author, and longtime arts-and-democracy leader.Confucius – Philosopher quoted on the cultural health of society.Carol Bebelle – Co-founder of Ashé Cultural Arts Center in New Orleans.Roberta Uno – Director and cultural organizer referenced via Project 2050.Judy Munson – Composer for the series' theme and soundscapes.Andre Neppe – Text editor for the series.OrganizationsCenter for the Study of Art & Community – Producer of Art Is Change.National Endowment for the Arts (NEA) – Federal arts funder.Mid Atlantic Arts – Regional arts funder.Kennedy Center – National cultural institution.Junebug Productions – Community-rooted arts organization.Ashé Cultural Arts Center – Cultural organization founded by Carol Bebelle.UMass Project 2050 – Intergenerational arts and social justice project.Freesound.org – Open-source audio effects platform.EventsPennsylvania Arts Residency Shutdowns – State-level budget freeze causing all residencies to wind down.California Gerrymandering Ballot Vote – Referenced political event affecting democratic institutions.White House East Wing Renovation – Described as symbolic cultural destabilization.Northern Ireland Peace-Sector Encounters – Experiences working in sectarian communities.Prison Songwriting Class – A pivotal ethical moment demonstrating the power of creative work.Publications / TextsConfucian Canon – Referenced philosophically regarding art and society.*******Change the Story / Change the World is a podcast that chronicles the power of...

Episode 319 features Chef Ray Sheehan as he presents his Annual Holiday Gift Giving Guide and author, Robert Elias discusses, Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes Ray Sheehan also known as Chef Ray is an award winning maker of barbecue sauces and rubs as well as an award winning cookbook author.  We continue with our yearly tradition as he presents his annual holiday gift giving guide.  Links for the gift guide follow:  Bear Mountain BBQ  www.bearmountainbbq.com; The Briner www.thebriner.com;  Big Green Egg www.biggreenegg.com; Drip EZ www.bbqdripez.com; Gunter Wilhelm www.gunterwilhelm.com; Grill Fighter www.grillfighter.tools; Pit Boss www.pitboss-grills.com; 901 Pig BBQ www.etsy.com/shop/901pig; B.T. Leigh's Sauces & Rubs www.btleighs.com; TD's Brew & BBQ www.tdsbrewandbbq.com; WECS Woodworking www.wecswoodworking.com; Chef Ray Sheehan www.raysheehan.com Robert Elias is Professor of Politics and Chair of Legal Studies at the University of San Francisco, where he has received the Sarlo Prize, the Distinguished Research Award, and Frank Beach Service Award, and been a Davies Professor and the National Endowment for the Humanities Chair. He teaches courses on U.S. political history, human rights, constitutional law, American foreign policy, and baseball. He is the author of twelve books and his latest tome is Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes.  The book details the life and career of an unlikely baseball pioneer as he challenged baseball's reserve clause.  Robert explores Gardella's humble beginnings, his struggles to establish himself as a professional baseball player, his entertaining antics on and off the field, and his jump from Organized Baseball to the Mexican League that was the spark not only for challenging the reserve clause, but for creating America's most powerful labor union, the MLB Player's Association. We recommend you go to Rogue Cookers website, https://roguecookers.com/ for award-winning rubs, Chef Ray Sheehan's website, https://www.raysheehan.com/ for award-winning saucess, rubs, and cookbooks, Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We truly appreciate our listeners and hope that all of you are staying safe. If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq        Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have a comment? Send us a text! (We read all of them but can't reply). Email us: Will@faithfulpoliticspodcast.comIn this episode of Faithful Politics, Will and Josh talk with China expert William Nee about the major October 2025 crackdown on Beijing's Zion Church, one of the largest underground Christian networks in China. William explains what actually happened during the coordinated raids, why Pastor Ezra Jin (Jin Mingri) and nearly 30 church leaders were charged with “illegally using information networks,” and how all of this connects to Xi Jinping's tightened national-security agenda.The conversation steps back to look at the broader picture: how “Sinicization” works, why the Chinese Communist Party fears independent faith communities, and what life is like for ordinary Christians when church gatherings, youth religious education, and online ministry can all trigger state action.William also describes how the U.S. government and human-rights groups are responding, why international attention matters, and what this moment means for Christians, Uyghur Muslims, Tibetans, and others facing religious restrictions in China. If you want clear, grounded insight into what's really happening inside China's religious-freedom landscape, this episode gives you the context you need.Guest bio:William Nee is the Senior Manager for East Asia at the National Endowment for Democracy (NED), where he focuses on China's human-rights landscape, civil society, and religious freedom. Before NED, he served as a China researcher at Amnesty International and worked with Chinese Human Rights Defenders. His work often covers the CCP's efforts to control faith communities, including the recent crackdown on Zion Church and its founder, Pastor Ezra Jin.RELEVANT LINKSZion Church background:https://en.wikipedia.org/wiki/Beijing_Zion_ChurchPastor Ezra Jin biography:https://en.wikipedia.org/wiki/Jin_MingriReuters report on the 2025 arrests:https://www.reuters.com/world/china/china-undergrSupport the show

