Podcasts about Pink Floyd

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Episode 161 – Pink Floyd Part 21, Animals 2022 Remix Upfront apologies for the tense energy at the beginning of this otherwise charming episode considering the 2022 remix of Pink Floyd's Animals. The backstory of this remix involves some now-standard drama from the band members. Once past that, however, the Palaver group find this remix to be a breath of fresh air for an album that deserved some upkeep. The sound is enhanced and the songs benefit from the treatment, making this a welcome update. Twitter: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3D8wbv-AcJ_7Z__w/featured Theme music provided by: Dave DeWhitt

Join Scott Kummer, Josh Hohbein, Andrew Robot-Dinosaur, Paul Schlagel and  Steve Banyai for a discussion of Pink Floyd: Dark Side Of The Moon and Uncle Tupelo: No Depression. Check out Steve's Record Store: Rare Bird Records: https://www.facebook.com/rarebirdrecordsnd/ Fill out the Poll for this show.  Remember....its never too late: https://docs.google.com/forms/d/e/1FAIpQLScDhK-WOxjA0ezimRoVMsOoOjyBqauaHnOfM0iWFZLnESgoAw/viewform?pli=1&fbclid=IwY2xjawOFb2VleHRuA2FlbQIxMQBicmlkETFzWDNCZXFoNFBpSkh5T2Mxc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MghjYWxsc2l0ZQIzMAABHrjeKppcdtNX9Tb54NQ6BhZd8V4cxMlDxC0Ax0pW8uHMLfiY-PtSNQxIVsXg_aem_dsNh04g3o0tQfabG590IPA All the other shows and forms can also be filled out on our website: https://igtov.com/vote-here Or just view the chart: https://igtov.com/chart-of-essentiality Get on the mailing list my emailing: igtovpod@gmail.com JoIn the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by The Feat: https://thefeatchicago.bandcamp.com/album/schemes-for-decades

Hoy en La Gran Travesía viajamos hasta el año 1973 recuperando un especial donde podréis escuchar a Led Zeppelin, Eric Clapton, Pink Floyd, Alice Cooper, David Bowie, Hawkwind, Aerosmith, Black Sabbath, Rolling Stones, Tom Waits, Lynyrd Skynyrd, Marvin Gaye, Mike Oldfield, Golden Earring, Roberta Flack... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Albuquerque by "Weird Al" Yankovic (1999)Song 1: My World by Guns N' Roses (1991)Song 2: Atlantic City by The Band (1993)Song 3: Hotel California by Gipsy Kings (1990)Song 4: Bugs by Pearl Jam (1994)Song 5: Pacific Coast Highway by The Hip Abduction & Trevor Hall (2021)Song 6: California Love by 2Pac (1995)Song 7: Seamus by Pink Floyd (1971)Song 8: Indian Outlaw by Tim McGraw (1994)Song 9: California Girls by The Beach Boys (1965)Song 10: Drunk and Hot Girls by Kanye West (2007)

On the November 14 edition of the Music History Today podcast, Michael Jackson premieres in a theater & on tv, Pink Floyd is an opening act, & Jay-Z releases a hit album. Also, happy birthday to Aaron Copland, Run & Travis Barker.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Nous voici arrivés au bout de notre voyage à travers le mythique album de PINK FLOYD :  "Wish You Were Here", parcouru dans l'ordre avec sa face A en fin de dernière saison puis sa face B depuis la rentrée. Opus qui se termine donc à l'issue de ce numéro sur les notes composées et jouées sur les claviers du regretté Richard Wright en attendant d'ici un mois la réédition augmentée...ne laissons pas refroidir ce chaud business... On le sait maintenant, cet album du Floyd de 1975 était un hommage  à SYD BARRETT, le "sacrifié" membre fondateur, objet de toutes les légende dont celle de son apparition à Abbey Road durant l'enregistrement de "Wish You Were Here", méconnaissable et laissant les membres du groupe sous le choc...Alors hommage également dans ce numéro dès l'ouverture d'antenne avec un extrait de son 1er album solo "The Madcap Laughs" paru en 1970 après deux longues années de labeurs et d'épuisement de plusieurs producteurs devant ce musicien autant instable que génial. A ces fins, il aura été épaulé par des musiciens de Soft Machine et ses amis d'enfance Roger Waters, co-fondateur et bassiste du Floyd et David Gilmour guitariste chanteur, qui l'aura remplacé... Enfin, localement nos amis nantais pourront célébrer leur groupe favori au FLORIDE ce samedi 15 novembre avec le tribute band ATLANTICK FLOYD !  Entre ces monstres sacrés, d'autres artistes programmés parfois suite à vos contributions d'auditeurs et auditrices ! J'ai ainsi découvert NEURAL DAWN, projet quelque peu obscure de Londres proposant avec ce 1er album "The Last Frequency" un opéra-rock de science-fiction. Nous sommes ici dans un genre "rock cinématique" et le propos du groupe est la rencontre entre les émotions humaines et la technologie... En termes de découvertes, deux groupes/artistes français et partageant la même origine géographique (près de Nice) se sont aussi partagé cet épisode. HOMME, c'est le nom de cette formation qui n'a pas été sans me rappeler leurs illustres aînés de ANGE. Ils ont d'ailleurs pour point commun de partager la langue de  Molière pour s'exprimer. Attention talent ! Il semblerait que sur scène, c'est pas mal non plus ! Si vous en avez l'occasion, vous m'en direz des nouvelles. Écoutez leur album "Ma Vie En Théorèmes", dont la superbe reprise de Lavilliers "Idées Noires",  bien que ce soit un autre extrait qui était diffusé dans ce numéro. L'autre frenchy de l'étape est EREWÄN avec son 3ème album intitulé "Soul Is The Key", un rock progressif teinté de folk et de celtitude. A écouter également sur prescription de votre serviteur ! Le tout mis en son par un certain Alexandre Lamia du groupe Nine Skies (et j'ouvre la parenthèse pour m'interroger sur la date de sortie parait-il imminente du nouvel opus : "Vega" ! ) Un petit détour par la Grèce, ça ne se refuse pas ! C'est justement avec une reprise complètement originale mêlant percussions africaines, musique classique et avant-gardiste que le duo VOODOO DRUMMER s'était fait connaitre, notamment dans votre émission favorite, avec "Set The Control For The Heart Of The Sun" de notre groupe du jour (le Floyd). Ce titre a été incorporé à l'album paru cette année :  "HellaS Spells"  dont je vous propose  un nouvel extrait dans ce numéro, histoire de nous ouvrir l'esprit ! GOD IS AN ASTRONAUT : après l'Irlande des 70's la semaine dernière, place à une formation contemporaine et enfant du space-rock pour atterrir sur les Terres d'Eire. Ici avec un extrait de leur dernier album en date, "Embers" sorti en 2024. 40 ans plus tôt, un groupe dont le nom issu de la littérature fantastique outre-manche, MARILLION, nous proposait un deuxième album, encore à l'époque sous la plume et par la voix de Fish. Extrait de "Fugazy" dans ce numéro. Et puis en 1996, (outre la création de votre radio favorite ! ) voyait le groupe ANATHEMA opérer sa transition, passant d'un doom métal aux voix bien gutturales, à un rock progressif et plus mélodique avec l'album "Eternity" et dans lequel figure d'ailleurs un titre interprété par un certain Roy Harper (que l'on retrouve aussi dans "Wish You Were Here" ). Mais c'est un autre titre qui a été programmé dans ce numéro. Et pour être complet, sachez que Daniel Cavanagh, membre fondateur du groupe est à l'origine d'un autre projet : Weather System que je vous proposerai à l'écoute très prochainement...   Souvenons nous du 13 novembre 2015... Ce numéro est dédié aux victimes du Bataclan ...  Thierry Joigny Suivez Amarok sur Facebook également sur instagram

