Podcast appearances and mentions of Nick Cave

George Vještica je britanski gitarist, skladatelj i tekstopisac, a njegovo najveće postignuće u karijeri je nastupilo 2013. godine kada se pridružio bendu Nick Cave and the Bad Seeds. Osim rada s Caveom, Vještica je tijekom svoje karijere surađivao s brojnim poznatim glazbenicima, te je ujedno i frontman benda Bandante. Vještica je rođen u Velikoj Britaniji u obitelji koja potječe iz Like. Nedavno je posjetio Australiju na turneji s Nickom Caveom. Upravo je to bio povod za naš razgovor.

In this episode, we step inside Nick Cave's Veiled World unpacking grief, faith, myth, and the quiet tension between revelation and restraint. RBR.music cuts thru the noise to discuss the sound and vision.

A Lenten PlaylistSupport My Work via PatreonLent isn't primarily intellectual.It isn't self-improvement month.It isn't a productivity cleanse.Lent is descent.In this episode of Mixtape Mysticism, I read six modern songs through the desert, the Cross, and the mercy seat, not as a playlist, but as spiritual exegesis.Leonard Cohen.My Chemical Romance.Radiohead.The Smashing Pumpkins.Nick Cave.Burial. Shaking. Dread. Shame. Judgment. Entrustment.What does Lent actually feel like?What does the wilderness sound like?What happens when modern anguish is read through the crucifix?This isn't about combining culture and Catholicism. It's about listening closely enough to hear where the ache points.Songs discussed:• “Avalanche” — Leonard Cohen• “The Foundations of Decay” — My Chemical Romance• “How to Disappear Completely” — Radiohead• “To Forgive” — The Smashing Pumpkins• “The Mercy Seat” — Nick Cave• “Into My Arms” — Nick CaveIf this stirred something in you, subscribe and walk Lent with me.

Berlino è un enorme contenitore di storia e di storie. Marta Nuzzo, guida ed ideatrice di Berlin Kombinat Tours, è una specialista della storia underground della capitale tedesca che, negli anni'70 e '80, ancora divisa dal Muro, era la Mecca di artisti come David Bowie, Iggy Pop, Nick Cave, i Depech Mode e tanti altri. In questo podcast ci lasciamo condurre da Marta Nuzzo alla scoperta della Berlino alternativa che fu e dei tanti luoghi diventati set cinematografici memorabili. Avete domande o suggerimenti? Volete ascoltare un podcast su un tema particolare? Scriveteci a cosmoitaliano@wdr.de Seguiteci anche su Facebook: Cosmo italiano E qui trovate tutti i nostri temi: https://www1.wdr.de/radio/cosmo/sprachen/italiano/index.html Von Cristina Giordano.

This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can't Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters' obsessions and tributes to The Girl Can't Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Jeudi 26 dans Pop-Rock Station, la programmation oscille entre Bloodhound Gang et Lana Del Rey, avec des nouveautés signées Rob Zombie et Courtney Barnett. L'émission s'ouvre sur "Personal Jesus" de Depeche Mode et met en avant la compilation caritative "Help 2" avec un inédit d'Arctic Monkeys. Le 26 février 1983, "Thriller" de Michael Jackson atteint la première place aux États-Unis. Huit Grammy Awards et sept singles marquent ce tournant produit par Quincy Jones, illustré ici par "Wanna Be Startin' Somethin'". L'album de la semaine reste "No Lube So Rude" de Peaches, représenté par "Be Love". La soirée propose aussi Garbage, Golden Earring et une reprise de "Bohemian Rhapsody" par Puscifer. En deuxième heure, place à Nirvana, et The Kinksavant la nouveauté "I'm A Rock'n Roller", extraite de "The Great Satan" de Rob Zombie. Pavement et Nick Cave and the Bad Seeds complètent ce parcours entre classiques et sorties imminentes. Depeche Mode - Personal Jesus Arctic Monkeys - Opening Night Michael Jackson - Wanna Be Startin' Somethin' Bloodhound Gang - Mama Say Green Day - Know Your Enemy Sweet - The Ballroom Blitz Rage Against The Machine - Guerilla Radio Peaches - Be Love Lana Del Rey - Summertime Sadness Garbage - Stupid Girl Golden Earing - Radar Love (1973 Single Edit) Courtney Barnett - Site Unseen Puscifer - Bohemian Rhapsody Nirvana - Drain You Asher Miles - The Storm In The Barn The Kinks - You Really Got Me Nick Cave And The Bad Seeds - Red Right Hand Kneecap - Liars Tale Fleetwood Mac - The Chain Pavement - Harness Your Hopes Rob Zombie - (I'm A) Rock "N" Roller Queens Of The Stone Age - The Way You Used To Do The Sisters Of Mercy - Lucretia My Reflection The Revels - Comanche White Denim - (God Created) Lock And Key Ministry - So WhatHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Punk and rock icon Kid Congo Powers opens up about staying busy with new music and collaborations and much more in this exclusive interview.

Hoy en Radio 3 estamos de estreno: en 180 Grados y Turbo 3 puedes escuchar 'Fondo de pantalla', nuevo cañonazo de levitants, que apuesta por un ritmo krautrock y guitarras psicodélicas para construir una canción que funciona como un refugio frente a la autodestrucción cuando hemos tocado fondo. Además, te traemos las últimas novedades de Agoraphobia (las gallegas acaba de publicar su contundente disco 'Kamikaze'), Temples (primer avance del próximo álbum de una de nuestras bandas de neopsicodelia favoritas), Pulp (la canción que el grupo de Jarvis Cocker han compuesto para el recopilatorio beneéfico de la ONG War Child9 Alexsucks, Tundercat, Cannons, Veintiuno, King Tuff o Cora Yako, entre otros. Playlist:VERA FAUNA - Sale el SolDANI DICOSTAS - EstadiosHERMANA FURIA - Rumias- - - - - - - - - - - - - - - - - - - - - - - - - - - -[Diez canciones que tienes que escuchar esta semana]LEVITANTS - Fondo de pantallaALEXSUCKS - FlinchTEMPLES - Jet Stream HeartLOS INVADERS - SentimentaloidesTHUNDERCAT - She Knows Too Much (feat. Mac Miller)CANNONS - These NightsVEINTIUNO - Vidas pasadasKING TUFF - Invisible InkPULP - Begging for ChangeFOO FIGHTERS - Your Favorite Toy- - - - - - - - - - - - - - - - - - - - - - - - - - - -NEW FOUND GLORY - A Love SongTHE ACADEMY IS... - MiracleJOYCE MANOR - I Used To Go To This BarCORA YAKO - Accidentes, meteoritos y osos polaresCARAJO BABY - DesagradecidoHOSTIA PEDAGÓGICA - Vendo manualRODHER - Cajón de mimbreLOS GALGOS - Comebolsas enamoradosDEMOB HAPPY - Judas Beast [Disco Gourmet de la semana]MEDALLA - MecheroAGORAPHOBIA - Silent LullabyLE MUR - LapislázuliFAI LACI - Have You Nothing Left To SayLA PERRA BLANCO - BarracudaTOM WAITS - ChicagoNICK CAVE & THE BAD SEEDS - Red Right Hand (Live God)Escuchar audio

