Podcast appearances and mentions of Hans Zimmer

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast is Blue and me catching up on geeky news or at least the latest that caught our eye from San Diego Comic Con 2025. It also includes a bit of ridiculousness on our part so it's extra fun. Topics include:Peacemaker S2Absolute Wonder WomanSeven Havens in 2027Gundam Wing celebratory shortAztec Batman! - Sep 18Ultimate EndgameMighty Nein from Critical RoleNew Predator: Killer of Killers endingImages of Darth Maul & Ezra BridgerGen V S2 trailer - Sept 17Star Trek and Jim Henson muppetsStarfleet Academy - early 2026The Dragon King kickstarterIt: Welcome to Derry trailer - October 2025 - 9 episodesThe Long Walk trailer - Sept 12Rick and Morty spin-off - President CurtisThe Walking Dead: Daryle Dixon S3TMNT x Godzilla comicFive Nights at Freddy's 2 - Dec 5Talamasca: The Secret Order - Oct 26Alien vs. Captain America comicGodzilla crossover figures with TMNT plus more TMNT figuresGodzilla Minus One sequel filming August 30thGodzilla Kai-Sei era comic book series from IDWPotential Shin Godzilla sequelMarvel, Star Wars, and GI Joe figures from HasbroLegend of Vox Machina renewed for 5th and final seasonTransformers toys incl. Construct-bots, Dinobots, Combiners, and moreThe Simpsons S37 teases giant cameo episode, juicy role for Kieran Culkin, and The Onion cartoonist working on THOHPercy Jackson and the Olympians S2 teaser including Hans Zimmer covering Styx's Come Sail Away - Dec 10Spinal Tap II trailer - Sept 12Coyote vs Acme - August 2026Galactus cosplayPanels for Predator: Badlands and Tron: Ares and Toxic AvengerLEGO recreates San Diego Conventiom CenterGeorge Lucas first appearance ever for his Museum of Narrative ArtCongrats on completing Level 455 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

Nasa recruits women and ethnic minorities for the first time to its astronaut class. In the beginning of American spaceflight, all astronauts selected for the programme came from the same background. They were all male, all white – all test pilots. But now, with a revolutionary new spacecraft, and changing views in society, Nasa needs to change. They're not just looking for people to pilot the shuttle, but engineers, scientists, and medical doctors. Can Nasa change its culture? This episode contains strong language. Some scenes in this series use recreated sound effects.13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for the BBC World Service. Hosted by space scientist Maggie Aderin-Pocock.Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music.Archive: Mercury seven press conference, Nasa Archives, 1959 Nichelle Nichols Nasa advertisement, Nasa Archives, 1977 Where dreams come true, Nasa Archives, 1979 First female and African-American astronauts train at Nasa, ABC News, 1978 Ronald Reagan declares Space Shuttle open for business, Reagan Library, 1982 Sally Ride interview, ITN, 1983 Mission audio and oral histories, Nasa History Office

Superstar composers John Murphy and David Fleming finally enter the same room (you read that correctly) after an unusual but groundbreaking experience co-composing the score for James Gunn's SUPERMAN. How John's electric guitar-focused approach (he writes themes on a zany guitar he named Ned Flanders) harnessed the majesty of John Williams' iconic theme — and why the trailer debut was nerve racking to see if the world would accept his “version” of it. Also, how his precious guitar themes (28 Days Later, Sunshine) helped prep for how to treat this film with the sound needed. David and John discuss their breakthroughs in film composing — an internship leading to working with Hans Zimmer on The Lion King. Blue Planet II and Top Gun: Maverick — and a book titled “How To Write A Film Score” which was promptly discarded for a few pints. The duo also discuss their unique place in the massive re-launch of the DC Universe's first film — tonally a new direction that called for embracing the campiness a little more, but also the authenticity. How John's music was critical to filming, and later how David navigated a final push to expand the film's musical scope thematically. Also, Squirrelgate. Interview by Kenny Holmes and Matt Schrader at Igloo Studios in Burbank. Special thanks to the team at Igloo for making this episode possible!Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comVideo Timecodes0:00 ‘Superman'1:39 John Williams' Theme4:09 Show Open5:06 Vienna Symphonic Library7:02 “How To Write A Film Score”9:10 David's start with Hans Zimmer12:00 John's start with Guy Ritchie and Danny Boyle14:00 '28 Days Later' Theme Re-Use17:24 ‘Sunshine'19:45 Building from an existing theme22:40 Back part of the Williams theme23:50 John's early music & James Gunn29:00 David onboarding ‘Superman'32:15 Score vs. record tracks34:00 Finding the tone40:40 Deadline to finish43:10 Sacredness of John Williams' theme45:20 Trailer release hype47:56 Guitar's American influence49:54 Ned Flanders52:00 Squirrel rescue & Squirrelgate55:45 Three things1:02:00 Ennio Morricone's brilliance1:07:40 VSL Synchron Series1:09:26 VSL ‘Forrest Gump' Demo

The epic space story of a sci-fi dream that changed spaceflight forever. Told by the Nasa astronauts and team who made it happen. Our multi-award-winning podcast is back, hosted by space scientist Maggie Aderin-Pocock. She tells the story of triumph and tragedy - of a dream that revolutionised modern space travel forever.You can listen to the trailer here. To hear episodes, search for 13 Minutes Presents: The Space Shuttle, wherever you get your BBC podcasts. 13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for the BBC World Service. Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music. Archive: Mission audio and oral histories, Nasa History Office.

Interview date: July 16, 2023Episode Summary:Bobby Amamizu, a seasoned dancer, educator, and choreographer. Bobby shares his inspiring journey from a competitive dancer at Irvine Dance Academy to working with top choreographers and performing in high-profile productions like Dancing with the Stars. He talks about his early years in the dance industry, including the pivotal moments that shaped his career, such as performing in the Fiona Apple music video at just 10 years old and his experiences with Cirque du Soleil's Viva Elvis show in Las Vegas.He reflects on the importance of training in multiple dance styles, including tap, ballet, jazz, and hip-hop, and emphasizes how versatility helped him stand out in a competitive industry. He shares valuable advice for dancers, stressing the need to enjoy the process and cultivate strong relationships within the industry. The episode wraps up with Bobby's heartfelt insights into building lasting connections in the dance world.Show Notes:(1:00) Bobby's early dance journey and transition to competitive dance(5:00) Mentorship from Moni Adamson and his first professional gig at 10(10:00) Training at OC High School of the Arts and landing Viva Elvis with Cirque du Soleil(15:00) Navigating challenges as a young dancer in a competitive industry(20:00) How versatility in ballet, tap, and other styles set him apart(25:00) Moving to LA and diving into TV and film work(30:00) Teaching at major conventions like Tremaine and Hollywood Connection(35:00) Building relationships with top choreographers and mentors(40:00) Balancing live performances, TV shows, and teaching(45:00) Current projects, including The Marvelous Mrs. Maisel and an Amazon ballet show(50:00) Final advice: Keep training, stay humble, enjoy the journey, and never give upBiography:Bobby Amamizu originally from Irvine, CA is a graduate from Orange County High School of the Arts and holds a BFA in Dance Performance from UC Irvine. He is a professional dancer, educator, assistant choreographer, and choreographer who has worked in all varieties of entertainment such as stage, industrials, company, film, commercials, and television.Stage/Industrials/Company credits include: Cirque du Soleil's Viva Elvis (original cast), The Power of Music Evening with Hans Zimmer, Freelusion, Cirque du Soleil Worlds Away Roadshow, Loving The Silent Tears (original musical), International Ballet Festival of Miami, Laguna Dance Festival, National Choreographers Initiative, L'Oreal, Mattel, Morinda, Unity LA (Tessandra Chavez), and Commonality (Adam Parson).Film: A Week Away (Netflix), Valley Girl “Like Totally A Musical”, Fame, A Very Harold and Kumar Christmas, Dear Dumb Diary. Television/Commercials: Young Sheldon, The Marvelous Mrs. Maisel (Season 5), Physical (Season 2 and 3), Roar, The Voice Promo, Carpool Karaoke, Ford, Lip Sync Battle, Hulu's “Door No.1”, Home Joy, Miss Universe, Strictly Come Dancing, Fiona Apple music video “Paper Bag,” Jerry Lewis Telethon.He has taught for different companies, institutions, and conventions including Cirque du Soleil, Houston Met, OCSA, Edge Performing Arts Center, Steps on Broadway, Tremaine Dance Convention, and LA Elite/Elite Dance Convention. He is currently on faculty for Hollywood Connection Dance Convention and an Adjunct Professor at Pace University's Commercial Dance Department.Bobby is an assistant to many choreographers such as Marguerite Derricks, Michael Rooney, Bonnie Story, Lane Napper, Dominique Kelley among others. Some of the past projects he was fortunate to be a part of as an assistant choreographer include Happy Socks, AT&T, Carvana, Flirty Dancing and The Marvelous Mrs. Maisel. At the time of taping The Business of Dance Podcast he was working on a new ballet TV show “Etoile” as an assistant choreographer that was filmed in New York and Paris.Connect on Social Media:https://www.instagram.com/bobbyamamizuhttps://www.facebook.com/bobby.amamizu.9

