Podcast appearances and mentions of Graham Coxon

Send us a message, so we know what you're thinking!This episode, we look back at two hugely influential women artists – Patti Smith, whose 1975 “Horses” album inspired so many artists, and Marianne Faithfull, whose passing in January, 2025, is a huge loss.  “Horses”, with its confrontational approach - “Jesus died for somebody's sins, but not mine” - changed the landscape of rock music for the next few decades.  Produced by John Cale, of Velvet Underground fame, the album opened the door for so many women, including Blondie and so many English punk and new wave bands.  We talk about why we like this album, its influential impact, and how Patti Smith developed over later years. Marianne Faithfull has long been one of our favourites, and we talked about “Broken English” in Season 3. (If you haven't heard that episode, here's the link.) Tributes have come from every corner of the industry, all saying one thing – Marianne was inspirational to everyone she worked with, from The Rolling Stones to Metallica to Nick Cave and Warren Ellis. Banging our own drum for a moment, we've just been named as one of the top Australian Music Podcasts by monitoring service, Feedspot, which compiles the most comprehensive list of Australian Music Podcasts on the web. Great subjects.  Great episode.  Enjoy.  References:  Marianne Faithfull, Patti Smith, Andrew Loog Oldham, Sister Morphine, Girl on a Motorcycle, Samuel Beckett, homelessness, Hipgnosis, Storm Thorgerson, Mick Jagger, Keith Richards, “The Memory Remains”, Metallica, Lars Ulrich, Warren Ellis, She Walks in Beauty, Graham Coxon, Blur, TOTO, “Africa”, “Hold The Line”, "Rosanna”, Robert Dimery, 1001 Albums You Must Listen to Before You Die,  Jim Morrison, oil shortage – 70's, Robert Mapplethorpe, Allen Lanier, Blue Öyster Cult, Tom Verlaine, Television, "Break It Up",  John Cale, “Gloria”, Van Morrison, “Marquee Moon”, “Land (Horses)”, “Radio Ethiopia”, “Wave”, “Easter”, “Because the Night”, Siouxsie Sioux, Siouxsie & The Banshees, R.E.M.,  Michael Stipe, Peter Buck, Morrissey, Johnny Marr,  Courtney Love, Hole, PJ Harvey Episode playlistHorsesBroken EnglishMarianne Faithfull - Series 3, Episode 14

Aquí lo que importa es que sea fresco del día, en nuestro caso, de la quincena. En Radio Curie te ofrecemos una selección de novedades musicales del circuito alternativo internacional hecho con amor y todo el rigor posible. Durante una hora repasamos lo último de lo último, desde el folk a los sonidos más eclécticos de la electrónica, pasando por el postpunk o el hiphop. Aquí cabe casi todo. 1) Sex Week - Coat 2) loucey - alice 3) Bouvier Normal - Long Time 4) Ezra Furman - Jump Out 5) Dirty Projectors; David Longstreth; stargaze - Uninhabitable Earth, Paragraph One 6) Neev - I Put it in a Frame 7) Benjamin Clementine - Tempus Fugit 8) Deradoorian - Any Other World 9) Kae Tempest - Statue In The Square 10) caroline - Total euphoria 11) Wishy - Over and Over 12) KuleeAngee - Be Good 13) Tropical Fuck Storm - Bloodsport 14) The WAEVE; Graham Coxon; Rose Elinor Dougall - Love Is All Pain 15) SOFT PLAY; Kate Nash - Slushy - feat. Kate Nash 16) The Pill - Problem 17) Lauren Mayberry; Joe Talbot - Sorry, Etc, Etc (feat. Joe Talbot) 18) Rhys Langston; Open Mike Eagle - Ate the Tuning Fork While I Taxied in the Crepuscular 19) 23 Bees - Ok :) 20) The Null Club; E L U C I D - Frameshift

In episode #218 of The XS Noize Podcast, host Mark Millar interviews Graham Coxon and Rose Elinor Dougall, the duo behind The WAEVE. Known for their cinematic blend of British folk-rock, post-punk, and freeform songwriting, The WAEVE's music explores themes of oblivion, surrender, hope, and defiance in a turbulent world. Following their acclaimed self-titled debut album in 2023 and their second release, City Lights, in 2024, the duo returns with Eternal, a brand-new three-track EP featuring the single Love Is All Pain. Ahead of their UK headline tour, which kicks off on March 16th in Glasgow, Graham and Rose discuss how they met, their creative process, and the inspirations behind their latest music. Tune in to The XS Noize Podcast – Episode #218 for an exclusive deep dive into The WAEVE's world of music, collaboration, and sonic evolution.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Ocean Colour Scene, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

25 years ago, the Toronto and Canadian music landscape was turned on its ear with the release of The Russian Futurists' internationally acclaimed debut, The Method of Modern Love. The album is an unabashed confession of romance built on a bedrock of thrift-store toy keyboards and cheap guitars recorded on a porta studio. The Method of Modern Love won fans in R.E.M's Peter Buck, former Blur guitarist Graham Coxon, and filmmaker Jason Lee. The Magnetic Fields' first two albums, Distant Plastic Trees and The Wayward Bus, were the template for The Russian Futurists and a change in the direction of Canadian indie music!

Graham Coxon and Rose Elinor Dougall of The WAEVE delve into the creation of their sophomore album City Lights, a listening experience filled with sharp musical edges and a deep sense of urgency. The conversation explores their collaboration with producer James Ford, and the thematic undercurrents of their work, from the city's dark underbelly to the intimacy of family life.

