Podcasts about bunnymen

This playlist is 91% vinyl friendly. Near perfect. Philips, The Tina Century Bluetooth Turntable room.. A £350-£400 retro look to blend in with your wood panelling room, it reminds me of a car grill from the 1960s. Built-in speakers with deep (how low can you go) bass and crystal-clear highs. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 154 Tim Hardin’s lyric and song title. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Dreams Never End (John Peel session: 16.2.81) – The Peel Sessions 12″ EP – Strange Fruit – 1987 Diary for Jan 16, ’81 says ‘Karl W round. NEW ORDER JOHN PEEL…‘ Those caps signal something special and the journey had begun at Heaven, London a week earlier. Two good mates called Karl were there, though I hadn’t realised the one at my house listening to the first broadcast of the session was a Carl. 03.45 THE TEARDROP EXPLODES – Second Head – Kilimanjaro, LP – Mercury – 1980 Listening to this album now it’s got a bit of a bubbly and bouncy feel. Judging by a set list suggested for the Manchester Poly night’ that followed ours/mine it doesn’t look like Second Head made into our night here. Packed with Kilimanjaro tracks though. 06.55 TOM PETTY and THE HEARTBREAKERS – I Need To Know – 7″ – Shelter – 1978 Still with a fair amount of ‘rock’ in my world at this point in time, for some reason I thought I’d had a 12″ of this but that would have been a bit daft. At just 2mins 22 plus, a fiery new wave feel that could have made it as an Elvis Costello tune. 09.17 FORMAL SPPEEDWEAR – Who Needs Spain Ball – Punch Card, LP – Melodic – 2026 “Who Needs Spain Ball?”. ‘On the surface, the single functions as a highly accessible, synth-forward New Wave track featuring the record's biggest, most infectious pop chorus. However, the title and the song’s inner mechanics are intentionally surreal, designed to “pull the rug” out from under the listener‘. – Apologies, I forgot the source. An early Talking Heads vibe going on? They’re pulling the rug even more with their merch – with the band’s name the only lettering… album t-shirts! 12.28 BIG JOANIE – It’s You – Sistahs, LP – The Daydream Library Series – 2018 So post punk! 14.48 EGOSLAVIA – Twist Face – Self-titled, (mini) LP – 9 1/2 x 16″ Records – 1982 Not that many will have debated it but I’ve always pronounced this band as ‘Egoslayvia’ and it’s only just dawned on me it was likely ‘Egoslahvia’. Better late… and a band I was introduced to by a US guy who dropped in on John Peel’s radio show somewhere in the ’80s. Very unusual for Peely to have anyone else in the studio with him but his guest was picking tracks from three or so US bands that Peely had never heard of, something that irritated the latter, slightly. 20.08 BIFFER BONKER – 4 Prong, Fucked Up, 2 Potato Thing – Biffer Bonker Is…Unabashed, download album only – ? – 2026 Anyone with a decades long history of Bedford, UK’s musical landscape stretching back to punk bands of the mid to late 70s will have knowledge of Biffer in a former life or three fronting a wealth of different bands but his present world view is available here, with something from the man for me currently getting waylaid by various postal services. ‘No god is required… ‘ Ain’t that the truth and if there isn’t a lyric sheet involved somewhere I might be requesting one :), as he’ll be back here at some point. He’s also the man who introduced me to Click Click via an early demo tape of theirs somewhere around 1984. 23.17 BROKEN SPINDLES – To Die, For Death – Fulfilled / Complete, LP – Saddle Creek – 2004 Content with having spun Induction on an earlier show, and as it turns out, rightly guessing on the album’s diversity I hadn’t been rushing to grab the physical vinyl… but here we are! One Joel Peterson, from Omaha, Nebraska. 25.35 TARWATER – 20 Miles Up – Silur, LP – Kitty-Yo – 1986 From the US to Germany and there’s a far wider breadth to this duos ‘catalogue’ than the two tracks now spun on 41 Rooms would suggest. 29.35 RIPPLE – I Don’t Know What It Is But It Sure Is Funky – 7″ – GRC – 1973 I don’t know about I Don’t Know… but with no UK release it’s unlikely our mainstream radio of the time spun this, though maybe a DJ or two down the Pilgrims or in the Anglers (Inn) Lair across the road could have. I have strong memories of hearing Willie Henderson’s Dance Master at the latter. 32.53 MARY KENT – Lost Generation – 7″ – CBS – 1969 It’s a slower, darker take than the version the song’s writer, Jim(my) Webb put out himself a year later and though Mary’s intro needed red carding for the show her version has some gravitas and feels ‘worthier’ now than it may have done to the UK’s record buyers back in 1969… what with the Vietnam war being… yep, somewhere else. The intro brings to my mind Common Sense’s Resurrection ’95. 36.57 LADY BLACKBIRD vs CROOKED MAN – Whatever His Name (Pt 1) * – Crooked Spirituals Remixes, 12″ – Foundation – 2025 She’s rightly got her soul audience but I much prefer her vocals set against some electronic goings on, as with the already 41 Rooms’ spun Athletes Of God and some remixing bods, including here, Crooked Man. They seem to give her vocals more of an edge for me. 42.18 ROBERTO RODRIGUEZ (feat. MAX C) – About This Love (Crazy P Remix) (Dub) * – 12″ – Compost Black Label – 2009 The vocals are incidental but the track just keeps building, dropping, shifting. A head-nod-a-thon of slight unease. 45.42 CLICK CLICK – Stay Out Of The Water – 12″ b-side – Rorschach Testing – 1985 Great times in the summer and autumn of ’85. Our RT label is off and running with a party at Winkles (Bedford), a P(roduction) and D(istribution) deal with Rough Trade, 500 copies of the initial yellow and blue sleeved 12″ pressing head straight to the US off the back of A-side (Sweet Stuff) getting CC Single Of The Week in Sounds and with spins on John Peel’s radio show there are one-off gigs in London, Brighton and Northampton and rehearsals are sounding great. Gig poster for 28.11.84. Part of a Rorschach Testing ad, The Catalogue #29, Aug ’85. 49.24 SIMPLE MINDS – Premonition (John Peel session: 7.1.80) – Silver Box, 5CD – Virgin – 2004 Having already seen them on the OGWT (live from Hurrah’s New York) and live at the Marquee the previous month I must have heard this session but for whatever reason I definitely didn’t record it. A ropey photo below of mine from London’s Hammersmith Palais, 26.8.80. 54.28 THE FALL – Dktr. Faustus * – Bend Sinister, LP – Beggars Banquet – 1986 It’s about time Mark E Smith (RIP) and his gang made it back here… so they have. 00.01.00 ECHO and THE BUNNYMEN – I Bagsy Yours (John Peel session: 22.8.79) – The Peel Sessions 12″ EP – 1988 This show’s third Peel session track of the era and the song renamed Monkeys in time to nestle next to the track Crocodiles months later on their debut album. I’m with ‘Bagsy’, though. Even us southerners used the term back then, though it might be best to not remember how it was being used here. 01.02.47 THE MOVE – I Can Hear The Grass Grow – 7″ – Deram – 1967 ‘An early, proto-psychedelic freakbeat masterpiece‘ in some modern day circles but a fab bit of wild pop back then. As the years rolled on though, the ‘weedier’ (sadly) Roy Wood’s guitar interjections have sounded. 01.05.52 PETULA CLARK – The Other Man’s Grass (Is Always Greener) – 7″ – Pye – 1967 Husband and wife writers, Tony Hatch and Jackie Trent (or in this particular case, Jackie Trent and Tony Hatch :)), with their key and tempo changing swirler giving ‘Our Pet’ her last Top 20 hit. So idiosyncratic it never got covered by anyone else or maybe offered as an exclusive to Petula? Either way, I bet Trent (no mean singer herself) forwarded a guide vocal version and I’d have been interested in hearing that. And it’s taken me a week to realise I’ve placed two songs next to each with ‘Grass’ in the title. Very unintentional but spooky and true. 01.08.49 BROOKE COMBE – Tears Won’t Lie * – 7″ – Fontana – 2026 I reckon Northern soul’s younger followers will dance and some older purists will very likely pick at the production but Combe and co-writer, James Skelly have nailed it, and if this song had been recorded in the mid 1960s – and maybe on the label this 7″ now pays homage to (with say Kiki Dee?) – there’d be an even bigger price tag on it than this barely out of the 2026 pressing plant £18 7′ already commands. Also, all involved in the Combe camp will have been as meticulous on the look for the dancers in the video as was MT Jones for his I Don’t Understand. Paying homage can be tough stuff. 01.11.19 TERRY CALLIER – Ordinary Joe – 7″ – Cadet – 1972 Terry and producer, Charles Stepney with a ‘skipping along the road’ feel. An even more expensive buy than the above… and I have neither. 01.15.17 CHAIRMEN OF THE BOARD – Give Me Just A Little More Time – 7″ – Invictus – 1970 INV 501. Did Invictus kick off their UK releases with a homage to Tamla Motown’s UK singles catalogue. Five years earlier the latter had also started with (TMG) 501, via The Supremes’ Stop In The Name Of Love. 01.17.57 JACKIE WILSON – I Get The Sweetest Feeling – 7″ – Brunswick – 1968 1968 for Jackie but the mid ’70s for me. Putnoe, Bedford… sunshine… Gill H… 01.20.49 THE CONTROLLERS – Somebody’s Gotta Win, Somebody’s Gotta Loose (7″ version) – 7″ – Juana – 1977 I didn’t knowingly hear this til maybe twenty years ago. With the amount of music that bypasses us, is it possible I’ve never heard the greatest song I could ever hear? 01.24.42 UMBRA MOON – Don’t Let Me Down – Download only – 2024 This Australian girl is seemingly taking longer to break out than I would have imagined but though stylistically aside of my normal listening, this is a gem. 01.28.02 SHAWN PHILLIPS – Solitude – 7″ b-side – Columbia – 1965 With my copy bought for this side alone, there are few artists I’ve come across who have been both super jaunty and deeper than deep in the songwriting department and 41 Rooms can be with Shawn in both moods. 01.30.48 JOHN and BEVERLEY MARTYN – Primrose Hill – 7″ – Warner Brothers – 1970 In 1970 approximately 1% of the American population had a passport, so aside thinking (at best) Primrose Hill maybe had some Civil War battle reference for them they were going to struggle to warm to this London landmark being referenced, even though somebody at Warners US – as opposed to their UK counterpoints – thought this Carole King-like tune had legs as a single. Sadly, they were wrong, with the promo 7″ likely more common than the stock copy. 01.33.40 TIM HARDIN – You Upset The Grace Of Living When You Lie – 7″ promo only – Verve Forecast – 1967 Yep, lyric and title of show 154 goes to… though at 1min 45 it’s nearly over by the time he’s got through singing the line. A ragged, slightly altered take of the song was part of Hardin’s performance at Woodstock but his set only got to make it to an official release of the festival in 2019. 01.35.22 JOSE FELICIANO – Dirty Work – For My Love… Mother Music, LP – RCA – 1974 It’s likely I’d be outnumbered with my thinking here but Jose’s passion makes Steely Dan’s own recorded version, sung by their then main vocalist, David Palmer, sound lack lustre. 01.38.08 VANGELIS – He-O – Earth, LP – Vertigo – 1973 Back in Vangelis’ big years I only got around to wanting his 1976 single, Pulstar but then hearing the Beatfanatics Balearic Boogie Remix of Let It Happen in 2007 led me backwards to this album and it’s the vocals (of one Robert Fitoussi) on both tracks that seem to make the difference for me. 01.42.05 STEVIE WONDER – Pastime Paradise * – Songs In The Key Of Life, 2LP – Tamla Motown – 1976 I bought the album at the time but my youthful ignorance didn’t fully take in the scale of Stevie’s accomplishment and looking now at the full tracklisting there were only six tracks I regularly played, with Pastime Paradise being one of them. The American buyers who took Songs… to No 1 in the Billboard album charts will have delved deeper. 01.45.21 KOICHI OZAKI – Petal Of The Cherry Blossom * – Novo Tempo / Koichi Ozaki: Novo Tempo Meets Eurasian Suite Vol. 2, 12″ – Eurasian Suite – 2004 If I could dip into the whole of the soul/(acid)jazz/beats etc etc world of the Japanese from the ’90s onwards there’d be a basket full of great tunes I’ve yet to hear. So little time… 01.51.22 KEITH JARRETT (TRIO) – Dancing – Changeless, LP – ECM Records – 1989 ‘Original material which is deeply subversive (though also respectfully aware) of the whole tradition of jazz as a system of improvisation on ‘the changes’… On Changeless, there are no chord progressions at all; the trio improvises each section in a single key, somewhat in the manner of an Indian raga‘. – The Penguin Guide to Jazz. ‘These pieces – not written, rehearsed, thought out, sketched, or arranged – ‘came up’ in the middle of four distinctly different concerts. Process is swifter and more accurate than thought.‘ – Keith Jarrett’s album liner notes (edited). Show 155 arrives Sept 6. Dec x The post Post Punk Plus Podcast Playlist 154 – Original upload 2.8.26 appeared first on 41Rooms.

