Podcasts about ben hur

A young prince is stripped of his family, his freedom, and his name—and cast into chains by the power of Rome. Driven by injustice and fueled by hatred, Judah Ben-Hur fights to survive…unaware that a brief encounter with a man from Nazareth has already set his destiny in motion. Don't miss Part One of Ben-Hur—a powerful story of loss, vengeance, and the first stirrings of grace on the next Unshackled!

Dieses Mal muss es einfach klappen. Nach drei Jahren voller BoP-Missstände erwartet jeder, dass die 24 Stunden von Le Mans in diesem Jahr wieder spannend werden. Und die ersten beiden WM-Läufe vor dem Klassiker an der Sarthe lassen genau das auch erhoffen: Das Feld liegt so eng zusammen wie zuletzt zu den gewaltigen LMP1-Zeiten. PITWALK-Chef und Podcaster Norbert Ockenga ist in Le Mans vor Ort, war auch schon bei den WM-Läufen in Imola und Spa – und hat sich ein umfassendes Bild verschafft. In der ersten Folge der großen Podcastwoche aus Le Mans erörtert er die Besonderheiten zwischen Hypercars und LMDh – und geht bei einer Schalte live in die Box von Peugeot Sport der Frage nach dem Umgang mit den für 2026 neuen Reifen, den Unterschieden zwischen Qualifikation und Rennen sowie den Eigenheiten des Peugeot 9x8 auf den Grund. Als Gesprächspartner hat er dazu Emmanuel Esnault am Mikrofon – den Teamchef von Peugeot. Mehr zu den 24 Stunden von Le Mans, die dieses Jahr erstmals wieder echt das größte Wagenrennen seit Ben Hur werden könnten, lest Ihr auch in der aktuellen Ausgabe der Zeitschrift PITWALK: https://shop.pitwalk.de/magazin/127/ausgabe-84?c=6

Jeff interviews Ken Valles from Karate Plus! He also has a collection of artifacts from the Ben Hur film, and has them organized into his Ben Hur Supershow!See omnystudio.com/listener for privacy information.

This Week's Panel - ElroyOMJ, FreakyRO, InigoMontoya80   Show Discussion - With so many amazing games coming out seemingly every day on the xbox that people cannot wait to hear discussed, the panel decides on an in depth discussion of all the ones that are no longer available to purchase.       Games Mentioned: ElroyOMJ - Turtles Quest, Sacred Citadel, A bunch of ACA crap and other delisted stuff FreakyRO - Warboats (not a game), King's Quest V: Absence Makes the Heart Go Yonder! (not an xbox game), and a bunch of delisted stuff (not available to purchase) InigoMontoya80 - Quantum Rush: Champions, Ben Hur, and a bunch of delisted stuff   ----- AH101 Podcast Show Links - https://tinyurl.com/AH101Links Intro music provided by Exe the Hero. Check out his band Window of Opportunity on Facebook and YouTube

Michaela steps into the ring with the "the Ben-Hur of karate movies," The Quest (1996), writer-director-star Jean-Claude Van Damme's ambitiously expensive passion project, that finds him on a globetrotting odyssey from the streets of 1925 New York to the hidden temples of Tibet to compete in a legendary, secret tournament. Listen as we pack our bags, log frequent flyer miles via pirate ship, elephant, and horse, wrap our knuckles and experience every fighting style known to man on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Många av filmhistoriens mest kända verk har historien som tema – Ben-Hur, Gladiator, Ivanhoe, Braveheart, De tre musketörerna med flera. Andra filmer har blivit så ryktbara att de själva har blivit en del av historien och omgivits av myter, vilket gör det svårt att skilja sanning från bluff. Hit hör inte minst några av de stora Hollywoodfilmerna på 1940-talet, som Casablanca och Riddarfalken från Malta. I det här avsnittet ger vi oss i kast med några av dessa filmer och granskar deras historiska aspekter i detalj.Särskilt intressanta är de individer som förekommer i filmerna. Har de funnits eller inte? När vi tittar närmare på flera av dem visar det sig snart att förvånansvärt många faktiskt har verkliga förlagor. När Orson Welles skapade huvudpersonen i Citizen Kane utgick han från tidningsmagnaten William Randolph Hearst, som fortfarande levde – och som försökte stoppa filmen när han förstod hur nära förebilden låg.I andra fall är det mer komplicerat. Tarzan har en förlaga – men inte i form av en verklig person, utan som en litterär föregångare: Mowgli i Djungelboken nämns ofta som en viktig inspirationskälla. Zorro är, åtminstone delvis, knuten till legenderna kring den mexikanske banditen Joaquín Murrieta. Men hur är det med Ben-Hur, Röda nejlikan och d'Artagnan – har de också funnits på riktigt?I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och fackboksförfattaren Katarina Harrison Lindbergh om historia på film: vad är sant och vad är falskt?Bild: Ben-Hur-affischen från 1959, med Charlton Hestons Judah Ben-Hur i centrum och stridsvagnsloppet som filmens dramatiska höjdpunkt. Konst: Reynold Brown. Public domain, via Wikimedia Commons.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Episódio 200. Não é só número redondo, é checkpoint de uma jornada que saiu de conversa técnica entre amigos e virou referência em AppSec e DevSecOps. Nesse especial, a mesa está completa. Desde a formação raiz com Balbino e Vini, passando pela evolução com Marcos e Ben-Hur, até chegar no comando firme do host de sempre, Cássio Pereira. É história, bastidores, opiniões afiadas e, claro, muita discussão que mistura experiência real com aquelas verdades que nem sempre agradam, mas todo mundo precisa ouvir. Não espere retrospectiva bonitinha. Aqui tem:o que deu certo e o que foi puro aprendizado na marracomo o AppSec mudou ao longo dos episódiosonde a galera errou feio e o que faria diferente hojeo que ninguém está falando sobre o futuro de segurançaE sim, tem zoeira. Porque depois de 200 episódios, se não tiver isso, tem algo errado. Dá o play. Porque se você chegou até aqui com a gente, esse episódio também é seu.Become a supporter of this podcast: https://www.spreaker.com/podcast/devsecops-podcast--4179006/support.Apoio: Nova8, Snyk, Conviso, Gold Security, Digitalwolk e PurpleBird Security.

La saga James Bond, Le Hobbit, Thelma et Louise, Rocky, 2001 L'Odyssée de l'espace, Ben-Hur, La Mort aux trousses… Tous ces films et plus de 4000 autres ont un point commun : leur visuel d'ouverture, un lion animé rugissant, dans un anneau de bandes de films dorées portant le slogan “ars gratia artis”, “l'art est la récompense de l'art” en latin. Ce logo, c'est celui de la société de production hollywoodienne MGM, la Metro-Goldwyn-Mayer. L'entreprise est créée en 1924 à la suite de la fusion de la société Metro Pictures et des Studios de Samuel Goldwyn et Louis B. Mayer. Le premier propriétaire de la Metro-Goldwyn-Mayer est l'un des principaux exploitants de salles de cinéma aux États-Unis, Marcus Loew. De quand date cette société de production ? Ça a toujours été le même lion ? Et aujoud'hui, le logo a-t-il changé ? Ecoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Béatrice Jumel. Première diffusion : juillet 2023 A écouter aussi : ⁠Pourquoi Indiana Jones n'a-t-il rien inventé ?⁠ ⁠Quels sont les 3 plus gros records sur Twitch ?⁠ ⁠Qu'est-ce que le minimalisme ?⁠ Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yoshi! This week Nando DJ and Diggins blast off to all three planets of the universe to watch the movie that inexplicably has Starfox, The Super Mario Galaxy Movie. They nitpick the powers, the princesses, and of course the babies.   Recommendations DJ - Age of Attraction (series) Diggins - Pulse (movie), Gothic (movie), Ben Hur (movie) Nando - Invincible (series), West Coast Avengers (comic), Silly Silly Fun Boy (comedy special)   Plugs Mostly Nitpicking on Bluesky The Nando v Movies Discord Roses and Rejections Diggins' Substack - A Little Perspective All of Nando's Links   Mostly Nitpicking theme by Nick Porcaro Logo by Michelle Chapman

Anne Miller joins Dan, James and Andy to discuss beans, Blackbeard and Ben Hur. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes. Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonHead to www.squarespace.com/FISH to save 10% off your first purchase of a website or domain using code FISH.