Billie Eilish fragte neulich zurecht: „Wenn ihr Milliardäre seid, warum seid ihr dann Milliardäre?“ Pink Floyd, mittlerweile auch keine bettelarme Band mehr, veröffentlichte Anfang der 70er den Song „Money“, eine zynische Analyse des Kapitalismus und den dekadenten Gepflogenheiten der Millionäre. Und warum macht niemand Politik für junge Menschen? Warum klammern sich vermögende Boomer an dicke Autos und ihr Klimaschädigendes Verhalten? Wie sang einst John Farnham: You´re the voice!Ihr habt recht, Selig: Wenn ich wollte…! Henning & Till wollen. Und haben Standpunkte. Die Songs der Sendung: 1) Wenn ich wollte / Selig2) Tick Tack / Les Bumms Boys3) Solitary man / Johnny Cash4) Es geht / Marathonmann5) (It´s not war) Just the end of love / Manic Street Preachers6) You´re the voice / John Farnham7) Money / Pink Floyd8) War pigs / Black Sabbath Hosted on Acast. See acast.com/privacy for more information.

The Weekend Whassup for Friday, 11/14/2025! The Point keeps you connected to the top 20 things happening around Sheboygan this weekend powered by Pleasant View Realty’s Kelly Killian! Illusionist Blagg will take you on a magical journey you’ll never forget tonight (Friday) at 7 on stage at The Weill Center For The Performing Arts in Downtown Sheboygan! https://wxerfm.com/events/494594/ The Kiel Municipal Bands presents their annual fall scholarship concert tonight (Friday) at 7 at Kiel High School. https://cur8.com/schedule/item/22567/342531 Celebrate the season with the “Light Up the Night Art Show” at 3 Sheeps Brewing! Hosted by Sheboygan Visual Artists tonight (Friday) from 4-9pm. https://wxerfm.com/events/514195/ Howards Grove and Kohler Schools present The Sound Of Music on stage at The Kohler Memorial Theater with showtimes through this weekend! https://www.facebook.com/events/1179726780670496 Sheboygan Evangelical Free Church hosts a Christmas Marketplace tonight (Friday) and tomorrow. Unique, handcrafted items, home decor, and a selection of baked goods. FREE admission! https://www.facebook.com/events/1526825795302212 Sheboygan’s Lakers Ice Center invites you to open public skating tonight (Friday) at 8:00 and Sunday afternoon at 2! https://www.sheboyganlakershockey.com/page/show/76849-calendar The HUGE Sheboygan South High Booster Club Fall Craft and Vendor Fair is tomorrow (Saturday) from 9-2 at South High School! https://www.facebook.com/photo/?fbid=10106749600355778&set=gm.24548291574820070 Dare To Dream Theater presents Disney Descendants on stage at Sheboygan Area Lutheran High School with showtimes through this weekend! https://www.facebook.com/events/1054919552471041/1054923402470656 The S.C.I.O. Sheboygan Winter Market happens the 1st and 3rd Saturdays November-April at First Congregational Church in Sheboygan. Support local farmers by buying direct! https://www.sheboygancountyinterfaith.org/farmers-market/ The Sheboygan Theater Company invites you to their “Embodying Creativity” workshops tomorrow from 10:30-2. Learn all about the magical world of acting, theater and behind the scenes production! https://wxerfm.com/events/515269/ Sheboygan Lutheran High School presents their fall sage production of The Magician’s Nephew with showtimes tonight (Friday) and tomorrow at the PAC. https://www.lutheranhigh.com/pac.html M&T's Gibbsville Orchard invites you to their Christmas Open House both days this weekend! Samples of goodies, gifts and FRESH HOT APPLE CIDER! https://gibbsvilleorchard.com/events Sheboygan’s North and South High Schools present the fall musical “The Lightning Thief” with showtimes through this weekend at Sheboygan’s North High School. https://www.sheboygan.k12.wi.us/news-details/~board/district-news/post/northsouth-drama-presents-the-lightning-thief The 250th Marine Corps Birthday Ball is tomorrow (Saturday) from 5-10 at The Osthoff Resort in Elkhart Lake. Come hungry and bring your dancing shoes! https://wxerfm.com/events/514667/ Turkey Bingo is back from 1-4 tomorrow (Saturday) afternoon at Racer’s Hall in Plymouth! Fifty cents per card! Play as many cards as you want! It’s to benefit the Plymouth Food Pantry! https://www.facebook.com/events/w4408-cr-c-plymouth-wi/turkey-bingo-2025/1714982672520280/ Thielmann's Athletic Club’s Annual Brat Fry and Mini Bowling Tournament is tomorrow (Saturday) after 10am at Butch and Anne’s Pine Grove. https://www.facebook.com/events/732480406321537 Sheboygan Service Club invites you to their Enchanted Evening Charity Gala tomorrow (Saturday) night at The American Club in Kohler. Dinner, auction items, entertainment and more! https://www.sheboyganserviceclub.org/copy-of-charity-ball Project Pink is North America’s premier Pink Floyd tribute band performing their greatest hits tomorrow (Saturday) at 7:30 on stage at The Weill Center For The Performing Arts in Downtown Sheboygan. https://wxerfm.com/events/482778/ See Sherlock Jr. with the Carthage Wind Orchestra Sunday at 2pm at The Weill Center For The Performing Arts in Downtown Sheboygan. See this famous silent film with music from a live orchestra! https://wxerfm.com/events/494593/ Pet Photos With Santa at Healthy Paws Vet Clinic in Sheboygan Falls happens SUNDAY from 10-1 at the clinic in Falls. Donations for the humane society! https://www.facebook.com/events/787265894204768 An Afternoon With Psychic Medium Mollie Morning Star, Sunday from 3-5 at The Manor at The Bull At Pinehurst Farms. https://www.molliemorningstar.com/events/2025/6/23/sheboyganfalls-tsyhh-rep5c-zm8bf-e986z See omnystudio.com/listener for privacy information.

