Podcasts about Ondine

When the contractions were two minutes apart, Jeff's phone chirped out the opening riff of Ice Ice Baby. That was the ringtone for Kara, the midwife. He picked up and she said, "Are you sitting down?" She wasn't coming. This week, Jeff tells the birth story of his second daughter, Ondine, aka Lolli — born in a Brooklyn basement that wasn't exactly Gatsby. When the model-turned-midwife got swept up in a home birth documentary and the backup landed two hours north on I-87, Jeff took off his clothes, got in the tub, and resolved to deliver his own baby — until Miriam walked through the door in the bottom of the ninth and caught their little wave with her bare hands. Schuyler joins him to unpack it all: the glam East Village midwife, the bagels, the old wives' tale that you only ever get two out of three (easy pregnancy, easy labor, easy baby), and what an emergency reveals about who you actually are. This is the second episode of Diaries of a Dance Dad, an audio memoir series in Jeff's own words. It spans the full arc of parenthood: the inhale of birth and early chaos, the grind of no sleep and travel with kids, the gut-punches of failure, and the slow exhale of letting go. Order Diaries of a Dance Dad audiobook & hear the tales that bookend my paternal journey from cradle to empty nestdom at onecommune.com/dancedad. This episode was made possible by: CocoaVia: Use code COMMUNE2026 for 25% off at CocoaVia.com Stripes: Visit stripesbeauty.com and use the code COMMUNE20 for 20% off our entire product line.
 LMNT: Get a free 8-count Sample Pack of LMNT's most popular drink mix flavors with any purchase at drinklmnt.com/commune.
 Vivobarefoot: Try Vivobarefoot risk-free with a 100-day return guarantee, and get 25% off your order at vivobarefoot.com/commune. Stemregen: Get 20% off your first order at stemregen.co/commune with the code COMMUNEPOD

Rendez-vous dans l'extrême nord du Pakistan, dans les montagnes du Gilgit-Baltistan. Située aux confins de la Chine et de l'Afghanistan, cette région isolée abrite certains des plus hauts sommets du monde et des milliers de glaciers. Ses paysages à couper le souffle accueillent chaque année des centaines de milliers de visiteurs. Pourtant, la région est en première ligne face au changement climatique et voit ses glaciers fondre à un rythme accéléré, avec des conséquences déjà visibles : inondations soudaines, glissements de terrain et ruptures de lacs glaciaires se multiplient. Pourtant essentiels à l'économie locale, au tourisme et à l'irrigation des cultures, les glaciers sont également devenus une source croissance d'inquiétude. Plus imprévisibles que jamais, ils menacent désormais les villages à leur pied. De notre correspondante Ondine de Gaulle à Gilgit-Baltistan, Dans une pièce unique, simplement meublée, Malika, 52 ans, tablier noué autour de la taille, s'active aux fourneaux. Dans ce petit restaurant de Gulmit, au cœur du Gilgit-Baltistan, elle a dû tout recommencer à zéro. L'été dernier, son ancien restaurant, au bord de la rivière, a été emporté en quelques minutes par une crue soudaine : « Personne ne nous avait prévenus qu'une chose pareille allait arriver. J'étais occupée à mes tâches habituelles. Soudain, quand la crue a frappé, j'ai fui. Le restaurant et tout le reste ont été emportés. Nous n'avons reçu aucune compensation du gouvernement. » La catastrophe a été provoquée par la rupture d'un lac glaciaire, relâchant soudainement plusieurs millions de mètres cubes d'eau. Le village de Malika se trouve au pied du glacier de Gulmit, qui culmine à près de 7 300 mètres d'altitude : « Le dérèglement climatique s'est aggravé ces trois dernières années. De telles crues s'étaient déjà produites par le passé, peut-être une fois tous les 15 ou 20 ans. Mais leur intensité n'était pas aussi forte. » La région accueille près de 13 000 glaciers, les plus nombreux hors des zones polaires. Nous retrouvons Saleem Khan, guide de haute montagne de 34 ans, à la fin du glacier de Passu. Devant lui, de l'eau jaillit d'une vaste crevasse ouverte dans la glace : « Autrefois, le glacier faisait 30 kilomètres de long, mais il ne mesure plus aujourd'hui que 12 kilomètres, à cause du changement climatique. » À lire aussiAu Pakistan, comment le changement climatique intensifie les moussons meurtrières « Tout a été emporté » Avec la hausse des températures, les glaciers de la région fondent, depuis 2010, à un rythme environ 65% plus rapide que durant la décennie précédente. « Ces glaciers ont causé de nombreux dégâts aux terres agricoles, aux habitations et à l'industrie du tourisme. À terme, les habitants partirons, car il ne restera plus rien. Ce sera la fin de notre civilisation », s'inquiète Saleem Khan. Dans une vallée voisine, à Hassanabad, les crues glaciaires ne sont plus des événements ponctuels et se succèdent depuis 2019. À l'été 2025, une crue soudaine a tout pris à Ali Dawar, 74 ans, chapeau traditionnel vissé sur la tête : « Tout a été emporté : nos cerisiers, nos autres arbres fruitiers, les maisons, les étables... » Il craint que ses enfants ne puissent plus vivre sur ces terres : « Les experts nous ont dit que dans les cinq années à venir, les eaux emporteront tout ce qu'il reste. Mais qu'allons-nous faire ? Nous sommes pauvres. Nous n'avons pas les moyens de louer un logement en ville et nous ne sommes pas assez instruits pour trouver un travail de bureau. » Ces glaciers alimentent une grande partie du Pakistan, et leur disparition progressive pourrait fragiliser la sécurité hydrique et alimentaire de plus de 220 millions de personnes.

Rendez-vous dans l'extrême nord du Pakistan, dans les montagnes du Gilgit-Baltistan. Située aux confins de la Chine et de l'Afghanistan, cette région isolée abrite certains des plus hauts sommets du monde et des milliers de glaciers. Ses paysages à couper le souffle accueillent chaque année des centaines de milliers de visiteurs. Pourtant, la région est en première ligne face au changement climatique et voit ses glaciers fondre à un rythme accéléré, avec des conséquences déjà visibles : inondations soudaines, glissements de terrain et ruptures de lacs glaciaires se multiplient. Pourtant essentiels à l'économie locale, au tourisme et à l'irrigation des cultures, les glaciers sont également devenus une source croissance d'inquiétude. Plus imprévisibles que jamais, ils menacent désormais les villages à leur pied. De notre correspondante Ondine de Gaulle à Gilgit-Baltistan, Dans une pièce unique, simplement meublée, Malika, 52 ans, tablier noué autour de la taille, s'active aux fourneaux. Dans ce petit restaurant de Gulmit, au cœur du Gilgit-Baltistan, elle a dû tout recommencer à zéro. L'été dernier, son ancien restaurant, au bord de la rivière, a été emporté en quelques minutes par une crue soudaine : « Personne ne nous avait prévenus qu'une chose pareille allait arriver. J'étais occupée à mes tâches habituelles. Soudain, quand la crue a frappé, j'ai fui. Le restaurant et tout le reste ont été emportés. Nous n'avons reçu aucune compensation du gouvernement. » La catastrophe a été provoquée par la rupture d'un lac glaciaire, relâchant soudainement plusieurs millions de mètres cubes d'eau. Le village de Malika se trouve au pied du glacier de Gulmit, qui culmine à près de 7 300 mètres d'altitude : « Le dérèglement climatique s'est aggravé ces trois dernières années. De telles crues s'étaient déjà produites par le passé, peut-être une fois tous les 15 ou 20 ans. Mais leur intensité n'était pas aussi forte. » La région accueille près de 13 000 glaciers, les plus nombreux hors des zones polaires. Nous retrouvons Saleem Khan, guide de haute montagne de 34 ans, à la fin du glacier de Passu. Devant lui, de l'eau jaillit d'une vaste crevasse ouverte dans la glace : « Autrefois, le glacier faisait 30 kilomètres de long, mais il ne mesure plus aujourd'hui que 12 kilomètres, à cause du changement climatique. » À lire aussiAu Pakistan, comment le changement climatique intensifie les moussons meurtrières « Tout a été emporté » Avec la hausse des températures, les glaciers de la région fondent, depuis 2010, à un rythme environ 65% plus rapide que durant la décennie précédente. « Ces glaciers ont causé de nombreux dégâts aux terres agricoles, aux habitations et à l'industrie du tourisme. À terme, les habitants partirons, car il ne restera plus rien. Ce sera la fin de notre civilisation », s'inquiète Saleem Khan. Dans une vallée voisine, à Hassanabad, les crues glaciaires ne sont plus des événements ponctuels et se succèdent depuis 2019. À l'été 2025, une crue soudaine a tout pris à Ali Dawar, 74 ans, chapeau traditionnel vissé sur la tête : « Tout a été emporté : nos cerisiers, nos autres arbres fruitiers, les maisons, les étables... » Il craint que ses enfants ne puissent plus vivre sur ces terres : « Les experts nous ont dit que dans les cinq années à venir, les eaux emporteront tout ce qu'il reste. Mais qu'allons-nous faire ? Nous sommes pauvres. Nous n'avons pas les moyens de louer un logement en ville et nous ne sommes pas assez instruits pour trouver un travail de bureau. » Ces glaciers alimentent une grande partie du Pakistan, et leur disparition progressive pourrait fragiliser la sécurité hydrique et alimentaire de plus de 220 millions de personnes.