IT'S THE FINAL EPISODE OF 2024! Join Planet LP host Ted Asregadoo and Popdose's Keith Creighton as they wrap up an incredible year of music! In this jam-packed episode, Ted and Keith dive into their favorite songs and albums of 2024—not with a ranked list, but with thematic categories that make for a thoughtful and entertaining retrospective. In the first segment, Keith and Ted talk about bigger music trends like: -- The deluge of streaming content. -- The impact of AI on music creation -- and how Spotify reaps the profits from these non-human-created songs. -- The importance of human creativity in cultural expressions like music. Breakthroughs and Debuts Keith talks up the music by and film about Kneecap -- a hip-hop trio whose raps are entirely in Galic. Their current album Fine Art is available now. Fat Dog also tops Keith's breakthroughs and debuts this year. If you're into the early Ministry and that whole industrial genre, you'll love Woof by Fat Dog. Finally, The Waeve, a UK duo featuring singer-songwriters Graham Coxon and Rose Elinor Dougall. Keith said that if he did rank his albums this year, City Lights by The Waeve would top his list. Ted's Single Play picks are: "The Flood" by Allie Sandt. If you're a fan of Fleetwood Mac, Steely Dan, Paul Simon, or Madison Cunningham, Allie's music is a must-listen. With songwriting that reflects the depth and wisdom of an old soul, Allie weaves timeless influences into a sound that's uniquely her own. Her heartfelt lyrics and melodic craftsmanship show incredible promise, and Ted is rooting for her career to take off— because she truly deserves it. The second song is As For The Future's track "The Mob" -- a sly, samba-infused commentary on populism that's as counter-cultural as it is catchy. If you're a fan of Sergio Mendes and Brazil '66 or were hooked on Swing Out Sister back in 1987, this song will strike a chord. With its smooth grooves and clever lyrics, "The Mob" blends nostalgia with a fresh, modern edge—proof that As For The Future knows how to make a bold musical statement. Another UK Invasion The Last Dinner Party is a UK band that formed during COVID-19. Surprisingly, before they had a single out, they opened for The Rolling Stones. The Last Dinner Party is what Keith called a total "buzz band" that entertained the public and press with their live shows, fashion, and visual style. Their album, Prelude To Ecstasy did deliver the goods -- as it were -- and lived up to its hype. Irish shoegaze band NewDad, which Keith describes as "very sweet, tender, dark, shoegazing music," reminds him of Lush -- which made him spin the album many times since its release. And while Brigitte Calls Me Baby are not from the UK (they are from Chicago), Keith connected with their music because their style reminds him of The Smiths crossed with Elvis Presley. Their debut album is The Future Is Our Way Out. Ted's sort of Single Play picks for this segment are: A Planet LP favorite! Ward White's "Continuity" is a masterclass in wit, quirky storytelling, and exceptional musicianship. The opening line is irresistibly catchy—it sneaks into your head and stays there, a sure sign the song is working its magic. Ward's sharp sense of humor shines throughout, making "Continuity" both clever and captivating. It's a standout track that showcases his unique charm and talent. Though Ward is not from the UK, he sure sounds like he could be -- kind of like the band Brigitte Calls Me Baby. It Leads to This by The Pineapple Thief has been Ted's most-listened-to album of 2024—and for good reason. He was hooked after seeing them live in San Francisco on December 9th. While he admits to unfamiliarity with their older work, It Leads to This completely won him over. It balances heavy guitar riffs with a meditative, Pink Floyd-like, immersive, and introspective vibe. It might not be for everyone, but if atmospheric, thoughtful rock is your thing, It Leads to This is absolutely worth a listen. New Power Pop When it comes to power pop, think The Knack's "My Sharona," or Rick Springfield, and Cheap Trick. But what's when it comes to power pop in 2024 sometimes what's old is new again. Keith recommends a band that opened for The Beatles during the final tour and shared the same manager. That band is The Cyrkle -- whose unusual spelling was suggested by John Lennon. Their 2024 release on Big Stir Records is called Revival, and it's among Keith's most-played albums this year. Fun fact: Band member Tom Dawes (alas, he died in 2007) was a successful jingle writer after The Cyrkle disbanded. He wrote "Plop, Plop, Fizz, Fizz" for Alka-Seltzer, which ran in their ads from 1975-1980. Another power pop gem is The Half-Cubes, whose album Pop Treasures is a carefully curated album of cover songs that mine some tracks from 10cc, OMD, Del Amitri, and Trashcan Sinatras. Ted's Single Play picks are: Kula Shaker's "Indian Record Player" is a catchy pop anthem that seamlessly blends Western pop music sensibilities with a nostalgic nod to the golden age of Bollywood in the lyrics. Check out their latest release, Natural Magick. Galantis, David Guetta, and 5 Seconds of Summer team up for "Lighter," a feel-good anthem that's pure pop perfection. Clocking in at just 2:52, the song is packed with infectious hooks and an upbeat vibe that'll have you dancing from start to finish. It doesn't overstay its welcome or try to be overly complicated—it's simply a joyful, high-energy track with a great beat that's impossible to resist. Sometimes, all you need is a song like this to brighten your day and get you moving. Best Comebacks Keith's first comeback record is from The Libertines, All Quiet on the Eastern Esplanade -- which is an astonishing comeback considering the substance abuse problems of some of the band members, like vocalist and guitarist Pete Doherty. Check out the single "Run, Run, Run" which excels at presenting what a good pub band sounds like when they are sober. Guess who's back? The Zutons! Best known for writing Amy Winehouse's most famous cover song ("Valarie"), their latest album The Big Decider is such a strong album from a band that was on hiatus for years that most folks probably thought they broke up for good. Nope. Ted's picks center on bigger names like The Cure's Songs Of A Lost World. While the album is light on hooks, it's pretty heavy on misery, which, considering Robert Smith world view is not a surprise. While The Cure's music is not for everyone, those who loved their 1989 release Disintegration will find The Cure's latest album a very familiar experience. Pearl Jam knocked it out of the park with Dark Matter. The title track and the song "Won't Tell" are two that stood out in this incredibly strong collection of songs. Keith notes that a good amount of credit goes to producer Andrews Watt, who has a knack for bringing out the best in older acts like Pearl Jam, The Rolling Stones, Ozzy, and the like. Single Play highlights not related to comebacks: Paper Citizen's "Car Stereo"-- a song dedicated to the importance of friendship in one's life and right up there in Ted's top singles of 2024. Linkin Park's "The Emptiness Machine" is a welcome return to form. Now that they have a new singer, it has brought to the forefront a very 20-something energy that recalls Paramore back in the day. Music Royals While the boys like Kendrick Lamar and Drake dissed each other in 2024, the girls like Charlie XCX (brat), Ariana Grande (Eternal Sunshine and Wicked), Sabrina Carpenter (Short n' Sweet), Dua Lipa (Radical Optimism), and Chappell Roan where all about community and supporting each other's music and careers. And finally, as the Eras Tour came to a close, Taylor Swift showed what spreading the wealth means. She's now a billionaire, but she gave back to her employees with $100,000 bonuses after the tour ended. Now, as the year is winding down, Keith said he's going to spend a lot of time with Swift's The Tortured Poets Department, while Ted is going to spend more time looking for rock bands with whom he is unfamiliar -- you know, if we're being grammatically correct here.

Monty Python star and king of the travel documentary Michael Palin has just published the fourth volume of his best-selling diaries. In 'There and Back' he covers the years 1999-2009. He joins Clive to talk about how the 21st Century has treated him.The actor and Call The Midwife star Jessica Raine is soon to return to our screens in the second series of 'The Devil's Hour' where she plays Lucy Chambers, the insomniac social worker who wakes every night at 3.33am.Susan Wokoma has just finished playing Charlotte in Tom Stoppard's The Real Thing at the Old Vic and she will soon be back as Fola in the BBC drama Cheaters, which starts its second series later this month.The WAEVE are a collaboration between Blur guitarist Graham Coxon and singer-songwriter Rose Elinor Dougall. They perform a track from their new album City Lights.And there's more music from the London based Jazz musican Ashley Henry who has just released his sophmore album 'Who We Are'Presenter: Clive Anderson Producer: Jessica Treen

Ever heard a bin playing a saxophone? Ever heard Chris Moyles playing a harmonica? Well, I'm not comparing the two…but you're in for a treat…Hello and welcome to The Chris Moyles Show on Radio X podcast! It's episode 461 and a whole load of guests and giggles await you, my friend. The week began with both disappointment and celebration, when The £25k Box was unlocked at long last and oh my Buck Rogers, that was exciting. The week began good n' proper with a visit from William Hanson, the etiquette-expert, who taught Chris and the team that slurping on your super-noodles or demolishing a burger is NOT the polite way to go about things. Next, comedian and presenter Joel Dommett momentarily stepped aside from dad-duties to pop to the studio ahead of his 4th round of presenting the NTAs. Then, Blur legend Graham Coxon dropped by for the greatest achievement in his musical career: teaching Chris how to play the harmonica…prep your ears…you've been warned! Also, presenter and author Ross Kemp, who fears nothing and has interviewed the most dangerous gangs in the world, tells a chilling story about losing a toenail. Finally, best-selling author Richard Osman comes in, telling us about his brand new novel, ‘We Solve Murders, and the wonderful Leigh Francis chats about his brand new autobiography, ‘Leigh, Myself and I', and the little man at the end of his bed. So go on, hit play and get to it! You'll also hear about…Chris' new bin bandA very special Greggs deliveryPippa getting something stuckAlso this week, Chris and Tiff had to say goodbye to their lovely cat, Chewie. Chris was so grateful for all your texts of love and support and our thoughts are with them both. RIP Chewie

In this episode, we dive into the storied career of Blur, one of the most iconic bands to emerge from the British music scene in the 1990s. We start by exploring their early days in London, when Damon Albarn, Graham Coxon, Alex James, and Dave Rowntree first came together to form a band that would become synonymous with the Britpop movement. We'll discuss the band's rise to fame, starting with their debut album, Leisure, and how they quickly became the darlings of the UK indie scene. With hits like "There's No Other Way" and "She's So High," Blur began carving out a unique sound that combined jangly guitars, catchy melodies, and Albarn's distinct vocals. Moving into the height of Britpop in the mid-90s, we examine Blur's transformation into cultural icons with their seminal albums Modern Life Is Rubbish, Parklife, and The Great Escape. We'll discuss how Blur, alongside Oasis, became one of the leading faces of the Britpop "Battle of the Bands," dominating the charts and headlines with their rivalry. This period marked a creative high point for the band, producing unforgettable hits like "Girls & Boys," "Parklife," and "Country House," which captured the zeitgeist of British youth culture. We'll delve into how Blur's sharp, satirical lyrics and their reflections on British society helped them stand out from their contemporaries. As the episode progresses, we look at the band's evolution in the late 90s and early 2000s, when they began experimenting with new sounds and distancing themselves from the Britpop label. We'll explore their self-titled album, Blur, and the shift towards a more lo-fi and alternative rock sound, influenced heavily by American indie music. The success of singles like "Beetlebum" and "Song 2" demonstrated Blur's ability to reinvent themselves and appeal to a broader, international audience. We'll discuss the band's internal struggles, including Graham Coxon's departure, and how these challenges influenced their music and dynamic. We'll then move to the band's hiatus and the members' individual projects, particularly Damon Albarn's formation of the virtual band Gorillaz, which further showcased his versatility as an artist. We'll explore how Blur's brief hiatus and eventual reunion for the Think Tank album in 2003 marked another significant shift in their sound, embracing more experimental and electronic elements. The episode will cover their triumphant return to the stage in the late 2000s, including their emotional reunion shows and the release of The Magic Whip in 2015, proving that Blur's relevance and creative spark were far from diminished. Talk2TheHand is an independent throwback podcast run by husband and wife, Jimmy and Beth. Obsessed with 90s nostalgia and 90s celebrities, we'll rewind the years and take you back to the greatest era of our lives.   New episodes bursting with nostalgia of the 90s released on Tuesdays. Please subscribe to our podcast and we'll keep you gooey in 1990s love. Find us on Twitter @talk2thehandpod or email us at jimmy@talk2thehand.co.uk or beth@talk2thehand.co.uk