Die Songs zur Folge findet ihr ⁠⁠⁠⁠⁠⁠⁠⁠hier: https://open.spotify.com/playlist/6KLGAfKHax7jBnuthnlTQU?si=DeqLFwMnQWeX26RuMcIY2ADiesmal besprechen wir:- die Beefs des Monats: Uncle Acid vs. Gorillaz, Robert Smith vs. FIFA, System Of A Down Vs. Oasis- neue Rekorde von und Gerüchte über Oasis- neue Singles und/oder Albumankündigungen von Dinosaur Jr., Echo & The Bunnymen, Alabama Shakes, Beck, Queens Of The Stoneage & Matt Berninger- die Tode von Glen Hansard, Jennifer Finch & Lou Koller- die neuen Alben von The Strokes, Jack White & Yard Act (+ kurz und gut: Quicksand, Mould, Hurry, Mo Troper & Finn Wolfhardt)- den Battle der Geburtstagskinder „Is This It“, „Bleed American“ & „Origin Of Symmetry“ zum 25.Unsere gefeaturete Band Freude findet ihr hier: https://freudemusik.eu/ Folgt uns bei ⁠instagram.com/loveisnoisepodcast/⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/LoveIsNoisePodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ und schreibt uns unter loveisnoisepodcast@gmail.com

U2, Marilyn Manson, Eels, Johnny Marr, Militarie Gun, Mod Sun, Nieve Ella, The Strokes, The Snuts, Brandon FlowersMatt Berninger, Mystery Jets, Theory of a Deadman, Nickelback, Beck, The Lathums, The Datsuns, Echo and the Bunnymen, Queens of the Stone Age en singles du jour. Bonne écoute du podcast radio rock.

