Podcasts about Sault

durée : 00:57:37 - Very Good Trip - par : Michka Assayas - C'est la rentrée des classes, tout ça, on n'a plus la tête à l'été, à la plage. Mais justement, c'est peut-être le moment d'y retourner - à la plage. Et d'imaginer que la fête continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

An exclusive Bruk and Broken Beat DJ Mix on the show this week. With Sticky Dub's new track on Eglo, Close Counters & Allysha Joy, WheelUP & Sean McCabe. Special Edits from Nirobi of I Am The Black Gold Of The Sun, Joshua Idehen, Little Simz, Loyle Carner and more. Breakfast Triple with an excellent version of SAULT. Dubplates from Flowdan and Watch The Ride. Cengiz with another quality tune. Jazz with the drums from David Zylberman and Alexander Flood. A track from the Brighter Days Family. Plus plenty more music treats. 

Queens of the Stone Age frontman Josh Homme joins Nick to discuss the week in music. It's been a tough week for All Points East, the festival was the focus of some savage reviews after Sault's much anticipated show and now Doechii has cancelled her upcoming headline slot. Nick and Josh ask: where has it all gone wrong? Plus, Taylor Swift isn't the only one with a new album coming out in October, Florence + The Machine are returning, and Josh recalls the time he tried and failed to match Florence Welch's ethereal energy. Elsewhere, Lana Del Rey and Ethel Cain are in a feud, the Hives are back and better than ever, and Liam Gallagher's been banned from throwing his tambourine into the crowd at Oasis gigs. Get in touch with Annie and Nick! If you're over 16, WhatsApp 07970082700 or email sidetracked@bbc.co.uk SONGS The Hives – The Hives Forever Forever the Hives Florence + The Machine – Everybody Scream Big Freedia – Explode Johnny Cash & June Carter Cash – Jackson   Florence + The Machine & Josh Homme – Jackson (MTV Unplugged) The Smiths – This Night Has Opened My Eyes OutKast – Hey Ya! Robyn – Dancing On My Own New Order – Blue Monday Radiohead – Let Down Dean Martin – Mambo Italiano ALBUMS/EPS Queens of the Stone Age – Alive in the Catacombs The Hives – The Hives Forever Forever the Hives Taylor Swift – The Life of a Showgirl Oasis – Definitely Maybe Florence + The Machine – Everybody Scream

Intro (00:00)The Notorious IBE (00:33)CrashFest (12:00)One/s To Watch: Tara, Mya, Nino (19:43)Tiiny Humble Opinions: IBE Experience (30:17)Sault: All Points East (47:11)Words That Move Me Podcast Backlash (56:40)Updates & Upcoming (1:06:46)

Cuti signs! So does Djed! We enjoyed a comfortable opening day win! The super cup left us devastated yet proud! SO much to get into this week, and we still had time to bring you Ash's review of *that* Sault show. “I love football. I love this club. For me, this club is the best in the world.” Hosted on Acast. See acast.com/privacy for more information.

New music on Tru Thoughts from Oliver Night. Deep vibes from Ishome and Werkha. Soul from BINA. and Jhelisa. A track from the new Mulatu Astatke album. A wonderful track from Hazards Of Prophecy. Rap from Crafty 932, Your Old Droog, MF DOOM and Jianbo. A big club / festival track from Matica. Telan reworks Donald Byrd. A track from the latest SAULT album. Plus plenty more music treats.

In which The Curmudgeons hop into the phone booth and travel back to the time when Britpop ruled the world during the heart of the 1990s. What was Britpop? Most specifically, it was a call to rock 'n' roll arms by a swath of young, hungry bands peeved at America's cultural imperialism of the era. The music swayed and blasted with confidence, and its pop structures were tight, tuneful--and, as a result, titanic. We start this series of episodes in the early 1990s, in 1992 and 1993. We cover Britpop artists such as Blur, Suede, Pulp, Elastica and The Verve on this episode. Yet we also cover what we call "Britpop adjacent" acts like PJ Harvey, Radiohead and The Cranberries, whose own Britishness seeped its way into groundbreaking music they were making in their own right.    Enjoy the Britpop and Britpop adjacency from this episode by accessing our special Spotify playlist: https://open.spotify.com/playlist/08abNW4XljAQS4ZvJ77Cpp?si=f199dce9a4cc4ab7   Here's a handy navigation companion to this episode.   (00:52 - 02:55) - Arturo sets the parameters for our discussion of early Britpop   (05:44 - 16:56) - The Parallel Universe, featruing reviews of recent albums from Bob Vylan and Sault   (17:55 - 51:54) - We describe the British music of the early 1990s and the forces that shaped Britpop, plus we kick off a lightning round of great Britpop singles from 1992 and 1993   (53:08 - 01:15:11) - We analyze important and vital British records from PJ Harvey, The Verve, Radiohead and Blur   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor  