Apologies - this is version 2 - we needed to change the format so that Spotify could accept it.....This week we look at Corbyns new party; the Russian earthquake; Proof that Australia pays women to abort babies;  the Climate Crisis and Colonisation; Cleo Laine; Netflix's Pride and Prejudice;  Gladiator; Trump in Scotland; Why are Rapes in Poland so low compared with other European countries?;  Trump's Tariff triumphs; Robyn Williams on Golf; Sydney Sweeney and the Nazi Blue Jeans; JK Rowling on the Sandi Peggie Case; Country of the Week - Algeria; Israel and Gaza; Keir Starmer and Palestine; James O'Brien and the Jewish Blood Libel; Bret Stephens on Israel and Genocide; Killing Christians in the Congo; Cherry Vann - New Archbishop of Wales; Lots of Feedback; and The Final Word - Psalm 122; with music from Carole King; Cleo Laine; Hans Zimmer; David Dundas;  Tarwan n Darwed ; Adam Gabeli and Saeed Miryaghoobi

This week we look at Corbyns new party; the Russian earthquake; Proof that Australia pays women to abort babies;  the Climate Crisis and Colonisation; Cleo Laine; Netflix's Pride and Prejudice;  Gladiator; Trump in Scotland; Why are Rapes in Poland so low compared with other European countries?;  Trump's Tariff triumphs; Robyn Williams on Golf; Sydney Sweeney and the Nazi Blue Jeans; JK Rowling on the Sandi Peggie Case; Country of the Week - Algeria; Israel and Gaza; Keir Starmer and Palestine; James O'Brien and the Jewish Blood Libel; Bret Stephens on Israel and Genocide; Killing Christians in the Congo; Cherry Vann - New Archbishop of Wales; Lots of Feedback; and The Final Word - Psalm 122; with music from Carole King; Cleo Laine; Hans Zimmer; David Dundas;  Tarwan n Darwed ; Adam Gabeli and Saeed Miryaghoobi

Creating a musical score for interactive video games is like trying to hit a moving target. Luckily, Hans Zimmer's studio Bleeding Fingers has developed some clever strategies. I talk with their CEO Russell Emanuel and musicians Thom Lukas and Giovanni Rios about how they create innovative scores for games like Arknights, and why they thrive under creative limitations. Grammy-winning video game composer Winifred Phillips discusses how she builds adaptive scores that shift and respond to unpredictable gameplay. And video game historian and RPI professor William Gibbons explains why the technological limitations of ‘80s and ‘90s games actually fueled composers' creativity.   This week's episode is sponsored by The Perfect Jean. Our listeners get 15% off your first order plus Free Shipping, Free Returns and Free Exchanges when you use code IMAGINARY15 at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesMarvel Studios fired up the Fantasti-Car with glee, as Matt Shakman's The Fantastic Four: First Steps opened to a global $218 million for its first weekend. Marvel's First Family just edged out Superman's Thursday night previews bringing $24.4 million to Superman's $22.5 million. But no fear, the DCU's first feature film is flying high - having just passed the $500 million mark globally and is potentially closing in on Jurassic World: Rebirth's $600 million global take.This year's San Diego Comic-Con may have felt a little demure with no large presences from Marvel Studios or DC Studios, but there's still plenty to talk about. Let's break down some highlights:Season 2 of Percy Jackson and the Olympians will premiere this year on December 10 on Disney+. Casting for season 3 characters Nico and Bianca di Angelo was announced by author Rick Riordan - with Levi Chrisopulos and Olive Abercrombie in the roles, respectively.Rob Reiner shared the first trailer for Spinal Tap II: The End Continues. The film will release on September 2 of this year.Early access footage from a range of projects was shown at SDCC. Attendees were treated to viewing bits of Peacemaker season 2, The Boys' spinoff: Gen V's second season trailer, Aztec Batman, The Long Walk, It: Welcome to Derry, Coyote vs. Acme, Star Trek Strange New Worlds, Project Hail Mary, and Five Nights at Freddy 2.   Speaking of The Fantastic Four, moviegoers were treated to the first trailer to James Cameron's third Avatar film prior to the latest MCU flick. Avatar: Fire & Ash will premiere December 19, 2025 and the sweeping trailer shows us the continued expansion of the world of Pandora with Jake Sully this time  facing a Na'vi antagonist. Sam Worthington and Zoe Saldana reprise their roles in the franchise along with many returning cast members and more storied actors have joined such as David Thewlis and Michelle Yeoh.Marvel Animation‘s Eyes of Wakanda, from executive producer Ryan Coogler, will be released earlier than expected. The four-part series, originally slated to drop on August 6, then moved to August 27, now will be released on August 1 on Disney+. The full voice cast also has been revealed, along with the first full trailer.Hot off her Emmy nomination for her work in HBO's The Penguin, Cristin Milioti is jumping into her next screen project, an independent horror thriller titled Buddy. Casper Kelly, who co-created Adult Swim shows such as Your Pretty Face Is Going to Hell and the horror comedy viral sensation Too Many Cooks, is directing the feature and J.D. Lifshitz and Raphael Margules are producing via their BoulderLight Pictures, which has the upcoming film Weapons on its slate.Hulu has announced that all 10 episodes of Solar Opposites upcoming sixth and final season will drop Oct. 13 on Hulu and Disney+ and released a brief teaser trailer.Ilya Naishuller is in negotiations to take over as director of Amazon MGM Studios Road House 2, following Guy Ritchie's exit from the project for undisclosed reasons earlier this month.Hans Zimmer will compose the score for the third season of Euphoria alongside British musician Labrinth, who scored the first two seasons.Sources confirmed to Deadline that Skyler Gisondo is in talks to join the cast of Universal's next installment in the Meet the Parents franchise, now titled Focker in Law. John Hamburg is directing with the original cast including Robert De Niro, Ben Stiller, Teri Polo and Blythe Danner returning to star. Ariana Grande is also on board to join the cast.Hulu has announced that Season 5 of its Emmy-winning comedy Only Murders in the Building will debut on the streamer September 9 with three episodes, with the remainder of the season rolling out with new episodes weekly.Author Mike Chen is penning a prequel novel to the Star Wars: Outlaws game called Low Red Moon.

Pop in with us this week as we give our review of Ari Aster's new movie Eddington (3:11). We're also discussing Sydney Sweeney's bizarre American Eagle “great jeans” ad campaign (29:28), the latest South Park episode (42:47), and E! News being canceled (52:33). Also, we share our thoughts on Hans Zimmer doing the music for Euphoria season 3 (57:19) and Harry Styles launching a vibrator line (1:04:53). Eddington (3:11) Sydney Sweeney American Eagle Ad (29:28) South Park Season 27 Premiere (42:47) E! News Canceled (52:33) Hans Zimmer for Euphoria (57:19) Harry Styles vibrator line (1:04:53) Upcoming joys (1:18:38)