Content Warning: This episode contains descriptions of gun violence, intimate partner violence, poisoning, and discussions of coercive control in same-sex and heterosexual relationships. Crisis resources are listed at the end of these notes.Historical ContextIn Indiana, public pressure forced an exhumation four months after Hattie's death. Organs shipped to Chicago forchemical analysis revealed large quantities of strychnine. Pettit was arrested and charged with murder. The trial in Crawfordsville drew journalists from across the Midwest. Lew Wallace — the author of *Ben-Hur*, a former Union general, and a member of the military commission that tried the Lincoln assassination conspirators — attendedregularly from the gallery. The jury convicted Pettit and sentenced him to life in prison at hard labor. He died oftuberculosis in 1893, the same day the Indiana Supreme Court granted him a retrial. Elma Whitehead, who funded his defense and fled the state to avoid subpoenas, was never tried.Lilly Duer was captured in Baltimore and tried at the Worcester County courthouse in Snow Hill, Maryland, in May 1879. She was housed not in jail but at the National Hotel across the street — jail being unsuitable for a woman of her standing. The jury convicted her of manslaughter. The sentence: a five-hundred-dollar fine and no prison time. For shooting a woman in the face.The InvestigationsIndiana, 1889: While Hattie Pettit visited a friend in South Bend, her husband moved into the home of Elma Whitehead — the wealthiest woman in the county, daughter of church patron David Meharry. Pettit proposed to Elma, and she accepted. When Hattie returned on July 12, she was poisoned with strychnine on at least three separate occasions over five days. The poison produced violent convulsions — the body arching, the muscles seizing, the face drawn into what the Victorians called the risus sardonicus. Hattie told her doctor she believed she had been poisoned. He did nothing. She died July 17, 1889. The official cause: malaria.Maryland, 1878:On November 5, Lilly Duer walked into the Hearn family home in Pocomoke City with a revolverconcealed in a specially sewn pocket of her dress. She shot Ella Hearn in the face. The bullet passed through Ella's lip, shattered a tooth, and lodged in her skull. Through the blood, Ella spoke: "Don't, Lilly, please don't. I'll marry you." Lilly fled to Baltimore disguised in her brother's suit with her already-short hair cropped shorter.The CrimesHattie Sperry Pettit: was a schoolteacher who married the Reverend William Pettit through church connections inNew York. In 1889 Indiana, teaching was one of the very few professional callings available to educated women, andHattie was practical, self-sufficient, and disciplined. She did not know that the man at the head of her table had oncebeen jailed for theft, had lied his way into the Masonic Brotherhood, and had used those connections to secure his ordination. The minister she married was a fabrication.Ella Hearn was nineteen years old in the autumn of 1878, the daughter of an established merchant family in Pocomoke City, Maryland. Quiet, gentle, trusting — she had graduated from a boarding academy where she shared a room with the woman who would shoot her. She observed what the newspapers called a delicate, unassuming grace. That grace made her extraordinarily vulnerable.The VictimsBoth cases are about desire that could not be spoken aloud and justice systems that decided the people who caused harm deserved more mercy than the people who were harmed.In a river town on Maryland's Eastern Shore, a nineteen-year-old woman is shot in the face by her closest companion— and through the blood and agony speaks five words that have echoed for nearly a century and a half. In the farming country of western Indiana, a minister poisons his wife with strychnine so he can marry the richest woman in the county — and the dying woman figures out exactly what is happening to her. No one lifts a finger.Season 40 of Foul Play begins a year-long journey across all fifty states, pairing two historical crimes per episode —connected by a single thread. Tonight: Maryland, 1878, and Indiana, 1889. Two women trusted the people closest to them. Both paid for that trust with their bodies.Crisis Support ResourcesIf you or someone you know is experiencing intimate partner violence:-US: National Domestic Violence Hotline: 1-800-799-7233-US: Crisis Text Line: Text HOME to 741741-UK: National Domestic Abuse Helpline: 0808 2000 247-UK: Victim Support: 0808 1689 111Our Sponsors:* Check out Kensington Publishing: https://www.kensingtonbooks.com* Check out Mood and use my code SHANE for a great deal: https://mood.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A new projector at home means it's time to buy Ben Hur and Lawrence of Arabia again. Are they worth the upgrade?Subscribe

We celebrate Easter, once again, with our friend Charlton Heston. This time not just with a movie about Passover, but of the actual crucifixion of Jesus Christ. It's also a precursor to our favourite topic of discussion - The Phantom Menace, as well as an excuse to drop some music from Disney's Robin Hood. Something for everyone.

A Jewish prince is betrayed and sent into slavery by a Roman friend in 1st-century Jerusalem, but it's not long before he regains his freedom and comes back for revenge.Support the showOETA - Home

Easter probably called for a chat about the silent version of either The Ten Commandments or Ben-Hur, but no. I'm talking about a 1932 Ernst Lubitsch rom-com that's excellent with the rom, yet only smile-inducing with the com. Covering Trouble In Paradise also gets Miriam Hopkins, Kay Francis and Herbert Marshall on Have you Ever Seen for the first time. They're all well-served by the infamous Lubitsch Touch. Here a rich, pampered, unworthy fail-daughter (Francis) is set up to be ripped off by clever thieves (Hopkins and Marshall). But they're all likable, the romance(s) work great and you even end up rooting for all the characters, even though each of them could easily seem despicable. Lubitsch: one of the greats in this genre. So cue up Trouble In Paradise in this 730th edition of HYES, where I give you the info about some pre-Code lovin' and stealin' European shennanigans. Jot down some thoughts about classic movies and tell me about them. My email is "haveyoueverseenpodcast@gmail.com", my Twitter is "@moviefiend51" and my Bluesky is "ryan-ellis." Also, tickle that subscribe button and then take some time to write a review and rate the podcast as well. Last thing? Follow me on Letterboxd: RyanHYES.

La tabarraque de hoy se la lleva Pascu con Ben-Hur. Hemos empezado a hablar sobre las cosas que siempre siempre hacemos en Semana Santa y Pascu nos ha leído la parrilla de programación de la tele. Y ya os avisamos: tenemos 7 horas y media de romanos a nuestra disposición para este viernes santo. 

This week, we're breaking down everything we watched recently and then debating the top 5 greatest movie villains of all time. First, we review a wide range of films, from timeless classics to recent releases. Tyler Johns gives his thoughts on Ben-Hur (1959), The Mummy (1999), They Will Kill You, and The AI Doc: Or How I Became an Apocaloptimist, while Lance Taylor weighs in on Hoosiers, M (1931), Send Help, and Mike and Dave Need Wedding Dates. Some of these movies are easy recommendations, some are fun but flawed, and a couple get absolutely buried. Then we reveal our personal top 5 movie villains ever. Names like Darth Vader, The Joker, Anton Chigurh, John Doe, Calvin Candie, Nurse Ratched, Alex Forrest, and Godzilla all make the conversation. Who is the most iconic villain in movie history? Who is the most terrifying? And who deserves the number one spot? We also talk about a couple of upcoming releases worth watching, including The Drama from A24 starring Robert Pattinson and Zendaya, and the upcoming Super Mario Galaxy movie. If you love movie reviews, classic cinema, thriller talk, and ranking the greatest villains in film history, this episode is for you. Comment below with your top 5 movie villains of all time and let us know which movie we reviewed that you'd most want to watch next. SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive 267,216 Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Robert Ray comes on to discuss Ben-Hur (1959) in 4K for the Easter season.