Pour cette interview express, cap sur un pays solaire, vibrant, où tout passe par les rencontres, les couleurs, les odeurs et une énergie qu'on ne trouve nulle part ailleurs. Et pour en parler on reçoit Ondine Saglio. Ondine a grandi au Sénégal et dirige aujourd'hui la CSAO, lieu emblématique dédié à l'artisanat ouest-africain. Autant dire qu'elle connaît le pays de l'intérieur, ses adresses confidentielles, ses coups de cœur de toujours, ses meilleurs conseils.Et elle a accepté de tout nous livrer :✨ Pourquoi Dakar n'a pas grand intérêt et pourquoi il faut filer direct à Gorée, l'île qu'il faut absolument visiter en fin de journée (et idéalement y dormir)✨ Son hôtel coup de cœur sur l'île, décoré par sa propre mère✨ Ses deux restaurants préférés à Gorée, dont Chez Tio et sa fameuse brochette de lotte✨ Le trip idéal pour une semaine : Gorée + Sine-Saloum + Petite Côte (et surtout, ne pas vouloir tout faire)✨ La meilleure période pour partir (et le mois à fuir absolument)✨ Ses rencontres qui ont marqué sa vie au Sénégal✨ Et quoi ramener dans la valise quand on rentre du paysUn épisode chaleureux, intime, qui donne envie de boucler sa valise sur-le-champ. Faut foncer, comme dit Ondine.LES ADRESSES & RECOMMANDATIONS D'ONDINE

This week's podcast is all about gambling and how it has infiltrated our daily lives thanks to mobile gaming, betting apps and the accessibility of casino like games targeted toward kids.  Together with author, Anita Ondine Smith, we traverse the tricky landscape of the gambling world with Bugs Bunny as our guide and his run-ins with gambling throughout the franchise. It was such a privilege to host Anita in this conversation around her book and journey.  Buy her book on Amazon: Follow our guest on Linkedin and Instagram at Anita Ondine Smith. And as always, that's NOT all folks!  

Rencontre - Ondine Simonot-Bérenger, sciences cognitives et théâtre : des laboratoires d'émotions by ARTCENA

Con más de 258 millones de habitantes y una población que podría superar los 300 millones antes de que termine la década, Pakistán enfrenta uno de los mayores desafíos demográficos del mundo. El rápido crecimiento de la población ejerce una presión creciente sobre el empleo, la educación, los servicios públicos y las infraestructuras de un país que lucha por acompañar ese ritmo de expansión. Sin embargo, la planificación familiar continúa siendo un tema sensible en amplios sectores de la sociedad. En particular, la anticoncepción masculina sigue rodeada de estigmas culturales y sociales, dificultando los esfuerzos para contener el crecimiento demográfico. Un reportaje de Shahzaib Wahlah y Ondine de Gaulle, en colaboración con Hameer M., para France 24.

Pour notre invitée, le Sénégal n'est pas une destination. C'est une histoire de famille.Ondine Saglio est née à Dakar, a grandi pieds nus sur l'île de Gorée, et a découvert Paris à sept ans avec des poux dans les cheveux et les vêtements de son grand frère sur le dos. Son père, ethnologue et diplomate, voulait que ses enfants soient « des petits Sénégalais ». Sa sœur, elle, avait été envoyée à dix ans garder des chèvres en Casamance. Sa mère a fondé la CSAO dans un garage du 7e arrondissement, devenue aujourd'hui une institution de l'artisanat ouest-africain. À la croisée de ces deux mondes, Ondine a construit toute sa vie.Aujourd'hui, elle dirige la CSAO, fait travailler une cinquantaine de brodeuses à l'Atelier des Rêves à Dakar, collabore avec Sézane, Bonpoint et Christian Louboutin. Une commande Louboutin permet à ces femmes six mois de revenus et, parfois, l'autonomie nécessaire pour quitter une situation violente. Au-dessus de l'atelier vit La Maison Rose : un refuge pour les femmes des rues enceintes, où la broderie est devenue une thérapie après les traumatismes. À cela s'ajoute l'Empire des Enfants, le programme pour enfants des rues que sa mère a porté pendant vingt ans.Dans cet épisode, Ondine nous raconte tout, son enfance hors-normes avec un père qui allait travailler en planche à voile, le retour brutal à Paris dans une école du 7e, la naissance de la CSAO dans un garage, et la manière dont elle a fait dialoguer le luxe et l'engagement social sans jamais s'excuser de l'un ou de l'autre.Elle partage aussi ses meilleures adresses au Sénégal : la maison d'hôtes solidaire de Gorée, le thieboudienne, le bissap, la brochette de lotte au riz de Casamance, et les meilleures périodes pour partir.Un podcast produit et réalisé par Sakti Productions & Beau Voyage

Pour notre invitée, le Sénégal n'est pas une destination. C'est une histoire de famille.Ondine Saglio est née à Dakar, a grandi pieds nus sur l'île de Gorée, et a découvert Paris à sept ans avec des poux dans les cheveux et les vêtements de son grand frère sur le dos. Son père, ethnologue et diplomate, voulait que ses enfants soient « des petits Sénégalais ». Sa sœur, elle, avait été envoyée à dix ans garder des chèvres en Casamance. Sa mère a fondé la CSAO dans un garage du 7e arrondissement, devenue aujourd'hui une institution de l'artisanat ouest-africain. À la croisée de ces deux mondes, Ondine a construit toute sa vie.Aujourd'hui, elle dirige la CSAO, fait travailler une cinquantaine de brodeuses à l'Atelier des Rêves à Dakar, collabore avec Sézane, Bonpoint et Christian Louboutin. Une commande Louboutin permet à ces femmes six mois de revenus et, parfois, l'autonomie nécessaire pour quitter une situation violente. Au-dessus de l'atelier vit La Maison Rose : un refuge pour les femmes des rues enceintes, où la broderie est devenue une thérapie après les traumatismes. À cela s'ajoute l'Empire des Enfants, le programme pour enfants des rues que sa mère a porté pendant vingt ans.Dans cet épisode, Ondine nous raconte tout, son enfance hors-normes avec un père qui allait travailler en planche à voile, le retour brutal à Paris dans une école du 7e, la naissance de la CSAO dans un garage, et la manière dont elle a fait dialoguer le luxe et l'engagement social sans jamais s'excuser de l'un ou de l'autre.Elle partage aussi ses meilleures adresses au Sénégal : la maison d'hôtes solidaire de Gorée, le thieboudienne, le bissap, la brochette de lotte au riz de Casamance, et les meilleures périodes pour partir.Un épisode à écouter quand on a envie d'être une meilleure voyageuse. Ou à envoyer à ceux qui rêvent du Sénégal sans savoir vraiment pourquoi.Un podcast produit et réalisé par Sakti Productions & Beau Voyage

One of Pakistan's greatest challenges is controlling its rapidly growing population. With more than 258 million inhabitants, the country is already the fifth most populous in the world. By 2030, its population could surpass 300 million, pushing Pakistan into fourth place globally, ahead of Indonesia. This rapid demographic growth is far outpacing the country's capacity for socio-economic development and infrastructure expansion. In several key social sectors, Pakistan continues to lag behind neighbouring India and Bangladesh. Yet contraception remains largely taboo in a society shaped by strong traditional values, where it is sometimes viewed as religiously forbidden. A report by Shahzaib Wahlah and Ondine de Gaulle, in collaboration with Hameer M.

El cierre total de la frontera entre Pakistán y Afganistán cumple ya seis meses y está dejando a miles de personas sin ingresos, en medio de una creciente crisis humanitaria en la región. Mientras las negociaciones diplomáticas entre ambos países permanecen estancadas, las comunidades fronterizas enfrentan el impacto económico y social de una de las rutas más importantes del área. Reportaje de Shahzaib Wahlah y Ondine de Gaulle, en colaboración con Sayed Aman Sadat, para France 24.

Ondine Simonot-Bérenger est chercheuse en sciences cognitives et étudie nos réactions quand nous sommes au spectacle. Loin des laboratoires classiques de l'université, ses expériences se déroulent directement dans des salles de spectacle.Son grand questionnement : savoir si, en tant que membre du public, entouré de centaines de personnes, le jugement que porte le spectateur sur la pièce est modifié. Autrement dit, est-ce qu'une personne apprécierait de la même manière une pièce de théâtre s'il la regardait seul ? Et, si oui pourquoi ? Ses travaux originaux lui ont valu le prix du concours « Ma thèse en 180 secondes »…BRAINCAST — Un podcast de Cerveau & Psycho, le média de référence de la psychologie et des neurosciences.cerveauetpsycho.fr • Découvrez nos offres d'abonnement (à partir de 4,90€/mois sans engagement).Suivez-nous sur Instagram @cerveauetpsycho • FacebookHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Aprili alguses ilmus Ondine plaadimärgi all läti pianisti Reinis Zariņši ja trio Palladio album Arvo Pärdi ajatute klaveri- ja kammerteostega.

