Podcasts about Emi

In this episode of The Slay Podcast, Dr. Emi Hosoda reveals how we can use our own genetic makeup to tailor our fitness and nutritional goals. Dr. Emi shares her personal health journey, including her own struggles with weight and how nutrigenomics helped her transform her health. She emphasizes the importance of individualized health approaches through nutrigenomics. Want to know how to personalize your health strategies and achieve better outcomes? Then this episode is for you!

durée : 00:20:08 - Disques de légende du mardi 20 mai 2025 - En 1962 paraissait chez EMI la 4ème symphonie de Mahler par l'orchestre Philharmonia, avec à la baguette d'Otto Klemperer, et Elisabeth Schwarzkopf pour le final.

durée : 00:20:08 - Disques de légende du mardi 20 mai 2025 - En 1962 paraissait chez EMI la 4ème symphonie de Mahler par l'orchestre Philharmonia, avec à la baguette d'Otto Klemperer, et Elisabeth Schwarzkopf pour le final.

Sonia Barkallah est auteure et réalisatrice, passionnée par le sujet des EMI - expériences de mort imminente. Après le film documentaire "Faux départ" réalisé en 2009, elle nous présente son dernier film 'Témoins" dans toutes les salles de cinéma de France. Parmi les millions de personnes ayant vécu une expérience de mort imminente, les témoins de ce docufiction rapportent des faits déconcertants tels qu'un détachement corporel et des perceptions extrasensorielles, confirmés par des proches et par le monde médical. Sonia Barkallah nous plonge au cœur de son enquête à travers des témoignages inédits, émouvants, au-delà des frontières, qui déstabilisent les spécialistes du cerveau, du coma et de la conscience.Pour en savoir plus : https://temoins-lefilm.com/sonia-barkallah-realisatrice/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Buckle up for a wild ride with Joel Cheesman and Emi Beredugo, where they sling HR hot takes with the finesse of a fast-food fry cook! This episode's a rollercoaster of laughs and eye-rolls, diving into the AI-first workplace fiasco like it's a soap opera. Klarna's CEO got a reality check after ditching 700 customer service reps for AI, only to realize bots can't sweet-talk angry customers. Now they're on a hiring spree to bring back the human touch—oops! Duolingo, meanwhile, thought AI could teach languages better than people, but TikTok's Gen Z army clapped back, rage-quitting the app and calling it “disgusting.” Ouch, that's gotta sting.Then there's IBM's bigwig, Arvind Krishna, tossing shade at HR by saying AI freed up cash for “essential” jobs like sales. Emi's not having it, firing back that HR's the backbone of fairness and inclusion, not just fluffy admin work. She's all about adapting to AI without yeeting humans into oblivion. LinkedIn's new AI job search gets a nod for letting you type “I wanna save the world in sweatpants” and matching you with dream gigs, aiming to hook passive job seekers while sparing recruiters from resume spam. Wrapping up, they tackle the EU's 2026 Pay Transparency Directive, a game-changer forcing companies to spill salary tea upfront to shrink gender pay gaps and stop wasting everyone's time. But, plot twist: firms better get their org charts in order or face a discrimination lawsuit mess. And they serve it all with wit juicier and tastier than a McDonald's chicken strip! Chapters 00:00 - Introduction and Personal Updates 05:54 - Shout Outs and Industry News 10:02 - Layoffs and Job Market Challenges 19:01 - AI in the Workplace: Klarna and Duolingo 23:59 - The Human Element in Automation 26:56 - The Automation Dilemma 30:15 - The Role of HR in an Automated World 36:40 - Earnings Insights: Recruit Holdings vs. ZipRecruiter 40:22 - LinkedIn's AI Job Search Innovations 46:16 - EU Pay Transparency Directive: A Game Changer

What does it mean to call something “Christian music”? Nick Barré has spent decades in the music industry—from working at EMI with early Switchfoot to managing major names like Casting Crowns, KB, Brandon Heath, and more. In this 200th episode of The Biblical Mind, he joins Dru Johnson to reflect on the Christian music label, the tension between calling and category, and how artists navigate faith and fame. Nick argues that labeling music—or restaurants or plumbers—as “Christian” may do more harm than good. He shares why genre categories are a business necessity but spiritually unhelpful, and why the most important questions artists must answer are about calling, audience, and identity—not chart placement. From spiritual burnout to public affirmation, from the temptations of platform to the dangers of envy, Nick shares pastoral, industry-hardened wisdom on how to guide artists into longevity and spiritual wholeness. He even offers advice for aspiring Christian musicians—and what it really means to “show, not tell” when pursuing a creative calling. Nick Barre's Company "Proper Management" can be found here: https://www.propermanagement.net We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Defining Christian Music 03:11 The Evolution of Music Genres 06:10 Navigating the Music Industry 08:57 The Dangers of Labeling 12:09 The Role of Artists in Ministry 15:16 The Impact of Fame on Identity 18:24 Identifying Unique Gifts in Artists 25:41 Exploring Diverse Artist Portfolios 28:29 Navigating Hard Conversations in the Music Industry 31:05 Defining Success in the Arts 33:15 The Challenge of Artistic Compromise 37:06 Understanding Market Dynamics in Music 40:22 Fragmentation of the Music Industry 46:39 Advice for Aspiring Christian Artists

The Kelly Alexander Show welcomes Montreal-based alt-pop recording artist Emi Jeen who has released a new song called “I'm Not Good.” Emi tells us all about the song and how she got the opportunity to perform at this year's upcoming world-renowned music festival Osheaga. Then Kelly talks to you about some entertainment news including a new Netflix show about horse racing called "Race for the Crown," a Yellowstone spinoff featuring actor Luke Grimes and rock band Soundgarden releasing their final album. Enjoy the conversation and thank you for listening!

From Club Space to Regatta Grove, Emi Guerra has seen it all. We trace his journey from hustling in high school as a club promoter to launching iconic venues like Club Space, The Wharf, and Regatta Grove. Emi opens up about the rollercoaster ride of entrepreneurship — the early struggles, near-collapse, and the eventual rise of Breakwater Hospitality.It's a raw, insightful look at what it takes to build Miami's most memorable nightlife and hospitality experiences and a powerful reminder that you don't fail until you quit.Connect with usWant to dive deeper into Miami's commercial real estate scene? It's our favorite topic—and we're always up for a good conversation. Whether you're just exploring or already making big moves, feel free to reach out at felipe@builtworldadvisors.com or give us a call at 305.498.9410. Prefer to connect online? Find us on LinkedIn or Instagram—we're always open to expanding the conversation. Ben Hoffman: LinkedIn Felipe Azenha: LinkedIn We extend our sincere gratitude to Büro coworking space for generously granting us the opportunity to record all our podcasts at any of their 8 convenient locations across South Florida.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Zondag 11 mei Moederdag Mamagrapjes Herman van Veen 1'00 Waar is je moeder (Frencken) Mylou Frencken 3'52 Van de cd Alles nog prachtig Eigen beheer Dag moeder (Van Kooten, de Bie/Eyk) Van Kooten & De Bie 2'00 Van de DVD Ons zingt ons VPRO Dagmoeder (De Jonge) Freek de Jonge 2'43 Van cd/boekje Niemand ontspringt de dans Uitg. Rubinstein Je moeder (Visser) Joop en Jessica 3'00 Van de cd Voorleen Eigen beheer Perenbloesem (Long) Robert Long 5'15 Van de cd NU Universal 477 233-9 Mater (Nederkoorn/Guido van de Meent) Patrick Nederkoorn 2'55 Eigen opname De geest van het verzet (Vleugel) Jasperina de Jong, Eric Herfst 5'14 Van de cd Wie was bang voor Lurelei? Mercury 512 109-2 Moederdag 25 (Engers/Menkveld) Dominique Engers 2'35 Eigen opname Moeder Aarde (De Corte) Jules de Corte 3'10 Eigen opname 's Zondags gaan we wandelen (Nieuwerf/Van Verre) Annelies Bouma 2'30 Van de LP Lidjes voor Annelies Relax 33.006 Brief van een ouwe moeder (Speenhoff) Gerard Cox 6'06 Van de cd Het beste van Gerard Cox Sony 493145 2 Zaterdagochtend (Beuving/Dicke) Jan Beuving 3'19 Eigen opname Moeder heeft haar rijbewijs (Davids/Van Tol) Louis Davids 3'00 Van de cd De grote kleine man deel 1 EMI 7 93054 2

