Podcast appearances and mentions of Hans Zimmer

[Digital Gonzo 2012] NOTE: This is a reissued episode from over 12 years ago. Please forgive the lower production values and boneheaded things I say. Part two of Christopher Nolan's Dark Knight Trilogy. Following the powerful set-up of Batman Begins, the production team pulled out all the stops to deliver an epic crime thriller in the style of Michael Mann's Heat. This is a story of a city in turmoil and a police force struggling to keep order, up against the ruthless mob. At the center are Batman and The Joker, forces of nature representing order and chaos. The only hope for Gotham may in fact be the White Knight, district attorney Harvey Dent. But you all know this, because everybody and his dog saw this movie back in 2008. I just wanted to set the scene a little. Much is discussed, especially Heath Ledger's extraordinary performance, but not forgetting the brilliant turns from Aaron Eckhart and Maggie Gyllenhaal and the possible career-high score from Hans Zimmer and James Newton Howard. Guests: Sharon Shaw of School of Movies Neil Taylor of TheKiddDogg Joshua Garrity of Cane and Rinse Jerome McIntosh of GameBurst Aquila Edwards of Eyrie City Paul Gibson of Gonzo Planet

[School of Movies 2024] Nolan-Vember evolves to a whole new stage of the man's career, as following the billion-dollar success of The Dark Knight in 2008 he became a household name. This 2010 film, after The Prestige, just four years earlier garnered a mere $109m at the box office totally flipped the landscape of possibility in cerebral blockbuster cinema. It netted an astonishing $839m, signalling to Hollywood that here was an auteur who could open a summer movie that wasn't based on comics or toys, wasn't a remake or a sequel, a reboot or a prequel or even an adaptation of a book, a play, a fable a video game or a TV show. This was a standalone tale written by the director himself, and that a huge audience now wanted to be taken to the places they recognised him as capable of taking them, mentally, emotionally, and in terms of how intense Hans Zimmer's BWAAAAAAAAAAAAA got; physically. But that doesn't mean that this evolution of Christopher Nolan works for Sharon and I. In fact, from this point on he royally cheeses our onions!

In this podcast extra, Grammy and Oscar winner Finneas talks about his new album, ‘For Cryin' Out Loud!,' his approach to songwriting and why some words and lyrics are timeless, how he writes and produces with his sister Billie Eilish, his skepticism of A.I. from creativity to wedding speeches, and his views of Hans Zimmer, Selena Gomez and James Blake in this extended interview with MSNBC anchor and music obsessive Ari Melber. Parts of the interview aired on MSNBC and this is the full discussion, the newest installment of “Mavericks with Ari Melber,” a series of interviews with artists, musicians and cultural icons.

Ridley Scott's Gladiator (2000) wasn't just a movie—it was an event, a cultural phenomenon that revived the sword-and-sandal epic for a modern audience. In this week's Born to Watch podcast episode, we take a deep dive with our Gladiator (2000) Movie Review, a timeless classic that set the bar for historical dramas, earning critical acclaim and five Academy Awards, including Best Picture. With stunning visuals, a poignant score, and unforgettable performances, Gladiator remains one of cinema's greatest achievements.The Story That Defined a GenerationAt its core, Gladiator is a revenge tale wrapped in the grandeur of the Roman Empire. Russell Crowe stars as Maximus Decimus Meridius, a loyal Roman general betrayed by the scheming Commodus, played with unsettling intensity by Joaquin Phoenix. Stripped of his rank, family, and freedom, Maximus is forced into the brutal world of gladiatorial combat. As he rises through the ranks of the arena, he becomes a beacon of hope and rebellion, culminating in a battle not just for his life but for the soul of Rome itself.What makes Gladiator resonate so deeply is its ability to blend intimate human drama with epic stakes. Maximus's vendetta against Commodus intertwines with his larger quest for justice, making every clash in the Colosseum emotionally charged. The screenplay, penned by David Franzoni, John Logan, and William Nicholson, is poetic and visceral, delivering lines like “Are you not entertained?” that have become iconic in pop culture.A Visual and Sonic MasterpieceRidley Scott is a director known for his meticulous attention to detail, and Gladiator is no exception. The film's portrayal of ancient Rome is nothing short of breathtaking. Using a mix of practical sets, CGI, and miniatures, Scott and cinematographer John Mathieson recreated the grandeur of the Colosseum and the chaotic energy of Rome's streets with staggering realism.Equally stunning is Hans Zimmer and Lisa Gerrard's haunting score. The music perfectly captures the film's shifting tones, from the mournful longing of Maximus's loss to the triumphant swell of his victories. Tracks like “Now We Are Free” remain synonymous with the film's legacy, blending orchestral power with ethereal vocals to evoke an almost mythic quality.A Performance for the AgesRussell Crowe's portrayal of Maximus is the beating heart of Gladiator. His transformation from a respected general to a vengeful gladiator is physically demanding and emotionally rich. Crowe embodies Maximus with a quiet intensity, delivering a performance that won him the Academy Award for Best Actor. His ability to convey a deep well of grief, determination, and defiance elevates the character into the realm of timeless cinematic heroes.Joaquin Phoenix's Commodus, on the other hand, is a masterclass in villainy. He's not just evil for the sake of it—he's deeply insecure, desperate for approval, and chillingly manipulative. Phoenix walks a delicate line, making Commodus repulsive yet compelling, a character you can't look away from, no matter how despicable his actions.The supporting cast, including Connie Nielsen as the morally torn Lucilla and Richard Harris as the wise Emperor Marcus Aurelius, rounds out the ensemble with gravitas and depth. Even in smaller roles, the film excels in giving its characters memorable moments that add richness to the world.Themes That Echo Through HistoryGladiator isn't just a feast for the senses—it's a film that grapples with timeless themes. Justice, loyalty, and the corrupting nature of power all play pivotal roles in the story. Maximus's journey is as much about reclaiming his honour as it is toppling a corrupt regime. His mantra, “What we do in life echoes in eternity,” underscores the film's meditation on legacy and the impact of our actions.The movie also speaks to the enduring appeal of underdog stories. Maximus's rise from slave to hero taps into a universal desire for justice and redemption, making his triumphs all the more cathartic. At the same time, the film doesn't shy away from the brutality of its world, reminding us that victory often comes at a high cost.A Lasting LegacyWhen Gladiator hit theatres in 2000, it reignited interest in historical epics, paving the way for films like Troy, 300, and Kingdom of Heaven. But few have matched its impact. Its influence extends beyond the genre, inspiring video games, TV series, and countless parodies in pop culture.The film's success also cemented Ridley Scott's reputation as a visionary director and launched Russell Crowe into superstardom. It remains a benchmark for storytelling and craftsmanship, a movie that feels as fresh and powerful today as it did over two decades ago.Why We Still Love GladiatorSo why does Gladiator still hold such a special place in our hearts? Part of it is the sheer spectacle—few films manage to combine action, drama, and historical detail so seamlessly. But more than that, it's the emotional core of the story. Maximus's journey is one of loss, perseverance, and ultimate redemption, themes that resonate universally.Watching Gladiator is an experience that lingers long after the credits roll. Whether it's the breathtaking battles, the nuanced performances, or the hauntingly beautiful score, every element works in harmony to create something truly unforgettable.Final ThoughtsOur latest Born to Watch podcast episode celebrates everything that makes Gladiator a masterpiece. From its technical achievements to its emotional depth, the film is a triumph in every sense of the word. It's a reminder of why we go to the movies—to be moved, thrilled, and inspired.If you haven't revisited Gladiator lately, now is the perfect time. As Maximus would say, “Strength and Honour”—this movie delivers both in spades.

