Podcasts about Sault

Featuring tunes from Sault, Fingerman, Taja Sevelle, SIRS, Joe Goddard, DJ Tennis, Bakey and many more!

The January 2026 New Music Train is back from Scotland and chugging around Wisconsin and Maryland, with Bob Peterson and Kevin Porter on board. This duo of new music connoisseurs dish on new tunes from Sault, Joe Glass, Witch Post and Guv.Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Dimanche soir, le Nouveau Nova Club fêtait sa deuxième avec Teki Latex et ses invités, histoire de chasser les Blue Monday du lendemain. Des nouveautés, des classiques, des raretés, comme d'hab, des invités, bien sûr, des lives, peut être, une co-host, Malou Mallerin, un réalisateur, Melvin Schlemer, et évidemment : un David Blot.Le Nova Club, le salon musical de Radio Nova présenté par David Blot, c'est tous les dimanches soirs 20h15-23h15, juste après La Dernière !

Album discussed on this episode is 'Operation: Mindcrime' by Queensryche. Then we discuss the new song by Sault "Good Things Will Come After The Pressure,"*This episode was recorded on Sunday, January 25th, 2026.For all of Mutlu's tour dates and tickets visit⁠ ⁠⁠⁠⁠https://www.mutlusounds.com/⁠⁠⁠⁠To suggest an album, leave a comment or visit us at ⁠⁠⁠https//www.carllandryrecordclub.com⁠⁠⁠The intro music is "I Should Let You Know" by Marian Hill.This is Carl Landry Record Club episode #184

Welcome back to another episode of Trve. Cvlt. Pop!, a pop music podcast.On this weeks show, Steve and Gaz take you through the best bits of January 2026's releases, including new music from Robbie Williams, Urne, The Molotovs, Sick Joy, Megadeth, Blanket, PVA, By Storm, The Cribs, Sault, Gluecifer and Shaking Hand.We also quickly touch on the Grammys... sorry about that.

durée : 00:14:42 - Carnets de campagne - par : Dorothée Barba - Dernière journée de notre semaine consacrée aux initiatives du Vaucluse, avec un lieu installé au milieu du village de Sault et qui propose des spectacles chaque 15 du mois (au milieu du mois, donc). Le Milieu est porté par l'association "le Phare à Lucioles", créée par le compositeur Loïc Guénin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

House, funk, soul, disco, reggae, hip hop, afrobeats, UKG, drum & bass and all manner of beats for open-minded listeners. Fresh releases and classic gems, presented by DJ D'Francisco direct from London. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist: Brian Jackson & Masters At Work - New York City Tony Allen, Theo Parrish, Eska, Andrew Ashong - Days Like This Donald Byrd - Think Twice Sault - Protector Psychemagik - Triump of the Gods The Supremes - Love the One Your With Busy Signal - Activate Sly + Robbie f.Chevelle Franklin - Dancehall Queen Junior Reid - Boom-Shack-A-Lack Boddhi Satva & Ayoola - Mista Heavy Boddhi Satva - I Dont Need It Verdagris - Fluid Dynamics Art of Tones - I Dont Think That's Music Turntable Orchestra - Youre Gonna Miss Me (Mangous Ye Mix) Harry Shadow - Everything Everywhere ft. B Munro Sleepin Giantz - Badungdeng Wahoo - Make Em Shake it (Sandy's Blackwiz Club Mix) Jungle Brothers - I'll House You Pavann/Rhades - All I Need Stanton Warriors - Good Life Lee Coombs - Thrust 1 SL2 - Way In My Brain MVPZ - Think About You Jay West - Music Drives Her Wild Mone - Movin' (Fire Island Mix) France Joli - Gonna Get Over You

durée : 00:04:53 - Dans la playlist de France Inter - Sault, le collectif britannique aussi énigmatique que prolifique est en Playlist de France Inter. Et on en sait un peu plus, mais guère plus, sur qui se cache derrière ce projet R&B, rap, house... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:55:11 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas met en lumière le parcours exceptionnel d'un groupe de musiciens londoniens qui, au cours de ces six dernières années, n'a rien fait comme les autres. Pas de visage, pas de communication, une profusion d'albums qu'on ne compte plus, et une musique généreuse. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