La pièce Petite Ondine, la danseuse Marie Neïka Obas, les chandails rouges, Pacific FC by Radio Victoria

Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more… LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here. Wendy Eisenberg – Take A Number [Joyful Noise/Bandcamp] Wendy Eisenberg – Curious Bird [Joyful Noise/Bandcamp] We’ve heard from brilliant guitarist, sometime banjoist, songwriter, improviser & composer Wendy Eisenberg in many contexts in the last couple of years: there’s the amazing postpunk/art-rock trio Editrix, Bill Orcutt’s Guitar Quartet, their avant-garde songwriting collaboration with Caroline Davis, and most recently their appearance on their now-partner Mari More Eaze Rubio’s brilliant solo album sentence structure in the country. But the highlight for me remains Eisenberg’s breathtaking final track, “In The Pines”, from their 2024 album Viewfinder. So for all their jazz guitar chops and restless experimentation, I’m already primed to love Eisenberg’s most pure songwriting on this album. There’s definitely a statement in self-titling a mid-career album, and Wendy Eisenberg presents as a straightforward album of songwriterly storytelling, deeply grounded in their newfound love with Mari Rubio. There’s definitely more than a little country in these songs, as well as folk-revivalist styles from Britain, Appalachia etc, but whatever genre, Wendy’s particular melodic sensibility comes through. Supporting this, however, are the utterly essential, sumptuous string arrangements from Mari Rubio, who also co-produced the album with Eisenberg and added pedal steel and synths. With longtime bandmates Trevor Dunn on bass (known for Mr Bungle, Secret Chiefs 3, many John Zorn-related lineups etc) and Ryan Sawyer on drums (of too many collaborations including a time in At The Drive-In and long-ago UFog faves Stars Like Fleas), there’s a homely feel to these songs, songs which contemplate identity, life’s trajectory, past trauma and coming into a hard-won happiness. Margareth Kammerer – Gift [Ftarri/Bandcamp] Margareth Kammerer – Amor [Ftarri/Bandcamp] Weirdly, when I did my DJ set for Art After Hours/Liquid Architecture/Sydney Biennale in March (stream it here) I decided to play a track by Berlin-based Italian singer & composer Margareth Kammerer, and only a day or two later I discovered that she’d just released a new album, The Garden. I’ve been a fan of hers since, I would say, the mid 2000s, when she released the extraordinary album To Be an Animal of Real Flesh, full of odd, experimental songs. Following a few years later came two wonderful, mysterious albums with The Magic I.D., a quartet with Christof Kurzmann on electronics and vocals next to her own guitar & vocals, and the two clarinettists, Kai Fagaschinski & Michael Thieke, who also play bewitching, alien music as The International Nothing. So it’s reasonable to say she’s been deconstructing and re-examining songform for some decades by now. Released by Japanese label Ftarri (also a tiny experimental music venue & store in Tokyo), The Garden is of a piece with her earlier albums – the last of which came out a mere 12 years ago… Her oddly beautiful songs are supported by many important fellow travellers including our own Chris Abrahams of The Necks etc, double-bassist/electronicist Werner Dafeldecker, experimental musician Valerio Tricoli and experimental cellist Bo Wiget. I remain in awe. Espen Reinertsen – Til noens dype muskelvev [SusannaSonata/Bandcamp] Espen Reinertsen – Skal jeg følge deg til havet [SusannaSonata/Bandcamp] What astonishing beauty to stumble upon without warning! Espen Reinertsen is a name I’ve known for a while, as his saxophone and woodwinds – or his mixing skills – are credited on many a Norwegian release, including those from Trondheim Jazz Orchestra, Erik Honoré, Kim Myhr, Jenny Hval and Christian Wallumrød Ensemble. But these are his own songs, with sparse live drums and drum machines, sparse keyboards and gorgeous woodwind & trumpet arrangements which frequently shift into unexpected voicings and harmonies. You’ll hear a lot of Radiohead here – albeit more jazz-informed – but it’s also one of those rare cases when the post-rock-as-in-Talk-Talk tag is completely justified. Reinertsen’s melodies are simple until they spin off into some harmonically distant galaxy, and his layers of woodwinds are delicately emotive, merging invisibly with synthesizers just as Erik Nylander’s acoustic drums somehow have the precision of drum machines and also the sparkle of jazz drums. What a blessing. Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori [Puritone/Bandcamp] So, Trondheim Jazz Orchestra are a collective with a varying lineup of Norwegian improvising musicians, who enlist different musicians to collaborate with them, with reliably extraordinary results. On this album, they work with Greek-Norwegian singer & composer Marianna Sangita Angeletaki Røe, who has titled the album ΣΠΙΤΙ (SPITI), which is Greek for “Home”. Marianna Sangita explores her own search for belonging, caught between two very different places, and she sings in four different languages: Norwegian, Greek, English, and Sámi, the latter being a people indigenous to the Sápmi region across northern parts of Norway, Sweden, Finland and part of Russia. The music, too, draws from many different traditions, with Greece’s proximity to the area Europeans call the “Middle East” evident in its traditional musical forms, and the combined vocals of Sangita, Ina Sagstuen and Sissel Vera Pettersen (and other musicians at times) evoking Eastern European musics as much as Nordic. The musicianship is uniformly brilliant, the songs sparkling, moving, joyful. Highly recommended. Mayssa Jallad – Taamir (Bahriyyeh) [Ruptured Records/Bandcamp] A few years back, Beirut label Ruptured put out an amazing album by Lebanese singer/songwriter and researcher Mayssa Jallad called Marjaa: The Battle of the Hotels. In touching experimental songs, Jallad chronicled the beginning of the Lebanese Civil War in 1975, in which Christian Nationalists and pro-Palestinian leftists fought a violent battle amongst the high-rise hotels in Beirut, leading to the Green Line dividing the city, a rift that lasted for 15 years. Since then the album has been remixed in spectral dub fashion by Civilistjävel!, and in 2024 Mayssa created a stunning piece about a Palestinian woman displaced from her village in the Nakba. That single was created out of an instrumental track by Tunefork Studios & Ruptured Records’ Fadi Tabbal, and her new song “Taamir (Bahriyyeh)” is a musical collaboration with Tabbal, featuring drums from Postcards & SANAM‘s Pascal Semerdjian. Jallad is an urban researcher as well as a musician, and urban history is the basis of all these works. This song is about the Taamir social housing project, built in the wake of a destructive earthquake in 1956. By the time the project started, the Ain el Helwe refugee camp had already existed for 8 years, and the juxtaposition of Palestinian refugees, unfortunates who lost their homes in the earthquake, and those more fortunate, is explored by Jallad in this moving, experimental piece, with rumbling, clattering drones and field recordings surrounding Jallad’s voice. Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير [Constellation/Bandcamp] Montreal’s storied Constellation label here brings together a Canadian and French artist for their first duo work. Radwan Ghazi Moumneh has been deeply involved in the Montreal postrock & experimental music in Quebec for over 2 decades, and he’s the co-owner of the mighty Hotel2Tango, originally a performance & artists’ space co-run by members of Godspeed You! Black Emperor and A Silver Mt. Zion, but his main musical outlet has been Jerusalem In My Heart, begun as an audiovisual project with Erin Weisgerber, with Moumneh’s stunning melismatic vocals fed through granular processing to create a contemporary Arabic music ahead of its time in the mid-2010s. Frédéric D. Oberland is a key figure in Paris’s psych & avant-rock scenes, although he also began making films on Super8 & video. Among many bands & collaborations, he leads the incredible Oiseaux-Tempête, a collective whose music draws on psych, krautrock, postpunk and electronic music, with many collaborators and a deep connection to SWANA artists. Moumneh & Oberland had worked together via Oiseaux-Tempête and other projects, but had long intended to collaborate as a duo. Some works were started at Hotel2Tango in 2023, but as Moumneh puts it, since the genocide began he’d experienced sever writer’s block, so he took himself off to Paris in 2024 to complete the work. Four of the seven tracks do feature Moumneh’s voice, but here it’s Oberland taking more of a driver’s seat. Nevertheless, as well as Moumneh’s pain-filled voice Moumneh plays both buzuk and rababa, and there’s daf in the mix along with lots of electronic drones, drum machines and Oberland’s sax and clarineau. This is immersive music of great emotion. Maryam Saleh – Nedaa نداء [Simsara Records/Bandcamp] I first heard Egyptian singer Maryam Saleh as part of the magnificent trio release Lekhfa back in 2017. There, Saleh’s voice combined with the voice and instruments of Palestinian-Egyptian musician Tamer Abu Ghazaleh and the production wizardry and music of Maurice Louca – a masterpiece of Arabic indie music. As far as I can see, her new album, coming some 9 years later, is her first since that collaboration. Produced by Maurice Louca, it also features multiple instruments and creative mentoring from Paris-based Palestinian musician Kamilya Jubran, who founded the organisation Zamkara in Paris to support artistic projects. After three years of development, the result is Syrr سِرّ, the Arabic word for secret, which also happens to be the name Saleh gave her daughter. The album is imprinted by heavy events in Saleh’s life, particularly post-natal depression and divorce. Released by Sarah El Miniawy‘s Simsara Records, this is a creative take on Arabic music, leaning into trip-hop at times, into acoustic instrumentation at other times, carried by Saleh’s beautifully expressive voice and the confident hands of Jubran and Louca, and the impeccable musicianship of the other instrumentalists who join them. But one of the highlights is “Nafas نفَس”, in which Saleh is accompanied solely by Jubran’s oud and exquisitely-harmonised vocal shadows from the two of them. All in all, not to be missed! Taroug – Sirocco [Denovali/Bandcamp] On his second album with Denovali Records, Chott, Düsseldorf-based Tunisian musician Taroug (aka Tarek Zarroug) presents a highly varied mixture of styles. When Zarroug wants to make beat-based bass music, he hits all the right production notes with a healthy dose of north African percussion, while elsewhere there’s dreamy postrock with vocals by the artist himself. Honestly it’s uncanny how the album flits between genres, displaying Zarroug’s ancestry here, slipping into UK bass there or indie guitar music elsewhere. A really impressive album. Wraz. – Twist [Deep Dark & Dangerous/Bandcamp] Rites, the second full album from Montreal dubstep master Wraz., is released through Deep Dark & Dangerous, the label run by New Zealand’s longstanding dubstep duo Truth. As usual, heavyweight dubstep gear, sci-fi aesthetics, surprising melodies… Battery Operated – Stutter [YUKU/Bandcamp] Battery Operated – Casting Shadows [YUKU/Bandcamp] It should be obvious by now that YUKU delivers the goods, but here they are again with something insanely great. The artist behind Battery Operated is also known as PS95, an outlet for mangled jungle breaks that draws our attention to the fact that the Playstation was launched in 1995, the heyday of jungle. On the other hand, Battery Operated has thus far been an alias for deliciously lo-fi tape loops – see their Instagram for videos of their beautifully-modded cassettes & players. But the debut Battery Operated album for YUKU, TYPE I, combines these two strands in stunning fashion. From what I can tell, PS95 & the recording artist Battery Operated are the same person, but the tape loop “art” projects are done with his brother. So this ain’t dance music, not primarily, but nor is it dreamy loop-jelly. Breaks surface from tape hiss, tape loop experiments are layered & sequenced into melodies and sonic narratives, often sounding like a half-analogue/half-digital current-day version of IDM. Wonderful. Thugwidow – IT DIDN’T NEED EXPLAINING [Thugwidow Bandcamp] Thugwidow – pristine heart [Thugwidow Bandcamp] Jungle may be having a renaissance right now, with no end in sight, but Welsh producer Alex Lowther-Harris was on the jungle train way before most. The first Thugwidow releases were around 2017, and for a few years he was fiercly prolific, released mostly on cassette and digital, with a couple of CDs and some vinyl further down the track. His lo-fi early work gave way to slicker production chops as time went on, and the creative firehose slowed by around 2021-22. So it was a joyful shock to see something new appear on his bandcamp, only… it’s a swan song? Yes, SWUN SUNGZ does do what its title suggests, but it also shows that this prolific artist had more up his sleeve – it’s just that the pleasure had drained from it, he was feeling stuck… So here’s *ahem* 121 tracks, going for almost 11½ hours, and there’s a lot of quality material here, including a bunch of collaborations, and productions ranging from hardcore jungle-techno to advanced rhythm science. It’s a helluva way to go out! Note also that not only is all the money likely going to the British bird & wildlife charity RSPB, but he says most of his earnings from the project were always given away to charity. CRZKNY – 009 [Virgin Babylon Records] Japanese experimental electronic producer CRZKNY (which I’ve just learned stands for “CRAZY KENNY”) has brushed shoulders with experimental genre-mashing legend (and seminal UFog artist) World’s End Girlfriend before, on WEG productions and on his label Virgin Babylon, but this is a bit of a special release – a bit like Thugwidow’s above, this is a massive collection of unreleased tunes, here all just numbered as they’re pieces that CRZKNY has played at the Nagoya club GOODWEATHER. CZRKNY put this collection together to help support the club’s founder Eri Ishii after she suffered both an aortic dissection and a cerebral thrombosis, leaving her in a coma for some weeks. She is now on a long road of rehabilitation, and CRZKNY wants to give back to a person who built this perfect live space for his music. Lots of great techno, including glitchy shit and tasty breakbeats, for a good cause. deafkids – CICATRIZES [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. Lint – Balsam of Peru [Lint Bandcamp] OK so, you know, like Scattered Order? A band who I have referred to in the past as “Sydney postpunk/post-industrial/experimental electronic legends”. Mitch Jones is a founding member of said legendary band, active since the early ’80s or possibly slightly earlier, post-etc as described above. Drusilla Johnson aka Dru Jones has been a member of said legendary band at times, and has contributed some brilliant artwork in various phases of their existence. She’s also Mitch’s wife, and they live now in Mt Victoria, in the Blue Mountains on Dharug and Gundungurra country, and at times they release music together as Lint. It’s instinctual, artistic, splashes of colour washed over detailed line drawings… It’s the sound of Air in the taps, but it’s also the sound of over four decades building and trashing and rebuilding a musical language, and you can hear it in every dialogue sample and every wonky beat and the occasional guitar noise solo. It’s so lovely to have a seemingly endless font of new music from these folks in many changing combinations. Roman Rofalski – Ondine (radio edit 1) [Puddle Label/Bandcamp] Last time we heard from German pianist Roman Rofalski – only a few weeks ago – he was deconstructing his piano… again, following his wonderful Fractal from 2024, which shredded piano and prepared piano into constellations of granular sound and rhythm. Ravel Reimagined does just what it tells you – but to be clear, Rofalski does it really well. Over four tracks, Rofalski excerpts four celebrated piano works by the beloved impressionist composer and deconstructs them – and it’s notable that these are live performances, with Rofalski playing grand piano and simultaneously sampling himself, then reworking phrases into loops & glitchy constructions, overlaying them with synths and even beats at times. Maurice Ravel was famously prickly, was not fond of the borrowed artistic term of “impressionism” being used for his music (nor was his elder, Debussy), and was underappreciated in his time. He’s also one of my favourite composers, who I believe advanced composition in directions hitherto unimagined. Rofalski’s extrapolations push Ravel far beyond his imaginings, and it’s quite likely he would be horrified to hear what’s been done to his pieces – but now we’re imagining a composer unmoored by over a century from his origins; these prickly pieces require decades of context to situate them here and now. The virtuosic pianism outlining harmonies full of augmented and diminished intervals, whole-tone scales, melodies woven through corruscating hemidemisemiquavers (hear the original here) are thrown immediately into digital reverberation and gradual distortion until they’re glitched and chopped, then crash into long-ringing tones, a fragmented sample bleating around Ravel’s melody as the piece comes to a close. Bravo. OD – Arrival [Driftworks/Bandcamp] Alex O’Donovan is a recording & mixing engineer, but as OD he makes his own music. On Svalr, O’Donovan documents time spent in Svalbard, an island archipelago in the Arctic which is also home to Norway’s Global Seed Vault (the subject of another beautiful sound work by Ecker & Meulyzer). This album is part of a new project called SITE, co-curated by Audiobulb and Driftworks. O’Donovan took extensive field recordings of the diversity of natural sounds (including glaciers!) as well as the built environment, and found commonalities in all these sounds that formed the basis of his compositions. Remote as it is, Svalbard is inevitably encroached upon by anthrogenic climate change, and as the EP goes on, the sounds of water & ice & animals are swept up in almost industrial impulses, and glitched beat constructions. OD’s Svalr makes compelling music around its highly engaging field recordings. Sandscape – half closed eyes [Octopoda Records/Bored of Works/Bandcamp] Sudanese-Scottish “ethereal grunger” Eliza Shaddad and screen composer Daniel Sonabend team up as Sandscape on the forthcoming album Phenomenology, and first single “half closed eyes” is like hearing a dusty 7″ record playing in a different room of your house – a beguiling piece of ambient-dub-jazz with both artists’ vocals, soft but saturated piano, and muffled drumming from Liam Hutton. Unexpected harmonisations flow over the looping music, but not long after it fades away like a dream – “half closed eyes” indeed. The album promises noise-laden trip-hop, muffled jazz and an exploration of the mixed Arab/British/Jewish heritage between the members… Keen to hear more. Stine Janvin / Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton) [Futura Resistenza/Bandcamp] Stine Janvin / Morten Joh – Before the burial site – Jeg Raader Eder Alle [Futura Resistenza/Bandcamp] Returning now to Norway, we finish with beautiful strangeness from Norwegians Stine Janvin and Morten Joh, adapting funeral procession music (“Liksongen” = corpse songs) from Ryfylke, Norway. Janvin’s voice forms the basis of these works, but the ceremonial music is rendered alien through extensive electronic processing and additional electronics, and occasional vibraphone from Joh. Two guests, both with innovative approaches to their instruments, contribute further: Berlin-based Australian guitarist Jules Reidy and British cellist Lucy Railton. But one of the most magical moments must be when Janvin’s voice is shadowed by its electronic twin in warbling harmony. On the second last track, the alien elements mostly give way to the acoustic sounds of voice and vibraphone, although the album concludes with stentorian synths playing J.S. Bach. Not for the faint of heart, but rewarding listening. Listen again — ~208MB