Quelle est la signification du Samedi saint? Le Nouveau Testament nous offre beaucoup d'explications sur le déroulement des événements du Jeudi saint et du Vendredi saint. Cependant, un grand silence entoure le Samedi saint. Que faut-il en comprendre? Dans cet épisode, Joan et Stéphane réfléchissent sur les traditions du Samedi saint et explorent la signification de Jésus qui est descendu aux enfers.   Site Internet: https://questiondecroire.podbean.com/ ApplePodcast: https://podcasts.apple.com/us/podcast/question-de-croire/id1646685250  Spotify: https://open.spotify.com/show/4Xurt2du9A576owf0mIFSj  Réforme: https://www.reforme.net/podcast/ Contactez-nous: questiondecroire@gmail.com Notre commanditaire: L'Église Unie du Canada  Moncredo.org * Musique de Lesfm, pixabay.com. Utilisée avec permission.  * Photo de Josh Applegate, unsplash.com . Utilisée avec permission. * Communauté WhatsApp: https://chat.whatsapp.com/Iu1ggsLoCdyLid7SrJrCoF   Mots clés:  Samedi saint, foi, spiritualité, résurrection, traditions chrétiennes, chaos, espoir, méditation, Pâques   Résumé: Dans cet épisode, Stéphane Vermette et Joan explorent la signification du Samedi saint, mêlant réflexions théologiques, souvenirs personnels et traditions. Une conversation profonde sur le silence, le chaos et l'espoir liés à cette journée centrale de la Semaine Sainte.     Transcription:    Stéphane : Bonjour, bienvenue à Question de croire, un podcast qui s'intéresse à la foi et la spiritualité, une question à la fois. Cette semaine, quelle est la signification du Samedi saint? Joan : Bonjour, Stéphane, bonjour à celles et ceux qui nous écoutent. Stéphane : Bonjour Joan!   Jeûner pour le Samedi saint Joan : J'aime bien quand on parle de ces sujets-là; en plus les gens viennent m'en parler après et tout. Ça permet des échanges, des discussions; très cool qu'on ose un peu s'attaquer en quelque sorte à la semaine de la Passion, la Semaine sainte. Quand j'étais un peu dans ce processus de reconversion, de retour à la foi, à des pratiques, j'avais un petit peu envie de me saisir de cette semaine pascale, de comprendre un peu ce que j'étais censée faire en tant que jeune croyante dans la vingtaine. J'en ai parlé avec un pasteur. Il s'appelle Geoffroy Goetz. J'avais dit à Geoffroy : mais qu'est-ce qu'on est censé faire en fait? Et il m'a dit : Ce qui est très bien, ce qui est formidable, c'est de jeûner. C'est bien de jeûner, c'est souvent bien de jeûner le samedi. En plus il le faisait d'une façon assez éthique, il le faisait en lien avec des mouvements qui s'appelaient Comprendre et s'engager en Alsace, des mouvements de l'Église luthérienne, pour réfléchir à la montée de l'antisémitisme, de la xénophobie, des mouvements racistes et politiques en Alsace. Et donc ils avaient un système où ils jeûnaient, ils priaient, puis après ils se racontaient un peu leurs jeûnes et leurs prières et tout ça dans ce contexte de justice sociale, de réflexion sur la montée d'un vote raciste, antisémite, xénophobe. Alors, super! Mais comme je n'avais aucune méthode et que moi j'ai fait ce jeûne sans être entourée, tu vois, juste parce qu'un pasteur m'a dit comme ça, à la sortie du culte, que c'était bien de jeûner, je me suis collé une migraine, mon ami. Oh, j'ai eu mal à la tête, je n'en pouvais plus! Et j'ai un souvenir vraiment horrible de cette journée qui me semblait sans fin, je m'ennuyais comme un rat mort. Je ne mangeais pas, je buvais un peu et je me disais, mais en quoi ça peut bien aider ma vie de foi de faire un truc pareil? Alors qu'entre temps, j'ai fait des journées jeûnes et tout. Je les ai bien préparées. J'ai fait les choses tout à fait différemment. Mais ça, c'était vraiment marrant parce que quand tu débutes, tu veux faire des trucs et si tu n'es pas accompagné, tu peux potentiellement te faire mal ou mal le faire.   Visionner Jésus de Nazareth le Samedi saint Stéphane : Tu parles de ta jeunesse. Moi, le souvenir de ma jeunesse, de mon enfance plus précisément, pour le Samedi saint, c'était la journée où les postes de télévision faisaient jouer les méga productions de l'époque, Ben-Hur et Jésus Nazareth, le film de Franco Zeffirelli, la version de 6 heures. Et, pour une espèce de raison, presque toutes les années, j'écoutais ce film. Mais j'étais scotché à la télé pendant 6 heures non-stop. Je connaissais le film. Je le connaissais par cœur et je connaissais l'histoire, bien sûr. Je savais comment c'était pour finir. Mais j'avais cette fascination. C'était comme une espèce de marathon que je m'imposais. Et après on se demande pourquoi je suis devenu pasteur. Ces péplums, ces films de Jésus, le Samedi saint, oui, ça c'est ma jeunesse.   La chronologie de la semaine sainte Joan : C'est vrai qu'on dit que le samedi, c'est le jour du grand silence. C'est un jour un peu de vide. D'ailleurs, c'est pratique un jour comme ça dans l'Église, tu es d'accord ? Stéphane : Oui! En tant que pasteur j'ai toujours trouvé que c'était une bonne chose qu'il reste au tombeau le samedi parce qu'avec les offices du Jeudi saint, du Vendredi saint et souvent deux ou trois cultes différents le matin de Pâques, d'avoir un break le samedi c'est toujours bon pour vos pasteurs. Pensez à vos pasteurs le Samedi saint, donnez-leur un peu d'espace et beaucoup d'amour. Joan : On se donne de l'amour quoi qu'il en soit. Mais c'est vrai qu'on se dit: Jésus est un petit peu fatigué, un petit peu épuisé par sa vie. C'est bien qu'il prenne un petit peu de temps pour lui. Et tous les jours en fait je m'interroge sur le sens de ce grand silence. D'ailleurs, en fait, il y a une vraie interrogation biblique. À partir de quand est-ce la fin des enfers et le début de la résurrection? Parce que finalement le samedi, qu'est-ce qu'il faisait Jésus? Il descend aux enfers. Mais à un moment donné il commence aussi sa résurrection. C'est à quelle heure exactement? C'est comment? Il n'y a personne qui a pu m'expliquer vraiment le truc très clairement. Alors, j'ai regardé un petit peu le timing du Triduum pascal. Vous avez vu, il des mots comme ça techniques. Triduum pascal : trois jours. Ça commence le jeudi, vendredi, samedi, déjà ça fait plus que trois, mais c'est l'idée de trois fois 24 heures en gros. Puis ce timing… Si on fait un petit quiz… Toi tu t'en sors comment avec ce timing ? Tu arrives à te souvenir à peu près de ce qu'il faisait, quand, comment? Parce que tous les ans j'aime bien un peu checker. Et quand je checke à chaque fois, je redécouvre un ou l'autre élément. Oui, là, cette heure-ci, il est au Sanhédrin. Pas facile, franchement, d'être au Sanhédrin. Ça n'avait pas l'air très évident de répondre à tout ça. Du coup, j'aime bien aller regarder. Si on part le jeudi, fin de journée, on dirait qu'il prépare le repas pascal à peu près. Ce n'est peut-être pas lui qui le prépare, Jésus, mais on imagine. Il se passe des trucs, des odeurs, des gens. Après, on va dire que la soirée débute vers 18h. Combien de temps il reste à table d'après toi? Une heure? Deux heures? Trois heures? En tout cas, c'est le dernier repas avec les disciples. Bon, après il y a un discours d'adieu. Ensuite, ils s'en vont faire une balade au mont des Oliviers. Là, on calcule un peu les distances. Il en a qui disent qu'il est maximum 23h. Je ne sais pas comment ils savent ça, mais ils le savent. Puis après il y a la prière à Gethsémani. On dit que c'est autour de minuit. Bon, là il est arrêté. Mais après il a une audition très tôt le lendemain matin. Il y en a qui disent une heure du matin, l'arrestation. Il faut dormir un petit peu quand même. Là, ce sont les autorités juives, le Sanhédrin. Après, le texte dit qu'à l'aube il est transféré vers le gouverneur romain. Ils ne dorment pas, tous ces gens-là, c'est un truc de fou. En plus il n'y avait pas d'électricité, rien. Je ne pas comment ils se sont débrouillés pour se promener. Mais là on imagine qu'il est un peu fatigué Jésus, ce n'est pas possible. Mais il n'a pas dormi cette nuit-là, tu vois. Après il est transféré et après re-procès devant Ponce Pilate, il est condamné. Et après c'est dur, il doit porter sa croix. C'est là, c'est à ce moment qu'il porte la croix, on est d'accord. Là souvent on nous dit que ça met une heure, mais ce n'est pas vrai, tu es crevé. Tu t'es fait engueuler par tout le monde, tu ne mets pas une heure à porter la croix, c'est un peu plus. Il va au Golgotha. Là bon crucifixion, obscurité vers midi. On dit qu'il meurt à la neuvième heure, c'est un peu triste, vers trois heures. On le descend de la croix et il est mis au tombeau. Et puis là arrive le samedi. Et là on n'a pas trop d'infos en fait. Le problème c'est qu'avant on a un petit timing, à peu près, mais là on n'a rien du tout. On sait juste qu'il descend aux enfers. Et moi j'aimerais savoir sérieusement comment commence sa résurrection.   La part de mystère autour du Samedi saint Stéphane : Moi, personnellement, cette partie qui est absente des Évangiles qu'on a dans nos Nouveaux Testaments, parce qu'il y a d'autres textes apocryphes qui offrent toutes sortes d'interprétations… Joan : C'est l'occasion de dire à nos auditeurs et auditrices si vous ne savez pas ce que c'est les apocryphes, vous nous écrivez. On fait un épisode là-dessus. Stéphane : Ben oui, tout à fait! Cette absence entre la mise au tombeau et ce que je pourrais appeler le premier matin de Pâques, moi, j'aime ça. Je sais que c'est frustrant pour plusieurs, mais moi, ce que j'aime, c'est que ça laisse de la place au mystère. Toutes les tentatives que j'ai entendues, que j'ai lues sur ce qui se passe vraiment, les explications, la quantité d'énergie que ça prend pour revenir à la vie, et tout ça, moi ça me laisse quand même assez de glace parce qu'on parle de quelque chose de plus grand que nous. Si on accepte l'idée d'un retour à la vie, pas d'une ressuscitation, mais d'une sorte de transformation, la résurrection, c'est quelque chose pour moi qui appartient à Dieu. Et si ça appartient à Dieu, moi je suis capable de vivre avec une idée qui est au-delà de la compréhension humaine, au-delà de notre cerveau. C'est peut-être ça qui est difficile a notre époque, dans notre civilisation où tout doit être expliqué, presque minuté, un peu comme tu l'as dis. On veut savoir quand, on parle à qui, on veut un agenda, on veut des choses précises. Mais d'avoir ce moment peu difficile à comprendre, je pense que ça nous ramène dans la foi; ça nous amène à quelque chose de plus spirituel.   Qu'est-ce que descendre aux enfers? Joan : C'est tout à fait ça parce que quand on lit en 1 Pierre 3, 19 : descendre aux enfers. Ok. Jésus descend aux enfers. Moi ça me renvoie un peu à nos petits enfers. C'est une occasion de réfléchir à ce que sont nos petits enfers. Moi je vois très bien. Ces dernières années, j'ai changé plusieurs fois de poste. J'ai changé de pays. Il y a eu des tensions un peu à droite à gauche. Je vois très bien c'est quoi les petits enfers. Finalement, c'est l'occasion de réfléchir aussi à ce que les humains et les humaines se font subir ou font subir aux autres. C'est aussi l'occasion de réfléchir à qu'est-ce que ma vie a comme impact, positif, négatif. C'est quoi l'enfer? Comment on y entre d'abord et comment est-ce qu'on en sort? L'enfer des malentendus, l'enfer des addictions, l'enfer des mauvaises habitudes, l'enfer des pensées négatives sur nous-mêmes, de l'auto-accusation aussi. C'est quoi tout ça? C'est quoi l'enfer aussi dans la vie de Jésus parce que finalement, sur son chemin de croix, il se fait renier par Pierre, par exemple. Il se fait dénoncer un petit peu avant par Judas. C'était quoi l'enfer sur terre? Cette expression d'ailleurs, veut dire quoi enfer sur terre? Ça veut dire quoi l'enfer est pavé de bonnes intentions? On peut réfléchir à ces expressions en lien avec l'enfer. En français, on dit aussi c'est d'enfer pour dire c'est génial. Pourquoi on dit ça? Qu'est-ce que ça veut dire? Ouais, dans un sens c'est vrai, on ne sait pas exactement ce qui s'est passé. Qu'est-ce qu'ils font ces disciples pendant ce temps aussi? Ceux qui sont pris de culpabilité, qu'est-ce qu'ils font? Ceux qui sont pris d'espérance peut-être aussi. Puis, la mère de Jésus, elle fait quoi Marie? Il est passé où son fils? Il est mort? Il est là? J'aime méditer à tous ces aspects-là en fait.   Jésus descend aux enfers le Samedi saint pour délivrer toutes les âmes Stéphane : Ayant grandi Catholique romain, durant la messe, on disait le Symbole des Apôtres, sans trop y penser : il a souffert sur Ponce Pilate, il a été crucifié, est mort, il a été enseveli et est descendu aux enfers. Moi, on ne m'avait pas enseigné pourquoi il y va. Je me demandais, c'est le fils de Dieu, pourquoi il faut qu'il se ramasse aux enfers? Et ce n'est que beaucoup plus tard, lorsque j'ai lu un texte de mon théologien préféré, John Dominic Crossan, il retourne aux enfers pour libérer les âmes qui ont été enfermées là depuis le début. Il y a cette notion qu'on a perdue en Occident et qui semble être demeurée dans les traditions orientales, que la résurrection n'est pas un concept individuel. Ce n'est pas seulement Jésus qui est ressuscité. Mais à travers cette mort, cette descente aux enfers, Jésus ouvre la porte de l'enfer et c'est tous les gens qui reviennent dans un état de libération, dans un état de sanctification. Je trouve intéressant que, à travers cette préparation vers la résurrection, il y ait cette partie où on se souvient de ceux et celles qui nous ont précédés, de ceux et celles qui ont eu une bonne vie, de ceux et celles qui ont peut-être eu une moins bonne vie et quelque part, Jésus ouvre la porte pour tout le monde. Tous et toutes sont invités à sortir de cet enfer-là pour rejoindre Dieu. Dans un contexte où on se prépare à Pâques, moi je trouve ça assez intéressant de penser à ça, à ce pas juste pour Jésus, pas juste pour les bonnes personnes. C'est un peu pour tout le monde. Ce n'est pas à nous d'ouvrir ou fermer la porte. Théologiquement, on comprend que c'est Jésus qui ouvre cette porte. Ce n'est pas à moi de décider qui peut passer par cette porte ou pas. Ça me fait réfléchir beaucoup.   Les traditions du Samedi saint Joan : Pour cet épisode, je me suis un peu renseignée sur les traditions chrétiennes du Samedi saint. Toi, tu viens d'un arrière-plan Catholique. Il a quand même deux ou trois trucs intéressants le samedi. D'abord, c'est une messe sans Eucharistie. On essaye de réduire fortement le volume des messes. On essaye de faire peut-être juste des célébrations de la Parole, des recueillements, des adorations de l'Eucharistie. On enlève aussi les ornements liturgiques, les antépendiums, pour que les choses soient assez dépouillées. Je trouve ça beau, c'est très, très beau. Et puis il y a ces vigiles pascales quand même dans le catholicisme. Je dois dire chapeau quoi, c'est génial ce qui se fait, en tout cas en France par exemple et en Suisse. L'évêque vient aussi baptiser les catéchumènes au cours de la nuit, souvent des grands, des jeunes ou bien des recommençants ou des nouveaux convertis. J'aime bien ces offres-là. Ça commence à me faire un peu envie. J'ai envie de vivre un peu des choses comme ça. L'année dernière, j'ai eu connaissance d'une vigile pascale un peu organisée par des jeunes, comme on dit ici, qui avaient fait une randonnée nocturne, qui avaient dormi ensuite dans l'Église et qui étaient là très tôt au moment de l'office du dimanche matin où généralement il n'y a pas vraiment de jeunes. D'ailleurs, à ce sujet, j'aimerais raconter une anecdote sur ma fille, notre fille Marysol que tu connais. Marysol, quand elle était au catéchisme, j'ai réussi à la baratiner, des fois on arrive à baratiner nos ados, je lui dis, tu dois absolument être là au cimetière à 7h30 pour chanter les chants de la résurrection. On n'était pratiquement que des vieux. À ce moment-là, je n'étais pas si vieille, mais enfin bon, j'étais déjà vieille pour elle. Et je me rappelle qu'il pleuvait. Il pleuvait. Alors, elle a sorti un parapluie, s'est mise dans un coin du cimetière et je me rappelle toujours sa tête baissée comme ça avec son parapluie, pas du tout réveillée, a subir un rituel que sa mère lui avait dit de subir. J'aimerais bien avoir son avis là-dessus, peut-être que ce soit un avis positif, mais ça m'a fait rigoler d'y penser pour cet épisode. Et je me dis, que faire pour rendre ce temps lumineux? Et chanter au cimetière tôt le matin, j'aime bien. Mais ce que j'aime surtout, c'est de prendre un gros petit déjeuner, tu vois. On se rassemble, catholiques, protestants, évangéliques, on prend le petit déj. Alors, je me dis quel sens peut-on mettre en fait dans ce samedi, cette vigile du côté protestant. On n'en met pas souvent. Du côté orthodoxe, je crois qu'il se passe pas mal de choses aussi, mais bon ce n'est jamais aux mêmes dates que nous. Toi, mets-tu un peu de sens d'Église, rituel, liturgique sur ce samedi? As-tu des souvenirs de quand tu étais petit?   Le Samedi saint est la continuation du jeudi et du vendredi Stéphane : Peu quand j'étais plus petit, mais lorsque j'étais en paroisse, j'essayais de construire un arc narratif, si je peux utiliser ce genre d'expression. Je trouve qu'on a tendance à découper les offices. Jeudi saint… vendredi… dimanche… peut-être de quoi samedi… Quand j'étais en paroisse, mon office du Jeudi saint ne se terminait pas. Il n'y avait pas la bénédiction, il n'y avait pas l'envoi. On m'a demandé, mais pourquoi? Parce que ce n'est pas la fin de l'histoire. L'histoire continue vendredi et vendredi ce n'est pas la fin de l'histoire. L'histoire se continue. Et cela a un sens lorsqu'on regarde le tout. Donc le samedi en tant que tel, peut-être qu'il a moins de sens. Mais lorsqu'on regarde un peu comme tu l'as fait et comme plusieurs le font, c'est la continuation du jeudi, du vendredi, et là, on est dans le samedi pour déboucher sur un dimanche. Là, on travaille sur quelque chose de plus large. Je peux comprendre que ce n'est pas tout monde qui a l'énergie. Ce n'est pas toutes les paroisses qui ont les ressources pour faire tous ces offices. Mais je pense qu'on a besoin de relier ces histoires. Il y a un lien entre le jeudi saint et le vendredi. On coupe trop souvent. Je me souviens d'un office du vendredi saint, on terminait l'office avec la mise au tombeau et j'offrais une réflexion finale sur le chaos, parce que le temps au tombeau c'était un peu le chaos. Tout allait bien dans la vie de Jésus. Bon, ce n'était pas facile, mais quand même, ça suivait son cours. Il avait des disciples. En quelques heures, il se fait arrêter. Le procès. Il se fait exécuter. Les disciples ne devaient avoir aucune idée de ce qui venait de se passer. Tout semblait s'écrouler. Je pense que c'est quelque chose de très parlant parce que je suis convaincu que tous ceux et celles qui nous écoute ont des moments comme ça dans leurs vies. Ça va et il y a comme une succession d'événements, il y a des ruptures, il y a des chamboulements. On a l'impression que tout s'écroule. Tout ce qu'on avait construit, tous nos rêves, tout s'écroule. Il y a peut-être quelque chose de l'autre côté, mais on n'est pas sûrs. On n'est pas certains. Un peu comme la pandémie. Au début, on était complètement dépourvus. Ce virus, on n'avait aucune idée. On avait peur. Tout le monde était confiné. Il y avait des gens qui mourraient. On se disait, mais avec toutes nos connaissances, notre technologie, toute notre science, on est impuissants. Qu'est-ce qu'on fait avec tout ça? Moi, c'est ça que je retiens beaucoup du Samedi saint, ce chaos-là. Est-ce que le chaos va se réorganiser? Est-ce que nos vies vont se réorganiser? Est-ce que notre foi va se réorganiser? Une année j'avais lancé: et si cette année, la résurrection n'avait pas lieu? Oui, elle a eu lieu, mais c'est parce que l'on connaît la fin de l'histoire. Mais j'essaye de me mettre dans les souliers de ces pauvres disciples-là, de dire, qu'est-ce qui va se passer? Cette peur, cet espoir, qu'est-ce qu'on fait avec tout ça? Je crois qu'il y a quelque chose qui peut nous parler dans nos vies.   Conclusion Joan : Oui, c'est ça en fait. C'est ce samedi qui prend sa place, comme tu dis, dans un arc narratif, dans un ensemble plus complet. Nos vies qui ressemblent beaucoup à tout plein d'aspects parce que c'est ça, c'est un humain, Jésus, avec des réussites, des déceptions, des alliances fortes, et des trahisons. Et puis peut-être des fois aussi ce grand ce grand moment, ce grand besoin de silence, de descendre un peu au fond de nous-mêmes pour ensuite se retrouver et puis laisser exploser un peu de joie. Et finalement, moi j'aimerais bien savoir quelles sont les pratiques de nos auditrices, auditeurs sur le Samedi saint. Qu'est-ce que vous faites? Comment vous le faites? Est-ce que vous voulez venir nous en parler une fois? Est-ce que vous voulez venir rejoindre le groupe WhatsApp pour en parler? On a un groupe WhatsApp où on cause un petit peu de ces choses-là.   Stéphane : Merci, Joan, pour cette conversation. Merci aux gens qui sont à l'écoute. Oui, le groupe WhatsApp est dans la description en bas de l'épisode. Si vous n'êtes pas sûr, envoyez-nous un courriel, on peut vous intégrer. J'espère que la semaine pascale se déroule bien et continuera à bien se dérouler pour vous. Un remerciement rapide à l'Église Unie du Canada, notre commanditaire qui relaie nos podcasts. La même chose pour Réforme qui aussi relaie nos podcasts. Écrivez-nous. questiondecroire@gmail.com Joyeuses Pâques, Joan. Joan : Joyeuses Pâques, Stéphane, et à très vite ! Stéphane : Au revoir.         00:00 - La signification du Samedi saint 00:48 - Jeûner pour le Samedi saint 02:57 - Visionner Jésus de Nazareth le Samedi saint 04:06 - La chronologie de la semaine sainte 08:09 - La part de mystère autour du Samedi saint 10:22 - Qu'est-ce que descendre aux enfers 12:23 - Jésus descend aux enfers le Samedi saint pour délivrer les âmes 14:59 - Les traditions du Samedi saint 17:51 - Le Samedi saint est la continuation du jeudi et du vendredi 21:40 - Conclusion      