À l'occasion du 80e anniversaire de la victoire de l'Union soviétique contre le nazisme, le Kremlin réécrit l'Histoire. La date du 9 mai, puissant vecteur de propagande, permet de diffuser le narratif d'une guerre sans fin contre le nazisme, servant de prétexte à la poursuite de l'offensive russe en Ukraine. Ce 9 mai à Moscou, les commémorations de la victoire sur l'Allemagne nazie prennent une dimension symbolique inédite. Soucieux avant tout de justifier la poursuite de sa guerre contre l'Ukraine, Vladimir Poutine érige le passé en un récit de propagande visant l'Ukraine et ses alliés.Notre invité est Paul Gogo, correspondant en Russie pour plusieurs médias francophones et auteur du livre Opération spéciale, dix ans de guerre dans le Donbass, entre Donetsk et Moscou, aux éditions du Rocher.Inde-Pakistan : guerre de l'information à haute intensitéLes affrontements entre l'Inde et le Pakistan suscitent un torrent d'infox sur les réseaux sociaux, au point d'éclipser le réel. Ce sera la chronique de Grégory Genevrier de la cellule info vérif de RFI:Puis, nous mettons le cap sur le Cameroun, pour parler éducation aux médias avec la journaliste Laure Nganlay, lauréate du prix EMI 2025, décerné à son organisation AFF Cameroun lors des Assises du journalisme de Marseille. Les travaux de fact checking de cette ONG de lutte contre la désinformation sont à retrouver sur la plateforme 237 check.

À l'occasion du 80e anniversaire de la victoire de l'Union soviétique contre le nazisme, le Kremlin réécrit l'Histoire. La date du 9 mai, puissant vecteur de propagande, permet de diffuser le narratif d'une guerre sans fin contre le nazisme, servant de prétexte à la poursuite de l'offensive russe en Ukraine. Ce 9 mai à Moscou, les commémorations de la victoire sur l'Allemagne nazie prennent une dimension symbolique inédite. Soucieux avant tout de justifier la poursuite de sa guerre contre l'Ukraine, Vladimir Poutine érige le passé en un récit de propagande visant l'Ukraine et ses alliés.Notre invité est Paul Gogo, correspondant en Russie pour plusieurs médias francophones et auteur du livre Opération spéciale, dix ans de guerre dans le Donbass, entre Donetsk et Moscou, aux éditions du Rocher.Inde-Pakistan : guerre de l'information à haute intensitéLes affrontements entre l'Inde et le Pakistan suscitent un torrent d'infox sur les réseaux sociaux, au point d'éclipser le réel. Ce sera la chronique de Grégory Genevrier de la cellule info vérif de RFI:Puis, nous mettons le cap sur le Cameroun, pour parler éducation aux médias avec la journaliste Laure Nganlay, lauréate du prix EMI 2025, décerné à son organisation AFF Cameroun lors des Assises du journalisme de Marseille. Les travaux de fact checking de cette ONG de lutte contre la désinformation sont à retrouver sur la plateforme 237 check.

This week's EYE ON NPI features a new 'everything' sensor, the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) . This is a highly-anticipated update to the SEN5x (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) goes hard on gas sensing, with VOC, NOx and CO2 sensors built in. You can even update to the SEN68 and get formaldehyde HCHO sensing! What we like about this series is the complete solution for all kinds of environmental sensing with a single cable. Sensirion is one of our fav sensor companies: from classics like the SHT45 (https://www.adafruit.com/product/5665) to the popular SGP30 (https://www.adafruit.com/product/3709) and the high quality SCD30 (https://www.adafruit.com/product/4867) we have made breakouts for many-a-sensor from this company. Lately they've started to do fully integrated products - like the SEN5x series (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) that we covered earlier on EYE ON NPI. The SEN54 series has particulate matter (PM1, PM2.5, PM4, PM10) dust sensing, plus temperature, humidity, volatile organic compounds (VOCs), with the SEN55 adding NOx. We saw this sensor often paired with an SCD30 (https://www.digikey.com/short/d1h3t1n4) or SCD4x (https://www.digikey.com/short/zmh2zjz3) to add CO2 sensing. Those folks will like the look of the SEN6x series as now we get CO2 sensing in all but the lowest-cost SEN60. One thing to note with CO2 sensing is that once a week it needs to 'self-calibrated' by letting it sense fresh outdoor air which will be ~400ppm. This isn't a bad idea for your health either. Another new sensor added in the upcoming SEN68 is formaldehyde, which integrates the SFA30 (https://www.digikey.com/short/2d5fb8rt). If you've used the SEN5x series, (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) you're probably familiar with their connection interface: a JST GH 6-pin cable is used to connect and provide power and I2C data connection. However, one thing to note is that the cable is the same but the pinout has changed. Power is now 3.3V instead of 5.0 and there's no UART interface, so the SEL pin is not available. For that reason, if you'd like to use the same cable, go for it - but the circuitry will need to change...for example we're revising our SEN5x breakout (https://www.digikey.com/short/h0jffnm2)! We like that, just as with the SEN5x series, the SEN6x (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) uses plain I2C to communicate. This makes it easy to integrate with any microcontroller or microcomputer, and the added CRC helps avoid accidental data corruption from EMI or loose cables. The interface is not just to each individual sensor - there's only one I2C address and command structure and once you initialize the sensor you can read all values at once for 'timestamped' consistency. The commands are easy to implement, but if you want a head-start, check out the Sensirion GitHub account (https://github.com/Sensirion?q=sen6&type=all&language=&sort=), they have code in C and Python for a 5-minute quick start. Excited to check this fancy new combo-sensor out? You're in luck because DigiKey has the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/short/0d4jt424) in stock right now for immediate shipment! Order today and DigiKey will ship it you in an instant - you will be sensing up a storm by tomorrow afternoon! See at DigiKey https://www.digikey.com/short/0d4jt424 See Sensiron's video https://www.digikey.com/api/videos/videoplayer/smallplayer/6371044300112 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Piše Jelka Kernev Štrajn, bere Eva Longyka Marušič. Roman Anje Radaljac Prst v prekatu je po svoji zunanji in notranji zgradbi zanimiv, izviren spoj »knjige podgobja« in »knjige korenine«. Ob branju lahko opazujemo vsestransko razraščanje pripovednih zastranitev, ki se slejkoprej ujamejo v mrežo pomenskih vozlišč. Ta skrbijo, da se rdeča nit ne izgubi, čeprav se rada nekoliko natrga; in da lahko sledimo pripovedi, sestavljeni iz treh poglavij: Prst, Znotranjščina, Prekat. Besedilo, uvedeno s pesmijo o devetkrat umorjeni in desetkrat rojeni mitski Matildi, se žanrsko umešča v tradicijo poetičnih romanov; saj nas že na prvih straneh sooči s svojevrstnim prepletom proze in poezije. V oči padejo grafično zaznamovani razmiki med vezano in nevezano besedo, ki jih je mogoče opazovati od začetka do konca obsežnega besedila. Odlomki, ki se na zunaj kažejo kot poezija, pogosto govorijo o stvareh in dogodkih iz oprijemljive realnosti. Vpeti so v kronologijo pripovednega toka; tisti, v obliki nevezane besede, pa bralstvo pogosto potegnejo bodisi v protagonistkine sanje bodisi v njene dialoško razgibane notranje monologe. Toda temu pravilu nikakor ne kaže dosledno slediti. Romaneskno pisavo Prsta v prekatu namreč odlikuje ravno to, da sproti spodbija pravila, ki jih sama implicitno postavlja, zato od bralstva pričakuje nenehno budnost. Gre za zahtevno branje, ki ga kljub pogosti in ne vselej dosledni rabi substandarda vseskozi lajša ritmično valovanje povedi. Hkrati ta pisava ravno v pravi meri posega v skladnjo in nam s tem že vnaprej prepreči, da bi se predali anestetičnemu učinkovanju prebranega ter pozabili na žgoče aktualno problematiko romana. K temu po svoje prispevajo tudi pogosti neologizmi; na primer: pokoljevalnica, fragmentiranka, znotranjščina, zaporuna itn. Ob njih se nehote ustavljamo, saj gre za izraze, ki kar kličejo po politično angažirani interpretaciji. Poleg tega bi v knjigi zaman iskali zapise z veliko začetnico. Lastna imena in stavčni začetki – povsod same male črke! Ta odločitev je v popolnem skladju z osnovno etično naravnanostjo besedila kot celote, ki zagovarja odsotnost sleherne hierarhije med bitnostmi, vključno z vsemi »bitji iz tujih svetov«. V tem pogledu je roman pozornosti vredno nadaljevanje tiste tradicije, ki jo je v slovenskem prostoru vzpostavilo pesniško in aktivistično mišljenje Jureta Detele. Glede na to ne more biti nikakršnega dvoma, da je v osnovno temo romana vtkan aktivizem, skrb za skupnost, v tesnem prepletu z živalskim vprašanjem, nič manj pa tudi s feministično, LGBT in kvirovsko tematiko. Na pravopisni ravni na to dosledno opozarjajo specifični zapisi glagolskih obrazil, na podlagi katerih lahko sklepamo, da se ima Višnja kot prvoosebna pripovedovalka in hkrati protagonistka romana za nebinarno osebo. Romaneskno dogajanje se začne na točki, ko se odloči prekiniti svoje triletno sobivanje z Erjonom, zaposlenim v klavnici. Njegova ilegalna naloga je snemanje spornega dogajanja za klavniškimi zidovi in tudi drugod, saj je tajni preiskovalec. Višnja mu pri tem pomaga. To počneta zato, da bi gradivo objavila in tako nekaj prispevala k »osvoboditvi živali«. Toda Erjon sčasoma postane žrtev svoje naloge. Njegove duševne motnje, podložene z alkoholom, se kažejo v čedalje pogostejših izbruhih nasilja, zato Višnja sama nadaljuje »misijo«. S seboj vzame ključek, kjer je shranjeno njuno posneto gradivo, in Frido, svojo najboljšo prijateljico, za katero se kmalu izkaže, da je kokoška, ena izmed nekoč rešenih in osvobojenih »pernatih fragmentirank«. Po spletu naključij, ki implicirajo tudi mistično razsežnost, si Višja najde novo zaposlitev, obe pa celo nov dom pri Fe in Emi, ki sta predana proživalska aktivista oz. aktivistki in hkrati nebinarni osebi. V tej simpatični skupnosti biva tudi maček Sarival. Pozneje se jima začasno pridruži še Višnjina sestra, prav tako aktivistka. Skupaj izpeljejo načrtovano akcijo osveščanja o javnosti skrbno prikritem dogajanju z nečloveškimi živalmi. Svoj »karneval« v obliki razstrelitve neke klavnice in objave posnetega gradiva udejanjijo na način, da tvegajo resne obtožbe tako s strani medijev kot tudi oblasti. Na tem mestu se v romanu odpre idealen prostor za povečanje suspenza, vendar ostane premalo izkoriščen. Akciji namesto zadoščenja sledi razočaranje, zato akterji in akterke doživijo krizo. Premaguje jo vsak po svoje, Višnja tako, da resno zboli. Iz njenega pripovedovanja, kjer se intenzivno oglašajo spomini na otroštvo, je mogoče sklepati, da kompleksna obolelost njenega telesa ni naključje. Sledimo dolgotrajni in zapleteni diagnostiki v sedanjosti in zastranitvam v obliki reminiscenc. V njeno »znotranjščino« skupaj z njo vstopamo skozi »zrcalo« in potem sestopamo v globino »kristalnega jajca« do liminalnih stanj. Tu se ob preigravanju različnih motivov in mnogoterih identitet, vselej skozi prizmo pretanjenih relacij z drugim, zgodi obrat, ko začne »gnoj«, ki se je nabral, teči »nazaj ven in v mesnato žrelo črnega vorteksa«. Tako se zgodi, da se »še en krog steče v svoj začetek«, pripovedovalkina zaskrbljenost za lastno telo se transformira nazaj v skrb za druge, skrb za vse tisto, kar je večje od nje. Toda idejna razsežnost romana daleč presega to poanto. Premišljeno tkanje raznolikih prvin, utopičnih, distopičnih, realnih in mitskih, namreč ne ponuja samo izvirne kritike sodobne družbe, temveč »šiv v tapiseriji civilizacije, ki se skuša iztakniti in izvesti neko drugo, novo podobo«.