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ever wondered why the “darkest” country songs linger long after the last note fades? We crack open that list and find more than shock value—there's craft, confession, and a lineage of storytelling that made the genre brave. From murder ballads to Whiskey Lullaby, we unpack what makes a song haunt you and why those narratives still matter.Then we sprint through the modern pulse: Jelly Roll's global moment and community work, stacked festival lineups, Abbey Road sessions, and the not-so-silent rise of subtitles in streaming. Captions might sound boring, but they're changing how fans absorb lyrics and stories, especially in a word-first genre like country. We also talk about videos that miss the mark and why listeners instantly sense when visuals don't serve the song.The centerpiece is a rowdy, smart bracket to crown the best album of all time. You sent your picks—Rumours, Abbey Road, Pet Sounds, Tapestry, Van Halen I, The Wall, George Strait, Shania, Garth—and we fought it out. Journey's Escape made a bold run, but Pink Floyd's Dark Side of the Moon took the crown for cohesion, sequencing, and sheer sonic gravity. Along the way, we teased apart “favorite” versus “best,” and what a truly great album must do from first second to last.We close with charts and indie highlights, then an ear-opening A/B test: a studio cut vs an AI-recreated version of the same song. The AI track is polished and passable, but side-by-side it lacks depth, stereo motion, cymbal realism, and those tiny human edges at the ends of phrases that make a vocal feel lived. It's not anti-tech—it's pro-feel. And the mailbag nails the theme: country isn't a costume; it's a culture. Americana is carrying a slice of that soul, and live shows still matter because sweat and risk can't be automated.Hit play for sharp opinions, a few laughs, and a lot of heart. If you enjoyed the ride, follow the show, share it with a friend, and drop your “best album ever” in a review—we'll read the spiciest ones on air.Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Ce 10 novembre, Marjorie Hache ouvre une nouvelle semaine de Pop-Rock Station avec deux heures entre rock intemporel et nouveautés. Pink Floyd, Queen, Sonic Youth et Editors côtoient les riffs de Kasabian et le punk californien de NOFX. L'album de la semaine est signé des Londoniens de Sorry avec "Cosplay", un troisième opus pop psyché et décalé dont est extrait "Candle". Parmi les découvertes, on retrouve aussi les Australiens de The Southern River Band avec "All Over Town" et les Écossais de The Twilight Sad, de retour après sept ans d'absence avec "Waiting For The Phone Call", en collaboration avec Robert Smith de The Cure. La reprise du jour est "Solsbury Hill" de Peter Gabriel, revisitée par Lou Reed. Pop-Rock Station célèbre également les 50 ans du mythique "Horses" de Patti Smith avant de conclure la soirée avec Florence + The Machine, Led Zeppelin et Genesis. Kasabian - Hippie Sunshine Editors - An End Has A Start Patti Smith - Gloria U2 - Vertigo NOFX - Linoleum Queen - Crazy Little Thing Called Love Elvis Presley - Jailhouse Rock Sorry - Candle Placebo - Battle For The Sun Police - Wrapped Around Your Finger Pink Floyd - Wish You Were Here Foo Fighters - Asking For A Friend Lou Reed - Solsbury Hill Amy Winehouse - Back To Black The Southern River Band - All Over Town The Animals - House Of The Rising Sun Muse - Muscle Museum Florence + The Machine - Everybody Scream Led Zeppelin - Immigrant Song Sonic Youth - Bull In The Heather The Twilight Sad- Waiting For The Phone Call Depeche Mode - Little 15 Townes Van Zandt - Waiting Around To Die Travis - Side Genesis - The Cinema ShowHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's a packed house with the crew: Matt, Ron the Waiter, Tony P, Little Foot, Scott Watson (straight from up the river), killer comedian Erik Angel, and Michael G Potter crushing acoustic covers of Pink Floyd's "Wish You Were Here" and Neil Young's "Down by the River"! We dive into NYC's new mayor Zohran Mamdani – what can this guy actually DO to win us over? Opie's got  a few tears from watching the NYC Marathon this year. Israeli comedian Erik Angel drops by – the guy who's got a hit show with a Muslim, an Iranian, and a Christian, proving laughter is the ultimate peace treaty. We get real about raising daughters, debate thumbs up or down on the legendary queef, and way more unfiltered chaos.You know the vibe: raw, hilarious, zero filter. Grab a beer and hit play!