Ungezügelt: Eigentlich wollten wir über UNTAMED reden. Also zumindest über die ersten Folgen, da die die meisten von uns gesehen haben. Aber dann fangen Alwin, Matthias und Schröck an über Netflix-Hypes zu reden. Gefolgt von dem. was sie zuletzt gesehen haben. Und plötzlich geht's um MURDERBOT, SQUID GAME Staffel 2, die Release-Politik von Netflix, RONJA RÄUBERTOCHTER, die Daniel gerade mit seiner Tochter beendet hat, oder um die neuesten Aufreger rund um SOUTH PARK und den orangenen Mann im weißen Haus. Dies führt zu JOHN CARTER FROM MARS, der jetzt noch mal eine Chance als Serie kriegen soll, dem ersten Bild zur neuen AVATAR-Serie oder Aardman, die nun eine POKEMON-Serie machen. Außerdem freut sich Schröck darüber, dass Hans Zimmer nun den Soundtrack zur 3. Staffel von EUPHORIA mitverantworten wird, während alle Drei gespannt, hoffnungsvoll, aber auch ein wenig besorgt auf die 4. Staffel von TED LASSO blicken, zu der es auch schon ein erstes Bild gibt. Und bevor wir dann endlich auch noch mal ein paar Worte zu UNTAMED verlieren, müssen wir erst noch kurz über die neue Serie von Vince Gilligan (BREAKING BAD) rätseln - um dann zu dem Entschluss zu kommen, dass wir doch lieber beim nächsten Mal über UNTAMED reden werden. Wir hatten dennoch eine Menge Spaß, der sich hoffentlich auch auf Euch überträgt. In diesem Sinne: Have fun und bleibt so gut drauf wie gesund. Wir hören uns. 00:00:00 Begrüßung 00:02:24 Netflix Hypes 00:05:48 Was habt ihr zuletzt beendet? 00:06:03 Murderbot Staffel 1 (Apple TV+) 00:09:42 Squid Game Staffel 2 (Netflix) 00:14:12 Netflix Release Politik 00:25:50 Ronja Räubertochter (ARD) 00:28:59 NEWS: South Park vs. Paramount vs. Trump 00:51:55 NEWS: John Carter kehrt zurück - in Serie 00:55:22 NEWS: Erstes Bild zur nächsten Avatar-Serie 00:59:06 NEWS: Aardman macht eine Pokemon-Serie 01:00:33 NEWS: Euphoria Staffel 3 kommt - mit Hans Zimmer 01:03:16 NEWS: Erstes Bild zu Ted Lasso Staffel 4 01:10:39 NEWS: Vince Gilligan macht neue Serie für Apple 01:20:01 Ein paar kurze Worte zu Untamed (Netflix)

Columbia reaches orbit. But astronaut Bob Crippen discovers that the shuttle has been damaged – can he and John Young make it home safely? Parts of the heatshield to protect the shuttle from searing temperatures on re-entry to Earth have fallen off during the journey into space. This new heatshield has never been tested before in orbit. Could more tiles be missing?Some scenes in this series use recreated sound effects.13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for BBC World Service. Hosted by space scientist Maggie Aderin-Pocock.Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music.Archive: Nichelle Nichols NASA advertisement, Nasa Archives, 1977 STS-1 Columbia landing sequence, ABC News, CBS News, 1981 Mission audio and oral histories, Nasa History Office

The epic space story of a sci-fi dream that changed spaceflight forever. Told by the Nasa astronauts and team who made it happen. Our multi-award-winning podcast is back, hosted by space scientist Maggie Aderin-Pocock. She tells the story of triumph and tragedy - of a dream that revolutionised modern space travel forever.You can listen to the trailer here. To hear episodes, search for 13 Minutes Presents: The Space Shuttle, wherever you get your BBC podcasts. 13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for the BBC World Service. Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music. Archive: Mission audio and oral histories, Nasa History Office.

The epic space story of a sci-fi dream that changed spaceflight forever. Told by the Nasa astronauts and team who made it happen. Our multi-award-winning podcast is back, hosted by space scientist Maggie Aderin-Pocock. She tells the story of triumph and tragedy - of a dream that revolutionised modern space travel forever.You can listen to the trailer here. To hear episodes, search for 13 Minutes Presents: The Space Shuttle, wherever you get your BBC podcasts. 13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for the BBC World Service. Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music. Archive: Mission audio and oral histories, Nasa History Office.

Ria received an amazing birthday gift from Matt (00:00-28:30). Miley Cyrus says she wants to do something special for the 20th anniversary of ‘Hannah Montana' (29:44-35:52). Hans Zimmer to score season 3 of ‘Euphoria' with Labrinth (35:53-41:03). ‘Freakier Friday' press tour (41:04-46:18). Our live interview with Scheana Shay at 92NY - talking her new memoir ‘My Good Side,' her past celeb hookups, Brock Davies' cheating + more! (47:12-1:24:51). Beat Ria & Fran game 182 with Ashley & Abbie (1:25:33-1:47:12). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

[Audio : KI : Kreativität] Toningenieur & Filmemacher Martin Pauser erklärt, warum perfekter Sound unsichtbar ist, wie Lautheit von Normen bis YouTube unsere Ohren steuern und wo KI vom Rauschfilter bis zur geklonten Stimme Audioproduktion revolutioniert. Er erzählt vom Hybrid-Werdegang zwischen Technik, Musik & Management sowie von „ACTiViKiDS“, der App, die Kinder und Eltern durch Audio in Bewegung bringt. Frische Insights für Kreative & Techies. Lauschen Sie – und öffnen Sie Ihre Ohren![Bio] Martin Pauser ist Musiker, Toningenieur, Filmemacher und seit über 20 Jahren in der Musik- und Medienbranche aktiv. Als Gitarrist der Band Zweitfrau spielte er auf großen Bühnen im deutschsprachigen Raum. Für die Vienna Symphonic Library erstellt er seit 2002 musikalische Samples und seit 2019 hochwertige Videoformate. Bei der Vienna Synchron Stage arbeitete er u. a. mit Hans Zimmer, Netflix und BBC im Bereich Filmmusik und Video zusammen. Sein Wissen teilt er in Kursen und Diplomlehrgängen – mit Begeisterung für höchste Qualität in Bild und Ton.[Links] Martin Pauser Audio & Videoproduktionhttps://martinpauser.at/ACTiViKiDS https://shows4kids.at/Kurstipp: Ausbildung zum/zur  Creative-Video-DesignerIn https://wifiwien.at/28223x [Kontaktinformationen] Herausgeber: WIFI der Wirtschaftskammer Wien | Host: Florian Raspel - Leitung Portfoliomanagement & Vertrieb | Technische Umsetzung: WoW - WIFI online Werkstatt | Währinger Gürtel 97, 1180 Wien | www.wifiwien.at | 97@wifiwien.at

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Send us a textYou can't stop the thunder! You can't outrun the thunder! Grab a couple of car rentals and smash them into each other while listening to Filmshake! We're talking 1990's Days of Thunder! Actually, don't do that. We don't have lawyers on our staff and we were just joking! But do listen to this episode. We're also talking Tony Scott's other 1990 flick, Revenge! You can't stop the revenge! You can't outrun the revenge! Listen to Filmshake!Music Heard This Episode "Days of Thunder Main Theme" -- Hans Zimmer "Victory Lane" -- Hans ZimmerSupport the showIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

The astronauts count down to flying a brand-new spacecraft for the very first time. If they pull it off, they will earn a place in space history.The rocket is built. The astronauts are trained. Mission control is ready. Space Shuttle Columbia is about to attempt the unheard of. A crewed test flight. It's 12 April 1981. The morning of launch for the very first space shuttle mission. The shuttle is sitting on the launchpad at Kennedy Space Center in Florida. And strapped into their seats on the flight deck of orbiter Columbia are commander John Young and pilot Bob Crippen.Everyone at Nasa has been waiting almost a decade for this day. It's taken an army of designers, engineers, ground crew, flight controllers, and backroom staff to get to this point. To bring this vehicle to life. Will this new machine fly? This episode contains scenes some listeners may find upsetting.Some scenes in this series use recreated sound effects.13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for BBC World Service. Hosted by space scientist Maggie Aderin-Pocock.Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music.Archive: Launch of STS-1, BBC, ABC News, CBS News, NBC News, 1981 Mission audio and oral histories, Nasa History Office

It's lights out and the STS car is attacking in the turns on this one as we break down how Joseph Kosinski's formula for summer blockbusters just delivered another podium finish.Ev's score: 8.1 / Al's score: 8.3 / Ky's score: 8.4Musical term: OstinatoInstrumental Instrument: Electric guitarIf you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

