Podcasts about Ondine

Les élèves de 100% Péguy, le Club radio du collège Charles Péguy (Paris, 19e), ont préparé leurs propres émissions de radio ! Interviews, chroniques, blagues et anecdotes croustillantes ... il y en a pour tous les goûts ! 1. EATING WATER Dans cette émission présentée par Faye, on parle d'humour ! Le journaliste Maxime D. reçoit ses invités Suydina et Anatole pour parler des rats, puis les chroniqueuses Alice et Nareem expliquent comment réagir face aux harcèlements de rue. L'émission a été réalisée par Karam ! 2. EN SUEUR Dans cette émission présentée par Maxime R, il est question de sport ! Le journaliste Gustave reçoit Tony Estanguet (Luce) pour aborder les restes des JO à Paris, puis Basile nous parle d'un tennisman dopé. Anatole M. évoquera quant à lui un tireur olympique qui a fait le buzz en 2024. Alexandre parlera enfin du tour de France à vélo. L'émission a été réalisée par Aron ! 3. 100% PEGUY Dans cette émission présentée par l'animatrice Niama, on plonge dans les profondeurs de la mer pour y découvrir certaines de ses légendes. Le journaliste Noam reçoit Nina et Léonie pour en savoir un peu plus sur quelques légendes marines. Ondine conlut l'émission avec une chronique sur la chanson Blue, de Billie Eilish. L'émission a été réalisée par Aleida ! *** Un atelier réalisé le 15 mai 2025 et animé par Camille Masson et Pierre-Yves Lerayer dans le cadre des ateliers d'initiation aux pratiques radiophoniques organisés par Radio Campus Paris.

In conversation with Ondine on how her experience working on design teams at fashion houses led to collecting and selling designer vintage, listening to what designers have to say, why she chooses the designers she collects, Rick Owens and the world he creates, researching the historical context of archives and antiques, what makes an archive piece hold its value, her holy grail, the current state of fashion and resale and so much more

Enoch reçoit Hervé Tenser, référent de la Maison de l'étudiant, à la finale 2025 du tremplin Phénix. Le tremplin Phénix, c'est le rendez-vous habituel de la saison culturelle de la MDE. Enoch interroge donc Romzar, rappeur Caennais, Ondine, et Lize, 3 candidats et finalistes de cette saison 2025. Enoch interview également les membres du groupe Douche, qui sont les gagnants du tremplin phénix 2024 pour nous permettre de revenir sur la saison précédente et ce que leur a offert cette occasion en tant qu'artiste qu'est le tremplin phénix. SON DU JOUR: I DON'T KNOW - LUHA

⚡️ Profite de -10% sur les alternatives végétales PlantJoy avec le code CLUBVG10 sur https://plantjoy.fr/- - -EXTRAIT du nouvel épisode avec Florimond Peureux, consultant sur les enjeux sanitaires, environnementaux et socio-économiques de l'alimentation.

Aujourd'hui, je te propose une rediffusion de l'épisode #5, avec le témoignage de Lucie, qui travaillait alors au Refuge GroinGroin ! ✨- - -Dans cet épisode, j'ai eu le plaisir de rencontrer Lucie Nayak, chargée de sensibilisation et de développement au Refuge GroinGroin

Episode 164 Chapter 25, Electronic Music in Japan and The Asia-Pacific. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music in Japan and The Asia-Pacific from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN JAPAN AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Toshiro Mayuzumi, “Les Œuvres Pour La Musique Concrète X, Y, Z” (1953). Early work of tape music. 13:50 01:36 2.     Toru Takemitsu, “Vocalism Ai (Love)” (1956). For magnetic tape (condensed from a 72-hour tape montage. 04:11 15:22 3.     Makoto Moroi and Toshiro Mayuzumi, “Shichi No Variation (7 Variations)” (1956). Tape music for sine wave generators. 14:51 19:32 4.     Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958). For magnetic tape. 03:28 34:24 5.     Group Ongaku, “Object” (1960). Recorded on May 8, 1960, at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 07:34 37:50 6.     Toru Takemitsu, “Water Music” (1960). For magnetic tape. 09:41 45:26 7.     Michiko Toyama, “Aoi No Ue (Princess Hollyhock) (Music Drama for Tape and Narration).” For magnetic tape and reader. 07:05 55:06 8.     Group Ongaku, “Metaplasm Part 2” (1961). Live performance, 1961, at Sogetsu Kaikan Hall, Tokyo. Tadashi Mori (conductor), 09:08 01:02:10 9.     Akira Miyoshi (composer), opening excerpt to Ondine (1961). For orchestra, mixed chorus and electronic sounds. 04:32 01:11:18 10.   Joji Yuasa ‎– “Aoi No Ue” (1961). For voice and tape and based on The Tale of Genji written by Murasaki Shikibu in 11th century. Tape parts realized at NHK Electronic music studio. 29:50 01:15:50 11.   Kuniharu Akiyama, “Noh-Miso” (track 1) (1962). Tape music. Hitomi-Za is an experimental puppet theatre group. They had performed in February 13-17 in 1962 at Sogetsu Kaikan Hall. This program was consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. 01:44 01:45:40 12.   Toshi Ichiyanagi, “Parallel Music” (1962). Tape music recorded at NHK Electric Music Studio, Tokyo Japan. 09:12 01:47:22 13.   Kuniharu Akiyam, “Demonstration of Nissei Theater” (excerpt) (1963). “Demonstration of Nissei Theater” composed in 1963 for a public demonstration of the stage machinery of the newly opened Nissei Theatre in Tokyo. 05:15 01:56:36 14.   Toshi Ichiyanagi, “Sound Materials for Tinguely” (1963). “Music For Tinguely” was composed at the studio of Sogetsu Art Center. This rare track comprises sound materials used for that composition. 03:31 02:01:54 15.   Joji Yusa, Tracks 1-4 (1963). Incidental music for NHK Radio, based on Andre Breton's "Nadja". "The actual chart of constellations was played by three players (violin, piano, vibraphone) which was supposed as the music score. And birds' voices, electronic sound, sound generated from inside piano, through music concrete technique and constructed at the NHK Electronic Music Studio." 04:24 02:05:26 16.   Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965). Tape piece for violin and chamber orchestra. 10:01 02:09:46 17.   Joji Yuasa, “Icon on the Source Of White Noise” (1967). Tape work using white noise as material and designed for a multi-channel system. In the original version, several sound images of various widths (e.g. three loudspeakers playing simultaneously) moved at different speeds around the audience, who were positioned inside the pentagonal loudspeaker arrangement. 12:13 02:19:44 18.   Makoto Moroi, “Shosanke” (1968). Tape work fusing electronic sounds with those of traditional Japanese instruments. 13:20 02:31:54 19.   Minao Shibata, “Improvisation for Electronic Sounds” (1968). Tape piece for electronic sounds. 09:27 02:45:12 20.   Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. 06:57 02:54:40 21.   Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. 08:49 03:01:34 22.   Toshiro Mayuzumi, “Mandara” (1969). Tape piece for electronic sound and voices. 10:22 03:10:24 23.   Takehisa Kosugi,  “Catch-Wave” (Mano Dharma '74)” (1974). “Mano-Dharma '74” is an excerpt from a meta-media solo improvisation performed by Takehisa Kosugi. From his notes: “Sounds speeding on lights, light speeding on sounds music between riddles & solutions. ‘the deaf listen to sounds touching, watching.” 26:32 03:20:42 24.   Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974). Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. 10:51 03:47:10 25.   Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” (1963). Music and effects later used for Astroboy. 06:59 03:57:48 26.   Joji Yuasa, “My Blue Sky (No. 1)” (1975). Tape parts realized at NHK Electronic music studio. 15:43 04:05:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

EXTRAIT du nouvel épisode qui sort mercredi avec Anne-Lorraine, fondatrice du refuge de L'Autre Ferme.La vie d'un petit refuge n'est pas toujours facile. Entre la gestion quotidienne des tâches, les soins des animaux, les imprévus... les défis sont nombreux ! Anne-Lorraine me partage ce qui lui donne la force de continuer au quotidien et le sentiment de gratitude qu'elle éprouve ✨

Je deviens co-responsable de mon groupe local de l'AVF : je te raconte tout !À l'occasion du Podcasthon 2025, j'ai choisi de mettre en lumière une association qui me tient à cœur : l'AVF (Association Végétarienne de France), qui accompagne avec bienveillance et sans jugement celles et ceux qui souhaitent découvrir une alimentation plus végétale — grâce à l'information, au partage et à des actions locales conviviales.-Le Podcasthon est le premier événement caritatif mondial qui rassemble plus de 1500 podcasteurs et podcasteuses. À travers un épisode dédié, le but est de tendre notre micro à une association afin de la soutenir et de renforcer la solidarité. Pour en savoir plus sur l'initiative : podcasthon.org-L'AVF compte 22 groupes locaux à travers la France qui contribuent à faire rayonner l'association en région et à animer une dynamique locale. En décembre 2024, je suis devenu co-responsable du groupe local AVF79 (Deux-Sèvres).Dans cet épisode solo, je te partage :- Ce qu'est vraiment l'AVF et le rôle essentiel des groupes locaux- Mon chemin (pas du tout prévu !) vers ce rôle de co-responsable- Les actions qu'on a mises en place pour relancer la dynamique de notre groupe- Les coulisses de l'organisation locale et du bénévolat- Les activités qu'on a déjà réussi à organiser- Mon retour d'expérience authentique et sincère — avec les réussites et les défisTu vas plonger dans les coulisses du monde associatif et du bénévolat… et qui sait, peut-être que ça te donnera envie de t'engager à ton tour ?

Die drei Poèmes pour Piano, «Ondine», «Le gibet» und «Scarbo» gehören zum Anspruchsvollsten, was je für Klavier geschrieben wurde. Es gehört zu den Hauptwerken des französischen Impressionisten, der am 7. März seinen 150. Geburtstag feiern würde. Das rund zwanzigminütige Triptychon aus dem Jahr 1908 basiert auf gleichnamigen Gedichten des französischen Romantikers Aloysius Bertrand. Der Zyklus fasziniert aber vor allem wegen seiner Klangpoesie und den märchenhaften Geschichten hinter den drei Stücken. Da ist zuerst die Wassernixe Ondine, die im Mondlicht in einem See schwimmt und dabei betörend schön singt. «Le gibet» ist eine schaurig-morbide Galgenszene, welche von einem Totenglöcken begleitet wird. Und der fiese Gnom Scarbo ärgert nicht nur alle Interpretinnen und Interpreten mit seinen pianistischen Hexenkunststückchen und Herausforderungen, sondern versetzt mit seinem hämischen Kichern und seinem dämonischen Herumwirbeln in Angst und Schrecken. Gäste von Moritz Weber sind die Pianistin Asia Ahmetjanova und der Musikjournalist Christian Wildhagen.

