Podcasts about Ottorino Respighi

Rome not only has more fountains than any city on earth, it also has the most beautiful ones, from the delicate Fountain of the Turtles (nispiration for Tiffany's book Midnight in the Piazza), to the massive Fontanone on the Gianicolo Hill and so many others. In fact, the early 20th-century Italian composer Ottorino Respighi was so inspired by Rome's fountains (four in particular) that he wrote a symphonic poem about them.  On this episode from our archives, we talk about the four fountains that inspired this masterpiece, and play some of that glorious music. So pop in your earbuds, close your eyes, and we'll transport you not just to Rome, but to Resphigi's Rome. The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy! ***Katy's sister Dana has recently been diagnosed with stage 4 agressive brain cancer. To help with the staggering medical costs—her specialist is outside her insurance network—as well of the costs of temporarily relocating to San Francsico for her treatments, please consider donating to her GoFundMe. Anything you can contribute will be extremely helpful. Thank you.*** ------------------------------------- COME TO ROME WITH US: For the third year in a row, we are hosting an intimate group of listeners for a magical and unforgettable week in Rome, this October 2025! Discover the city with us as your guides, seeing a side to Rome tourists almost never see. Find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Ottorino Respighi (1879 - 1936)Antiche arie e danze per liuto Suite No. 1 I. Balletto, "Il Conte Orlando" (0:00) II. Gagliarda (2:25) III. Villanella (5:52)IV. Passo mezzo e mascherada (11:10)  ***15:16Antiche arie e danze per liuto Suite No. 2  I. Laura soave (0:00) II. Danza rustica (3:51) III. Campanae parisienses & Aria (7:32) IV. Bergamasca (12:41)  ***33:05Antiche arie e danze per liuto Suite No. 3 I. Italiana (0:00) II. Arie di corte (1:55) III. Siciliana (8:39) IV. Passacaglia (12:18) Los Angeles Chamber OrchestraSir Neville Marriner, conductor

Interpreten: Liya Petrova, Royal Philharmonic Orchestra, Duncan Ward, Alexandre KantorowLabel: MirareEAN: 3760127226918Virtuose Geigenliteratur hat es diese Woche wieder zu besonderen Ehren auf radio klassik Stephansdom gebracht. Die neue CD Momentum 2 von Liya Petrova hat Michael Gmasz überzeugt! Was er daran so herausragend findet? Lesen Sie selbst!Schon vor zwei Jahren, als die Geigerin Liya Petrova das Violinkonzert von William Walten mit der Violinsonaten von Ottorino Respighi kombiniert hat, dachte ich mir – wow, diese junge Frau hat ordentlich was drauf! Und sie hat nun mit dem Folgealbum noch eins draufgesetzt. Auf Momentum 2 stellt sie das Violinkonzert von Erich Wolfgang Korngold der Violinsonate von Richard Strauss gegenüber. Für Liya Petrova eine ganz logische Kombination: „Beide teilten die Erfahrung eines musikalischen und ehrgeizigen Vaters. Strauss war nacheinander Inspiration und musikalischer Einfluss für das Wiener Wunderkind [Korngold], einer seiner ersten Unterstützer und Freunde in der Musikgemeinschaft.“ Beide Werke füllt sie dabei mit Leben und mit Feuer, wobei ihr vor allem bei der Violinsonate von Strauss der Pianist Alexandre Kantorow, Preisträger des Tschaikowsky-Wettbewerbes, als kongenialer Partner zur Seite steht.Während man bei Korngolds Violinkonzert mit den ersten samtüberzogenen Geigentönen in die wunderbare Welt der frühen Hollywood Musik eintaucht – er hat in seinem über knapp 10 Jahre entstandenen Meisterwerk Motive und Themen aus den Filmmusiken Another Dawn, Anthony Adverse und The Prince and the Pauper eingebaut, ist die Violinsonate von Richard Strauss „ein funkelnd geistreiches Stück”, dessen Virtuosität und Farbigkeit alle Grenzen sprengt, wie es der Kritiker Wilhelm Altmann so schön formuliert hat. Liya Petrova zeigt uns hier, wie viele Klangfarben sie ihrer Violine zu entlocken vermag und geht auch, vor allem bei Strauss, an die klanglichen Grenzen. Das ist für mich leidenschaftliches Musizieren pur. Dass die Carl-Nielsen-Preisträgerin makellos virtuos spielt, muss nicht extra erwähnt werden, aber dass sie ihre Interpretationen mit so viel Leben erfüllt, macht ihre Aufnahmen zu etwas besonderem! (mg)

Composer Marko Bajzer talks about his composition The Sacrifice of Prometheus, which receives its World Premiere at the Reno Phil's concerts “Beethoven's Emperor Concerto" on March 22 and 23, 2025. Music director Laura Jackson leads the concerts, which also include Beethoven's Piano Concerto No. 5, the "Emperor," with Davidson Fellow Katherine Emma Liu as piano soloist, and The Pines of Rome by Ottorino Respighi.