Saruna ar Latvijas Radio kora diriģentu Sigvardu Kļavu notiek uz komponista Pētera Vaska 80. jubilejas mēneša sliekšņa, kas tiks pārkāpts 1. aprīlī ar koncertu Pater Noster Rīgas Sv. Jāņa baznīcā, bet turpināsies 16. aprīlī, komponista dzimšanas dienā, Aizputes Sv. Jāņa baznīcā un 23. aprīlī Rīgas Domā. Sigvards Kļava atklāj, kā gadu gaitā caur mūziku ir sadraudzējušās abu dvēseles un kāda laime ir dzīvot vienā laikā ar Pēteri Vasku. Viņš uzskata, lai iekļūtu šajā mūzikas brīnumā, ir vajadzīgs laiks, tāpēc atšķirīgs ir Pētera Vaska kora darbu iestudēšanas process ar Latvijas un ārzemju koriem. Uzzinām arī par dialogiem koncertprogrammās, par lūgšanām, kas kopīgas Pēterim Vaskam un Džeimsam Makmilanam, par eksistences formu un kalpību mūzikai un jauno tvartu, ko izdevniecība Ondine izdos aprīlī ar dažādos gados rakstītiem Pētera Vaska kordarbiem. Sigvards Kļava: Tas ir tiesa, ka nevaru novilkt robežu, kur beidzas mana personiskā dzīve un kur sākas darbs vai vispār došanās pie mūzikas lieluma - to nemaz tik viegli nevar nosaukt par darbu. Katrā ziņā man tā ir dzīve, un, esmu pilnīgi pārliecināts, arī Pēterim mūzika un mūzikas brīnums, un mūzikas gars - tā ir visa viņa dzīve. Tas gaišums un piepildījums, ko viņš atnes gan kā cilvēks, gan ar savas jaunrades klātbūtni - viņš mūs visus padara gaišākus, mierīgākus un godīgākus. Es pašlaik nevis kā radiointervijas formātā to saku, man tiešām tā liekas - ir kaut kāds ārkārtīgi skaists mirklis. Vēl šodien pieķēru sevi pie domas: cik jauki, ka mēs kopīgi dzīvojam šajā laika nogrieznī un varam viens otram uzticēt gan savas asaras, gan priekus, gan cilvēciskas likstas, ja tādas ir. Caur mūziku un muzikālo sadraudzēšanos noteikti ir sadraudzējušās arī dvēseles. Man ir tā laime un privilēģija, ka Pēteris bieži man atklāj muzikālās ieceres un nospēlē priekšā savu jaunradīto darbu. Un viņam interesē tavas domas. Vairāk kaut kādas manas sajūtas. Zinu, cik ļoti trausls, vienreizējs un piepildīts ir tas mirklis, kad kādam rāda priekšā savu jaunāko radošo devumu. Kaut vai tās ir druskas vai fragmenti, tās vienmēr ir kaut kas tik nozīmīgs, un Pētera gadījumā tas vienmēr ir pārdzīvojumu un degsmes pārpilns brīdis. Ļoti personiski katrā ziņā. Vai kā izpildītājmākslinieks jūti īpašu gaisotni, kad klausītāju vidē ir Pēteris Vasks? Redzi, mēs kopā, es negribu teikt, ka attīstamies, bet izauklējamies, izaugamies. Bija pilnīgi citādas sajūtas pirms 30 gadiem, kad mēģināju interpretēt kādu viņa opusu, kāda tad bija šī ļoti lielā bijības un uztraukuma sajūta, kas bieži vien traucēja muzikālajai sajūtai. Šodien, kad satikāmies mēģinājumā, bija pilnīgi atgriezenisks efekts vai afekts, ka Pētera klātbūtne ar savu iekšējo un izjūtamo gaišumu ārkārtīgi palīdz gan strādāt, gan būt kopā un izpildīt mūziku. Es teiktu, ka tas ir tāds eņģelisks gaišums, ka tas palīdz un piepilda, nevis ir uztraukums “ko Pēteris tagad teiks”, kaut gan skaidri un gaiši mēs visi zinām, ka Pēteris ir ārkārtīgi godīgs savās izjūtās un savā pārliecībā - viņš kopīgi priecāsies par visām veiksmēm un būs atklāts arī par kādām neveiksmēm vai kļūdām. Tāda ir mūsu ikdiena. Pieskaršanās un dzīvošana viņa mūzikā pierāda seno patiesību, ka pie mūzikas un vispār mākslinieciskām patiesām dzīlēm tu nonāc tikai laikā, un ka mūzika, kur salīdzini, kāds bija pirmatskaņojuma brīdis, kad tev liekas “uh, ah, cik tas viss bija kolosāli, skaisti, pārliecinoši”, kā, ejot cauri atskaņojumiem un atskaņojot opusus 10. un 50. reizi, pēc tam var atšķirt tās milzīgās atšķirības, kādas bija pirmreizēji un kādas ir, paģērot pārdzīvojumu un pieredzi, kas ir bijusi, interpretējot to visu daudzkārt.