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We get out our electric guitar and surreal imagery to kick off "Rock'n World" Month where we are looking at musicals involving a rock band (s). The Crew have a spirited debate over the classic movie "Pink Floyd's The Wall". We talk the visual artistry, the fascist imagery, and just the meaning of it all. Kicking the Seat Podcast: https://www.kickseat.com

Send us a textA twenty-year reunion turns into a masterclass on survival, adaptation, and the art of playing for keeps. We sit down with guitarist, writer, and singer George Cintron to trace a line from a Puerto Rican household in Bayshore—where top 40 radio was the cultural gateway—to roaring Long Island clubs, studio sessions with heavy hitters, and a phone call that vaulted him onto arena stages with Enrique Iglesias. George shares how a gold-top Les Paul and theory class became real gigs, why auditions used to be about skill, and how the drinking age shift quietly gutted a thriving band economy.The story pulls no punches on today's bar math: band pay that never rose, owners who book by headcount, and hobby acts undercutting rates. Yet it's not a rant; it's a roadmap. You'll hear the Enrique break—how speaking Spanish got George hired to help form the touring band and teach phonetics to non-Spanish speakers—and what it felt like when Bailamos turned a summer tour into a year-end sprint. Then we jump to Trans Siberian Orchestra and the long-running Windborne Music shows, where Zeppelin, Queen, and Pink Floyd get rebuilt with a full symphony and a rock band at center. Charts are precise, subs are surgical, and the result draws multiple generations without diluting the punch.Woven through the tour stories are studio truths (why producers say “be yourself” then ask for less), candid talk about health and aging, and the case for steady rehearsal as the secret engine of great bands. If you care about live music, gig economics, and how players actually make it work, this conversation is a clear-eyed, generous guide. Subscribe, share with a musician friend, and leave a review with your take: should clubs prioritize draw or musicianship?Support the show

The music business from the late '60s through the '90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves. And nobody was bigger and better in promoting rock records than Rap. Paul "Rap" Rappaport enjoyed a storied (and very appropriate) 33 1/3 year career in rock promotion at Columbia Records, where he was instrumental in the careers of an amazing roster of legends, including Bob Dylan, Bruce Springsteen, Pink Floyd, The Rolling Stones, Elvis Costello, Billy Joel, Blue Oyster Cult, Judas Priest, Alice In Chains, and many, many more. Gliders Over Hollywood: Airships, Airplay and the Art of Rock Promotion is Rap's dynamic, entertaining memoir captures the magic of these times and the people who made it happen, revealing the never-before-heard secrets of the promotion and marketing that turned the music industry on its head. From creating the Pink Floyd airship to sword-fighting with Bruce Dickinson of Iron Maiden and receiving a guitar lesson from Keith Richards, it's a book packed full of extraordinary adventures with some of the biggest names in rock. This week, Rap joins us as our Third Lad to recount the wild tales of his Top 5 Album Rollouts. These are stories you have to hear (or read) to believe! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!On this early episode of Revolutions Per Movie, I was joined by VERA DREW (writer, director, and star of THE PEOPLE'S JOKER), who picked a film that had a massive influence on her art, Pink Floyd: The Wall. It seems totally incredible that at the time of recording this episode, there was a legal battle between the release of her film and DC Comics, trying to squash its release. In the end, goodness prevailed, Vera's incredible film was released to worldwide praise and awe. I can't wait to see what Vera brings to us next (although we do discuss her remaking The Wall...yes! YESSS!!!)(Episode 8 originally aired on Nov 2nd, 2023).The original podcast show notes:This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People's Joker, Tim & Eric, Sasha Baron Cohen's ‘Who Is America?'). We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People's Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week's episode of Revolutions Per Movie!Vera Drew:veradrew.comwww.thepeoplesjoker.comwatch.eventive.org/weirdweekend@VeraDrew22REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Jerome presents historical rock, roots and blues events that occurred in the month of November in years gone by. Podcast includes, in order of appearance, tracks by Jerry Lee Lewis, Slim Harpo, Fats Domino, Johnnie Ray, John Lennon, The Who, Rolling Stones, The Band, Milli Vanilli, Link Ray, Robert Johnson, Kokomo Arnold, Mississippi John Hurt, Big Joe Turner, Sharon Jones, Billie Forrester, Carl Perkins, Tampa Red, Bill Haley, Johnny Horton, Eva Cassidy , Sonny Boy Williamson, John Lee Hooker, Carey Bell, Joe Hill Louis, Sylvester Weaver, Howlin Wolf, Nick Drake, Jimi Hendrix Experience, Cream, Pink Floyd. Size: 130 MB (136,790,330 bytes) Duration: 1:11:19

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you know that the original name of Michael Jackson’s “Thriller” was “Starlight” or “Dark Side Of The Moon” by Pink Floyd was going to be called “Eclipse”. Christopher and Tom start the show with a chat about the original titles of great albums – from the very good… to the very dumb. With the recent announcement of the new Rush tour with a new drummer, we thought we’d present a really great collection of clips from the Famous Lost Words archives. They are mostly with Geddy Lee and Neil Peart in the early ‘80s talking about the first nine Rush albums. Plus, we have a bonus clip of Christopher in conversation with Geddy in 1987 – today’s show is a must for any Rush fan. And we’ll close out the show with a tribute to KISS lead guitarist Ace Frehley. After Ace’s passing, Tom reached out to Brent Jensen of the podcast No Sleep Til Sudbury, who was as much of an Ace Frehley fan as Tom is. We’ll talk about Ace’s enormous influence on other rock stars and fans – and we’ll listen to three clips of Ace from the archives. This segment was a real labour of love for Brent and Tom – a couple of devoted KISS fans going way back.

