Podcasts about malick

Au Sénégal, derniers jours pour l'achat du mouton avant la fête de la Tabaski qui sera célébrée samedi 7 juin par la majorité des musulmans du pays. Les vendeurs sont positionnés en bord de route et sur les ronds-points de la capitale en espérant écouler leur cheptel. Les vendeurs optent eux pour différentes stratégies, entre ceux qui s'y sont pris bien à l'avance et ceux qui attendent la dernière minute.  De notre correspondante à Dakar,En passant devant les moutons, Abdoulaye Diatta jette un regard rapide. Lui a déjà acheté sa bête, il y a longtemps. « Je l'ai acheté plus d'un mois déjà. Il faut s'y prendre bien avant. C'est ça l'astuce. Parce que c'est moins cher et on a le temps de bien regarder ce que l'on fait », explique-t-il.Si certains de ses compatriotes cherchent le plus gros mouton ou des races prestigieuses comme le ladoum, Abdoulaye a des critères plus simples. « Ce n'est pas l'envergure qui compte, mais ce sont les principes de l'islam. C'est-à-dire qu'il doit correspondre à ce qu'il faut comme mouton pour la Tabaski. Qu'il soit en bonne santé, qu'il ne soit pas trop âgé, qu'il ait les cornes et tout. En fait, que ce soit le mouton parfait », détaille-t-il.Installés depuis plusieurs semaines déjà en bord de route, les vendeurs comme Abdouleye Diène prennent leur mal en patience. Il a une cinquantaine de moutons. « Je les ai élevés chez moi à Yoff. Il y en a d'autres que j'ai achetés pendant le ramadan et que j'ai entretenus durant trois mois pour les revendre pour la fête. Il y a aussi des moutons que j'ai achetés à l'intérieur du pays pour les revendre ici », énumère-t-il.Dans l'enclos d'à côté, Malick n'a pour l'instant vendu aucun de ses 17 moutons. « Les gens n'ont plus d'argent », estime-t-il. Beaucoup d'acheteurs attendent aussi la dernière minute pour acheter leur bête. Ousseynou fait du lèche-vitrine avec son frère, allant de vendeur en vendeur, avec une stratégie déjà bien rodée. « Je suis venu pour observer un petit peu, voir la tendance au niveau des prix. Après, c'est un premier prix. Cela ne veut absolument rien dire. Cela peut baisser parce que le marchandage, c'est dans nos gènes, c'est dans notre culture », raconte-t-il.Ousseynou regarde les moutons avec une fourchette de prix en tête, entre 200 et 225 000 francs CFA, mais il n'est pas pressé. « Je vais attendre la veille. Car je n'ai pas beaucoup d'espace à la maison. Et il me faudrait deux moutons. Cela ne sert à rien de se précipiter », se ravise-t-il. La nuit, la police assure des patrouilles et les vendeurs dormiront auprès de leurs bêtes jusqu'à samedi pour éviter les vols. Au Sénégal, chaque année, plus de 800 000 moutons sont nécessaires pour la Tabaski.À lire aussiEn Afrique, d'où viennent les moutons sacrifiés de la Tabaski?

Before recently, we knew John Bleasdale best as one of our favorite podcasters - he hosts, among others, “Writers on Film,” a spotlight on film books, on which Jason has guested twice. Now John has written a book of his own, “The Magic Hours: The Films and Hidden Life of Terrence Malick,” and joins us to discuss one of Malick's best, “Days of Heaven.”Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Terrence Malick's debut film is a story of America, of wanton violence driving across the great plains. Badlands (1973) isn't just Manifest Destiny marching over the continent; the film's from 1973, it's Vietnam, it's a murderous young man saying "Not that I deserve a medal." Malick hits the ground running with the spiritual lyricism he's known for, and kudos to the Criterion Collection for showing us our new favorite Malick right after showing us our new favorite Bresson.