#kurtrussell #moviereview #podcast#podcast #kurtrussell #backdraft #moviefacts #barrelagedflicks #moviereview In this episode, the hosts discuss the film 'Backdraft,' exploring its themes, character dynamics, and the real-life experiences of firefighters. They delve into the science of fire, the special effects used in the film, and the powerful score by Hans Zimmer. The conversation also touches on the relationships between characters and the impact of firefighting on personal lives. The conversation delves into the themes of brotherhood, sacrifice, and the emotional toll of firefighting as depicted in the film 'Backdraft.' The speakers discuss the balance between work and family life for firefighters, the technical aspects of fire behavior and investigation, and the impact of corporate greed on firefighter safety. They also critique the film's editing choices and the inclusion of a love story, while praising the special effects and Ron Howard's direction. The discussion culminates in personal ratings and reflections on the film's legacy. Takeaways Brian Grazier is considering a remake of Backdraft. The show aims to explore the film's legacy and impact. Real-life firefighter experiences add depth to the discussion. The science of fire is crucial in understanding firefighting. Character dynamics play a significant role in the film's narrative. Special effects in Backdraft were groundbreaking for its time. Hans Zimmer's score enhances the emotional weight of the film. The portrayal of firefighting techniques is both realistic and dramatized. The film highlights the personal sacrifices of firefighters. Future projects related to Backdraft are anticipated. Firefighters often struggle with work-life balance. Understanding fire behavior is crucial for investigation. Brotherhood among firefighters is a central theme. Corporate greed can jeopardize firefighter safety. The emotional toll of firefighting is significant. Cinematic techniques can enhance storytelling. The love story in 'Backdraft' felt unnecessary to some. Fire effects in the film were groundbreaking for its time. Ron Howard's direction brought depth to the film. The film highlights the dangers firefighters face daily.

The impulse to combine music and film goes back to the very beginning. The Lumiere brothers first silent film screening in Paris in 1895 was accompanied by a pianist. When films were added to vaudeville theaters at the beginning of the 20th century, music was provided by an in-house musician or organist, small ensembles, and even full orchestras. Pipe organs for theaters—at the time the most wide-ranging and loudest instruments available—were built by the American musical instrument company Wurlitzer. The famous "Mighty Wurlitzer" theatre organ was introduced in 1910, and was installed in theatres, museums, and churches around the world. Romantic-Classical styles and orchestration dominated the early years of sound films, and an emotional language of film music became widely understood. As film subject matter expanded, jazz and other "modernist" genres were added. Powerful rhythms, memorable melodic themes, and repeated motifs were common, as well as more subtle, quiet music to create mood and atmosphere. What we call ambient music today, was—and still is—a major part of film music, and came to be called the "underscore." On this transmission of Hearts of Space, ambient and atmospheric music for film, on a program called "UNDERSCORE 3." Music is by TIM STORY, LISA GERRARD & PIETER BOURKE, LUDOVICO EINAUDI, HANS ZIMMER, MYCHAEL DANNA, ENNIO MORRICONE, TOM HOLKENBORG, and featuring BRIAN KEANE'S score for DANTE: INFERNO TO PARADISE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

“The Last Showgirl” star Pamela Anderson on her role in the film, and how she's still a pop culture icon; and “Dune: Part Two” composer Hans Zimmer on why his score should still be eligible for an Oscar. Learn more about your ad choices. Visit megaphone.fm/adchoices

