Podcasts about fine art photography

HT2364 - The Myth of Accurate Color When it comes to photography, what does it mean to have accurate color? Doesn't the very concept of accurate color deny the fact that we humans see color differently, that color is a subjective sensation. Accurate color is not the same as emotional color. This way of thinking implies a new approach to color balance and color mixing. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2363 - Niagara Falls, Land of Selfies The waterfalls were impressive, but from what I could see, most of the people were even more impressed by, well, themselves. I saw very few people taking pictures of this nature's wonder, but almost everyone was taking selfies. Is this a cultural phenomenon? A psychological phenomenon? Or, a technological one? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2362 - Niagara Falls, Which Essence? I said on this trip I was going to attempt an experiment to see in sixes as often as I could. My first opportunity was at Niagara Falls. I started with a simple question: What is the essence of this experience? Surprisingly, it wasn't the rushing waters that plunge off the cliff. Instead, the overriding experience was the mist that rose from the chaos. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2361 - All Dressed Up and Ready to Dance Here on the first day of my 2-month travel adventure, I had a chance to stop at the Fenimore Museum in Cooperstown, New York for a second look at the Peter Federman show, The Power of Photography. I couldn't put my finger on what made some of these images so special, but they definitely are. The thought I kept circling back to was James Bond in a tuxedo. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2360 - Seeing in SIXES, Road Edition Road trips always require a lot of planning. There are routes to be determined, gear to sort out, and reservations that need to be made. Notice anything missing? No, it's not a determination of subjects to be photographed, but rather a plan on how to photograph. Are we on the search for those fantastic shots? Simply gathering assets? Perhaps there's another experimental strategy that's worth considering. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1468 - There the Prints Set, Gathering Dust Because of my early training and the generation into which I was born, I'm still a print guy and think of my prints as the most desirable format for my work. That said, every time I look at my boxes of finished prints, sitting on the shelf, gathering dust, I come face to face with the reality of the advantages of the digital world in which we live. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2359 - Heading Out for a Couple of Months Tomorrow (Monday, August 25, 2025) I'm head out for two months on the road. I'll be traveling across the country from New York to my old stomping grounds in Oregon and back. Along the way I'll be giving a talk in Portland to the Photographic Society of America and then participating in the Horizons workshop in Durango Colorado. The trip will involve some 12,000 miles and lots of road time. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2358 - Branding and Your Own Art Logo My early experiences in business and marketing taught me the importance of branding and logos. I could easily assume that a personal logo for my artwork is a bit pretentious, but then again it can grow into something meaningful. Here's the history of my Brooks Jensen Arts logo. link to my BVJ Arts logo Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2357 - What More Do I Need? In the back of my brain is an ever present nagging desire to go shopping for more gear. It's irrational, it's reflexive, it's ridiculous. Trying to think about this more deeply, I realize I already have everything I could possibly need for any picture I can imagine I might want to make. I find this ever so slightly intimidating. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

When photographer Dimitri Staszewski began his Close to the Bayou project, he was drawn to the layered and deeply personal relationship between people and place in southern Louisiana. His photographs explore the impact of land loss, environmental change, and cultural resilience, capturing stories that exist at the intersection of identity, heritage, and survival. Rather than portraying the region solely through the lens of crisis, Dimitri embraces its complexity—revealing beauty, strength, and an ongoing dialogue between past and present. At its heart, the story also reflects an intimate exploration of mortality, acknowledging how lives and traditions are shaped by both loss and continuity. His work asks us to consider how landscapes shape lives and how photography can honor both fragility and endurance. Close to the Bayou is a testament to the power of visual storytelling to preserve memory and amplify voices in communities too often misrepresented or overlooked. Resources: Dimitri Staszewski Close to the Bayou Altadena Photographers Support Ibarionex & The Candid Frame Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort. You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