Dana and Tom with 5x Club member and CLP contributor, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast), discuss Inside Man (2006) for its 20th anniversary: directed by Spike Lee, written by Russell Gewirtz, cinematography by Matthew Libatique, music by Terence Blanchard, editing by Barry Alexander Brown, starring Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Chiwetel Ejiofor, and Willem Dafoe.Plot Summary: Inside Man follows a tense bank robbery in New York City that quickly becomes a battle of wits. Denzel Washington plays a sharp detective sent in to negotiate when a group of masked robbers, led by Clive Owen, take control of a crowded Manhattan bank. As the police try to understand the robbers' plan, the situation grows more complicated. A powerful banker played by Christopher Plummer secretly hires a smooth and mysterious fixer, played by Jodie Foster, to protect a dangerous secret hidden inside the bank.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940), La Dolce Vita (1960), The Social Network (2010) Revisit, Pather Panchali (1955), Se7en (1995), Spartacus (1960), Rebel Without a Cause (1955)Chapters:00:00 Introduction, Cast, and Background for Inside Man02:26 Welcome Back Peterson W. Hill05:17 Relationship(s) with Inside Man11:35 Who is the Antagonist of Inside Man?22:47 Plot Summary for Inside Man23:41 What is Inside Man About?28:32 Did You Know?33:06 What's Happening with Peterson W. Hill?38:48 Best Performance(s)54:15 Best Scene(s)01:00:32 In Memoriam01:02:29 Best/Funniest Lines01:05:06 The Stanley Rubric - Legacy01:10:39 The Stanley Rubric - Impact/Significance01:18:57 The Stanley Rubric - Novelty01:22:37 The Stanley Rubric - Classicness01:27:25 The Stanley Rubric - Rewatchability01:31:41 The Stanley Rubric - Audience Score and Final Total01:34:31 Remaining Questions for Inside Man01:44:09 Thank You to Peterson and Final Thoughts01:48:02 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/inside-man-2006-ft-peterson-w-hillFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Inside Man, Spike Lee, Denzel Washington, Clive Owen, film analysis, heist movie, movie review, film legacy, character development, film impact Inside Man, Spike Lee, film analysis, heist movies, Denzel Washington, Clive Owen, film trivia, movie review, cinematic techniques, crime thrillersRonny Duncan Studios