What should salmon smell like? Should it smell fishy? Should it smell of the sea? Do salmon even swim in the sea?! We're still not sure…Yes yes yes yes yes The Chris Moyles Show on Radio X Podcast is back for episode 453! The week began with Chris and the team mourning England's loss in the Euros 2024. Don't worry though, we've got some hilarious voice notes from the team that'll make you feel like you were watching the final with them. It's an emotional rollercoaster! Additionally, Dom has his comeuppance as the runner up of his Shambolic Euros Sweepstake, Alan Titchmarsh, demanded his rightful winnings. This week, the brilliant Fran Healy and Dougie Payne of TRAVIS dropped in to say hello to the gang, still hyped from their recent support run for The Killers. They talked about their new album, L.A. Times, a naked Chris Moyles on stage and a very famous Abbey Road piano.Also, this week saw the return of some old friends, including Loch Ness Steve and Chris Puppet, and Blur's Graham Coxon asked Chris for a hug. Finally, Chris makes a very important announcement of a brand new competition beginning next week…introducing: THE £25K BOX. Listen on Monday for your chance to win a whopping £25,000!Here are some extra little bits to expect in this excellent episode…Captain Crapbeard's game of ‘Would AI Lie To You?' returnsThings get a bit RandomFMDom recalls playing with ‘The Beavers'Enjoy! The Chris Moyles Show on Radio X - or should we say RandomFM?Weekdays 6:30am-10amPlease note: no salmon queries will be answered correctly in this podcast. (probably)

There's kind of a theme to this week's show, which is admittedly a bit of a mashup of two previous episodes plus a new chat with Travis & Lisa from The Guestroom in Louisville, KY. It all started last summer, when Lisa and Travis flew to London to see Blur in concert at the legendary Wembley Stadium. Cut to this year, and the July 26 release of the Blur Live At Wembley set. Paul caught up with Travis & Lisa to debrief them on what it was like to actually be there. Woo Hoo! Well, Blur's Graham Coxon has recently been playing with Dhani Harrison, so we took this opportunity to re-post Paul's chat with Dhani earlier this year. Topics included working with his dad, George Harrison, who as you probably know was in The Beatles.  Well, THAT made us want to close this week's episode with a reprise of Paul's conversation with the legendary drummer from The Beatles, Ringo Starr. Yeah, yeah, yeah, we got an actual Beatle!  So many connections here, and that's not even including the fact that both Blur and The Beatles were signed to the Parlophone label in the UK! Say "Beetlebum" three times and you're there. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.    Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Stevie Nicks a dû reporter son prochain concert à Manchester du 9 juillet), comme celui du 6 juillet à Glasgow, après s'être blessée à la jambe. Le chanteur anglais de Nottingham, Jake Bugg, a publié son tout nouveau single "All Kinds Of People", extrait du prochain album ‘'A Modern Day Distraction''. Les Foo Fighters ont clôturé dimanche soir l'édition 2024 de Rock Werchter, compte-rendu complet de ce concert sur Classic21. Be, mais Tom Morello et Dave Grohl étaient aussi à l'affiche du festival de Gdynia, en Pologne, la semaine dernière. Au mois de mai, Blur avait annoncé un nouveau documentaire intitulé ‘'To the End'', qui évoque sa reformation de 2023, les premières images sont arrivées sous la forme d'un clip. Limp Bizkit a sorti une nouvelle vidéo, alimentée par l'intelligence artificielle, pour le titre "Turn It Up, Bitch", extrait de leur dernier album ‘'Still Sucks'' de 2021. L'un des 21 incendies de forêt qui brûlent actuellement en Californie représentant un réel danger, les habitants ont été évacués, y compris le bloc 5000 de Figueroa Mountain Road où se trouve l'ancienne maison de Michael Jackson, Neverland. Mots-Clés : ancienne, chanteuse, Hyde Park, Londres, déplacer, intervention, chirurgicale, mineure, assurer, date, Anvers, sortie, cinéma, Royaume-Uni, Irlande, groupe, partage, clip, minute, entrée en scène, Damon Albarn, Wembley, foule, fans, Arena, Alex James, Dave Rowntree, Graham Coxon, bonne humeur, show, influence, hip-hop, Limp Bizkit, ambiance, images, IA, vidéo, morceau, Out of Style, imitations, divers, leaders, mondiaux, Joe Biden, Vladimir Poutine, Kim Jong-Un, département, californien, forêts, prévention, Lake Fire , danger, bureau, shérif, comté, Santa Barbara, Mercury News, limite, ouest, extrait, septembre, combats, vie, guitariste, Rage Against the Machine, scène, jouer, Times Like These, images. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Lo nuevo de Pixies suena en esta sesión de Turbo 3: escuchamos 'You're So Impatient', un concentrado de 2 minutos de potente rock. Y también: las últimas novedades de The Waeve -el proyecto de Graham Coxon y Rose Elinor Dougall-, Alfie Templeman -con la lujosa colaboración de Nile Rodgers-, Imagine Dragons -en modo funk pop con 'Nice to Meet You-, October Drift y Creeping Jean. Playlist:PIXIES - DebaserPIXIES - You're So ImpatientPIXIES - Manta Ray (John Peel Session, 9th October 1988)DAVID BOWIE - CactusDAVID BOWIE - I Can't Explain (Trident Studios Version)DAVID BOWIE - I Wish You WouldTARQUE - Piel de toroRIVAL SONS - You Want ToCREEPING JEAN - Sassy Got ShakesKULA SHAKER - Rational ManLIAM GALLAGHER & JOHN SQUIRE - You're Not The Only OnePRIMAL SCREAM - Jailbird (The Original Memphis Recordings)THE WAEVE - City LightsBLUR - The NarcissistCAROLINA DURANTE - Elige tu propia aventuraREPION - Vienen de pasárselo bienSTONE - My Thoughts GoOCTOBER DRIFT - Blame The YoungTHE REYTONS - Market StreetIMAGINE DRAGONS - Nice to Meet YouJUNGLE - ProblemzRUTO NEÓN - Eres mi bebéRUTO NEÓN - El principio del finalPURPLE DISCO MACHINE - Honey Boy (feat. Nile Rodgers & Shenseea)ALFIE TEMPLEMAN - Just a Dance (feat. Nile Rodgers)ALFIE TEMPLEMAN - MoviesALFIE TEMPLEMAN - Happiness In Liquid FormJAMIROQUAI - Canned HeatPARCELS - Overnight Escuchar audio