“Send us a Hey Now!”It's the last off week of the break that feels like it's lasted forever!We take a look at drivers who are out of contract this year and debate whether everything hinges on what Max does.We also preview the Belgian GP at Spa as we'll be back on track next week!Episode running order as always is...1) News & SocialAll the best bits from both the sports news out there as well as what caught our eye on the various social channels2) Brian's Video Vault   https://youtu.be/xqXbBBA5ntU Official Trailer | Full Send: A Dirty Side Movie. Dirty Side of the Track channel. Just under 2 minutes long. Hope this gets picked up and made into the movie!https://www.youtube.com/watch?v=b_yTNlAq8iw&pp=0gcJCcwJAYcqIYzv. How Much Do Esteban Ocon and Ollie Bearman Know? | It Takes Two. Formula 1 Channel. 13 mins. I love these. The competitiveness and cheating. It also seemed like the editors decided to take some cheating revenge on this one…https://www.youtube.com/watch?v=Ng5zViLdvaA. F1TV 2025 Opening Titles but with Hans Zimmer's F1 Movie Soundtrack. Akash Ladkani page. 2 mins. It isn't as good as you might have hoped. But this took me down a rabbit hole where I found myself watching a Max Verstappen x F1 Theme - Wedding Piano version3) Casino game entries for Belgium & Hungary4) Belgian GP preview Support the showWe would love you to join our Discord server so use this invite link to join us https://discord.gg/XCyemDdzGB To sign up to our newsletter then follow this link https://dirty-side-digest.beehiiv.com/subscribeIf you would like to sign up for the 100 Seconds of DRS then drop us an email stating your time zone to dirtysideofthetrack@gmail.comAlso please like, follow, and share our content on Threads, X, BlueSky, Facebook, & Instagram, links to which can be found on our website.One last call to arms is that if you do listen along and like us then first of all thanks, but secondly could we ask that you leave a review and a 5 star rating - please & thanks!If you would like to help the Dirty Side promote the show then we are now on Buy me a coffee where 100% of anything we get will get pumped into advertising the show https://www.buymeacoffee.com/dirtysideofthetrackDirty Side of the Track is hosted on Buzzsprout https://www.buzzsprout.com/

Todd Kramer and Robert Nelson peel back the visor on F1, the high-octane Joseph Kosinski‑directed drama starring Brad Pitt as a legendary driver battling both the track and his demons. Alongside Pitt, we've got Damson Idris, Kerry Condon, Javier Bardem and—get this—our friend Pepe Balderrama (yes, the one who came on the podcast!) playing race engineer Rico Fazio, pulling double duty with Todd in the offstage driver's seat. We dive into manic Grand Prix sequences, Hans Zimmer's pulse‑pounding score, and question if the nostalgia and spectacle add up to more than cinematic pit‑stops. Is F1 a turbocharged triumph… or spinning its wheels when it counts? Robert keeps his verdict under‑wraps—does he cross the finish line with a thumbs‑up or a checkered flag of doubt? Tune in to find out.

Looks Like Antarctica Wasn’t the Only Place Superman Crashed This week on the podcast, Brian and Darryl are talking about the Super(Meh) Opening Weekend Box Office, the last 3 episodes of Murderbot season 1, and they review F1. Episode Index Intro: 0:07 Superman Box Office: 7:17 Murderbot: 17:00 F1: 35:55 Superman (2025) Box Office Opening weekend performance: Domestic 3‑day sitting at ~$100–130 million Worldwide debut crossed $200 million Forecasts suggest long‑term haul could reach $1 billion if word‑of‑mouth holds Overall sentiment: Some critics and audiences praised Corenswet's optimistic Superman, slick humor, and DC's tonal reset. Issues cite an overcrowded plot and CGI-heavy final act that didn't fully capitalize on its potential. Murderbot (AppleTV+) Episodes Covered: 8 “Foreign Object”, 9 “All Systems Red”, 10 The Perimeter” Highlights: Ep 8: Secrets revealed—Murderbot admits a shadowy past weaponizing its crew's memories Summary: Murderbot accompanies the PresAux team back to the habitat. The recording of the security cameras shows that in their absence, more superior SecUnits and a representative of the hostile third party—now identified as GrayCris—visited the habitat and left an invitation to meet at a rendezvous point to negotiate terms for their survival. After a security check, the PresAux team take Gurathin to the medical bay. While Bharadwaj performs surgery on Gurathin’s leg, Murderbot plugs into his data port to turn off his sense of pain. The connection allows Gurathin to find out what it calls itself, and that the SecUnit was involved in the deaths of 57 clients, which Gurathin reveals to the group and condemns Murderbot for. Murderbot admits it’s not sure if it killed the clients or not and agrees with Gurathin’s assessment that it could be defective and dangerous, then it leaves the group to go out on its own. The PresAux team concludes that GrayCris is illegally pursuing the alien remnants and that they will liquidate them once they locate their whereabouts. After mulling over whether to abandon or betray its clients, Murderbot comes back and announces that it has a plan. Ep 9: High-stakes deception! Murderbot fakes betrayal to take down GrayCris agents and saves Dr. Mensah in a cliffside showdown Summary: Murderbot puts a dangerous plan into motion, pretending to betray the PresAux team in order to leave the planet. While the team expresses doubts and tension rises, Murderbot keeps the true plan hidden: to have Gurathin hack into GrayCris’s HubSystem using a drone as a transponder and launch their emergency beacon. The ruse includes offering to help GrayCris capture the Preservation team in exchange for being listed as destroyed inventory. Murderbot stalls the enemy using awkward small talk and quotes from Sanctuary Moon, while the PresAux team manages the remote connection. As the plan begins to succeed, GrayCris prepares to torture Murderbot for the information they seek. Mensah intervenes and is caught in the crossfire. In the end, Murderbot shields her from the beacon’s launch blast, which kills the GrayCris team, nearly sacrificing itself. Before Murderbot’s systems fail, it quietly admits to itself that these humans have become its clients not just by contract, but by choice. Ep 10 (Finale): An emotional farewell—post-rescue reprogramming, autonomy restored, and Murderbot walks away into an uncertain future Summary: As Murderbot’s systems reboot, Corporation Rim technicians delete its memory and install a new governor module. At the same time, the PresAux team negotiates with company representatives to find the SecUnit. They offer to buy it and threaten with a lawsuit, but the company refuses, telling them that its memory has been wiped anyway. So Pin-Lee files an injunction to seize Murderbot for evidentiary reasons, while Gurathin manages to retrieve the data that was downloaded during the memory wipe. He locates Murderbot’s personality files by searching Sanctuary Moon episodes. The team saves Murderbot from being destroyed, and Gurathin uploads its personality. It recognises that without its armour it looks like an augmented human. The team invites Murderbot to live as a free agent on their home planet. That night, Murderbot attempts to sneak away but is intercepted by Gurathin, who tries to make it feel welcome. Murderbot insists that it needs to check the perimeter. When Gurathin relents, Murderbot thanks him. Posing as a servant bot, it boards a transport ship that departs as Mensah awakens and realises that it has left. Creators: Paul & Chris Weitz (writers, producers)  Directors: Episodes 8 & 9 by Aurora Guerrero & Roseanne Liang; Ep 10 by Paul Weitz  Rating: Episode 8-10 Out of 10 Murderbots Loose In the Worlds Darryl: 7.4/10 Brian: 7.79/10 Season 1 Out of 10, Who Knew a Novella About a Murder Robot Would Be So Fun Darryl: 7.3/10 Brian: 8/10 F1 (2025) Brad Pitt plays former F1 star Sonny Hayes, coaxed out of retirement to save a failing APXGP team by mentoring rookie Joshua Pearce (Damson Idris). The film delivers adrenaline-fueled races, emotional baggage, and high-stakes redemption on the global circuit. Director: Joseph Kosinski Writers: Screenplay by Ehren Kruger; story credit to Kosinski & Kruger Cast: Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Kim Bodnia, Sara Niles Producers: Jerry Bruckheimer, Joseph Kosinski, Lewis Hamilton, Brad Pitt, Dede Gardner, Jeremy Kleiner Budget: $200–300 million Box Office (as of today): Domestic: $138 million International: $257.2 million Worldwide total: $395.2 million Production Notes: Shot during real Grand Prix events, featuring authentic F1 vehicles and consulting by Lewis Hamilton; Hans Zimmer score; practical crash sequences inspired by real incidents Reception: Visually thrilling—deemed “Top Gun: Maverick on wheels”—but criticized for predictable story and weak character depth Rating: Out of 10 Gotta Get Out of That Dirty Air Darryl: 8.2/10 Brian: 8.5/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Dana and Tom with 5x Club member, Walter Gainer (Founder of Boss Locks Media and Host of The Working While Black Show) discuss Inception (2010) for its 15th Anniversary: written and directed by Christopher Nolan, cinematography by Wally Pfister, music by Hans Zimmer, starring Leonard DiCaprio, Elliot Page, Joseph Gordon Levitt, Tom Hardy, Marion Cotillard, Cillian Murphy, and Ken Watanabe.Plot Summary: Inception is a mind-bending science-fiction thriller written and directed by Christopher Nolan. Dom Cobb (Leonardo DiCaprio) is a skilled thief who specializes in stealing secrets from deep within someone else's subconscious during dreams. However, when he is offered a chance to have his criminal record erased, Cobb must accomplish the impossible: planting an idea in someone's mind — through a process known as “inception.” To succeed, he assembles a team and ventures into a multi-layered dream world, where time stretches and reality blurs. As the mission unfolds, Cobb faces not only the risks of the job but the haunting memories of his past that threaten to sabotage everything.Chapters:00:00 Introduction and Welcome Back Walt04:32 Relationship(s) with Inception13:25 Dana's Issues with Inception19:58 What is Inception About?23:13 Background for Inception30:25 Is Inception Just a Good Action Thriller or Something More?31:29 Plot Summary for Inception32:30 Did You Know?37:06 First Break37:53 What's Happening with Walt39:16 Best Performance(s)50:25 Best Scene(s)01:03:58 Second Break01:04:39 In Memoriam01:09:17 Best/Funniest Lines01:12:52 The Stanley Rubric - Legacy01:19:25 The Stanley Rubric - Impact/Significance01:23:54 The Stanley Rubric - Novelty01:29:56 The Stanley Rubric - Classicness01:36:48 The Stanley Rubric - Rewatchability01:39:36 The Stanley Rubric - Audience Score and Final Total01:43:12 Remaining Questions for Inception01:48:49 Thank You to Walt and Remaining Thoughts01:56:41 CreditsGuest:Walter Gainer IIFounder of Boss Locks Media and Host of The Working While Black Show@bosslocks on IG, Twitter, YouTube, LinkedIn@itsthegreatwalt on IG, @rampagewalter on LinkedInPreviously On: Training Day (2001),