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Il compositore italiano Ottorino Respighi (1879-1936) è ammirato soprattutto per i suoi poemi sonori incredibilmente abili e magistralmente orchestrati: Gli uccelli, I pini di Roma e Le fontane di Roma. Queste affascinanti opere sono entrate a far parte del repertorio orchestrale popolare. Ma c'è molto di più in Respighi di quanto la maggior parte delle persone sappia. Sapevate, per esempio, che ha studiato orchestrazione in Russia con Nikolaj Rimskij-Korsakov? Sapevate che, dal 1923 al 1936, fu direttore del Conservatorio di Santa Cecilia di Roma, una delle cariche più importanti della musica classica europea? Sì, dovremmo saperne di più. Quindi esploriamo la sua storia. Primi anni di vita e formazione (1879-1900) Ottorino Respighi nacque il 9 luglio 1879 a Bologna da una famiglia di musicisti. Il padre, un insegnante di pianoforte, gli fornì una prima formazione musicale. Respighi studiò violino e viola al Liceo Musicale di Bologna, dove sviluppò anche uno spiccato interesse per la composizione. Studiò composizione con Giuseppe Martucci e in seguito prese lezioni dal celebre compositore e direttore d'orchestra Luigi Torchi, esperto di musica antica. Gli anni formativi e l'influenza russa (1900-1913) Nel 1900 Respighi si recò a San Pietroburgo, in Russia, dove suonò la viola nell'orchestra del Teatro Imperiale Russo. Durante il suo soggiorno in Russia, studiò orchestrazione con Nikolaj Rimskij-Korsakov, la cui influenza avrebbe plasmato in modo significativo lo stile orchestrale colorato e dinamico di Respighi. L'ascesa alla ribalta (1913-1924) La carriera di Respighi ebbe una svolta significativa quando si trasferì a Roma nel 1913 per assumere l'incarico di professore di composizione al Liceo Musicale di Santa Cecilia. La sua opera orchestrale più famosa, Le fontane di Roma, fu eseguita per la prima volta nel 1917 e segnò l'inizio della sua celebre Trilogia Romana. Questa trilogia, che comprende anche I pini di Roma (1924) e Feste romane (1928), consolidò la reputazione di Respighi come maestro dell'orchestrazione. Apice della carriera e del successo internazionale (1924-1936) La fama di Respighi continuò a crescere per tutti gli anni '20 e '30. Compose in modo prolifico, creando opere che mostravano il suo profondo interesse sia per le moderne tecniche orchestrali che per la musica antica. Il suo balletto La Boutique Fantastique (1919), basato su musiche di Rossini, e l'opera La Fiamma (1934) furono accolti molto bene. Respighi approfondì anche la ricerca musicologica, componendo opere ispirate alla musica antica e barocca, come Antiche Arie e Danze e Gli uccelli. Gli ultimi anni e l'eredità (1923-1936) Gli ultimi anni di Respighi furono caratterizzati da una continua attività compositiva e didattica. Nel 1923 diventò direttore del Conservatorio di Santa Cecilia di Roma, incarico che mantenne fino alla morte. Nonostante il suo successo, rimase umile e dedito ai suoi studenti e alla musica. Ottorino Respighi si spense il 18 aprile 1936 a Roma, lasciando una ricca eredità di musica orchestrale e vocale. La musica di Respighi è celebrata per la sua vibrante orchestrazione e la sua capacità di evocare immagini e atmosfere vivide. Le sue opere rimangono punti fermi nel repertorio concertistico, ammirate per la loro innovativa fusione di elementi moderni e storici. Musiche di Ottorino Respighi da ascoltare Antiche Arie e Danze (poema sinfonico) Feste Romane (poema sinfonico) La Primavera (oratorio) Gli uccelli (poema sinfonico) Le fontane di Roma (poema sinfonico) I pini di Roma (poema sinfonico) Trittico botticelliano (poema sinfonico)

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

durée : 00:21:15 - Disques de légende du mardi 24 décembre 2024 - Ce que Riccardo Chailly aime au disque est le principe des discoveries : ces albums de découvertes pour des compositeurs majeurs. Il en a fait pour Puccini, Cherubini ou Verdi, avec de grandes réussites. Chailly y montre son talent de chef mais aussi de défricheur.

