Podcasts about hanan townshend

Polly Jean Harvey (born 9 October 1969) is an English singer, songwriter and musician. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments. Over the course of her career, Harvey established herself as one of the most individual and influential songwriters of her era, exploring themes of sex, religion, and political issues with unnerving honesty, dark humor, and a twisted theatricality. This episode is a compilation of the four playlists published by Harvey between August 2019 and August 2021. Lineup: Claude Debussy, Martin Jones, Colin Stetson, Amen Dunes, Empire of the Sun, Ólafur Arnalds, Nils Frahm, Captain Beefheart & His Magic Band, Connan Mockasin, Thom Yorke, Coby Sey, Bendik Giske, Tirzah, Sarah Neufeld, Big Thief, Hekla, Sibylle Baier, Nick Cave & The Bad Seeds, Desert Sessions, Liela Moss, slowthai, Mura Masa, Eartheater, Hole, Radiohead, Nicholas Britell, Hanan Townshend, Here We Go Magic, Mark Lanegan, Bob Dylan, Anne Briggs, Stina Nordenstam, Jed Kurzel, SAULT, Michael Kiwanuka, Martin Phipps, Johnny Flynn, Robert Macfarlane, Low, Sleaford Mods, Superstate, Graham Coxon, Valentina Pappalardo, Shabazz Palaces

One of the most prominent and rewarding director/composer relationships in recent years has been with legendary auteur director Terrence Malick and composer Hanan Townshend. Hanan takes some time to chat about his most recent collaboration with Malick for Knight Of Cups. Hanan tells the story of how he simply answered an ad for a composer for an unnamed director, and it just so happened to be for Terrence Malick. We discuss what it's been like working with one of the most secretive and reclusive directors of our time, and how Hanan approached scoring Knight Of Cups. Some of the challenges scoring a Malick film of course are that Hanan isn't scoring to picture, and has to navigate between Malick's use of classical pieces. Hanan provides some amazing insight here and talks about the discussions he and Malick had, and what Hanan wanted the music to accomplish. Hanan also sheds some light on Malick's upcoming projects. It was a true pleasure to welcome back such a fantastic composer to Film.Music.Media. Interview Conducted By:Kaya Savas Special Thanks:Hanan TownshendJC ChamboredonMilan Records

Hanan Townshend takes some time to talk about his amazing score to Terrence Malick's To The Wonder. We delve into the process of working with one of the most respected directors in the history of the medium. He shares a bit about his history and how he came to work with Malick while attending school in Texas. The New Zealand native shares a bit about his personal journey as well and how that may have influenced his writing, which was not scored to picture. A very informative and fascinating look with a fantastic composer. Interview Conducted By:Kaya Savas Special Thanks:Hanan TownshendBeth KrakowerCinemedia Promotions

The Director's Club concludes our look at the films of Terrence Malick, from an appropriately epic examination of "The Tree of Life" through the more improvisational and abstract efforts of his later movies.  Thanks to the help of Peter Richards from the Chicago Film Discussion Group, we aim to get a fuller look at what's amazing, infuriating, and fascinatingly unique about this later part of his movie career! 0:00 "The Tree Of Life" (The "most" Malick?, Chastain's emotional foundation, "Funeral Canticle" byJohn Tavener and Mother Thekla, the Global Fast Forward, "Lacrimosa 2" by Zbigniew Preisner,  Jurrasic Mercy, Navigating Grace and Nature, Pitt's best performance, "Snippets of Memory",  "Siciliana Da Antiche Danze Ed Arie Suite III" by Ottorino Respighi, "MVlast Moldau (Vltava)" byBed.ich Smetana, some staggering images, holding onto the light, "The Grande Messe des morts, Op. 5"  by Hector Berlioz) 42:49 "To The Wonder" (the C.S.I. Moment, "Everybody Loves Ben", Affleck's "range" of motion, a switch suggestion, big place that can't get filled, the priest's purpose, the main theme by Hanan Townshend) 1:04:02"Knight of Cups" (parables and pilgrims, Malick's Eyes Shut?, a fetching film, the Pan Brothers, Blanchett and Portman, card from the bottom of the Tarot, "soul fluid", the symbolic shore) 1:31:31 "Voyage of Time" ("Mother" by Tori Amos, "Mother" by Pink Floyd, "Mother" by Danzig) 1:43:08 "Song to Song" ("Birdland" by the Patti Smith Group; the archetype understory; Portman's lesson; Malick and rock music; true feeling; for "Shame", Fassbender....) 2:07:36 Outro (What's next for Malick?, Crazy Dream Collaboration, Favorite Malick shots)

On episode five of CINEMATIC SOUND RADIO ON WROCK we will be playing music from two brand new film scores. The show opens up with new music by Hanan Townshend from the film KNIGHT OF CUPS. You'll also hear selections from Richard Harvey and Hans Zimmer's delightful and imaginative score to THE LITTLE PRINCE.Our John Williams album of the week comes from Williams' 1996 TRUMPET CONCERTO commissioned by the Cleveland Symphony Orchestra. Our re-recording of the week is Intrada Records' brilliant TWELVE CHORUSES featuring music from BEN-HUR and KING OF KINGS composed by Miklos Rozsa. Our video game score of the week is Michael Land's brilliant score to the mid-90's sci-fi adventure, THE DIG. You'll also hear selections from Guy Van Neuten's score to MILO from the album MUSIC FOR SMALL ORCHESTRA.And we'll end the program with our Easter themed end title suite featuring music from Alfred Newman's THE GREATEST STORY EVER TOLD and John Debney's THE PASSION OF THE CHRIST.Cinematic Sound Radiohttp://www.cinematicsound.netCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.com