We here at the podcast are big fans of the video game publisher Electronic Arts. We loved their decision to include loot boxes in many of their titles, including Mass Effect: Andromeda, FIFA and Star Wars: Battlefront II. We believe the original ending of Mass Effect 3 was masterful storytelling. Finally it was smart for EA to close legendary studios like Westwood, Visceral, and Bullfrog. Electronic Arts can do no wrong in our eyes (EA please leave the cartoonishly large bags of money with the $ symbol on the outside at our previously agreed location). Intro: Silent Hill 2 Remake 6 Things: - Actor Tony Todd Passes Away - PlayStation 5 Pro is Out - Youtube Comment - Email! - Silent Hill 2 Remake - Dragon Age: The Veilguard Outro: Dragon Age: The Veilguard Main Theme - Dragon Age: The Veilguard by Hans Zimmer, Lorne Balfe Questions or comments? Please send emails to BetweenTheJoysticks@gmail.com. Follow us on Twitter @JoysticksPod Subscribe to us on Youtube @BetweenTheJoysticks

Willkommen im Kritiker-Kolosseum, wo uns dieses mal Ridley Scotts Sandalenfilm „Gladiator“ vor das frisch geschärfte Gladius kommt. Der Oscar-Abräumer aus dem Jahr 2000 holte das Monumental-Kino kurzzeitig zurück in die Hollywood-Arena, machte seine Leading-Men zu Superstars und zeigte im Box-Office, dass das Publikum von schwitzigen Muskelmännern nie genug bekommt. Und obwohl die Story rund um Maximus und Commodus einen blutigen, recht endgültigen Abschluss gefunden hat, gibt Sir Ridley noch einmal den Regie-Cäsar und haut knapp ein Vierteljahrhundert später eine Fortsetzung seines Welterfolgs raus. Aber bevor wir uns Gladiator "Pars Duo" im Kino reinpfeifen, wollen wir erstmal herausfinden, ob der Erstling unter dem dramaturgischen Subligaculum wirklich so gut bestückt ist, wie immer behauptet. Eamus!

Pour ce 10 eme épisode et aussi pour coller à la sortie ciné de la semaine, nous allons parler de Gladiator premier du nom !Alors Gladiator c'est quoi ? Bah c'est une petite pépite !Déjà parce qu'on a un Ridley Scott qui vient dépoussiérer le genre péplum et fera fermer des bouches au passage, un Russell Crowe à son prime, un Joaquin Phoenix qui te tape une performance d'acteur au passage et un Hans Zimmer ultra chaud qui vient sublimer le tout avec une bande originale qui te fait dresser les poils !Alors oui, il y a de la crainte avec la sortie de Gladiator 2, tant le premier est incroyable et a très bien traversé le temps !La dernière fois que nous nous étions aligné pour la sortie d'une suite au cinéma c'était pour Joker, et franchement, Joker 2 c'était vraiment pas une réussite, donc on croise les doigts et on lève notre glaive !Pour parler de ce monument du cinéma, on retrouve Thomas, Charlie, Jennifer, Valentin et Pierre.N'hésitez pas d'ailleurs à nous LAISSER DES COMMENTAIRES ET AUSSI DES BONNES ETOILES (déjà parce qu'on est des gens cool), et puis aussi suggérez nous des films, on les fera avec plaisir.VOUS ETES DE PLUS EN PLUS NOMBREUX, SOYEZ DE MOINS EN MOINS TIMIDE voici notre mail pour toutes suggestions / propositions de films : laboitedechocolatmail@gmail.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Evan Bevins and Mark Radulich present our Pearl Harbor 2001 Movie Review!Pearl Harbor is a 2001 American romantic war drama film directed by Michael Bay, produced by Bay and Jerry Bruckheimer and written by Randall Wallace. It stars Ben Affleck, Kate Beckinsale, Josh Hartnett, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin. The film features a heavily fictionalized version of the attack on Pearl Harbor by Japanese forces on December 7, 1941, focusing on a love story set amidst the lead up to the attack, its aftermath, and the Doolittle Raid.The film was a box office success, grossing $59 million in its opening weekend and $449.2 million worldwide, becoming the sixth-highest-grossing film of 2001, but received negative reviews from critics, who criticized the story, long runtime, screenplay and dialogue, pacing, performances and historical inaccuracies, although the visual effects and Hans Zimmer's score were praised. It was nominated for four Academy Awards, winning in the category of Best Sound Editing. It was also nominated for six Golden Raspberry Awards, including Worst Picture.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Robert Kraft reunites with the talented Jessica Weiss to talk about her path from ballet to Hollywood film scoring. In 2012, Jessica was invited to join the Remote Control Productions team and worked with Hans Zimmer, Lorne Balfe, Junkie XL and others on films. Then, she landed a job as a music editor working with Mychael Danna, and has continued on to score the recent Camila Cabello film Cinderella.

Hans Zimmer hat unzählige Filme mit Musik beliefert und füllt mittlerweile Stadien mit seinen Liveshows. Doch woher kommt dieser Erfolg? Was kann oder macht Hans Zimmer, das andere nicht können oder machen? Und wie war das Konzert in München?

This episode was streamed live on Twitch on November 3rd, 2024. Join Tanner and Tim as they discuss the latest and greatest in movie news. From the return of Scary Movie, Alien Romulus on VHS, and Hans Zimmer being told he can't win an Oscar! All on Jump Cuts! Website: https://www.bombsquadproductions.com/ Patreon: https://www.patreon.com/user?u=52220876 Like us on Facebook: https://www.facebook.com/bombsquadproductions Follow us on Instagram: https://www.instagram.com/bombsquad_productions/ Follow Us On Twitter: https://twitter.com/BombSquadProds Follow Us On Twitch: https://www.twitch.tv/bombsquadproductions Save 15% with our discount code SQUAD15: https://moviepalette.com/ LinkTree: https://linktr.ee/bombsquadproductions Listen to us on these platforms: Spotify: https://open.spotify.com/show/6VbdgPxf8efiAMph5tH6T8 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80YTM2ZWJkNC9wb2RjYXN0L3Jzcw Anchor: https://anchor.fm/bombsquadproductions PocketCast: https://pca.st/r54f4dsp RadioPublic: https://radiopublic.com/bomb-squad-productions-podcast-hu-Wol7V4 Breaker: https://www.breaker.audio/bomb-squad-productions-podcast-hub --- Support this podcast: https://podcasters.spotify.com/pod/show/bombsquadproductions/support