On the forty- sixth episode of All the Film Things, my friend writer/ director Samy El- Kamel is back for the second edition of our beloved segment, Nolanception, to talk about the scores of Christopher Nolan films. This episode contains explicit languageNolanception is a segment that allows Samy and I, who are both massive Nolan fans, to dive deep and more niche topics relating to the work of the one and only Sir Christopher Nolan. The first edition of this segment was released last July where we talked about the non- linearity of Nolan's films. Even though I'm embarrassingly more giddy when talking about Nolan films, this is my favorite segment and I still regard that first Nolanception episode as my favorite ATFT episode (see Episode 25 to give that one a listen)! This time, we look closely into the scores of Christopher Nolan films by composers from David Juliyan to Hans Zimmer to Ludwig Göransson. This is Samy's 12th time on ATFT! He is the second most frequent guest on the show, after Cole Echevarria, and is about as obsessed with Christopher Nolan as I am so I always am very excited to record Nolanception episodes with Samy. Samy's next short film, inspired partly by Memento, “Anatomy of a Panic Attack” will be entering the production phase next month! The Indiegogo campaign may still be live by the time this episode is releases so make a donation if you still can by clicking this link: https://www.indiegogo.com/projects/anatomy-of-a-panic-attack If you're unable to donate, spread the word across social media and check out the teaser trailer for the short on his YouTube channel by clicking here: https://www.youtube.com/watch?v=LBnIdb92TL8 ! You can also stay updated on Samy and his work by following @barefootpythonmedia and/ or @samy_elkamel24 on Instagram! This episode was recorded on June 26, 2025. In this episode, Samy and I talk about the scores of each Nolan film from Following to Oppenheimer before concluding the episode with our top five Nolan film scores. Samy shares which film he believes is the greatest film score of all time while I compare a few sounds within scores to famous songs, including a Britney Spears song (where my worlds collide). We also debate which track is better, “Time” or “No Time for Caution”, wonder about why one track on The Dark Knight Rises album is included, and Hans Zimmer's theme for Heath Ledger's Joker. All this and more on the new episode of ATFT!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Can Nasa build the most complex flying machine in space history? The plan is to create a permanent human presence in space. It's Spring 1969 - two months before the launch of Apollo 11 – the first US mission to land humans on the moon. But meanwhile, hidden away from public view, Nasa is thinking the unthinkable. Maverick engineer Dr Max Faget is already a legend within Nasa. He's fascinated by what could be next for human spaceflight. In a backroom, of Building 36 at Johnson Space Center, he invites a handful of engineers to a meeting. One of them is Ivy Hooks, a mathematician and engineer. And one of the first female engineers at Nasa. Some scenes in this series use recreated sound effects.13 Minutes Presents: The Space Shuttle is a BBC Audio Science Unit production for BBC World Service.Hosted by space scientist Maggie Aderin-Pocock.Theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music.Archive: Richard Nixon launches Nasa's space shuttle programme, CBS News, 1972 Mission audio and oral histories, Nasa History Office

Episode 113 of The Prakhar Gupta Xperience features Namit Malhotra, Founder of Prime Focus and Global CEO of DNEG - the VFX powerhouse behind global hits like Inception, Interstellar, Dune, Avatar, Oppenheimer, and major Marvel & DC films.Starting Prime Focus from a garage in Mumbai, Namit has gone on to work with top directors like Christopher Nolan and Denis Villeneuve. His companies have also shaped Indian cinema - with Prime Focus handling the Digital Intermediate (DI) on Bajirao Mastani, and DNEG contributing to blockbusters like Baahubali.He is now producing India's biggest epic - Ramayana, with music by Hans Zimmer and A.R. Rahman.Recording Date: July 1, 2025This is what we talked about:00:00 - Introduction03:50 - His Vision of Ramayana12:50 - The Pressure of Making Ramayana23:44 - Working w/ AR Rahman & Hans Zimmer32:14 - Why India Still Hasn't Won an Oscar46:44 - Working w/ Christopher Nolan55:44 - Working w/ Denis Villeneuve58:01 - What Does the Future Look Like1:02:46 - Namit's Biggest Fear1:14:39 - Questions for Prakhar

DAVY JONES RELEASES THE KRAKEN!!! Pirates of the Caribbean: Dead Man's Chest Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Tara & Aaron return to the high seas to give their PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST Reaction, Recap, Commentary, Analysis & Spoiler Review!! Tara Erickson and Aaron Alexander set sail for a swashbuckling adventure in Pirates of the Caribbean: Dead Man's Chest, the blockbuster sequel to Disney's Curse of the Black Pearl, directed by Gore Verbinski. Johnny Depp (Edward Scissorhands, Sweeney Todd) returns in his iconic, Oscar-nominated role as Captain Jack Sparrow, who finds himself indebted to the dreaded Davy Jones—captain of the ghostly Flying Dutchman—and must retrieve the legendary Dead Man's Chest to save his soul. Orlando Bloom (The Lord of the Rings, Kingdom of Heaven) reprises his role as Will Turner, who joins Jack on his quest while dealing with family revelations, including the fate of his father Bootstrap Bill, played by Stellan Skarsgård (Chernobyl, Dune). Keira Knightley (Pride & Prejudice, Atonement) returns as Elizabeth Swann, now entangled in political intrigue and pirate peril. Bill Nighy (Love Actually, Underworld) delivers a chilling performance as Davy Jones, brought to life through groundbreaking motion-capture and visual effects. Naomie Harris (Moonlight, No Time to Die) appears as Tia Dalma, the mysterious sea witch with a deep connection to Jones. From the thrilling Kraken attacks and Jack's iconic escape from the cannibal tribe, to the three-way sword fight on the giant spinning waterwheel, this film is packed with some of the franchise's most famous and highly searched action sequences. The visual effects and Hans Zimmer's sweeping score helped Dead Man's Chest become one of the highest-grossing films of all time and a fan favorite within the series. Tara and Aaron dive into the film's most epic moments, character arcs, and legacy, while reflecting on how it holds up nearly two decades later! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri's classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary. Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard's GLADIATOR (La La Land Records), celebrating the score's 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith's 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK'D. Jason then continues the show with music from Henry Mancini's classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris' 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith's 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips. Jason then rounds off the show with music from the new 2-CD set of Michael Kamen's classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records). Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Chegou a hora de pisar fundo no universo de Fórmula 1, com o filme F1 - O Filme. Uma superprodução dirigida por Joseph Kosinski (Top Gun: Maverick) e estrelada por Brad Pitt. O filme estreou em junho de 2025, já arrecadou quase 300 milhões de dólares e coloca a velocidade como protagonista, dentro e fora das pistas.Rafael Arinelli recebe Belle Hendges e Pedro Sobreiro para debater essa mistura de espetáculo técnico e drama esportivo. Na trama, Pitt vive Sonny Hayes, um ex-piloto lendário que retorna da aposentadoria para ajudar a equipe iniciante Apex GP, formando o jovem e impulsivo Joshua Pierce (Dawson Eris). Entre rivalidades, egos inflados e cenas de corrida de tirar o fôlego, o filme explora também os bastidores da Fórmula 1 com realismo (ou quase).Com trilha sonora de Hans Zimmer, fotografia de Claudio Miranda e cenas filmadas em carros reais com câmeras IMAX (e até iPhones), a experiência visual de F1 é arrebatadora. Mas nem tudo são flores na pista: o roteiro recebe críticas por abusar de clichês e simplificar conflitos. Ainda assim, há destaques como a engenheira vivida por Kerry Condon e uma emocionante homenagem a Ayrton Senna.Será que F1 acerta ao popularizar o esporte ou se perde nas “curvas” do marketing? E até que ponto a técnica consegue ultrapassar os limites da narrativa?Dá o play e corre com a gente nessa discussão que vai muito além da linha de chegada.• 03m29: Pauta Principal• 1h14m46: Plano Detalhe• 1h26m15: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Pedro): HQ: Mickey All Stars• (Belle): Reality Show: A Pousada Bizarra do Kian84• (Rafa): Podcast: Fio da Meada - Tom PhilipsEdição: ISSOaí

