Podcasts about Pink Floyd

The Marvelous McBroom Sisters: Marsha, Dana, Lorelei, Durga...Forces of Nature! Marsha was a model extradinare and is a great educator and humanitarian; Dana an educator at Fashion Institute of Technology in NY, Author of Grace Jones's " Pull Up to the Bumper" and an actress in "Leadbelly"; Lorelei Background Singer with Pink Floyd, Rolling Stones, Rod Stewart and creator of a new YouTube Video Show "Who Influenced You"?; Durga, Background Singer with Pink Floyd, Blue Pearl, Songwriter and an accomplished actress. Simply a marvelous not to be missed episode.

Nothing says “credible music journalism” quite like blindly ranking ten legendary rock bands without knowing which one is coming next. Welcome to another comedy podcast from The Rizzuto Show, where Queen gets the throne, Metallica becomes the baseline for civilization, and somehow The Beatles end up staring directly at KISS's backside.We kick things off with a blind ranking of some of the biggest rock bands ever: Metallica, The Rolling Stones, AC/DC, Nirvana, Guns N' Roses, Pink Floyd, Queen, Led Zeppelin, The Beatles and KISS. The rules are simple: once you place a band, you're stuck with it. Naturally, this creates an absolutely flawless list that no music fan could possibly have an issue with.Just kidding. It's a disaster.Metallica lands at number five and becomes the dividing line for the entire exercise. The Rolling Stones climb toward the top, AC/DC gets placed too low and immediately causes regret, Queen claims number one, and then The Beatles arrive after almost all the good spots have disappeared. The result? The Beatles finish DEAD LAST behind KISS.Music historians, please direct your complaints somewhere else. We have enough going on.That leads to a bigger Beatles debate as Rafe argues that the band deserves enormous credit for what they changed, but that doesn't mean everybody has to automatically put them at number one. Moon attempts to defend civilization. Lern reveals she does not suffer from “Beatle boner mania.” Somehow Michael McDonald becomes the secret fifth Beatle. This is why nobody lets us curate the Rock & Roll Hall of Fame.Speaking of legendary musicians, the crew gets into the backlash surrounding a George Michael tribute featuring performers including Teddy Swims and Sombr. Some viewers were furious with the choices, while the show tries to determine what exactly would have made everybody happy. Adam Lambert gets some love, Andrew Ridgeley's name is miraculously remembered, and Riz discovers his biggest problem with Sombr may simply be that somebody stole the “E” from his name.Then Rafe's birthday completely takes over the studio.The crew surprises him with a brand-new grill for his new house, which immediately raises the question of whether they can fire it up inside the studio. For legal reasons and continued access to oxygen, the answer appears to be no.But the grill is only the beginning. Rafe gets a personal birthday message from Rick of Rick's Ace Hardware — whom Rafe immediately embraces as his new father — along with an Ace bucket loaded with homeowner supplies. It turns out Rafe's previous love for the store traveled up the Ace Hardware corporate ladder and was even shared at a company convention. That's right: Rafe somehow became an Ace Hardware influencer without even trying. Take that, every 22-year-old making sponsored TikToks.There are also homemade deviled eggs, handmade coasters featuring Dolly Parton, Reba McEntire, Willie Nelson, Johnny Cash and even Rafe's own dog, plus the discovery that Rafe shares a birthday with Monica Bellucci. At this point the man has a grill, deviled eggs, a bucket and Monica Bellucci spiritually connected to him through a calendar. There's nowhere left to go.And because this comedy podcast refuses to stay in one lane, Crap on Celebrities brings even more chaos: Slipknot and Marilyn Manson tour backlash, a Linkin Park documentary, Taylor Swift's former Beverly Hills home hitting the market, Diddy prison reports, Raven-Symoné revealing an extremely specific period routine, a Rick Wakeman concert for rescued bears, a heavy Matthew Perry documentary, and wildly divided reactions to a new Tom Cruise movie.There's rock history, birthday surprises, celebrity news, angry music fans and enough hardware-store enthusiasm to make a suburban dad shed a single tear into his freshly cut lawn.Happy birthday, Rafe. Here's a grill.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pink Floyd (A Few Great Songs): 01-TIME, 02-MONEY, 03-SHINE ON YOU CRAZY DIAMOND, 04-ECHOES, 05-LEARNING TO FLY, 06-US AND THEM, 07-BRAIN DAMAGE, 08-HEY YOU, 09-BREATHE.

Scott and Burke Davis recorded a two-part episode of the Davis and Davis Show centered on a comprehensive exploration of progressive rock music, covering its origins, defining characteristics, and their personal favorite songs and albums. The show also included their standard recurring segments — speed tests, war updates, celebrity deaths, motivational speeches, and sports updates — alongside personal catch-up covering Scott's city code violations, Burke's trip to Put-in-Bay for a racing event, and an update on the Mama Sveti's recovery from a car accident. The prog rock discussion proved genuinely educational for both hosts, with Scott discovering Pink Floyd's Dark Side of the Moon for the first time and Burke recognizing that songs he had loved for decades qualified as prog rock without his realizing it.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us Fan MailGrammy Award winner Darlene Koldenhoven stopped by to talk about her new book Put Your Dress Down And Sing, a memoir of her family and career.She tells her story about her strict Dutch Calvinist upbringing, to her big break in the music industry. She has famously performed as the tambourine-playing Nun in Sister Act, and sang on many albums and soundtracks from artists such as Paul McCartney, Pink Floyd, Rod Stewart, and many others. One of her most favorite and memorable experiences was performing with Yanni: Live At The Acropolis.Her appearance here gives us a glimpse of her entertaining new book.  Check out Put Your Dress Down And Sing HERE.To learn more about Darlene and her career, visit DarleneKoldenhoven.com Check our other links:TwitterRumbleInstagramYouTube

This week we have a bumper edition...so much going on in the world!  Should music be political?  Pasastoo Ahmadi;  The Swedish election corruption;  The CDU implode in Germany; The Houthis chant;  Xi Jinping and Donald Trump;  Deaths from Euthanasia in Canada outnumber deaths from guns in the US; Gang violence in South Africa; Muslim Suicide bombers in Nigeria; Country of the Week - North Korea; Liberal Democrats support men in womens spaces;  German serial killer misgendered; Palestinian activist turns out to be Israeli settle; Ed Milliband announces £88 million for Gaza whilst cutting UK army by £30 million; Newcastle Knights in Dreamland; Irish players snub Israelis; Brendan O'Neill on the takeover of the Irish elites;  Fauda again;  BBC reports terrorists as journalists; Hamas bodyguard protected in the UK;  Shanana Mahmood opens a new refugee route for Pakistan and Afghaistan; The attack on RAF Fairford; Abu Humza's wife gets another £70k for her state funded 5  bedroom home; Narnia goes woke; Muslims demand that John Cleese be cancelled; Death of the Pastors Wife; Die Fledermaus; The Bald President; Super Intelligence rather than Artificial Intelligence; Scotland's Education Secretary on what Education is;  University of Edinburgh drops Divinity degrees; The Sahara is shrinking; Feedback; Poetry - Shamus O'Rourke;  Jesus in Swansea; Salve Regina and the Pope in France; Jerry Eze in Old Trafford; and The Final Word - Psalm 1with music from the Dave Brubeck Quartet; Pink; Parastoo Ahmadi; The Kim Sisters; The Mooranbong Band;  Pink Floyd; Strauss; Rush; The Psalms Project;

Physicist and hedge fund manager Samir Varma returns to the World XP Podcast to break down why he isn't buying the constant predictions of an imminent financial collapse. We discuss why Americans can feel economically worse off even amid substantial prosperity, housing affordability, tariffs and trade wars, what the Federal Reserve gets wrong, whether the U.S. dollar could lose reserve-currency status, how ordinary people should think about investing through uncertainty, and why Samir believes American innovation and AI could matter far more to the long-term future than the daily cycle of economic doom.If you're enjoying the content, please like, subscribe, and comment!Samir's Links: https://samirvarma.com/https://www.substack.com/@samirvarmaSamir is an Author, Physicist, Entrepreneur, Inventor, and Hedge Fund Manager. He has a PhD in Theoretical Physics from The University of Texas. The incomparable E.C.G. Sudarshan was his advisor and Nobelist Steven Weinberg was on his dissertation committee. He is the author of The Physics of Free Will: How Determinism Affects Everything from The Future of AI to Traffic to God to Bees. He is working on a second book tentatively titled, I Wish I Had Known That about economics, finance and politics.In his spare time he enjoys playing guitar and squash. For computationally irreducible reasons, he has a particular fondness for detective and spy stories, and is obsessed with the music of The Beatles and Pink Floyd.______________________Follow us!@worldxppodcast Instagram - https://bit.ly/3eoBwyr@worldxppodcast Twitter - https://bit.ly/2Oa7BzmYouTube - http://bit.ly/3rxDvULSpotify - http://spoti.fi/3sZAUTG#Economics #Investing #financialmarkets

