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https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Ce mercredi 17 décembre, Marjorie Hache anime deux heures denses et contrastées sur RTL2 Pop-Rock Station. La soirée s'ouvre avec The Charlatans et leur récent "Deeper And Deeper", avant un détour par Serge Gainsbourg et "Requiem pour un con". L'émission rend hommage à Captain Beefheart, disparu il y a quinze ans, avec "Upon The My O My". Parmi les classiques, Metallica, Pink Floyd période "Dark Side Of The Moon", Creedence Clearwater Revival ou encore Alanis Morissette rythment la programmation. L'actualité musicale se fait entendre avec Bruise Control, Kasabian et la nouveauté Fresh Fresh Fresh signée Gretel, jeune artiste influencée par le grunge alternatif. La reprise du soir revisite "People Are Strange" des Doors dans la version d'Echo & The Bunnymen, extraite de la bande originale du film "The Lost Boys". Francis Zégut recommande également The Filthy Kids. La fin d'émission navigue entre intensité et héritage rock avec Mass Hysteria, NOFX, Leon Russell et Rise Of The North Star. The Charlatans - Deeper And Deeper Serge Gainsbourg - Requiem Pour Un C... Captain Beefheart & His Magic Band - Upon The My-O-My The Cardigans - Erase And Rewind Metallica - The Unforgiven Green Day - Still Breathing Pink Floyd - Money Dolly Parton - Christmas Time's A Comin' Creedence Clearwater Revival - Fortunate Son The Raconteurs - Steady As She Goes The Revels - Comanche Bruise Control - Gone To Ground Echo & The Bunnymen - People Are Strange Alanis Morissette - Hands Clean The Prodigy - Smack My Bitch Up The Filthy Kids - The Tide And The Moon War - Low Rider Cypress Hill - Superstar Kasabian - Hippie Sunshine Talking Heads - Burning Down The House Mass Hysteria - Furia Gretel - Maybelline Alice Cooper - School's Out NOFX - Linoleum Leon Russell - Come On In My Kitchen The Hives - Come On ! Rise Of The Northstar - Neo Paris Chicago - Poem 58Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A fast-moving tour through concerts, songs, and stories that still echo: REM's 1995 blowout, U2's 2005 highs, a supergroup surprise with Darius Rucker, Mike Mills, and Steve Gorman and how a ballad helped change maritime safety. We end with a spirited look at 80s alt gems and one notorious number-one.• deep dive into REM's 1995 Omni shows and rare covers• U2's 2005 setlist peaks, “Miss Sarajevo,” and a proposal during “One”• Howl Owl Howl live review with Darius Rucker, Mike Mills, Steve Gorman• airport chat about McCartney, Rod Stewart, and a Rick Astley ritual• Gordon Lightfoot's Edmund Fitzgerald and Great Lakes safety changes• 70s–80s track talk: KC, Echo and the Bunnymen, The Cure, Oingo Boingo, Big Audio Dynamite• hot take on Starship's "We Built This City"Learn Something New orRemember Something OldLike and follow our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, with Halloween approaching, we're looking to get into the spirit of the season with songs featured in horror movies. On today's episode, Andy Atherton is watching, “People Are Strange” by Echo & The Bunnymen from 1987.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=yUgRSmo50gE

This week's Dark Nation Radio is ready for streaming and features new music from bands including Lost Signal, Omen Code, Blackbook, Ultra Sunn, Wavepeak, LovetheGhost, Ductape, The City Gates, Mondträume, Elektrostaub, and Nevada Hardware. Also mark your calendars: the annual Dark Nation Radio Halloween Spooktacular is scheduled for Sunday October 26th at 9 PM EDT. Thanks for your support. DJ cypher's Dark Nation Radio Playlist 19 October 2025 Blackbook, “Wait Until Midnight” Elektrostaub ft. Echo Image, “Falling” Ultra Sunn, “The Beast in You” SYZYGYX, “Stranger” Mondträume, “Heart Machine” Delerium & Jes, “Stay” Eurythmics, “Sweet Dreams (Are Made of These)” Die Sexual, “Desire” Nevada Hardware, “In the Dark” The City Gates, “La Douleur des Mortels” Memory Index, “Tulpa” Fernando's Eyes, “A Million Times (Magic Wands remix)” Ductape, “Fine” LoveTheGhost, “Understand” Holy Wire “Phantom Nihilism (KVB remix)” Omen Code, “Ultra Fear” Encephalon,” Automaton All Along” The Discussion, “Without You” Lost Signal, “Not the End of Me (System Syn remix)” Technoir, “Human Shapes” Missing in Stars, “The Tides (White Noise TV mix)” Echo & the Bunnymen, “Lips Like Sugar (Way Out West mix)” Bedless Bones, “Drifting (Nuclear Sludge)” G.W. Childs IV, “Tarrant Country (Solemn Assembly remix)” VNV Nation, “God of All” Eden Synthetic Corporation, “Narcissus” Wavepeak, “Everybody's Nobody” DJ CYPHER'S DARK NATION RADIO—25 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

