Podcast appearances and mentions of Susan Sontag

Get more: Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis Philosophize This! Clips: https://www.youtube.com/@philosophizethisclips Be social: Twitter: https://twitter.com/iamstephenwest Instagram: https://www.instagram.com/philosophizethispodcast TikTok: https://www.tiktok.com/@philosophizethispodcast Facebook: https://www.facebook.com/philosophizethisshow   Thank you for making the show possible.

Last Thursday I was thrilled to speak with Idris Murphy, leading contemporary artist and a previous podcast guest, in front of a live audience at the S.H.Ervin Gallery in Sydney. It's where the survey exhibition of his work, 'Idris Murphy: Backblocks' is now showing and continues until 26 March 2023. Curated by Terence Maloon, it features breathtaking work predominantly from the last two decades. Paintings which shimmer, glow, and transport the viewer.  Idris talked with me about his career including the stories behind several works, the influence indigenous culture has had on his approach and how he works in the studio. Although this exhibition is impressive in its quality and depth, this isn't the first survey show of Idris's work. The exhibition ‘I and Thou' in 2009/2010 had highlighted the preceding 30 years of work. He has exhibited in over 40 solo shows over the years with work in major public collections including  the National Gallery of Australia and Art Gallery of NSW. Thanks to everyone who came along!  I also filmed our conversation and will be uploading an edited version of this chat to the TWP YouTube channel in the coming months. Idris is represented by King Street Gallery in Sydney. Photo of Idris Murphy in his studio (2022) by me Current exhibition 'Idris Murphy: Backblocks', S.H.Ervin Gallery, Sydney, until 26 March 2023 Links Idris Murphy's website Idris Murphy at King Street Gallery Previous podcast interview with Idris Murphy: Episode 131 Henri Matisse Clip of the American writer I refer to in the episode at about 6:40 - Etel Adnan - on beauty  Susan Sontag - 'On Photography' Jeanette Winterson Annie Dillard Rose Wylie John Berger  The quote we refer to is from his book 'and our faces, my heart, as brief as photos' Bono - 'Surrender' Nick Cave Badger Bates Tickets to Artist Talk with Nick Stathopoulos at AGNSW Subscribe to the TWP monthly newsletter  Installation photo - S.H.Ervin Gallery (see below for individual works) 'Somewhere in France 1', 2017, acrylic and collage on aluminium, 151 x 141cm ANU Art Collection 'Somewhere in France 2', 2017, acrylic and collage on aluminium, 151 x 141cm ANU Art Collection 'Somewhere in France 3', 2017, acrylic and collage on aluminium, 151 x 141cm ANU Art Collection 'Half Moon at the New', 2015, acrylic on aluminium, 153 x 153cm Courtesy of the artist and King Street Gallery 'Weipa Harbour Storm', 2005, acrylic and collage on board, 120 x 120cm 'Low tide Boodery National Park', 2015, acrylic and collage on board, 150 x 150cm Private collection

The sisters conclude their death and spectacle series with further thoughts on the dead deprived of commemoration.  From the repository of graves on New York City's Hart Island to the erasure of historic Black cemeteries in the American South, they explore the ways in which human remains are stratified, relegated and discarded in ways that lay bare the injustice of life.Or, in the case of Body Worlds, forever plastinated and displayed for public view—without their owners' consent—in what Edward Rothstein described as an act of “aestheticized grotesqueness.”  What makes certain land and bodies sacred (or literally, saintly) while rendering others disposable? What can the living learn from the politics of remembering and forgetting remains? Sources cited include Joan Didion's South and West, Zora Neale Hurston's Their Eyes Were Watching God, Eliza Franklin's Lost Legacy Project for the UCLA Urban Humanities Initiative, Susan Sontag's "On Photography," the Equal Justice Initiative's Community Remembrance Project, Jacqueline Goldsby's A Spectacular Secret, Dorothea Lange's 1956 photographs of California's Berryessa Valley, Marita Sturkin's “The Aesthetics of Absence,” Seth Freed Wessler's 2022 ProPublica investigation “How Authorities Erased a Historical Black Cemetery in Virginia,” Robert McFarlane's 2019 New Yorker piece “The Invisible City Beneath Paris,” Melinda Hunt's Hart Island Project (www.hartisland.net), Nina Bernstein's 2016 New York Times piece “Unearthing the Secrets of New York's Mass Graves,” “Young Ruin” from 99% Invisible, and NPR's 2006 reporting on ethical concerns over Body Worlds.Cover photo of Hart Island's common trench burials is by Jacob Riis, 1890.