ALLISON RUSSELL W/KARA JACKSON, DENETIA, EXPLORE! POP CHOIR – “Cold April” !TWISTED TEENS – “Florida Water Blues” JAWCROPPED – “Monday” INTERPOL – “Iron City”  ECHO & THE BUNNYMEN – “Brussels Is Haunted” SWAPMEET – “I Know” TRACEY NELSON – “Dolly's Coat” FIONA APPLE – “Horns of a Bull” LOW CUT CONNIE ‘Living In the USA” ALABAMA SHAKES – “I Feel Hope Coming” SHARP PINS – “Saturday Sun” TWIN TEMPLES – “Doomed Lovers” LAVA LA RUE – “Prince of Bologna” DISGUISTING SISTERS – “Sorry Mister” BANDA AL9 – “She Calls Me Love” JAKE XERXES FUSSELL – “Rock Island Line”    

We'd love to hear from you! Click here to send us a text. On this episode of The New Wave Music Podcast, Steve and Don dive into two new releases with in-depth, track-by-track reviews of Born to Kill by Social Distortion and Antidepressants by The London Suede. They explore the stories behind each album, discuss the songwriting, performances, standout moments, and how these veteran bands continue to evolve while staying true to the sounds that made them legendary.Plus, they round up the latest music news from across the new wave and alternative world, including new music and album announcements from Echo & the Bunnymen, Howard Jones, When in Rome UK, Doublespeak, Laptop, U2, Soft Cell, and Jesus Jones. Support the show

Talvez já tenhas ouvido The Killing Moon dos Echo & The Bunnymen, mas já ouviste a Lua Assassina? Não, não é uma tradução, nem uma versão, é outra música uma mera coincidência de nomes aparentemente. Dois anos separam estas duas luas, a estrangeira é 1984, a portuguesa é de 1986, do álbum Spleen dos Rádio

... Y novedades de Carly Rae Jepsen, IFULKI, Beabadobee y Soft Cell.Escuchar audio

1) We're All Clones (Rythm Scholar World Of Tomorrow Remix) - Alice Cooper 2) You Can Run - Flock Of Seagulls 3) Shiny Shiny - Haysi Fantayzee 4) Where The Streets Have No Name - U2 5) I Want You Back - Hoodoo Gurus 6) Watausi Diary - Guadalcanal Diary 7) Los Rancheros - Adam And The Ants 8) Temptation (Alternative 7" Mix) - New Order 9) The Metro - Berlin 10) I've Got Mine - UB40 11) Your Time Will Come - Dread Zeppelin 12) Sweetest Perfection - Depeche Mode13) Fury Eyes - The Creatures 14) When The World Is Running Down - The Police 15) Thru The Flowers - The Primitives 16) Fascination Street - The Cure 17) Seven Seas - Echo And the Bunnymen 18) Things Can Only Get Better (Extended Mix) - Howard Jones 19) King Of Rock 'N' Roll - Prefab Sprout 20) Hanging On The Telephone - Blondie 21) Desire - Prince

We bounce from a killer Cracker and Drivin N Cryin concert to a surreal moment where Heart's “Barracuda” follows us through LaGuardia. The mailbag sparks stories about meeting listeners, debating concerts, and how the songs we love can turn into life lessons we don't forget. • Cracker plays loose and confident • Drivin N Cryin opening run and why “Scarred But Smarter” still hits • “Barracuda” in the airport and walking to the beat • listener messages and meeting people at shows • mixed fan reactions to Echo and the Bunnymen shows • “Paperback Writer” details and rediscovering old songs • Carole King and why Tapestry lasts • The Runaways, the Ramones, The Cure, and LL Cool J time-hopping through pop history Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

"You're in despair. You just don't know you're in despair." — Peter RollinsOn this episode of Podsongs, John Kunkel of The New Division takes the guest-host chair to interview Northern Irish writer, philosopher and theologian Peter Rollins as inspiration for a brand new song. John opens up on his influences — Depeche Mode, New Order, Echo & the Bunnymen, Duran Duran — before the conversation turns to Rollins' work: questioning certainty, exposing the contradictions we live by, and finding freedom from the relentless "tyranny of happiness," with Los Angeles cast as a spiritual "Mecca" selling wholeness to anyone who can afford it. Along the way Rollins unpacks desire, sacrifice, work and alienation, ideology, AI and the unconscious, the films that shaped him, and the parables behind his "pyrotheology" — and the talk becomes the seed of "Idols," a song about the things we all end up worshipping, good and bad.New single "Idols" by The New Division — out 26 June. Stream/pre-save: https://ffm.to/tnd_idolsTOPICSPeter Rollins on desire, contradiction, and ideologyThe tyranny of happiness and the demand to enjoyLos Angeles as a spiritual marketplaceLacanian psychoanalysis and the unconsciousWhy desire needs obstaclesSacrifice, meaning, and fulfillmentAI, consciousness, and the technological singularityFilms, storytelling, and creative inspirationJohn Kunkel's influences: Depeche Mode, New Order, Echo & the Bunnymen, Duran DuranWriting a song live on the podcastTIMESTAMPS00:00 Intro: welcome to Podsongs01:29 Why UK music hits different (New Order, Depeche Mode, Echo & the Bunnymen)04:45 Keeping new wave alive06:18 Moving abroad: music logistics09:47 Writing 150 song demos14:41 Who is Peter Rollins?28:17 Peter joins the call31:50 LA and the demand to enjoy37:01 The tyranny of happiness38:35 The superego's demand to enjoy40:19 Why fulfilling your dreams can backfire41:53 The enjoyment hidden in sacrifice44:33 Why desire needs obstacles47:39 The unconscious and Lacan's "object a"52:56 Filmmaking and prohibition57:43 Negative universality and politics01:01:16 The church of contradiction01:05:29 AI, singularity and the unconscious01:12:42 Music tastes and influences01:14:08 Film picks: They Live and ideology01:19:49 Who inspires Peter now01:20:34 Writing the song live01:21:20 The Vegas parable and unknowing01:26:02 Where to find Peter Rollins01:28:43 The profane temple and lack01:34:51 Post-interview debrief01:39:07 "Idols" — song outroGUEST & MUSICIANPeter Rollins: https://peterrollins.comThe New Division: https://www.newdivisionmusic.comGet the newsletter, support the show, and download the song for just €/$1:https://podsongs.comWebsite: https://podsongs.comPodcast Episodes: https://podsongs.com/podcast-episodesMusic: https://podsongs.com/musicInstagram: https://instagram.com/podsongsTwitter/X: https://twitter.com/podsongsFacebook: https://facebook.com/podsongs#PeterRollins #JohnKunkel #NewDivision #Philosophy #Theology #Psychoanalysis #Lacan #ArtificialIntelligence #AI #Consciousness #Ideology #Desire #Happiness #Spirituality #Songwriting #SynthPop #NewWave #PostPunk #Podsongs #JackStafford

This week we're talking Kelley Stoltz, who has been making amazing DIY pop out of San Francisco for over 25 years for such labels as Sub Pop, Third Man and John Dwyer's Castle Face. His latest is If You Don't Know Me, Buy Now! and is his first of possibly three albums out this year. In addition to his own music, Kelley also spent time as an auxiliary member of Echo & The Bunnymen and Robyn Hitchcock's band, and also produces other artists' albums (Sonny and The Sunsets, Thee Oh Sees).   We talked about how his new album works could work as an entry point for the uninitiated, and how he thinks he's only truly found his own sound in the last decade. We also talked about his time living in New York City in the '90s where one of his jobs was sorting Jeff Buckley's fan mail, his path to home recording, the unique sounds of the Ebow, how he went from being a Echo & The Bunnymen superfan -- who had his own tribute band that include Pavement's Spiral Stairs -- to being an actual member of the Bunnymen, and how he ended up playing in Robyn Hitchcock's band. Plus: five records he thinks everyone should own and lots more. 