FOR THE FUTURE! We're back! In our final Pitch It, join Aeric as he closes out his Batman Beyond trilogy! With the shocking events that closed out the last installment, how will Team Beyond recover? And will they be able to save Neo-Gotham from a returning Paxton Powers? Or will BLIGHT claim the city for his own? Find out here! Time Stamps: 00:00:49 Intro 00:06:51 Pitch It! Batman Beyond: Ascension 00:21:35 Previously, on Batman Beyond… 00:24:10 Prologue 00:33:30 Act 1 01:08:51 Act 2 02:08:57 Act 3 02:43:05 Post-Credits 02:50:42 Wrap-Up Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK “Batman Beyond Theme” by Kristopher Carter “The Legacy Continues” by Michael McCuistion “for a new meaning” by nowt “Missing” by Daft Punk “Son of Flynn” by Daft Punk “Encom” by Daft Punk “Apex Predators” by P.T. Adamczyk “Peter Parker and Gwen Stacy Love Suite” by Hans Zimmer “Penguin of Guilt” by Michael Giacchino “Run It Suite” by Joseph Shirley “The Future” by John Ottman “Crash” by Mephisto Odyssey ft. Static X “Icon” by Jaden Smith “Someone Just Volunteered” by Alexander Temple “Stop Running” by Joseph Shirley “Time's Up” by John Ottman “Showering Clock Tower” by Shirley Walker “To Build A Home” by The Cinematic Orchestra “The Bridge” by Alexander Temple “Yachting with the Card Gang” by Kristopher Carter “Showdown” by Alexander Temple “Battle on the Big Bridge” by GaMetal “The Void” by Joseph Shirley “The Rest of My Life” by Hans Zimmer “Melanie Tempts Terry” by Kristopher Carter “Healing Old Wounds” by Kristopher Carter “Surveying the Ruins” by Hans Zimmer and James Newton Howard “Father and Son” by Daft Punk “Overture” by Daft Punk

Is there a such thing as Corporate spooky? Yes, and it's more terrifying than you would believe. Don't listen to these spooky stories with the lights off. These outrageous and absurd stories have been too spooky to share until now. From a mind-boggling Google search on a shared screen to a murder at an internship to a carpool flatulence disaster that could bring tears to your eyes, these stories will give you a fright. Natalie and Ross also explore the do's and don't's of celebrating Halloween in the office; they cover the main rules for dressing up for the holiday in a corporate setting, and they give tactical techniques for spreading the Halloween spirit in the office. Stay tuned for a recap of the corps' favorite costumes over the years, Ross's love for Hans Zimmer, and the legend of Winnie the Rizz. Try Notion for free when you go to https://notion.com/demoted

Jake & Ron return once again to bring you some Oscar season goodness. We've got movie news for some awards bait-y films coming in the future as well as a breakdown of what's going on with Hans Zimmer and why the score for Dune: Part 2 has been disqualified from Oscar consideration. We've also got reviews for We Live in Time and Conclave! --- Support this podcast: https://podcasters.spotify.com/pod/show/galaxyoffilm/support

Blade Runner (1982) and Blade Runner 2049 (2017). Hey Butter Leggings, what's that article that you wear when you're getting a haircut? Who invented the moustache? Where do bio-engineered human rights begin? You know, all of life's big questions. “Wallace” composed by Hans Zimmer and Benjamin Wallfisch. “Cornfield Chase,” “Why So Serious,” “Games,” and “Gom Jabbar” composed by Hans Zimmer. “Bright Eyes” was written by Mike Batt. Includes a clip of "bad guy" by Billie Eilish and Finneas O'Connell. Includes a clip of "Old Town Road" written by Montero Hill, Trent Reznor, Atticus Ross, and Kiowa Roukema.

Jordan joins us to talk about his time on tour with Hans Zimmer. Support this podcast at — https://redcircle.com/davisanddavis/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hans Zimmer, Academy Award-winning composer, and Golnar Khosrowshahi, CEO of Reservoir Media, discuss AI in the music industry, why human creation is still unique and whether or not Zimmer approves of “The Journal” theme music. Further Listening: -Artificial: The OpenAI Story -When AI Comes for Your Art Further Reading: -Hans Zimmer, Movie Maestro -Music Labels Take On AI Startups With New Lawsuits Learn more about your ad choices. Visit megaphone.fm/adchoices