12th-21st CenturiesThis week we hear anonymous works and works by Josquin des Prez, Nicolas Gombert, Anthony Holborne, Cristofaro Caresana, Johann Michael Haydn, François-Auguste Gevaert, Ralph Vaughan Williams, Ottorino Respighi, Hugo Distler, Krzysztof Penderecki, Rachel Laurin, J. Healey Willan, Harold Edwin Darke, Peter Warlock, Sir John Rutter, and John David.186 Minutes – Week of 2024 December 23

The Bulgarian soprano Mara Coleva (12 March 1922 - 22 October 2014) was a vital and versatile singer, the majority of whose career took place in Italy in the 1950s through the very early sixties. Her most prominent and readily-accessible recordings are all for the RAI (Radio-Televisione Italiana), including the role of Silvana in a 1955 recording from Milano and two Martini & Rossi-sponsored RAI concerts, one in Milano in 1957, and the other in Roma in 1961. These recordings reveal an artist with a well-schooled voice with a powerful dramatic sense, but one whose life remains to a great extent shrouded in mystery. It is an enormous thrill and privilege to present this great (if virtually unknown) artist in repertoire ranging from Rossini, Catalani, Cilea, Verdi, and twentieth-century Italian composers Ottorino Respighi and Lodovico Rocca. The episode ends with Coleva in a surprising and superbly-sung rendition of Agata's big scena from Il franco cacciatore (better known as Weber's Der Freischütz!) Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

In deze nieuwe week van Kalm met Klassiek hoor je enkel Italiaanse muziek! De rijke muziekcultuur die het land te bieden heeft staat in de schijnwerpers, en we staan natuurlijk ook stil bij de pracht van de Italiaanse steden en natuur. Het is niet voor niets dat het land een populaire vakantiebestemming is, en Kalm met Klassiek neemt je er deze week graag mee naartoe. Met de 'Notturno' van Ottorino Respighi begeven we ons allereerst in Italië bij nacht. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Ottorino Respighi regressou ao seu país natal ., Italia, depois de passar por diversos países. Em 1913, instalou-se em Roma para lecionar composição na Accademia Nazionale di Santa Cecilia, escrevendo as suas obras orquestrais mais famosas para a orquestra do conservatório (fundado em 1908).  Fontane di Roma (Fontes de Roma) foi um sucesso imediato, colocando Respighi no mapa internacional. Compôs duas "sequências" ao longo da década seguinte: Pini di Roma (Pinheiros de Roma) e Feste Romane (Festivais Romanos) . Os vívidos retratos sonoros de Respighi da sua amada Roma evocam de forma brilhante uma sensação de atmosfera no seu confronto entre o passado e o presente, a natureza e o cenário urbano. Apresentado por Aroldo Glomb! Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.

Welcome to a special concert edition of Inwood Art Works On Air podcast featuring the Inwood Chamber Players performing a chamber concert featuring selections from European Masters: Johannes Brahms, Franz Doppler, Maurice Ravel, Ottorino Respighi, Giacomo Puccini, Serge Prokofiev, Almilcare Ponchielli, Antonin Dvorak. It was recorded live on June 2, 2024 at Good Shepherd Auditorium. With arrangements by Inwood resident, Gilbert Dejean. Featuring soloists:Helen Campo - FluteDanny Miller - CelloSetsuko Otake - OboeProgram:Johannes BrahmsHungarian Dance No. 4 Ottorino RespighiFrom Ancient Airs and Dances Suite No. 2 - Laura Soave Serge ProkofievFrom Romeo and Juliet - Dance of the Knights Antonin DvorakConcerto for Cello and Orchestra op. 1042nd Movement Adagio, ma non troppoDanny Miller - Cello Soloist Ottorino RespighiFrom Ancient Airs and Dance Suite No. 2 - Danza Rustica Maurice RavelPavane Ottorino RespighiFrom Ancient Airs and Dances Suite No. 2 - Bergamasca Giocomo PucciniSenza Mamma from Suor AngelicaSetsuko Otake - Oboe Soloist Franz DopplerFantasie Pastorale HongroiseHelen Campo - Flute Soloist Almicare PonchielliDance of the Hours from La Gioconda Musicians:Helen Campo - Flute 1, Kimberly O'Hare - Flute 2 and Piccolo, Setsuko Otake - Oboe 1, Karen Birch Blundell - Oboe 2, Meryl Abt Greenfield - Clarinet 1, Jackie Gillette - Clarinet 2, RJ Kelly - Horn 1, Nancy Billmann - Horn 2, Sarah Boxmeyer - Horn 3, Laura Weiner - Horn 4, Patricia Wang - Bassoon 1, Yuki Higashi - Bassoon 2, Jeffrey Levine - Double Bass, Danny Miller – Cello, Violetta Norrie - Harp

durée : 01:28:22 - En pistes ! du mardi 18 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce sont les compositeurs choisis par Emilie et Rodolphe ce matin : Francis Poulenc, Franz Schubert, Arcangelo Corelli, Georg Friedrich Haendel, Maurice Ravel, Claude Gervaise, Didier Lupi Second, Ottorino Respighi et Giuseppe Verdi. En pistes !