James Copnall, presenter of Newsday, speaks to Emi Mahmoud, Sudanese activist and poet, about the war that has claimed more than 150,000 lives since it began two years ago. In what the United Nations has called the world's largest humanitarian crisis, about 12 million people have also been forced to flee their homes.Emi speaks about the pain of losing many members of her family, the brutality of the current conflict in the western region of Darfur which she believes to be genocide, and the trafficking of women and girls caught up in the fighting. In the aftermath of the destruction of the Zamzam camp for displaced people, she describes life in the community there - and calls on the world to do more to resolve the violence in Sudan. As an award-winning poet, she uses her poems to spread her message.The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds, Apple, Spotify or wherever you get your podcasts.Presenter: James Copnall Producers: Clare Williamson, Lucy Sheppard, Madeleine Drury Editor: Max DevesonGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Why Us the Series Is the sapphic drama we needed!

In this episode of Intellicast, host Brian Peterson is joined by Mary Draper and Aron Wilson for a timely and candid discussion about the state of data quality in market research. The team unpacks the recent indictment involving OP4G and Slice MR, accused of orchestrating a $10 million fraud scheme using fabricated survey data. They explore how this scandal highlights long-standing challenges around fraud detection, insider manipulation, and the limitations of current quality safeguards. The conversation also recaps key insights from the recent Insights Association Ignite Data Quality Conference, including the growing push for sample transparency, the nuanced role of ISO certifications, and the critical need for a respondent-first approach to survey design. With perspectives from both supplier and full-service backgrounds, this episode explores how the industry can work together to raise the bar for quality, combat fraud, and ultimately rebuild trust. Whether you're a panel provider, research buyer, or full-service agency, this episode is packed with insights you don't want to miss. Want a better understanding of EMI data quality processes? Click Here Heading to Washington D.C. for IIeX – be sure to connect with Matthew and Brian! Did you miss one of our webinars or want to get some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

今回のエピソードでは、「うまくいっているのに、なぜか心が苦しい」 「結果は出ているけど、魂が置き去りになっている気がする」 ——そんな経験がある方に向けてお話しします。 成功しているように見えても、そこに自分の真実がなければ、いずれ違和感が心の中に残ります。 私自身の選択の葛藤や、本当にクライアントに貢献できるビジネスとは何かを見直した体験を通して、 “魂から創るビジネス”の大切さについて深く掘り下げていきます。 このエピソードで分かち合うのは： エゴからの選択と、魂からの選択の違い 成果が出ていてもズレているときの“違和感”のサイン クライアントやオファーの進化に気づくためのポイント 「ビジネス＝自己表現」であるという視点 あなたの内なる違和感を無視せず、それを成長と創造の種に変えるヒントを受け取ってください。 Learn from Emi 無料のコースアクセス