Hoy en La Gran Travesía viajamos hasta el año 1983 en un programa donde podréis escuchar a los Smiths, Cindy Lauper, Dire Straits, Motley Crue, Police, Ramones, Suicidal Tendencies, Iron Maiden, Stevie Ray Vaughan, Madonna, Social Distortion, Meat Puppets, Echo and the Bunnymen, Siouxsie and the Banshees, Quiet Riot… etc. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Ever wondered what it's like to tour the world with an iconic British band and run a reselling side hustle at the same time? In this episode of The Everything Reselling Podcast, I sit down with Stephen Brannan aka Stevo, bass guitarist for Echo & The Bunnymen for over 20 years. From sold-out gigs and global tours to flipping items on the side, Stevo shares his unique story of balancing life on stage with the day-to-day hustle of reselling.My YouTube channel - https://www.youtube.com/@CarBoot_Chris?sub_confirmation=1Thanks to Listing Monster AI for sponsoring Series 6 of the podcast! Use my link below and mention "Car Boot Chris" during your sign-up call to UNLOCK an EXCLUSIVE 14 day unlimited listings deal you won't find on Listing Monster's own website! - https://listingmonster.ai/book-a-demo/car-boot-chrisSend us a Message!Thanks for listening and don't forget to rate this podcast!Youtube - https://www.youtube.com/@CarBoot_Chris?sub_confirmation=1Whatnot - http://whatnot.com/invite/carboot_chriseBay - https://ebay.us/hKy4sWAll Car Boot Chris Links - https://carbootchris.comListing MonsterList Faster, List More and Save Time! Exclusive 14 day unlimited listings trial with my link...Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

"Wait For Fire Burning" Formed in Oakland in 1985, Legal Reins were comprised of singer/guitarist Danny Benatar, bassist Eden Unger and drummer Tim Freund. They tore up the Bay Area scene, playing show after show and cementing themselves as one of the best live bands around. This is a band who did the work, got in the reps and eclipsed the Gladwellian idea of 10,000 hours. Opening for everyone from Madness to Killing Joke, Legal Reins proved themselves time and again that they could step on any stage and match anyone in terms of power and heart. Their exhilarating blend of sweeping pop epics and punchy hook laden rock and roll brought to mind everyone from The Sound to Echo and the Bunnymen to the Waterboys. After a bit of a bidding war, they signed to Arista in 1987, put out their debut album Please, The Pleasure soon after and then? Well, then things turned the other way. I'm going to let Tim tell you the story, but let me say this: In 1986 I was the music director of KVHS, an all-metal station located conveniently on my high school campus. I was in the habit of sneaking in The Smiths and The Chameleons in between Accept and Venom just to see if anyone noticed--they did, by the way. It was slightly terrifying to be 16 and getting death threats for not playing King Diamond, but I digress. Legal Reins called me up and they were very kind and I loved their music and one time I played them in between Y&T and Armored Saint and this one guy called up and said, very aggressively, Who was that you played after Y&T? I told him Legal Reins and he was quiet for second and then he said, That was pretty good... TEED: https://open.spotify.com/track/64o01ap4UeiY5Y8fVaqChx www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Doors-lovin' Liverpudlian sassboys Echo & the Bunnymen made a single-hander of LPs during the 1980's that are all solid. My favorite is number two - Heaven Up Here - Post-punk poundery that is perfect for soundtracking your BDSM adventure. If that's your thing - pervert.

What's your most loved and least favourite song on Everything But The Girl's debut 1984 album, Eden? Jim picked this purdy teen fave so we got to talk about our young twee/jazzy leanings. Quietest album we've ever ranked? Shhh. Maybe. Love Jones singer Jonathan Palmer swings in with his thoughts and opinions!   Available at WeWillRankYouPod.com, Apple, Spotify and everywhere you get podcasts but...there.  Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Threads  @wewillrankyoupod !FILE UNDER/SPOILERS:Another Bridge, Aztec Camera, Bittersweet, Blanco y Negro, Simon Booth, bossa nova, Crabwalk (Instrumental), Joao Bosco De Oliveira, the Doors, The Dustbowl, Each and Every One, Echo and the Bunnymen, Eden, England, Even So, Everything But The Girl, Fascination, Jane Fox, Frost and Fire, Hammond organ, Happy Mondays, Charles Hayward, Hull, I Must Confess, indie pop, jazz, Pete King, Love Jones, Marine Girls, Chucho Merchán, Robin Millar, Missing, Nigel Nash, new wave, Night and Day, Jonathan Palmer, Dick Pearce, Mike Pela, Sade, samba, saxophone, the Smiths, Soft Touch, The Spice of Life, the Style Council, Tender Blue, there's a, Tracey Thorn, Ben Watt, Paul Weller, 1984. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

This episode is sponsored by House of Macadamias -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click Here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get our specially curated box that also comes with the free snack bars and 15% offer for CURVA MUNDIAL listeners! ⁠⁠Also, be sure to visit our merch store!⁠⁠Iconic guitarist Will Sergeant of the legendary Echo and the Bunnymen joins CURVA MUNDIAL to talk about his new autobiography, his career and of course, his love of Liverpool.

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your weekly time warp back to the 1980s with: Bryan Ferry, Echo & The Bunnymen, Morrissey, Joy Division, Sheena Easton, Pet Shop Boys, INXS, A Flock Of Seagulls, Animotion, Big Country, Belinda Carlisle, George Michael, Magazine, Re-Flex, and finishing off with the Red Hot Chili Peppers.

Get on board with Somehow UN-Related! Get Somehow Related ad free too! Here, on Apple Podcasts or go to Nearly.com.au Both take themselves rather seriously? Around in the 1980s? British? Thinking Music Resurfaced audio! Link to the answer Louder Support the podcasts you enjoy - check out Lenny.fm More about the show - www.nearly.com.au/somehow-related-podcast-with-glenn-robbins-and-dave-oneil/ Somehow Related is produced by Nearly Media. Original theme music by Kit Warhurst. Artwork created by Stacy Gougoulis. Looking for another podcast? The Debrief with Dave O'Neil - Dave's other podcasts with comedians after gigs. The Junkees with Dave O'Neil & Kitty Flanagan - The sweet and salty roundabout! Junk food abounds!Support on Lenny.fm: https://www.lenny.fm/See omnystudio.com/listener for privacy information.