Aujourd'hui, direction Paris pour rencontrer Franck, un acteur incontournable de la scène végane parisienne

Elite season is back with the Cottbus World Cup and Winter Cup, where Frederick Richard debuted his genius marketing campaign uniform revolution, impossible scores, and the Oklahoma mini-documentary! Support independent journalistism. Join Club Gym Nerd here.  AWARDS The Most Winter Cup Award Zoey Molomo's unintentional dismount Runner up: Claire Pease getting a full point of OOB deductions on floor The Best Way to Get People Talking About Men's Gymnastics Award Frederick Richards' revolutionary basketball pajamas at Winter Cup Best Reason to Cancel NCAA Gymnastics as a Sport One judge gave Kayli Boozer a 9.550 WITH A FALL. Injury updates Anya Pilgrim (Florida), Sloane Blakely (Florida), Charlotte Booth and Jennifer Gadirova (GB), Brianna Taurek (Cal) Winter Cup Ashlee Sullivan is your 2025 Winter Cup Champion! Jayla Hang came in second despite a fall on beam, and Simone Rose came in third Wait a second... did the U.S. get the memo about beam choreography? Why NASA needs to hire Kelise Woolford because have you seen her Jaeger? Why everyone and their mother is suddenly doing a second vault Event Champions Zoey Molomo is looking ready for college Alicia Zhou won bars with her amazing E-score Tatum Drusch and Claire Pease shared the beam title How we know Nola Matthews actually read the new Code The skill that Vivi Crain did that made us all swoon GYMTERNET NEWS Serenity gardens, chandeliers and “We can say that's better but better is still a deduction, right? And better is less than you are capable of.” - what learned from the SEC Networks's "Inside Oklahoma Gymnastics" mini-documentary. We have another all-Black podium! This time at Elite Canada Eythora will be competing at Gymnix Cottbus World Cup Why we have problems with the award ceremonies The vaulting is for grown-ass women club: all vault medalists were 30+ The German audience applauded the men who could actually hold a scale Noah Kuavita understands the assignment and threw all the big-D skills Thoughts on the new 0.2 women's post-flight bonus Why Artur Davtyan's vaulting could lead to a potential Doordash sponsorship NCAA What are the ranking shakeups after week 8? LSU, UCLA, Cal, Georgia, and Florida Florida had an injury apocalypse at Oklahoma and had to count a fall on beam Cal scored a season-high 197.775 against Pittsburgh We have problems with BTN's coverage of gymnastics Pride meet alert: Cal hosted a pride meet with very prominent pride flags Ondine finally made her beam lineup debut! We hand Clemson the "Gaslighting the Judges" award Mika Webster-Longin and her Yurchenko 1.5 wins the "Figuring it Out" award UP NEXT College & Cocktails: The Live NCAA Gymnastics Post-Meet Show after Arkansas v Alabama on Friday, Feb 24th at 6:30pm Pacific Spencer is doing a watch-along watch along live blog at 3:00pm Pacific before College & Cocktails  Not sure if you are ready to join? Watch College & Cocktails sample free here. Can't make it live? Add College & Cocktails to your favorite podcast player (instructions here). Never miss a live episode! Import the entire College & Cocktails schedule into your Google and iCal calendar here FANTASY GAME: GymCastic 2025 College Fantasy Game now open. Never too late to join! ALL TEAMS MUST REDRAFT THIS WEEK before Friday at 2:15pm Pacific Play the Fantasy Gymnastics League BONUS CONTENT  Join Club Gym Nerd (or give it as a gift!) for access to weekly Behind the Scenes episodes. Club Gym Nerd members can watch the podcast being recorded and get access to all of our exclusive extended interviews, Behind The Scenes and College & Cocktails. Not sure about joining the club?  College & Cocktails: The Friday Night NCAA Gymnastics Post-Meet Show is available to sample (even if you aren't a Club Gym Nerd member yet). Watch or listen here. 2025 College & (M)Cocktails menu (including mocktails of course) MERCH GymCastic Store: clothing and gifts to let your gym nerd flag fly and even “tapestries” (banners, the perfect to display in an arena) to support your favorite gymnast! Baseball hats available now in the GymCastic store NEWSLETTERS Sign up for all three GymCastic newsletters  RECENT  College & Cocktails: Florida at Oklahoma Spencer's Live Blog – Friday, February 21, 2025 Fantasy News: 2025 NCAA Season, Week 7 The 5th Rotation: February 18, 2025 Rhys “The Prodigy” McClenaghan Interview College & Cocktails: Oklahoma at LSU Spencer's Live Blog – Friday, February 14, 2025 RESOURCES Spencer's essential website The Balance Beam Situation  Gymnastics History and Code of Points Archive from Uncle Tim Kensley's all things men's gymnastics: Neutral Deductions RESISTANCE  : Submitted by you, our listeners. ACTION Indivisible Practical ideas about what you can actually do in this moment, check it out: indivisi.org/muskorus 5Calls App will call your Congress people by issue with a script to guide your call. Make 2 to your Congressional rep (local and DC office). 2 each to your US Senators (local and state offices) State your name and zip code or district Be concise with your question or demand (i.e. What specific steps is Senator X taking to stop XYZ) Wait for answer Ask for action items -  tell them what you want them to do (i.e. draft articles of impeachment immediately, I want to see you holding a press conference in front of...etc.) ResistBot Turns your texts into faxes, postal mail, or emails to your representatives in minutes ACLU Mobile Justice App Allows you to record encounters with public officials while streaming to your closest contacts and your local ACLU; REPORT any abuse by authorities to the ACLU and its networks. LAWSUITS Donate to organizations suing the administration for illegal actions ACLU, Southern Poverty Law Center, Northwest Immigration Law Project STAY INFORMED Suggested podcasts:  Amicus, Daily Beans, Pod Save America, Strict Scrutiny Immigrant Rights Know Your Rights Red Cards, We Have Rights Video, Your Rights on trains and buses video

A Bruxelles, en 2024, Ondine écrit à Robert Desnos, ce poète dont elle a l'impression que les mots sont ancrés en elle. Elle adresse sa lettre au courrier des auditeur.trices de l' émission radio où il analyse les rêves, en 1938. Dans un monde qui lui fait peur, c'est à son poète qu'elle demande un refuge face à la grande noirceur. Un siècle plus tôt, à Paris, Robert Desnos s'abandonne, en compagnie des surréalistes, à des sommeils hypnotiques lors desquels il énonce poésies et prophéties. Peu à peu, les temps changent, chargés d'angoisse. Le poète semble ressentir la présence d'une apparition, d'une voix venue de loin. Une narratrice immortelle nous raconte cette rencontre improbable. / Réalisation: Roxane Ca'Zorzi / Mixage: Yvan Hanon / Montage: Deborah Benarrosch / Prise de son: Aurélien Lebourg / Bruitage: Céline Bernard / Production: ACSR De Capes et de Mots / Avec le soutien de FACR de la Fédération Wallonie-Bruxelles -

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

The joyous and jubilant documentary Sally! - the exclamation mark is deliberate - is a delightful and educational journey through the life and history of Sally Miller Gearhart: a professor of Speech, Theatre, and Women Studies; a fantasy writer; and most known as a lesbian feminist activist who helped transform the world for women and queer people alike. If, like me, you haven't truly heard the name Sally Gearhart before, then you might know of her activist work alongside Harvey Milk, notably from a pointed interview where Sally joined Harvey to debate John Briggs about his noxious and harmful bill dubbed Proposition 6, or the 'Briggs Initiative', which, if passed, would have seen homosexuals from academic positions in public schools. This debate with Briggs is one of the pivotal points in Sally's life, which also included her appearance in notable documentaries like WORD IS OUT: Stories of Some of Our Lives in 1977 and in Barbara Hammer's short film Superdyke.What delights the most about Sally!, the documentary, is that it meets the energy, vibrancy, and advocacy of Sally, the person, and acts as a celebration of activism, queer liberation, queer culture, feminism, and so much more. It is, quite simply, a rapturous delight to watch and spend time with. The film details Sally's life, featuring in depth interviews with those she knew, loved, campaigned with, and built a community alongside. It also features some joyously funny and engaging interviews with Sally herself, recorded in the years before her passing. Sally! is more than just a history lesson, it's a reminder that in a time of great societal upheaval and distress, one of the purest forms of resistance is laughter, community, and joy. They can't take that away from you.I was fortunate enough to talk with two of the co-directors of the film, Ondine Rarey and Jörg Fockele, while they were in Sydney for the Mardi Gras Queer Screen Film Festival screening of the film. Fellow co-director and producer Deborah Craig was unable to attend, but the sense of community and energy around the film and the following discussion carries her energy forward. This interview talks about how Deborah discovered Sally, and why telling Sally's story on screen right now is so deeply important. Ondine and Jörg also talk about the importance of being able to screen a film like Sally! in the world right now, and about the importance of keeping queer activist history alive and relevant. Sally! is a delight of a film, and you can see in person at the Mardi Gras Film Festival on Saturday 15 February. This is a special community screening, where all tickets are just $12. You won't want to miss it. However, if you're unable to attend the screening in person, then Sally! is also screening on demand later in the festival. For all ticketing details, visit QueerScreen.org.au. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:05:21 - L'Instant poésie - Poétesse anglaise, Renée Vivien a choisi la France et le français. Fidèle à sa réputation de "Sappho 1900", elle dédie ce poème à la femme aimée, Ondine, "l'onde dans laquelle le "je" se dissout".

With over 15 years of experience in high-growth startups within the hospitality industry, including hotels, spas, and food & tech, Cynthia brings a wealth of expertise to her latest venture—an UPF apparel brand, Ondine. In this episode, Tina Yao interviews Cynthia, a hospitality industry expert. Cynthia shares her diverse career path, which includes working at renowned establishments such as the Standard Hotel in New York and launching her own B2B catering company. She discusses her latest venture, Ondine, a UPF apparel brand set to launch in the summer of 2025, inspired by her commitment to skin protection and aesthetically pleasing, natural-fiber clothing.

Happy New Year. Does that title excite you or cause a little anxiety? The fact is that you want a massive shift in perspective in this lifetime. That's why you're listening to Joshua now. A massive shift in perspective comes with massive change, but it's the change you really want. In this episode, Joshua explains this concept as well as helping Ondine with a medical condition Take the Activations Survey - Click here            Check out our new podcast - 'An Unimaginable Life'  

In this episode, we discuss recordings of, “The Frans Brüggen Project” (Decca) by Lucie Horsch & The Orchestra of the Eighteenth Century, “American Opus (Americascapes 2)” (Ondine) by The Basque National Orchestra / Robert Trevino, “Undiscovered Trumpet Concertos” (Albany) by Paul Neebe, Thomas Bithell & The Budafok Dohnáyi Orchestra / Mladen Tarbuk, “Looking Ahead” (Multikulti Project Jazz Series) by The Alan Balcerowski Quintet, “Conversation Helps” (Self Release) by Dimitris Tsakas, and “Something Old, Something New” by Brian Clancy.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 194 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “The Frans Brüggen Project” (Decca) Lucie Horsch, Orchestra of the Eighteenth Century https://open.spotify.com/album/14mKevM7gjTr3WVvSirFh8 https://music.apple.com/us/album/the-frans-brüggen-project/1764290303 https://music.amazon.com/albums/B0DDY8K7G5   “American Opus (Americascapes 2)” (Ondine) Basque National Orchestra / Robert Trevino https://open.spotify.com/album/355YuD0mCYRpdQkqKlZHXY https://music.apple.com/us/album/americascapes-2-american-opus/1773042631 https://music.amazon.com/albums/B0DDCSXL8B   “Undiscovered Trumpet Concertos” (Albany) Paul Neebe, Thomas Bithell, The Budafok Dohnáyi Orchestra / Mladen Tarbuk https://open.spotify.com/album/6HoqxdRISPFM8RnkWiFZS2 https://music.apple.com/us/album/undiscovered-trumpet-concertos/1773381492 https://music.amazon.com/albums/B0DJRTZLC4   “Looking Ahead” (Multikulti Project Jazz Series) Alan Balcerowski Quintet https://open.spotify.com/album/60txM9aYiGsMyhNvIIOdB9 https://music.apple.com/us/album/looking-ahead/1782536558 https://music.amazon.com/albums/B0DP76CR9C   “Conversation Helps” (Self Release) Dimitris Tsakas https://open.spotify.com/album/1n8H1f951yVIL6OhXBHrpD https://music.apple.com/us/album/conversation-helps-feat-kimon-karoutzos-alex-drakos/1776384274 https://music.amazon.com/albums/B0DKZ8R81S   “Something Old, Something New” (Self Release) Brian Clancy https://open.spotify.com/album/7BDgdpfKVKSO7gait8hGAu https://music.apple.com/us/album/something-old-something-new-feat-josh-nelson-max-kraus/1779417887 https://music.amazon.com/albums/B0DPTRZ53N