Gruppe 1: Edona, Alea, Mustafa, Malick, Yaroslav

00:00 Introduction 12:44 Form 1:04:15 Themes 1:28:17 Moral problems 1:52:00 Favorite sequences After the artistic triumph of his magnum opus The Tree of Life, Terrence Malick had an unwontedly prolific period, releasing To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017). In these films, known informally as the "Weightless Trilogy", Malick took his previous formal experimentation even further, relying heavily on improvisation stitched together with a stream-of-consciousness editing style evoking the fragments of memory. The results are undeniably aesthetically exciting, but also critically divisive, as many viewers find the latter two films particularly to lack narrative substance. The films have been of special interest to many Christians because of their explicit allusions to faith and their depiction of the emptiness of worldly pleasures as the characters search for something more. To the Wonder in particular is noteworthy for its priest character played by Javier Bardem, and because it deals with the issue of contraception and how being closed off to children destroys a relationship (the importance of children being a theme in all three films). Across the trilogy, Malick deals with the topic of sexuality in a way seen nowhere else in modern Hollywood, consistently showing the breakdown of sexuality in excess, deviance, and using others as destructive and even sinful. In that and in other respects, the films are profoundly countercultural. However, this is dangerous material to handle in any medium, cinema above all. Malick is not always successful in threading the needle with moral purity in execution, however praiseworthy his thematic intentions. This makes it impossible to recommend these films for a wide viewership, or to anyone without caveats. Nonetheless, a discussion of these films, with all their strengths and weaknesses, is essential in considering the direction of religious cinema today - and in this episode Thomas Mirus, James Majewski, and Nathan Douglas do just that.  Note: YouTube has censored versions (TV-14, blurred nudity and bleeped profanity) of Knight of Cups and Song to Song, for free with ads. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

Iscriviti al mio secondo canale https://www.youtube.com/channel/UCsUeICZ0Gfaz5RmMtVcFpKgIl mio Instagram https://www.instagram.com/lorenzo_lollomusic/Il mio TikTok https://www.tiktok.com/@lorenzololloofficialCanale Twitch : https://www.twitch.tv/lorenzololloofficial/Subreddit Ufficiale : https://youtu.be/XPSkediz-as?si=0B5l-0BV8WcBXEFfCanale Discord ufficiale https://discord.gg/z3KwAkcmQtCanale Telegram: https://t.me/lorenzololloofficialAbbonati a questo canale per accedere ai vantaggi:https://www.youtube.com/channel/UCYwM10PzkQHwkhr5CZ_uVzA/join

Pour ceux qui souhaitent rejoindre la #TribuESOA c'est par ici : https://bit.ly/ESOATribeVoici ce que vous obtenez en rejoignant la tribu ESOA :✅ Echangez quotidiennement avec Kahi, Moulaye pour co-construire le podcast mais aussi sur vos difficultés, interrogations et l'actualité en toute simplicité !✅ Accès d'un an à la communauté privée ESOA (La tribe): un réseau exclusif de 200 membres dans 15 pays entrepreneurs et professionnels africains partout dans le monde pour développer votre réseau, échanger, et vous entraider.✅ Accès à tous nos Masterminds, Book Clubs, Meetups, et événements ESOA exclusifs et à tarifs réduits: participez à des sessions interactives avec Kahi, Moulaye, et des experts invités pour enrichir vos connaissances et votre réseau.✅ Le Template du Life Plan de Moulaye et Kahi: des outils concrets pour clarifier vos objectifs professionnels et personnels, adaptés à tous les profils.✅ Le Replay unique du Mastermind du 18 Décembre “Construire son plan de vie”Un contenu exclusif pour vous guider dans la création de votre plan de vie et de carrière.---------Le Podcast "#Entrepreneur State Of Africa" dit tout haut ce que les #entrepreneurs pensent tout bas, avec Kahi Lumumba (Co-Founder & CEO Totem Experience, Adicomdays) et Moulaye Tabouré (Co-Founder & CEO de ANKA (ex-Afrikrea) ). xx-----Ce podcast est produit par Totem Factory by Totem Experience que vous pouvez joindre pour tous vos besoins de production