Midnighters,This one is personal. I've been playing Groovecreator's music for fifteen years. His records have filled countless hours of this show and many nights behind the decks. Bringing him to you as a guest on this bonus episode feels like a full-circle moment.He's sharing something special: a live recording from his set at Playground during Burning Man 2026, captured in Black Rock City. If you couldn't be in the desert this year, this is the closest you'll get to dancing in the dust at sunrise.The set opens with an unreleased Chicago acid track he made with house legend Roy Davis Jr. From there, it takes you through a Led Zeppelin bootleg, a club edit of Radiohead, and Prydz's Pink Floyd rework. Then it lands on "I Feel Love" by Moroder and Donna Summer, the record that arguably started it all. The last stretch builds into peak-time house and techno, ending with Carl Cox's remix of "Talamanca," a nice nod to the man behind Playground.Big thanks to Groovecreator for trusting us with this recording. If it moves you, follow him via https://linktr.ee/Groovecreator and let him know. Nothing means more to an artist than hearing that it landed.Now for the part that makes me happiest. On Saturday, 3 October 2026, Groovecreator joins me on my rooftop at the Tomorrowland Ibiza Rooftop Sessions. After fifteen years of playing his tracks, I'm still letting that sink in.He plays from 20:00 to 21:00, with Rebeca Ark before and after. You'll find us at the Tomorrowland Ibiza Store in the Ibiza Gallery, Platja d'en Bossa. The guest list is free, so bring your crew and sign up here: https://www.fourvenues.com/vanesa2/events/tomorrowland-ibiza-rooftop-sessions-03-10-2026-WXGTIf you come because of the show, come find me and say hi. Putting faces to the names I see in the comments every week is the best part of what we've built together.Midnighters, this community grows because of you, so tell me what you think. Which moment got you: the Zeppelin bootleg, "I Feel Love," or that unreleased acid track? If you've been to the Burn, share your best playa memory. Coming to the rooftop? Say so in the comments so we can find each other.Tag a friend who needs this set and share your favourite moment with #TheMidnightProject.The regular show is back on Wednesday.Until then, see you on the dancefloor.SebastiaanThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

durée : 00:12:11 - par : Max Dozolme - Après avoir écrit de nombreux ouvrages sur Pink Floyd dont il est le grand spécialiste français, le guitariste et enseignant Philipe Gonin nous raconte l'histoire de l'album "Animals", l'un des plus étonnants de Pink Floyd. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:11 - par : Max Dozolme - Après avoir écrit de nombreux ouvrages sur Pink Floyd dont il est le grand spécialiste français, le guitariste et enseignant Philipe Gonin nous raconte l'histoire de l'album "Animals", l'un des plus étonnants de Pink Floyd. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Today's episode is about a song that might make you wonder who—or what—is watching you. But despite what the title might suggest, George Orwell and Big Brother don't really have anything to do with it. Alan Parsons was no stranger to a recording studio by the mid-1970s. He had worked on the Beatles' Abbey Road and Let It Be, and served as an engineer on Pink Floyd's The Dark Side of the Moon. Then, while sitting in the canteen at Abbey Road Studios one day, Parsons met songwriter and session pianist Eric Woolfson, who offered to manage his career. The partnership eventually turned into something more: the Alan Parsons Project. Their first album, Tales of Mystery and Imagination, arrived in 1976, and was followed by a string of concept albums. I, Robot gave them “I Wouldn't Want to Be Like You” and “Don't Let It Show”; Pyramid turned its attention to the pyramids of Giza; Eve explored the problems women faced in a male-dominated world; and The Turn of a Friendly Card ventured into the world of gambling and gamblers. Along the way, the Alan Parsons Project became increasingly successful, even though it wasn't really a conventional “band” at all. Then, in 1982, came both an album and a single called “Eye in the Sky.” The title certainly sounds Orwellian, but Parsons and Woolfson denied that connection. Woolfson did, however, remember the surveillance cameras he had seen watching gamblers from above during trips to Las Vegas. And the song itself? That “eye in the sky” turns out to have a much more personal reason for keeping watch. Parsons apparently didn't think they had a particularly big hit on their hands—in fact, he bet guitarist Ian Bairnson one British pound that the song would flop. Somebody probably should have collected on that bet: “Eye in the Sky” became the Alan Parsons Project's only American Top 10 hit, reaching #3 on the Billboard Hot 100. So where did that title really come from? Who—or what—is the “eye”? What does an NBA dynasty have to do with all of this? And how did a song about betrayal eventually get transformed into one about compassion and support? Let's take a look at “Eye in the Sky” by the Alan Parsons Project.

What happens when you listen to the complete catalogs of 29 classic rock artists—not once, but three times each—and score every album along the way?Aaron Belansky is taking on an ambitious classic rock experiment called The Review Board, listening to 329 albums across 987 total listens to determine his personal Top 10 classic rock artists. And he's doing it all while walking—roughly 740 hours of music and an estimated 2,000 miles.In this episode, Aaron joins Booked On Rock to reveal some of the biggest surprises so far. He explains why Led Zeppelin has climbed to No. 2 in his rankings, why Eric Clapton doesn't hit him the way he once did, how The Rolling Stones won him over after years of resistance, and why Pink Floyd's early catalog is hurting their standing. He also discusses rediscovering The Who's Live at Leeds, hearing familiar albums differently after repeated listens, and whether we love classic rock because it's truly great—or simply because we've heard it thousands of times.It's a fascinating experiment in music, memory, repetition and changing tastes—and a reminder that even the albums and artists we think we know can sound very different when we go back and really listen.Visit Aaron Belansky's Review Board YouTube channelVisit the Review Board website----------

in This Moment join The Jesea Lee Show to talk about their new album WITCH, returning to touring, the story behind the record and what went into creating their latest era.Maria Brink and the band also discuss collaborating with Rory Rodriguez, covering Pink Floyd, building their live show, Taste of Chaos and which rock bands they'd choose in a brutal head-to-head game.Don't forget to bang your head on the links belowTikTokhttps://www.tiktok.com/@jesealee Instagramhttps://www.instagram.com/jesealee/ Podcast available on Spotify, YouTube, Apple Music and everywhere else you consume podcastsProduction by WhatTheGleeson https://www.instagram.com/whatthegleeson/Theme song by Michael Stoutengerhttps://open.spotify.com/artist/6LO5e...Subscribe to my newsletter:https://jesealee.substack.com/Everything else:https://www.jesealee.com/

How much better is that expensive audiophile reissue—really? On this episode of Chasing Better Sound, David and Louie welcome Mitch from Mitch & Max's Vinyl Corner for a deep dive into one of the biggest debates in record collecting and high-end audio: original vinyl pressings vs. modern audiophile reissues. The conversation starts with the importance of the source and quickly moves into the increasingly expensive world of premium vinyl. Are $100, $150—or even several-hundred-dollar—pressings actually delivering better sound, or are collectors sometimes paying more for marginal improvements, fancy packaging, and audiophile hype? The guys compare originals and reissues from albums and artists including Steely Dan, Michael Jackson, Heart, Chet Baker, Pink Floyd, Pearl Jam and more, while discussing mastering choices, aging master tapes, AAA releases, digital processing, dynamics, detail, warmth, and why the “best sounding pressing” can depend as much on your system and preferences as the record itself. David also breaks down his process for conducting vinyl “bake-offs,” including level-matched comparisons and evaluating bass, mids, highs, imaging, dynamics, vocals, vinyl quality—and ultimately sound quality per dollar. Then the discussion turns toward what audiophile labels should be releasing. Instead of another trip through the same classic-rock catalog, is it time for more premium reissues of the music collectors who grew up in the '80s, '90s and early 2000s actually want? Jeff Buckley's Grace, '80s and '90s hip-hop, alternative rock, metal and other underserved titles all enter the conversation. At the heart of the episode is a simple question every serious vinyl collector eventually faces: Are we chasing better sound—or just chasing the next pressing? Join David, Louie and special guest Mitch for an hour of audiophile vinyl talk, pressing comparisons, mastering rabbit holes, expensive records, overlooked bargains and plenty of opinions about where the audiophile reissue market should go next. Chasing Better Sound is part of the Vinyl Community Podcasts Network—podcasts for, by, and featuring members of the Vinyl Community. Listen up, now!

Song-ranking articles can be annoying clickbait, but those written by longtime journalist Bill Wyman are endlessly provocative, entertaining and informative, with individual entries becoming deep-diving, mind-opening essays. For Vulture, Wyman ranked every song by the Beatles, Michael Jackson, Led Zeppelin, the Clash and Pink Floyd, as well as every Rock & Roll Hall of Fame inductee. Now Wyman has added Nirvana and the Eagles songs to the mix and compiled it all in Bill Wyman's Rock & Roll Lists. Here we bat around his ridiculous choice for the Beatles' worst song; dissect how publishing royalties muddied the Pink Floyd waters; discuss why he ranked songs by the Eagles rather than, say, R.E.M., U2 or Prince; and weigh the Hall of Fame worthiness of Pat Benatar and Stevie Nicks vs. Aimee Mann and PJ Harvey. Wyman also reflects on Poptimism and Chicago's early ‘90s glory, feud-fueled days featuring Steve Albini, Urge Overkill and Liz Phair.