Liya Petrova mängib William Waltoni unenäolise viiulikontserdi ja Ottorino Respighi fantaasiaküllase viiulisonaadi. Kaasa teevad Royal Philharmonic Orchestra, dirigent Duncan Ward ja pianist Adam Laloum.

In deze aflevering van Kalm met Klassiek hoor je een deel uit een zeer beroemd orkestwerk: 'De vogels' van Ottorino Respighi. De vogel die je in deze aflevering terughoort is de duif, of in het Italiaans: 'La colomba'. Een ondergewaardeerd dier, wat Ab betreft. Dat gekoer heeft toch eigenlijk iets heel geruststellends... Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Fliege, schwebe und gleite wie ein Vogel über die Landschaft - federleicht und ohne Sorgen. Diese Musikstücke hast Du in der Folge gehört: Camille Saint-Saens – "Der Schwan" // John Farnham – "Touch Of Paradise" // Ottorino Respighi – "Die Nachtigall" // Peter Fessler – "Dolphin" // Josef Suk – "Spiel der Schwäne und Pfauen" // Den NDR 2 Podcast "Die Paartherapie" findest du hier: https://www.ardaudiothek.de/sendung/die-paartherapie/12675947/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

Von den Besten ihres Fachs lernen. Das ist der Grundgedanke des Opernstudios der Bayerischen Staatsoper. Einmal pro Saison steht der Nachwuchs mit einer eigenen Produktion ganz allein im Fokus. In diesem Jahr ist dies ein Doppelabend, der mit der "Lucrezia" von Ottorino Respighi und Carl Orffs Märchen "Der Mond" zwei durchaus unterschiedliche Werke zusammenspannt. Tobias Hell war für BR-KLASSIK vor Ort.

Ottorino Respighi (1879 - 1936) Antiche arie e danze per liuto Suite n. 1 I. Balletto, "Il Conte Orlando"  II. Gagliarda  III. Villanella IV. Passo mezzo e mascherada   ***15:16Antiche arie e danze per liuto Suite n. 2  I. Laura soave II. Danza rustica III. Campanae parisienses & AriaIV. Bergamasca ***33:05Antiche arie e danze per liuto Suite n. 3 I. Italiana II. Arie di corte III. Siciliana IV. Passacaglia Orchestra da camera di Los Angeles Sir Neville Marriner, direttoreMore info: https://www.flaminioonline.it/Guide/Respighi/Respighi-Danzeliutoprima.htmlhttps://it.wikipedia.org/wiki/Antiche_arie_e_danze_per_liuto_(seconda_suite)https://www.flaminioonline.it/Guide/Respighi/Respighi-Danzeliutoterza.html

Ottorino Respighi (1879-1936) - Lauda per la Nativitá del Signore Patricia Rosario (soprano), L'AngeloLouise Winter (mezzo soprano), MariaLynton Atkinson (tenor), Il PastoreThe Richard Hickox SingersThe City of London SinfoniaRichard Hickox, conductor

durée : 01:28:30 - En pistes ! du mercredi 06 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mercredi matin, Emilie et Rodolphe attirent particulièrement votre attention sur un enregistrement de l'Orchestre symphonique National de la RAI avec le chef d'orchestre américain Robert Trevino, consacré à la « Trilogie romaine » du compositeur italien Ottorino Respighi

durée : 00:16:52 - Le Disque classique du jour du mercredi 06 décembre 2023 - En collaboration avec l'Orchestre symphonique National de la RAI, le chef d'orchestre américain Robert Trevino présente un enregistrement étincelant de la célèbre « Trilogie romaine » du compositeur italien Ottorino Respighi

Alto Records returns to international availability critically lauded recordings of three major works for violin and orchestra by late romantic composer Ottorino Respighi, a master of merging memorable melodies with lush, inventive scoring.TracksConcerto gregoriano, P 135 I. Andante tranquillo (9:16) II. Andante espessivo e sostenuto (10:33) III. Finale (Alleluia). Allegro energico (12:36) Concerto all'antica, P 075 I. Allegro (12:45) II. Adagio non troppo (8:44) III. Scherzo. Vivace – Tempo di minuetto – Vivace (9:14) Poema autunnale, P 146 (13:31) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Ottorino Respighi - La Pentola Magica: Armenian Song - DanceJakub Francisci, boy sopranoSlovak Radio Symphony OrchestraAdriano, conductorMore info about today's track: Marco Polo 8.223346Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