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Traci Brimhall joins Kevin Young to read “Refrigerator, 1957,” by Thomas Lux, and her own poem “Love Poem Without a Drop of Hyperbole in It.” Brimhall is the author of five poetry collections, including “Love Prodigal” and “Our Lady of the Ruins,” which won the Barnard Women Poets Prize. She has also received fellowships from the National Endowment for the Arts and the National Park Service—and she is the poet laureate of Kansas and the 2025 Poet-in-Residence at the Guggenheim Museum in New York.  Learn about your ad choices: dovetail.prx.org/ad-choices

Please enjoy this episode from a podcast we love: When We All Get To Heaven. To share a song pick for the Rock That Doesn't Roll Christmas Special, call ‪(629) 204-4264‬ and leave a message. To join our Patreon community who make this show possible, go to https://patreon.com/rtdr----In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis. For images and links about this episode visit https://www.heavenpodcast.org/episode-1.About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.   When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits.This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels. Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story. 

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beth talks gender in gaming with Bailey and Laura, two skilled & savvy local DMs. We touch on gender, orientation, how to make tables safe & welcoming, and our many sparkling adventures over a couple decades of navigating spaces that weren't always constructed with us in mind. We laughed, we cried, we punned, then we got vulnerable and shed some light on facets of TTRPG that don't often get talked about. Everyone's pretty thrilled with the results - we hope you find it entertaining and beneficial to your tables. --- LIVE SHOW DETAILS, at a NEW VENUE: Our next live show will be on Saturday, January 10th, 2026, 7:00pm, and it will be located at Studio Four, part of the St. Louis County Depot.  The entrance is easy to find at the corner of 5th Avenue West and Michigan Street, and it's nestled between two public parking lots for easy access, and it is once again completely free!  --- "Twin Portals" is unofficial Fan Content permitted under the Fan Content Policy. Not approved/endorsed by Wizards. Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC. --- Scott Hebert is a fiscal year 2025 recipient of a Creative Individuals grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts. --- The title song, "Avernum," used with permission, and thanks to Leeland Campana of Star Wolf. --- Content Inquiries: twinportalsgame@gmail.com Business Inquiries: scootalongproductions@gmail.com