继续回顾去年的阅读，本期聊一些女性作家的非虚构作品和与写作本身相关的写作，包括散文集、日记书信和传记回忆录。 Female writers writing about writing. :) 提到的书： Melissa Febos, Abandon Me (2:08) Virginia Woolf, A Writer's Diary (14:04) Virginia Woolf and Vita Sackville-West, Love Letters: Vita and Virginia (22:47) Nigel Nicolson, Portrait of a Marriage (26:25) Lydia Davis, Essay Two (30:50) Susan Sontag, Reborn: Journals and Notebooks, 1947-1963 (41:45) Ray Chow, Not Like a Native Speaker (46:48) Yiyun Li, Dear Friend, from My Life I Write to You in Your Life (48:47) --- Send in a voice message: https://anchor.fm/GFtherapy/message

Today we talk about the essay titled Against Interpretation by Susan Sontag. :) www.philosophizethis.org www.patreon.com/philosophizethis www.instagram.com/philosophizethispodcast www.twitter.com/iamstephenwest    

Jacke talks to "serial biographer" Carl Rollyson about his new two-volume biography of William Faulkner, The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (Volume 1) and The Life of William Faulkner: This Alarming Paradox, 1935-1962 (Volume 2). CARL ROLLYSON, Professor of Journalism at Baruch College, The City University of New York, has published more than forty books ranging in subject matter from biographies of Marilyn Monroe, Lillian Hellman, Martha Gellhorn, Norman Mailer, Rebecca West, Susan Sontag, and Jill Craigie to studies of American culture, genealogy, children's biography, film, and literary criticism. Additional listening suggestions: William Faulkner - A Rose for Emily William Faulkner - Dry September Baldwin v. Faulkner Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaaaaaaand we're back! This week, Penn saying no to sex scenes, Robert's new house, and the impossible resurrection in Spirit Bound! Next week: Spirit Bound CH 17-18 SHOP OUR MERCH: bit.ly/ITTSHOP Send us a fanfiction, a Twilight backstory, etc: intothetwilightshow@gmail.com Download episode transcripts! bit.ly/ITTtranscripts Support us on Patreon! patreon.com/intothetwilight Rate and review us on Apple Podcasts! bit.ly/ittunes Get personal messages and sponsor spots! bit.ly/ITTmerch Where to find us: Cody: twitter.com/codycorrall Ally: twitter.com/alexandriadoes Music by Eli Krauss: twitter.com/elisourkrauss Art by Maddie Padilla: instagram.com/yourghost44

In Part Two of their series on spectacular death, Ellie and Carrie speak with sisters Jessica and Leila Murphy, who lost their father Brian in the North Tower of the World Trade Center on September 11, 2001.  He was 41 years old, Jessica 5 and Leila almost 4. Since that terrible day, Jessica and Leila have had to grow up not only without a father but also with the complexities that come with losing him in the attacks.   From their inability to grieve privately to the invocation of their father's name to justify two wars and countless acts of violence, Jessica and Leila have struggled with the meaning and responsibilities of victimhood. Now 26 and 25, they are part of 9/11 Families for Peaceful Tomorrows, which advocates nonviolent options in pursuit of justice, including closing the prison at Guantanamo Bay.We discuss Leila's 2021 piece in The Nation “I Lost My Father on 9/11, but I Never Wanted to Be a ‘Victim,'” Jessica's 2019 essay in The Indy, “Among the Iguanas: On life and the pursuit of death in Guantánamo Bay,” and a 2003 Brown Alumni Magazine profile on their mother Judy Bram Murphy's widowhood.  The sisters also offer thoughtful insight into successes and shortcomings of the 9/11 Memorial & Museum as a force of public instruction.Other works cited are “The Aesthetics of Absence” by Marita Sturken, Ambiguous Loss by Pauline Boss, The Land of Open Graves by Jason De León, Julia Rodriguez's 2017 op-ed for the New York Times “Guantanamo Is Delaying Justice for 9/11 Families,” Rachel Kushner's 2019 feature on Ruth Wilson Gilmore and prison abolition for the New York Times, The Ten-Year Nap by Meg Wolitzer, and My Year of Rest and Relaxation by Ottessa Moshfegh. Films mentioned are World Trade Center (2006), United 93 (2006), The Mauritanian (2021), and The Report (2019).

CW: Sensitive content regarding 9/11, terrorism, genocide, racial violence, spectacular death, dark tourism.The sisters return from winter hiatus with an episode about atrocity, human suffering, spectacular death and how we choose to memorialize and regard the pain of others.  Focusing primarily on the 9/11 Memorial and Museum, they ask — can we look back on catastrophe without becoming voyeuristic consumers? Can we honor victims without turning them into commodities?  Can morbid curiosity and empathy coexist?  When will tourists visit places like Ground Zero or Auschwitz in the way they visit Pompeii? Using Susan Sontag's “Regarding the Pain of Others” (2003) as a critical framework, they dissect the role of images in memory making and the tension between private memory and public instruction.  Other topics include images of torture at Abu Ghraib, Lynndie England as a specter for white women in lynching photography, Kerry James Marshall's "Heirlooms and Accessories," and willed white innocence.  Readings include works by Jacqueline Goldsby, Eduardo Cadava, Philip R. Stone & Alex Grebenar, Marita Sturken, Jennifer Senior, Mary Marshall Clark, and as always, our ultimate, Susan Sontag. Cover is Robert Capa's "Falling Soldier" (1936)

Lesen lernte sie mit drei Jahren. Und sie las dann auch alles, was ihr in die Finger kam – es gab wenig, was Susan Sontag nicht interessierte. Dann schrieb sie selbst, Bücher, Aufsätze, Essays: Amerikas klügste und streitbarste Intellektuelle wurde vor 90 Jahren geboren - und prägt die Geisteswissenschaften bis heute. Autorin: Almut Finck Von Almut Finck.

