Podcasts about new sensibility

Explore how Herbert Marcuse and The Frankfurt School of Critical Theory significantly influenced 20th-century thought. This episode delves into Marcuse's analysis of new forms of repression post-industrial revolution, his understanding of 1960s student protests, and the concept of The Great Refusal—focusing on human subjectivity, power, control, and consumption. We discuss major points of The Great Refusal and its under-examined relevance today. 0:00: Intro1:34: New Forms of Repression and Consumption5:43: Rick Roderick on Internal Contradictions Within Rationalism7:04: Modern Examples11:09: The New Sensibility and Potential for Change #HerbertMarcuse #TheGreatRefusal #FrankfurtSchool #CriticalTheory #20th-centuryphilosophy #studentprotests #repression #industrialrevolution #humansubjectivity #power #control #consumption Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dive into the profound philosophical insights of Herbert Marcuse in this podcast episode. From recognizing the strength of Marcuse's criticisms of post-enlightenment society to disenchanting his serious errors, this episode seeks to cover the major themes of Herbert Marcuse and his influence on the university system and American Marxism. Join us as we unravel the complexities of Marcuse's thought and its impact on contemporary discourse, and the ever growing embodiment of his proposed revolution. Sources:- America's Cultural Revolution: How the Radical Left Conquered Everything by Christopher Rufo- Herbert Marcuse on The Stanford Philosophical Encyclopedia {https://plato.stanford.edu/entries/marcuse/}- One Dimensional Man by Herbert Marcuse- Aesthetics of Liberation by Herbert Marcuse- Counter Revolution by Herbert Marcuse- Herbert Marcuse by The CollectorTimecode:0:00 - Introduction3:30 - Christopher Rufo 6:00 - The Importance of Marcuse10:30 - Our Hermeneutic 12:30 - Karl Marx and Georg Hegel19:55 - The Sophisticated Communist23:15 - The One Dimensional Man30:00 - The Two Dimensional Man34:20 - History Talks37:45 - The New Sensibility 41:10 - The Great Refusal43:15 - The Deconstruction of Society46:00 - The Ideological Revolution48:30 - The Christian Solution55:20 - The Unitive EventSupport the show

The New Discourses Podcast with James Lindsay, Episode 96 We all know academia is in trouble. In fact, we're not even sure it can be saved. To put it simply, the university is dying. To be sure, it's a strange death, however, because the university is in some sense going back to its roots, returning to being theological seminaries, though in a completely new religion. That religion is the transformative religion of Dialectical Leftism, and its materialist watchword in the 21st century is "Sustainability." In this New Discourses Podcast series, host James Lindsay takes the listener through a 2022 UNESCO book, Knowledge-driven Actions: Transforming Higher Education for Global Sustainability (https://unesdoc.unesco.org/ark:/48223/pf0000380519/), that calls upon all "higher education institutions" to transform themselves so that they align, promote, and help complete the United Nations 17 Sustainable Development Goals as a part of the 2030 Agenda. In this episode of the series, host James Lindsay takes the listener through the first chapter, the introduction, to this manipulative UNESCO document. Sustainability is made out clearly to be a cult-religious concept, a new theological object to bind and orient the university so that the Neo-Communist agenda can be accomplished through it. Sustainability will come to guide how institutions think, operate, research, and teach, and they will serve as beacons for this new faith to the communities around them. Sustainability is to become our "New Sensibility," just like Herbert Marcuse called for in the second chapter of his 1969 Essay on Liberation (https://www.marxists.org/reference/archive/marcuse/works/1969/essay-liberation.htm/). Sustainability as the tyranny of the 21st century (https://newdiscourses.com/2021/10/sustainability-tyranny-21st-century/) is to become the mode and model for all institutions of higher education, including colleges, universities, seminaries, and more. Join James to hear about how the universities are to be transformed into the cathedrals of this new backwards cult religion. Support New Discourses: https://newdiscourses.com/support Subscribe to New Discourses on other platforms: https://newdiscourses.com/subscribe Follow James Lindsay: https://linktr.ee/conceptualjames © 2022 New Discourses. All rights reserved.

The New Discourses Podcast with James Lindsay, Episode 50 Sustainability is going to be the buzzword of the century. Everywhere we turn, we hear about sustainable practices in business and industry, sustainable foods and agriculture, sustainable energy, and so on. Businesses and governments sign on to "Sustainable Development Goals," and so civil responsibility is framed in terms of this seemingly simple idea: sustainability. What does sustainability entail, though? What informs it? In this episode of the New Discourses Podcast, James Lindsay walks through Herbert Marcuse's New Leftism of the 1960s and 1970s and explains how sustainability has become Marcuse's "New Sensibility." In other words, sustainability is the new way of thinking about the world so that we can have liberation, which is to say Communism. Join James in this groundbreaking episode of the New Discourses Podcast to explore this idea at its ominous roots. Support New Discourses: paypal.me/newdiscourses newdiscourses.locals.com/support patreon.com/newdiscourses subscribestar.com/newdiscourses youtube.com/channel/UC9K5PLkj0N_b9JTPdSRwPkg/join Website: newdiscourses.com Follow: facebook.com/newdiscourses twitter.com/NewDiscourses instagram.com/newdiscourses newdiscourses.locals.com pinterest.com/newdiscourses linkedin.com/company/newdiscourses minds.com/newdiscourses reddit.com/r/NewDiscourses Podcast: @newdiscourses podcasts.apple.com/us/podcast/new-…es/id1499880546 bit.ly/NDGooglePodcasts open.spotify.com/show/0HfzDaXI5L4LnJQStFWgZp stitcher.com/podcast/new-discourses © 2021 New Discourses. All rights reserved.

The New Discourses Podcast with James Lindsay, Episode 48 Liberation Series, Part 4 of 4 We live in Herbert Marcuse's world. In a previous series on the New Discourses Podcast, James Lindsay made that clearer than ever by reading through all of Marcuse's 1965 essay "Repressive Tolerance" (https://www.marcuse.org/herbert/publications/1960s/1965-repressive-tolerance-fulltext.html), which served as a basis for the strong double standard enjoyed by radical Leftism today (check out the first part in that series here: https://newdiscourses.com/2021/01/how-not-to-resolve-the-paradox-of-tolerance/). In this episode, Lindsay wraps up his four-part series reading through another of Marcuse's frightening essays, "An Essay on Liberation." This fourth and final part of "An Essay on Liberation" (https://www.marxists.org/reference/archive/marcuse/works/1969/essay-liberation.htm) focuses on the role of "solidarity" as the glue meant to hold together his new coalition for liberation, outlined in the first three parts of the essay. Understanding the works of Herbert Marcuse has never been more important. In this episode, join James as he reads through the final (shortest) part of this essay and connects it to the features of today's clownish world, from Antifa and other radical activism to divisive identity politics to stakeholder capitalism and sustainability metrics. Learn what Marcuse envisioned for his New Left to bring into the world and how it has finally, after fifty years, begun to come to pass. Also, don't miss the other parts in this four-part series on this important and chilling essay: Part 1 (A Biological Foundation for Socialism: https://newdiscourses.com/2021/06/biological-foundation-socialism/), Part 2 (A New Sensibility: https://newdiscourses.com/2021/07/herbert-marcuses-new-sensibility/), and Part 3 (Subverting Forces in Transition: https://newdiscourses.com/2021/08/marcuses-subverting-forces-in-transition/). Support New Discourses: paypal.me/newdiscourses newdiscourses.locals.com/support patreon.com/newdiscourses subscribestar.com/newdiscourses youtube.com/channel/UC9K5PLkj0N_b9JTPdSRwPkg/join Website: newdiscourses.com Follow: facebook.com/newdiscourses twitter.com/NewDiscourses instagram.com/newdiscourses newdiscourses.locals.com pinterest.com/newdiscourses linkedin.com/company/newdiscourses minds.com/newdiscourses reddit.com/r/NewDiscourses Podcast: @newdiscourses podcasts.apple.com/us/podcast/new-…es/id1499880546 bit.ly/NDGooglePodcasts open.spotify.com/show/0HfzDaXI5L4LnJQStFWgZp stitcher.com/podcast/new-discourses © 2021 New Discourses. All rights reserved.

The New Discourses Podcast with James Lindsay, Episode 44 Liberation Series, Part 2 of 4 Herbert Marcuse is one of the most influential Leftist thinkers of the 1950s and 1960s, and for that reason he is often regarded as the father of the "New Left," which is reaching something of a crescendo in the Woke Movement of today. His goal was straightforward: liberation. In 1969, he wrote an influential essay (or short book) called "An Essay on Liberation" in which he explains what liberation looks like and how we should achieve it. So that you can better understand the moment we find ourselves in, James Lindsay has been reading "An Essay on Liberation" (https://www.marxists.org/reference/archive/marcuse/works/1969/essay-liberation.htm) for the New Discourses Podcast in full, with his explanation and commentary. This is the second part of that series, reading through part two of Marcuse's infamous essay, "A New Sensibility." In the first part of the essay, Marcuse lays out a case that we need to change mankind at the "biological" (meaning, it seems, mostly psychological and instinctual) level to make way for a liberated socialism. In this part of the essay, Marcuse explains that man will need to develop a "new sensibility" and even a "new rationality" (Critical Consciousness) in order to break the cycle of repression that he believes characterizes free, liberal societies (i.e., those that aren't Communism). His argument is that what people consider "sensible" constrains and represses their imagination, so a new (liberated, read: communistic) "sensibility" is needed and must replace the old sensibility. Then we will understand how sensibility and reason constrain and repress us and prevent previous (Communist and French) revolutions from succeeding at producing true liberation. It's a truly shocking piece of work, and it is obvious upon understanding it that its general thrust defines the ethos of radical Leftism today in the Critical Social Justice movements that have derived from it. Part 1 of this series, "A Biological Foundation for Socialism?", can be found here: https://newdiscourses.com/2021/06/biological-foundation-socialism/ Another series on Marcuse's work, featuring his essay "Repressive Tolerance," begins here: https://newdiscourses.com/2021/01/how-not-to-resolve-the-paradox-of-tolerance/ Support New Discourses: paypal.me/newdiscourses newdiscourses.locals.com/support patreon.com/newdiscourses subscribestar.com/newdiscourses youtube.com/channel/UC9K5PLkj0N_b9JTPdSRwPkg/join Website: newdiscourses.com Follow: facebook.com/newdiscourses twitter.com/NewDiscourses instagram.com/newdiscourses newdiscourses.locals.com pinterest.com/newdiscourses linkedin.com/company/newdiscourses minds.com/newdiscourses reddit.com/r/NewDiscourses Podcast: @newdiscourses podcasts.apple.com/us/podcast/new-…es/id1499880546 bit.ly/NDGooglePodcasts open.spotify.com/show/0HfzDaXI5L4LnJQStFWgZp stitcher.com/podcast/new-discourses © 2021 New Discourses. All rights reserved.

As mentioned in the previous ep, I got round to reading the second essay by Susan Sontag! Join me in understanding how we can define ‘art' and ‘science' in the contemporary.

Today we talk about Herbert Marcuse's concepts of The Great Refusal and The New Sensibility.  Support the show on Patreon! www.philosophizethis.org for additional content. Thank you for wanting to know more today than you did yesterday. :)

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied... Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden’s 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Cotkin is an emeritus professor of history at California Polytechnic State University. In his book Feast of Excess: A Cultural History of the New Sensibility (Oxford University Press, 2015) he has given us cultural criticism through a set of provocative portraits of creative Americans at mid-twentieth century who defied convention, pushed the boundaries of aesthetics and forged a new sensibility of personal liberation. From John Cage, who in 1952 explored the musical possibilities of silence in the composition 4′ 33″ to Chris Burden's 1974 performance piece Trans-fixed nailing him to a Volkswagen; both challenged the standing categories of art and aesthetics. Two-dozen dramatic vignettes demonstrate the excess of violence, sex, and madness that blurred the boundaries between art, artist and audience. Creatives such as Marlon Brando, Lenny Bruce, Andy Warhol, and Anne Sexton populate his pages. The fascination with excess cut across diverse expressions taking art and audiences into uncharted territories of the imagination erasing the distinctions between high and low art. Cotkin argues that the advant-garde pushing the limits with a mania for the new and unfettered subjectivity constitutes American culture today. For all its transgressions the New Sensibility was politically impotent and its excess fed the explosive growth of capitalism, consumerism and the golden age of advertising. The New Sensibility became stale, expected, and commodified. With a weakened power to shock it has become our culture, our sensibility, yet still offering the possibility of something passionate and new on the boundary between liberation and limits.

In November 2013, scholars and activists from around the world will gather at UK to attend the 5th Biennial Conference of the International Herbert Marcuse Society. Arnold Farr, a philosopher and social theorist here at the University of Kentucky, is organizing the conference, which seeks to examine “Emancipation, New Sensibility, and the Challenge of a New Era.”