Ferris Bueller's Day Off hits 40 years, and somehow it still feels like the kind of perfect stolen day you can step into whenever you need it. We rewatch it with fresh ears, from Cameron's quiet sadness to Jeanie's rage at always being overlooked, plus the running joke of Rooney trying way too hard to catch a kid skipping school. And yes, we keep coming back to the line that never stopped being true: life moves pretty fast.We also dig into why the soundtrack is more than background noise. The art museum sequence lands differently when you catch the Dream Academy instrumental take on The Smiths' “Please, Please, Please, Let Me Get What I Want,” and the parade scene still feels unreal when Ferris turns “Danke Schoen” and “Twist and Shout” into a citywide singalong. Then we take the long way through our own music timeline: Public Image Limited live in 1986, a ZZ Top Afterburner-era set packed with classics, and a current-day Echo and the Bunnymen show that sparks the tricky conversation about aging voices and crowd expectations. We look back at Van Halen's 1981 album Fair Warning and The Smiths The Queen is Dead from 1986.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

This week's show is full of songs about horses...or related to horses...or tangentially connected in some way to horses.  In this show you will hear Modern English, Wolf Alice, The Beatles, Marc Bolan & T. Rex, Electric Six, Jet, Echo & The Bunnymen, Slothrust, Fleetwood Mac, The Dead Weather, Robert Plant & The Strange Sensation, Ian McCulloch, The Shins, The Trash Can Sinatras, Bat For Lashes, Genesis Owusu. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Jimmy Eadie in conversation with David Eastaugh  Into Paradise were an Irish indie rock group from Dublin, whose influences included Joy Division and Echo & the Bunnymen. They formed in 1986 as Backwards into Paradise, and released their debut EP, Blue Light, in 1989 on the independent record label, Setanta. Soon after came the EP Change, and the band's first album, Under the Water. Their most successful album and major record label debut, was the Adrian Borland-produced Churchtown. https://www.youtube.com/watch?v=2N_j7s1Ahjo

Hoy en La Gran Travesía, 21 de mayo, podréis escuchar a CSNY, The Struts, Blue Öyster Cult, Marvin Gaye, Tame Impala, Cinderella, Stevie Wonder, Soundgarden, Echo and the Bunnymen.... y muchos más! ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Alul, Piri, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Octavio Oliva, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Buzz Kull – “Dancing With Machines”, 2022. And One – “Love You to the End”, 2006. Click Click – “Mekanakill”, 2015. Melotron – “Dein Meister”, 2001. Tempers – “Carried Away”, 2022. Neocoma – “Mirror in Your Eyes”, 2017. Visceral Anatomy – “Flowers In Wax”, 2020. Switchblade Symphony – “Wallflower (WLDV Edit)”, 2022. Cranes – “Jewel (12” Mix)”, 1993. Echo & the Bunnymen – “All My Colours”, 1981. The Cold – “Summernight”, 2003. Siouxsie and the Banshees – “Spellbound”, 1981. Bloc Party – “She’s Hearing Voices”, 2005. Control Room – “War”, 2020. Website link: https://skullandcrossfades.com/if-i-could-keep-this-hour

Welcome back to another episode of Trve. Cvlt. Pop! a pod music podcast.On this episode we're joined once more by Merlin Alderslade, pulling double duty this week, as we celebrate the 30th anniversary of one of the biggest singles in the history of UK music, The Prodigy's immortal Firestarter, by looking through the entire career of the Essex dance-crossover legends and picking a single, favourite song from each of their 7 studio albums.There's also chat on new music from Poison the Well, Murkage Dave, Eihwar and more, a review of a very disappointing night out seeing Echo and the Bunnymen and a long forgotten 2000's mash up that is one of the genre's finest.

Jeudi 19 mars, Marjorie Hache conclut la semaine de Pop-Rock Station avec deux heures mêlant classiques et nouveautés. L'émission s'ouvre avec The Black Keys et "You Got To Lose", avant d'enchaîner ZZ Top, Smash Mouth, The Strokes ou encore Fun Lovin' Criminals. Parmi les classiques, Janis Joplin, Echo and the Bunnymen ou Iron Maiden accompagnent aussi un hommage à Terry Hall des Specials avec "Too Much Too Young". L'album de la semaine reste consacré à Mitski avec Nothing's About To Happen To Me, dont est extrait "That White Cat". Les nouveautés se distinguent avec Temples, Ghinzu, Anna Calvi et Upchuck dans le segment Fresh Fresh Fresh avec "Last Breath". La reprise du soir revisite "Some Velvet Morning" de Lee Hazlewood et Nancy Sinatra, interprétée par Primal Scream avec Kate Moss. The Black Keys - You Got To Lose ZZ Top - La Grange The Specials - Too Much Too Young Green Day - Kill The Dj Foals - Cassius The Monkees - I'm A Believer Smash Mouth - Walkin' On The Sun Mitski - That White Cat Echo & The Bunnymen - The Killing Moon Last Train - One By One Janis Joplin - Cry Baby Temples - Jet Stream Heart Primal Scream - Some Velvet Morning (Feat. Kate Moss) Fun Lovin' Criminals - Scooby Snacks The Strokes - Heart In A Cage Silversun Pickups - Reservoir Supertramp - Bloody Well Right Air - Sexy Boy Ghinzu - Out Of Control Depeche Mode - People Are People Yeah Yeah Yeahs - Date With The Night Cage The Elephant - House Of Glass Upshuck - Last Breath Sex Pistols - Anarchy In The Uk Sum 41 - Still Waiting The Mars Volta - The Widow Blur - Song 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Iron Maiden - Fear Of The DarkHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's 1977 and punk has just hit Liverpool.  The legendary Eric's club is home to the city's rebels and posers - many became pop stars.Penny Kiley became a music journalist.Atypical Girl - Punk rock, Liverpool and trying to be normal' is Penny's homage to the city's re-emergence as a musical force which had lain dormant since the Beatles upped sticks and left in the 60's.The book is also the highly personalised tale of an autistic woman in the male-dominated world of music journalism - working for Melody Maker, Smash Hits and the Liverpool Echo, reviewing gigs by Echo and the Bunnymen and Dead or Alive, and interviewing Jonathan Richman and the rest."If anyone can paint a true picture of those glorious days, Penny can." - says Will Seargent.