THE YOUNG FRESH FELLOWS, NEKO CASE – “Destination” THE SHA LA DAS – “If You Want You Can be My Girl” THE MOLOTOVS – “More, More, More” BUCK MEEK – “Gasoline” TIGER'S JAW – “Ghost” RATBOYS – “The World, So Madly” ME REX – “Angel Hammer” JOE JACKSON – “Welcome to Burning-by-Sea” HEAVENLY – “Excuse Me” LADYTRON – ”Kingdom Under Sea” PIGEON PIT – “Last Night on Planet Earth” CHARLOTTE CORNFIELD – “Hurts Like Hell” DRY CLEANING – “Joy” SAULT – “Fulfil Your Spirit” PEAER – “End of the World” THIS IS LORELEI – “SF and GG” ASAP ROCKY – “Punk Rocky” TWIN SHADOWS – “Dominos” CROOKED FINGERS, Mac McCaughan – “Cold Waves” WESTSIDE COWBOY – ”The Wahs” CUT WORMS – “Windows on the World” GARRETT BOYS, STEVE EARLE – “Back Home” ZACH BRYAN – “Plastic Cigarette” KIM GORDON – “Not Today” GRATEFUL DEAD – “Playing in the Band”          

This week, hosts Reggie Worth and Jason Jefferies recap Listmas 2025 with albums 77-31.  Also discussed are new releases by Nas, Dry Cleaning, Sault and Zach Bryan. Happy listening, and happy 2026!

The debut release from Kyla Kilzer & Max Noir on Tru Thoughts. Soul from SAULT, Vula, and anaiis. Rap from Jeru The Damaja and the Nas & DJ Premier album. A quality track from Plants Heal. Broken Beat from Martin Jupiter, Oliver Night feat Megatronic, Brighter Days Family and Breakfast Triple. Japanese Jazz Funk from Spectrum. A dubplate special from Magugu of his big tune with Mala. A Gospel dancefloor stomper from Martha Bass, Fontella Bass & David Peaston. Plus plenty more music treats. 

durée : 00:54:36 - Et je remets le son - par : Matthieu Conquet - Wesley Joseph, Sault, Souad Massi ou encore Salimata au menu de ce soir. On parle aussi de la très saignante B.O du film "Sinners" et de deux créations prévues pour l'Hyperweekend qui approche. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Aujourd'hui au Balado, Luc Du Sault, associé et figure marquante de l'agence LG2. Un directeur de la création qui traverse les grandes mutations de la pub, qui a vu naître l'ère numérique… et qui fait maintenant face à l'intelligence artificielle. Discussions emballantes! Liberté créative, indépendance et relève sont au menu. Une conversation franche où Luc et moi échangeons sur le métier de la création, en parlant notamment abondamment de ma carrière au Zoo à la radio et de ses sources à lui d'inspirations.

Episode 773: January 13, 2026 playlist: Prostitute, "All Hail (Pressure)" (All Hail (Pressure)) 2025 Mute SAULT, "Protector" (Chapter 1) 2026 Forever Living Originals Cate Le Bon, "Always The Same (feat. St. Vincent)" (Always The Same (feat. St. Vincent)) 2026 Mexican Summer Pullman, "Bray" (III) 2026 Western Vinyl The Black Star Sound, "Nite Safari" (Ghana Special: Highlife) 2025 Soundway JT Donaldson, "Stay Inside feat. Liv.e (Extended Mix)" (Stay Inside / Classic Classic) 2019 / 2025 Classic Jessica Williams, "Blue Abstraction" (Blue Abstraction: Prepared Piano Project 1985–1987) 2025 Pre-Echo Test Dept, "Shockwork (John Peel Session [15-08-1983] {2025 Master})" (Industrial Overture) 2025 Artoffact Brandy Dalton, "Dante's Swell" (Fallen Angel) 1999 / 2026 Dark Entries Spider Taylor, "Hi-Tech" (Surge Studio Music) 1986 / 2026 Dark Entries Helena Silva, "Meia Luz" (Celeste) 2025 [self-released] Craven Faults, "Yard Loup" (Sidings) 2026 The Leaf Label Luís Fernandes + Pierce Warnecke, "Culatra II (excerpt)" (Culatra) 2026 Room40 brock van wey, "white clouds drift on and on" (white clouds drift on and on [w/intrusion interpretations]) 2009 Echospace Hana Korneti, "Dust" (Demos, Late Spring 2024) 2025 Thanatosis Sean McCann, "Coda" (The Leopard) 2025 Recital Program Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

trklst Fabienne Ambuehl - Hope x James Massiah - Dogma Phase & Cleveland Watkiss - Diamond Rita Ab Digi - Tropical Dreams Truck North - Voodoo Freestyle NuriYAH One - Greed ft Yasad One Goldens9 -Bad 4 You Dee Edwards - Why Can't There Be Love (DJ Pump edit) Oreaganomics - Pull Me Under K Offbeat - Thank GOD For Me MidnightIsADog - A Message from the Turntable Enrichment - Once You Begin To Make It ft G4 Jerz Kojoe - Jokyoku Akinyibikini- Lost And Found Efecto - Renton Efecto - Paraiso Fiscal Argonfvr - Up Argonfvr - The Rule Is Royal Untethered - Water Shapes Stone Felix Leifur - Contact Drea Parks - So Great SAULT- Dont Worry About What You Cant Control