THAT BRAIN DINNER SCENE!! Hannibal Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Now that they've seen The Silence of the Lambs, Roxy & Andrew RETURN for the sequel to give their Hannibal Reaction, Recap, Commentary, Analysis & Full Movie Spoiler Review!! Roxy Striar & Andrew Gordon sink their teeth into Hannibal (2001), the intense horror thriller and sequel to The Silence of the Lambs, directed by Ridley Scott (Gladiator, Alien) and based on the novel by Thomas Harris. Anthony Hopkins reprises his Oscar-winning role as the brilliant yet monstrous Dr. Hannibal Lecter, while Julianne Moore (Boogie Nights, Still Alice) steps into the shoes of FBI Agent Clarice Starling, now hardened and disgraced after a botched drug raid. The story picks up a decade after Lecter's escape, as Clarice is drawn back into his orbit when a disfigured, vengeful billionaire named Mason Verger—played hauntingly by Gary Oldman (The Dark Knight, Tinker Tailor Soldier Spy)—plots to lure and kill Lecter as revenge for a past encounter. Ray Liotta (Goodfellas, Narc) appears as Justice Department official Paul Krendler, whose grotesque fate in one of the film's most infamous and highly searched scenes—the brain dinner sequence—remains a shocking highlight. Set across Florence, Italy, and the U.S., the film explores dark themes of obsession, power, and retribution, backed by a haunting score from Hans Zimmer and lush, eerie cinematography. With its stylish violence, operatic tone, and controversial finale, Hannibal pushed the boundaries of the franchise and left audiences divided and disturbed. Roxy & Andrew dive into its most iconic moments, character dynamics, and legacy as one of the most polarizing sequels in horror history. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, director Joseph Kosinski wowed us with amazing sights from inside fighter jets in “Top Gun: Maverick.” In 2025, he's dropping our jaws to the floor with awesome sights from inside F1 race cars in the summer blockbuster “F1” starring Brad Pitt. PItt plays veteran driver Sonny Hayes who is asked by his friend, who owns a team, to help them win and maybe mentor their young driver too. Hayes soon finds that today's racing is fraught with betrayal, nasty media, corrupt F1 officials and that's before he gets in the missile with tires going 200+ mph. Is it worth finding out how it all goes down at the theater? Check out this episode to find out. “F1” also stars Javier Bardem, Kerry Condon, Damson Idris, Tobias Menzies, Kim Bodnia, Sarah Niles, Will Merrick and Callie Cooke.Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

NostalgiaCast kicks off its roundup of films from 1993 with a Bucket List look back at TRUE ROMANCE, directed by Tony Scott and written by Quentin Tarantino. Jonny and Darin recount their first mind-boggling experience with QT's patented snap crackle dialogue, meta-movie references, and endless homaging of classic and not-so-classic cinema, and discuss their favorite performances and scenes in a film that still shocks and awes audiences today.

Lights out, and away we go! Alex and Zach jump into the driver seat for the adrenaline-fueled summer blockbuster of F1 THE MOVIE. We discuss if Brad Pitt and company hit top speed or need to turn back into pit lane, and we ask if this movie will create new fans of the sport. Plus, as fans of the sport ourselves, we strut our wheel knowledge of how well this translates Formula One racing from track to screen.Also, after taking another ill-fated trip to dinosaur island, Zach gives a quick rundown on Jurassic World: Rebirth. Yet another movie in the franchise where they were, again, more concerned with if they could than if they should.TIME STAMPS:0:27 - Intro1:03 - F1 General Discussion/Background8:56 - F1 Non-Spoiler Review13:43 - F1 Concession Stand (Sweet, Salty, Refresher) - SPOILERS AHEAD42:05 - Does This Create New F1 Fans?45:52 - F1 "This Wouldn't Actually Happen" Nit Picks56:41 - F1 Sequel?58:40 - Jurassic World: Rebirth Non-Spoiler Review1:00:30 - Jurassic World: Reb irth Quick Concession Stand (Sweet, Salty Refresher) - SPOILERS AHEAD1:05:52 - OutroFollow us on Instagram @a.z_moviereview. Follow us on Twitter @a_z_moviereview.

As part of our fun, special summer episodes, the Unnamed Automotive Podcast plays a game of "Remembering Some Cars." Take a trip down short-term memory lane, and see what Benjamin remembers from cars he reviewed a short time ago. Does he know the names of the trims he tested? How much power those cars had? Whether he even liked them or not? Any funny experiences he had while testing those cars? Hear it all on today's show. Thanks for listening!

Welcome Back! For this episode, I'm breaking down F1: The Movie a high-octane thrill ride supercharged by Hans Zimmer's thunderous score, lets see if crosses the finish line as 2025's Best film! ==========================Lets Connect

Min 5: JURASSIC WORLD: RENACER La saga de los dinosaurios más famosa del cine vuelve a la gran pantalla con Jurassic World: Renacer, un nuevo comienzo que intenta recuperar la esencia de la historia original que cautivó al mundo en los años 90. En esta ocasión, la trama se sitúa en un futuro en el que los dinosaurios conviven con los seres humanos, pero una nueva amenaza científica pone en peligro el frágil equilibrio alcanzado. Dirigida por Gareth Edwards, conocido por películas como Rogue One o Godzilla, esta entrega apuesta por un tono más serio y reflexivo, alejándose de la acción desbordante de las últimas entregas para centrarse en la supervivencia, el suspense y los dilemas morales. El reparto está encabezado por Scarlett Johansson y Jonathan Bailey, en una historia que combina aventura y emoción con una advertencia sobre los riesgos de jugar con la naturaleza. NOTA EDC: 2'5 estrellas Min 21: UNA CENA... Y LO QUE SURJA La comedia francesa "Una cena… y lo que surja", que acaba de llegar a los cines españoles este fin de semana, recupera con un aire elegante y desenfadado el espíritu de la película española Sentimental, de Cesc Gay. Dirigida por Laurent Lafitte, esta nueva versión nos sumerge en una velada aparentemente inofensiva entre dos parejas que, a medida que avanza la noche, se convierte en un juego de confesiones, tensiones y deseos reprimidos que pondrán a prueba la solidez de sus relaciones. NOTA EDC: 3 estrellas Min 26: DIAMANTI "Diamanti" es una refinada dramedia dirigida por Ferzan Ozpetek que rinde homenaje al universo femenino y al cine que palpita tras bambalinas. La película comienza en la actualidad con un grupo de actrices, algunas habituales en la filmografía del director, convocadas para leer un guión. Esa lectura conduce al espectador directamente a la Roma de los años setenta, donde la trama principal se desarrolla en un taller de costura cinematográfica regentado por las hermanas Alberta (Luisa Ranieri) y Gabriella (Jasmine Trinca). Junto a ellas, un elenco coral de mujeres —modistas, bordadoras, aprendices— trabaja con pasión en la confección de vestuarios para una producción de época. Entre máquinas de coser, retazos de tela y maniquíes, se entrelazan historias de rivalidad, lealtad, pérdidas personales y anhelos reprimidos que reflejan, con delicadeza y fuerza, la complejidad de sus vidas. NOTA EDC: 3,5 estrellas Min 31: MIRAMOS AL FUTURO: "SUPERMAN" 2025 Y "LOS CUATRO FANTÁSTICOS: PRIMEROS PASOS" Aunque "Estamos de Cine" se toma un respiro veraniego, este mes hay dos grandes apuestas en pantalla grande que no queremos dejar de ponderar: el nuevo Superman de James Gunn y Los Cuatro Fantásticos: Primeros Pasos. El cineasta James Gunn presenta a un Superman revitalizado, más luminoso y generoso, alejado del tono sombrío de entregas anteriores y pensado como la pieza central del reinicio del Universo DC. Con David Corenswet en el papel de un Clark Kent joven y bondadoso, la película se inspira en cómics como All-Star Superman para recuperar la simbólica “gentileza†que define al personaje. Por otra parte, Los Cuatro Fantásticos: Primeros Pasos llega como la gran expectativa de Marvel para este julio. Se estrena en España el 25 de julio, está dirigida por Matt Shakman y apuesta por una ambientación retrofuturista de los 60 y por un tono que mezcla aventura cósmica con drama familiar. Min 38: LA PELÍCULA DE TU VIDA, CON RAQUEL HERNÁNDEZ Y después de conocer el placer culpable de Alberto Luchini, con la elección de "Grease" como la película de su vida, llega el turno de la cómplice necesaria de nuestro Filtro semanal. Una de las sorpresas mejor guardadas de la temporada tiene que ver con la película de la vida de nuestra Raquel Hernández. ¿Apostará por su género predilecto o nos sorprenderá por la vía de la ciencia ficción? Min 40: ESPECIAL BSO: ZIMMER VUELA EN "F1: THE MOVIE" La música de “F1: La película†, compuesta por Hans Zimmer junto a Steve Mazzaro, busca capturar la dualidad del deporte: la tensión humana y la imponente maquinaria que lo impulsa. Zimmer define su aproximación como un híbrido entre orquesta y electrónica, en el que la orquesta representa al piloto y los sonidos electrónicos evocan el rugido y la precisión del monoplaza. Un regalo musical que queremos paladear con Ángel Luque para poner el colofón a una temporada para el recuerdo y los 20.000 oyentes semanales que nos otorga el EGM. Gracias por vuestra fidelidad y nos reencontramos en la nueva temporada.