Ce mercredi, Marjorie Hache propose deux heures de rock et de pop pointue dans Pop-Rock Station. Elle ouvre la soirée avec Arctic Monkeys et un titre inédit issu de la compilation caritative "Help 2" au profit de War Child. Parmi les classiques, elle enchaîne avec Echo & The Bunnymen, Deep Purple, David Bowie, The Dandy Warhols, Nine Inch Nails ou encore Guns N' Roses. Dans l'actualité musicale, elle met en avant Anna Calvi avec "God's Lonely Man" en duo avec Iggy Pop et Kim Gordon avec "Not Today". L'album de la semaine est toujours signé Puscifer avec "Normal Isn't", illustré ce soir par "Self Evident". La reprise met à l'honneur "Lilac Wine", popularisée par Nina Simone et revisitée ici par Jeff Buckley. L'émission salue aussi l'anniversaire de Mike Shinoda avec Linkin Park et rend hommage à Brad Arnold de 3 Doors Down qui vient de nous quitter. Enfin, la séquence Fresh Fresh Fresh présente Zach Bryan, nouvelle figure montante de la country, avec "Plastic Cigarettes". Arctic Monkeys - Opening Night Echo & The Bunnymen - The Killing Moon Linkin Park - Unshatter The Dandy Warhols - Get Off Deep Purple - Hush Luke - La Sentinelle David Bowie - Blue Jean Puscifer - Self Evident The Who - Who Are You The 5.6.7.8'S - Woo Hoo Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Jeff Buckley - Lilac Wine The Box Tops - The Letter 3 Doors Down - Kryptonite Brotaly - The Body Depeche Mode - A Question Of Time Nine Inch Nails - Closer Kim Gordon - Not Today Joan Baez - House Of The Rising Sun Guns N' Roses - Yesterdays Zach Bryan - Plastic Cigarettes The Velvet Underground - Sunday Morning Curtis Stigers - This Life The Arrows - Touch Too Much Prince - Let's Go Crazy Sebastien Tellier - La RitournelleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Echo & The Bunnymen's "Killing Moon" hit #9 on the UK singles chart, with singer Ian McCulloch touting it as "the greatest song ever written". On this episode of The Spindle, Marc and John break down the track, why singer Ian McCulloch didn't want to sing it, and the story behind why the record's b-side was banned in the UK.

The Church are a bit of an enigma in the rock world. Though best known for their breakout 1988 song Under The Milky Way off of Starfish. Prior to that they'd had an unexpected Australian anthem in An Unguarded Moment. But they didn't want to be a pop band - they saw themselves as members of the new psychedelic movement. So the cover of Heyday (released in Australia late 1985 but in the US January 28, 1986) you can see the lads sporting some paisley shirts against a Persian Rug. But at that point, they'd already abandoned their psychedelic leanings for their own AOR stylings. The album Heyday, produced by Peter Walsh (Simple Minds) provides some entrancing guitar work with lyrics from Steve Kilbey that go from seeing behind the curtain of fame (Disenchanted) to unending sadness (Tristesse) to vain plastic surgery junkies (Youth Worshipper). Peter Koppes and Marty Wilson-Piper offer intricate and jangling guitars which make for 120 Minutes gold on MTV and can even put you into a bit of a trance. Myrrh and Tantalized proved to be all time favorites of Church fans and are still part of the band's setlist to this day. However, though songs like Columbus and Already Yesterday may have been enjoyed by fans of the band, they failed to crack the charts the way the record company had hoped. Still, the band were able to tour the US with Echo & The Bunnymen which helped them break down some doors and win some fans. Though they were dropped by their record companies after Heyday, this led to them being picked up by Arista, which led to Starfish and success in the US and around the world. It may not be multi-platinum but Heyday would help define the sound of The Church, allowed them to write songs together and create a foundation that built towards greater success. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Church are a bit of an enigma in the rock world. Though best known for their breakout 1988 song Under The Milky Way off of Starfish. Prior to that they'd had an unexpected Australian anthem in An Unguarded Moment. But they didn't want to be a pop band - they saw themselves as members of the new psychedelic movement. So the cover of Heyday (released in Australia late 1985 but in the US January 28, 1986) you can see the lads sporting some paisley shirts against a Persian Rug. But at that point, they'd already abandoned their psychedelic leanings for their own AOR stylings. The album Heyday, produced by Peter Walsh (Simple Minds) provides some entrancing guitar work with lyrics from Steve Kilbey that go from seeing behind the curtain of fame (Disenchanted) to unending sadness (Tristesse) to vain plastic surgery junkies (Youth Worshipper). Peter Koppes and Marty Wilson-Piper offer intricate and jangling guitars which make for 120 Minutes gold on MTV and can even put you into a bit of a trance. Myrrh and Tantalized proved to be all time favorites of Church fans and are still part of the band's setlist to this day. However, though songs like Columbus and Already Yesterday may have been enjoyed by fans of the band, they failed to crack the charts the way the record company had hoped. Still, the band were able to tour the US with Echo & The Bunnymen which helped them break down some doors and win some fans. Though they were dropped by their record companies after Heyday, this led to them being picked up by Arista, which led to Starfish and success in the US and around the world. It may not be multi-platinum but Heyday would help define the sound of The Church, allowed them to write songs together and create a foundation that built towards greater success. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Ce mercredi 17 décembre, Marjorie Hache anime deux heures denses et contrastées sur RTL2 Pop-Rock Station. La soirée s'ouvre avec The Charlatans et leur récent "Deeper And Deeper", avant un détour par Serge Gainsbourg et "Requiem pour un con". L'émission rend hommage à Captain Beefheart, disparu il y a quinze ans, avec "Upon The My O My". Parmi les classiques, Metallica, Pink Floyd période "Dark Side Of The Moon", Creedence Clearwater Revival ou encore Alanis Morissette rythment la programmation. L'actualité musicale se fait entendre avec Bruise Control, Kasabian et la nouveauté Fresh Fresh Fresh signée Gretel, jeune artiste influencée par le grunge alternatif. La reprise du soir revisite "People Are Strange" des Doors dans la version d'Echo & The Bunnymen, extraite de la bande originale du film "The Lost Boys". Francis Zégut recommande également The Filthy Kids. La fin d'émission navigue entre intensité et héritage rock avec Mass Hysteria, NOFX, Leon Russell et Rise Of The North Star. The Charlatans - Deeper And Deeper Serge Gainsbourg - Requiem Pour Un C... Captain Beefheart & His Magic Band - Upon The My-O-My The Cardigans - Erase And Rewind Metallica - The Unforgiven Green Day - Still Breathing Pink Floyd - Money Dolly Parton - Christmas Time's A Comin' Creedence Clearwater Revival - Fortunate Son The Raconteurs - Steady As She Goes The Revels - Comanche Bruise Control - Gone To Ground Echo & The Bunnymen - People Are Strange Alanis Morissette - Hands Clean The Prodigy - Smack My Bitch Up The Filthy Kids - The Tide And The Moon War - Low Rider Cypress Hill - Superstar Kasabian - Hippie Sunshine Talking Heads - Burning Down The House Mass Hysteria - Furia Gretel - Maybelline Alice Cooper - School's Out NOFX - Linoleum Leon Russell - Come On In My Kitchen The Hives - Come On ! Rise Of The Northstar - Neo Paris Chicago - Poem 58Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A fast-moving tour through concerts, songs, and stories that still echo: REM's 1995 blowout, U2's 2005 highs, a supergroup surprise with Darius Rucker, Mike Mills, and Steve Gorman and how a ballad helped change maritime safety. We end with a spirited look at 80s alt gems and one notorious number-one.• deep dive into REM's 1995 Omni shows and rare covers• U2's 2005 setlist peaks, “Miss Sarajevo,” and a proposal during “One”• Howl Owl Howl live review with Darius Rucker, Mike Mills, Steve Gorman• airport chat about McCartney, Rod Stewart, and a Rick Astley ritual• Gordon Lightfoot's Edmund Fitzgerald and Great Lakes safety changes• 70s–80s track talk: KC, Echo and the Bunnymen, The Cure, Oingo Boingo, Big Audio Dynamite• hot take on Starship's "We Built This City"Learn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with Halloween approaching, we're looking to get into the spirit of the season with songs featured in horror movies. On today's episode, Andy Atherton is watching, “People Are Strange” by Echo & The Bunnymen from 1987.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=yUgRSmo50gE