Exploring and Collecting African American History Harriet Tubman is, if surveys are to be trusted, one of the ten most famous Americans ever born. Yet often she's a figure more out of myth than history, often rightly celebrated but seldom understood. Tiya Miles's Night Flyer changes all that, probing the ecological reality of Tubman's surroundings and examining her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. Tiya Miles is the author of eight books, including four prizewinning histories about race and slavery. She is a two-time winner of Yale's Frederick Douglass Prize and a two-time winner of the National Council on Public History Book Award. Her 2021 National Book Award winner, All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake, was a New York Times bestseller that won eleven historical and literary prizes, including the Cundill History Prize. All That She Carried was named A Best Book of the Year by The New York Times, The Washington Post, The Boston Globe, The Atlanta-Journal Constitution, NPR, Publisher's Weekly, The Atlantic, Time, and more.  Her latest work, Night Flyer: Harriet Tubman and the Faith and Dreams of a Free People, was a finalist for the National Book Critics Circle Award in biography.  Her other nonfiction works include Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation, The Dawn of Detroit, Tales from the Haunted South, The House on Diamond Hill, and Ties That Bind. Miles publishes essays and reviews in The New York Times, The Boston Globe, The Atlantic, The New York Review of Books, and other media outlets. Miles is also the author of the novel, The Cherokee Rose, a ghost story set in the Native American plantation South. Check out more books by this author at your library. Miles has consulted with colleagues at historic sites and museums on representations of slavery, African American material culture, and the Black-Indigenous intertwined past, including, most recently, the Fabric of a Nation quilt exhibition at the Museum of Fine Arts in Boston. Her work has been supported by a MacArthur Foundation "Genius" Award, the Mellon Foundation, the National Endowment for the Humanities, and the Guggenheim Foundation.  Miles was born and raised in Cincinnati, Ohio, and she is currently the Michael Garvey Professor of History and Radcliffe Alumnae Professor at Harvard University. You can find her online at https://tiyamiles.com/ or on Facebook and Instagram  @TiyaMiles. Interviewer Tammy Cherry has taught at FSCJ as an English professor for 22 years. Along with composition classes, Tammy teaches African American literature and honors classes. She is a lifelong Jacksonville resident and recently served as co-host for the WJCT podcast Bygone Jax. --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

The long-simmering rivalry between Virginians and Pennsylvanians for control of the Ohio Country leads to the 1774 massacre of Soyechtowa James Logan's family at Yellow Creek along the banks of the Ohio River, igniting a war for revenge with tragic results.  Featuring: Robert Parkinson and Christopher Pearl. Voice Actors: Adam Smith, John Terry, Anne Fertig, and Evan McCormick. Narrated by Dr. Jim Ambuske. Music by Artlist.io This episode was made possible with support from a 2024 grant from the National Endowment for the Humanities.  Help other listeners find the show by leaving a 5-Star Rating and Review on Apple, Spotify, Podchaser, or our website. Follow the series on Facebook or Instagram. Worlds Turned Upside Down is a production of the Roy Rosenzweig Center for History and New Media at George Mason University.

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott's San Francisco hula school was Nā Lei Hulu I Ka Wēkiu. They celebrated their 40th anniversary in 2025. Scott's teacher and friend, Kumu Patrick Makuakāne is in the 2023 cohort of MacArthur Fellows. His recent work includes Māhū, a work by and with trans hula performers.   On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, Anne made the bold and audacious decision to leave her job as a tenured English professor, sell all her earthly possessions and embark on a European adventure. In this episode, I am going to talk to Anne about her decision to reset her life and find a new way of being in the world.  She is the author of the viral Substack newsletter Audacious Women, Creative Lives, where she writes about her transition from an academic in the US to a creative life in the UK. She has just completed a Master's in Creative Writing at the University of Manchester. She is now working towards her life-long dream of publishing a novel, while coaching writers and hosting retreats. She is also the author/editor of seven books from her 23-year career as a literature professor. She wrote two critically acclaimed books published by W. W. Norton: Constance Fenimore Woolson: Portrait of a Lady Novelist (2016)  reviewed on the cover of NY Times Book Review  and Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters (2018). This was voted best books of the year by Library Journal.  Anne received four National Endowment for the Humanities awards, two for public scholarship. She also has appeared on NPR, BBC Radio, and CBS Sunday Morning, and has bylines in many paces, including the Washington Post and Literary Hub.   Chart Your Career Instagram: @chartyourcareerpodcast Ellen Fondiler, Career & Business Strategist: ellenfondiler.com, IG: @elfondiler  