Ravi Malick is the Global CIO at Box, where he leads IT strategy, compliance, and customer advocacy for the enterprise content management platform. Before joining Box, he served as SVP & CIO at Vistra Corp., where he oversaw the integration of three major acquisitions that more than doubled the company's size. Earlier in his career, he held leadership roles at Energy Future Holdings, including VP of Business Technology at TXU Energy. Ravi earned a BA in Political Science from Brown University and remains active in philanthropic efforts outside of work.In this conversation, we discuss:Ravi Malick's nonlinear path from investment banking and consulting to becoming Global CIO at Box—and how each chapter shaped his leadership style.What makes Box's “people-first” culture stand out in Silicon Valley and why Ravi believes authenticity and inclusion are key to long-term success.The challenges of leading IT at a company with 3,000 tech-savvy employees—and how Ravi balances innovation with governance.How he's approaching AI adoption internally, from quick wins to long-term strategy, while keeping a sharp focus on business outcomes.What the “agentic workforce” could mean for scalability, productivity, and the structure of tomorrow's teams.How Ravi sees the future of work: multi-role careers, voice-first workflows, and AI-powered teams built around passion and outcomes.Resources:Subscribe to the AI & The Future of Work Newsletter: https://aiandwork.beehiiv.com/subscribe Connect with Ravi on LinkedIn: https://www.linkedin.com/in/ravimalick/ AI fun fact article: https://www.engineering.com/rip-saas-long-live-ai-as-a-service/ On how AI supports thousands of employees at a rapidly growing global company: https://podcasts.apple.com/us/podcast/parul-saini-ubers-global-head-of-enterprise-apps/id1476885647?i=1000599377300 

With the whispers and rumors that Terrence Malick's Jesus film The Way of the Wind maybe possibly perhaps who knows could finally premiere this year after filming in 2019, we thought it was time to discuss his work. One year after The Tree of Life earned Oscar nominations and the Palme d'Or, Malick had perhaps … Continue reading "337 – To the Wonder"

Avec Alfred Rabany et Malick

Another round of retro reviews begins with Joe's pick, Truck Turner: a 1974 Blaxploitation crime film starring Isaac Hayes as a badass bounty hunter. Jared recommends a new baseball indie, Joe champions a Netflix miniseries, and Michael finds a Malick movie he loves.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Tipeee : https://fr.tipeee.com/tatami-connexion/Import Fight : https://import-fight.com/?srsltid=AfmBOop-t8pNek1i-Ep_uU-TeNVexjJx1czPfVIr8H-iYiC-s5XN1uhfCode : TATAMI10Bienvenue dans le format : t'es super ! On t'adore !L'idée est de découvrir avec vous des gens intéressants du monde du MMA, du JJB ou encore de pleins d'autres domaines ! Comme toujours, l'humour et la décontraction est de rigueur. Aujourd'hui, on vous fait découvrir Malick Sylla, coach, journaliste, entrepreneur, que ce soit à la Fighting Beat , son club, ou sur Canal +, Malick mais tout son savoir et son expérience au service du MMA. On va retracer son parcours de ses débuts à nos jours ! Bonne écoute !! Votre podcast préféré après les autres !

Transfer Market Metrics podcast with Dave Davis & Dr Phil Barter crunching the numbers on Malick Fofana 's potential Summer moves to Liverpool. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the latest LGM podcast Erik and I had the extraordinary opportunity to interview John Bleasdale, author of The Magic Hours: The Films and Hidden Life of Terence Malick from the University Press of Kentucky. I heartily recommend the book, which for the most part takes a film-by-film approach to Malick's career. We weren't able […] The post LGM Podcast: The Magic Hours appeared first on Lawyers, Guns & Money.