Tyler's books. What artist has the most distinct voice? Nick Cave, Linkin Park, more Stabbing Westward (Ya know, angry break up songs), Dope, and more! This episode was recorded 1-24-26 (and apologies for the crackly mics)Have a question or a comment? We'll talk about it on the show!The best way to get our attention is by finding us on Threads @OffAllDayPodcastDon't forget Tyler wrote a book! Check it out at www.OrdinarySun.com also check out www.NoodlesAlDante.comMusic by NoCopyrightSound633Pixabay.com/users/nocopyrightsound633-47610058 Hosted on Acast. See acast.com/privacy for more information.

This week's pick is Train Dreams: a quiet, meditative Netflix drama adapted from Denis Johnson's novella, following the life of Robert Grainer (Joel Edgerton) — a logger and railroad worker drifting through early 20th-century America. It's the kind of film that feels like a memory: sparse dialogue, heavy atmosphere, and a sense of time moving faster than any one person can keep up with.The opening sets the tone immediately: rail tracks, a tunnel, Will Patton's voiceover, and an image that pays off later — boots nailed to a tree, slowly swallowed by nature. From there it's a whole life in fragments: brutal work camps, quiet domestic joy, sudden violence, and the long, haunted aftermath of loss.What we talked aboutA “Western” that isn't really a Western — frontier vibes at first, then you realise you're watching the world modernise around one man who can't.Work as a lifetime trap: logging season, railroad labour, the “build it for someone else” feeling, and the way corporations just roll on regardless.The Chinese labour thread and the early sequence where a Chinese worker is taken and thrown from the bridge — and how that moment sits with Grainer for decades.William H. Macy as the old explosives guy: funny, weary, and then brutally, pointlessly lost.The wildfire: Grainer racing home, the cabin gone, wife and daughter gone off-screen — and the film refusing to give closure, so you feel the same unresolved grief he does.The recurring motif of time erasing everything: the boots, the forest reclaiming, bridges made obsolete, progress moving on without sentiment.The late-film whiplash into modernity: Grainer seeing spaceflight on a shop-window TV, then taking a plane ride — an old man briefly touching the future.Nick Cave over the end credits, and how the score and natural lighting carry the whole thing.VerdictA beautifully shot, melancholy life-story film: quiet, heavy, and surprisingly moving. Joel Edgerton is superb, and the movie's best trick is making the audience feel the scale of time — and the smallness of one person inside it.Strong recommend, especially if you're in the mood for something reflective rather than plot-driven.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Kritikerhyllade tv-serien The Death of Bunny Munro om en sexmissbrukande far på flykt från socialtjänsten med sin son bygger på en roman av Nick Cave. P1 Kulturs Anna-Karin Ivarsson har träffat den svenska regissören Isabella Eklöf. Lyssna på alla avsnitt i Sveriges Radios app. Isabella Eklöf är född och uppvuxen i Stockholm men har aldrig gjort en svensk film eller tv-serie efter danska filmskolan i Köpenhamn. Hon har bott utomlands men precis flyttat till Sverige igen. Med långfilmen ”Holiday” och manus till filmen ”Gräns” fick hon sitt genombrott 2018. När hon då fick önska ett drömprojekt så sa hon att hon ville filma Nick Caves roman ”The Death of Bunny Munro”. Men det blev först fyra avsnitt av tv-serien ”Industry - säsong 2” och fyra avsnitt till ”Industrys - säsong 3” och två avsnitt av ”Servant”. Med en lyckad ansökan med Nick Cave-referenser om varför just Isabella Eklöf skulle regissera tv-serien om Bunny Munro är hon nu i hamn med serien som rosas av kritikerna. Med åratal av lyssnade på Nick Caves musik och intresse för hans kreativa värld var hon given som regissör för tv-serien och nu har hon även lyckats påverka stämningen i världsartistens nästa album säger hon med en specialbeställd låt till tv-serien.Reporter: Anna-Karin IvarssonProducent: Henrik Arvidsson

Henrik Dorsin är aktuell i Netflix-filmen Den svenska länken en sann historia om en svensk byråkrat som blir en oväntad krigshjälte när han försöker rädda judar under andra världskriget. Möt även regiduon Thérèse Ahlbeck och Marcus Olsson. Lyssna på alla avsnitt i Sveriges Radios app. INGER EDELFELDT OM SKÖNHET, ÅLDRANDE OCH VAMPYRERFörfattaren Inger Edelfeldt är dubbelt aktuell, med ”Skönheten” - om en åldrande kvinna - och med vampyrhistorien ”Porträtt av en hungrig flicka”. Möt henne i P1 Kultur med Roger Wilson.ISABELLA EKLÖF OM TV-SUCCEN MED ”BUNNY MUNRO”Kritikerhyllade tv-serien ”The Death of Bunny Munro” – om en sexmissbrukande far på flykt från socialtjänsten med sin son – bygger på en roman av Nick Cave. P1 Kulturs Anna-Karin Ivarsson har träffat den svenska regissören Isabella Eklöf.KULTURVECKAN SOM GÅTT – VAD TAR VI MED IN I HELGEN?P1 Kulturs programledare Roger Wilson får sällskap av kollegorna Emma Engström och Roger Wilson för att blicka tillbaka på kulturveckan.Programledare: Roger WilsonProducent: Henrik Arvidsson

