Podcasts about indeterminate music

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Latest podcast episodes about indeterminate music

Contemporánea
83. Aleatoriedad

Contemporánea

Play Episode Listen Later Dec 4, 2024 17:59


Hasta bien entrado el siglo XX, las ideas musicales se exponen de acuerdo con un desarrollo ordenado según una estructura previamente estudiada, escrita o planteada. Mediado el siglo, algunos compositores se acogen a una tendencia que deja margen al indeterminismo, la flexibilidad y el azar._____Has escuchadoAngelica Music. Exercise 10 (1973-1974) / Christian Wolff. Apartment House; Christian Wolff, melódica. I Dischi di Angelica (2015)Aus den sieben Tagen. Liaison (1968) / Karlheinz Stockhausen. Ensemble Musique Vivante; Diego Masson, director. Harmonia Mundi (1988)HPSCHD. Solo VII: For Harpsichord & Computer-Generated Sound Tapes (1967) / John Cage y Lejaren Hiller. Jukka Tiensuu, clave. Ondine (1999)Pithoprakta (1956) / Iannis Xenakis. Orchestre philharmonique du Luxembourg; Arturo Tamayo, director. Timpani (2008)_____Selección bibliográficaADORNO, Theodor W., “Vers une musique informelle”. En: Escritos Musicales I-III, vol. 16. Akal, 2006*BEHRMAN, David, “What Indeterminate Notation Determines”. Perspectives of New Music, vol. 3, n.º 2 (1965), pp. 58-73*BOULEZ, Pierre, “Alea”. Perspectives of New Music, vol. 3, n.º 1 (1964), pp. 42-53*CARDEW, Cornelius, Scratch Music. The MIT Press, 1974CHARLES, Daniel, “L'interprète et le hasard”. Musique en Jeu, n.º 3 (1971), pp. 45-51*DELIÈGE, Célestin, “Indétermination et improvisation”. IRASM, vol. 2 (1971), pp. 155-191HARBINSON, William G., “Performer Indeterminacy and Boulez's Third Sonata”. Tempo, n.º 169 (1989), pp. 16-20*JENSEN, Marc G., “John Cage, Chance Operations, and the Chaos Game: Cage and the I Ching”. The Musical Times, vol. 150, n.º 1907 (2009), pp. 97-102*MEDINA, Ángel, “Apuntes sobre la recepción de la música abierta en España”. Anuario Musical, n.º 51 (1996), pp. 217-232*MORO VALLINA, Daniel, “Aleatoriedad y flexibilidad en la vanguardia musical española”. Actas do I Encontro Iberoamericano de Jovens Musicólogos (2012), pp. 236-248: [PDF]NIETO, Velia, “La forma abierta en la música del siglo XX”. Anales del Instituto de Investigaciones Estéticas, vol. 30, n.º 92 (2008), pp. 191-203O'GRADY, Terence J., “Aesthetic Value in Indeterminate Music”. The Musical Quarterly, vol. 67, n.º 3 (1981), pp. 366-381*PEYROU, Mariano, Oídos que no ven. Taurus, 2022POLO PUJADAS, Magda y Josep Maria Mestres Quadreny, Pensamiento y música a cuatro manos: la creatividad musical en los siglos XX y XXI. Universidad de Murcia, Servicio de Publicaciones, 2015*REYNOLDS, Roger, “Indeterminacy: Some Considerations”. Perspectives of New Music, vol. 4, n.º 1 (1965), pp. 136-140*TRENKAMP, Anne, “The Concept of Alea in Boulez's Constellation-Miroir”. Music & Letters, vol. 57, n.º 1 (1976), pp. 1-10* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Obscure Music History
Tracy Ore - Therefore I'm Not

Obscure Music History

Play Episode Listen Later Sep 14, 2020 12:08


Ever since COVID-19 began (August 2019) Tom's found it quite hard to get any guests into the studio, but after a year of hardball experimentation, he managed to get the ultimate podcast interview using a new fandangled video phone! Check out this episode with experimental contemporary classical composer Tracy Ore! In this fantastic interview, Tom uncovers Tracy Ore's "Selective Playing" technique and the philosophy behind it, as well as playing several renditions from the Therefore I'm Not series throughout the episode. || View the original Bree McPlonq score for Therefore I'm Not here, and read more about Tracy Ore on the Obscure Music History website ( www.obscuremusichistory.com ) || This is a new version of an older episode. It's better now. Sorry for any confusion (particularly the confusion caused by this sentence).

Arts and Music (Video)
Toru Takemitsu's A Flock Descends into the Pentagonal Garden - La Jolla Symphony and Chorus

Arts and Music (Video)

Play Episode Listen Later Aug 1, 2018 13:32


Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

american japanese flock improvisation chorus john cage toru music show id takemitsu toru takemitsu pentatonic scale new music and contemporary composers concerts and performances classical/symphonic music la jolla symphony visual and performing arts: music series la jolla symphony indeterminate music toru takemitsu's a flock descends pentagonal garden
Arts and Music (Audio)
Toru Takemitsu's A Flock Descends into the Pentagonal Garden - La Jolla Symphony and Chorus

Arts and Music (Audio)

Play Episode Listen Later Aug 1, 2018 13:32


Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

american japanese flock improvisation chorus john cage toru music show id takemitsu toru takemitsu pentatonic scale new music and contemporary composers concerts and performances classical/symphonic music la jolla symphony visual and performing arts: music series la jolla symphony indeterminate music toru takemitsu's a flock descends pentagonal garden
Teacher's PET (Audio)
Toru Takemitsu's A Flock Descends into the Pentagonal Garden - La Jolla Symphony and Chorus

Teacher's PET (Audio)

Play Episode Listen Later Aug 1, 2018 13:32


Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

american japanese flock improvisation chorus john cage toru music show id takemitsu toru takemitsu pentatonic scale new music and contemporary composers concerts and performances classical/symphonic music la jolla symphony visual and performing arts: music series la jolla symphony indeterminate music toru takemitsu's a flock descends pentagonal garden
Teacher's PET (Video)
Toru Takemitsu's A Flock Descends into the Pentagonal Garden - La Jolla Symphony and Chorus

Teacher's PET (Video)

Play Episode Listen Later Aug 1, 2018 13:32


Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

american japanese flock improvisation chorus john cage toru music show id takemitsu toru takemitsu pentatonic scale new music and contemporary composers concerts and performances classical/symphonic music la jolla symphony visual and performing arts: music series la jolla symphony indeterminate music toru takemitsu's a flock descends pentagonal garden