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott's San Francisco hula school was Nā Lei Hulu I Ka Wēkiu. They celebrated their 40th anniversary in 2025. Scott's teacher and friend, Kumu Patrick Makuakāne is in the 2023 cohort of MacArthur Fellows. His recent work includes Māhū, a work by and with trans hula performers.   On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Live from Hudson, NY, it's an author Q&A with Brian Shaefer and his debut novel Town & Country. Recorded in front of a live audience at Spark of Hudson, Mat moderates a conversation about character, plot, and the worlds of weekender and local coming together.  The story follows a congressional race set in a fictional town of Griffin, inspired by the Hudson Valley. “Duffles” is Brian's word for cidiots. One lesson which I really appreciated is the importance for all of us in a community, as Brian says, in just “showing up.”  We also play the Cidiot® Geography Game with instinctive reactions to a list of towns across the Hudson Valley. Be sure to get your copy at your local bookstore, via his author page, or through the Cidiot bookstore on Bookshop dot org.Places Mentioned:Hill Rock Distillery, Ancram Rogers Book Barn, Hillsdale Hillsdale General Store, Hillsdale Books & Cake, Hillsdale Zinnia's Dinette, Craryville Random Harvest Market, Craryville Spotty Dogs Books & Ale, Hudson Spark of Hudson, Hudson Rough Draft Bar & Books, Kingston Merritt Bookstore, Millbrook Harney & Sons, Millerton Phoenicia Diner, Phoenicia Cinnamon, Rhinebeck Diamond Mills Resort, Saugerties Camp Catskill, Tannersville  About Brian Shaefer:Brian contributes regularly to The New York Times and has written for The New Yorker, New York magazine, and more. He is a recipient of a National Endowment for the Arts Fellowship in Arts Journalism and was a finalist for the Livingston Award for International Reporting. He earned his master's degree in creative writing from Bar-Ilan University in Tel Aviv. He and his husband live in New York City and the Hudson Valley. Town & Country is his first novel.Early praise for Town & Country:“A big-hearted and true debut novel set in a small rural town amid a congressional race that forces the candidates, their families, and a clique of gay second homeowners to confront lies, betrayals and shifting allegiances. —Andrew Sean Greer, Pulitzer Price winner“Rich in sex and social intrigue.” —The New York TimesThanks for listening to Cidiot®, the award-winning podcast about moving to the Hudson Valley. Sign up for the newsletter at Cidiot.com and please rate and review the show here or in the Apple Podcasts store. Come visit. Photo credit: Stephen MackThis episode's guest editor is Julian Blackmore.  ©2025 Mat Zucker Communications. Cidiot® is a Registered Trademark.

Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you.  You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He's the one with the bandaids on his knees.  Singing Positive is a two-part documentary film about the San Francisco Gay Men's Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here.  Scott was a member of Hālau Nā Kamalei o Līlīlehua (here's a recent video) under the direction of Kumu Hula Robert Uluwehi Cazimero. When he moved to San Francisco, Scott supported his hula brother, Patrick Makuakāne's hula school Nā Lei Hulu I Ka Wēkiu. Patrick's recent work includes Māhū, a production by and with trans hula performers.  On the MCC in Hawai'i, see the Queer Histories of Hawai'i's story here.  For images and links about this episode visit https://www.heavenpodcast.org/episode-7 .  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It's the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria's mother  “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson.   Special thanks to the friends and experts who helped us think through this episode.  Frank DeLuca William Salit and Stan Stone Dr. Rachel Gross Dr. Christopher Cantwell Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Hawai'i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai'i.  International EMS and Firefighter Pride Alliance – courage over adversity.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edgar Gomez joins Let's Talk Memoir for a conversation about growing up poor in Florida, wanting to believe in the American dream and realizing it's not accessible, surviving a precarious childhood, reckoning with trauma, grappling with and excavating shame, what queer people want vs. what they get, navigating sex work, the Pulse nightclub tragedy, when to tell family about our memoirs, writing about others with generosity, staying true to our identity, fighting for joy, and their memoir in essays Alligator Tears.   Also in this episode: -staying true to ourselves -growing up NicaRican -navigating queerness   Books mentioned in this episode: Butterfly Boy by Rigoberto Gonzalez Long Live the Tribe of Fatherless Girls by T Kira Madden Their Eyes Were Watching God by Nora Neale Hurston   Edgar Gomez is a queer NicaRican writer born and raised in Florida. He is the author of the memoir High-Risk Homosexual, winner of the American Book Award, a Stonewall Israel-Fishman Nonfiction Book Honor Award, and the Lambda Literary Award. Their sophomore book, Alligator Tears, was released in February 2025 and was called "Triumphant, dazzling, and unfailingly stylish" by Publisher's Weekly. A graduate of the University of California's MFA program, Gomez has written for The LA Times, Poets & Writers, Lithub, New York Magazine, and beyond. He has received fellowships from The New York Foundation for the Arts, The National Endowment for the Arts, and The Black Mountain Institute. He lives between New York and Puerto Rico. Find him across social media @OtroEdgarGomez.   Connect with Edgar: Website: EdgarGomez.net @OtroEdgarGomez on Bluesky and instagram.  Get the book: https://www.penguinrandomhouse.com/books/743399/alligator-tears-by-edgar-gomez/   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com   Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