TRKLSTFabienne Ambuehl - Hope x James Massiah - DogmaPhase & Cleveland Watkiss - Diamond Rita Ab Digi - Tropical Dreams Truck North - Voodoo Freestyle NuriYAH One - Greed ft Yasad OneGoldens9 -Bad 4 YouDee Edwards - Why Can't There Be Love (DJ Pump edit)Oreaganomics - Pull Me UnderK Offbeat - Thank GOD For MeMidnightIsADog - A Message from the TurntableEnrichment - Once You Begin To Make It ft G4 Jerz  Kojoe - Jokyoku Akinyi - Lost And FoundEfecto - Renton Efecto - Paraiso Fiscal Argonfvr - UpArgonfvr - The Rule Is RoyalUntethered - Water Shapes Stone Felix Leifur - Contact Drea Parks - So Great SAULT- Dont Worry About What You Cant Control Support the showmagz fm / musik you haven't heard yet.connect: www.maggysrooftopaerial.com

Our first show of the year paid tribute to the late Bob Weir, and also included some fantastic new sounds from The Messthetics & James Brandon Lewis, SAULT, Knats, Roy Hargrove, Move 78, Ilhan Erashin, Kaidi Tatham, and more! Check out the rewind and enjoy! This program has been edited from the original broadcast.

First show of the new year! The Yellow Brit Road celebrates the new start with a listener-curated show of tunes that signify new beginnings to you. And we mark a decade since the passing of rock n roll's greatest chameleon, the Starman, David Bowie. All listener-picks are in the playlist linked below. Played artists includeDavid Bowie, Sam Fender, Little Simz, Gorky's Zygotic Mynci, Kendrick Lamar, CMAT, Howlin' Circus, Dry Cleaning, The Molotovs, Bleachers, SAULT, The Jam, Silica Gel, Alice In Chains, Dua Lipa, Half Moon Run, The Cribs, Rilo Kiley, Muse, The Mountain Goats, LCD Soundsystem.Find the full playlist of listener picks here. CFRC Fundraiser events here!Try and support artists independently through buying their music, merch, going to shows! Bandcamps/websites linked above.Touch that dial and tune in live! CFRC 101.9 FM in Kingston or cfrc.ca⁠, Sundays 8-9:30 PM! Full shows in the linked archive for 3 months from broadcast.Like what we do? CFRC's Funding Drive is on until 31 December. ⁠Donate⁠ to help keep our 102-year old radio station going!Get in touch with the show: email ⁠yellowbritroad@gmail.com⁠, IG @⁠⁠yellowbritroad⁠⁠.PS: submissions, cc ⁠music@cfrc.ca⁠ if you'd like other CFRC DJs to spin your music on their shows as well.

2026年的第一期节目，我们来进行一场属于 Vibration 歪波音室的 2025 年度音乐大赏！以往我习惯挑选个人的华语、外语年度十佳，但今年我们来换个玩法。这次，我把整个盘点分成两个部分：年度风格六大象限 The 6 Soundscapes of 2025非正经特别奖 The “Not-So-Serious” Special Award总共36张年度专辑+10张特别奖专辑&歌曲。如果2025年是一场打破边界的洪流，那我希望通过这次大赏，把散落在洪流里的碎片，拼凑成一张属于我们自己的时代地图。快来收听吧！用音乐给新年开个好头~

** OHH: Episode 167: New Music ** We're back with this episode dedicated to all the NEW MUSIC of 2025. Tune in as we track what was in our ears the last year. New Music *Top Artists and Hits of 2025 * K-Pop Demon Hunters, Shaboozy, Elton John, Taylor Swift, Sabrina Carpenter, Kehlani Folded Single, Beyonce Album, Bad Bunny, Drake, Kedrick Lamar & Sza tour, Summer Walker Album, Lady Gaga and Bruno Mars, Lil Wayne, Pink Floyd, Mariah Carey, Biggest Tour: Chris Brown and Beyonce _ **Year started off with _** * Sexxy Redd / Bruno Mars - Fay Juicy, Wet - SINGLE * Leon Thomas - MUTT single POP * Sabrina Carpenter - Expresso * DRAKE - $ome $exy $ongs 4 U * Lady Gaga & Bruno Mars - Die with a Smile - SINGLE ** R&B** * Lady Wray - Cover Girl / BEST for US single * Thundercat - Upside Down (Candy Crush) - * Leon Thomas - PHOLKS / Just How You Are - SINGLE * Jane Handcock - It's Me, Not You / Stare at Me - SINGLE * Jenevieve - CRYSALIS * Kehlani - Folded * Cardi B - AM I THE DRAMA * Summer Walker - Finally Over It, The Afterparty * Heart of a Woman - SINGLE * Go Girl * SAULT - 10 * TEYANA Taylor - Escape Room * 803FRESH - Boots on the Ground * Mariah Carey - Here for it All * SZA & MoRuf - PT Cruiser - SINGLE * Chris Brown - RAP * GloRilla & Sexxy Redd - Whatchi Kno about me Gospel Say the Name - Deitrick Haddon