Espido Freire deja las canciones a un lado para analizar este martes la serie canadiense Heated Rivalry. La colaboradora de Cuerpos especiales se ha dejado seducir por esta serie a la que ve claros paralelismos con Ben-Hur. Los mismos chicos guapos, la misma rivalidad desmedida y la misma tensión sexual. La diferencia es que en la película de 1959 se queda en el aire y en la serie actual se revuelve... ¡y  muchas veces!

Ginebras presenta su disco Cuando nada es para tanto, Espido Freire analiza la serie canadiense Heated Rivalry a la que ve claros paralelismos con Ben-Hur y Jorge Yorya trae la historia de Eurovisión. Además, La Patrulla Chiquilla comparte sus trucos para pasárselo bien en el recreo y en la sección Arden las musics se habla de grupos que empiezan con la letra P.

Check out this encore show from March 26, 2025 Father John Paul Erickson joins Patrick to discuss Spiritual Movies (4:06) what are the dangers of movies the spiritual life Father shares a movie which he really enjoys (13:52) Sean - The Adventures of Robinhood from 1938. It's a very Catholic movie. Had a good impression on my life. Saw it when I was 6. Greg – Nefarious outstanding movie. Certain groups played it off as a horror film. It's good vs. evil. Some have avoided it because it deals with evil. The guy who did it also did God is Not Dead. One priest said every priest should see it for giving advice for confession. Mark - Calvary...Irish Film. 10 years old. About a priest who really lays down life for his flock. (22:47) Break 1 John - Of Gods and Men...French film. About monks serving souls in north Africa. Based on a true story. Barb - The Shack...about what it's like to be God and sacrifice your son. It shows God sacrificed his son as this guy sacrificed his daughter. Bring your tissues. (29:50) Nels - The Last Supper....newly released film. Emphasis on Judas in that movie. Miriam - 7th Heaven...1930's. Star5ring Jimmy Stewart. Unlikely love story ever told. Mention of God in the movie. He's an atheist and then things happen. My favorite movie. (35:43) Break 2 Roland - Journey to Bethlehem....nativity story. Silence...the story of the Japanese Martyrs. Ignition Martyrs (39:16) Matt - Beckett, and the Cardinal. Excommunication scene in Beckett is most powerful scene. The Cardinal being more recent. Pope Benedict was advisor for this movie. Came out when V2 was written. Patrick shares some movie recommendation from listeners who write in. Roxanne - The Most Reluctant Convert...untold story of CS Lewis. Very good. (43:02) Jean - King of Kings...1925. It's a silent movie and beautiful. Eric - The Scarlet and the Black. Based off the Scarlet Pimpernel. Hides thousands of Jews during WWII. I think it's a must see. Resources - Spiritual Movies: Babette’s Feast (1987) The Adventures of Robin Hood (1938) Nefarious (2023) Calvary (Irish film) (2014) Of Gods and Men (2010) The Mission (1986) Arrival (2016) The Blue Kite (Chinese) (1993) The Shack (2017) The Last Supper (2025) The Chosen (series) (2017 – present) Seventh Heaven (1937) A Hidden Life (2019) A Man for All Seasons (1966) All That Remains: Dr. Takashi Nagai (2016) Journey to Bethlehem (Christmas) ( Nativity Story (Christmas) Silence (2023) Exodus: Gods and Kings (2014) The Ten Commandments (1956) Ben Hur (1959) The Robe (1953) Becket (1964) The Cardinal (1963) Gattaca (1997) The Most Reluctant Convert: the Untold Story of C.S. Lewis (2021) The King of Kings (1927) The Scarlet and the Black (1983) The Sound of Metal (2019) Life is Beautiful (1997) The Bells of St. Mary’s (1945) The Lord of the Rings (2001-03) Groundhog Day (1993) A River Runs Through It (1992)