Noel Burke in conversation with David Eastaugh  https://www.facebook.com/groups/1001217991862133/user/61555741167271/ https://www.facebook.com/groups/1001217991862133 Irish singer, who is best known for replacing Ian McCulloch as the lead singer with Echo & the Bunnymen from 1989 to 1993. Burke's first band was St. Vitus Dance, who released the album Love Me, Love My Dogma in 1987. The band split and Burke was contacted by Will Sergeant, who invited him to join Echo & the Bunnymen as lead vocalist. The band released Reverberation (1990)  In 2005, Burke reformed St. Vitus Dance for some live shows. An album of new material, Glyphotheque, was released in 2008.

SIDE PROJECT! OFFICIAL UNOFFICIAL TRAILER! Premiering September 17th: a We Will Rank You miniseries about that one band from Liverpool that isn't Echo and the Bunnymen. 13 Beatles albums ranked by a guest list as sprawling as the cover of Pepper. First episode recorded at Abbey Road Studios in London. Hosted by Adam. Named by Charlotte. Subscribe now at all of your usual pod places. For podcast birth announcements, follow http://www.instagram.com/QuarrelmenPod http://www.facebook.com/QuarrelmenPod http://www.QuarrelmenPod.com

If you ever go to a big wrestling show, you'll likely find a commemorative T-shirt for sale that says "I Was There." It's just another way of proving that you attended the event, beyond all the photos and videos you probably took on your phone. Live show experiences are the topic of this very episode. Andrew is joined by first-time guest Tyler Forness (The Good, The Bad, & The Hungee) to play songs by artists they have seen live and reminiscence about any memories they have from those concerts. Artists include Mötley Crüe, Black Sabbath, Dream Theater, Yes feat. Jon Anderson, Trevor Rabin, & Rick Wakeman, Taylor Swift, The Heavy, Echo & the Bunnymen, Ludacris, and many more. No need to fork over 50 dollars to the guy at the merch stand, this episode is free and fun!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @therealfornoTwitter: @therealfornoTyler's football coverage: atozsports.com/author/tyler-fornessTyler's Minnesota Vikings podcast: https://www.youtube.com/playlist?list=PLMGPRoBO8c1joHchLToxiKThbD58SDY-jAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We're finally back after an unexpected hiatus and thank you to those who have been patient and to those who joined us through all that. In this episode, we discuss our experiences with Echo & the Bunnymen and  the music video for Seven Seas, helmed by Anton Corbijn. Did we like it, or did we throw it back to the bowels of the ocean?Music Video

Ce soir, Marjorie Hache propose une traversée du rock sous toutes ses formes. En ouverture, un clin d'œil aux années 70 avec Ram Jam et Cream, suivis de Placebo, Beck ou encore Echo & The Bunnymen. L'album de la semaine continue d'être exploré avec "Hourrah Hourrah Hourrah", nouvel extrait du nouveau disque des Hives "The Hives Forever Forever The Hives". RTL2 Pop Rock Station dévoile "The Hunting Season" de Biffy Clyro, "Rabbit Run" des Idles issu de la B.O. du film "Caught Stealing", et "The Bottom" de Daughtry, est le Fresh Fresh Fresh de la soirée. La reprise du jour est signée Paul Banks, qui offre une version habitée de "Sister Midnight" d'Iggy Pop. Enfin, la recommandation de Francis Zégut met en lumière Rip Van Winkle, le projet garage rock de Robert Pollard, tandis que Jehnny Beth, Korn et Pantera viennent électriser la seconde heure. Ram Jam - Black Betty Biffy Clyro - Hunting Season The Doors - Summer's Almost Gone Björk - It's Oh So Quiet Echo & The Bunnymen - The Killing Moon Placebo - Battle For The Sun Cream - Sunshine Of Your Love The Hives - Hooray Hooray Hooray Sweet - The Ballroom Blitz Santigold - L.E.S. Artistes Beck - Loser Idles - Rabbit Run Paul Banks - Sister Midnight The Breeders - Cannonball Rip Van Winkle - Shit-Heel Man John Lennon - Working Class Hero Pantera - This Love Jehnny Beth - No Good For People The Troggs - Wild Thing The Kills - Future Starts Slow Daughtry - The Bottom Kiss - Rock And Roll Hell (2022 Remaster) Korn - Dirty Florence & The Machine - Ship To Wreck Deftones - My Mind Is A Mountain Horrors The - Moving Further AwayHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Retomo el formato en el que nos basamos en una canción que nos sirve de leit motiv para rescatar grandes músicos y grandes temas. Hoy la propuesta juguetona gira en torno a uno de las grandes composiciones del bardo de Minessota, Bob Dylan, que en su revolucionario disco del 65 Bringing It All Back Home, incluyó It´s All Over Now, Baby Blue. Os ofrezco cuatro versiones diferentes de esta canción y aprovecharemos para repasar parte de la discografía de cada una de las bandas que nos van a acompañar en la sesión de hoy: Bryan Ferry, Echo and the Bunnymen, Chocolate Watch Band y 13th Floor Elevators. Iremos desvelando los pormenores de esta canción grabada el 15 de enero de 1965. Nos acompañan: BOB DYLAN - It´s All Over Now Baby Blue - Bringing It All Back Home BRYAN FERRY - Let´s Stick Together - Let´s Stick Together ECHO AND THE BUNNYMEN - Bring on the Dancing Horses - Single 13TH FLOOR ELEVATORS - You´re Gonna Miss Me - The Psychedelic Sounds Of The 13th Floor Elevators CHOCOLATE WATCHBAND - It´s All Over Now Baby Blue - The Inner Mystique ECHO AND THE BUNNYMEN - Lips Like Sugar - Echo and the Bunnymen 13TH FLOOR ELEVATORS - Fire engine - The Psychedelic Sounds Of The 13th Floor Elevators CHOCOLATE WATCHBAND - I´m Not Like Everybody Else - The Inner Mystique BRYAN FERRY - It´s All Over Now Baby Blue - Frantic 13TH FLOOR ELEVATORS - Slip Inside This House - Eastern Everywhere CHOCOLATE WATCHBAND - Are You Gonna Be There (At the Love in) - No Way Out BRYAN FERRY - Piece of My Heart - This Foolish Things ECHO AND THE BUNNYMEN - It´s All Over Now Baby Blue - Avalanche (EP) CHOCOLATE WATCHBAND - Gone and Passes By - No Way Out BRYAN FERRY - Slave To Love - Boys and Girls ECHO AND THE BUNNYMEN - Nothing Lasts Forever - Evergreen 13TH FLOOR ELEVATORS - It´s All Over Now Baby Blue - Eastern Everywhere