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sir Tim Rice, lyricist extraordinaire, is Gyles's guest today. Tim is one of the few people in the entertainment world to have won an Emmy, a Grammy, an Oscar and a Tony Award, and his songs for shows like Joseph, Evita, Jesus Christ Superstar, Chess and the Lion King are known and loved all around the world. And yet Sir Tim remains modest and charming, as you'll hear in this conversation - perhaps thanks to the good manners he inherited from his father. Tim tells Gyles about his childhood, his schooldays at Lancing College and how, despite his lack of ambition, he moved to London and got a job with EMI. Much of this conversation, not surprisingly, is about music: the records Tim listened to as a teenager, the band he played with at school, and the first songs he wrote and which helped him to get noticed. We find out how he met Andrew Lloyd Webber and started to make musical history. Thank you Sir Tim Rice for your warmth, wit and wonderful stories. Tim Rice is on a nationwide tour telling his brilliant stories and featuring some of his best-known songs until the end of May, tickets available here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textChuck Bowser, RCDD, addresses crucial questions about low-voltage systems, covering EMI detection, IP ratings, camera lenses, and safety procedures in this technical deep-dive episode.• Signs of electromagnetic interference include humming audio, equipment damage, fuzzy screens, ESD shocks, and signal glitches• Standard installation practices like separation from power cables can often prevent EMI without requiring shielded cabling• IP ratings use a two-digit system where the first number (0-6) indicates protection against solids and the second (0-8) shows water protection• Camera lens types include fixed (unchangeable), variable (manually adjustable), zoom (motorized remote control), and multiple (multifocal) options• Front projection systems require consideration of projector placement, presenter location, screen height, aesthetics, acoustics, and lens selection• Wire map testing identifies issues like split pairs that continuity testing might miss• Data center redundancy models range from N (minimum required) to 2N+1 (two complete systems each with spares)• Lockout tagout procedures prevent injuries during maintenance by ensuring equipment remains powered off• Never substitute regular grout for proper firestop material as it can damage cables and violate building codesJoin us next Wednesday at 6pm Eastern for more expert low-voltage advice and industry insights.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera's story, and explores the meaning of the myth. Musical examples from the 2005 Decca recording of Daphne (West Deutscher Rundfunk Orchestra conducted by Semyon Bychkov, with Renee Fleming, Johan Botha, Michael Schade, Anna Larsson, Kwanchul Youn, Julia Kleiter, and Twyla Robinson); the 1983 EMI recording (Bayerischen Rundfunks conducted by Bernard Haitink, with Lucia Popp, Reiner Goldberg, Peter Schreier, Ortrun Wenkel, and Kurt Moll); and the 1965 Deutsche Gramophon recording (Vienna Symphony conducted by Karl Böhm, starring Hilde Gueden, James King, Fritz Wunderlich, Vera Little, and Paul Schöffler).

Seattle Opera presents its first-ever Gilbert & Sullivan in October 2025: The Pirates of Penzance, in a charming, traditional production that has already delighted many American opera audiences. Jonathan Dean explains the difference between opera and operetta, shares a bit of the music and humor of Pirates, and attempts to explain what The Pirates of Penzance is all about. Musical examples from Seattle Opera recordings of Rigoletto and Il trovatore, plus a recording of Pirates provided by the Atlanta Opera Film Studio (with Susanne Burgess as Mabel and Santiago Ballerini as Frederic, Chorus and Orchestra of Atlanta Opera conducted by Francesco Milioto) and another recorded in 1959 by EMI, featuring George Baker as the Major-General, James Milligan as the Pirate King, Owen Brannigan as the Police Sergeant, plus the Glyndebourne Festival Chorus and the Pro Arte Orchestra conducted by Sir Malcolm Sargent.

In this fast-paced episode, we explore how engineering teams can keep up with the breakneck speed of innovation driven by an explosion of new technologies that leverage digital twins, and virtual prototyping. Roberto Piacentini Filho of Keysight shares insights on the evolving role of design engineers in an era where innovation is faster—and cheaper than ever before. If you're navigating workflow choices, tool overload, or seeking clarity on data integration—from electrical to EMI—this episode offers actionable guidance to help you thrive in the next 3–5 years of rapid tech evolution.  

Le Dr Jean-Jacques Charbonier est médecin anesthésiste-réanimateur et auteur, connu pour ses travaux sur les expériences de mort imminente (EMI) et les états modifiés de conscience.https://www.facebook.com/JJ.Charbonierwww.ami-hypnose.comwww.tch-hypnose.frwww.oasis-voyages.comCHAPITRES0:00 Introduction10:12 Hypnose et Expériences de Mort Imminente29:51 Les Défis de la Médecine Traditionnelle42:37 La Transcommunication Hypnotique59:44 Réflexions sur l'Au-delà et la Spiritualité1:09:54 L'évolution de l'humanité1:11:21 La médecine et la spiritualité1:13:32 La réconciliation des médecines1:15:42 Guérisons inexpliquées1:17:51 Intuition ou pulsions1:20:43 Amour inconditionnel1:25:52 Croyances et réalité1:29:09 La science et l'au-delà1:41:42 Spiritualité et manipulation1:53:41 Contact avec les extraterrestres2:02:03 Les crop circles et leur mystère2:10:19 Nouveaux protocoles hypnotiquesLIENS PODCASTS• Spotify : https://open.spotify.com/show/1yqDTNuuLcagrP3Z0jwBzz• Apple Podcasts : https://podcasts.apple.com/fr/podcast/biom%C3%A9canique/id1456142727• Youtube : https://www.youtube.com/@UCQlJ8F6VtTThflbkhdJmXWA LIENS RÉSEAUX SOCIAUX & SITE• Instagram : https://www.instagram.com/biomecaniquepodcast/• Facebook : https://www.facebook.com/BiomecaniquePodcast/• Tiktok : https://www.tiktok.com/@biomecaniquepodcast• Discord : https://discord.gg/EAe8aKRJ9N• Webite : https://biomecaniquepodcast.com• Newsletter : https://biomecaniquepodcast.com/Lettre Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textChuck explores the complex dynamics between electricians and low-voltage specialists while discussing how to choose between fiber optics and copper cabling in various project scenarios.• Explaining to customers that specialists are best for specialized work, using the analogy of not going to a podiatrist for a root canal• Fiber offers more bandwidth, EMI immunity, and longer distances but isn't always necessary and costs more• Effective project management requires planning, scheduling, resource optimization, and regular quality inspection• Getting as much information upfront for estimates leads to more accurate pricing and fewer change orders• Continuous learning and networking with industry professionals is vital for career advancement in ICT• Future trends to watch include AI applications in project management, smart building technologies, and evolving industry standardsLive after hours with your favorite RCDD every Wednesday at 6 PM Eastern - bring your questions and join the conversation!Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

