Podcasts about Critical theory

Born Again: Romanticism and Fundamentalism (U Toronto Press, 2025) examines the deep historical roots of fundamentalism in Protestantism and the imaginative traditions of Romantic literature. It explores how the resurgence of fundamentalist thought within “born again” Christianity seeks to repress the trauma of modernity through the belief that the world must be radically transformed to align with a divine standard.By analysing the logic of this repression, the book reveals an alternative vision: a “revivalist rebirth” that offers a new ethical imperative to creatively shape the world in collaboration with others. Thinkers such as Immanuel Kant, Percy Shelley, and Friedrich Schlegel are central to the analysis, as are the literary works Faust and Frankenstein. Jeffrey Champlin illustrates how a revivalist imagination challenges blind faith, presenting figures of life reawakened to conscious moral and political engagement. Engaging with Arendt's politics of natality and Derrida's ethics of survival, Born Again offers pathways to reimagine a world that confronts the profound losses fueling fundamentalist ideologies, making it a timely and thought-provoking exploration for contemporary readers.Jeffrey Champlin is Director of the Learning Commons and Lecturer in the Humanities at Bard College Berlin. His research emphasizes connections between literature and political theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this discussion about How Real Is Race?: Unraveling Race, Biology, and Culture by Carol C. Mukhopadhyay, Rosemary Henze, and Yolanda T. Moses (Rowman & Littlefield, 2025)Biologically speaking, there is no such thing as race. Yet this seems to contradict the experiences of people in the United States and other countries where racial classification is used daily, by individuals and institutions. Race still matters, whether in wealth accumulation, educational achievement, health, the legal system, or in personal safety. How can race not be real when we experience its effects every day?Mukhopadhyay, Henze, and Moses systematically deconstruct the myth of race as biology and address the reality of race as a cultural invention, drawing on biocultural, historical, and cross-cultural anthropological perspectives. In doing so, they shed light on the intricate interplay among race, biology, culture, power, and stratification. Part I, “The Fallacy of Race as Biology,” unravels the myth that races are biologically valid divisions of humanity. Part II, “Culture Creates Race,” explores race as a social construction; the emergence of the racial worldview as ideological justification for inequality; and how social processes, especially restrictions on interracial sex and marriage, maintained visible markers of racial hierarchy. Part III, “Contemporary Issues,” examines current manifestations of racial stratification including the educational achievement gap, health disparities, and how the language of race embodies and reinforces a racial worldview.Dr. Mukhopadhyay is a cultural anthropologist whose specialties are gender, family, sexuality, race, cultural diversity, multicultural education, cognitive anthropology, ethnographic decision-modeling, theory and methodology. Her research has focused on gendered activities, in households, politics, music, and science & engineering (STEM). This has involved fieldwork in both the United States and India.Dr. Rosemary Henze is an educational anthropologist whose teaching, research, and educational projects seek to enhance social justice and equity in education. She applies concepts and methods from anthropology and linguistics to the study of race relations, immigration and multilingualism, Islamophobia, and the spread of English, among other topics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Offers a transformative reading of the Marxist tradition by uncovering its connections to the institutions and practices of worker education.For the past hundred years, “vulgar Marxism” has been the go-to insult among socialist and communist intellectuals, a shorthand for the ways Marxist theory could go wrong. But why would thinkers advocating for working-class emancipation use “vulgarity” as an epithet? In Vulgar Marxism: Revolutionary Politics and the Dilemmas of Worker Education, 1891–1931 (U Chicago Press, 2025), Edward Baring seeks an answer by delving into debates over Marxism in the first decades of the twentieth century. He shows that this common phrase wasn't aimed primarily at popular understandings of Marx. Rather, it was used to attack intellectuals for failing to teach Marx's theory to the working masses correctly. His history of “vulgar Marxism” homes in on the project of mass worker education at a time when the project was both widely pursued and fiercely