Podcasts about southwest

Harvesting, Milling, and Cooking with Arizona's Native SuperfoodIn this episode we explore mesquites as a desert food source, hosted by Romey Romero & Farmer Greg. This episodes guests are Peggy Sue Creekmore and Mike Clow and we explore one of the Sonoran Desert's most abundant and overlooked food sources: mesquite beans. The conversation covers how to identify quality mesquite trees, harvest pods safely, dry them properly, and turn them into nutritious mesquite flour using a community hammer mill. Listeners learn why mesquite has been a staple food for centuries, how it compares to conventional flour, and how to transform this free local resource into delicious baked goods, drinks, and snacks. The episode also highlights educational workshops, harvesting walks, and community milling opportunities.Key Topics & EntitiesMesquite bean harvestingMesquite flour productionCommunity hammer mill projectNative desert food systemsPeggy Sue CreekmoreMike ClowFarmer Greg PetersonSonoran Desert edible plantsPalo verde beansCarob podsIronwood seedsAflatoxin preventionBruchid beetlesUrban Farm mesquite milling eventsKey Questions AnsweredWhy is mesquite considered a valuable food source?Mesquite pods are highly nutritious, naturally sweet, gluten-free, and rich in protein. Indigenous peoples and desert communities have relied on mesquite as a staple food across the Southwest and northern Mexico for centuries.Do all mesquite trees produce good-tasting pods?No. While all mesquite pods are technically edible, flavor varies significantly from tree to tree. Some are sweet and pleasant, while others can be chalky or have an unpleasant aftertaste. Tasting pods before harvesting is essential.What does mesquite flour taste like?Mesquite flour has a naturally sweet flavor often compared to graham crackers, caramel, or malt. Many recipes require little or no additional sugar because of the flour's natural sweetness.When is mesquite harvesting season?Mesquite pods typically begin ripening in June, although weather and elevation can shift timing earlier or later. Pods should be fully tan, dry, and free of green coloration before harvesting.How should mesquite pods be harvested?Harvest pods directly from the tree rather than from the ground. Many harvesters use a tarp and gently shake or tap branches to collect ripe pods.Why shouldn't pods be collected from the ground?Ground-harvested pods can develop mold and aflatoxins, which may contaminate community milling equipment and reduce food safety.How can harvested pods be stored properly?Pods should be dried thoroughly in shallow boxes, baskets, dehydrators, ovens, or even a parked vehicle. Moisture is the primary cause of spoilage and milling problems.What is a mesquite hammer mill?A hammer mill is a specialized machine that pulverizes entire mesquite pods, including seeds and pod walls, into flour. Traditional grain mills cannot process mesquite effectively because its natural sugars gum up the machinery.What can be made with mesquite flour?Mesquite flour can be used in cookies, muffins, crepes, breads, energy balls, beverages, and other baked goods. It works particularly well in low-temperature baking and gluten-free recipes.What happens to the material that doesn't become flour?The coarse material, often called "chunky bits" or chaff, can be used to make tea, brewing mash, and other food products.Episode HighlightsMesquite flour is naturally sweet enough to reduce or eliminate added sugar in many recipes.Flavor quality varies dramatically between mesquite trees, making tasting an important step before harvesting.A mature mesquite tree can produce more than 100 pounds of pods in a season.Harvesters should only collect pods directly from the tree to prevent mold contamination.Proper drying is the single most important factor for successful milling.The Urban Farm community hammer mill converts harvested pods into food-grade flour.Mesquite flour is gluten-free and requires binders such as eggs, chia, or applesauce when baking.Desert trees such as palo verde, carob, ironwood, and mesquite offer significant edible resources often overlooked by modern food systems.Calls to Action & ResourcesMesquite Harvesting Walks — https://urbanfarm.org/mesquiteMesquite Milling Appointments — https://urbanfarm.org/mesquiteUrban Farm Educational Programs — https://urbanfarm.orgDesert Food Tree Guide — https://learn.desertkitchen.net/treesVisit www.UrbanFarm.org/990 for the show notes and links on this episode!Need a little bit of advice or just a feedback on your design for your yard or garden?The Urban Farm Team is offering consults over the phone or zoom. Get the benefits of a personalized garden and yard space analysis without the cost of trip charges.You can chat with Greg, Janis or Ray to get permaculture based feedback.Click HERE to learn more!*Disclosure: Some of the links in our podcast show notes and blog posts are affiliate links and if you go through them to make a purchase, we will earn a nominal commission at no cost to you. We offer links to items recommended by our podcast guests and guest writers as a service to our audience and these items are not selected because of the commission we receive from your purchases. We know the decision is yours, and whether you decide to buy something is completely up to you.

Big Tuesday show for you today ! Ron Kirk will be co-hosting with me as we welcome Kristen Sharp, President and CEO of Oro Valley Chamber. Then we will be sitting down Chris King, candidate for AZ state senate LD17.

atum Neill: Serious Business, Elevate Hair, and Why Hairdressers Can Change the World**He threw a rogue after party before anyone asked him to. That is just how Tatum Neill operates.Recorded live at ABS Chicago with co-host Geno Chapman, Corey closes out the weekend with Tatum Neill, co-creator of Serious Business and founder of Elevate Hair. This one covers the origin stories of both, the current state of AI and what it means for the industry, and a full New Orleans survival guide for anyone heading to Serious Business in January 2027.**What Serious Business Actually Is**Serious Business started as a business conference and evolved into something harder to name... a personal development experience that fills cups you didn't know were empty. Mel Robbins has been there. Brene Brown has been there. But Tatum's advice is to just show up without looking at the lineup because the speakers always end up being exactly what you need. January 16-18, 2027 at the Sanger Theater in New Orleans.**Elevate Hair**It started as a salon jam session. Tatum missed the education lifestyle after years working in New York and started inviting the salon across the street to come hang out. Beer, wine, hair, music. Then he went rogue and threw an after party for Serious Business. Then it grew. Now Elevate is a brand neutral stage show with no talking, no sales, just artists in a full flow state with a DJ running the room. The biggest one drew 1300 people to First Avenue in Minneapolis... the venue where Prince filmed Purple Rain. The tape from Prince's last soundcheck is still on the back wall. Elevate Orlando is May 30th. More cities to follow.**AI and Where It Is Actually Headed**Tatum went to South by Southwest and came back thinking about the printing press and early film. Every disruptive technology looks clunky at first because we use it the way we used the thing before it. The first movies looked like plays. The first recordings were just a band in a room. We are at that same early stage with AI... using it like the old thing instead of discovering what it can actually become. For hairdressers the most immediate practical application is consultations. Show the client what they would look like with the cut or color before you start. In real time. On their face.**The New Orleans Survival Guide**Eat the gumbo at the airport before you leave the terminal. Emeril's is in one wing, John Besh's restaurant in the other. Get that base in before you hit the hotel. Your first drink will be a triple so treat it accordingly. Order a Dong Phuong king cake now because they sell out before January 6th every year. And know that Serious Business lands in the middle of Carnival season so there will be parades that Friday and Saturday night if you stay the full weekend.---Find Tatum at @tatumneill on all platforms. Follow Geno at @genochapman.

What if you never had to manually check whether the price of your flight or hotel dropped after booking? In this episode, we sit down with Sam Hollander, founder of Autopilot, to discuss how his platform is helping travelers save money by automatically monitoring reservations and identifying opportunities for refunds, travel credits, and lower prices. For anyone who loves points, miles, and maximizing travel value, this technology could be a game changer.Sam walks us through how Autopilot works, which airlines and hotel programs are currently supported, and what's coming next—including Southwest integration, international bookings, upgrade tracking, and more. We also discuss security, award travel support, and how automation can help busy travelers avoid leaving money on the table. Whether you're booking with cash, points, or a mix of both, this episode is packed with practical tips to help you get more value from every trip.Mentioned in this Episode:Try out Autopilot hereCardpointersEmail Sam at Sam@WithAutopilot.comFind Us On Online:Girl's Trip Interest Form (April 7-10, 2027)Summer Road Trip Submissions ARE BACK!Sign Up for the Y! Wonder Travel NewsletterWonderland on Points Youtube ChannelMary Ellen | JoFacebook GroupAffiliate Links:Rakuten- Mary Ellen (Get 5000 AMEX or Bilt POINTS)Rakuten- Joanna (Get 5000 AMEX or Bilt POINTS)Comfrt.com 15% OFFSeats.AeroCardpointersHalara (use code "Wonderland" for 10% off)Our Favorite Credit CardsOur Favorite Travel NecessitiesWe receive a small commission when you choose to use any of our links to purchase your products or apply for your cards! We SO appreciate when you choose to give back to the podcast in this way!

STRANGE MYSTERIES Episode #13 with Steve Stockton- Welcome back to another deep dive into high strangeness, unsolved disappearances, and unsettling regional folklore. In this complete 10-story installment, we cross North America—from the dense woods of New England and the Great Smoky Mountains to the lonely desert highways of the Southwest—to uncover cases that defy explanation. In this episode, we cover: The Disappearance of Brittany Tee (Brookfield, Massachusetts) The Legend of Raw Head and Bloody Bones (Appalachian Folk Horror) The Baffling Vanishing of Philip Taylor Kramer (Psychedelic Rock & Aerospace Mystery) The Baffling Case of Terrence Woods (Penman Mine, Idaho) The Baffling Case of Dennis Martin (Great Smoky Mountains) The Macabre Fate of Gram Parsons (Joshua Tree, California) The Disappearance of Granger Taylor (Duncan, British Columbia) The Appalachian "Not-Deer" (Regional High Strangeness) The Slide Rock Bolter (Colorado Lumberjack Folklore) The Missing Truckers of the Desert Southwest (Lonely Highway Vanishings) Hit the SUBSCRIBE button and turn on notifications so you never miss an episode of American High Strangeness! Enjoyed the video? Please leave a like and tell us in the comments below: Which of these mysteries creeped you out the most? Have you ever seen a Not-Deer?Become a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

