Podcasts about Emi

Find the complete episode here:   / offplanetmedia  ​ - free 7 day trial herehttps://emilymoyer.loc...​ - free trial month here w/ code - JOINEMILYFind Emily here: https://emilycmoyer.com​ https://emilymoyer.loc...​ - free trial month here w/ code - JOINEMILY   / offplanetmedia  ​ - free 7 day trial herehttps://rokfin.com/Emi...​ https://projectkids.lo...​ - free trial month here w/ code - PKLOVESYOUhttps://wordspodcast.l...​ - free trial month here w/ code - WELCOMETOWORDShttps://youtube.com/@emilymoyer?si=CiWmiiCcTRNacvvwBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

Join Faresh Maisura as we explore the journey of launching a business post-employer administration, the significance of mentoring and the impact of business courses. Discover insights on lead generation, public sector challenges, and the power of community support in entrepreneurship. If you're looking for a business and entrepreneurship podcast that will inspire, motivate and educate you, through the personal business journeys and entrepreneurial lessons learnt of Leeds business owners then this is the podcast for you.INTRODUCING FARESH MAISURIAFaresh Maisuria is the founder and Managing Director of Blueberry Marketing Solutions - a business development agency founded overnight in 2005 in response to an unexpected opportunity. Originally based in a university incubator at Leeds Beckett, Blueberry benefited from a range of local enterprise initiatives that helped shape its early direction and growth. Now approaching its 20th anniversary, the company has grown into a team of over 50 and continues to champion entrepreneurial thinking, with 24 former employees having gone on to start their own businesses.EPISODE HIGHLIGHTS[00:00:00] Journey to setting up Blueberry Marketing[00:08:00] Growing the business and the Goldman Sachs small business course[00:11:00] Expanding into, and working within, the Public Sector[00:16:00] Business journey pain points[00:19:00] Lead generation advice and insights[00:24:00] What is an EOT (Employee Ownership Trust) and what are the benefits[00:25:00] How to start a business - some advice for aspiring entrepreneurs3 KEY TAKEAWAYS & BUSINESS LEARNINGSOpportunities sometimes happen in the strangest waysPeople are always willing to helpTo get to that shared goal, an EMI scheme really works3 MOMENTS TO LOOK OUT FOR“Neil ran a £20m business. I asked Neil every question under the sun”“As a lead generation company, if you cant generate your own leads you shouldn't be in business”“Out of adversity look at how it can work for you”VALUABLE RESOURCES FOR YOUWebsite: www.leedsbusinesspodcast.com LinkedIn - https://www.linkedin.com/company/leeds-business-podcast/Work with Phil - www.philfraser.co.uk Website: https://blueberryms.co.uk/ LinkedIn: https://www.linkedin.com/in/faresh-maisuria-8009761/ Shout out: Ryan Evans - https://www.rmesport.com/ YOU MAY ALSO LIKESixth form to £mm exited tech founder in 10 years – with Jordan Appleson, Founder, Harkhttps://leedsbusinesspodcast.com/podcast/jordan-appleson-hark/Interior design, Leeds United and aliens with Amanda Cook, Design Tonichttps://leedsbusinesspodcast.com/podcast/amanda-cook-design-tonic/From start up to M&S supplier to insolvency – Greg Fraser, Bottle Baking Cohttps://leedsbusinesspodcast.com/podcast/bottled-baking-greg-fraser/Accidental start up to multi-million pound exit – Phil Fraser's story

Considered the godfather of A.I. music, UC Santa Cruz professor and composer David Cope, who died in May, 2025, developed the computer program EMI, or Experiments in Musical Intelligence, in the 1980s. It was one of the earliest computer algorithms used to generate classical music. This documentary film by UC Santa Cruz's Bob Giges looks at the impact of Cope's genius on the world of music. Series: "Arts Channel " [Science] [Arts and Music] [Show ID: 40968]

Te recomendamos EMI

In this episode, we recap Richmond's 2-0 road win at Westchester, highlighted by Emi's spectacular early bicycle kick and Landon Johnson's breakaway finish off a goalkeeper error. We also dive into how the Kickers controlled the match, the momentum this result builds, and what it means moving forward in the season.

Romain Vivien is the Global Head of Music and President of Europe at Believe, one of the world's leading digital music companies supporting independent artists and labels. With nearly 30 years of experience, including senior leadership roles at Virgin and EMI, Romain has been instrumental in shaping Believe's global music strategy across 50+ markets. A passionate advocate for fairness and transparency, he continues to champion artist development, identity, and storytelling as essential pillars for success in today's rapidly evolving music industry.In this episode, Romain shares how independent artists can thrive in a digital-first music landscape by leaning into authenticity, storytelling, and the power of local music movements.Key Takeaways:Why understanding and defining your artist identity is the foundation for growth.How digital platforms are reshaping opportunities for independent artists.The future of music trends, including the rise of local artists and diverse genres.---→ Learn more about Romain and Believe at believe.com.Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Beloved Countermelody favorite Helen Donath celebrated her 85th birthday on 10 July. In honor of that milestone, I once again celebrate her (which I've done so often, but I don't think anyone is complaining!) This episode features the venerated soprano singing the music of Richard Strauss. In 1976 and 1981 she recorded two albums of Lieder for EMI, both accompanied by her husband, pianist and conductor Klaus Donath, each of which included a selection of songs by Strauss. In addition, I offer recordings of Donath singing various operatic excerpts, both live and studio, of her acclaimed Sophie in Rosenkavalier and Zdenka/o in Arabella. In addition, two late career Donath rarities. First is a concert performance of Die ägyptische Helena live from the Salzburg Festival in the summer of 2003 in which Donath sings the challenging role of Aithra with a freshness and radiance that is breathtaking. The episode concludes with an extraordinary live 2000 recording of Donath performing the Vier letzte Lieder, a tribute to the natural progression of her voice into the jugendlich dramatisch repertoire as she aged. Vocal guest stars include Júlia Várady (who today celebrates her 84th birthday!), Doris Soffel, and Deborah Voigt. Let us extend our hearty good wishes and affection to La Donath, who is finally living in well-earned Ruhestand, after a career that extended well into her 70s. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Th great Hungarian pianist Annie Fischer's EMI legacy is the topic of today's episode. Here are links to recordings discussed:Beethoven "Moonlight" Sonata - https://www.youtube.com/watch?v=ABwyRNbfHoUMozart Piano Concerto K. 595 Rondo - https://www.youtube.com/watch?v=RObJ2V9R3v8

Romanian record label Draganenii returns with its 5th vinyl-only title, this time featuring the unique production skills of Bucharest-based artist Emi. Experimental, thundering and full of swing on Side A and deep, dubby and hypnotic on the flip. @user-204540994 @ctepeo Read more @ feeder.ro/2025/08/29/emi-elvis-ep

Vinilo 3logijos pirmąją dalį „Laisvas kūnas“ pristatantis reperis Pushaz dabar muziką kuria su sūnumi Emiliu – reperiu EMI$. Sako, jei nori būti realybėje – turi įsiklausyti ir į jaunosios kartos nuomonę. Pokalbis apie gyvenimą mieste – Zarasuose, kuriame laikas sustoja, kūrybos vertę ir muzikines, audiovizualines rezidentūras Kamariškių dvare įrengtoje garso įrašų studijoje. Ved. Marius Andrijauskas

OGBELE TI EMI

OGBELE TI EMI

The Cockney Rejects formed in East London in 1979, led by brothers Jeff and Mick Geggus. Coming straight out of the working-class neighborhood of East End, they were inspired by the raw energy of punk but added their own aggressive, football terrace–style chants. Their first records came out on EMI, with the 1980 debut Greatest Hits Vol. 1, followed quickly by Greatest Hits Vol. 2. Their loud, sing-along anthems such as “Oi! Oi! Oi!” made them one of the defining bands of the Oi! punk movement, even though the label “Oi!” was originally coined after a journalist described their music that way.The Rejects' lyrics often reflected working-class life and their love of West Ham United F.C. This connection to football culture gave them a unique identity but also brought violence to many of their gigs, as rival football hooligans clashed at shows. Despite this, their music gained popularity across the UK and Europe, and they were seen as heroes of street-level punk. They stood apart from art-punk or politically heavy bands, preferring to sing about everyday struggles, loyalty, and pride in where they came from.As the 1980s progressed, the band experimented with a harder rock and heavy metal sound. Albums like The Wild Ones (1982) leaned more toward glam and hard rock than their early Oi! roots, but this stylistic shift alienated some of their punk audience. Still, the band refused to be boxed into one style, proving they could adapt and survive in a changing music scene. They continued to play live, earning a reputation for rowdy, unpredictable gigs that mirrored the chaos of the streets they came from.By the 1990s and 2000s, the Cockney Rejects had become respected as pioneers, with a loyal international fanbase. They toured widely, influencing later punk, hardcore, and even street rock bands. Their story is one of resilience—despite violence at shows, industry challenges, and lineup changes, Jeff Geggus kept the band alive. Today, they are recognized as both punk icons and cultural figures who captured the voice of London's East End, leaving behind a legacy of defiant, working-class rock 'n' roll.https://www.cockneyrejects.com/cockneyrejectshomepage

In this Electropages podcast, Robin Mitchell speaks with Andrew Plummer, Product Marketing Engineer at Texas Instruments, about the rapid rise of light electric vehicles and how TI is helping engineers meet the demand for smarter, smaller, and more efficient charging solutions. Following TI's showing at PCIM, Andrew takes us through a 750 W onboard charger reference design aimed at kick scooters, e-bikes, and electric mopeds. The discussion covers why this segment is growing fast, especially in urban areas, and how gallium nitride (GaN), LLC controllers, and high-frequency switching are enabling compact, cost-effective systems with fewer thermal and EMI issues. They also touch on the growing role of battery swap stations, how on-scooter charging is becoming more common, and what engineers need to consider around safety, reliability, and compliance when designing these low-power but still automotive-grade systems. 