contested. Worker education offered a mechanism through which Marxist theory was meant to promote large-scale social and political change, and it drew on a massive infrastructure of schools, publishing houses, and educational bureaus that stretched across Europe and reached millions. By centering this project, Baring radically recasts the history of Marxism from the Second International to World War II. He challenges classic oppositions between “economistic” and “cultural” versions of Marxism; rereads many of the most significant Marxist theorists of the time, including Karl Kautsky, Rosa Luxemburg, Georg Lukács, and Antonio Gramsci; and offers new resources for understanding how Marxist ideas transformed as they traveled around Europe and then spread throughout the world.Edward Baring is associate professor of history and human values at Princeton University. He is the author of Converts to the Real and The Young Derrida.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this discussion about How Real Is Race?: Unraveling Race, Biology, and Culture by Carol C. Mukhopadhyay, Rosemary Henze, and Yolanda T. Moses (Rowman & Littlefield, 2025)Biologically speaking, there is no such thing as race. Yet this seems to contradict the experiences of people in the United States and other countries where racial classification is used daily, by individuals and institutions. Race still matters, whether in wealth accumulation, educational achievement, health, the legal system, or in personal safety. How can race not be real when we experience its effects every day?Mukhopadhyay, Henze, and Moses systematically deconstruct the myth of race as biology and address the reality of race as a cultural invention, drawing on biocultural, historical, and cross-cultural anthropological perspectives. In doing so, they shed light on the intricate interplay among race, biology, culture, power, and stratification. Part I, “The Fallacy of Race as Biology,” unravels the myth that races are biologically valid divisions of humanity. Part II, “Culture Creates Race,” explores race as a social construction; the emergence of the racial worldview as ideological justification for inequality; and how social processes, especially restrictions on interracial sex and marriage, maintained visible markers of racial hierarchy. Part III, “Contemporary Issues,” examines current manifestations of racial stratification including the educational achievement gap, health disparities, and how the language of race embodies and reinforces a racial worldview.Dr. Mukhopadhyay is a cultural anthropologist whose specialties are gender, family, sexuality, race, cultural diversity, multicultural education, cognitive anthropology, ethnographic decision-modeling, theory and methodology. Her research has focused on gendered activities, in households, politics, music, and science & engineering (STEM). This has involved fieldwork in both the United States and India.Dr. Rosemary Henze is an educational anthropologist whose teaching, research, and educational projects seek to enhance social justice and equity in education. She applies concepts and methods from anthropology and linguistics to the study of race relations, immigration and multilingualism, Islamophobia, and the spread of English, among other topics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Offers a transformative reading of the Marxist tradition by uncovering its connections to the institutions and practices of worker education.For the past hundred years, “vulgar Marxism” has been the go-to insult among socialist and communist intellectuals, a shorthand for the ways Marxist theory could go wrong. But why would thinkers advocating for working-class emancipation use “vulgarity” as an epithet? In Vulgar Marxism: Revolutionary Politics and the Dilemmas of Worker Education, 1891–1931 (U Chicago Press, 2025), Edward Baring seeks an answer by delving into debates over Marxism in the first decades of the twentieth century. He shows that this common phrase wasn't aimed primarily at popular understandings of Marx. Rather, it was used to attack intellectuals for failing to teach Marx's theory to the working masses correctly. His history of “vulgar Marxism” homes in on the project of mass worker education at a time when the project was both widely pursued and fiercely contested. Worker education offered a mechanism through which Marxist theory was meant to promote large-scale social and political change, and it drew on a massive infrastructure of schools, publishing houses, and educational bureaus that stretched across Europe and reached millions. By centering this project, Baring radically recasts the history of Marxism from the Second International to World War II. He challenges classic oppositions between “economistic” and “cultural” versions of Marxism; rereads many of the most significant Marxist theorists of the time, including Karl Kautsky, Rosa Luxemburg, Georg Lukács, and Antonio Gramsci; and offers new resources for understanding how Marxist ideas transformed as they traveled around Europe and then spread throughout the world.Edward Baring is associate professor of history and human values at Princeton University. He is the author of Converts to the Real and The Young Derrida.