A nationwide recall on a non-dairy caramel cluster dessert after complaints of rocks in the pints. On the birthday board, John Coltrane an Da Hong Pao - who helped create the sounds for Pink Floyd's Dark Side of the Moon. Also, good medical news.

Hour 1: Bob is stoked for Harry Styles! Matthew McConaughey gave Jimmy Kimmel an inappropriate hug. Tom Cruise doesn't read scripts. Judd Apatow's ‘Norm' is coming to Netflix. It's officially fall! Vinnie's got ideas on how to enjoy the season. Six Flags Magic Mountain is being sued for brain injuries. Thoughts on cuddling? Sarah has them! Hour 2: Survivor 51 premiers tonight! No chance Sarah and Bob can stay up late enough to watch Big Brother. Lili Reinhart's new movie ‘The Love Hypothesis' is on Prime. Woody Harrelson and Matthew McConaughey's new show is on AppleTV. Toy Story 5 is now streaming. Taylor Swift announces The Life of a Showgirl: The Encore. Rockstars love to change their names. Let's make it a game! Sarah thought this next story about Wendy's wasn't even real. Luckily, it is! New York City has new public toilets. A story about pickles. How hard is it to be vegan? Help! I've fallen (in a sinkhole) and I can't get up! Hour 3: BRIDGE THE GAP! Natalie is ready for her chance at the 3-peat for the Zillennials. But, Nathan is here for GenX, and his teens helped him study. Think you can do better? Email sarahandvinnie@audacy.com to get your shot at the elusive red satin robe. Airport Divorce is so last year, let's talk about Food Divorce. Is AI qualified to give medical advice? What the heck are chicken tenders? Plus, other fun food facts you might not know. Hour 4: Gabe is going to Harry Styles! Dolly Parton's nephew and head of security has been fired by her estate. There's a restraining order involved? What the heck is going on? Ella Langley says Choosin' Texas has changed her life. Stella Lefty's song on the other hand… Kid Rock's festival is cancelled. Thanks, rich people! Pink Floyd's iconic flying pig album is becoming a concert venue. Will Sarah accidentally become a drunk in retirement? Plus, other shocking facts about GenZ.

Gabe is going to Harry Styles! Dolly Parton's nephew and head of security has been fired by her estate. There's a restraining order involved? What the heck is going on? Ella Langley says Choosin' Texas has changed her life. Stella Lefty's song on the other hand… Kid Rock's festival is cancelled. Thanks, rich people! Pink Floyd's iconic flying pig album is becoming a concert venue. Will Sarah accidentally become a drunk in retirement? Plus, other shocking facts about GenZ.

Let Us Know What You Think of the Show!SHOW SUMMARY:Date: September 23, 2026Name of Podcast: Backstage Pass RadioS11: E7: Jayler (James Bartholomew & Tyler Arrowsmith) - Nostalgia and a Deep Purple TourSHOW SUMMARY:Rock isn't quiet, it's just waiting for the right band to turn it back up. We sit down with James Bartholomew and Tyler Arrowsmith from UK rock band Jayler to talk about how a young group can channel a 60s and 70s classic rock vibe without feeling like a tribute act, and why the performance element of rock matters as much as the notes. From stage outfits to big riffs to that sense of atmosphere, they're chasing the part of rock and roll that makes a room feel alive.We get into the real building blocks behind their sound: family influences, deep listening on vinyl, falling down the rabbit hole from Bob Dylan and John Denver to Zeppelin, Sabbath, Pink Floyd, and the blues. They share what it's like leveling up through open mics and jam nights, how they balance musical ambition with the reality of short support sets, and what they learn from sharing stages with legends like Sammy Hagar and soon Deep Purple. You'll also hear how fans in places like Brazil can turn a song into a shared moment by singing it right back.Then we zoom in on the songwriting and the Voices Unheard album, including the wild evolution of “Down Below,” which started as a slide riff and gained a key section from a live jam when the band had extra festival time to fill. If you love modern classic rock, UK rock bands, guitar-driven music, and behind-the-scenes touring stories, this one delivers. Subscribe, share this with a rock fan, and leave a review so more listeners can find the show.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMWWW.BROADLEAFGROUP.COMArtist Website:https://jayler.co.uk/Backstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - www.backstagepassradio.com & www.randyhulsey.comYouTube - https://www.youtube.com/@backstagepassradiopodcastCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Support Backstage Pass Radio - https://www.buzzsprout.com/1628902/support Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey Support the show

Happy Mini Golf Day, everybody — apparently that's a thing, and naturally The Rizzuto Show immediately turns it into a debate about whether playing mini golf alone is perfectly acceptable or one of the saddest activities a human being can voluntarily participate in.Rizz says mini golf is a social activity. Lern is ready to hit the windmill alone out of spite. Rafe wants a mini golf caddy who can professionally read the break on the clown nose. And Moon brings the evidence that completely destroys any chance of this conversation remaining normal.During a family mini golf trip in Alabama, Moon encountered a wildly dressed mystery man who showed up alone, appeared to be extremely high and started playing with an enormous multicolored ice cream cone in his hand. Unfortunately, mini golf courses don't provide cup holders for gigantic desserts, so our hero developed a system: set the ice cream directly on the ground, take the shot, pick it back up and continue eating.Concrete? Yep.Wood chips? Absolutely.By the time the man starts feeding ice cream to an ostrich, we've moved beyond mini golf and into a nature documentary that absolutely nobody authorized.That's just the opening act of this comedy podcast, because the crew then tackles one of music's most dangerous arguments: which albums are truly perfect from beginning to end with absolutely no skips?Fleetwood Mac's Rumours. Guns N' Roses' Appetite for Destruction. Green Day's Dookie. Nas' Illmatic. Metallica's Black Album. Alice in Chains' Dirt. Pink Floyd's Dark Side of the Moon. Michael Jackson's Thriller. Alanis Morissette's Jagged Little Pill. Rage Against the Machine. Weezer's Blue Album. Pearl Jam's Ten. Soundgarden's Superunknown. And plenty more get thrown into the musical Thunderdome while everybody attempts to prove their taste is objectively correct. You know, the healthiest possible way to discuss music.Then Crap on Celebrities arrives with enough entertainment news to give everyone emotional whiplash. The crew gets into concert cancellations, William Shatner fronting a heavy metal project at 95, Gnarls Barkley touring again, Sammy Hagar trying to move beyond being primarily associated with Van Halen, Calvin Harris performing for a ridiculous 1.6 million-person crowd and Kenny Loggins getting married.There are also much heavier stories as the show discusses losses in the music world, troubling news involving Carrot Top and concerns surrounding other public figures. Rafe talks about the darker side of comedy, the “sad clown” reality behind performers and how someone can appear completely fine while dealing with something much more serious underneath.Thankfully, there's some good news mixed in, including Snooki announcing she's cancer-free, before the celebrity train gets moving again with Burt Reynolds stories, George Lucas' massive museum and Spotify's most-streamed artists, songs and podcasts.And then…Florida.Sweet, beautiful, deeply confusing Florida.The show has three stories for another round of “What's Going On in Florida?” and somehow each one makes the previous story seem slightly more reasonable. There are allegations involving a woman and the family dog, a domestic disturbance that leads to an absolutely horrifying family confession, and finally an argument over farting in bed that escalates into a felony assault.At one point, Rizz is forced to acknowledge that maybe Florida really is crazy everywhere — which is inconvenient considering he still wants to move there.But hey, he just wants to live near the water.Apparently the insanity is the waterfront tax.From solo putt-putt and dirt-seasoned ice cream to perfect albums, celebrity news and Florida once again enthusiastically volunteering to provide the weirdest stories of the day, this comedy podcast has everything you need to feel significantly better about whatever questionable decisions you've made lately.Because no matter how weird your morning gets, somebody somewhere is feeding wood-chip-covered ice cream to an ostrich at a mini golf course.And that person is winning.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

El espacio radiofónico aborda diversos temas divulgativos. El médico forense Borja Moreno presenta su libro *Abierto en canal* y explica la amplitud de su profesión, que abarca la valoración física y psiquiátrica de personas vivas junto al examen de cadáveres. Seguidamente, el dermatólogo Leandro Martínez desmiente que el cabello encanezca de golpe tras un susto y aclara la causa biológica de este fenómeno. Posteriormente, el escritor Enrique Ramos analiza la función de las pesadillas y la parálisis del sueño como mecanismos de regulación emocional. Asimismo, el historiador Jorge Álvarez Palomino expone el origen y simbolismo de las coronas reales, explicando por qué en España los monarcas se proclaman en las Cortes y no se coronan. Para concluir, un repaso musical destaca las portadas de discos más icónicas de bandas y artistas como The Beatles, Pink Floyd, Michael Jackson, Nirvana y Bruce Springsteen.