This week's Dark Nation Radio is ready for streaming and features new music from bands including Lost Signal, Omen Code, Blackbook, Ultra Sunn, Wavepeak, LovetheGhost, Ductape, The City Gates, Mondträume, Elektrostaub, and Nevada Hardware. Also mark your calendars: the annual Dark Nation Radio Halloween Spooktacular is scheduled for Sunday October 26th at 9 PM EDT. Thanks for your support. DJ cypher's Dark Nation Radio Playlist 19 October 2025 Blackbook, “Wait Until Midnight” Elektrostaub ft. Echo Image, “Falling” Ultra Sunn, “The Beast in You” SYZYGYX, “Stranger” Mondträume, “Heart Machine” Delerium & Jes, “Stay” Eurythmics, “Sweet Dreams (Are Made of These)” Die Sexual, “Desire” Nevada Hardware, “In the Dark” The City Gates, “La Douleur des Mortels” Memory Index, “Tulpa” Fernando's Eyes, “A Million Times (Magic Wands remix)” Ductape, “Fine” LoveTheGhost, “Understand” Holy Wire “Phantom Nihilism (KVB remix)” Omen Code, “Ultra Fear” Encephalon,” Automaton All Along” The Discussion, “Without You” Lost Signal, “Not the End of Me (System Syn remix)” Technoir, “Human Shapes” Missing in Stars, “The Tides (White Noise TV mix)” Echo & the Bunnymen, “Lips Like Sugar (Way Out West mix)” Bedless Bones, “Drifting (Nuclear Sludge)” G.W. Childs IV, “Tarrant Country (Solemn Assembly remix)” VNV Nation, “God of All” Eden Synthetic Corporation, “Narcissus” Wavepeak, “Everybody's Nobody” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

"Wait For Fire Burning" Formed in Oakland in 1985, Legal Reins were comprised of singer/guitarist Danny Benatar, bassist Eden Unger and drummer Tim Freund. They tore up the Bay Area scene, playing show after show and cementing themselves as one of the best live bands around. This is a band who did the work, got in the reps and eclipsed the Gladwellian idea of 10,000 hours. Opening for everyone from Madness to Killing Joke, Legal Reins proved themselves time and again that they could step on any stage and match anyone in terms of power and heart. Their exhilarating blend of sweeping pop epics and punchy hook laden rock and roll brought to mind everyone from The Sound to Echo and the Bunnymen to the Waterboys. After a bit of a bidding war, they signed to Arista in 1987, put out their debut album Please, The Pleasure soon after and then? Well, then things turned the other way. I'm going to let Tim tell you the story, but let me say this: In 1986 I was the music director of KVHS, an all-metal station located conveniently on my high school campus. I was in the habit of sneaking in The Smiths and The Chameleons in between Accept and Venom just to see if anyone noticed--they did, by the way. It was slightly terrifying to be 16 and getting death threats for not playing King Diamond, but I digress. Legal Reins called me up and they were very kind and I loved their music and one time I played them in between Y&T and Armored Saint and this one guy called up and said, very aggressively, Who was that you played after Y&T? I told him Legal Reins and he was quiet for second and then he said, That was pretty good... TEED: https://open.spotify.com/track/64o01ap4UeiY5Y8fVaqChx www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Doors-lovin' Liverpudlian sassboys Echo & the Bunnymen made a single-hander of LPs during the 1980's that are all solid. My favorite is number two - Heaven Up Here - Post-punk poundery that is perfect for soundtracking your BDSM adventure. If that's your thing - pervert.

What's your most loved and least favourite song on Everything But The Girl's debut 1984 album, Eden? Jim picked this purdy teen fave so we got to talk about our young twee/jazzy leanings. Quietest album we've ever ranked? Shhh. Maybe. Love Jones singer Jonathan Palmer swings in with his thoughts and opinions!   Available at WeWillRankYouPod.com, Apple, Spotify and everywhere you get podcasts but...there.  Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Threads  @wewillrankyoupod !FILE UNDER/SPOILERS:Another Bridge, Aztec Camera, Bittersweet, Blanco y Negro, Simon Booth, bossa nova, Crabwalk (Instrumental), Joao Bosco De Oliveira, the Doors, The Dustbowl, Each and Every One, Echo and the Bunnymen, Eden, England, Even So, Everything But The Girl, Fascination, Jane Fox, Frost and Fire, Hammond organ, Happy Mondays, Charles Hayward, Hull, I Must Confess, indie pop, jazz, Pete King, Love Jones, Marine Girls, Chucho Merchán, Robin Millar, Missing, Nigel Nash, new wave, Night and Day, Jonathan Palmer, Dick Pearce, Mike Pela, Sade, samba, saxophone, the Smiths, Soft Touch, The Spice of Life, the Style Council, Tender Blue, there's a, Tracey Thorn, Ben Watt, Paul Weller, 1984. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

This episode is sponsored by House of Macadamias -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get our specially curated box that also comes with the free snack bars and 15% offer for CURVA MUNDIAL listeners! ⁠⁠Also, be sure to visit our merch store!⁠⁠Iconic guitarist Will Sergeant of the legendary Echo and the Bunnymen joins CURVA MUNDIAL to talk about his new autobiography, his career and of course, his love of Liverpool.

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your weekly time warp back to the 1980s with: Bryan Ferry, Echo & The Bunnymen, Morrissey, Joy Division, Sheena Easton, Pet Shop Boys, INXS, A Flock Of Seagulls, Animotion, Big Country, Belinda Carlisle, George Michael, Magazine, Re-Flex, and finishing off with the Red Hot Chili Peppers.

Get on board with Somehow UN-Related! Get Somehow Related ad free too! Here, on Apple Podcasts or go to Nearly.com.au Both take themselves rather seriously? Around in the 1980s? British? Thinking Music Resurfaced audio! Link to the answer Louder Support the podcasts you enjoy - check out Lenny.fm More about the show - www.nearly.com.au/somehow-related-podcast-with-glenn-robbins-and-dave-oneil/ Somehow Related is produced by Nearly Media. Original theme music by Kit Warhurst. Artwork created by Stacy Gougoulis. Looking for another podcast? The Debrief with Dave O'Neil - Dave's other podcasts with comedians after gigs. The Junkees with Dave O'Neil & Kitty Flanagan - The sweet and salty roundabout! Junk food abounds!Support on Lenny.fm: https://www.lenny.fm/See omnystudio.com/listener for privacy information.

Noel Burke in conversation with David Eastaugh  https://www.facebook.com/groups/1001217991862133/user/61555741167271/ https://www.facebook.com/groups/1001217991862133 Irish singer, who is best known for replacing Ian McCulloch as the lead singer with Echo & the Bunnymen from 1989 to 1993. Burke's first band was St. Vitus Dance, who released the album Love Me, Love My Dogma in 1987. The band split and Burke was contacted by Will Sergeant, who invited him to join Echo & the Bunnymen as lead vocalist. The band released Reverberation (1990)  In 2005, Burke reformed St. Vitus Dance for some live shows. An album of new material, Glyphotheque, was released in 2008.