BEST SHOW BESTS! In this classic clip, Tom gets a call from Mikey In Southwest Newbridge! (Originally Aired On August 19th, 2015)New to the Best Show? Check out Best Show Bests, the greatest hits of The Best Show! Available every Friday on your podcast app.SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Top Chef Season 23 Finale Recap Top Chef season 23 comes to a close as Haley Strong, Curt Clark, and Chef Jim Smith break down the finale in the Carolinas. With the finalists tasked to create a four-course progressive meal, the hosts spotlight clever strategies, unique menu choices, and surprising emotional moments. They examine how chefs honor their roots and mentors, navigate vague theming, and tackle high-stakes technical challenges in the kitchen. The hosts analyze how the “toast to someone or something” requirement shapes each chef's menu, from Rhoda's California-inspired sweet potato and uni opener to Sherry's ambitious multi-component dishes. They dig into the logistics and fairness of judging four-course meals course-by-course versus as a whole, with Chef Jim Smith offering firsthand insights from his own Top Chef finale experience. Stories behind each dish come to life, such as Lawrence's Chinatown duck homage and the impact of family visits that bring everyone—including listeners—to tears. Rhoda's bold choice to skip dessert and serve a rich Filipino-inspired calderetta stirs debate on menu strategy and finale traditions. Sherry's complex, ingredient-heavy dishes spark discussion about balancing risk with execution and the pitfalls of over-plating. The infamous “knife draw” moment and its anticlimactic aftermath get dissected for its impact on the finale's flow. Technical kitchen challenges—like keeping kanji at the right temperature and navigating ice cream plating in the heat—give fresh perspective on behind-the-scenes pressures. A detour on phrenology, Tom Colicchio's earrings, and restaurant closings adds color and levity to the finale recap. As the season closes, the hosts ask: does the best approach win out in these finales—story, strategy, or execution? Where does season 23 land compared to past Top Chef years, and could new locations like Hawaii, Alaska, or the Southwest invigorate the next round? Follow the full discussion for sharp culinary insights, chef-centric analysis, and the definitive take on Top Chef's season 23 finale. Chapters: 00:00 Saying Goodbye to Carolinas 06:14 Tom Closes Flagship Restaurant 08:46 Finale Challenge Toasts Announced 13:13 Families Arrive, Emotions Run High 19:27 Judges Debate Grocery Store Choices 22:16 Course One: Sweet Potato Stuns 27:56 Course Two: Lawrence's Dim Sum 33:04 Duck Mishap Changes Competition 40:08 Rhoda's Game-Winning Calderetta 51:20 Rhoda Crowned New Top Chef 57:56 Season Reflections and Highlights Never miss a minute of Top Chef coverage! LISTEN: Subscribe to the We Know Top Chef feed WATCH:  Watch and subscribe to the podcast on YouTube SUPPORT:  Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!

Bird dogs come and go over a hunting life, and every new puppy is a chance to do it better than the last. Fresh off bringing home a new setter pup, Nick Larson sits down with Steve Snell of Gun Dog Supply to talk through what 50-plus dogs have taught Steve about raising the next one, from the first weeks at home to a lifetime in the field. It had been since 2018 — episode #12 — that Steve was last on the show, and a lot of ground gets covered here. The conversation opens on bird dog safety: heat and when to call a hunt, the real risk math on rattlesnakes versus ticks, and the hazard most owners underrate (porcupines, not snakes). From there it works its way through nearly every stage of a dog's life — breed selection, the first few weeks with a puppy, crate training, sound exposure, table work, and the gear that actually matters — before closing on Garmin's new TT25 beeper and why Steve runs mini flex bands on every dog he owns. A throughline keeps surfacing: the hunter's job is to make good decisions on the dog's behalf, because the dog won't make them for itself. Expect to Learn: - Why Steve sees protecting the dog as the hunter's responsibility — the dog won't protect itself. - How heat, sun, wind, and terrain change the call on whether to run a dog at all. - Why porcupines may be a bigger day-to-day problem than the rattlesnakes everyone fears. - How Steve thinks about matching a breed to where and how you actually hunt. - What Steve focuses on in a puppy's first few weeks, and why he keeps sessions to five or ten minutes. - Why he raises every dog inside the house, and how exposure to noise, crates, kids, and vehicles builds a bulletproof dog. - The only two pieces of gear Steve insists on for a new puppy — and why a drag line does so much work. - What's new with Garmin's TT25 beeper, and why Steve recommends a mini flex band for every bird dog. Frequently Asked: When should you stop hunting a bird dog in the heat? Steve uses roughly 65 degrees as his cutoff in Texas and says he'll never run a dog over 70 when it's sunny with no wind. The number isn't fixed — humidity, cloud cover, and wind all change it. His larger point: bird dogs won't quit on their own, so it's on the hunter to make the call, even when that means not hunting at all. What's the most underrated danger for a bird dog in the field? Porcupines, in Steve's experience. Snakes get treated as the boogeyman, but porcupine encounters are far more frequent, and they smell appealing to a pointing dog. The real trouble is the dog that doesn't learn its lesson — the one that goes back for revenge. He'd take a skunk encounter over a porcupine any day. How do you choose the right bird dog breed? Steve's rule is to match the breed to where and how you actually hunt the majority of the time — not to the breed you find most appealing. He also starts his search geographically, buying pointers out of lines hunted in tough country like Texas, Oklahoma, and the Southwest, because a dog bred where you hunt is built for it. What should you do with a bird dog puppy in the first few weeks? Steve keeps it simple and short. Sessions run five to ten minutes, broken up across the day, so the puppy never gets burned out or sour. He focuses on self-control and exposure over drills, and he always leaves them wanting more — and he prefers raising the dog inside the house from day one. Notable Quotes: "To me it's the hunter's responsibility to protect the dog 'cause the dog's not gonna protect himself." — Steve Snell "Developing a puppy — that's my favorite part of the game." — Steve Snell Resources Mentioned: - Steve Snell's "7 Puppy Tips" puppy-raising article (Gun Dog Supply): https://www.gundogsupply.com/2026-04-23-7-puppy-tips.html - Garmin TT25 Mini (the beeper/collar Steve discussed): https://www.gundogsupply.com/garmin-tt25-mini.html Follow Steve: Gun Dog Supply — https://www.gundogsupply.com Follow Nick: Instagram @birdshot.podcast — https://BirdshotPodcast.com Listen: - Spotify: https://open.spotify.com/show/17EVUDJPwR2iJggzhLYil7 - Apple Podcasts: https://podcasts.apple.com/us/podcast/birdshot-podcast/id1288308609 - YouTube: https://www.youtube.com/channel/UCkIF3w6P9rkuciwX-jEMG3g Support the Show: - onX Hunt — use code BSP20 to save 20% on your onX Hunt subscription. - Trulock Chokes — use code BS10 to save 10%. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 176 of the Award Travel 101 podcast kicked off with a fun discussion inspired by a member's post asking which region of Europe or Northern Africa listeners would choose for an all-expenses-paid two-week vacation. The conversation highlighted how differently travelers prioritize destinations, with Angie favoring the expensive countries of Scotland, Norway, Finland, and Estonia, while Cameron debated between the broader sightseeing opportunities in Southern Europe and the appeal of Switzerland. The hosts also covered several points-and-miles news items, including the Chase Sapphire Reserve 150,000-point offer nearing its end, elevated welcome bonuses on Delta Amex cards, Citi's closure of new applications for the Custom Cash card, and changes to Air Tahiti Nui award pricing that have made once-predictable redemptions far more expensive.The hosts shared their latest points-and-miles wins and travel updates as well. Angie celebrated completing a Wells Fargo business card bonus, but now faces the challenge of meeting the hefty spending requirements on two Amex Business Platinum cards before her pool project expenses are finished. Meanwhile, Cameron successfully secured a United Business card despite being over 5/24, booked a Wyndham stay for an Auburn football game by purchasing points at a steep discount, and used a Citi Strata Elite credit toward a Blacklane transfer in Athens. Upcoming trips to Morocco, Ireland, and Turkey were also discussed, along with the ongoing balancing act of maximizing points while minimizing cash expenses.The main topic challenged the hosts to answer a simple question: where would they go with 100,000 Chase Ultimate Rewards points for two people, assuming a minimum two-night trip and a $1,000 cash budget for taxes and extras. Their examples showcased a wide variety of possibilities, including four nights in London using Virgin Atlantic and Hyatt points, a luxury San Diego getaway combining United flights with The Edit hotel credits, a Miami beach vacation with JetBlue and IHG, a Puerto Rico escape using Southwest and Hyatt points, a Morocco adventure built around Iberia award flights, and even a budget-friendly Orlando trip. The episode demonstrated that 100,000 Ultimate Rewards points can still unlock meaningful travel experiences when paired strategically with transfer partners and card benefits. The tip of the week reminded travelers to update their digital wallets before departure and ensure lounge access cards, National Park passes, and other travel essentials are easily accessible when needed.Episode Links:Chase Sapphire Reserve bonus ending soonCiti Custom Cash closedDelta cards elevated offersAir Tahiti Nui- American now dynamicWhere to Find UsThe Award Travel 101 Facebook Community.To book time with our team, check out Award Travel 1-on-1.You can also email us at 101@award.travelBuy your Award Travel 101 Merch hereReserve tickets to our Late Summer 2026 Meetup in Milwaukee now. award.travel/mke2026Our partner CardPointers helps us get the most from our cards. Signup today at https://cardpointers.com/at101 for a 30% discount on annual and lifetime subscriptions! Lastly, we appreciate your support of the AT101 Podcast/Community when you signup for your next card!Technical note: Some user experience difficulty streaming the podcast while connected to a VPN. If you have difficulty, disconnect from your VPN.  

Low chance (10%) of tropical development in the southwest Gulf into this weekend  Increasing signal for heavy rainfall late Sunday-Tuesday A tropical wave and associated large plume of moisture has moved over the Bay of Campeche this morning. Satellite images show a burst of deeper convection but there is no indication of any surface low IR Satellite Loop for Gulf of Mexico | Tropical Tidbits . Upper level conditions are only marginally favorable for any development of this system given westerly and southwesterly wind shear in place over the southern and western Gulf. This feature and associated moisture will spread NW toward the northern Mexican coast and south Texas coast over the weekend and then northward along the TX coast early next week. Sunday-Tuesday: As the feature in the southern Gulf moves toward the NE MX and lower TX coast over the weekend and plume of tropical moisture will spread NW into the TX coast. At the same time an usually strong trough of low pressure over the central plains will push a cold front southward into the region. This front looks to stall over the area Monday and Tuesday. The combination of the stalling front and tropical moisture will surge rain chances late Sunday into Tuesday. With the stalled front in the area the potential for cell training within a moisture rich environment will be increased. WPC has already outlooked portions of the area for Sunday and Monday for excessive rainfall. It will be important over the next few days to monitor forecasted rainfall amounts and any potential flooding concerns early next week. The post Low chance (20%) of tropical development in the southwest Gulf into this weekend appeared first on Weather Insights.