This week we're putting The Tonearm's needle on famed record producer Bob Ezrin.Bob has worked with artists including Pink Floyd, KISS, Deep Purple, and countless others, though he is best known for his nearly 60-year relationship with Alice Cooper.He's back working with The Jayhawks on their latest, Sanctuary Park, twenty-six years after their first project together.We talk about how the reunion started with an offhand remark from Gary Louris, both men leaving the United States for Canada around the same time, and we talk a lot about the craft of record production.(The musical excerpts heard in the interview are The Jayhawks - "What Led Me To This Town" and "Mr. Lincoln," Alice Cooper - "I'm Eighteen," and Tim Curry - "Sloe Gin")—Dig DeeperProducer:Bob Ezrin at Primary Wave, and his Governor General's Performing Arts Award citationEzrin's production credits on AllMusic"It started to feel a bit too much like Europe in the 1930s" — Ezrin on leaving Nashville for Toronto, Toronto Life"My job was to get rid of Alice Cooper, and I did exactly the opposite" — LouderEzrin on the producer's "applause meter" — Performing SongwriterArtist and Album:Visit the Jayhawks at jayhawksofficial.com and follow on Instagram and FacebookPurchase the Jayhawks' Sanctuary Park from Bandcamp or Qobuz and listen on your streaming platform of choice.The Jayhawks perform songs from Sanctuary Park in The Current's studio"Mr. Lincoln" and the Ford's Theatre story behind it — AudioFuzzReview of Sanctuary Park — Americana HighwaysGary Louris:Visit Gary Louris at garylourismusic.comGary Louris on his Canadian love story — Rolling StoneThe First Time Around:Smile at twenty — AlbumismSmile credits on DiscogsAn interview with Josh Sarubin, the A&R who first sent Ezrin to Minneapolis — The Looking ListPlaces:Canterbury Music Co., Toronto, where Sanctuary Park was recorded, and the studio's closing announcementMusical References:Alice Cooper at alicecooper.com, and the Killer and School's Out deluxe editionsKiss celebrate fifty years of Destroyer — uDiscover MusicThe Band's "The Night They Drove Old Dixie Down" and its history — American SongwriterRosalía—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of Seeing Them Live, Charles welcomes Jennifer Edwards, the creator and host of the YouTube channel Jen's Addiction, where she shares her passions for music, vinyl collecting, comic books, art, and classic horror. A self-described nostalgic with a deep emotional connection to vinyl, Jennifer explains why records are more than just a listening format — they're art you can hold, display, and collect. She and Charles dive into the perennial debate of vinyl versus CDs versus streaming, with Jennifer making the case that the warmth and nuance of a record — the fingers on the strings, the imperfections, the artwork — create an experience that digital formats simply can't replicate. She also shares her adventures in bulk collecting, including purchasing a collection of 3,000 CDs, and offers practical advice for collectors navigating Discogs, first pressings, and the sometimes-murky world of limited-edition numbering.The conversation then turns to Jennifer's lifelong concert-going journey, starting with her very first show — The Romantics at the Long Center in Lafayette, Indiana, when she was around 14 years old. That experience was transformative, igniting a passion not just for live music but for playing it, leading her to pick up the bass guitar at 16 and briefly front a band called The Llamas. Jennifer recounts some of her best concert moments, including seeing The Damned from the front row at Brooklyn Bowl in Nashville, catching The Cure on the Disintegration Tour, and watching Neil Peart's drum solos with Rush. She also shares an unforgettable encounter with Ogre, the singer of Skinny Puppy, at a monster convention — a conversation that lasted over an hour and ranged from music to horses and left her feeling that meeting an idol later in life, when both people are in a better place, can be far more meaningful than a fleeting interaction in the chaos of youth.Jennifer opens up about her most disappointing concert experience — the Jane's Addiction reunion show in Indiana, which was canceled just a few shows before the end of the tour, leaving her heartbroken after looking forward to seeing both Jane's Addiction and Love and Rockets. She also describes her most surprising concert: the 1995 Grateful Dead show at Deer Creek, where the crowd turned unruly, fans broke through the back fence during "Desolation Row," and the band kept playing as the situation spiraled — an eerie precursor to the end of the Dead era. The episode wraps with Jennifer sharing cherished pieces of her concert ephemera, including a Power Station T-shirt from a legendary teenage adventure in Cincinnati (where a photo lab worker handed her extra prints from John Taylor's personal camera) and a pair of drumsticks caught from Jesus and Mary Chain drummer Zach Alford. She also discusses her approach to album reviews on her channel — favoring enthusiasm over critical jargon — and encourages listeners to find their passion, engage with creators, and be part of the conversation. You can find Jennifer on YouTube at @JensAddiction.BANDS: Adam Ant, Bauhaus, The Beatles, The Bel-Airs, Chic, The Cramps, The Cure, The Damned, Danzig, David Bowie, Depeche Mode, Duran Duran, Fontaines DC, Gary Numan, The Grateful Dead, Howard Jones, Jane's Addiction, Jesus and Mary Chain, Julie London, The Kinks, The Llamas, Love and Rockets, Madonna, Peter Murphy, Pink Floyd, Power Station, The Psychedelic Furs, Robert Palmer, The Rolling Stones, The Romantics, Rush, Skinny Puppy, Squeeze, Tin Machine.VENUES: Aragon Ballroom, Brooklyn Bowl, Brown County Amphitheatre, Credit One Amphitheatre, Deer Creek, Elliot Hall of Music, Holiday Star Theater, Hollywood Casino, Long Center, The Metro, Old National Center, The Salt Shed, Soldier Field, Tweeter Center.LINKS: YouTube at @JensAddiction. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

This week we're putting The Tonearm's needle on famed record producer Bob Ezrin.Bob has worked with artists including Pink Floyd, KISS, Deep Purple, and countless others, though he is best known for his nearly 60-year relationship with Alice Cooper.He's back working with The Jayhawks on their latest, Sanctuary Park, twenty-six years after their first project together.We talk about how the reunion started with an offhand remark from Gary Louris, both men leaving the United States for Canada around the same time, and we talk a lot about the craft of record production.(The musical excerpts heard in the interview are The Jayhawks - "What Led Me To This Town" and "Mr. Lincoln," Alice Cooper - "I'm Eighteen," and Tim Curry - "Sloe Gin")—Dig DeeperProducer:Bob Ezrin at Primary Wave, and his Governor General's Performing Arts Award citationEzrin's production credits on AllMusic"It started to feel a bit too much like Europe in the 1930s" — Ezrin on leaving Nashville for Toronto, Toronto Life"My job was to get rid of Alice Cooper, and I did exactly the opposite" — LouderEzrin on the producer's "applause meter" — Performing SongwriterArtist and Album:Visit the Jayhawks at jayhawksofficial.com and follow on Instagram and FacebookPurchase the Jayhawks' Sanctuary Park from Bandcamp or Qobuz and listen on your streaming platform of choice.The Jayhawks perform songs from Sanctuary Park in The Current's studio"Mr. Lincoln" and the Ford's Theatre story behind it — AudioFuzzReview of Sanctuary Park — Americana HighwaysGary Louris:Visit Gary Louris at garylourismusic.comGary Louris on his Canadian love story — Rolling StoneThe First Time Around:Smile at twenty — AlbumismSmile credits on DiscogsAn interview with Josh Sarubin, the A&R who first sent Ezrin to Minneapolis — The Looking ListPlaces:Canterbury Music Co., Toronto, where Sanctuary Park was recorded, and the studio's closing announcementMusical References:Alice Cooper at alicecooper.com, and the Killer and School's Out deluxe editionsKiss celebrate fifty years of Destroyer — uDiscover MusicThe Band's "The Night They Drove Old Dixie Down" and its history — American SongwriterRosalía—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Opie skipped yesterday's stream for a stye, then compared a fresh orange to sex and burned his own eye with a hot stone. FU Friday with Opie, Ron Berman, and Tony P.  One bite of a grocery-store orange and he's talking pesticides, bitter fruit, and whether a juicy orange beats a good pussy. Ron and Tony refuse to let it go. Then Opie gives himself an FU for sitting out “like Jason Tatum in Game 7,” tries every home remedy from tea bags to a boiled beach rock.Gas prices, Trump, TDS, and Tony's $3.90 Bronx fill-up pitchA Lenny Kravitz Barbie doll and Ron's “famous Jews” algorithmThe Bills playing the Canadian anthem and Knicks nosebleed tickets at $1,000AI Barbie dolls of the three of themMacklemore, Ed Sheeran, politics at concerts, Pink Floyd trivia, school buses, and NASA's plastic cookiesNo filter. Just truth.Support the Show:https://www.paypal.com/ncp/payment/PRULKVNHUMQVAAbout Opie Unfiltered:Hosted by Gregg "Opie" Hughes—co-creator of the legendary Opie and Anthony show—Opie Unfiltered brings raw, unscripted commentary, classic radio lore, and unfiltered comedy featuring Ron the Waiter and regular guests.For fans of classic New York talk radio, unedited comedy, satellite broadcast history, and the original Opie and Anthony era.