Dans cet épisode de la pièce rapportée, je reçois Ondine Guillaume, à qui on doit la chronique « Classic Sheet' » sur Mouv' et à qui je fais découvrir une œuvre monumentale de Romeo Castellucci, présentée à la Grande Halle de la Villette dans le cadre du Festival d'Automne : « Résurrection ». Le metteur en scène italien décide de s'attaquer à cette symphonie de Gustav Mahler avec un cheval, de l'audace et énormément de terre. Genre, vraiment beaucoup. Dans cet épisode, je vous cite le livre « Musicking » de Christopher Small sur le rapport entre un spectacle et le lieu dans lequel il a lieu. Je vous parle aussi de la théorie de la distanciation de Bertolt Brecht. Bonne écoute ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Hasta bien entrado el siglo XX, las ideas musicales se exponen de acuerdo con un desarrollo ordenado según una estructura previamente estudiada, escrita o planteada. Mediado el siglo, algunos compositores se acogen a una tendencia que deja margen al indeterminismo, la flexibilidad y el azar._____Has escuchadoAngelica Music. Exercise 10 (1973-1974) / Christian Wolff. Apartment House; Christian Wolff, melódica. I Dischi di Angelica (2015)Aus den sieben Tagen. Liaison (1968) / Karlheinz Stockhausen. Ensemble Musique Vivante; Diego Masson, director. Harmonia Mundi (1988)HPSCHD. Solo VII: For Harpsichord & Computer-Generated Sound Tapes (1967) / John Cage y Lejaren Hiller. Jukka Tiensuu, clave. Ondine (1999)Pithoprakta (1956) / Iannis Xenakis. Orchestre philharmonique du Luxembourg; Arturo Tamayo, director. Timpani (2008)_____Selección bibliográficaADORNO, Theodor W., “Vers une musique informelle”. En: Escritos Musicales I-III, vol. 16. Akal, 2006*BEHRMAN, David, “What Indeterminate Notation Determines”. Perspectives of New Music, vol. 3, n.º 2 (1965), pp. 58-73*BOULEZ, Pierre, “Alea”. Perspectives of New Music, vol. 3, n.º 1 (1964), pp. 42-53*CARDEW, Cornelius, Scratch Music. The MIT Press, 1974CHARLES, Daniel, “L'interprète et le hasard”. Musique en Jeu, n.º 3 (1971), pp. 45-51*DELIÈGE, Célestin, “Indétermination et improvisation”. IRASM, vol. 2 (1971), pp. 155-191HARBINSON, William G., “Performer Indeterminacy and Boulez's Third Sonata”. Tempo, n.º 169 (1989), pp. 16-20*JENSEN, Marc G., “John Cage, Chance Operations, and the Chaos Game: Cage and the I Ching”. The Musical Times, vol. 150, n.º 1907 (2009), pp. 97-102*MEDINA, Ángel, “Apuntes sobre la recepción de la música abierta en España”. Anuario Musical, n.º 51 (1996), pp. 217-232*MORO VALLINA, Daniel, “Aleatoriedad y flexibilidad en la vanguardia musical española”. Actas do I Encontro Iberoamericano de Jovens Musicólogos (2012), pp. 236-248: [PDF]NIETO, Velia, “La forma abierta en la música del siglo XX”. Anales del Instituto de Investigaciones Estéticas, vol. 30, n.º 92 (2008), pp. 191-203O'GRADY, Terence J., “Aesthetic Value in Indeterminate Music”. The Musical Quarterly, vol. 67, n.º 3 (1981), pp. 366-381*PEYROU, Mariano, Oídos que no ven. Taurus, 2022POLO PUJADAS, Magda y Josep Maria Mestres Quadreny, Pensamiento y música a cuatro manos: la creatividad musical en los siglos XX y XXI. Universidad de Murcia, Servicio de Publicaciones, 2015*REYNOLDS, Roger, “Indeterminacy: Some Considerations”. Perspectives of New Music, vol. 4, n.º 1 (1965), pp. 136-140*TRENKAMP, Anne, “The Concept of Alea in Boulez's Constellation-Miroir”. Music & Letters, vol. 57, n.º 1 (1976), pp. 1-10* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Nous avons eu le plaisir de recevoir Ondine Prouvost, directrice du salon Marjolaine coordonné par Spas Organisation. Ce salon a regroupé au début du mois pour sa 48ème édition au parc floral de Paris des acteurs de l'agriculture biologique, de l'écologie, du développement durable et du bien-être. Elle nous parle de son organisation, et des problématiques et solutions que ce dernier permet d'identifier pour pérenniser l'agriculture biologique et les pratiques responsables de demain.

Sonoma County, Rock Paper Scissors, Thanksgiving and interview with Ondine Chattan, Head Winemaker, Share a Splash. ON THE ROAD with MR CA WINE is about California's cool, aspirational lifestyle and awesome wines hosted by Chuck Cramer, a California native, living in London and is the Director of European sales & marketing, Terlato Wines. This is a wine journey covering the hottest topics in CA wine, chatting along the way with the experts who make it all happen. This week's episode includes an interview with Ondine Chattan, Share a Splash. 

A deep dive into Ivo Pogorelich's famous 1983 Deutsche Grammophon recording of Maurice Ravel's Gaspard de la nuit. Here are official YouTube links provided by Universal Music: 1. Ondine: https://www.youtube.com/watch?v=vIBOwg8NGmA; 2. Le Gibet: https://www.youtube.com/watch?v=ZvMd03CxPuk; 3. Scarbo: https://www.youtube.com/watch?v=LACEbWKb1co

Ondine, 19 ans, a grandi avec une mère souffrant de troubles psychiatriques. Entre crises et moments de complicité, elle nous partage son parcours incroyable, mêlant force et sensibilité. Ecoutez Héros avec Faustine Bollaert du 24 octobre 2024.

Arnaud Delvenne, finaliste de Top Chef, a commencé sa carrière dans un fast-food avant de se retrouver en cuisine dans une prison. Son chemin, pavé d'épreuves personnelles et professionnelles, témoigne d'une passion indéfectible pour la cuisine. Ne manquez pas son témoignage émouvant sur la résilience et l'amour à travers la gastronomie ! Ondine, 19 ans, a grandi aux côtés d'une mère souffrant de troubles psychiatriques. Elle évoque la complexité de grandir avec une maman atteinte de bipolarité et de schizophrénie, entre moments de tendresse et crises déstabilisantes. Ecoutez Héros avec Faustine Bollaert du 24 octobre 2024.

Thu, 22 Aug 2024 04:00:00 +0000 https://malehrlich-der-podcast-von-anyworkingmom.podigee.io/81-ondine-riesen-ads ef09b7da0b0e3f4b65a8c4305985b3a1 Über die Diagnose, Medikamente und Alltags-Hacks «Gib dir doch mal Mühe!» hören Menschen, die häufig etwas vergessen, oft zu spät kommen oder sich schlecht konzentrieren können. Ondine Riesen hat ADS und erzählt, wieso dieses Mühe-Geben für sie nicht möglich ist, weil ihr Gehirn anders funktioniert. Wir reden darüber, welche Erleichterung eine Diagnose ermöglichen kann, welche positiven Aspekte ADS hat, was Medikamente bewirken, dass man sich Hilfe holen darf usw. Und Ondine erzählt, welche Kniffe ihr im Alltag helfen - und zwar nicht, um sich möglichst gut anzupassen, sondern die für sich passende Lösung zu finden. Links zum Thema: Gemeinschaft Ting, die Ondine mitgegründet hat https://www.ting.community/ ADHS bei Kindern: Was Eltern wissen müssen https://mal-ehrlich.ch/adhs-bei-kindern-was-eltern-wissen-muessen/ ADHS-Organisation: https://www.adhs-organisation.ch/adhsads/ 81 full Über die Diagnose, Medikamente und Alltags-Hacks no ads,adhs,psychologie,erziehung,familie,neurodiversität,schulprobleme,beruf,beziehung,erschöpfung Andrea Jansen & Anja Knabenhans

¡No os prometo que este sea el mejor podcast de la historia de Garaje Hermético! Pero sí puede que sea el que más vas a disfrutar con la vista, porque te traemos coches muy bonitos, realmente bellos. No serán los mejores descapotables ni los más rápidos ni los más sofisticados, pero sí aquellos que han hecho historia. ¡Estamos en verano! Y me apetecía hablar de descapotables. Porque son coches que siempre me han gustado, pero desde un tiempo a esta parte no es que me gusten… en que me apasionan…Me compré mi primer descapotable más o menos en 2012, un Mazda MX5 NC de techo duro. Y al poco tiempo decidí que mi coche digamos “principal” seria siempre un descapotable. Uso mi coche más veces descapotado que con techo. Basta que no llueva y que la temperatura sea de 12 o 14 grados para que me ponga un chaleco de plumas, una gorra, conecte la calefacción … ¡y a disfrutar! No soy el único, porque los descapotables son cautivadores… y si no, juzgad vosotros mismos. 1. BMW 328 (1936). El más antiguo. De BMW había mucho donde escoger, pero he elegido este 328 no por ser el más antiguo, sino porque creo que representa los valores de BMW mejor que ninguno, esos valores de calidad, deportividad y agrado de conducción. Confieso que la marca BMW me gusta… desde luego no todos sus modelos. Si llevan una X por ahí, me salen sarpullidos. 2. Morgan Plus (1950). Eterno. Un coche eterno porque nació en 1950 pero con algunos paréntesis, diversos cambios de propietarios, un sinfín de motores… sigue fabricándose hoy día casi igual a como se hacía en 1950. Y no, no lleva chasis de madera como he leído y oído por ahí sino un robusto chasis de largueros de acero. Lo que sucede es que la carrocería de paneles de aluminio o acero, según años y versiones, se sustenta en una estructura de madera fresno, bien tratada, ligera y casi eterna. 3. Renault Floride (1958). Un Dauphine de diseño italiano. Renault veía como marcas de otros países triunfaban en todo el mundo, y sobre todo en los USA, con pequeños descapotables bonitos, divertidos y asequibles. Así que utilizó el mismo sistema: Partir de un coche popular, el Dauphine, también conocido según mercados y modelos como Ondine o Gordini y ponerle una carrocería atractiva. 4. Jaguar E (1961). El más bonito. Lo hemos dicho muchas veces en este canal, si nada menos que Enzo Ferrari dijo que este coche “era el automóvil más hermoso del Mundo” no sé qué vamos a añadir nosotros, pobres mortales en comparación con “Il Commendatore”. 5. Triumph Spitfire (1962). Hecho de “retales”. Como en otros modelos de este vídeo, realmente se trata de una saga. Pero el primero aparece en el Salón de Londres de 1962 y, para ser la suma de unos cuantos “retales” tomados de un lado y otro, no podía ser más bonito ni más interesante. 6. Mercedes SL “Pagoda” (1963). Mi Mercedes favorito. ¡No os podréis quejar! Os prometí una lista de coche muy bonitos y estoy cumpliendo. Y este SL aparecido en 1963 y apodado “Pagoda” en muchos mercados por la forma de su techo duro, es de los más bonitos. 7. Alfa Romeo Spider “Duetto” (1966). Otro acierto de Pininfarina. La historia de este coche es curiosa y sorprendente. Porque cuando Alfa Romeo decide hacer un Spider piensa en Bertone, que en esos años era lo mismo que decir Giorgetto Giugiaro. Pero por una parte el diseño no convenció, pero sobre todo peso el hecho de que Alfa Romeo quería el diseño y la producción y Bertone estaba saturada con la fabricación del Fiat 850 Spider. 8. Fiat 124 Sport Spider (1966). Doble vida. Viendo este diseño de Pininfarina en colaboración con Tom Tjaarda, entonces jefe de estilo de Fiat, cuesta creer que debajo de ese bonito Spider hay uno de nuestros 124… solo que en España sí se fabricó, pocas unidades, el 850 Spider con marca Seat, pero nunca el 124… ¡qué pena! 9. MG Midget MKIII (1966). El coche de “Jane” El primer Midget nace en 1961 pero he elegido el MKIII por dos razones: Fue el primero que conocí en persona y el que realmente inició el “desembarco” de MG en los EE.UU. Como curiosidad, en su último año de vida, 1974, este modelo recibió uno paragolpes de gran tamaño para superar las normativas americanas de seguridad. Esos paragolpes recibieron el nombre de “Sabrinas” en referencia a los encantos de la actriz británica Sabrina que hizo, entre otros, el papel de Jane en la película “Tarzán” de 1966… ya sabéis que en GH somos muy cinéfilos. 10. Mazda MX5 (1989). Más de un millón. En un vídeo titulado “Descapotables que han hecho historia” no podía faltar el coche descapotable más vendido de la historia, el MX5 que sumando todas sus generaciones en el año 2016 superó la barrera del millón de coches. Conclusión. Sé que no todo el mundo puede tener un descapotable, pues es un coche absolutamente inútil… pero, si eres afortunado y puedes… no pierdas la ocasión.