Oasis are undoubtedly the biggest band to rise out of Brit Pop. And it's hard to describe how massive their return is. For years, the public fighting between the Gallagher brothers suggested they'd never come back. And one day, they did.Oasis have been playing all over the world to stadiums of screaming fans, young and old. And as they finally return to Australia, we're celebrating by sharing a Take 5 for the ages from the archives.A couple of years ago Zan Rowe sat down with Noel Gallagher in his own studio, in Kings Cross, London. At this stage, the reformation tour was not on. He was recording and touring with his band the High Flying Birds, and had just released an album called Council Skies. Noel's history is everywhere in his songs. And the songs he loves, too. You'll hear songs you're expecting, but it's the ones you're not that'll pack a real punch. And the stories? All time.Noel Gallagher's song choices:1.Pink Floyd – 'Nobody Home'2.The Smiths – 'Asleep'3.Herb Alpert & The Tijuana Brass – 'This Guy's In Love With You'4.Air – 'All I Need'5.The Beatles – 'I Am The Walrus'00:00 Introduction and Oasis' Impact00:57 Noel Gallagher's Studio and memorabilia from The Haçienda nightclub02:11 SONG 1: Pink Floyd – 'Nobody Home'07:35 Reflecting on life as a rock star & post-fame09:45 SONG 2: The Smiths – 'Asleep'14:55 Growing up in Manchester17:02 SONG 3: Herb Alpert & The Tijuana Brass – 'This Guy's In Love With You'17:11 A Memorable Encounter with Burt Bacharach24:09 Remembering Burt Bacharach25:38 SONG 4: Air – 'All I Need'30:52 The Shift to Digital Music31:30 Wild Times with Oasis35:09 Transition to a Calmer Life36:33 SONG 5: The Beatles – 'I Am The Walrus'39:48 The Night That Changed Everything for Oasis41:37 Reflecting on Oasis' Final Tour42:55 The Joy of Songwriting44:25 Closing Thoughts and Future GuestsWatch Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-roweContains strong language. This episode was originally broadcast in 2023.

The Marillo's follow in the footsteps of Pink Floyd!Ian Mosley & Lucy Jordache join the PM boys to announce a landmark gig for Marillion in July 2026!Tickets go on general sale on Monday 3rd November 2025.

On this week's episode, Peter will be asking why Britain's infrastructure is so very awful and why are we concreting over so much over the countryside and then sticking ugly new buildings all over it. While Sarah is dumbfounded by the fact that the Home Office costs £23billion and spends it time blundering from one debacle to another.Plus, Sarah reveals what ministers really fight over. And the pair really can't find any common ground when it comes to Pink Floyd's Wish You Were Here. On our reading and watch list this week: · Pink Floyd – The Wall (Dir: Alan Parker)· Peter Hitchens - The Rage Against God· Christian Wolmar - On the Wrong Line: How Ideology and Incompetence Wrecked Britain's Railways· Sir Arthur Conan Doyle - Micah ClarkePlease do get in touch, email: alas@mailonline.co.uk, you can leave a comment on Spotify or even send us a voice note on Whatsapp – on 07796 657512, start your message with the word ‘alas'.Presenters: Sarah Vine & Peter HitchensProducer: Philip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously Popular Hosted on Acast. See acast.com/privacy for more information.

On the October 29 edition of Music History Today podcast, Pink Floyd breaks a record, & Slash leaves Guns. Also, happy birthday to Tove Lo.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Rhythm Section Podcast, hosts Derrick and Jeff kick things off by celebrating some exciting music news — their friend John Roth has officially joined the legendary rock band Foreigner as their newest guitarist! Derrick also shares his own big announcement about stepping in as the new bassist for Pulse: Memphis Tribute to Pink Floyd. For the feature interview, the guys sit down with Tom Slagle, saxophonist and keyboardist for Thumpdaddy, Rock The Boat, Back In Time, and Heartless. Tom reflects on his musical roots, including his father Ed Slagle, a WWII veteran and Polka Hall of Fame inductee. He shares stories of his journey through various projects, his love for performing, and how he taught himself music theory the old-fashioned way — by reading books from the library.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Ce 28 octobre, Marjorie Hache enchaîne deux heures de guitares affûtées et de nouveautés explosives dans Pop-Rock Station. L'émission démarre avec "1969" des Stooges avant le retour de Kasabian avec "Hippie Sunshine", annonçant leur neuvième album "Act III". Elle célèbre aussi les 11 ans de "Royals" de Lorde, titre culte qui révélait la chanteuse néo-zélandaise à seulement 16 ans. L'album de la semaine, "We Were Just Here" de Just Mustard, se poursuit avec le titre "Pollyanna", tandis que la reprise du jour revisite "Comfortably Numb" de Pink Floyd par les Scissor Sisters. Dans la foulée, Marjorie Hache diffuse Die Spitz, Wet Leg, The Charlatans et les Deftones, avant un clin d'œil à Cream et System of a Down. La nouveauté " Fresh" du soir met à l'honneur le retour des Lemonheads et leur premier album en vingt ans, "Love Chant", enregistré au Brésil. La soirée s'achève sur Fiona Apple, Gossip et Soulwax. The Stooges - 1969 Kasabian - Hippie Sunshine Lorde - Royals Santa Esmeralda - Don't Let Me Be Misunderstood Editors - Papillon Dire Straits - Love Over Gold Franz Ferdinand - Ulysses Just Mustard - Pollyanna Van Halen - Ain't Talkin 'Bout Love Fun Lovin' Criminals - Scooby Snacks Deep Purple - Hush Deftones - Infinite Source Scissor Sisters - Comfortably Numb The Smashing Pumpkins - Tonight Tonight Die Spitz - Pop Punk Anthem (Sorry For The Delay) Cream - White Room Rival Sons - Company Man Wet Leg - Mangetout The Pretenders - Brass In Pocket System Of A Down - Aerials The Lemonheads - In The Margin Jimi Hendrix - Crosstown Traffic Fiona Apple - Criminal Gossip - Standing In The Way Of Control The Charlatans - Deeper And Deeper Soulwax - Gimme A ReasonHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Mighty Manfred's guest this week is legendary producer, Bob Ezrin! Bob tells us about how he came to work with Alice Cooper, his dealings with KISS and Pink Floyd, as well as Hanoi Rocks. Join the Mighty Manfred and Bob Ezrin for this week's Coolest Conversation, presented by Hard Rock

