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In the 9th episode of “The Real Michael Tanzer presents MICHAELISM”, Our host Michael Tanzer interviews Ronald Leaf (of Autism Partnership) and Janet Arnold (Behaviour Consultant, Author/Blogger & Public Speaker at Finding Solutions) “How to Explain a Diagnosis to a Child: An Interactive Resource Guide for Parents and Professional” & “What do you see when you take a look at me?” are both currently available for purchase on Amazon. --- Send in a voice message: https://anchor.fm/the-real-michael-tanzer/message
Good Morning and welcome to the chapel. Today our service will be led by Janet Arnold and the message will be delivered by Gerald Dzangari (The ABC's of Jesus) --- Send in a voice message: https://anchor.fm/kingsmead-chapel/message
Pauline Loven is a talented and experienced historical costumer and one of the three women running Crow’s Eye Productions, a film company with a popular YouTube channel. We talk about making connections across time and space, history in your own backyard, embracing mistakes, and so much more. So find out why Pauline loves historical costume - and why you might learn to love it, too. Find Pauline:https://www.youtube.com/CrowsEyeProductions https://twitter.com/periodwardrobe https://www.instagram.com/periodwardrobe https://twitter.com/Crowseyeuk https://www.instagram.com/crowseyeproductions/ To learn more about historical dress and historical research, Pauline recommends: American Duchess, particularly their books on 18th century dressmaking and beauty: https://www.goodreads.com/book/show/35000294-the-american-duchess-guide-to-18th-century-dressmaking https://www.goodreads.com/book/show/41150317-the-american-duchess-guide-to-18th-century-beauty Sally Pointer https://www.sallypointer.com The School of Historical Dress http://theschoolofhistoricaldress.org.uk Janet Arnold’s Patterns of Fashion 5 http://theschoolofhistoricaldress.org.uk/?page_id=465 A good place to start learning about de-colonializing historical costume (and history): https://www.instagram.com/latooles/ Pauline’s favorite charities:AgeUK https://www.ageuk.org.uk/ Childline UK https://www.childline.org.uk/ A rotating list of my favorite nonprofits:Higher Heights Leadership Fund https://www.higherheightsleadershipfund.org/ Humane Society Silicon Valley https://www.hssv.org/ Openhouse https://www.openhouse-sf.org/ The Nature Conservancy https://www.nature.org/en-us/ World Central Kitchen https://wck.org/ Additional editing by Mindjam Media http://www.mindjammedia.com/ We’re on Patreon at https://www.patreon.com/lovewhatyoulovepod Hang out with me at https://instagram.com/lovewhatyoulovepod or https://twitter.com/whatyoulovepod Check out my books at https://juliekrose.com LWYL Music: Inspiring Hope by Pink-Sounds https://audiojungle.net/user/pink-sounds
Works in progress Jenny Waiting for rain Inky madness Sookie nightgown Cait Waiting for Rain Cap'n Marvel by Essential Fiber on Falkland Cross stitch - Peppermint Purple SAL & Stitchonomy SAL Mentioned Patterns for Pirates Peg Legs pattern Plotting and scheming Jenny Master knitter Hogwarts mittens RheinBIPOC sweater - Julissa scoop neck Sally socks Mittens Ravenclaw bag set Harry Potter dresses Mentioned voolenvine, Sew Simple McCall's patterns (L9248 & L9425), knitters pride, knit picks Ta da!! Cait Well, Crap cross stitch Revenge of the knits/ 99 problems and a stitch ain’t one Jenny Picking up languishing projects Cait 3 year old keeps "relocating" my embroidery needles OOoh shiny! Cait Happy Sloth cross stitch patterns on Etsy The Red Queens Shawl Luxury Mohair Scrunchie Paris Night Mentioned Bernadette Banner, Patterns of Fashion 5 by Janet Arnold, Angela Costumery, BaH Yarns Jenny Morgan donner Janet Arnold patterns of fashion 5 Dresses! Bee dress Liesl warmup socks Fluff and stuff Cait Frog hair! Jenny Started the random red
Woo! Are we excited to share with y'all Part 1 of our interview with Jenny Tiramani from the School of Historical Dress (http://schoolofhistoricaldress.org.uk). Jenny was kind enough to sit down and chat with us about her career, working at the Globe in London, how she met Janet Arnold, founding the School of Historical Dress, and best of all -- all the glorious details about their new book, "Patterns of Fashion 5: The content, cut, construction and context of bodies, stays, hoops and rumps c.1595-1795" which is available for pre-order now! (https://shop.theschoolofhistoricaldress.org.uk/?product=patterns-of-fashion-5-the-content-cut-construction-and-context-of-bodies-stays-hoops-and-rumps-c-1595-1795) We had a such a great time with Jenny, that we ended up talking for over 2 hours --- which is why we broke this episode up into 2 parts. Part 2 will be released next week, hooray! Don't forget you can find us at http://americanduchess.com; http://blog.americanduchess.com and we're on Instagram and Facebook (americanduchess for both) too! See you next week!
Vacations are important to everyone. HR professional Janet Arnold helps us to avoid the pitfalls of taking time off in the church.Show notes available at www.productiveministry.org See acast.com/privacy for privacy and opt-out information.
A play by Robert Benjamin and commissioned by the Arizona Jewish Theatre Company is about three generations of Hispanics struggling with their Crypto-Jewish ancestry. Benjamin wrote in the New Mexico Jewish Historical Society: “At one level the play is about passing the legacy from grandfather to grandson over the objection of the middle generation. At another level, the play explores differences in how people relate to their religious experiences.” Robert F. Benjamin, Ph.D. & playwright, New Mexico. The one-hour dramatic reading of Parted Waters is performed by actors of Arizona Jewish Theatre Company: Mark DeMichele, Michael Cortez, Andy Alcala, Jenn Taber. Producing Dir.: Janet Arnold; Co-prod., fine arts specialist at ASU-West campus: Charles St. Clair. Latino Jewish community in Phoenix is the fifth largest city in the U.S. Perhaps several hundred Latino Jews live among the 83,000 Jews in Greater Phoenix, according to Carlos Galindo-Elvira, a Latino Jew who is vice president of philanthropic and community relations for Valle del Sol, a social services agency. A fascinating discussion of Latino converts to Judaism, Jews from Mexico and “crypto Jews” (ancestors of the Jews expelled from Spain in 1492, who have maintained Jewish practices in secret over many generations) led to a concept that I had never entertained, undocumented Jewish Latinos.
(Part 2 of the performance). A review by Kerry Lengel, The Arizona Republic, 5 Mar. 2009, kerry.lengel@arizonarepublic.com Born in the U.S. of Spanish and Portuguese descent, Joseph Garcia's cultural heritage is a diverse one - even more diverse than he knew while growing up in Panama. He was raised Catholic and served as an altar boy, but when the priests couldn't answer his questions about the tenets of the faith, he walked away from his religion at age 13.He still believed in God, though, and as an adult he began studying Hebrew, so he could better understand the Bible. At a family wedding, he told his great-uncle that the language was coming easily to him, almost as if he were a Jew. "And he said, 'Well, we are Jews,'" Garcia recalls. "I had no idea. You could have knocked me over with a feather." His family was descended from conversos, Spanish Jews who were forced to convert to Catholicism during the Inquisition five centuries ago. Many such families preserved their Sephardic Jewish traditions in secret, passing them on to some, but not all, of their children. They are now known as crypto-Jews - hidden Jews - and can be found both in Spain and Latin America, as well as here in the Southwest, especially New Mexico. Crypto-Jews are the subject of a new play, "Parted Waters," commissioned by Arizona Jewish Theatre Company for a world-premiere production this month. The story is about three generations of New Mexico Latinos. The grandfather finds spiritual sustenance in his secret religion, while his son refuses to acknowledge it. The youngest of the three has no idea of his hidden heritage - until a conflict in the family brings it out. Playwright Robert Benjamin, who lives in Los Alamos, N.M., did extensive research on crypto-Judaism in the state. "What surprised me was how much of a spectrum there is of experiences. There are people who embrace it, there are people for whom it is a curiosity, and other people for whom it is a life-changing experience" to discover something so unexpected about their family history. The central theme is identity, he adds. "The point I try to make is that people need to think about their cultural identity and make choices," he says. "It's not necessarily a given." Daniel Schay, who is directing the premiere production, says he liked the fact that the setup of the plot is unusual, but that it has a broader resonance. "They have a unique problem," he says. "It's not often you find everyday characters dealing with a hidden cultural heritage." At the same time, the double identity - Jewish and Latino - is just a more complicated variation the national story of a nation of immigrants. "The real question is, What does it mean to be an American? How do you preserve your spice in the melting pot, and that's true whether you're Jewish or Hispanic or whatever." Arizona Jewish Theatre's artistic director, Janet Arnold, commissioned the play both because she found the topic personally fascinating, but also because it was an opportunity to reach out to Latinos, an audience that doesn't often see itself represented on Valley stages. In crypto-Judaism she sees an opportunity to build bridges between communities. It's a bridge embodied by Garcia, who serves as rabbi of Avdey Torah Hayah, a synagogue for Spanish-speaking Jews in Chandler. Taking a cue from his mother, he's changed the pronunciation of his name, going by Yosef Garcia. "When I hear a name like that, it just warms the cockles of my heart," Arnold says. See: http://www.santafe.com/article/teatro-paraguass-production-of-robert-f.-benjamins-parted-waters