Igor passe les vacances chez Mira, sa grand-mère, à la campagne, loin de Moscou.Les journées sont calmes, et rien ne semble devoir troubler ce séjour ordinaire. Jusqu'au moment où il rencontre Rusa.Près d'un étang, au bord de la forêt, la jeune fille apparaît presque comme une évidence.Elle est belle, étrange, insaisissable. Igor se laisse happer par sa présence, par sa voix, par ce qu'elle dégage sans jamais vraiment se livrer.Très vite, cette rencontre prend la forme d'un attachement aussi fulgurant qu'inquiétant.Avec Amour de vacances, l'épisode 25 de Rencontres Surnaturelles, l'amour d'été prend un visage plus trouble.Derrière la douceur des premiers élans, quelque chose dérange, comme si rien n'est vraiment ce qu'il paraît.Un récit entre fascination, désir et étrangeté, où la beauté n'a rien de rassurant.Dans cet épisode, j'ai eu envie de retrouver la figure de la roussalka, cette ondine du folklore russe, à la fois fascinante et dangereuse.Derrière la rencontre, il y a l'appel de l'eau, l'obsession, la perte de repères, et cette sensation que certaines présences ne laissent jamais repartir ceux qu'elles ont choisis.Casting :Igor : Rodolphe CampeggiaRusa : Vanessa RetyMira : Nadège Saint-AiméMr Zlatov : Jeff ChaulangeJ'ai aussi eu envie de prolonger cette atmosphère dans la chanson de fin, avec une cover de “À perte de vue” de Pomme, revisitée dans une version plus sirène, plus aquatique, comme un dernier écho à cette histoire d'amour, de manque et de vertige. Je vous invite vivement à aller la chanson originale qui est une vraie merveille : https://www.youtube.com/watch?v=-xulsY5AGewÉcriture, composition, montage et réalisation sonore par Juliette Dargand, tous droits réservésMembre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media, Membre de Women & PodcastSoutenez le podcast et choisissez votre contrepartie originale sur https://fr.tipeee.com/rencontres-surnaturelles-juliette-dargandSoutenez-nous sur Tipeee !

Pakistán, históricamente un país de tránsito de drogas, se está convirtiendo en un centro de producción y consumo masivo. La agitación provocada por el regreso de los talibanes al poder en Afganistán en 2021 ha acelerado esta transformación. Un reportaje de nuestros corresponsales muestra cómo iniciativas ciudadanas intentan combatir este flagelo. Shahzaib Wahlah y Ondine de Gaulle desde Karachi, la ciudad portuaria más grande de Pakistán.

Aujourd'hui, je vous propose de rencontrer Ondine de Peretti, une artiste aquarelliste au parcours inspirant. Il y a quelques mois encore, Ondine était analyste financière. Elle est désormais à son compte et vit de l'aquarelle.Tout a commencé avec les confinements de 2020 qui ont été pour elle un déclencheur, la plongeant dans le monde de l'aquarelle. De l'écriture de livres à la création de cours en ligne, elle a sauté le pas de l'entrepreneuriat créatif à 100 %. Dans notre conversation, Ondine nous raconte avec beaucoup de transparence les coulisses de cette reconversion : les doutes, les défis, mais surtout l'immense joie de vivre de sa créativité. On est rentrés dans les détails de l'édition de livres, en comparant l'autoédition et la collaboration avec des maisons d'édition, de la création de cours en ligne, de la gestion du temps, de l'investissement financier et de sa vision de l'IA dans la création. Et dans le bonus de l'épisode, à écouter exclusivement dans le Club Fait Main, Ondine nous donne ses conseils pour débuter l'aquarelle et pour se lancer dans une activité professionnelle créative. On a également parlé ensemble de ce qu'elle fait pour progresser, de l'importance de se créer un réseau, créatif et entrepreneurial et de la perception de la valeur des choses. Pour accéder à 30 minutes supplémentaires avec Ondine (et écouter les 65 autres bonus déjà disponibles), rendez-vous sur le Club Fait Main sur la plateforme Copilot' !

Plongez dans l'aventure extraordinaire d'Hélène, une vieille baleine qui rêve de l'impossible

Aleksandros ir Viliaus Kerų įrašyta oratorija „Centones Meae Urbi“ – naujausias Onutės Narbutaitės muzikos leidinys suomių leidykloje „Ondine“. „Kitame laike“ apie jį, o taip pat apie naujus Maxo Richterio, „Snarky Puppy“ albumus ir kitas 2026-ųjų pradžios leidybines naujienas. Ved. Domantas Razauskas

In Pakistan, some women are murdered simply for having a TikTok account, one of the most popular social media platforms in the country. On July 11, in Rawalpindi, a 16-year-old girl was shot dead by her father because she refused to delete her profile. A month earlier, Sana Yousaf, aged 17 and with nearly a million followers, was murdered in her Islamabad home by a man whose advances she had rejected. Female influencers in Pakistan are frowned upon and become targets. FRANCE 24's Shahzaib Wahlah and Ondine de Gaulle report.

Vendredi 7 novembre s'ouvrira au Parc Floral de Paris la 49e édition du Salon Marjolaine (jusqu'au 11 novembre), le salon de l'agriculture bio et du développement durable. 450 exposants, 15 grandes conférences et 50.000 visiteurs sont attendus. Pour en savoir plus, Allain Bougrain-Dubourg a rencontré Ondine Prouvost, directrice du Salon Marjolaine. Ecoutez On refait la planète avec Allain Bougrain-Dubourg du 02 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour clôturer ce triptyque d'émissions autour des Immersions Start 2025 de NORMA, Normandie Musiques Actuelles, nous rencontrons Lili, artiste ornaise "inclassable" navigant entre le lyrique et le rap en passant par le jazz, Ondine, chanteuse caennaise, Lee Prod, rappeur caennais et Olivia, chanteuse rouennaise.

Le Pakistan est devenu un pays inhospitalier pour les 2,8 millions d'Afghans qui y vivent. Au nom de la lutte contre le terrorisme, Islamabad mène depuis plusieurs mois une politique d'expulsion massive, conduisant au départ de centaines de milliers d'entre eux vers l'Afghanistan. Beaucoup se retrouvent face à un choix impossible : rester dans la clandestinité ou tout quitter à nouveau. Un reportage réalisé par Shahzaib Wahlah, Ondine de Gaulle, et en collaboration avec Ihsan Ullah Ahmadzai.

Pakistan has become inhospitable for the 2.8 million Afghan refugees who have lived there for decades. In the name of fighting terrorism, Islamabad has been pursuing a policy of mass deportation, expelling more than 660,000 Afghan refugees since the beginning of the year. FRANCE 24's Shahzaib Wahlah, Ondine de Gaulle and Sonia Ghezali report, in collaboration with Ihsan Ullah Ahmadzai. 

On this episode the Scran team paid a visit to Seaton House in St Andrews to sample Ondine mark II and chat to Roy Brett, Chef Patron for Ondine restaurants and Valor Hotels in the UK, and Michael Davern, General Manager of Seaton House. You'll hear snippets from the meal we enjoyed and a tour Michael took us on of the new hotel. We hope you enjoy it. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Movies covered in this episode include, Darkman, Evil Dead, Evil Dead 2, Army Of Darkness, Ondine, Dr. Strange Multiverse of Madness, Alien: Earth, Alien: Romulus, Went Up The Hill, Black Swan, Caught Stealing, Twinless, Lurker, The Threesome, Toxic Avenger, Scarface, Grand Theft Hamlet and The Kings Speech.

Today we are joined by fan favorite Ondine Achampong, a World and European medalist for Great Britain who was a favorite to make the Paris Olympic team before an ACL injury took her out of contention just three months before the Games. Ondine shocked the gymnastics world last season when she worked her way into Cal's beam lineup around 10 months after tearing her ACL—an injury that takes most gymnasts at least a year to recover from. Now, heading into her sophomore season, she's ready to take on an even bigger role for a young and relatively inexperienced Cal team.In this episode, Ondine shares more about her recovery journey, how she handled the uncertainty of the offseason with so many changes, what led her to stay at Cal, and whether a return to elite gymnastics might be in her future.Thank you to our monthly Patreon supporters: Lee B, Cookiemaster, Christa, Happy Girl, Erica S, Semflam, Amy C, Maria L, Becca S, Cathleen R, Faith, Kerry M, M, Derek H, Martin, Sharon B, Randee B, MSU, Kimberly G, Robert H, Lela M, Mara L, Jenna A, Alex M, Mama T, Kelsey, Lidia, Maria P, Alicia O, Cristina K, Bethany J, Diane J, Kentiemac, Marni S, Betny T, Emily C, Cathy D, Lisa T, Libby C, Thiago, Taryn M, Dana B, Jamie S, Chuck C, Je_GL, Kaitlin, Susan P, Katertot, Mallory D, LFC_Hokie, Ella, Debbie, Megan F, Kay, Diane J, Julie B,, Austin K, Jane, Sarah, Amy, Stephen S, Johanna T, Alison S, Kristina T, Abigail W, Becky, Ola S, Jennifer K, Kate M, Claudia, Erin L, Sarah A, Kennedy B, Thomas B, Kihika N, Beth C, Amy, Renee PM, Ryan V, Brandon H, Tyler, Hayley B, Ben S, Kate & Landon, Danielle, ALittleUnderRotated, Dana C, Grace, Pat G , Lexi G, Laura N, Kathy, Katie A, Ruby B,, Róisín, Becca, Megan J, Emily D, Britton, Ry Shep, Reyna G, William A, MB, MJ L, Jackson G, Brittany A, Stella, Ulo F, Noah C, Melissa H, Alexis, William M, Trish, Susie, Leslie G, Catherine B, Karlin, Laura L, Katy S, J'nia G, Kathy M, Kathy S, Okcaro, Caroline P, JD B, Cookiecutter, Ailish D, Wil D, Caroline M, kcmojojojo, Sammy S, Fabio B, & Kerry H! 

In Karachi, Pakistan's economic capital and largest city, fear has become a commodity. In 2024, Forbes Advisor ranked Karachi as the second-most dangerous city in the world for tourists. Due to the ineffectiveness of law enforcement agencies in curbing this violence, private security companies are thriving and expanding their clientele beyond affluent residential areas to include schools, shopping malls and corporate headquarters. This rapidly expanding and largely unregulated private security sector is turning Karachi's chronic insecurity into a lucrative business. FRANCE 24's Shahzaib Wahlah, Sonia Ghezali and Ondine de Gaulle report.

REDIFF - Ondine, 19 ans, a grandi avec une mère souffrant de troubles psychiatriques. Entre crises et moments de complicité, elle nous partage son parcours incroyable, mêlant force et sensibilité. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

REDIFF - Arnaud Delvenne, finaliste de Top Chef, a commencé sa carrière dans un fast-food avant de se retrouver en cuisine dans une prison. Son chemin, pavé d'épreuves personnelles et professionnelles, témoigne d'une passion indéfectible pour la cuisine. Ne manquez pas son témoignage émouvant sur la résilience et l'amour à travers la gastronomie ! Ondine, 19 ans, a grandi aux côtés d'une mère souffrant de troubles psychiatriques. Elle évoque la complexité de grandir avec une maman atteinte de bipolarité et de schizophrénie, entre moments de tendresse et crises déstabilisantes. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, we're checking back in with our old friend Neil Jordan for 2012's Byzantium, in which Gemma Arterton and Saoirse Ronan play mother and daughter vampires eking out a living in an English coastal town. Listen as we ponder such questions as: are vampires played out as a narrative concept? Does this movie function as an earnest feminist counter to its sex-centered marketing? Is this movie an attempt to better execute the core ideas behind Jordan's previous film Ondine? Is Caleb Landy Jones Good in this? What's going on with Caleb Landry Jones' Wikipedia page? What's going on with this movie's Wikipedia page? What going on with Chris Columbus' Wikipedia page? The answers to these questions, and more, can be found within. Hosted on Acast. See acast.com/privacy for more information.

“I feel that you will achieve your greatest triumphs in [the symphonic] genre for I consider you to have precisely the properties that make a great symphonic composer. This is my firm belief.” Thus wrote Jan Sibelius in 1914 to his former student Leevi Madetoja. Raymond Bisha presents supporting evidence for that foresight in extracts from Madetoja's First and Third Symphonies and the Okon Fuoko Suite performed by the Helsinki Philharmonic Orchestra under John Storgårds.

In conversation with Ondine on how her experience working on design teams at fashion houses led to collecting and selling designer vintage, listening to what designers have to say, why she chooses the designers she collects, Rick Owens and the world he creates, researching the historical context of archives and antiques, what makes an archive piece hold its value, her holy grail, the current state of fashion and resale and so much more

Episode 164 Chapter 25, Electronic Music in Japan and The Asia-Pacific. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music in Japan and The Asia-Pacific from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN JAPAN AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Toshiro Mayuzumi, “Les Œuvres Pour La Musique Concrète X, Y, Z” (1953). Early work of tape music. 13:50 01:36 2.     Toru Takemitsu, “Vocalism Ai (Love)” (1956). For magnetic tape (condensed from a 72-hour tape montage. 04:11 15:22 3.     Makoto Moroi and Toshiro Mayuzumi, “Shichi No Variation (7 Variations)” (1956). Tape music for sine wave generators. 14:51 19:32 4.     Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958). For magnetic tape. 03:28 34:24 5.     Group Ongaku, “Object” (1960). Recorded on May 8, 1960, at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 07:34 37:50 6.     Toru Takemitsu, “Water Music” (1960). For magnetic tape. 09:41 45:26 7.     Michiko Toyama, “Aoi No Ue (Princess Hollyhock) (Music Drama for Tape and Narration).” For magnetic tape and reader. 07:05 55:06 8.     Group Ongaku, “Metaplasm Part 2” (1961). Live performance, 1961, at Sogetsu Kaikan Hall, Tokyo. Tadashi Mori (conductor), 09:08 01:02:10 9.     Akira Miyoshi (composer), opening excerpt to Ondine (1961). For orchestra, mixed chorus and electronic sounds. 04:32 01:11:18 10.   Joji Yuasa ‎– “Aoi No Ue” (1961). For voice and tape and based on The Tale of Genji written by Murasaki Shikibu in 11th century. Tape parts realized at NHK Electronic music studio. 29:50 01:15:50 11.   Kuniharu Akiyama, “Noh-Miso” (track 1) (1962). Tape music. Hitomi-Za is an experimental puppet theatre group. They had performed in February 13-17 in 1962 at Sogetsu Kaikan Hall. This program was consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. 01:44 01:45:40 12.   Toshi Ichiyanagi, “Parallel Music” (1962). Tape music recorded at NHK Electric Music Studio, Tokyo Japan. 09:12 01:47:22 13.   Kuniharu Akiyam, “Demonstration of Nissei Theater” (excerpt) (1963). “Demonstration of Nissei Theater” composed in 1963 for a public demonstration of the stage machinery of the newly opened Nissei Theatre in Tokyo. 05:15 01:56:36 14.   Toshi Ichiyanagi, “Sound Materials for Tinguely” (1963). “Music For Tinguely” was composed at the studio of Sogetsu Art Center. This rare track comprises sound materials used for that composition. 03:31 02:01:54 15.   Joji Yusa, Tracks 1-4 (1963). Incidental music for NHK Radio, based on Andre Breton's "Nadja". "The actual chart of constellations was played by three players (violin, piano, vibraphone) which was supposed as the music score. And birds' voices, electronic sound, sound generated from inside piano, through music concrete technique and constructed at the NHK Electronic Music Studio." 04:24 02:05:26 16.   Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965). Tape piece for violin and chamber orchestra. 10:01 02:09:46 17.   Joji Yuasa, “Icon on the Source Of White Noise” (1967). Tape work using white noise as material and designed for a multi-channel system. In the original version, several sound images of various widths (e.g. three loudspeakers playing simultaneously) moved at different speeds around the audience, who were positioned inside the pentagonal loudspeaker arrangement. 12:13 02:19:44 18.   Makoto Moroi, “Shosanke” (1968). Tape work fusing electronic sounds with those of traditional Japanese instruments. 13:20 02:31:54 19.   Minao Shibata, “Improvisation for Electronic Sounds” (1968). Tape piece for electronic sounds. 09:27 02:45:12 20.   Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. 06:57 02:54:40 21.   Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. 08:49 03:01:34 22.   Toshiro Mayuzumi, “Mandara” (1969). Tape piece for electronic sound and voices. 10:22 03:10:24 23.   Takehisa Kosugi,  “Catch-Wave” (Mano Dharma '74)” (1974). “Mano-Dharma '74” is an excerpt from a meta-media solo improvisation performed by Takehisa Kosugi. From his notes: “Sounds speeding on lights, light speeding on sounds music between riddles & solutions. ‘the deaf listen to sounds touching, watching.” 26:32 03:20:42 24.   Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974). Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. 10:51 03:47:10 25.   Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” (1963). Music and effects later used for Astroboy. 06:59 03:57:48 26.   Joji Yuasa, “My Blue Sky (No. 1)” (1975). Tape parts realized at NHK Electronic music studio. 15:43 04:05:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Elite season is back with the Cottbus World Cup and Winter Cup, where Frederick Richard debuted his genius marketing campaign uniform revolution, impossible scores, and the Oklahoma mini-documentary! Support independent journalistism. Join Club Gym Nerd here.  AWARDS The Most Winter Cup Award Zoey Molomo's unintentional dismount Runner up: Claire Pease getting a full point of OOB deductions on floor The Best Way to Get People Talking About Men's Gymnastics Award Frederick Richards' revolutionary basketball pajamas at Winter Cup Best Reason to Cancel NCAA Gymnastics as a Sport One judge gave Kayli Boozer a 9.550 WITH A FALL. Injury updates Anya Pilgrim (Florida), Sloane Blakely (Florida), Charlotte Booth and Jennifer Gadirova (GB), Brianna Taurek (Cal) Winter Cup Ashlee Sullivan is your 2025 Winter Cup Champion! Jayla Hang came in second despite a fall on beam, and Simone Rose came in third Wait a second... did the U.S. get the memo about beam choreography? Why NASA needs to hire Kelise Woolford because have you seen her Jaeger? Why everyone and their mother is suddenly doing a second vault Event Champions Zoey Molomo is looking ready for college Alicia Zhou won bars with her amazing E-score Tatum Drusch and Claire Pease shared the beam title How we know Nola Matthews actually read the new Code The skill that Vivi Crain did that made us all swoon GYMTERNET NEWS Serenity gardens, chandeliers and “We can say that's better but better is still a deduction, right? And better is less than you are capable of.” - what learned from the SEC Networks's "Inside Oklahoma Gymnastics" mini-documentary. We have another all-Black podium! This time at Elite Canada Eythora will be competing at Gymnix Cottbus World Cup Why we have problems with the award ceremonies The vaulting is for grown-ass women club: all vault medalists were 30+ The German audience applauded the men who could actually hold a scale Noah Kuavita understands the assignment and threw all the big-D skills Thoughts on the new 0.2 women's post-flight bonus Why Artur Davtyan's vaulting could lead to a potential Doordash sponsorship NCAA What are the ranking shakeups after week 8? LSU, UCLA, Cal, Georgia, and Florida Florida had an injury apocalypse at Oklahoma and had to count a fall on beam Cal scored a season-high 197.775 against Pittsburgh We have problems with BTN's coverage of gymnastics Pride meet alert: Cal hosted a pride meet with very prominent pride flags Ondine finally made her beam lineup debut! We hand Clemson the "Gaslighting the Judges" award Mika Webster-Longin and her Yurchenko 1.5 wins the "Figuring it Out" award UP NEXT College & Cocktails: The Live NCAA Gymnastics Post-Meet Show after Arkansas v Alabama on Friday, Feb 24th at 6:30pm Pacific Spencer is doing a watch-along watch along live blog at 3:00pm Pacific before College & Cocktails  Not sure if you are ready to join? Watch College & Cocktails sample free here. Can't make it live? Add College & Cocktails to your favorite podcast player (instructions here). Never miss a live episode! Import the entire College & Cocktails schedule into your Google and iCal calendar here FANTASY GAME: GymCastic 2025 College Fantasy Game now open. Never too late to join! ALL TEAMS MUST REDRAFT THIS WEEK before Friday at 2:15pm Pacific Play the Fantasy Gymnastics League BONUS CONTENT  Join Club Gym Nerd (or give it as a gift!) for access to weekly Behind the Scenes episodes. Club Gym Nerd members can watch the podcast being recorded and get access to all of our exclusive extended interviews, Behind The Scenes and College & Cocktails. Not sure about joining the club?  College & Cocktails: The Friday Night NCAA Gymnastics Post-Meet Show is available to sample (even if you aren't a Club Gym Nerd member yet). Watch or listen here. 2025 College & (M)Cocktails menu (including mocktails of course) MERCH GymCastic Store: clothing and gifts to let your gym nerd flag fly and even “tapestries” (banners, the perfect to display in an arena) to support your favorite gymnast! Baseball hats available now in the GymCastic store NEWSLETTERS Sign up for all three GymCastic newsletters  RECENT  College & Cocktails: Florida at Oklahoma Spencer's Live Blog – Friday, February 21, 2025 Fantasy News: 2025 NCAA Season, Week 7 The 5th Rotation: February 18, 2025 Rhys “The Prodigy” McClenaghan Interview College & Cocktails: Oklahoma at LSU Spencer's Live Blog – Friday, February 14, 2025 RESOURCES Spencer's essential website The Balance Beam Situation  Gymnastics History and Code of Points Archive from Uncle Tim Kensley's all things men's gymnastics: Neutral Deductions RESISTANCE  : Submitted by you, our listeners. ACTION Indivisible Practical ideas about what you can actually do in this moment, check it out: indivisi.org/muskorus 5Calls App will call your Congress people by issue with a script to guide your call. Make 2 to your Congressional rep (local and DC office). 2 each to your US Senators (local and state offices) State your name and zip code or district Be concise with your question or demand (i.e. What specific steps is Senator X taking to stop XYZ) Wait for answer Ask for action items -  tell them what you want them to do (i.e. draft articles of impeachment immediately, I want to see you holding a press conference in front of...etc.) ResistBot Turns your texts into faxes, postal mail, or emails to your representatives in minutes ACLU Mobile Justice App Allows you to record encounters with public officials while streaming to your closest contacts and your local ACLU; REPORT any abuse by authorities to the ACLU and its networks. LAWSUITS Donate to organizations suing the administration for illegal actions ACLU, Southern Poverty Law Center, Northwest Immigration Law Project STAY INFORMED Suggested podcasts:  Amicus, Daily Beans, Pod Save America, Strict Scrutiny Immigrant Rights Know Your Rights Red Cards, We Have Rights Video, Your Rights on trains and buses video

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

With over 15 years of experience in high-growth startups within the hospitality industry, including hotels, spas, and food & tech, Cynthia brings a wealth of expertise to her latest venture—an UPF apparel brand, Ondine. In this episode, Tina Yao interviews Cynthia, a hospitality industry expert. Cynthia shares her diverse career path, which includes working at renowned establishments such as the Standard Hotel in New York and launching her own B2B catering company. She discusses her latest venture, Ondine, a UPF apparel brand set to launch in the summer of 2025, inspired by her commitment to skin protection and aesthetically pleasing, natural-fiber clothing.

Happy New Year. Does that title excite you or cause a little anxiety? The fact is that you want a massive shift in perspective in this lifetime. That's why you're listening to Joshua now. A massive shift in perspective comes with massive change, but it's the change you really want. In this episode, Joshua explains this concept as well as helping Ondine with a medical condition Take the Activations Survey - Click here            Check out our new podcast - 'An Unimaginable Life'  

In this episode, we discuss recordings of, “The Frans Brüggen Project” (Decca) by Lucie Horsch & The Orchestra of the Eighteenth Century, “American Opus (Americascapes 2)” (Ondine) by The Basque National Orchestra / Robert Trevino, “Undiscovered Trumpet Concertos” (Albany) by Paul Neebe, Thomas Bithell & The Budafok Dohnáyi Orchestra / Mladen Tarbuk, “Looking Ahead” (Multikulti Project Jazz Series) by The Alan Balcerowski Quintet, “Conversation Helps” (Self Release) by Dimitris Tsakas, and “Something Old, Something New” by Brian Clancy.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 194 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “The Frans Brüggen Project” (Decca) Lucie Horsch, Orchestra of the Eighteenth Century https://open.spotify.com/album/14mKevM7gjTr3WVvSirFh8 https://music.apple.com/us/album/the-frans-brüggen-project/1764290303 https://music.amazon.com/albums/B0DDY8K7G5   “American Opus (Americascapes 2)” (Ondine) Basque National Orchestra / Robert Trevino https://open.spotify.com/album/355YuD0mCYRpdQkqKlZHXY https://music.apple.com/us/album/americascapes-2-american-opus/1773042631 https://music.amazon.com/albums/B0DDCSXL8B   “Undiscovered Trumpet Concertos” (Albany) Paul Neebe, Thomas Bithell, The Budafok Dohnáyi Orchestra / Mladen Tarbuk https://open.spotify.com/album/6HoqxdRISPFM8RnkWiFZS2 https://music.apple.com/us/album/undiscovered-trumpet-concertos/1773381492 https://music.amazon.com/albums/B0DJRTZLC4   “Looking Ahead” (Multikulti Project Jazz Series) Alan Balcerowski Quintet https://open.spotify.com/album/60txM9aYiGsMyhNvIIOdB9 https://music.apple.com/us/album/looking-ahead/1782536558 https://music.amazon.com/albums/B0DP76CR9C   “Conversation Helps” (Self Release) Dimitris Tsakas https://open.spotify.com/album/1n8H1f951yVIL6OhXBHrpD https://music.apple.com/us/album/conversation-helps-feat-kimon-karoutzos-alex-drakos/1776384274 https://music.amazon.com/albums/B0DKZ8R81S   “Something Old, Something New” (Self Release) Brian Clancy https://open.spotify.com/album/7BDgdpfKVKSO7gait8hGAu https://music.apple.com/us/album/something-old-something-new-feat-josh-nelson-max-kraus/1779417887 https://music.amazon.com/albums/B0DPTRZ53N

Sonoma County, Rock Paper Scissors, Thanksgiving and interview with Ondine Chattan, Head Winemaker, Share a Splash. ON THE ROAD with MR CA WINE is about California's cool, aspirational lifestyle and awesome wines hosted by Chuck Cramer, a California native, living in London and is the Director of European sales & marketing, Terlato Wines. This is a wine journey covering the hottest topics in CA wine, chatting along the way with the experts who make it all happen. This week's episode includes an interview with Ondine Chattan, Share a Splash. 

A deep dive into Ivo Pogorelich's famous 1983 Deutsche Grammophon recording of Maurice Ravel's Gaspard de la nuit. Here are official YouTube links provided by Universal Music: 1. Ondine: https://www.youtube.com/watch?v=vIBOwg8NGmA; 2. Le Gibet: https://www.youtube.com/watch?v=ZvMd03CxPuk; 3. Scarbo: https://www.youtube.com/watch?v=LACEbWKb1co

Ondine, 19 ans, a grandi avec une mère souffrant de troubles psychiatriques. Entre crises et moments de complicité, elle nous partage son parcours incroyable, mêlant force et sensibilité. Ecoutez Héros avec Faustine Bollaert du 24 octobre 2024.

Arnaud Delvenne, finaliste de Top Chef, a commencé sa carrière dans un fast-food avant de se retrouver en cuisine dans une prison. Son chemin, pavé d'épreuves personnelles et professionnelles, témoigne d'une passion indéfectible pour la cuisine. Ne manquez pas son témoignage émouvant sur la résilience et l'amour à travers la gastronomie ! Ondine, 19 ans, a grandi aux côtés d'une mère souffrant de troubles psychiatriques. Elle évoque la complexité de grandir avec une maman atteinte de bipolarité et de schizophrénie, entre moments de tendresse et crises déstabilisantes. Ecoutez Héros avec Faustine Bollaert du 24 octobre 2024.

¡No os prometo que este sea el mejor podcast de la historia de Garaje Hermético! Pero sí puede que sea el que más vas a disfrutar con la vista, porque te traemos coches muy bonitos, realmente bellos. No serán los mejores descapotables ni los más rápidos ni los más sofisticados, pero sí aquellos que han hecho historia. ¡Estamos en verano! Y me apetecía hablar de descapotables. Porque son coches que siempre me han gustado, pero desde un tiempo a esta parte no es que me gusten… en que me apasionan…Me compré mi primer descapotable más o menos en 2012, un Mazda MX5 NC de techo duro. Y al poco tiempo decidí que mi coche digamos “principal” seria siempre un descapotable. Uso mi coche más veces descapotado que con techo. Basta que no llueva y que la temperatura sea de 12 o 14 grados para que me ponga un chaleco de plumas, una gorra, conecte la calefacción … ¡y a disfrutar! No soy el único, porque los descapotables son cautivadores… y si no, juzgad vosotros mismos. 1. BMW 328 (1936). El más antiguo. De BMW había mucho donde escoger, pero he elegido este 328 no por ser el más antiguo, sino porque creo que representa los valores de BMW mejor que ninguno, esos valores de calidad, deportividad y agrado de conducción. Confieso que la marca BMW me gusta… desde luego no todos sus modelos. Si llevan una X por ahí, me salen sarpullidos. 2. Morgan Plus (1950). Eterno. Un coche eterno porque nació en 1950 pero con algunos paréntesis, diversos cambios de propietarios, un sinfín de motores… sigue fabricándose hoy día casi igual a como se hacía en 1950. Y no, no lleva chasis de madera como he leído y oído por ahí sino un robusto chasis de largueros de acero. Lo que sucede es que la carrocería de paneles de aluminio o acero, según años y versiones, se sustenta en una estructura de madera fresno, bien tratada, ligera y casi eterna. 3. Renault Floride (1958). Un Dauphine de diseño italiano. Renault veía como marcas de otros países triunfaban en todo el mundo, y sobre todo en los USA, con pequeños descapotables bonitos, divertidos y asequibles. Así que utilizó el mismo sistema: Partir de un coche popular, el Dauphine, también conocido según mercados y modelos como Ondine o Gordini y ponerle una carrocería atractiva. 4. Jaguar E (1961). El más bonito. Lo hemos dicho muchas veces en este canal, si nada menos que Enzo Ferrari dijo que este coche “era el automóvil más hermoso del Mundo” no sé qué vamos a añadir nosotros, pobres mortales en comparación con “Il Commendatore”. 5. Triumph Spitfire (1962). Hecho de “retales”. Como en otros modelos de este vídeo, realmente se trata de una saga. Pero el primero aparece en el Salón de Londres de 1962 y, para ser la suma de unos cuantos “retales” tomados de un lado y otro, no podía ser más bonito ni más interesante. 6. Mercedes SL “Pagoda” (1963). Mi Mercedes favorito. ¡No os podréis quejar! Os prometí una lista de coche muy bonitos y estoy cumpliendo. Y este SL aparecido en 1963 y apodado “Pagoda” en muchos mercados por la forma de su techo duro, es de los más bonitos. 7. Alfa Romeo Spider “Duetto” (1966). Otro acierto de Pininfarina. La historia de este coche es curiosa y sorprendente. Porque cuando Alfa Romeo decide hacer un Spider piensa en Bertone, que en esos años era lo mismo que decir Giorgetto Giugiaro. Pero por una parte el diseño no convenció, pero sobre todo peso el hecho de que Alfa Romeo quería el diseño y la producción y Bertone estaba saturada con la fabricación del Fiat 850 Spider. 8. Fiat 124 Sport Spider (1966). Doble vida. Viendo este diseño de Pininfarina en colaboración con Tom Tjaarda, entonces jefe de estilo de Fiat, cuesta creer que debajo de ese bonito Spider hay uno de nuestros 124… solo que en España sí se fabricó, pocas unidades, el 850 Spider con marca Seat, pero nunca el 124… ¡qué pena! 9. MG Midget MKIII (1966). El coche de “Jane” El primer Midget nace en 1961 pero he elegido el MKIII por dos razones: Fue el primero que conocí en persona y el que realmente inició el “desembarco” de MG en los EE.UU. Como curiosidad, en su último año de vida, 1974, este modelo recibió uno paragolpes de gran tamaño para superar las normativas americanas de seguridad. Esos paragolpes recibieron el nombre de “Sabrinas” en referencia a los encantos de la actriz británica Sabrina que hizo, entre otros, el papel de Jane en la película “Tarzán” de 1966… ya sabéis que en GH somos muy cinéfilos. 10. Mazda MX5 (1989). Más de un millón. En un vídeo titulado “Descapotables que han hecho historia” no podía faltar el coche descapotable más vendido de la historia, el MX5 que sumando todas sus generaciones en el año 2016 superó la barrera del millón de coches. Conclusión. Sé que no todo el mundo puede tener un descapotable, pues es un coche absolutamente inútil… pero, si eres afortunado y puedes… no pierdas la ocasión.

Hippty hoppity, Leafhoppers on their way! Thank you to Leanne, Atreyu, and Ondine for you listener request! Support the Show.Thank you for listening! To contact us please email justbugspodcast@gmail.comFollow us on social media at JustBugsPodcast Support us on Patreon at Patreon.com/JustBugs

Dans cet extrait, Kilian Bron présente Dolomites, son dernier documentaire.Je tiens à adresser mes plus chaleureux remerciements à Loriane Demangeon de la BMI qui nous a ouvert les portes de la magnifique salle des boiseries de l'abbaye de moyenmoutier, ce joyau du 18è siècle classé Monument historique, Remerciements également à Stéphane Thouvenot du Conseil départemental des Vosges pour m'avoir aidé dans ma recherche de lieux pour tourner cet épisode, et également remerciements à Julien Conan ainsi que toute l'équipe de Enjoy Vélos Epinal: Christophe Jobic, Thierry Commeau, Sébastien Corradini, Thibault Simon.Et enfin un grand merci à Morgan et Ondine pour m'avoir assisté sur la réalisation de cet épisode.-------Abonnez-vous à la newsletter En Roue LibrePour ne rien manquer de l'actualité d'En Roue Libre, des derniers épisodes, tout savoir sur les prochains invités et tre tenu au courant des dernières news croustillantes dans le monde du vélo, inscrivez-vous et vous aurez très vite de nos nouvelles.https://bit.ly/3yOVY7T-

Ondine Rangel talks to us about moving to multiple countries in her up bringing, how she's always had a strong connection to animals, and how socializing and learning “people skills” didn't get introduced to her until her early 20s. https://www.ondine.horse/ https://www.facebook.com/OndineEquine Episode Sponsors: https://stablemix.com/ https://theequinecreative.com/