t's the FUNKNSTUFF 2025 Year in Review Holidays Special!  2025 was an eventful year, musically and otherwise, including the launch of this channel's Jam Fans Forum, which joins the growing galaxy of FUNKNSTUFF shows. Nearly 40 episodes of Where'd You Get Your Funk From? premiered during 2025, along with 16 editions of On THE ONE . . . and Done!, eight Jam Fans Forums and a pair of new TRUTH IN RHYTHM shows.  Joining host Scott "DR GX" Goldfine to sum up 2025 and help ring in the New Year are three Jam Fan Forum musical friends: lifelong music devotee, host of the FJS (Funky, Jazzy and Smooth) with KD radio show, and legal expert Karl A. Doss!; music & culture journalist and liner notes master A. Scott Galloway; and music scholar, author and History of Funk radio show host Rickey Vincent.  This special episode reviews what took place the past year – personally for the panelists, musically and FUNKNSTUFF wise. That includes each expert panelist revealing their Top Albums of the Year (see lists below); unveiling the FUNKNSTUFF Channel's Top 10 most viewed and commented on episodes, as well as the Top 10 all-time most viewed episodes, along with some other fascinating tidbits; Scott Galloway leading a segment honoring musical artists and figures we had to say goodbye to during the year; a look ahead to the next year in music; and a sneak peek at upcoming FUNKNSTUFF Channel show episodes. To close it out, the panelists all share their thoughts and wishes for 2026. We hope you enjoy this special edition, and happy, healthy holidays to all! Scott Goldfine's Top 25 Funk and More Albums of 2025 (alpha order by artist) 420 Funk - The Emperor Has No Clones Bootsy - Album of the Year #1 Funkateer The Bump Squad - Guilty as Funk! Cymande - Renascence DaFonk - Heaven Reloaded De La Soul - Cabin in the Sky  Exiles of the Nation - 1983 Fishbone - Stockholm Syndrome FunkDome - FunkDome Eric Gales - A Tribute To LJK Ice Cube - Man Up Eric Krasno and the Heavyweights - Live From the Mint Leo & the Goat - Shine Lettuce - Cook Tha Muthafunkaholix - Taste a Funk Nova Twins - Parasites & Butterflies PTFI - Project 2025 Is Upon You  Robb Harper - Transformation Public Enemy - Black Sky Over The Projects: Apartment 2025 Vernon Reid - Hoodoo Telemetry Skunk Mob - Tales From The Skunk Hole Slapbak - Funk Lives Matter That New Funk Vol. 1 - Tony Camm Thurtdelic - Psychedelic Therapy Don Was - Groove in the Face of Adversity Karl A. Doss' Top 20 Albums of 2025 1. We Insist 2025! – Terri Lyne Carrington & Christie Dashiell 2. Cabin in the Sky -De La Soul 3. 10 – Sault 4. Audience With the Queen – Galactic & Irma Thomas 5. Tales from the Skunk Hole – Tha Skunk Mob 6. Funk Lives Matter - Slapbak 7. Album of the Year #1 Funkateer – Bootsy Collins 8. Letters from the Atlantic – Butcher Brown 9. The Emperor Has No Clones – 420 Funk Mob 10. Cook – Lettuce 11. Around the World in a Day (Deluxe Edition) – Prince & the Revolution 12. Sinners (Original Motion Picture Soundtrack) – Various Artists 13. Why Can't We Be Friends (50th Anniversary Collector's Edition) – War 14. Naomi's Finest – Deborah Bond 15. Sad and Beautiful World – Mavis Staples 16. Secrets of the Sun – Roy Ayers 17. The First Family: Live at Winchester Cathedral 1967 – Sly & the Family Stone 18. That New Funk, Vol. 1 - ToNY CaMM 19. Sly Lives (aka The Burden of Black Genius) – Sly & the Family Stone 20. 1983 – Exiles of the Nation Rickey Vincent's Top 10 Funk Albums of 2025 1. Bootsy Collins / Album of the Year - #1 Funkateer 2. 420 Funk Mob – The Emperor Has No Clones 3. Thurtdelic  - Psychedelic Therapy 4. Slapbak - Funk Lives Matter  5. PTFI - Project 2025 Is Upon You 6. Tha Muthafunkaholix – Taste A Funk 7. Lettuce – Cook  8. Sault – 10 9. Nik West – Little Big Beat Studio Session Live 10. Robert Harper – Transformation A. Scott Galloway's Top 5 Albums of 2025 1. WAR - Live in Japan 1974 2. Love Life - Nicki Richards 3. Vantablack - Lalah Hathaway 4. Archive Volume 4 (box set) - Joni Mitchell 5. Introducing The Pocket Queen (EP) RECORDED DECEMBER 2025 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