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 19 August 2025 On this show you can hear:CCP – A SolutionEcho & The Bunnymen – The Killing Moon (Peel Session)Electric Six – Gay BarWulongs – Life Is A StagChatham Rise – Here She ComesHalf Man Half Biscuit – … Continue reading →

Andrew Weatherall's first official posthumous mix. The only B2B DJ Harvey ever agreed to. Six hours at Trouw. The rarest of rare for RA.1000: this one's special. When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon? All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete. The fourth-longest mix in the RA Podcast's history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. (2012, incidentally, is farther away from 2025 than 2012 was from 2000; if we have to clock it, so do you.) It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall. The night took place at Trouw, an Amsterdam club that was already legendary before closing its doors in 2015, as part of RA VS, a party anchored around start-to-close combinations. Harvey was at the peak of an immense second act, which dovetailed with a parallel disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. Although a serial collaborator in the studio, he didn't actually play too many b2b sets either, preferring to sail the open seas by his own navigation. We're grateful that all relevant parties in both camps gave their blessing for us to let this loose and show what happened when their worlds collided. What follows is 385 minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. If you've got time to spare, a fun side game is sussing out who plays what. Take the goosebumps-inducing slide into a disco-dub cover of Echo & the Bunnymen's "The Killing Moon"? Smart money's on Weatherall. Exuberant EQ'ing of the comically overripe bass on The Isley Brothers' "Live It Up, Pts. 1 & 2"? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. The pair putter around the 100 BPM range for so long that nudging up to 127 by the double encore feels practically like flooring it down the highway. When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for posterity, and get arms around some of the key storylines since we went 5 for RA.500. DJing and the mythology around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. It's a scarcely-recognisable scene. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. Yet a sense of accomplishment is bundled within that melancholy. Appreciation, too. 1000 episodes is great innings, and we're thankful for every contributor and facilitator who built this series, week by week, mix by mix. Where will DJ sets—or any of this—be in 2044? Hard to say; best not to overthink it. Instead, enjoy luxuriating in the company of two of the greatest to ever do it. @andrew-weatherall https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

Spiritualized Ladies and Gentleman We Are Floating In Space 3:53 Ladies and Gentleman We Are Floating In Space 1997 Stone Roses I Wanna Be Adored 4:26 The Stone Roses 1989 Frankie Goes To Hollywood Including The Ballad Of 32 4:17 Welcome To The Pleasuredome 1985 Primal Scream Loaded 6:57 Screamadelica 1991 Echo & The Bunnymen […]

(00:00:00) Introducing Keith Murray and the New We Are Scientists Album, Qualifying Miles (00:10:08) Why are We Talking About The Lost Boys? (00:17:00) Breaking Down the Lost Boys Soundtrack (00:23:30) Kiefer Sutherland, Rock Star? (00:32:40) The Lost Boys Influenced Keith to Move to California? (00:41:16) The Lost Boys Sequels (00:46:16) Thomas Newman, The Lost Boys Soundtrack Composer (00:49:17) Tim Cappello, Saxaphone Playing Legend (01:02:05) Last Thoughts on the Soundtrack (01:10:28) Thank Yous and Goodbyes Keith Murray, singer/guitarist of rock band, We Are Scientists, joins Nicole Barlow and Ryan Pak to discuss the soundtrack to Joel Schumacher's 1987 film, The Lost Boys. The soundtrack features songs from INXS and Rick Barnes, Echo and the Bunnymen covering The Doors, Roger Daltrey covering Elton John, Gerard McMahon, Lou Gramm, and the iconic Tim Cappello. The film triggers a lot of nostalgia for Keith, from the locations (Santa Cruz as fictional Santa Clara) to the cast (Corey Haim, Corey Feldman, Kiefer Sutherland, Alex Winter, etc),The new We Are Scientists album, Qualifying Miles, is out now wherever you listen to music and athttps://www.wearescientists.comPlease support Soundtrack Your Life on Patreon! Receive quarterly bonus episodes and ad-free episode downloads!

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 1980s: Any Trouble, Let's Active, Haysi Fantayzee, Peter Gabriel, Strawberry Switchblade, UB40, The B-52's, Duran Duran, Cyndi Lauper, Waitresses, The Human League, Nick Heyward, INXS, Fun Boy Three, Echo & The Bunnymen, and finishing off with Corey Hart.

In Episode 37, American entrepreneur and music executive Seymour Stein makes the Bunnymen an offer they can't refuse. But, first, they need a drummer. Enter Pete de Freitas.