On the latest LGM podcast Erik and I had the extraordinary opportunity to interview John Bleasdale, author of The Magic Hours: The Films and Hidden Life of Terence Malick from the University Press of Kentucky. I heartily recommend the book, which for the most part takes a film-by-film approach to Malick’s career. We weren’t able […] The post LGM Podcast: The Magic Hours appeared first on Lawyers, Guns & Money.

"Quand je parle de Malick [Sidibé], j'ai le sentiment qu'il est vivant", me confie Zakaria Sidibé au sujet de son père. Malick Sidibé était justement à l'honneur de l'exposition "TATI 50x50 : Studio Photo Seydou Keita & Malick Sidibé", commémorant la collaboration des deux photographes maliens avec TATI. J'y ai rencontré son fils, Zakaria, qui a aussi été son assistant. Il m'a raconté en détails la vie et le parcours de son père, légende de la photographie contemporaine africaine et mondiale.Une discussion passionnante ! Merci @unionjeunesseinternationale

Writer, bookseller, and Malick fanatic, Matt Zoller Seitz joins me to talk A Hidden Life. Visit Matt's online shop here. The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

The Movie Vault concludes Terrence Malick's arc with his penultimate film, "The Tree of Life." Zach and Ben discuss the important themes and messages that Malick made throughout the movie. A great end to a great series!Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

Moody Movies: Presence (2024), Woman of the Hour (2024), The Wild Robot (2024), Pulse (2001), Days of Heaven (1978)Welcome back to Moody Movie Club! In this episode, they love the craft while hating the story, respect an icky story that has something to say, watch a big bongo boy birthday pick, feel terror on a primal level, and witness a truly Albertan Texas in their first Malick flick. Follow along onInstagram: @moodymovie.clubLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Inching ever closer to the monumental episode #700, Mikey, d$, and #XLessDrEarl are here to discuss not just life in the movies... but AFTERLIFE in the movies.  The coolest, scariest, most unique, or best (subjective) portrayals of the Heavenly Realm... or the Hot Basement... and maybe even some purgatory in between. First, the Angelic Trio checks out the box office in 2024, with a round of Box Office Mojo - figuring out what films made the most money... domestically of course (because we aren't communists), and in the calendar year.   Then, a list of films featuring the Big Guy Upstairs, Ol' No Shoulders down below, a few angels, a few demons and more.  From Bill and Ted to Swayze to Albert Brooks to some Pixar Dr. Earl has never seen, it's a fun list. A blessed list, we hope. Thoughts and prayers.  Has to be blessed with Malick, right?  Right?  Finally, a quick look at the new film "Companion", and both d$ and Mikey's recommendations.

LOOKALIKE is a psychological thriller audio drama podcast that follows the character "Malick", a 20-something man who works a tedious 9-5 job. After having financial issues he decides to rent out the spare room in his apartment, only to be met with an uncanny doppelganger of himself. This doppelganger, known as Steven, turns Malick's world upside down. The two begin to bond as they traverse Malick's odd life together. Link: https://creators.spotify.com/pod/show/darkpassengerlookalike/ RSS Feed: https://anchor.fm/s/100111a24/podcast/rss

Robert Sinnerbrink is an Australian academic, a philosopher and writer of numerous books, including Cinematic Ethics: Exploring Ethical Experience through Film and New Philosophies of Film: Thinking Images. The Magic Hours: The Films and Hidden Life of Terrence Malick is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