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, The Combahee River Collective, a group of Black American feminists issued a statement communicating the harrowing following: “The psychological toll of being a Black woman…can never be underestimated. There is a low value placed on Black women's psyches in this society, which is both racist and sexist. We are dispossessed psychologically and on every other level and yet we feel the need to struggle to change the condition of all Black women.” Almost 50 years later, we have a book that responds to this important group's felt need. Foluke Taylor's Unruly Therapeutic: Black Feminist Writings and Practices in Living Room, delivers an archive of Black feminisms that are leveraged to explore certain psychoanalytic truths. This ambitious trajectory is however delightfully embedded within a text that also includes the potential of musical accompaniment: she prompts us to tune into Billy Paul, Sault, Norman Connors and many other musicians. Read Taylor and turn up your speakers: let your senses rise and fall, clap and hum. The book depends in part on the author's personal reflections that in their tenderness, read, at least to my ear, as rather different from auto theory. Indeed, Taylor seems not to be embracing a tributary of critical theory through which she then allies herself. Rather there are aspects of her history that beautifully accompany and highlight what is a heart-rending treatise about the lay of the land traversed by Black women who seek to train to become clinicians and by Black women who come to lie on the couch, a terrain that can be unduly rough, distorting, dangerous. Chapter by chapter, Taylor is conducting a chorus of Black feminist thinkers, women with whom she works in ongoing movement to transform and trouble what subjugates and suffocates the lives of Black women. A clinician herself, she places a special emphasis on the practice of psychotherapy, demonstrating how it can participate in deadly, racist repetitions. The book has an interior design that reminds me of the way one might arrange furniture in a room, a living room as it were. There are bolded quotes, in the upper right hand corner perhaps or the bottom left, demanding attention. Sometimes the same quote is reproduced more than once in a chapter. These quotes are the equivalent of textual wall hangings that live on the page. They take on a physicality, almost like an ottoman by the reading chair, a place to stop and stay put, feet off the ground. I experienced them also as obstacles: I had to consider them in order to move forth. Taylor's voice is intimate and readers are assumed into a position, dropped into her mind at times mid-sentence: a thought is forming and we are there for its birth. She offers radical hospitality, breathing us into being. All who create life, she reminds us, must breathe for those they carry forth. This she also does. The voices of African feminists were new to me and reflective of her having left London for ten years to seek her origins in Africa, looking for her place in the world. This is where her sharing of her early life is put to powerful use as she wonders with bell hooks, with Hortense Spillers, hardly alone, yet alone, “where do I come from?” This question is one that belongs to all people whose lineages have been truncated by enslavement. Tracy D Morgan is the founding editor of New Books in Psychoanalysis, and works as a psychoanalyst in Rome, Italy and Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Valentin BRIOT inscrit à la Mission Locale du Comtat Venaissin nous parle de son parcours et de la présentation de ses oeuvres lors de différentes expositions et jusqu’à fin aout à Sault.

A track from the excellent Annahstasia album. Deep Harp & Electronic sounds from Alina Bzhezhinska & Tulshi. An 80's style cover of Angie Stone by Dangerous Goods. Broken Beat from Kid Sublime, WheelUP, Sean McCabe, Greakfast Triple remixing Sault and an all time classic from Bugz In The Attic. A great electronic groove from Iraq by SHIRAN & BAKAL. Rap from Norman Sann, Slick Rick & Giggs and namesbliss. Agent Black flips Prince. Jungle from Zero T remixing Bruk Rogers, Leaf & Hexa. Plus plenty more music treats. 

Saving the Sault – Where Truth Meets ActionSault Ste. Marie is at a tipping point.In this long-form episode, I explore the six critical challenges our city is facing—and how we can turn the tide. From economic fragility to the drug crisis, from government reliance to leadership voids, I offer bold but achievable ideas to help the Sault thrive again.This isn't political. It's personal. And it starts with honesty, unity, and hope.