Uptown is a funky disco/pop mashup music podcast. Please give this great selection a listen. Artist names and song titles are in play order... BRUNO MARS & ANGELO FERRARI-UPTOWN FUNK/FUNK U, MAJOR LAZER & MOTO BLANCO-LEON ON/WHY DOES IT HURT, TECHNOTRONIC & SERGE FUNK-PUMP UP THE JAM/MOVE ON UP, BRUNO MARS & HOTMOOD-TREASURE/LUNATIC, USHER & CHARLES J-DJ GOT US FALLING IN LOVE/STRAWBERRY LETTER, PITBULL & RISK ASSESSMENT-TIME OF OUR LIVES/WELCOME, TAIO CRUZ & MEMI P-BREAK YOUR HEART, RIHANNA & GROOVE-WHERE HAVE YOU BEEN, AVICII, SGT SLICK, & ADELE-STREET DANCER/FIRE TO THE RAIN, CALVIN HARRIS & SAM SMITH-PROMISES, DAFT PUNK-GET LUCKY, CRAZIBIZA-FRESH, JUSTIN BIEBER, MARK FUNK, & DANNY CRUZ-SORRY/STAND UP, EURYTHMICS & FUNKATRON-SWEET DREAMS/CELEBRATION, PITBULL & DOCHE-FIREBALL/PICK UP THE PIECES, PITBULL & PHAZED GROOVE-HOTEL SERVICE/FOLLOW ME, PINK FLOYD & PAUL JOHNSON, MIRKO & MEEX-GET DOWN THE WALL, CENTRAL CEE, LIL BABY, NEVER DULL, & BONDAX-BAND 4 BAND/FADE, MARK KNIGHT & TAIO CRUZ-SECOND STORY/DYNAMITE, MARTIN SOLVEIG & MARTIN WRIGHT-HELLO/DEEP INSIDE, AVICII, BLOCK & CROWN-WAITING FOR LOVE/GIVE ME YOUR LOVE, LMFAO & MOTO BLANCO-SEXY AND I KNOW IT, RUFUS DU SOL & TOMMY GLASS-INNERBLOOM/MAMBA SELECTS, CALVIN HARRIS, JUSTIN TIMBERLAKE & PHARREL WILLIAMS vs CHIC-STAY WITH ME/LE FREAK, KATY PERRY & SNOOP DOGG-CALIFORNIA GURLS, SWEDISH HOUSE MAFIA & BOOGIETRAXX-LEAVE THE WORLD BEHIND, BRUNO MARS & B.O.B. vs ANDREA TOMEI-NOTHIN' ON YOU, DAVID GUETTA, AKON, EZEL, LAROYE, & BRONTE SHANDE-SEXY BITCH. End. Thanks for listening to Ken Steele Music.

3:27:15 – Frank in New Jersey, plus the Other Side. Topics include: Conan O’Brien, celebrities, bus, Bodega, art supply store, Magazine Cafe, a feeling from the past, I shouldn’t have done it but I did, Push The Onsug Random Radio Button, Pink Floyd, pumpkin seeds incident, Alka-Seltzer locked away, Harken candy bar, wind, Lead Onward Chromium Switch, […]

3:27:15 – Frank in New Jersey, plus the Other Side. Topics include: Conan O’Brien, celebrities, bus, Bodega, art supply store, Magazine Cafe, a feeling from the past, I shouldn’t have done it but I did, Push The Onsug Random Radio Button, Pink Floyd, pumpkin seeds incident, Alka-Seltzer locked away, Harken candy bar, wind, Lead Onward Chromium Switch, […]

Movie of the Year: 2006Children of MenThe Children of Men Podcast from Movie of the YearThe Children of Men podcast episode of Movie of the Year takes the Taste Buds to the end of the world. Ryan, Mike, and Greg dive into Alfonso Cuarón's 2006 dystopian thriller. The film imagines a Britain where no child has been born in eighteen years. Furthermore, it turns that bleak premise into one of the most gripping chase movies of the decade. This week, the panel breaks down Cuarón's camerawork and the uneasy bond between Theo and Nigel. Meanwhile, they ask how close the film's future really feels. Additionally, the episode brings two games to the table. Notably, this entry in the 2006 bracket packs plenty of argument into one grim, gorgeous movie.What's in This EpisodeAbout Children of Men (2006)Cuarón and CameraworkTheo and NigelThe Future Is NowI Never Metacritic I Didn't LikeDream Blunt RotationWhy Children of Men Still MattersRelated EpisodesFAQAbout Children of Men (2006)Children of Men is a 2006 dystopian thriller co-written and directed by Alfonso Cuarón. The screenplay adapts P. D. James's 1992 novel The Children of Men. The story unfolds in 2027, after nearly two decades of global infertility. Clive Owen stars as Theo Faron, a burned-out former activist who now works a government desk job. His ex-wife Julian, played by Julianne Moore, pulls him into a dangerous mission. Specifically, she needs transit papers for Kee, a young refugee with a secret. Kee is pregnant, and nobody has seen a pregnancy in years. Theo must escort her across a collapsing Britain to a mysterious group called the Human Project.The supporting cast includes Michael Caine, Chiwetel Ejiofor, Pam Ferris, Charlie Hunnam, Danny Huston, and Peter Mullan. Universal released the film in the UK in September 2006 and in the US on Christmas Day. However, it failed to earn back its reported $76 million budget at the box office. Critics responded far more warmly. Roger Ebert gave it a four-star review and praised its convincing performances. Moreover, the film earned three Academy Award nominations, for Adapted Screenplay, Cinematography, and Film Editing. You can explore the full cast and crew on IMDb.Cuarón and Camerawork: The Children of Men Podcast Goes LongFew films of 2006 look anything like Children of Men. Cuarón and cinematographer Emmanuel Lubezki built the movie around long, unbroken takes. As a result, the camera rarely lets the audience look away. The Taste Buds start with the famous car ambush. That sequence plays out almost entirely inside a moving vehicle as attackers swarm the road. Notably, the crew used a custom Doggicam rig built into a modified Fiat Multipla. The camera could glide between passengers while a stunt driver steered from a hidden position. In practice, visual effects artists stitched several takes into what looks like one seamless shot.Then comes the battle in the Bexhill refugee camp. Theo runs through gunfire, rubble, and tanks while the camera stays glued to him. At one point, fake blood splatters across the lens. Cuarón reportedly called cut, but the chaos drowned him out. Consequently, the take continued, and the accidental blood stayed in the film. In this Children of Men podcast conversation, the panel asks a key question. Do these long takes deepen the story, or do they show off? Furthermore, we discuss how this style carried into Lubezki's later work on Gravity and The Revenant. Ultimately, the camerawork makes 2027 feel like live news footage.Theo and Nigel: Two Cousins at the End of the WorldTheo and Nigel share one short scene, yet it lingers long after the credits. Desperate for transit papers, Theo visits his powerful cousin. Danny Huston plays Nigel, a government official who runs the Ark of the Arts. The program collects the world's masterpieces while the rest of civilization burns. For instance, Michelangelo's David stands inside, and Picasso's Guernica hangs beside the dining table. Meanwhile, an inflatable pig floats above Battersea Power Station outside, a nod to Pink Floyd's Animals.The Taste Buds dig into what separates these two men. Everyone in this world has reasons to give up. Theo lost his young son Dylan to a flu pandemic, and grief hollowed him out. By contrast, Nigel copes by hoarding beauty behind locked doors. His teenage son sits at the table, absorbed in a handheld device and barely present. Theo asks his cousin how he keeps going when no one will be left to see the art. Nigel's answer amounts to a shrug. Therefore, the scene frames a central debate. Is Nigel's shelter for culture an act of hope or pure denial? Additionally, we ask whether Theo's real journey starts at that table. Above all, this pairing shows two ways to face the end: comfort or courage.The Future Is Now: A Children of Men 2006 Podcast Look at 2027Here is a sobering detail. Children of Men takes place in November 2027, which now sits barely a year away. When the film premiered in 2006, that date felt comfortably distant. However, the film turned twenty this month, and its future has nearly arrived. The Taste Buds take stock of what Cuarón imagined and what the real world delivered.The film's Britain is a police state built on fear. Soldiers round up refugees and hold them in cages. Public screens urge citizens to report illegal immigrants. Additionally, a bomb tears through a London coffee shop in the opening scene. News reports claim that every other nation has collapsed. Cuarón deliberately avoided sleek, futuristic design. Instead, he filled 2027 with worn-out cars, aging billboards, and familiar technology. As a result, the world feels less like science fiction and more like next week.Critics have tied the film to real events for two decades. Specifically, writers have linked it to refugee crises, border debates, and falling birth rates. Meanwhile, the panel weighs which predictions landed and which missed the mark. We also compare it to earlier screen dystopias, including the one in our A Clockwork Orange episode from the 1971 season. Ultimately, this segment asks why a twenty-year-old movie still feels like a warning.I Never Metacritic I Didn't LikeOur recurring game returns for another round of arguing with the critics. In I Never Metacritic I Didn't Like, the Taste Buds pull up a film's critical profile on Metacritic. Then we put that consensus on trial against our own reactions. Children of Men arrived with strong reviews and plenty of year-end praise. Notably, a few critics still found its politics underdeveloped. So the panel tests whether those high marks hold up twenty years later. Listen to the episode to hear how the critical record fares under Taste Buds cross-examination.Dream Blunt Rotation: Who Would You Party With from Children of Men?Dream Blunt Rotation asks a simple question. Which...