Fiat Republic's CCO, Paula Steiner, discusses how the company bridges Web2 and Web3, navigates EMI and MiCA compliance, and builds trust with both clients and regulators. From safeguarding and fraud prevention to stablecoins and the future of payments, this episode is a blueprint for compliance-driven innovation.

"Flyover", "Tank", "Hope", "Round Up", "Oil" y "Who Runs The Place", extraídas del álbum "Tank" (EMI, 2005)"Speed of Light", "Ease Up Caesar" y "Bride of Punkara", extraídas de "Punkara" (Naïve, 2008)Bonus track: "Melody 7", última pieza instrumental del LP "Tank"Todas las músicas compuestas e interpretadas por Asian Dub FoundationEscuchar audio

AI is changing TA roles forever, but can this be a positive, especially as TA teams are being forced to do even more with less? Meet Emi Beredugo — a talent acquisition pro with over 18 years of experience helping companies find and hire great people. She's worked across the UK, Middle East, and Africa, leading teams and delivering some pretty complex recruiting projects along the way.These days, Emi's the Senior Manager of Recruiting Enablement at Elastic, where she heads up a team dedicated to making the recruiting process smoother, smarter, and more inclusive. From AI tools and data to recruitment marketing and onboarding, Emi's all about driving efficiency and creating a great experience for both candidates and recruiters. And she's become an expert on AI and how it drives value for recruiting teams.Join host Robert Newry and guest Emi Beredugo as they discuss:

It's hard to imagine being in Pink Floyd in 1975. 1973's Dark Side of the Moon had not only achieved high praise from the critics but had sold better than most any album ever recorded. Nick Mason, Rick Wright, Roger Waters and David Gilmour had soared to extraordinary heights thanks to their balance of technological experimentation, their examination of modern capitalistic life and Waters' biting lyrics. They had plenty of money and adoring fans. The only worry was what to do next. For months they noodled around Abbey Road Studios (EMI Studio at the time) trying to find new inspiration; apparently while they drank each other under the table. Engineers and producers were sacked in an attempt to capture their greatness and harness all the capabilities of the latest available technology. Out of that came Wish You Were Here - an album that may not receive the praise (or sales) of Dark Side or The Wall but is perhaps their most listenable effort of the 1970s and a favorite among Gilmour and Wright. The very progressive and Floydian suite Shine On You Crazy Diamond Parts 1-5 start the album by creating an atmosphere of awe and wonder. Waters lyrics describe their former bandmate Syd Barrett; their former leader who had lost a battle with his own schizophrenia which led to the boys not encountering him for 7 years. However, in an odd twist of fate Syd made it to EMI during the mixing of the album with a shaved head, shaved eyebrows and weighing more than double than when they'd last seen him. It all adds to the mystery and legacy of Syd and Pink Floyd. Before the 6-9 suite of Crazy Diamond, we are treated to some wonderful Pink Floyd classics. Welcome to the Machine offers mechanical noises and dismal lyrics to not only warn of but welcome the new entries into the military industrial complex. The acoustic Wish You Were Here is a sweet yet remorseful song about lost friendship and the unfortunate changes that come with growing up and growing old. Have A Cigar is a very cheeky view of the music business but as neither Waters or Gilmour could quite pull off the right tone, they employed old friend Roy Harper to provide the vocals. All three are classic rock staples and songs the band would perform together and as solo artists throughout their careers. Often overlooked compared to the other Floyd output of the 1970s, we find this has aged well, is still very listenable and is as poignant as ever 50 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

ETO ADOJUTOFO TI EMI

It's hard to imagine being in Pink Floyd in 1975. 1973's Dark Side of the Moon had not only achieved high praise from the critics but had sold better than most any album ever recorded. Nick Mason, Rick Wright, Roger Waters and David Gilmour had soared to extraordinary heights thanks to their balance of technological experimentation, their examination of modern capitalistic life and Waters' biting lyrics. They had plenty of money and adoring fans. The only worry was what to do next. For months they noodled around Abbey Road Studios (EMI Studio at the time) trying to find new inspiration; apparently while they drank each other under the table. Engineers and producers were sacked in an attempt to capture their greatness and harness all the capabilities of the latest available technology. Out of that came Wish You Were Here - an album that may not receive the praise (or sales) of Dark Side or The Wall but is perhaps their most listenable effort of the 1970s and a favorite among Gilmour and Wright. The very progressive and Floydian suite Shine On You Crazy Diamond Parts 1-5 start the album by creating an atmosphere of awe and wonder. Waters lyrics describe their former bandmate Syd Barrett; their former leader who had lost a battle with his own schizophrenia which led to the boys not encountering him for 7 years. However, in an odd twist of fate Syd made it to EMI during the mixing of the album with a shaved head, shaved eyebrows and weighing more than double than when they'd last seen him. It all adds to the mystery and legacy of Syd and Pink Floyd. Before the 6-9 suite of Crazy Diamond, we are treated to some wonderful Pink Floyd classics. Welcome to the Machine offers mechanical noises and dismal lyrics to not only warn of but welcome the new entries into the military industrial complex. The acoustic Wish You Were Here is a sweet yet remorseful song about lost friendship and the unfortunate changes that come with growing up and growing old. Have A Cigar is a very cheeky view of the music business but as neither Waters or Gilmour could quite pull off the right tone, they employed old friend Roy Harper to provide the vocals. All three are classic rock staples and songs the band would perform together and as solo artists throughout their careers. Often overlooked compared to the other Floyd output of the 1970s, we find this has aged well, is still very listenable and is as poignant as ever 50 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Japanese: Tokyo Grind: Kana's Journey from Pressure to Team Triumph Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-08-14-22-34-02-ja Story Transcript:Ja: 東京の眩しい日差しが、オフィスの大きな窓から差し込んでいました。En: The dazzling sunlight of Tokyo streamed in through the large office windows.Ja: エアコンの涼しさが、働く社員たちを励ましています。En: The coolness of the air conditioner encouraged the working employees.Ja: この東京の企業オフィスでは、一日中書類やキーボードの音が響きます。En: In this Tokyo company office, the sound of documents and keyboards echoed all day long.Ja: この暑い夏、特に社員たちは忙しくしていました。En: This hot summer, the employees were particularly busy.Ja: カナはその中で、真面目に働く社員でした。En: Kana was a hardworking employee among them.Ja: 彼女は会社で尊敬されているけれど、心の中ではプレッシャーを感じていました。En: She was respected in the company, but internally, she felt the pressure.Ja: カナの目標は、近日に迫る重要なプロジェクトの報告書を締め切り前に完成させることです。En: Kana's goal was to complete the report for an important project approaching soon, before the deadline.Ja: そして、お盆の休みに実家に帰ることを願っています。En: She hoped to return to her family home during the Obon holiday.Ja: しかし、同僚の多くが休暇中で、カナは一人で仕事を抱える状況にありました。En: However, with many colleagues on vacation, Kana found herself handling the work alone.Ja: カナは決意しました。「一人でこの仕事を終わらせる。」En: Determined, Kana thought, "I'll finish this work by myself."Ja: そう自分に言い聞かせて、彼女は長時間働き始めました。En: She told herself this as she began working long hours.Ja: でも、報告書の山は少しも減りません。En: Yet, the mountain of reports did not diminish even slightly.Ja: 時間が過ぎていくにつれ、カナは焦り始めます。En: As time passed, Kana began to feel anxious.Ja: 締め切りが迫る中、カナはふと立ち止まりました。En: As the deadline loomed, Kana suddenly paused.Ja: 「これでは間に合わない。」En: "I won't make it at this rate."Ja: そう思ったカナは、プライドを捨て、同僚のショウとエミに助けを求めることにしました。En: With that thought, she decided to put aside her pride and ask for help from her colleagues Shou and Emi.Ja: ショウは優しい笑顔で「もちろん、手伝うよ」と言い、エミも「一緒に頑張ろう」と快く応じてくれました。En: With a gentle smile, Shou said, "Of course, I'll help," and Emi also readily agreed, saying, "Let's work hard together."Ja: 三人は力を合わせ、互いに励まし合いながら仕事を進めました。En: The three of them combined their efforts, encouraging each other as they progressed in their work.Ja: 会議室での集中作業は、思ったよりも早く進み、締め切りの直前に無事に報告書を完成させることができました。En: The focused work in the conference room went faster than expected, and they managed to complete the report just before the deadline.Ja: 報告書が完成した瞬間、カナはほっとした顔を浮かべました。En: At the moment the report was completed, Kana showed a relieved expression.Ja: 「ありがとう、本当に助かった！」カナは心から感謝しました。En: "Thank you, you really helped me!" Kana expressed her gratitude sincerely.Ja: そして数日後、カナは無事お盆休みに実家に帰り、多くのお供え物が飾られた祖先の祭壇の前で、ご先祖様を迎える準備をしました。En: A few days later, Kana successfully returned to her family home for the Obon holiday, preparing to welcome her ancestors in front of the ancestor altar decorated with many offerings.Ja: 家族と共に過ごす時間が、カナには何よりの癒しでした。En: The time spent with her family was the ultimate relaxation for Kana.Ja: この経験を通して、カナは一つの大切なことを学びました。「協力することで、大変な仕事も乗り越えられる」。En: Through this experience, Kana learned an important lesson: "By cooperating, you can overcome even difficult tasks."Ja: そして、それを通して他人を信頼することの大事さを実感しました。En: She realized the importance of trusting others through this.Ja: 夏の東京のオフィスでの忙しい日々は、彼女にとって忘れられない学びの時間となりました。En: The busy days at the Tokyo office in the summer became an unforgettable learning time for her. Vocabulary Words:dazzling: 眩しいstreamed: 差し込んでいましたcoolness: 涼しさencouraged: 励ましていますechoed: 響きますparticularly: 特にhardworking: 真面目に働くrespected: 尊敬されているinternally: 心の中でpressure: プレッシャーapproaching: 迫るcolleagues: 同僚vacation: 休暇determined: 決意diminish: 減りませんanxious: 焦りloomed: 迫るpause: 立ち止まりpride: プライドrelieved: ほっとしたgratitude: 感謝sincerely: 心からancestors: ご先祖様altar: 祭壇offerings: お供え物relaxation: 癒しcooperating: 協力overcome: 乗り越えられるtrusting: 信頼unforgettable: 忘れられない