From the Producer of Days of Thunder (Jerry Bruckheimer) and the Director of Tom Gun Maverick (Joseph Kosinski) comes a new ORIGINAL summer epic combining elements of both films and even headlined by an major movie star comparable to Tom Cruise..  That would be Oscar-winner Brad Pitt who stars as Sonny, a veteran racer on the verge of retirement who returns to his original sport of passion, Formula One racing.  He has been courted back by his his old teammate (Javier Bardem) who now owns a racing team and is being paired with a hot shot rookie racer named Joshua played by British up-and-comer Damson Idris (Snowfall).  In the middle of a tumultuous season, they compete together - or against each other - in an increasingly high-stakes series of races, with guidance and assistance from their Team Leader/Designer Kate played by Oscar-nominee Kerry Condon (The Banshees of Inisherin).  And what results is a pulse-pounding, high-speed racing spectacle.....but is it as good as those other films which clearly inspired it?Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

This week on Totally 80s and 90s Recall, Dave, Rob, and Kurt are firing up the engines and diving into Days of Thunder (1990), the slick, high-speed NASCAR drama that brought Top Gun-style adrenaline to the racetrack. Directed by Tony Scott and produced by the powerhouse duo of Don Simpson and Jerry Bruckheimer, the film stars Tom Cruise as Cole Trickle, a fearless but raw driver trying to prove himself on the NASCAR circuit. Backed by veteran crew chief Harry Hogge (Robert Duvall) and team owner Tim Daland (Randy Quaid), Cole navigates the fierce world of stock car racing, intense rivalries, and a life-changing crash that forces him to confront his own limitations. Nicole Kidman also makes her debut as Dr. Claire Lewicki, a neurosurgeon who becomes both Cole's caretaker and love interest. In their breakdown of the film, the guys rev up the nostalgia by exploring the movie's iconic race scenes, killer Hans Zimmer score, and the romance that sparked between Cruise and Kidman's characters. With plenty of behind-the-scenes trivia, quotable lines ("Rubbin', son, is racin'"), and some good old-fashioned '90s movie magic, Dave, Rob, and Kurt put the pedal to the metal in revisiting this cult favorite. Buckle up—this episode is racing straight into your ears!   Pandora: https://pandora.app.link/iq8iShjXOLb   Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall 

This week, we're setting sail with Kermit, Miss Piggy, Gonzo, and Tim Curry as we revisit Muppet Treasure Island, Disney's 1996 swashbuckling adventure that proved you can never have too many pirates... or Muppets.We explore how the Muppets returned to adapting literary classics after the success of Muppet Christmas Carol, why Gonzo and Rizzo were almost the stars of this film, and how Tim Curry's unforgettable Long John Silver performance (and laugh) practically made him a human Muppet. Along the way, we look at the film's memorable songs by Barry Mann and Cynthia Weil, Hans Zimmer's rousing score, and the challenges of filming on a full-size gimbaled ship set without sending the entire cast to the sick bay.We also share our memories of the movie's 90s marketing, its reception, and why it remains such a fun retelling of a literary classic.00:00 Welcome to 90s Disney Podcast01:35 Introduction to Muppet Treasure Island02:10 Muppet Treasure Island Release and Reception04:14 Casting and Character Insights11:43 Behind the Scenes and Production Details28:17 Music and Score of Muppet Treasure Island32:20 Final Thoughts and Reflections32:31 Nostalgic Memories of Watching Movies in Theaters33:25 Ranking the Muppet Movies35:23 Imagining New Muppet Movie Adaptations38:16 Comedic Highlights and Memorable Scenes46:18 Behind the Scenes and Fun Trivia51:04 Legacy and Reception of Muppet Treasure Island55:24 Listener Feedback and Final ThoughtsLinks & References:D23 – Muppet Treasure Island Did You Know?Muppet Mindset – Celebrating 20 Years of Muppet Treasure IslandVariety – Treasure Pic Charted for MuppetsOfficial Trailer on YouTubeFollow UsBlue SkyTwitter/XFacebookThreadsInstagramEmail us at 90sDisneyPodcast@gmail.com!

This week on Born to Watch, we're heading to the desert planet of Arrakis to break down one of the biggest sci-fi epics of recent memory in Denis Villeneuve's Dune: Part One Review. Join Whitey and Sir Dimmy of the House Cockburn as they unpack a film that's equal parts galactic power struggle, political thriller, and interstellar fever dream.Villeneuve's Dune had a lot riding on it. Announced in 2017 and delayed by the COVID-19 pandemic, it finally arrived in 2021 with both cinema and HBO Max releases. But did it live up to the hype? Was the spice worth the squeeze? Whitey and Sir Dimmy get stuck into the sandstorm of ambition, adaptation, and a whole lot of Zimmer.From the very start, the duo agree, this film demands the big screen. Whitey confesses to watching it via a sneaky early online drop and instantly regretting not experiencing it in the cinema. For Dimmy, it was love at first IMAX. There's a reverence for the visuals, the grandeur, and the world-building that marks Dune as a rare modern blockbuster that dares to go deep.But this isn't a dry academic analysis. This is Born to Watch, where film critique meets pub banter. That means serious praise for Hans Zimmer's thunderous, Oscar-winning score, though we do wonder if the music sometimes overshadows the movie. The team marvels at the film's scale: the ornithopters, the wormsign, the sand-soaked vistas. Arrakis feels real. The political scheming feels Shakespearean. The voice feels like Jedi mind tricks on steroids.Naturally, the cast gets a full once-over. Timothée Chalamet is dubbed a “scrawny action hero” who somehow works as Paul Atreides. Rebecca Ferguson as Lady Jessica earns the nickname “Freckles Ferguson” and delivers the emotional heft of the film, tears, telepathy, and total commitment. Jason Momoa's Duncan Idaho is everyone's space-dad crush, and Stellan Skarsgård's floating, grotesque Baron Harkonnen might just be the scariest slug in cinema history.And then there's Zendaya. Or… is there? While her face is plastered across posters, trailers, and marketing campaigns, she's in the actual film for about 10 minutes, and that's being generous. Sir Dimmy and Whitey don't hold back, calling it one of the greatest bait-and-switches in recent memory. She's Paul's “blue-eyed wet dream,” more vision than character, and it all but guarantees the necessity of a sequel.The discussion also gets into the film's legacy. Is Dune the sci-fi blueprint that inspired Star Wars? Without question. From the Force-like Voice to desert-dwelling mystics and chosen one arcs, Herbert's fingerprints are all over modern sci-fi. Villeneuve's version just finally gives the novel the serious treatment it deserves, after the messy (but charmingly weird) David Lynch version in 1984 and a forgettable miniseries.Of course, Born to Watch being Born to Watch, there are plenty of detours. There's debate over whether Duncan Idaho could survive in the Game of Thrones universe. There's talk of Dutch ovens, nose jobs, and the possibility of casting Mr. T as the Reverend Mother. At one point, the podcast veers into a philosophical wormhole involving one-name celebrities like Sting, Prince, and, of course, Zendaya. The House Cockburn coat of arms even gets a shoutout, shielded by fire, flanked by two swords in the shape of appendages. You really had to be there.Despite a few gripes, underexplained lore, a traitorous doctor's paper-thin logic, and the slightly sluggish pacing, Whitey and Sir Dimmy are all in on Dune. It's a film that dares to take itself seriously. No snark, no winks. Just grand, immersive sci-fi storytelling. It may not be everyone's flavour of spice, but it's a feast for those who want their blockbusters with brains.As the credits roll and the sand settles, one thing is clear: this is only part one. And Born to Watch will be there when part two drops, with fresher takes, deeper dives, and possibly more Zendaya.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation: Is Dune a sci-fi masterpiece or a high-concept snooze? Was Zendaya's screen time the greatest bait-and-switch ever? Would YOU ride a sandworm into battle?Please drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #Dune2021 #DenisVilleneuve #TimotheeChalamet #SpiceMustFlow #MoviePodcast #FilmReview #SciFiCinema #Zendaya #HansZimmer #MovieNerds #FilmTalk #PopCultureBreakdown #HouseCockburn #BlueEyedWetDreams #JasonMomoa #RebeccaFerguson