Bobbie Dooley stars in our featured Radio Archive Hour from August 2005. Bobbie talks with Phil about the latest teenage craze of dusting while her husband Steve uses Dust Off in the background, listens to Pink Floyd v. and claims one of the callers is a munchkin.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Send us Fan MailThe debut of The Muppet Show. Some of the music fails of the 1970s. A school bus that acts like a dog?Summer is ending, but the Gen-X nostalgia continues with Episode 260.We start off with a look back to the debut of the original Muppet Show, which occurred 50 years ago this month. Kermit, Miss Piggy, Fozzie, Gonzo, and so many more classic characters burst onto television sets and became cultural icons. This segment gives an overview and is only the beginning of the Muppet content.A school bus that acts like a dog? What sort of acid trip created that idea? Who knows. What we do know is that this is the main plot behind the odd 1970s educational short film The Big Yellow Fellow. We will review this insanity and see if there are any valuable lessons to be learned. The 1970s had some amazing music. From Led Zeppelin to Pink Floyd, all four Beatles' solo work, and more. This week's Top 5 will have none of them. Instead, we will look at some of the biggest musical fails of the 1970s. Lots of bad music and bad choices abound.There is also a brand new This Week In History and Time Capsule looking back at the life and career of iconic rapper Tupac Shakur 30 years after his death.To support me and the show, become a member on Patreon. Or you can support my work and Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityKingfisher Hotels Cape CodChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on Etsy9/11 25 Years LaterListen to Mixtape #5 hereSupport the show

One of Dragongate's signature matches is the Unit Disbands Match, in which two units battle it out and the losing group is forced to break up. It's a match with high stakes and drama, especially in a promotion where units have been so prevalent since the beginning. The world of music has seen plenty of bands disband over the years as well, whether because of hatred, death, or just reaching a natural conclusion. Andrew and returning guest Mike Spears (Open the Voice Gate) play songs from the last album before a band breaks up (though not necessarily their final album). Artists played include Roxy Music, American Football, The Zombies, The Stone Roses, Pantera, Sublime, Pink Floyd, and many more.Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @spearsovationsListen to Open the Voice Gate/Those Days: https://redcircle.com/shows/open-the-voice-gateSign up for Spearsovations: spearsovations.ghost.ioAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateOur Sponsors:* Sign up for MyBookie today and use our code VOWNETWORK for access to MyBookie's one of a kind Bet Back Bonus! If your bet hits, you win. If it misses, you'll earn a 100% Refund of up to $500 in Free Play. It's win-win. Get in on the action now at https://www.mybookie.agAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What happens when the voice that takes you to some of the world's biggest stages is also the one you're still learning to claim as your own?Singer, songwriter, educator, and author Machan Taylor has spent a lifetime navigating the space between performance and identity. Born in post-war Japan to a Japanese mother and American father, Machan was uprooted at four years old and brought to New Jersey, leaving behind her language, family, culture, and the only home she knew. Years later, she would recognize that experience as an early trauma that quietly shaped her sense of belonging.In this episode of Giving Pain Purpose, Machan and Lyndsay explore the complicated journey of finding your voice when so much of your life has been spent adapting, performing, and trying to figure out where you fit. Machan shares how music became both sanctuary and identity, eventually taking her to stages with artists including Pink Floyd, Sting, Foreigner, Pat Benatar, and George Benson, all while the woman behind the applause was still wrestling with insecurity, imposter syndrome, family trauma, and the feeling that she wasn't enough.They talk openly about addiction, abusive relationships, the masks we wear to survive, and the long, nonlinear work of healing. Machan also shares how therapy, Buddhism, meditation, and later psychedelic-assisted therapy helped her reconnect with parts of herself she had left behind, including the little girl who left Japan all those years ago.At its core, this conversation is about more than a remarkable music career. It's about stripping away the performance, making peace with every version of yourself, and finding the courage to tell your story—naked, out loud.Episode Highlights:(00:00) Introduction to Machon Taylor's Journey(02:53) From Japan to the World Stage(09:51) Family Dynamics and Childhood Trauma(13:24) Music as a Path to Belonging(16:28) Touring with Major Artists and Internal Struggles(19:08) Dealing with Substance Use and Self-Protection(21:43) The Ongoing Search for Identity(27:15) Healing Through Psychedelic Therapy(35:49) Spiritual Practices and Full Circle(39:41) The Power of Sharing Our Stories(43:47) Final Reflections and Words of EncouragementFind Machan Taylor Online Here:Website: machantaylor.comInstagram: @machantaylorofficialFacebook: Machan TaylorLinkedIn: Machan TaylorYouTube: Machan Taylor OfficialBook: Naked Out Loud From Yokohama to Pink FloydFind Giving Pain Purpose Online Here:Website: givingpainpurpose.comInstagram: @givingpainpurposeFacebook: The Giving Pain Purpose PodcastLinkedIn: Lyndsay SopranoYouTube: @givingpainpurposeShop: thegivingpainpurposeshop.comSubscribe on YouTube | Merch Shop is OPEN!! | COMING SOON: The Pain Hub - A Women's Healing Community. Subscribe Now!Unfiltered convos. Dark humor. Real healing. This is where pain meets purpose — and you're not doing it alone.++Want to be a guest on Giving Pain Purpose with Lyndsay Soprano? Send her a message on PodMatch, here: Be a Guest on The Show

Ce 15 septembre, Marjorie Hache enchaîne les classique avec Cream, PJ Harvey, Extreme, System Of A Down, New Order, The Rolling Stones, Cage the Elephant, Stuck in the Sound, Pink Floyd, The Who ou encore Sonic Youth et Cypress Hill. L'animatrice célèbre le 66e anniversaire de Michel Dorge, batteur des Crash Test Dummies, en diffusant le fameux "Mmm Mmm Mmm Mmm" du groupe canadien. Jack White ouvre la marche des nouveautés avec "Neighbors Blues" L'indie folk de Phoebe Bridgers avec "Lost Boys", les Anglais de Royal Blood, les Espagnoles de Hinds (rejointes par Beck) et les métalleux de Pinhead complètent cette sélection. La primeur de la soirée met en lumière le groupe new-yorkais DIIV, qui dévoile "Kid", un second extrait tout en douceur de leur futur disque "Zirp". L'album de la semaine s'attarde sur "Get Mean", le cinquième disque du duo d'origine géorgienne Boy Harsher. On en découvre aujourd'hui le titre "Tough Luck When You Don't Call". Enfin, la reprise du jour s'annonce brillante : l'artiste nigérian Keziah Jones s'approprie le mythique "Golden Brown" des Stranglers pour en livrer une version pleine de panache, portée par son inimitable jeu de guitare. Jack White - Neighbors Blues Cream - Sunshine Of Your Love Crash Test Dummies - Mmm Mmm Mmm Mmm Dropkick Murphys - I'm Shipping Up To Boston PJ Harvey - The Wheel Extreme - More Than Words System Of A Down - Toxicity New Order - Blue Monday The Rolling Stones - Ruby Tuesday Phoebe Bridgers - Lost Boys Keziah Jones - Golden Brown Cage The Elephant - Ain't No Rest For The Wicked Stuck In The Sound - Brother Pinhead - Vanitas Pink Floyd - Money Larkin Poe - She's A Self Made Man Royal Blood - Ten Over Ten The Who - Behind Blue Eyes Sonic Youth & Cypress Hill - I Love You Mary Jane DIIV - Kid The Beatles - Day Tripper Hinds - Boom Boom Back (Feat. Beck) Smash Mouth - I'm A Believer Mike D - True Colors Ministry - So What Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:03:44 - par : Max Dozolme - Une chronique à la découverte de compositions plus ou moins connues du claviériste de Pink Floyd disparu le 15 septembre 2008. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This is the Music History Today podcast for September 15. On Today's show, Queen plays its last show in America with Freddie at the helm, Johnny Ramone passes away, & Sotheby's hosts its first-ever dedicated hip-hop memorabilia auction.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history11:51 Music award ceremonies that were held on this date in music history13:27 Albums released on this date in music history 21:13 Singles released on this date in music history 23:37 Birthdays of music artists on this date in music history 35:09 Artists who died on this date in music history 43:50 What's on tomorrow's episode