AISAN EMI

This week, Tony and T.J. step aside and hand their mics over to Eurotrash broadcast sensations Glücklich und Froh, recording LIVE from the Grugahalle in Essen, Mutter Deutschland. Listen along as they dig into the recently surfaced bootleg board recordings from the start of the Beatles' 1966 world tour. Was it sloppy? Was it rock n roll? It sure was feelin' dank. While they're at it, the Zwei Zornzwerge wander off the autobahn and wonder:

Might this be the hotel which held the most cherished memories for the Beatles? They stayed here during their earliest EMI recordings, including their first LP. It was also their base for discovering London properly between June 1962 and the spring of 1963, as their careers and lives changed forever. Learn about the fascinating stories that the hotel has to tell, including its connections to the Angry Young Men, a legendary hotelier and the real-life Peter Pan. There's also a lot more Beatles in this one!This episode features an exclusive recording from the world's greatest Beatles expert - and thoroughly decent chap - author, Mark Lewisohn.

Long before he became famous as the sharp-tongued TV personality who launched the careers of pop stars, Simon Cowell was a rebellious teenager who dropped out of school and started his career in the mailroom at EMI. After a failed business left him nearly bankrupt, he found success by zigging where others zagged—initially by selling hit records based on TV shows like Power Rangers and WrestleMania. Eventually Simon got behind the TV camera himself, where his brutally honest feedback on shows like American Idol and The X Factor made him a household name. Today, through his company Syco Entertainment, Simon continues to discover new talent. His latest challenge: an upcoming Netflix show where he'll try to build a boy band from scratch.This episode was produced by Josh Lash, and edited by Neva Grant, with research by Iman Maani. Our audio engineers were Patrick Murray and Jimmy Keeley.You can follow HIBT on X and Instagram, and email us at hibt@id.wondery.com. Sign up for Guy's newsletter at guyraz.com or Substack.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

London, im vergangenen Jahrhundert. Der Vorhang hebt sich in der Royal Opera. Auf der Bühne: eine Stimme wie Silber und Samt, einschmeichelnd und makellos. Im Publikum sitzt die Queen. Sie hört zu – und schweigt ergriffen. Jahrzehnte später wird sie genau diese Frau zur „Dame Commander of the British Empire“ ernennen: Sopranistin Elisabeth Schwarzkopf – geboren in Preußen, gefeiert in der ganzen Welt. -- In dieser Folge von BRITPOD beleuchtet Alexander-Klaus Stecher das Leben einer der bedeutendsten Opernsängerinnen des 20. Jahrhunderts – Elisabeth Schwarzkopf. Er trifft dafür den renommierten Musikjournalisten Thomas Voigt: Der Medienmanager von Startenor Jonas Kaufmann kannte Elisabeth Schwarzkopf persönlich. Die Episode erzählt von ihren frühen Jahren in Deutschland und ihrer internationalen Karriere, vor allem über den künstlerischen wie privaten Bund mit dem legendären EMI-Produzenten Walter Legge. Wie wurde aus der jungen Sängerin aus Pommern eine britische Musik-Legende? Welche Rolle spielten Disziplin, Ästhetik und Kontrolle für ihre Interpretation großer Rollen – von Mozart bis Strauss? Und wie war ihr Verhältnis zu Künstlerikonen wie Maria Callas und Herbert von Karajan? Die Folge enthält exklusive Anekdoten, persönliche Einschätzungen und seltene Tonaufnahmen – ein Streifzug durch ein Jahrhundert der Musikgeschichte und das Porträt einer Frau, die zur musikalischen Stilikone wurde. -- WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

Fluent Fiction - Japanese: The Sun, the Mountain, and a Heart's Revelation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-07-31-22-34-02-ja Story Transcript:Ja: 夏の日差しが眩しい、七夕の季節でした。En: It was the season of Tanabata, with the dazzling summer sun overhead.Ja: 警察署は忙しく、人々が行き交い、どこか緊張した空気が漂っています。En: The police station was bustling, people coming and going, and there was a somewhat tense atmosphere.Ja: 木製のカウンターの前にハルカは立っていました。En: Haruka stood in front of a wooden counter.Ja: 彼女の視線は心配で曇り、手にはタロウの写真。En: Her expression was clouded with worry, and in her hand was a photo of Tarou.Ja: 「すみません、友達が山に行ったまま帰ってこないんです」とハルカは警察官に訴えました。En: "Excuse me, my friend went to the mountains and hasn't come back," Haruka pleaded with the police officer.Ja: カウンター越しの警察官は書類に目を通しながら、疲れた表情を浮かべています。En: The police officer, looking weary, glanced over the documents across the counter.Ja: 「夏場はよくあることです。En: "This happens a lot in the summer.Ja: 事故や迷子の報告が多すぎて...」En: There are too many accident and missing person reports..."Ja: ハルカは落ち着かない気持ちで、カウンターを指先でトントンと叩きました。En: Haruka, feeling uneasy, tapped the counter with her fingertips.Ja: 心の奥底では、ただの友達以上の想いが芽生えていましたが、今はタロウの安全が最優先です。En: Deep down, feelings beyond mere friendship were budding, but Tarou's safety was the priority now.Ja: 彼女は携帯を取り出し、タロウからの最後のメッセージを見せました。En: She took out her phone and showed the last message from Tarou.Ja: 「昨日、助けを求めるようなメッセージでした。En: "Yesterday, he sent a message that seemed like a call for help.Ja: 普段、タロウはこういうことは言いません。」En: Typically, Tarou doesn't say things like this."Ja: 警察官はやや興味深そうに画面を覗き込みましたが、それでも躊躇います。En: The police officer peeked at the screen with mild interest but still hesitated.Ja: 「証拠がもっと必要ですね。」En: "We'll need more evidence."Ja: ハルカは葛藤します。En: Haruka was torn.Ja: 警察の手を待つか、友人のエミと一緒に自分たちで何かを試みるべきか。En: Should she wait for the police or try something with her friend Emi?Ja: しかし、時間が経つほど危険が増すかもしれません。En: However, the longer they waited, the more dangerous it might become.Ja: 「どうしても彼を見つけなければならないんです！」ハルカの声は熱を帯び、彼女自身も驚くほどの力が込められていました。En: "We have to find him!" Haruka's voice was charged with a passion so strong it even surprised her.Ja: その情熱が警察官の心を動かしました。En: This passion moved the police officer.Ja: 「わかりました。En: "Understood.Ja: 捜索隊を出します。En: We'll send out a search team.Ja: でも、危険なことはしないでくださいよ。」En: But please, don't do anything dangerous."Ja: ハルカは息をのみ、すぐにエミに連絡を取りました。一緒に捜索に参加するために準備します。En: Haruka caught her breath and immediately contacted Emi to make preparations to join the search.Ja: 山の中、捜索隊は必死にタロウの行方を探します。En: In the mountains, the search team desperately looked for Tarou.Ja: そして、ようやく茂みの中でタロウを発見しました。En: Finally, they found him in the bushes.Ja: 彼は少し衰弱していましたが、無事でした。En: He was a bit weak, but safe.Ja: 怪我をしていましたが、命に別状はなく、安心したハルカの目から涙がこぼれました。En: He had injuries, but his life was not in danger, and tears of relief welled up in Haruka's eyes.Ja: 後日、病院でお見舞いに行ったハルカは、タロウのベッドの傍らに腰を下ろしました。En: Later, when Haruka visited Tarou in the hospital, she sat beside his bed.Ja: 「ずっと心配だったよ」と小さな声で話しかけました。En: "I was so worried," she said in a small voice.Ja: タロウは感謝の言葉を述べ、互いに微笑み合います。En: Tarou expressed his gratitude, and they exchanged smiles.Ja: この冒険を通して、ハルカは自分の心に正直になれる自信を得ました。En: Through this adventure, Haruka gained the confidence to be honest with her heart.Ja: そして、ついに思いを告げる決心を固めたのです。En: She firmly decided to confess her feelings.Ja: 「実はね、タロウ...」夏の風が静かに揺れる中、二人の距離は少しだけ近づきました。En: "Actually, Tarou..." As the summer breeze quietly stirred, the distance between the two of them drew just a little closer. Vocabulary Words:dazzling: 眩しいbustling: 忙しいclouded: 曇りpleaded: 訴えましたweary: 疲れたuneasy: 落ち着かないbudding: 芽生えていpeeked: 覗き込みましたhesitated: 躊躇いますtorn: 葛藤しますdangerous: 危険relief: 安心gratitude: 感謝confident: 自信confess: 告げるtense: 緊張したexpression: 表情glanced: 目を通しdocuments: 書類accident: 事故reports: 報告desperately: 必死にinjuries: 怪我worry: 心配priority: 最優先evidence: 証拠passion: 情熱moved: 動かしましたPreparations: 準備adventure: 冒険