Roger has a new job working in a Sheffield record shop, and cannot quite believe the amount of free stuff the stores receives from the reps of the big record companies, who are very keen to curry favour. 45s, promo albums, T-shirts and badges. Also free were tickets to see Echo & The Bunnymen at a one day festival held outdoors at York Racecourse. So Roger saddled up and went along for the ride.With thanks to Marc Jones and Nick Robinson.Edited by Nigel Floyd.Intro and outro music by Simon Elliott-Kemp.Artwork by Rionagh.Sound FX courtesy of Freesound.org, with particular thanks to:Jacqueline Kohrs - shop ambience.Canuk FA - horses.Yuval - distant music festival ambience.Uber Produktion - drum machine.NN Audio - choir.Herbert Boland - brushed snare.Valentin Sosnitskiy - post-punk guitar.Zagic 2 - indie rock loop.Sounds Like Willem - crowd cheering.Send us a textNever miss an episode.Follow me at: Blue Sky @rogerquail.bsky.socialYouTube https://www.youtube.com/@rogerquailReddit u/TheMoshOfGhostsFacebook https://www.facebook.com/roger.quail.3Instagram https://www.instagram.com/rogerquailRSS feed - https://feeds.buzzsprout.com/289673.rss

We're rewinding to 1986 for a look at Pretty in Pink, one of the most influential teen films of the decade—and its unforgettable soundtrack. From The Psychedelic Furs and Orchestral Manoeuvres in the Dark to Echo & the Bunnymen, we unpack how this New Wave-heavy tracklist elevated the film's emotional core and rewrote the rules of music supervision. A love letter to heartbreak, eyeliner, and synths.Follow Us on Instagram @tracklistshow====If in NYC on July 4th, be sure to check out Tracklist co-host @chrissaunders_music performing at the unveiling of the WALL OF SHAME 2-4 pm @ PINE BOX ROCK SHOP, 12 Grattan St., Brooklyn

This week, our old pal Greg Lamberson is back, and in honor of his upcoming film, Frenzy Moon, we review the four werewolf films from 1981: The Howling, Wolfen, An American Werewolf in London, and Full Moon High. That's three Mount Rushmore werewolf movies and I don't know what the hell Full Moon High is. Some howling tunes: "Frenzy" by Killing Joke, "The Howling" by Bloody Hammers, "Wolfen" by Mortician, "American Werewolves in London" by Wednesday 13, "On a Night of Full Moon" by Mercyful Fate, and "The Killing Moon" by Echo and The Bunnymen. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, our old pal Greg Lamberson is back, and in honor of his upcoming film, Frenzy Moon, we review the four werewolf films from 1981: The Howling, Wolfen, An American Werewolf in London, and Full Moon High. That's three Mount Rushmore werewolf movies and I don't know what the hell Full Moon High is. Some howling tunes: "Frenzy" by Killing Joke, "The Howling" by Bloody Hammers, "Wolfen" by Mortician, "American Werewolves in London" by Wednesday 13, "On a Night of Full Moon" by Mercyful Fate, and "The Killing Moon" by Echo and The Bunnymen. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

On this week's episode, we make the case for putting Echo & The Bunnymen into next year's class of the Rock & Roll Hall of Fame as a solo artist.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helplineReview of Class of 2025 Rock & Roll Hall of Fame Nominees - youtube.com/playlist?list=PLSMDYrumQfYRBvlZDAwyDY-wr7xRg4Ejw

Missed mentioning my 60th Birthday last month, known as the Diamond Jubilee for some reason. Anyhow - here's a podcast with cool music and stuff. Enjoy!Track Listing:1) Happy Birthday (12" Version) - Altered Images 2) Charlotte Anne - Julian Cope 3) I Predict (Club Mix) - Sparks 4) It's Alright (10" Version) - Pet Shop Boys 5) Sledgehammer (Extended Dance Mix) - Peter Gabriel 6) I La La La Love You - Pat Travers 7) A Man Inside My Mouth - The Cure 8) President Am I - Slow Children 9) Which Man Are You - Tommy Tutone 10) Under The Milky Way - Echo And the Bunnymen 11) Lost Again - Yello12) Dog Eat Dog - Adam Ant13) Once In A Lifetime - Talking Heads 14) Every Word Means No - Let's Active 15) Know Your Rights - The Clash 16) Fight For Your Right - Beastie Boys 17) Jealous - Gene Loves Jezebel 18) I Don't Like Mondays (Live) - Boomtown Rats 19) Shy Boy (Extended Version) - Bananarama 20) Sister Europe - Psychedelic Furs 21) Big Area (Lost Mix) - Then Jerico

This week on The Metro, Rev. Jeff Ivins celebrates 20 years of The Metro by doing double shots of the following artists: The Human League, Adam Ant, Living in a Box, Icehouse, Falco, Culture Club, Elvis Costello, Oingo Boingo, Modern English, Berlin, Echo & The Bunnymen, Kim Wilde, Naked Eyes, The Fixx, and finishing off with the Stray Cats.

Baxie welcomes back Mark Burgess from The Chameleons! The Chameleons have just released their 2nd EP over the last ten months (“Where Are You” and Tomorrow Remember Yesterday”). These two new releases represent their first batch of new music since 2001. A new full-length album is due later this year. The Chameleons are one of the great yet most overlooked bands of all time. If you know The Chameleons, then you know what I'm talking about out. If you don't know them—you need to. They were a band that could have (and should have) been in the same conversation with the likes of The Smiths, Echo & The Bunnymen, and The Cure. Instead, they chose a different path. You can hear more about that in my interview with Mark Burgess from May of 2024. This time we talk about reforming the band, recording new music, and the power of their live performances over the years. The Chameleons are coming to Big Night Live in Boston on April 30th. Just a magnificent band. And I don't throw that word around lightly. Listen on Apple Podcasts, YouTube, Spotify, and on all Rock102 digital platforms! Brought to you by Metro Chrysler Dodge Jeep Ram

In this episode of Suburban Underground, Steve picked a set of gold songs and a set of silver songs.  Here is the rundown on the artists played this week: The Clash, Research Turtles, The Warning, Echo & The Bunnymen, The Pleasure, Rilo Kiley, The Donnas, The Rosenbergs, Razorlight, Robyn Hitchcock & The Egyptians, Echobelly, The Cure, Possum Dixon, Jimmie's Chicken Shack, Depeche Mode. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