UK Property Market Weekly Update for Week 22 of 2026 The residential property market industry's weekly reality check on what is really happening in the UK housing market. Week 22 is the week ending 7th June 2026. Headlines show sales agreed are down 8.9% for the first week of June, compared to the first week of June 2025. Regional Breakdown below

Friggin' Farm & Ranch Report for Friday, June 12, 2026. We wrap the week with a full run‑through of the board, the barns, and the Beltway. August live closes in the low 240s while August feeders rip higher, five‑area cash holds in the mid‑250s, and the basis blows out to roughly $14. We walk the Sale Barn Pulse and National Beef Wire runs: $4‑plus calves from Missouri and Kansas, nearly $500/cwt on high‑end New Mexico cattle, and $560/cwt on 430‑pound calves at Fallon, Nevada — a $2,400 range calf. On the heavy side, 8–9 weights in the Southern Plains and East are stuck in the mid‑$3s as packer capacity and plant issues bite. From there we hit the drought map and producer headspace: the Southwest and Southern Plains lighting up in D2–D4, the Corn Belt drowning, and what that split means for hay, fall feed costs, and who's liquidating what. War Reel covers day 101 of a choked Strait of Hormuz, IRGC strikes on US bases in Kuwait, Bahrain, and Jordan, Trump's latest “deal is close” talk, Houthi threats in the Red Sea, and why a 6% dump in Brent crude doesn't mean your diesel and fertilizer come back to normal any time soon. Bugs & biosecurity brings a tight screwworm update (Texas and New Mexico cases, new USDA lab at Kerrville, and futures traders finally pricing it), plus a quick check on the Cargill Fort Morgan lockout and what that idle plant does to kill capacity and basis. We then sit down with the six‑sentence FENCE Act: what it actually changes inside ECP, why it's a marginal improvement in a program you may not love, and where “new fencing technology” becomes GPS collars, data exhaust, and a future fight over who owns your grazing information. We close with quick hits on BLM's grazing “modernization” rule, USDA payment‑limit tweaks, drought and producer sentiment, On This Day in history, and the weekend sports slate. If you make your living on a horse, in a tractor, or in the sale barn, this episode walks you through what the board, the bugs, the fuel, and the feds just did to your budget this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Chevy Thompson and Haddi May discuss the ins and outs of high school golf, how they balance their schedules, some of their favorite moments, and much more. Chevy is preparing to play college golf at the University of the Southwest and Haddi is heading into her junior year of high school as a varsity golfer and varsity cheerleader. Both of these athletes have learned a lot from the game of golf. This was a fun interview! Presented by Nick Walker of Edward Jones Produced by All Sports Best 

Southwest Airlines has spent the last several years modernizing one of the most complex operational environments in the world. In this episode of Technovation, Lauren Woods, EVP and CIO of Southwest Airlines, shares how the company transformed a period of operational disruption into a catalyst for long-term technology modernization and resilience. Lauren discusses Southwest’s investments in modern data platforms, predictive analytics, cloud infrastructure, AI-enabled operations, cybersecurity, and customer experience transformation. She also explains the technology behind major commercial changes, including assigned seating, new fare structures, and evolving digital experiences. Key topics include: Building operational resilience through proactive analytics Creating the data foundation required for AI at scale Leveraging machine learning across airline operations Modernizing legacy systems while maintaining reliability Leading large-scale organizational and cultural transformation This episode is presented by Celonis — Give AI the context it needs. Learn more at celonis.com/technovation

Another small milestone in my podcast journey ! We are proud to present to you today Episode #150. We will be talking with PJ Gomez of Solarmastermind USA. He'll tell us about the products, misconceptions and success stories in today's solar market. Next, we will welcome Charles Heller, a concealed carry instructor and a radio show host. Charles will tell us about some of the laws pertaining to concealed carry and we'll also talk about our upcoming Independence Day.

From Devils Tower in northwestern Wyoming, Host David Horton and Clay Jenkinson discuss Theodore Roosevelt's conservation achievements. When the National Monuments and Antiquities Act was passed in 1906, President Roosevelt lost no time in setting aside what would become 18 National Monuments, starting with Devils Tower just west of the Black Hills. Roosevelt had little to do with the creation of the Antiquities Act, but he made the most of it, culminating in his colossal designation of Grand Canyon National Monument in 1908. In the course of his two-term presidency, Roosevelt set aside a whopping 230 million acres of National Park, National Forest, National Monument, National Wildlife Refuge, and National Game Preserve. No president has done more. David asked Clay to outline his three-phase Roosevelt conservation tour for 2026. First, South Dakota, Wyoming, and Colorado; later, Montana and Idaho; and in the fall, all of Roosevelt's conservation designations in the Four Corners region of the Southwest.

On Today's Show: 100% listener and reader supported. To Subscribe: https://thehotshotwakeup.substack.com/Full operational update. New fires in Colorado, Utah, California, and the Southwest.The Forest Service has reinstated early retirement incentives as part of the reorganization plan. Both VERA and VSIP options are being offered.High level operators from the Forest Service have started to accept positions in the United States Wildland Fire Service leadership. What are the long term effects if unification doesn't happen?Two civilian casualties after an engine responding to a wildfire collides with a civilian vehicle.Firefighters responding to an escaped slash pile burn in the Pacific Northwest were injured after the pile exploded.Plus more.THE HOTSHOT WAKE UP — Thank you to all of our paid subscribers. Your support allows us to donate generously to firefighter charities and supports all of our content. You also receive all of our article archives, more podcast episodes, Monday morning workouts, and also entered into our giveaways, plus more.

Guest Co-Host Henry Harteveldt & Host Scott McCartney, with Glen Hauenstein, Fmr. President, Delta Air Lines. Also: A look beyond the public press release on leadership shakeup at Southwest & SWA's corporate culture; Report from the Caribbean Tourism Organization conference in NYC; Listener input: Bipartisan praise for FAA Administrator, Bryan Bedford; Thoughts on redundant Texas airports. Bonus ending: Happy anniversary from grandkids Sophia, Miller & Juliette.

About the podcastArtchatter: Podcast of the Year Award Runner UpWomen's Business Awards 2025 https://womensbusiness.club/awards⁠Gaynor Leverett-Jaques⁠ and ⁠Karen George⁠ are both full time artists, living and working in South West of the UK, sharing lessons and experiences of the ups and downs of living their best artist lives.You can find more about them and their work on their websites or by following them on instagram where they share their work and practice on a regular basis. ⁠Karen George Art⁠ ⁠https://www.karengeorgeart.co.uk/⁠@karengeorgeart on instagram⁠Gaynor Leverett-Jaques⁠ ⁠https://www.gaynorljart.com/⁠@gaynorljart on instagramThanks always to our wonderful sound editor, Ben Leverett-Jaques, who also wrote and performs the opening song 'Strangler Fig'Ben's IMBD page: ⁠https://www.imdb.com/name/nm7425880/⁠ Ben's Music - Low Cinnabar: https://low-cinnabar.bandcamp.com/album/four-songs-from-the-treeGaynor Leverett-Jaqueswww.gaynorljart.com

June 10, 2026 ~ Chris Renwick and Lloyd Jackson spoke with Keith Baldwin about his new pub, The Regal Eagle. It is a soccer-focused bar in Detroit. They discussed the World Cup and soccer culture. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of The Curious Realm, host Christopher Jordan welcomes head of MUFON's Southwest region, CJ Arabia to discuss the recent press event in Washington DC with UFO Whistleblower David Grusech and where we are headed with the UFO/UAP disclosure conversation, as well as what we can do to help future whistleblowers come forward! In the second part of the episode, we welcome Thom Reed, experiencer and host of The Know. We discuss the recent tranches of files known as the PURSUE files, released by the US Department of War and their relation to the ongoing cause of UFO disclosure. From Senate hearings to declassified documents, images, and audio/video recordings, the US Government has tried to bring the topic of UFOs to the front of conversation. But is this recent change being made for reasons of public interest, or as a means of dialogue control, not only within the UFO/UAP communities, but with how the public-at-large has the conversation on the topic?! Join the Curious Realm as we delve into the topics of UFO Whistleblowers with CJ Arabia and the PURSUE UFO files with Thom Reed. Curious Realm is proudly distributed by: Ground Zero Media, APRTV and the official Curious Realm ROKU App! Curious Realm has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com TODAY and use code Curious7 to save 7% off your order of $50 or more and get a free 50mg CBD edible! Intro music “A Curious Realm” provided by No Disassemble find more great music and content at: NoDisassemble.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/curious-realm--5254986/support.

In this episode of The Curious Realm, host Christopher Jordan welcomes head of MUFON's Southwest region, CJ Arabia to discuss the recent press event in Washington DC with UFO Whistleblower David Grusech and where we are headed with the UFO/UAP disclosure conversation, as well as what we can do to help future whistleblowers come forward! In the second part of the episode, we welcome Thom Reed, experiencer and host of The Know. We discuss the recent tranches of files known as the PURSUE files, released by the US Department of War and their relation to the ongoing cause of UFO disclosure. From Senate hearings to declassified documents, images, and audio/video recordings, the US Government has tried to bring the topic of UFOs to the front of conversation. But is this recent change being made for reasons of public interest, or as a means of dialogue control, not only within the UFO/UAP communities, but with how the public-at-large has the conversation on the topic?! Join the Curious Realm as we delve into the topics of UFO Whistleblowers with CJ Arabia and the PURSUE UFO files with Thom Reed. Curious Realm is proudly distributed by: Ground Zero Media, APRTV and the official Curious Realm ROKU App! Curious Realm has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com TODAY and use code Curious7 to save 7% off your order of $50 or more and get a free 50mg CBD edible! Intro music “A Curious Realm” provided by No Disassemble find more great music and content at: NoDisassemble.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/curious-realm--5254986/support.