Dispatch is back after a week off! A nice full show today, with entertainment, science, archaeology, and sports!- ENTERTAINMENT -Music:(02:25) • Tyler the Creator's next up is CHROMOKOPIA, and the rollout is going splendidly.(07:30) • Ab-Soul announces SOUL BURGERTelevision:(08:11) • RICK AND MORTY renewed for seasons 11 & 12, with season 8 on the docket for next year.(09:55) • DUNE: PROPHECY set for a November 17 premiere + DEATH BY TELEVISION update.(11:00) • DAREDEVIL: BORN AGAIN set for a March 4, 2025 premiere.Movies:(12:50) • Tom Holland cast in Christopher Nolan's next film alongside Matt Damon.(15:18) • Colman Domingo set to make directorial debut with SCANDALOUS.(16:18) • Robert Pattinson potentially eyeing a role and producing credit on A24 film inspired by TO CATCH A PREDATOR.(17:37) • Alana Haim joins the casts of THE DRAMA, starring Robert Pattinson and Zendaya, and THE MASTERMIND, starring Josh O'Connor.(18:37) • Greta Lee fills in for Sandra Hüller in upcoming Willem Dafoe picture: LATE FAME.(19:29) • JOHN WICK prequel anime film in the works.(21:16) • THE DAY THE EARTH BLEW UP, a Looney Tunes movie will be released February 2025 in theaters.(23:23) • WONKA 2 has been green lit, with production slated for 2026.(23:56) • DUNE: MESSIAH slated to begin production in early 2026, potentially freeing up Greig Fraser to photograph both it and THE BATMAN 2.(25:57) • Hans Zimmer's DUNE PART TWO score has been disqualified from awards contention.(29:01) • Luca Guadagnino set to direct a new adaptation of AMERICAN PSYCHO + the fancast nightmare of Patrick Bateman.(33:42) • James Gunn posts sentimental caption about his own dog, Ozu, to announce the presence of Krypto in his SUPERMAN film.(36:47) • David Corenswet has been cast as John Tuggle in football flick MR. IRRELEVANT.Reviews:(37:45) • SATURDAY NIGHT review(41:48) • WE LIVE IN TIME review- SCIENCE & ARCHAEOLOGY -Space:(48:13) • SpaceX launches starship and catches it in MECHAZILLA.(50:30) • Europa Clipper launched! Satellite heading for a moon of Jupiter with the highest likelihood of life beyond Earth.(57:16) • World Science Festival speaker suspects human life is the most bizarre, out-there species in the universe.Earthbound:(1:00:30) • New messages discovered in Temple of Luxor hieroglyphics.- SPORTS -Baseball:(1:06:38) • Yankees vs Dodgers in the World Series, and why that's a bittersweet reality.Basketball:(1:10:35) • New York Liberty dubbed WNBA Champions.(1:11:08) • NBA Tip-off Week. The chip on Jayson Tatum's shoulder. The special moment Lebron and Bronny took the court together.Football:(1:17:07) • NFL Week 8 picks.

Burnie and Ashley discuss incomes tax brackets, tipping culture, tax differences between UK and US, Redbox abandoned boxes, zombie oil wells, Jason Statham, surprisng Cybertruck sales, Tesla earnings, EV politics, voting checks, Minecraft VR, Netflix games studios, Dune 2, and Hans Zimmer snubs himself for an Oscar.Support the show

On this episode of the Gold Derby Show, editors and experts Joyce Eng and Christopher Rosen discuss the big news of the week, including that Hans Zimmer's "Dune: Part Two" score is ineligible at the Oscars for Best Score (00:10). Then, Joyce and Chris give their thoughts on Edward Berger's new film "Conclave" and how it might fare in the Oscars race (17:04). Finally, Joyce and Chris give their social reactions and first impressions to "Gladiator II" (41:48). To become a part of the show, email us at slugfests@goldderby.com and we'll read your note during our weekly mailbag episode. To make your own predictions, head to https://www.goldderby.com. Love what you hear? Leave us a review at your favorite podcast provider. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, inspired by WOMAN OF THE HOUR, we discuss our Top 5 true crime movies! We also talk box office, BLADE's indefinite delay, Nolan's new vampire movie and The Academy dismissing Hans Zimmer's DUNE score. - Box Office (3:28) - Blade Delayed Indefinitely (13:35) - Nolan Vampire Movie (30:43) - Zimmer vs Academy (43:31) - Top 5 True Crime Movies (1:02:41) Visit https://insessionfilm.com for merch and more! Episode sponsor: TRANSFORMERS ONE - Follow us on social media for your chance to win a FREE digital code! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF25  Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Megalopo-Month continues with a journey back to the ancient glory of Rome in Ridley Scott's Gladiator! In this episode, we dive deep into the Oscar-winning epic in anticipation of the upcoming sequel, sharing our thoughts on Sword and Sandal films, its influence on prestige TV like Game of Thrones, and even the controversy around Hans Zimmer's plagiarism. Joining us in the arena for this thrilling discussion are Alex Creager and Sandra Indykiewicz, our first couple to grace the podcast together! Get ready for a clash of insights worthy of the Colosseum. Strength and honor!Join the Extended Family on Patreon: https://www.patreon.com/FilmwithFamilyYouTube: https://www.youtube.com/@FilmwithFamilyInstagram: https://www.instagram.com/filmwithfamily/TikTok: https://www.tiktok.com/@film.with.familyTwitter: https://twitter.com/filmwithfamilyFacebook: https://www.facebook.com/profile.php?id=61551928799003Email us at filmwithfamilypodcast@gmail.comLetterboxd: Austin C. Pruett and zacharyzweifler

Settling is out there! Al is setting off the balloons for this one as the bros take a long awaited adventure to Paradise Falls. Ev's score: 8.8 / Al's score: 9.7 / Ky's score: 9 Musical term: Thematic transformation Instrumental Instrument: Muted Trumpet 00:00 We're back! 00:11 Hans Zimmer and the Great Baltimore Disaster 02:22 Dedicating the Episode 04:37 Analyzing the Emotional Impact of 'Up' 06:56 Pixar's Journey and Giacchino's Contribution 13:18 Musical Themes and Leitmotifs in 'Up' 17:59 Emotional Evolution of the Film 20:00 Partnership and Adventure 23:10 Hope and Thematic Transformation 25:36 Musical Techniques and Analysis 27:39 Nostalgia and Instrumentation 29:52 Scoring the Score If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

Hans Zimmer ist eine musikalische Ausnahmeerscheinung in Hollywood. Aus seiner Feder stammen oscarprämierten Melodien zu Filmen wie „Rain Man“, „Der König der Löwen“ oder „Fluch der Karibik.“ Seit 2018 begeistert er mit seiner Konzerttournee „The World of Hans Zimmer“ das Publikum.