Lavender fields, dazzling beaches, hilltop villages…and cowboys? Yes, a South of France itinerary in 2 weeks is full of surprises! Before Chris and Kat went to the Olympics, Kat embarked on a 2-week solo road trip through the South of France. After falling in love with the area a few years ago on a shorter trip, she knew she had to go back to explore deeper (and catch some lavender fields!). This South of France road trip includes visits to Saint-Remy-de-Provence, L'Isle-sur-la-Sorgue, Avignon, Sault, Gordes, Valensole, Grasse, Saint-Tropez, Antibes, Saint-Jean-Cap-Ferrat, and more!   Relevant Links (may contain affiliate links, meaning if you book through these links, we earn a small commission-at no additional cost to you!): -My full blog post on my 2-week trip through the South of France: https://francevoyager.com/south-of-france-itinerary-in-14-days/ -One Day in Nice: https://francevoyager.com/nice-in-one-day/ -Guide to Saint-Remy-de-Provence: https://francevoyager.com/best-things-to-do-in-st-remy-de-provence-france/ -Le Thor Lavender Festival: https://www.lavandissima-lethor.fr/ -Sault Lavender Guide: https://francevoyager.com/lavender-fields-in-sault/ -Guide to Gordes: https://francevoyager.com/best-things-to-do-in-gordes-france/ -Ochre Trail Roussillon Guide: https://francevoyager.com/ochre-trail-in-roussillon-guide/ -Valensole Lavender Guide: https://francevoyager.com/lavender-fields-of-valensole/ -1 Day in Avignon: https://francevoyager.com/one-day-in-avignon/ -Best Things to Do in Grasse: https://francevoyager.com/best-things-to-do-in-grasse/ -Weekend in Saint-Tropez and Port Grimaud: https://francevoyager.com/weekend-in-saint-tropez-itinerary/ -Hotel in Nice: The Deck Hotel https://booking.stay22.com/worldwidehoneymoon/lrqN8qGndt -Hotel in Saint-Remy-de-Provence: Le Petit Hotel https://booking.stay22.com/worldwidehoneymoon/DTAP_dvVrD -Hotel in Avignon: La Mirande https://booking.stay22.com/worldwidehoneymoon/B2umIqcMne -Hotel in Gordes: Le Verger https://booking.stay22.com/worldwidehoneymoon/ONR-0hOJ2c -Airbnb in Grasse: https://www.airbnb.com/rooms/845494388331612754?source_impression_id=p3_1749072154_P34RgY7HNF7HZJhR -Hotel in Port Grimaud: Hotel Suffren https://booking.stay22.com/worldwidehoneymoon/pL7IMtopve -Hotel in Antibes: Hotel La Place https://booking.stay22.com/worldwidehoneymoon/SZItUA_dFF -Airbnb in Saint-Jean-Cap-Ferrat: https://www.airbnb.com/rooms/633014775642347767?source_impression_id=p3_1749072133_P3md4ys8htpdvcNF    **Juan-les-Pins beach is closed until 2026.   Check us out on Substack: Follow for updates, free and paid posts, and exclusive podcast episodes! Subscribe here to get this exclusive content now! Traveling to France? Check out our Facebook Group called France Travel Tips to ask/answer questions and learn more! Don't forget to follow along! Instagram: https://www.instagram.com/worldwidehoneymoon Facebook: https://www.facebook.com/worldwidehoneymoon TikTok: https://www.tiktok.com/@worldwidehoneymoon World Wide Honeymoon Blog: https://worldwidehoneymoon.com France Voyager Blog: https://francevoyager.com Subscribe to the World Wide Honeymoon blog here for monthly updates and tips + get our FREE trip planning guide: https://www.subscribepage.com/o4e5c2

Démar and Adriel break down Little Simz's sixth studio album 'Lotus', how the production sounds nothing like a hip hop album and whether this is Simz's best written album.Démar's rating: 9 / 10Adriel's rating: 9 / 10The Love List: Thief, Hollow, Free, Blood, Lotus, LonelyTimecodes:3:08 - The view over her career because she is from the UK4:55 - Black Thought comparison as a rapper6:09 - 7:39 - That's their Dominic Fike10:38 - Thief sets the tone for the album11:35 - Non-Traditional Hip-Hop beats in this era on this album12:09 - Did they get it right with the singles?12:51 - Pharrell singing on the song – that should be the single13:24 - Thief is more indicative of the album14:13 - SAULT explained15:58 - Hollow – haven't heard some one making subs since Drake on Scorpion19:41 - Songs that made me think of the creation of this project (rap rock mixes)23:08 - Young' is the actual song good25:24 - I'm a little teapot with her whole chest29:58 - You are learning about who she is as a person through her music34:04 - What this means for her career34:18 - Not an album that anyone else has made40:59 - No Skips42:04 - The Cover44:00 - The ScoresFollow us:TikTok: Album Mode: https://www.tiktok.com/@albummodepodAdriel: https://www.tiktok.com/@adrielsmileydotcom Démar: https://www.tiktok.com/@godkingdemiInstagram:Album Mode: https://www.instagram.com/albummodepod/Adriel: https://www.instagram.com/adrielsmileydotcom/Démar: https://www.instagram.com/demarjgrant/Twitter:Album Mode: https://twitter.com/AlbumModepodAdriel: https://twitter.com/AdrielSmiley_Démar: https://twitter.com/DemarJGrant ===================================Little Simz - Lotus / 2025 / hip hop, rap, uk hip hop, uk rap

Soul from Omar, Caron Wheeler, Steven Bamidele and SAULT. Rap from Westside Gunn & Doechii, Cappo, Wiley, JayaHadADream. Jazz from Adja, Amanda Whiting & Alice Russell. Broken Beat from Sticky Dub, Donsurf & Oliver Night. A big club track from Disclosure. Jungle from Tom & Jerry and Potential Badboy feat UK Apache. Plus plenty more music treats.