Jeudi dans Pop-Rock Station, classiques et nouveautés se croisent sans complexe, comme The Prodigy, Joy Division ou Pink Floyd. Actualité chargée avec Foo Fighters qui dévoile "Your Favourite Toy", extrait de leur 12e album attendu le 24 avril, avant leur concert à Paris La Défense Arena en juin. Passage aussi par Guns N' Roses et hommage à Bon Scott, disparu le 19 février 1980. Focus sur l'album de la semaine "Wuthering Heights" de Charli XCX, BO du film d'Emerald Fennell, avec "My Reminder". La soirée se poursuit avec Arctic Monkeys pour War Child, une reprise de Pulp signée Nick Cave, puis M83, Puscifer, Father John Misty et Jimi Hendrix. En fin d'émission, détour par la Finlande avec Grain Of Pain et "To Burn Inside", avant un dernier enchaînement rock mené par les Hellacopters pour conclure la soirée sur une note électrique. Foo Fighters - Your Favorite Toy Guns N' Roses - It's So Easy AC/DC - Touch Too Much CSS - Left Behind The Prodigy - Firestarter Alanis Morissette - Reasons I Drink Lynyrd Skynyrd - Sweet Home Alabama Titre - Pour Rotation Joy Division - She's Lost Control The B-52'S - Love Shack Arctic Monkeys - Opening Night Nick Cave - Disco 2000 The Subways - Rock & Roll Queen M83 - Midnight City Puscifer - Impetuous Bob Dylan - Lay The Breeders - Cannonball Father John Misty - The Old Law The Charlatans - Deeper And Deeper Jimi Hendrix - Voodoo Child (Slight Return) Grain Of Pain - To Burn Inside (Feat. Pekka Olkkonen) Blondie - Atomic The Hellacopters - Everything's On T.V. The Beach Boys - I Get Around Gorillaz & Bizarrap & Kara Jackson & Anoushka Shankar - Orange County Pink Floyd - Comfortably Numb (Live At Knebworth_2019 Mix)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Host Sheridan Sharp is joined by bestselling author Jeff Zentner, known for his resonate and lyrical writing. Learn how he writes in small pockets of time, how to trust your creative instincts, and why filling your “creative well” matters just as much as drafting.If you're looking for advice on craft, glean wisdom about Jeff's character-driven process, thoughts on voice and first chapters, and practical advice for navigating publishing without chasing trends. If you're looking to grow with intention and confidence as a writer–because you will grow–this is the episode for you!Resourceswww.jeffzentnerbooks.com@jeffzentner (Instagram and Threads)Jeff Zentner - Author on Facebook:https://www.facebook.com/jeffzentnerauthor/Works By Jeff: https://www.amazon.com/stores/author/B01CIKMRJ6About JeffJeff Zentner is the author of The Serpent King, which Kirkus Reviews named one of the best books of the 21st Century, as well as In the Wild Light, Goodbye Days, Rayne & Delilah's Midnite Matinee, Colton Gentry's Third Act, and Sunrise Nights, coauthored with Brittany Cavallaro. He has two books—Wayfarers and Love, Like Apples—forthcoming in 2026Among other honors, he has won the ALA's William C. Morris Award, the Amelia Elizabeth Walden Award twice, the Muriel Becker Award, the International Literacy Association Award, been longlisted twice for the Carnegie Medal, and is a two-time Southern Book Prize finalist.His books have been translated into fifteen languages and been featured on The Today Show, Good Morning America, and in Vanity Fair and People Magazine. Before becoming a writer, he was a musician who recorded with Iggy Pop, Nick Cave, and Debbie Harry. He lives in Nashville.

Writer and director Clint Bentley joins Christina to discuss his acclaimed film Train Dreams, one of the most beautiful and celebrated films of the season! Nominated for four Academy Awards, including Best Adapted Screenplay and Best Picture, the film recently earned Bentley Best Director and Best Feature at the Film Independent Spirit Awards. The conversation explores how Train Dreams came together, the character of Robert Grainier (brought to life through a deeply anchored performance by Joel Edgerton ) as well as Nick Cave's influence, themes of grief and memory, what it means to be a tender man in a changing world, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

På utställningen The Devil A life visar rockmusikern Nick Cave visar upp sina färdigheter som keramiker. 17 blanka figuriner på parad speglar Djävulens liv, från födsel till död. Lyssna på alla avsnitt i Sveriges Radios app. P1 Kulturs Anna Tullberg och Lisa Bergström tittar på de färggranna figurerna, tillsammans med curatorn Maria Patomella, och ser en både gripande och mänsklig historia utspela sig i det kala utställningsrummet. ”The Devil - A life” visas på Kulturhuset Stadsteatern i Stockholm fram till den sista maj.

