Podcasts about Critical theory

In the last several years, a cult industrial complex has emerged to capitalize on Americans' fascination with groups such as Jonestown, the Manson Family, the Branch Davidians, and the Rajneeshpuram community in Wasco County, Ore., argues UC Berkeley professor Poulomi Saha. But in her highly sought-after class called Cults in Popular Culture, they emphasize that it's important to look beyond the sensational examples and recognize how cult-like behavior shows up in many facets of our lives and society. We'll talk with Saha about why some groups are labeled as cults, why people are drawn to them, and what cults reveal about spirituality and culture in America. Guests: Poulomi Saha, associate professor of English and co-director of the Program in Critical Theory, UC Berkeley. Saha teaches a course called Cults in Popular Culture.

Honesty is an important virtue. Parents want to develop it in their children. Close relationships depend upon it. Employers value it in their employees. Surprisingly, however, philosophers have said very little about the virtue of honesty over the past fifty years. In Honesty: The Philosophy and Psychology of a Neglected Virtue (Oxford UP, 2021), Christian B. Miller aims to draw much greater attention to this neglected virtue. The first part of the book looks at the concept of honesty. It takes up questions such as: What does honesty involve? What are the motives of an honest person? How does practical wisdom relate to honesty? Miller explores what connects the many sides of honesty, including not lying, not stealing, not breaking promises, not misleading others, and not cheating. He argues that the honest person reliably does not intentionally distort the facts as she takes them to be. Miller then examines the empirical psychology of honesty. He takes up the question of whether most people are honest, dishonest, or somewhere in between. Drawing extensively on recent studies of cheating and lying, the model Miller articulates ultimately implies that most of us have a long way to go to reach an honest character. Honesty: The Philosophy and Psychology of a Neglected Virtue provides both a richer understanding of what our character looks like, as well as what the goal of being an honest person actually involves. Miller then leaves it up to us to decide if we want to take steps to shrink the character gap between the two. Christian B. Miller is the A. C. Reid Professor of Philosophy at Wake Forest University. He is currently the Director of the Honesty Project. He is the author of over 100 academic papers as well as four books, including Moral Character: An Empirical Theory (2013), Character and Moral Psychology (2014), The Character Gap: How Good Are We? (2017), and Moral Psychology (2021). He is a science contributor for Forbes, and his writings have also appeared in The New York Times, Wall Street Journal, Dallas Morning News, Slate, The Conversation, Newsweek, Aeon, and Christianity Today. Miller is the editor or co-editor of Essays in the Philosophy of Religion (OUP),Character: New Directions from Philosophy, Psychology, and Theology (OUP),Moral Psychology, Volume V: Virtue and Character (MIT Press), Integrity, Honesty, and Truth Seeking (OUP), and The Continuum Companion to Ethics (Continuum Press) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Honesty is an important virtue. Parents want to develop it in their children. Close relationships depend upon it. Employers value it in their employees. Surprisingly, however, philosophers have said very little about the virtue of honesty over the past fifty years. In Honesty: The Philosophy and Psychology of a Neglected Virtue (Oxford UP, 2021), Christian B. Miller aims to draw much greater attention to this neglected virtue. The first part of the book looks at the concept of honesty. It takes up questions such as: What does honesty involve? What are the motives of an honest person? How does practical wisdom relate to honesty? Miller explores what connects the many sides of honesty, including not lying, not stealing, not breaking promises, not misleading others, and not cheating. He argues that the honest person reliably does not intentionally distort the facts as she takes them to be. Miller then examines the empirical psychology of honesty. He takes up the question of whether most people are honest, dishonest, or somewhere in between. Drawing extensively on recent studies of cheating and lying, the model Miller articulates ultimately implies that most of us have a long way to go to reach an honest character. Honesty: The Philosophy and Psychology of a Neglected Virtue provides both a richer understanding of what our character looks like, as well as what the goal of being an honest person actually involves. Miller then leaves it up to us to decide if we want to take steps to shrink the character gap between the two. Christian B. Miller is the A. C. Reid Professor of Philosophy at Wake Forest University. He is currently the Director of the Honesty Project. He is the author of over 100 academic papers as well as four books, including Moral Character: An Empirical Theory (2013), Character and Moral Psychology (2014), The Character Gap: How Good Are We? (2017), and Moral Psychology (2021). He is a science contributor for Forbes, and his writings have also appeared in The New York Times, Wall Street Journal, Dallas Morning News, Slate, The Conversation, Newsweek, Aeon, and Christianity Today. Miller is the editor or co-editor of Essays in the Philosophy of Religion (OUP),Character: New Directions from Philosophy, Psychology, and Theology (OUP),Moral Psychology, Volume V: Virtue and Character (MIT Press), Integrity, Honesty, and Truth Seeking (OUP), and The Continuum Companion to Ethics (Continuum Press) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A few years ago, when professional athletes were criticized for kneeling during the national anthem, it wasn't always because critics disagreed with the cause that athletes were claiming or because of the irony of multi-millionaires denouncing the nation to which they owed their success. Many fans just didn't want to see football turned into yet another stage for political activism. Even when a cause is just, healthy societies have spaces where differences can be put aside in pursuit of a common experience, whether it's something as trivial as a televised sporting event or something as important as forming the next generation of civic leaders.  High school debate has long served this second role. The National Speech and Debate Association is the largest league of its kind in the nation. For nearly one hundred years, it has trained students to reason and speak effectively about issues significant to people and society. According to its Wikipedia page, the NSDA serves more than 140,000 students and coaches each year. It would be reasonable to think that the debaters who rise to the top of this league have become masters of reason and argument, able to speak persuasively on a range of topics. That is no longer the case.  In a clip that recently went viral, the final round of the NSDA's 2021 Tournament of Champions at the University of Kentucky featured two young women of Team A, one of whom identifies as transgender, and who apparently decided they would win the round by “out-woking” their opponent. They began the round by refusing to debate the resolution, which was about the costs and benefits of the International Monetary Fund. Instead, they highjacked the forum to protest the plight of transgender debaters, made the round “a debate about debate,” and promised to “occupy the debate space until trans debaters can participate safely.”  In a saner time (and league), such behavior would result in an immediate loss. However, that did not happen at this prestigious tournament. Instead, the young men of Team B immediately conceded the round and joined a 45-minute discussion on how debaters who misgender their opponents should automatically lose. One even offered, “It's important to recognize that debate is not about winning an argument. It's about making sure everyone feels okay and making sure everyone feels safe.” The judges then praised Team A for their “courage” and crowned them the national Public Forum Debate champions.  It would be easy to criticize these students for making a joke out of a competition that generations of their peers worked hard to win. However, that would miss the point. These debaters didn't invent these tactics or the ideology upon which it is based. They were taught to turn every forum into an opportunity for activism, to dismiss and denounce anyone who questions their claims, and to play the victim to be rewarded. It's the same training that taught the “Just Stop Oil” activists to deface and destroy priceless works of art to draw attention to their cause. Most recently, a pair of Just Stop Oil climate vandals took hammers to a famous painting in the National Gallery in London.   The painting had about as much to do with fossil fuels as much the IMF has to do with transgender debaters. To activists, however, that irrelevance is irrelevant. Their ideology, they've been taught, is the only thing in the world worth talking or doing anything about, and they will actively hijack or destroy all other human pursuits until everyone shares their singular obsession.  This reveals why such an all-consuming ideology is dangerous, no matter what you think of the causes behind it. The notion that no one should be able to do, pursue, appreciate, argue, or think about anything else but your cause is a form of intellectual tyranny that, if tolerated widely, can quickly erode the foundations of a free society. If everything must be sacrificed to your ideology, then it's much more than a cause that demands justice. It's an idol that demands worship.  “Good philosophy must exist,” wrote C. S. Lewis, “if for no other reason, because bad philosophy needs to be answered.” Such bad philosophy, he warned, doesn't always take the form of “cool intellect” arguing wrongly, but often manifests as “muddy heathen mysticisms which deny intellect altogether.” I can think of few better descriptions of a debate tournament won by “out-woking” your opponent.    This Breakpoint was co-authored by Shane Morris. For more resources to live like a Christian in this cultural moment, go to breakpoint.org. 

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Our contemporary world is inescapably Greek. Whether in a word like “pandemic,” a Freudian state of mind like the “Oedipus complex,” or a replica of the Parthenon in a Chinese theme park, ancient Greek culture shapes the contours of our lives. Ever since the first Roman imitators, we have been continually falling under the Greeks' spell. But how did ancient Greece spread its influence so far and wide? And how has this influence changed us? In What the Greeks Did for Us (Yale UP, 2023), Tony Spawforth explores our classical heritage, wherever it's to be found. He reveals its legacy in everything from religion to popular culture, and unearths the darker side of Greek influence—from the Nazis' obsession with Spartan “racial purity” to the elitism of classical education. Paying attention to the huge breadth and variety of Hellenic influence, this book paints an essential portrait of the ancient world's living legacy—considering to whom it matters, and why. Tony Spawforth is emeritus professor of ancient history at Newcastle University. As well as leading cultural tours in Greece, he has presented eight documentaries for the BBC and has published thirteen books, including The Story of Greece and Rome. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Wayne is solo today and he talks about a concept that he and his co-host Jennia D'Lima were discussing recently—important in approaching any kind of fiction. Irony. What exactly is it? Why is it important to be aware of as you read fiction, or frankly experience any art form? And how can an appreciation of irony help you perhaps even enjoy a novel that you might otherwise despise or avoid outright?▬David Crosshttps://www.youtube.com/watch?v=GTz9x_RFq94&t=220s&ab_channel=DavidCross-TopicRicky Gervaishttps://www.youtube.com/watch?v=ovSe80zSptE A Dictionary of Critical Theory, 2nd ed., by Ian Buchanan (Oxford, 2018)https://doi.org/10.1093/acref/9780198794790.001.0001 

In today's episode, Gheorghe and Mark discuss the link between Critical Theory and racism. Listen in as they discuss the sudden and alarming rise in antisemitism and its connection with woke public education.Donate to our Podcast Ministry: https://kprz.com/radioshow/9412See omnystudio.com/listener for privacy information.

Integral professor, writer and my imaginary uncle Roger joins me to talk university life, political correctness, Ken Wilber, adult development, critical theory, “both and”, catastrophe, the attempt to establish virtue, inequality, nature deficit disorder, and the most important question on the planet. A beautiful deep one. More information about Roger Walsh's work - www.drrogerwalsh.com    To join our courses and our community go to www.embodimentunlimited.com Find Mark Walsh on Instagram https://www.instagram.com/warkmalsh/  

Should Thanksgiving be used as a time to criticize the many ways European colonists & the U.S. have mistreated Native Americans throughout the centuries (and they did) or as an inner look of the many blessings of good we have in her lives. Coach discusses how our the current trend of Critical Theory can influence us to practice "Critical Life Theory" where we only look on the bad and see ourselves as perpetual victims, and how this approach to life is not good for our mental health. Instead we should see the positives of the 1st Thanksgiving; the lessons the Pilgrims and Wampanoag can teach us about tolerance. Coach shares some of the stories that are rarely mentioned of that first encounter and how the peace lasted between the two different people groups of a half century. The episodes end with Coach thanking his family, and how even what some may see as negatives can be great positives (such as the word "NO" sometimes being the most loving word you can hear). So this Thanksgiving, take stock of the good in your life, and reach out to those who have provided you with good and say "Thanks". It won't just be a salve for their mental health, but yours as well. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ptcpodcast/message

At Moore College, we were recently joined by Professor Christopher Watkin to talk about his new book, “Biblical Critical Theory: How the Bible's unfolding story makes sense of modern life and culture”, which recently won Australian Christian Book of the Year. In this episode of the CCL podcast, we bring you the recording of an interview Peter Orr conducted with Christopher, as well as the Q&A that followed. Christopher introduces us to his book, and also demonstrates the power of the Bible for helping us to understand—and even lovingly critique—the culture we live in. For an edited transcript and show notes, visit https://ccl.moore.edu.au/resources/podcast-episode-107/ Send us your ethical questions using the contact form on our website: https://ccl.moore.edu.au/contact/

In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them. The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom.  Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them. The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom.  Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them. The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom.  Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them. The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom.  Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In The Death of the Millennial Left: Interventions: 2006-2022 (Sublation Media, 2023), Chris Cutrone investigates how and why the Millennial Left did not take up the task of socialism for the their time and relegated themselves to the shadows of the GenX Left and the New Left before them. The Millennial Left, facing the War on Terror, the Great Recession, the Arab Spring and the Occupy movement, and the Black Lives Matter protests, as well as the Presidencies of Obama and Trump and the political discontents expressed by them and by Bernie Sanders, Brexit and Jeremy Corbyn, SYRIZA, et al, was tasked with the struggle for socialism in the core of global capital. It failed to even attempt this task. In the essays collected here, spanning the Millennial generation's many agonies, Chris Cutrone cuts through the accumulated legacy of failures that the Millennials inherited from the Left of the 20th century and that blocked their view of the socialist politics needed to turn the crisis of neoliberal capitalism into a struggle to overcome capitalism. A critique of the history of the recent and current Left, the book is also a lesson in politics: the politics marking the 21st century and the absence of Marxism informing the Left as much as the Right. It is essential reading for anybody interested in a socialist politics of freedom.  Chris Cutrone teaches Critical Theory at the School of the Art Institute of Chicago and the Institute for Clinical Social Work. He completed his PhD on Adorno's Marxism at the University of Chicago, where he taught for many years in the Social Sciences Core Curriculum, and is the original lead organizer and chief pedagogue of the Platypus Affiliated Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking historical 'facts'. For over 20 years, Jo has studied, taught and researched history and is an expert in the daily life of Medieval Europe, life in the 1930s and 1940s, and the history of crime. She has worked as a historical consultant teaching in museums, advising on documentaries and carrying out research for films. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The Frankfurt School's own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, Immanent Critiques: The Frankfurt School Under Pressure (Verso, 2023) seeks to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances.  Honoring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essay collection also acknowledges a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode, we welcome John Cooper back to the show. He is one of the founding members, lead vocalist, and bassist for the twice Grammy nominated and 12-time platinum band Skillet. Skillet is one of the best-selling and most streamed rock bands of the 21st century. He is also the host of the Cooper Stuff Podcast. Additionally, he is the author of two books: Awake & Alive to Truth and his new book out now called Wimpy, Weak and Woke: How Truth Can Save America from Utopian DestructionI. In this interview, we discuss why for the first time in over 20 years that Skillet is not signed to a major label, whether or not fans of their music can expect to hear a different sound now that they are independent, why he decided to write a much more detailed second book, why “third-way” people are wrong, how accusations of “divisiveness” cripple most Christians from speaking out against demonic ideologies, how weak pastors and absent cultural prophets exacerbate this problem, why you should ignore the “Tone Police”, how philosophies like Critical Theory have pervaded and invaded the West and its churches, what can be done about all of this, and much more. Let's get into it…  Episode notes and links HERE. Donate to support our mission of equipping men to push back darkness. Learn more about your ad choices. Visit megaphone.fm/adchoices

GUEST OVERVIEW: Fabio Vighi is a Professor of Italian and Critical Theory at Cardiff University, UK. His recent work encompasses "Critical Theory and the Crisis of Contemporary Capitalism," and he serves as the co-director of Cardiff University's Žižek Centre for Ideology Critique.

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures. Nina Attwood is the author of The Prostitute's Body: Rewriting Prostitution in Victorian England (2011) and a co-author of Sex Addiction: A Critical History (2015) Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence's assertion “that all men are created equal,” Patrick Henry's cry of “Give me liberty, or give me death!,” and Francis Scott Key's “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable. For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic's founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery. Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic's promise by waging war against slavery. In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence's assertion “that all men are created equal,” Patrick Henry's cry of “Give me liberty, or give me death!,” and Francis Scott Key's “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable. For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic's founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery. Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic's promise by waging war against slavery. In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence's assertion “that all men are created equal,” Patrick Henry's cry of “Give me liberty, or give me death!,” and Francis Scott Key's “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable. For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic's founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery. Symbols of Freedom: Slavery and Resistance Before the Civil War (NYU Press, 2023) is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic's promise by waging war against slavery. In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue the Matthew J. Clavin is Professor of History at the University of Houston and the author of The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, Aiming for Pensacola: Fugitive Slaves on the Atlantic and Southern Frontiers, and Toussaint Louverture and the American Civil War: The Promise and Peril of a Second Haitian Revolution. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ineffable, invisible, inscrutable--angels are enduring creatures across Judaism, Christianity, and Islam, and human experiences of the divine as mediated by spiritual emissaries are an aspect of almost every religious tradition. In popular culture, angels are often reduced to the most gauzy, sentimental, and saccharine of images: fat babies with wings and guardians with robes, halos, and harps. By contrast, in scripture whenever one of the heavenly choirs appears before a prophet or patriarch, they first declare "Fear not!" for terror would be the most appropriate initial reaction to these otherworldly beings. Angels are often not what we'd expect, but it's precisely in that transcendent encounter that something of the strangeness of existence can be conveyed.  Elysium: A Visual History of Angelology (Cernunnos, 2023) is a follow-up volume to Pandemonium: A Visual History of Demonology, and like the earlier title, this book offers an account of the angelic hierarchies as they've been understood across centuries and cultures and of the individual personages, such as the archangels Michael, Gabriel, and Uriel, who have marked the mythology of the West. Ed Simon is the Executive Director of Belt Media Collaborative and the Editor-in-Chief for Belt Magazine and an emeritus staff writer at The Millions, which the New York Times has called the “indispensable literary site.” Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history