036 - F1: The Movie, Dir. Joseph Kosinski The wait for Joseph Kosinski's next great film is over- and F1: The Movie is it. Summer Blockbusters don't get any bigger, nor can they have a bigger star than this one.  Kosinski delivers again so much of what made Top Gun: Maverick so incredible- The deep and interwoven narrative that so wonderfully gives us real characters with a sweeping and emotional score.  F1 is worth the wait and is that film, complimented by a deep and haunting Hans Zimmer score.  If you can see it on an IMAX screen or Dolby Digital, you will be amazed as the film takes you on the F1 track and puts you in directly in the cockpit of a Formula 1 car with a larger than life star.  Don't miss this in theaters.   0:00:00 - Introductions and Banter 0:14:30 - Box Office 0:17:10 - Movie Recommendation- Gran Tourismo , Dir. Neill Blomkamp 0:23:30 - Brad Pitt- One of the Last True Movie Stars 1:00:00 - F1: The Movie   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan. Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

Brad Pitt roars back to the screen in a high-octane thrill ride that proves age is just a number when passion drives you forward. As veteran racer Sonny Hayes, Pitt brings a magnetic charisma to a character whose superstitious quirks – including his refusal to touch winning trophies – hint at a complicated past filled with triumph and regret.When struggling team owner Ruben Cervantes (perfectly cast Javier Bardem) recruits Sonny to mentor rising star Joshua Pierce (Damson Idris), the stage is set for a classic tale of redemption that transcends typical sports movie formulas. Their chemistry crackles with authentic tension – the seasoned veteran who races for the pure art of it versus the young hotshot chasing fame and fortune. What begins as rivalry gradually transforms into mutual respect through white-knuckle racing sequences that put viewers directly into the driver's seat.Director Joseph Kosinski (Top Gun: Maverick) brings his technical mastery to the world of Formula 1, creating racing sequences that feel heart-stoppingly real. The camera work deserves special mention – innovative angles and drone shots capture the visceral thrill of racing at 200 MPH. Hans Zimmer's score perfectly complements these moments, building tension and emotional resonance throughout the 2.5-hour journey. While some subplots could have been trimmed, the core relationship between Sonny and Pierce provides the emotional engine that powers this film to its satisfying conclusion.For racing enthusiasts, F1 delivers authentic details and cameos from real drivers that enhance the experience. Yet it remains accessible to newcomers, explaining the sport's complexities without patronizing its audience. Beyond the spectacular racing sequences lies a universal story about finding purpose, mentoring the next generation, and pursuing excellence for its own sake rather than glory. Don't miss this pulse-pounding celebration of second chances and the relentless pursuit of perfection – experience F1 in IMAX for the full immersive journey.

For this week's main podcast review, Katie Johnson, Giovanni Lago, Joselyn Safadi, Brendan Hodges & Will Mavity join me to review and discuss the newest film from Joseph Kosinski, "F1" (Or "F1 The Movie" depending on who you ask) starring Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies & Javier Bardem. Set in the world of Formula One racing, Kosinski and producer Jerry Bruckheimer aim to deliver the most authentic and immersive racing movie ever made while retaining the magic that made their last collaboration, "Top Gun: Maverick," such a success. What did we think of it? Please tune in as we discuss the story, performances, racing sequences, Hans Zimmer's score, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies and tv shows reviews, the hosts will bring you a biweekly mini show, about movie topics, upcoming film releases and news in the entertainment world. Tonight, the hosts will explore the profound impact of music in film and television, discussing iconic scores, the emotional weight of soundtracks, and the nostalgia that shapes storytelling. They delve into the works of renowned composers like John Williams and the significance of memorable themes in enhancing the viewer's experience. The discussion also touches on the evolution of TV scores and the influence of music on character development, culminating in a celebration of the art of scoring in both film and television. It's last call with the hosts, so let's raise your glasses and as we celebrate our love for the movies. Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcas

To launch like a rocket and land like a plane. The space shuttle: A sci-fi dream that became reality and changed spaceflight forever. Told by the Nasa astronauts, engineers, scientists and support staff who made it happen. Our multi award-winning podcast returns on 14 July 2025 with: 13 Minutes Presents: The Space Shuttle. Presented by space scientist Maggie Aderin-Pocock. She tells the story of triumph and tragedy, and the human story behind the technology and scientific endeavour. A BBC Audio Science Unit production for the BBC World Service. Season 3 theme music by Hans Zimmer and Christian Lundberg, and produced by Russell Emanuel, for Bleeding Fingers Music.Archive: Mission audio and oral histories, Nasa History Office.

It's "Plaaaaaay ball!" as NostalgiaCast steps up to the plate for a home run discussion of A LEAGUE OF THEIR OWN, directed by Penny Marshall and starring Tom Hanks, Geena Davis, and Madonna. Phoenix Clouden, good friend and co-host of the Curtain To Curtain podcast, helps Jonny and Darin wind back the clock to a time where men went off to war and women were tasked to keep America's favorite pasttime alive. Also batted around: a history of the AAGPBL and a roster of Phoenix-Jonny-Darin's favorite lines and performances in the film.  

No Time to Die Another Living Daylights! Scarlet Witch found this James Bond Car Quiz. Also check out Licence To Queer. Need more Bond? Check out our double-o marathon in episodes 200-224. The next spy topic is Notorious (1946).

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Send us a textTrying to leave their troubled lives behind, podcast hosts return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back - copyright takedowns. On Episode 671 of Trick or Treat Radio we discuss Sinners from director Ryan Coogler! We also reminisce about the nostalgia of going to the mall, why Thomas Edison is such a dick, and culture vampires! So grab a bottle of your favorite Irish beer, make sure to wear your mojo bag, and strap on for the world's most dangerous podcast!Stuff we talk about: Patreon, Attack of the Killer Tomatoes: Organic Intelligence, Eric Roberts, Werewolves in a Girls' Dormitory, Final Exam, Split Second, Harry and the Hendersons, Man with the Screaming Brain, Chicago Massacre, Land of the Lost, Bruce Campbell, After Last Season, The Commune, Mark Wahlberg, Night of the Living Dead, Return of the Living Dead, 4-D Man, Star Trek, Cry of the Werewolf, Charles Ogle, Thomas Edison's Frankenstein, Monroeville Mall, Twin Pines Mall, Back to the Future, House of Pain, Outsiders, Family Guy, York's Steak House, Steak Knives, reminiscing about going to malls and movie theaters, Suncoast Video, Best Buy, Ricky Coogan, Sam Goody, Strawberries, RIP Peter David, Sinners, Ryan Coogler, Danny Elfman, Hans Zimmer, Ludwig Goransson, Eden Lake, Angelina Jolie, Michael B. Jordan, movie stars, Al Capone, Juke Joints, BBC, Pipes of Pan, the lineage of culture, cultural appropriation, Clown in a Cornfield, Fruitvale Station, Black Panther, Creed, Rocky, the divided states of embarrassment, Tucker and Dale vs Evil, Thomas Edison Created the Blues, Putting the Smackdown on Intelligence, and Vampire Cunnilingus.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show