A year ago, I posted an episode entitled “The Haunted Opera House” that featured a wide range of spooky, witchy, Halloween-appropriate 20th century operas from Prokofiev to Penderecki. This year I focus in on one of the works from that episode, Ottorino Respighi's 1934 masterpiece La Fiamma, based on a 1908 play on witch hunts and witchcraft in 16th century Norway by the novelist and playwright Hans Wiers-Jenssen entitled Anna Pedersdotter, the Witch. This work also formed the basis for the Carl Dreyer film Day of Wrath. Respighi and his librettist Claudio Guastalla transferred the action to seventh-century Ravenna in the early days of Christianity. Musically the work combines Respighi's interest with Gregorian chant, modal scales and harmonies, and the work of Claudio Monteverdi with his penchant for stunning orchestrations. The dramatically potent result was his most famous operatic work, but after an initial succès d'estime, it has only retained the slightest hold on the operatic fringes. Nevertheless, the heroine Silvana in particular is a role that great sopranos have made their own over the years, including Claudia Muzio, Gina Cigna, Giuseppina Cobelli, and Rosa Raisa (none of whom sadly recorded any excerpts) through Montserrat Caballé, Nelly Miricioiu, Ilona Tokody, Stefka Evstatieva, and Mara Coleva. I tell the story of the opera while offering substantial excerpts, which, in addition to the sopranos mentioned above, also include such operatic heavyweights as James McCracken, Carlo Tagliabue, Deborah Voigt, Giacinto Prandelli, Delcina Stevenson, Felicity Palmer, Juan Pons, Anna Moffo, and Mignon Dunn, among others. Just the thing to scare you out of your skin this Halloween! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

César Franck (1822 - 1890) - Le chasseur maudit Poema sinfonico per orchestra da una ballata di G. Burger1.  Andantino quasi allegretto2.  Poco più animato3.  Molto lento4.  Più animato5.  Allegro molto quasi prestoPhiladelphia OrchestraRiccardo Muti, direttore*******************Claude Debussy (1862 - 1918) - La mer, tre schizzi sinfonici per orchestra, L 1111.      De l'aube à midi sur la mer - Très lent (si minore)2.     Jeux de vagues - Allegro (do diesis minore)3.     Dialogue du vent et de la mer - Animé et tumultueux (do diesis minore)4.     Prima esecuzione: Parigi, Concerts Lamoureux, 15 Ottobre 1905Cleveland Orchestra Vladimir Ashkenazy, direttore*******************Ottorino Respighi (1879 - 1936) - Pini di Roma, P 141     Poema sinfonico1.      I pini di villa Borghese - Allegretto vivace. Vivace2.      I pini presso una catacomba – Lento3.      I pini del Gianicolo – Lento4.      I pini della Via Appia - Tempo di marciaOrchestra sinfonica di Torino della RAISergiu Celibidache, direttore 

Ottorino Respighi (1879 - 1936) - Fontane di Roma, P 106           Poema sinfonico La fontana di valle Giulia all'alba - Andante mossoLa fontana del tritone al mattino - Vivo, un poco meno allegretto, Più vivo gaiamenteLa fontana di Trevi al meriggio - Allegro moderato, Allegro vivace, Più vivace, Largamente, CalmoLa fontana di vita Medici al tramonto - Andante, Meno mosso, Andante come primaPittsburgh Symphony OrchestraLorin Maazel, direttore**********************Alfredo Casella (1883 - 1947) - Sinfonia n. 1 in si minore op. 5 I - Lento grave - Allegro vivo - Lento grave - Allegro vivo alla breveII - Adagio quasi andante - Adagio - Tempo del principio: III - Lento molto – Presto - Finale. Allegro vivo energico - Maestoso - Tempo I - Allegro ma non troppo - Più allegro assai - Lento - LargoOrchestra Sinfonica di RomaFrancesco La Vecchia, direttore 

Ottorino Respighi (1879-1936) Pini di Roma, P 141 - Poema sinfonico 1. I Pini Di Villa Borghese2. Pini Presso Una Catacomba3. I Pini Del Gianicolo4. I Pini Della Via Appia Feste romane, P 157 - Poema sinfonico1. Circenses2. Il Giubileo3. L'Ottobrata4. La BefanaThe New York Philharmonic OrchestraLeonard Bernstein

Ottorino Respighi - Fountains of Rome: The Fountain of Valle Giulia at DawnBuffalo Philharmonic OrchestraJoAnn Falletta, conductorMore info about today's track: Naxos 8.574013Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Lust auf einen musikalischen Kurztrip in die ewige Stadt? Ob Brunnen, Pinien oder rauschende Feste - Ottorino Respighi hat Roms Zauber in drei prägnanten Orchesterwerken eingefangen. Am bekanntesten: die "Pinien von Rom" aus dem Jahr 1924. Von Christoph Vratz.