HT2356 - Practice, Practice, Practice I wouldn't be surprised to learn that you have all heard the joke, "How do you get to Carnegie Hall? " Answer: practice, practice, practice. Is this true for photography, too? And if so, how do we practice photography? Perhaps Yoda had the best answer, "There is no try, there is only do." Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2350 - Execution and Content When I look at artwork, it often involves two different types of response. I can admire a work of art because of its amazing execution, or I may admire a work of art for its emotive content. Execution involves a wonderment about how the artist did it. Content involves a dialog about why they did it. I've learned that I can't process both of these ways of thinking simultaneously. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2349 - Photography Under Glass I mentioned the other day that I had visited the Fenimore Museum near Cooperstown, New York. One thing that struck me as I wandering through the museum was that there was only one medium that was protected under glass — photographs. Also on display were paintings, sketches, etchings, prints of many varieties of media, but only the photographs were framed under glass. Is there a reason for this, or is it simply convention? This, in fact, was the topic of my very first Here's a Thought commentary back on March 1, 2019. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2348 - Photography Is a Personal Thing One of the most interesting photography books I've seen in a long time is by gallery owner Peter Fetterman and is titled The Power of Photography. Part of the reason this book is so special is that it is so personal. Federman reviews 120 images from his collection and tells us about it, not from its historic point of view but rather from his personal point of view. It reminds me that every picture is a story, every picture has a story, and every story is a personal one. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode, I revive my podcast with a quick catch-up on the various photography-related projects I've worked on in the 9 months since my last episode. I've made a few road trips, written a 20th anniversary photo retrospective, and learned how to make platinum/palladium prints.Transcripts are available at my blog: https://icatchshadows.comSee my photographs at: https://keithdotson.comCheck out my books and downloads at: https://keithdotson.com/collections/booksInstagram: instagram.com/keithdotsonYouTube channel: Keith Dotson Photography

HT2347 - The Element of Surprise All drama involves a reveal of one kind or another. Audiences expect it and love it. The same can be true for photography. Why else would so many people get close to a photograph and look for hidden details? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1466 - The Questions I'm fascinated with the responses I hear when people look at my work. When I display photographs on the wall, I typically don't include a title for the individual images. This often generates questions, but rarely more than the two biggies — what and where. I can't remember anyone asking why I photographed that scene or photographed it in that way. Curiously enough, once I answer what or where, they almost immediately move to the next image. Does that say something about my work or about them? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2346 - Tiny Print, Giant Mat In one of my visits to the Art Institute of Chicago, I saw a display of photography that consisted of 35mm contact prints matted and framed to 16x20". These tiny prints were impressive and memorable precisely because they so successfully invited close inspection. The convention is to surround the image with white border, but how much is the right amount? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2345 - Print Metadata Digital photographs, we all know, have metadata that tells us a bit of the behind-the-scenes story of the image. Such information is useful for a variety of reasons including provenance and copyright specifics. As creators, such backstories can play an important role in our personal histories. But what about our prints? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2344 - The Edge of the Image Every rule in art has exceptions. For example, never use the rule of thirds because it's formulaic; use the rule of thirds because it's the strongest way of composing. On several occasions, I've mentioned the importance of eliminating those little pokies that are often distractions at the very edge of the image. Sometimes, however, using the edge to cut an object asunder is a great way to expand the frame through the viewer's imagination. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

June 2025 Dante's New SouthBenheart: Ben is a living testimony of a dream come true: from childhood between Morocco and Italy, through technical discoveries and dramatic trials, to rebirth and the founding of a brand that fuses hearts, craftsmanship and style. Benheart is not just fashion, but a life statement - combining heart and craftsmanship, with strong roots in Florence and global vision.www.benheart.it/?srsltid=AfmBOopJp1pzGmdew4Qc2oMvNo-0p7wLlIeJm9uVh_ETAUOWT1j-ilAdWaqas Khwaja is the Ellen Douglass Leyburn Professor of English at Agnes Scott College where he teaches courses in Postcolonial literature, British Romanticism, Empire Narratives, Victorian Novel, and Creative Writing. He has published four collections of poetry, Hold Your Breath, No One Waits for the Train, Mariam's Lament, and Six Geese from a Tomb at Medum, a literary travelogue about his experiences as a fellow of the International Writers Program, University of Iowa, and three edited anthologies of Pakistani