San Francisco's gay/lesbian community in the 1980s wasn't just facing an AIDS crisis, they also struggled against ongoing  anti-gay violence. In 1989, in the midst of a campaign to legally establish anti-gay violence as a hate crime, MCC San Francisco made headlines when their AIDS minister was attacked in her home. The city, the police department, and the LGBTQ community rallied around the church and the minister. And when they finally solved the puzzle of who did it, the answer shocked the church.  For images and links about this episode visit https://www.heavenpodcast.org/episode-6. The voices from the service after the first attack include Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “If you come for one of us, you come for all of us.”  Kevin Calegari, Dignity San Francisco – “Somebody by the name of Jesus…” Harry Britt, San Francisco City Supervisor – “It hurts to be reminded of the power of evil.” Gayle Orr-Smith, representative of the Mayor's Office – “I am moved when I hear you say you are an angry people.”  Rev. Duane Wilkerson, United Methodist Church – “But in the event that doubt has crept into your mind…”  Rev. Troy Perry, Universal Fellowship of Metropolitan Community Churches – “And to the enemies who are attacking us…” “The Call” is by George Herber with music by Vaughan Williams. The soloist is Bob Crocker. “Nearer My God to Thee” is by Sarah Flowers Abrams. Some links to good groups Community United Against Violence – still working for safe communities for queer people.  National Alliance on Mental Illness LGBTQI Information Page The Shanti Project - is a pioneering nonprofit that builds human connections to reduce isolation, enhance health and well-being, and improve quality of life. It innovated enduring models of attentive companionship to people facing the end of life through their work during the height of the AIDS crisis.  The Trevor Project – the leading suicide prevention and crisis intervention non-profit organization for LGBTQ+ young people.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Special thanks to Kelsy Pacha, Dr. Janis Whitlock, and Dr. Mary Hunt for consulting with us about this episode.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Join LFS Board Member Rachel Annette Helson as she sits down with Tamlin Hall to talk about his new film, Red Camellia, film here in Louisville.Tamlin Hall is an Emmy Award-winning filmmaker who's films have won top prizes at Dances With Films, Atlanta Film Festival, and the Breckenridge Film Festival. Hall's work has been supported by the National Endowment for the Arts. Hall received his MFA from UCLA.Support the show

Host Jason Blitman talks to award-winning Irish writer Gráinne O'Hare about her debut novel, Thirst Trap. Conversation highlights include:❤️‍

Poet Dana Gioia, former chairman of the National Endowment for the Arts, talks about his roots in Los Angeles, his Catholicism, and his latest collection, "Meet Me at the Lighthouse."