"In this world, a man, himself, is nothing. And there ain't no world, but this one." In the latest episode of AT THE MOVIES IN THE 90s, your hosts A. J. Black and Mark McManus are joined by Terrence Malick scholar and film critic John Bleasdale to discuss Malick's only 90s film, his cinematic return after a 20 year absence, WW2 philosophical epic The Thin Red Line... Host / Editor A. J. Black Co-Host Mark McManus Guest John Bleasdale Find A. J. on Linktr.ee: https://linktr.ee/ajblackwriter Find the podcast on Linktr.ee: https://linktr.ee/atthemoviesinthe90s Support the Film Stories podcast network on Patreon: https://www.patreon.com/simonbrew Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: www.filmstories.co.uk Title music: 'I Am Changing' by Isaac Elliott (c) epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, host Dr Pasquale Iannone is joined by John Bleasdale. John is a writer and film critic whose work has appeared in Sight & Sound, The Guardian, Variety, The Economist and many other outlets. He's also a prolific podcaster, with series such as Writers on Film, Cinema Italia and The James Bond Book Club.John talks to Pasquale about his latest book The Magic Hours (2024), a fascinating biography of the acclaimed American filmmaker Terrence Malick which was recently described by New Yorker critic Richard Brody as ‘a rapturously detailed, sensitively observed, critically insightful account.' John and Pasquale talk about what makes for a great filmmaker biography and then discuss Malick's background, his brief but eventful stints in academia and journalism and his beginnings as a screenwriter. Also covered are his first two features as director - 1970s American classics Badlands (1973) and Days of Heaven (1978) as well as the much talked about gap of two decades between Days of Heaven and his third feature, The Thin Red Line (1998). Just what was Malick up to during this time? How much truth is there in this image of Malick as the reclusive auteur?The conversation also takes in key aspects of the Malick methodology and film style, including his work with actors, his editing approach and his use of voiceover.The Magic Hours: The Films and Hidden Life of Terrence Malick is out now via the University Press of Kentucky.

Meet Malick Fofana, the electrifying Belgian talent with Guinean and Filipino roots, who is taking European football by storm. Malick Martin Fofana is a Belgian professional footballer who plays as a winger for Ligue 1 club Lyon and the Belgium national team.

Ben O'Shea makes his first feature on the Movie Vault to discuss one of his favorite films, Terrence Malick's "A Hidden Life." The crew discusses Franz Jägerstätter's incredible stand for his faith and the intricacies of Malick's filmmaking style. You won't want to miss this one! Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

A crossover episode as I talk with Martin Woessner the author of Terrence Malick and the Examined Life, one of the best books written on the visionary filmmaker. We talk about the book before settling in to a discussion of Knight of Cups, Malick's seventh film. Martin's book is available here. Learn more about your ad choices. Visit megaphone.fm/adchoices

This interview with Jack Fisk was recorded as part of my research for the book The Magic Hours: The Films and Hidden Life of Terrence Malick. As such it was never meant for broadcast but with Jack's permission I'm presenting this edited version. Jack picks up from part one to talk about his later collaborations with Malick on The Thin Red Line and The New World, as well as his work on the Weightless Trilogy. My book is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Terrence Malick's 6th film premiered at the Venice Film Festival and starred Ben Affleck and Olga Kurylenko as a pair of lovers watching their relationship fall apart. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Terrence Malick's fifth film was a culmination of decades of work: The Tree of Life. It won the Palme d'Or and boasted his most intimate and cosmic vision. Shane Hazen worked on the film, first as an intern before finishing the film as one of the last editors on board. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

Terrence Malick's third film The Thin Red Line (1998) was a stunning return after a hiatus of 20 years. Writer Jeremy Arnold joins me to talk through the film. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

What if you could create the impossible with AI? In this debut episode of Artful Intelligence, Chris McLeod introduces us to Montreal-based filmmaker Malick Lombion, whose groundbreaking technique, Hyperlapse X AI, is redefining video art. Malick combines hyperlapse cinematography with cutting-edge AI tools like DALL-E to compress time, space, and reality into surreal and mesmerizing visuals. Malick pushed AI to its creative limits, proving that human ingenuity and machine learning can work in tandem to unlock new dimensions of art. Reid Hoffman and Chris explore what it takes to innovate at this level: the right partnerships, a willingness to fail publicly, and a commitment to going all in. Discover how Malick's work inspired a new wave of video creators—and what it says about the future of creativity in an AI-driven world. For more info on the podcast and transcripts of all the episodes, visit https://www.possible.fm/podcast/  Time Stamps: Introduction 00:01 – Artful Intelligence introduction. 02:36 – Chris and Reid discuss the central question: Can AI amplify human creativity? 04:08 – A brief history of cinematic breakthroughs, from Georges Méliès to hyperlapse. 08:13 – Malick explains Hyperlapse x AI. Part 1: The Right Humans Are Required 10:01 – Malick discovers DALL-E 2 and its potential for groundbreaking visuals. 10:55 – Malick teams up with Manuel Sainsily to create Hyperlapse x AI. 12:26 – A long and tedious process.  13:35 – Reid Hoffman on the value of diverse collaborators in AI innovation. Part 2: Plan on Failure in a Public Way 18:39 – Malick gets an offer to work with Insta360. 20:45 – Public experimentation on Instagram leads Malick to hyperlapse videos. 23:08 – Trial and error with a 10-foot selfie stick. 26:39 – Reid Hoffman on iterative deployment and learning from failure. Part 3: Once You Know Where You're Going, Go All In 31:26 – Malick begins transforming his 360 footage into a Hyperlapse x AI video. 32:16 – Malick moves from Guadeloupe to Montreal, fully committing to his passion for video creation. 37:09 – Malick completes his breakthrough video. 40:33 – Malick's Hyperlapse x AI video goes viral. Outro 49:19 – Chris reflects on Malick's journey and previews the next episode in the series. Links: Malick Lombion's Instagram: https://www.instagram.com/malick.fr?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Malick's Hyperlapse x AI video with the Insta360 camera https://www.instagram.com/reel/CiPyY1VAv6I/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== An updated version of Malick's and Manuel Sainsily's first Hyperlapse x AI video https://www.instagram.com/reel/ChNyS6iAEA8/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Jack Fisk was Terrence Malick's production designer for almost his entire career. The two first met on Badlands and here Jack talks with me about his first two films with Malick. The second part of the interview will be released soon. The interview has been edited and condensed. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Malick kicks it up a notch with his second film. His trademarked focus on nature begins to take root during this time period. He also continues to use talented young actors such as Richard Gere, Linda Manz, and Sam Shepard. We think this movie is a must watch so tune in for a full review! Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

The Movie Vault is excited to begin an exploration of Terrence Malick's filmography. Malick is one of the most important directors in American cinema history. Before he had the reputation he has today, he was just an ambitious PHD dropout trying to make his way in a comptetive industry. Against some odds he created "Badlands" starring budding stars Martin Sheen and Sissy Spacek. Listen as Zach and Ben dive into this murderous fairy tale! Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

Terrence Malick's second film Days of Heaven (1978) was an immersive and visionary piece of work. Writer and documentary filmmaker Ian Nathan joins me to talk through the film. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

In an ambitious turn, Zach and Ben take on the five most important Terrence Malick films. Malick is an auteur of the highest degree and one of the most important in American cinema history. Don't miss out on this!

Dash Mihok has worked with some of the best: Baz Luhrmann, Wolfgang Petersen, and Terrence Malick just to name a few! And now he's on Geekscape to discuss his brand new film 'Armor', starring Sylvester Stallone and Jason Patric! Along the way we talked directing (of course), what he learned on the set of Malick's 'The Thin Red Line', collaborating with Stallone, and OF COURSE I had to talk Whiteboyz! Enjoy! You can also subscribe to the Geekscape podcast on Spotify: https://spoti.fi/3H27uMH Apple Podcasts: https://apple.co/3BVrnkW Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tree of Life may well be the greatest movie ever made. Heavily inspired by the book of Job and St. Augustine's Confessions (and even including some lines about nature and grace seemingly derived from The Imitation of Christ), director Terrence Malick gives profound spiritual and cosmic scope to the story of an ordinary family in 1950s Texas. The film begins with the death of a son, detours to the creation of the universe, and then flashes back to a richly observed sequence of childhood in all its beauty along with the tragic effects of sin - seen through the memory of a present-day narrator seeking the traces of God in his past. The greatness of The Tree of Life lies in its unmatched poetic power. Unless you've seen another Terrence Malick film, it will be unlike anything you've seen before. Though it has a story, it is less focused on plot development than on an archetypal yet vivid picture of family life and how we gain, lose, and recover our awareness of "love smiling through all things". The film does not follow typical rules of chronological or visual continuity (one could say it is almost entirely montage), but its improvisational freedom and fluidity in acting, cinematography, and editing make for a kinetic and exhilarating viewing experience. The portrayal of childhood is surely the most beautiful ever put on screen. Nathan Douglas joins as guest host in this continuation of our series covering Malick's filmography. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

The New WorldHosts: Clark Coffey & Cullen McFaterThis time we discuss Clark's pick, Terrence Malick's The New World! Clark and Cullen chat about how long it's been since their previous Malick discussion, how this movie asks you to not worry about standard story conventions, and dares you to trust your feelings!The New World TrailerDirector: Terrence MalickStarring: Colin Farrell, Q'orianka Kilcher, Christian BaleSocials:FacebookTwitterInstagram

Terrence Malick's first film Badlands (1973) introduced the world to a new visionary talent. Tom Shone joins me to talk through the film. The biography The Magic Hours is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license.

The concluding episode of our series with Steven DeLay on the films of Terrence Malick. Thomas gives a speculative explanation for why Voyage of Time (2016) was so unwatchably bad. We have an extended discussion about the beautiful depiction of Christian martyrdom in Malick's 2019 film A Hidden Life, which portrays the life of Franz Jägerstätter, a conscientious objector under the Nazi regime. Brett (rejoining the Malick series for the first time since the initial three episodes) gives his opinion on some of the films that Thomas and Steven have analyzed in recent entries. Finally, we talk about our overall impression of Malick's work and career and give our picks for his best and worst films (in terms of both themes and craftsmanship).https://twitter.com/StevenDeLay4https://stevendelay.com/https://sunypress.edu/Books/L/Life-Above-the-Cloudshttps://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinema thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 67 of the Director Watch Podcast, the boys are joined by Dave Giannini, Editor-In-Chief of InSession Film, to discuss the final film in their Terrence Malick series, A Hidden Life (2019). The time has come for the Malick series to come to an end, and it is ending with yet another beautiful look to the past by the director after years of making personal films about the present. In taking a journey back to the past, the director was able to search into a man's personal, religious reasoning for not wanting to go to war for the Nazis. Shot beautifully cinematographer Jörg Widmer, Malick has created another masterpiece of epic, poetic masterpiece, contrary to many who thought it was just another Malick film; this one is just as special as the rest. Ryan, Jay, and Dave break down their relationship with the film, Malick's stance on religion, the film's beautiful score, the excellent performance from August Diehl, give their final thoughts on the series, their final Malick rankings, and announce their next series they will be doing starting next week. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h26m. The guys will be back next week to begin their series on the films of Carl Franklin with a review of his film, One False Move. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Terrence Malick gives us "The New World", a visual epic of the story of America, but in a romance between John Smith and Pocahontas. It's a really good film depicting the settlement of Jamestown in what is know as Virgina at the time. We see how it goes down, how love can be new and destructive to someone and how it navigates they way order and growth goes. I enjoy this film for its simple but poetic plot. We just don't see Native Americans fighting for theirs against the Jamestown people, we see how actions and decision are laid about. We see how emotions unheard of are formed and how it really shapes people into how we know them by. Malick, you can see that he really put himself in this film by the shots we see. We see how things came to be and it goes across to what I'm typing at this moment. And this film came out over 20 years ago. It's still fresh and very consistent to his work.Four out of four tokes.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 66 of the Director Watch Podcast, the boys are joined by hosts of the Screen Drafts podcast Clay Keller and Ryan Marker to discuss the next film in their Terrence Malick series, Song to Song (2017). The final film in Malick's modern, personal trilogy finds the director searching for love, loss, inspiration and faith in the music scene set in Austin, Texas. Filmed over multiple years, and at various music venues and festivals, Malick was able to explain the dirtiness that surrounds being in an artistic industry and how much of your soul you have to give up in order to find success. At the same time, he displays a location of this country that is evolving from it's “weird” roots and becoming more conventional, losing the very thing that makes the fabric of a town like Austin so unique. In one of the liveliest DW episodes the boys have ever had, Ryan, Jay, Clay, and Ryan break down the thoughts on the film, the use of real life musician's as actors throughout the film, Malick's relationship with casting movie stars, their love for the Red Hot Chili Peppers, first reactions to seeing a Malick film, which one of the guys on the show is actually in the film, who got cut from the film, how it is showcases Austin, and what is the best Malick movie to show someone if they have never seen one of his films. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h11m. The guys will be back next week to conclude their series on the films of Terrence Malick with a review of his next film, A Hidden Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 65 of the Director Watch Podcast, the boys are joined by film critic Jesse Nussman to discuss the next film in their Terrence Malick series, Knight of Cups (2015). The second entry in Malick's modern, personal trilogy finds the director exploring fame, love, family, faith, and one's purpose in the city of angles with Knight of Cups. Centered around the idea of chapters in a person's life, he uses tarot cards and their meanings to reflect on his own life, using Christian Bale as a surrogate to funnel the pain, love, and loss of his life. The result is a beautiful odyssey through the chaos and confusion of life that has been fully lived in, and doesn't know where to go next upon reflection of the past. Ryan, Jay, and Jesse break down the film, explore Bale's filmography, discuss the meaning behind each tarot card talked about in the film, examine Malick's thoughts on LA and Las Vegas as his version of hell, the use of comedians throughout the film, and a special surprise at the end of the episode that you aren't going to want to miss. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h59m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Song to Song. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “Malick Mode” by Jesse Nussman (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 64 of the Director Watch Podcast, the boys are joined by Managing Editor of RogerEbert.com Brian Tallerico to discuss the next film in their Terrence Malick series, To the Wonder (2012). A year after his most celebrated film was released, Malick returned with something new, experimental for even his own standards. The director had looked to turn away from even more traditional storytelling, filming hours on end, searching for the meaning of his film in the edit as he made his first contemporary setting about a couple's troubled marriage. Mirroring a lot of his own personal life, Malick examines his role in his past marriage and in turn, makes one of his saddest, brutally open films of his filmography. Ryan, Jay, and Brian breakdown their feelings on the film, why it might be considered Malick's least successful work, the weight of expectations a movie can have on its shoulders, the wild career of Benjamin Affleck, how faith and love are tested to their ultimate limits, and how the director sees himself in this film, and if he is successful in pointing the finger at his past transgressions to make a compelling narrative. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h38m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Knight of Cups. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 63 of the Director Watch Podcast, the boys are joined by Editor-In-Chief Erik Anderson to discuss the next film in their Terrence Malick series, The Tree of Life (2011). We've come to the midpoint mark of the Malick series and have hit the most important film in the filmography of the director, not just in terms of accolades and being known as one of the most important films of the 2010s, but it is also the film Jay claims as his favorite film of all time. A very personal episode of Director Watch is in store as the guys, alongside Erik, break down Malick's most personal film to date about a journey through time, our place in the universe, what our stamp on history is, and what the meaning of life is through the eyes of a family living in a small Texas town. Ryan, Jay, and Erik talk about their relationship with The Tree of Life, how well the film has aged from when they first saw it due to growth and experience in their lives, the masterful imagery conveyed by cinematographer Emmanuel Lubezki, the work of Brad Pitt and Jessica Chastain as not just parents to the boys in the film but as the personification of nature vs. nurture, the dinosaur sequence, the glorious ending mixed into the fascinating scenes feature Sean Penn as a grown up version of Jack, how Malick is able to evoke the viewer's memories of their past and juxtapose it to what he is showing on screen through his characters and setting, and of course, talk about the wild Oscar season that covered the films of 2011. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h17m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, To the Wonder. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).