In this episode, we discuss recordings of “Giuseppe Clemente Dall'abaco: Cello Sonatas and Duos, the London Manuscript, Vol. I” (Da Vinci Classics) by Julia Nilsen-Savage, Candela Gómez Bonet & Shin Hwang, “Lukas Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode” (Naxos) by Amy Porter, Nikki Chooi & The Buffalo Philharmonic Orchestra / Joann Falletta, “Gabriel Erkoreka: Cello Concerto ‘ekaitza'; Tres Sonetos de Michelangelo; Piano Concerto ‘piscis'” (Ondine) by Asier Polo, Carlos Mena, Alfonso Gómez & The Basque National Orchestra / Juanjo Mena, “Leon's Lullaby” (Fresh Sound Records) by Alexander Brott, “Guidance & Gratitude” (Shifting Paradigm Records) by Zachary Finnegan, and “Sanyas” (Smoke Sessions Records) by Steve Turre.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 172 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Giuseppe Clemente Dall'abaco: Cello Sonatas and Duos, the London Manuscript, Vol. I” (Da Vinci Classics) Julia Nilsen-Savage, Candela Gómez Bonet, Shin Hwang https://open.spotify.com/album/12AQu6znnMs6aHPBzdybxz https://music.apple.com/za/album/giuseppe-clemente-dallabaco-cello-sonatas-and-duos/1743231681 https://music.amazon.com/albums/B0D2JC38J9   “Lukas Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode” (Naxos) Amy Porter, Nikki Chooi, Buffalo Philharmonic Orchestra / Joann Falletta https://open.spotify.com/album/6VOX7sLmgbPFltp4lRE9fu https://music.apple.com/us/album/lukas-foss-symphony-no-1-renaissance-concerto/1743379208 https://music.amazon.com/albums/B0CYQKJF62   “Gabriel Erkoreka: Cello Concerto ‘ekaitza'; Tres Sonetos de Michelangelo; Piano Concerto ‘piscis'” (Ondine) Asier Polo, Carlos Mena, Alfonso Gómez, Basque National Orchestra / Juanjo Mena https://open.spotify.com/album/5eTcRHPR7j0EFsacc2BXwe https://music.apple.com/us/album/gabriel-erkoreka-cello-concerto-ekaitza-3-sonetos-de/1753220982 https://music.amazon.com/albums/B0D2J4YNCC   “Leon's Lullaby” (Fresh Sound Records)  Alexander Brott https://open.spotify.com/album/0jfDZaJ9dKwL50yhoZoOMO https://music.apple.com/us/album/leons-lullaby-feat-stefano-doglioni-ari-roland-keith-balla/1742147362 https://music.amazon.com/albums/B0D263QZJW   “Guidance & Gratitude” (Shifting Paradigm Records) Zachary Finnegan https://open.spotify.com/album/5NkkObzc1tTKyi9XWvaUG9 https://music.apple.com/us/album/guidance-gratitude/1743042164 https://music.amazon.com/albums/B0D2LRCH4P   “Sanyas” (Smoke Sessions Records)  Steve Turre https://open.spotify.com/album/76XjMXvCjc4Ds9rP4xJuEw https://music.apple.com/us/album/sanyas/1741810905 https://music.amazon.com/albums/B0D1ZH2BVJ   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

Hippty hoppity, Leafhoppers on their way! Thank you to Leanne, Atreyu, and Ondine for you listener request! Support the Show.Thank you for listening! To contact us please email justbugspodcast@gmail.comFollow us on social media at JustBugsPodcast Support us on Patreon at Patreon.com/JustBugs

Dans cet extrait, Kilian Bron présente Dolomites, son dernier documentaire.Je tiens à adresser mes plus chaleureux remerciements à Loriane Demangeon de la BMI qui nous a ouvert les portes de la magnifique salle des boiseries de l'abbaye de moyenmoutier, ce joyau du 18è siècle classé Monument historique, Remerciements également à Stéphane Thouvenot du Conseil départemental des Vosges pour m'avoir aidé dans ma recherche de lieux pour tourner cet épisode, et également remerciements à Julien Conan ainsi que toute l'équipe de Enjoy Vélos Epinal: Christophe Jobic, Thierry Commeau, Sébastien Corradini, Thibault Simon.Et enfin un grand merci à Morgan et Ondine pour m'avoir assisté sur la réalisation de cet épisode.-------Abonnez-vous à la newsletter En Roue LibrePour ne rien manquer de l'actualité d'En Roue Libre, des derniers épisodes, tout savoir sur les prochains invités et tre tenu au courant des dernières news croustillantes dans le monde du vélo, inscrivez-vous et vous aurez très vite de nos nouvelles.https://bit.ly/3yOVY7T-

Kilian Bron est pilote professionnel de VTT et créateur de contenus.Si il y a quelqu'un qui a le pouvoir de faire rêver avec des images de VTT, c'est bien Kilian.Avec son binôme Pierre Henni, il a imprimé depuis 15 ans une marque indélébile dans le monde du vélo avec ses édits filmés aux 4 coins du monde qu'il appelle « signature » et dans lesquels il démontre un sens de l'esthétisme sans égal.Avec son dernier documentaire Dolomites, il enfonce le clou bien profond et démontre une nouvelle fois qu'il est le maître incontesté de la vidéo de VTT.Mais vous allez voir, au cas où vous auriez un doute, que derrière ces images il y a une réflexion profonde, une recherche effrénée pour LE détail, l'angle de prise de vue et l'action qui peuvent faire la différence ainsi qu'un désir viscéral de se démarquer de tout ce qui peut se faire par ailleurs et de se renouveler.Dans cet épisode, attendez vous à découvrir: - Comment Kilian s'est lancé dans la création de contenus- Les coulisses de son nouveau documentaire Dolomites- La construction d'un projet vidéo étapes par étapes- Qu'est ce que ça coute et comment il finance ça.- Comment il travaille avec ses sponsors et comment il évalue les résultats?- Comment il compose son équipe- Comment il trouve ses inspirations et qui l'inspire en ce moment?- Sa vision sur sa prise de risque et comment il le gère dans sa création de contenus- Ses meilleurs et ses pires anecdotes sur les tournages- Ses ambitions pour la suite de sa carrière- Et bien plus encore.Je tiens à adresser mes plus chaleureux remerciements à Loriane Demangeon de la BMI qui nous a ouvert les portes de la magnifique salle des boiseries de l'abbaye de moyenmoutier, ce joyau du 18è siècle classé Monument historique, Remerciements également à Stéphane Thouvenot du Conseil départemental des Vosges pour m'avoir aidé dans ma recherche de lieux pour tourner cet épisode, et également remerciements à Julien Conan ainsi que toute l'équipe de Enjoy Vélos Epinal: Christophe Jobic, Thierry Commeau, Sébastien Corradini, Thibault Simon.Et enfin un grand merci à Morgan et Ondine pour m'avoir assisté sur la réalisation de cet épisode.-------Abonnez-vous à la newsletter En Roue LibrePour ne rien manquer de l'actualité d'En Roue Libre, des derniers épisodes, tout savoir sur les prochains invités et tre tenu au courant des dernières news croustillantes dans le monde du vélo, inscrivez-vous et vous aurez très vite de nos nouvelles.https://bit.ly/3yOVY7T-

Ondine Rangel talks to us about moving to multiple countries in her up bringing, how she's always had a strong connection to animals, and how socializing and learning “people skills” didn't get introduced to her until her early 20s. https://www.ondine.horse/ https://www.facebook.com/OndineEquine Episode Sponsors: https://stablemix.com/ https://theequinecreative.com/

Was hält Menschen davon ab, ihre Ideen zu realisieren? Geld jedenfalls zählt bei Ondine Riesen nicht als Argument: Sie hilft Menschen, sich selbst zu entwickeln - mit Unterstützung der Community. Lange dachte die Mentorin und Gründerin, dass sie dumm oder faul oder beides sei. Bis man bei ihr ADS diagnostizierte und sie endlich «wieder atmen» konnte. Riesen hat sich seither Tools angeeignet, um mit ihren Unsicherheiten umzugehen: so lernte sie, «ihre innere Frau Rottenmeier» zu domestizieren. Schliesslich fand sie ihren ersten sinnhaften Job: Sie gründete mit «Ting» eine Community, die es sich leisten und Geld geben kann für andere, die es gerade brauchen. In «Focus» erzählt Riesen, wie sie die Probleme unserer Gesellschaft nicht verwalten, sondern lösen will. Weshalb sie mit 16 realisierte, was sie von anderen unterscheidet - und weshalb sie öfters ihr Telefon im Kühlschrank findet. _ Gesprächspartner:innen: - Ondine Riesen, Mit-Gründerin der Community TING ting.community _ Musik: -Ondine Riesen liebt und braucht Musik. Hier gibts die ganze Playlist, die sie für «Focus» zusammengstellt hat open.spotify.com/playlist/6trOXwnOyKeFrZEnjJgzsE?si=fcec69a0e51b427a&nd=1&dlsi=195d98f2aa1247be _ Team: -Autorin: Kathrin Hönegger instagram.com/kathrinhoenegger