SIDE PROJECT! OFFICIAL UNOFFICIAL TRAILER! Premiering September 17th: a We Will Rank You miniseries about that one band from Liverpool that isn't Echo and the Bunnymen. 13 Beatles albums ranked by a guest list as sprawling as the cover of Pepper. First episode recorded at Abbey Road Studios in London. Hosted by Adam. Named by Charlotte. Subscribe now at all of your usual pod places. For podcast birth announcements, follow http://www.instagram.com/QuarrelmenPod http://www.facebook.com/QuarrelmenPod http://www.QuarrelmenPod.com

If you ever go to a big wrestling show, you'll likely find a commemorative T-shirt for sale that says "I Was There." It's just another way of proving that you attended the event, beyond all the photos and videos you probably took on your phone. Live show experiences are the topic of this very episode. Andrew is joined by first-time guest Tyler Forness (The Good, The Bad, & The Hungee) to play songs by artists they have seen live and reminiscence about any memories they have from those concerts. Artists include Mötley Crüe, Black Sabbath, Dream Theater, Yes feat. Jon Anderson, Trevor Rabin, & Rick Wakeman, Taylor Swift, The Heavy, Echo & the Bunnymen, Ludacris, and many more. No need to fork over 50 dollars to the guy at the merch stand, this episode is free and fun!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @therealfornoTwitter: @therealfornoTyler's football coverage: atozsports.com/author/tyler-fornessTyler's Minnesota Vikings podcast: https://www.youtube.com/playlist?list=PLMGPRoBO8c1joHchLToxiKThbD58SDY-jAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're finally back after an unexpected hiatus and thank you to those who have been patient and to those who joined us through all that. In this episode, we discuss our experiences with Echo & the Bunnymen and  the music video for Seven Seas, helmed by Anton Corbijn. Did we like it, or did we throw it back to the bowels of the ocean?Music Video

Ce soir, Marjorie Hache propose une traversée du rock sous toutes ses formes. En ouverture, un clin d'œil aux années 70 avec Ram Jam et Cream, suivis de Placebo, Beck ou encore Echo & The Bunnymen. L'album de la semaine continue d'être exploré avec "Hourrah Hourrah Hourrah", nouvel extrait du nouveau disque des Hives "The Hives Forever Forever The Hives". RTL2 Pop Rock Station dévoile "The Hunting Season" de Biffy Clyro, "Rabbit Run" des Idles issu de la B.O. du film "Caught Stealing", et "The Bottom" de Daughtry, est le Fresh Fresh Fresh de la soirée. La reprise du jour est signée Paul Banks, qui offre une version habitée de "Sister Midnight" d'Iggy Pop. Enfin, la recommandation de Francis Zégut met en lumière Rip Van Winkle, le projet garage rock de Robert Pollard, tandis que Jehnny Beth, Korn et Pantera viennent électriser la seconde heure. Ram Jam - Black Betty Biffy Clyro - Hunting Season The Doors - Summer's Almost Gone Björk - It's Oh So Quiet Echo & The Bunnymen - The Killing Moon Placebo - Battle For The Sun Cream - Sunshine Of Your Love The Hives - Hooray Hooray Hooray Sweet - The Ballroom Blitz Santigold - L.E.S. Artistes Beck - Loser Idles - Rabbit Run Paul Banks - Sister Midnight The Breeders - Cannonball Rip Van Winkle - Shit-Heel Man John Lennon - Working Class Hero Pantera - This Love Jehnny Beth - No Good For People The Troggs - Wild Thing The Kills - Future Starts Slow Daughtry - The Bottom Kiss - Rock And Roll Hell (2022 Remaster) Korn - Dirty Florence & The Machine - Ship To Wreck Deftones - My Mind Is A Mountain Horrors The - Moving Further AwayHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Andrew Weatherall's first official posthumous mix. The only B2B DJ Harvey ever agreed to. Six hours at Trouw. The rarest of rare for RA.1000: this one's special. When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon? All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete. The fourth-longest mix in the RA Podcast's history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. (2012, incidentally, is farther away from 2025 than 2012 was from 2000; if we have to clock it, so do you.) It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall. The night took place at Trouw, an Amsterdam club that was already legendary before closing its doors in 2015, as part of RA VS, a party anchored around start-to-close combinations. Harvey was at the peak of an immense second act, which dovetailed with a parallel disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. Although a serial collaborator in the studio, he didn't actually play too many b2b sets either, preferring to sail the open seas by his own navigation. We're grateful that all relevant parties in both camps gave their blessing for us to let this loose and show what happened when their worlds collided. What follows is 385 minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. If you've got time to spare, a fun side game is sussing out who plays what. Take the goosebumps-inducing slide into a disco-dub cover of Echo & the Bunnymen's "The Killing Moon"? Smart money's on Weatherall. Exuberant EQ'ing of the comically overripe bass on The Isley Brothers' "Live It Up, Pts. 1 & 2"? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. The pair putter around the 100 BPM range for so long that nudging up to 127 by the double encore feels practically like flooring it down the highway. When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for posterity, and get arms around some of the key storylines since we went 5 for RA.500. DJing and the mythology around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. It's a scarcely-recognisable scene. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. Yet a sense of accomplishment is bundled within that melancholy. Appreciation, too. 1000 episodes is great innings, and we're thankful for every contributor and facilitator who built this series, week by week, mix by mix. Where will DJ sets—or any of this—be in 2044? Hard to say; best not to overthink it. Instead, enjoy luxuriating in the company of two of the greatest to ever do it. @andrew-weatherall https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

Spiritualized Ladies and Gentleman We Are Floating In Space 3:53 Ladies and Gentleman We Are Floating In Space 1997 Stone Roses I Wanna Be Adored 4:26 The Stone Roses 1989 Frankie Goes To Hollywood Including The Ballad Of 32 4:17 Welcome To The Pleasuredome 1985 Primal Scream Loaded 6:57 Screamadelica 1991 Echo & The Bunnymen […]

(00:00:00) Introducing Keith Murray and the New We Are Scientists Album, Qualifying Miles (00:10:08) Why are We Talking About The Lost Boys? (00:17:00) Breaking Down the Lost Boys Soundtrack (00:23:30) Kiefer Sutherland, Rock Star? (00:32:40) The Lost Boys Influenced Keith to Move to California? (00:41:16) The Lost Boys Sequels (00:46:16) Thomas Newman, The Lost Boys Soundtrack Composer (00:49:17) Tim Cappello, Saxaphone Playing Legend (01:02:05) Last Thoughts on the Soundtrack (01:10:28) Thank Yous and Goodbyes Keith Murray, singer/guitarist of rock band, We Are Scientists, joins Nicole Barlow and Ryan Pak to discuss the soundtrack to Joel Schumacher's 1987 film, The Lost Boys. The soundtrack features songs from INXS and Rick Barnes, Echo and the Bunnymen covering The Doors, Roger Daltrey covering Elton John, Gerard McMahon, Lou Gramm, and the iconic Tim Cappello. The film triggers a lot of nostalgia for Keith, from the locations (Santa Cruz as fictional Santa Clara) to the cast (Corey Haim, Corey Feldman, Kiefer Sutherland, Alex Winter, etc),The new We Are Scientists album, Qualifying Miles, is out now wherever you listen to music and athttps://www.wearescientists.comPlease support Soundtrack Your Life on Patreon! Receive quarterly bonus episodes and ad-free episode downloads!

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 1980s: Any Trouble, Let's Active, Haysi Fantayzee, Peter Gabriel, Strawberry Switchblade, UB40, The B-52's, Duran Duran, Cyndi Lauper, Waitresses, The Human League, Nick Heyward, INXS, Fun Boy Three, Echo & The Bunnymen, and finishing off with Corey Hart.