"Murder ballads are a subgenre of the traditional ballad form dealing with a crime or a gruesome death. Their lyrics form a narrative describing the events of a murder, often including the lead-up and/or aftermath. The term refers to the content, and may be applied to traditional ballads, part of oral culture." -wikipediaEp Links:"Nick Cave And The Bad Seeds' Murder Ballads As Gangsta Rap Album" by Dele Fadele: https://thequietus.com/opinion-and-essays/anniversary/nick-cave-bad-seeds-murder-ballads-review/CONCEPT ALBUM RANKINGS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.supatier.com/tierlist/019a64d9-9691-7ed1-87e9-1fc99161d9c0/tachp-ranked-tierlist⁠⁠⁠⁠OUR DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/2stA2P7pTC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OUR MERCH: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://flyoverstatepark.creator-spring.com/⁠⁠⁠⁠OUR YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/flyoverstatepark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠EVERYTHING ELSE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/FlyoverStatePark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Andri Snær Magnason er nýkominn til landsins eftir að hafa fylgt eftir heimildarmyndinni Time and Water, sem gerð er upp úr bók hans Um tímann og vatnið. Myndin hefur verið sýnd til dæmis á Sundance kvikmyndahátíðinni og vakti mikla athygli. Við fengum Andra til að segja okkur frá myndinni og hvernig hún kom til og hver væri munurinn á henni og bókinni. Svo tókum við aðeins með honum stöðuna í loftslagsmálum, því það er auðvitað það sem Andri skrifaði um í bókinni, sem kom út árið 2019, þar sem hann notaði sögur af forfeðrum sínum og ættingjum til þess að fjalla um loftslagsvísindin og þær breytingar sem eru að verða sem hafa áhrif á allt líf á jörðinni. Við ræddum hvernig umræðan hefur breyst undanfarnið, til dæmis þegar Bandaríkjastjórn hefur afturkallað ákvaraðnir um hættu vegna gróðurhúsalofttegunda. Lesandi vikunnar í Mannlega þættinum í þetta sinn var svo Gunnar Lárus Hjálmarsson, betur þekktur sem Dr. Gunni. Við fengum hann til að segja okkur frá því hvaða bækur hann hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft mest áhrif á hann í gegnum tíðina. Gunnar talaði um eftirfarandi bækur og höfunda: Einn, tveir þrír, fjór... Bítlarnir í tímanna rás e. Craig Brown (Þýð. Helgi Ingólfsson) Tune in e. Mark Lewisohn Ævisögur Charles Mingus, Thelonious Monk og Chet Baker Bækur Braga Ólafssonar, Braga Páls Sigurðsson og Ólaf Gunnarsson Kokkáll e. Dóra DNA Bjarmalönd e. Val Gunnarsson Reyndu aftur, ævisaga Magnúsar Eiríkssonar e. Tómas Hermannsson Boy on Fire um Nick Cave e. Matt Mordue The Big Midwwk, Life inside the Fall e. Steve Hanley Tónlist í þættinum í dag: Frost / Pálmi Gunnarsson og Ragnheiður Gröndal (Pálmi Gunnarsson, Ragnheiður Gröndal, Stefán Örn Gunnlaugsson) Frostrósir / Haukur Morthens (Freymóður Jóhannsson) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Kritikerna Mårten Blomkvist och Caroline Hainer har sett samma film, men har olika syn på resultatet. Vi lyssnar också på hur Charli XCX låter på första skivan efter Brat. Lyssna på alla avsnitt i Sveriges Radios app. Idag är det premiär för det mörka passionsdramat ”Wuthering Heights”, i regi av Emerald Fennell. Filmen är en fri tolkning av Emily Brontës roman ”Svindlande höjder” från 1847. Som Cathy ser vi Margo Robbie och som Heathcliff Jacob Elordi. Fennells film och skådespelarval har både debatterats, hånats och sågats på förhand. Den har också marknadsförts frisk med mycket sex. Så hur är då den senaste versionen av ”Wuthering heights”? Och hur förhåller den sig till sina många föregångare, som klassikern från 1939? P1 Kultur har bjudit in filmkritikerna Mårten Blomkvist och Caroline Hainer som har helt olika åsikter om resultatet.NÅR CHARLI XCX NYA SVINDLANDE HÖJDER EFTER BRAT? Den brittiska artisten Charli XCX har skrivit musik till Fennells film och idag släpper hon också sitt fullängdsalbum med samma titel – ”Wuthering heights”. Det är nästa platta efter hennes ikoniska Brat-album som blev en världssuccé och ett fenomen sommaren 2024. Vart tar hennes musik vägen nu? Hör vi något nytt? P3s musikjournalist Tina Mehrafzoon har lyssnat på ”Wuthering heights”.KIM EKBERG PACKAR FÖR VÄRLDSPREMIÄREN I BERLIN Igår kväll öppnade Berlins filmfestival. En av de svenska filmer som kommer att visas där är den experimentella långfilmen ”Doggerland” av Kim Ekberg. Det är hans andra långfilm och är en drömsk och samtidigt vardaglig berättelse om en snart 40-årig man som bor hos sin mamma i Norrköping. Mor och son i filmen är också mor och son i verkligheten och de flesta rollerna i filmen görs av amatörer. Nina Asarnoj träffade Kim Ekberg medan han laddade inför avresan till Berlin och världspremiären.NICK CAVE STÄLLER UT DJÄVULENS LIV I KERAMIK På Kulturhuset Stadsteatern i Stockholm öppnar utställningen ”The Devil – A life” där rockmusikern Nick Cave visar upp sina färdigheter som keramiker. 17 figuriner på parad speglar djävulens liv, från födsel till död. Anna Tullberg och Lisa Bergström tar sig en titt på de färggranna figurerna tillsammans med curatorn Maria Patomella, och ser en både gripande och mänsklig historia utspela sig i det kala utställningsrummet. VAD VI LÄRT OSS AV VECKAN SOM GÅTTP1 Kulturs Roger Wilson och P3s Tina Mehrafzoon analyserar veckans viktigaste kulturhändelser och berättar vilka slutsatser de vill dra av dem.Programledare: Lisa BergströmProducent: Anna Tullberg

65 mord på människor och även en hund sätter livet till på Nick Cave & The Bad Seeds skiva Murder Ballads. Magnus och Misha tar sig an en platta som har ett djupt mörker och en svart humor. De fascineras av rockorkestern Bad Seeds mångsidighet, Nick Caves förmåga att berätta historier och hans otroliga mångsidighet som konstnär. Välkomna till 1996.

Hoy os traemos una serie que es muy posible que pase desapercibida: La muerte de Bunny Munroe. Basada en la novela homónima de Nick Cave es tan dura, cruda y directa que no te va a dejar indiferente. Una de las series de la temporada que puede quedar tapada ante tanto estreno. Y no solo hablamos de ella; como siempre, acompañamos el tema central con un montón de recomendaciones. Este es el contenido del programa... Tema Central (00:04:30) -La muerte de Bunny Munroe (SkyShowtime) Ensalada de reseñas (00:24:00) CINE: Vieja loca. Si pudiera, te daría una patada SERIES: Mel brooks: The 99 year old man (HBO). Los Bridgertones T4 (Netflix). Ponies (Skyshowtime) CÓMIC: Capitan América (2025-), Adiós mi Odín (Planeta) VIDEOJUEGOS: Old school rally LITERATURA: El acto de crear: Una manera de ser (Rick Rubin) Y eso es todo... de momento. Recordad que volvemos cada semana y que nos tenéis en redes, en la web www.hellofriki.com y en nuestro canal de Telegram