literature. He served as translation editor (and contributor) for Modern Poetry of Pakistan, showcasing translations of poems by 44 poets from Pakistan's national and regional languages, and has guest-edited special issues on Pakistani Literature and poetry for the Journal of Commonwealth and Postcolonial Studies and Atlanta Review. A bilingual edition of one of his collections, No One Waits for the Train, was published as Nadie espera el tren in Madrid, Spain, in 2024.www.agnesscott.edu/directory/faculty/khwaja-waqas.htmlJoseph Saul Portillo After dedicating 25 years to Christian ministry and cultivating a successful career in business operations, Joseph Saul Portillo turned inward to explore his artistic calling, embarking on a new chapter in Fine Art Photography. Today, Joseph Saul is a Creative Producer and Digital Artist based in Rome, Georgia, whose evocative work in pictorial portraiture has earned him international acclaim as a Master of Light Photographer. His award-winning style, marked by emotional depth and artistic precision, has led to collaborations across film, music, and education projects. He currently serves on the Board of Directors for the Rome International Film Festival and on the Advisory Board for Georgia Highlands College's Digital Media and Communications program.www.josephsaulart.comWiktor Miesok was and raised in Poland, he relocated to Norway in 2012, drawn by a longing for Tolkienian mystical landscapes. Though he seeks inspiration in the silence and raw, untamed nature of the North, he remains stubbornly Eastern European at heart.An engineer by trade, he has a passion for storytelling and fiction that explores the human condition and its potential for both good and evil.His latest novel, and the first serious foray into fiction, tells the story of a young man in1980s East Germany who, in his search for freedom, ends up in a Soviet penal colony and becomes entangled in the ruthless criminal underworld.www.thegrimseries.comwww.youtube.com/@grim.hustleAdditional Music Provided by: Dr, Fubbs: www.tiktok.com/@doctorfubbs?lang=enJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

HT2343 - Signature Tools Signing your work is important. It communicates far more than the author of the work. Your signature denotes completion of the work as well as approval of its craft and content. Therefore, it's worth thinking a bit about how you sign your work and with what tools you use in signing it. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2342 - The Illusion of Detail As I sit here looking across the backyard at the edge of the wild, I know that if I walked closer and closer, pulled out my magnifying glass or microscope, that with every step along the way I would reveal more and smaller detail. In a photograph, however, if we get too close and magnify too much our image dissolves into ink dots or grains of silver. In photography there is no detail, there's only the illusion of detail. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2341 - Screen Versus Print I'm an old print guy from way back. I love the physicality of prints. I love the experience of handling a print up close, the texture of the paper, the smell of ink. That said, I often find I prefer the dynamic range and vibrance of my images on screen. The mistake I routinely make is trying to make my prints look what I see on my screen. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2340 - Note the Audience Reaction From time to time we all have a chance to show our work. Praise is nice to receive, but it's even more valuable pay attention to the reactions you get from the work. Each viewer will tell you something if you just pay attention to their body language as well as their comments. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1465 - The Original, Redux I was recently asked if I sell my original prints. In particular, this individual specified that they didn't want a reproduction, but rather they collect only original prints. It's been a while since I talked about this, so it may be a new idea to some of you. Here's what I said back on September 21, 2019 in my Here's a Thought comment of that day. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2339 - The Age of Enlargement The advent of enlarged prints from negatives or glass plates dates back to the earliest days of photography. Nonetheless, enlargements weren't a regular feature of fine art photography until the early decades of the 20th century. Even into the 1940s contact printing that produced prints the same size as the negative ruled the roost. Today, we take enlargements for granted, but there is something to be said for the tradition of smaller prints. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2338 - Preserved by the Few Time moves on and what was once popular becomes almost forgotten. Try today to find a big band music radio station. History is preserved by a few, and a tenuous thread it is that links us to the past. As a contemporary photographer, I feel an obligation, a compulsion, a duty to keep the work of our predecessors alive, at least in my heart Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2337 - File Management and Your Memory I would have never guessed that a huge barrier to my creativity would be as simple as finding the image I remember taking in the haystack that is my Lightroom catalog. It's worse than finding a needle in that haystack, it's searching for one specific needle in a haystack of needles. The best advice I've heard about this challenge is to assess how your own memory works and build your organization to fit your brain. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2336 - Photography and Media The digital divide has created a dichotomy I've never heard discussed. That dichotomy is a generational one, I think. Those of us from the previous generation found photography mostly in books, and occasionally in original prints. Today, most of us see images digitally and even more rarely in original prints. (Fewer galleries, etc.) I wonder how much of this is the result of phenomenal image fidelity in books and digital displays? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2335 - Find Your Own Path The Internet — indeed, the WORLD — is filled with creative types who all want to show you how they do it, whatever "it" is. Me included, I confess. The problem persists, however, that your path is your path and can only be revealed by you. Techniques can be taught, but creativity must be discovered, nurtured, searched for, allowed by you, for you. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2334 - The Opposite of Selfie We are supposedly taking trillions of pictures now according to experts who calculate such things. If we eliminate selfies from that count, I suspect the remaining images would total about six. I exaggerate to make a humorous point. Seriously, there'd be about eight. This tsunami of selfies exhibits a cultural narcissism that is breathtaking. I'm slightly frightened by the long-term implications of all these selfies. It seems to me the photography's greatest gift to humanity is its ability to concentrate our attention on others and the fascinating world we inhabit. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2333 - Learning from the Work You Don't Like I've made no secret that there are half a dozen master photographers whose work simply doesn't connect with me. Bill Brandt, Garry Winogrand, and Joel-Peter Witkin come to mind. Rather than ignore them, I found it very useful to spend time with their work exploring my disconnect. It's one thing to reflexively like work, but studying the work we don't like has an uncanny ability to clarify why we like what we do. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1464 - When Images Have a Mind of Their Own Every time you click the shutter you have some idea of what you hope the finished image might be. Even if you are just "gathering assets," you have some idea what the image might look like when finished. More than that, can we agree that every time we click the shutter, we do so because we think we have a winner? Why else would you click the shutter? But then something happens to dampen our enthusiasm once when we start to work with the image. If 100% of the shutter clicks are motivated by a winner, why are not all of your images eventually winners? Seriously, what happens to diminish our enthusiasm for an image? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2332 - To Tripod or Not I'm not fond of using a tripod. For 35 years, every picture I made had to involve a tripod because I was using view cameras. I've thoroughly enjoyed the freedom of handheld photography here in the age of image stabilization and ISO flexibility. That said, I can't deny that a goodly number of my images are better having used a tripod than they would have been had I tried to hand hold the exposure. More and more I find the first decision with every image it should I use the tripod or not. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2331 - The Tug-of-war Between Vision and Craft I've spent 50 years in photography developing my sense of aesthetics. Simultaneously, I've spent 50 years developing my craft in the hopes that I can eliminate the barriers between vision and capabilities. What happens when our capabilities equal (or exceed!) our vision? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2330 - Overcoming My Prejudice Against Rain Give me a morning of fresh snowfall and I'm in photographic heaven. Give me a morning of drizzly rain and I want to go back to bed. What is it about rain that discourages photography? In nature and landscape, rain tends to saturate colors and creates lovely shiny leaves. What's not to like from a photographic perspective? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2329 - Film, Ink, and Batteries - Our Dependence on Consumables Cleaning out the attic the other day, I ran across my old Polaroid SX-70 camera, otherwise currently known as a boat anchor. A friend of mine fears a crisis in his photography if Epson stopped making ink for his printer. And of course every digital camera uses a custom battery without which our cameras are best used as paperweights. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2328 - Thoroughly Ironic Pixels I don't see how anyone could disagree with the notion that we are seeing more small images than ever before. Statistically speaking, I'll bet most images you see these days are smaller than 8x10" because most of them you've seen on your phone, your tablet, or your laptop. And this is in the age of ever increasing megapixel cameras. My new camera, for example, has a 200 megapixel sensor ,um, in my phone! Really? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2327 - The Value of Going Back In my youth, I'd never been anywhere to photograph so all locations were new and exciting adventures. As the years passed, my inclination was to always go someplace new because the thought of going back was always haunted by the idea that I've been there, done that. How silly! Such thinking completely eliminates artistic growth, changes of season, changes of weather, changes, period. Not only that, going back can be the greater challenge to our creativity by pushing us beyond our previous efforts. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2326 - The Problem with Liking Artwork What does it mean when we say we like someone's artwork? Its content agrees with our view of the world? That gets complicated because, for example, I like Picasso's Guernica, but I don't like war. Does it mean we admire their technique and craftsmanship? I have no doubt that Bartok was a talented composer, but I don't like listening to anything he wrote. Does it mean they've shown me a world I've never seen? Then why do I enjoy listening to the same music over and over again? Does liking artwork mean that it meets our expectations? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2325 - Two Approaches There's an old joke that proposes that people have two distinct strategies about cooking dinner. Some decide what to eat and then go to the store to buy the ingredients. Others look in the fridge and cupboards to determine what they have already, then make a meal from that. Sounds pretty much like photography, don't you think? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1463 - What Have You Learned Like most of you I suspect, I have a group of close friends who are also photographers and we occasionally have a thread of conversation in our email that is both interesting and valuable in our respective art endeavors. It goes without saying for all of us — we never stop learning, and we're always open to expanding our thinking. We are always experimenting. What got me thinking about this was an observation about YouTube. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2324 - Distill With a Single Word Here's a useful exercise for before you click the shutter. Ask yourself what this picture is about. Distill your answer to a single word. Pick a word that doesn't simply name the subject, but rather one that expresses your response to the moment. This is not as easy as it sounds, but it is incredibly useful in clarifying how you might want to compose the image and which elements to emphasize or crop out of the frame. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2323 - We Should Call It Grayscale Photography It took me a decade or so in my youth to realize that the term "black and white photography" implied a mindset that had me pursuing the wrong strategies. I was so single-mindedly dedicated to achieving the maximum black and a pristine white that I failed to notice that the most important tones were in the middle. Achieving deep blacks and clean whites are important aspects of a monochromatic image, but the magic is always in the gray tones. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2322 - After the Social Gathering I find it common during a social gathering that the conversation winds around to a topic that motivates me to want to share some of my images or a project that pertains to the topic at hand. I've learned, however, that trying to share my artwork at such moments is not only futile but disruptive. Instead, I find it more productive to wait until the next day and to email a link to the work on my website. I've found that almost everyone will then look at the work — on their schedule, away from the social scene, where they can give it more attention and almost always respond back to me. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2321 - Proprietary RAW vs DNG I'm not a fan of proprietary file formats. It seems to me that they have a way of putting our content at risk. I'm not comfortable with that. Instead, I use the open source DNG format for my working images in my Lightroom catalog. I do keep, however, all the original RAW camera files on backup hard drives just in case a future generation DNG converter adds features that I might find useful. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2320 - Feedback During Processing Like all of my fellow Zone System photographers, I grew up and was trained with a foundational strategy known as pre-visualization. Since then, I've come to value the feedback available in digital processing as one of the core elements of a creative vision. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2319 - Adapting to the Possible I've mentioned before that in my twenties and thirties I was an avid backpacker. Most of my landscape photography from those days is from deep in the forest, way out from civilization, in the solitude of pristine nature. My backpacking days are long over, but my landscape photography still continues. My landscapes these days are often from the driver's seat of my truck. We adapt to what we can do or our art career ends. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2318 - Accumulating Momentum There's often an unobserved momentum that accumulates with project oriented photography that is absent from single image photography. Single image photography often includes a dichotomy that makes an image successful or not. In contrast, project oriented photography builds a certain momentum over the months and years as candidates accumulate and the project is evolving. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!