[MÉTAMORPHOSE PODCAST] Anne Ghesquière reçoit Patrice van Eersel, journaliste et grand reporter. Ensemble, ils explorent le sujet de la conscience. La conscience habite-elle l'univers tout entier ? La réalité de la matière présente-t-elle des similarités avec la conscience ? Où la conscience est-elle logée ? Que nous enseignent les sagesses et les EMI ? La nature est-elle consciente ? Et les animaux ? Faut-il renouer avec une vision animiste du monde ? Le Soleil est-il conscient ? Patrice Van Eersel nous expose les résultats de sa longue enquête avec humour et légèreté. Son dernier livre est paru aux éditions Guy Trédaniel : Le Soleil est-il conscient ? Et les dauphins, et les baobabs, et le cristal, et l'IA, et nous-mêmes ? En voilà des questions étranges. Allons-nous pouvoir y répondre ? Épisode #580À réécouter :#278 Patrice Van Eersel : NoosphèreQuelques citations du podcast avec Patrice van Eersel :"Nous sommes en wifi les uns avec les autres en permanence.""Les humains ont commencé à exister quand ils ont pris conscience qu'ils allaient mourir.""Plus la plante est ancienne dans l'évolution, plus elle a un spectre de musique."Thèmes abordés lors du podcast avec Patrice van Eersel :00:00 Introduction03:43 La question essentielle de la conscience.10:47 Qu'est-ce que la conscience ? 14:52 L'enquête de Patrice Van Eersel sur les EMI.19:23 Elisabeth Kübler-Ross ou l'art d'accompagner la douleur.30:49 Le tournant de Source noire.34:22 Vers une définition restreinte de la conscience dans l'Histoire.39:23 La double révolution de la mécanique quantique et de la phénoménologie.44:41 Que nous enseignent les Indiens Kogis.51:28 La conscience animale.54:20 : La Terre a-t-elle une conscience ?01:01:16 La musique des plantes01:13:42 Le fonctionnement quantique.01:20:44 Lien entre conscience et physique quantique.01:23:06 Le soleil est-il conscient ?Avant-propos et précautions à l'écoute du podcast Découvrez Objectif Métamorphose, notre programme en 12 étapes pour partir à la rencontre de soi-même.Recevez chaque semaine l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this revealing episode of The MCP, I sit down with Grammy-nominated songwriter, guitarist, and Americana mainstay Will Kimbrough for a wide-ranging conversation on the hard truths and quiet joys of a life in music.From his early days as a 12 year old electric guitar player to getting signed to EMI, and then John Prine's Oh Boy Records, to his work with Jimmy Buffett, Shemekia Copeland, and Todd Snider, Will offers a masterclass in musical longevity, humility, and hustle.A few of the stories and names he mentions reminded me of what I sometimes foolishly take for granted — namely my geographical proximity to musical greatness. For instance celebrated producer Jay Joyce has a studio not 50 hundred feet away from where I now sit, and in the other direction, three houses opposite, is Eric McConnell's studio, the legendary location where was recorded my favorite album of all time, Todd Snider's East Nashville Skyline.Incidentally, in the picture at top I am sitting across the table from that album's producer. I was so excited I had to share the story of discovering that album in a CD listening station at Waterloo records in Austin in the closing moments of an otherwise very dismal experience, which was me playing SXSW in 2004. That album is why I moved to East Nashville, and why I live there still. Crazy but true.Back to Will. Kimbrough opens up about navigating the highs and lows of the industry—learning to trust a team, the freedom of doing things DIY, and how obligation can become an artist's best creative ally. His career parallels a number of iconic Nashville personalities and institutions, like Mike Grimes (with whom Kimbrough formed the beloved trio the Bis-quits and signed to Prine's Oh Boy Records).Finally we get into his life-changing work with veterans through Songwriting with Soldiers and post-traumatic growth programs, and share a few stories about sobriety (his, mostly) and how he's managed to steer clear of some of the darker potholes that might have otherwise claimed a career now well into in its fourth decade.And yes—there's a live performance Kimbrough's song “For the Life of Me,” with me in there on guitar.00:00:00 "Desired Obligation" 00:01:08 Congrats on the Grammy Nom, Will 00:03:06 What caught your ear early on? 00:04:12 Seeing Bruce Springsteen on your 12th birthday 00:05:19 Riffing with Doyle at Grimey's about the power of earlier radio 00:06:18 The first thing Will did with an electric guitar 00:09:04 Constant Throughput makes you less precious 00:10:19 Riffing on Jay Joyce 00:11:51 Getting signed - "the shackles were on" 00:17:22 The collateral positives of getting signed 00:20:18 how to negotiate the tension between personal freedom and teamwork 00:23:11 Meeting Jimmy Buffett through Todd Snider 00:24:32 Trying to get dropped and forming the Bis-quits 00:26:49 Energy optimism and drive in finding a manager or launching a record 00:27:20 Why is it you make your best work when you're in a bad way? 00:28:48 Will's collective songwriting 00:31:31 Writing records with Todd Snider East Nashville Skyline and the Devil You Know 00:32:33 Korby's "East Nashville Skyline" story 00:35:54 The story about Todd Snider's fallout with Jimmy Buffett 00:38:00 Getting addicted to the school of Todd and Rodney Crowell and that crew 00:38:56 A version of the dream as expressed by Korby 00:39:55 Working with Shemekia Copeland 00:40:44 Warrior PATHH program 00:41:39 Wills Bob Dylan movie story 00:44:42 Setting up "For the Life of Me" live in studio 00:53:06 Will Kimbrough performs "For the Life of Me" 00:57:07 "Addicted to gratitude" 00:59:53 A story about John Prine's "Hello in there" 01:02:50 Are you melancholy or even-keeled? 01:05:41 How have you stayed open to the constant change? 01:07:30 Some notes on sobriety 01:12:27 That plato quote about everyone is fighting a hard battle 01:15:17 Talking about reading and writing 01:17:15 How a story about a song connects people 01:18:00 A story about writing with Jimmy Buffett Get full access to The Morse Code with Korby Lenker at korby.substack.com/subscribe

Hello Rank Squad! Dean's back in London, so it's less of a Transatlantic Job this week, but that doesn't mean there's not still plenty to discuss. Today, we're looking at the Champions League Quarter Finalists, but in a slightly different way - examining who the most important player is for each of the eight teams remaining in the competition, from the perspectives of how they've played so far, as well as who is most likely to step up going forward. We take the eight teams in turn ahead of their QF matchups, thinking about star performers across the course of the competition, but also about which player their opposition would remove from these games if they were given a choice to do so - giving us some interesting names and discussions around how we rank players in systems. We finish by trying to pick a top three each, but we found that was a harder task than either of us envisaged to begin with! It's Ranks!  And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?

Salt-N-Pepa, Usher, Prince, Diana Ross, Teena Marie, Chaka Khan, An industry veteran who currently serves as one of the directors for the Hip Hop Museum, Green outlines his career spanning five decades. This includes producing concerts and/or representing as a longtime agent for artists such as Usher, Prince, Diana Ross, Teena Marie, Chaka Khan, the Backstreet Boys - among othersThen there's the fine line between the grind in the streets and the hustle in the industry.  Mark battled with con artists, drug dealers and pimps and people trying to show off their local high profile at the expense of his artists. “I didn't get too caught up in that because I had to keep one eye on the money!” He stayed focused, even when distractions of every kind showed up on the road–drugs, groupies, out-of-control artists–and he kept many ships afloat when everything should have drowned.  But again, the show must go on. Mark's stellar reputation put him in high demand and working with Melba and soon Freddie Jackson, Dru Hill, Al B Sure, Grandmaster Flash, a young Usher and music pioneer Prince solidified his reputation in the industry. He would join Associated Booking Corp, where his talent for spotting rising stars and his love for hip-hop led to the signing of such game-changing artists as Salt-N-Pepa, Roxanne Shante, Kid & Play, and DJ Jazzy Jeff & the Fresh Prince.  He would go on to become Director of Marketing at EMI/Capitol Records and expanded again, this time into radio, promotions, and into the fields of jazz and rap, earning accolades in promotions and even producing, writing, and publishing successful tracks like "Remember the First Time" for singer Eric Gable and "Midnight Hour" for rapper Lady Spice MC.  Green moved as the industry moved and found himself in independent marketing and promotions consulting and secured a record deal with Light Year/Warner Brothers for his independent label, with singer/songwriter and R&B legend Teena Marie as his first artist. A year later, working with  Northstar Distribution, Green became General Manager, distributing music for Prince's independent label, where the purple one signed R&B music siren Chaka Khan and the soul-stirrer and crooner Larry Graham  on the artist's NPG Records. Soon, shaping his own destiny, Green launched Celebrity Talent Agency, representing a wide array of artists, where he's secured talents for tours, festivals and commercials nationally and globally.  Ever-expanding his vision, Green also serves as Associate Director/General Manager of Lehman Performing Arts Center, Chairman of Artist Relations for The Hip-Hop Museum (THHM), and maintains ownership of Celebrity Talent Agency.  The Show Must Go On! His riveting story of the industry's ups and downs and his own personal experiences will inspire anybody who believes in themselves to believe that they can live their wildest dreams!© 2025 Building Abundant Success!!2025 All Rights ReservedHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Audio/Video:  https://www.geeksrising.com/shows/bsp422 Support: http://podcastage.com/support   Topics discussed: YouTube automatically disabling some notifications, a change to how shorts views are counted, a report on if YouTube Premium Lite is any good, discussing why negativity is more common, tech innovation lacking, things getting better, checking the EMI resistance of the sE electronics V7 and more.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann U87 Ai: https://geni.us/u87aikit   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:25 - YouTube Disabling Some Notifications YT Auto-Disabling Notifcations: https://support.google.com/youtube/thread/18138167?hl=en&msgid=333836208 12:52 - YouTube Changing Shorts Views! YouTube Shorts Views Creator Insider Announcement: https://www.youtube.com/watch?v=-QM6O4yPfrI 19:40 - WYHTS: Is YouTube Premium Lite any Good? 21:32 - WYHTS: Negativity Is more Common 24:30 - WYHTS: Tech Innovation is No More 28:25 - WYHTS: Things Will Get Better 31:10 - WYHTS: Why I Roll My Rs 33:00 - Value for Value 41:21 - Checking EMI of sE Electronics V7 49:45 - I Relased Music! Must Love Karate - Escapism: https://youtube.com/playlist?list=PLTwNXVaSqUfvdMofVU3eFsCPgURZ3WUTE&si=KFdSnGr8pcNENh2E 55:00 - Conclusion