La música italiana nos puede hacer pensar en cualquier época y en decenas de compositores; sin embargo, las sinfonías de finales del siglo XIX y comienzos del XX no tienen tanto predicamento como, por ejemplo, las alemanas o las rusas. Aquí queremos darles una oportunidad porque hay música muy buena esperando al buscador de recompensas ocultas. Carlos y Mario te acompañan en un viaje con 3 paradas, en las que escucharemos piezas de las primeras sinfonías compuestas por Ottorino Respighi, Giovanni Sgambati y Carlo Giorgio Garofalo, seguramente el menos conocido de los 3. Esperamos que disfrutes con sus obras en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

As this episode of Harmonious World begins, you can hear the piano of Ammiel Bushakevitz and the simply extraordinary voice of American tenor Timothy Fallon, who joins me for this conversation.Timothy and Ammiel's latest album - Crepuscolo - is a collection of the songs of Ottorino Respighi. Our conversation ranges across the album, Timothy's background, Vienna and his award-winning collaboration with Ammiel.Thanks to Timothy for allowing me to play extracts from Crepuscolo alongside our conversation.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World.Please rate and review wherever you find your podcasts - it really helps.Follow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

This week's episode celebrates Halloween while at the same time initiating my new ongoing series on Twentieth Century Opera. From Dvořák's Rusalka, premiered in Prague in 1901, through Corigliano's The Ghosts of Versailles, premiered in New York in 1991, there is a wealth of operatic material, some barely remembered today, that touches upon various aspects of the occult, be that witches, devils, exorcisms, demonic possessions, or those that conjure the dead. Alongside the aforementioned works, this episode also features work by Benjamin Britten, Gian Carlo Menotti, Igor Stravinsky, Ferruccio Busoni, Franz Schreker, Serge Prokofiev, Ottorino Respighi, and Krzysztof Penderecki, performed by Teresa Stratas. Tatiana Troyanos, George Shirley, Anna Moffo, Mack Harrell, Maralin Niska, Gwendolyn Killebrew, Jane Rhodes, and others in performances recorded between 1949 and… nearly yesterday. Some of it is folksy, some humorous, some creepy, some horrific, but it is peopled by characters that either haunt or are haunted. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.    

Although Season 5 is coming to an end, there is quite a bit being born in this episode! For this installment of Strokes in Notes, we will be looking at 3 paintings by Renaissance master, Sandro Botticelli, and how those paintings inspired a composer hundreds of years later. After this episode, N&S is taking a break for a while, but you'll have to listen to the episode to find out why. :) Thank you for all your support through these 70 episodes and 5 seasons. We look forward to our return, but for now, Enjoy!   Art: Sandro Botticelli (1445-1510): La Primavera (1470s) Botticelli: The Adoration of the Magi (1475) Botticelli: The Birth of Venus (1481-6)   Music (Spotify playlist): Ottorino Respighi (1879-1936): Trittico Botticelliano (1927)   Connect with us! Patreon | Instagram | Facebook | notesandstrokespodcast@gmail.com

The idea of preservation is on tenor Timothy Fallon's mind a lot lately. He recently bought a house in New England that dates to 1740 — which, he's quick to point out, means Bach was still alive when the house was built. And away from the renovations he's managing to preserve the charm of his new abode, Fallon — who will spend the next two seasons as a house singer with Vienna's Volksoper — has been thinking about the role of preservation in music-making. This summer he released Crepuscolo, a new album of art songs by Ottorino Respighi that Fallon recorded with Ammiel Bushakevitz, his longtime recital partner. Although the Italian composer is popular for big orchestral works like Pines of Rome, performances of his songs are extremely rare. Connecting new listeners with the array of colors and emotions these songs convey appealed greatly to Fallon and Bushakevitz. "Does the market need another Schubert album from someone who's not so well known?" Fallon says on the latest episode of the Classical Post podcast. "We thought this could be a preservation project, because Respighi's songs aren't widely recorded. I found it very inspiring to try to make an album that could be a reference for other people in the future, to go and listen to this music in one place." In this discussion, we talk more about the new album, the recording process, and how the project served as a musical lifeline for Fallon at the height of the pandemic. Plus, he shares how being a nosy person is a good thing for musicians, why his house always needs a box of Malden sea salt on hand, and his go-to spots for martinis, dumplings, and sesame pancake sandwiches in New York City. Listen to Crepuscolo on Spotify, Apple Music, or wherever you stream and download music. — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

"Musica Maestro" è il programma di Radio 24 dedicato alla musica classica: lirica, sinfonica, d'epoca, strumentale e da camera commentata dai protagonisti del momento. Il programma affronta la musica sotto molteplici sfaccettature, indagando e portando alla luce anche i rapporti con la cultura, la filosofia, la scienza e la società, ponendo un'attenzione particolare all'attualità: ogni settimana la segnalazione di un libro o un disco appena uscito, un esecutore o un giovane musicista, un anniversario o un avvenimento di rilievo.

Cult Estate è condotto da Ira Rubini e realizzato dalla redazione culturale di Radio Popolare. Oggia Cult Estate: il film "Il muto di Gallura" alla Valigia dell'Attore, a Bologna il primo festival dedicato a Ottorino Respighi, la danza di Riccardo Buscarini in prima assoluta con "Charade" al Castello Sforzesco, a Rocca di Mezzo la rassegna TiQ - Teatro in Quota, il Trasparenze Festival a Gombola nell'Appennino Modenese, la rete degli Orti Botanici della Lombardia con le sue iniziative speciali e il ricordo di Pietro Citati firmato da Oliviero Ponte di Pino...

Rome's fountians are nothing short of inspiring—as we discovered on Monday's episode that features excerpts from Ottorino Respighi's symphonic tone poem, The Fountains of Rome. But there are so many more fountains in Rome than are despicted auditorily in Respighi's music, and so many more than the average tourist comes across in the course of a typical visit.  On this mini-episode, Tiffany shares some of her favorite lesser-known Roman fountains and why she loves them.  ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Rome not only has more fountains than any city on earth, it also has the most beautiful ones, from the delicate Fountain of the Turtles (ispiration for Tiffany's book Midnight in the Piazza), to the massive Fontanone on the Gianicolo Hill and so many others. In fact, the eary 20th-century Italian composer Ottorino Respighi was so inspired by Rome's fountains (four in particular) that he wrote a symphonic poem about them.  On this episode, we talk about the four fountains that inspired this masterpiece, and play some of that glorious music. So pop in your earbuds, close your eyes, and we'll transport you not just to Rome, but to Resphigi's Rome. ------------------------------------- ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Synopsis Today marks the birthday in 1879 of Ottorino Respighi, a rare Italian composer more famous for orchestral works than operas. And no wonder – Respighi was a master orchestrator, learning his craft first-hand from the brilliant Russian orchestrator Nicolai Rimsky-Korsakov during the time the young Italian served as principal violist in the pit band of the Russian Imperial Theater in St. Petersburg. One of Respighi's best-loved works is The Pines of Rome. It includes a slow section depicting a full moon shining on the pines growing on the Janiculum hill west of Rome. The music includes the song of a nightingale, played from a phonograph record of an actual nightingale. That record, made in 1910, was the first ever made of live bird song, and using it as part of Respighi's orchestration was cutting-edge stuff in 1924. This recording was made by the Hungarian conductor Antal Dorati, who was known noted for his fiery temper, but Dorati had an equally strong sense of humor, so in the 1950s, when one of his Minneapolis Symphony musicians substituted a Spike Jones once during a rehearsal, of the Respighi piece, Dorati got the joke and laughed along with everybody else. Music Played in Today's Program Ottorino Respighi (1879-1936) – Feste Romane (Montréal Symphony; Charles Dutoit, cond.) London 410 145 Spike Jones (1911 – 1965) – Rhapsody from Hunger (Spike Jones and his City Slickers) RCA 3235

Good News: The government of India has introduced legislation to ban some single-use plastics, an important first step! Link HERE. The Good Word: An excerpt from Walt Whitman’s iconic poem, “Song Of Myself”! Good To Know: A surprising fact about the history of the thistle. Good News: Ecuador is halting mining projects on indigenous and […]

Join Kai Swanson as he converses with Quad City Symphony Orchestra Music Director Mark Russell Smith and soloist, Roberto Diaz. In this episode, we discuss the works featured on Masterworks VI including Strauss - Fruhlingsstimmen, Higdon - Viola Concerto, Barber - Symphony No. 1, and Respighi - Pines of Rome. Support the show (https://qcsymphony.secure.force.com/donate/?dfId=a0n5d00000SJXSBAA5&)

This week on the podcast we interview Mr. Austin Pancner, CEO and founder of The Functional Musician and bass trombonist for The Orchestra Now. Austin is one of the most prominent and pioneering musician injury coaches on the scene right now, and is consistently breaking new ground with his injury prevention and recovery methods. While he is a trombonist, his philosophies and insights are applicable to all instruments, and even other disciplines. With a strong focus on a holistic approach to personal health and wellness as it relates to your instrument, he walks us through his “Four Pillars to Performing Without Pain” and offers advice and resources to those in different stages of an injury cycle. -- Transition music: Pines of Rome, Ottorino Respighi, Alan Gilbert & New York Philharmonic Intro/Outro music: I Will Go Sailing No More, Randy Newman, Lawson Gardner Instagram: @8thposition @dabaldwin903 @lawson.gardner2

In the inaugural episode of the CollabPiano Podcast, host Natalie Sherer sets the stage for the series and enjoys a conversation featuring Dr. Bernard Tan & Samuel Kidd as they unearth the hidden gems and special moments in the art song "Nebbie" by Ottorino Respighi (1879 - 1936). Additionally, Natalie gets to correspond with Maestro Adriano, a conductor in Switzerland who shares a unique perspective and story about the piece's inception. Adriano recorded interviews with Respighi's wife Elsa, and he shares a rare recording of this song that features the couple performing it together. CollabPiano Podcast on Facebook: https://www.facebook.com/groups/2523647701251517/ Dr. Bernard Tan: https://www.bernardtanpianist.com/ Samuel Kidd: https://www.samuelkidd.com/ Natalie Sherer: https://www.collabpianist.com/ Text by Ada Negri & Translation: https://www.lieder.net/lieder/get_text.html?TextId=12019 More about Maestro Adriano: https://www.naxos.com/person/_Adriano_32351/32351.htm

TWO amazing episodes in the span of two weeks??? We are seriously on our game this month. And so is this week's guest, Principal Horn, DOMINIC ROTELLA! With previous gigs in Louisville, KY, Miami Beach, FL, and even Santiago, Chile, Dominic is basically an international rock star. Highlights include Dominic's takeaways from his recent visit to the Rock and Roll Hall of Fame, a spirited discussion of Fantasia 2000,  and our favorite moments from Ottorino Respighi's EPIC "Pines of Rome". Become a Masterworks Subscriber and check our our Christmas in July Sale  here!You can find Dominic on Facebook and YouTube by searching his name. Subscribe to Brass Legacy to catch Dominic's article. Got a burning classical music question? Email us at podcast@richmondsymphony.com with the subject line "Question of the Week" and we might answer your question in a future episode. (Please be sure to indicate if you are comfortable with your name being shared.) All questions welcome!See ya next time!

Ottorino Respighi İtalya’nın Bologna şehrinde doğdu. Eğitimine piyano ve keman dersleri alarak başlayan sanatçının hocası aynı zamanda bir piyanist olan babasıdır.…

A play, an opera, a film, three witches... and Benito Mussolini. Today, we examine why three twentieth-century works, Hans Wiers-Jenssen's Anne Pedersdotter, Ottorino Respighi's La Fiamma, and Carl Theodore Dreyer's Day of Wrath, were inspired by the life and witch trials of Anne Pedersdotter and why they all got her story so, so wrong.  Researched, written, and produced by Thomas Ignatius and Corinne Wieben, featuring the voice talents of Joshua Summit and Sarah Tomei with original music by Purple Planet.    For more on these works, see:  Anne Pedersdotter: A Drama in Four Acts  La Fiamma  Day of Wrath  EnchantedPodcast.net  Facebook/enchantedpodcast  Instagram/enchantedpodcast  Twitter/enchantedpod  Support the show (https://www.patreon.com/enchantedpodcast)

The ‘Pines of Rome' by Ottorino Respighi is a favourite piece of mine, featuring a huge orchestra building from nothing to one of the most climactic endings in all music! It's a spectacular celebration of the sound of an orchestra! In this episode I share insights into this piece and I discuss ‘What is music?' and ‘What led to the invention of the orchestra?' This episode features the fourth movement from ‘The Pines of Rome' by the composer Ottorino Respighi. I recommend the recording by the Buffalo Philharmonic Orchestra conducted by JoAnn Falletta. Further information: www.athousandpictures.com/episode1   I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others! Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK: facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod TWITTER: @1000PicturesPod WEBSITE: www.athousandpictures.com

Join Alex and Fernando in their ongoing futile quest of discussing some of their favorite composers. Listen to great recordings of works by Georges Bizet, Antonin Dvorak, Leos Janacek, Ottorino Respighi and more!