House, funk, soul, disco, reggae, hip hop, UKG, drum & bass and all manner of beats for open-minded listeners, fresh releases and classic gems, presented by DJ D'Francisco. featuring a great guest mix from DJ Megadex. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist: Doechii - Denial is a River Brother Ali - Here O.C - Born 2 Live Sault - RL Terri Walker - Feel Right Unlimited Touch - I Hear Music in the Street Jamilah Barry - Fuck It (Karen Nyame KG Remix) MFR Souls - Eargasms Art of Tones - I Don't Think That's Music Turntable Orchestra - You're Gonna Miss Me (Mangous Ye Mix) DJ Megadex Guest Mix Walk:r - Late Night Track ft Bluejay Octane & DLR  - Let Me Go ft Marion (Break Remix) Peshay & Flytronix - Disco Bizzare Inc - Playing With Knives Raze - Bass Power (D'Francisco No Rap edit)

Hip Hop from Westside Gunn feat Doechii, MIKE, Dangerous Creatures. Classic Bristol Street Soul from Smith & Mighty feat Tammy Payne. A track from the latest SAULT album. New music from Ebi Soda. Jazz from Tristan Banks. A track from drummer Salin's quality album. A forthcoming track from Domu and dancefloor beats from Calm Stiege. Jungle from Dub Phizix and the Kjell remix of The Bamboos version of Amen Brother. Deep beats from Werkha. Plus plenty more music treats.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1窪田ミナ - 金の波 千の波；2.须釜俊一 - 第二章(Seascape)~たゆたう光~；3.音乐治疗 - Rising of the Dream；4.阿保剛 - With memories(Piano)；5.邓壬鑫 - TINATONG；6.秋山裕和,sentive - think tenderly of piano；7.赖英里 - 愛的歡愉 Sault d' Aamour。

Music featured this week includes, Brandee Younger, Emma-Jean Thackray, Femi Kuti, Theo Croker, Sault and many more! See the playlist at: https://spinitron.com/m/playlist/view/20615738 This program has been edited from the original broadcast.

trklst 498Steve Spacek - P B R ft Q-Tip Dumi Right - Life Is What You Make It ft Chuck D, Chubb Rock, YZPhill Most Chill - Beat Yall Simon A - I Hope It Lasts Forever Lou Phelps - Prolly UsLea The Leox - OpenYourEyesWild Gloriosa - In My Body Natasha Watts - Go slow (Chris Baxter 2025 Rework)Galaxy Sound Co - On The Way (Dj Edit) Mel Slim - GratiTUDE SAULT - R L Souleance - Nese Part II Ivy Lab - Innocence Ron Mercy - Ride (Stuckinwaveforms Rmx) Can - Vitamin C (Hiroyuki Kato Edit)W.I.T.C.H - NadiThe Rebel - Crowns ft Cory James Gray Sage Todz - Stopia Cwyno (Valley Boy)Jericho Jackson (Elzhi & Khrysis) - Fair Warning Ab Digi x El Babasuut - Censori Anysia Kym  & Loraine James - Shy Interlude Andre Hutchinson - Not My Problem magz fm / musik you haven't heard yet.connect: www.maggysrooftopaerial.com

C'est le freestyle du mercredi et la garantie de bon son ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's Trve. Cvlt. Pop! it's a music podcast, welcome.On this week's show Steve and Gaz shout out the very best music to have been released in April. Covering the latest releases from The Mars Volta, Self Esteem, Heavy Lungs, Xikers, Momma, Superheaven, Jane Remover, Skrillex, Sault, Wolfgang Flur, Ghost, Employed to Serve, Bon Iver, Cloth, Kool Keith, Amplifier, Wu Tang Clan & Mathmatics, Turnpike Troubadors, Miki Berenyi Trio and Teen Mortgage.There's also a chat about the huge story of Kneecap and the mainstream furore over their onstage behaviour.

Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) comemoram o aniversário de sete anos do programa e recebem diferentes convidados, amigos e ouvintes para falar sobre discos que são nota dez.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Kacey Musgraves https://tinyurl.com/2s3d4yyd➜ Subsonic Eye https://tinyurl.com/mfeucjx4➜ Sault https://tinyurl.com/yc7u2nez➜ Chat Pile https://tinyurl.com/mspe25rb➜ Adrianne Lenker https://tinyurl.com/3mbfmtth➜ Marrakesh https://tinyurl.com/ym8am8zv➜ Catto https://tinyurl.com/2pkdwste➜ Lorde https://tinyurl.com/58n3tnh4➜ Fernando Motta https://tinyurl.com/3hyc7zb6➜ Vera Fischer Era Clubber https://tinyurl.com/5b8rf7p8➜ Jambu https://tinyurl.com/mryees55➜ Stefanie https://tinyurl.com/29yandsn➜ Nazar https://tinyurl.com/56d7hsyw➜ Maria Somerville https://tinyurl.com/3k5pjvjc➜ DjRum https://tinyurl.com/24hzx4fk➜ Ventura Profana https://tinyurl.com/mrwe6yvyVocê Precisa Ouvir Isso➜ Avenida Paulista, da Consolação ao Paraíso (SESI)➜ São Paulo Sociedade Anônima (Globoplay)➜ Rio, Zona Norte (Globoplay)➜ Madison McFerrin https://tinyurl.com/5n6y45ek➜ L'Impératrice https://tinyurl.com/4fpu349a➜ Homem com H (Cinemas)Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

歪波音室会于每个月月底整理当月新发行的作品来分享，并分为「华语」与「外语」两个部分，希望你能从中遇到喜欢的新鲜有趣的音乐。也欢迎你在评论区分享本月听到最好的新歌，一起查漏补缺，多多益善，不再歌荒！希望你会喜欢 :)

The 321st episode of Hangover Sessions features Scott Garred of Super XX Man fame!"Super XX Man marks 30 years with Rusted Hues, their 19th album, co-produced by Adam Selzer (Peter Buck, M. Ward). Founder Scott Garred reunited with former bandmates, blending home and studio recordings. NPR's All Songs Considered once featured the band, with host Bob Boilen saying, “If we're going to choose 10 songs every week, let it be Super XX Man,” and later inviting them for a Tiny Desk Concert. The album explores themes of decay and renewal, with standout tracks like “Rusted Hues” and “Hold On to Me,” showcasing heartfelt lyrics and lush arrangements. Rusted Hues will be released on May 22, 2025."The show also features a cheeky playlist from yours truly, DJ Webbles including some lush Brazilian bossa nova to kickstart the show by João Gilberto and a brand new track by SAULT, called R.L. from their new album 10.Follow Scott & Super XX Man via:SuperXXMan.Bandcamp.comScottGarred.Bandcamp.comAaand, enjoy the show!

The brilliant track from Derya Yildirim and Grup Simsek. A Mo Wax classic from iO. Rap from Westside Gunn, and MNEA, King Kashmere & enlxsh. Broken Beat from Quiet Dawn remixing Amanda Whiting on First Word. New music from SAULT and WheelUP feat Abacus & Liv East. Dancefloor Double Bass from Creative Impulse. Jazz from Arthur Franks on Brighter Days. A Quantic track from his DJ Kicks compilation. Jungle from Tom & Jerry remixed by Serial Killaz and DJ Die remixing Anushka. A Roy Ayers cover Reggae style from Mato feat Lady Gatica. Plus plenty more music treats. 

Today we are bringing you a great episode from our friends at Canardian! Sault Ste. Marie. Population 71,000. A place best known as the hometown of Roberta Bondar, the first woman in space, Treble Charger, and countless NHL players. Douglas Soltys, host of The BetaKit Podcast, joins the show (instead of going to therapy) to discuss the best pizza in town, being a 90s indie rock kid, destructive hockey teams, and WAY more.Listen to Douglas's podcast, The BetaKit Podcast, on your favourite podcast platform now!Find more from BetaKit here: https://betakit.com/Links:Home Slice: A Sault Pizza DocumentaryNorthern hockey association adopts rules of conduct for players during hotel staysJordan Nolan InstagramTurtles five feet across! Early animal oddities that made the Sault . . . er . . . famousFacebook: Idiots of Sault Ste MarieFacebook: Are We Dating The Same Guy? | Sudbury / North Bay / Sault Ste Marie OntarioCanardian is the flagship podcast of Pod the North, the newsletter for the Canadian podcasting ecosystem from Kattie Laur.Check out Pod the North at podthenorth.com and share your Canadian podcasting news!Follow Pod the North on Instagram @podthenorthEmail Kattie at podthenorth@substack.comThe Canardian theme song is by Mark Allin and Kattie Laur, mixed by Jordan White, with vocals including Shane Fester, Brad Cousins, Ben Cousins.The Canardian podcast artwork is by Brad Cousins and Kattie Laur. Hosted on Acast. See acast.com/privacy for more information.