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodsky, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Oh, We're headin' for Season 6 / And still we stand tall / 'Cause maybe they've seen us / And welcome us all, yeah / With so many light years to go / And things to be found (to be found) / I'm sure that we all miss it so / It's the final countdown! Welcome back to Season 6, the final season of Northern Exposure! Co-hosts Lee and Charles are returning to discuss all things Northern Exposure which includes (but not limited to) big city life, ferrets, and Susan Sontag. And once more, we have Jay (!) returning for the fifth time to discuss season 6, Moultrie Patten's piano skills, and more! Welcome to the five-timers club patreon.com/northernoverexposurepodcast Theme music by Matt Jackson Podcast Artwork by Bball Y'all (bballyall.com) Available on Apple Podcasts, Google Play Music, Stitcher, Spotify, and SoundCloud. write in: northernoverexposurepodcast@gmail.com twitter: twitter.com/NorthernOverPod

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick's creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick's best friend, neighbor, and fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered Susan Sontag, Robert Lowell, and Mary McCarthy, among many others. Yet the intellectual and artistic freedom that Pinckney observed on West 67th Street were in conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history.Pinckney's education in Hardwick's orbit took place amidst the cultural movements then sweeping New York. In addition, through his peers and former classmates—Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin—Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life while discovering the sexual freedom brought by gay liberation. It was his time for hope.In Come Back in September: A Literary Education on West 67th Street, Manhattan (FSG, 2022), Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration—in the way she worked, her artistry, and in the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney as a writer himself.J.C. Gabel talked with Pinckney last fall to discuss his literary beginnings and the influence of Elizabeth Hardwick and her circle on his life and work. Reading by Darryl Pinckney. Music by The Joubert Singers. Remix by Larry Levan.

A escritora e filósofa americana morreu faz hoje 18 anos.

On each episode of The Sandman UNLOCKED, we want to take you deeper in the story and help you unfurl the mysterious and secrets behind Neil Gaiman's masterpiece. One this week's episode,The Sandman Issue #11 Read-along "Moving In", we explore all the SandMEN(?) that have occurred in DC comics, chatted in-depth about Walter McKay, took a look at the background of Matthew the Raven, and wrapped things up with an analysis of camp as defined by Susan Sontag. If you'd like to support us directly, head over to our Patreon!You can also hang out with us on Discord whenever you'd like.You can follow us on: Twitter and InstagramAshley Mowers can be followed on Twitter, Instagram, and TikTokSean Dotson can be followed on Twitter

“Travel expands time, because you're not experiencing the everyday of what you normally do. It's all about discovery, and experiencing that with other people.” —Pegi Vail In this episode of Deviate, Rolf and Pegi talk about how she originally sought to depict a "visual ethnography" of world travelers, their global impacts, and their power as a "gentrifying" force (2:00); how the world of travel has (and hasn't) changed since Pegi made her film ten years ago, and how immigrants and migrant workers also represent travel communities just like backpackers and expats (11:00); the ways the notion of "journey" can serve as a metaphor for non-travel experiences, and how travel can expand one's sense of time (26:30); what stories travelers choose to tell about places, and how drug-scenes have fueled travel communitas over the years (31:00); the role digital photography now plays in travel, and the individualized notion of what an "explorer" is (39:30); and the importance of allowing yourself to get lost on that road, the "structured danger" of most adventure travel, and relying on your "personness" (rather than technology) as a traveler (49:00). Pegi Vail is an anthropologist and filmmaker who directed the documentary Gringo Trails.  She is also a sustainable-travel consultant whose academic work has focused on visual anthropology, Indigenous media, and the role of storytelling to the political economy of tourism in the developing world. She is the Co-Director of New York University's Center for Media, Culture, and History. Vail is a founding member, curator, and featured storyteller of the popular not-for-profit storytelling collective, The Moth. Notable Links: The Vagabond's Way, by Rolf Potts (travel book) Williamsburg (gentrified neighborhood in Brooklyn) Banana Pancake Trail (travel circuit in SE Asia) Lower East Side Tenement Museum (historic site in NYC) History of hosteling (inexpensive lodging system) Hippie Trail (overland travel circuit in 1960s and 1970s) The Great Gatsby, by F. Scott Fitzgerald (novel) Hmong people (ethic group in SE Asia) Nelson H. H. Graburn (anthropology scholar) Communitas (communities created by shared endeavor) Arnold van Gennep (ethnographer who coined "rites of passage") Chaebol (South Korean industrial conglomerate) Rolf and Ari Shaffir talk psychedelics (Deviate episode) Backpack Ambassadors, by Richard Ivan Jobs (book) Margaret Mead Film Festival (documentary film festival) Spike Lee (American filmmaker) Melvin Estrella (Pegi's partner and film producer) J. Edgar Hoover (American law-enforcement administrator) Eurail Pass (European train pass popular with backpackers) On Photography, by Susan Sontag (book) The Explorers Club (professional club in New York) Saul Bellow (American novelist) A Field Guide to Getting Lost, by Rebecca Solnit (book) Beryl Markham (British-African aviator and author) Digital detoxing (intentional refrain from using digital devices) Hippocampus (part of the brain) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

“There's no getting lost when you travel, because you're already there. You're already where you're supposed to be, which is somewhere in this new place.” –Ari Shaffir In this episode of Deviate, which took place at New York City's KGB Bar, Rolf and Ari talk about the premise of Rolf's new book The Vagabond's Way (2:20); why it's important not to postpone one's dream travels to a seemingly more appropriate time of life, and how it's hard for your friends to appreciate and understand your travels when you get home (7:30); how to not let your smartphones and photographs get in the way of your best journey (15:00); how to best decide where to start on a journey, and why allowing yourself to get lost is sometimes the best way to find experiences a place (23:00); why the philosophical concept of "time wealth" is important to Rolf, and how travel allows you to express a unique feeling freedom (31:30); how the The Vagabond's Way is the "spiritual successor" to Vagabonding, and how Rolf keeps travel in conversation with his home life in Kansas (36:00); and how to savor a new place in the moment, even as that place is changing (44:00). Ari Shaffir (@AriShaffir) is a comedian, writer, podcaster, and actor. He is the host of the Skeptic Tank podcast. His new comedy special, JEW, is available on YouTube. Notable Links: Paris Writing Workshops (Rolf's summer creative writing classes) The Vagabond's Way, by Rolf Potts (travel book) Henry Rollins on Ari's podcast Skeptic Tank Commonplace book (method of compiling knowledge) Jasmin Shah (photographer) Wenamun (ancient Egyptian traveler) Matsuo Bashō, (Japanese poet and traveler) On Photography, by Susan Sontag (book) Mentawai people (inhabitants of islands near Sumatra) Cypress Hill (American hip-hop group) Pico Iyer (travel writer) Pagan Holiday, by Tony Perrottet (book) Icelandic Sagas (Nordic historic narratives) Koshary (Egyptian national dish) Chefchaouen (city in Morocco) Tétouan (city in Morocco) Inle Lake (lake in Myanmar) Eddy L. Harris (travel writer) Aosta Valley (region in the Italian Alps) Instagram shot of Rolf's first vagabonding trip Mary Oliver (American poet) Lindsborg, Kansas ("Little Sweden") Lower East Side (neighborhood in Manhattan) Umbria (region in Italy) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil (University of Chicago Press, 2017) by Deborah Nelson, the Helen B. and Frank L. Sulzberger Professor of English and chair of the Department of English at the University of Chicago. Deborah Nelson's fascinating book Tough Enough looks at a group of challenging 20th century writers (and a photographer)—Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion—who were all committed in various ways to moral and aesthetic “toughness.” Our conversation was occasioned by the death of Joan Didion in December 2021. Her passing also prompted the Classic Book Discussion at the Library to take on a recent three part career-retrospective series on Didion, from her early essays in the collections Slouching Towards Bethlehem and The White Album, to the political reporting and novels of her middle period, through to her bestselling memoirs of grief The Year of Magical Thinking and Blue Nights. Deborah Nelson and Tough Enough help us put Didion in context. These women, Nelson writes, were self-consciously “unsentimental” in their approach to addressing the suffering and horrors of the 20th century and critics were often scandalized by the extremity of their tone or positions because they were women. Our conversation uses the thinking of these writers (and the example of Joan Didion in particular) to examine unsentimental sensibilities and the “costs and benefits of these alternatives” to common ideas about literature, art, empathy, feeling, and suffering. Whether you are a fan of Joan Didion, a member of our book discussion, or one of our many listeners near or far, this conversation is a fascinating resource for thinking anew.  You can check out Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil here at the Library, or find many other books by and about these writers. You can also find the book through The University of Chicago Press. Tough Enough won the Modern Language Association's James Russell Lowell Prize for Best Book of 2017 and the Gordan Laing Prize in 2019 for the most distinguished contribution to the University of Chicago Press by a faculty member. If you liked this episode, you may enjoy our 2019 conversation with cartoonist Ken Krimstein on his book The Three Escapes of Hannah Arendt.  The Deerfield Public Library Podcast is hosted by Dylan Zavagno, Adult Services Coordinator at the library. We welcome your comments and feedback--please send to: podcast@deerfieldlibrary.org. More info at: http://deerfieldlibrary.org/podcast Follow us: Facebook Twitter Instagram YouTube 

Une petite rue pavée un peu hors du temps, à deux pas de la place Monge, dans le cinquième arrondissement à Paris. Rebecca Zlotowski nous reçoit à l'occasion de la sortie fin septembre de son film Les Enfants des autres dans l'appartement qui lui sert de bureau, sa « pièce à soi » dont elle associe l'acquisition à « un moment important de sa vie ». La réalisatrice âgée de 42 ans évoque son enfance dans le 13e arrondissement à Paris auprès d'un père interprète autodidacte, juif polonais, et d'une mère intellectuelle, originaire du Maroc, son intérêt très jeune pour l'amour et le plaisir, sa quête de modèles féminins au cinéma et dans les magazines, l'importance qu'a eu pour elle la littérature queer, sa fascination pour les actrices d'Annie Girardot à Virginie Efira, son empathie pour Susan Sontag, sa volonté d'ouvrir son travail à plus de corps et d'émotions, son affection pour les bibelots, son attrait pour les tenues portées à l'écran par Diane Keaton ou Lara Flynn Boyle, sa passion pour les questionnements de l'existence et des normes et son goût pour les cultures nobles comme populaires : « Moi, j'ai eu du plaisir dans la culture des agrégés, de l'université, des notes de bas de page et puis j'ai eu du plaisir dans la télé, MTV, Canal Jimmy, les séries qui arrivaient des États-Unis, Seinfeld, Angela, 15 ans. »Depuis quatre saisons, la productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal)préparé avec l'aide de Diane Lisarelli et Imène BenlachtarRéalisation : Emmanuel BauxMusique : Gotan Project Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

First broadcast on June 30, 1978. Sontag reads from "Illness as Metaphor" and discusses differences between diseases, particularly tuberculosis and cancer, regarding historic understanding and cultural representation.

Today, director James Gray is back! We start by diving into the aftermath of Ad Astra (7:25), returning home to Queens with Armageddon Time (12:00) and the historical context of this new picture (15:18). After watching an early scene from the film (18:33), we discuss what the story reveals about race and class in America (20:35), his family's personal experiences with those divisions (22:50), and the painful timeliness of Gray's 8th film (25:39) as anti-semetic rhetoric continues to surge (29:51). We also wrestle with the economics of moviemaking today (31:37), lessons learned from his directorial debut, Little Odessa (33:22), and how the words of novelist Marcel Proust (36:03) and photographer Susan Sontag (38:14) shaped his most personal effort to date, Armageddon Time.See omnystudio.com/listener for privacy information.

Krasznahorkai László Kossuth-díjas magyar író, a Széchenyi Irodalmi és Művészeti Akadémia tagja. Műveit szinte kivétel nélkül mindig elismeréssel fogadták a kritikusok, az Egyesült Államoktól Japánig. Susan Sontag, amerikai író, kritikus „az apokalipszis Gogolt és Melville-t idéző magyar mesterének” nevezte Krasznahorkait. 1985 óta filmrendező barátja, Tarr Béla szinte kizárólag az ő könyveiből, illetve forgatókönyveiből készítette filmjeit, köztük a világhírű Sátántangót és a Werckmeister harmóniákat. Krasznahorkai Tarr minden fontos döntésében segítette a filmrendezőt. Számos díj kitüntetettje az író, sok más mellett 2015. május 18-án elnyerte a Nemzetközi Man Booker-díjat, amely magyar író először kapott meg. Ez a nagyon jó hangulatú és sokrétű beszélgetés pár nappal a Man Booker-díj odaítélése után készült Krasznahorkai Lászlóval. Hogyan támogathatja a munkánkat? Legyen a patronálónk, és a támogatása mértékétől függően egyre több előnyhöz juthat: https://www.patreon.com/FriderikuszPodcast Egyszeri vagy rendszeres banki átutalással is segíthet. Ehhez a legfontosabb adatok: Név: TV Pictures Számlaszám: OTP Bank 11707062-21446081 Közlemény: Podcast-támogatás Ha külföldről utalna, nemzetközi számlaszámunk (IBAN - International Bank Account Number): HU68 1170 7062 2144 6081 0000 0000 BIC/SWIFT-kód: OTPVHUHB Akármilyen formában támogatja munkánkat, köszönjük! Kövessenek, kövessetek itt is: Facebook: https://www.facebook.com/FriderikuszPodcast Instagram: https://www.instagram.com/friderikuszpodcast Anchor: https://anchor.fm/friderikuszpodcast Spotify: https://spoti.fi/3blRo2g Google Podcasts: https://bit.ly/3fc7A7t Apple Podcasts: https://apple.co/3hm2vfi #FriderikuszPodcast #FriderikuszArchiv

Literary & cultural critic Darryl Pinckney rejoins the show to celebrate his new memoir/memorial, Come Back In September: A Literary Education on West Sixty-Seventh Street, Manhattan (FSG). We get into Darryl's friendship with/apprenticeship to Elizabeth Hardwick, and the relationships he built with Susan Sontag, Barbara Epstein, and the New York Review of Books in the '70s & beyond. We also talk about recognizing a golden age when you're in it, our current professionalization of culture and why it leads to meh art, the value of his literary/writing education from Hardwick (& others), the NYC New Wave scene he was a part of alongside Howard Brookner, Lucy Sante, Felice Rosser, and others, and why the one place he felt a sense of belonging was on the red sofa in Elizabeth Hardwick's home. Plus, we talk about his massive project on the history of black literature in the 20th century, why there are so few examples of failure in black autobiographical tradition and why (and whether) he considers himself a failure, why someone once told him, 'You're very disciplined at beating yourself up,' why we bonded over the same character in Middlemarch, and more. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

In this special spooky episode, Ellie and Carrie discuss the cultural logic of hauntings in both American history and their own lives. They grapple with childhood notions of their late father's ghost, something Carrie feared and Ellie denied. Understanding hauntings as living loss, they bring in the work of historian Tiya Miles, whose book Tales from the Haunted South offers ghost stories as potentially radical works of historiography that often deal with narratives left out of the official record. But such narratives are also taken less seriously because they are ghost stories. For Miles, the Native American ghost and the enslaved ghost play twin roles interrogating trauma in the American gothic. Ellie offers a brief history and social explanation of the Salem witch trials, undergirded by patriarchal prescriptions and the anxieties of Puritan predestination. Meanwhile, how have misogynistic conceptions of women as vessels prone to hysteria colored female possession narratives from Dido to Bertha Mason to Regan MacNeil (a.k.a. the Exorcist girl, who's chained to a bed while the Devil makes her say "Fuck me! Fuck me!")? During the Victorian era, women spiritualists used such stereotypes to their advantage, finding their own voices while speaking for the undead. Other topics include the role of inherited trauma in the most powerful horror stories (see the Graham family in Ari Aster's Hereditary), queerness and ghosts (see Dani in The Haunting of Bly Manner), and the relationship between 19th-century spiritualism and technology, especially when it came to the new medium of photography. In addition to Miles, books referenced are Judith Richardson's Possessions: The History and Uses of Haunting in the Hudson Valley, Renée L. Bergland's The National Uncanny, Sacvan Bercovitch's The American Jeremiad, and, of course, Susan Sontag's On Photography and Regarding the Pain of Others. Articles are “Most witches are women, because witch hunts were all about persecuting the powerless” by Bridget Marshall for The Conversation (2019), “Why Did So Many Victorians Try to Speak with the Dead” by Casey Cep for the New Yorker (2021), and “What Ghost Stories Taught Me About My Queer Self” by Nell Stevens for the New Yorker (2022).

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Metaphor in Illness Writing: Fight and Battle Reused (Edinburgh UP, 2022) argues that even when a metaphor appears problematic and limiting, it need not be dropped or dismissed. Metaphors are not inherently harmful or beneficial; instead, they can be used in unexpected and creative ways. This book analyses the illness writing of contemporary North American writers who reimagine and reappropriate the supposedly harmful metaphor 'illness is a fight' and shows how Susan Sontag, Audre Lorde, Anatole Broyard, David Foster Wallace and other writers turn the fight metaphor into a space of agency, resistance, self-knowledge and aesthetic pleasure. It joins a conversation in Medical Humanities about alternatives to the predominance of narrative and responds to the call for more metaphor literacy and metaphor competence. Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here. Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Tuberculosis (and especially drug resistant strains) is a major global health problem, with over nine million people developing the disease annually and 1.5 million dying from it. The history of TB reveals the complex and often contradictory meanings assigned to this disease. The terms used to talk about TB – phthisis, consumption, the “white plague”, and the “wasting disease”, for example – reveal a great deal about popular perceptions relating to contagion and individual social responsibility.A lecture by Professor Joanna BourkeThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/tb-historyGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollege

Todo comenzó cuando la periodista Gabriela Wiener -nacida en Lima en 1975- decidió ponerse en la piel de los protagonistas de sus historias y entonces iba a una fiesta de swingers o asistía a otro tipos de prácticas sexuales o, incluso, donaba óvulos para pagar el alquiler y lo contaba en sus artículos ligados al periodismo gonzo, primero en Perú y luego, desde el 2003, en España, donde vive desde entonces. De poner el cuerpo para intentar saber qué sentían los otros, Wiener pasó a contar su propia vida, para así contar la de los otros y también para visibilizar padecimientos compartidos con multitudes como el bullying, el racismo, la violencia de género o la desesperación por el cuerpo inconveniente y a contramano del modelo de la época, pero también para dar a conocer experiencias amorosas y sexuales atípicas que suelen estar replegadas tras los muros, a resguardo de críticas y agresiones. Su nombre, entonces, pasó a estar asociado a la autoficción y a un concepto tan sugerente como abrumador: el poliamor. Como periodista, publica regularmente columnas en eldiario,es, Vice y la versión e español del New York Times. Nueve lunas, Sexografías, Dicen de mí y Llamada perdida son algunos de sus libros y, junto con su marido Jaime y su mujer Rocío, son autores de la obra de teatro Qué locura enamorarme yo de tí. Entre los tres son padres de dos hijos. Huaco retrato es su último libro, en el que indaga en la historia familiar sobre la vida de Charles Wiener, un judío austríaco que 150 años atrás estuvo explorando en el Perú, de dónde se llevó un niño y dejó otro, además de haber estado cerca de descubrir el Machu Picchu. Wiener se llevó algo más, una colección fantástica de casi cuatro mil piezas artesanales prehispánicas que hoy se exponen en París. Gabriela Wiener recorre esa historia de ciencia, expoliación, colonialismo y racismo desde su lugar como descendiente pero también como mujer víctima del racismo y recorre en paralelo otra más cercana, la de su propio padre, quien está por morir y, en esta línea, se sumerge en las contradicciones entre la izquierda intelectual latinoamericana y la moral del día a día. Huaco Retrato es una historia de linajes y tradiciones, de mundos y culturas que se proponen nacer pero que encuentran los límites en aquellos otros mundos y culturas que no terminan de morir. En la sección Libros que sí Hinde recomendó “Del color de la leche”, de Nell Leyshon (Sexto Piso) y “Obra imprescindible de Susan Sontag, antología preparada por David Rieff” (Random House) y en Libros que sí habló de “Perder”, de Raquel Robles y “Un tornado alrededor”, de Facundo Abal (ambos de Siberia Ediciones) y “Árbol que tiembla”, de Denise León (La ballesta magnífica) En la sección En voz alta, el actor Gustavo Luppi leyó un fragmento de “Bongo Fury” de Sergio Bizzio (Random House). Gustavo Luppi actúa en la obra El amateur junto a Mauricio Dayub todos los jueves a las 20 en el Chacarerean Teatre. En te regalo un libro, la periodista cultural y escritora Cristina Civale habló de “El adversario”, de Emmanuel Carrère. El último libro de Cristina se llama “Los crímenes posibles” (Milena Caserola)

We range over the many places and people of an erotic and intellectual life spanning Europe, the U.S., and Israel with Susan Sontag, Gershom Scholem, Herbert Marcuse, and many more radical thinkers.

In this episode we welcome the great Richard Goldstein and invite him to relive his days as the Village Voice's "Pop Eye" columnist in the '60s — and his heady experiences in New York and California in that tumultuous decade.Richard takes us back to his Bronx youth and the early discovery of writers such as Joyce, Dostoyevsky and Voice co-founder Norman Mailer. He also recalls his subsequent exposure to Tom Wolfe and Susan Sontag — both of whom he knew — and explains their influence on his very personal writing style. The second piece he ever wrote for the Voice gives us the chance to discuss that most outré of '60s girl groups, the fabulous Shangri-Las, and to hear clips from Tony Scherman's 1993 audio interview with the trio's mentor-producer George "Shadow" Morton.From the "Las" we turn our attention to the Byrds and the dawning "rock" revolution Richard chronicled so adroitly. We also discuss his immersion in San Francisco's Haight-Ashbury scene — plus the attraction to hippie heroes such as Grateful Dead guitarist Bob Weir that indirectly led to his coming-out and to his militant fight for gay rights as he subsequently rose to the position of Executive Editor at the Voice.Notwithstanding his marvellous 2015 memoir Another Little Piece of My Heart — frequently cited in this episode — Richard poignantly explains how the deaths of Janis Joplin and others made it almost impossible to write any longer about music.Many thanks to special guest Richard Goldstein; find him at richardgoldsteinonline.com and buy his books, including Another Little Piece of My Heart, at any good bookshop.Pieces discussed: Pop Eye: Soundblast '66 — The Byrds @ Yankee Stadium, The Shangri-Las: The Soul Sound from Sheepshead Bay, Shadow Morton audio, Thinking about the Sxities and Talking Heads Hyperventilate Some Clichés.

In this episode we welcome the great Richard Goldstein and invite him to relive his days as the Village Voice's "Pop Eye" columnist in the '60s — and his heady experiences in New York and California in that tumultuous decade.Richard takes us back to his Bronx youth and the early discovery of writers such as Joyce, Dostoyevsky and Voice co-founder Norman Mailer. He also recalls his subsequent exposure to Tom Wolfe and Susan Sontag — both of whom he knew — and explains their influence on his very personal writing style. The second piece he ever wrote for the Voice gives us the chance to discuss that most outré of '60s girl groups, the fabulous Shangri-Las, and to hear clips from Tony Scherman's 1993 audio interview with the trio's mentor-producer George "Shadow" Morton.From the "Las" we turn our attention to the Byrds and the dawning "rock" revolution Richard chronicled so adroitly. We also discuss his immersion in San Francisco's Haight-Ashbury scene — plus the attraction to hippie heroes such as Grateful Dead guitarist Bob Weir that indirectly led to his coming-out and to his militant fight for gay rights as he subsequently rose to the position of Executive Editor at the Voice.Notwithstanding his marvellous 2015 memoir Another Little Piece of My Heart — frequently cited in this episode — Richard poignantly explains how the deaths of Janis Joplin and others made it almost impossible to write any longer about music.Many thanks to special guest Richard Goldstein; find him at richardgoldsteinonline.com and buy his books, including Another Little Piece of My Heart, at any good bookshop.

Read Me to Sleep, Ricky host Rick Whitaker reads "On a Winded Civilization," an essay by the Romanian writer E.M. Cioran (1911-1995) from his 1956 collection  The Temptation to Exist. The introduction to the English-language edition translated (from the French) by Richard Howard is by Susan Sontag, who wrote: "Cioran's subject: on being a mind, a consciousness tuned to the highest pitch of refinement." Read Me to Sleep, Ricky recommends listening at a medium-low volume and with auto-play turned off: the purpose of this podcast is to help its audience get to sleep. Music by Brad GartonSupport the show

We are getting into the camp of it all. Hope did some reading on Susan Sontag's Notes on Camp and Jackie tried her hardest not to interrupt. What is camp anyways? Well we dive right into the red, heart shaped pool of camp and swim around the bedazzled remains of our rotting brains for the answers. For the sound bit, Jackie's computer crashed, and she doesn't want to hear about how you're suppose to back up everything every day. She didn't ok! They recorded and the next day gone. So our solution is to amplify her voice that was picking up from Hope's soundtrack. One day we will have perfect sound quality, but you have to stay tuned to find out!! We're socialists, so follow us on our socials! @fashismpod on Instagram and TikTok Email us at fashismpod@gmail.com

Today I'm happy to share another episode devoted to a book of short stories that I recently finished reading: Sontag's 'Debriefing', of which the final story is "The Way We Live Now." My notes on the short story are organized in three parts, and a text version of this episode (with relevant images) exists at https://panic-kyle.medium.com/the-way-we-live-now-ec6c203cd480 . -- If you are interested in obtaining a copy of the text, in addition to supporting local bookstores and this podcast, please consider purchasing from: https://bookshop.org/a/79981/9781250192769 -- One other past episode on this podcast has been devoted to an analysis of what I'm currently reading. If interested, please look for the episode entitled "Reading Updike, Rabbit: Notes On What I'm Reading". -- What're You Reading? Host: Kyle Johnson (@panic_kyle); Music: Julian Loida (www.julianloida.com); -- Get in touch with the show! panic.kyle.tt@gmail.com

Finishing off our discussion of fascism through essays from "Leatherfolk" that complicate the problem of desire, and use that to move onto contemporary queerness to look at how homonationalism and homonormativity haunts the discourse on all sides. How is it that such deeply regressive notions are laundered into our understandings of queer and trans identity? Maybe the answer can be glimpsed in the mess of erotocism all along.Show Notes:"Fascinating Fascism" in Susan Sontag's "Under the Sign of Saturn""Leatherfolk" anthology edited by Mark Thompson"Terrorist assemblages: Homonationalism in Queer Times" by Jasbir K. Puar Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon! Hosted on Acast. See acast.com/privacy for more information.

María José O'Shea y Arturo Fontaine conversaron con David Rieff, quien está presentando "Susan Sontag: Obra imprescindible", además de la guerra que se lleva a cabo en Ucrania.

In another quasi-episode (sorry, we are preparing for a 23-person family reunion at Mom's house), Carrie reads a piece she wrote called "Boneless Girl," named for a disturbing miniclip.com game she played as a child in the aughts. Exploring the scourge of 2000s "bubblegum misogyny" (see Constance Grady in Vox, 2021) and its effect on the minds of young girls like the writer herself, the essay reflects on how the public's dissociative seeing of celebutantes like Paris, Nicole, Mischa, and Mary Kate foreshadowed our own unmooring of our images from ourselves. Following the reading, Ellie and Carrie discuss how their prelapsarian Internet experience (think computer rooms and Ebaum's World) devolved into something much darker and panoptically consuming. Is our fall from grace, triggered by Eve's eating from the Tree of Knowledge of Good and Evil, a fortunate one? What would John Milton have to say?

Susan Sontag's "On Photography" is a seminal work about the practice and art of photography. Written in the 1970s, it remains to be a text that is studied by hobbyists, professionals, historians, and academics alike. My guest, who is a professional photographer based in Indianapolis, discusses his reaction to the work, his disagreements, and a once-unknown photographer that Sontag devotes much of one chapter to. -- Interested in purchasing this title? Considering buying from the following link to support local bookshops and this podcast! https://www.bookshop.org/a/79981/9780312420093 -- Host: Kyle Johnson (@panic_kyle); Guest: Zach Dobson (www.zachdobson.com/); Music: Julian Loida (www.julianloida.com); -- Get in touch with the show! panic.kyle.tt@gmail.com

Ellie and Carrie recall their time spent world building with Barbie, Ken, Midge, Skipper, Christie, et al. Using Molly Rosner's “Playing With History: American Identities and Children's Consumer Culture” (Rutgers University Press, 2021) as a framework, they introduce Barbie dolls as "didactic amusements” instructing girls on what it means to be feminine and introducing them to their identities as American consumers. What do cultural artifacts like Barbie tell us about the world in which they were produced? Ellie links the world's introduction to Barbie in 1959 with Nixon and Khrushchev famous Kitchen Debate that same year in Moscow. Was Barbie a capitalist soldier in the cold war against communism? Carrie brings up the work of Harvard professor Sarah Lewis, who has posited that images create culture as much as culture creates images. Other topics include Kenneth and Mamie Clark's doll studies in the 1940s as well as doll play's influence on pornography predilections.

Ellie and Carrie explore the first five episodes of season 2 of "The Real Housewives: Ultimate Girls Trip" (Ex-Wives Club) through a postfeminist framework that emphasizes neoliberal values like individualism, self-reinvention, femininity as a bodily property, conspicuous consumption, and spectacular selfhood. Key works cited are Evie Psarras' 2020 New Media & Society article "Emotional camping: The cross-platform labor of the Real Housewives," Beverly Skeggs and Helen Wood's 2012 book "Reacting to Reality Television: Performance, Audience and Value," and Rosalind Gill and Christina Scharff's "New Femininities: Postfeminism, Neoliberalism and Subjectivity" (2011). One question we forgot to ask: You hoofin'?