In Episode 37, American entrepreneur and music executive Seymour Stein makes the Bunnymen an offer they can't refuse. But, first, they need a drummer. Enter Pete de Freitas.

We're rewinding to 1986 for a look at Pretty in Pink, one of the most influential teen films of the decade—and its unforgettable soundtrack. From The Psychedelic Furs and Orchestral Manoeuvres in the Dark to Echo & the Bunnymen, we unpack how this New Wave-heavy tracklist elevated the film's emotional core and rewrote the rules of music supervision. A love letter to heartbreak, eyeliner, and synths.Follow Us on Instagram @tracklistshow====If in NYC on July 4th, be sure to check out Tracklist co-host @chrissaunders_music performing at the unveiling of the WALL OF SHAME 2-4 pm @ PINE BOX ROCK SHOP, 12 Grattan St., Brooklyn

Missed mentioning my 60th Birthday last month, known as the Diamond Jubilee for some reason. Anyhow - here's a podcast with cool music and stuff. Enjoy!Track Listing:1) Happy Birthday (12" Version) - Altered Images 2) Charlotte Anne - Julian Cope 3) I Predict (Club Mix) - Sparks 4) It's Alright (10" Version) - Pet Shop Boys 5) Sledgehammer (Extended Dance Mix) - Peter Gabriel 6) I La La La Love You - Pat Travers 7) A Man Inside My Mouth - The Cure 8) President Am I - Slow Children 9) Which Man Are You - Tommy Tutone 10) Under The Milky Way - Echo And the Bunnymen 11) Lost Again - Yello12) Dog Eat Dog - Adam Ant13) Once In A Lifetime - Talking Heads 14) Every Word Means No - Let's Active 15) Know Your Rights - The Clash 16) Fight For Your Right - Beastie Boys 17) Jealous - Gene Loves Jezebel 18) I Don't Like Mondays (Live) - Boomtown Rats 19) Shy Boy (Extended Version) - Bananarama 20) Sister Europe - Psychedelic Furs 21) Big Area (Lost Mix) - Then Jerico

This week on The Metro, Rev. Jeff Ivins celebrates 20 years of The Metro by doing double shots of the following artists: The Human League, Adam Ant, Living in a Box, Icehouse, Falco, Culture Club, Elvis Costello, Oingo Boingo, Modern English, Berlin, Echo & The Bunnymen, Kim Wilde, Naked Eyes, The Fixx, and finishing off with the Stray Cats.

Baxie welcomes back Mark Burgess from The Chameleons! The Chameleons have just released their 2nd EP over the last ten months (“Where Are You” and Tomorrow Remember Yesterday”). These two new releases represent their first batch of new music since 2001. A new full-length album is due later this year. The Chameleons are one of the great yet most overlooked bands of all time. If you know The Chameleons, then you know what I'm talking about out. If you don't know them—you need to. They were a band that could have (and should have) been in the same conversation with the likes of The Smiths, Echo & The Bunnymen, and The Cure. Instead, they chose a different path. You can hear more about that in my interview with Mark Burgess from May of 2024. This time we talk about reforming the band, recording new music, and the power of their live performances over the years. The Chameleons are coming to Big Night Live in Boston on April 30th. Just a magnificent band. And I don't throw that word around lightly. Listen on Apple Podcasts, YouTube, Spotify, and on all Rock102 digital platforms! Brought to you by Metro Chrysler Dodge Jeep Ram

MUSICMachine Gun Kelly is sharing his first comments on Megan Fox having his baby. Elton John revealed on "Good Morning America" that he isn't able to make new music because he can't see.Could Billy Corgan from The Smashing Pumpkins and comedian Bill Burr be half-brothers? Billy's stepmom seems to think so. Billy was on yesterday's episode of Howie Mandel's podcast and he shared a story he's never told anyone before. Keith Urban has a huge collection of guitars and he's always had his eyes set on Waylon Jennings' iconic 1950 Broadcaster. So, when it went up for auction, Keith was ready to swoop it up. Little did he know, that his wife, Nicole Kidman, was behind the scenes making sure he didn't win the auction. Because SHE wanted to win it, so she could give it to him as a gift. And apparently, she made Keith sweat thinking he lost the auction, only to surprise him a bit later.  Courtney Love says that her next solo album includes a duet with Michael Stipe of R.E.M. and guitar work from Will Sergeant of Echo and the Bunnymen. Her last solo album, Nobody's Daughter, was released in 2010.Marilyn Manson has dropped the lawsuit he filed against Evan Rachel Wood and abandoned an appeal attempting to revive a different defamation claim.Michael Stipe of R.E.M. and Flea of Red Hot Chili Peppers will pay tribiute to fellow Rock and Roll Hall of Fame member Patti Smith on March 26th at New York's Carnegie Hall.Here's the trailer for the "Dexter" prequel series, "Dexter: Original Sin". It premieres December 13th on Paramount+ with Showtime, and December 15th on Showtime.Check out the trailer for "Squid Game" Season 2. It hits Netflix December 26th.MOVING ON INTO MOVIE NEWS:Regal Cinemas Reveals ‘Nosferatu' Popcorn Sarcophagus for $30. So your popcorn has a little coffin to sit on your lap. This box will be on sale a week in advance before the films official release on Christmas.AND FINALLY Everyone usually remembers their firsts, right? People over on Reddit are sharing which adult movies they saw . . . way too young. Here are some highlightsFollow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Machine Gun Kelly is sharing his first comments on Megan Fox having his baby.  Elton John revealed on "Good Morning America" that he isn't able to make new music because he can't see. Could Billy Corgan from The Smashing Pumpkins and comedian Bill Burr be half-brothers? Billy's stepmom seems to think so. Billy was on yesterday's episode of Howie Mandel's podcast and he shared a story he's never told anyone before.  Keith Urban has a huge collection of guitars and he's always had his eyes set on Waylon Jennings' iconic 1950 Broadcaster. So, when it went up for auction, Keith was ready to swoop it up. Little did he know, that his wife, Nicole Kidman, was behind the scenes making sure he didn't win the auction. Because SHE wanted to win it, so she could give it to him as a gift. And apparently, she made Keith sweat thinking he lost the auction, only to surprise him a bit later.   Courtney Love says that her next solo album includes a duet with Michael Stipe of R.E.M. and guitar work from Will Sergeant of Echo and the Bunnymen. Her last solo album, Nobody's Daughter, was released in 2010. Marilyn Manson has dropped the lawsuit he filed against Evan Rachel Wood and abandoned an appeal attempting to revive a different defamation claim. Michael Stipe of R.E.M. and Flea of Red Hot Chili Peppers will pay tribiute to fellow Rock and Roll Hall of Fame member Patti Smith on March 26th at New York's Carnegie Hall. Here's the trailer for the "Dexter" prequel series, "Dexter: Original Sin". It premieres December 13th on Paramount+ with Showtime, and December 15th on Showtime. Check out the trailer for "Squid Game" Season 2. It hits Netflix December 26th. MOVING ON INTO MOVIE NEWS: Regal Cinemas Reveals ‘Nosferatu' Popcorn Sarcophagus for $30. So your popcorn has a little coffin to sit on your lap. This box will be on sale a week in advance before the films official release on Christmas. AND FINALLY  Everyone usually remembers their firsts, right? People over on Reddit are sharing which adult movies they saw . . . way too young. Here are some highlights Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoices