Podcasts about costuming

Welcome aboard our Safe Space Ship!   Ariana Perry will be hosting this completely spoiled, totally unofficial, deep dive into Our Flag Means Death every Tuesday!   This week I'm talking to Sami Kelsh about Costuming!    Episode Mentions:  Never Left Pateron whatthefoucault on Ao3 Sami's YouTube Channel   Don't forget to follow us on social media (@NeverLeftPodcast on BlueSky, @NeverLeftPod on Twitter, NeverLeftPodcast on Ig, Never Left on FB), and check out our Pateron.. The links are in our linktree!  Feel free to contact us at neverleftofmd@gmail.com with any thoughts or questions   Please remember to #DontStreamOnMax and #FireDavidZaslav If you want you can also let Netflix, Amazon Prime and Apple + know that you would still love to see Our Flag Means Death on their platforms. #SaveOFMD #AdoptOurCrew   Our artwork was created by Amy Gleason, you can see more of her art @AmysBirdHouse on instagram and in the comic series Mighty Mascots.   Our theme music is Gnossienne 5 by Erik Satie, preformed by La Pianista   Image Description: A lighthouse stands above the inn, wrapped in a purple Kraken tentacle. The text reads "Never Left: Our Flag Means Death"  

Ready to hear about the fastest, wildest, craziest costume design job?  This episodes gives you an exclusive behind-the-scenes look of how the costumes for Dancing With The Stars comes together! Daniela and Steven discuss with Catherine how in-depth and wild the ride is to build the costumes for the dancers without knowing the choreography or exactly what is going to happen. Hear how they have learned to 'see colors' now by just listening to the music. The 1000's of hours of work that get pressed into 4 days is astounding as you listen to this episode.  You won't leave this episode and not be in agreement that creating costumes for Dancing With The Stars is truly the "Amazing Race of Costuming" Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between  Daniela Gschwendtner, Steven Lee and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

At its best, rock is a transcendent experience, something that takes us somewhere away from the ordinary, the normal, and the safe…there's a huge fantasy element to it…done right, rock removes us from this universe and transports us someplace completely different where anything could happen—at least for a little while. Sometimes the music alone is enough to take us there…but there's so much more that can be done to enhance the experience. Costuming, for one…make-up and wild hair make a nice addition…how about going hard on the visuals and theatrics?...sure!...why not?...can't hurt…how about dropping in some sci-fi…good…what about sex and horror and shock and the occult and then really, really exaggerate everything?... Bring it on.  And you know what else might be fun?...a big dollop of sexual ambiguity…that'll freak people out. What I've just described is a lot of today's music…the rock era has been around long enough and has gone through so many bouts of extremism that it seems like there's we can't be shocked by anything a rock star does anymore. But there was a time in the very late 60s and early 70s when a specific group of artists were very shocking…they did and said things that were so outrageous and wild that they kinda knocked the planet around on its axis a little bit. They also set in motion some knock-on effects that changed everything about rock…and then they became extinct…but the influence and fallout from that four or five-year period is still being seen and felt today…you just have to know where to look. This is the surprising history of glam rock…it still lives and it can still make things very interesting. Learn more about your ad choices. Visit megaphone.fm/adchoices

We interview Christine Millar, aka Sewstine! She talks to us about her stunning historical costumes, from drafting the patterns to designing and machine embroidering the sumptuous fabrics.  Show Notes

This week, we spoke with Marie Bernadette, a cosplayer who loves making costumes based on characters from Star Wars: The High Republic. You can find Marie Bernadette on Instagram ⁠@sewmuchlife⁠ and on TikTok ⁠@sewmuchlife_cosplay⁠. We're always looking for more guests to tell us about the things you love, so please reach out through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast guest submission form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! You can also follow us @throuthewindow on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠Bluesky⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tumblr ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠to stay up-to-date on our projects, and don't forget to use #LoveThisThingCast to tell us about the things you love!

Weebs… and the people who hate them. Japan has always had a distinctive relationship with the West. But ever since it broke out on the global stage with its “gross national cool” - distributing an array of films, shows, video games, and toys the world over, Westerners have taken on a particular fascination with the country. To the point that an entire Western subculture has formed around an interest… or rather obsession, with all things Japanese. In this episode, Hannah and Maia track how the weeb was born - from the radical DIY origins of manga and otaku, to the fedora-wearing white Redditors of today who hump h*ntai body pillows. But the question remains: Is a weeb a person who simply attends anime conventions and enjoys a vast knowledge of Japan, or a gooner with a Japan fetish? OR does this binary really exist at all? Listen to find out.  Get a whole month of great cinema FREE: mubi.com/rehash Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES: Anne Allison, “The Japan Fad in Global Youth Culture and Millennial Capitalism,” Mechademia. 1, Emerging worlds of anime and manga, (2006). Hannah Ewens, We Asked J-Culture Fans to Defend Being ‘Weeaboos'” Vice (2017). Fandom Unbound: Otaku Culture in a Connected World, ed. Mizuko Ito and Daisuke Okabe, Yale University Press (2012). Sharon Kinsella, “Japanese Subculture in the 1990s: Otaku and the Amateur Manga Movement,” The Journal of Japanese Studies, Vol. 24, No. 2 (1998). Andrew Leonard, “Heads Up, Mickey,” Wired (1995). Susan Napier, “The World of Anime Fandom in America” Mechademia: Second Arc, Vol. 1, (2006). Joseph Tobin, Pikachu's Global Adventure: The Rise and Fall of Pokemon, Duke University Press (2004). Theresa Winge, “Costuming the Imagination: Origins of Anime and Manga Cosplay,” Mechademia: Second Arc, Vol. 1, Emerging Worlds of Anime and Manga (2006).

Could this be their favorite film of the year? Olivia and Emily reflect on how this film resonates with their own experiences and the importance of personal storytelling in cinema. In this conversation, Olivia and Emily delve into the themes of authenticity in character portrayal, the immigrant experience, the role of side characters, as well as the costuming, sound, and cinematography choices. They explore the mental health aspects presented in the narrative, emphasizing the importance of honest storytelling. The conversation concludes with reflections on family dynamics and cultural identity, particularly in the context of Polish-American experiences.A Real Pain was directed and written by Jesse Eisenberg, also starring Kieren Culkin and was released November 1, 2024. Chapters00:00 Introduction and Setting the Scene02:48 First Impressions of 'A Real Pain'10:09 Character Dynamics and Acting Excellence15:18 Costuming and Character Development18:57 The Role of Side Characters25:00 Cultural Heritage and Personal Connection29:28 The Immigrant Experience and Family Ties31:52 Guess That Line32:08 Mental Health Conversations in Film41:09 Cinematography and Sound Design48:52 Reflections on Family and Cultural IdentityJump into the conversation: Instagram: @sistersandthestarsYoutube: Sisters and the StarsEmail: sistersandthestars@gmail.com

4.00pm on Saturday 30th November on the Cosplay Central stage saw Mark Newbold host the Costuming Across The Galaxy panel which welcomed Michael Cullen (UKG), Mark Mulcaster (you might have heard of him, Rebel Legion Elstree Base) and Wayne Marper (Mando Mercs Vok'Chi Clan) to the stage to discuss costuming, their individual groups, their fundraising efforts and plenty more besides on this very special episode of Making Tracks from MCM Birmingham Comic Con 2024. Remember to tune in to Good Morning Tatooine, LIVE Sunday evenings at 9.00pm UK, 4.00pm Eastern and 1.00pm Pacific on Facebook, YouTube, X, Instagram and Twitch and check out our Fantha Tracks Radio Friday Night Rotation every Friday at 7.00pm UK for new episodes of The Fantha From Down Under, Planet Leia, Desert Planet Discs, Start Your Engines, Collecting Tracks, Canon Fodder and special episodes of Making Tracks, and every Tuesday at 7.00pm UK time for your weekly episode of Making Tracks. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: https://www.youtube.com/@FanthaTracksTV/ https://links.fanthatracks.com/ https://link.chtbl.com/fanthatracksradio www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks www.twitch.tv/fanthatracks www.threads.net/@FanthaTracks

Cozy up with some comforting (to us, at least) films that fit a vague autumnal theme! We know we are in need of some comfort right now, so we hope our podcast can be a little escape from reality for you too. Costuming has always been a field that welcomes people who have felt othered, and that extends to our podcast. We are leading with love and acceptance. You are welcome here with us.Follow along with the visual analysis via these links!Sherlock Holmes: Instagram, Pinterest The Goonies: Instagram, Pinterest Questions? Comments? Suggestions for future episodes? Email thecostumeplot@gmail.com. Follow us: Jojo Siu on IG @jojosiucostumes Sarah Timm on IG @breathcue, on Twitter @SarahTSews The Costume Plot on Youtube, Instagram, and Twitter

Join Anne for a chat with knitwear designer Joanna Hunter! Grab your knitting and listen as Joanna shares her design process and experiences in the world of high fashion, film, and local commerce.  Links to Things Mentioned in This Episode #Wovember2024 posting prompts LoveWovember Marketplace 1917 is currently streaming on Amazon Prime in the US, if you would like to see Joanna's scarves and wristlets! Ninian's website, Instagram, and Facebook Purl Together YouTube Channel

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 12 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. Our episode of Catalyst starts this week with an interview of Jenny Pershon, a live performance technician specializing in audio and video effects. Jennings Gibbs-Barger talks to Pershon about her career from her beginnings where she worked at such theme parks as Disneyland and Knott's Berry Farm as a tech behind the scenes at some of their live performance shows. They discuss how Pershon now works as a freelance contracted live technician, specializing in audio and video effects, for live immersive experiences. Pershon talks about the differences in working for a company like Disney versus working as a freelance contractor as well as the advantages and disadvantages to both. They also talk about what the day to day looks like for her now as a freelance technician and discuss where they think the future of live immersive experiences is headed. The second episode of the week features Nathan Slevcove's interview with McKenna Madison, an Intern with the Disney Company in the area of Costuming. The segment starts off with the pair talking about McKenna's overall job as a seamstress, which then leads into a more in-depth account of the role she plays.  Madison elaborates on her duties as a seamstress, which include such tasks as repairing costuming of the Disneyland Park mascots, maintaining the specialized animatronic costumes, or simply mending the thousands of thousands of pounds of fabric pieces that exist in the park as part of normal operations.  McKenna, although describing it as a rigorous challenge, describes how she takes it on with a smile, and they conclude the interview with her hopes of moving up to becoming a costume designer.

runDisney Costume Magic with Mike Berceli In this episode of the  '3, 2, 1, Go,' Podcast hosts John Pelkey and Carissa Galloway dive into fascinating conversations, focusing on Mike Berceli, a top costume creator for runDisney events. Mike shares insights into the creative and logistical challenges of crafting memorable costumes, including his innovative and legendary Pixar lamp costume. He also talks about the inspirations and motivations behind his journey, highlighting his running history and memorable Disney experiences. Additionally, Mike offers valuable advice for aspiring costume creators and emphasizes the importance of selecting costumes appropriate for varying weather conditions. The episode also explores Mike and his wife Mindy's collaborative efforts in costume crafting and their shared passion for Disney and running. Furthermore, Carissa reveals a new nutrition course, 'Run Like Magic,' aimed to educate runners on sports nutrition specifically tailored for runDisney events. The podcast closes with listener emails, special shout-outs, and a promise for future content on history lessons from John. 00:00 Welcome to 3, 2, 1, Go! 00:17 Introducing Mike Berceli: runDisney's Top Costume Creator 00:57 Patreon and Community Announcements 01:56 Mike Berveli's Journey to runDisney 03:14 From Disney Casuals to runDisney Enthusiasts 05:48 The Evolution of Costuming in runDisney 06:19 The First runDisney Experience 10:53 The Competitive Spirit of Costuming 14:36 Challenges and Tips for Running in Costume 18:32 Nightmare Before Kissmas: A Unique Collaboration 24:57 Favorite Costumes and Memorable Moments 36:43 The Art of Disney Costumes 37:42 Disneyland Halloween Highlights 39:28 Couple's Costumes and Creative Collaborations 42:18 Running Goals and Marathon Memories 47:55 Rapid Fire Questions and Fun Facts 51:59 Motivation and Inspiration in Running 58:54 Nutrition Tips for runDisney Events 01:01:04 Listener Mail and History Lessons Let Registered Dietitian Carissa Galloway lead you through a science-backed plan to transform the way you think about your diet. Visit www.GallowayCourse.com and use the code PODCAST at checkout for a great discount! Become a 321 Go! Supporter. First Supporter Virtual Happy Hour October 3rd! Help us continue to create! HERE New Apparel!! Wear your support for 321 Go! Join Chris Twiggs in Galloway Customized Training 20% off! Follow us! @321GoPodcast @carissa_gway @pelkman19 Email us 321GoPodcast@gmail.com Order Carissa's New Book - Run Walk Eat Let Sara Akers with RunsOnMagic plan your next runDisney weekend! IG @runsonmagic or you can go to www.RUNSONMAGIC.com or email her runsonmagictravel@gmail.com Use Promo Code 321GO

Anne Mueller sits down with Ballet Idaho Costume Director Keri Fitch to talk about the specialized work that goes into costuming our dancers. --- Support this podcast: https://podcasters.spotify.com/pod/show/ballet-idaho/support

Welcome back to the final two episodes of S2 UNLEASH THE D, the hit primer series critics are saying serves major [REDACTED VAGINAL TERM].  It's post-season of House of the Dragon. Seamstress, costumer, and all around brilliant mind Meghan (Birdie Dee Costuming) has joined us to talk about everything costuming in the world of Westeros. Let us take you on color journeys, talk about who wore it best, and discuss both real-world and Westeros-world influences. We have released a PATREON EXCLUSIVE video version of this episode that includes visual aids to help you better follow the conversation. We highly recommend checking that out over at: https://www.patreon.com/posts/unleash-d-s2e4-111408996 A special thank you to our patrons at patreon.com/girlsgonecanon for sponsoring every episode that we produce. You can check out several other visuals below, as well as find Meghan's costuming online at........ Costuming by Meghan Instagram X (formerly Twitter) Chloe's Costuming Found around the internet in an unorganized fashion, also at Chloeandthehawk DeviantArt Screenshots from HBO Series Game of Thrones House of the Dragon (Various episodes and scenes) Rosalia Culora Hair, Wigs, Hairpieces Instagram Stephanie Miles Headwear, Hats, Tiaras Instagram Claire Kitchener Embroidery Instagram Game of Thrones Embroidery Michele Carragher Embroidery House of the Dragon Costumes Season One Jany Temime House of the Dragon Costumes Season Two Caroline McCall French Meadows 18th Century Stays The Dreamtress Textile School Hand Stitch Types Hellosewing.com Mindy Makes The Graphics Fairy Regency Dresses Makeup FX Hand Knotting Wigs YouTube Video Fashion Through Herstory “A Green Medieval Cote” Website The Consolation of Philosophy Philosophy Presenting the Seven Liberal Arts to Boethius (Manuscript) Treasury.com Dreamfyre Art by Sanrixian Sanrixian Threadless

Can the Aeronauts decide who has the best non-skintight costume? Who is The Spider? Email us your questions at wordballoonspod@gmail.com

Our old shipmate Hannah Haverkamp returns to regale us with the historical inspiration behind the costumes of The Terror! For all your age of sail, nautical, polar exploration, Victorian, historical-fiction-with-a-supernatural-twist needs. Featuring Royal Navy uniforms (and their lack of uniformity), Inuit engineering, and the thematic tragedy of Carnivale. Hannah's Sources Parks Canada "Dressing For Arctic Expedition" Terror Camp 2022 Keynote: Annie Symon (Costume Designer) Terror Camp 2021 Panel D - Costuming: Alexa Figuerres (Uniforms and Undress), and Kit Barton (Carnivale) "Tales of the Doomed Franklin Expedition Long Ignored the Inuit Side, But “The Terror” Flips the Script" - Kat Eschner, for Smithsonian DRESSED TO KILL: BRITISH NAVAL UNIFORM, MASCULINITY, AND CONTEMPORARY FASHIONS 1748-1857 – Amy Miller THE ROYAL NAVY 1790-1970 – Robert Wilkinson-Latham HOW TO READ A SUIT – Lydia Edwards Ken's Sources Erebus by Michael Palin Terrorspotting by Tealin on tumblr every post collected under our Terror tag on tumblr Dee's Sources ‘Our ancestors returned home': How a Chilkat robe made its way back to Southeast Alaska by Tripp J Crouse, KTOO watching the ding-danged show The Terror (2018) season one on AMC

This time I'm joined by cosplayers Gin and Matt of Jackal Costuming to talk about furries, making epic costumes, and Bloomburrow!  Casual Magic is brought to you by Quiver, Archidekt, and my patrons at Patreon.com/ShivamB!

We are now on YouTube!   https://www.youtube.com/@VoiceOfCostume Go there and comment on what you enjoyed most about this episode. The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Leila Heise and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/ Topics Covered: Growing up as an actor  How a dislocated knee changed the course of her life 1st paid costume design job From stage to TV in Dallas Getting attached to The Chosen as costume designer Coming onto The Chosen mid-season one Growth from a 5 person crew Use of color in The Chosen costumes Jesus and the Blue Sash Research. Research. Research. Distinguishing the Sanhedrin Finding research at an estate sale Jewelry as the icing Costuming the 5000 Shopping LA fashion district Inspiration comes from anywhere Nonstop building Advice to live by Listening to the actors when designing Film can watch over and over again Place to travel The impact of The Chosen around the world

Disneyland cast members are chanting "Shut It Down!" and intend to strike if their demands aren't met. Could Disneyland get shut down again soon? From KTLA 5... The unions involved are the Bakery, Confectionery, Tobacco Workers and Grain Millers Local 83, the Service Employees International Union-United Service Workers West, the Teamsters Local 495 and the United Food and Commercial Workers Local 324. “Negotiations between Disneyland Resort and Master Services Council — which represents four major unions and nearly 14,000 cast members at Disneyland Resort including: Attractions, Candy Makers, Costuming, Custodial, Main Entrance, Parking, Resort Transportation, Store Operations, Team Centers, and Anaheim Distribution Center — began in late April 2024 with continued conversations taking place throughout the last few months. The official Disneyland Park Master Services Council contract expired on June 16, with Master Services Council declining to enter into a contract extension,” Disneyland Resort officials previously told KTLA in a statement. “We respect and value our cast members and recognize the important role they play in creating happiness for our guests. With the next meeting scheduled for July 22, we remain committed to continuing discussions and to reaching an agreement with the Master Services Council that focuses on what matters most to our current cast members, helps us attract new cast, and positions Disneyland Resort for growth and the creation of more jobs.” ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 Disneyland employees are considering going on strike due to low wages and poor working conditions, potentially leading to the park shutting down and impacting visitors. 00:00 Disneyland employees may go on strike due to low wages and increasing living costs, potentially leading to the park shutting down. 02:19 Four Disneyland unions may strike, potentially shutting down the park and impacting visitors. 04:03 Disneyland employees are negotiating for fair wages and policies, with the potential for a strike if a contract is not reached. 05:11 Disneyland employees filed unfair labor practice charges against Disney for intimidation and surveillance of union members, demanding a living wage. 07:10 Disneyland employees are struggling with economic hardship, with a majority reporting not earning enough to cover basic expenses, experiencing food and housing insecurity, and missing work due to lack of sick leave. 08:09 Disneyland employees are standing up for fair wages and working conditions, considering going on strike due to harassment and fear of retaliation from the corporation with a market cap of over $174 billion. 10:22 Disneyland employees are demanding fair pay and livable wages to prevent a potential shutdown. 12:07 Disneyland employees may go on strike due to poor working conditions and low pay, potentially leading to park closure and negative impact on guest experience. Expand About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Disney #Disneyland #Dis

Key Takeaways Communicate openly with reps and casting about pregnancy, especially once showing No need to disclose pregnancy to everyone on set, but inform costuming if accommodations needed Auditioning and working on set while pregnant is possible with some adjustments Be honest about comfort needs, take precautions for safety, and go easy on yourself Topics Telling Reps About Pregnancy Emily told reps early on, around 6 weeks Most tell reps once showing, which is acceptable Reps are usually supportive as they can't discriminate and can submit for pregnant roles Telling Casting About Pregnancy Not necessary to disclose early if not showing and role is safe Once showing, disclose to avoid declining audition without explanation Doesn't necessarily need to be disclosed to full production team Auditioning While Pregnant Have 3 comfortable outfit options that work for typical roles Pant expanders helpful for fitting regular jeans Being visibly pregnant may affect chances for some roles, but not necessarily Don't modify audition material just for being pregnant Working On Set While Pregnant Had positive experience booking Young Sheldon role meant for pregnant woman Costuming unaware she was actually pregnant until fitting Communicate openly with costuming about comfort needs SAG has safety protocols, may need doctor's clearance Can request accommodations through reps if needed for comfort/safety Magical to be creating life and art simultaneously Next Steps Be prepared with comfy maternity/adjustable audition outfits Disclose pregnancy to reps early, casting once showing Communicate openly with production about accommodations Listen to your body, prioritize health/safety, and give yourself grace

How do you stand out in a sea of headshots? Kelly McCready (actor, writer/director, photographer, and creator of good things) explores the importance of bringing your individuality and authenticity into headshots and auditions. In this enlightening and educational conversation, she explores how headshots have changed over the years, sharing tips for discovering who you are in order to wear who you are, advice on how to approach headshots and auditions with confidence, and much more. This episode is chock full of her wisdom, humor, and personal experiences for both actors seeking roles and those of us figuring out how we show up for the roles we play in our stages of life.Episodes Resources & Notes:Follow Kelly and her creative projects on Instagram @kellyraemacTraveling soon? Download my free packing guide to help!--Links & resources:Follow the podcast on social media:@bustyle@natalie_tincherCheck out the website for more info at www.bu.styleSign Up for Nat's NewsletterRate, Review, & Subscribe to the podcast on Apple & SpotifyThis Podcast is brought to you by Upstarter Podcast Network

This week fi ish out talk about Dune Part 2.

Sound of Music is the classic from 1965 starring Julie Andrews and Christopher Plummer. It is the story of a young woman sent from her convent to be a governess in Austria in the 1930s. She is in charge of seven children and one stoic, windowed naval officer. And romance ensues.   Timecodes: 00:00 - DMP Ad :30 - Introduction :46 - The Film Facts 5:10 - Wait! This film is three hours? 6:45 - The Pickup Line 10:03 - Costuming & the use of color 13:40 - The scene after Maria comes back  18:39 - How we used to watch this film 23:18 - Multi-generaltional enjoyment 30:18 - Can we talk about the gazebo scenes? 38:38 - Head Trauma 40:10 - Smoochie, Smoochie, Smoochie 40:39 - Driving Review 42:20 - To the Numbers   Next week's film will be Inside Man (2006)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com Need help editing or producing your podcast, let us help you. Also, you can get 2 months free on Libsyn click here: https://signup.libsyn.com/?promo_code=SMOOCHIE

Costuming SpongeBob: These are the people that actually made SpongeBob's pants SQAURE! Stage Door talked to the costuming team, and the musical's director, about how they built the hundreds of costume pieces needed to put on a visually stunning show. Spotify: https://open.spotify.com/show/214M4OKBbWcDivndnc2MTu Apple Podcasts: https://podcasts.apple.com/us/podcast/stage-door-a-theatre-podcast-hosted-by-two-regular-guys/id1573865415 SThe SpongeBob Musical - April 25-28, 2024 St. Francis de Sales Musical Theatre