Blur a annoncé un nouveau documentaire intitulé ‘'Blur : To the End'', qui porte sur leur reformation de 2023, le clip promo offre un aperçu des coulisses de la réunion du groupe pour l'enregistrement de l'album, ‘'The Ballad of Darren'', et de la préparation de la tournée de reformation. La sortie d'un autre documentaire est à souligner, celui consacré à Cyndi Lauper, intitulé : ‘'Let The Canary Sing'' qui plonge dans la carrière et l'héritage de l'icône de la pop à travers des images d'archives et des interviews de la chanteuse elle-même, ainsi que d'autres grands noms de la musique tels que Boy George et Patti LaBelle, entre autres. On en apprend un peu plus sur l'émission de téléréalité autour du chanteur de Smashing Pumpkins : de Billy Corgan, série en 8 épisodes, ‘'Billy Corgan's Adventures In Carnyland'', sera diffusée pour la première fois sur la chaîne CW le 14 mai. Le concert à Vancouver de Pearl Jam marquait le début de la tournée du groupe autour de l'album ‘'Dark Matter'', malheureusement Mike McCready, le guitariste, a fait une chute au milieu de son solo de guitare. Caleb Followill de Kings of Leon a révélé pourquoi il ne voulait pas que "Sex On Fire" figure sur l'album ‘'Only By The Night'' en 2009. Mots-Clés : Interprétation, Porch, Paul, scène, image, filmé, fans , manche, guitare, incident, rappel, description, officiel, film, relation, unique , amis , membres, groupe, Damon Albarn, Graham Coxon, Alex James, Dave Rowntree, enregistrer, nouvelle, chanson, concert, sold out , stade Wembley, Londres, été, cinéma, britannique, irlandais , sortie ,international, impact , militante ,droits , homosexuels , droits des femmes , bande originale , succès, Girls Just Want To Have Fun, Time After Time, True Colours, émission , scénarisé, fan, coulisses , famille , mariage , NWA , promoteur, catch, leader, tube , qualité, écriture, mélodie, terrible, interview, Can We Please Have Fun, général, label, potentiel, monde, téléchargé, Grande-Bretagne. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Blur haben mit ihrem dritten Studioalbum "Parklife" einen Meilenstein und vielleicht sogar den Gründungsstein der Britpop-Welle der 90er Jahre ins Rollen gebracht. Nach einer desaströsen, abgebrochenen US-Tour ist für die Band "Blur" 1993 klar: Unser Publikum, das ist nicht die ganze Welt, sondern wir fokussieren uns auf unsere britische Heimat. Mit diesem Entschluss haben Damon Albarn, Graham Coxon, Dave Rowntree und Alex James die richtige Entscheidung getroffen. Mit ihrem Album "Parklife" hatte sich die Band dann 1994 nicht nur selbst musikalisch weiterentwickelt, sondern sie haben auch sowas wie den Grundstein des Britpop gelegt. "Ich glaube, Blur liefern mit diesem Album die perfekte, und zwar umfassende Blaupause für die Ära und den Begriff des Britpop", analysiert SWR1 Musikredakteur Stephan Fahrig. "Parklife" ist bis heute das erfolgreichste Album der Band. Viermal Platin gab es unter anderem für das Album, außerdem noch vier gewonnene BRIT-Awards. Und das Online-Musikmagazin Pitchfork wählte "Parklife" auf Platz zwei der besten Britpop-Alben aller Zeiten, hinter Pulp und ihrem Album "Different Class". Gegen ihre Erzrivalen, Oasis und ihre legendäre Britpop-Platte "(What's The Story) Morning Glory?", konnten sich Blur demnach durchsetzen. Oasis landen in diesem Ranking "nur" auf Platz vier, trotz ihres Megahits "Wonderwall". Das hat Blur selbst mit Sicherheit gefreut, gab es doch in der Vergangenheit häufiger öffentlich ausgetragene Schlammschlachten zwischen Blur und Oasis, wer denn jetzt die beste Britpop-Band aller Zeiten sei. Schräge Gitarren, Shoegaze Sounds, Synthie-Beats – auf "Parklife" verbinden Blur die unterschiedlichsten musikalischen Elemente miteinander, was dafür sorgt, dass die Platte immer überrascht und durch den einzigartigen Sound sehr im Kopf hängen bleibt. Dabei klingt jeder einzelne Song vollkommen anders als der davor, wodurch die Platte auch eine unglaubliche Vielfalt bietet. "Blur erschaffen ein musikalisches Bilderbuch, in dem man immer wieder blättern möchte", meint Stephan Fahrig. Die Band kümmert sich wenig um einen ausgefeilten "Look of Sound" für das ganze Album. Blur machen immer das Beste für einen einzelnen Song. Auch wenn das bedeutet, dass Frontman Damon Albarn beim größten Hit der Platte "Parklife" selbst das Mikrofon an Schauspieler Phil Daniels abtritt. Bei dem Song gefiel Damon Albarn selbst sein Gesang in den Strophen überhaupt nicht, weshalb sie für den Song Schauspieler Phil Daniels dazu geholt haben, der auch der eigentliche Star im späteren Musikvideo wurde. Daniels hatte auch bereits vorher Kontakt zu Musikern gehabt, im Film zu "Quadrophenia" von The Who spielte der Schauspieler die Rolle des Jimmy Cooper. Die Texte stammen natürlich von Mastermind Damon Albarn selbst und sind gespickt mit unglaublich vielen kleinen, alltäglichen, aber sehr genauen Beobachtungen, Beschreibungen und auch jeder Menge Witz und Sarkasmus. Das macht die Texte so nah, so real und auch so britisch. Nicht nur im Video zu "Parklife" wird es richtig britisch, nicht zuletzt, wenn das Beatles-Cover zum Album "Abbey Road" nachgestellt wird. Auch beim Song "To The End" wird mit inoffiziellen britischen Heiligtümern kokettiert. Der Song und das Video zu "To The End" klingen und sehen doch in Teilen sehr nach dem berühmtesten britischen Agenten aus. Damit ist natürlich "Bond, James Bond" gemeint. Das wird auch auf dem Cover zur Single "To The End" deutlich, auf dem neben einer Rose auch das gleiche Modell von Bonds ikonischer Dienstwaffe zu sehen ist. Dass "Parklife" vor allem in Großbritannien so erfolgreich war, hat mit Sicherheit auch damit zu tun, dass Blur sich auch sehr stark an ehemaliger erfolgreicher britischer Musik bedient haben: Auf "Parklife" wird es punkig, es gibt New Wave und Synthie-Pop und auch der Mersey Beat der 60er-Jahre findet hier seinen Platz. Einige Referenzen zu den Beatles finden sich natürlich auch auf "Parklife", wenn man sich zum Beispiel mal die Chorgesänge anhört. "Britpop ist das Tor vergangener musikalischer Epochen", so beschreibt es SWR1 Musikredakteur Stephan Fahrig im SWR1 Meilensteine Podcast. "Parklife ist ein ganz besonderer, alternativer Reise- und Gesellschaftsführer für England und besonders für den Londoner Raum", so Fahrig weiter. __________ Über diese Songs vom Album "Parklife" wird im Podcast gesprochen (19:49) – "Girls & Boys" (32:51) – "Tracy Jacks" (37:32) – "Parklife" (55:07) – "To The End"  (01:05:27) – "This Is A Low" __________ Über diese Songs wird außerdem im Podcast gesprochen (34:34) – "David Watts" von The Kinks (01:17:26) – "Bold As Love" von Jimi Hendrix __________ Shownotes ARD-Podcast-Tipp "Fuck you very, very much!": https://www.ardaudiothek.de/episode/fuck-you-very-very-much-die-groessten-beefs-im-musikbiz/oasis-vs-blur-der-britpop-battle/ard-kultur/13206741/ Beef zwischen Oasis und Blur bei den "BRIT-Awards": https://www.youtube.com/watch?v=ronepzBsQ3M Youtube-Kanal von Blur: https://www.youtube.com/channel/UCLdfTpBoh9G_DI3OURnIFOQ Bandbiografie von "Blur": https://www.laut.de/Blur Interview mit Schauspieler Phil Daniels bei Radio X: https://www.youtube.com/watch?v=eOLzthiL51o __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

2024 é carregado de celebrações redondas para alguns dos álbuns que marcam a nossa caminhada colectiva. “Parklife” é um deles — e cumpre 30 anos numa altura em que temos tido os Blur por perto. Regresso ao terceiro trabalho da banda de Damon Albarn, Graham Coxon, Alex James e Dave Rowntree, editado a 25 de Abril de 1994, com a Beatriz Costa como guia

Welcome to episode 172 with Bill Ryder-Jones, who is a singer-songwriter, musician, music producer and composer. Bill was a co-founder of The Coral, which they started when he was 13, and he played lead guitar on the first five albums, eventually leaving in 2008. It was around then that Bill started to experience depression, agoraphobia and panic attacks which would eventually lead him to leave The Coral at the height of their success.  At that time, it wasn't made public that Bill's mental health issues where a result of witnessing the death of his brother in a freak accident while they were on a family holiday as children.. After the breakdown that followed, Bill started to work on his solo career and to date has released 5 albums under his own name and has collaborated with the Arctic Monkey, Graham Coxon and Paloma Faith and produced records for the likes of Mick Head and Saint Saviour and many others. His latest record, Iechyd da, was released in January to a fanfare of praise and glowing reviews and its already a contender for album of the year. In this episode I chat to Bill about the album, the songs and the upcoming tour. We chat about Bill's experiences with agoraphobia and how it affects him day to day and in relationships and we chat about touring, drinking, getting older and making music. We also chat about panic attacks and dealing with fear and being alone how sometimes choosing an unhealthy coping strategy is choosing the lesser of many possible evils. I loved chatting to Bill.  He is such a lovely man and we laughed a lot despite getting in to some really deep topics.  I'm a huge fan of his music so getting the opportunity to ask him about it was a personal podcasting highlight for me and I can't thank him enough for his openness and his time. Follow Bill on socials @billryderjones tour dates and tickets available now at Bill Ryder-Jones (billryderjones.co.uk) If you would like to watch this episode or any of the others, you can do so by joining the Patreon community at www.patreon.com/propermentalpodcast.  For £3 a month you'll get early access to any and all episodes that aren't available to watch anywhere else and you can submit questions for upcoming guests!  You'll also be helping to support the show and keep it fully independent and ad free. You can connect with me on social media @propermentalpodcast or via www.propermentalpodcast.com. Another great way to support the show and spread the word is to rate, review and subscribe on whatever platform you get your podcasts from. If you or anyone you know needs to find support in your local area, please go to www.hubofhope.co.uk Thanks for listening!