Face it, everyone loves a good fight. And musicians and singers are always adding an extra layer to their entertainment value - intentionally or accidentally - by engaging in battles with their peers. Some of these feuds are exaggerated and some are underplayed. Some have an obvious bad guy while in others it seems like both parties should share the blame. Some seem to be about nothing, and others seem to be about everything. It seemed like the stakes couldn't have been higher than they were in the recent Drake vs. Kendrick Lamar feud ... that is, until you remembered Tupac Shakur vs. The Notorious B.I.G. (both of whom died from drive-by shootings just months apart). Internal wars chipped away at some of rock's best bands - from the Beatles and The Kinks to Pink Floyd and Fleetwood Mac. Meanwhile, some of the most iconic singers were locked in bitter rivalries, including Prince and Michael Jackson as well as Axl Rose and Kurt Cobain. Then there were the entertaining battles of the divas - Cher vs. Madonna, Elton John vs. Madonna, Whitney Houston vs. Mariah Carey, Mariah Carey vs. Jennifer Lopez. ... And we'll never forget the most inexplicable feud that just seems to go on and on: Kanye West vs. Taylor Swift. This week your hosts of "How We Heard It" recap all of these fights and many more - the ones that made them laugh, the ones that made them wince and the ones that made them scratch their heads. They also take a look at the artist who seems to be fighting the entire world. Even if you've never heard of her.

Episode 65: Building Tomorrow's Advisor with Martin Tarlie We speak with Martin Tarlie about his research and work building Nebo, an award-winning fintech for goals-based investing that aligns financial plans with investment management. We discuss the uniqueness and challenges of goals-based investing, interesting things in the goals-based research, and the future of investing for individuals. Martin is a CFA charterholder and the Nebo product lead. He spent many years as a quantitative analyst across various firms, including GMO's asset allocation team. He earned his bachelor's degree in physics from the University of Michigan, his PhD in theoretical condensed matter physics from the University of Illinois at Urbana-Champaign, and his MBA from the University of Chicago. What Martin is Reading Right Now: The Bible Martin's Music Recommendation: Classic Rock: Rolling Stones, The Who, Pink Floyd, Southern Rock Read More from Martin: GMO's Website, Martin's LinkedIn, Martin's SSRN   ___ Get updated when new episodes release by joining our list: https://bit.ly/4dwwTgD Connect with CFA Society Dallas/Fort Worth: LinkedIn | Instagram| www.cfasociety.org/dallasfortworth

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Corey Feldman On Streamily: Yet another disaster of an interview to throw on the pile with the rest. This one has it all, excuses, his life story, the box set and more! Adrien Skye: We even get a guest spot on the interview with up and coming CIFI Records artist Adrien Skye! Circus Queen: And we roll right along with the debut of Adrien's new single, CIRCUS QUEEN. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREYWEEN!, ANTI COREY POD!, LISTEN TO THE SONG!, BREAK THE PACT!, ADRIEN SKYE!, EASIEST PACT!, SNIPPET!, PACT BREAKING!, GET THERE!, BUILD IT UP!, PO BOX!, SELF ADDRESSED STAMP ENVELOPE!, FELDMAS!, FELDSGIVING!, STREAMILY!, LINDSAY!, MOVING!, DANCING WITH THE STARS!, RUMORS!, NEPO BABY BODYGUAR!, SPECIAL WHEN LIT!, PINBALL!, BEATLES!, PINK FLOYD!, HISTORY!, MATTY O!, MINEFIELD!, BOX SET!, FUNKO POP!, ADRIEN SKYE!, PLASTIC STANDARDS!, EP!, ANTI COREY POP!, GHOSTS IN THE CORNER!, VAMPIRE'S BALLAD!, EDOC!, REMIX!, DJ!, LADY GAGA!, SUCK US QUEEN!, DANCE!, BANGER!, CLUB!, HAUNTED MANSION!, JARED LETO JOKER GIRLFRIEND!, BROKEN PACT!, NEPTUNES!, NEW FOUND GLORY!  You can find the videos from this episode at our Discord RIGHT HERE!