Today we're joined by Tanya Van Cott. Tanya is a New York–based architect, industrial designer, and educator whose work explores how design and storytelling can drive social change. A graduate of Pratt Institute, Tanya has been recognized by the National Endowment for the Arts with a Presidential Design Achievement Award and has been published for her innovative approach to interdisciplinary design. Before launching her own practice and press, WomanBecool PRESS, she honed her skills at world-renowned studios Pentagram and Lippincott. Through both design and the written word, Tanya examines how disruptive technologies shape our lives — often through the eyes of powerful female protagonists. [Nov 10, 2025]   00:00 - Intro 00:25 - Intro Links -          Social-Engineer.com - http://www.social-engineer.com/ -          Offensive Security Vishing Services - https://www.social-engineer.com/offensive-security/vishing/ -          Offensive Security SMiShing Services - https://www.social-engineer.com/offensive-security/smishing/ -          Offensive Security Phishing Services - https://www.social-engineer.com/offensive-security/smishing/ -          Call Back Phishing - https://www.social-engineer.com/offensive-security/call-back-phishing/ -          Adversarial Simulation Services - https://www.social-engineer.com/offensive-security/adversarial-simulation/ -          Social Engineering Risk Assessments - https://www.social-engineer.com/offensive-security/social-engineering-risk-assessment/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                 02:12 - Tanya Van Cott Intro 03:04 - The Path to Architecture 03:58 - Primal Screams 06:57 - Bandwidth -          Bandwidth - Tanya Van Cott 08:15 - The Human Element 10:42 - Lack of Empathy 16:51 - The Parent Trap 19:26 - Is Empathy an Action? 24:22 - We're the Problem! 29:14 - Mentors 32:50 - Book Recommendations -          Cat's Cradle - Kurt Vonnegut 35:13 - Find Tanya Van Cott Online -          LinkedIn: https://www.linkedin.com/in/tanyavancott/ -          Website: http://www.tanyavancott.com/ 36:37 - Valuing Real Connections 39:35 - Guest Wrap Up & Outro -          www.social-engineer.com -          www.innocentlivesfoundation.org

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rev. Ron Russell Coons got diagnosed with AIDS he thought a lot about what healing meant when death was certain. He pursued it in his strained and broken family relationships and he preached about it from the pulpit. Though he knew, without a doubt, that he would die from AIDS, Ron claimed that he believed in and had experienced healing. What does healing mean when everybody knows it can't mean survival? Maybe healing is one's biological family and queer kin showing up and reaching for connection across those fractures. For images and links about this episode visit https://www.heavenpodcast.org/episode-5. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  “When the Roll is Called Up Yonder” is by James Milton Black.  “Give Me Jesus” is a traditional spiritual arrangement by Charles Ivey. The soloist is Maria Barnet.  “It is Well with My Soul,” also known as “When Peace, Like a River,” is by Horatio Spafford. Thanks to  Ron's family for speaking with us on and off the record. We know this was a stretch and we appreciate it. Dr. Joseph Marchal, for helping us understand Ron's “We Have AIDS” sermon and the biblical text it was based on. It'll be a great special episode one day.  Steve Russell for sharing his memories of Ron and his brother, Chuck Russell Coons. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

On October 26, 2025, the legendary jazz drummer Jack DeJohnette passed away at the age of 83. DeJohnette was one of the greatest drummers in modern jazz. He released more than 50 albums as a bandleader and appeared on hundreds of recordings as a sideman — including landmark sessions such as Miles Davis' “Bitches Brew”, Wayne Shorter's “Super Nova”, and Keith Jarrett's “Standards”, among many others. DeJohnette also recorded six classic albums with Naptown jazz icon Freddie Hubbard. This week on Echoes of Indiana Avenue, we'll share music highlighting Freddie Hubbard's collaborations with Jack DeJohnette.  Born in Chicago in 1942, DeJohnette began his musical journey studying classical piano before switching to drums — a duality that shaped his melodic sensibility behind the kit. He rose to prominence in the 1960s through his work with jazz luminaries including Charles Lloyd, Chick Corea, Bill Evans, and Miles Davis. During his six-decade career, DeJohnette led numerous ensembles and recorded prolifically, creating a distinctive sound that fused jazz traditions with abstract and avant-garde influences. A National Endowment for the Arts Jazz Master and Grammy Award winner, DeJohnette was a guiding force in the evolution of modern jazz.

