Podcasts about takemitsu

durée : 00:46:14 - En pistes, contemporains ! du dimanche 29 septembre 2024 - par : Emilie Munera - Cette semaine, En Pistes, Contemporains ! met à l'honneur l'artiste aux multiples casquettes Robert Groslot puis, nous fait voyager du Japon avec Takemitsu avant de revenir en France avec Michel Grizard et Anne Warthmann. - réalisé par : Céline Parfenoff

durée : 00:18:12 - "Quotation of Dream" de Toru Takemitsu - Le disque classe de la contemporaine est "Quotation of Dream" de Takemitsu.

durée : 00:46:14 - En pistes, contemporains ! du dimanche 29 septembre 2024 - par : Emilie Munera - Cette semaine, En Pistes, Contemporains ! met à l'honneur l'artiste aux multiples casquettes Robert Groslot puis, nous fait voyager du Japon avec Takemitsu avant de revenir en France avec Michel Grizard et Anne Warthmann. - réalisé par : Céline Parfenoff

durée : 00:18:12 - "Quotation of Dream" de Toru Takemitsu - Le disque classe de la contemporaine est "Quotation of Dream" de Takemitsu.

durée : 00:18:12 - "Quotation of Dream" de Toru Takemitsu - Le disque classe de la contemporaine est "Quotation of Dream" de Takemitsu.

durée : 00:46:14 - En pistes, contemporains ! du dimanche 29 septembre 2024 - par : Emilie Munera - Cette semaine, En Pistes, Contemporains ! met à l'honneur l'artiste aux multiples casquettes Robert Groslot puis, nous fait voyager du Japon avec Takemitsu avant de revenir en France avec Michel Grizard et Anne Warthmann. - réalisé par : Céline Parfenoff

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for musicals, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. Chisato Minamimura shares her journey of exploring sound and music. Growing up in Japan before later moving to the UK, Chisato lost her hearing at seven months, yet despite this she learned the piano - becoming the star pupil. Inspired by artists like John Cage and Tōru Takemitsu, Chisato delves into the concept of sound and music from a deaf perspective. She details how she began creating visual scores based on mathematical algorithms, turning dancers into her instruments. And she explains how she innovates new ways to interact with sound, such as feeling vibrations with her teeth or using Woojer strap to create multi-sensory experiences. Throughout her work, she invites audiences to explore the rich tapestry of sound and music through a deaf lens, opening up new possibilities for artistic expression. Dreaming of experiencing phenomena like whale songs first hand, Chisato imagines translating these experiences into tactile vibrations, further expanding her exploration of sound. A Different Way to Listen is produced by Sophie Allen and Emma Glassar with Mark Rickards as Executive Producer. It is a Flashing Lights Media production for BBC Radio 3. A British Sign Language version was filmed, edited and subtitled by Fifi Garfield.

Su labor como guitarrista, compositor, director de orquesta, investigador, pedagogo y promotor cultural, le posiciona entre los músicos más reconocidos de los siglos XX y XXI. Director de la Orquesta Sinfónica Nacional de Cuba o la Orquesta de Córdoba, cosecha más de trescientas distinciones internacionales._____Has escuchadoGuitar Music Vol. 1. Estudios sencillos I-II (1973). Ricardo Cobo, guitarra. Naxos (1997)Hika, “In memoriam Tōru Takemitsu” (1996). Frédéric Zigante, guitarra. Brilliant Classics (2018)Leo Brouwer esencial. Paisaje cubano con rumba (1989). Niurka González, flauta. Ediciones Espiral Eterna (2011)Werke für Gitarre solo. Exaedros I (1968). Leo Brouwer, guitarra. Deutsche Grammophon (1971)_____Selección bibliográficaACKERMAN, Martín Fernando, “De la composición a la guitarra y viceversa: dos conversaciones con Leo Brouwer”. Roseta: Revista de la Sociedad Española de la Guitarra, n.º 14 (2019), pp. 150-155ÁLVAREZ, Vladimir W., “La música guitarrística de Leo Brouwer”. Revista Musical Chilena, vol. 45, n.º 175 (1991), pp. 19-41*CENTURY, Paul, “Leo Brouwer: A Portrait of the Artist in Socialist Cuba”. Latin American Music Review / Revista de Música Latinoamericana, vol. 8, n.º 2 (1987), pp. 151-171*KRONENBERG, Clive, “Guitar Composer Leo Brouwer: The Concept of a ‘Universal Language'”. Tempo, vol. 62, n.º 245 (2008), pp. 30-46RODRÍGUEZ CUERVO, Marta, “Un viajero del tiempo en su espiral eterna: la guitarra de Leo Brouwer”. Roseta: Revista de la Sociedad Española de la Guitarra, n.º 14 (2019), pp. 104-115SANTACECILIA, María, “Leo Brouwer”. Ritmo, n.º 832 (2010), pp. 96-97*WISTUBA-ALVAREZ, Vladimir, “Lluvia, rumba y campanas en los paisajes cubanos de Leo Brouwer y otros temas (Una conversación con Leo Brouwer)”. Latin American Music Review / Revista de Música Latinoamericana, vol. 10, n.º 1 (1989), pp. 135-147* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Martin Helmchen, “who brings both freshness and expressive depth to everything he plays” (Chicago Classical Review), takes on Beethoven's First Piano Concerto, a work of youthful bravura and pensive elegance. To open the program, Kazuki Yamada conducts Takemitsu's shimmering How slow the Wind and Franck's D Minor Symphony, featuring a mix of soaring lyricism and brooding intensity. Learn more: cso.org/performances/23-24/cso-classical/helmchen-plays-beethoven

Næstkomandi sunnudag mun kammerhópurinn Ensamble Adapter frumflyjta tónverk eftir John Cage og Toru Takemitsu í Hörpu, tónverk sem kallast Vis á vis, og sem hefur verið týnt frá 1986. Eftir ævintýralega rannsóknarvinnu þeirra Gunnhildar Einarsdóttur hörpuleikara og Matthias Engler slagverksleikara, þar sem viðtöl og bókasafnsgrúsk í Bandaríkjunum, antíkbúð í Japan og plötusafn frá Reykjavík koma við sögu, hefur hópnum tekist að endurskapa verkið. Meira um það í þætti dagsins. Sigmar Þór Matthíasson, Óskar Guðjónsson og Rebekku Blöndal kom í heimsókn og segja frá Alþjóðlega djazzdeginum sem haldinn verður hátíðlegur um alla borg á morgun. Freyja Þórsdóttir fjallar um tengsl við menningu og náttúru í heimspekipistli.

Looking for your jidaigeki fix after the finale of FX's "Shōgun" (2024)? Travel back to the 1960s and watch the jidaigeki phase of one of the most celebrated (and yet still somehow not as widely known) Japanese filmmakers, Masaki Kobayashi. All these films -- "Harakiri" (1962), "Kwaidan" (1964), and "Samurai Rebellion" (1967) -- take place in the Edo period (the early 1600s to mid-1800s) -- right after the explosive battles of the FX series. In this very special episode, Dhruv and Amartya spend the first half-hour contextualizing the timeline for both those aware and unaware of Jidaigeki films. Then, they make their way through the staunchly anti-authoritarian (hence, anti-samurai) films of Kobayashi that, piece by piece, dismantle what they so proudly call their "code of honor." Listen to the full episode for a detailed appreciation of Kobayashi's formal excellence, screenwriter Shinobu Hashimoto's mazey screenplays, and composer Tōru Takemitsu's violently unnerving scores—all discordant elements that, when played together, manage to shake the towering foundation of the spick-and-span Samurai. TIME CODES Masaki Kobayashi: [00:00 - 06:56] Jidaigeki Films: [06:56 - 12:14] Samurai History and Terminology: [12:14 - 27:14] "Harakiri" (1962): [27:14 - 01:07:53] "Samurai Rebellion" (1967): [01:07:53 - 01:27:42] "Kwaidan" (1964): [01:27:42 - 02:07:05] Do hit 'Follow' on Spotify and rate us if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can also follow us on Instagram at: Amartya: https://www.instagram.com/amartya25/ Dhruv: https://www.instagram.com/terminalcinema/ On Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Amartya: https://letterboxd.com/amartya/

durée : 00:58:24 - Laura van der Heijden, classique, romantique et créative - par : Aurélie Moreau - Née en 1997, la violoncelliste Laura van der Heijden, a conquis le public entre autres par son élan et sa sonorité captivante. Boulanger, Britten, Debussy, Korngold, Takemitsu… sont au programme de son nouveau disque, « Path to the moon » (Chandos).