Welcome back y'all! This week our #OTWEEKLYPLAYLIST has music from Alex Isley, Keri Hilson, Sault, & the Sinners Soundtrack! During #MUSICNEWS we dive into this years American Music Award Nominations. In #THEBLACKNESS we discuss the opening box office for "Sinners" as well as the picture deal Ryan Coogler signed for it and the ridiculous backlash that's following. We also shine a #QUEENSPOTLIGHT on SZA's new charitable move as she begins the Grand National Tour with Kendrick Lamar. Follow Us: All Links: https://linktr.ee/otwweekly Instagram/Twitter: @onthewayweekly FB: facebook.com/onthewaypod | Youtube: https://bit.ly/3CWxgPZ Website: instinctent.com/ontheway | www.mochapodcastsnetwork.com/ontheway Sylvee - @sweatbyvee Kahlil - @kahlilxdaniel | www.kahlildaniel.com | www.facebook.com/kxdmusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 743: April 22, 2025 playlist: Joseph Allred, "The Groundhog" (Old Time Fantasias) 2025 Scissor Tail Shonen Knife, "Dizzy" (Sweet Candy Power) 2025 Damnably SAULT, "K.T.Y.W.S." (10) 2025 Forever Living Originals david thrussell and die teufelsmaschine, "eros maximus" (eros maximus (ost)) 2025 Ant-Zen Chris Brokaw, "8 Or 9 Things" (Ghost Ship) 2025 12XU Creeping Pink, "By This River Again" (Mirror Woods) 2015 Castle Force / 2025 Mascarpone Discos Monolake, "Ice" (Gravity) 2001 Imbalance Computer Music / 2025 Field The NRG, "Re-NRGizer (Chill-out version)" (Warehouse Justice! (The Chill-out Room)) 2025 Surface Reality Sharpie Smile, "The Slide" (The Staircase) 2025 Drag City Moin, "X.U.Y." (Belly Up) 2025 AD93 Jules Reidy and Sam Dunscombe, "Gracelords" (Edge Games) 2025 Futura Resistenza Sandwell District, "Least Travelled" (End Beginnings) 2025 Point of Departure Gryphon Rue, "Squatter's Quarters" (I Keep My Diamond Necklace in a Pond of Sparkling Water) 2025 [self-released] Merzbow, "Untitled" (The Prosperity Of Vice, The Misfortune Of Virtue) 1996 i / 2025 Room40 Glare, "Guts" (Sunset Funeral) 2025 Deathwish Anthony Pateras, "Sans Visages #1" (Reise der Schatten) 2025 Hallow Ground Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Rolamos a tela compulsivamente para fugir dos próprios pensamentos até a hora de dormir, exaustos por nos sentirmos constantemente quebrados ao comparar nossas finanças com o que é mostrado na ostentação das redes sociais. Bilionários da tecnologia pedem o fim das leis de propriedade intelectual que protegem o trabalho de artistas e criadores.Como preservar o que nos faz autênticos?No RESUMIDO #310: o algoritmo rouba nosso tempo, scrollar virou escapismo moderno, dismorfia financeira ataca seu bolso, bilionários tech querem acabar com propriedade intelectual, deepfakes de voz já enganam quase todo mundo, The Last of Us volta em grande estilo, Sault lança mais um disco e muito mais!--Todos os links comentados no episódio estão no https://resumido.cc/podcasts/na-tela-ate-dormir-abaixo-o-direito-autoral-dismorfia-financeira/--Colabore e ajude o RESUMIDO a seguir em frente! www.catarse.me/resumido

TRKLSTPhresoul - Phrebute Opaque Structures - Dance With MeSAULT - W A L DJ Maphorisa Xduppy - Sangena ABFNA - R 22 Grawlix - Veil Ezy Konbini - ether Drill Scott Heron - Pissin in The Wind Trim - Make This Up Hunt Em Down - Dont Step in Sh*t NAPPYNAPPA - Spectacle ZEKEULTRA - No Bezel Boldy James V Don - Lemon Head Delight Little Barrie - Count Of FourPippa Blundell - Wasted Brown Penny - Nowadays Eku - Bastard interludeRudarcina RH - Splinter RH 3GGS - DoneIn2une - SinceINF БОМБИ - DamageControlmagz fm / musik you haven't heard yet.connect: www.maggysrooftopaerial.com