durée : 00:02:09 - Pains et bûches de fêtes dans la boulangerie de Sault-de-Navailles Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Best Of 2025 tunes this week, Part 1 of 4, so quality all the way. Soul from Annahstasia, Ganavya, Azamiah, Norah Jane & MOR.LOV. Dancefloor beats from Close Counters feat Allysha Joy, Quantic, Sticky Dub, IZCO, Reek0 and S.I. Boogie from SAULT, Arp Frique & The Perpetual Singers and Bazaazal. Plus plenty more music treats.

                                                   BLACK SHIRT MIXTAPE                                                       **Episode 111**                                                  Best Albums of 2025                                                              Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting:   1. Praise...Panda Bear (Sinister Grift) 2. Charlie's Garden...Djo (The Crux) 3. Bonnet of Pins...Matt Berninger (Get Sunk) 4. One Foot...Greentea Peng (TELL DEM IT'S SUNNY) 5. Raoul...Snapped Ankles (Hard Times Furious Dancing) 6. Alien Nation...Arcade Fire (Pink Elephant) 7. K.T.Y.W.S....SAULT (10) 8. Arc de Triomphe...Amine (13 Months of Sunshine) 9. John Something...Aesop Rock (Black Hole Suprette) 10. Thief...Little Simz (Lotus) 11. CEILING...Turnstile (NEVER ENOUGH) 12. SEEIN' STARS...Turnstile (NEVER ENOUGH) 13. Taxes...Geese (Get Killed) 14. M.T.B.T.T.F....Clipse (Let God Sort 'Em Out) 15. Ensalada...Freddie Gibbs & The Alchemist (Alfredo 2) 16. Bag of Bones...Lord Huron (The Cosmic Selector Vol. 1) 17. I'm Not Ready For The Change...Nation of Language (Dance Called Memory) 18. Westerberg...Blood Orange (Essex Honey) 19. i think about you all the time...Deftones (private music) 20. Police & Thieves...IDLES (Caught Stealing Original Motion Picture Soundtrack 21. Obsolete...Tame Impala (Deadbeat) 22. Two Man Crew...The High & Mighty (Sound of Market) 23. We Almost Broke Up Again Last Night...Sabrina Carpenter (Man's Best Friend) 24. I Don't Wanna...Syndey Minski Sargeant (Lunga) 25. Divinize...ROSALIA (LUX)  

After Algoma Steel's shocking decision to lay off 1,000 workers, Alex takes a deeper look at the story behind one of Canada's most storied industrial giants. How did a company that helped power generations of families in Sault Ste. Marie — end up here? To understand Algoma's rise, its struggles, and why this moment matters far beyond Northern Ontario, Alex is joined by historian Duncan McDowall, author of Steel at the Sault. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an excerpt from a patrons episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod and become a patron from £3 a month.In this patrons-only episode Jeremy and Tim revive the long-dormant ‘What We're Listening To' format for an exploration of what's been on their turntables recently. Tim pulls extensively from the bag he packed for a recent Lucky Cloud party, including selections from SAULT and Cotontete, while Jeremy shares a modern slice of Bukem-esque DnB and an end-of-the-night dreamy deep cut. Elsewhere in the show we hear a post-punk Fela cover, a classic piece of Sharon Jones funk soul, Highlife guitar, a shoutout for the humble 7”, Afrofuturist mythology and… Alan Partridge. Tracklist: Miguel ‘Anga' Dias - A Love Supreme Evolução Africa - Liberdade SAULT - Let Me Go Cotonete feat. Leron Thomas - Day In Day Out  Sharon Jones and the Dap Kings - What If We All Stopped Playing Taxes Vital Disorders - Zombie Underground System - 95 South The Earons - Land of Hunger Big Bud - Lucky7 Rubies feat. Feist - I Feel Electric (TieDye Remix)

Last month, the federal government loaned Algoma Steel $400 million, and Ontario kicked in $100 million -- to help the company weather the tariff storm. Still, a news release from the company earlier this month predicted big losses and signaled possible layoffs. For a city intertwined with Algoma, buffeted by a trade war, and reimagining its relationship with its close neighbour, it's a nervous time.