How does a singing teacher land a vocal coaching job on a TV drama? In this episode, Alexa is joined by vocal coach, performer and returning guest - Candi Underwood, who shares her experience coaching Matt Smith for the Sky Atlantic adaptation of The Death of Bunny Munro, based on the novel by Nick Cave. They explore how the opportunity came about, what was required on set, and which skills singing teachers already have that translate directly into TV coaching work. Perfect listening for singing teachers curious about taking their work beyond the studio and onto screen.WHAT'S IN THIS PODCAST?  5:03 What is The Death of Bunny Munro?6:42 What was the production company looking for in a vocal coach?10:59 Preparing for the job16:01 Taking a history19:12 Surprising essential skills20:30 Working on technique23:39 Keeping it professional with high profile figures28:53 Top 3 skills singing teachers needs for a TV coaching role32:12 How to get your food in the doorAbout the presenter HERERELEVANT MENTIONS & LINKSSinging Teachers Talk - Ep31. Where to Start with Digital MarketingNick CaveMatt SmithThe Death of Bunny MunroFrank SinatraSinging Teachers Talk - Ep.198 Mastering Singing for Stage, Screen & the Music IndustrySinging Teachers Talk - Ep.242 Understanding Motor Learning: How It Can Help Us Give Better Singing Lessons - Eps. 155 & 156 Building Neurodiversity-Inclusive Voice StudiosSinging Teachers Talk - Ep.222 The Rise of AI: What It Means for Singers & TeachersSinging Teachers Talk - Ep.226 The Rise of AI: Practical Tools and Strategies For the Singing TeacherABOUT THE GUESTCandi Underwood is a professional performer, session singer, vocal coach and founder/leader of City of Stars, a group of intermediate musical theatre choirs across Sussex. With over 16 years of experience in the industry, she's been featured as both a singer and songwriter on BBC Radio 1, BBC Radio 6Music, Kerrang!, Metal Hammer, Radio X, Planet Rock and more, performed at nationwide festivals and featured in TV ads; all while building a successful coaching business dedicated to nurturing healthy, resilient voices and inspiring bold, fearless performances for singers and screamers alike. Most recently she collaborated with Nick Cave and Matt Smith on Sky TV's 'The Death of Bunny Munro', coaching the former through a singing scene, and featured in the Marks & Spencer Christmas Advert with her choir alongside Dawn French.WebsiteInstagram

Today we're discussing Tender Prey by Nick Cave and the Bad Seeds. This is one of Nick Cave's most legendary albums for the simple fact that it contains "The Mercy Seat," his most famous song (also covered by Johnny Cash). But there's so much more to it. The substance abuse and subsequence chaos behind the scenes, the strange production style, and the eclectic songwriting make this one of Nick Cave's absolute weirdest albums.   Intro 00:00 The Making of/Dissecting the Music 3:21 Closing Thoughts/Outro 58:28   ----------------------------------------------------------------------------------------------------------   Join the Patreon, it rules: https://www.patreon.com/everyalbumever   Mike's music: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Tom on Instagram @tomosmansounds   Tom Osman's stuff: Music on Spotify, Apple, Website Podcast on Spotify, YouTube     ----------------------------------------------------------------------------------------------------------

(00:00:00) Necronomicon -Tips Zum Selbstmord / 1972 (00:34:19) Atheist - Unquestionable Presence / 1991 (01:05:06) Nick Cave and the Bad Seeds - No More Shall We Part / 2001

New Zealand was host to two contrasting acts this week, playing out at the opposite ends of the North Island. On Thursday, Auckland's Laneway Festival was held at Western Springs, whilst in Wellington, Nick Cave & The Bad Seeds played two shows – one Thursday and one Friday. Chris Schulz was at both events, and joined Jack Tame to share his thoughts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

"Murder Ballads" ist eine Mischung aus eigenen Songs, Traditionals und Coverversionen und vollgepackt mit illustren Mordgeschichten – düster, verstörend, aber in Teilen auch wunderschön. Und diese düsteren Mordsongs waren auch abseits von "Murder Ballads" immer Themen, die Nick Cave interessiert haben. Deshalb finden sich auch auf anderen Alben von ihm Songs zu diesem Thema. Wohlwollend aufgenommen wurde das Album auch von der australischen Version des Rolling Stone-Magazins. Es hat die Platte auf Platz 13 der besten australischen Alben aller Zeiten platziert. Im Fall von "Murder Ballads" handelt es sich nicht um eine klassische Pop-Ballade, oder eine epische Power-Ballade, wie wir es vielleicht vermuten würden, erklärt Musikredakteurin Katharina Heinius: "Es geht hier viel mehr um ein kurzes, erzählendes Gedicht, das auch zum Singen geeignet ist." Damit bewegt sich Nick Cave nah an der ursprünglichen Begrifflichkeit der "Ballade" und nicht an dem, wie wir im 21. Jahrhundert den Begriff alltagstypisch nutzen würden. "Die Tradition der Ballade stammt schon aus dem Mittelalter", erläutert Heinius im Podcast. Und auch wenn Nick Cave sich hier ganz dem Thema Tod und Mord widmet, so beweist er auch immer wieder viel Humor in seinen Texten und auch auf der Bühne, erklärt Podcast-Gast Stefan Pitterling. Was das Erzählen dieser "Murder Ballads" noch eindrucksvoller macht, ist, dass neben der Musik, in der Komposition Sounddesignelemente genutzt werden, um die Morde noch dramatischer zu gestalten und den Hörer noch tiefer reinzuziehen. In diesem Fall ist Nick Cave nicht mehr nur Musiker, sondern ein musikalischer Regisseur, der den Film im Kopf des Hörers entstehen lässt, erklärt Katharina Heinius. Als Nick Cave And The Bad Seeds "Murder Ballads" veröffentlicht haben, waren gerade Genres wie der späte Grunge oder Eurodance angesagt. Und für Podcast-Gast Stefan Pitterling macht diese Platte aus, dass sie eben keinem Trend folgt, was das Album total zeitlos macht, sagt er: "Es ist ein wunderbares Konzeptalbum zu einem Thema, das viele Leute fasziniert [...] und es zeigt vor allem, dass ein Künstler, der sich wirklich traut, etwas zu machen, was andere nicht machen, damit auch super erfolgreich sein kann." __________ Über diese Songs vom Album "Murder Ballads" sprechen wir im Podcast • (17:38) – "Song Of Joy" • (33:58) – "Where The Wild Roses Grow" • (48:08) – "Stagger Lee" • (57:53) – "Henry Lee" • (01:09:05) – "Death Is Not The End" __________ Alle Shownotes und weiterführenden Links zur Folge "Murder Ballads" findet ihr hier: https://1.ard.de/nick-cave-murder-ballads __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Analizamos sin spoilers The Death of Bunny Munro, la nueva y provocadora miniserie británica que llega a SkyShowtime este 30 de enero. Basada en la novela de Nick Cave y protagonizada por un intenso Matt Smith, la serie nos sumerge en un viaje oscuro y profundamente incómodo a través de la masculinidad tóxica, el duelo y la descomposición emocional de un padre incapaz de cuidar a su hijo. Con seis episodios dirigidos por Isabella Eklöf, una estética potente y una interpretación reveladora de Rafael Mathé como Bunny Jr., The Death of Bunny Munro es una de esas ficciones que no deja indiferente. En este Razones para Ver Express, repasamos qué hace tan especial —y tan perturbadora— a esta adaptación y por qué, si os atrevéis a verla, no podréis apartar la mirada. ESTRENO: 30 de ENERO en SkyShowtime Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the hardest days in the studio are not detours, but the path itself? We open up about the real fight behind the work—those sessions where flow vanishes, doubt gets loud, and the canvas refuses to cooperate—and why that tension can become your most reliable teacher. Drawing from Rashid Johnson's candid reflection with Carrie Scott on battling the work, we unpack the difference between inspiration and perspiration and why chasing “perfect” kills momentum.Along the way, we trade tools and stories: turning fight-or-flight into practical choices, switching pieces to redirect energy, and using rituals like Morning Pages, breath work, and device-free sessions to clear mental noise. Sun Tzu helps us name the real enemy—resistance expressed through fear and comparison—while Julia Cameron and Nick Cave remind us to cooperate with process, loosen our grip on control, and operate under the “cloud of artistic unknowing.” We talk about repainting, scrapping, and starting over, not as failure but as fidelity to the work's evolving voice.The thread tying it all together is permission. You don't need a bigger studio, pricier materials, or the perfect plan to make authentic art. You need consent to be where you are, to use what you have, and to let mystery lead when the plan breaks. If you've asked yourself, “Have I lost it?” you're in good company—and you're exactly where growth happens. Subscribe, share this with a friend who needs a nudge, and leave a review telling us how you keep the conversation with your work alive.The Episode from Carrie Scott with Rashid Johnson.https://www.youtube.com/watch?v=c41I_sre-UkSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