Undanfarna mánuði hafa hrúgast í innhólfið mitt tilkynningar um þekkta erlenda tónlistarmenn sem ætla sér að leika á tónleikum á Íslandi í sumar. Þessar hljómsveitir eru þó flestar komnar af léttasta skeiði, og markhópurinn kannski líka. Við ætlum að kynna okkur hvaða stóru erlendu listamenn eru að spila á Íslandi í sumar og reikna út meðalaldur markhópsins. Við ætlum líka að kynna okkur drama í bresku tónlistarlífi, deilur rapparans Little Simz og samstarfsmanns hennar InFlo. Þau hafa unnið saman að einhverri mest spennandi tónlist undanfarinna ára í bretlandi, framsækinni rapptónlist og svo pólitískri nýsálartónlist í verkefninu Sault. En nú virðist vinskapurinn kominn á endastöð. Una Schram segir frá. Og svo ætlum við að velta fyrir okkur hagstjórnarstefna úr sögubókunum, Merkantílismi, sem sumir segja að sé snúin aftur með Donald Trump.

In June 1909, disaster struck at the Canadian Soo Locks in Sault Ste. Marie when a massive lock gate failure sent four ships into chaos—two sank, and the Great Lakes shipping system ground to a halt.In this episode, we recount the worst lock accident in Great Lakes history, detailing how it happened, its cascading impact on shipping and industry, and how it forever changed maritime infrastructure. If you've never heard of the "day the locks broke," you're not alone. But this forgotten event still echoes in today's supply chain concerns.If you want to read the rest of this story check out. Day of the Soo Locks Disaster — 1909's Maritime Meltdown at Sault Ste. Marie

SAULT IN THE WOUND by OFF THE CUFF PODCAST

The New Music train is back on the tracks for 2025! In this episode, Dr. Bob Peterson and Harris King are driving the train from Wisconsin to South Carolina. Along the way, they discuss new music from Sault, Rose City Band, Delivery and Lambrini Girls.    Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

There's a new hobby film coming out "Hobby Hustle".  It tackles every aspect of the hobby, I was fortunate to be able to screen it and it's excellent.  The Director Michael Dault joins us to discuss the film and the process.    To save 10% off your whole order of supplies, go to:https://www.thepennysleever.co...   Use code "SCNPOD"   Get 45% off the Magic Mind bundle with my link:https://magicmind.com/HOBBYHOT...   #magicmind #mentalwealth #mentalperformance   Follow us on Social Media:  Website:https://www.sportscardnationpo....com https://linktr.ee/Sportscardna... Merch shop:https://sports-card-nation.pri...   To eliminate pre & post-roll adshttps://www.spreaker.com/podca...

U.S. lawmakers demand UK retraction of Apple backdoor Sarcoma ransomware claims breach at giant PCB maker Unimicron Ransomware attack disrupts Michigan's Sault Tribe operations Huge thanks to our sponsor, Vanta Do you know the status of your compliance controls right now? Like...right now? We know that real-time visibility is critical for security, but when it comes to our GRC programs…we rely on point-in-time checks. But more than 9,000 companies have continuous visibility into their controls with Vanta. Vanta brings automation to evidence collection across over 35 frameworks, like SOC 2 and ISO 27001. They also centralize key workflows like policies, access reviews, and reporting, and helps you get security questionnaires done 5 times faster with AI. Now that's…a new way to GRC. Get started at Vanta.com/headlines Find the stories behind the headlines at CISOseries.com.

Host Alex Pierson speaks with the Honourable Mayor of Sault. Ste. Marie, Mayor Matthew Shoemaker, about why and his fellow border mayors in Canada have created the "Border Mayor Alliance" and how they plan to have this help address the expected wave of immigrants and Trump tariffs. Learn more about your ad choices. Visit megaphone.fm/adchoices

The newest installment to my colors mix series. This one features a blend of alternative hip-hop, alternative RnB, some indie rock, and just some genreless records I adore. Features music by The Internet, Men I Trust, Childish Gambino, Kendrick Lamar, Larry June, Obongjayar & more. Press play and enjoy! YouTube Link: https://www.youtube.com/watch?v=eqUXcdiWW1Y Tracklist: Keemy Casanova - Akeem Ali dodger blue - Kendrick Lamar Bed Chem - Sabrina Carpenter Smoothies in 1974 (RCADE *ALT* EDIT) - Larry June Situationship - Snoh Aalegra DENIAL IS A RIVER - Doechii sofire (secsibackk) - j.robb Looks - Steve Lacy Come Over - The Internet Rolling Stone - Samara Cyn Silence (YAMA//SATO Edit) - Men I Trust x Popcaan Tomorrow's Dust - Tame Impala The Palisades (feat. Christian Rich) - Childish Gambino Scorsese Baby Daddy - SZA drive ME crazy! - Lil Yachty We Still Don't Trust You - Future & Metro Boomin Friend Zone (Audio1 Edit) - Thundercat I've Been In Love (feat. Channel Tres) - Jungle Why Why Why Why Why - SAULT Run Your Mouth - The Marias Just Cool - Obongjayar Protect My Energy - Little Simz It Is What It Is - Rachel Chinouriri Face 2 Face - Silk Rhodes Messy - Lola Young Street Sweeper - JMSN