This week, Monika unpacks SEBI's case against global trading firm Jane Street, accused of manipulating India's markets through high-speed trading and deep capital. With alleged unfair profits of over ₹36,500 crore, the case raises big questions around market fairness and retail investor safety. Monika explains what happened, why it matters, and what lessons investors should take away. The core message: avoid speculation, understand the risks of F&O, and stay focused on long-term investing. SEBI's action is a positive move, but individual investors must remain cautious and grounded.She also breaks down how the F&O (futures and options) market works—what these derivative instruments are, what they were designed for, and why they are high-risk products that magnify both gains and losses. Originally meant for hedging, F&O today is often used by retail traders for speculation—despite the odds being heavily stacked against them. Monika cautions listeners that the data is clear: the vast majority of individual F&O traders lose money.In listener questions, Abhishek asks whether he should take a ₹40 lakh loan to buy a ₹75–85 lakh residential plot despite personal reservations and strong pressure from family. He also wants to know whether redeeming well-performing mutual funds to reinvest elsewhere makes sense or if it hurts compounding. Ayan asks about the nominee claim process when mutual fund units are transferred after the original investor's death—how it works, what documents are needed, and how smooth the process typically is. Mahesh, a salaried professional with a balanced financial setup, wants to know whether he should increase his home loan EMI or mutual fund SIPs after a raise.Chapters:(00:00 – 00:00) Lessons from Jane Street and Market Manipulation(00:00 – 00:00) Real Estate vs Financial Assets: Should You Buy That Plot?(00:00 – 00:00) Redeeming and Reinvesting Mutual Fund Profits(00:00 – 00:00) Mutual Fund Transmission After Death(00:00 – 00:00) Home Loan vs Mutual Fund SIPs: Where to Allocate Extra Incomehttps://www.sebi.gov.in/enforcement/orders/jul-2025/interim-order-in-the-matter-of-index-manipulation-by-jane-street-group_95040.htmlIf you have financial questions that you'd like answers for, please email us at ⁠mailme@monikahalan.com⁠ Monika's book on basic money management⁠⁠https://www.monikahalan.com/lets-talk-money-english/⁠⁠Monika's book on mutual funds⁠https://www.monikahalan.com/lets-talk-mutual-funds/⁠Monika's workbook on recording your financial life⁠⁠https://www.monikahalan.com/lets-talk-legacy/⁠⁠Calculators⁠⁠https://investor.sebi.gov.in/calculators/index.html⁠⁠You can find Monika on her social media @monikahalan. Twitter ⁠⁠@MonikaHalan⁠⁠Instagram ⁠⁠@MonikaHalan⁠⁠Facebook ⁠⁠@MonikaHalan⁠⁠LinkedIn ⁠@MonikaHalan⁠Production House: ⁠www.inoutcreatives.com⁠Production Assistant:⁠ Anshika Gogoi⁠

The Body Keeps the Score by Bessel van der Kolk has become a go-to book for understanding trauma, but not everyone agrees with its approach. In this episode, journalist and author of Acceptance: A Memoir, Emi Nietfeld joins us to talk about The Body Keeps the Score and how it influenced the world of trauma therapy. Bringing both her personal experience and sharp insight to the table, she enlightens us on trauma treatment and why popular narratives around resilience and recovery often miss the mark, especially when they lean more on storytelling than science.We get into where the book falls short, especially around science and why proven methods like CBT and prolonged exposure therapy deserve more attention. Emi also opens up about how those treatments personally changed her life.It's an honest look at trauma, what really works, and how we can do better, both personally and as a society.Listen and Learn:Why true resilience isn't about toughness alone but about community, care, and real support systemsHow the mental health system often fails kids by ignoring family dysfunction and why real change starts with seeing the full context, not just labeling the childWhy positive thinking isn't enough for trauma recovery and how validating, supportive therapy makes all the difference when you're ready to speak your truthAvoiding trauma memories in therapy can cause more harm and what effective healing requiresHow popular trauma books like “The Body Keeps the Score” can fuel shameChallenging the "addicted to trauma" label and how oversimplified narratives can stigmatize survivors and ignore systemic causes of violenceHow trauma research can be misrepresented, especially about cognitive behavioral therapy's real effectivenessUsing structured prolonged exposure therapy to help you safely face trauma and build resilienceWriting a memoir can unearth painful truths, but honest storytelling sparks real healing and self-acceptanceWhy popular trauma books feel like belief systems—and why we need solutions beyond therapyResources: Emi's Book Acceptance: https://bookshop.org/a/30734/9780593489499 Emi's website https://www.eminietfeld.com/ and her Substack https://eminietfeld.substack.com/ Connect with Emi on LinkedIn https://www.linkedin.com/in/emi-nietfeld/ and Instagram https://www.instagram.com/eminietfeld/ Mother Jones article: https://www.motherjones.com/media/2024/12/trauma-body-keeps-the-score-van-der-kolk-psychology-therapy-ptsd/ Slate article: https://slate.com/technology/2024/08/sexual-assault-treatment-talk-therapy-prolonged-exposure-recovery.htmlArticle mentioned on trauma theory as a belief system: https://beiner.substack.com/p/the-truth-about-trauma-bessel-vanAbout Emi NietfieldEmi Nietfeld is an author, journalist, and speaker. She is the author of Acceptance (Penguin Press ‘22), a memoir of her journey through foster care and homelessness, interrogating the true meanings of resilience, ambition, and success. After graduating from Harvard in 2015, she worked as a software engineer, an experience she wrote about in her viral New York Times essay, “After Working At Google, I'll Never Let Myself Love a Job Again.”She's passionate about mental health, helping young people navigate their careers, and the connection between engineering and creativity. A dynamic, sought-after speaker, she can be found on podcasts, leading conference keynotes, and speaking at universities and companies alike.Her essays have appeared in The New York Times, New York Magazine, The Atlantic, and other publications, been nominated for the Pushcart Prize, noted in The Best American Essays, and taught in classrooms from high schools to MFA programs.Related Episodes: 416. Trauma and PTSD Treatment with Robyn Walser383. What My Bones Know: C-PTSD with Stephanie Foo279. ACT for Healing Black Racial Trauma with Jennifer Shepard Payne 313. ACT-Informed Exposure for Anxiety with Brian Pilecki and Brian Thompson355. What is EMDR with Jamie Marich 77. Acceptance and Commitment Therapy with Jill Stoddard See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, I interview Anthony Fasano, founder of the Engineering Management Institute (EMI), about essential skills for engineers transitioning into project management. Drawing from Anthony's extensive training experience, we explore communication, delegation, planning, conflict resolution, and leadership. The discussion provides practical strategies for young professionals to build confidence and excel in project management while highlighting the importance of lifelong learning and servant leadership.Guest* Anthony Fasano: Civil engineer, licensed PE, and founder of EMI. He hosts multiple podcasts, runs leadership programs, and authored Beyond PM Training. Anthony specializes in helping engineers develop non-technical skills for career advancement.Key Topics & Timestamps* 0:00 Introduction and Anthony's background. Overview of EMI's initiatives, including podcasts (Civil Engineering Podcast, AEC Leadership), YouTube channels for FE/PE exam prep, and custom training programs for leadership and project management.* 2:40 Essential skills for aspiring project managers: Communication with diverse stakeholders, understanding work styles/personalities, and delegation as the "CEO" of projects (focusing on scope, schedule, budget, and team coordination).* 5:29 Delegation challenges for engineers: Overcoming the urge to handle tasks personally, recognizing delegation as team development, and enjoying benefits like freed time for business development or mentoring.* 9:29 Effective project management strategies: Focus on upfront planning (project management plans, kickoff meetings), scope/schedule/budget breakdown, managing changes/scope creep, and identifying the critical path to handle delays.* 13:53 Handling difficult conversations: Building confidence over time, understanding others' needs, maintaining calm to de-escalate, and considering long-term relationships.* 17:51 Real-world conflict resolution examples: Maintaining professionalism for ongoing relationships and approaching issues collaboratively.* 20:15 Developing authentic leadership: Embracing servant leadership, prioritizing team success, conducting regular check-ins, mentoring, and creating an approachable environment despite billable hour pressures.* 22:40 Final advice: Develop public speaking skills to build confidence and communication abilities—crucial for effective meetings and presentations as a project manager.Resources Mentioned* Engineering Management Institute (EMI): engineeringmanagementinstitute.org – Access free podcasts, YouTube channels, and resources.* Podcasts: Civil Engineering Podcast, AEC Leadership, AEC Project Management.* YouTube Channels: Pass the FE Exam, Pass the PE Exam.* Book: Beyond PM Training: How to Build a Scalable AEC Project Management Ecosystem by Anthony Fasano – Available Here.* Newsletter: Sign up at luisfelipeduque.com/newsletter for episode recaps, action items, and career insights.* Contact: luisfelipeduque.com/contact for questions or suggestions.Action Items for Listeners* Assess your communication style: Identify your work style (analytical vs. expressive) and practice adapting to others—start by observing team interactions.* Practice delegation: List tasks you can offload (aim for 30%) and invest time teaching a team member; focus on the developmental benefits.* Enhance project planning: For your next project, create a detailed management plan covering scope, schedule, budget, and change processes; conduct both internal and external kickoff meetings.* Build conflict resolution skills: During difficult discussions, stay calm, understand the other party's goals, and propose win-win solutions—consider role-playing to practice.* Invest in public speaking: Join Toastmasters or practice presentations to boost confidence; challenge yourself to lead one meeting this month. Get full access to Engineering our Future at engineeringourfuture.substack.com/subscribe