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this discussion about How Real Is Race?: Unraveling Race, Biology, and Culture by Carol C. Mukhopadhyay, Rosemary Henze, and Yolanda T. Moses (Rowman & Littlefield, 2025)Biologically speaking, there is no such thing as race. Yet this seems to contradict the experiences of people in the United States and other countries where racial classification is used daily, by individuals and institutions. Race still matters, whether in wealth accumulation, educational achievement, health, the legal system, or in personal safety. How can race not be real when we experience its effects every day?Mukhopadhyay, Henze, and Moses systematically deconstruct the myth of race as biology and address the reality of race as a cultural invention, drawing on biocultural, historical, and cross-cultural anthropological perspectives. In doing so, they shed light on the intricate interplay among race, biology, culture, power, and stratification. Part I, “The Fallacy of Race as Biology,” unravels the myth that races are biologically valid divisions of humanity. Part II, “Culture Creates Race,” explores race as a social construction; the emergence of the racial worldview as ideological justification for inequality; and how social processes, especially restrictions on interracial sex and marriage, maintained visible markers of racial hierarchy. Part III, “Contemporary Issues,” examines current manifestations of racial stratification including the educational achievement gap, health disparities, and how the language of race embodies and reinforces a racial worldview.Dr. Mukhopadhyay is a cultural anthropologist whose specialties are gender, family, sexuality, race, cultural diversity, multicultural education, cognitive anthropology, ethnographic decision-modeling, theory and methodology. Her research has focused on gendered activities, in households, politics, music, and science & engineering (STEM). This has involved fieldwork in both the United States and India.Dr. Rosemary Henze is an educational anthropologist whose teaching, research, and educational projects seek to enhance social justice and equity in education. She applies concepts and methods from anthropology and linguistics to the study of race relations, immigration and multilingualism, Islamophobia, and the spread of English, among other topics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Offers a transformative reading of the Marxist tradition by uncovering its connections to the institutions and practices of worker education.For the past hundred years, “vulgar Marxism” has been the go-to insult among socialist and communist intellectuals, a shorthand for the ways Marxist theory could go wrong. But why would thinkers advocating for working-class emancipation use “vulgarity” as an epithet? In Vulgar Marxism: Revolutionary Politics and the Dilemmas of Worker Education, 1891–1931 (U Chicago Press, 2025), Edward Baring seeks an answer by delving into debates over Marxism in the first decades of the twentieth century. He shows that this common phrase wasn't aimed primarily at popular understandings of Marx. Rather, it was used to attack intellectuals for failing to teach Marx's theory to the working masses correctly. His history of “vulgar Marxism” homes in on the project of mass worker education at a time when the project was both widely pursued and fiercely contested. Worker education offered a mechanism through which Marxist theory was meant to promote large-scale social and political change, and it drew on a massive infrastructure of schools, publishing houses, and educational bureaus that stretched across Europe and reached millions. By centering this project, Baring radically recasts the history of Marxism from the Second International to World War II. He challenges classic oppositions between “economistic” and “cultural” versions of Marxism; rereads many of the most significant Marxist theorists of the time, including Karl Kautsky, Rosa Luxemburg, Georg Lukács, and Antonio Gramsci; and offers new resources for understanding how Marxist ideas transformed as they traveled around Europe and then spread throughout the world.Edward Baring is associate professor of history and human values at Princeton University. He is the author of Converts to the Real and The Young Derrida.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Humiliation pervades our politics, from images of stripped Palestinian men in Gaza to mocking chants at MAGA rallies. It suffuses pictures and videos, speaks through bodies as well as words, and is expressed by those with too much power as well as by those with too little. In Driven to Their Knees, Roxanne Euben takes readers from conflicts in the Arabic-speaking world to America's divided public square, advancing a theory of humiliation rooted in the ways people articulate and enact it. Euben analyzes some of the most conspicuous yet least studied Arabic expressions of humiliation, drawing on sources ranging from Qurʾānic commentary by Islamists to videos, poetry, songs, and tweets from the 2011 Egyptian revolution.Driven to Their Knees: Humiliation in Contemporary Politics (Princeton UP, 2025) reveals what the language of humiliation says—and also how it works. This groundbreaking book shows how humiliation expresses the imposition of impotence by those with undeserved power, and the way it converts relations of power into crises of virility. Humiliation rhetoric defines both the humiliated and the humiliator and issues an urgent call for a remedy in the viscerally charged language of emasculation. For Donald Trump and Usama bin Laden alike, this means driving their enemy to his knees for all to see, and then boasting about it to compound the degradation. But for others, humiliation galvanizes their struggle to “stand erect,” uniting them in a refusal to be bowed low. Humiliation is not just about power but is itself a powerful language that does far more than reflect contemporary politics. The language of humiliation remakes the very world in which we live.Roxanne L. Euben is the Walter H. and Leonore C. Annenberg Professor in the Social Sciences at the University of Pennsylvania. Her books include Journeys to the Other Shore: Muslim and Western Travelers in Search of Knowledge; Enemy in the Mirror: Islamic Fundamentalism and the Limits of Modern Rationalism; and (with Muhammad Qasim Zaman) Princeton Readings in Islamist Thought: Texts and Contexts from al-Banna to Bin Laden (all Princeton).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity. Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt's first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity. Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt's first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity. Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt's first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when the United States launches an unconventional foreign aid program in the aftermath of a national uprising? In this behind-the-scenes account of the Egyptian-American Enterprise Fund--a private investment fund created by the U.S. Congress to jumpstart Egypt's private sector after the 2011 Egyptian revolution--A Daring Enterprise: A Us-Egyptian Partnership and the Case for Soft Power (American University in Cairo Press, 2026) by James A Harmon, Cornelius Queen, and Mark Warren tells the story of one of the most effective, yet little known, U.S. foreign policy programs today in the Middle East.Through the firsthand account of the Fund's chairman James Harmon, a veteran investment banker and former Clinton administration official, the authors reveal how a small, U.S.-backed investment fund partnered with Egyptians to spark investment, create jobs, and expand opportunities for women in the Arab world's largest country--all against a backdrop of political instability, anti-Americanism, and Washington dysfunction.At a time when America's budget deficit is rising and foreign aid is being scaled back, A Daring Enterprise reveals how a new model of foreign assistance can tackle urgent development challenges while delivering real returns for U.S. taxpayers. Most importantly, it is a powerful reminder of the value of foreign aid and why smart foreign investment is key to America's future prosperity. Cornelius W. Queen is senior vice-president at the Egyptian-American Enterprise Fund. Previously, he worked on the Syrian Crisis Response in Lebanon for a local NGO and before as a Legislative Assistant on Capitol Hill covering trade and foreign policy issues. From 2011-2012, he served as a core staff member for the Carter Center on its international election observation mission for Egypt's first parliamentary and presidential elections after the 2011 revolution. He is a Middle East Policy Council 40 under 40 awardee. He earned an M.A. in Law and Diplomacy from the Fletcher School at Tufts University and his BA from the Johns Hopkins University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Join us for a conversation with Neil Shenvi, author of 'Why Believe?: A Reasoned Approach to Christianity' and co-author of 'Critical Dilemma: The Rise of Critical Theories and Social Justice Ideology-Implications for the Church and Society'. Why Believe?: A Reasoned Approach to Christianity: https://a.co/d/0hkxNIyo Shenvi Apologetics: https://shenviapologetics.com

In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator's call for arms sales to Israel. Despite Sirhan's confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan's Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan's grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan's action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security. Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator's call for arms sales to Israel. Despite Sirhan's confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan's Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan's grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan's action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security. Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In June 1968, a twenty-four-year-old Palestinian immigrant named Sirhan B. Sirhan assassinated Senator Robert F. Kennedy, marking yet another killing in a decade haunted by political violence. As he was being subdued, Sirhan shouted, “I can explain. I did it for my country,” by which he meant Palestine. On trial, he testified that his motives included opposition to Zionism, with particular anger directed toward Kennedy because of the senator's call for arms sales to Israel. Despite Sirhan's confessions, the significance of the Arab-Israeli conflict to the slaying largely escaped notice—or was actively obscured.I Did It for My Country: Sirhan Sirhan, Palestine, and the Assassination of Robert F. Kennedy is a revelatory account of Sirhan and the political dimensions of the assassination of Robert F. Kennedy. It illuminates Sirhan's Palestinian background, war-torn childhood, and experience of displacement, considering to what extent trauma contributed to his mental health problems. Michael R. Fischbach uncovers how prominent actors—from the United States and Middle Eastern governments to Jewish and Arab American groups—deliberately depoliticized the assassination by downplaying Sirhan's grievances about American support for Israel. He also examines why US authorities investigated possible Arab co-conspirators and explores how Palestinians understood Sirhan's action, as well as how Sirhan has maintained his Palestinian nationalism during his decades in prison. Drawing on in-depth archival research—including FBI and CIA documents—this book pinpoints a missed opportunity to consider how US foreign policy could affect domestic security. Michael R. Fischbach is professor of history at Randolph-Macon College. His books include The Movement and the Middle East: How the Arab-Israeli Conflict Divided the American Left (2019); Black Power and Palestine: Transnational Countries of Color (2018); and Records of Dispossession: Palestinian Refugee Property and the Arab-Israeli Conflict (2003).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Espen Hammer is Professor of Philosophy at Temple University. His main interests are in Kant and German Idealism, social and political philosophy, modern European philosophy, phenomenology, Critical Theory, and aesthetics. He is the author of After the Death of God: Secularization as a Philosophical Challenge from Kant to Nietzsche. In this episode, we focus on After the Death of God. We first define secularization, and discuss the secularization thesis. We talk about critiques of religion. We discuss whether secularism has theological origins. We talk about the role(s) of religion, and whether it is on the decline. We discuss whether the conflict between religion and secularism is inevitable. We then go through the work of philosophers like Kant, Hegel, Feuerbach, Marx, and Nietzsche, and how they approached religion. Finally, we talk about how philosophers have approached religion since Nietzsche, and we discuss whether religion has become more progressive over time.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, JOÃO BARBOSA, JULIAN PRICE, HEDIN BRØNNER, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, TONY BARRETT, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, HUGO B., JORDAN MANSFIELD, CHARLOTTE ALLEN, PETER STOYKO, DAVID TONNER, LEE BECK, PATRICK DALTON-HOLMES, NICK KRASNEY, RACHEL ZAK, DENNIS XAVIER, CHINMAYA BHAT, RHYS, ALEX MACLEOD, HAIDAR, JULIEN PORCHER, ROBERT SUNDSTRÖM, AND JON STEWART!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, PER KRAULIS, ADAM HUNT, AND ANTHONY DI LORENZO!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER,SERGIU CODREANU, AND GREGORY HASTINGS!

Dr. Bradley Green of Southern Baptist Theological Seminary What Is Critical Theory?The post Critical Theory – Dr. Bradley Green, 9/15/26 (2582) first appeared on Issues, Etc..

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006).  She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006).  She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society's norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

NEW PAMPHLET: The Israeli-Arab Conflict: Will there be Peace?Link: https://www.amazon.com/dp/B0GZ2FJ78FNEW BOOK: Red-Pilled Social Theory: Cracking the woke mind-virusLINK: https://www.amazon.com/dp/B0GS77TZKRGUEST: Science blogger Michael D. ShawMICHAEL SHAW SUBSTACK: https://mdspov.substack.comCharles Moscowitz LIVEWebsite: https://charlesmoscowitz.comMoscowitz Author Page:https://www.amazon.com/stores/Charles-Moscowitz/author/B00BFLX7S0Buy Me a Coffee, Join me for Coffee: https://www.buymeacoffee.com/moscowitz

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gulliver's Travels is one of the landmarks of world literature. Gulliver's adventures with the tiny but spirited Lilliputians, the giant inhabitants of Brobdingnag, the flying island of Laputa, and the rational horses of Houyhnmhnmland have become globally famous for their satirical wit and visionary creativity. Early editions credited Gulliver himself as the author, and many readers believed him to be a real person. Later commentators have variously described the work as proto-science fiction, as inspired children's literature and as a forerunner of the modern novel. The editor's introduction to this celebratory anniversary edition contextualises Gulliver's Travels in Swift's life and work as a whole while exploring its rich and remarkable afterlife. All the original illustrations and maps are included, as are the frontispiece portraits. Generous annotation explains textual details which might now seem obscure, and appendices contain additional documents and images to enhance contemporary understanding and enjoyment. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.   YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gulliver's Travels is one of the landmarks of world literature. Gulliver's adventures with the tiny but spirited Lilliputians, the giant inhabitants of Brobdingnag, the flying island of Laputa, and the rational horses of Houyhnmhnmland have become globally famous for their satirical wit and visionary creativity. Early editions credited Gulliver himself as the author, and many readers believed him to be a real person. Later commentators have variously described the work as proto-science fiction, as inspired children's literature and as a forerunner of the modern novel. The editor's introduction to this celebratory anniversary edition contextualises Gulliver's Travels in Swift's life and work as a whole while exploring its rich and remarkable afterlife. All the original illustrations and maps are included, as are the frontispiece portraits. Generous annotation explains textual details which might now seem obscure, and appendices contain additional documents and images to enhance contemporary understanding and enjoyment. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gulliver's Travels is one of the landmarks of world literature. Gulliver's adventures with the tiny but spirited Lilliputians, the giant inhabitants of Brobdingnag, the flying island of Laputa, and the rational horses of Houyhnmhnmland have become globally famous for their satirical wit and visionary creativity. Early editions credited Gulliver himself as the author, and many readers believed him to be a real person. Later commentators have variously described the work as proto-science fiction, as inspired children's literature and as a forerunner of the modern novel. The editor's introduction to this celebratory anniversary edition contextualises Gulliver's Travels in Swift's life and work as a whole while exploring its rich and remarkable afterlife. All the original illustrations and maps are included, as are the frontispiece portraits. Generous annotation explains textual details which might now seem obscure, and appendices contain additional documents and images to enhance contemporary understanding and enjoyment. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor's orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim's history and place in the community. At the center of Jaques's inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques's investigation as he uncovers one woman's story of resilience and survival. Applying forensic analysis to witness testimony and Jaques's case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city's most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms. Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: hereSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Literature and Learning: A History of English Studies in Britain (Oxford University Press, 2025) by Stefan Collini The study and teaching of English literature is generally regarded as one of the central disciplines in the modern university, yet for much of its history it struggled to gain academic legitimacy and was frequently derided as 'a soft option'. Its early professors responded by emphasizing its scholarly character, foregrounding philology and literary history in ways that marked the syllabus far into the twentieth century. Stefan Collini provides here the first full account of the discipline's development from its late-eighteenth-century beginnings up to the early 1960s. Paying special attention to institutional settings, he challenges numerous assumptions about the character of universities in the nineteenth and early twentieth centuries. From the detailed exploration of syllabuses, exam papers, and other institutional records, the impact of literary criticism is revealed to be later and more partial than is commonly assumed. Rather than seeing the early teaching of English literature as 'a substitute for religion' or 'a means to soften class conflict', Collini emphasizes the role of ideals of learnedness and scholarship, as well as of external factors such as opportunities for employment in the civil service and secondary school-teaching. There are full discussions of the parts played by such figures as John Churton Collins, A.C. Bradley, George Saintsbury, and Walter Raleigh, together with sceptical analyses of the decisive significance usually attributed to Matthew Arnold, T.S. Eliot, I.A. Richards, and F.R. Leavis. Separate chapters are devoted to neglected aspects of the story such as the role of Classics, the importance of the subject for women's higher education, and the connections with English teaching in schools. Drawing on extensive use of institutional archives and records as well as the writings of contemporary participants, the book offers a vivid and wide-ranging history of English-as-discipline and its centrality across academic, literary, cultural, and educational life over the past two year hundred years, as well as a resounding testament to its continued importance and relevance today. Stefan Collini, Professor Emeritus of Intellectual History and English Literature, University of Cambridge. Stefan Collini was educated at Cambridge and Yale. Following a Research Fellowship at St John's College, Cambridge, he was Lecturer, then Reader, in Intellectual History at the University of Sussex 1974-86; Lecturer, then Reader, then Professor of Intellectual History and English Literature at the University of Cambridge 1986-2014. He is a Fellow of the British Academy, and a frequent contributor to the London Review of Books, Times Literary Supplement, and Guardian. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

IT'S HERE! Pre-Order the 4th installment of the Ashtown Burial Series at ashtownburials.com.In this episode, Douglas Wilson argues for the blessings of colonialism, continues his study of New Testament foolishness with the word moros, and reviews Michael Kruger's The Question of Canon and its case for the organic formation of the New Testament. For more from Doug, subscribe to Canon+: https://canonplus.com/  

"Automated Paradise" The Bristol-born Jon Klein got his start with the late-seventies post-punk outfit Europeans. After their break-up he formed the porto-goth band Specimen, who put out a handful of winning singles, but splintered before an album could be released. In 1987 Klein joined Siouxsie and the Banshees and went on to record three records with them: Peepshow, Superstition and The Rapture. Although Klein left the band in 1994, from there he moved from strength to strength, playing and recording with Shriekbak, Thomas Dolby, Talvin Singh and Space Tribe. He toured with Sinead O'Connor as her lead guitarist in 1995 and he played everywhere from Pinkpop to Glastonbury to Lollapalooza. Klein is one of those guys who has always stayed busy: he played in the band SNAIL, toured Southeast Asia as the musical director for Dr. Penguin's Magic Circus, went to art school and knocked out a degree in Fine Art and Critical Theory, has his own production company called Ground Control, co- produced an album for Fangoria, which hit Number One in Spain, composed soundtracks for film and theatre companies and played in the supergroup, Spammed with Horace Panter, Rat Scabies and Terry Edwards. He's also a filmmaker, an international fine artist and he is a member of the Tuned In Community Music Project with Jah Wobble. Klein and Jah Wobble have put out several fabulous albums, including A Brief History of Now and their latest effort, Automated Paradise. A jittery blast of searing post-punk and cultural dread, Automated Paradise finds Klein in fine form, slashing brilliantly away through each composition with fiery resolve. www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com

New Discourses Bullets, Ep. 178 Critical Theory originates in the formal sense from a 1937 essay penned by Frankfurt School director Max Horkheimer, bearing the title "Traditional and Critical Theory." In that essay, Horkheimer compares what he calls "traditional theory" against his neo-Marxist conception that he names "critical theory," thus organizing the approach behind the entire school of thought that is sometimes called Critical Marxism. In this episode of New Discourses Bullets, host James Lindsay breaks down the point of this essay and the nature of Horkheimer's comparison between these two ways of thinking. Join him for deeper clarity on this important topic. Join us for the Preserving Liberty Conference at Sea!: https://ndcruise.com Support New Discourses: https://newdiscourses.com/support Follow New Discourses on other platforms: https://newdiscourses.com/subscribe Follow James Lindsay: https://linktr.ee/conceptualjames © 2026 New Discourses. All rights reserved. #NewDiscourses #JamesLindsay #criticaltheory