The Definitive Unflappable List of Pink Floyd RecordsEvery magazine, website or podcast has ranked the Pink Floyd catalog. Every one of those rankings is wrong.Jason Gore and Geoff Garlock separately ranked all 15 Pink Floyd studio albums, then entered a brutal negotiation to create one final, legally binding list. No live albums. Only the studio half of Ummagumma. No appeals.Along the way, Jason defends the Pink Floyd album he bought at a midnight release, Geoff attacks a beloved record almost immediately, Roger Waters climbs directly into his own ass, David Gilmour records from a boat, and the guys confront the horrifying possibility that classic rock radio may have ruined several legitimately great albums.Which record is the definitive Pink Floyd masterpiece? Which one belongs at the bottom? How much can nostalgia distort a man's judgment? And does matching an album with 2001: A Space Odyssey automatically make it better?The final ranking cannot be disputed. It is definitive. It is unflappable. If you disagree, you are flapping and we've already stated, NO FLAPPING ALLOWED. Val Verde is a no flap zone!Hawk Rock Talk is hosted by Geoff Garlock and Jason Gore.Listen to everything from 108.9 The Hawk at 1089thehawk.com.Support the station and get bonus shows, episodes a week early, Behind the Commercials, and more at patreon.com/1089thehawk.Subscribe to The Hawk newsletter at 1089thehawk.substack.com.Follow 108.9 The Hawk on YouTube, Spotify, Apple Podcasts, and wherever fine classic rock radio is illegally transmitted. Hosted on Acast. See acast.com/privacy for more information.

Today we're chatting with Jessica Barr, owner of Messy Jessy Vintage, a Brooklyn-based vintage brand specializing in women's wear and bridal, with a showroom she shares with two fellow dealers and a rotating presence at markets and events across New York, including the Manhattan Vintage Show.  Jessica studied journalism in school, and became fascinated with sustainability and inequality in fashion — studies that eventually led her to a dedicated practice of secondhand shopping and, not long after, selling vintage itself. Her real education in vintage came post-grad, working for Matt Smith at Newburgh Vintage Emporium, where she sharpened her eye for feminine silhouettes and fell hard for 1970s dresses. From there, her Etsy shop grew from a side hustle into a full-time business, eventually landing her in a Brooklyn showroom. In the last year, vintage bridal has become an unexpected and deeply personal part of her business, drawing in brides for laid-back appointments and building a community she never anticipated. We're getting into it all — the treasured thrift store finds, the incredible vintage buys from a theater's costume department, road trips across Massachusetts, and the labels and styles she can never resist. All that and more on today's show!  Let's dive right in! DISCUSSED IN THE EPISODE: [02:52] Jessica grew up loving fashion, including Jennifer Aniston street style and Phoebe from Friends, and hunting down pieces from Poshmark in high school  [04:45] She studied journalism in college with a focus on sustainability and inequality in fashion [08:25] Reconstructing a shredded 1980s Pink Floyd tee from the thrift store  [10:21] Working for Matt Smith at Newburgh Vintage Emporium post-graduation  [13:11] Developing her vintage brand's point of view: 70s dresses, cottagecore, feminine eveningwear  [14:39] How vintage bridal became part of the business, and selling her first wedding dress  [17:24] Balancing TikTok trends with personal sourcing vision  [19:16] Why her bridal content resonates so strongly  [23:37] Going full-time in vintage when she moved to Brooklyn, and the hustle of NYC's saturated but supportive vintage market  [27:56] Opening a shared Brooklyn showroom  [34:01] How her sourcing has shifted toward wholesale as the business has grown  [41:31] Holy grail finds and go-to labels [48:22] Favorite pieces from her personal collection, and her current vintage wishlist EPISODE MENTIONS:  Messy Jessy Vintage @messyjessyvintage Newburgh Vintage Emporium Matt Smith on Pre-Loved Podcast The Manhattan Vintage Show Armoury Shop Lucky Fool Vintage Studio Dorothy Brimfield Antique Flea Market LET'S CONNECT: 

Sound Healing with David Gibson Dynamic Curves: Shaping Sound Baths and Treatments From Activation to Stillness David Gibson devotes the hour to dynamic curves, the practice of building and breaking down sound in baths, treatments, and his own recordings to carry listeners from activation into deep, healing stillness. Inside the Sound Healing Center David Gibson opens the broadcast from Sausalito with a tour of the Sound Healing Center's four branches: the Globe Institute, the Sound Healing Store, the Sound Therapy Center, and the Sound Healing Research Foundation. He describes the Institute as the only state-approved sound healing college in the United States, offering two sound healing certificates and an audio recording certificate, both in person and online, with a new online semester starting September 14th and a recording program beginning September 22nd. He walks through the Store's four hundred instruments and technologies, from crystal bowls and didgeridoos to Brainwave Assessment and Voice Analysis software, and mentions a contract bringing eight sound protocols into Northern California's largest dementia care company. He also describes the Sound Healing Research Foundation's library of clinical papers, the Medical Sound Association's bimonthly treatment-plan meetings, and a $100,000 grant funding sound curriculum in Montessori schools. He points listeners to the Sound Healing Center's website for further details. Introducing the Dynamic Curve David Gibson introduces the day's main topic: dynamic curves, the shaping of a sound bath, concert, or treatment so it builds and breaks down rather than simply floating in one mood. He explains that most practitioners create a pleasant atmosphere on a single instrument, like a crystal bowl, and never go anywhere with it, while a true curve intentionally moves in intensity, pitch, and volume over time. He calls this an advanced skill, one that makes sound work far more effective than staying flat. Demonstrating live, he tones and plays a singing bowl in what he calls a mountain curve, starting mellow, rising in loudness and pitch until it feels intense, then settling back down. He credits his own introduction to the idea partly to listening to Pink Floyd's Dark Side of the Moon, noting how the album opens with alarm clocks and gradually mellows before building again, and to the Grateful Dead, whose slow-building live jams keep audiences engaged for long stretches without ever moving so slowly that listeners lose interest. Naming the Curves in Practice Gibson walks through several named curve shapes he uses in practice. The floating curve, he says, is a beautiful but flat sacred space where nothing really builds, fine for a gentle sound bath but less transformative. A curve for treatments meets people where they are, often keyed up or anxious, brings them steadily down into deep calm, then lifts them gently back to alertness so they can drive home afterward. The mountain curve builds intensity before breaking down, useful for showing people they can handle more energy, though he warns it can overwhelm anyone fragile, freshly out of the hospital, or living with advanced dementia. His personal favorite is what he calls the mellow out curve, which grows quieter and slower through an entire session until, by the end, almost nothing is moving. He describes this profound stillness as the safest option in a room full of strangers, since no one knows in advance who might be too delicate to handle a gong or other intense sound. Mapping Instruments From Activating to Calming Gibson lays out a spectrum his program has mapped from most activating to most calming. Bagpipes, gongs, ocean drum, and Tibetan bowls struck with a wood stick sit at the activating end, followed by drums, djembe, frosted and alchemy bowls, flutes, and crystal harp, while soft shakers, handpan, free-note xylophone, sansula, and Koshi chimes sit at the mellow end. He recommends moving step by step through this list rather than jumping straight from a gong to Koshi chimes, so listeners are carried along smoothly. He then details the qualities that make any sound more calming or activating: even harmonics, complex tones, soft volume, low frequency, slow or absent tempo, sustained notes, simple melodies, and repetition all calm the nervous system, while odd harmonics, loud volume, high frequency, fast tempo, rhythm, harmony parts, and unpredictable change tend to activate it. He adds that lyrics engage the analytical left brain and judgment more than wordless vowel sounds, and that unfamiliar instruments bypass stylistic labeling altogether. A Sound Bath and a One-On-One Treatment Gibson maps his own sound bath, which opens fairly activating with gongs and large bowls, moves through rattles and drums, then settles into a three-bowl harmony chord before he demonstrates a binaural beat by singing slightly off pitch against a bowl. From there he layers Tibetan bowls, melodic instruments like the free-note xylophone and crystal harp, and finally Koshi chimes before letting a bowl fade into five or ten minutes of silence, which he says lets everyone arrive at stillness together. He then outlines his one-on-one treatment format: clients lie on a sound table for fifteen or twenty minutes, he opens with an invocation calling in guides and ancestors, moves through drums, rattles, a large Tibetan bowl, tingshas, and tuning forks, and closes with the frosted bowl and the words "may the healing continue, as appropriate for your highest good," then leaves the room so the person can rest in the stillness alone, sometimes falling asleep on the table. Closing With Music and the Fibonacci Curve Gibson closes the hour by playing examples of dynamic curves built into his own recorded music. He plays "Unconditional Love" as a mountain curve, adding octaves and higher frequencies until it peaks before mellowing back down, then "Uplift," a slow, building Stairway to Heaven style track he says is used in the integrative therapy department at Massachusetts General Hospital to help lift people out of depression without overwhelming them. He explains that the smoothest curves follow the Fibonacci sequence, one plus one is two, two plus three is five, and so on, calling it the pattern behind all growth in the universe. He notes that activation before mellowing helps the body feel fully present in the calm that follows. The broadcast ends with "Pure Light," a piece that slows to half speed and settles into deep stillness, after which Gibson tells listeners to carry that stillness through the evening, the weeks, months, years, and lifetimes ahead.