In this episode of the XS Noize Podcast, Mark Millar sits down with Paul Draper to talk about Mansun Retold — a project shaped by distance, perspective, and the strange experience of meeting your younger self through song. Watch the full video conversation. Releasing on 20 February, Mansun Retold sees Draper revisit and reimagine key songs from the Mansun catalogue, rebuilding them from the ground up as full-band, acoustic unplugged recordings. Rather than revisiting the past for nostalgia's sake, the album is about clarity — hearing familiar songs anew, stripped of urgency, ego, and expectation. Recorded at The Loft Studios in Surrey, the album was co-produced by Paul Draper alongside Paul "PDub" Walton (The Cure, U2, Björk, Massive Attack, Oasis). The sessions feature a string quartet arranged and led by Audrey Riley (Muse, Coldplay, Nick Cave), with drums performed by Julian Fenton — Mansun's original early-era drummer. Draper performs acoustic bass, acoustic lead and rhythm guitar, and piano throughout the record. In this conversation, Draper reflects on the emotional weight of returning to songs so closely tied to his own life, how he decided which tracks felt ready to be retold, and the responsibility he feels toward fans who have lived with this music for decades. He also talks about life beyond music, creative fulfilment, and how Mansun Retold is intended to be experienced — not as a retrospective, but as a living record, rooted firmly in the present. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

El que va ser fundador dels Go-Betweens publica un nou disc en solitari acompanyat de la dona i el fill. "Strawberries"

Send us a message, so we know what you're thinking!We're back again for another year and kicking off by looking at supergroups – that “elite” class of rock bands made up of members of other top bands! What they are, how they form, and shining examples!  Our “Album You Must Hear Before You Die” is Cream's 1967 album, “Disraeli Gears”, a stunning work from a trio featuring Eric Clapton, Jack Bruce & Ginger Baker. With tracks like “Sunshine of your Love”, this album set the benchmark for rock albums for the next 50 years (or more)!  We know you'll enjoy this one.  References: Eric Clapton, Cream, Disraeli Gears, Rolling Stone, Jack Bruce, Ginger Baker, The Four Seasons, Blind Faith, The Yardbirds, Bluesbreakers, Traffic, The Spencer Davis Group, Stevie Winwood, Bob Seidemann, Mariora Goschen, Derek And the Dominos, Layla and Other Assorted Love Songs, Duane Allman, Crosby, Stills, Nash & Young, Led Zeppelin, Emerson Lake & Palmer, Bad Company, Nick Cave & The Bad Seeds, The Highwaymen, Traveling Wilburys, Honeydrippers, The Firm, Power Station, Them Crooked Vultures, Electronic, Me First & The Gimme Gimmes, “Nothing Compares to you” Playlist – Supergroups 

Sussan Ley says she’s confident she’ll be leader of the Liberal party when parliament resumes next month. Plus, Osaka apologises after heated exchange and Australians sweep Oscar nominations.See omnystudio.com/listener for privacy information.

Brydon Crain, Adam Sipkema, and Penelope Stevens from Motherhood are here to discuss their January 2026 shows in the Canadian Prairies, their latest album Thunder Perfect Mind, university courses, music school, and religious studies, spiritual and musical communities, Penny's time in Vietnam and observations about communism, the story of Motherhood, how I think my son is trying to be better at life than me, the band's Deerhoof connections, fantastical aspects of Motherhood's music and the sci-fi themes on their latest album, their other bands like Sam Salmon and Penny & The Pits, future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1037: SloanEp. #1014: SwansEp. #975: DeerhoofEp. #323: Nick Cave and Warren EllisJon-Rae and the River - Smells Like Holy SpiritSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

El temps passa volant i un bon grapat de grans discos celebren enguany la trentena. Aqu