The first-ever live recording from an elusive icon of dubby electronic music. Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know? It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most. In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias? But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged. From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025. Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of unreleased Atobe material you won't find anywhere else. Contact with Atobe, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. @shinichiatobe Find the interview at https://ra.co/podcast/1028

Kia ora e te whānau! Petra and producer Sam jump in to say hi after their hiatus. Come for the updates on what they've been up to and the impromtu spelling bee, stay for the wisdom from Nick Cave and Nigel Latta. The first full episode of Sunday Sanctuary will be out on October 19th. Here is Nick Cave's letter Here is a link to buy Nigel's book Songs: Pray for Me by SAULT (played to end the episode)

durée : 00:57:37 - Very Good Trip - par : Michka Assayas - C'est la rentrée des classes, tout ça, on n'a plus la tête à l'été, à la plage. Mais justement, c'est peut-être le moment d'y retourner - à la plage. Et d'imaginer que la fête continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

An exclusive Bruk and Broken Beat DJ Mix on the show this week. With Sticky Dub's new track on Eglo, Close Counters & Allysha Joy, WheelUP & Sean McCabe. Special Edits from Nirobi of I Am The Black Gold Of The Sun, Joshua Idehen, Little Simz, Loyle Carner and more. Breakfast Triple with an excellent version of SAULT. Dubplates from Flowdan and Watch The Ride. Cengiz with another quality tune. Jazz with the drums from David Zylberman and Alexander Flood. A track from the Brighter Days Family. Plus plenty more music treats. 

Queens of the Stone Age frontman Josh Homme joins Nick to discuss the week in music. It's been a tough week for All Points East, the festival was the focus of some savage reviews after Sault's much anticipated show and now Doechii has cancelled her upcoming headline slot. Nick and Josh ask: where has it all gone wrong? Plus, Taylor Swift isn't the only one with a new album coming out in October, Florence + The Machine are returning, and Josh recalls the time he tried and failed to match Florence Welch's ethereal energy. Elsewhere, Lana Del Rey and Ethel Cain are in a feud, the Hives are back and better than ever, and Liam Gallagher's been banned from throwing his tambourine into the crowd at Oasis gigs. Get in touch with Annie and Nick! If you're over 16, WhatsApp 07970082700 or email sidetracked@bbc.co.uk SONGS The Hives – The Hives Forever Forever the Hives Florence + The Machine – Everybody Scream Big Freedia – Explode Johnny Cash & June Carter Cash – Jackson   Florence + The Machine & Josh Homme – Jackson (MTV Unplugged) The Smiths – This Night Has Opened My Eyes OutKast – Hey Ya! Robyn – Dancing On My Own New Order – Blue Monday Radiohead – Let Down Dean Martin – Mambo Italiano ALBUMS/EPS Queens of the Stone Age – Alive in the Catacombs The Hives – The Hives Forever Forever the Hives Taylor Swift – The Life of a Showgirl Oasis – Definitely Maybe Florence + The Machine – Everybody Scream

New music on Tru Thoughts from Oliver Night. Deep vibes from Ishome and Werkha. Soul from BINA. and Jhelisa. A track from the new Mulatu Astatke album. A wonderful track from Hazards Of Prophecy. Rap from Crafty 932, Your Old Droog, MF DOOM and Jianbo. A big club / festival track from Matica. Telan reworks Donald Byrd. A track from the latest SAULT album. Plus plenty more music treats.

In which The Curmudgeons hop into the phone booth and travel back to the time when Britpop ruled the world during the heart of the 1990s. What was Britpop? Most specifically, it was a call to rock 'n' roll arms by a swath of young, hungry bands peeved at America's cultural imperialism of the era. The music swayed and blasted with confidence, and its pop structures were tight, tuneful--and, as a result, titanic. We start this series of episodes in the early 1990s, in 1992 and 1993. We cover Britpop artists such as Blur, Suede, Pulp, Elastica and The Verve on this episode. Yet we also cover what we call "Britpop adjacent" acts like PJ Harvey, Radiohead and The Cranberries, whose own Britishness seeped its way into groundbreaking music they were making in their own right.    Enjoy the Britpop and Britpop adjacency from this episode by accessing our special Spotify playlist: https://open.spotify.com/playlist/08abNW4XljAQS4ZvJ77Cpp?si=f199dce9a4cc4ab7   Here's a handy navigation companion to this episode.   (00:52 - 02:55) - Arturo sets the parameters for our discussion of early Britpop   (05:44 - 16:56) - The Parallel Universe, featruing reviews of recent albums from Bob Vylan and Sault   (17:55 - 51:54) - We describe the British music of the early 1990s and the forces that shaped Britpop, plus we kick off a lightning round of great Britpop singles from 1992 and 1993   (53:08 - 01:15:11) - We analyze important and vital British records from PJ Harvey, The Verve, Radiohead and Blur   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor  