M Night Shyamalan's hokey but timely (at the time) spooky alien crop circle flick starting Mel Gibsons gets the Forgot You Forgot Treatment - but not before Joe tells his anecdote about Hans Zimmer. Why was Mel such a big star, what's up with the Culkins and the Fannings, and why can't these aliens open doors?

When it comes to 90s action movies, The Rock (1996) is an absolute powerhouse, packing in all the adrenaline, explosions, and star power you'd expect from a Michael Bay film. This high-octane blockbuster fuses a prison break with a military conspiracy, creating a wild ride that still holds up almost 30 years later.At its core, The Rock combines the thrilling escapism of an action movie with a surprisingly engaging plot. The story kicks off when a group of rogue U.S. Marines, led by the stoic General Hummel (played by the legendary Ed Harris), seizes Alcatraz Island and threatens to launch chemical weapons on San Francisco. The government assembles a rather unusual duo to thwart the attack: Dr. Stanley Goodspeed (a quirky and nerdy Nicolas Cage) and John Mason (Sean Connery, effortlessly cool as a former British SAS operative). Mason is the only man ever to have successfully escaped Alcatraz, making him the key to breaking back into the "rock" and stopping the impending disaster.What sets The Rock apart from other 90s action films is its all-star cast and their ability to bring depth to what could have been one-note characters. Connery, in particular, steals every scene he's in, bringing both gravitas and sly humour. Cage's Goodspeed is a fish out of water, providing a balance to Connery's seasoned warrior. Their dynamic delivers much of the film's heart and unexpected comedic moments. Meanwhile, Harris' Hummel is a villain with depth—a man who believes he's fighting for a noble cause, adding emotional layers to the otherwise explosive spectacle.Visually, Michael Bay's signature style is all over the screen. Expect dizzying action sequences, perfectly timed slow-motion shots, and some truly unforgettable set pieces, including car chases through the streets of San Francisco and tense scenes inside the ominous Alcatraz prison. Bay knows how to amp up the intensity, and Hans Zimmer's pulse-pounding score keeps your heart racing right alongside the action.What makes The Rock such a standout is its ability to blend the best of 90s action excess with memorable performances and an engaging narrative. It's a film that doesn't just rely on explosions but instead crafts a fun, fast-paced story around them. For fans of action movies, this is one of the decade's must-see films, offering pure entertainment from start to finish.Why It Still Matters:The Rock endures as one of the best action movies of its era. It captures the quintessential 90s action formula while pushing its limits with a more intricate story and standout performances. Connery's role as the aging but unbreakable Mason remains a defining one, while Cage's Goodspeed is a great mix of quirky and capable, perfectly capturing the “unlikely hero” archetype. Add in the film's gripping premise, explosive action, and a truly memorable villain, you've got a recipe for a classic.For fans of Born to Watch, The Rock is an ideal discussion piece—it's pure popcorn entertainment with just enough emotional complexity to elevate it above other action flicks of its time. Whether it's your first time seeing it or your 50th, it's a movie that never fails to entertain.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/

Michael Douglas, Mullets, and Motorcycles....what else do you need?

Episode 123.2: Fantasy Football Talk, Sexual Deviancy, Hamster Death, Pete Rose, Posthumously, The Highway Men, Hans Zimmer Concert, and 1845 Double Oak Bourbon

Megalopolis isn't a disaster but it isn't good. But it's a disaster. It's not good but it's so bad it's good. It has some good parts but it's not a good movie. It's not a movie about a disaster but it's a disaster. It's better than a disaster but that doesn't mean it's good. It's a good disaster that is so bad it's good.In this episode of Flyover Film Country, the hosts delve into the chaotic cinematic experience of Francis Ford Coppola's latest film, Megalopolis, exploring its ambitious yet flawed execution. They discuss the surreal nature of the film, its jarring tone shifts, and the audience's reactions. The conversation then shifts to a review of Hans Zimmer's live concert, highlighting the emotional power of film scores and the diverse audience that attended. The hosts reflect on the significance of music in cinema and Coppola's complex legacy in the film industry. In this engaging conversation, the hosts delve into the exhilarating experience of live music, particularly focusing on Hans Zimmer's performances and the cultural significance of music in uniting diverse backgrounds. They share personal anecdotes, including a memorable Harry Potter trivia night, and reflect on the impact of film scores on their lives. The discussion also touches on the challenges of parenting and the importance of enjoying life, culminating in a light-hearted exchange about their favorite movies and experiences.

#editing #dune #oscars Get 14% more video views using mainstream music from Lickd: https://go.lickd.co/The-Editing-Podcast-Dune Host:  @HillierSmith  Guest: Joe Walker Editor: João Bernardo & André Rodrigues Executive Producer: Vishnu Vallabhaneni 0:00 - Joe Walker's Method to Dune 1:31 - Breakdown: The Sand Worm Sequence 4:34 - The Contrast & Vulnerability of Paul 7:35 - Why It's Powerful To NOT Cut 9:30 - Constructing the Sound of the Sand Worm 12:14 - How They Made A REAL Sand Worm 14:10 - Sound Design vs. Hans Zimmer 19:45 - Why Joe Broke THIS Editing Rule 23:03 - Joe Walker's Advice For New Editors In this episode of The Editing Podcast, renowned YouTube-first podcast hosted by editor Hayden Hillier-Smith, Oscar-winning editor Joe Walker joins the show to discuss his groundbreaking work on Dune Part 2. Walker, known for his previous work on Blade Runner 2049, Arrival, and 12 Years a Slave, dives deep into the epic world of Dune, revealing how his past projects paved the way for his collaboration with director Denis Villeneuve on this iconic sci-fi saga. Together, they break down the jaw-dropping Sand Worm sequence, from initial storyboards to its final breathtaking form on screen. Walker offers an insider's perspective on how this iconic scene was meticulously edited, blending VFX with SFX, balancing intense sound design with the incredible score of Hans Zimmer and the overall tension of the scene to capture the immense scale and power of the worms in the deserts of Arrakis. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-editing-podcast/support