In this episode of The XS Noize Podcast, host Mark Millar sits down with Will Sergeant, the legendary guitarist of Echo & The Bunnymen, to discuss his pioneering contributions to post-punk and alternative music. Will's distinctive guitar sound helped shape timeless albums like Crocodiles, Heaven Up Here, and Ocean Rain, influencing generations of musicians with his atmospheric, hypnotic, and cinematic playing style. Beyond his work with Echo & The Bunnymen, Will has pushed musical boundaries through his avant-garde solo project, Weird As Fish, and established himself as an author with two acclaimed memoirs—Bunnyman: A Memoir and Echoes: A Memoir Continued—offering deep insights into his life, music, and the band's evolution. In this episode, we discuss: ✅ Will's journey from the Liverpool post-punk scene to global recognition ✅ The inspiration behind his iconic guitar style and songwriting approach ✅ His experiences writing Bunnyman and Echoes, and what's next for him as an author ✅ His work outside Echo & The Bunnymen, including Weird As Fish and experimental projects ✅ Details on his upcoming album with Courtney Love ✅ What's next for Echo & The Bunnymen and his upcoming plans If you're a fan of Echo & The Bunnymen, this episode is a must-listen! Tune in to The XS Noize Podcast – Episode #220 with Will Sergeant!  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

This week, Steve has a set of songs that pertain to Valentine's Day gifts.  You will hear the artists: Machinations, The Replacements, Deco, Echo & The Bunnymen, Snow Patrol, The Pretenders, Camera Obscura, The Cars, A House, Morrissey, The Hives, Been Stellar, New Order, Haircut One Hundred, Louise Aubrie, Razorlight. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

THE SMITHS “The Headmaster Ritual” from Meat Is Murder (1985) THE FIELD MICE “Sensitive” from Coastal (1989) GO-BETWEENS “Love Goes On!” from 16 Lovers Lane (1988) THE PASTELS “Up for a Bit” from Up for a Bit With… (1987) THE FALL “No Bulbs” from The Wonderful and Frightening World Of.... (1984) BLUE IN HEAVEN “Sometimes” from All The God's Men (1985) THE PARACHUTE MEN “Goodbye” from The Innocents (1988) STRANGER THAN FICTION “Losing You” from 7" single (1980) THE LUCY SHOW “Land and the Life” from Mania (1986) ECHO & THE BUNNYMEN “Over Your Shoulder” from Echo & the Bunnymen (1985) NEW MODEL ARMY “Brave New World” from Great Expectations (1985) THE BRIGADE “I Scream” from The Dividing Line (1986) THE CULT “Revolution” from revolution - Single (1985) U2 “Like a Song...” from War (1983) HUNTERS & COLLECTORS “Talking to a Stranger” from Hunters & Collectors (1982) CHALK CIRCLE “April Fool” from The Great Lake (1986) POSITIVE NOISE “Get Up and Go” from Change of Heart (1982) STRANGE ADVANCE “Kiss in the Dark” from Worlds Away (1982) PETE SHELLEY “Love In Vain” from Homosapien (1981) BOW WOW WOW “Aphrodisiac” from When the Going Gets Tough... (1983) HAIRCUT 100 “Fantastic Day” from Pelican West (1982) MADNESS “Tomorrow's Just Another Day” from Madness (1983) NINE NINE NINE “Found Out Too Late” from Biggest Prize in Sport (1980) THE JAM “Carnation” from The Gift (Remastered) (1982) XTC “Great Fire” from Mummer (1983) A FLOCK OF SEAGULLS “(It's Not Me) Talking” from Listen (1983) COMSAT ANGELS “Independence Day” from waiting for a Miracle (1980) INSULIN REACTION “Lonely Lady” from What's the Point (1988)

This week on The Metro, Rev. Jeff Ivins brings you the following: Single Bullet Theory, The Smiths, Billy Idol, ABC, Romantics, Pixies, Huey Lewis & The News, Bronski Beat, Genesis, Thompson Twins, Boy George, The Clash, Let’s Active, Hall & Oates, Echo & The Bunnymen, and finishing up with The Cars.

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 28 January 2025 On this show you can hear:Echo & the Bunnymen – Lips Like SugarWeather Prophets – Hollow Heart (Peel Session)Moon Bender – For The BestKnight Shades – Why (Baby, Why!)Black Lamps – The ArchivistForeheads in a Fishtank … Continue reading →

Episode 306.  James B and Eddie cover 4 new books, 2 old books and bring back a long forgotten segment! https://breakfast-cereal.fandom.com/wiki/The_Freakies https://readallcomics.com/sub-mariner-v1-040/ Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Echo and the Bunnymen.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

January is moon month here at Blanketing Covers...for no real reason. We kick off the festivities with the Echo and the Bunnymen classic The Killing Moon.

This week on The Metro, Rev. Jeff Ivins brings you tunes featuring: Echo & The Bunnymen, Simply Red, Peter Schilling, Marilyn, Jam, Pretenders, Wham!, China Crisis, Eurythmics, The Human League, Sparks, Naked Eyes, Blondie, and finishing up with Band Aid 30.