Mi-mars 2025, aux Assises internationales du journalisme, Steven Jambot a animé une grande table ronde dont l'intitulé était  « Plateformes : comment résister à la manipulation de l'information ? ». L'atelier des médias vous propose d'en écouter quelques extraits portant sur les solutions pour passer à l'action, parmi lesquelles une meilleure régulation, la création d'un réseau social d'intérêt général européen ou encore l'éducation aux médias et à l'information (EMI). Les échanges ont duré 2h30 à Tours, L'atelier des médias diffuse des extraits choisis, qui font entendre les trois grands témoins de cette Agora : Thibaut Bruttin (secrétaire général de RSF), David Colon (historien et chercheur à Sciences Po Paris) et Sophie Taillé-Polian (députée Génération•s). Mais aussi François-Xavier Lefranc (directeur la publication de Ouest-France), Pablo Aiquel (SNJ-CGT), Leïla de Comarmond (SDJ des Échos), Peter Limbourg (DG de la Deutsche Welle), Damien Leloup (élu CFDT, journaliste au Monde), Sébastien Montaigu (DGMIC du ministère français de la Culture), Chloé Woitier (Le Figaro), Lucile Berland (Fake Off) et Jérôme Morin (SNJ et journaliste au Progrès).Quelques phrases : Thibaut Bruttin (RSF) : « Le droit à l'information fiable des citoyens, c'est quelque chose pour lequel on se bat bec et ongles. On l'a fait inscrire dans le droit européen et on continuera jusqu'au bout, parce que c'est ça qui compte et qui permettra de réconcilier les journalistes et les citoyens. » François-Xavier Lefranc (Ouest-France) : « Ce qui est sûr, c'est qu'aujourd'hui, il faut investir dans le journalisme. (...) Il faut être le plus puissant possible pour être le moins dépendant des grandes plateformes numériques. »Pablo Aiquel (SNJ-CGT) : « Musk s'est lancé en bataille contre le journalisme. Et nous, il nous faut absolument quitter cette plateforme [X, NDLR] dans laquelle on va être inondé de merde, comme le disait Steve Bannon. On ne parle pas aux citoyens quand on reste dans une plateforme où l'algorithme est totalement biaisé. »Peter Limbourg (DW) : « Il faut aussi rester là où ça fait mal. Si on quitte les plateformes, on les laisse aux idiots et à ceux qui ont des mauvaises intentions. » Sophie Taillé-Polian (députée Génération•s) : « On parle beaucoup actuellement de réarmement. On parle beaucoup de changements géopolitiques majeurs – et on a raison d'en parler. Mais une stratégie de défense, ce n'est pas que des canons et des obus. Une stratégie de défense profonde d'une société démocratique, c'est une presse libre, indépendante, plurielle. »François-Xavier Lefranc (Ouest-France) : « Il faut mener une bataille farouche, féroce et voire cruelle pour le respect du droit. Et pour que les plateformes respectent le droit, il faut leur faire des procès. »Damien Leloup (CFDT, journaliste au Monde) : « C'est pas des gens ou des plateformes qui sont invulnérables, impossibles à encadrer, impossible à gérer. Quand on établit un rapport de force et qu'on montre concrètement qu'il y aura des conséquences au fait de ne pas respecter la loi dans les pays où elles sont présentes, ces plateformes de manière quasi systématique. » David Colon (historien) : « Si vous n'avez pas compris qu'aux prochaines élections, on va se prendre d'un côté les manipulations de TikTok et de l'autre X-Twitter et Meta, et que les ingérences vont être massives, c'est à désespérer. » Peter Limbourg (DW) : « La solution, c'est d'être très dur en matière de régulation. N'ayons pas peur. Si on ne démarre pas le combat, eh bien il est perdu d'avance. »Sébastien Montaigu (DGMIC) : « Ce qu'on attend et ce qu'on ce qu'on soutient, c'est une Europe forte qui tire les conséquences de ses actions et qui applique les textes. Parce que pour nous, il ya des infractions qui sont manifestes (...). On comprend que les dossiers sont complexes et qu'en face on a des armées de juristes. (...) On souhaite une prise en main des textes ambitieuse, mais il y a un équilibre à trouver pour ne pas perdre la face. »Chloé Woitier (Le Figaro) : « Je pense qu'au niveau des rédactions, il faut faire attention aussi au type de sujet sur lequel on va bondir sans forcément prendre le temps de la réflexion. »Lucile Berland (Fake Off) : « L'EMI existe. Elle n'est pas encore assez systématique. Ça devrait être quasiment une matière à part entière (...) il faut ce temps, c'est essentiel. On ne peut pas laisser les 1-18 ans face à des écrans sans outils pour parler de ce qu'ils regardent. »Jérôme Morin (SNJ) : « On est à un moment de bascule où nos élections peuvent être déterminées par des ingérences qui sont à la fois étrangères et domestiques et où tout se mélange avec un nivellement par le bas du débat. Donc il faut vraiment qu'on arme tout le monde [en matière d'EMI] et pas que les jeunes. »

In this episode we meet Richard Desaulniers, VE2DX.   Richard has been licensed since 1990 and has a background in emergency communications serving at disaster events in Quebec. He enjoys hunting DX, Island Activations and DXPeditions. Richard is also an experimenter and founded VE2DX Electronics in 2020. With the founding of the company, he wanted to create inexpensive and simple electronic products to help the Ham Radio Community. Among his creations are products like TrueTTL, TrueCIV, and TrueCAT thes were implemented and applied to all VE2DX Electronics Design creation to help eliminate problems with RFI, EMI, Signal Loss and other signal issues, thanks to Heavy Shielding, RFI filtration of Power, Signals and Grounds, Signal processing, and signal automatic leveling. Join us in a great conversation with Richard VE2DX, Vince VE6LK and Thomas K4SWL.

Wie bleibt die Haut im Alter schön? Was kann man tun, um Jugendlichkeit zu erhalten? Welche Eingriffe lassen die Stars machen? Und wovon muss man abraten? Ich selbst möchte „natürlich alt“ werden, aber es gibt ein paar (schmerzhafte) Behandlungen, die bei mir eine gute Wirkung hatten und ich verrate Euch genau, welche das sind. Wenn man „was machen lassen will“, dann will man natürlich zu einer der Besten! Und dieses Prädikat trägt Dr. Emi Arpa ganz sicher, ich kenne sehr viele Promis und KollegInnen, die zu ihr gehen und ihre Expertise schätzen. Heute will ich alles wissen - was empfiehlt sie, um die Haut zu pflegen, zu straffen, zu erhalten? Kein Eingriff, das ist sicher, kann die Ausstrahlung ersetzen die jemand hat, der herzlich ist und authentisch zu sich selbst steht. Dennoch können Falten, Altersflecken, Hängebäckchen Menschen sehr zu schaffen machen. Ich möchte das hier ehrlich diskutieren, deswegen habe ich eine wundervolle Stunde lang mit Emi alles detailliert durchgesprochen. Wenn Ihr Bescheid wissen wollt, ist das Eure Folge! Und eins noch: Ihr seid schön so wie Ihr seid. Ich weiß das, ich kriege ja täglich Euer liebes Feedback. Danke Euch dafür - und nun viel Spaß beim Hören! Hat die Folge Euch Erkenntnis geschenkt? Sagt es mir gerne hier direkt, auf Instagram oder schreibt an hey@mwiemarlene.de Marlenes Instagram https://www.instagram.com/marlenelufen/?hl=de Dr. Emis Instagram https://www.instagram.com/dr.emi/?hl=de Dr. Emis Pflegeserie https://dr-emiskin.de/?srsltid=AfmBOoospH5HwhYYrJC1LZi79DDMUV-CT7JuNtZf2ODa3pv2M4npFYJU Dr. Emis Homepage https://dr-emi.de