Fondée en 2014 par Ondine et son frère Virgile Suavet, la startup française mylight150 a rapidement émergé comme un acteur innovant dans le domaine de l'autoconsommation solaire. Avec une présence en France, Espagne, Suisse et Roumanie, mylight150 se distingue par sa gamme complète de solutions solaires résidentielles intégrées. Ces solutions comprennent des équipements photovoltaïques propriétaires, des outils numériques et des services de gestion intelligente de l'énergie, visant à réduire la facture énergétique et augmenter l'efficacité des foyers et bâtiments tertiaires. Pour en parler plus en détail nous recevons Ondine Suavet, co fondatrice et CEO de MYLIGHT150

Zack Smithey is an interdisciplinary artist who continues to evolve, explore new concepts, designs and creative processes. Smithey has been working as a professional artist for the last 20 years and taught high school art for 7 years. In addition to showing in galleries, he paints murals, works with designers, agencies, and clients to source art from his inventory or create custom commissions. He has hundreds of pieces in his current inventory and over 3,000 original pieces in public, private and corporate collections.  In addition to art, Zack designed, consulted and oversaw the construction for the first 2 shipping container homes in the St. Louis area (St. Charles, 2016) and Old North neighborhood, STL, 2019.  Smithey has had over 100 solo and group shows (NYC, NJ, STL, Palm Beach, Palm Springs, Laguna Beach, La Jolla), has done art/film work for Lincoln Center in NYC (A Short Film for the End of Time - Part 1, Part 2), created a series of art videos for world renowned pianist Inon Barnatan (Darknesse Visible - La Valse, Ondine, Fantasy of Peter Grimes, Darknesse Visible, Le Gibet ), commissioned by Boeing to create 2 steel sculptures for their STL headquarters, commissioned performance piece for the La Jolla Music Society - Conrad Prebys Performing Arts Center, is the creator of the Easter Art Hunt in STL, was commissioned to do Album art for Smother Party in Brooklyn, and has been published in the New Yorker, Sophisticated Living, ShoutOut LA, CURBED, Newsweek, St. Louis Post-Dispatch, St. Louis At Home Magazine, All The Art, INSIDER, St. Louis Magazine, StreetScapes Magazine, St. Louis Homes & Lifestyles, Uptown Magazine, Community News, Lindenwood Connection and St. Charles Magazine. He has been covered/interviewed on NETFLIX, KCTV5, NBC, Fox, CBS, and USA Today ​ Follow Local 636 Join the Facebook Community - https://www.facebook.com/groups/334209248578123 Instagram https://www.instagram.com/local.636/ YouTube https://www.youtube.com/@Local.636 Local636.com

Dans le cosmos qu'est le monde de la joaillerie, Les sujets sont nombreux et divers comme autant de galaxies qui gravitent ensemble dans le système planétaire joaillier que GemGenève a construit. Ce salon devenu événement culturel offre à ses exposants comme à ses visiteurs un ensemble de sujets d'exploration autour de l'histoire du bijou, des savoirs faire ou des problématiques actuelles. Alors je les ai rassemblé dans un univers, cette nouvelle saison, la 7e, du podcast thématique Il était une fois le bijou.    Pour cette émission je vous propose d'explorer une nouvelle nébuleuse celle de automates musicaux. Des merveilles d'hier comme d'aujourd'hui qui rassemblent le génie créatif, les savoirs faire d'excellence, le défi de la miniaturisation, et bien sûr la magie de l'animation des objets.   Aussi, je vous invite à entendre Estelle Fallet, la conservateur en chef au Musée d'Art et d'Histoire de Génève, en charge du domaine Horlogerie, Emaillerie, Bijouterie et Miniatures et François Junod, considéré comme le plus grand automatier du monde, qui en plus de ses oeuvres animées originales est le créateur notamment du célèbre automate la Fée Ondine créé pour Van Cleef & Arpels.   Ensemble, ils racontent l'histoire des automates et les techniques qui se sont échangées entre l'Asie et l'Europe au cours du temps.   Ils expliquent combien il est difficile de préserver, de réparer, d'entretenir ces oeuvres et François Junod nous parle technique mécanique.   Estelle Fallet raconte les plus belle pièces du Musée d'Art et d'Histoire de Génève.   François Junod explique ses créations récentes et la formation de ses apprentis.   J'espère que cet épisode vous plaira et que nous pourrons en parler ensemble le mois prochain lors de la nouvelle édition du salon avant de nous retrouver sur ce podcats en janvier pour une nouvelle série d'épisodes sur la joaillerie.   Je suis Anne Desmarest de Jotemps et je donne une voix aux bijoux, chaque dimanche. Les semaines prochaines je vous retrouverai en alternance sur le podcast Brillante et le podcast Le Bijou comme un bisou.   Faites moi plaisir soutenez les podcasts en mettant des avis, des pouces et des étoiles sur Apple podcast et Spotify et partagez ce podcast sur vos réseaux sociaux.   A tout bientôt ! 

 Ondine Sherman is a life-long animal advocate, and is passionate about promoting respect and compassion for all creatures. She is the author of Vegan Living; A simple guide to cruelty-free, healthy plant-based life (2020), and Young Adult fiction, the Animal Allies series: Sky (2019), Snow (2019), and Star (2021). Ondine's memoir, The Miracle of Love (2013) recounts her journey with her identical twin boys with severe disabilities (MCT8 disorder). In 2004 Ondine co-founded Voiceless, the animal protection institute with her father Brian Sherman AM and she is the organisation's Managing Director. Voiceless supports and invests in impactful people and projects to foster pro-animal values and create lasting systemic change. Since it's inception, Voiceless has used a myriad of tools and strategies to address institutionalised animal cruelty and create change. These have included in-depth reports on animal-use industries, public awareness campaigns, animal law and policy, and much more.  Ondine is currently a PhD student focussing on Critical Animal Studies, and holds a BA in Communications and an MA in Environmental Studies.   Links: Voiceless: https://voiceless.org.au/ Ondine's writing and books: https://www.ondinesherman.com/books  Music we played:This is How We Walk on the Moon by Jose GonzalesWeak by Asaf Avidan and the MojosDreamer by The Angelcy    Thank you for listenting to Freedom of Species and supporting discussions about animal rights, advocacy and topical animal-related issues on 3CR. If you have any feedback on any of our shows, please contact the FoS team at freedomofspecies@gmail.com 

SynopsisOn this date in 1973, Eugene Ormandy conducted the Philadelphia Orchestra in music by Mozart, Brahms, and the American composer, Roy Harris. The program was nothing out of the ordinary, but the concert took place in Beijing and marked the FIRST time an American orchestra had performed in Communist China. The orchestra was invited to China following the famous visit of President and Mrs. Nixon and secretary of state Henry Kissinger.In the audience for one of these historic concerts was a young student of traditional Chinese music named Tan Dun. When Tan heard the Philadelphians perform Beethoven's Fifth Symphony, a work he had never heard before, he decided then and there to become a composer himself. In 1986, Tan Dun came to New York City, and since then has managed to combine elements of East and West into his own musical works.In 1987, for example, he composed a violin concerto titled Out of Peking Opera, which draws on both Chinese and European traditions. In addition to prestigious awards and commissions from major foundations and orchestras, in March of 2001, Tan Dun won an Oscar for his film score to the Ang Lee film, Crouching Tiger, Hidden Dragon.Music Played in Today's ProgramLudwig van Beethoven (1770 - 1827) Symphony No. 5 Royal Philharmonic; René Leibowitz, cond. Chesky 17Tan Dun (b. 1957) Out of Peking Opera Cho-Liang Lin, violin; Helsinki Philharmonic; Muhai Tang, cond. Ondine 864

Fiction writer and editor A.A. de Levine joins to discuss Mary Harron's debut feature, 'I Shot Andy Warhol', featuring a seismic performace from Lili Taylor as the infamous feminist writer Valerie Solanas as well as Jared Harris as the late pop artist, and a moving turn from Stephen Dorff as trans icon Candy Darling. The film is a fascinating, frightening view into the life and experiences of Solanas that led her to an increased state of anger, paranoia, and aggression which eventually resulted in the film's titular act of violence. We take a look at the real life Solanas and her most enduring work, The SCUM Manifesto; its aims, its limitations, and its intentions as a furious feminist screed, a work of biting satire, or something in the middle. Then, we discuss the film's portrayal of New York's art scene in the 1960s and its nuanced examination of the ways Warhol and his Factory cohort offer a contradiction of the avant-garde as filtered through highly palatable standards of beauty and taste. Finally, we talk about the career of Mary Harron, who would go on to achieve her greatest acclaim with her sophomore feature, the teriffic 'American Psycho', before having her films relegated to a place of relative obscurity for the next two decades. Follow A.A. de Levine on Twitter.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Carina and Ondine are Intuitive Energy Channels who answer life questions. With the connection of their late grandfather, Walter Whately Carington (who was an eminent parapsychologist and psychic researcher in the 1930's), they tune into the energetic frequency and vibration of the question by meditating at the same time. Their combined answers provide clarity, perspective and guidance to allow their clients to see a better way forward. Their energetic readings are not only unique, but uplifting, comforting and inspiring for their clients worldwide. Ondine is a certified Reflexologist and Facial Reflexologist and Carina is Reiki qualified and heals both vibrationally and energetically. More info: https://www.claritysisters.com/ ----------- ABOUT YOUR HOST: Porter Singer is music-maker, podcaster and emotional guide.  More info: https://portersinger.com/ ------------- MUSIC CREDITS:   INTRO: "Don't Worry, Be Happy (Instrumental)" by Porter Singer and Songs of Eden; OUTRO: "If You Want to Sing Out, Sing Out (Instrumental) by Porter Singer and Songs of Eden   ------------ COMPANIES WE LOVE   EARTH BREEZE LAUNDRY SHEETS ~ These Earth-friendly dehydrated laundry sheets will leave your clothes super clean, without the waste of bulky plastic containers. The referral money we get from YOU clicking on that link and ordering will help sustain this podcast AND help care for our beautiful Earth. Thank you in advance! Click to purchase: https://www.earthbreeze.com/?rfsn=6157640.8b8358   SAGE MOON:  I highly recommend their "Inner Child and Beyond" Deck! If you've been wanting to heal your relationship, with, well, everything and everyone, I cannot speak highly enough of this deck, with its beautiful imagery and wise soothing prompts.  https://sagemoon.com/?rfsn=1754610.9fe2b6   BANDZOOGLE WEBSITES ~ We have been using this website provider since the early 2000s. It is so easy to use and customize, and super efficient for selling your music and/or services. Best of all, it's super affordable! More info on Bandzoogle: https://bandzoogle.com/?memref=rd890    If you'd like to leave us a tip--wow, really?!--you can do so by visiting the following sites/apps.   @portersinger on Venmo @SirgunKaurK on PayPal

This week, we're shuffling the release order a little bit to talk about 2009's Ondine. Directed by acclaimed Irish filmmaker Neil Jordan, the film stars Colin Farrell as a reclusive fisherman who rescues a mysterious and possibly magical woman from the sea. We talk about the film's origins as a Writer's Strike project, Colin's real life romance with co-star Alicja Bachleda-Curuś, the legacy of mermaids in films, and the career downturns that befall both Jordan and cinematographer Christopher Doyle after this film. Plus - we recorded this on the eve of Barbie and Oppenheimer's release, so you'll get a lot of our surely out of date thoughts on those and a bunch of nervous excitement. Connor pitches a Ben Mendelsohn podcast. Cole breaks down the history of Splash Mountain. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to The Nerd Expansion! Today's guest is the one and only Ondine Boulter and her nerd love is Vanity License Plates. It's awesome.Adventure-seeking lover of nature, food, humans and all things miniature!  When I'm not driving my solar powered car you can find me pushing pedals up a hill on my road bike, shaking my booty on the dance floor, planting flowers in my garden or snuggling up to one of my 4 kids. Ondine's InstagramHosted By: Nick Bowan & Sasha WeissTheme song written by Korrie YamaokaPerformed by Sasha Weiss & Korrie Yamaoka

Jordan and Dave are back to destroy the music you love! We spend this interminable episode listening to and mentally processing the vast number of rare dial-a-songs and officially released full band demos They Might Be Giants created in the build-up to 1994's album John Henry! Highlights include the extremely different Sleeping in the Flowers dial-a-song, the very brief and very funky full band recording of Dirt Bike, the hauntingly acoustic Spy, the Nixon crooning version of O' Do Not Forsake Me, and too much more! Our episode ends with a discussion of the Flansburgh-penned Wreck It Apart, a rare song that would eventually be killed and dissected for Ondine. That's right, a demo of an alternate version of a song not even on the album. WE'RE CRAZY! Plus, because you asked for it, John Henry Hypercard Stacks! If you know what those words mean, you are already on board. Stop waiting such a long time for the good times to start! Dust yourself off, grab your Dutch Masters, kick your feet up and take one final ride with John Henry! ALRIGHT! --- Support this podcast: https://podcasters.spotify.com/pod/show/dontletsstart/support

Being patient while we take our time are things our listeners can understand, and thank you for that! But now...Skull's out for summer! We finally finish what we started, as we're done with John Henry, the album! But what of John Henry's officially released b-sides? In this episode we listen to, learn about and love the Back to Skull EP (AKA Snail Shell EP), a tantalizing trilogy of songs about murderesses, femme fatales and intimidating ladies! First we have more of our discussion with the femmest fatale of them all, Scarlet Kim, the cover model of Back to Skull! Then we drive our pick-up trucks right over to track 2 and search the whole room over to find these words about the She Said/He Dead tale of Ondine! Then wait one minute, I have seen that She Was A Hotel Detective is next! We light up a cigarette, adjust the blinds and narrate the noir tale of this ne'er-do-well! Then we want to be the ones to declare that we want to talk about the unknowable Mrs. Train, and we're happy when we finally listen to this band! Finally, our pick-up truck leaves those original songs in the dust...Snail Dust! We groove to the sample-heavy remix of Snail Shell by the Dust Brothers. Or is it ma'ams? Plus we unearth a few other long lost Snail Shell remixes that had been gathering dust. What are you waiting for? Don't you want to be first in line to hear our latest episode? Don't make me kill you again! DO IT! --- Support this podcast: https://podcasters.spotify.com/pod/show/dontletsstart/support

"Ocean health is critical to human health in the long run, and one of the best ways that we can regenerate the local ecology in this area is through regenerative ocean farming." — Bretton Hills, Ondine Oceanfarm In this episode: Meet Bretton Hills of Coralus Venture Ondine Oceanfarm! Bretton joins Activator Jessica Lax to talk about regenerative ocean farming, her love for creative problem solving that led her to the industry, and collaborating with Coralus Ventures Nada and Skipper Otto. They also discuss: Creating assets that support community growth Bretton's plan to build a community harvest centre Eutrophication, the over abundance of nutrients ending up in the water Creating a new way of being by interfacing the wild space with culture Building a team that values autonomy and celebrates each other's strengths How the farm prioritizes symbiotic relationships between different species Her #ASK for the Coralus community We invite you to join us as an Activator. Take action and engage with Bretton and Ondine Oceanfarm on Instagram. Connect with Jessica Lax on LinkedIn and learn more about The Ember Circle. Don't miss an episode! Subscribe to the Ripples of Radical Generosity Podcast.

Last time we spoke about the Gapsin Coup. Li Hongzhang snipped the bud of war before it could bloom after the Imo uprising and the Daewongun stole back power in Korea. The Daewongun was spanked and sent into exile yet again, but now Korea had become greatly factionalized. The progressives and conservatives were fighting bitterly to set Korea on a Japanese or Chinese path to modernization. This led radicals like Kim Ok-kyun to perform the Gapsin coup which was terribly planned and failed spectacularly. Japan and China were yet again tossed into a conflict in Korea, but China firmly won the day for she had more forces to bear. Japan licked her wounds and went home, learning a bitter lesson. That lesson was: next time bring more friends to the party. But today we are going to be taking a side quest, for many events were occurring in China, and one that brought yet again another foreign war.   #41 How France Ended up in Indochina   Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. As I said a while back, I wanted to try and hit some events that don't necessarily fit the, something like 4-5 episodes its taking to explain how the First Sino-Japanese war came about. And even as I am writing this, on my personal channel someone commented “hey please don't forget to do a podcast on the Panthay Rebellion”, sigh. I chose to keep the Panthay Rebellion out of the Dungan Revolt episode, though many like to bundle these events up. I will try my best to hit that one, but if it somehow falls through my fingers, perhaps I will cheekily put it on my patreon, www.patreon.com/pacificwarchannel. A bit scumbag perhaps, but honestly its taking forever to get to the first sino-japanese war. Now this one, the Sino-French War is actually something a lot of my Vietnamese audience from my youtube channel have begged me to do an episode on for a long time now. Where to begin. This series focuses on the history of China and as such it fails to mention the experiences of China's neighbors quite often. For example while western nations like Britain were courting the Qing dynasty trying to open up further trade outside the Canton system, nations like France were likewise exploring and trying to exploit places like modern day Vietnam. During the early 17th century, France began to establish relations with Vietnam by sending the Jesuit missionary Alexandre de Rhodes. Alexandre de Rhodes was the first to write a catechism in the Vietnamese alphabet and upon returning to france in 1650 he advised the Catholic church they needed to dispatch bishops over to Vietnam to help development her roman catholic population, estimated to be around 100,000 converts by that point. He also warned that they must not allow what occurred in Japan to happen in Vietnam, referencing the Shimabara rebellion "We have all reason to fear that what happened to the Church of Japan could also happen to the Church of Annam, because these kings, in Tonkin as well as in Cochinchina, are very powerful and accustomed to war... It is necessary that the Holy See, by its own mouvement, give soldierss to these Oriental regions where Christians multiply in a marvelous way, lest, without bishops, these men die without sacrament and manifestly risk damnation." Alexandre de Rhodes efforts helped create the Paris Foreign missions society and soon the French East India company began operating in southeast asia. Throughout the 18th century the Jesuits missionary work and trade were very successful in Vietnam and this even led to military assistance. The French aided Nguyen Anh to retake his lands that had been taken from his family during a rebellion. The French were able to protect Nguyen Anh who became Emperor Gia Long and relations were fairly good with France, until his death whereupon relations fell considerably. The Nguyen dynasty increasingly viewed the catholic missionaries as a threat to their control. The french missionaries were soon being persecuted and then a revolt occurred in Cochinchina known as the Le Van Khoi revolt of 1833-1835. French catholic missionaries, Vietnamese catholics and Chinese settlers revolted against the current Emperor Minh Mang. Minh Mang quelled the revolt in 3 years while simultaneously fighting off a Siamese offensive. The revolt caused a dramatic increase in the persecution of catholics, leading to the execution of many missionaries. France tried to send diplomats to work out a peace deal with Minh Mang, but he would have none of it. In 1825 he made an edict  “"The Westerner's perverse religion confuses the hearts of men. For a long time, many Western ships have come to trade with us and to introduce Catholic missionaries into our country. These missionaries make the people's hearts crooked, thus destroying our beautiful customs. Truly this is a great disaster for our land. Our purpose being to prevent our people from abandoning our orthodox way, we must accordingly completely eliminate these abuses."   Minh Mang unlike his predecessor had no illusions about catholics, missionaries nor the west in general he sought isolationism. He was a very conservative leader and abided by confucianism. During his 21 years of rule he expanded his empire to acquire territory from parts of modern day Cambodia, Laos and Thailand. However after the first opium war saw the Qing dynasty humiliated by Britain, Minh Mang attempted to build an alliance with European powers by sending a delegation out in 1840 led by Ton That Tuong. They were received in Paris by Prime Minister Marshal Soult, but King Louis Philippe shunned the delegation and the Vatican urged a rebuke for “the enemy of the religion”. The delegates tried to offer France a trade monopoly in exchange for military support in the case of being attacked by a western power, but it was all in vain. After this the delegation tried a similar treaty with America, but it also failed. Minh Mang died and was succeeded by his eldest son Thieu Tri, who upheld the anti-catholic stance of the Nguyen dynasty, but did make some efforts to thwart conflicts and handed over to France 5 imprisoned missionaries in 1840. Thieu Tri would be dealt a hard hand of cards, as during in 1840's his empire was hit by a global cholera pandemic that killed roughly 8% of his nations population. Meanwhile his fathers isolationist policies meant the empires economy was hurting. Back over in France, in 1843 the French foreign minister, Francois Guizot sent a fleet to east asia led by Admiral Jean-Baptiste-Thomas Medee Cecille, lol wow to that name, all first names literally imagine someone in English called John, Jacob, Ryan, Jack, Kyle. The reason for the expedition was to respond to the new situation in China, as Britain had just defeated her in 1842 and thus the door was busted wide open so to say. The French thinking was while Britain began exploiting China in the north, perhaps France could counterbalance this by trying to puncture China in the south. Of course France was not openly stating this, officially she sent the mission “to support British efforts with the Qing dynasty and to fight against the persecution of French missionaries within Vietnam”. Admiral Jean-Baptist went to Vietnam in 1845 to try and get the release of one Bishop Dominique Lefebvre who had been condemned to death. Lefebvre had gone to Vietnam in 1835 and it was then illegal to work as a missionary. He was caught performing missionary actions and received the death penalty. A US captain named John Percivil of the USS Constitution attempted to gain his release but failed so he turned to Admiral Jean-Baptiste. Jean Baptiste managed to smooth things over and obtained Lefebvre's release and Lefebvre simply snuck right back into Vietnam and got himself caught yet again and was in the same situation by 1847.  Thus in 1847 Admiral Jean-Baptiste dispatched to Vietnam two warships the 54 gun frigate Gloire and 24 gun corvette Victorieuse under captain Lapierre and Charles Rigault de Genouilly. They went to Touran to try and free Bishop Lefebvre, Bishop Duclos and to try and get the Vietnamese to allow for Catholics to worship again in Vietnam, perhaps they were getting tired of showing up everytime a priest was imprisoned. Negotiations began, but it seems Lefebvre's being a second offender made the Vietnamese believe the French were pulling a fast one thus it fell apart. The negotiations dragged on until april 15th of 1847 while 6 Vietnamese corvettes snuck up and attacked the french warships anchored in the Bay of Tourane. The French retaliated and sank 4 of the Vietnamese corvettes, disabled the 5th and inflicted roughly 1200 casualties, quite a one sided brawl. The French assert, the Vietnamese had deceived them by prolonging negotiations in order to surprise attack them. Colonel Alfred Thomazi a historian who covered this period had this to say about the event;  “Thiệu Trị, indignant with this interference, decided to end the affair with a surprise attack. His plan was to invite the French officers to a banquet, kill them, and then burn and sink the ships. But Commandant Lapierre was on his guard, and declined the invitation. The mandarins, seeing the first part of their programme go astray, passed on to the second. They attacked.”   Thomazi gave the following description of the battle in Tourane Bay: ‘Gradually the Annamese war fleet, consisting of five corvettes with covered batteries, several bricks and a large number of junks, gathered in the bay, and one morning, without prior warning, attacked the French vessels. These, as their armament was far superior, had little difficulty in destroying the entire enemy fleet, but they had to get underway thereafter, abandoning the Christians to the vengeance of their persecutors”. In the end Lefebvre and Duclos were released. The Vietnamese were stunned by the dramatic disparity in firepower between their warships and the French. It showcased to many, the Vietnam's isolationist policies had left them extremely vulnerable to western powers and they began demanding modernization efforts. Things gradually began to get worse for the catholic community in Vietnam. In 1856 the French diplomat Louis Charles de Montigny was sent to asia to secure trade agreements. He first went to the kingdom of Siam where a treaty was signed on August 15th to facilitate trade, religious freedoms in order for Siam to gain access to French warship technology. Then Montigny turned to Vietnam arriving the next year where he demanded they establish a consulate in Hue, allow for free trade and to end their persecution of the catholic community. The Vietnamese court rejected all of these outright.  When Montigny returned to France having failed in Vietnam, Napoleon III decided enough was enough and he dispatched a military force of 3000 men to Vietnam led by Charles Rigault de Genouilly. France actually had a few reasons they were dispatching forces, and it was not exclusive to Vietnam. Do remember the 2nd Opium War was kicking off, so these forces were also sent to deal with China. It also did not help that the Nguyen emperor Tu Duc ordered the execution of 2 Spanish catholic missionaries in 1857 as well. Thus Spain likewise sent a punitive expedition force to join the French. Their first target was to be Tourane. The French force was led by Admiral Genouilly's flagship the 50 gun frigate Nemesis alongside 2 corvettes, 5 steam gunboats and 5 transports carrying 1000 French Marines. The Spanish brought a armed vessel called the El Cano carrying 550 Spanish infantry, 450 Filipino Chasseurs Tagals.  Now Tourane held 5 major forts on the western side of its peninsula which covered the approach to the town. The French called these the Fort de l'Aiguade, Fort de l'obervatoire, Fort du Nord, Fort de l'est and the Fort de l'ouest. They were accompanied by several shore batteries between them. The Vietnamese had a garrison of 2000 bien binh (provincial soldiers) led by Chuongco Dao Tri and the Governor Nam-Ngai tossed in another 2000 cam binh (centre soldiers) led by Do Thong Le Dinh ly. The Franco-Spanish force arrived to Tourane Bay during the night of august 31st and at dawn Admiral Rigault de Genouilly demanded the 5 forts surrender. He received no response and thus ordered his flotilla to bombard them. The forts response were on par with the Qing's performance during the opium wars, none of the western ships received damage. Rigault de Genouilly then landed some marines who quickly seized Fort de L'Aiguade. The charged its defenders chanting “vive l'empereur”. The defenders were overrun and soon the Fort l'est and fort l‘ouest were taken likewise with ease. El Cano had anchored off the entrance of the Da Nang river and aided the forces by bombarding the two forts, causing the defenders to flee. Most of hte vietnamese defenders were able to flee the carnage from the offset of bombardment, but those at the Fort L'observatoire were not quick enough. The French stormed into the fort and inflicted heavy casualties upon them before taking the rest prisoner. With this the Franco-Spanish force were able to occupy Tourane and the Tien Sa Peninsula. However upon occupying Tourane, suddenly the westerners found themselves under a siege.  Admiral Rigault de Genouilly surmised their forces at Tourane could achieve nothing under these circumstances so he pulled them out and decided to try and find a new target. He considered Tonkin first, but ruled it out and instead chose Saigon. Saigon was chosen because of its strategic value, it was one of the main sources of food that fed the Vietnamese army. He left Capitaine de Vaisseau Thoyon at Tourane with two gunboats and a small garrison and took the rest of the force south. The force spent 5 days gathering supplies in Cam Ranh bay and then reached Cape Saint-Jacques on February 10th. They bombarded the forts that defended its harbors into silence before storming them with marines like they had done at Tourane.  From cape saint-jacques they made a 5 day journey upriver, taking time here and there to bombard and storm some riverside forts. The Vietnamese defenders fought them off tenaciously and managed to land some cannonade hits into ships like the Dragonne and Avalanche inflicting hull damage. The defenders also tried to barricade the riverway behind the invaders, but the europeans made sure to dispatch naval forces behind to thwart these efforts periodically. Everytime the europeans attacked a fort or riverforce they made sure to spike the enemies weapons down or take them, thus reducing the enemies materials. By the 15th the Europeans were approaching some forts that defended Saigon's southern part. During the night they snuck 2 armed forces to destroy a barrage the Vietnamese had made using boats tied up together utilizing explosives. Dawn the next day the european warships anchored 800 meters from the forts and began their bombardment. They were so close some of the marine snipers in the warship mastheads were able to pick off Vietnamese gunners as well. The Vietnamese responded as best they could, but like the Qing during the opium wars, their outdated cannons were greatly overmatched. Soon landing companies began to assault the forts and by 8am the French and Spanish seized them. A few hours later, Capitaine Bernard Jaureguiberry took the Avalanche and scouted the Citadel of Saigon, before sending a French-Spanish force to assault it. Once the Europeans entered the citadel, the defenders began fleeing, though they did return with 1000 men to counter attack. The Europeans managed to repel the counter attack and by 10am the French and Spanish flag was raised over the citadel.  The Citadel of Saigon was enormous and the Europeans could not spare the necessary men to man it, so Admiral Rigault de Genouilly decided to simply blow it up. Using 32 mines on march 8th of 1859 the citadel was brought to ruin. Alongside this the europeans set fire to the rice granaries which would burn for several months. The Europeans turned back to Tourane leaving a small garrison to hold Saigon, which would fight a few battles of its own before being forced to pull out. Taking Saigon proved to be a fruitless victory. Admiral Rigault de Genouilly lost favor back home and was replaced in november of 1859 with Admiral Francois page with orders to obtain a treaty to protect catholics in Vietnam, but not to seek territorial gains. Now at the same time this was all occurring, there was the outbreak of the Austro-Sardinian War and this meant the French would require large numbers of forces to go to Italy, which the Vietnamese leadership quickly found out about.  When Page began negotiations in november with the vietnamese they refused his moderate terms, believing the French were no longer in a position of strength because of their troubles in Italy. So in the meantime Page reinforced the garrisons at Saigon and Da Nang awaiting the conclusion of the Italian war so more troops would be available to him. But by 1860 the 2nd opium war broke out requiring the French to send troops to China and Page was forced to relinquish much of his forces for the China expedition. In April Page left Vietnam to go to Canton, leaving the defense of Saigon and the neighboring Chinese town of Cholon under Capitaine de Vaisseau Jules D'Aries. D'Aries was left with 600 French marines and 200 Spanish troops who were led by Colonel Palanca y Guttierez. He also had on hand the corvettes Primauguet, Laplace and Norzagaray. With such forces he could not hope to with stand attacks from the Vietnamese so he was forced to hire some Chinese and Vietnamese auxiliaries who he placed in advanced posts and for patrols.  With his 1000 man augmented force, in March they were attacked by a Vietnamese army roughly around 10,000 men in strength. This led to a long and bitter siege, while simultaneously Tourane faced a similar situation and as I said they were forced to pull out as a result over there. D'aries and his men fought the siege off from March of 1860 to February of 1861. However during this time, the British and French forces had won the battle of Palikao on September 21st of 1860, thus relieving the need for their forces over in China. 70 ships led by Admiral Charner, carrying 3500 soldiers led by General de Vassoigne were quickly dispatched to Saigon. This naval force was then the largest the Vietnamese had ever seen. Admiral Charners forces reached their besieged allies in Saigon to find a Vietnamese army estimated to be around 32,000 men strong led by Nguyen Tri Phuong. The Vietnamese siege forces had their siege lines extending 12 km's long centered around a village called Ky Hoa. As Colonel Alfred Thomazi recounted “The first objective was the capture of the entrenched camp of Ky Hoa. This was a rectangle measuring around 3,000 metres by 900 metres, divided into five compartments separated by traverses and enclosed within walls three and a half metres high and two metres thick. The camp was armed with more than 150 cannon of all calibres. Subsidiary defences were piled up in front of its walls: wolf-pits, ditches filled with water, palisades and chevaux de frise. Bamboo was employed in the defences with consummate art, and the walls were crowned with thorn bushes along their entire length. The number of enemy soldiers both in and around the fortified camp had grown steadily during the previous year. After the victory, we discovered from the muster rolls that there were 22,000 regular troops and 10,000 militiamen. There were also 15,000 men manning the forts along the upper course of the Donnai. All these men were under the command of Nguyen Tri Phuong, the most celebrated general in the Vietnamese army”. The Europeans made their initial assault on February 24th, moving their artillery into firing range of the siege lines. With bombardment support the French and Spanish gradually attacked the fortifications taking heavy casualties in the process. A second assault was made the very next day starting at dawn and again our friend Thomazi has a lengthy account of the days battle “The action resumed at 5 a.m. on 25 February. The artillery advanced, facing east, enclosed by two columns of infantry: to the left, the engineers, the marine infantry and the chasseurs; to the right the Spanish infantry and the sailors. The sun, very low in the sky, was spoiling the aim of the cannons, and Lieutenant-Colonel Crouzat brought them forward by rapid bounds to within 200 metres of the enemy lines and ordered them to fire with case shot at the top of the ramparts. The firing was very heavy and our men, in the open, suffered appreciable casualties. Then the haversacks were laid on the ground, the sailors of the assault force reclaimed their scaling ladders, up to then carried by the coolies, and the admiral ordered the charge to be sounded. The right column, led by capitaine de vaisseau de Lapelin, crossed the wolf pits, the ditches and the chevaux de frise which extended for more than 100 metres in front of the enemy work under an intense fire, and was the first to reach the parapet. Most of the scaling ladders, which were very light, had been broken during the advance. Only three were left, which were placed along the wall, and the sailors of the assault force who could not find a place there climbed on the shoulders of their comrades. This time the fighting was bitter indeed. The first men to reach the summit were killed, but others took their place, throwing grenades inside. Then, using grappling hooks, they breached the perimeter fence and entered the fort. They then found themselves in an enclosed compartment swept by the fire from the neighbouring compartment, to which they could make no reply. It was a critical situation, and they suffered heavy losses. Finally, several resolute men, rallied by lieutenant de vaisseau Jaurès, succeeded in smashing in the gate that gave onto the other compartment with their axes, just as the engineers succeeded in breaking in, while the marine infantry and the chasseurs outflanked the enemy line on the left. The defenders were either killed where they stood or took to flight. The entire complex of the Ky Hoa lines had fallen into our hands.” The casualties for the second day were heavy, 12 dead and 225 wounded and according to the French reports, the Vietnamese lost around 1000 men including commander Nguyen Tri Phuong. By seizing Ky Hoa, the Europeans were able to take the offensive. Their first target was to be the city of My Tho. A smaller expeditionary force led by Capitaine Bourdais aboard the Monge alongside the Alarme, Mitraille and some gunboats took a force of around 230 men to seize My Tho. They ran into two forts defending a creek leading to the city and began to bombard them. After the forts were neutralized they ran continuously into barricades the vietnamese forces made to bar further passage. Then on April the 4th, the Europeans received reinforcements from Saigon in the form of 200 Chasseurs, 200 Sailors, 2 companies of marines and some heavy artillery. Capitaine Bourdais relinquished command to Capitaine Le Couriault du Quilio and he went to work having their expeditionary force fight its way through the barricades which began to become increasingly well defended. By april 8th, the expedition was reinforced a few more times, including more gunboats prompting the Vietnamese to send two fireships against them. The French naval forces were able to hook the two fireships and tow them away. On the 10th a scouting party led by Captain du Chaffault managed to reach the walls of My Tho, exchanging fire with its defenders before returning to report. Quilio decided to press forward his warships to hit more forts defending the passage to My Tho until they finally got in range of My Tho's walls. As the Europeans prepared their assault of the city, suddenly a flotilla led by Admiral Page showed up taking the Mekong river passage and he bombarded My Tho by sea which surrendered on the 12th.  After taking My Tho the French offered peace terms to Tu Duc, but this time demanded the cession of Saigon province, an indemnity of 4 million piastres, free trade rights and freedom of religion. Tu Duc was open to conceding on the religion, but rejected the others outright. Thus the French occupied My Tho and looked for new targets. Meanwhile Tu Duc had lost numerous materials and received many casualties for his efforts against the French-Spanish invaders. His forces simply could not meet the enemy on the open battlefield and thus he now sought to shift towards guerilla warfare. He dispatched men to venture into the enemy held territories and organize resistance groups. Soon Saigon and My Tho provinces were finding themselves in a state of siege. The French and Spanish forces began to fan out into the countryside hunting guerrillas, but as you can imagine this led to terrible violence against the common people.  Admiral Charner was replaced by Admiral Louis Adolphe Bonard in November of 1861. When he arrived he found the forces were being increasingly attacked by guerillas. One band of guerilla forces attacked the French Lorcha Esperance by luring the vessel out and ambushing her. 17 French and Filipino sailors were killed and the ship was burned down. This prompted Bonard to launch a major reprisal campaign against the province of Bien Hoa. Again our dear friend Thomazi has a lengthy passage on the battle and capture of Bien Hoa “"The Annamese had established defence works on all the routes leading to Biên Hòa. They had built an entrenched camp held by 3,000 men at My Hoa, midway between Biên Hòa and Saigon, and obstructed the course of the Donnai with nine solid barrages and a stockade. The admiral decided to attack simultaneously by land and water. He ordered the detached posts to remain on the defensive and to concentrate all disposable forces before Saigon. All being ready, and an ultimatum issued on 13 December going unanswered, the columns set off at daybreak on 14 December. The first column, commanded by chef de bataillon Comte and consisting of two companies of chasseurs à pied, 100 Spaniards and 50 horsemen with four mortars, made for Gò Công, which it captured at 7.30 a.m. A second column, consisting of 100 Spaniards and a battalion of marine infantry with two cannon, under the orders of Lieutenant-Colonel Domenech Diego, placed itself before the camp of My Hao. At the same time capitaine de vaisseau Lebris, with two companies of sailors, advanced on the Donnai, taking in reverse the batteries on the right bank. Finally, a flotilla of armed launches, having followed the creeks as far as Rach Gò Công, cannonnaded the works which were also bombarding the gunboats anchored in the Donnai under the orders of lieutenant de vaisseau Harel of Avalanche. The forts replied energetically, and the gunboat Alarme was hit by 54 balls and had her main mast nearly destroyed. But once the defenders saw themselves threatened by a land attack, they hastily evacuated the forts, one of which blew up and the others were occupied. The sailors toiled throughout the night to demolish the barrages, while the naval hydrographer Manen sounded the passes. The first obstacles having been destroyed, the two infantry columns joined hands in front of the camp of My Hoa on 15 December. The marine infantry attacked the enemy's centre, while the chasseurs menaced his right and the Spaniards his left, and the cavalry made a turning movement to cut off his retreat. The Annamese panicked and took to flight. Admiral Bonard, aboard the dispatch vessel Ondine, ascended the river and exchanged cannon shots with the citadel. On 16 December the troops crossed the Donnai and occupied Biên Hòa, which the Annamese soldiers had evacuated, but not before burning alive numerous Christian prisoners. We took there 48 cannons and 15 armed junks. The operation cost us only 2 men dead and several wounded." Even after taking  Bien Hoa, the guerrillas persisted to amp up their attacks.. The guerilla forces around My Tho began to snipe european columns marching along roads and a French gunboat carrying troops was blown up via sabotage. Bonard believed these actions to be the work of Vietnamese forces operating in Vinh Long so he began a campaign to seize it. On March 20th, his naval forces reached the fortress of Vinh Long and he quickly landed 700 French and 300 Spanish troops led by Lt Colonel Reboul to attack. Thomazi tells us  “On 22 March they crossed two arroyos under fire and advanced into view of the enemy batteries, which had been fighting a violent artillery duel with the gunboats. During the night, after a seven-hour struggle, all the batteries were occupied, and on the following day we entered the citadel, where we found 68 cannon and considerable quantities of materiel” The defenders of Vinh Long had fallen back to some earthwork defenses 20 km's west of My Tho, so Bonard sent forces to attack them while he consolidated Vinh Long. As the forces marched to attack the defenders, the loss of My Tho, Bien Hoa and Vinh Long had severely demoralized the Vietnamese leaders. In April of 1862 Lu Duc announced he sought peace terms. In May, following some preliminary meetings at Hue, the French corvette Forbin went to Tourane to meet with a Vietnamese delegation. As Thomazi, a very faithful source for this entire episode it seems tells us after the French waited 2 days for the Vietnamese to show up. ‘On the third day, an old paddlewheel corvette, the Aigle des Mers, was seen slowly leaving the Tourane river. Her beflagged keel was in a state of dilapidation that excited the laughter of our sailors. It was obvious that she had not gone to sea for many years. Her cannons were rusty, her crew in rags, and she was towed by forty oared junks and escorted by a crowd of light barges. She carried the plenipotentiaries of Tự Đức. Forbin took her under tow and brought her to Saigon, where the negotiations were briskly concluded. On 5 June a treaty was signed aboard the vessel Duperré, moored before Saigon.” The result was the Treaty of Saigon which legalized the catholic faith in Vietnam and the secession of Dinh Tuong, Gia Dinh, Bien Hoa and some islands over to France. The ports of Tourange, Ba Lac and Quang Yen were opened and France was given trade rights. On top of all of that the Vietnamese were to pay an indemnity worth one million dollars to France and Spain over a 10 year period. And thus the colony of Cochinchina with its capital of Saigon was acquired by France, which would start a ongoing conflict only to end with the United States of American pulling out in 1975. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. I honestly thought I would be able to do the Sino-French war of 1884-1885 in a single episode, yet again I was mistaken. Thus next time we will continue the story of France and Southeast asia.

Mandy and Kate chat to Ondine Sherman, cofounder and managing director of Voiceless, the animal protection institute, author and Pea mum of identical 16-year-old twin boys with rare genetic disorder MCT8 deficiency. Ondine is our friend Mia Freedman's cousin and is calling in from her home in Israel. Ondine's boys have severe disabilities as a result of their condition. She chats about the challenges of their birth and diagnoses in Israel, where she was also managing her toddler daughter plus her unwell newborns far from her family's support, while also not speaking the local language of Hebrew. The boys were eventually diagnosed with the very rare disorder after a long search for help and answers that was spearheaded by Ondine's dedicated dad. Ondine reflects on the challenging and often lonely journey of being a twin mum with kids with special needs. The family moved back to Australia for a while to be closer to family, but ended up returning to Israel as it was a better fit overall for the family's needs. In the last few years, Ondine's been able to focus on her life and career again, and has written several books, including her memoir The Miracle of Love, Vegan Living: A simple guide to a cruelty-free, healthy plant-based life and the Animal Allies YA Series Sky, Snow and Star. She also founded Voiceless with her dad to promote an equitable world where animals can flourish. Thank you for sharing your story with us Ondine! Find out more about Ondine's books, life and work on her website Listen to our Spotify playlist –Too Peas: Songs Our Guest Peas LoveMelbourne forecast for Thursday 16 March - mostly sunny, 28 degrees Join our Facebook HangoutFind us on YouTubeHelp spread the love for Too Peas by rating and reviewing us!Leave us a speakpipe Thank you for supporting Too Peas In A Podcast! We love to hear from you, please contact us here: Website: www.toopeasinapodcast.com.auEmail: toopeaspodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Synopsis It might seem farfetched that Winona Ryder, Emma Watson, and Charles Ives might have anything in common, but there IS a connection of sorts: Ryder appeared in a 1994 film based on Louisa May Alcott's classic 19th century novel, “Little Women,” Emma Watson appears in the 2019 remake, and, in 1913, American composer Charles Ives composed the second movement of his “Concord” sonata for piano, a movement titled “The Alcotts,” which evokes Louisa May, her novel and her real-life family and friends, who included the New England “Transcendentalists,” Emerson and Thoreau. Set during the American Civil War, Alcott's “Little Women” chronicles the coming of age of four young women in Concord, Massachusetts.  The story of has charmed readers and film-goers around the world.  Ives's music, like Alcott's novel, is nostalgic, affectionate, and quietly powerful. The contemporary American composer, Mark Adamo, crafted an opera based on Alcott's “Little Women” which premiered on today's date in 1998 at the Opera Studio of Houston Grand Opera.  After its premiere, that company's general director, David Gockley, pronounced Adamo's opera “destined to become an American classic,” and since its successful Houston Opera revival in 2000, Adamo's “Little Women” has been staged again and again, to equal acclaim from audiences and critics. Music Played in Today's Program Charles Ives (1874 - 1954) The Alcotts, fr Concord Sonata Anthony de Mare, piano CRI 837 Mark Adamo (b. 1962) Little Women Houston Grand Opera; Patrick Summers, conductor. Ondine 988

Bestests friend and artist of the pod Abi Bash returns to the show for the dozenth or so time to talk about "Ondine" from the Back to Skull EP. This is a fan-favorite deep cut and we try to parse through the old lore that may or may not play a part in the lyrics, we listen to dial-a-song and demo versions and the live debut, and get a bunch of awesome covers from the Covers Crüe. 

The diary of a renowned quantum physicist sheds light on events that have galactic-wide consequences. With spaceship commentary. Spaceships is a sci-fi comedy podcast created and written by Filip Momirovski. This episode was voiced by Bobby Gaglini and Arson Alfaro. Sound-designed and edited by Vlad O. Maurice Ravel - Gaspard de la Nuit, Ondine, Frédéric Chopin - Revolutionary Etude (Op. 10 No. 12), Sergei Rachmaninoff - Preludes (Op. 23 No. 7), and Sergei Rachmaninoff - Prelude in C Sharp Minor (Op. 3 No. 2) used with altered pitch and tempo, are MIDI files by Bernd Krueger.  Source: http://www.piano-midi.de Produced by Afterscape. https://twitter.com/SpaceshipsPod https://theafterscape.com/spaceships/ afterscape.co@gmail.com If you enjoy Spaceships and would like to support us in making more episodes please consider becoming our patron.  We offer exciting extra content and awesome merch in return! https://www.patreon.com/wearespaceships