In this episode, Whitney reflects on her ongoing road trip, her camping experiences in Rhode Island, a memorable Hans Zimmer concert, bike trips, a bad experience with a psychiatrist, and more. She shares personal insights about managing ADHD, experimenting with Adderall, and the dynamics of emotional wellbeing. Whitney also discusses her renewed engagement with TikTok and the impact of global events on her perspective. Emphasizing authenticity, she explores how embracing one's natural rhythm and being true to oneself is vital, especially amidst societal pressures and curated lives. Between recounting serene moments and confronting reality, Whitney invites listeners to connect with her and join the conversation about life's complexities.https://www.tiktok.com/@whitlauritsenJoin the Beyond Measure community today: https://whitneylauritsen.com/beyond-measure/Love the show? Subscribe, rate, review, and share!Here's How »

This week on #TheNerdChat: - Starfield and Shattered Space still sucks… jk not really - Tim Sweeney says gaming is CHANGING - PC nerd stats - RIP to some greats New episodes of The Nerd Chat: An Xbox Podcast are livestreamed on Thursdays and uploaded on Fridays. Learn more at www.nerdchatmedia.com Follow @thenerdchat on various social media sites. #seeyouonline 0:00 Hello and welcome to the show 5:15 RIP to sports greats 8:45 Shoutouts 12:05 BigBox RANT 20:20 News #1: Gaming is going through a "generational" change... 39:25 News #2: Steam Hardware Survey 2024 51:00 News #3: Hans Zimmer and Dragon Age Veilguard 57:40 News #4: Coming to Game Pass 10/24 1:05:50 STARFIELD SUCKS AGAIN... JK WE LIKE SHATTERED SPACE 1:36:00 The best food we had this week 1:47:00 Closing and end of show #timsweeney #fortnite #steam #starfield #dragonage #hanszimmer #xbox #playstation #podcast

The Royal Canadian College of Organists is bringing an event, called Interstellar 10, to five Canadian cities... And Halifax will be the first stop this Saturday at the Cathedral Church of All Saints. There will be performances and a Q & A with Roger Sayer, the original organist on the soundtrack to "Interstellar," released in 2014. The award-winning film was directed by Christopher Nolan, and the score was created by Hans Zimmer.Alex Guye headed down to the cathedral today to chat with Roger.But first, let's hear him playing a bit of that Interstellar score...

I had the opportunity to experience Hans Zimmer Live in concert at the Resorts World Theater. It was my first time in the theater and I have to say it's one of the best venues in the city. It has great acoustics and having one of the great film composers use every inch of the theater in terms of sound was great. I explain how you should approach attending any shows in Las Vegas and how much grace time you actually have.  Instagram: https://www.instagram.com/conciergeconfidential_lv/ Twitter: https://twitter.com/KeystoVegas TikTok: https://www.tiktok.com/@keystovegas Youtube: https://www.youtube.com/channel/UCvOErl2cti4DrqmL01hMY7A

This week, we're scratching The Itch to Riot! For the fourth year in a row, Aaron ventured to Chicago's own Riot Fest... and this time he finally brought friends! Not only that, but he bookended two days at the festival with memorable shows from The Offspring and, perhaps most punk rock of all, legendary composer Hans Zimmer! Join us for tales of epic soundtracks, Olympic heroes, testing the limits of Chicago parking, and ... butter John Stamos? It's the kind of weird you wanna be in on. Trust us, and enjoy. If you like what you hear, you can hear more of us every Sunday night broadcasting rock to the masses from 6-9pm CST on KCLC-FM. If you're not in the St. Louis area, you can stream the show from 891thewood.com, TuneIn, Radio.net, and OnlineRadioBox! And if you have the itch to hear some of the best new tracks in rock, follow our New Rock Roundup playlist! For any and all friendship, questions, inquiries, and offers of pizza, The Itch can be found at the following: Website: itchrocks.com Twitter: Twitter.com/itchrocks Facebook: Facebook.com/itchrocks Instagram: Instagram.com/itchrocks Email: itchrocks@gmail.com Thank you so much for listening. If you like what you hear, please subscribe and leave a positive review and rating on Apple Podcasts or Podchaser to help our audience grow. If you don't like what you hear, please tell us anyway to help our skills grow. Our theme song "Corrupted", is used with permission from the amazing Skindred. All other content is copyright of The Itch. All rights reserved, including the right to rock on.

Step into the world of K-pop and global music expansion with Haezy Kim, Managing Director at Kreation Music Rights (KMR). In the episode, "Kreation Music is Revolutionizing the K-Pop Scene" discover how KMR is revolutionizing the K-pop industry, integrating artist management, publishing, and production under one roof. We dive deep into KMR's unique value proposition, their strategic expansion into the U.S. market, and their innovative approach to talent recruitment. Whether you're a songwriter, producer, or just fascinated by the music industry, this episode is a treasure trove of insights!

John Wayne and Stew talk Little League baseball, car crashes, and a Chicago trip to see Hans Zimmer in concert. Plus, they review Rebel Ridge, Widows, and Wolfs.