BJ pits his top ten favorite Led Zeppelin songs against his top ten favorite Pink Floyd songs in an attempt to figure out which band he likes more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Rich and Clint are tackling maybe the most epic age old question of all — what is the greatest rock n' roll saga...the most epic song in rock history. The guys also stumble into an interesting sidenote - the year 1975 might be "the year of the epic." Artists discussed in this episode include Dylan, Rush, Queen, Zep, Springsteen, Pink Floyd, Petty, Bad Company and more. Proudly part of Pantheon Pods. Learn more about your ad choices. Visit megaphone.fm/adchoices

听到好友何勇去世的消息如同晴天霹雳，令人心情久久不能平静，我们在80年代末相识，那时候他是一个意气风发的摇滚少年，对世界充满了爱，何勇是那种有多少爱就会有多少恨的人，他毫不掩饰自己的情感，如同火山喷发，有时也会伤及无辜，但是大家都会原谅他，叫他”小混蛋”。何勇情感细腻，敏感而又脆弱，在他人生唯一的一张，也是代表了他的人生的专辑《麒麟日记》中既有大爱，也有家常，既有生命，也有死亡，这首何勇改编自著名的民族乐曲《瑶族舞曲》的《幽灵》就是一首无比沉重的献给死去的亡灵的挽歌，最开始这是一首纯音乐作品，后来在正式发表前何勇走进录音棚加入了中间的独白。何勇说把这首《幽灵》送给中国历史上在无数战争中死去的民族英雄和他在生命中逝去的亲友，他在音乐中加入了战马的嘶吼和枪炮的声音作为背景，最开始如同戴着枷锁沉重脚步，到情绪的堆叠，具有仪式感的展开，如同一场盛大的祭典，逝者在梦境，在音乐里回来，与生者共舞。这首《幽灵》的结尾部分让我想起了Pink Floyd 在1970年一首宏大的长达24分钟的摇滚交响作品《原子心母亲》Atom Heart Mother，Pink Floyd 也是何勇非常喜欢的一支英国摇滚乐队，我们把这首作品献给他，中国摇滚不死的麒麟。Indochine - Victoria Anne Villalba - Agua de beber Sabino Rythme Latino - El prescadorMen l Trust - GirlMark Knopfler - Our Shangri-LaBruce Springsteen - Streets of PhiladelphiaSinne Eeg - The Streets of Berlin尹健 - 遗憾何勇 - 幽灵Pink Floyd - Atom Heart Mother

In this episode of the Sumud Podcast, Dr. Ed Hasan sits down with Palestinian singer-songwriter Mona Miari and legendary musician Roger Waters to discuss their powerful reimagining of Comfortably Numb and the story behind its creation. Mona and Roger reflect on the year-long creative process, the grief and inspiration behind the song, Palestinian history and culture, and how music can challenge indifference and keep people from becoming numb to human suffering. They also discuss the emotional story behind the song's Palestinian lullaby, the making of its accompanying film, and the responsibility artists have to speak out for freedom, justice, and human rights. Watch 'Roger Waters & Mona Miari – Comfortably Numb Re-Imagined (Official Music Video)': https://www.youtube.com/watch?v=WBmrT3uqmeM Mona Miari is an internationally acclaimed Palestinian singer-songwriter and artistic director based in New York City, whose work bridges global audiences while rooted in Arabic traditions. The first Arab singer to perform at Boston's Hatch Memorial Shell with the Boston Landmarks Orchestra, she has headlined major venues including Lincoln Center, BAM, and The Public Theater, and performed internationally across Europe, the Arab world, and South Africa. She is the Artistic Director of the New York Arab Chorus and a recipient of residencies from the Rockefeller Brothers Fund and La Maison de Beaumont. Her debut album, releasing in 2026, showcases a bold body of original work grounded in storytelling and cross-cultural influence. Roger Waters, founding member and principal lyricist of Pink Floyd, is one of the most influential figures in modern music history. As the creative force behind landmark albums including The Dark Side of the Moon and The Wall, his work has shaped generations of listeners through its political consciousness and emotional depth. A lifelong activist, Waters' connection to Palestine traces back to his childhood, when his father worked as a teacher in the region, shaping his early awareness of its realities. In this project, Waters revisits Comfortably Numb not as nostalgia, but as a living work - reframed through collaboration as a response to the present moment. In this conversation, we explore → The story behind Comfortably Numb Reimagined → How Roger Waters and Mona Miari began collaborating  → Roger Waters' response and the year-long creative collaboration → Hind Rajab, the Palestinian lullaby, and the story behind the rising sun → Palestinian musical traditions and the meaning of “Falastin” → Centering Palestinian humanity, culture, memory, and everyday life → How music and artists can challenge propaganda, injustice, and indifference → The meaning of Sumud, resilience, and remaining human through resistance  Sponsored by The Karate Attorney (@karateattorney) fighting for justice inside and outside the courtroom. Visit KarateAttorney.com Full episode on https://sumudpod.com Follow @dredhasan | @sumudpod | @monamiari | @rogerwaters | @empire.wana Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimmer and Flounder go head-to-head in a battle of classic song lyrics, from Bob Dylan and Sinatra to The Beatles, Pink Floyd, CCR and more. Who knows the hits best? Find out in Holy Crap Beat Davis!

In Episode 375 of History in Five Songs with Martin Popoff, Martin contemplates the gritty, rebellious, swaggering, often dark and unapologetically uncommercial album that stands apart in a band's discography, including Van Halen, Pink Floyd, and Ozzy Ozbourne. Van Halen – “Loss of Control" UFO – “Makin' Moves” Accept – “Demon's Night” Pink Floyd – “Sheep” Ozzy Osbourne – “Demon Alcohol” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Empire is coming...This week on The Insanely Dangerous Retropodshow, Dangerous Dave travels back to 1980 and a galaxy far, far away for one of the most celebrated sequels in cinema history...STAR WARS: THE EMPIRE STRIKES BACKAfter the extraordinary success of the original Star Wars, George Lucas faced an almost impossible challenge: how do you follow a movie that completely changed popular culture?The answer?Go darker.Go bigger.Separate the heroes.Introduce Yoda.Make Darth Vader even more terrifying.Freeze Han Solo in carbonite.And deliver one of the greatest revelations in movie history.Officially released in 1980 and directed by Irvin Kershner, The Empire Strikes Back took Luke, Han and Leia into a much darker second chapter as the Empire relentlessly hunted the Rebel Alliance.⏰ WHAT HAPPENED WAY BACK WHEN? – 1980Before heading to Hoth, Dave fires up the retro time machine and revisits 1980.There's music from Pink Floyd, Blondie, The Police, Barbra Streisand and Motörhead, while the movie section remembers The Shining, Airplane!, Friday the 13th and The Blues Brothers.On television, we're remembering Magnum, P.I., Hi-de-Hi!, Hammer House of Horror, The Adventure Game and a young Tom Hanks in Bosom Buddies.Then Retro Headlines revisits some of the major events making news in Britain and America as the new decade got underway.⭐ DANGEROUS DEEP DIVE – MAKING EMPIREThen it's time for the main event.Dave explores the enormous challenge of following Star Wars and how George Lucas took a huge financial gamble to maintain creative control over the sequel. Lucasfilm itself describes Lucas as effectively gambling the company's future by investing his own money in the production.We look at Irvin Kershner taking over the director's chair, the development of the screenplay and why Empire feels so different from its predecessor.Then we head into the movie itself...❄️ THE BATTLE OF HOTHThe Rebels have been discovered.The Empire attacks.And suddenly enormous AT-AT walkers are marching towards Echo Base.Dave revisits the Wampa attack, Han rescuing Luke from the freezing wilderness, Snowspeeders wrapping tow cables around AT-AT legs and one of the greatest opening battles in science-fiction history.But there's something important about Hoth...The Rebels don't win.They escape.And that sets the tone for everything that follows.

In Episode 375 of History in Five Songs with Martin Popoff, Martin contemplates the gritty, rebellious, swaggering, often dark and unapologetically uncommercial album that stands apart in a band's discography, including Van Halen, Pink Floyd, and Ozzy Ozbourne. Van Halen – “Loss of Control" UFO – “Makin' Moves” Accept – “Demon's Night” Pink Floyd – “Sheep” Ozzy Osbourne – “Demon Alcohol” Learn more about your ad choices. Visit megaphone.fm/adchoices

Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.