He posted 400 times on Instagram with 50 followers. Most people would have quit. James Dumoulin just kept going.  I've been waiting to have this young man on for a while, and he did not disappoint. At 23 years old, James has built something I genuinely did not think was possible at this age: 21 million followers, 200 million views a month, 70 employees, and 48 billionaire interviews including Tom Cruise, Tom Brady, Will Smith, and Reid Hoffman. He built all of it from scratch, starting as a Chick-fil-A employee who saw TikTok as a marketing engine before anyone else did. James is the co-founder of the School of Hard Knocks, and what he has learned sitting across from the wealthiest people in the world will hit you in the best way possible. In this conversation, we go deep on what it actually takes to build something great when you have no connections, no credibility, and no one betting on you. James breaks down the exact strategy he used to get into rooms most people will never see, including how he cold-approached Mark Cuban at South by Southwest with nothing but nerve and a borrowed title. We talk about what the wealthiest people in the world actually have in common, whether money buys happiness, and why your age, your background, or your starting point is not the obstacle you think it is. James also gets honest about the moments where it almost fell apart, including the day their revenue dropped from $30,000 a month to under $5,000 overnight and what he did to rebuild. This is one of the most practical, fire conversations I've had in a long time, and James is the real deal. Here's what you'll gain from this episode: The Authority Hack: How James borrowed credibility he didn't have yet to get in rooms most people will never see, and how you can do it starting today with what you already have. Billionaires Think in Decades: The single mindset shift James observed in every billionaire he's interviewed, and why your obsession with the short term is the real thing holding you back. Concentration Builds Wealth: Why trying to do too many things too early is the silent killer of most businesses, and what the wealthiest people actually do first. The Rejection Blueprint: Why James says "no" just means "not yet," and how posting 400 times with 50 followers is what actually built a business doing $700,000 a month. Are Billionaires Actually Happy? What James has witnessed behind the scenes with some of the most successful people in the world, and the one thing the happiest ones all have in common.  This is one of those conversations that changes the way you think about what's actually possible. Don't miss this one! Try QUO for free PLUS get 20% off your first 6 months when you go to ⁠https://quo.com/mylett Get your choice of a healthy free protein staple like chicken breast for a year or ground beef in every box for LIFE PLUS $20 off when you go to https://ButcherBox.com/mylett

Join host Justin Forman as he sits down with Pastor JD Greear at South by Southwest for a conversation that every entrepreneur in the church needs to hear. JD makes a bold, biblically-grounded case that marketplace work is not auxiliary to the gospel—it is the gospel in action. Drawing from his book Everyday Revolutionary and decades of pastoral experience, JD challenges both pastors and entrepreneurs to see business not as a platform for ministry, but as ministry itself. From the story of Daniel's excellence in Babylon to the unnamed "them" in Acts 11 who planted the most significant missionary-sending church in history, this episode reframes what it means to be a faithful follower of Christ in the workplace—and why it matters more right now than ever before. Key Topics: Why the Great Commission is not the First Commission—and what that means for your work The five characteristics of an "Everyday Revolutionary" entrepreneur from JD's book How Daniel's quiet excellence gave him credibility to speak the gospel to kings The ROI of Kingdom investment: Summit Church's church planting data that will reframe how you think about impact Why entrepreneurs are the "tip of the gospel spear"—and what pastors need to do about it Notable Quotes: "The first interface of the gospel and culture is in the workplace." — JD Greear "Daniel lived quietly and testified loudly—but his quiet life was the way that he was excellent, more excellent than all the other people in his class." — JD Greear "I want people in our community to say, 'We don't believe what those crazy people at Summit believe, but thank God they're here.'" — JD Greear About the Guest: JD Greear is the pastor of Summit Church in Raleigh-Durham, North Carolina, and the author of Everyday Revolutionary, a practical guide to integrating faith and work using Daniel as a model. He served overseas in missions and has led Summit to become one of the most prolific church-planting churches in the United States, sending out more than 2,000 members who now worship in over 100,000-person-strong planted churches. He also serves on the board of Chick-fil-A.

Recorded 05/13/2026, Aired 06/09/2026   In this special edition of the Southwest Climate Podcast, hosts Zack Guido and Mike Crimmins have guest Chuck Maxwell join to talk about fire weather.  Chuck brings his multi-decadal subject matter expertise from the world of fire management and answers all the burning questions from our hosts.  Hear how fire management operations work in the Southwest and how climate conditions play into decision making.  You'll also get to hear what this summer might look like for fire and if the monsoon will bring any relief.     Mentions: CLIMAS - Chuck Maxwell Profile NIFC - Southwest Coordination Center (SWCC) Website NIFC - National Interagency Coordination Center: Outlooks CLIMAS - Weather and Climate Information for Southwest Wildfire Management Southwest U.S. Burn Period Tracker

On today's show, Janay Carrillo - Arenas will join me as we welcome Amanda Reitzell, owner of All In Balance Bookkeeping. Everyone loves a success story. Few people talk about their mistakes, setbacks, sleepless nights, difficult decisions and hard lessons that happen behind the scenes.Today, we're having a real conversation about entrepreneurship, failure, resilience and what success actually costs.

Film Festival Tickets: https://buytickets.at/thedopeyfoundation/2216905 PAtreon: www.patreon.com/dopeypodcast SUMMARY This week on Total Replay! Dave opens with a heartfelt intro about the Total Replay series — replaying all early episodes with Chris O'Connor, Dave's co-creator who died of a fentanyl overdose in July 2018. Dave explains why these replays matter: listeners who came later are getting to know Chris for the first time, and can trace his recovery, his relapse, and his death in real time across 130 episodes. Dave promotes the Dopey Film Festival (June 26, SVA Theatre, NYC), reads Patreon and Spotify comments — including a standout from a listener now 1.5 years sober who used to listen while walking to cop — and recaps the Knicks NBA Finals run. The replayed episode is #30 — a two-hour classic with Dave, Chris, and a special guest called only "Jay," a musician from a prominent 90s band who remains anonymous. Jay gave Dave his first bag of weed in 1994. The episode covers: Jay's origin story (karate → weed → crack senior year of high school → speedballing → 20+ years of heroin); kicking dope in Jerusalem while on tour; copping in Austin at South by Southwest while sick on fake methadone; Dave's multiple arrest stories including being arrested twice in one day on the Lower East Side, getting jumped and pistol-whipped, buying drugs at Barnes & Noble, and getting arrested sober for putting up a sticker and giving his hoodie to a teenager in jail. Closes with Jay's 16 years of sobriety and how getting clean made him a better performer, plus a deep discussion of Syd Barrett, AA traditions, Under Earners Anonymous, Sex and Love Addicts, and a listener email from Scott — a truck driver 7 weeks clean. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have you ever lost the joy in your creative work — that sense of fun you had when you were starting out, before the admin and the algorithms drained it away? How do mid-career creatives get it back, and what can a four-year-old teach us about play? Austin Kleon talks about productive procrastination, silly rituals, the case for paper reference books in an AI world, and how his newsletter went from a marketing cost to the day job that keeps the lights on. In the intro, Does social media still sell books? [Self-Publishing with ALLi]; Trial by algorithm [The Bookseller]; Publishing's AI Hypocrisy Problem [The New Publishing Standard]; ALLi AI survey for authors; Brave New Bookshelf Podcast, and Pics from signing at BookVault. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why Austin wrote Don't Call It Art now, and what his kids taught him about creative joy Productive procrastination, silly rituals, and treating writing like Lego Comedy as a philosophical position, and giving yourself permission to be bad in private Sharing process in the algorithm era, and why your whole life is the process Bibliomancy, paper reference books, and what AI can't give you that a dictionary can Style, the Taco Bell distinctiveness rule, and how Austin's newsletter became his day job You can find Austin at AustinKleon.com. Transcript of the interview with Austin Kleon Jo: Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. So welcome back to the show, Austin. Austin: Thank you for having me back. It's nice to talk to you again. Jo: You were on the show in March 2020, and at the time, your book was Keep Going, which was prescient considering the pandemic and politics. So I wondered, why this book, Don't Call It Art, now? Was this something you see in the creative community or your own life that made you want to write this book? Austin: Keep Going is a book about what happens when the world goes crazy around you and you're still trying to do your creative work. This is a book about what happens when inside has bottomed out. Keep Going is a book about the world bottoming out, and you're worried that your own creative work is going to bottom out too. How do you keep pushing through and keep making stuff? This book, to me, is about what happens when you bottom out inside—when you've lost that love and feeling for the thing that you wanted to do, and you're just not connecting with it in the way that you used to or the way that you want to. How do you get back? How do you return to that sense of joy and wonder and fun that we have when we're starting out? And for me, it was being around my little kids that taught me how to tap into that. My kids were natural—they didn't have any creative hangups. I would spend all day talking to people who had creative hangups, and then I'd get back in the house, and I'd just be around these beings who didn't have any of them. It was really instructive. I felt like, if I could bottle the energy of my kids when they were about four years old and try to put it in a book, I think it could really help a lot of the people that I run into, and the people with the kinds of problems I hear from. Jo: You mentioned bottoming out. How do people know when they've hit that point? Austin: You just don't want to do it anymore. You're kind of like, “This just isn't giving me back what it used to.” When we start with our creative work, that's the thing that juices us. We come away from it feeling full up. I think you hit a certain point where you start to feel drained after it. Or maybe you don't feel drained by the thing itself that you're doing—maybe it's all the stuff around it, which is more often the case. For example, if you're a mid-career writer like me, who's been publishing books for 16 years now, I still really like writing. I still really like drawing. I still really like cutting and pasting and putting things together. It's the admin around the work—the emails, the meetings, the running-a-business part of it—that's super draining for me, and that stuff can start to bleed over into the creative work. So it's really important for me to make sure that I'm having some playtime, some R&D, some research and development time, to make sure it's not just all business. When you take the thing that you love and you turn it into the thing that you make a living from, you can really run into a lot of problems. Jo: I'm at 20 years, so I know exactly what you're saying, and a lot of listeners are the same. We love writing books, but it's all the stuff that goes around it. So for those of us who do this for money as well as passion, what are some practical ways to have more fun with our creativity? Austin: Something I learned from my kids is that you really are your most creative when you're supposed to be doing something else. So one of the things I use a lot in the studio is productive procrastination. Whatever I'm supposed to be working on, I start another little project, and that's my little naughty fun time. When I first come into the studio, I try to do something that I'm not supposed to be doing—something that I won't have much to show for. That could be making one of my blackout poems. That could be making a collage in my notebook. It could also be sitting here. I have a bass in the studio now, so I can practise my bass guitar. Sometimes I'll do that for the first 15 minutes just to get in that headspace of, “Hey, what's it like to do something just for yourself? Just because you want to do it?” The juice that you get from that little naughty “I'm going to do what I'm not supposed to be doing right now” thing, that carries into the rest of the day. It's like a nice start to things. Jo: Do you think that play could be something different to what we make our money with? For me, writing novels and stories is great fun in one way, but it's also what I then publish and make money on. So writing stories is more serious, I guess, than playing with Lego or something. Austin: Right. So the trick is, how can you make writing your stories like playing with Lego? That's kind of been my whole career. I hate staring at Microsoft Word and that blinking cursor, taunting you like, “Come on, what have you got?” A lot of my creative life has been about trying to make it more playful, trying to make it feel more like a game. That's how I came up with my blackout poems. I take an article from The New York Times and I black it out until it only has a few words left behind. It sort of looks like if the CIA did haiku, for some people listening. That was one little exercise. Then weirdly, that side thing that I thought was just play, just fun—that turned into my first book. So then it's, okay, what else can I mess around with and play with? I do a lot of collage work in the studio, and I rarely actually use that for any of the books. Sometimes I use it for my newsletter to illustrate the newsletter. But it's always about trying to figure out, how can I make writing a game? How can I make it more playful? There are different things that I do to make it feel more playful. One of them's really stupid. I really believe in silly rituals because I think silliness is really powerful. People talk about their daily rituals—Mason Currey has that great book, Daily Rituals: How Artists Work. When I was reading that book, I realised it was really the silly stuff that I really liked. There was, I think it was Balzac counting out coffee beans or something before he got to write. Or Steinbeck sharpening 12 pencils or something goofy like that. So one of the things I like to do before I write is that I have these cigarette pencils. They're pencils that look like cigarettes in the studio. I put one in my mouth before I start writing, and I pretend to be some old '40s writer on a typewriter. I like doing goofy stuff in the studio because I think when you do goofy stuff—stuff that you'd be embarrassed if anyone else saw it—it gets you in that playful state. Jo: It's interesting. In your book, you have a section that says, “Don't take things too seriously.” For many of us, we write memoir for example, and that is very close to us. It's like the deepest expression of what we want to say in the world. It feels very serious. So how can we hold things more lightly and not take things so seriously? Austin: For me, comedy is actually a philosophical position. What I mean by that is, I think a lot of people set out with a tragic model of creative work. They think, “Oh, I have this special gift,” or, “I have this thing that I really need to do, and I need to put it out into the world, and I need to make the world look more like I want it to look.” They have this idea that, “Through blood and sweat and tears, I'm going to see this thing through, and I'm going to push it into the world, and I'm going to have my way.” I think there's another way of working where it's more like, “I'm just a normal person trying to play with my environment, and take my experiences and put them into something interesting. So I'm going to play and use my wits, and we're going to see what we come up with.” Those really are two modes of life. The pandemic taught me that it was really when we were keeping our sense of humour, when we were having a laugh and keeping our egos in check around the house and just acknowledging how goofy we all were and how ridiculous the situation was, that seemed to be when we were really thriving. Versus, “Well, we're in this tough situation. We've got to make it into what we want it to be.” That felt really bad. But when we cruised along and we were just improvisational, when we went at things with a kind of lightness, that worked. There's a great Italo Calvino essay about lightness in Six Memos for the Next Millennium. Lightness is really underrated. Even when we're going about heavy work, having a sense of lightness and play with it just makes the work better. That's a philosophical position of mine. I aspire to comedy. I aspire to a comic outlook on life. I'm just a creature with a body who's going to die, and I'm fundamentally ridiculous. Life is pretty absurd. You just make the best of it. Jo: There's certainly some truth there. Staying on a similar theme, you have a chapter in the book on permission to be bad. Many of the listeners also have your book Show Your Work, and it shaped many of us into sharing our work in progress. It feels quite dangerous now, in a world where judgment is much louder than it maybe was when you wrote Show Your Work. So tell us a bit about permission to be bad versus should we keep some of this private? Austin: Permission to be bad is about the making part of things. It's the private part. It's permission to be bad when you're in private, when you're actually doing the work. Show Your Work is a book about what you do after you've done the work, or while you're doing the work. It was never about putting up a webcam and running a 24/7 feed. It was more like, hey, what are the ways that I can connect with the kind of audience I can build while I'm making the work itself? So the way I see permission to be bad is, you really have to give yourself permission when you're not sharing, when you're off screen, to really be as bad as you want to be. It doesn't necessarily mean quality-wise. I think it also means letting yourself write stuff that you would never say on social media. Letting yourself read stuff that you wouldn't admit you were reading on social media. Letting yourself listen to stuff. Letting yourself really be that unfiltered, unhinged, private person that you want to be. Then when it comes to sharing, you put some time in between that input time, that making time, and the sharing time, and then you share what you think is going to be useful or helpful or interesting to other people. Jo: I think you wrote that book before TikTok, and how fast people are moving. Do you think people need to slow down a bit in what they share, maybe? Austin: I don't know. I obviously had a lot more faith in social media back then. I use all the principles from Show Your Work in my newsletter. Newsletters are very much the new kind of great thing. They're doing a lot of the work that social media used to do, in that you're still able to have this direct connection with the people that you're trying to reach. The big problem with social media now is that it's all algorithmically tuned, where the people that are following you don't see the stuff that you're doing most of the time. What you have to do now, if you want the people who are following you to see your stuff on social media, is you have to make stuff that the algorithm likes. That's a whole different thing. As far as the Show Your Work principle—which is share your process as much as your product—that carries over to any platform. In my newsletter every Friday, I share a list of 10 things that were going on behind the scenes here. It might have been what I was watching on TV, what I listened to, a new pen I was trying out, or something like that. The Friday newsletter is almost always process stuff. When I talk about process, my definition is actually very broad. For a lot of people, it's drafting, editing, whatever. For me, the process is the whole life. The process is almost everything except the finished thing. A writer's life is 24/7. My friends who have real jobs really are like, “What do you do all day?” And I'm like, “Well, what do you mean?” They're like, “Well, I see you out on your bike ride.” I'm like, “Yes, when you see me out on a bike ride, I'm thinking through something half the time.” If I'm watching TV, I'm thinking, “Hey, would this be good in the newsletter?” I'm never off. My whole life—everything is copy, as Nora Ephron said. That's part of the job. It's very hard to turn off. So I see the whole life as process, and the question becomes, what little bits and pieces of that life and that process can you share with people while you're making the things that you hope to sell them later? Right now, I'm in a cycle where I'm selling this book, but all these people have showed up because I've shared my process every week for the past seven years since I put out a book. Jo: It's funny you say that. I was at the dentist yesterday, and— My dentist literally asked me, “So where do you get all your ideas?” This is a common question for all of us, right? And it just becomes so hard to explain that to people who don't walk around in the world just constantly getting ideas. Austin: I can't believe I'm going to tell this story. I was getting my vasectomy after my second kid, and I was talking to this doctor just before the operation. He said, “So what do you do for a living?” I said, “I'm a writer.” He said, “Oh, that must be cool. You get to use your brain.” And I said, “That's everything that you want your doctor to say.” I was going to say, “Please use your brain,” before he's about to cut into you. He said, “Oh, no, no. What I mean is, I know what I'm going to do every day for the next 10 years.” He knew exactly what his day was going to look like. He said, “You have to use your brain. You've got to figure out new stuff.” I was like, “Oh, that's really interesting.” That's the trade-off, right? He's got the job security. He knows what he's going to do. Every writer has a moment where they have to talk to a normal person about what you do. Jo: I was going to say, I'm married to one. Austin: Now, my wife, on the other hand, grew up the daughter of a writer, so she knows exactly what it's like. Nothing ever phases her. She's totally used to it. She's used to me staring off into space, completely checking out of a conversation. She's used to me using lines on her that I'm going to put in a piece later. She's used to the whole rigmarole. It's very handy. I've been very lucky in that sense. Jo: Coming back to the book, you talk about your use of bibliomancy for inspiration. Since we're talking about that, tell us about it. I think all the book people listening will be happy. Austin: I'm a person who still keeps a dictionary nearby—a paper dictionary. I keep a big old American Heritage. It's just a big, thick book. When I really don't have any ideas, I will turn at random to the dictionary, close my eyes, stick my finger down the page, open my eyes, and just see what I come up with. Sometimes just that act will give me an idea. I also do that with books. I'll go around the studio, pick up a book, flip to a random page, and just see what it says there, or read an old piece of marginalia that I've left in a book. I believe deeply in the power of bibliomancy, and I think it's a case for paper books. I'm one of those people that still really believes in reference books. I've started collecting more and more of them. I have an old, big dictionary that's always open on my desk, and I look up words. I learned from John McPhee, the writer, that you should look up words that you think you know. That was the first time I'd ever heard anyone say that. So I look up words that I think I know. Instead of reaching for a thesaurus when I need a different word, I actually just look up the definition of the word that I already have. That's another McPhee tip. The other thing that happened that I thought was really interesting is, I got a Roget's for the first time—a thesaurus. I don't think most people know what an actual thesaurus is. Most people think of a thesaurus as a synonym finder, and that's not actually what a thesaurus is at all. A thesaurus is more like an encyclopaedia, weirdly. You look up things based on big concepts, and then it gives you a bunch of words to look up later. It's a very strange thing. It's not what most people think it is. I have a couple of editions of Roget's in here. I like the really old Roget's from the 1900s because they actually have opposing ideas facing each other on the page. Do you have an old-school Roget's? Have you ever looked through one? Jo: I don't have one now, but I certainly grew up with them. I was literally just thinking, I wonder if there are ones for Americans and ones for British people, because so often we say different things and mean different things. I always hear Americans say, “Oh, that's a doozy,” or something, and it means the complete opposite thing here. Austin: Like if you say “fanny pack” over there. That means something very different than it means here, right? Chips or fries, that kind of stuff. So I wonder if there are different ones for different cultural references. Jo: I don't know. Austin: As people, with ChatGPT and all these LLMs and stuff, people are like, “Why would you ever pick up a paper reference book?” And I'm like, “I actually like the friction.” I like having to move in space and go over to my dictionary. I like flipping the pages. I like having to scan a page for the word I'm looking for, because— This marvellous thing happens when you're looking for the word, where you bump into all these other words. If you're a word nerd, you get to start thinking about the root of the word—oh, why is this word next to this word? Well, it's because they share the same root. Then you're going down all these fun rabbit holes. The thing that I'm trying to do as a writer and a creative person is, I'm trying to get to the thing that I didn't know I was looking for. The thing that people misunderstand about AI, I think personally, is that it's a great tool if you know what you're looking for. If you're like, “Find me this thing. I want exactly this. I want to see a picture of a dog wearing a king's costume,” or some crap like that, then it can spit that picture out for you. Or, “I want to know what happened on this day,” and whatever. It can do that. But that's not actually what I'm doing most of the time when I'm writing or making something. I start with an idea, but what really happens—the magic of writing and the magic of making stuff in general—is when you discover something that you didn't even know you were headed for. That's the real magic for me. Sometimes I have an idea and I want to articulate it for people, but more often than not, there's something that bothers me or something that I want to talk about, and I sit down and write, and I figure out what it is that I actually have to say and what I actually think. Every writer really knows this, and that's why the dictionary, stuff like that, those are ways of training you to get in that discovery mode. “Well, let me—oh, I bumped into this. I went looking for this one thing and then I ran into this other thing.” That's why I love the library. I don't know what system you use over there, but you look for one book in the Dewey Decimal System over here, and then, okay, here's all these other weird books next to it. Then you end up with three other books other than the one that you were looking for. That's the magic. To me, that's the magic of creative work, discovering what you didn't know you were looking for. That was particularly important for me when I was writing this book because we discovered that my wife has a condition called aphantasia. It's very rare in the population, about 2 to 3% of people. There's probably some people listening to this right now who are like, “What is this? Tell me.” Jo: Aphantasia actually more common in the creative industries. Austin: Yes. What it is, is that you don't see—when I say close your eyes and picture an apple, you don't actually see the apple in your head. You can think about an apple and the qualities of an apple, but you don't actually see it. Some people, and it's a matter of degree—some people like me, I can close my eyes, I can tell you what the apple looks like, I can tell you what colour it is, I can tell you where the shading is. Someone like my wife doesn't see the apple. She can tell you what an apple is. It's really interesting because she has a degree in architecture, which is known as a very visual field. But the thing you discover about aphantasia is, it doesn't keep people from becoming artists. In fact, it's the opposite. Someone like Ed Catmull, who co-founded Pixar, writes about it in his book, and so many of the great animators at Pixar are actually aphantasics. The reason is that they learned that they had to draw in order to see things. When you don't have a picture in your head of what you want something to look like, things appear in the drawing, and you find things that you couldn't even picture. A lot of writers actually are aphantasics. John Green discovered recently that he has aphantasia. It turns out that it's a superpower for writers, because if you don't have a picture in your head, then you don't have to translate that picture into words. A lot of writers talk about thinking in radio, like they have a constant narrator. My wife—she's probably going to kill me for talking about her this much—when she describes it to me, she's like, “Oh, it's like a radio in my head. I'm constantly hearing a voice, and it's a narrator.” I was like, “Holy shit, that would be really helpful to me.” I don't have anything like that in my head. I read Mrs Dalloway for the first time, and I gave it to her and I said, “You've got to read this book. I think this must be what it's like in your head.” And she said, “Oh my God, it is.” Part of the thing that I took away from that experience—this is a long-winded way of getting here—is that I take a lot of inspiration from people with this condition. Most of the people I know in the arts or the creative fields, they set out with this grand vision, and then they start working on the thing and it's nothing like what they had in their head, and they get really depressed: “This isn't what I had in mind.” Whereas if you set out without a picture in your head, and you just start manipulating things and you see what appears, that's more of the comic mode I was talking about earlier. What would happen if we just sat down with our materials and we started playing and we saw what appeared on the page? What if we started typing and saw what appeared, and then we played with that? That's the kind of joy. That's more like how kids operate. Kids are better at that. They're better at reacting to what's actually in front of them, instead of having these grandiose visions about what they're trying to achieve. Jo: Just coming back on the longevity of a creative career. Your books are very distinctive. You have a very distinctive visual style, your handwriting and the way the books are done. I wondered if another part of the ennui, perhaps, or the draining of the later career is that we get trapped into doing something that feels like it looks the same. Or we have a voice, and we're happy in that voice, but sometimes we want to do something completely different. For authors, we have different names. I write under two different names, and that helps. But equally— How do you define author voice, and do you ever feel like doing something completely different to your normal style? Austin: Style, in a lot of ways, is self-plagiarism. Style is the repeated things that we notice in people's work. Hitchcock talked about this in films. Wes Anderson is someone like that—Wes Anderson has a style. I'm sure that he gets really sick of it too sometimes, but you also can't help it in some ways. I thought a lot about this because people worry about style so much. A lot of the time, what we call style is what Adrian Tomine one time said: “Style is just the distance between what's in my head and what comes out of my hand.” I really like that definition. With this book, I was trying to think, “Okay, if I do another book in this series, how can I push things a little bit?” And then I was reading this article about Taco Bell. You guys have Taco Bell over there, don't you? Do you have Taco Bell? Jo: No. Austin: So Taco Bell, for people who don't know, is this American Mexican chain, and they have tacos and burritos and stuff like that. They're well known for making these really insane… it's so American, this company. They make a taco with a Doritos as a shell. Doritos are crisps, I guess. Jo: Yes, we have Doritos. Austin: Okay. I spent time in England, I just don't remember if I ate Doritos when I was in England. Anyway, I was reading this article about Taco Bell. It was really funny. They have an innovation kitchen at Taco Bell, and they have a rule about new products. The rule is called the distinctiveness rule, and the rule is: you can change the flavour or you can change the taste, or you can change the form, but you can't change both at the same time. I got really obsessed with this concept because I thought, “Well, this could be kind of interesting.” If you're someone who's had success and you're known for something, this presents an interesting thing. You could do a complete break and do something completely new, or you could try the distinctiveness rule. Okay, well, what if I play with this idea of taste versus form? What if I change the taste and keep the form? So the idea for Don't Call It Art was, what if I do another one of these books, but the taste is more like if my kids made it? It had the texture of kids' art, it had lots of scribbles in it, it was loose and messy. That was kind of the idea. The actual book ended up being more like the other books. It ended up looking like an Austin Kleon book, because I just can't help that. The thing you said about having multiple names that you write under, that's kind of what I do with the newsletter. I think of the newsletter as very different from the books. The newsletter is this twice-weekly thing where I can be a little bit more of myself. In the books, I'm this very helpful, happy version of myself. It's me, but it's me on my best day. I'm really helpful and interesting for you. The newsletter is still a highlight reel in a sense, but it's a little bit more of my weird everything-I'm-into. It's more of the unclipped version of me. The newsletter becomes a place where I can do a lot of the weird stuff that's much different from the books. I have these little projects going all the time. Sometimes I'll make a bunch of prints and put them online. Sometimes I'll make a bunch of zines on a topic I haven't covered in the book. Sometimes I'll do a mixtape. As someone who's interested in a lot of different forms and genres and just different modes of output, having something like a newsletter has been really creatively fruitful for me. It's kept me from getting too bottomed out with the books because the books do a certain thing for the reader, and as much as I'd love to do a book that was radically different, I also think I've been given a real gift with the form of my books, in that I kind of own the way that they feel and look. There aren't a lot of books that look like those books and feel like those books, and so I like playing with that form. It would be hard to get rid of it now. The pseudonym for me is kind of like the newsletter in a sense. The newsletter is a little bit more of where I get to be wild and wacky. Then the books are a little bit more of a chiselled thing. Jo: The books are perfect examples of the form, as you say, but it's interesting about the newsletter. You mentioned at the beginning that we can be drained by the admin around the work. For many people listening, a newsletter becomes admin. So how does the newsletter fit into your business? The books are traditionally published, they're very professional. How do you have your independent side, and how does all of that work together in your business? Austin: Thank you for asking that question. I run the whole show at the newsletter. The newsletter is just me, and then my wife edits it, and no one else is involved. I don't have an assistant. I don't have a team. It is just me, and that's why I love it. I control everything. I pick who gets in there. I pick everything. I love that. I grew up watching David Letterman over here, and Letterman had a nightly show, and I always thought that was killer. I thought, “Man, what a fun job. You have a show every night where you have a new guest, and you have all these wacky things going on.” It was like a variety show. I always thought that would be really fun, so the newsletter is my version of that. I started the newsletter in 2013, and it was just a Friday newsletter. It quickly became a list of 10 things I thought were worth sharing. I had a friend, Hugh MacLeod, who was like, “Hey, I have a newsletter. It's bigger than any conference you've ever gone to.” He was talking about South by Southwest here in Austin. He's like, “I have a newsletter now, and it's bigger than South by Southwest.” Jo: Oh, I remember him. Austin: He would say, “Every time I have a new print, I put it out, and there's a button, and then they buy it.” He was like, “You've got to get it. This newsletter thing is killer.” This was in 2011 or something. Jo: Yes, I still have his books. Blogging in Your Underwear or something. Austin: Totally. So Hugh's a whole different story, but I was just like, “Oh, I should really get a newsletter.” Letterman always had a top 10 list on his show. I just always thought a 10 list was really fun. And of course the books are lists of 10 too. So it just worked to have a weekly list of 10. It felt good, and it felt like an infinitely repeatable format. What I'm looking for as a creative person is an infinitely repeatable format that can go on and on and on and be new every time. So the list of 10 is something that people know the form of. It goes back to the Taco Bell thing. They know the form, but they're not sure what's going to go inside. They know it's going to be a burrito, but they don't know what's going to be in the burrito, and that's the exciting part. The newsletter, business-wise, was always a marketing cost for about the first eight years of its existence. I paid MailChimp to send it out. Then in about 2021, when I hadn't done a book for a while, my agent said, “You know, you should really think about doing a paid tier of your newsletter.” And this is to his credit, because he doesn't make anything off the newsletter. He said, “There's this thing called Substack now that makes that really easy.” So we moved to Substack in 2021 in October, and I started doing a Tuesday edition of the newsletter that was just for paid people. That grew enough that it's gone from a marketing cost to something that's almost—it's not quite as much as I make on my books, but it's close. And to be candid, my books sell pretty well. So suddenly the newsletter has become this really healthy income stream. The newsletter to me is actually the day job now. The newsletter is what really keeps the lights on. It's also the perfect mix. It's the day job, it's the thing that keeps income coming in on a regular basis, but it's also the thing I like to do the most. I'm not like a traditional writer who likes to just get lost in their book and take years and years and go away. I'm someone who loves to be doing a lot of different things. The newsletter is a perfect format for me. I'm talking myself into not quitting, actually. It's funny. It's gone from this thing that was a marketing cost to now it's a significant part of our income. That journey—such a bad word, journey—that trip has been very interesting. It's been really cool. But I'm also just lucky. I've been really lucky, and I think part of my thing is, I'm always just trying not to squander my luck. Jo: Well, the book is fantastic, and I know people are going to love it. And the newsletter, of course. So tell us— Where can people find you and your books and newsletter online? Austin: The easiest thing to do is to just go to AustinKleon.com, and that has links to everything—the books, the newsletter. I do actually keep an old-school blog still. I'm one of the few people that still maintains their blog and keeps it up to date. I'm hedging my bets because I think in the end everything will come back to a self-hosted website. I think in the end everyone's going to just go back to their little websites, or at least I hope so. Jo: Well, that was great, Austin. Thanks so much. Austin: Oh, thank you. The post Don't Call It Art: Rediscovering Creative Joy With Austin Kleon first appeared on The Creative Penn.

Today's SWAPA Number is 13. That's the number of pilots on the SWAPA safety committee covering multiple departments. They all look at different parts of the safety world, but together, they refine exactly how we keep safety our number one priority.So, today, we're joined by Safety Committee Chairman Ken Schwantner and Safety Committee Member Gary Niemann to discuss all the flight safety topics that are front and center, not just with us here at Southwest, but with the aviation community at large.Safety Acronyms:ASAP: Aviation Safety Action ProgramIR: Irregularity ReportPM&I: Pilot Monitoring and InterventionERC: Event Review CommitteeLRD: Load Reduction DevicePRSOV: Pressure Regulating Shutoff ValveSRM: Safety Risk ManagementIf you have any feedback for us at all, please drop us a line at comm@swapa.org or tap here to send us a text.Follow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

Thousands of attendees arrived expecting an incredible weekend of comics, cosplay, celebrities, panels, gaming, and geek culture—but many found themselves standing outside in the Arizona heat for hours just trying to get into the Phoenix Convention Center. In this episode of Absolute Geek, we're taking a deep dive into the biggest controversy coming out of Phoenix Fan Fusion 2026. Was this simply the growing pains of one of the largest conventions in the Southwest, or did organizers fail to properly prepare for the massive Saturday crowds? We'll discuss:

This week, Amol is joined by Ben Cohen, one half of the team behind Ben & Jerry's ice cream, who stopped by on his way to the South by Southwest festival to answer your questions. They include queries on whether ethics is more important to business success than a good product? Can companies be trusted to fulfil corporate responsibilities without government oversight? And how does he square his ethical stance with the fact that his ice cream is an ultra processed food?* WhatsApp: 0330 123 9480 * Email: radical@bbc.co.ukEpisodes of Radical with Amol Rajan are released every Monday and Thursday.Radical with Amol Rajan is a Today Podcast. It was made by Tom Smithard and Oscar Pearson. Technical production was by Mike Regaard. The senior news editor is Sam Bonham.

Charles and Laura Troxell of Reconcilers Motorcycle Ministry

On this week's Defense & Aerospace Report Business Roundtable, sponsored by Bell, Dr. “Rocket” Ron Epstein of Bank of America Securities, Sash Tusa of Agency Partners, and Richard Aboulafia of the AeroDynamic advisory consultancy join host Vago Muradian to discuss the worst day on Wall Street since April 2025, ending a nine-week winning run driven by worries over the chip stocks and higher interest rates; airline CEOs meet at IATA's 82nd General Meeting in Rio de Janeiro as energy prices remain high and Washington and Tehran continue to discuss a ceasefire; Airbus order and delivery figures as Boeing CEO Kelly Ortberg eyes a further increase in 737 production to 70 jets a month; Southwest sticks with all 737 fleet despite frustration over Max 7 delay; Airbus won't be ready to unveil stretch version of A220 by Farnborough; the House Armed Services Committee's chairman's markup of the Trump administration's $1.15 trillion spending request for 2027 and its version of the National Defense Authorization Act; outlook for the $350 billion Reconciliation 3.0 plus up to the Pentagon budget; Washington's decision to block delivery of Tomahawk cruise missiles ordered by Germany to avoid provoking Russia; and what to expect from next week's ILA air show in Berlin.

Welcome to Fearsome Fiction. Today we're stepping into a New England boarding house where one room has a way of making its occupants very, very uncomfortable. "The Southwest Chamber" was written by Mary E. Wilkins Freeman and published in 1903—and it is exactly the kind of quiet, creeping horror that gets under your skin before you realize what's happening. A dead woman's room. A succession of boarders who each try, and fail, to spend the night. And something in that room that won't stay buried. Stay with us.

We'd love to hear from you! Please send us a Text Message!Think ballads and relaxed grooves. Take a break and cool out over the beauty and intimacy of some of Link's best ballads sung by 4 or 5 top vocalists who have worked with him over for 3 or 4 decades and are all still going strong. All that's required of you are a good pair of headphones, an easy chair  and the time to do it. Get the inside stories on how and why the songs were written – the story behind the real life drama. Take a walk in the snow, an evening on the beach, a ride through the desert of the great Southwest, a night under the stars and so much more.Theater of the imagination is presented by Watchfire Music:  watchfiremusic.com 

Victory Over Sin is a show hosted by Mark Renick that addresses issues pertaining to returning citizens and the challenges they face coming out of incarceration.Victory Over Sin airs Saturdays at 12:30 pm. On 94.5 FM and 790 AM KSPD Boise's Solid Talkhttps://svdpid.org/advocacy-systemicchangeofid/https://www.svdpid.org/Correspondence can be directed to:Address: 1775 W. State St., #191, Boise, Idaho 83702Phone: 208-713-4458Podcast Website:  https://www.790kspd.com/podcast-victory-over-sin/

In this episode, Jo shares the June 2026 Flying Stars Feng Shui forecast, beginning from 5 June 2026 at 11:50pm, becoming more noticeable from 6 June onwards. June arrives with exceptionally strong Fire energy. We are already in Period 9, a 20-year Fire period, and 2026 is the Yang Fire Horse year. As we move towards the summer solstice on 21 June, the Fire element becomes even more pronounced. Fire is associated with: Visibility Reputation Fame Recognition Marketing Branding Performance Illumination Exposure Expansion This makes June a powerful month for anyone working with public presence, creativity, performance, media, communication, reputation-building or personal visibility. At the centre of the chart, the Flying Star 4 arrives, bringing themes of popularity, creativity, study, romance, writing, learning and communication. Because the centre influences the whole chart, these themes ripple through the entire month. Jo also revisits the Trilogy of Luck: Heaven Luck — the stars, timing, BaZi and cycles we cannot change, but can read and understand. Earth Luck — the Feng Shui of our homes, rooms, sectors, furniture and physical environment. Man Luck — the choices we make, the actions we take, and how consciously we work with the energy available. The episode then moves through each sector of the home for June 2026. The South contains wealth potential, but also pressure. This sector can support prosperity, especially for those who benefit from Fire energy, but it should be kept peaceful and quiet due to the annual misfortune star. The Southwest brings auspicious energy for new beginnings and longer-term wealth. Spending time here, or sitting with your back to the southwest, can help draw in supportive energy. The West supports success, authority and helpful opportunities. It is a useful sector for increasing recognition and results. The Northwest needs care, as a difficult monthly star brings potential challenges. Avoid renovations, loud noise or heated arguments in this area. The North holds surprising prosperity potential, including unexpected opportunities or windfalls. However, because the annual Six Killings energy is also present, this sector should be used calmly rather than aggressively activated. The Northeast is creative and supportive for study or writing, but may also carry a risk of misunderstanding, gossip, betrayal or unclear intentions. Use this area gently and avoid mean-spirited dynamics. The East is one of the more supportive sectors for completion. This is a strong area for finishing projects, meeting deadlines, wrapping things up and seeing earlier work come to fruition. The Southeast brings movement, growth and momentum, but also conflict or impatience. It can help with procrastination, but needs to be handled carefully to avoid arguments or impulsive reactions. Jo then looks at how June 2026 may affect the Chinese zodiac animals. The Rat clashes with the Horse, making June busy, stimulating and potentially demanding — but also lucky for wealth and opportunity. The Ox should be mindful of communication and misunderstandings. The Tiger combines with the Horse, increasing Fire energy, motivation and momentum, but also impatience. The Rabbit benefits from completion energy and may see results from earlier efforts. The Dragon and Snake should avoid drama, politics and unnecessary conflict. The Horse experiences amplified energy and should be mindful of self-penalty, overdoing things or becoming its own obstacle. The Goat is well-supported by the Horse and may enjoy cooperation, visibility and relationship growth. The Monkey benefits from new beginnings and a lift in energy. The Rooster may find June successful, with helpful people and problem-solving opportunities. The Dog combines with the Horse but may face complications, delays or unexpected challenges. The Pig has generally steady energy but should avoid unnecessary risks and protect health and energy levels. Jo closes the episode by inviting listeners to get in touch for Feng Shui, BaZi or Qi Men consultations, and to join the Patreon family for daily Qi updates.

President and Senior Financial Planner Paul L. Moffat and Director of Financial Planning Jordan Naffa take a deep dive into the Southwest Airlines Pilots Association (SWAPA) retirement system and the advanced planning opportunities available to Southwest pilots. While the retirement program offers some of the most robust benefits in the airline industry, understanding how the various components work together requires careful planning and expertise.Paul and Jordan break down the key elements of the SWAPA retirement structure, including 401(k) contributions, non-elective company contributions, profit sharing, deferred compensation plans, and market-based cash balance plans. They discuss how pilots can effectively manage retirement plan overflow, navigate tax planning opportunities, and make informed decisions about long-term wealth accumulation.The conversation also explores the risks associated with non-qualified plans, the importance of diversification, and how advanced planning strategies can help pilots maximize retirement income while maintaining flexibility throughout their careers and retirement years.In this episode:● Understanding the SWAPA retirement system and its key components● How Southwest's non-elective contributions and profit sharing work● Deferred compensation and market-based cash balance plan strategies● Risks associated with non-qualified retirement plans● Managing retirement plan overflow and tax efficiency● Personal Choice Retirement Accounts and expanded investment flexibility● Advanced retirement income and distribution planning strategiesThe opinions expressed in this podcast are for general purposes only and are not intended to provide specific advice or recommendations for any individual or on any specific security. It is only intended to provide education about the financial industry. It is not intended to provide tax or legal advice. To determine which investments may be appropriate for you, consult your financial advisor prior to investing. Any past performance discussed in this program is not a guarantee of future results. Any indices referenced for comparison are unmanaged and cannot be invested in directly. As always, please remember that investing involves risk and the possible loss of principal. Please seek advice from a licensed professional.Arista Wealth Management is a registered investment adviser. Advisory services are only offered to clients or prospective clients where our firm and its representatives are properly licensed or exempt from licensure. No advice may be rendered by Arista Wealth Management unless a client service agreement is in place.

In this follow-up conversation from South by Southwest, Marvin Harrison sits down with the Mayor of London, Sadiq Khan, to address the influence of the "manosphere" on young men and boys. Mayor Khan discusses the urgent need to hold big tech companies accountable for algorithms that prioritize engagement through negativity and misogyny. He outlines a dual approach to the issue: calling for stricter regulation via the Online Safety Act and Ofcom, while simultaneously investing in offline support systems, including £30 million for youth clubs and targeted initiatives to guide young men toward positive influences.Key Discussion PointsThe "Outrage Economy": An exploration of how social media platforms monetize toxic content and misogyny by incentivizing engagement through outrage. The Case for Regulation: Mayor Khan compares the current state of social media to the tobacco industry, arguing that if platforms do not voluntarily change their algorithms, regulators must intervene to protect children. Empowering Offline Alternatives: Discussion of the "Ignore the Noise, Trust the Voice" campaign and the importance of funding youth work as a necessary "proxy" for support systems. Call to Action: A reflection on collective responsibility, emphasizing that while policy and funding are vital, individual contributions—whether through local youth groups, sports, or mentorship—are essential to shifting the culture. Welcome to The Marvyn Harrison Podcast — a story-driven conversation exploring identity, fatherhood, masculinity, relationships, culture, politics, sport, and modern life.In each episode, Marvyn Harrison sits down with leading thinkers, creatives, athletes, policymakers, and cultural voices to unpack the defining moments that shaped them. Through image prompts, structured storytelling, and revealing game segments, guests explore pivotal memories, career turning points, personal struggles, and the beliefs that guide their decisions today.Expect honest discussions on mental health, family dynamics, leadership, equity, ambition, resilience, and the realities of navigating success in Britain and beyond.This is a podcast about clarity, where lived experience meets sharp cultural insight. Hosted on Acast. See acast.com/privacy for more information.

As the Colorado River approaches a pivotal moment facing historically low flows and record-breaking shortages, decisions made in 2026 will help determine the future of water, energy, and economic security across the American West. Today, Ten Across Conversations shares an episode from Arizona State University's Labcoat Optional podcast, featuring Ten Across friend and water law expert Rhett Larson.With existing Colorado River operating agreements approaching expiration, stakeholders across seven states, tribal nations, and two countries are grappling with how to manage a resource that faces increasing pressure from aridification and competing demands. Larson explains why these negotiations are among the most consequential water policy discussions in decades and what they reveal about the challenges ahead for communities throughout the Southwest.Drawing connections between water governance, urban development, climate adaptation, and regional resilience, Lab Coat Optional host Pete Zroika chats with Larson to explore how long-foreseen challenges in the Colorado River Basin are becoming a present-day reality—and why rethinking our assumptions about growth and sustainability may be essential for the future.Guest BioRhett Larson is a Professor of Law and the Richard Morrison Professor of Water Law at the Sandra Day O'Connor College of Law, where his research focuses on the impact of technological innovation on water rights regimes, particularly transboundary waters, and the sustainability implications of a human right to water. He specializes in dispute resolution and improved processes in water rights adjudications in Arizona and the Colorado River Basin. Professor Larson also practiced environmental and natural resource law with law firms in Arizona, focusing on water rights, water quality, and real estate transactions.Relevant Articles and Resources What's more important, Arizona, building houses or water? (Rhett Larson for The Arizona Republic, May 2026)Agencies in 3 states sign MOU to share water across dry Colorado River basin (Times of San Diego, June 2026)West prepares for extreme measures to relieve pressure on Colorado River (Marketplace, May 2026)Explore the Kyl Center's Arizona Water Blueprint to find out the source of your waterJust Add Water: Solving the World's Problems Using its Most Precious Resource by Rhett B. Larson (Oxford University Press)Day Zero: How Cities Run Out of Water by Rhett B. Larson (Cambridge University Press, forthcoming 2027)Relevant Ten Across Conversations PodcastsThe Hard Decisions Ahead for Lower Basin Colorado River States with guest Terry Goddard (December 5, 2025)Latest Deadpool Projections Inject New Urgency into Colorado River Negotiations with guests Kathryn Sorensen and Sarah Porter (September 19, 2025)Understanding Groundwater Risks in the Southwest with Jay Famiglietti (June 6, 2025)Checking in on Tense Colorado River Negotiations with Anne Castle and John Fleck (April 10, 2025)Episode CreditsTen Across Conversations Host: Duke ReiterAudio Production: Louie DuranResearch and support provided by: Kate Carefoot, Rae Ulrich, and Sabine Butler Lab Coat Optional is a production of the Strategic Marketing and Communications team at Arizona State University's Knowledge Enterprise. Executive produced by Kate HowellsProduced by Alexander Chapin and Pete ZriokaHosted and reported by Pete ZriokaShot by Alexander ChapinEdited by Quinton Kendall and Alexander ChapinOriginal music from Patrick CheungMotion graphics by Andy RamosArt by Andy Keena and Sophia Franz

Big Thursday show, spending time with my good friends Will Peña and Scott Tilley. These two men are dedicated to serving the community and making it a better place. Join us as we discuss a variety of topics on today's show.

Amol is back from his stint in the Celebrity Traitors castle. This week, while in town for the South by Southwest festival, Ben Cohen of Ben and Jerry's drops by the Radical studio to talk about what took his ice cream company from a single store in rural America into a billion-dollar business. Ben Cohen argues that most corporations have trained people to believe profit and purpose are from separate worlds – while he says that a company's values should be as important to its mission as making money. Cohen makes the case that consumers are not just shoppers – they are citizens with wallets. He criticises companies that pay lip-service to that through short-term social media campaigns backing the trendy topic of the day, without embedding those values into their business model. But in an age when many companies are dropping their principles when the politics changes, can business really be a force for good – or does purpose melt away when profits are at stake? GET IN TOUCH * WhatsApp: 0330 123 9480 * Email: radical@bbc.co.uk Episodes of Radical with Amol Rajan are released every Thursday. Amol Rajan presents the Today programme on BBC Radio 4 and hosts University Challenge on BBC One. Before that, Amol was the BBC's media editor and the editor of The Independent newspaper. Radical with Amol Rajan is a Today Podcast. It was made by Tom Smithard and Oscar Pearson. Digital production was by Leona Gasper. Technical production was by Mike Regaard. The editor is Sam Bonham.

Today on the Woody and Wilcox Show: Parking fees for sports events; Woody Game Wednesday; Police officer terminated after pulling a gun on co-worker for warming up fish in the microwave; Entertainment news-the Michael movie and Eddie Murphy special; Southwest's large passenger policy; Google wants to release sterile mosquitos in Florida and California; And more!

Dylan and Max talk Alaska dreams, Southwest's new nonstop to Anchorage, lake lodge podcast fantasies, and Max's brave decision to bypass the discounted Marriott burger for Yemeni cuisine. In the Mailbag, listener Elijah checks in with a unique path back into aviation after the Air Force and a decade away from flying. For Flight Advice, the guys break down why using the GI Bill for PC-12 initial training, single-engine ATP currency, and an Alaska 135 strategy might actually be a no-brainer. Also: meta glasses, janky gravel strips, and potential tax treatment for baklava. TankerBot - Try out the beta version of the Dylan's Tankering Calculator! NewYorkTurk - NYC Food Reviews Show Notes 0:00 Intro 3:55 Max's Musings: Sitting Reserve 15:21 MD-11: PSE vs SSI  27:35 Airports & Tangents 32:37 Special Announcement: Tankering Calculator 35:25 Spirit Comments 41:59 Comments & Reviews 55:16 AI & Mailbag 1:09:35 Flight Advice Our Sponsors Tim Pope, CFP® — Tim is both a CERTIFIED FINANCIAL PLANNER™ and a pilot. His practice specializes in aviation professionals and aviation 401k plans, helping clients pursue their financial goals by defining them, optimizing resources, and monitoring progress. Click here to learn more. Also check out The Pilot's Portfolio Podcast. Advanced Aircrew Academy — Enables flight operations to fulfill their training needs in the most efficient and affordable way—anywhere, at any time. They provide high-quality training for professional pilots, flight attendants, flight coordinators, maintenance, and line service teams, all delivered via a world-class online system. Click here to learn more. Raven Careers — Helping your career take flight. Raven Careers supports professional pilots with resume prep, interview strategy, and long-term career planning. Whether you're a CFI eyeing your first regional, a captain debating your upgrade path, or a legacy hopeful refining your application, their one-on-one coaching and insider knowledge give you a real advantage. Click here to learn more. The AirComp Calculator™ is business aviation's only online compensation analysis system. It can provide precise compensation ranges for 14 business aviation positions in six aircraft classes at over 50 locations throughout the United States in seconds. Click here to learn more. Vaerus Jet Sales — Vaerus means right, true, and real. Buy or sell an aircraft the right way, with a true partner to make your dream of flight real. Connect with Brooks at Vaerus Jet Sales or learn more about their DC-3 Referral Program. Harvey Watt — Offers the only true Loss of Medical License Insurance available to individuals and small groups. Because Harvey Watt manages most airlines' plans, they can assist you in identifying the right coverage to supplement your airline's plan. Many buy coverage to supplement the loss of retirement benefits while grounded. Click here to learn more. VSL ACE Guide — Your all-in-one pilot training resource. Includes the most up-to-date Airman Certification Standards (ACS) and Practical Test Standards (PTS) for Private, Instrument, Commercial, ATP, CFI, and CFII. 21.Five listeners get a discount on the guide—click here to learn more. ProPilotWorld.com — The premier information and networking resource for professional pilots. Click here to learn more.   Feedback & Contact Have feedback, suggestions, or a great aviation story to share? Email us at info@21fivepodcast.com. Check out our Instagram feed @21FivePodcast for more great content (and our collection of aviation license plates). The statements made in this show are our own opinions and do not reflect, nor were they under any direction of any of our employers.

In this special TED Business episode, Modupe is in conversation with Jacob Goldstein, reporter and co-host of the Business History podcast, to dig into the origin story ofSouthwest Airlines. From debunking the airline's founding myth, about a triangular route sketched on a napkin to discussing why Southwest chose to only fly Boeing 737s, Jacob shares the decisions that made Southwest stand out from its competitors—and why healthy egos might make for better business. Hosted on Acast. See acast.com/privacy for more information.

D&P Highlight: Southwest changes customer of size policy. Why not just make the seats bigger? full 436 Fri, 29 May 2026 18:55:00 +0000 iboY6wnnviuPeAHbWPqBnYmhgDCzM3wi news The Dana & Parks Podcast news D&P Highlight: Southwest changes customer of size policy. Why not just make the seats bigger? You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! © 2025 Audacy, Inc. News h

Val Cameron joins the show to talk about movies that stink — the worst of the worst. In Three Things, Gov. Cox signs an executive order creating a framework for data center development in Utah after weeks of public outcry over the Box Elder County project, a Taylor Swift concert attack plotter is sentenced to 15 years, and more. Southwest Airlines walks back its controversial plus-size passenger policy — gate agents can now provide a free second seat when available rather than requiring passengers to pre-purchase. Plus, Utah law says leis must be allowed at graduation, but the U of U Huntsman Center is charging districts $1,000 for the privilege. We close with First World Problems, Logan or Provo and more.    Follow KSL Brightside on social media! YouTube: https://www.youtube.com/@KSLBrightside Facebook: https://www.facebook.com/KSLBrightside Instagram: https://www.instagram.com/KSL_Brightside TikTok: https://www.tiktok.com/@ksl.brightside