Which film trailer/previews make you want to spend your hard earned cash at the cinema?Let Sean and Sarah help with that, by reviewing trailers for upcoming films and a few old favourites.Welcome to Preview it Yourself.This time around, Sean decides to show Sarah the trailer for Gladiator II (2024). He apologises first.Discussion Points:-Lower your expectations. -The long muted Gladiator sequel ideas. -The justification for making the film. -The horrendous soundtrack for the trailer and why Hans Zimmer hasn't returned to score this film.-Whether the cast can elevate this film like Russell Crowe did with the original.-Sean and Sarah also review the Gladiator (2000) trailer.-A mini-review of The Mummy: Tomb of the Dragon Emperor (2008).-Sarah and Sean try to remain positive.-The downgrade from tiger to rhinoceros.-Sean and Sarah agree to eat humble pie if the film is good. Raised Questions:-Is it mean to make someone watch this trailer?-Have we gone backwards in making films?-Who the hell signed off on the music?-Why does the trailer make the film seem like a pantomime?-Why would you even dare to make a sequel to such a behemoth of cinema?-Would you watch "Aqueduct Shark"?-Did the Romans ever have two Emperors at once?-Is the cast of Gladiator II too big?-Why does Sarah refuse to go camping?Quotes of the episode:-"What the f**k is this film meant to be?".-"If this film is better than Gladiator (2000) then I will shut the podcast down".-"This is so 2024 it hurts...what are you doing!?".-"I'm making a lot of assumptions on [an awful] trailer".-"I don't think people know how to make trailers anymore".Shout-out to Dan from Casting Views for his feedback on this Preview It Yourself side-series. Thanks for Listening! Review It Yourself is now on YouTube!Find us here:Twitter: @YourselfReviewInstagram: reviewityourselfpodcast2021YouTube: https://www.youtube.com/@ReviewItYourself⁠ Hosted on Acast. See acast.com/privacy for more information.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Danny Wright - Forever；2.John Denver - カントリー・ロード；3.Hans Zimmer,Richard Harvey - Finding the Rose；4.Svanur - The World Is Asleep；5.Nathaniel Rosen - Londonderry Air (Traditional)。

John Summit is a DJ and producer. He's doing three shows at the Kia Forum in November. We chat with him from his house in Miami about more Hawk Tuah stuff, Sally Rooney's DJ, Australia, the Shoeniverse, he's a vlogger at heart, Rebecca Black's Boiler Room set, being a little devil, touching grass, his level of fame, his workout plan, Hans Zimmer is his goat, Reddit's dark web, listening to demos, he doesn't have time to play games, girl, edging is epic, what and when he drinks during 8 hour sets, and Romanian minimal tech house. instagram.com/johnsummit twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian, Blake, and Richard are back for Episode 532 of the Chasing Tone Podcast - The Supreme Wah and the Hans Zimmer shimmer  Richard and Brian indulge in a ridiculous trade off of barely coded statements as a certain guitarist is banned from being mentioned. Blake ignores them roundly and tells us about his new vintage guitar purchase and Brian admits that he is finally beginning to love his Stratocaster...sorta. He has also been compared to someone and that has disturbed him but not as much as learning about UK licensing laws. Do you have any signature guitar moves you bust out on stage? The guys discuss how this is never a good idea at their age and Brian has never heard of a famous band. Meanwhile Keeley have launched an interesting new pedal which the guys love and Brian has got the new Neural Nano Cortex. He tells us all about how much he has - or hasn't - played it. Brian has some photography tips for anyone planning on doing something really silly with a pedal. We also deal with a number of listener questions including what the most embarrassing moment at a gig was, whether we will make a mini EGO 76, and will we make an analog uni-vibe? Oh, and I suppose we might hear something about a dress rehearsal Richard went to... Squier, Larry David, Level 42, Octa Psi, George Lynch ...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show

Two NASA astronauts are in the midst of an extended, headline-grabbing, eight-month stay in orbit. So we turned to Terry Virts, former commander of the International Space Station, as our official PTFO Outer Space Correspondent. Because he was stranded there for 200 days after his cargo ship blew up — low on underwear, polo shirts and his beloved borscht. Turns out, there are way worse places to be than staring out a Russian dorm-room window while watching bombs, auroras, typhoons and the very essence of human nature, from 250 miles up. Also: how to pee, dream and listen to Hans Zimmer without gravity. (Hint: Do not raw-dog the universe.) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Two NASA astronauts are in the midst of an extended, headline-grabbing, eight-month stay in orbit. So we turned to Terry Virts, former commander of the International Space Station, as our official PTFO Outer Space Correspondent. Because he was stranded there for 200 days after his cargo ship blew up — low on underwear, polo shirts and his beloved borscht. Turns out, there are way worse places to be than staring out a Russian dorm-room window while watching bombs, auroras, typhoons and the very essence of human nature, from 250 miles up. Also: how to pee, dream and listen to Hans Zimmer without gravity. (Hint: Do not raw-dog the universe.) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hans Zimmer concert, overrated movies, COPCK! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kendall and Galey are in NYC for Galey's surprise home makeover install, working with an incredible group of women—while running on no sleep! It's Kendall's first time jumping into an install, and they barely make it in time after a mad dash through the city, cramming two hours of shopping into just 20 minutes. Galey spills the tea on her new peel-and-stick wallpaper line and shares some fun makeover ideas you can totally do in a rental.Join the laughs as they take you behind the scenes, chat about "womanfesting" greatness, and crack up when Galey tries cold brew for the first time. Plus, they gush over their newest additon, a Shih Tzu puppy, Penny and Kendall's surprise gift for her mom—tickets to Hans Zimmer. And don't miss their reflections on betting on yourself and answers to fan questions from @wholeheartedlypod! Thanks to our sponsors: Land Rover - Ready for a wide range of adventures, the Defender family features the two-door Defender 90, the Defender 110, and the Defender 130 which seats up to eight. Learn more at https://LandroverUSA.com/Defender AG1 = Try AG1 and get a FREE bottle of Vitamin D3K2 AND 5 free AG1 Travel Packs with your first purchase at drinkAG1.com/WHOLE. Betterhelp = This episode of Wholeheartedly is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/WHOLE and get on your way to being your best self. AquaTru - Get 20% OFF any AquaTru purifier! Just go to