The musical mind of Barry Adamson was so cinematic he created soundtracks for movies that didn't exist. Until they did. He starts out with the essential post-punk band Magazine, who released some of the best albums the genre had to offer. He was restless though and after time in Visage and Nick Cave and the Bad Seeds, he committed the music in his head to tape with the solo album, Moss Side Story and never stopped. Barry's music has always had a heavy cinematic quality which lead to him eventually scoring films, of course. Last week he released his new album, SCALA!, which is the soundtrack to the new documentary on the legendary art-house cinema in London which was a gathering place for him and artsy people like him for decades. We get to hear stories about all the stops along the way in his musical journey, working with people like Nick Cave and Midge Ure, growing up bi-racial, and more. Enjoy!  Barry Adamson The Hustle Podcast | creating podcasts | Patreon

"Scala" It's hard to explain everything Barry Adamson did before he was thirty. By then, his resume' was so packed with highlights it was hard to believe there was room for more. But there was. Like, a lot more. Let me explain. The Manchester-born Barry Adamson got his start in music in the late '70s by playing bass for Magazine, a band led by ex-Buzzcock Howard DeVoto. Adamson, who was briefly in the Buzzcocks himself, went on to play with Visage and Luxuria before joining Nick Cave and the Bad Seeds. Adamson played on legendary Cave albums like From Her To Eternity and Kicking Against The Pricks and from there, he stepped into the Iggy Pop fold and toured with Mr. Pop in '87. By then, Adamson was close to thirty and in many ways, that's the point where he really started to spread his musical wings, realizing he liked being on his own than being one of the guys in a band. From there, Adamson started to explore electronic and dub-fueled soundscapes and he moved effortlessly from strength to strength, releasing classic solo albums like Moss Side Story, the 1992 Mercury Prize nominated Soul Murder and his new one, La Scala. More on that in a minute. Over the course of his winning career, Adamson has played with The Birthday, Party, collaborated with everyone from Pulp's Jarvis Crocker to Billy McKenzie of the Associates, contributed to movie soundtracks like David Lynch's Lost Highway and done remixes for everyone from Depeche Mode to The Jon Spencer Blues Explosion. His new album La Scala is the original score for the 2023 documentary Scala!!! Or, The Incredibly Strange Rise And Fall Of The World's Wildest Cinema. The film is a stirring and rousing homage to the legendary London arthouse movie theatre and Adamson's inventive score uses elements of jazz, funk and post-punk noir to detail the rise and fall of a building that meant a lot of people whose lives were saved by the freedom and spirit of life in the counterculture. www.barryadamson.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

durée : 00:56:34 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas nous propose un programme centré autour de voix chaudes, parfois simplement accompagnées au piano Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

828 Nick Cave & the Bad Seeds - Murder Ballads

LANGHORNE SLIM – “Rock N  Roll” MAKTHVERSKAN – “Pity Party” NOURISHED BY TIME – “Max Potential” LOADED HONEY – “Don't Speak” REX LAURANT – “Coinstar” NUSANTRA BEAT – “Tamat MICHAH P. HINSON – “Oh, Sleepyhead” THE GNOMES – “I'm Not The One” ORACLE SISTERS – “Marseilles” FLOCK OF DIMES – “Long After Midnight” GOOD FLYING BIRDS – “Down On Me” YVES JARVIS – “All Cylinders” GENESIS OWUSU – “Death Cult Zombies” ANNA VON HOUSWOLFF, IGGY POP – “The Whole Woman DANGER MOUSE, BLACK THOUGHT, RAG N BONE MAN – “UP” ROOTS JULIANA RIOLINO – “Seed” TURNSTILE – “Slowdive” COURTGNEY BARNETT – “Stay In YouLane” MELODY'S ECHO CHAMBER, EL MICHELS AFFAIR – “Daisey” MURAT EVGIM – “”Nobody Told Me” THEY ARE GUTTING A BODY OF WATER – “The Chase” THE LEMON TWIGS – “I've Got A Broken Heart” ASHER WHITE – “Beers With My Name On Them” SAMPA THE GREAT FEATURING MWANJE – “Can't Hold Us” NICK CAVE – “Train Dreams”  

Brian, Blake, and Richard are back for Episode 599 of the Chasing Tone Podcast - Blake's cougar encounter and the ultimate tune-able tube screamers  It's a new year and Bri goes straight to the resolutions and nonsense, predictably, ensues before he makes a massive revelation and interrogates Richard's brain. Meanwhile he has been dreaming of adding a bender to his Les Paul and the guys were impressed by Brian's impersonation of Keith Richards. Richard get's all nostalgic for MTV but thanks to a website he was introduced to (https://wantmymtv.vercel.app/) he is able to sate his whimsical leanings. This leads the guys into a trip down memory lane as they discuss their favorite periods of the legendary music station that is no more. Richard is also disappointed with a new Bowie documentary but managed to catch GAS from it nevertheless.Blake has a "vintage" looper pedal and the guys talk about it at length. Brian comes up with an insane ground-breaking pedal design and the guys discuss it via the medium of Jell-o. Meanwhile the guys have been listening to some new music and tell all. Flat earth theory, The Buggles, The Great Cornholio, Streindberger, Phil Lynott, Nick Cave...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

For a parent, the death of a child is devastating. But to lose two of your children? Unimaginable! Yet that’s the experience of Australian musician, writer, and actor Nick Cave. In 2015, his 15-year-old son fell from a cliff and died. A few years later, Cave’s oldest child also died. In the grip of such overwhelming grief, how did Cave and his wife keep going? How would you? Cave attempted to find comfort in the world around him. “It’s the audacity of the world to continue to be beautiful . . . in times of deep suffering. That’s how I saw the world,” he said. “It was just carrying on, being systemically gorgeous.” Jesus knew the Source of such beauty, and He saw it for what it truly is: the very nature of His heavenly Father. His oft-quoted words in Luke 12—“consider the lilies” (v. 27 esv)—don’t dismiss the reality of suffering in our lives. In fact, they honor our great tragedies by offering an antidote to such harsh realities. Stop and consider the lilies, or the ravens (v. 24), or the sunrise. Christ taught us, “If that is how God clothes the grass of the field . . . how much more will he clothe you!” (v. 28). In the face of grief and loss, the world’s perspective falls short. Jesus encourages us to consider our Creator God who holds His audacious creation together and cares for us deeply.