Welcome to a story of love and labor, of notes sung and stagehands unseen. It's not just the von Trapp family making music and standing in the lights – there's a whole Austrian Alps worth of activity behind the scenes of a high school musical. This is the grand reveal of the magic-makers, the Gretchens and Kurtzes who bring the Sound of Music to life. B is for Backstage Choreography Imagine a choreographed chaos where every step is timed to a breathless beat. This is the realm of the stage manager - the unsung conductor of the backstage ballet. They coordinate the movements of cast and crew with clockwork precision. Cues are whispered, not missed. Actors are shepherded from scene to scene in the dark, silent pathways of backstage. Opening the curtain is just the first scene of their performance. A is for Audio and Visual Wonders Lights and sound, the quiet yet unbridled heartbeats of every theatre production. Have you felt the swell of emotion under the warm wash of a spotlight? Or been swept off your feet by a perfectly timed crescendo? That's the hidden symphony of technicians and designers. They not only set the stage but control the emotional flow of the play. C is for Costuming, the Fabric of Character What's a high school drama without a little drama offstage? The costume department is the vibrant soul of the show, weaving threads into the very essence of every character. From a curtain to a costume to the patent leather shine of a dancing shoe, every stitch is a story, every fiber a motivation. O is for Orchestra, the Unseen Music Makers Beneath the stage, within the orchestral pit, a spectacular symphony await its cue. Musicians, each a maestro in their own right, ensure that the music never stops. They've practiced and performed, toiled and tuned, and now they're here to breathe life into the musical notes that float like birds on a staff across the auditorium. N is for Never-a-Dull-Moment Props A well-placed brass key, a dinner bell's chime, a brown paper package wrapped up in string - the props of a play do more than decorate. They are the hidden handshake of believability, the silent slips of story between set changes and scene transitions. Every item on stage tells a tale, and the prop department is its keeper. The show on the stage is merely one act in a tale of many. From the builders building the sets to the sewers sewing costumes late into the night, armies of individuals pour their creativity and commitment into each performance. This isn't just a high school musical – this is a symphony of school spirit. To all who aspire to tread the boards, paint the sets, or escort the lead, remember this: The glory of the stage is shared with every silent star behind it. And to the audience, come join us and witness the hard work and love that goes into every note and nuance. It's their pleasure to perform for you, and they eagerly wait to share the "Sound of Music" with you in April. www.MasterHappiness.com www.WhatsYourBacon.com LZ95.org/pac#Theater #LZHS #BusinessCoach #EmployeeRetention #CorporateCulture #CorporateCoach #TeamBuilding #HappinessEnthusiast #BusinessConsultant #MarketingStrategist #MasterHappiness #WhatsYourBacon #SmallBusinesses #BusinessOwners #Managers

MAIL BAG HERE The Shiners have arrived once again! Tune in to see who took home the prizes in the biggest movie award show around ! Intro (00:00) Our Previous Shiners episodes: 108, 152 What We Did This Week (02:30) Quick Oscars Discussion (09:46) The Shiners Begin (15:20) Ensemble Cast (16:30) Best Soundtrack (20:16) Screenplay (22:57) Sound Design (25:20) Editing (27:30) Costuming (31:13) Production Design (33:38) Supporting Performance (35:32) Cinematography (37:41) Most Unique Picture (40:50) Direction (43:11) Lead Performance (45:15) Best Picture (47:50) Award Show Conclusion (51:38) - I wanted to point out here that Nobody Knows is also one of our favorite movies of last year that didn't end up winning any awards What's Coming Up on the Pod (54:31) Our Album Recs (55:58) Thanks for listening !

Ever caught yourself daydreaming about twirling around like a character in a Jane Austen novel, decked out in those fancy Regency-era outfits? Well, I am joined by Shannyn Schack Dadvar from Wisteria and Lace in this episode, and we are diving head-first into that dreamy world.We chat about the enchanting costume designs in Jane Austen adaptations and get down to the nitty-gritty details of period costumes! We are breaking down "Emma" and "Pride and Prejudice," discussing the costume choices that reveal way more about the characters than you might think. Shannyn is ready to bust myths about corsets and dress reform, giving you the lowdown on how film adaptations either nail historical accuracy or, well, unravel it a bit.So, whether you're a seasoned seamstress or just curious about empire waistlines, this episode is a goldmine for anyone who loves a bit of elegance from the past and those timeless tales spun by Jane Austen. Come join the fun, and let's celebrate the art of historical fashion together!

In this episode, Chrisha and Catherine start the discussion with Jack and his odd behavior at the end of Supernatural and during The Winchesters' finale before moving on to talk about Baby, The Winchesters' title card and its connection to the Akrida, and the logistics behind Cas' absence. The conclude by reflecting on what was left unresolved and what was healing for them personally.The Winchesters audio clip credits: The CWSupernatural  audio clip credits: The WB; The CWSPNNash 2021 audio clip credit: Gayle (thank you to @alishabless13 on Twitter for asking the question and helping us to find the audio!)KSiteTV audio clip credit: GOTHAM KNIGHTS Misha Collins InterviewJIB 12 audio clip credit: Chuck Won on Tumblr (thank you to Veronica for letting us know about this clip!)Follow us on Twitter @TheFangirlBiz and on Bluesky @thefangirlbiz.bsky.socialJoin our Kofi Discord community at $1/month: https://ko-fi.com/thefangirlbiz/tiersSupport our podcast by buying our new merch: https://www.redbubble.com/people/thefangirlbiz/shopThanks for listening!

In episode 46 we talk with ERIC WINTERLING, founder and creative director for Eric Winterling, Inc. about making costumes for two popular series set in New York City in widely different time periods. THE GILDED AGE (HBO) and THE MARVELOUS MRS. MAISEL (Amazon Studios) have dazzled historical drama watchers and series fans with their show-stopper fashions.  Eric's New York City costume studio is where the period garments are constructed from designs by Kasia Walicka-Maimone for THE GILDED AGE; and Donna Zakowska, Emmy award winning designer for THE MARVELOUS MRS. MAISEL. Eric's dog, Bumpers also joins us for the first half of the conversation. PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. 1:18 "That dress is going in the wrong direction" 1:41 Costuming 1880s and 1950s New York -- THE GILDED AGE and THE MARVELOUS MRS. MAISEL 3:08 Eric Winterling's costuming journey from gingham dog and Houston Grand Opera to Eric Winterling, Inc. 12:29 First Big Project: SHOGUN, The Musical and Broadway 15:23 Costuming Stage vs. Costuming Film -- "It really has to come down to the closures" 19:20 Clients: working with THE GILDED AGE and THE MARVELOUS MRS. MAISEL costume designers 27:05 Costume Construction Techniques and Fabrics 33:37 Podcast Generic Break 34:37 Corsets, "Under Structures" and Period Silhouettes 39:26 Sourcing and stocking the "right fabrics" 45:34 Showstopper Costumes: Enid Winterton's new social status and Midge Maisel's black dress in the Smithsonian 48:39 Midge Maisel's multiple costumes 52:14 Costume Design awards  54:33 What happens to costumes after a show ends 58:29 Lightning Round STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS LISTEN to past podcasts SIGN UP for our mailing list to stay up-to-date on future episodes and bonus content. Find out how you support the reserach and production of the podcast by shopping in our affiliate bookstore and contributions. SUBSCRIBE to the podcast on your favorite podcast platform --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

John and Mandi put on their track suits and dream of better movies while suffering through 2023's IT'S A WONDERFUL KNIFE. Can they drag their feet through bland characters with vaguely defined connections, Costuming and Actors who deserved to be in a better movie, and some kind of drone plot point that comes out of nowhere and makes no sense? Get more of us! Email: esat3am@gmail.com/ Twitter: @ESAT3AM Facebook: http://www.facebook.com/ESAT3AM/ Website: https://esat3am.com/ Leave us a voicemail: https://anchor.fm/everythings-scary-at-3-am Credits Photo by Gabriel- @natural https://unsplash.com/photos/qUcNy_NSeoo Opening music: "Ghost Stories" by Alex Lisi https://www.youtube.com/channel/UC2Wkg85Gabk3DkC14DdUohg Trailer for IT'S A WONDERFUL KNIFE (2023) Additional audio from: Daniel Simion http://soundbible.com/2170-Clock-Chimes-4x.html All opinions are our own.

Today, we're sharing part 2 of our deep dive into historical costuming! Our guest is AJ @confusedkittysewing - and AJ speaks about her experience getting into historical costuming, her sewing practice and collaborations, and her experience as an Asian costumer with Nicole.  Follow the pod at @AsianSewistCollective on Instagram. For show notes and a transcript of this episode, please see: asiansewistcollective.com/episode-50-historical-costuming-part-2  If you find our podcast informative and enjoy listening, you can support us by buying our limited edition merch, joining our monthly membership or making a one-time donation via Ko-Fi: https://ko-fi.com/asiansewistcollective 

In this week's episode, we're deep diving into historical costuming! We're talking about what historical costuming is, inclusivity in the historical costuming community, historical Asian garments and more.  Follow the pod at @AsianSewistCollective on Instagram. For show notes and a transcript of this episode, please see: https://asiansewistcollective.com/episode-49-historical-costuming-part-1/ If you find our podcast informative and enjoy listening, you can support us by buying our limited edition merch, joining our monthly membership or making a one-time donation via Ko-Fi: https://ko-fi.com/asiansewistcollective 

It's usually a busy time for television programming, but the ongoing actors strike has continued to slow things down. Yes, late night talk shows have resumed. And sure, "Saturday Night Live" is back on the air.  But unless programming was completed and ready to go, there is not much else besides sports and some unscripted shows that don't need actors. And when there are shows to promote, the stars can't speak with media. But there are a few cases where celebrities can talk. Take Sting, legendary musician and frontman for The Police. He is out promoting "Message in a Bottle," which is coming to PBS and features his music. Tennis legend Billie Jean King is also talking about her projects, along with pickleball.  So the co-hosts talk about that limited programming, the movie theater as an event and the state of the strike. And they look ahead to next week's episode where they will discuss "Lawmen: Bass Reeves," which is coming soon to Paramount+. Where to watch and more coverage "Message in a Bottle" on PBS 'Message in a Bottle' finds new meaning in Sting songs Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened and entertainment podcast about movies and TV from Lee Enterprises, I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal, longtime entertainment reporter. And I suspect he's bringing us a little message in the bottle this week. What do you say about that? Bruce Miller: Message in the bottle? Yes, our dear friend Sting. But, I got to tell you, this is the strangest time. We talk about the actors striking and they're not working, and everybody's worried about that. We're not getting content. But there also is a whole other area that's being ignored, and that's the selling of all these shows. We don't get those actors doing interviews about the product that they do have out there, because that's part of the deal with the guild, is that you are not going to promote something that will bring money into the producers until they settle this strike. So, as a result, they don't offer up, actors to me to interview like they have in the past. It'll be people like producers, directors, costume designers, a whole raft of people that you probably don't hear from, which is great. It's interesting. It's a new wrinkle in all of this. But it does hurt some of those people who have spent a long time working on something. David Oyelowo has been trying to get a passion project about Bass Reeves done for eight years. And he got the money from Taylor Sheridan, the Yellowstone producer who's behind all of this. And no, it is not connected with any of the Yellowstone series. People, want to say that it's 1883, it's tied in, it's not. But he got his support in this. They hired a writer. They have other directors and producers and people behind it. And he is kind of the galvanizing force behind this whole thing. And now, because they're selling this, this is coming out the early part of November, he can't say anything, which I just isn't that just disheartening here? You your life working on this, and then others have to talk about it for you. And all those people are very open and generous about giving him credit for what he did and what he wants to say with this. It has a very special message. But this is like down the line. You are seeing different series like this where they'll offer up people to talk to you. There's a movie, coming out limited, this month, and then wide in November, the, Holdovers It stars Paul Giamatti and Da'Vine Joy Randolph, and it's directed by Alexander Payne. And this is going to be a big Oscar contender. The actors, they're not talking, they're not able to say anything about this. But again, that's one of those says, you know, it just kills me that I can't talk with them here and they can hear all these things because they're not available to promote the film. And so I think that's one of the things we don't think know. You see Entertainment Tonight on TV at night, and they're raving about something, or Taylor Swift is running around and she's doing things know Travis Kelsey. And it looks like things are normal, and, they're not. But what that also does do is open the door for other people to get a little attention. And one of the ones I did get to talk to was, yeah, it's, a dance show called Message in a Bottle. It's based on his music. Sting, in case you didn't know, did not want to have a Jukebox musical written about his music. He thinks that's a dumb idea. It's a horrible idea. And if anybody suggested that, he'd just say, no, I'm not going to be a part of that. But they asked him if they could use his music for a dance show in London. And they would tell a story through dance with him singing in the background. It would be his voice over this overarching story that's all told in dance. And he thought, you know, that's an idea that sounds interesting. And they did a couple of numbers, pitched it to him and showed it to him. And he said, I'm in this I could do, because it's nothing I considered. It's not like all these other shows. It's something new and different. And for him, it was, a very moving experience. He said, I cried when I saw it the first time. Just me. And then he said, when I saw it with an audience, I cried again because I saw how emotional it was for them. But so, as a result, we're getting to talk to people like Sting. Come on, that's not bad, because he's not directly involved in it as a participant. Yes, they use his, Voicing tracks over this. But he's not sitting there singing. He's not a performer. He's, a subject of this. And then Billie Jean King has a series where she pairs up women in sports to talk about the struggle that they've had. And I got to talk to Billie Jean King. And that was fun. That's on PBS as well. So you're seeing this kind of shift to people behind the cameras maybe getting attention. And this is a good idea. Bruce Miller: This is good to give them that kind of attention. Fargo is coming out, and they've offered up people in Costuming and hair and makeup. And you go, who cares about the hair and makeup in Fargo, right? It has a very important part of this year's episodes, and I wish I could tell you more about that. But they won't be bad people to talk to because it's very involved. There are things that happen in the new series of Fargo that involve hair and makeup and Costuming that you go, wow, how did they pull that off. Yeah. So they will be interesting people to talk to that we probably wouldn't if they said, well, we've got John Hamm to interview. Would you like to talk to John Hamm? And you go, of course I want to talk to Jon Hamm. But maybe this will be a wakeup call for those who are scheduling these things into looking, up beyond the star names and down the line a little bit more. Because a lot of people put a lot of effort into these films and series and whatnot, and they don't get any attention whatsoever. Maybe during the time of awards, where there's a category, you might see one of the trade papers do a special edition about costuming, and then they talk to the costume designers of the top ten films and maybe they'll get a nomination for something. But for the most part, those people toil in anonymity they don't get a chance to get the spotlight. So we'll see what happens. But it is fascinating for the time. But I don't want to go two, three, four years talking to editors and composers and directors when easily the actors are there and they can talk about their contributions. Terry Lipshetz: At least with someone like Sting, who is very well known as a solo artist with the Police Rock and Roll Hall of Fame. He did act also. He was in, I think, Dune, in the 80s. So he is a very well known subject. So he can speak very well to that type of program. And then you get someone like Billie Jean King, who, of course, one of the greatest tennis players of all time. Getting someone like her on the record, it's like getting an A list actor, of course. Bruce Miller: And she's fun because I said, what do you think of pickleball? Come on. Isn't pickleball kind of trying to edge tennis out of the way? And she says, oh, Pickleball. She said, I hate the sound of the ball hitting the racket. She said, there's something so marvelous about hearing a tennis racket and a tennis ball. But, a pickleball, it's hard. The racket is hard. And she says, you just hear this in your head all the time, and it drives you crazy. But she said they also have more injuries in pickleball than they do in anything else. Terry Lipshetz: Really? Bruce Miller: Yeah. She said a lot of her friends she said it's good that they're trying it because they're getting active and they're moving, but they're not, reducing injuries at all. Terry Lipshetz: Wow. Because I've heard quite the opposite that pickleball is a good way to keep seniors active. I know even my mom, who's had both knees replaced and I think a hip as well. She's joined the pickleball phenomena as well. Bruce Miller: There you go. Terry Lipshetz: Everybody's doing pickleball. Bruce Miller: Billie Jean's worried about her. Terry Lipshetz: I'll let her know with the Billie Jean King, is that getting into the battle of the sexes? Bruce Miller: Because that's it's the anniversary of Title IX or beyond the anniversary of Title IX. And she thought it would be a great idea to pair up other kind of pioneers in different fields to find equality and what they had to go through. And she talks to the, soccer players that were Olympic medalists and what their lives were like. And they talk about the things like, we were getting $10 a day to play soccer. And that's basically just our food money. And what can you buy for $10? You'll be eating junk food. SUNY Lee, who is, a gold medalist from the last Olympics, and she talks about her challenges and what she faced after she came home, as an Olympic gold medalist. So you have these pairs of people who are kind of weighing in on what the situation has been. And if it goes well, I think it's two episodes. If it goes well, that will then maybe lead to a frequent series of face offs between different people. Where is streaming going? What is the benefit of going to the theater Bruce Miller: This weekend, there is a film that's, premiering on Peacock that also is in theaters. And so you're seeing this again. We're wondering, where is streaming going? What is happening with all of this? How many times will I go to theater? What will I go to the theater for? What is the benefit of going to the theater? And I don't know if you have had any remodeling done at theaters near you, but I have near mine. And all of the seats are recliners that are heated. And they have, like, a full menu of food, which I don't remember when I was growing up at all, the only place you could get food was at a drive in theater. And now you don't find drive in theaters anymore. But the drinks that they're offering, it's a bar. And at my theater, they end up the kids who are under 18 or under 21 or whatever age they need to be to be able to serve beverages, adult beverages suddenly can't stand over by the liquor. They can't be near that in any way. And so there's like, the kid who's chosen to be the liquor kid. And so if you order popcorn and a drink, they've got to go call on the guy who is the liquor guy, and he has to do the drink for you. So I find that just kind of fascinating because it will change. And then in the lobby, there are so many games, there are so many claws that you're grabbing at for it's like a carnival. It's a carnival. Yeah. Terry Lipshetz: It feels like movie theaters today. They're almost going toward becoming like an arena or a stadium for a sporting event. And we've talked about this in the past, where movies are going to be more of an event. Right. You'll pick and choose which ones you're going to go to. Kind of like a sporting event. I'm a huge baseball fan. I probably watch 100 plus baseball games a season from my couch. But I only go to the stadium two, three, four times a year. Kind of like going to a movie theater at this point for me as well. So then you're going to spend okay, I'm going to spend $1015 per ticket, and I'm going to spend on pizza and, maybe a hamburger and a chicken sandwich. Then it becomes more than just getting a bucket of popcorn and the Raisinets, which I hate. I hate Raisinets. Bruce Miller: Yeah, I don't like those either. No, I don't like Milk Duds either. So if you're a Milk Dud person. Terry Lipshetz: Sorry, do you like those little the Sno-Caps? The nonpareils? Bruce Miller: No, that's an old person's thing. I am. But there you are. But that would be one like, mom would get it and you go, oh god, this is not I don't care for it. Thank you. You can have them. I'm good. Yeah, I'm of the era where we brought the candy to the. Terry Lipshetz: Know. You talk about the remodeling. I'm actually really worried about the AMC Theater. That's literally 2 miles from my house, maybe even less a mile, because it's older and it feels like they never will. And even during COVID when a lot of places were shut down, theaters were shut down, a lot of people would complain to the Village because they were letting their parking lot get overgrown. Now, they still seem to be doing okay. I mean, I drove by last weekend when the Taylor Swift movie opened, and that place was packed and every Showtime was sold out. But a lot of times when I go there, it's in a weird place. It's not near Milwaukee. It's not near Madison. It's kind of in the middle of the suburbs. And it feels like it may not survive. And I might have to drive 30 minutes to a theater. Bruce Miller: We had an AMC here that they did four screens to see what would it be like? And they remodeled the four screens and it went well. And then they went and did another four. So it kept going in increments. And finally they got it all remodeled. So it could be just their time. It isn't their time yet. But I think look at the Taylor Swift movie that is a pure example of all of this AMC was they, made a direct deal with Taylor Swift. Right. And to get that in and two weeks in a row, number one movie. Now, come on. And again, it goes back to my philosophy is it has to be an event. If it's an event thing, you are going to go out of your comfort zone. And you're not going to sit at home and watch it on some streaming channel. You are going to go out. You want to see that. You want to be a part of that event. And as I noticed, they're spending money. If I'm sitting. 1989. Was that what the ticket price was? Terry Lipshetz: Right. Bruce Miller: Like that because of her album, right? Okay, so I'm in for $20. Then we're making an event of it. So I'm not going to just sit there and say, no, I'll have water. You're not going to do that. You'll get a beverage. And if you're an adult that has to bring a bunch of little girls with you'll, get the adult beverage from the kid able to handle that for you. Yeah. And so you're going to make a little more of it, but you probably won't go as often. That's the real stickler of this. In my day, we would go at least twice a week to the movies because there'd be more than two movies that were new each week. And I would, usually go on a Friday and go on a Sunday. And that is so out of the realm of anything today. If I go once a week to a movie theater as just a regular patron, that's saying something. And I'm one who goes to all of the movies because they don't have that much content available. Hallmark has started the Christmas movies Bruce Miller: Or if they do have the content, I can get it in an easier form. I don't need to see it at a theater. But I do think they're stepping up their game and they're making it more attractive. You know how you always would complain it's kind of dark, like they need a new bulb in their project, or, it's fuzzy, they didn't focus it. Or I'm sticky on the floor. Those things you don't see that much anymore. And, they do make a big effort of bringing in the blow guns and everything and cleaning up the place before you get in there. But then you also don't have the ability to sit all day long. I remember going to a theater and you'd say, I want to see this again. And you just sit still, and it start in, like, ten minutes. Terry Lipshetz: Right? Bruce Miller: So that doesn't happen. Terry Lipshetz: No. Bruce Miller: Hear you out, and they make sure that you're out of there. But it is a shift, and I'm wondering what's going to happen now. We're getting into the big Oscar movie, period. I mean, there is a lot that's on the agenda that's supposed to be coming in the next two months, and big, big names and the idea that they're going to muzzle these people. They have to get this solved quickly. It's almost like finding the speaker of the House. It's like it has to happen. This is too much. Terry Lipshetz: It's weird, too, because there's a lot of competing forces. Because all of a sudden, after the writer strike ended, we knew, obviously, that late night TV would come, know Jimmy Fallon was back, john Oliver was back. But then all of a sudden, Saturday Night Live came back, and I had to do a double take, like, well, wait a second. How is Saturday Night Live back? Because these are actors. And it turns out that the show well, it's covered by a different contract. It's more like late night it's under the late night TV game show, whatever weird. But it's not these are actors acting. So how can we have these actors? So are we going to get nothing but a bunch of variety shows now? But it's really strange. And it just feels like, this has got to get worked out soon because you can't and then I know actors, too, can go overseas because there's certain obviously in Europe there's different contracts, there's different mean. You know, production of films in the UK. Or EU haven't necessarily shut down like they have over here. Bruce Miller: Could you really call bad Bunny an? I mean, but yeah, look at, the talk shows at night. They aren't asking people from films or TV shows to come and be their guests. They've been doing a lot of Broadway people. I noticed that Josh Groban has been making the rounds and he's in Sweeney Todd on Broadway. And, that's not covered. We've seen the cast, Daniel Radcliffe. Jonathan Groff. So you'll see those people kind of they're actors, but they're not in a film. They're not in a so you're and you'll see athletes and musicians. They're going to make, hey, well, this is all going on, but who knows what will happen? The other thing that I think you did not realize is that we have started the Christmas movies. Hallmark is like hardcore. And I think they have new movies every Thursday, Friday, Saturday, maybe Sunday. I don't know. Do you have to get stuck into that? Terry Lipshetz: No, my wife doesn't watch those Hallmark Christmas movies. Or at least I don't think if she does, she's watching them without me because I get stuck in the kids ones. We will watch whatever ones come out on Netflix or Hulu or TV or but, but even, at least with them, they're middle schoolers now. So some of that stuff is just baby stuff. It's little kids stuff. So we're not going to watch that. But it is coming on fast. I know my wife and one of my daughters went just to Kohl's the other day to do clothing shopping. And they came back and they said Christmas music was playing in the store. You got to be kidding me. It's not even Halloween. Bruce Miller: We had Christmas in July. Remember that? They were allowed buying all those Christmas movies in July. And now suddenly it's the real time. But Christmas is not that far away. If you add up the days, it's not like that long from now. So they're getting deep into it with the Hallmark Channel. And nothing stops those people. I'm sure they're making them in Yugoslavia or God knows where, just to make sure that they can get like 153,000,000 Christmas films done all, on basically the same set, saying the same things with just different people. Who were in a different career. It's always somebody comes home to a small town and realizes that, oh, I really do kind of like it here. I don't need to be a high paced business person in New York City. I can live in East Overshoot, Tennessee, and I can be a know who's happy here. With whomever? The local cobbler. I will marry the local cobbler and that'll be my life. Terry Lipshetz: And Reba McIntyre is your mother. Bruce Miller: I have found that with those, I'll sit and start watching one and I fall asleep and I wake and it's a different one and it's the same thing. So if you worry about, the resolution, no problem. It's there. When would the actors strike end? Terry Lipshetz: My biggest concern right now is when we had this discussion several months ago regarding when would the actor strike end and you were a little bit more optimistic about it than I was. No, I'm starting to think like I might be right on, on this one. I don't remember the exact date, but I thought it was going to be like late November is when they would nail it down. Because at that point everyone would head into freak out mode knowing that NFL is about to end, college football is about to then, you know, there's nothing. It's, it's NBA, NHL, and not a whole lot else until baseball season resumes. And those aren't exactly huge, TV drivers either. We're running out of and CW. Bruce Miller: Look at the CW. They are grabbing everything from every country. They've just announced a couple of new series from, you know, aren't those always on BBC or BBC America or something? So we see them somewhere else, but now they're picking up whatever strays they can find and they're sticking it on the CW. And so I think until the content runs out, you know, we're going to see Korean shows and we're going to see just everything until they're ready to blink. And when they blink, I don't know what will happen. The folks in New York say that Broadway is suffering because it's too expensive and people are not seeing that as an. You know, you always thought, well, maybe they could film some of those things and throw them on some streaming service, whatever. But that doesn't seem to be like another pool for them to pick from. So the bottom line is they've got to get this stopped. Otherwise we're going to run out of talent. Talent will switch to something else. I don't know if you follow these things, but a lot of actors that you might have seen on some shows realize they can't get work and they end up becoming real estate salespeople. And so the actor that you liked in whatever sitcom is suddenly selling real estate now in Los Angeles and probably making more money is more secure than he was ever before. And you think, wow, you would turn on this thing that was your lifelong dream. Because everything's going bust in your business. And I think that's one of the things they'll look at. You will lose actors that you were fond of because they can't find the place to go. Next week, we talk about a new series from Taylor Sheridan called Lawmen: Bass Reeves Terry Lipshetz: On that note, anything else? We have Sting. We have Billie Jean King. I know we'll look forward in the coming weeks to things like Fargo. Bruce Miller: Yeah. Next week, I do want to introduce you to the people from Lawman, Bass Reeves. It's a new series, a limited series that's from the Taylor Sheridan kind of house. Terry Lipshetz: Right. Bruce Miller: And in there, we are able to talk to, one of the directors. One of the directors who considers himself a reggae director oh, nice. And how he brings that sensibility to the series. And then also the guy who wrote the series. And he worked very closely with David in terms of what do you want to say with this and what is coming out of this. They had a lot of research. They went down the road about everything they could find about Bass Reeves, and then they decided, okay, but there's got to be another kind of overriding story that we're going to tell with this. And what is that overriding story? And you'll hear from them next week. But I do want you to get into this because it's going to be a big thing, Paramount Plus. And, they do talk about where does it fit with Yellowstone. Terry Lipshetz: Okay. Yeah. And that's good, because we'll talk more about that next week because my wife, she signed up for something. And we do have, like, a 30 day trial if we want, of Paramount Plus. And I did see that Bass reuse trailer, and I thought, that looks kind of interesting. And I have not seen any of the Yellowstone series. So is it maybe worth my time? So maybe we could talk about that next week. Bruce Miller: When you see it, you're going to go, wow, look how lavish this is. It really looks like a huge movie, huge cast, great sets, a lot of buffalo, if you can believe that. Terry Lipshetz: yeah. Bruce Miller: And so we'll talk more about it because I want that one to hit your radar. I want you to think about that, and then we'll talk about some of the other new movies and things that are coming out. Terry Lipshetz: Sounds good. All right, well, on that note, thanks again, and we will see you again next week on another other episode of, Streamed and Screened.See omnystudio.com/listener for privacy information.

In Episode 33 of the Drama Mamas Podcast, we're joined by the enchanting Ericka Delisle. She takes us behind the scenes of Disney's magical world, sharing her experiences in costuming and her journey through the Disney College Internship programs. Ericka also regales us with her rich history in the theatre. Join us for an episode that's a blend of Disney magic and theatrical wonderment. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dramamamas/message

It took losing a job she'd held for 20 years at a sheet music company for costumer Kenya Morgan to enter the film and TV economy. Kenya sits down with Jewel to talk about how the Georgia Film Academy helped make that transition possible and the experience of being a costumer in the industry.Mentioned in this episode:Comedian Roy Wood, Jr. on City Lights with Lois ReitzesRuth E. Carter in Atlanta MagazineThis episode of The Boom was produced by Crystal DeVone, Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Re-release from 9/22/2022. Fawn and Flap Jack share tips on starting drag! Specifically, they share tips for picking a drag name and learning how to style makeup, hair, and costumes. Plugs: Buy Flapping & Fawning Merch: ⁠https://store.streamelements.com/flapjacqueline⁠ Buy tickets for Kharris' Drag Brunch at the Stardome: ⁠⁠https://www.stardome.com/event/kharris-drag-brunch-5/main-room/birmingham-alabama/⁠⁠  Buy tickets for Miss Magic City Comedy Queen 2024: ⁠⁠https://www.onthestage.tickets/show/birmingham-festivaltheatre/64be85a0629cd00e45554fb1/tickets⁠⁠ Connect with us! TikTok: ⁠⁠https://www.tiktok.com/@flappingandfawningpod⁠⁠  Instagram: ⁠⁠https://www.instagram.com/flappingandfawningpod/⁠⁠  Facebook: ⁠⁠https://www.facebook.com/flappingandfawningpod⁠⁠ Write in to ⁠⁠flappingandfawningpod@gmail.com⁠⁠ and we might respond on the podcast! --- Support this podcast: https://podcasters.spotify.com/pod/show/flappingandfawningpod/support

This week concludes the chatDisney Disney Princess costuming mini series with a look at Merida, Moana and Raya. Tash also gives a live trailer reaction to the latest trailer for Disney's 'Wish'. 

This week Tash talks all about modern Disney Princess costuming with a close look at Pocahontas, Mulan, Tiana and Rapunzel.

Join Mercedes and Tash as they continue on their deep dive of Disney Princess costuming. This week they discuss the renaissance period with a look at Ariel, Belle and Jasmine. The episode concludes with a live trailer reaction to Disney's 'The Haunted Mansion' (2023). 

Join us this week on the chatDisney podcast as we explore the world of Disney Princess costuming. We kick of the series this week with the classics: Snow White, Cinderella and Aurora. Stay tuned until the end of the episode as we play a little game of What's This? ModernGurlz on YouTube, Cinderella's Dress is NOT Blue: https://www.youtube.com/watch?v=UycDew30Sy8

Get ready to dive into a galaxy far, far away on the Living By Disney podcast. In this episode, I'm joined by the amazing Sara Jay Mac to explore everything Star Wars and the power of finding your people within the Star Wars community.Sara Jay Mac is a true Star Wars aficionado, and she's here to share her insights and experiences on how this incredible fandom brings people together. We'll uncover the secret sauce that makes Star Wars such a powerful force for building connections. From epic conventions to lively online forums, Sara will show us the many ways fans can connect, support, and find their own Star Wars family.Follow Sara @sarajaymacSara's podcast Princess & ScoundrelLinks to Sara's groups on Costuming, the Galactic Starcruiser, Galaxy's Edge, and more!Our show is brought to you by our partnership with MickeyTravels! Greg and Elyssa and their team of agents are ready to help you with any of your Disney travel needs including Disney World, Disneyland, Cruise Line, Adventures by Disney, and more. Tap this link to get the process started and start looking forward to fun vacations ahead!If you enjoyed today's show please consider leaving us a review and let us know what you thought! The feedback would be so helpful and good reviews really help the show get more listeners. You can find more about us on our website and at the links below! Follow us on Instagram We are having a ball on TiktokWe're now on YouTube!Get our latest Digital Guidebooks- be a WDW pro!Get our free weekly email with the latest newsListen to the Podcast!

Laura and Lindsey have the privilege of chatting with Marissa McCullough Peck, who spent some of her formative career in charge of costumes at the American Girl Theater in NYC. Marissa gives the inside scoop on what it was like behind the scenes and how some of the costumes came to be. Leave us a voicemail about your American Girl memories by calling ‪(929) 400-7540‬Send us your American Girl stories to americangirlwomen@gmail.comFollow us on instagram @americangirlwomen “Love Mode” song courtesy of ItsFrida

This weeks episode is a little different. BP sat down with the Liam and Tom, the founders of the Rogues of Mandalore costuming group to talk about the group, Star Wars, Collecting, and more! Check the Rogues of Mandalore website here! See Liam's kit here See Tom's kit here Remember, the Force will be with you, Always! Want to chat with BSP? Follow on Twitter ⁠@BlackSQDRNPod⁠ Follow on Instagram ⁠@BlackSQDRNPod⁠ Follow on YouTube: ⁠The Black Squadron Podcast⁠ Get all of you Star Wars toys and collectibles from ⁠Skyward Fun Supply⁠ and use code BSP10 to save 10% on your order.

An extensive conversation with Costume Designer, Beth MacLean. Learn about the family history behind her love of costuming, plus how she conceptualizes wardrobe for films. --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

The X-Files tackles Native American spirit creatures in this episode. The team discusses all the fun stuff along with discussing how did the crew handled the culture. Costuming is a little weak here, but damn that setting is perfect!

For this episode, we were joined by Gabi Fleury, an experienced cosplayer and costume designer who chatted with us about how costuming can be used to tell stories about the character you are choosing to be for your voyage on Disney's Galactic Starcruiser. We chatted about ideas for creating characters aimed at certain paths and how to frugally build a look.There are no spoilers in this episode - perfectly safe for all past, present, and future starcruisers.Epic Sci-Fi Trailer | Eternals by Alex-Productions | https://onsound.eu/Music promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_USSupport the showHeroes of the Halcyon on InstagramTheme Music ("Digital Discourse") by Yellow BarrelSend your email to heroesofthehalcyon@gmail.com - we'd love to hear from you about your journeys, episode suggestions, or just to say hi! If you write, please let us know your first name and where you're from in case we read it on a future episode!

Theatrical costume designer and age-of-sail enthusiast Hannah Haverkamp returns to Antiques Freaks to discuss the delightful and deliberate anachronisms in the historical costuming choices of HBO's pirate comedy series Our Flag Means Death. What's up with Oluwande's crocs? Why does Black Pete wear a literal actual horseshoe for a belt buckle? How is Blackbeard the connective tissue between Mad Max and Judas Priest? And is the “rather exquisite cashmere” REALLY cashmere??? Tune in to find out!

Join Kosta and his guest: Cheryl Moore, Former Home Economics Teacher, Artist, Costume Designer and Community Volunteer for a special Thanksgiving episode of Better Together with Kosta Yepifantsev. Featuring a special segment with our former guest and Lite Rock 95.9 Radio Personality: Caroline Moore.  Today we're talking about fashion, costuming, and which side we're bringing to thanksgiving dinner.Cheryl Moore's Sweet Potato CasseroleCasserole:3 cups cooked, mashed sweet potatoes1 cup sugar1 stick butter, melted2 eggs, beaten1 teaspoon vanilla⅓ cup milkCombine all of the above ingredients. Pour into a glass casserole dish.Next make the topping.Topping:½ cup firmly packed dark brown sugar¼ cup all purpose flour½ cup chopped pecans1 stick butter, melted (Do not add this to the above three ingredients yet.)Stir the first three ingredients together; then place on top of the abovecasserole. Melt the stick of butter and drizzle it on top.Bake at 350 degrees for 30 to 40 minutes.Better Together with Kosta Yepifantsev is recorded in Cookeville, TN.Find out more about Cheryl Moore's Costuming and CHS Choirs and Stage: https://www.facebook.com/cookevillechoirsFind out more about Kosta and all the ways we're better together:http://kostayepifantsev.com/

Kelly Renko was such an amazing guest this week! Kelly made the transition to film/ TV from theatre in 2019 and from there her potential took off! Since then she has worked on HBO's The Righteous Gemstones, the last installment of the halloween franchise (Halloween Ends), and the premier season of Panhandle. Talking listeners through the complicated process of tailoring clothes for movie sets and answering Dr. Randy's and Dr. Tom's fashion questions. If you wish to Direct Message her on instagram: Instagram: Kellyrenko77 Email: krenkoclark@gmail.com

Join the Black Women Stitch Patreon. Shasta SchatzShasta Schatz loves to create. Her favorite hobby is sewing, where she dabbles in yarn manipulation, painting, 3D printing, hot gluing, and duct taping. Her costuming inspiration is mainly from the 16th century drawing inspiration from her love of art museums.  Lisa WoolforkLisa Woolfork is an associate professor of English, specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory and American slavery. She is the convener and founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville Virginia. The city became a symbol of lethal resurging white supremacist violence. #Charlottesville. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation. Insights from this episode:Insights on historical costumingDifferences between costuming and cosplayShasta's journey in costumingHow art museums have inspired Shasta's workHow Shasta found a community in costumingThe challenges she has experienced in making garments Quotes from the show:“I do a lot of observing when I am costuming no matter where I am” -Shasta Schatz in “Stitch Please”“Every single garment that I make, every accessory, every headpiece, every beaded pin that I put in my hair, I can probably trace it back to art history or letter that was written to a person” -Shasta Schatz in “Stitch Please”“I absolutely give out information freely, always send me messages, I will tell everybody everything because nobody told me anything when I started out after college” -Shasta Schatz in “Stitch Please”“Nobody wants to sew upholstery fabric by hand, so you put that part in the machine, but you do the linen part by hand” -Shasta Schatz in “Stitch Please”“Incorporate a little bit of hand sewing into every single garment that you make” -Shasta Schatz in “Stitch Please”“Go out and grab a big three pattern that looks close to what you want coz it's at least gonna give you an idea of what goes into it” -Shasta Schatz in “Stitch Please” Resources mentioned:Audre Lorde's essayThe Tudor Tailor Stay Connected:Lisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa Woolfork Shasta SchatzInstagram: Shasta Facebook: Green Linen Shirt Twitter: ScifiCheerGirl  This episode was produced and managed by Podcast Laundry.