Bill Ryder-Jones, Anna Calvi and Poppy Hankin discuss the first piece of music that really affected them, how their writing has changed as they've grown older, and how much they're willing to give people control over their music.Bill Ryder-Jones is from West Kirby, Merseyside. He co-founded the Coral, playing as their lead guitarist from 1996 until 2008. Since then he's pursued a solo career, writing his own albums and film scores, as well as producing and playing on records for other artists including the Last Shadow Puppets, Graham Coxon, Paloma Faith, the Wytches and Hooton Tennis Club. He's recently released his fifth solo album Iechyd Da (which translates as "good health" in Welsh). Singer-songwriter and composer Anna Calvi is known for her operatic singing voice and virtuosic guitar skills. She's the only solo artist to have received three consecutive Mercury Prize nominations, going on to become a judge for the awards, and her other work includes everything from scoring seasons five and six of the acclaimed TV series Peaky Blinders to a stage production of the opera The Sandman. Vocalist and guitarist Poppy Hankin leads London-based indie-rock trio Girl Ray. Their sound has taken them on a journey from C-86 style indie-rock to uplifting pop music; their third album Prestige, released last year, sees them reclaim disco music as a celebration of sexuality and outsider culture.

Last fall, singer-songwriter and film score composer Dhani Harrison released a dynamic new solo album called Innerstanding, which gave me the perfect opportunity to finally interview him in depth. "To innerstand is to comprehend from a place of love and detachment, where you're not forcing yourself or being forced," he explains. "If you come at things from a place of love, then you'll always end up on the right side of history."  I've known Dhani for nearly twenty years, and I was so glad to have him as a guest on the LSQ podcast, and to ask him about his personal musical evolution. We connected over Zoom late last year, and he shared memories of how he first discovered and explored his musical talents, with encouragement from his dad, George Harrison, how skateboarding with his cousin in LA as a kid sparked his obsession with the Wu-Tang Clan, why, in spite of his abiding love for Jimi Hendrix, he never wanted to be a shredder, why he was so geeked to have Blur's Graham Coxon play (both guitar and saxophone) on Innerstanding, how he started writing film scores back in 2013 with the music for Beautiful Creatures, why he returned to living in the forest in recent years, leading up to the new album, and more. Innerstanding is available on vinyl here.

In an opening aside, The Captain curses wireless technology. Just use wires, folks. After all these years, ElTele learns how to run.But the main theme for the end of year episode is: we list our best film, TV series, documentary, book, event, album and podcast of the year (spoiler: we don't choose our own). If we'd like anything for Christmas, it's that you like, subscribe, favourite, rate or share this podcast. Oh, and world peace too.Meri Kirihimete to you all.No links, no spoilers, listen now!https://www.onlyapodcast.com/episode-53-our-best-things-of-2023/https://linktr.ee/onlyapodcast

James Ford made a name for himself by refusing to be pinned down and this year is no exception. In addition to the release of his first solo LP, The Hum, Ford produced Jessie Ware's That! Feels Good!, Geese's 3D Country, Depeche Mode's Memento Mori, the self-titled debut from Graham Coxon and Rose Elinor Dougall's The WAEVE, and Blur's first album in eight years, The Ballad of Darren. Not only that, he worked with breakout newcomers The Last Dinner Party and Fat Dog.On this episode of Consequence UNCUT, Associate Editor Paulo Ragusa with Ford about Jessie Ware, Depeche Mode, Blur, The Last Dinner Party, and more. Check out the latest about James Ford here. Our 2023 Annual Report continues with more announcements so stay tuned by checking it all out here.This month, we're on a mission to spread the word about Consequence UNCUT far and wide, and you're our secret weapon. If you love our show as much as we like bringing it to you, we need you to hop over to Apple Podcasts, hit the follow button, and leave us a review. Not only is it a quick and easy way to show your support, but it'll also give you the chance to win some exclusive Consequence merch. Just follow this link to our Google Form and submit your info along with a screenshot of your review. We'll be shouting out our winners in December, so make sure to follow and review soon. Thank you for all your support and for helping Consequence UNCUT grow. Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Our Sponsors:* Check out Green Chef and use my code 60uncut for a great deal: https://www.greenchef.com/ * Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rose Elinor Dougall is an English singer, songwriter and musician. She was a member of The Pipettes and has written and performed with Mark Ronson. Since 2022 she has been a member of The WAEVE, alongside partner Graham Coxon. The band released their eponymous debut album in February 2023. Watch this episode here: https://www.youtube.com/watch?v=1o-bbo-zOA4Show theme by Bis.Want more? Join The James McMahon Music Podcast Patreon.  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

Some people might say it's time we started making sense! We've both been to see the remastered Talking Heads concert movie - hear the verdict - and we've also been impressed by the new album from Paul Cook and the Chronicles.ElTele has completed an untypical rock biography and we talk about the life of the musician who wrote it. We wrestle with the Morrissey conundrum once again, and wonder if University Challenge is getting easier.T Shirt of the Week begins (should we be even wearing T shirts at our age?), The Captain has opinions on Squid Game The Challenge, and we are staggered by the price of tickets to see an American comedy legend. How much?!Show notes and links at https://www.onlyapodcast.com/episode-51-stop-making-sense/https://linktr.ee/onlyapodcast

Avec Carly Simon, Blur et Tina Turner. 1972, Carly Simon sort son troisième album, "No Secrets" (duo avec Mick Jagger "You're So Vain"), sur "No secrets" avec une chorale aérienne, angélique dirigée par Paul Buckmaster (Rolling Stones, David Bowie, Leonard Cohen, Elton John…). En 99 sur le 6e album "13" de Blur, "Tender", coécrit et co-chanté avec le guitariste Graham Coxon et Damon Albarn après sa rupture avec la chanteuse d'Elastica, Justine Frischmann, et conclu avec la London Community Gospel Choir. En 85, Tina Turner interprète "We Don't Need Another Hero" pour la B.O. de "Mad Max : Au-delà du dôme du tonnerre" avec la chorale d'enfant de la King's House School de Richmond (avec Lawrence Dallaglio 12 ans). --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock.

Why would anyone do that? Good question, Jenny Eclair. The Taskmaster star and legendary stand-up is this week's diner in the Dream Restaurant.Give this guest coffee and TV. Blur guitarist Graham Coxon chooses his dream dishes this week. Blur's new album ‘The Ballad of Darren' is out now. Listen and buy it now. Graham's band The Waeve's album is also out now. Listen it buy it now. Follow Graham on Twitter and Instagram @grahamcoxonRecorded and edited by Ben Williams for Plosive.Artwork by Paul Gilbey (photography and design) and Amy Browne (illustrations).Follow Off Menu on Twitter and Instagram: @offmenuofficial.And go to our website www.offmenupodcast.co.uk for a list of restaurants recommended on the show.Watch Ed and James's YouTube series 'Just Puddings'. Watch here. Hosted on Acast. See acast.com/privacy for more information.

ABOUT HAVE YOU GOT IT YET: THE STORY OF SYD BARRETT AND PINK FLOYD Directed by award-winning filmmaker Roddy Bogawa (Taken By Storm: The Art of Storm Thorgerson and Hipgnosis) and the late, acclaimed cover designer Storm Thorgerson (Led Zeppelin, Paul McCartney, Black Sabbath) Narrated by Jason Isaacs (Harry Potter, The Patriot) Featuring interviews with David Gilmour, Nick Mason and Roger Waters, original band managers Peter Jenner and Andrew King, as well as The Who's Pete Townshend and Blur's Graham Coxon among others. Syd and Pink Floyd crystallized a cultural moment where anything seemed possible but where that freedom could come with a cost. Was Syd just another drug casualty? Did he suffer from an undiagnosed mental condition? Or did he dislike the attention and fame as the fun turned to work? While there are no clear answers which might be the case, there is the feeling by all those around Syd that something went terribly wrong. Have You Got it Yet? is a chronicle and a mosaic of Barrett's creative and destructive impulses, his captivating presence and absence - a portrait of the complex puzzle that was his life.

Well, hello there. Welcome back to another special, one off review podcast from us, the fellas at Trve. Cvlt. Pop!On this episode we are looking at the 9th studio album from recently reformed Brit-pop legends Blur, The Ballad of Darren. This is the band's first album since 2015's rather disappointing The Magic Whip album, but the members of Blur have been keeping themselves busy in a world without their main band; Damon Albarn has been doing some solo stuff and a little project called Gorillaz, both guitarist Graham Coxon and drummer Dave Rowntree have gone solo too and bassist Alex James has... made some cheese... we're not sure. So, does the world need a new Blur album? Is it a risk to come out of hiatus and give the world new material when you already have a stellar back catalogue to fall back on and millions of fans who would surely be happy to see Blur live out their days as a lovely nostalgia blanket?Well, as you'll hear, when they are able to give us such an interesting new flavour as the one we get on The Ballad of Darren, it's certainly worth the risk.  ★ Support this podcast on Patreon ★

Directed by award-winning filmmaker Roddy Bogawa (Taken By Storm: The Art of Storm Thorgerson and Hipgnosis) and the late, acclaimed cover designer Storm Thorgerson (Led Zeppelin, Paul McCartney, Black Sabbath) Narrated by Jason Isaacs (Harry Potter, The Patriot) Featuring interviews with David Gilmour, Nick Mason and Roger Waters, original band managers Peter Jenner and Andrew King, as well as The Who's Pete Townshend and Blur's Graham Coxon among others. Syd and Pink Floyd crystallized a cultural moment where anything seemed possible but where that freedom could come with a cost. Was Syd just another drug casualty? Did he suffer from an undiagnosed mental condition? Or did he dislike the attention and fame as the fun turned to work? While there are no clear answers which might be the case, there is the feeling by all those around Syd that something went terribly wrong. Have You Got it Yet? is a chronicle and a mosaic of Barrett's creative and destructive impulses, his captivating presence and absence - a portrait of the complex puzzle that was his life.

This week is an extra special episode, celebrating the release of the brand new documentary "Have You Got it Yet?" The Story of Syd Barrett And Pink Floyd. Acclaimed director Roddy Bogawa & producer Orian Williams join Jay Jay to discuss the making of the film, in anticipation of its upcoming release. Hear all about how the film came to fruition, & what makes it the proper film to tell Syd Barrett's legendary & complicated story - & how he changed the worlds or rock n roll and psychedelia forever. Roddy & Orian discuess how they bonded through the making of the documentary, & why this film was a perfect fit for the both of them to direct & produce, given their expertise in the worlds of rock n roll & film - and the influence that Syd Barrett had on them both. Jay Jay gets into the influence that Pink Floyd and Syd have had on him over the years, & why he considers The Piper at The Gates of Dawn to be his all time favorite psychedelic record. Syd and Pink Floyd crystallized a cultural moment where anything seemed possible but where that freedom could come with a cost. Was Syd just another drug casualty? Did he suffer from an undiagnosed mental condition? Or did he dislike the attention and fame as the fun turned to work? While there are no clear answers, there is the feeling by all those around Syd that something went terribly wrong. Have You Got it Yet? is a chronicle and a mosaic of Barrett's creative and destructive impulses, his captivating presence and absence - a portrait of the complex puzzle that was his life. The documentary feature interviews with David Gilmour, Nick Mason and Roger Waters, original band managers Peter Jenner and Andrew King, as well as The Who's Pete Townshend and Blur's Graham Coxon - among many others! This episode is an absolute must listen for all Pink Floyd & Syd Barrett fans. Tune in to their conversation, & be sure to catch the film in theaters near you - Opening In NY Theaters July 14th & LA Theaters July 21st Additional Cities To Be Announced. Check out the trailer below! Have You Got it Yet? Official Trailer Edited & Produced by Matthew Mallinger

In this special edition of the podcast, Andy Bush chats to Blur. Britpop legends Damon Albarn, Graham Coxon, Alex James and Dave Rowntree talk new music, new tour and the 90s.

We had the pleasure of interviewing Mereki over Zoom video!Australian/English savant of purposeful pop Mereki releases her debut solo album Death of a Cloud. Created over seven years and three continents, in collaboration with a roster of the artists Mereki trusted most to bring this deeply personal and intuitively conceived material to life, the album is a look into the joy and difficulty of self-realization and finding the universe within, expressing this journey through music – Stream.The album release comes along with the news of Mereki signing with BMG. Proving her success as an independent artist, her progress will be furthered through the creative efforts of BMG along with her own label BunBun Records.Leading up to her album release, Mereki put out the singles “Presence” and “Twin Flame.” The creation of “Presence” stemmed from Mereki getting inspired by the guitars reverberating through the walls while in a writing room above the studio where Dhani Harrison and Graham Coxon of Blur were recording. After she began singing a melody that became the first verse, she shared it with Harrison, and then the two were motivated to work together to complete Mereki's composition. “Twin Flame” sentimentally arrived the same week as Valentine's Day as a hymn to kindred spirits.Her singles were met with praise from the likes of Notion, Beats Per Minute, Soundazed and Mundane Mag, as well as editorial support from Spotify's infamous Lorem playlist, making the artist's return her strongest streaming to date.At the end of 2022, Mereki and her Be Kind charity partnered with the Happy Baby Community for a Presents for Presence holiday fundraiser. The campaign helped raise money, awareness, and much needed supplies for asylum-seeking new mothers and their babies. Happy Baby Community provides a holistic approach to healing which includes long term support for both mothers and children.ABOUT MEREKI:Indie Australian/English artist Mereki creates pop with a purpose – vibrant musical worlds that share messages of transcendence and healing without sacrificing the fun. Now based in the UK, she first moved from her native Australia to the USA where she quickly found a home in the spiritually minded creative community of the east side of Los Angeles, collaborating with an impressive collection of producers, writers, and musicians as she refined her song writing and voice, laying the foundations for what was to come.Mereki began writing and releasing music with esteemed writers & producers Dan Nigro (Olivia Rodrigo, Conan Gray, Caroline Polachek) and Justin Raisen (Charli XCX, Sky Ferreira). GRAMMY-nominated superstar producer Ariel Rechtshaid (HAIM, Vampire Weekend, Madonna, Adele) spotted her talent, prompting their collaboration, “Golden Boy”, recorded by fellow Australian icon Kylie Minogue. She scored writing credits with Phantogram and Atrak, and guest artist and co-writer credit on tracks with Dhani Harrison, Goldroom, Basenji, Flight Facilities and Holychild. While fronting Goldroom, she performed everywhere from middle America to NYC to Bogotá, Colombia, before going on to perform with electronic act Flight Facilities as their featured vocalist on the duo's sold out North American tour.Kindness and magic are at the backbone of everything Mereki aims to be and be around in her music and in her life. She finds expression for her message in many creative outlets. In addition to music, she is also working on a record label, a children's book, a book of poetry and a collection of portrait photography. In 2016, Mereki created Mereki's Clubhouse, a pop-up event platform with a focus on kindness and creating spaces to give a voice to up-and-coming female artists. The Clubhouse motto “Be Kind” grew into a non-profit organization of the same name.Through all her work with and for others, Mereki found time to create her own music. Her debut solo single, “Blue Lake”, was released to critical acclaim from the likes of Spin, Nylon and Flood Magazine. After enduring some personal tragedy and heartbreak, she found catharsis in a brief foray into high-energy punk rock, releasing a few singles that landed her music in a Victoria's Secret commercial. In 2017, Mereki returned to the essence of who she truly is with the release of the Beach EP. The songs on Beach have Mereki's signature style, a distinctly pop-feel with positive messaging, while tracks like “Spiritual”, “French Kissing” and “Got It All” also hold an ethereal, dreamy quality.Mereki's return to music marks what has already been an extraordinary year for her, including her UK live debut at the legendary Glastonbury Festival 2022, alongside appearances at a host of UK festivals and headlining shows in London.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #Mereki #DeathOfACloud #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

On this episode we look back at the year 1998 and more specifically the week of August 14th. We talk about the album, The Sky is Too High, from Blur guitarist, Graham Coxon. We also discuss the film, Slums of Beverly Hills, from writer/director, Tamara Jenkins. The Sky is Too High Slums of Beverly Hills

This week, we returned with new tracks from Sleaford Mods, Nabihah Iqbal, Django Django, The Utopiates, Afflecks Palace, The View, and The Lathums.We started the show with some Blur to celebrate Graham Coxon's 54th birthday today.Classics from Supergrass, Sterolab, New Order, The Smiths, and more.This show was first broadcast on the 13th of March, 2023For more info and tracklisting, visit https://thefaceradio.com/side-effects/.Tune into new broadcasts of Side Effects, LIVE, Monday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.Facebook: https://www.facebook.com/KurtisPowersInstagram: https://www.instagram.com/kurtispowersMixcloud: https://www.mixcloud.com/KurtisPowers/Soundcloud: https://soundcloud.com/kurtispowersTwitter: https://twitter.com/kurtispowersEmail: kurtis@thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Tracie tells Rich about a dangerous close call she had. Plus, they discuss the Murdaugh family's mouths, Chaka Khan's thoughts on the greatest singers of all time, and Graham Coxon's new memoir. To access bonus episodes and additional content—like our Madonnathon premium series, Tracie's forthcoming biography of Jameela Jamil, Christina Aquilera's self-care injectables commercial, and Perez Hilton's pathetic crying video—go to Pot Psychology's Patreon.As always, you can find Pot Psych merch and smoking accessories at Pipe Dreams.And check out potential drama and our Diamond Girls on our Instagram.

LAYER UPON LAYER - Gruff Rhys BLOOD RUSHES - Civic GOODBYE TO MUSIC - Flyying Colors CADILLAC - Sun Room GIRL SPORTS - Teen Jusus and the Jean Stealers SAND ON THE BEACH - Fidlar LIGHTHOUSE - Mattiel RIDE ON - The Nude Party BEACHES - Diva Beach CHASING RAINBOWS - Rose City Band THINK I'M COMING DOWN - Nancy Sinatra, Lee Hazlewood SWEAR TO GAWD - Sunny War w/David Rawlings HOUSE WE SHARE - Chance Emerson WEIGHTLESS - Arlo Parks ONCE UPON AN ACID GLANCE - Hamish Hawk PROMISES - Bnny SITTING IN THE CORNER - Cuco w/'Adriel Faleva & Kacey Musgraves J'AIME LES FILLES - Kate Bollinger SHADOWS - H.C. McIntire, S.G. Goodman CATHOLIC COUNTRY - Kings of Convenience, Feist CAN I CALL YOU - Waves (Graham Coxon, Rose Elinor Dougall BED OF ROSES - Ian Hunter, Ringo Starr, Mike Campbell

Graham Coxon und Rose Elinor Dougall lernten sich bei einem Wohltätigkeitskonzert kennen. Die ehemalige Pipettes Sängerin und Keyboarderin erhoffte sich, mit dem Blur-Gründer einen Song für ihre nächste Platte aufzunehmen. Doch statt eines Songs entstand gleich eine neue Band. Nun veröffentlichte The WAEVE ihr selbstbetiteltes Debütalbum.

Brand new tracks from The WAEVE & Graham Coxon, Dave Rowntree, Pale Blue Eyes, THUS LOVE & more!+ Loads of #Indie & #Britpop Classics!We remember Tom Verlaine and Steve Marriott.This show was first broadcast on the 30th of January, 2023For more info and tracklisting, visit https://thefaceradio.com/side-effects/.Tune into new broadcasts of Side Effects, LIVE, Monday from 12 - 2 PM EST / 5 - 7 PM GMT on The Face Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.Facebook: https://www.facebook.com/KurtisPowersInstagram: https://www.instagram.com/kurtispowersMixcloud: https://www.mixcloud.com/KurtisPowers/Soundcloud: https://soundcloud.com/kurtispowersTwitter: https://twitter.com/kurtispowersEmail: kurtis@thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Singer/songwriter/poet Caleb Nichols (Port O'Brien, Soft People) gets Al acquainted with Blur's 1997 self-titled album, and they also discuss the album's significance in Blur's discography as well as to them personally. Caleb talks about how Blur has influenced their own music and the important role that The Beatles have played in their life. Caleb also delves into their Beatles-inspired solo debut album, Ramon, and a couple of current projects.Be sure to follow Caleb on Twitter and Instagram at @seanickels!Caleb is also on TikTok: @theecalebnicholsAl is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.The show also has an account on Mastodon: @youmealbum@mas.to.You, Me and An Album: The Newsletter is now free to all subscribers! https://youmealbum.substack.com/If you are interested in supporting this podcast, please check out the show's new Patreon site, https://www.patreon.com/youmealbum. Your contributions are greatly appreciated and keep this show going.1:02 Caleb joins the show1:28 Caleb recalls when they first got into The Beatles3:15 Caleb talks about other artists they listened to growing up7:22 The Blur album was a launchpad into indie rock for Caleb9:36 Caleb and Al talk about the Blur-Oasis rivalry15:16 Caleb explains why they chose to discuss Blur on this episode17:10 Caleb zeroes in on Graham Coxon's contributions to the album23:55 Al was surprised by his initial reaction to the album24:51 Caleb and Al talk about the benefits of listening to an album multiple times30:02 Caleb likes the blending of random noises with pop elements34:53 Caleb identifies their favorite parts of the album37:42 Caleb appreciates how Blur put themselves into a conversation with David Bowie38:45 How is Blur a dangerous album?44:41 Al talks about his favorite parts of the album47:20 Caleb notes Blur's use of older synth sounds50:16 Something in “Essex Dogs/Interlude” shocked Al54:41 Caleb mentions an athletic feat from Graham Coxon that they witnessed56:02 Caleb comments on a few more tracks58:44 Some confusion over Supertramp59:58 Caleb talks about their upcoming album and book of poemsOutro is from “Run Rabbit Run” by Caleb Nichols.

The Waeve is the coming together of two unique musical voices - Graham Coxon & Rose Elinor Dougall who've just come together to make a rather deep and magical record together as The Waeve.Rose - started out in the Spector-eque girl group The Pipettes in the early millennium, has recorded since with Mark Ronson amongst others and her solo music, like on her most recent solo album A New Illusion, taps into a dreamy yet darkly tinged sound with elements like psychedelia, krautrock and folk in the mix. Graham is, what we call in England, somewhat of a national treasure. As guitarist from Blur, he's been a major creative driving force behind some of the most iconic music of the last thirty years and like Thurston Moore or Jonny Marr, created a real alternative version of a guitar hero, one with vulnerability, angularity and curiosity in place of machismo and pomposity.  They spoke with Paul about how they came together and made a dark, richly layered album, along the way becoming a couple and they reflect on the difficult subject of Englishness, their creative processes and more.The Waeve's debut LP is out Feb 5th on TransgressiveThis episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

In this special September edition of the JLS Show, JMac, Lowney and Stuki celebrate National Album Day with yet another feature. And of course there's the usual Top 3 picks from this months Music Guntz playlist.Also, Lowney makes a comeback, JMac's day-job comes under scrutiny and Stuki raises some serious doubts over an iconic album cover.The September playlist on Spotify: https://open.spotify.com/playlist/02K6DFdFnhwVCZlZkpurQi?si=04e8ffc06e824a0fNational Album Day 2022: https://www.nationalalbumday.co.ukI'm Not OK With This on Netflix: https://www.netflix.com/gb/title/80244781?s=i&trkid=13747225&vlang=en&clip=81572344The End Of The Fucking World on Netflix: https://www.netflix.com/gb/title/80175722?s=i&trkid=13747225&vlang=en&clip=81236325Bloodwitch, fictitious band of Graham Coxon's: https://www.indieisnotagenre.com/netflix-bloodwitch-band/NADS Albums:Damned Damned Damned: https://open.spotify.com/album/4RVOp2Ley95hKBY28eVvZw?si=GhG4dR-gQdSsJavHtEOpDATry Whistling This: https://open.spotify.com/album/2rX6odtM4l9FAFugGfkfH0?si=AJka8qXqRJKy7SKOeiaM_QB.R.M.C.: https://open.spotify.com/album/5yMBrh34J9x9xG4NQN0DNk?si=ipnjuGjnSx6DHHJLihSDfwTrack list:Ron Gallo - Entitled ManDirty Sound Magnet - Mr. RobertWu-Lu - South (feat. Lex Amor)Holy Fuck - Deleters (Palms Trax remix)Crystal Fairy - Drugs On The BusPirx - Makeshift HeatLes Big Byrd - Eyes Like Dead StarsThe WAEVE - Can I Call YouNon Plus Temps - Continuous HingeThe Damned - I Feel AlrightNeil Finn - Loose TongueBlack Rebel Motorcycle Club - Whatever Happened To My Rock 'n' RollBill Callahan - CoyotesReigns - The HoarderMarc Rebillet - Fuck Donald Trump Hosted on Acast. See acast.com/privacy for more information.

Eine der wichtigsten kulturellen Bewegungen der 90er wäre ohne Parklife wohl nicht möglich gewesen. Doch an Britpop überrascht vor allem, wie verschieden die musikalischen Strömungen sind, die ihn ausmachen.

I cannot even begin tell you just how obsessed I was with the pop band Blur when I was a teenager. And so it was extremely exciting to get the opportunity to speak to that band's guitarist, Graham Coxon – who was always my favourite – for this edition of the podcast (and for a bigger newspaper article coming soon). I've interviewed Graham before, years ago, in my NME days, in a coffee shop in Camden. I remember the coffee machine being loud and not being able to hear what he was saying. It was quite farcical really. I'm pleased to report, however, that this conversation - about Graham's excellent memoir, Verse, Chorus, Monster!, out now on Faber & Faber, his always interesting solo career, his thoughts on Gorillaz, the virtual band conceived by his longtime Blur running mate Damon Albarn, and his plans for the future – which principally involves his new band The Waeve with new partner Rose Elinor Dougall - new partner in every sense of the word - sounds clean as a whistle. I really enjoyed doing this episode. Hope you enjoy listening to it!And join the Substack! 

Today, Crystal & Grey discuss Supernatural Episode 02.10 - Hunted. We talk about: Graham Coxon and Joaquin Phoenix look-alikes, William Shatner's albums, and pivoting into becoming a House M.D. podcast. As mentioned in the title, Grey is tipsy this episode. Several mentions of alcohol are scattered through-out the episode. Other content warnings include: mentions of suicide (42:16-42:24) (1:17:27-1:17:42), eugenics and antiblack racism (1:06:47-1:07:39), police and police racism (1:21:37-1:23:23) (1:49:41-1:49:50), and rape (1:24:26-1:25:06) (1:33:54-1:34:12) (1:47:05-1:47:13) Episode Transcript: https://bustyasianbeautiespod.carrd.co/#transcripts Give us a Tip! Ko-fi: https://ko-fi.com/bustyasianbeautiespod Follow us! Twitter: https://twitter.com/beautiespodcast Tumblr: https://bustyasianbeautiespod.tumblr.com/ Email us! Email Address: bustyasianbeautiespod@gmail.com Podcast art is made by cyvvang! Instagram: https://www.instagram.com/cyvvang/ Redbubble: https://www.redbubble.com/people/cyvvang/shop --- Send in a voice message: https://anchor.fm/bustyasianbeautiespod/message

This week, Today's Top Tune is dedicated to sharing the amazing homegrown budding talent we've sourced via KCRW's Young Creators Project. First up is Silver Lake-based high school senior Tatyana Richaud, a young queer woman with a passion for social activism and film scoring who has already collaborated with the likes of Graham Coxon and Oscar-winning composer Michael Giacchino. As a child, Taty says she “worked out melodies on my alligator keyboard while dreaming of  the stories they told,” and learned to read music before she could learn to read words. 

Scott sits with the lead singer of the one of the biggest Brit pop bands in history, Duran Duran's Simon Le Bon. The band has sold over 100 million records and was recently welcomed into the Rock and Roll hall of fame. They start off the interview by discussing what it means to be receive that honor. The two get into the music discovery process as Simon talks about his radio show and the history of Duran Duran. They touch base on early MTV days and cover everything up to the latest record, Future Past. They talk about working with various producers in their career from Nile Rodgers to Giorgio Moroder and collaborators like Graham Coxon. Lastly, they touch base on the Duran Duran NFTS and discuss the upcoming tour. Tune in!

Welcome to a special Riot Act Reviews podcast, an opportunity for Steve and Remfry to take a look at some of the more notable recent releases in the world of alternative music. This week we cast a critical eye over Future Past by Duran Duran, the 15th studio album from the legendary New Romantic band. It couldn't have been two more drastic ends of the spectrum that our hosts were coming from with this record, Steve as a self confessed Duran Duran superfan who has heard every album of their entire career, and Remfry picking Future Past as his first experience listening to a full length studio effort by the band.  There is always going to be a huge weight of context behind any band that have been around as long as Duran Duran, and Future Past is no exception, not only is it their first album since 2015's Nile Rodgers and Mark Ronson produced effort Paper Gods, it also marks 40 years since their self-titled debut was released. Future Past features numerous contributions, with Blur guitarist Graham Coxon and legendary Italian composer Giorgio Moroder being just two of the names involved with the writing and production of the record, but does the classic sound of Duran Duran remain intact four decades after they first burst onto the music scene?  This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Erin pledges to finish out the year without listening to a favorite album of hers that exxpires this week. Clay declares a theme for his August new music picks. Also, listen for our very first giveaway contest!Erin's New Music PickYatte, "Time Wasted" (Exxp: 2040) *Played with permission from the artist and copyright holder*·       Listen/Watch: https://www.youtube.com/watch?v=yVUcHW7BMtQClay's New Music PickAvalanche Dancer, “Drudging Across” (Exxp: 2041)*Played with permission from the artist and copyright holder*Listen/Purchase: https://avalanchedancer.bandcamp.com/album/drudging-acrossVVVVV Featured Exxpired RecordsN.E.R.D.'s, "In Search Of..."Graham Coxon's "Crow Sit On Blood Tree"Additional Exxpired Albums:The Human League, "Secrets"Usher, "8701"Detroit Grand Pubahs, "Funk All Y'all"Jadakiss, "Kiss the Game Goodbye"Aaron Carter, "Oh Aaron"Mentions:Jurassic 5Chad HugoThe NeptunesPlateau BelowJurassic Pop Giveaway!Blur, “Parklife”Damon Albarn, “Everyday Robots”El CidYoung WinonaJagged Baptist ClubJamie Kennedy ExperimentAliens in AmericaYou Are Listening To: http://youarelistening.to/~~~~~~~~~~~~~~~~~~~~~~~~~The Exxpired Music theme, "This Is Not The End" was written and produced by Rob Taxpayer.Join Rob's Song of the Week Club:https://www.patreon.com/songoftheweekclubExplore Rob's extensive discography:https://taxpayers.bandcamp.comhttps://anxietycat.bandcamp.comhttps://trustysnakes.bandcamp.comhttps://trashswan.bandcamp.com****SUPPORT ARTISTS AND MUSICIANS, BUY THEIR MUSIC AND ART****

Camilo Lara es músico, compositor, y productor. En el 2004 formó el Instituto Mexicano del Sonido, nombre bajo el que ha publicado 6 discos. Fue supervisor musical de la película animada Coco y ha colaborado con músicos como Norah Jones, Lee Scratch Perry, Graham Coxon y Beck. Hablamos sobre el mítico concierto de Radio Futura y Soda Stereo, sus mecanismos para trabajar en equipo, el baile como lenguaje universal, la Revolución Cubana y por qué no le gusta Pink Floyd.

In a heated race, Blur emerged victorious in our first-ever request episode. Suggested by our friend Molly in Boston, the 1994 British classic beat out over 40 other suggestions in a public vote. The 16-track LP is the longest album we've ever done but we tore through it, despite some fun surprise interruptions. Lots of strong opinions and amusing tales, including the time Sam and Adam squeezed into a tiny club with the band to watch up-and-comers Oasis. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS:Bluh, Far Out, Damon Albarn, Trouble In The Message Centre, Britpop, Debt Collector, Alex James, London Loves, British stuff, Lot105, Graham Coxon, Tracy Jacks, Tracy Jones, Pulp, Clover Over Dover, Dave Rowntree, Parklife, Fred Armisen, Bad Head, more British stuff, Magic America, Stephen Street, To The End, misheard lyrics, Boys And Girls, Reading Festival, Jubilee, better than Oasis, Bank Holiday, computer noises, This is a Low, Mexican Radio, End of a Century, 1994. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: http://www.blur.co.uk END CREDITS SONG: Oliver's Army by Blur

Graham Coxon - She Knows - from the 2019 self-released album The End of The F***ing World 2 (Original Songs and Score).Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.