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Saving the Sault – Where Truth Meets ActionSault Ste. Marie is at a tipping point.In this long-form episode, I explore the six critical challenges our city is facing—and how we can turn the tide. From economic fragility to the drug crisis, from government reliance to leadership voids, I offer bold but achievable ideas to help the Sault thrive again.This isn't political. It's personal. And it starts with honesty, unity, and hope.

Lavender fields, dazzling beaches, hilltop villages…and cowboys? Yes, a South of France itinerary in 2 weeks is full of surprises! Before Chris and Kat went to the Olympics, Kat embarked on a 2-week solo road trip through the South of France. After falling in love with the area a few years ago on a shorter trip, she knew she had to go back to explore deeper (and catch some lavender fields!). This South of France road trip includes visits to Saint-Remy-de-Provence, L'Isle-sur-la-Sorgue, Avignon, Sault, Gordes, Valensole, Grasse, Saint-Tropez, Antibes, Saint-Jean-Cap-Ferrat, and more!   Relevant Links (may contain affiliate links, meaning if you book through these links, we earn a small commission-at no additional cost to you!): -My full blog post on my 2-week trip through the South of France: https://francevoyager.com/south-of-france-itinerary-in-14-days/ -One Day in Nice: https://francevoyager.com/nice-in-one-day/ -Guide to Saint-Remy-de-Provence: https://francevoyager.com/best-things-to-do-in-st-remy-de-provence-france/ -Le Thor Lavender Festival: https://www.lavandissima-lethor.fr/ -Sault Lavender Guide: https://francevoyager.com/lavender-fields-in-sault/ -Guide to Gordes: https://francevoyager.com/best-things-to-do-in-gordes-france/ -Ochre Trail Roussillon Guide: https://francevoyager.com/ochre-trail-in-roussillon-guide/ -Valensole Lavender Guide: https://francevoyager.com/lavender-fields-of-valensole/ -1 Day in Avignon: https://francevoyager.com/one-day-in-avignon/ -Best Things to Do in Grasse: https://francevoyager.com/best-things-to-do-in-grasse/ -Weekend in Saint-Tropez and Port Grimaud: https://francevoyager.com/weekend-in-saint-tropez-itinerary/ -Hotel in Nice: The Deck Hotel https://booking.stay22.com/worldwidehoneymoon/lrqN8qGndt -Hotel in Saint-Remy-de-Provence: Le Petit Hotel https://booking.stay22.com/worldwidehoneymoon/DTAP_dvVrD -Hotel in Avignon: La Mirande https://booking.stay22.com/worldwidehoneymoon/B2umIqcMne -Hotel in Gordes: Le Verger https://booking.stay22.com/worldwidehoneymoon/ONR-0hOJ2c -Airbnb in Grasse: https://www.airbnb.com/rooms/845494388331612754?source_impression_id=p3_1749072154_P34RgY7HNF7HZJhR -Hotel in Port Grimaud: Hotel Suffren https://booking.stay22.com/worldwidehoneymoon/pL7IMtopve -Hotel in Antibes: Hotel La Place https://booking.stay22.com/worldwidehoneymoon/SZItUA_dFF -Airbnb in Saint-Jean-Cap-Ferrat: https://www.airbnb.com/rooms/633014775642347767?source_impression_id=p3_1749072133_P3md4ys8htpdvcNF    **Juan-les-Pins beach is closed until 2026.   Check us out on Substack: Follow for updates, free and paid posts, and exclusive podcast episodes! Subscribe here to get this exclusive content now! Traveling to France? Check out our Facebook Group called France Travel Tips to ask/answer questions and learn more! Don't forget to follow along! Instagram: https://www.instagram.com/worldwidehoneymoon Facebook: https://www.facebook.com/worldwidehoneymoon TikTok: https://www.tiktok.com/@worldwidehoneymoon World Wide Honeymoon Blog: https://worldwidehoneymoon.com France Voyager Blog: https://francevoyager.com Subscribe to the World Wide Honeymoon blog here for monthly updates and tips + get our FREE trip planning guide: https://www.subscribepage.com/o4e5c2

How these 2 brilliantly musical Brits are connected, Izzy DOES NOT WANT PEACE, Serene Sovereign joins to provide perspective on being a independent organizer in these times.Watch “Views from AmandaLand” Mon-Wed 10a EST at Youtube.com/AmandaSealesTV!Listen to the podcast streaming on all podcast platforms.Listen AD FREE! Subscribe to Patreon.com/AmandaSeales!  Advertise on the show! Go to https://www.amandaseales.com/book-me This is a Smart Funny & Black Production

Démar and Adriel break down Little Simz's sixth studio album 'Lotus', how the production sounds nothing like a hip hop album and whether this is Simz's best written album.Démar's rating: 9 / 10Adriel's rating: 9 / 10The Love List: Thief, Hollow, Free, Blood, Lotus, LonelyTimecodes:3:08 - The view over her career because she is from the UK4:55 - Black Thought comparison as a rapper6:09 - 7:39 - That's their Dominic Fike10:38 - Thief sets the tone for the album11:35 - Non-Traditional Hip-Hop beats in this era on this album12:09 - Did they get it right with the singles?12:51 - Pharrell singing on the song – that should be the single13:24 - Thief is more indicative of the album14:13 - SAULT explained15:58 - Hollow – haven't heard some one making subs since Drake on Scorpion19:41 - Songs that made me think of the creation of this project (rap rock mixes)23:08 - Young' is the actual song good25:24 - I'm a little teapot with her whole chest29:58 - You are learning about who she is as a person through her music34:04 - What this means for her career34:18 - Not an album that anyone else has made40:59 - No Skips42:04 - The Cover44:00 - The ScoresFollow us:TikTok: Album Mode: https://www.tiktok.com/@albummodepodAdriel: https://www.tiktok.com/@adrielsmileydotcom Démar: https://www.tiktok.com/@godkingdemiInstagram:Album Mode: https://www.instagram.com/albummodepod/Adriel: https://www.instagram.com/adrielsmileydotcom/Démar: https://www.instagram.com/demarjgrant/Twitter:Album Mode: https://twitter.com/AlbumModepodAdriel: https://twitter.com/AdrielSmiley_Démar: https://twitter.com/DemarJGrant ===================================Little Simz - Lotus / 2025 / hip hop, rap, uk hip hop, uk rap

Episode 743: April 22, 2025 playlist: Joseph Allred, "The Groundhog" (Old Time Fantasias) 2025 Scissor Tail Shonen Knife, "Dizzy" (Sweet Candy Power) 2025 Damnably SAULT, "K.T.Y.W.S." (10) 2025 Forever Living Originals david thrussell and die teufelsmaschine, "eros maximus" (eros maximus (ost)) 2025 Ant-Zen Chris Brokaw, "8 Or 9 Things" (Ghost Ship) 2025 12XU Creeping Pink, "By This River Again" (Mirror Woods) 2015 Castle Force / 2025 Mascarpone Discos Monolake, "Ice" (Gravity) 2001 Imbalance Computer Music / 2025 Field The NRG, "Re-NRGizer (Chill-out version)" (Warehouse Justice! (The Chill-out Room)) 2025 Surface Reality Sharpie Smile, "The Slide" (The Staircase) 2025 Drag City Moin, "X.U.Y." (Belly Up) 2025 AD93 Jules Reidy and Sam Dunscombe, "Gracelords" (Edge Games) 2025 Futura Resistenza Sandwell District, "Least Travelled" (End Beginnings) 2025 Point of Departure Gryphon Rue, "Squatter's Quarters" (I Keep My Diamond Necklace in a Pond of Sparkling Water) 2025 [self-released] Merzbow, "Untitled" (The Prosperity Of Vice, The Misfortune Of Virtue) 1996 i / 2025 Room40 Glare, "Guts" (Sunset Funeral) 2025 Deathwish Anthony Pateras, "Sans Visages #1" (Reise der Schatten) 2025 Hallow Ground Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

There's been some great music released since the last New Music Friday episode in late November. So, on this slow January release day, NPR Music's Stephen Thompson and WRTI's Nate Chinen catch you up on the best albums we heard in December in between "All I Want For Christmas Is You" and "Grandma Got Run Over by a Reindeer."Featured Albums:• ROSÉ, 'rosie'• Lauren Mayberry, 'Vicious Creature'• Brad Mehldau, Mark Turner & Peter Bernstein, 'Solid Jackson'• The Innocence Mission, 'Midwinter Swimmers' • SAULT, 'Acts of Faith'Visit npr.org/music to see the long list of albums you might have missed in December, and stream our New Music Friday playlist.CREDITS:Host: Stephen Thompson, NPR MusicGuest: Nate Chinen, WRTIProducer: Simon RentnerEditor: Otis HartExecutive Producer: Suraya MohamedVice President, Music and Visuals: Keith JenkinsLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy