Podcasts about she's so high

This week we are joined by Scot Alexander, the bassist of Dishwalla who came to not just discuss the life of being a one hit wonder but also to analyze what makes Tal Bachman's She's So High such an irresistible ear-worm. If you like the show be sure to rate review and subscribe. Email us at onehitthunderpodcast@gmail.com Also follow us on our social media: Twitter: @1hitThunderPod Instagram: onehitthunderpodcast Wanna post your own podcast! Contact us at www.weknowpodcasting.comfor more information. Visit punchlion.com for Punchline Tour Dates, News and Merch Find out more at https://one-hit-thunder.pinecast.co This podcast is powered by Pinecast.

90s Music Got Me Like... "She's So High" by the Tal Bachman... again! Kendra was super busy with her A cappella choir this weekend, so enjoy this past episode! The podcast that looks back on one song from the 90s every episode, hosted by Eric and Kendra Mikols. RSS - https://90smusicgotmelike.libsyn.com/ Website - radiomeanwhile.com Twitter - https://twitter.com/90smusicgotme Facebook - https://www.facebook.com/90smusicgotme

90s Music Got Me Like..."She's So High" by Tal Bachman The podcast that looks back on one song from the 90s every episode, hosted by Eric and Kendra Mikols. RSS - https://90smusicgotmelike.libsyn.com/ Website - radiomeanwhile.com Twitter - https://twitter.com/90smusicgotme Facebook - https://www.facebook.com/90smusicgotme

The greatest crush song from the glory days of minivan rock? Which of these two songs about the guy improbably getting the girl reigns supreme, Tal Bachman's "She's So High" or Wheatus's "Teenage Dirtbag"?

Ryan Roxie is an American guitarist, singer/songwriter best known as a Solo Artist and for his guitar work with Alice Cooper, Casablanca and Slash's Snakepit. Between '94 and '96 Roxie worked with various artists. He provided guitar on Gilby Clarke's albums, Pawnshop Guitars, Blooze, The Hangover and Rubber. Roxie also lent his guitar styling to the un-credited work with Tal Bachman. Roxie's guitar work is displayed on the hit single "She's So High" produced by Bob Rock. Roxie played guitar on James Michael's (from Sixx AM) Inhale release as well. In 2000 Roxie also wrote and recorded on Slash's Snakepit's second album Ain't Life Grand. In 1997 Roxie joined up with long-time friends drummer Mike Fasano and bassist Will Effertz and created the band Dad's Porno Mag. After Effertz left, guitarist Keri Kelli and bassist Stefan Adika joined. The album was released on Wax-Tone Records. This item is now out of stock but was re-released in 2000 from Robinson Records. Produced by Jim Mitchell of Ugly Kid Joe fame and Mark Schulman (Simple Minds) with additional production by Alex Woltman and friend Gilby Clarke. The album has fourteen tracks and one special hidden track entitled "My Bad Knee" on track 77. Roxie began working with Alice Cooper in 1996 after a few good words were put in for him by Gilby and a shady character known as 'Bobby from Mates' while proving himself in an audition. He was offered a 'one year tour' playing with Alice. His first show with the Cooper band was at Sammy Hagar's Cabo Wabo club in Cabo San Lucas. In 2000 Roxie recorded his first studio album with Alice Cooper, Brutal Planet. Through 2000 to 2005 Roxie collaborated with Cooper on several albums including Dragontown, The Eyes of Alice Cooper and Dirty Diamonds, co-writing a number of songs on the latter two albums. LINKS. https://ryanroxie.com https://instagram.com/ryanroxie?igshid=1ngqs2x983iar

David Balfe special talking about his life in music, the Teardrops, Zoo & Food records and much much more. Balfe and Drummond, having met while playing together in Big in Japan, founded the Zoo record label in 1978 in order to release Big in Japan's posthumous EP From Y to Z and Never Again. The label went on to sign and release the early work of The Teardrop Explodes and Echo & the Bunnymen. Balfe and Drummond did their production work under the name of The Chameleons, and also released the singles "Touch" and "The Lonely Spy" – credited to Lori and The Chameleons – on the Zoo label, later licensing them to Sire/Korova. Although they released a few other artists, The Teardrop Explodes and Echo & the Bunnymen grew to take up most of their time. Eventually, due to lack of finance, they signed both bands to major London Record Companies and continued to manage them, while letting the label fade into inactivity. Balfe and Drummond's publishing company, Zoo Music, signed many of the above and below artists, as well as multi-million selling acts The Proclaimers in 1987 and Drummond's later band The KLF. Balfe began as The Teardrop Explodes' label head, manager and producer, but after their first single, on the departure of their original keyboard player, Paul Simpson, Balfe stepped in for what turned into four years in and out of the band, having a famously tempestuous relationship with their singer, Julian Cope. He played keyboards on their Top 10 single, "Reward", and their two gold albums, Kilimanjaro (1980) & Wilder (1981). After The Teardrop Explodes disbanded in 1983, Balfe moved to London where, after managing Strawberry Switchblade (UK top 5 Hit, "Since Yesterday") and Brilliant (the post-Killing Joke band of subsequently famous producer, Youth), he then founded the Food record label in 1984. Food, initially funded by Balfe alone, signed Voice of the Beehive, Zodiac Mindwarp (both of whom moved on to major labels, while Balfe continued to manage them for many years), Crazyhead, and Diesel Park West, before signing a deal with EMI to fund and distribute the label worldwide while retaining creative independence. They then signed Jesus Jones who went on to have a number one album in the UK and multi-million sales internationally with their second album, 'Doubt', and a number one single in the USA with 'Right Here Right Now'. A year after signing Jesus Jones they signed Blur. Balfe, along with later label partner Andy Ross, convinced the band to change their name from 'Seymour' to Blur on signing in 1989. Balfe also directed Blur's first two music videos, "She's So High" and "There's No Other Way". Disenchanted with the alternative scene in the years of "Grunge", Balfe decided to sell the Food label to EMI in 1994, and semi-retire with his young family to the country – inspiring Damon Albarn to pen Blur's first No.1 hit, "Country House"  

Isn't it a good thing to think highly of your partner? To praise and cherish them? Yes of course it is. Unless by putting them up on a pedestal, you are putting yourself down in comparison. We discuss the dangers of hierarchy and pedestal placement as we offer some therapy to the song "She's So High" by Tal Bachman today. And you know that Rich's high falsetto is coming out full force in his karaoke re-make, which is lovely.

History, myth, religion, ancient aliens, and the perfect child-murder scenario. This episode really has it all! Starting our second year, we talk about the song that inspired us to do this podcast in the first place. It isn't the worst song, by any means, but it definitely has plenty of flaws. Also, Ian Starglow... whatever the hell that is. Twitter: @decomp_pod https://www.facebook.com/decompositionpod https://www.patreon.com/decompositionpodcast

This week we take on BTO royalty and totally-real human, Tal Bachman, and the totally-normal story behind his hit single “She’s So High.” We address the overbearing wholesomeness of 90’s pop rock in general and resolute niceguy-ness in these lyrics, take a dive into Michael Muñoz’s history with NOW Thats What I Call Music, and explain why KIDZ BOP is objectively the superior franchise We also discover the shocking truth behind the name “Bachman,” dissect a music video that cant quite pull the trigger on its hyper-literal concept, and I present a thoeory about the lyrics that involves neither the drugs, class barriers, or nice-guyism that Tal would have you believe. Music We Like: The Stills’ “Logic Will Break Your Heart,” Hot Water Music’s “Light It Up," and Metz’ “Strange Peace,”