Best-selling and award-winning authors Robert Rodriguez and Jerry Hammack are on the podcast to talk about Ribbons Of Rust: The Beatles' Recording History In Context: Volume 1 - July 1954 Through January 1963.The Beatles' story has been told many times, but often with little focus on their personal experiences during their era. John Lennon, Paul McCartney, George Harrison, Ringo Starr, and producer George Martin were influenced by the sounds around them. Ribbons of Rust presents their journey by immersing readers in the music and times they lived in. The first volume, richly illustrated with period artifacts, takes you with The Beatles from their early inspirations to their initial compositions and covers. Rodriguez and Hammack explore how The Beatles developed their sound in Liverpool and Hamburg, drawing on American rock 'n' roll and deeper cultural traditions, ultimately securing a recording contract with EMI. Spanning July 1954 to January 1963, the book details the post-war British music scene and the influences that shaped The Beatles, bringing readers into the studio with them, from early Liverpool recordings to Hamburg sessions. Purchase a copy of Ribbons Of Rust: The Beatles' Recording History In Context: Volume 1 - July 1954 Through January 1963Visit the Ribbons Of Rust websiteVisit Jerry Hammack's websiteVisit Robert Rodriguez's Something About The Beatles Podcast websiteSign on to Robert Rodriguez's newsletter for regular updates at satb2010@gmail.com---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Hosts Jim DeRogatis and Greg Kot speak with author David Rowell about his new book, The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The hosts also review the new albums by Bartees Strange and Sasami.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Bartees Strange, "Sober," Horror, 4AD, 2025Bartees Strange, "Wants Needs," Horror, 4AD, 2025Bartees Strange, "Baltimore," Horror, 4AD, 2025Bartees Strange, "17," Horror, 4AD, 2025Bartees Strange, "Doomsday Buttercup," Horror, 4AD, 2025Sasami, "Slugger," Blood On the Silver Screen, Domino, 2025Sasami, "Love Makes You Do Crazy Things," Blood On the Silver Screen, Domino, 2025Sasami, "The Seed," Blood On the Silver Screen, Domino, 2025Sasami, "I'll Be Gone," Blood On the Silver Screen, Domino, 2025Tom Petty, "You Don't Know How it Feels," Wildflowers, Warner, 1994Kajagoogoo, "Too Shy," White Feathers, EMI, 1983Journey, "Lights," Infinity, Columbia, 1978The Rolling Stones, "Jumpin' Jack Flash," Single, Decca, 1968Neil Young, "Tonight's the Night," Tonight's the Night, Reprise, 1975Hüsker Dü, "Sorry Somehow," Candy Apple Grey, Warner, 1986Men at Work, "Down Under," Business as Usual, Columbia, 1981The Selecter, "On My Radio," On My Radio (Single), 2 Tone, 1979See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Chad, Joel, and Emi sink their teeth into a juicy HR tech showdown: Rippling's suing Deel, alleging an espionage plot. Rippling accused Deel of planting Irishman Keith O'Brien in its Dublin office, where he allegedly ran 6,000 Slack searches for trade secrets—busted by a fake “#d-defectors” Slack channel. Things escalated when O'Brien trashed his phone during a court-ordered seizure on March 19. Deel's firing back, denying it all and pointing to Rippling's own baggage, like alleged Russian sanctions violations. ZipRecruiter's in the spotlight—named a Fast Company innovator, dropping a not-so-novel scheduling tool. Their Job Seeker Confidence Index is tanking, with 41% of seekers gloomy about jobs. Joel adds their podcast's still a dud—and Zip's stock's is down around 20 percent this month. Klarna's IPO filing steals some thunder, boasting $2.8B revenue and $21M profit for 2024, but their AI-driven headcount slash (down to 3,422 from 5,527) raises eyebrows. Finally, Nvidia's GTC conference dazzles with GM's self-driving deal, Yum Brands' AI drive-thrus for 500 eateries, and a GR00T N1 humanoid robot. Is Nvidia still the gold standard? All signs point to Yes. From corporate espionage to AI tacos, it's a wild ride this week on Chad & Chees. Chapters 00:00 - Introduction 03:00 - Vegas Highlights 06:00 - Randy Rainbow and Political Satire 08:05 - Canada's Nuclear Option 13:49 - Espionage Story: Deal vs. Rippling 24:45 - The Deceit in HR Tech: Unraveling the Scandal 27:47 - The Russia Connection: Investigating Allegations 30:51 - Public Perception: The Impact of Shady Practices 32:00 - ZipRecruiter News: Innovation or Repackaging? 39:02 - Klarna's IPO: A Desperate Move? 44:58 - Nvidia's AI Revolution: Transforming Fast Food Ordering

This week's EYE ON NPI is trendy and buzzy, it's Boréas Technologies' BOS1931 High-Efficiency Piezo Driver (https://www.digikey.com/en/product-highlight/b/boreas/bos1931-high-efficiency-piezo-driver). This chip is a compact way to add powerful high-voltage piezo drive to any product, combining three chips: power supply, waveform generator and driver. With a complete I2C/I3C interface that you can connect to any microcontroller/processor it's the most advanced all-in-one piezo driver we've seen! Piezo (https://en.wikipedia.org/wiki/Piezoelectricity) discs are multi-use devices that convert mechanical movement to electrical signal, and vice-versa. They're most often seen as electrical-to-mechanical converters such as piezo beepers (https://en.wikipedia.org/wiki/Piezoelectric_speaker) where an AC signal, usually 3 to 6V peak-to-peak square wave, is applied across the disk. The frequency of the wave is translated into a sound frequency. It doesn't have the same fidelity as a magnetic speaker but its much thinner, less expensive for the component and driving circuitry, and for 2 to 4 KHz beeps it's just fine. Piezos can also be used the opposite way, where mechanical stress on the crystal is translated into an electrical signal. In this way it can be used as a switch or force sensor (https://en.wikipedia.org/wiki/Piezoelectric_sensor), again usually a few microamperes' worth of current is generated. For these basic uses, your standard microcontroller pin, or at best an H-Bridge will work just fine: you can drive piezo's differentially to get more Vpp across the disc but essentially we're still talking about only a few Volts. There are some times when you want to make a piezo really 'loud' - that is, putting 100+ Volts across the crystal to generate a big mechanical response. This is often not for audible use cases, after all if you wanted to do that you'd just use a magnetic speaker (https://www.adafruit.com/product/1732) that can get to many many Watts of output efficiently. FYI there's two variants of the chip: the BOS1931 (https://www.digikey.com/short/w9tz9tbj) and the BOS1921 (https://www.digikey.com/short/nnb0r29r). The '31 can only do piezo driving. The '21 can do sensing as well as driving, so it can be used for force-feedback products. In this particular EYE ON NPI we'll just be chatting about the driving capabilities of both. So, while we can do basic sensing/beeping with a few Volts - when we want to have significant motion for blasting sonar or moving fluid around we can only increase the movement by increasing the peak-to-peak voltage. Each piezo you buy will have a voltage rating - and you will need a boost converter to generate that peak-to-peak. For the BOS19 series of chips, you can get +-95V so 190Vpp max, which will drive any piezo you find, and you only need 3~5V input thanks to a built-in DC/DC boost converter. Boréas didn't stop there. Not only do you get a booster, but also a full waveform manager with I2C/I3C control. You can can fill up a FIFO buffer with waveform bytes to generate different shapes. There's a sine generator you can control with an envelope creator. Or, you can piece together waveform shapes for different pump/haptic behavior, giving you the customizability of a byte-wise waveform generator with the simplicity of a sine generator. They even have a Haptics Studio' to help you craft the waveform you want (https://www.boreas.ca/pages/haptic-studio). The BOS1931 (https://www.digikey.com/short/w9tz9tbj) and the BOS1921 (https://www.digikey.com/short/nnb0r29r) come in two packages: an easy-to-layout-and-solder QFN and a tiny-and-advanced BGA. Both have the same core so just pick whether you need simplicity or small size. Since its a pretty serious boost converter and driver - the piezo connects directly to the output pins - you'll need to watch your layout. Check the datasheet for their recommended setup to make sure you don't have excessive power loss or EMI. IF you want to get started quickly, the BOS1921-KIT-B01 (https://www.digikey.com/short/v9hn8mcd) evaluation board will let you use their configuration software to quickly determine how your piezo actuator or sensor response to the waveform generator and booster before you start laying out the components on a prototype PCB. If you have some serious piezo-ing you need to get moving, the Boréas Technologies' BOS1931 High-Efficiency Piezo Driver (https://www.digikey.com/short/w9tz9tbj) can do everything from voltage generation, waveform shaping, and differential driving. And best of all it's in stock right now at Digi-Key for immediate shipment! Order today and DigiKey will pick and pack your order in an instant so that you can be vibin' with your fancy new piezo controller by tomorrow afternoon.