There have been a lot of good to great films released this year - serious films, films with urgent political underpinnings, films that mix satire, pathos, and artistic ambition with such style that it salves my damaged psyche with a hope that there will be a light at the end of this dark tunnel in which we currently find ourselves. While there is a mordant undertone to many of these transmissions, there is also an implicit message from these artists that life will go on, and there is always love, joy, and gratitude to celebrate at the end of the year.TRAIN DREAMS is such a declaration. Based on a novel by Denis Johnson, the film is a metaphysical meditation on ragged survival through unimaginable grief, and it encompasses all of life and death throughout its dreamscape of primeval imagery. Following the trail of tears of a misbegotten railroad logger, Joel Edgerton delivers the performance of a lifetime, and in the cameo of a wizened old timer-philosopher in the camp, William H Macy transforms to such a degree that he caps his distinguished resume with an Oscar worthy supporting performance.  The Splendid Bohemians nominate this darkhorse masterpiece for film of the year, and would like to honor it today by playing Nick Cave's Train Dreams theme, along with 2 versions of Jackson Browne's Shadow Dream Song  (by Gregg Allman and Tom Rush), and Tom Wait's Innocent When You Dream. 

This week on The Metro, Rev. Jeff Ivins brings you the following bands for your time warp to the 1980s: Heaven Seventeen, The Birthday Party, Visage, Tracey Ullman, The Motels, The Blow Monkeys, Suburban Lawns, Cyndi Lauper, Ultravox, Human Sexual Response, Kid Creole And The Coconuts, Jimmy Nail, Panza Division, Nick Cave & The Bad […]

Our latest episode of Soundtracking sees a welcome return to the podcast for the legend that is Warren Ellis, who joins us to discuss his score for The Death Of Bunny Munro, which he composed with Nick Cave. Based on Nick's novel, The Death Of Bunny Munro stars Matt Smith as a salesman who takes his son on a road trip around Sussex after his wife's suicide at the same time a serial killer is operating in the area.

Steven and Ian begin with a quick tangent about the intersection of conservative newspaper columnists and music podcasts, and whether it will ever happen on Indiecast (1:52). They also do a Sportscast on the failing Philadelphia Eagles and Steven's revived hatred of the Chicago Bears (7:53). Then they pivot to a conversation about year-end albums lists, and what they say about the prevailing trends of 2025 (16:48). After that, they check out the just-announced Bonnaroo lineup (39:40) and do a "yay or nay" on Nick Cave (50:00)In Recommendation Corner, Ian talks about LA indie-sleazers The Hellp and Steven stumps for the Australian improv trio The Necks (53:51).New episodes of Indiecast drop every Friday. Listen to Episode 266 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Larry Mullins (Stooges, Swans, Nick Cave) discusses his love of the Stooges, playing with Iggy and the Asheton Brothers and shares how he and Mike Watt reworked several Stooges tracks for multiple Record Store Day releases, including a 40-minute version of "We Will Fall", available RSD-BF 2025. Topics Include: Larry Mullins discusses Stooges tribute project with Mike Watt, creating extended instrumental versions Record Store Day release features 40-minute version of "We Will Fall" from the Stooges Mike Watt initiated project after Steve Mackay's death as band tribute without vocals Recording involves aggressive nine-minute live takes with bass representing lead vocal parts Sessions happen in San Pedro with releases on seven-inch records that fade between sides Songs like TV Eye, 1969, 1970, Fun House only available on limited seven-inch releases Pandemic interrupted recording process, forcing creative remote collaboration between Berlin and San Pedro "We Will Fall" chosen specifically because original had no drums, allowing remote recording Brian Kehew mastered Rhino reissues, revealed original Stooges takes were 12-15 minutes long John Cale edited and faded original lengthy jams into known three-minute song versions Stooges wrote most songs at Chelsea Hotel night before recording first album sessions Band originally performed as wild improvisational psychedelic jam band before structured songs Recording process involved jamming songs for entire tape reel length, then editing down Story reveals Steve Mackay's green saxophone matched his deteriorating health but sounded fantastic Limited to 1,000 copies globally, pushing boundaries furthest of all their tribute releases High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

It's no secret that young men are sort of unwell. They are four times more likely to kill themselves, three times more likely to struggle with addiction, and 12 times more likely to be incarcerated than women. If that weren't enough, record numbers of men are not getting married, not dating, not enrolling in school or working, and struggling with serious mental health issues. In response, a cottage industry has emerged—full of influencers and paid courses claiming to teach young men how to become “high value.” But there seems to be a deeper intractable challenge: Young people lack meaning. Fifty-eight percent of young adults say they've experienced little or no sense of purpose in their lives over the past month. Shilo Brooks has a simple idea for all of it. He's telling young men—and really, all young people—to read. Yes, read. The idea is simple: Reading great books can make stronger and better men. He knows he's facing an uphill battle: Reading for pleasure among American adults has dropped 40 percent in the past 20 years. In 2022, only 28 percent of men read a fiction book, compared to 47 percent of women—a 19-point gap.  Shilo doesn't have the stereotypical profile for a “lit boy,” as Gen Z might describe him. He's from a small town in Texas and has a thick Southern drawl. When he was a baby, his stepfather stole his mother's savings, leaving them with nothing. And he almost didn't go to college because he couldn't afford it.  But today, Shilo is president and CEO of the George W. Bush Presidential Center and Professor of Practice in the Department of Political Science at Southern Methodist University. He has also taught at Princeton, the University of Virginia, the University of Colorado, and Bowdoin College.  His prescription is simple. Shilo says: “Great works of literature are entertaining, but they are not mere entertainment. A great book induces self-examination and spiritual expansion. When a man is starved for love, work, purpose, money, or vitality, a novel wrestling with these themes can be metabolized as energy for the heart. When a man suffers from addiction, divorce, self-loathing, or vanity, his local bookstore can become his pharmacy.” This is the driving vision of the new podcast he just launched with The Free Press, called Old School, where he talks to guests about the books that shaped their lives: Fareed Zakaria on The Great Gatsby, Nick Cave on The Adventures of Pinocchio, Richard Dawkins on P.G. Wodehouse novels. Then there's Coleman Hughes, Ryan Holiday, Rob Henderson, and so much more. Think of it like a boy's book club that anyone can enjoy. So, here's what you'll hear today: a conversation between Bari and Shilo about this project, and how it fulfills the desperate needs of a lost generation. Subscribe to Old School with Shilo Brooks. The Free Press earns a commission from any purchases made through all book links in this article. Learn more about your ad choices. Visit megaphone.fm/adchoices