MUSICOfficial Charts Company unveiled its list of the Biggest Rock & Metal Albums of the 21st Century The Top 10 is as follows:American Idiot - Green DayHybrid Theory - Linkin ParkPermission to Land - The DarknessFallen - EvanescenceBlack Holes & Revelations - MuseThe Black Parade - My Chemical RomanceSilver Side Up - NickelbackMeteora - Linkin ParkAll the Right Reasons - NickelbackChocolate Starfish and the Hot Dog Flavored Water - Limp BizkitThe complete list contains 40 titles with the Foo Fighters having the most with four followed by Green Day, Nickelback, Linkin Park, Muse and My Chemical Romance with three, and Blink-182 and Paramore with two.AC/DC also made the list with 2008's Black Ice at 31, followed by Pink Floyd's last studio album, 2014's The Endless River at 32. Heart's Nancy Wilson, Alice in Chains guitarist Jerry Cantrell, and Mick Fleetwood have been added to the list of presenters and performers at the Rock & Roll Hall of Fame Induction Ceremony on November 8th in Los Angeles. The Rock Hall's Class of 2025 is Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden, The White Stripes, Salt-N-Pepa, Warren Zevon, Nicky Hopkins and Carol Kaye.TVJohn Stamos called Lori Loughlin a saint, and went off on her ex-husband, Mossimo Giannulli, calling him a “narcissist” who masterminded the couple's 2019 college admissions scandal. https://pagesix.com/2025/10/20/celebrity-news/john-stamos-blasts-lori-loughlins-ex-mossimo-giannulli-for-masterminding-college-admissions-scandal/ Joe Walsh and Zac Brown will serve as a Mega Mentors on Season 28 of NBC's The Voice. Walsh will mentor contestants on teams for Niall Horan and Reba McEntire, and Brown will do the same on teams for Michael Buble and Snoop Dogg. The two will team up to mentor the remaining contestants as they prepare for the Knockouts round, which begins next Monday. With the success of the Golden Bachelor, Survivor host Jeff Probst was asked if the same senior transition could be done to his long-time reality show. https://www.yahoo.com/entertainment/tv/articles/jeff-probst-reveals-why-golden-172629827.html?guccounter=1&guce_referrer=aHR0cHM6Ly9wcmVwcGx1cy5mdXR1cmltZWRpYS5jb20v&guce_referrer_sig=AQAAANazakzLidHfptxmdBkBVLjW4fsP2XdiQ6DZuJ96FPBbVxo4PPDvE7HOlP3uTjXfWmW2gceKAhcifR0SaoGMUaHCF2VoWx9iauTbPPRy6ozLash-tYCKEayCTztdXxm--49lBzkGesCdml2s-ZQcyuunx17UlT_zz1ORI3_TcHBr MOVING ON INTO MOVIE NEWS:Today is "Back to the Future" Day, and Casio is re-releasing Marty McFly's calculator watch. https://www.watchpro.com/back-to-the-future-watch-returns/ In Emma Stone's latest film, Bugonia, the actress shaves her head bald. Now it's your turn! https://ew.com/emma-stone-bugonia-holds-early-screening-for-moviegoers-willing-to-go-bald-11832627 Sinners is coming back to movie theaters in time for Halloween. https://gizmodo.com/sinners-movie-re-release-imax-halloween-2000674433 Examples of actors being WAY overpaid for their efforts: https://www.buzzfeed.com/hannahmarder/actors-who-were-paid-tons-for-little-work AND FINALLYWho doesn't love a good slasher movie? "Paste" magazine ranked the 50 best of all time. https://nofilmschool.com/best-slasher-villains AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a text"I should be enough for what it is that I want." - Buddy RedHow do you make your own path as an artist when everyone is telling you to be something you're not?Buddy Red has answers. The son of famed rapper T.I. is paving his own way in the music industry as a rock-infused blues guitarist with soulful riffs and visceral vocals. His music is both an ode to his heroes--greats like Jimi Hendrix and Pink Floyd--and something that is uniquely his. In this episode, Buddy Red sits down with Emmeline live from the Launch Music Conference in Dallas to talk about finding his creative truth in a sea of voices offering advice and guidance. He shares his struggle to find a corner for himself within the industry and talks about the joy of recording his latest single, "Sold His Soul." Lastly, he asks for recommendations for the best brisket in Dallas!To learn more about Buddy Red, or to follow his musical journey, follow him on Instagram. You can also stream his music on Spotify.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

What happened to Syd Barrett of Pink Floyd? Author Mike Evans sheds light on the effects fame and drugs had on the brilliant yet fragile musician.Listen to Episode 326 - The Story Behind Pink Floyd15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Double, double, toil and trouble… This week, we put a spell on you and invite you to participate in our craft. On this 3rd week of Gothtober, we bring you witches from the world of rock n' punk n' metal. These are bands named after broomstick ridin', pointy hat wearin', green-skinned cacklin' ladies of the coven. Step up to our cauldron and have some brew!What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection, an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. Our hope is that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big thing. Oh, and we also want your soul.Songs this week include:All Them Witches – “Heavy / Like A Witch” from Our Mother Electricity (2012)Margarita Witch Cult – “Crawl Home To Your Coffin” from Strung Out In Hell (2025) Wytch Hazel – “The Demon Within” from V:Lamentations (2025)Two Witches – “The Angel Of Pain” from Bites (1995)Witchrider – “Wake Me Up” from Metamorph - EP (2025)Witch – “Soul Of Fire” from Witch (2006)Angel Witch – “Straight From Hell” from Frontal Assault (1986)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