Emi Galvan: Flowing 056 (Mar 2025) Live in Albania B2B Kamilo Sanclemente. For more info, please visit www.emigalvan.com

In 1983 Kajagoogoo released their first single, “Too Shy”. The song became a massive international hit in Great Britain, the US, Canada, Japan, Germany, The Netherlands, Sweden, Belgium, and about a half dozen other countries. The song was so huge that EMI were pressing 35,000 copies a day to keep up with demand! My guest this week on BAXIES MUSICAL PODCAST is former lead singer Limahl. Limahl talks about that song, getting fired from the band, reforming, and the release of his other international hit “Never Ending Story”. Limahl also talks about his upcoming single—an incredible retooling of “Horse With No Name” by America. Just an incredible story. Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Gang Of Four's moment was dramatic but brief. It was littered with times when the future seemed impossibly bright before disaster crept up with a cosh in their relentless “refusal to do the obvious”. Being a musician, he points out, is a ridiculous life best not taken seriously. His memoir ‘To Hell With Poverty!' rightly describes itself as “rich with stories”, many remembered in this spirited exchange with David and Mark, among them … … the transformational effect of a scholarship to the boarding school where he met GO4 guitarist Andy Gill and future film-makers Adam Curtis and Paul Greengrass. … life-changing records he heard in the school art department – Highway 61 Revisited, the Stooges, the MC5. … “never miss an opportunity to miss an opportunity”. … aged 11, bumping into John Lennon in Sevenoaks who'd just bought his Mr Kite poster. … signing a contract with the manager that robbed them and whose busy and efficient office of “ripped and buffed” staff turned out to be hired actors. … being thrown off Top Of The Pops for not changing an ‘offensive' song lyric – “EMI were “mortified”. … the old hippy world of the ‘70s – Hawkwind, the Whole Earth Catalog and “a Withnailesque flat where we had an airgun to shoot the mice”. … hopeless online misinterpretations of his song lyrics - “there may be soil under fuck all” (aka “there may be oil under Rockall”). … the rigours of trying to promote “outsider music”. … reaching “the point where the game is up”. … the Bourgeois Brothers, the ‘comedy' duo he formed with Andy Gill at Leeds University and why they returned to England to form a band in the mould of Talking Heads, the Ramones and Richard Hell. … and why recording the audiobook moved him to tears. Order ‘To Hell With Poverty!' here:https://www.amazon.co.uk/Hell-Poverty-Class-Inside-Gang/dp/1636142346 Gang Of Four tour dates:https://www.songkick.com/artists/393675-gang-of-four/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Charlie Peacock is a Billboard chart-topping, six-time Grammy Award-winning music producer whose recordings now exceed 25 million album sales. Billboard named him one of the 500 most important producers in popular music history. He has held executive positions at EMI and SONY/ATV and he founded the Universal Music Group imprint re:think. He helped launch The Lone Bellow, Switchfoot, and The Civil Wars. And now, he has a new book, Roots & Rhythm: A Life in Music. These credentials make Charlie podcast-worthy in just about any format that is interested in the intersection of Christianity and pop culture. But one of the reasons I wanted to have Charlie on the program today is that he's one of the most thoughtful guys I know when it comes to issues of fame and its pitfalls, vocation and work, and creativity. It was a special treat for me to get to spend this time with Charlie Peacock, and I hope you find it special, too. Charlie spoke to me from his studio in Nashville. He has a new book, Roots & Rhythm: A Life in Music. I highly recommend it. The producer for today's program is Jeff McIntosh. Until next time, may God bless you.

Welcome back to Intellicast! Brian Peterson is joined in today's episode by Matthew Alexander to discuss mergers, people on the move, and AI. Starting the episode, the guys talk about some recent mergers and acquisitions from around the industry. First, they touch on OpinonRoute's acquisition of Jibunu and how this can impact OpinionRoute going forward. They then touch ACKWEST's purchase of Precision Sample. Next, the guys discuss some moves people in the industry have made. They touch on new additions at Morning Consult and Symmetric Sample. They hit on WIRe's executive structure changes and Ryan Barry departing Zappi. In the last segment, the guys touch on a few news stories around AI, specifically synthetic data. First, they discuss the new solution from PureSpectrum, called Training Data, and how that can impact synthetic data and improve existing models. This led to a more philosophical discussion triggered by comments from a panel at the MRS AI conference. Matthew breaks it down to show how biases impact not just synthetic data but survey data as well. He also touches on how EMI addresses that bias. Thanks for listening! We have released the 2024 edition of our annual report on the online sample industry, The Sample Landscape. To stay ahead of the curve of what's going on in the online sample industry, be sure to download your copy now. Download Here: www.emi-rs.com/the-sample-landscape/ Did you miss one of our webinars or want to get some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 123: Feb 19, 2025 - Rebroadcast -  Where is the 550-foot-tall black pyramid that can power all of Alaska and Canada? U.S recovered non-human ‘biologics' from UFO crash sites, former intel official says YouTube video: Government Whistleblower Exposes the Alaskan Black Pyramid | Aliens in Alaska   https://youtu.be/K33UIjtBwes Interview with Douglas Alan Mutschler from July, 2012 Retired CW2 Commissioned Warrant Officer Counterintelligence US Army - Fort Richardson, Anchorage, Alaska “Chinese Set Off Their Biggest Nuclear Explosion” “distinct outline of a pyramid…in that whited-out area…south of Mt. McKinley” “pyramid..bigger than the one in Egypt” Son of Western Electric employee sent to investigate pyramid top of pyramid was 150 feet underground, base of pyramid was 700 feet down, making it 550 feet tall some type of power system “had the ability to power all of Alaska and Canada” “more secret than the Manhattan Project” Interview with Mark Wood, Retired U.S. Navy Captain “flew in a Beaver from Kaltag, AK” “landed on a runway that could handle cargo planes, Telida, UK” “it's probably operating similar to Wardenclyffe Tower…generating electricity and sending it into the atmosphere” “EMI…would cause interference with airplanes…that's how they found it” “their instruments would go haywire” “a large number of planes that have gone missing over the years.” “the pyramid is within 50 miles of Denali” ==== NEW PRINTINGS NOW AVAILABLE: Glimpses of Other Realities, Vol. 1: Fact & Eye Witnesses   Now available on Amazon: https://earthfiles.com/glimpses1  Glimpses of Other Realities, Vol. 2: High Strangeness   Now available on Amazon: https://earthfiles.com/glimpses2 ==== — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/user/Earthfiles — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Full-body MRIs are a controversial and expensive screening tool that some believe could revolutionize early cancer detection, while others worry they create unnecessary anxiety and waste medical resources.In this episode, we dive deep into this debate with Emi Gal, founder & CEO of Ezra, who is using AI to make full-body MRI screening faster, more accessible, and more accurate.We cover:

Hosts Jim DeRogatis and Greg Kot welcome Eric Johnson of long-running indie folk band Fruit Bats for an interview and performance. The hosts also review the debut album from punk shock activists, Lambrini Girls.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fruit Bats, "When U Love Somebody," Mouthfuls, Sub Pop, 2003The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Lambrini Girls, "Bad Apple," Who Let the Dogs Out, City Slang, 2025Lambrini Girls, "Nothing Tastes As Good As It Feels," Who Let the Dogs Out, City Slang, 2025Lambrini Girls, "Scarcity Is Fake (communist propaganda)," Who Let the Dogs Out, City Slang, 2025Fruit Bats, "Rushin River Valley (Live on Sound Opinions)," A River Running To Your Heart, Merge, 2023Fruit Bats, "Today," Siamese Dream, Turntable Kitchen, 2020Califone, "Bottles and Bones (Shades and Sympathy)," Roomsound, Perishable, 2001Fruit Bats, "We Used To Live Here (Live on Sound Opinions)," A River Running To Your Heart, Merge, 2023Fruit Bats, "Humbug Mountain Song (Live on Sound Opinions)," Absolute Loser, Easy Sound, 2016Fruit Bats, "When U Love Somebody (Live on Sound Opinions)," Mouthfuls, Sub Pop, 2003Chumbawamba, "Tubthumping," Tubthumper, EMI, 1997See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.