Fluent Fiction - Japanese: Tradition Meets Innovation: Haruto's Startup Success Story Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-07-15-22-34-02-ja Story Transcript:Ja: 真夏の東京、渋谷の中心にあるスタートアップインキュベーターは熱気に包まれていました。En: In the peak of summer, in the heart of Tokyo, a startup incubator in Shibuya was enveloped in bustling energy.Ja: 窓越しに差し込む日差しはビルの影を落とし、街の喧騒がかすかに聞こえてきます。En: Sunlight peeked through the windows, casting shadows from the buildings, and the faint sounds of the city's hustle and bustle could be heard.Ja: このモダンなオフィススペースで、ハルトとエミは次の一手を考えていました。En: In this modern office space, Haruto and Emi were contemplating their next move.Ja: ハルトはテックスタートアップを立ち上げようと奮闘する若手起業家です。En: Haruto is a young entrepreneur striving to launch a tech startup.Ja: お盆が近づく中、祖先を敬う気持ちとスタートアップの成功へのプレッシャーが彼を動かしていました。En: As the Obon holiday approached, his respect for his ancestors and the pressure to make his startup successful fueled his motivation.Ja: エミはハルトのサポート役ですが、現実的な考え方を持っています。En: Emi plays a supporting role to Haruto, providing a realistic perspective.Ja: 彼らは信頼できる投資家を探しており、ケンタに期待を寄せていました。En: They were seeking a trustworthy investor and pinned their hopes on Kenta.Ja: ケンタは慎重な投資家で、彼らのスタートアップが本当に価値があるのか疑問を持っています。En: Kenta is a cautious investor who harbors doubts about whether their startup truly holds value.Ja: 「ケンタさんに良い印象を与えるにはどうしたらいいかな？」とハルトは考えました。En: "What can we do to leave a good impression on Kenta-san?" Haruto pondered.Ja: エミは「オフィスの雰囲気も大事よ。高品質で予算に合うオフィス用品を揃えましょう。」と言いました。En: Emi said, "The office atmosphere is important too. Let's gather high-quality office supplies that fit our budget."Ja: ハルトはインキュベーターの周りを散策し、渋谷の店を巡って適切なアイテムを選びました。En: Haruto explored around the incubator and browsed through the shops in Shibuya to select appropriate items.Ja: お盆用の提灯や扇風機、和紙で包んだノート。それはハルトの熱意と、伝統を大切にする想いを表していました。En: Lanterns for Obon, fans, and notebooks wrapped in washi paper—all of which represented Haruto's enthusiasm and his respect for tradition.Ja: 数日後、ついにケンタとのピッチミーティングの日が来ました。En: A few days later, the day of their pitch meeting with Kenta finally arrived.Ja: エミとハルトは準備万端です。En: Emi and Haruto were fully prepared.Ja: ミーティングルームには、新しく揃えた文具が綺麗に並び、涼しい風鈴の音が心地よく響いていました。En: In the meeting room, the newly gathered stationery was neatly arranged, and the soothing sound of wind chimes resonated comfortably.Ja: ハルトは熱心にプレゼンテーションを始めました。En: Haruto began his presentation passionately.Ja: 「私たちの技術はテクノロジー業界に革新をもたらします。そして、これらのアイデアは日本の伝統を尊重しつつ未来を開くものです。」と語りました。En: "Our technology will bring innovation to the tech industry, and these ideas honor traditional Japanese values while opening doors to the future," he stated.Ja: その姿は、自信に満ち溢れ、誠実さが感じられました。En: His demeanor was confident, with sincerity shining through.Ja: ケンタは彼の言葉を真剣に聞き、オフィスの細部に目を向けました。En: Kenta listened intently to his words and took note of the office's intricate details.Ja: ミーティングの終了後、ケンタは微笑みました。En: After the meeting ended, Kenta smiled.Ja: 「素晴らしいアイディアと情熱を感じました。私の投資を約束します。」En: "I felt your great ideas and passion. I promise my investment," he said.Ja: その言葉を聞いて、ハルトとエミは喜びでいっぱいになりました。En: Hearing those words, Haruto and Emi were filled with joy.Ja: この経験を通じて、ハルトはリーダーシップに自信を持つようになり、祖先への敬意が単なる伝統でないことを理解しました。En: Through this experience, Haruto gained confidence in his leadership and understood that respect for ancestors is not merely a tradition.Ja: それは努力と誠実さによって示されるものなのです。En: It's something to be demonstrated through effort and sincerity.Ja: お盆を迎える夏の日、彼は新たな決意を胸に抱きました。En: On a summer day as Obon approached, he embraced a new determination within his heart. Vocabulary Words:enveloped: 包まれていましたbustling: 喧騒contemplating: 考えていましたentrepreneur: 起業家striving: 奮闘するapproached: 近づく中perspective: 考え方trustworthy: 信頼できるharbors: 疑問を持っていますdemeanor: 姿sincerity: 誠実さintently: 真剣にhonor: 尊重demonstrated: 示されるdetermination: 決意heritage: 伝統innovation: 革新persuasion: 説得faint: かすかにshadows: 影amidst: 中心にあるgather: 揃えるsoothing: 心地よくresonated: 響いていましたlanterns: 提灯stationery: 文具embellishment: 装飾pitch: ピッチheartened: 喜びでいっぱいsupporting: サポート役