This week's Suburban Underground episode is filled with all 1990 songs.  That nether land of music between slick 80s and gritty 90s.  These artists are included in the show: Lloyd Cole, Depeche Mode, Inspiral Carpets, World Party, Better Than Ezra, INXS, The Field Mice, Pixies, Jellyfish, The Charlatans, Richard Barone, Echo & The Bunnymen, Sinead O'Connor. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

MUSICMachine Gun Kelly is sharing his first comments on Megan Fox having his baby. Elton John revealed on "Good Morning America" that he isn't able to make new music because he can't see.Could Billy Corgan from The Smashing Pumpkins and comedian Bill Burr be half-brothers? Billy's stepmom seems to think so. Billy was on yesterday's episode of Howie Mandel's podcast and he shared a story he's never told anyone before. Keith Urban has a huge collection of guitars and he's always had his eyes set on Waylon Jennings' iconic 1950 Broadcaster. So, when it went up for auction, Keith was ready to swoop it up. Little did he know, that his wife, Nicole Kidman, was behind the scenes making sure he didn't win the auction. Because SHE wanted to win it, so she could give it to him as a gift. And apparently, she made Keith sweat thinking he lost the auction, only to surprise him a bit later.  Courtney Love says that her next solo album includes a duet with Michael Stipe of R.E.M. and guitar work from Will Sergeant of Echo and the Bunnymen. Her last solo album, Nobody's Daughter, was released in 2010.Marilyn Manson has dropped the lawsuit he filed against Evan Rachel Wood and abandoned an appeal attempting to revive a different defamation claim.Michael Stipe of R.E.M. and Flea of Red Hot Chili Peppers will pay tribiute to fellow Rock and Roll Hall of Fame member Patti Smith on March 26th at New York's Carnegie Hall.Here's the trailer for the "Dexter" prequel series, "Dexter: Original Sin". It premieres December 13th on Paramount+ with Showtime, and December 15th on Showtime.Check out the trailer for "Squid Game" Season 2. It hits Netflix December 26th.MOVING ON INTO MOVIE NEWS:Regal Cinemas Reveals ‘Nosferatu' Popcorn Sarcophagus for $30. So your popcorn has a little coffin to sit on your lap. This box will be on sale a week in advance before the films official release on Christmas.AND FINALLY Everyone usually remembers their firsts, right? People over on Reddit are sharing which adult movies they saw . . . way too young. Here are some highlightsFollow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Machine Gun Kelly is sharing his first comments on Megan Fox having his baby.  Elton John revealed on "Good Morning America" that he isn't able to make new music because he can't see. Could Billy Corgan from The Smashing Pumpkins and comedian Bill Burr be half-brothers? Billy's stepmom seems to think so. Billy was on yesterday's episode of Howie Mandel's podcast and he shared a story he's never told anyone before.  Keith Urban has a huge collection of guitars and he's always had his eyes set on Waylon Jennings' iconic 1950 Broadcaster. So, when it went up for auction, Keith was ready to swoop it up. Little did he know, that his wife, Nicole Kidman, was behind the scenes making sure he didn't win the auction. Because SHE wanted to win it, so she could give it to him as a gift. And apparently, she made Keith sweat thinking he lost the auction, only to surprise him a bit later.   Courtney Love says that her next solo album includes a duet with Michael Stipe of R.E.M. and guitar work from Will Sergeant of Echo and the Bunnymen. Her last solo album, Nobody's Daughter, was released in 2010. Marilyn Manson has dropped the lawsuit he filed against Evan Rachel Wood and abandoned an appeal attempting to revive a different defamation claim. Michael Stipe of R.E.M. and Flea of Red Hot Chili Peppers will pay tribiute to fellow Rock and Roll Hall of Fame member Patti Smith on March 26th at New York's Carnegie Hall. Here's the trailer for the "Dexter" prequel series, "Dexter: Original Sin". It premieres December 13th on Paramount+ with Showtime, and December 15th on Showtime. Check out the trailer for "Squid Game" Season 2. It hits Netflix December 26th. MOVING ON INTO MOVIE NEWS: Regal Cinemas Reveals ‘Nosferatu' Popcorn Sarcophagus for $30. So your popcorn has a little coffin to sit on your lap. This box will be on sale a week in advance before the films official release on Christmas. AND FINALLY  Everyone usually remembers their firsts, right? People over on Reddit are sharing which adult movies they saw . . . way too young. Here are some highlights Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows http://www.1057thepoint.com/Rizz Learn more about your ad choices. Visit podcastchoices.com/adchoices

Travel with us down the snakehole into the magical world of Octoberland. In the first part of our two part autumnal extravaganza, Rex Broome and Christina Bulbenko, co-founders of Big Stir Records and singers/songwriters in pop powerhouse The Armoires, join us to discuss their brand new fall classic Octoberland. Octoberland is an invigorating eleven-track collection of amped-up, richly detailed pop gems, accessible but still retaining the quirky, slightly eerie mystique of their unique sonic signature. Along with Christina (vocals, keys) and Rex (vocals, guitar), The Armoires also feature the intricate instrumental interplay between Larysa Bulbenko (viola) and the empathetic rhythm section of Clifford Ulrich (bass) and renowned music journalist/power pop expert John M. Borack (drums). It's a bright, brash amalgam of expansive New Pornographers-inspired lit-rock, '90s twee pop and dream rock, the college rock heights of R.E.M. and Echo & The Bunnymen, and a bedrock of Byrds and Jefferson Airplane electric folk roots. Along with getting deep into the many wonders of Octoberland, this very entertaining discussion covers the formation and evolution of Big Stir Records, music and animals, and so, so much more. We absolutely mean it! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ah, the bizarre love/hate life of the New Order fan. What's your most loved and least favorite song on Low-Life?! For our fourth Request Episode Election, we went through dozens of listener suggestions to nominate Joe Jackson's Look Sharp, Jane's Addiction's Ritual de lo Habitual and this 1985 Manchester classic, which won in a landslide election. While half of us moaned about the album choice from our mystery nominators (MIA), we all had lots of great memories to share of adoring and rolling our eyes at NO. Superfan Sam hosted and held up lots of New Order vinyl, old tshirts were dusted off and Adam delivered an avalanche of guest rankers, starting with internationally-loved San Diego superstars Koi Division, who donned their iconic fish heads for a filmed interview. Days later, he visited Gold Diggers Sound in Los Angeles to chat with Dave Trumfio of the synth-lovin' Pulsars, whose lone 1997 debut/farewell album has finally recently been reissued. The two full interviews will be on our Youtube channel. Just you wait. In addition to getting tribute band opinions from San Francisco's Temptation and San Diego's Thieves Like Us (Substance responded too late to have their support for "Sunrise" be included), he got first hand accounts of 91X FM's infamous 1985 year-end countdown switcheroo from DJs Dwight Arnold, Pam Wolf and Billy Bones. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite voting booth.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:Angel dust, Angel Dust, Dwight Arnold, As It Is When It Was, Blue Monday, Billy Bones, breathing solo, Brotherhood, capitalization, Jimmy Cliff, Ian Clownfish, cowbell, the Cure, dance pop, darkwave, Darker Waves Festival, Jonathan Demme, Depeche Mode, double claps, Echo and the Bunnymen, Elegia, England, Erasure, Face Up, Factory Records, folk music, frogs, funeral soundtrack, Gene Loves Jezebel, Gillian Gilbert, harpsichord, Hook, Peter Hook, hooky, Hooky, Joy Division, Koi Division, Love Vigilantes, Low-Life, Manchester, Ennio Morricone, Stephen Morris, New Order, new wave, 91X FM, Oyster Band, Paradise, The Perfect Kiss, post-punk, Power Corruption and Lies, Pretty In Pink, Pulsars, request episode, Bernard Salmon, Peter Saville, seasonable, shaft, shenanigans, Simple Minds, Sooner Than You Think,  Sub-culture, Bernard Sumner, Sunrise, synthpop, Temptation, terrible lyrics, Thieves Like Us, This Time of Night, tribute band, Dave Trumfio, Weirdo, Steve West, Pam Wolf, 1963, 1985. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