Send a textWe sit down with Bill Hunt of The Digital Bits to unpack the Paramount–Warner twist and his thoughts on the merger's impact on physical media. We also discuss how replication bottlenecks and layoffs are reshaping the industry. Then we review Warner Bros' entire 2026 4K slate, their boutique licensing partners, and why there is an urgency to keep buying physical media.Purchase BEN HUR 4KPurchase EXCALIBER 4KFollow Bill Hunt on The Digital BitsLearn more about The Digital Bits PatreonMore purchase links: ALL THE PRESIDENT'S MEN 4KALL THE PRESIDENT'S MEN 4K STEELBOOKSPEED RACER 4K Steelbook The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Dana and Tom with returning guest, Kristin Battestella (A Film Critic for In Session Film, Search Magazine, and Keith Loves Movies), discuss the layered Western, The Searchers (1956): directed by John Ford, written by Frank S. Nugent, cinematography by Winton C. Hoch, editing by Jack Murray, music by Max Steiner, starring John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, and Natalie Wood.Plot Summary: The Searchers is a powerful Western directed by John Ford. The film stars John Wayne as Ethan Edwards, a bitter and restless Civil War veteran who returns to his brother's Texas home after years away. When a Comanche raid destroys the family and kidnaps his young niece Debbie, Ethan sets out on a long, obsessive search to find her. He is joined by his adopted nephew, Martin Pawley, played by Jeffrey Hunter.As the years pass, the search takes Ethan and Martin across harsh desert landscapes and through dangerous encounters. Martin begins to question Ethan's growing hatred and his true intentions if they ever find Debbie, now played as a teenager by Natalie Wood. The film explores themes of revenge, racism, and redemption, building toward a final confrontation that tests Ethan's humanity.Guest:Kristin Battestella - A Film Critic for In Session Film, Search Magazine, and Keith Loves Movies@kbatzkrafts on IG, @thereforereview on Twitter, Letterboxd, @kbatzreviews on YouTubePreviously on Ben-Hur (1959)CLP ContributorChapters:00:00 Introduction, Cast, and Background for The Searchers03:40 Welcome Back, Kristin Battestella05:30 Kristin's Favorite Film13:22 Relationship(s) with The Searchers22:05 Plot Summary for The Searchers23:15 What is The Searchers About?28:41 Did You Know?34:41 First Break35:27 What's Happening with Kristin Battestella36:20 GMOAT Hall of Fame - February 202646:42 Best Performance(s)01:02:28 Best Scene(s)01:16:14 Second Break01:16:55 In Memoriam01:23:13 Best/Funniest Lines01:25:55 The Stanley Rubric - Legacy01:30:17 The Stanley Rubric - Impact/Significance01:33:25 The Stanley Rubric - Novelty01:38:53 The Stanley Rubric - Classicness01:50:15 The Stanley Rubric - Rewatchability01:53:35 The Stanley Rubric - Audience Score and Final Total01:57:02 Remaining Questions for The Searchers02:01:21 Thank You to Kristin and Final Thoughts02:13:31 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-searchers-1956-ft-kristin-battestellaFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:The Searchers, John Ford, John Wayne, Western films, film analysis, cinematic legacy, film history, American cinema, classic movies, film critique film analysis, Westerns, cinema legacy, film history, societal attitudes, film impact, accessibility, film interpretationRonny Duncan Studios

In this episode, Alice interviews Professor Konstantinos Nikoloutsos, based at Saint Joseph's University in Philadelphia, and Professor Lee Brice, from Western Illinois University. Konstantinos' research focuses on the afterlife of ancient Greece and Rome in the Western world, and several of his publications examine the representation of ancient history on stage and screen. Lee is a military historian, focusing especially on military unrest and indiscipline during the time of Alexander the Great and in the early Roman empire. He contributed a reflective conclusion to a collection of essays which Konstantinos masterminded, published in 2023 as Brill's Companion to ancient Greek and Roman Warfare on Film. As Konstantinos puts it, ‘Celluloid antiquity is saturated with images of combat'. In our discussion, we dig deep into how ancient war and peacemaking have been depicted in film from the 1960s to the present day. We track changes across time in the cinematic representation of ancient violence and heroism, in relation to developments in film history and contemporary socio-political contexts. Films such as Ben-Hur, Spartacus, Troy, 300, Gladiator, and Hercules are all unpicked; and along the way we discuss the ways in which they construct masculinity, humanise action heroes, stigmatise Others, and normalise war as a pathway to 'greatness'. We consider how political and military events have influenced the representation of ancient warfare on the one hand, and how films depicting ancient warfare have become commentaries on contemporary contexts on the other. Konstantinos and Lee also discuss the future of 'sword-and-sandel' movies, including the role that AI may increasingly play, and the real-world impacts of evolving trends in cinematic depictions of ancient warfare.We hope you enjoy the episode. For a version of our podcast with close captions, please use this link. For more information about individuals and their projects, please visit the University of St Andrews' Visualising War website and the Ancient Peace Studies Network.Music composed by Jonathan YoungSound mixing by Zofia Guertin

2º Especial Semana Santa 2026_Ben Hur ℙ ℝ 16/657. ℙℝ ℝ ℕº 23 @ . _____________________________________________________________ - ó .- - í . - í . .- ó . .

William Wyler's sweeping historical epic Ben-Hur is one of the OG blockbusters. It took home Best Picture for the 1959 Academy Awards, along with 12 other statues--making it one of the most awarded and beloved dramas of all time.This week, Earth's Mightiest Critics look at the story of Judah Ben-Hur (Charlton Heston), a Jewish prince who is betrayed and forced into slavery. His winding journey of vengeance and redemption lands him front and center with the most significant event in human history.Join us for a spoilerific look at Charlton, chariots, and the changing nature of blockbusters. We also make a case for this being a perfect film, and take your questions, comments, and SuperChats!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Ben-Hur (1959) trailer.Pick up the new Ben-Hur 4K UHD from Warner Bros.As mentioned in the show, Warner Bros also released a new 4K of All the President's Men! Check the disc out here.And listen to Ian and Don Shanahan's "Reelpolitik" review of the film from few years ago.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

Billy Joel's "We Didn't Start the Fire" mentions "Ben-Hur" for a reason—it was the cinematic event of 1959. In this episode of History Ignited, we explore the massive scale of William Wyler's production, the legendary chariot race that took months to film, and how it became the first movie in history to sweep 11 Academy Awards. Join us as we discuss why this tale of betrayal and redemption resonated so deeply with audiences and why it remains a pillar of Hollywood's Golden Age. Send a text

Sa carrière d'acteur est peut-être la plus belle qu'ait connu Hollywood ; mais qui fut, derrière Ben-Hur, Charlton Heston ?Entrez dans l'univers fascinant de Charlton Heston, l'un des acteurs les plus emblématiques d'Hollywood !

Tim Shearcroft,  CEO and Co-Founder of BP Silver Corp. (TSXV: BPAG), joins me for a review of the results from the first two drill holes of its initial eleven-hole Phase I drill program at the Cosuño Silver Project, located in the prolific Bolivian silver belt. Additionally, the Company is working on finalizing the title at their Titiri Project, located in a major under-explored silver belt with Tier 1 discovery potential.   The Phase I drill program tested four initial targets in the southern portion of Cosuño, selected as initial targets because they were outcropping, in an area that is covered by surficial overburden.  Drill Holes CO-0001 and CO-0002 were drilled in the Jalsuri target, a northwest-southeast trending ridge formed by a prominent mineralized structure.  These results validated that the lithocap at Cosuño is mineralized with precious metals and base metals.   CO-0001 intercepted 62 meters of 56.96 silver equivalent (AgEq), including 29 meters of 80 AgEq, and 4 meters of 150 AgEq CO-0002 intercepted 33 meters of 62.86 silver equivalent (AgEq), including 3 meters of 124.95 AgEq   The remaining 9 holes from Phase I will have more holes returned from the Jalsuri, Benhur, Pocalleta, and Pocañita Chica target areas.   We also discussed the potential for future drilling at the other portion of Jalsuri, and the Pocañita Grande targets.   We discuss the prospectivity of Bolivia for mineral exploration and exploitation, the handful of companies that have made solid advancements on their projects in country, and how the political administration has recently changed to become more amenable to foreign business investment and mineral extraction.   Additionally, their team is working with the government to finalize obtaining the title to begin exploration on their Titiri Project.   Titiri was staked over a large land concession containing outcropping mineralization historically explored by ASARCO.  This Project contains a 2.5km-long silver-lead-zinc zone, with excellent historical trench results, that was never drilled. Titiri is a very High Priority structural setting at the intersection of several major crustal-scale faults, along which multiple deposits occur.  There is a MOU in place with local communities, and they'd like to get on the ground for exploration in mid-2026.     If you have any questions for Tim regarding BP Silver, then please email those into me at Shad@kereport.com.   Click here to follow the latest news from BP Silver Corp     For more market commentary & interview summaries, subscribe to our Substacks:   The KE Report: https://kereport.substack.com/ Shad's resource market commentary: https://excelsiorprosperity.substack.com/     Investment disclaimer: This content is for informational and educational purposes only and does not constitute investment advice, an offer, or a solicitation to buy or sell any security. Investing in equities and commodities involves risk, including the possible loss of principal. Do your own research and consult a licensed financial advisor before making any investment decisions. Guests and hosts may own shares in companies mentioned.

Fritz Lang's Metropolis In 1927 Cinema was still in its relative infancy. Nearly eleven years earlier D.W. Griffith had established the "grammar of cinema" with his epic masterpiece, The Birth of a Nation. The subsequent decade would showcase spectacles (Ben-Hur, Intolerance), comedies (The Gold Rush, The General), and dramatic classics (Sunrise: A Song of Two Humans, The Last Laugh). Cinematic Science Fiction would be attempted as early as 1902 with Melie's A Voyage to the Moon, however it would take nearly a quarter of a century for Sci-Fi to reveal its technical brilliance and possibilities with 1927s Fritz Lang masterpiece Metropolis. While an incredibly innovative, beautiful, and groundbreaking film, Lang's narrative (from a treatment and screenplay by his wife and artistic partner, Thea von Harbou), continues - or is the beginning - of the lazy and apologetic "White Savior" cinematic trope that has continued from Lawrence of Arabia thru Dances with Wolves, and most recently, Avatar and Dune. This week Mr. Chavez & I go back to the argument that we have made before and will continue to make regarding this insulting and problemtic cinematic trope. Each generation seems to want to tell its own version of this story without recognizing the inherent hypocrisy of a society and culture victimized by the elite while simultaneously needing to be saved by a blonde-haired, blue-eyed messiah (in this case a billionaire suddenly aware of his "mediator destiny" and responsibility to his "brothers"). Yes, we recognize the technical and production brilliance of this film, while at the same time being unable to ignore (or excuse) the obvious and insulting simplicity of its narrative. It is possible to simultaneoulsy admire and take issue with a work of art. Take a listen and ask yourself if you agree. Let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Christmas either came a little late or very early this year.

In this episode we discuss and learn some new things about the birth of Jesus; the shepherd's experience; the visit of the magi; and....Ben Hur?!?

The boys are back with a pre-Christmas couple of hours and talk about the validity of Gremlins as. Christmas film, Jesus popping up a few times in Ben Hur, green screen spoiling modern films and Bridgette Macron being a man. The lads talk about Neil Armstrong fake moon rock, the World Cup ticket fiasco, the pilot who survived Black Hawk Down, the incredible P Diddy documentary series and  horror of the 78th floor of the twin towers on 9/11 plus much much more….@ambitioniscritcal1997 on Instagram @TheAiCPodcast on Twitter

This week Harrison will review "Ben-Hur (1959)"#benhur #charltonheston #williamwyler #reelyoldmoviesJoin this channel to get access to perks:https://www.youtube.com/channel/UCi-kQg1mJOVRRy6J53p4rbQ/joinSocial Media Links: https://linktr.ee/reelyoldmovies

BEN-HUR An aristocratic Jew living in Judaea incurs the wrath of a childhood friend, now a Roman tribune. Forced into slavery on a galley and made to witness the brutal persecution of his family, he survives, silently nurturing a relentless dream of vengeance. Craig, Elisabeth and guest Derek McCaw talk about historical fiction, intermissions, inner fat kids and the movie “Ben Hur” on this week's Matinee Heroes! Show Notes 1:04 Craig, Elisabeth and Derek McCaw talk about their inner and outer fat kids. 10:04 Craig, Elisabeth and Derek discuss "Ben-Hur" 47:30 Recasting 1:10:09 Double Feature 1:13:09 Final Thoughts 1:20:09 A preview of next week's episode "The Deer Hunter" Our next no-ender is the post-Vietnam drama "The Deer Hunter"

TITANIC A young aristocratic woman named Rose, suffocating in a rigid engagement, falls for free-spirited third-class passenger Jack Dawson aboard the unsinkable ocean liner - Titanic. Their secret romance defies class and her possessive fiancé as the ship sails toward disaster. When it hits an iceberg, their struggle to survive reveals love, sacrifice, and the brutal divide between those rescued and those left behind. Craig, Elisabeth and guest Ryley Brown talk about touchstone cinema, historical fiction, PCP chowder and the movie “Titanic” on this week's Matinee Heroes. Show Notes 1:20 Craig, Elisabeth and Ryley Brown talk about boats. 7:37 Craig, Elisabeth and Ryley discuss "Titanic" 1:08:03 Recasting 1:44:36 Double Feature 1:47:42 Final Thoughts 1:56:31 A preview of next week's episode "Ben-Hur" Our next no-ender is the biblical fiction "Ben-Hur"

Dana and Tom with 5x Club Member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Rebel Without a Cause (1955) celebrating its 70th anniversary: directed by Nicholas Ray, written by Stewart Stern and Irving Shulman, cinematography by Ernest Haller, music by Leonard Rosenman, starring James Dean, Natalie Wood, Sal Mineo, and Jim Backus.Plot Summary: Rebel Without a Cause explores teenage rebellion and emotional confusion in 1950s America. The movie stars James Dean as Jim Stark, a troubled teenager who struggles to fit in after moving to a new town. His parents, played by Jim Backus and Ann Doran, constantly argue, leaving Jim feeling misunderstood and angry.At his new high school, Jim quickly gets into trouble with a local gang led by Buzz Gunderson (played by Corey Allen). When a “chickie run” ends in tragedy with Buzz's death, Jim quickly becomes the enemy of the gang. Afterward, Jim finds himself drawn to Judy (Natalie Wood), Buzz's girlfriend, who also feels neglected by her parents. The two bond over their shared loneliness and confusion about adulthood. They are joined by Plato (Sal Mineo), a shy and troubled boy who looks up to Jim as a father figure.The three teens briefly imagine forming their own “family,” away from the chaos of their parents' lives. But when the police close in on them, tragedy strikes again, showing how fragile and misunderstood young people can be when they have nowhere to turn.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940), La Dolce Vita (1960), The Social Network (2010) Revisit, Pather Panchali (1955), Se7en (1995),

Dana and Tom with 5x Club member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Spartacus (1960) for its 65th Anniversary: directed by Stanley Kubrick, written by Dalton Trumbo, Cinematography by Russell Metty, Music by Alex North, starring Kirk Douglas, Jean Simmons, Tony Curtis, Laurence Olivier, Charles Laughton, and Peter Ustinov.Plot Summary: Spartacus tells the story of a slave in ancient Rome who refuses to accept a life of cruelty and injustice. Born into slavery, Spartacus is forced to fight as a gladiator for the entertainment of wealthy Romans. However, his strength, courage, and sense of dignity inspire other slaves to follow him when he leads a massive revolt, freeing thousands of men, women, and children. Spartacus dreams of escaping Rome's control and living freely. However, the Roman army is powerful and relentless. Despite many victories, Spartacus and his followers cannot escape Rome's reach. In the end, Spartacus is captured and crucified, but his spirit of resistance lives on. The film shows how his fight for freedom challenged the might of an empire and became a symbol of courage against oppression.Chapters:00:00 Introduction, Cast, and Background for Sparatacus03:24 Relationship(s) to Spartacus09:00 Kirk Douglas' Crowning Achievement?15:59 Plot Summary for Spartacus17:04 What is Spartacus About?21:54 Where is Spartacus in the Kubrick Rankings?26:16 Did You Know?31:39 First Break32:28 What's Happening with Peterson?38:19 The Cinema Legacy Poll - #79-7150:50 Best Performance(s)01:05:45 Best Scene(s)01:14:59 Second Break01:15:45 Best/Funniest Lines01:18:07 The Stanley Rubric - Legacy01:25:43 The Stanley Rubric - Impact/Significance01:32:12 The Stanley Rubric - Novelty01:37:53 The Stanley Rubric - Classicness01:42:10 The Stanley Rubric - Rewatchability01:45:11 The Stanley Rubric - Audience Score and Final Total01:47:20 Remaining Questions for Spartacus01:52:21 Thank You Peterson and Final Thoughts02:01:53 CreditsGuest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940),

Dana and Tom with 5x Club Member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss the crime noir thriller, Se7en (1995) for its 30th anniversary: directed by David Fincher, written by Andrew Kevin Walker, cinematography by Darius Khondji, music by Howard Shore, starring Morgan Freeman, Brad Pitt, Gwyneth Paltrow, R. Lee Ermey, John C. McGinley, and Kevin Spacey.Plot Summary: Se7en, directed by David Fincher, is a dark crime thriller about two detectives trying to stop a serial killer. Detective Somerset (Morgan Freeman), an older cop close to retirement, is partnered with Detective Mills (Brad Pitt), a younger officer new to the city. They begin investigating a series of murders where each crime represents one of the seven deadly sins: gluttony, greed, sloth, lust, pride, envy, and wrath.The killer, John Doe, carefully plans each murder as a twisted lesson about human corruption. Somerset and Mills struggle to keep up as the crimes grow more shocking and disturbing. The case takes a personal turn when Doe finally surrenders, leading the detectives to a final trap that tests their morals.The movie explores themes of justice, morality, and the darkness of human nature. Its bleak atmosphere and shocking ending leave a lasting impact, making Seven one of the most powerful crime films of the 1990s.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940), La Dolce Vita (1960), The Social Network (2010) Revisit, Pather Panchali (1955)Chapters:00:00 Introduction, Cast and Background for Se7en04:57 Welcome Back Peterson09:11 The Impact of Se7en on the Crime and Horror Genres17:09 Relationship(s) with Se7en21:52 Plot Summary for Se7en23:10 What is Se7en About?29:41 All-Time Film Twist...

durée : 00:52:29 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Film à grand spectacle, démesuré et impressionnant, "Ben-Hur" est le péplum par excellence dans l'imaginaire collectif. Immense succès populaire en même temps qu'un témoignage de l'âge d'or d'Hollywood, "Ben-Hur" est-il un film sur la Rome antique ou le reflet de l'époque qui le produit ? - réalisation : Louise André - invités : Laury-Nuria André Docteure en littérature ancienne, directrice artistique et experte historique à l'Arcreoz de Toulouse; Jean-Paul Thuillier Étruscologue et historien, professeur émérite de l'École normale supérieure

This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more!    The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen.   The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.   Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.   — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment.   As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com.   Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography.   Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com.     CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

I told you I'd make Dustin watch this - and boy did it pay off! I know it's probably a bad podcasting idea to cover a movie no one saw and that the director pulled from all distribution channels... HOWEVER I just saw you can stream MEGALOPOLIS on Apple TV+ right now! So get a free trial and check it out because you will want at least some context for this episode. We dig into all the characters played by spectacular actors and how badly wasted Dustin Hoffman was. We try to explain the fable and allegory as best it makes sense. And we struggle to fathom how a movie about America has zero grasp of what it is or was (or really Rome, for that matter). There are interesting things that worked, and more that should work on paper, so it's complicated and definitely an interesting discussion. Lots to dig into, and we want to hear your takes as well. Leave a voicemail or shoot us a text:⁠⁠⁠⁠ +1(724)4-BONERZ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Before that, we need to spin for another random movie because we can't find one of the 10 picked last episode. Then Dustin gives spoiler-free first impressions of The Naked Gun (2025), The Thursday Murder Club, and revisiting Ben Hur. Jake shares thoughts after seeing Together, Primitive War, and Unknown Number: The High School Catfish.----Special thank you to Alan Hlavacek and Travis Mason from ⁠⁠Attack on Venus⁠⁠ for the sick theme music! Check them out here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠- ⁠⁠⁠⁠⁠⁠⁠https://attackonvenus.bandcamp.com⁠⁠⁠⁠⁠Spotify⁠⁠ - ⁠⁠⁠⁠⁠⁠https://open.spotify.com/artist/34bZPk9DrWCURfBNmkRiKt?si=T25gxlo_QzChS-ZSoEwoJA⁠Apple Music⁠ - ⁠https://music.apple.com/us/artist/attack-on-venus/974094891⁠⁠⁠⁠⁠⁠⁠----⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with us and share your thoughts:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/moviebonerz/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@moviebonerz⁠⁠⁠⁠⁠Facebook:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/moviebonerz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@moviebonerz⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sa carrière d'acteur est peut-être la plus belle qu'ait connu Hollywood ; mais qui fut, derrière Ben-Hur, Charlton Heston ? Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dana and Tom with 5x Club Member, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast), discuss the Indian cinema classic, Pather Panchali (1955) celebrating its 70th anniversary: written and directed by Satyajit Ray, cinematography by Subrata Mitra, music by Ravi Shankar, starring Kanu Banerjee, Karuna Banerjee, Subir Banerjee, Runki Banerjee, Uma Dasgupta, and Chunibala Devi.Plot Summary: Pather Panchali (meaning Song of the Little Road) is a 1955 film by Satyajit Ray. It tells the story of Apu, a young boy in a poor village in Bengal. His father, Harihar, is a priest who dreams of a better life, while his mother, Sarbajaya, struggles to care for the family. Apu is very close to his older sister, Durga, who finds happiness in small things even though they are very poor.The film shows daily village life—both its beauty and hardships—through the children's eyes. As the family faces loss and change, Apu begins a journey that reflects the joys and sorrows of growing up.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940), La Dolce Vita (1960), The Social Network (2010) RevisitChapters:00:00 Introduction and Welcome Back Peterson05:04 First Impressions for Dana and Tom11:30 Peterson's Relationship to Pather Panchali14:21 Background for Pather Panchali16:33 What is Pather Panchali About?20:32 Does Pather Panchali Deserve to Be Mentioned Among the Greatest Films?32:11 Plot Summary for Pather Panchali33:55 Did You Know?36:18 First Break36:59 What's Happening with Peterson W. Hill?37:43 Best Performance(s)52:15 Best Scene(s)01:02:36 Second Break01:03:17 In Memoriam01:11:16 Best/Funniest Lines01:12:52 The Stanley Rubric - Legacy01:18:35 The Stanley Rubric - Impact/Significance01:24:14 The Stanley Rubric - Novelty01:30:45 The Stanley Rubric -...

James Cosmo is an iconic Scottish actor who has starred in over 130 Hollywood movies as well as global classic TV productions. His films include Braveheart, Trainspotting, Troy, The Chronicles of Narnia, Ben Hur and The Last King of Scotland. On television, he's known to millions as Jeor Mormont in Game of Thrones, and has appeared in hit series like Sons of Anarchy, His Dark Materials and Jack Ryan. He appeared as a contestant on the nineteenth series of Celebrity Big Brother in 2017, finishing in fourth place. His latest project is staring in the new series of the ITV drama Karen Pirie, available now on ITVX .James Cosmo is our guest in episode 510 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Watch the new series of Karen Pirie on ITVX here - https://www.itv.com/watch/karen-pirie/10a0641Follow James Cosmo on Twitter/X: @MrJamesCosmo . Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

This is a free sample from our conversation on William Wyler's Ben-Hur (1959), the epic that helped shape George Lucas's cinematic imagination and paved the way for Star Wars: The Phantom Menace. We talk about Ben-Hur's blend of myth, spectacle, and spirituality, how its structure mirrors the Skywalker saga, and why Judah Ben-Hur walks so Anakin Skywalker can...get his legs cut off. For the full episode, including our complete deep dive on Ben-Hur and how it spiritually (and structurally) leads into The Phantom Menace, head to our Patreon in the link below.The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Jurandir Filho, Thiago Siqueira, Fernanda Schmölz e Gnu batem um papo sobre algumas cenas e franquias que mudaram o cinema de ação. Esse tipo de filme sempre teve um papel fundamental na indústria cinematográfica. Desde os primeiros filmes de aventura com perseguições em carroças e duelos de espadas, até os blockbusters modernos recheados de efeitos especiais e acrobacias insanas, o gênero sempre cativou o público por sua adrenalina, ritmo acelerado e personagens carismáticos. Mais do que entretenimento puro, o cinema de ação tem sido palco de inovações técnicas, mudanças narrativas e marcos culturais que redefiniram o que o público espera ver na tela grande.Ao longo das décadas, algumas cenas de ação se tornaram não apenas memoráveis, mas também transformadoras para a linguagem do cinema. Elas elevaram o padrão da indústria e influenciaram toda uma geração de cineastas. Falamos sobre filmes como "Ben-Hur", "Operação França", "Rambo", "Missão Impossível", "O Exterminador do Futuro", "Matrix", "Mad Max", "Indiana Jones", "Velozes e Furiosos", "John Wick" e muito mais.|| ASSINE O SALA VIP DO RAPADURACAST- Um podcast EXCLUSIVO do RapaduraCast toda semana! http://patreon.com/rapaduracast

Patrick tackles big questions about faith and family, from whether full immersion is necessary in baptism, to how to address sensitive family matters during Holy Week. He offers guidance on supporting children in their faith, coping with grief after loss, and meaningful ways to celebrate Easter while honoring the spirit of the Triduum. Sean – Does one need to be fully immersed during Baptism for it to count? (01:43) Diane - How can we tell my daughter that we don't want her boyfriend coming for Easter? (08:57) Rita - Why were there sacrifices in the Old Testament? Where do the litanies come from? (14:12) Daniel (email) – What do you think of the old Ben-Hur film? (17:50) *Alison - What are some things that people with young children can do during Triduum? (19:10) Joseph - Are exorcists taught not to tell clients what goes on during a session? (26:12) Kathleen - Why was Moses not made a Saint? (28:14) Rosemary – My 2-year-old grandson passed away in his sleep. How can I help my daughter deal with her anger towards God? How can I comfort her? (32:00) Amy – Is it appropriate to go out to eat before the Easter Vigil. (38:35) Email - Where can I purchase Patrick Madrid books? (41:08) Donna - Easter and Resurrection: how do we explain to young children that suicide is not a way to get to Jesus? (42:33)