IDILE ALAYO 1 -

L'Institut Reuters, rattaché à l'université d'Oxford, mène chaque année une grande enquête sur l'état de l'information dans le monde. Pour discuter de son édition 2025, parue récemment, L'atelier des médias reçoit la directrice de l'école de journalisme de Sciences Po Paris, Alice Antheaume qui a supervisé la partie française de cette étude internationale. Le Reuters Institute publie chaque année son Digital News Report, rapport mondial sur l'état de l'information, une vaste enquête menée auprès de 100 000 personnes réparties dans 48 pays. Les données du rapport 2025 révèlent une poursuite de l'exode des audiences des médias traditionnels vers les plateformes comme YouTube et les réseaux sociaux. La télévision poursuit sa baisse continue comme source d'information. Les podcasts connaissent un dynamisme notable, offrant des « voix nouvelles dans des formats différents » et s'adressant davantage aux moins de 35 ans avec des formats « plus incarnés » et moins liés à l'actualité chaude.  La confiance dans les médias demeure « très mitigée », la France se classant à une décevante 41e position sur 48 pays, avec seulement 29 % des sondés déclarant une confiance satisfaisante. Alice Antheaume explique ce faible score par un « mauvais esprit français », culturellement méfiant, et une « mauvaise compréhension de ce qu'est notre métier » de journaliste, le travail de vérification étant « sans doute mal saisi ». Cette défiance est fortement corrélée à une crise de confiance plus globale envers les institutions. Concernant le paiement pour l'information en ligne, la France affiche un faible taux de 11 %, un chiffre « stationnaire » depuis des années. Pour Alice Antheaime, une des explications réside dans une « mauvaise éducation » à la valeur de l'information, le public ayant été habitué à l'accès gratuit via internet. De fait, seuls 11% des Français déclarent avoir reçu une éducation à l'information, soit le plus mauvais score parmi les pays étudiés. Pour y remédier, Alice Antheaume insiste sur l'importance de « nommer les choses » et d'instaurer de la « récurrence » dans l'éducation aux médias et à l'information (EMI) dans les cursus scolaires. Face à l'« accablement » et l'« impuissance » ressentis face aux nouvelles, 36 % des Français disent éviter activement l'information. Dans ce paysage, de nouveaux acteurs tels que HugoDécrypte attirent les jeunes audiences, avec 22 % des moins de 35 ans en France qui consultent ses contenus. Ses formats sont qualifiés de « très pédagogique » et aident à une meilleure compréhension d'un monde complexe. Malgré une perception peu populaire et des conditions d'exercice difficiles, le métier de journaliste conserve une « attractivité folle » chez les jeunes, assure Alice Antheaume. Mais une école de journalisme comme celle de Sciences Po Paris doit s'attacher à former les étudiants pour qu'ils puissent « durer dans ce métier », assure la directrice. La formation insiste sur le fact-checking, le reportage de terrain, et la compréhension des grands enjeux mondiaux. L'intégration de l'intelligence artificielle (IA) est également primordiale, avec des ateliers où les étudiants « ont produit des prototypes pour des médias déjà installés en intégrant et de l'info et des outils d'intelligence artificielle tout en se questionnant sur l'éthique ».

What happens when a chance meeting turns into a real love story across continents?In this episode of International Love Story, Emi (from Ecuador) shares how she met her now-husband Anish (from India) during a Eurotrip in Belgium. What started as a casual social media connection turned into long video calls, a month-long visit to Ecuador, and eventually moving to Germany — all while navigating cultural differences and distance.Emi opens up about the challenges of moving abroad, adapting to life in Germany, and how her Indian in-laws went from skeptical to fully embracing her as family. They now live in Berlin and recently had a beautiful Indian wedding with both families present — a celebration of love, trust, and cultural curiosity.If you're in a long-distance or intercultural relationship, or thinking about moving abroad for love, this episode is packed with honest reflections, real challenges, and inspiring takeaways.

On this week's show we take a first look at the proposed HDMI 2.2 specification. We also read your emails and take a look at the week's news. News: YouTube Once Again Dominates TV Usage In May SunBrite Debuts Full Sun 4K Smart TV Series XGIMI Releases MoGo 4 Series Projectors Amazon to Shutter Freevee in September 2025, Merging Content into Prime Video HDMI 2.2 Specification The HDMI 2.2 specification, announced by the HDMI Forum at CES 2025, introduces several advanced features to support higher resolutions, refresh rates, and enhanced audio-visual performance. Below is a summary of the key features included in the HDMI 2.2 specification based on the information we have today: Increased Bandwidth (Up to 96 Gbps): HDMI 2.2 doubles the bandwidth of HDMI 2.1 (from 48 Gbps to 96 Gbps), enabling support for higher resolution and refresh rate combinations, as well as data-intensive applications.  This increased bandwidth supports uncompressed and compressed video formats, making it suitable for advanced applications like AR/VR, spatial reality, light field displays, medical imaging, and machine vision. Support for Higher Resolutions and Refresh Rates: Uncompressed Formats 4K at 240 Hz and 480 Hz (4:4:4 chroma sampling, 10-bit and 12-bit color). 8K at 60 Hz and 240 Hz (4:4:4 chroma sampling, 8-bit and 10-bit color). 10K at 120 Hz. 12K at 120 Hz. 16K at 60 Hz. Compressed Formats (using Display Stream Compression or similar): Supports higher refresh rates like 4K at 480 Hz, 8K at 240 Hz, and 10K at 120 Hz, which require compression to achieve these rates within the bandwidth constraints. Next-Generation Fixed Rate Link (FRL) Technology: HDMI 2.2 introduces an advanced version of Fixed Rate Link signaling technology, optimized for better support of uncompressed content at high resolutions and refresh rates, ensuring pristine image quality and low latency Ultra96 HDMI Cable: A new cable type, the Ultra96 HDMI Cable, is introduced to support the full 96 Gbps bandwidth and all HDMI 2.2 features. These cables are backward compatible with older HDMI devices but are required to fully utilize HDMI 2.2's capabilities. The Ultra96 cables are part of the HDMI Cable Certification Program, requiring testing and certification with a visible Ultra96 certification label to ensure compliance. Features low electromagnetic interference (EMI) for stable and reliable data transmission. Latency Indication Protocol (LIP): A new feature designed to improve audio and video “‘video synchronization, particularly in multi-hop setups involving devices like AV receivers or soundbars. LIP enhances synchronization over existing methods, reducing issues like lip-sync lag, especially for fast-paced content or gaming. Support for Advanced Color and Chroma Formats: Supports high-quality color spaces like BT.2020 with 10-bit, 12-bit, and 16-bit color depth. Enables uncompressed full chroma formats (e.g., 4:4:4) at high resolutions, ensuring richer colors and pristine image quality. Additional Notes Availability: The HDMI 2.2 specification was announced at CES 2025, with Ultra96 cables expected to be available in Q3/Q4 2025. HDMI 2.2-compliant devices (e.g., TVs, monitors, GPUs) are expected to appear in late 2025 or 2026 Optional Features: Like previous HDMI versions, features such as Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), Quick Frame Transport (QFT), and Enhanced Audio Return Channel (eARC) remain optional and depend on device manufacturer implementation. Consumer Guidance: The Ultra96 feature name helps consumers identify cables and devices capable of supporting 64 Gbps, 80 Gbps, or 96 Gbps bandwidth, ensuring optimal performance.

Olivier Legrain, un millionnaire français mécène de la presse indépendante, cosigne avec le journaliste Vincent Edin un livre intitulé Sauver l'information de l'emprise des milliardaires (Payot, 2025). Dans L'atelier des médias, tous deux détaillent la mainmise d'une dizaine d'oligarques, en France, sur les secteurs de la presse et de l'édition. Ils avancent aussi des pistes de solutions face au péril que cette situation fait peser sur la démocratie française. L'entretien débute par la présentation du livre Sauver l'information de l'emprise des milliardaires, publié par l'éditeur français Payot en mai 2025. Olivier Legrain, millionnaire français et mécène de la presse indépendante, et Vincent Edin, journaliste indépendant, y décrivent la « concentration inédite des médias français » aux mains de « 10 milliardaires qui accaparent à eux seuls 90 % des ventes de quotidien nationaux, 55 % de l'audience des télévisions et 40 % de celle des radios ». Olivier Legrain explique cette concentration par un « capitalisme d'influence » et une « guerre culturelle et idéologique ». Il affirme que pour ces milliardaires, « perdre de l'argent est complètement secondaire ».  Les menaces sur la démocratie et la qualité de l'information Olivier Legrain exprime son inquiétude et sa révolte face à cette situation, prévenant d'un « risque très important » de « vrai basculement dans notre pays » lors de la présidentielle de 2027. Il dénonce une « information à bas coût » qui « bafoue » la Charte de Munich. Vincent Édin critique le manque de fermeté du régulateur français des médias (l'Arcom), soulignant que les chaînes de Vincent Bolloré ont été « sanctionnées 52 fois pour manquement à leurs obligations à la déontologie journalistique » sans interdiction temporaire d'émettre.  Le projet d'une Maison des médias libres à Paris Olivier Legrain, multimillionnaire, affirme que l'achat de médias n'est « absolument pas [sa] philosophie ». Il se considère comme un citoyen engagé, utilisant son patrimoine pour « la liberté de la presse, le côté pluraliste » et l'accueil des réfugiés en France. Depuis une décennie, Olivier Legrain a accompagné financièrement plus de 50 médias indépendants. Son projet de la Maison des médias libres, situé au 70 boulevard Barbès à Paris, représente un investissement de 25 millions d'euros pour 4 500 m² et 350 postes. L'objectif est de « créer de l'émulation » et des « synergies » entre les médias indépendants, leur permettant de mutualiser des fonctions et de « créer une puissance de feu supplémentaire ». Vincent Edin perçoit ce lieu comme un « petit phalanstère qui protège les médias indépendants » et un moyen de « se rassembler pour pas se faire écraser ». L'ouverture est espérée durant l'année 2027. Pistes de solutions et réformes Les auteurs plaident pour « changer les lois » afin d'interdire à un milliardaire de posséder plus d'un média, souhaitant qu'ils « ne fasse plus système ». Ils proposent un renforcement des sanctions pour les manquements à la déontologie et une distribution plus proportionnelle des aides à la presse. Olivier Legrain souligne l'importance de « sanctuariser le service public de l'information » et milite pour un « droit d'agrément » des journalistes sur la nomination de leur directeur de la rédaction. Vincent Édin plaide pour généraliser l'éducation aux médias (EMI) à tous les âges, car l'information est un « bien commun » et non une marchandise. Un combat pour le pluralisme et la démocratie Olivier Legrain explique qu'ils se bat pour que « la science, les faits, les sources fiables soient débattues sans être considérés comme des opinions comme les autres », et pour « sauver le pluralisme de l'information ». Pour lui, l'information, la justice et la science sont « les trois combats fondamentaux pour une démocratie ». Il conclut en citant Jacques Kayser (1955) : « L'information, au lieu d'être un bien commun au service des peuples tend à devenir une marchandise livrée aux lois du profit. » 