Starting off 2025 with new music from Everything Is Recorded, Panda Bear, Sault, and much more, on this edition of Spectral Analysis.For more info and tracklisting, visit: https://thefaceradio.com/spectral-analysis/Tune into new broadcasts of Spectral Analysis, LIVE, Thursdays from 8 - 10 PM EST / 1 - 3 AM GMT (Friday).//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

C'est le retour de l'aléatoire freestyle du mercredi : que de la musique ! Flash And The Pan - Walking In The RainYouth Lagoon - Speed FreakEverything Is Recorded - Losing You feat Sampha, Laura Groves, Jah Wobble and Yazz AhmedAlex Rossi / Jo Wedin - Tutto Va Bene Quando Facciamo L'amorePlaying 4 The City - Interplanetary DreamRoc Marciano & The Alchemist - Knock It OffDestroyer - BolognaLittle Simz - Hello -HiThe The - HeartlandThe The - Sweet Bird of TruthQuinn - goodness-graciousQuinn - capture-the-flagBoldv James & RichGains - TelephonoSAULT - Only For YouDizzy Gillespie - IncantationLove Unlimited Orchestra - Strange Games And ThingsBkTheRula - Adult Swim Prince - Born 2 DieEPMD - Get Off The BandwagonFrançois de Roubaix - Les AventuriersTuff City Kids - BoileredThe Android Sisters - Robots are comingShuggie Otis - Strawberry Letter 23Jamaimoi - Plantas Y AmorTransient feat. Sherman Benton - Higher (Club mix)

Et une parenthèse Public Image Ltd aka PIL ! Prince - 1999Little Simz - Hello_-HiBoldy James & RichGains - AchillesMiossec - Non Non Non NonSAULT - SurvivorSault - Pray For MeKendrick Lamar ft. AzChike - PeekabooSnoop Dogg, Dr. Dre, Alus - Outta Da BlueSylvester - | Need Somebodv To Love TonightGilb'R - Rien à savoirTinashe - Red FlagsS7A - CrybabySZA & Kendrick Lamar - 30 for 30Nilüfer Yanva - Call It LoveCeechvnaa - PeggyPIL - This Is Not a Love SongPIL - Public ImagePIL - FodderstompfPIL - RiseQuinn - castawav-blood-monevQuinn - nothingJane Remover - JRJRJRRueben - No Need ToSaint Etienne - Daydream

There's been some great music released since the last New Music Friday episode in late November. So, on this slow January release day, NPR Music's Stephen Thompson and WRTI's Nate Chinen catch you up on the best albums we heard in December in between "All I Want For Christmas Is You" and "Grandma Got Run Over by a Reindeer."Featured Albums:• ROSÉ, 'rosie'• Lauren Mayberry, 'Vicious Creature'• Brad Mehldau, Mark Turner & Peter Bernstein, 'Solid Jackson'• The Innocence Mission, 'Midwinter Swimmers' • SAULT, 'Acts of Faith'Visit npr.org/music to see the long list of albums you might have missed in December, and stream our New Music Friday playlist.CREDITS:Host: Stephen Thompson, NPR MusicGuest: Nate Chinen, WRTIProducer: Simon RentnerEditor: Otis HartExecutive Producer: Suraya MohamedVice President, Music and Visuals: Keith JenkinsLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Kicked off 2025 with a productive day and headed into the Hoxton Radio studio for a 1 hour New Years Day Special. Full of beans after a brilliant NYE playing alongside Deptford Northern Soul Club, Let Me Cry DJs & Northern Grooves at The Garage London.We recap the night, highlights from 2024 and what we're looking forward to in 2025. A special guest also pops in to say hi and chat about his new night ‘Reeling In The Years'. East London legend Sarge. Featuring tracks from Skip Mahoney, Sault, Greg & Ché Wilson, Franc Moody, Air Power & a brand new one from Little Simz.For more info and tracklisting, visit: https://thefaceradio.com/disco-freaks/Tune into new broadcasts of Disco Freaks, LIVE, Opposite Wednesdays from 2 - 4 PM EST / 7 - 9 PM GMT, in association with Hoxton Radio London.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.