Everyone knows the long history of the Central Intelligence Agency overthrowing foreign governments, but most are unfamiliar with its two favorite cut-outs that now carry out much of the dirty work openly that the CIA did covertly for decades. The United States Agency for International Development (USAID) and the National Endowment for Democracy (NED) are the public face of the CIA and operate as sister agencies that report back to the mothership. They seek to influence, corrupt, compromise, and control political groups, business groups, and trade unions in order to ensure that the correct America-friendly regime ends up in office. Sometimes that process is peaceful, but not always.   — Subscribe to the Macroaggressions video channels: Rumble: https://rumble.com/c/Macroaggressions  YouTube: https://youtube.com/channel/UCn3GlVLKZtTkhLJkiuG7a-Q?si=DvKo2lcQhzo8Vuqu  — MACRO & Charlie Robinson Links Hypocrazy Audiobook: https://amzn.to/4aogwms The Octopus of Global Control Audiobook: https://amzn.to/3xu0rMm Website: www.Macroaggressions.io  Merch Store: https://macroaggressions.dashery.com/  Link Tree: https://linktr.ee/macroaggressionspodcast Activist Post Family Activist Post: www.ActivistPost.com  Natural Blaze: www.NaturalBlaze.com  Support Our Sponsors C60 Power: https://go.shopc60.com/PBGRT/KMKS9/ | Promo Code: MACRO Chemical Free Body: https://chemicalfreebody.com/macro/ | Promo Code: MACRO Wise Wolf Gold & Silver: https://macroaggressions.gold/ | (800) 426-1836 LegalShield: www.DontGetPushedAround.com  EMP Shield: www.EMPShield.com | Promo Code: MACRO Christian Yordanov's Health Program: www.LiveLongerFormula.com/macro  Above Phone: https://abovephone.com/macro/ Van Man: https://vanman.shop/?ref=MACRO | Promo Code: MACRO The Dollar Vigilante: https://dollarvigilante.spiffy.co/a/O3wCWenlXN/4471  Nesa's Hemp: www.NesasHemp.com | Promo Code: MACRO Augason Farms: https://augasonfarms.com/MACRO  —

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

As MCC grew as a denomination, they tried to figure out if and how to relate to other churches. Would any befriend a queer church? And if so, would that friendship help other churches shift their perspective on homosexuality? These questions got harder as AIDS numbers grew—it made people more afraid yet friendship more vital. But sometimes friendship emerges in the most unlikely of places. Like when a children's choir visited an AIDS ward in San Francisco and sang for an MCC member there. That connection started a partnership between their churches that changed them both. For images and links about this episode visit https://www.heavenpodcast.org/episode-4. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Who Kept Us” is by Dr. Margaret Douroux. “The Wicked Shall Cease” is by Jessy Dixon. “Jesus is Here Right Now” is by Leon Roberts. “Child of God” and “Walk Together Children” are traditional African American spirituals.  Special thanks to Mary Clover Obrzut, Stephen's sister, for insights into his life and for so much great audio. Dr. Cheryl Townsend Gilkes for telling us about Stephen's time at Union Baptist and connecting us with folks there.  Alfred Williams for helping us get connected to Double Rock. Dr. April Parker and Mardy Coates for facilitating the use of “Who Kept Us.”  And to the folks at Double Rock Baptist Church, past and present, especially the beloved Minister of Music.   Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups Balm in Gilead – works to integrate public health and faith principles. It was founded by Dr. Pernessa Seale in to help Black churches address HIV/AIDS and support people and families living with AIDS. Double Rock Baptist Church – is still worshipping and ministering in Bayview/Hunters Point. They were deeply involved in community support during the Covid-19 epidemic.  Love All People – is the ministry that introduced MCC to Margaret Douroux's song, Who Kept Us, to MCC.  National Minority AIDS Council – works for heath equality and racial justice to end the AIDS epidemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

With tensions mounting in British America over Parliament's Coercive Acts, colonists begin losing faith in King George III, while British soldiers march out of Boston to seize arms and ammunition in Lexington and Concord.  Featuring: Rick Atkinson, Fred Anderson, Wendy Bellion, Katherine Carté, Frank Cogliano, Brad Jones, and Andrew O'Shaughnessy. Voice Actors: Anne Fertig, Adam Smith, Evan McCormick, John Turner, John Winters, Grace Mallon, Peter Walker, Craig Gallager, Spencer McBride, and John Terry. Narrated by Dr. Jim Ambuske. Music by Artlist.io This episode was made possible with support from a 2024 grant from the National Endowment for the Humanities.  Help other listeners find the show by leaving a 5-Star Rating and Review on Apple, Spotify, Podchaser, or our website. Follow the series on Facebook or Instagram. Worlds Turned Upside Down is a production of the Roy Rosenzweig Center for History and New Media at George Mason University.