durée : 00:57:59 - Very Good Trip - par : Michka Assayas - Deuxième partie de l'entretien que l'ancien guitariste de Pink Floyd a accordé à Michka Assayas pour Very Good Trip. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:55:44 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas célèbre un musicien, un poète d'autrefois qui a laissé une des traces les plus lumineuses dans l'histoire du rock, au sens large. Une étoile filante qui n'en a pas fini de fasciner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A listener's mailbag turns into a rapid-fire set of rock face-offs as we celebrate 100 episodes, relive moments from the show, and crack up at studio bloopers. We end with gratitude, a look at global listeners, and a simple truth: the music keeps us here.• Stones over the Who for longevity and range• Led Zeppelin's blues power vs Aerosmith's early punch• Pink Floyd's concept mastery vs Queen's showmanship• Eagles' guitar craft vs Fleetwood Mac's radio gold• ACDC's consistency vs Van Halen's eras• Tom Petty's steady 80s line vs Springsteen's stamina• Def Leppard's teen‑era imprint vs Scorpions' singles• Rush's precision over Yes's gloss• Styx memories vs Kansas staples• Nirvana's cultural break vs Foo Fighters' endurance• Jagger archetype vs Tyler disciple• Plant's thunder vs Freddie's crowd command• Morrison's magnetism vs Daltrey's polish• Billy Joel's authorship vs Elton John's catalog• Prince's virtuosity vs Bowie's reinvention• Blooper reel highlights and shared laughter• Minute with Jimmy gratitude and partnership• Audience reach across 73 countries and 1,055 citiesHit play, pick your winners, and tell us what we got wrong. Subscribe, share with a friend who loves a good music argument, and leave a review with your matchup—we might feature it next.“Music In My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Pink Floyd guitarist and singer talks about the 50th anniversary of Wish You Were Here, a new live album and concert film for his latest solo release Luck And Strange, and more.Weekly Reset: Rowing on an autumn lake.Enjoy the show? Share it with a friend and leave us a review on Apple, Spotify, or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Roger Waters joins the show to talk about Gaza, the UN, free speech & what he wants the president of Colombia to do. Plus, he reacts to the latest crackdowns on speech, the war in Ukraine, & why some musicians are such cowards when it comes to Israel. For the full discussion, please join us on Patreon at - https://www.patreon.com/posts/patreon-full-140151702 But first, we're joined by Vaniya Agrawal & Hossam Nasr, two former Microsoft workers who helped pressure the company to bar the Israeli military from using Microsoft services to spy on millions of Palestinian civilian phone calls made each day in Gaza & the occupied West Bank & stored in Microsoft's vast Azure cloud computing platform. But there's more work to be done, as Microsoft continues to collaborate w/Israel in other ways. Of course, we can't leave you hanging on Trump's deal so we will ALSO be joined by Mouin Rabbani & Craig Mokhiber who will break down what's really happening in Gaza. Roger Waters is a singer, songwriter & musician, best known for being a member of the legendary rock band, Pink Floyd. He's also an outspoken activist for peace, a free Palestine & several other causes that get him in trouble. Vaniya is an organizer w/No Azure for Apartheid & ex-Microsoft worker who was terminated for protesting at Microsoft's 50th anniversary keynote event, where she disrupted a panel of current & former Microsoft CEOs including Bill Gates, Satya Nadella, & Steve Ballmer. Since then, she has continued organizing w/NoAA to apply pressure on Microsoft executives to meet workers' demands. Most recently Vaniya was arrested twice last month for participating in encampments on Microsoft campus, & occupying the office of Microsoft President Brad Smith at Microsoft's global headquarters. Hossam Nasr is the co-founder of No Azure for Apartheid & a former Microsoft worker. He worked at the company for 3 years before being fired in October last year for organizing a vigil on Microsoft campus for the Palestinians killed in Gaza. Since then, he has organized w/NOAA to pressure Microsoft to end its relationship w/the Israeli military & confronted executives at company events. Most recently Hossam was arrested twice last month after participating in the Liberated Zone encampment on Microsoft's campus & the sit-in at Brad Smith's office. Mouin Rabbani is a researcher, analyst & commentator specializing in Palestinian affairs, the Arab-Israeli conflict & the contemporary Middle East. He has among other positions previously served as Principal Political Affairs Officer w/the Office of the UN Special Envoy for Syria, Head of Middle East w/the Martti Ahtisaari Peace Foundation, Senior Middle East Analyst & Special Advisor on Israel-Palestine w/the Int'l Crisis Group. Rabbani is Co-Editor of Jadaliyya & a Contributing Editor of Middle East Report. Craig Mokhiber is an American former United Nations (UN) human rights official & a specialist in international human rights law, policy, & methodology. On October 28, 2023, Mokhiber stepped down as the director of the New York office of the United Nations High Commissioner for Human Rights (OHCHR). In his final letter to High Commissioner, he harshly criticized the organization's response to the war in Gaza, calling Israel's military intervention a "textbook genocide" & accusing the UN of failing to act. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram: https://www.instagram.com/kthalps Follow Katie on TikTok: https://tiktok.com/@kthalps

In a candid conversation with Eddie Trunk, Motley Crue frontman Vince Neil shares the harrowing details of his Christmas night stroke that left the entire left side of his body paralyzed. Despite doctors telling him he'd never perform again, Neil describes his grueling six-month recovery journey from wheelchair to walker to cane, and ultimately back to the stage. He reveals the shocking discovery that he had previously experienced four strokes without knowing it, discusses the blood clot that caused his most recent episode, and reflects on his determination to rejoin Motley Crue for their Las Vegas residency. Also on the podcast, renowned musician and producer Steven Wilson joins Eddie to discuss his extensive work remixing classic albums in Dolby Atmos and spatial audio formats. Wilson shares how he became the go-to remixer for legendary bands, his meticulous process of reconstructing original stereo mixes before adding spatial elements, and the challenges of working with aging master tapes. He offers fascinating stories about remixing albums from Pink Floyd, Kiss, Rush, and Tears for Fears, while explaining why some rock music works better in spatial audio than others.  Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.