Is consumerism in India really making our lives better?Or is it a trend everyone is chasing because of FOMO?From the latest gadgets to fashion trends, the young generation is bombarded by ads, influencers and social media. But at what cost? Are they even thinking about the consequences of overconsumption?This week, the roundtable isn't here to judge, it only unpacks how Gen Z deals with the pressure of staying on top of trends with the mindset of "buy now, pay later".In the new episode of ‘The Bridge', Shantanu is joined by Aseem Dhru (MD & CEO, SBFC Finance Ltd) and Damodar Mall [CEO (Grocery Retail), Reliance Retail], two industry veterans who bring their years of experience and wisdom to the table, alongside Gauri Bansal (Strategy Manager, South Asia, Middle East, and Africa at Spotify) and Avi Anurag (Business Analyst at McKinsey & Company), the next-gen leaders who are unafraid to confront the world head-on.If you've ever bought something just to feel better or questioned where your money's going, this episode is for you.Here's what went down:If 70% of iPhones in India are sold on EMI, how do we save for the future or do we even want to?How social media is amplifying FOMO and fueling consumerism.Is consumerism a tool for empowerment or a path to more debt?Now, get ready for a real conversation about how consumerism affects wallets and mental health. This problem is not shopping; it's purchasing decisions that make a difference in your life.Tune in to hear from both sides of the spectrum, and let us know if you also feel trapped by your own spending habits.Drop your comments below, and let's bridge the gap.

E ftuar në “Live From Tirana” me Ronaldo Sharkën, ka qenë Emi, konkurrente e këtij edicioni të “Përputhen”. Ajo foli më shumë për eksperiencën në këtë program, por jo vetëm…

« Informer à l'heure de la post-vérité » était le sujet d'une table ronde du 3e Festival international du journalisme de Carleton-sur-mer, au Québec, mi-mai 2025. L'atelier des médias propose un compte rendu des échanges qui réunissaient une universitaire et trois directeurs de médias francophones canadiens. Il a été question d'intelligence artificielle, de régulation des plateformes ou encore de la notion de confiance.  Marie-Ève Carignan est professeure titulaire au Département de communication de l'Université de Sherbrooke et cotitulaire de la chaire Unesco en prévention de la radicalisation et de l'extrémisme violents. Elle a aussi aussi été responsable des communications et analyste au Conseil de presse du Québec. Marc Gendron est éditeur chez Le Soleil et directeur principal croissance numérique des Coops de l'information Luce Julien est directrice générale de l'information à Radio-Canada depuis 2018. Brian Myles est le directeur du quotidien Le Devoir depuis 2016 mais il y travaille depuis trois décennies. Il a enseigné le journalisme à l'UQAM, de 2000 à 2016. Il a aussi été président de la Fédération professionnelle des journalistes du Québec (FPJQ) de 2009 à 2013. Marie-Ève Carignan commence par rappeler que la post-vérité est un concept qui, bien qu'il ait été le mot de l'année du dictionnaire Oxford en 2016, ne fait pas l'unanimité parmi les chercheurs. Ce terme est apparu pour décrire une ère où l'on accorde moins d'importance aux faits et à l'information factuelle, et davantage aux émotions et aux croyances personnelles. Une époque du « tout se vaut ». Les évolutions technologiques, notamment la démocratisation d'Internet, l'explosion des réseaux sociaux et l'intelligence artificielle (IA), ont eu un impact sur le secteur des médias, ces derniers ayant perdu leur « centralité » dans la diffusion de l'information. Aujourd'hui, « n'importe qui peut devenir un créateur et surtout un diffuseur de contenu », et sur l'espace numérique, « on est presque tous à armes égales », explique Marc Gendron, du quotidien Le Soleil. Les théories du complot, auparavant confinées à des cercles restreints, peuvent désormais être diffusées à grande échelle et atteindre des personnes sensibles à ce type de propos. L'IA a encore amplifié ce phénomène, permettant l'existence de « fermes à fausses nouvelles ». Cependant, Brian Myles, directeur du quotidien Le Devoir, rappelle que « le premier facteur de désinformation, c'est un être humain », soulignant que la désinformation précède largement la révolution numérique. Pour lui, l'enjeu de notre époque est le passage de l'insulte « fake news » appliquée aux médias traditionnels à « un empire de fausses nouvelles » qui a engendré une « communauté qui est dans la croyance pour ne pas dire dans la crédulité », menant à une ère où « ce n'est plus je pense donc je suis, c'est je le pense donc c'est vrai ». Il précise que des études montrent qu'une personne sur quatre s'informe désormais sur les réseaux sociaux, et la moitié des personnes interrogées dans ces études considèrent Facebook comme « très crédible », alors que la plateforme a été un puissant véhicule de désinformation. Le blocage des contenus d'actualité sur Facebook et Instagram au Canada depuis le 1er août 2023, riposte de Meta à une loi canadienne obligeant le géant américain à payer les médias pour reprendre leur contenus, a eu des impacts mitigés. Un tiers des Canadiens ne sauraient même pas que les contenus d'actualités sont bloqués sur ces plateformes, rappelle Marie-Ève Carignan. À l'inverse, Brian Myles qualifie ce blocage de « bénédiction », car cela a poussé les utilisateurs à chercher directement l'information, apportant plus de trafic direct et d'abonnements numériques pour son média. À écouter aussi«L'ère de la post-vérité»: le regard d'un économiste sur les effets du capitalisme numérique Face à ces défis, plusieurs pistes de solutions ont été proposées pour continuer d'informer à l'ère de la post-vérité : Rétablir la confiance : Brian Myles insiste sur le fait que la confiance est le bien le plus précieux des journalistes. La transparence est essentielle : sur les méthodes, la structure de propriété, la séparation entre faits et opinions, l'admission et la correction des erreurs. Il faut également des journalistes de terrain qui reflètent la réalité des gens, des médias capables de connecter avec leur public et des espaces de rétroaction intégrants le lecteur. Développer les communautés et la proximité : Marc Gendron souligne l'importance de réinvestir dans des espaces de commentaires modérés sur les environnements propres (sites et applications) des médias pour créer un engagement et une communauté autour des contenus. Il faut que les médias de proximité aillent sur le terrain, fassent écho aux préoccupations des gens pour rétablir un lien de confiance fondamental. Le dialogue social : Marie-Ève Carignan mentionne des projets mettant en relation des personnes aux croyances radicalement opposées (par exemple, sur l'immigration ou le changement climatique) pour encourager l'écoute et l'ouverture aux différentes opinions. Des méthodes comme l'« entretien motivationnel » ont montré leur efficacité pour amener les gens à réfléchir à leurs valeurs et potentiellement modifier leurs croyances, notamment en santé publique. L'éducation aux médias : Marie-Ève Carignan et Luce Julien insistent sur le potentiel de l'éducation aux médias (EMI). Des projets pilotes ont montré que les participants comprennent mieux le fonctionnement des médias et sont plus ouverts aux sources d'information, mais ces initiatives manquent de financement et de structuration uniforme.  La régulation des plateformes numériques : Le problème de l'économie des médias en crise est que la création de contenu dédié à chaque réseau social n'est pas rentable, car les médias sont « écartés de la chaîne de valeur » et ne tirent pas de revenus de ces plateformes. Brian Myles insiste sur l'absence d'un cadre réglementaire juste pour les plateformes numériques. Il affirme que les plateformes ne sont ni de simples compagnies de technologies ni des médias traditionnels, mais un « entre-deux ». Il suggère que des actions judiciaires antitrust aux États-Unis, visant à démanteler des géants comme Google et Facebook, pourraient potentiellement « régler l'enjeu pour nous tous ». Le rôle des gouvernements : Marie-Ève Carignan considère l'information comme un « bien public » qui coûte cher à produire et devrait être financé par le gouvernement par le biais des taxes, et non pas seulement par l'abonnement. Brian Myles s'inquiète de la « montée des gouvernements populistes qui arrivent avec un agenda de remise en question des institutions médiatiques » et qui « vont laisser le mensonge investir l'espace d'élaboration des politiques publiques », ce qui est « profondément dangereux dans une démocratie ». Malgré ces défis, Luce Julien offre une note d'espoir, affirmant que « l'industrie va mal » financièrement, mais que « on fait du meilleur journalisme qu'on en faisait il y a plusieurs années », avec par exemple de nombreux médias réalisant du journalisme d'enquête de qualité. Elle encourage les citoyens à « poser des questions aux médias » s'ils doutent d'un reportage, soulignant l'importance du lien direct avec le public. 

Lucie Burns is an Industry Leading Performance Coach, Speaker, and bestselling Author of "The Art of Live Performance Unlocked". She is the Founder of Stage Ready Artists and Host of The Singing Buddha Podcast. She was named 'A performance coach to follow' by LA Weekly, and has been featured on two TV documentaries, showcasing her transformational work with musicians. Lucie believes in creatively nurturing the person behind the performer, working holistically and intuitively, focusing on the connection between mind, body and emotion.   With nearly 30 years in the industry, Lucie's unique approach makes her a go-to expert for those looking to own the stage and transform their craft. She is also known as the artist, songwriter and music producer Lazy Hammock. She has achieved 4 x #1s, released 11 self-produced albums, and amassed over 25 million streams. Her music has been licensed to TV shows and major labels including Sony BMG, Ministry of Sound, Hed Kandi, and EMI. 

Today, we're diving into a critical topic in modern healthcare: the perioperative management of patients with implanted electronic devices undergoing noncardiac surgery. With significant advancements in cardiology and cardiothoracic surgery, cardiac implantable electronic devices (CIEDs), including pacemakers, implantable cardioverter-defibrillators (ICDs), and cardiac resynchronization therapy devices, are becoming increasingly common in the surgical population. From pre-op assessment and EMI planning to post-op reprogramming, this deep dive breaks down complex protocols into actionable, life-saving steps. Here's some of what we discuss in this episode:

Beloved Austin-based photographer and friend to all, Matt Lankes, passed away on Sunday. My heart goes out to his family and friends. Matt was a really sweet, gentle and loving man and loved by everyone who got to meet him. I met him 40 years ago when we were both at Austin High School and reconnected when I moved back to Austin in the early 90's. Matt came on the show last summer and we had a great, fun conversation about his journey. I feel very lucky to have known him. Rest in peace, old friend. Below are my original notes for episode 1419. Austin based photographer Matt Lankes is my guest for episode 1419! Matt has an extensive client list that includes HBO, LiveStrong, Fox Searchlight, Texas Monthly, New York Times, Amazon, Netflix, Time Inc., Newsweek, Austin Monthly, Lee Jeans, CBS, Random House, Warner Brothers, EMI, Sony, Universal, and many more. He currently has his work in the permanent collection of The National Portrait Gallery at the Smithsonian and at The Wittliff Collections at Texas State University. Matt has also been the photographer on a handful of Richard Linklater films including 2014's Boyhood. His book Boyhood: Twelve Years on Film, captured the progression of the film and the actors through the lens of a 4x5 camera, creating a series of arresting portraits and behind-the-scenes photographs, and is available through University of Texas Press. Find it HERE. Go to mattlankes.com for all of your Matt needs. I had a great time getting to know Matt and his journey as an artist. I'm sure you will too.

In this episode, Limahl shares the story behind Kajagoogoo's 1983 smash hit “Too Shy,” reflecting on the band's rapid rise from local gigs to global stardom. He details his chance meeting with Nick Rhodes of Duran Duran, whose mentorship helped land them a deal with EMI, and breaks down the experimental recording process that gave “Too Shy” its distinct synth-pop sound. Limahl also opens up about his early days working as a waiter at a celebrity hotspot, the playful inspiration behind the lyrics, and how the band's diverse musical influences shaped their unique identity. With a mix of behind-the-scenes insights and personal reflections, this conversation captures the magic and momentum behind a song that still shines more than four decades later. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes  For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com  Follow Chris DeMakes A Podcast on Instagram: https://www.instagram.com/chrisdemakesapodcast/ Join the Chris DeMakes A Podcast community on Facebook: https://www.facebook.com/groups/2643961642526928/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fasten your tech-hipster bum bags—Chad, Lieven, and Emi globe-trot through HR mayhem, startup soap operas, and political facepalms.

In this news-packed episode, Brian and Gabby break down the biggest happenings shaking up the market research space. Ipsos is expanding its European footprint with the proposed acquisition of the BVA Group, and AckWest continues its M&A spree, this time adding healthcare research firm Reckner to its growing roster. The industry is also seeing a wave of rebrands—Toluna is consolidating under one name, and Sympler now goes by “Okay, Humans” in a nod to human-focused research amid rising AI tension. Speaking of AI, the hosts dig into Pulsar's launch of Narratives AI—a public opinion search engine with promise (and bot-related pitfalls). Meanwhile, Numerator introduces a Tariff Risk Index to monitor price volatility, and EMI's new Sample Landscape report tests synthetic data against real respondents, explores AI prompting tools, and dives deep into high-frequency survey takers. It's a can't-miss conversation for anyone watching the balance between innovation and insight. Thanks for listening! Want to download your copy of The Sample Landscape: 2025 Edition? Get it here: https://content.emi-rs.com/sample-landscape-report-2025 Did you miss one of our webinars, or would you like to access some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Ciani pubblicò il suo primo album per la EMI nel 1963, tre anni dopo il suo arrivo in Australia, realizzando la passione che lo aveva mosso fin da bambino e che lo portò nel 1967 a vincere nel programma televisivo "Showcase".

Send us a textWe dive into the world of network cabling, answering 20 questions about Cat5e, Cat6, and Cat6A cables in a fast-paced, information-packed session to help you make better cable choices.• Cat5e vs Cat6: Cat6 offers more bandwidth (250MHz vs 100MHz) and headroom for future applications• Cat6 can handle 10Gbps up to 37-55 meters, while Cat6A supports 10Gbps to the full 100 meters• The "A" in Cat6A stands for augmented, doubling frequency from 250MHz to 500MHz• Shielded cabling is usually only needed in high-EMI environments and requires proper grounding • Use the "John Deere rule" – it's better to install higher category cable now than replace it later• Plenum-rated cable is required by code for air handling spaces but costs more• Never buy "copper-clad aluminum" (CCA) cable – it's unsafe and may void insurance• Cat8 is designed for data centers, not homes – Cat6A is sufficient for future-proofing residences• Professional installations should include certification testing as documentation Make sure you follow proper cable selection and installation practices to create reliable, future-ready networks that will serve your needs for years to come.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

In this episode of The Slay Podcast, Dr. Emi Hosoda reveals how we can use our own genetic makeup to tailor our fitness and nutritional goals. Dr. Emi shares her personal health journey, including her own struggles with weight and how nutrigenomics helped her transform her health. She emphasizes the importance of individualized health approaches through nutrigenomics. Want to know how to personalize your health strategies and achieve better outcomes? Then this episode is for you!

What does it mean to call something “Christian music”? Nick Barré has spent decades in the music industry—from working at EMI with early Switchfoot to managing major names like Casting Crowns, KB, Brandon Heath, and more. In this 200th episode of The Biblical Mind, he joins Dru Johnson to reflect on the Christian music label, the tension between calling and category, and how artists navigate faith and fame. Nick argues that labeling music—or restaurants or plumbers—as “Christian” may do more harm than good. He shares why genre categories are a business necessity but spiritually unhelpful, and why the most important questions artists must answer are about calling, audience, and identity—not chart placement. From spiritual burnout to public affirmation, from the temptations of platform to the dangers of envy, Nick shares pastoral, industry-hardened wisdom on how to guide artists into longevity and spiritual wholeness. He even offers advice for aspiring Christian musicians—and what it really means to “show, not tell” when pursuing a creative calling. Nick Barre's Company "Proper Management" can be found here: https://www.propermanagement.net We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Defining Christian Music 03:11 The Evolution of Music Genres 06:10 Navigating the Music Industry 08:57 The Dangers of Labeling 12:09 The Role of Artists in Ministry 15:16 The Impact of Fame on Identity 18:24 Identifying Unique Gifts in Artists 25:41 Exploring Diverse Artist Portfolios 28:29 Navigating Hard Conversations in the Music Industry 31:05 Defining Success in the Arts 33:15 The Challenge of Artistic Compromise 37:06 Understanding Market Dynamics in Music 40:22 Fragmentation of the Music Industry 46:39 Advice for Aspiring Christian Artists

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.