En un Japón destrozado por la victoria aliada, una nueva generación de músicos nacidos en la década de los 30, se divide entre el nacionalismo y la aceptación de las tendencias occidentales. Toshirō Mayuzumi,Toshi IchiyanagiyTōru Takemitsusonalgunos de ellos._____Has escuchadoMandala Symphony (1960) / Toshirō Mayuzumi. NHK Symphony Orchestra; Hiroyuki Iwaki, director. Odyssey (1967)November Steps (1967) / Tōru Takemitsu. Saito Kinen Orchestra; Seiji Ozawa, director.Sello: Philips (1991)Requiem: For String Orchestra (1957) / Tōru Takemitsu. Toronto Symphony Orchestra; Seiji Ozawa, director. RCA (1969)Sapporo (1962) / Toshi Ichiyanagi. Ensemble Musica Negativa; Reiner Riehn, director. Odeon (1972) _____Selección bibliográficaBATTIER, Marc y Kenneth Fields (eds.), Electroacoustic Music in East Asia. Routledge, 2020BURT, Peter, The Music of Tōru Takemitsu. Cambridge University Press, 2001COOK, Lisa M., “Venerable Traditions, Modern Manifestations: Understanding Mayuzumi's ‘Bunraku' for Cello'”. Asian Music, vol. 45, n.º 1 (2014), pp. 98-131*FUKUNAKA, Fuyuko, “World Music History and Interculturality: Toward Recontextualizing Post-War Japanese Avant-Garde Music”. The World of Music, vol. 6, n.º 1 (2017), pp. 59-71*GALLIANO, Luciana y Martin Mayes, Yōgaku: Japanese Music in the Twentieth Century. Scarecrow Press, 2002HEIFETZ, Robin J., “East-West Synthesis in Japanese Composition: 1950-1970”. The Journal of Musicology, vol. 3, n.º 4 (1984), pp. 443-455*HERD, Judith Ann, “The Neonationalist Movement: Origins of Japanese Contemporary Music”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 118-163*LOUBET, Emmanuelle, Curtis Roads y Brigitte Robindoré, “The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s”. Computer Music Journal, vol. 21, n.º 4 (1997), pp. 11-22*PACUN, David, “Nationalism and Musical Style in Interwar ‘Yōgaku': A Reappraisal.” Asian Music, vol. 43, n.º 2 (2012), pp. 3-46*SMALDONE, Edward, “Japanese and Western Confluences in Large-Scale Pitch Organization of Tōru Takemitsu's November Steps and Autumn”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 216-231*TAKEMITSU, Tōru, “Contemporary Music in Japan”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 198-204*UTZ, Christian, Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century. Transcript Verlag, 2021*YANG, Chien-Chang, “Technologies of Tradition in Post-War Musical Avant-Gardism: A Theoretical Reflection”. The World of Music, vol. 6, n.º 1 (2017), pp. 41-58* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Attack of the Killer Soundtrack 68  Composer Erich Stem once again joins us as we play and discuss all the 2023 Oscar nominees for both Best Original Song and Best Original Score. And as we try to decide if we are really into serialism or total serialism, we also cover… the mandocello, the use of motives, electro punk, Tōru Takemitsu, chord progression, it disrupts the food industry, Threnody, sci-fi predictions, singing about battling oil and greed, Woman in the Dunes, whispering song voice, hard bop, real life events attaching themselves to songs, scat singer, Disney songs, connecting with the song, detuning, Juilliard trained, AI writing, compared to other songs of a similar style, a dry studios recording sound, free jazz, Milton Babbitt, use of instrumentation, Krzysztof Penderecki, ultra modern pop and a certain very successful song writer.  “...I think it makes it better for the movie industry.”

SynopsisComposers have always been fascinated by the sea. If you're curious, Spotify offers a playlist of 50 sea-inspired classical works from composers ranging from Mendelssohn to Debussy to Takemitsu.On today's date in 2012, conductor Riccardo Muti and the Chicago Symphony premiered a new sea-inspired work by London-born composer Anna Clyne, who was then the orchestra's composer-in-residence. Clyne's piece, Night Ferry, was "music of voyages, from stormy darkness to enchanted worlds,” as she described. “It is music of the conjurer and setter of tides, the guide through the ungovernable and dangerous.”The Chicago Symphony took Night Ferry on tour that year, with Pacific Coast stops in San Francisco and San Diego, and also, perhaps for thematic contrast, to Palm Desert, California, for good measure.Clyne is bit of a traveler herself. She studied music formally at the University of Edinburgh, then at the Manhattan School of Music. In addition to being the composer-in-residence in Chicago, she has held similar positions with Orchestre National d'Île-de-France, the Baltimore Symphony, the Berkeley Symphony and, coming full circle, the Edinburgh-based Scottish Chamber Orchestra.Music Played in Today's ProgramAnna Clyne (b. 1980): Night Ferry; Chicago Symphony; Richardo Muti, cond. CSO Re-Sound 9011401 (live recording, February 2012)

Dans ce nouvel épisode des Bobines, Julien Guimon et un petit nouveau, Mehdi ont le plaisir de recevoir Delphine Ciampi et Pascal-Alex Vincent à l'occasion de la diffusion du documentaire Keiko Kishi, une femme libre le 5 décembre à la MCJP (Maison de la Culture du Japon à Paris) dans le cadre du festival Kynotayo et sur Ciné+ en Avril 2024. Ensemble, ils évoquent la riche carrière de Keiko Kishi, à la fois actrice, productrice et même reporter!Crédits des extraits :02'50 Aeroport tamburin, Composition Delphine Ciampi extrait de la bande originale Keiko Kishi, une femme libre, Pascal-Alex Vincent12'50 Interview de Keiko Kishi, extrait du film Keiko Kishi, une femme libre, Pascal-Alex Vincent, Musique : Delphine Ciampi18'28 Printemps précoce de Yasujirō Ozu. Musique : Kojun Saitō, 1956.29'24 Interview de Yves Ciampi et Keiko Kishi extrait du film Keiko Kishi, une femme libre, Pascal-Alex Vincent36'10 Interview de Keiko Kishi, extrait du film Keiko Kishi, une femme libre, Pascal-Alex Vincent, Musique : Delphine Ciampi42'32 Kwaïdan de Masaki Kobayashi, Musique : Tōru Takemitsu, 1964.48'09 Interview de Keiko Kishi, extrait du film Keiko Kishi, une femme libre, Pascal-Alex Vincent, Musique : Delphine CiampiSi vous souhaitez voir en avant-première le documentaire Keiko Kishi, une femme libre de Pascal-Alex Vincent, bande originale de Delphine Ciampi, n'hésitez pas à vous rendre sur le site du festival Kynatayo .A noter aussi la sortie du beau livre de Pascal-Alex Vincent Yasujirō Ozu : Une affaire de famille aux éditions de la Martinière en co-édition avec Carlota films.Vous pouvez également retrouver Delphine Ciampi en concert le 25 janvier avec Anne Gouverneur (SAD) à Paris au bar Le Chair de Poule, 141 Rue Saint-Maur, 75011 Pariset retrouvez toute son actualité sur son site www.delphineciampiellis.comSi vous aimez ce podcast, parlez en autour de vous et likez notre page insta : https://www.instagram.com/lesbobines.podcast/Et surtout abonnez vous sur votre plateforme favorite!Bonne écoute ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Täna kell 19 teeb Klassikaraadio ülekande ERSO kontserdist "Elts ja Randalu", kus kõlab Wolfgang Amadeus Mozarti looming kõrvuti jaapani heliloojate Tōru Takemitsu ning Toshio Hosokawa teostega.

SynopsisOn today's date in 1967, the New York Philharmonic gave the premiere performance of a new piece, November Steps, by Japanese composer Toru Takemitsu, a work commissioned by the orchestra as part of its 125th-anniversary celebrations. In addition to the usual instruments of the Western symphony orchestra, Takemitsu included in his score two traditional Japanese instruments: the shakuhachi flute and the biwa, a kind of Japanese lute.Eight years after the Takemitsu premiere, an organization called Music from Japan was founded to help make other Japanese contemporary music feel “at home” in America. Music from Japan has presented about 400 works across the U.S. and premiered over 40 new works, many of them specially commissioned.On today's date in 2000, to celebrate its 25th anniversary, Music from Japan presented a gala concert at Carnegie Hall, which included the premiere of a new orchestral work by talented young Japanese composer Karen Tanaka, one of the rising stars of her generation. Among Tanaka's recorded works is Night Bird, a piece for two decidedly Western instruments: saxophone and piano.Music Played in Today's ProgramToru Takemitsu (1930 - 1996) November Steps; Katsuya Yokoyama, shakuhachi; Kunshi Isuruta, biwa; Concertgebouw Orchestra; Bernard Haitink, cond. Philips 426 667Karen Tanaka (b. 1961) Night Bird; Claude Delangle, saxophone BIS 890

Jaapani raadio NHK sümfooniaorkester Paavo Järvi dirigeerimisel esitab albumil Tōru Takemitsu orkestriloomingut. Viiulil soleerib Akiko Suwanai. Plaat on ilmunud 2020. aastal RCA Red Seal märgi all.

On this week's Gramophone Podcast we talk to tenor Karim Sulayman and guitarist Sean Shibe about their album 'Broken Branches', released today on the Pentatone label. Featuring music by composers including Dowland, Britten, and Takemitsu, as well traditional songs from the Middle East, it's a fascinating and highly personal project for them both. A podcast produced in association with Wigmore Hall. 

Un día como hoy, 20 de febrero. Nace: 1953: Riccardo Chailly, director de orquesta y músico italiano. 1967: Kurt Cobain, cantante y guitarrista estadounidense, de la banda Nirvana (f. 1994). Fallece: 1626: John Dowland, compositor británico (n. 1563). 1861: Eugène Scribe, escritor francés (n. 1791). 1933: Takiji Kobayashi, escritor japonés (n. 1903). 1936: Max Schreck, actor alemán (n. 1879). 1996: Tōru Takemitsu, compositor japonés (n. 1930). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

When you picture your perfect day in the fall season, what does it look like Does it include crisp fall leaves, sweater weather and cooler temperatures? Join host Liz Lyon as we discover pieces that sound like the different stages of fall. Episode 102 playlist Scott Joplin: Maple Leaf Rag - (Used at the beginning and end of the episode) This piece by Scott Joplin was groundbreaking for the genre of rag music and became a template for the composers of rag music in the years to come. The Maple leaves change their color in the fall to the vivid browns and fiery reds. Performed by The Band and Lara Downes on Piano. Scott Joplin - Maple Leaf Rag by Fanny Mendelssohn: Das Jar No. 9 (September) - Fanny Mendelssohn composed a set of 12 piano pieces representing every month of the year. ‘September' of Das Jahr (‘The Year') is based it off a poem “To the Moon,” which compares the passage of time with a flowing river. Performed by Liana Serbescu on piano. Fanny Mendelssohn - Das Jahr No. 9 - September by Imogen Holst: Fall of Leaf — As you get further into the fall you can see the magic of leaves turning different colors and they begin to fall…. In this piece you can almost hear the individual leaves falling and drifting in the wind. Performed by Steven Isserlis on Cello. Imogen Holst - Fall of the Leaf by Tōru Takemitsu: A String Around Autumn — Tōru Takemitsu wrote this piece of music to celebrate a fall festival but it sounds like the end of autumn. It is sadder, more sparse and you can almost hear the promise that snow is on the way. Performed by Saito Kinen Orchestra and featuring Nobuko Imai on viola. Tōru Takemitsu - A String Around Autumn by Astor Piazzolla: Autumn in Buenos Aires (Otono Porteno) - Astor Piazzolla wrote a piece of music to celebrate the different seasons in Buenos Aires Argentina. Autumn contains musical raindrops and a wintery sun. Performed by the Buffalo Symphony Orchestra featuring Tessa Lark on violin. Astor Piazzolla - Autumn in Buenos Aires by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

Synopsis It was on this day in 1972 that “A Ring of Time” by American composer Dominick Argento was premiered by the Minnesota Orchestra in Minneapolis. The work was commissioned to celebrate that orchestra's 70th anniversary. “A Ring of Time” is subtitled “Preludes and Pageants for Orchestra and Bells,” and evokes the hours of the day, from dawn to midnight, and the seasons of the year. Though born in York, Pennsylvania, Argento was of Italian heritage, and after spending a year studying in Italy, returned there often to reflect and compose. Argento said: “On one level the title of ‘A Ring of Time' refers to the predominant role assigned to bells... those aural signals of time's passing. But it should also be mentioned the work was wholly composed in Florence where the hourly ringing of church bells is inescapable.” Bells figured prominently in another 20th-century work by the Japanese composer Toru Takemitsu entitled “From Me Flows What You Call Time,” which was premiered by the Boston Symphony in 1990, in New York City, as a commission to celebrate the centennial of Carnegie Hall. Again, bells play a significant role, and Takemitsu directs that at the end of his piece, a series of small bells be rung gently from the balcony above and around the audience. Music Played in Today's Program Dominick Argento (1927-2019): A Ring of Time –Minnesota Orchestra; Eiji Oue, cond. (Reference 91) Toru Takemitsu (1930-1996): From Me Flows What You Call Time –Pacific Symphony; Carl St. Clair, cond. (Sony 63044)

durée : 00:19:55 - Disques de légende du mardi 13 septembre 2022 - Le chef d'orchestre britannique Oliver Knussen, a été l'ami très proche de Takemitsu, dévasté par la mort du compositeur, il lui rend hommage avec ce disque enregistré juste après la mort de Takemitsu.

durée : 00:24:59 - Les Nuits de France Culture - Carnet de notes - Les musiques de film de Toru Takemitsu 3/3 (1ère diffusion : 22/10/2001)

durée : 00:24:59 - Les Nuits de France Culture - Carnet de notes - Les musiques de film de Toru Takemitsu 1/3 (1ère diffusion : 08/10/2001)

En 1944, en la montañas del oeste de Tokio, nos cuenta Clemency Burton-Hill, un soldado de 14 años llamado Töru Takemitsu, se encontraba apostado en un refugio subterráneo construido para prevenir invasiones. Un día hubo un inesperado descanso en la agotadora rutina laboral y un oficial los invitó a Töru y a los demás soldados a pasar a una habitación del fondo del refugio donde guardaba un gramófono de manubrio con una improvisada aguja de bambú. El oficial les puso unos discos. Fue un regalo, el más sencillo que existe: compartir música. Los humanos lo venimos haciendo desde que estamos aquí. Töru escuchó los discos totalmente sorprendido, según comento años después. Durante el resto de su vida recordó aquella experiencia como el inicio de su conciencia musical. Tiempo después cuando ya enseñaba técnica instrumental y composición básica, gozaba de la admiración de grandes músicos como Stravinsky, ya había escrito cientos de obras aclamadas, había musicalizado noventa películas y publicado veinte libros, y ya era conocido como uno de los compositores y una de las figuras culturales más reconocidas de Japón, seguía volviendo a aquel momento, a aquella ofrenda musical, a aquel gesto de humanidad corriente, a aquel regalo….

Attack of the Killer Soundtrack 63 This episode we welcome back composer Erich Stem as we play and discuss all the 2021 Oscar nominees for both Best Original Song and Best Original Score.  And as we decide who has just thrown in a B-side from their latest album, we also delve into… the movie trailer formula, a transformation, layers upon layers, the harmonic box, If Beale Street Could Talk, taking a year off, moody and quiet, Nicholas Britell, that was the point… was to watch stuff break, calculated, detuned piano, Coco, Tōru Takemitsu, sometimes they gotta snub somebody, Beyoncé, chord progression, The Cure, they made you feel like you were in the room with the band, Hans Zimmer, checking the boxes, the single sound of a standard orchestra, Radiohead, Daniel Craig, Lin-Manuel Miranda, thriller score, different harmonies, Ashley Thursby, Germaine Franco, Don't Look Up, sounds of different cultures, Alberto Iglesias, VHS tapes mailed to your house, Trent Reznor, when we run the microwave, Van Morrison, parenting styles, the Belgian radio orchestra, writing in another language, oh this is what they are doing, Jonny Greenwood, the Shenandoah Valley, inserting politics, colorful shifts, Billie Eilish, Zoom calls, assaulting you with jazz and a floodgate of musical performances. "Well she had the good formula... she had a key change at the chorus then a... multi-instrument climactic moment followed by the crash cymbal and then just the voice alone."

Lüüriline kontserdiõhtu Jaapani muusikaga. Tōru Takemitsu laule esitavad mezzo-sopran Michiko Hayashi ja pianist Maho Ishino.

Elgar, March from The Wand of Youth Faure, Barcarolle #4 Duarte, Variations on a Catalan Folk Song Mozart, Symphony #41, 1st movt Debussy, Sonata for Flute, Viola and Harp, 1st movt Haydn, Symphony #86, 3rd movt Nakada, arr Takemitsu, A Song of Early Spring This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Join Nick & Erin as they discuss the Kobayashi's masterpiece, Hara-Kiri! They talk about how no matter the time or place you cannot reason with the rich & powerful, how to properly label your topknot, and they wonder about how many sick days a samurai gets.Nick then takes Erin on deep dive into composer Tōru Takemitsu's pre Hara-Kiri life to explore the context for this movie's unique and powerful soundtrack.Next week: Kathryn Bigelow's Point Break (1991)!

Intro: Serene Ailment Incantation Praxis from cold_storage   The Amplified Elephants Deep Creatures (Heavy Machinery + flash fwd, 2021)Shipwreck Dinner ShoreDiving Shipwreck & PithosApotheosis The Amplified Elephants is a leading sound art ensemble made up of members including Teagan Connor, Jay Euesden, Megan Hunter, Helen Kruljac, Robyn McGrath, Daniel Munnery, Kathryn Sutherland, Esther Tuddenham, Natalie Walters and James Hullick.'Deep Creatures' is a blissful deep dive into a sonic world of freely associated imagination, exploring an interplay of electronic ambient sound, cinematic spaces, vocal work and poetry. This deeply evocative album outlines the abstract journey of a young woman called to the seashore. She dives down to a mysterious shipwreck filled with wondrous deep-sea creatures.Called to the sea by The Following (performed by The Amplified Elephants) – a council of benevolent interdimensional aliens – a young woman is taken to a sunken ship where she unlocks a giant clay urn unleashing the godlike creature from within. She is transformed by this radical experience.First single 'Shipwreck' draws the listener on an immersive waterworld journey. Cinematic sequences highlight some deeper dreamlike narrative at play. This ambient field recording washed track marks The Amplified Elephants ascending to the pinnacle of their arresting sonic abilities. Their expression and creative language made all the more ear catching through their lived experience and perception as artists living with neurological diversity.The Amplified Elephants dive to great auditory and visual depths linking sonic art; video art; deep ocean creatures and their own take on the infinite brilliance of the creative mind. At times ambient; at times oceanic; at times strident with powerful sonic waves.l depths linking sonic art; video art; deep ocean creatures and their own take on the infinite brilliance of the creative mind. At times ambient; at times oceanic; at times strident with powerful sonic waves. released September 6, 2021 Candlesnuffer apsomeophonebad snake laughmoney's dark nightforged baggage 2voices of the air shaft 2travel over books roughlyFrom David Brown‘apsomeophone' grew out of love for and, from a listener's point of view, an historical immersion in a tight group of compositions by musique concréte, film soundtrack and Twentieth Century Classical composers. These listening experiences became entwined, at some stage, with my own ponderings round a desire to compose a group of very personally suited recordings, to be utilised in a live context as a proxy ensemble accompaniment to my slowly blossoming and evolving prepared guitar techniques.Through a compositional process that I would loosely describe as ‘aural sculpture', I extracted snippets of sound and short musical passages from these adored compositions (the list of composers borrowed from includes Béla Bartók, John Cage, Pierre Henry, György Ligeti, Tōru Takemitsu and Edgard Varése). These small sonic extractions I then processed heavily, augmented spatially and timbrally and began to arrange into fragmented groupings, making correlations pleasing to my ear. This transfigurative process became a long drawn out undertaking, soon enriched and complicated by the systematic and responsive addition of other fragmentary sounds generated through the use of my own guitars, stringed instruments and electronics. And…., on the layering and editing went as I meandered towards a final point of sonic sculptural satisfaction. As a group of odes, each of the final compositions on ‘apsomeophone' focuses on one or two of the aforementioned, inspirational listening antecedents.Fifteen years later, the compositions throughout ‘apsomeophone' still hold a warm grip on me and, though distant timewise, I still feel saturated with all the minutiae of the compositional processes, a feeling akin to being immersed in a supportive body of warm water. It's a record that I'm really attached to and remain entwined with to the point where the working methods which gestated there have become the norm for me. It's a heavily pored over record, where somehow nothing is out of place, and I believe it's a record loosely in the mode of its predecessors. Released September 17, 2021

durée : 01:57:42 - Été Classique Après-midi du lundi 23 août 2021 - par : Priscille Lafitte - Entre deux "Dichterliebe" de Schumann, il y a tout un monde ! Les nuits d'été berlioziennes côtoient diverses flûtes enchantées et autres souffles mozartiens. - réalisé par : Catherine Prin-Le Gall

In 1972, Betsy Jolas (b. 1926) traveled to Indonesia with Iannis Xenakis, Toru Takemitsu, Henri-Louis de la Grange, Maurice Fleuret and several others. While there, she encountered the Topeng dance, which, nearly 50 years later, inspired the composition of her 8th quartet, Topeng. This piece was written for the Arditti Quartet in 2019. In anticipation of her 95th birthday on 5 August 2021, she tells us what happened on that trip, what it was like traveling with Takemitsu and Xenakis, and why it is that Bali left such an indelible imprint on her music.MUSIC HEARD IN THIS EPISODEBetsy Jolas, Topeng for string quartet (2019)Performed live by the Arditti String QuartetSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

Welcome back! Today I am speaking with composer and guitarist George Dexter Evans about Chronic Fatigue Syndrome and autism and how they impact his life as a musician and composer. We speak about the common misconceptions surrounding CFS, about taking time away to recover before starting university, being a 'mature' student and the stigma surrounding it. We also speak about George's later diagnosis of autism, how special interests and 'masking' have played into George's life, and how it can impact day to day functioning.About George:George Evans is a composer and electronic musician based in London. He studied electric guitar before pursuing a degree in composition at the Guildhall School of Music and Drama, studying with Malcolm Singer and Hollie Harding. He will be continuing at Guildhall in 2021, focusing on a Master's degree in Electronic and Produced Music.His current compositional interests include the ambiguity between stasis and movement, the spatialisation of sound, and what it means for music to be immersive. His work combines influence from Feldman, Saariaho and Takemitsu as well as ambient and drone music. Recent pieces include ‘Expanses' for clarinet and electronics (fixed media), recorded by the celebrated clarinettist Heather Roche, and ‘Golden Jubilee Bridges at Night' recorded by the Guildhall Session Orchestra as part of the Illuminated River project 2021. Find George on Soundcloud: www.soundcloud.com/georgedexterevans

durée : 00:58:14 - Toru Takemitsu au cinéma - par : Thierry Jousse - Le plus grand compositeur japonais du XXème siècle, Toru Takemitsu, a beaucoup travaillé pour le cinéma. La preuve, avec cette petite rétrospective musicale et cinématographique consacrée au musicien qui fut le compagnon de route d’Akira Kurosawa, de Nagisa Oshima, ou encore, de Masahiro Shinoda… - réalisé par : Thomas Jost

Un día como hoy, 20 de febrero. Nace: 1953: Riccardo Chailly, director de orquesta y músico italiano. 1967: Kurt Cobain, cantante y guitarrista estadounidense, de la banda Nirvana (f. 1994). Fallece: 1626: John Dowland, compositor británico (n. 1563). 1861: Eugène Scribe, escritor francés (n. 1791). 1933: Takiji Kobayashi, escritor japonés (n. 1903). 1936: Max Schreck, actor alemán (n. 1879). 1996: Tōru Takemitsu, compositor japonés (n. 1930). Una producción de Sala Prisma Podcast. 2021

Composers have always been fascinated by the sea, and, if you’re curious, Spotify offers a playlist of 50 sea-inspired classical works from composers ranging from Mendelssohn to Debussy to Takemitsu. On today’s date in 2012, conductor Riccardo Muti and the Chicago Symphony premiered a new sea-inspired work by the London-born composer Anna Clyne, who was then the orchestra’s composer-in-residence. Clyne’s piece is titled “Night Ferry,” and was, as she described, "music of voyages, from stormy darkness to enchanted worlds. It is music of the conjurer and setter of tides, the guide through the ungovernable and dangerous.” The Chicago Symphony took Anna Clyne’s “Night Ferry” on tour that year, with Pacific Coast stops in San Francisco and San Diego, and also, perhaps for thematic contrast, to Palm Desert, California, for good measure. Composer Anna Clyne is bit of a traveler herself. She studied music formally at at the University of Edinburgh, then at the Manhattan School of Music, and in addition to being named composer-in-residence in Chicago, she has held similar positions with Orchestre National d'Île-de-France, the Baltimore Symphony, the Berkeley Symphony, and coming full circle, with the Edinburgh-based Scottish Chamber Orchestra.

Composers have always been fascinated by the sea, and, if you’re curious, Spotify offers a playlist of 50 sea-inspired classical works from composers ranging from Mendelssohn to Debussy to Takemitsu. On today’s date in 2012, conductor Riccardo Muti and the Chicago Symphony premiered a new sea-inspired work by the London-born composer Anna Clyne, who was then the orchestra’s composer-in-residence. Clyne’s piece is titled “Night Ferry,” and was, as she described, "music of voyages, from stormy darkness to enchanted worlds. It is music of the conjurer and setter of tides, the guide through the ungovernable and dangerous.” The Chicago Symphony took Anna Clyne’s “Night Ferry” on tour that year, with Pacific Coast stops in San Francisco and San Diego, and also, perhaps for thematic contrast, to Palm Desert, California, for good measure. Composer Anna Clyne is bit of a traveler herself. She studied music formally at at the University of Edinburgh, then at the Manhattan School of Music, and in addition to being named composer-in-residence in Chicago, she has held similar positions with Orchestre National d'Île-de-France, the Baltimore Symphony, the Berkeley Symphony, and coming full circle, with the Edinburgh-based Scottish Chamber Orchestra.

Good Morning, This is Louise. Episode 93 - crazed fruitfeaturing the sound works of Madoherty, Ben Boncan, Monterey2000, nlm, Marky Star, Nic Stage, Kyle, Ex Hadley, Ed Bles, and Touch Touch Publishingwith music by Tōru Takemitsu, SQÜRL, Tank and the Bangas, Schizopolitans, Touch Touch Publishing, Elizeth Cardoso, Loke Rahbek, bod [包家巷], Bellemou & Benfissa, Laurie Anderson, Imperio Argentina, Sugar Minott, Cigarettes After Sex, Mina, Cocteau Twins, Cliff Martinez, Mala, and Yasuaki Shimizuprogrammed and produced by @small_ernstNamo Guan Shi Yin Pusa Thank you for listening

Berliini filharmoonikute sooloflötist Emmanuel Pahud viib kuulajad oma järjekordsel albumil läbi lummavate flöödihelide Pendericki, Mozarti, Busoni, Reinecke ja Takemitsu kõlamaailma.

Berliini filharmoonikute sooloflötist Emmanuel Pahud viib kuulajad oma järjekordsel albumil läbi lummavate flöödihelide Pendericki, Mozarti, Busoni, Reinecke ja Takemitsu kõlamaailma.

E sejam muito bem-vindos, queridos ouvintes a mais um podcast Quadro X Quadro! No programa de hoje, Jean ‘Kei’ Badji, Gabriel Guerrero, Matheus Pilot e Victor Hugo se reúnem para discutir sobre ciclos, arte e espada na cara em um dos grandes mangás de samurai, Takemitsu Zamurai, desenhado pelo grande Taiyo Matsumoto. Lançado em 8 volumes na […] O post Quadro X Quadro 065 – Takemitsu Zamurai apareceu primeiro em Quadro X Quadro.

On today’s date in 1967, the New York Philharmonic gave the premiere performance of a new piece entitled “November Steps” by the Japanese composer Toru Takemitsu, a work commissioned by the Philharmonic as part of its 125th anniversary celebrations. In addition to the usual instruments of the Western symphony orchestra, Takemitsu included in his score two traditional Japanese instruments: the shakuhachi flute and the biwa, a kind of Japanese lute. Eight years after the Takemitsu premiere, an organization called Music from Japan was founded to help make other Japanese contemporary music feel “at home” in America. Music from Japan has presented some 400 works across the U.S. and premiered over 40 new works, many of them specially commissioned. On today’s date in the year 2000, to celebrate its 25th anniversary, Music from Japan presented a gala concert at Carnegie Hall, which included the premiere of a new orchestral work by the talented young Japanese composer Karen Tanaka, one of the rising stars of her generation. Among Tanaka’s recorded works is a piece entitled “Night Bird” for two decidedly Western instruments: saxophone and piano.

On today’s date in 1967, the New York Philharmonic gave the premiere performance of a new piece entitled “November Steps” by the Japanese composer Toru Takemitsu, a work commissioned by the Philharmonic as part of its 125th anniversary celebrations. In addition to the usual instruments of the Western symphony orchestra, Takemitsu included in his score two traditional Japanese instruments: the shakuhachi flute and the biwa, a kind of Japanese lute. Eight years after the Takemitsu premiere, an organization called Music from Japan was founded to help make other Japanese contemporary music feel “at home” in America. Music from Japan has presented some 400 works across the U.S. and premiered over 40 new works, many of them specially commissioned. On today’s date in the year 2000, to celebrate its 25th anniversary, Music from Japan presented a gala concert at Carnegie Hall, which included the premiere of a new orchestral work by the talented young Japanese composer Karen Tanaka, one of the rising stars of her generation. Among Tanaka’s recorded works is a piece entitled “Night Bird” for two decidedly Western instruments: saxophone and piano.

Le vendredi à 11h30, retrouvez Patrick Leterme dans la séquence "Ce N'est Pas Tout"

Watch here  Listen below    ★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on: Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Guests: Jade Hails, Jorge Mujica Jr., Manuel Trevino Hosts: Casey Cangelosi, Ben Charles, and Ksenija Komljenović Intro music by Reese Maultsby - reesemaultsby.com   0:00 Intro and hello. 5:45 Karli: Today in history: Takemitsu, Foo Fighters vs John McCain, Pitbull 18:55 Jade, fire update in Oregon? 22:55 Covid rep.?  Graphic scores in teaching.   30:40 Teaching during Covid?  33:20 Ksenija: Article: Classical Music Attracts Older Audiences - Good.  Attracting audiences      

Un día como hoy, 8 de octubre: 1585, nace el compositor Heinrich Schütz. 1844, nace el grabador y pintor Bartolomé Maura y Montaner. 1930, nace el compositor Tōru Takemitsu. Una producción de Sala Prisma Podcast. 2020

Composer Michael Frazier joins us to discuss his compositional philosophy and methods, whether the ensemble or the idea comes first, the conflict between using specific techniques versus writing what you hear, Takemitsu's concept of ma, repurposing different types of music, and the need to explore the many musical styles beyond traditionally European classical music. Michael also talks with us about making electronic music accessible to new audiences and incorporating novel sounds, styles, and approaches in performance. Michael Frazier is a composer of acoustic, electronic, and electroacoustic music currently residing in Rochester, New York. Frazier's works are an amalgamation of a variety of sound worlds and aesthetic backgrounds where slowness, patience, and a focus on harmony guides his compositional approach. He received a Bachelor of Music in Composition from the University of South Florida and Master of Arts in Composition at the Eastman School of Music, where he is currently pursuing a Ph.D. in Composition. Resources discussed in today's episode: Michael Frazier, Melic Silhouettes (Trio Alexander) The transcript for this episode can be found here. For more information about Michael Frazier, please visit him on Soundcloud.

Good Morning, This is Louise. Episode 70 - songs about youwith music by Mother Nature, Flo Milli, City Girls, CHIKA, Roy Kinsey, Mereba, Madlines, Jean Deaux, Tinashe, Ari Lennox, Kali Uchis & Rico Nasty, Kamaiyah, Deetranada, Mulatto, Zilo, and Pivot Gang also featuring music by King Tubby, Arvo Pärt, Tōru Takemitsu, and James Tenney with ambient field recordings by Rambalac programmed and produced by rhan small ernst Thank you for listeningNamo Guan Shi Yin Pusa

Ep. 119: Yiğit Kolat, composer. Winner of the Takemitsu Composition Award (1st prize). Let's Talk Off The Podium with Tigran Arakelyan. In this podcast Kolat talks about his education in Turkey, folk music, his compositional process, success in music competitions and much more! Yiğit Kolat is a musician, a soundmaker, and researcher. He studied the craft with some excellent musicians and soundmakers and has had the chance to share it with some excellent musicians and soundmakers. In the process, he gained some tokens and enjoyed the sense of prestige provided by them for a while. Funny how primates work. If you are interested in seeing a list of those tokens, sorry to disappoint you, but you are in the wrong place. If you are interested in collaboration, do not hesitate to reach out. For more information about Yiğit Kolat please visit: http://www.yigitkolat.com/index.html © Let's Talk Off The Podium, 2020

durée : 01:58:08 - En pistes ! du vendredi 19 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme : Ivor Bolton et son Orchestre symphonique de Bâle poursuivent l’exploration de la musique de Fauré avec un troisième volet consacré aux œuvres religieuses; la musique de chambre de Robert Schumann par le Trio Kungsbacka; des transcriptions pour guitare de Scarlatti à Takemitsu... - réalisé par : Olivier Guérin

Ep. 106: Yolanda Kondonassis, one of the world's premier solo harpists. Let's Talk Off The Podium with Tigran Arakelyan. Yolanda Kondonassis is celebrated as one of the world’s premier solo harpists and is widely regarded as today’s most recorded classical harpist. Hailed as “viscerally exciting” (The Chicago Tribune) and a “brilliant and expressive player” (The Dallas Morning News), she has performed around the globe as a concerto soloist and in recital, bringing her unique brand of musicianship and warm artistry to an ever-increasing audience. Also a published author, speaker, professor of harp, and environmental activist, sheweaves her many passions into a vibrant and multi-faceted career. Kondonassis has sold hundreds of thousands of albums and downloads worldwide and her extensive discography includes over twenty titles. She continues to be a pioneering force in the harp world, striving to make her instrument more accessible to audiences and push the boundaries of what listeners expect of the harp. She was nominated for a Grammy Award for Best Classical Instrumental Solo for the world premiere recording of Jennifer Higdon’s Harp Concerto with The Rochester Philharmonic Orchestra (Azica Records, 2019). Her 2008 album of music by Takemitsu and Debussy, Air (Telarc), was also nominated for a Grammy Award. Since making her debut at age 18 with the New York Philharmonic and Zubin Mehta, Kondonassis has appeared as soloist with major orchestras in the United States and abroad including The Cleveland Orchestra, English Chamber Orchestra, and Hong Kong Philharmonic, to name a few. Other engagements include performances at renowned festivals including the Marlboro Music Festival, Spoleto Festival,Tanglewood Music Festival, and she has been featured on CNN and PBS, as well as Sirius XM Radio’s Symphony Hall, NPR’s All Things Considered and Tiny Desk Concerts,St. Paul Sunday Morning, and Performance Today.   Kondonassis is committed to the advancement of contemporary music for the instrument, with recent premieres including works by Bright Sheng, and Jennifer Higdon. Her extensive discography includes works by Rorem, Rochberg, Erb, Liebermann, Paulus, Fitch, Lash, Montsalvatge,Takemitsu, Cage, and Carter, among others. Her most recent book,The Composer’s Guide to Writing Well for the Harp, was released in 2019. In addition to her active solo, chamber music and recording schedule, Kondonassis heads the harp departments at Oberlin Conservatory of Music and The Cleveland Institute of Music, and presentsmasterclasses around the world.   In this podcast we talk about premieres, her new book, passion for writing, life changing moments and hobbies. Ms. Kondonassis also speaks about her non-profit, Earth at Heart and much more. For more information about Yolanda Kondonassis please visit: https://www.yolandaharp.com © Let's Talk Off The Podium, 2020

Dekadraj'ın yeni bölümünde Güvenç Atsüren ve konuğun Kaan Karsan, 1960'lı yıllarda devrim niteliğinde filmlere imza atan, Japon Yeni Dalgası'nın en önemli isimlerinden Hiroshi Teshigahara'nın sinemasını konuşuyor. İkili, yönetmenin kariyerinin ilk döneminde işbirliği yaptığı yazar Kôbô Abe ve müzisyen Tôru Takemitsu'yu da es geçmiyor.

Old First Concerts podcast No. 23recorded on May 4, 2020featuring:Shekva by Hamid Taghavi, arranged by David Rytherperformed by Circadian String Quartet on November 15, 2019 Monika Gruber & David Ryther, violins; Omid Assadi, viola; David Wishnia, cellowith special guest Hamid Taghavi, santourAll in Twilight by Toru Takemitsuperformed by Giacomo Fiore, guitar, on September 10, 2010Toccata by Emma Lou Diemerperformed by Faythe Vollrath, harpsichord, on November 26, 2018A Litte Suite for Xmas AD 1929 by George Crumbperformed by Teresa McCullough, piano, on December 6, 2008The Still Dancers by Piers Hellawell, US Premiereperformed by the Friction Quartet on July 21, 2017Doug Machiz, cello; Otis Harriel, violin; Taija Warbelow, viola; Kevin Rogers, violin

durée : 00:59:52 - En pistes, contemporains ! du dimanche 29 septembre 2019 - par : Emilie Munera - Au programme ce soir : l'Orchestre symphonique de Montréal et de son chef Kent Nagano plongent au cœur de l'oeuvre du compositeur américain John Adams, les Danois d’Ekkozone, menés par le vibraphoniste Mathias Reumert, interprètent deux pièces de Steve Reich... - réalisé par : Lionel Quantin

Stephanie, Mike, and Jason chat about what its like to be a famous classical music soloist. Joining them this week is Sean Chen, one of Kansas City's premiere classical music soloists. The gang recommends the following listening to accompany this episode: Beethoven Symphony No. 4 – Chamber Orchestra of Europe, Nikolaus Harnoncourt Sabine Meyer plays Mozart, Debussy and Takemitsu with the Berlin Philharmonic and Claudio Abbado Spotify playlist including those recordings https://open.spotify.com/album/6lu8QlTLnOsd199MZ7rHOy?si=e_TqhFXUTpGZURCPpGwJ0g (HERE). Also recommended are the following sites: https://www.seanchenpiano.com/ (https://www.seanchenpiano.com/) https://www.digitalconcerthall.com/en/home (https://www.digitalconcerthall.com/en/home)

Con Carlos Iribarren | Hoy cogemos el avión y nos plantamos en un lugar muy lejano: el Imperio del sol naciente. Conocemos su gastronomía, su cine y alguna que otra costumbre que nos parece de lo más exótica, pero... ¿qué hay de su música? ¿Suena como la imaginamos o podemos sorprendernos si nos adentramos en ella? Aprovechando el reciente viaje a Japón de Ana Laura Iglesias y Mario Mora, descubrimos varias obras de autores como Takemitsu, Yanada o el popular músico contemporáneo Ryuichi Sakamoto. ¡Y con una invitada de excepción! La pianista y compositora de Saitama, Ai Amor, que ha estado visitando Madrid para hacer varios conciertos. ¡Déjate arrebatar por Japón y su música en Hoy Toca, el programa de Clásica FM que te quiere sorprender!

Con Carlos Iribarren | Hoy cogemos el avión y nos plantamos en un lugar muy lejano: el Imperio del sol naciente. Conocemos su gastronomía, su cine y alguna que otra costumbre que nos parece de lo más exótica, pero... ¿qué hay de su música? ¿Suena como la imaginamos o podemos sorprendernos si nos adentramos en ella? Aprovechando el reciente viaje a Japón de Ana Laura Iglesias y Mario Mora, descubrimos varias obras de autores como Takemitsu, Yanada o el popular músico contemporáneo Ryuichi Sakamoto. ¡Y con una invitada de excepción! La pianista y compositora de Saitama, Ai Amor, que ha estado visitando Madrid para hacer varios conciertos. ¡Déjate arrebatar por Japón y su música en Hoy Toca, el programa de Clásica FM que te quiere sorprender!

New week, new Jump! Takemitsu's battle with his inner demons continues in Act-Age, the silly fun (and gore) never stop in Chainsaw Man, and Demon Slayer is still popping off. Plus, there's a new series this week: Zipman!! Is it good enough to warrant not just one, but two exclamation points in its title? We share our queerpinions on:Act-Age chapter 92Chainsaw Man chapter 49Demon Slayer: Kimetsu no Yaiba chapter 185Dr. STONE chapter 131My Hero Academia chapter 252Zipman!! chapter 1You can find all our episodes on Spotify, Podcast Addict, and Apple Podcasts!Spoiler and content warning: We’re a fairly NSFW-podcast that uses reclaimed homophobic slurs. We also spoil the hell out of all the chapters listed above. Content-wise, they (and our discussions of them) touch on physical violence, gore, abuse, and sexual objectification/violence against women.

durée : 01:57:43 - Invité : Emmanuel Pahud, flûtiste - par : Lionel Esparza - Lionel Esparza reçoit le flûtiste Emmanuel Pahud pour parler de Mozart, Penderecki, Reinecke et Takemitsu à l'occasion de la sortie de l'album "Dreamtime" (Warner Classics) paru le 25 octobre dernier, enregistré avec l'Orchestre de la Radio de Munich. - réalisé par : Antoine Courtin

Arturo y Patricio comentan la influencia de la música clásica en Japón. Con música de Mitsuko Uchida, Masaaki Suzuki, Bach Collegium Japan, Seiji Ozawa y Tōru Takemitsu.

Richard Stoltzman is a pioneer in the clarinet community as a soloist and chamber musician in both jazz and classical genres.  In this interview he tells incredible stories about Marlboro, Marcel Moyse, Messiaen, Takemitsu and his incredible experiences with musicians and composers throughout his life.

durée : 00:59:52 - En pistes, contemporains ! du dimanche 29 septembre 2019 - par : Emilie Munera - Au programme ce soir : l'Orchestre symphonique de Montréal et de son chef Kent Nagano plongent au cœur de l'oeuvre du compositeur américain John Adams, les Danois d’Ekkozone, menés par le vibraphoniste Mathias Reumert, interprètent deux pièces de Steve Reich... - réalisé par : Lionel Quantin

durée : 02:59:45 - Été Classique Après-midi du vendredi 05 juillet 2019 - par : Rodolphe Bruneau-Boulmier - La musique autrement. Quelques coups de cœur en compagnie d’artistes singuliers. Quelques plaisirs d’amour de Chopin à Takemitsu. - réalisé par : Pierre Willer

Five pieces (six actually) inspired and influenced by nature and the East. When the organisers of the Paris Universal Exposition in 1889 invited gamelan players from Indonesia they introduced French composers to a whole world of new and exciting possibilities and a new direction in music. Japanese composer Toro Takemitsu was inspired by the French composers who were inspired by Eastern culture. Spirit Garden is a meditation on the sacred spaces that are Japanese gardens.  

The Tactical Guitarist podcast brings you interviews with guitarist, composers, teachers, and anyone else who can share their wisdom, advice and stories on surviving a career in music.My guest for this episode is renowned composer Stephen Goss.Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 80 CDs by more than a dozen record labels, including EMI, Decca, Telarc, Virgin Classics, Naxos, and Deutsche Grammophon. His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces.Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.Several of Goss’s recent projects have involved the legendary guitarist John Williams, including his Guitar Concerto, which Williams recorded and played on tour with the Royal Philharmonic Orchestra. Some of the world’s leading orchestras to have performed his works include The Russian National Orchestra, The China National Symphony Orchestra, The Royal Liverpool Philharmonic Orchestra, The State Symphony Orchestra ‘New Russia’, The RTÉ National Symphony Orchestra, The Boulder Philharmonic Orchestra, The Scottish Chamber Orchestra, and The Barcelona Symphony Orchestra.Commissions have come from guitarists David Russell and Xuefei Yang (including chamber works with cellist Natalie Clein and tenor Ian Bostridge). Goss has also collaborated with Andrew Lloyd Webber, Alt-J, and Avi Avital. As a guitarist, he has worked with Takemitsu, Henze, Peter Maxwell Davies and Elliott Carter, and toured and recorded extensively with the Tetra Guitar Quartet, various other ensembles, and as a soloist.Stephen Goss is Chair of Composition at the University of Surrey (UK), Director of the International Guitar Research Centre, and a Professor of Guitar at the Royal Academy of Music in London. He was born in Wales on 2nd February 1964.Stephen was in Portland for a three day performance of his Albeniz Concerto by renowned guitarist Pablo Villegas and the Oregon Symphony. I was given a unique opportunity to chat briefly with him, so we sat down at Bryan Johanson’s home this past week to talk a little about his accomplishments, some of his history and some great words of wisdom to musicians.

Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

Toru Takemitsu's "A Flock Descends into the Pentagonal Garden" grew of out several influences. One inspiration was the composer's dreams, including a vision of a flock of white birds led by a single black bird. Another was his love of traditional Japanese gardens. A spark was provided by the American avant-garde composer John Cage, whose concept of indeterminate music - in which passages are left to chance or improvisation by the performers - was tremendously appealing to Takemitsu. The image of a five-sided garden also informs the piece's structure: five brief sections are built on five-note themes based on the pentatonic scale. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33853]

Í þættinum er hugað að tónlist bandaríska trompetleikarans Jon Hassell. Hann fæddist í Memphis, lærði á trompet í New York og varð fyrir miklum áhrifum af tónlist Karlheinz Stockhausen í Köln á sjöunda áratugnum. Blandan sem Hassell hefur búið til úr öllu því sem hann hefur orðið fyrir á tónlistarsviðinu hefur stundum verið kölum "Fjórða heims" tónlist. Einnig hljóma nokkur skondin tóndæmi um rigninguna. Takemitsu, Ravel, Davíð Þór Jónsson og litháskir listamenn eru meðal þeirra sem sjá fyrir þeim skúraleiðingum.

Í þættinum er hugað að tónlist bandaríska trompetleikarans Jon Hassell. Hann fæddist í Memphis, lærði á trompet í New York og varð fyrir miklum áhrifum af tónlist Karlheinz Stockhausen í Köln á sjöunda áratugnum. Blandan sem Hassell hefur búið til úr öllu því sem hann hefur orðið fyrir á tónlistarsviðinu hefur stundum verið kölum "Fjórða heims" tónlist. Einnig hljóma nokkur skondin tóndæmi um rigninguna. Takemitsu, Ravel, Davíð Þór Jónsson og litháskir listamenn eru meðal þeirra sem sjá fyrir þeim skúraleiðingum.

Í þættinum er hugað að tónlist bandaríska trompetleikarans Jon Hassell. Hann fæddist í Memphis, lærði á trompet í New York og varð fyrir miklum áhrifum af tónlist Karlheinz Stockhausen í Köln á sjöunda áratugnum. Blandan sem Hassell hefur búið til úr öllu því sem hann hefur orðið fyrir á tónlistarsviðinu hefur stundum verið kölum "Fjórða heims" tónlist. Einnig hljóma nokkur skondin tóndæmi um rigninguna. Takemitsu, Ravel, Davíð Þór Jónsson og litháskir listamenn eru meðal þeirra sem sjá fyrir þeim skúraleiðingum.

The Director's Club pays a return journey to the world of Akira Kurosawa!  Focusing this time on the second half of his career, we take a loo k at his biggest box office success, his iconic lone samurai warrior Sanjuro, the multiple great performances he got from Toshiro Mifune and Tatsuya Nakadai, and his influences on a galaxy far far away. We'll check out  the ways his later films astound on multiple levels, how he fell out of favorin the movie business and what led to one of the greatest late career resurgences in movie history! (2:03) "The Hidden Fortress" ("Fortress", Pinback) (15:18) "The Bad Sleep Well" ("Money & Corruption", The Kinks) (27:36) "Yojimbo" (Theme from "A Fistful of Dollars") (39:26) "Sanjuro" ("I Am The Sword", Motorhead) (50:34) "High and Low" ("Going Underground", The Jam) (1:15:56) "Red Beard" / The "Tora! Tora! Tora!" debacle ("Doctor My Eyes", Jackson Browne) (1:38:26) "Dersu Usala" ("Sprawl II: Mountains Beyond Mountains", Arcade Fire) (1:52:17) "Kagemusha" ("Me And My Shadow", Johnny Marvin) (2:15:35) "Ran" (Soundtrack from "Ran")ru Takemitsu) (2:47:09) "Dreams" ("Street of Dreams", Rainbow)

Episode 55 features Seattle based guitarist and composer Michael Nicolella. In this podcast we discuss composing for electric guitar, acoustics, transcriptions, Rite of Spring for guitar trio, diverse career as a musician, recent recording of a Bach album, and much more. To learn more about Michael Nicolella please visit: http://www.nicolella.com/ https://en.wikipedia.org/wiki/Michael...   https://www.facebook.com/OffThePodium... © Off The Podium, 2017

Violinist Anne-Sophie Mutter draws connections between Tchaikovsky's Violin Concerto and Takemitsu's Nostalghia, Boston Symphony Music Director Andris Nelsons previews Shostakovich's Symphony No. 6 with WCRB's Brian McCreath, and Handel and Haydn Society Concertmaster Aisslinn Nosky talks with WCRB's Alan McLellan about leading the ensemble and the challenges of Vivaldi and other Italian Baroque masters.

The conductor talks Takemitsu, Strauss and music in Japan

Crime-writer Peter Robinson tops the best-seller lists year after year, across the world; in fact his detective, DI Banks, is probably even better known than he is. DI Banks is a straight-talking Yorkshire-man with dodgy dress sense and a frustrated love life, and he's been solving murders in Yorkshire for some twenty years now. There are now twenty-three Banks novels, and several series on television with Stephen Tompkinson in the title role. So DI Banks is hugely popular, and central to his character is that he constantly listens to music - in the car, at home, in pubs. There's a memorable line where Robinson says of his detective - "He did his best thinking when he was listening to music and drinking wine." This, Robinson reveals, is autobiographical. In Private Passions, Peter Robinson talks to Michael Berkeley about how music inspires his best thinking and writing, and why he's on a mission to get all his readers listening to the music he loves. He even creates online playlists of the music his detective listens to - including some of the music he chooses in Private Passions. Choices include Poulenc's Sextet for Piano and Wind, Beethoven's String Quartet in C sharp minor, Takemitsu, Miles Davis, and one of Schubert's last piano sonatas. Perhaps it's no surprise that he's drawn to last works - as a crime writer, his books begin with murder. Robinson confesses though that he regrets the increasing violence of the genre, and thinks the TV adaptations of his work go too far. And he reveals why Yorkshire is always the best place to hide a body. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Programa doble sobre 2 grandes compositores del siglo XX Penderecki y Takemitsu.

Hélène Grimaud‘s recent release on Deutsche Grammophon, is a true “concept album.” Flowing with water themed music from the classical repertoire it also bathes us with new musical bridges and transitions from composer and producer, Nitin Sawhney. “What inspired the idea to record this album is really the fascination that so many composers of the 19th and 20th centuries seem to have had with the element of water,” Grimaud states. In this episode, Hélène and Dacia surf through the music selections, and wade through the details of how a project such as this ebbs and flows. They navigate through the process, from a tiny ripple of an idea to a tsunami of musical expression in the final CD release. They also dive into the ecological importance of conservation and Hélène’s goal of streaming awareness for safe, clean water around the world. With all of the good music on this show, you might need a bigger boat! Featuring works by nine composers: Berio’s Wasserklavier and includes Takemitsu’s Rain Tree Sketch II, Fauré’s Barcarolle No.5, Ravel’s Jeux d’eau, “Almería” from Albéniz’s Iberia, Liszt’s Les Jeux d’eau à la Villa d’Este, the first movement of Janáček’s In the Mists, and Debussy’s La cathédrale engloutie. Audio production by Todd “Trickle” Hulslander with splashing about by Dacia Clay and editing by Mark DiClaudio.

- direkte fra Konservatoriets koncertsal i Esbjerg med musik af Maurice Emmanuel, Takemitsu, Gounod, Debussy, Saariaho og Ravel under overskriften Fransk Fusion. Esbjerg Ensemblet med Tanja Zapolski, klaver. Vært: Klaus Møller-Jørgensen.

Werke von Berio, Takemitsu, Fauré, Ravel, Albéniz, Liszt, Janácek, Debussy und Sawhney | Hélène Grimaud (Klavier)

Autumn fever came early this year with Starbucks' early release of the PSL. While this podcast is not laden with pumpkin spice, it does offer some music for your autumn soundtrack!   Join Salon97 online:www.salon97.org http://twitter.com/salon97 http://www.facebook.com/salon97 gplus.to/salon97 http://pinterest.com/salon97/http://salon97.tumblr.com/http://www.youtube.com/user/Salon97Musichttp://www.rdio.com/people/Salon97/