Merging art, science, and spirit, authors and intellectuals Susan Magsamen and Ivy Ross illuminate why creativity is essential for humanity.Grab a copy of Susan and Ivy's Book: Your Brain on Art: How the Arts Transform UsIn this episode of Mindrolling, Raghu, Susan, and Ivy explore:Redefining art as any medium that allows someone to express themselvesLearning to see the world with fresh eyes and creative curiosityThe powerful reflection: has there ever been a time when the arts have personally affected you?Resonance and vibration as the center of the universe Music as a pathway to experience oneness with all thingsThe miracle of neuroplasticity—rewiring the brain and making new pathwaysConfronting ourselves with a new piece of art or doing a new arts practice Play through art: letting go of any preconceived outcome and simply playing with ideas and conceptsWhy change requires time, patience, and habitual practice Remembering that art in ancient cultures was highly valued and integrated into daily lifeThe aesthetic mindset and walking through the world with attention to beauty in every detailListen to Sit Around the Fire, a collaborative musical journey with Jon Hopkins, East Forest, and Ram DassAbout Susan Magsamen:Susan Magsamen is the founder and director of the International Arts + Mind Lab, Center for Applied Neuroaesthetics at Johns Hopkins University School of Medicine, where she is a faculty member. She is also the co-director of the NeuroArts Blueprint. Susan works with both the public and private sectors using arts and culture evidence-based approaches in areas including health, child development, education, workforce innovation, rehabilitation and social equity.“It's personal; it could be crocheting for her, gardening for somebody else, it could be I'm a collager, we're all talking about personalized medicine and precision medicine, and the arts are probably the most personalized medicine that there is.” –Susan Magsamen About Ivy Ross:Ivy Ross is the Vice President of Design for hardware product area at Google, where she leads a team that has won over 225 design awards. She is a National Endowment for Arts grant recipient and was ninth on Fast Company's list of the one hundred Most Creative People in Business in 2019. Ross believes that the intersection of arts and sciences is where the most engaging and creative ideas are found. “I think we've been focusing on productivity and efficiency and pushing these arts aside as a ‘nice to have', not as an imperative to our health and wellness. Through the work on this book with Susan, learning more about the physiology of how we are wired to receive the sensorial nature of life, it's no wonder when we deprive ourselves of that, why we're in the state we're in.” –Ivy RossSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late ‘80s, two MCC San Francisco ministers wrote an article called “We Are the Church Alive, the Church with AIDS.” We wanted to know how a gay/lesbian church came to call itself “a church with AIDS.” The answers lie in the years before our audio archive begins. So we started asking people. We explore two stories in what's likely a more complicated shift. One story is about a pair of religion geeks who learned to make queer church in New York during the early years of the AIDS crisis and then came to San Francisco to lead MCCSF. And the other is how an Easter Sunday ritual made the Christian hope of life through death viscerally real. “We Are the Church Alive, the Church with AIDS,” by Kittredge Cherry and Jamies Mitulski was published in the Christian Century on January 27, 1988. For images and links about this episode visit https://www.heavenpodcast.org/episode-3. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  “We See You God” is a variation on the anonymously written hymn “We See the Lord.” The soloist in “I Lift Mine Eyes Up” is Bob Crocker. It's by Antonin Dvorak, Biblical Songs, Op. 99, no. 9 on Psalm 121.  “Hush, Hush. Somebody's Calling My Name” is a traditional African American spiritual.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.   LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a great show we have for you this week! The hilarious and talented John Craigie travels to eTown Hall from Portland, Oregon along with his band. Also on the bill is the Americana songstress, Jobi Riccio who comes to us from just down the road in Morrison, Colorado. She shares songs from her Nashville debut - Whiplash. Nick also interviews the first Native American Chair of the National Endowment for the Humanities - Shelly C. Lowe. That's all this week on eTown!  Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.