One of the best things about having a rock music podcast is hearing new albums before the general public has the chance. Once The Wolf and Action Jackson heard the ringing guitars and soaring vocals of October Drift on their 3rd album, Blame The Young (out September 27, 2024), they wanted to spread the word far and wide. So they tracked down lead singer and lyricist Kiran Roy to talk to them about the making of the record, his song writing style and the growth of October Drift's popularity. Kiran and his bandmates Alex Bispham (bass), Chris Holmes (drums/vocals) and Dan Young (guitar) have taken a big step forward with their latest album and fans of 80s alternative music from the 120 Minutes days will love what they hear. From the raucous title track to the hard charging Don't Care to the triumphant and glorious finale Not Running Anymore you might hear bits of bands like The Smiths, The Replacements, Echo & The Bunnymen, REM and Psychedelic Furs. Hear Kiran uncover a bit about their writing process, how they came out of COVID stronger as a band and utilized some time together at an AirBNB to put together their best album yet. Also, you can hear bits of the three singles Demons, Blame The Young and Tyrannosaurus Wreck plus two early singles Robots and Airborne Panic Attack. It was a fun chat with an up and coming singer with a band set to embark on their first headlining tour of Europe this fall. Kiran's thoughtful and relatable lyrics connect through his harmonies with Chris Holmes and the ringing guitars classic alternative rock fans love. We may be a classic rock podcast but if we don't find a promote the current generation of rock n rollers, there will be no more rock n roll to love. So give it a listen and then go buy/download their albums! Learn more about October Drift here - https://octoberdrift.os.fan/ and follow them on socials: https://www.instagram.com/octoberdrift/ https://www.facebook.com/octoberdrift https://x.com/octoberdrift Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot look back 40 years into the past and revisit some of their favorite songs of 1984. The hosts also review the new album from Redd Kross.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Prince and the Revolution, "Purple Rain," Purple Rain, Warner Bros, 1984Redd Kross, "Good Times Propaganda Band," Redd Kross, In The Red, 2024Redd Kross, "The Witches' Stand," Redd Kross, In The Red, 2024Redd Kross, "The Main Attraction," Redd Kross, In The Red, 2024Redd Kross, "Way Too Happy," Redd Kross, In The Red, 2024Redd Kross, "Born Innocent," Redd Kross, In The Red, 2024Hüsker Dü, "Turn on the News," Zen Arcade, SST, 1984Minutemen, "This Ain't No Picnic," Double Nickles on the Dime, SST, 1984The Replacements, "Unsatisfied," Let It Be, Twin/Tone, 1984Romeo Void, "A Girl in Trouble (Is a Temporary Thing)," Instincts, Columbia, 1984R.E.M., "Little America," Reckoning, I.R.S., 1984Run-D.M.C., "Rock Box," Run-D.M.C., Profile, 1984The Smiths, "Heaven Knows I'm Miserable Now," Hatful of Hollow, Rough Trade, 1984The Bangles, "James," All Over the Place, Columbia, 1984Echo & the Bunnymen, "The Killing Moon," Ocean Rain, Korova, 1984Nick Cave and the Bad Seeds, "From Her to Eternity," From Her to Eternity, Mute, 1984Robyn Hitchcock, "Sounds Great When You're Dead," I Often Dream of Trains, Midnight Music, 1984Chaka Khan, "I Feel for You," I Feel for You, Warner Bros., 1984Philip Bailey and Phil Collins, "Easy Lover," Chinese Wall, Columbia, 1984The Chills, "Pink Frost," Kaleidoscope World, Flying Nun, 1986See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Czabe is joined by PAUL CHARCHIAN as they discuss whether he jinxed the Timberwolves by being overconfident. I also reminded him that the sports pain he is in means that at least he's alive! Try being a Browns fan, for god's sake! The NFL is thinking about re-vamping its off-season calendar. Luka has never committed a foul. Echo and the Bunnymen and more!Our Sponsors:* Check out Fitbod: fitbod.me/CZABE* Go to badlandsranch.com/Czabe to get up to 50% off your regular-priced dog food order with a 90-day money-back guarantee. * Need to hire? You need Indeed. Just go to Indeed.com/CZABE * Visit Tecovas in store or go to tecovas.com and find your new favorite pair of boots today!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy