Podcasts about Emi

This playlist is 65% vinyl friendly. Very poor. Scorchio! ‘1960/1970 Vintage Stereo Design Record Player, in bright orange, the emblematic colour of the 1960 and an example of Mod Ultra Space Age Pop Art Raymond Loewy? France French Designer Museum-worthy‘ says the Etsy seller, adding ‘It has a few cracks, one of the speakers has a small tear in the cloth and may need an overhaul, a full check up to see how and if it works and if it is complete… WE HAVE NEVER TRIED TO USE IT AND I DO NOT KNOW IF IT WORKS OR PLAYS.‘ Thank flip it’s down to €4600, from €7100. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. And a bit of a croak in my voice here and there. A temporary glitch, hopefully. Lyric of Playlist 146 Trickery involved but it has to be The Bots! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Ruined In A Day (Reading Festival, 1993) – In Concert – 577, CD – BBC Transcription – 1993 I and my four-year-old, Alice were there, on what was a triumphant return, with the wonderful ‘Ruined’ in amongst new numbers from the band’s then recently released Republic album nobody would have previously heard in a live setting. BBC Transcription Services recordings – produced to service radio stations and usually for a very limited time frame for broadcast – had moved from vinyl to CD but with runs still only in their low hundreds New Order completists would be struggling to own a copy of this one… and I don’t. 04.42 MERIC LONG – A Small Act Of Defiance – Kablooey, LP – Polyvinyl Record Company – 2025 Book-ending a bunch of releases through the years as a member of The Dodos, Kablooey is seemingly Long’s first solo release under his own name since 2006. 07.43 BIOCHEMICAL DREAD – False Kings Of The Earth – 12″ – Pulsolid – 2004 Besides his work with Cabaret Voltaire this 12″ demonstrates there are gaps in my knowledge of Richard H. Kirk’s lengthy discography elsewhere. A copy of ‘False Kings… ‘ however is currently heading my way. RIP, Richard. 13.21 DARKSIDE – One Last Nothing – Download only – Matador – 2025 Including a past member of the 41 Rooms playlist parish, Nicolas Jaar, a US trio currently NOT releasing a 12″, though their Bandcamp visual hints otherwise. 18.32 AGENTS WITH FALSE MEMORIES – Agents With False Memories (extract), CD only – Ash International / Soleilmoon Recordings – 1996 Extract, indeed as Richard H. Kirk promptly returns to show 146 with this four minute snippet from a 53 minute track. 22.34 HUMANIZER – Shinobi – ? – ? – 2000s? Ignoring the slight Liam Gallagher drawl and with zero connection to any Death Metal band of the same name, this might have been Manchester sourced… and maybe with a Peter Hook connection. That’s what I’m vaguely remembering… from over a decade ago. Dunno… A ‘demo’ version, minus vocals, might also get an outing here at some point. 27.08 DIFFERENT GEAR – A Little Bit Paranoid (Extended Mix) * – 12″ – City Rockers – 2002 Courtesy of a ‘Phil Dirtbox’, the vocal is the winner here. 32.59 MERZ – Sorrow In The Sky (Nightingale Vs The Crow) – 7″ b-side – Lotus Records – 2002 The stuff that people sing about… and here with gusto and passion, to boot! 36.55 LUSCIOUS JACKSON – Why Do I Lie? (Sessions at 54th, 11.97) – Stream only – 1997 Vocalist, Jill Cunniff’s tale of lying sounding best live! 40.13 THE POPPY FAMILY – I Was Wondering – 7″ – London – 1971 A bit of a strange arrangement, this one. Albeit with a key change in there – verses with no choruses! Weird and wonderful… and maybe a bit brave in the pop world of the early ’70s, where the only PF track I remember hearing as a young teen was Which Way Are You Going Billy? That won’t be getting a 41 Rooms spin. 42.43 SOPHIE JAMIESON – Camera – I Still Want To Share, LP – Bella Union – 2025 Being over in Brighton recently it seemed appropriate I buy her clear vinyl album from the Bella Union shop and re Camera? It’s the subtle build in Sophie’s vocal and she’ll be here again at some point. 46.59 MARTYN BATES – The Rhyme Of Miracles – Arriving Fire, CD only – Ambivalent Scale – 2014 Martyn instils presence in a tune like few others for me. 50.28 JOSE FELICIANO – First Of May – 7″ b-side – RCA – 1969 ‘Feliciano seems to be on a heavy Bee Gees kick… after ‘Marley Purt Drive,’ he now does ‘First Of May’ and ‘Gotta Get A Message To You.’ And with his highly stylised projection, Jose manages to make them sound totally removed from anything the Gibb brothers originated’. – Disc (edited review of the album, 10 to 23), 15.11.69. As far as I know the Bee Gees tune was only ever released on a 7″ (my ‘format of choice’) for Jose in Mexico, New Zealand, Philippines and Spain and never as an A-side and arranger, Al Capps most probably winced if he ever got to see the NZ pressing below. Strangely, Jose’s very rarely performed the song live. I’ve only noted it three times, including two at London’s Jazz Cafe, in 1996 and again in 1998 and at the former it surfaced nearly under duress. With the audience (maybe unsurprisingly) constantly shouting out for past JF favourites Jose countered, ‘You know there’s a lot of songs you people ask me for that unfortunately… and I’m not being rude, a lot of artists are rude, they do it on purpose, but some of the songs that you ask me to sing, do you know that I haven’t sung them in years and I’ve forgotten the words and rather than make an ass out of myself that’s why I don’t sing them, OK? So, don’t take it personal… I don’t sing those songs anymore. But I’ll tell you what though there’s some that you ask for that I do remember, like this one. I hope that this one will satisfy you.’ That rare sighting was even more surprising considering Jose had taken the rare move of including his own recording of the song when guesting on Brian Matthew’s My Top Twelve for BBC Radio 1 back in June 1974. 54.11 JAPAN – Alien – Quiet Life, LP – Ariola Hansa – 1980 Bedford: Heronscroft, Putnoe, 1980 and Winkles, 1981… with a few Japan gigs thrown in at the time. 58.47 JOHN CALE – Chinese Envoy (M:FANS) – M: FANS, 2 LP – Double Six – 2016 ‘Approached as a reinterpretation of Cale's 1982 improvisational album, Music for a New Society… M:FANS is something of a funhouse mirror reflection of that work, using the basic song-structures of the original album as a starting point and using time, experience and the technological advances of the ensuing years to bring a new focus to the tunes. Some selections are comfortably familiar, while others have a significantly different footprint‘. – KCRW 01.02.32 ICEHOUSE – No Promises (Dance Mix) * – 12″ – Chrysalis – 1990 Fully five years after the track had seemingly done its thing it got an extended outing in Spain. 01.07.58 DAVID BOWIE – This Is Not America (BBC concert) – Bowie At The Beeb, 2CD – EMI – 2000 Part of Bowie’s special set for a small invited audience at the BBC’s Radio Theatre, in London, June 2000. 01.11.29 JOHNNY KEATING – Theme from Z-Cars (Johnny Todd) – 7″ – Piccadilly – 1962 Did I realise the grittier scripts involved here than had been delivered by Jack Warner’s strolling forerunner, Dixon Of Dock Green? Nah, I was five when Z-Cars kicked off but the theme (based on the traditional folk song, Johnny Todd) still brings a fuzzy feel. And Wikipedia will give you the full story on why Everton FC players come out to the tune at home games. 01.13.22 MARC COHN – ‘Walking in Memphis (Mahna Mahna)’ – Stream only – 1990’s? Cohn definitely wouldn’t have seen this coming, as the self proclaiming Mahna Mahna and the Snowths duo upstage him in a short but cheeky mashup (of sorts) I happened on via Youtube a couple of decades ago. I’ll openly admit I was a Muppets fan when they first aired on UK TV back in the mid ’70s and with Statler & Waldorf the stars for me I remember walking my girlfriend of the time, Jill home from work and then running up the hill to my house to record the show. Pre the age of video recorders, at one point there was a stack of ten to twenty AGFA(!!) cassette tapes of the shows in my bedroom. Getting back to Cohn, the fact he’s ‘racing’ a bit here actually adds to the cheeriness and I salute whoever was involved. 01.14.44 BERNARD CRIBBINS – The Hole In The Ground – 7″ – Parlophone – 1962 And like the Z-Cars theme I was five when this was released and I’d have definitely been singing this one in the years close after – and weirdly, although it’s the second tune from ’62 on this show, it’s not the last. 01.16.27 THE BOTS – Fuzzy Math – George W. Bush Greatest Hits, v/artists, CDr only – Spin The World – 2004 I heard this cut and paste work of art somewhere around its ‘release’ and as of 2004… ‘… utilizing the revolutionary Presidential Truth Filter(PTF). The PTF operates like this: All presidential statements are recorded, and made into a huge database. The database is searchable by speech, phrase, keyword, emotional intensity, etc. In parallel, an analysis is made of the historical circumstances of the particular presidency. The question must be asked, what is this man (all men so far…) really all about? What is a defining characteristic of this presidency? The final question which must be addressed by the PTF is, how can we use the assets in the database to concatenate the truth, and make the President speak it? The first attempt was Bushwack, in 1992. This turned into a huge hit before the Presidential election in 1992, though BMI denied that it was ever on the air at all. Through October of that year, stations such as San Francisco’s Live105 were playing it almost hourly. In 1997 Rock The House was a popular download at an early digital music download startup, muzic.com. In 2003 Bushwack2 was released at about the start of the Iraq war. The mood of the song is quite grim, as the truth of those times was interpreted by the PTF. In 2004, the PTF was reprogrammed to emphasize economics and general silliness, and Fuzzy Math was born. We think it’s the best one yet. Judge the results for yourself’. – thebots.net 01.19.26 DREXCIYA – Black Sea – The Journey Home, 12″ EP – Warp – 1995 First heard on either of Colin Faver’s or Colin Dale’s techno shows on KISS FM. Sounds more likely it was the former. 01.24.58 E-DANCER – Heavenly * – 12″ – KMS – 1997 The Inner City (‘Big Fun’) man, Kevin Saunderson with his techno head on. 01.28.51 CHARLES WEBSTER – Your Life * – 12″ – Peacefrog – 2000 Pitched up a bit (‘+3%’ says my file iD) this is a class slice of soulful techno/house. 01.33.11 CHARLOTTE DAY WILSON – Selfish – Download only – Stone Woman Music – 2025 This r&b musician has been around for a decade or so but I wouldn’t have guessed, judging by this slight departure to a ’90s UK garage feel (first half anyway). It suits her. 01.36.48 BENCH – Felice – Bliss, 2LP – Cylinder Recordings – 2000 The fifth appearance on 41 Rooms to date for this pretty much forgotten duo. 01.39.36 BLUE STATES – Your Girl – 12″ EP – Memphis Industries – 1999 First heard on a compilation CD a mate of mine, Sid put together, of fave tracks forwarded by mates of his. Not their own tracks, you understand. 01.43.45 THE MIRACLES – I’ll Try Something New – 7″ – Tamla – 1962 Hellfire! Those breakdown strings mid way are a bit of a jolt! Easy, Smokey! Writer, Robinson’s own version is actually the third to make it to 41 Rooms and his vocal arrangement sounds more like a remake than either Kiki Dee’s ‘straighter’ take or even the Supremes and Temptations stab at the song, when chronologically they both followed this Miracles single. 01.46.14 SMITH & MUDD – Blue River – 2LP – Claremont 56 – 2007 Electronic… downtempo… shuffling… drifting… or maybe flowing. 01.48.38 MERZ – A.M. (Good Morning) * – Single-sided, white label 12″ only – 1995 The second artist to return this show, multi instrumentalist and songwriter, Conrad Merz and his at times very idiosyncratic vocal (‘Many Weathers Apart’, for instance) seem to have trodden their own path through the years. 01.53.45 CRAIG ARMSTRONG (feat ELIZABETH FRASER) – This Love (& The Life That I Have) * – 41 Rooms Soft Mash Up only – Early 2000s I grabbed the extra voice – Virginia McKenna as Second World War spy Violette Szabo, reading the code poem The Life That I Have at the end of the film Carve Her Name With Pride – fully thirty plus years ago and I had a stab at floating it over This Love a long time ago but recently had another go. Aided by Jazz The Glass, we pitched her down slightly and then I took out a chunk of the poem in the second half. Not that it’s going to happen but I reckon it would need the song itself re-arranged/edited to work perfectly but methinks the idea is still a cool one. Show 147 hopefully surfaces Jan 4. Dec x The post Post Punk Plus Podcast Playlist 146 – Original upload 7.12.25 appeared first on 41Rooms.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In 1963, Capitol Records considered the Beatles “a band who looked and sounded weird with an odd name and no leader” and refused to release their records in America, despite being owned by EMI. As author Andrew Cook points out, “the truth is stranger than fiction”. New correspondence unearthed in his fascinating Capitol Gains maps out the tortuous wranglings of the deal-makers and “pantomime bad guys” behind the greatest and most successful marketing hype in history, all jockeying to take credit and manage their reputations. Some highlights here … … the truth behind Epstein's mythical phone calls … “the more successful the Beatles were, the more Capitol were proving themselves wrong” … why 1966 was the band's “Last Supper” … “from the Battle of Hastings to World War 2 to the Beatles ... it's the winners who rewrite history” … the American 12-track rule and how they repackaged product “to give it more grab” … the Beatles' commercial fate if they'd never been successful in the States … the pitiful (standard) original EMI deal – “18.75 of a penny per group member for every album” … the “Butcher sleeve”: how 750,000 were printed and the fortune lost in “Operation Retrieve”. And the Capitol exec whose kids made $1.5m from copies stashed in his garage … how Epstein was contracted to make 25 per cent of all Beatles monies ‘til 1975 … Bob Dylan's tangential role in the signing of the Beatles to Capitol … and the “cowboy film” that nearly happened. Order Capitol Gains here: https://www.amazon.co.uk/Capitol-Gains-Beatles-Conquered-America/dp/1803997281Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

1. Emílio Santiago - Bananeira (Dubdogz & JØRD Remix) 2. Mark Funk, Danny Cruz - The Vibe 3. Sgt Slick - Make It Happen 4. Ultra Naté - Free (Tasty Or Not Remix) 5. N.W.N., Sebb Junior - Come Again 6. Maut (BR) - Enjoy The Flight 7. House Freakers - Feel The Heat 8. Gwen McCrae - Keep The Fire Burning (Vitenberg Edit) 9. DECEMBR.12 - Dance For Me 10. Boogie Vice, N.You.Up, Joshua Morris - All By Design (Rafael Remix) 11. Bergerhaus - Sun Will Shine Another Day 12. Supernova - Velvet Avenue 13. AKAMI, CAMPANINI - Ritmo 14. Dario Nunez, Bubba Brothers - Shake Off The Drama

Welcome back to another episode of Upside at the EUVC Podcast, where ⁠Dan Bowyer⁠,⁠ Mads Jensen⁠ of ⁠SuperSeed⁠, ⁠Lomax Ward⁠ of ⁠Outsized Ventures⁠⁠⁠, and this week's special guest Robin Haak break down the real stories behind the headlines shaping European tech and venture.Robin joins us as the founder of Robin Capital, an early employee at SmartRecruiters, angel in 100+ companies, including eight unicorns, and one of the most active emerging GPs in Europe. He brings deep operator insight, especially into the German ecosystem, politics, and economy, which this episode leans heavily into.We cover everything from UK policy signals to German recession warnings, AI dominance to Europe's bureaucratic drag, the rise of solo GPs, and why the next decade of tech will be won or lost on energy availability more than anything else.What's covered:04:00 EU wants to restrict social media for minorsThe team debates the proposals to ban or limit social media for children under 16, the mental health case, and the tension between safety and overreach.06:00 Surveillance creep & messaging regulationRobin explains concerning drafts that would've allowed governments to read private messages. The group breaks down the slippery slope of “protect the children” legislation.10:00 UK Budget: surprisingly startup-friendlyDan and Lomax unpack EMI reforms, EIS/VCT clarity, and why the market reacted calmly. Signals of a more innovation-forward UK emerge.12:45 Lovable.ai's VAT scandal & Europe's compliance mazeA Swedish engineer's viral post on LinkedIn sparks a discussion on Europe's inconsistent VAT rules, compliance complexity, and whether hypergrowth and European regulation can co-exist.17:00 N26's long struggle with German regulatorsRobin, an early angel, offers an insider's view on the fintech's challenges—BaFin restrictions, governance issues, and the counterfactual: “Would N26 be worth €20B if it were French?”20:00 Germany's big macro problem: stagnation + overloadA brutally honest breakdown of the German economy: energy scarcity, migration overload, rising welfare costs, labor shortages, and political paralysis.28:00 Education, welfare, pensions & the cost structure crisisRobin explains why Germany's systems are buckling: the collapse of PISA scores, overloaded municipalities, and an economic model no longer supported by productivity.33:00 Nuclear shutdowns & Europe's AI energy deficitWhy Germany shut down its safest reactors, how it backfired, and why France and the Nordics will become the new AI infrastructure hubs.40:00 Startup ecosystem: the good, the bad, the bureaucraticFrom Munich's deep tech boom to notary nightmares, ESOP fixes, GmbH limitations, and how founders are learning to hack the system.55:00 The rise of Solo GPsThe team discusses the American roots, European trajectory, operator funds, fund-of-funds appetite, and why founders increasingly prefer solo GPs.01:00:00 AI CornerOpenAI's trillion-dollar capex future, Google's TPU resurgence, Anthropic momentum, Michael Burry shorting AI (and why it's misguided), and the geopolitics of compute.

१) तुमच्या बँक कर्जाचा EMI कमी होणार २) नवी मुंबईतील मच्छीमार भरपाईसाठी न्यायालयात ३) निवडणूक आयोगाने सर्वोच्च न्यायालयात नवीन प्रतिज्ञापत्र दाखल केले ४) डोनाल्ड ट्रम्प यांनी बालपण घालवलेल्या घराचा लिलाव होणार ५) नवी मुंबई विमानतळाला एनएमएमटी सुरु होणार ६) आयपीएल २०२६ पूर्वी आंद्रे रसेलकडून निवृत्तीची घोषणा ७) रणवीर सिंहचं वक्तव्य वादात स्क्रीप्ट अँड रिसर्च – वृषाल करमरकर

Speellijst Zondag 30 november 2025 Papa mag ik naast je zitten (H. v. Veen) Herman van Veen 1'56 Van de LP Een voorstelling Harlekijn 2646 506 Sinterklaas goedheiligman (J. de Corte) Gerard Cox 3'19 Eigen opname Ballade van de vriendinnen van één nacht (B. de Groot/L. Nijgh) Boudewijn de Groot 2'55 Van de cd Picknick Mercury 536 445-2 De solipsist (B. v. Ede/E. Coolen) Ampzing Genootschap: Bies van Ede, Mylou Frencken, Boudewijn de Groot, Josee Koning, Jessica van Noord 4'43 Van de cd-single De solipsist Eigen beheer Femme d'artiste (S. Carmiggelt/R. Shaffy) Hetty Blok 1'45 Van de cd Ongehoord FAV 2-23002 Vakantie van de melkboer (S. Carmiggelt) Simon Carmiggelt 4'06 Van de LP Amsterdammers ELF 15.59 Mijn vriend en ik (L. Gerritsen/H. v. Veen) Sara Leemans 3'27 Spotify Interview Willy Corsari met Ramses Shaffy. Ramses zingt Twee deftige oude dames (Shaffy) Ramses Shaffy 3'14 Eigen opname Zweven (Velvet, Velvet, Boxhoorn) Lotte Velvet 2'18 Van de cd Carrousel Eigen beheer Ode aan de Twijfelaar (Zwaving/Breitbarth) Eva Zwaving 3'40 Eigen opname Zwammerdam (Wiersma) Dorine Wiersma 2'15 Van de cd Rustig blijven Eigen beheer Mevrouw van Dam (Wiegersma/Brey) Jenny Arean 4'27 Van de cd Telkens weer het dorp BIS 077 Freek frituur's spreekuur (De Jonge) Freek de Jonge 3'16 Van de cd Neerlands Hoop in bange dagen EMI 7243 8 27402 2 3 Ik ga pappie tegemoet (J. Hoes) Zangeres zonder Naam 3'14 Van de cd De koningin van het levenslied deel 1 Mercury 512 864-2 Golden retriever (De Wilde) Jan de Wilde 3'42 Van de cd Hè hè EMI 7955372

Today I bring in a long-time brother-in-dub - Andrew (aka Eccodek). We've shared stages and music for almost 20 years now. I asked him to create the mix for today, and knowing his musical inspiration, it's a good one. Andrew McPherson is a 2-time Juno Award nominee and 2-time Canadian Music Award winner, releasing a total of 23 albums under 4 distinct musical identities - global-dub fusionists Eccodek, ambient-classical Peppermoth, funk/soul groove merchants Sonova and singer/songwriter. Andrew has also collaborated and remixed a huge array of artists that include Vieux Farka Touré, Jane Siberry, Desert Dwellers, Kiran Ahluwalia, Philosopher Kings, Lenka Lichtenberg, Dubmatix, The McDades, Jaffa Road, Dub Colossus, MC Yogi, Delhi 2 Dublin, Stephen Fearing, Delia Derbyshire Appreciation Society, Kevin Breit and many more. His work has appeared on distinguished labels like Six Degrees Records, Real World Records, Buddha Bar, White Swan/ Black Swan, The Ambient Zone, National Geographic, EMI and Sony Music. Andrew operates a full-service recording studio, The Monastereo, favouring a hybrid analogue/ digital recording and mixing approach, at the centre of which is his beloved 40-year-old Sony MCI JH618 mixing console. PLAYLIST Sonova - Track the groove (Eccodek's Groovinator Remix) Sherwood and Pinch- Different eyes Chris Bottomley - Smoke a big patty Tinariwen - Oualahila Ar Tesninam (Transglobal Underground Remix) Eccodek - My primitive heart (feat. MC Yogi) Lightning Head - Superfunky bird Sonova - Sonova System DJ Vadim - Hey hey hey Soul2Soul - Fairplay Count Basic - Gotta jazz (Richard Dorfmeister Remix) Eccodek - Voices have eyes (Dubmatix Remix) Mexican Institute of Sound - Microfono (Nickodemus Remix) Tosca - Rondo Acapricio Dr. Israel - Sensemilia Check out Eccodek on Bandcamp / Instagram https://www.andrewmcpherson.ca/ https://eccodek.bandcamp.com/music https://www.sixdegreesrecords.com/sonova-2/ https://www.sixdegreesrecords.com/peppermoth/

Sintonía: "Beyond The Deathray" - The Prodigy"The Day Is My Enemy" - "Ibiza" (feat. Sleaford Mods) - "Rok-Weiler" - "Medicine" - "Invisible Sun" - "Wall of Death", extraídas del LP "The Day Is My Enemy" (Take Me To The Hospital/BMG 2015)"Need Some 1" - "Light Up The Sky" - "No Tourists" - "Fight Fire with Fire" - "Timebomb Zone" - "Boom Boom Tap" - "Give Me A Signal", extraídas de "No Tourists" (Take Me To The Hospital/BMG 2018)Todas las músicas compuestas e interpretadas por The ProdigyRelación de fechas de emisión de los anteriores capítulos de este coleccionable: 1.- 13/08/2025 - 2º LP de LCD Soundsystem, titulado "45:33" (EMI, 2007) y 2º LP de The Prodigy, "Music For The Jilted Generation" (XL Recordings, 1994/Everlasting Records, 1997) 2.- 25/09/2025 - Tercer álbum, "The Fat Of The Land" (XL Recordings, 1997) y el primero: "Experience" (XL Recordings, 1992) 3.- 28/10/2025 - "Always Outnumbered, Never Outgunned" (XL Recordings/EMI-Virgin, 2004) y "Invaders Must Die" (Take Me To The Hospital/Vertigo 2009)Escuchar audio

In this conversation, Jimmy McLoughlin and Seb Johnson discuss the recent UK budget and its implications for entrepreneurs and startups. They explore the reactions from the Startup Coalition, the significance of changes to EMI and EIS, and the overall sentiment towards supporting the tech community. The discussion highlights the importance of government engagement with entrepreneurs and the need for effective implementation of budget measures to ensure they benefit the startup ecosystem. In this conversation, the speakers discuss the evolving landscape of innovation and government support for tech entrepreneurs in Europe, particularly in the UK. They explore the challenges and opportunities within the tech ecosystem, the importance of building a strong media presence for tech, and the geopolitical implications affecting European tech companies. The discussion also highlights the recent budget announcements and their potential impact on entrepreneurs, emphasizing the need for more accessible funding and support structures. The speakers call for feedback from the entrepreneurial community to shape future policies and ensure that the UK remains a competitive environment for tech innovation. The conversation delves into the challenges faced by entrepreneurs and businesses in the UK, particularly focusing on the impact of government policies, taxation, and cultural attitudes towards entrepreneurship. The speakers discuss the uncertainty in the business environment, the need for better government communication, and the importance of inspiring the next generation of entrepreneurs. They analyze the recent budget and its implications for economic growth, emphasizing the need for clarity and support for businesses to thrive. Chapters 00:00 Budget Reactions and Entrepreneurial Impact 08:17 Startup Coalition's Role and Perspectives 12:04 Key Budget Highlights for Startups 17:05 Incentives and Funding for Entrepreneurs 20:20 Future Focus: Non-Compete Agreements and Reviews 29:28 Navigating Innovation and Government Support 32:09 Scaling Europe: Building a Tech Media Powerhouse 35:28 European Nationalism in Tech Entrepreneurship 38:07 Geopolitical Implications for European Tech 39:07 Budget Insights for Entrepreneurs 43:40 The Call for Evidence: A Love Letter to Entrepreneurs 48:08 Reflections on the Budget and Its Impact 53:03 The Mood Music of UK Business and Investment 57:17 The Impact of Policy on Talent Retention 01:00:13 Uncertainty and Its Effects on Entrepreneurs 01:03:44 Government Communication Challenges 01:06:37 Cultural Attitudes Towards Entrepreneurship 01:10:16 Budget Analysis and Economic Choices 01:12:56 Policies for Growth and Business Encouragement 01:18:28 Navigating Taxation and Business Environment ********** Follow us on socials! Instagram: https://www.instagram.com/jimmysjobs Tiktok: https://www.tiktok.com/@jimmysjobsofthefuture Twitter / X: https://www.twitter.com/JimmyM Linkedin: https://www.linkedin.com/in/jimmy-mcloughlin-obe/ Want to come on the show? hello@jobsofthefuture.co Sponsor the show or Partner with us: sunny@jobsofthefuture.co Credits: Host / Exec Producer: Jimmy McLoughlin OBE Producer: Sunny Winter https://www.linkedin.com/in/sunnywinter/ Junior Producer: Thuy Learn more about your ad choices. Visit podcastchoices.com/adchoices

AIは情報を速く正確に返すことができる。 でも、怖さや詰まり、身体の微細な反応のような "生きた感覚" は理解できない。 本当の変化は、答えを知ることではなく、 感じた体験の奥で理解が生まれたときに起こる。 だから、 コーチングやファシリテーション 子育て トラウマや感情へのアクセス こうした領域では、人間の深さと関係性、そして "安全な器" が欠かせない。 急速に進化するAI時代だからこそ、 私たちが取り戻すべきものは、速さではなく深み。 沈黙や呼吸、安心の中で生まれる変容の力を、 これからも大切にしていきたいですね。 Enjoy the show.   Connect with Emi from here 

1980 hat die Band Fehlfarben mit "Monarchie und Alltag" ihr Debütalbum rausgebracht und damit ein prägendes Werk der deutschen Punkszene geschaffen. Zu Gast bei uns im Podcast sind Sänger Peter Hein und Gitarrist Thomas Schwebel. Das "Wohnzimmer und die Keimzelle" der Fehlfarben, so beschreibt Katharina Heinius es im Podcast, war der Ratingerhof in Düsseldorf, ein bekannter Szenetreff für Künstler und Punks in der Düsseldorfer Altstadt. Wie passend, dass auch hier die Geschichte der Fehlfarben startet. Bevor die Fehlfarben hier begonnen haben, hatten alle Mitglieder auch schon in anderen Punkbands aus dem Umfeld des Ratingerhofs gespielt und wurden teilweise sogar abgeworben. Vom linken Szenetreff mit Punks und Künstlern sind die Fehlfarben für die Aufnahmen zum ersten Album schnell aufgestiegen. Den Plattenvertrag gab's bei EMI, keinem kleinen Punklabel, sondern einer großen internationalen Firma. Passend zum großen Namen der Plattenfirma durften die Fehlfarben ihr Album "Monarchie und Alltag" auch in einem namhaften Tonstudio aufnehmen, den Maarweg Studios. In denen hatten zuvor schon die Rolling Stones aufgenommen und Jahre später würde auch Herbert Grönemeyer hier sein Album "Mensch" aufnehmen. Für Musikredakteur Stephan Fahrig hat "Monarchie und Alltag" das Prädikat Meilensteine vor allem schon dadurch erlangt, dass es textlich herausragend ist. "Es war so passend in der Zeit", erklärt Stephan Fahrig. Bei ihm haben sich einzelne Textzeilen und Wörter aus den Fehlfarben Songs in seiner Schulzeit sogar in seine Alltagssprache gebahnt. Ein Punkalbum war "Monarchie und Alltag" für Stephan Fahrig dabei nie. Im Podcast erzählt Thomas Schwebel von seinem ganz persönlichen Vermächtnis von "Monarchie und Alltag". Wenn man so ein erfolgreiches Album gemacht hat, dann hat das ein Leben schon persönlich sehr geprägt, erzählt der ehemalige Gitarrist der Band. Neben den Geschichten zum Album und der Musik sprechen wir im Podcast zu "Monarchie und Alltag" auch über die Bandsituation und das Leben der Fehlfarben. Diese Chance muss man schließlich nutzen, wenn zwei (ehemalige) Bandmitglieder selbst im Podcast sind. Gemeinsam mit Katharina Heinius und Stephan Fahrig sprechen die beiden Mitglieder der Fehlfarben Thomas Schwebel und Peter Hein auch darüber warum Peter Hein damals die Band verlassen hat, um wen genau es im Song "Grauschleier" eigentlich geht, wie die Texte entstanden sind und noch vieles mehr aus der Geschichte der Band. __________ Über diese Songs vom Album "Monarchie und Alltag" sprechen wir im Podcast (19:03) – "Ein Jahr (Es geht voran)"(32:23) – "Grauschleier"(39:22) – "Gottseidank nicht in England"(42:00) – "All That Heaven Allows"(49:19) – "Paul ist tot" __________ Alle Shownotes und weiterführenden Links zur Folge "Monarchie und Alltag" findet ihr hier: https://1.ard.de/fehlfarben_monarchie_und_alltag __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Wohnungen müssen verschiedenen Lebensentwürfen in verschiedenen Lebensphasen gerecht werden. Das betrifft Junge und Alte ebenso, wie Menschen mit Einschränkungen oder speziellen Bedürfnissen. Wohnen sollte also ein flexibles System für das Zusammenleben bereitstellen - wie begegnen Architekturbüros diesen diversen Ansprüchen, und welche Erfahrungen haben sie in diesem Feld gesammelt? In letzter Zeit gibt es immer wieder Versuche, Mittel und Wege zu finden, dem Problem Wohnungsmangel pragmatisch entgegenzuwirken. Da geht es um Modulbauten, Umnutzungen, Nachverdichtungen, aber auch um Neu- und Weiterbauen. Was funktioniert besser, was schlechter? Und wie läuft es eigentlich bei unseren Nachbarn in der Schweiz? Für Antworten sind wir zu EMI Architekt*innen nach Zürich gereist. Die drei Buchstaben gehen auf die Büropartner*innen Ron Edelaar, Elli Mosayebi und Christian Inderbitzin zurück, die seit 2004 als Büro gemeinsam arbeiten und sich neben großen und kleinen Architekturen mit städtebaulichen Entwürfen und immer wieder mit Wohnungsbau befassen. Dabei ging es u.a. um die „kleinen“ Dinge, die das Wohnen prägen, wie Oberflächen und Details. Aber auch um den Prozess, der zu einem Wohngrundriss führt und inwiefern EMI dabei die Lehre als Labor einbindet. Wer sich mit dem Werk von EMI befasst, stellt fest, dass das Büro eine konstante Auseinandersetzung mit der architektonischen Idee außerhalb der Konvention anstrebt, wobei das Wohnen als eine essenzielle Aufgabe begriffen wird. Wie sich das in der Konstruktion niederschlägt und was es mit der „Wohnbiografie“ auf sich hat, besprechen wir in diese Podcast-Folge. Am Mikro sitzen für die DBZ die Redakteure Michael Schuster und Hartmut Raendchen.

Je ne pense pas être le seul, vous avez sans doute remarqué qu'au cours de ces vingt dernières années, le rock et les groupes en général ont perdu du terrain dans les classements et les ventes. Et même si depuis peu, il y a un retour du rock, nous vivons une époque où il n'y en a plus que pour les chanteurs, rappeurs et les DJ bien sûr, qui chipotent seuls dans leur coin ou s'invitent les uns les autres sur leurs singles désincarnés en streaming. Si on vend encore beaucoup de 33 Tours de groupes de rock ou de musiciens soul, il faut bien reconnaître que ce sont ceux d'anciens des années 60, 70, 80 et 90. De cette époque où pour exister, créer dans le monde de l'industrie musicale et face au public, rien ne valait être dans un groupe. Cette époque où tous se rêvaient devenir les prochains Beatles, Earth Wind & Fire ou Nirvana.Et tout ça, s'était amplifié dans les années 80 et 90 avec l'arrivée des clips vidéos, du CD aussi, qu'on emmenait partout avec nous, et bien sûr des télés musicales. Les années MTV, quoi. Dans les années 80, on n'imaginait pas un monde où n'apparaîtrait pas chaque semaine un nouveau et sensationnel groupe pop. Et dans les années 90, l'arrivée du grunge des Etats-Unis et de la Britpop d'Angleterre nous faisait croire que la relève allait continuer à sortir des caves et des greniers de manière permanente avec un nouveau son. On ne savait pas encore que c'était la dernière fois, mais ne cassons pas le rêve, nous sommes en 1993. La radio et la télé diffusent alors nonstop les nouveaux titres de Nirvana, REM et Red Hot Chili Peppers quand sort le single d'un groupe qu'on croirait sorti tout droit de Seattle. Vrai, en les entendant à la radio, on imagine les Radiohead portant des jeans troués, de longues chemises de bûcheron et des cheveux bien gras.Mais rien à voir ; ces petits nouveaux ne vivent pas très loin de chez nous, ils sont de Oxford et comme leurs aînés de Pink Floyd, ils sortent de l'université. Ils ont commencé à jouer ensemble durant leurs humanités et ne se sont pas perdus de vue pendant leurs études supérieures. L'un d'eux jobant dans un magasin de disques a ainsi donné la cassette qu'ils ont enregistrée à un représentant de la firme EMI et bingo, ils ont dit ça nous intéresse. Et justement, pour Thom Yorke, le chanteur et guitariste, on ne dit pas non à EMI, la firme de disques de Queen. C'est parce qu'il était fan de Brian May que le père de Thom lui avait acheté une guitare acoustique, et c'est en voyant à 17 ans jouer le groupe new wave Siouxsie Sioux and The Banshees qu'il a décidé de se mettre au chant. Quant au nom de Radiohead, il vient d'une chanson des Talking Heads, un autre groupe qu'il a beaucoup écouté.Alors grunge, les Radiohead ? Pas du tout. Ils sont plutôt Pink Floyd, les mecs de Cambridge : pas le même coin ni la même époque mais la démarche est la même. Des guitares, oui, mais aussi et surtout de l'électronique et cette volonté de travailler en vase clos, de chercher, de créer des choses qui n'ont jamais été entendues. C'est pas un chouïa déprimant ? disent des gars à la BBC qui ne les diffusent pas au départ mais vont y être obligés à cause de MTV qui elle, les matraque. Oui, mais c'est dans l'air du temps en 1993, écoutez Pearl Jam et Nirvana. Et puis Pink Floyd l'était aussi, un peu déprimant, même Coluche le disait …

Before Operation: Mindcrime, there was this.Queensrÿche's 1984 debut The Warning is the album that almost didn't happen—at least not the way the band intended. While they were touring Japan, EMI executives remixed and completely rearranged their progressive metal masterpiece without permission, burying the band's weirdest, most ambitious material deeper in the tracklist. But even with corporate interference, The Warning stands as a pivotal moment in metal history: a Seattle band crafting something that sounded like nothing else in 1984, blending Iron Maiden gallops with Genesis-level prog complexity and Jeff Tate's otherworldly operatic vocals.In this episode, we break down why this debut matters—not just as a stepping stone to Mindcrime and Empire, but as a document of a band discovering their identity in real time. We debate whether it's a hidden gem or a rough draft, explore the label drama that reshaped the album's sequence, and dive into the tracks that reveal Queensrÿche's DNA: from the Maiden-esque power of “Deliverance” to the robotic sci-fi weirdness of “NM 156.” This is Double-A ball before the majors—you can see the talent, hear the potential, and witness five musicians isolated in Seattle creating something that would change progressive metal forever.If you love Iron Maiden, Judas Priest, Fates Warning, or Dream Theater, this episode is for you.Episode Highlights0:00 – Intro: Poll results and how The Warning won the Metal Union vote5:23 – Album context: Queensrÿche in 1984—Seattle isolation and the progressive metal blueprint12:45 – “Deliverance” – The opening track that wasn't supposed to open the album18:32 – The EMI remix controversy: How the label rearranged the album while the band toured Japan24:15 – “NM 156” – The weird, jazzy, robotic prog odyssey that terrified record executives31:40 – Jeff Tate's voice at 24: Operatic range, theatrical character work, and why he's more than just “metal Bruce Dickinson”38:50 – “Take Hold of the Flame” – The anthem that hints at Operation: Mindcrime44:20 – Geography matters: Why being in Seattle (not L.A.) saved this band from breaking up51:10 – “Road to Madness” – Epic ambition or forced prog? Debating the 10-minute closer58:30 – The verdict: EP, worthy album, or rough draft? The hosts cast their votes1:03:15 – What comes next: Rage for Order, Mindcrime, and the evolution into metal immortalityJoin the ConversationThis album won because you voted for it. Now it's your turn again—what 80s metal album should we break down next? Head to digmeoutpodcast.com to join the Metal Union, vote on future episodes, access bonus content, and join our private Discord community. Keep the show ad-free and help us dig deeper at dmounion.com.Subscribe, rate, and review wherever you listen to podcasts. Got a deep cut we need to cover? Drop your suggestions in the comments or hit us up on social media. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Microwave Journal editors Pat Hindle and Del Pierson review the articles int the 5G/6G special focus section, talk with Micro-Coax about EMI shielding and review industry news and events. Sponsored by RFMW and Micro-Coax.

Jerico Sabas, Product Manager at Micro Coax, talks about the importance of EMI shielding in various applications and newer materials that offer lighter weight, flexibility and improved shielding. Sponsored by Micro-Coax, an Amphenol company.

Ho! Ho! Ho! Święta. Emi i Tajny Klub Superdziewczyn. Książki dla dzieci 6-12 lat

Fluent Fiction - Japanese: The Squirrel's Heist: A Memorable Kyoto Thanksgiving Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-11-20-23-34-02-ja Story Transcript:Ja: 京都の秋、色とりどりの紅葉が清水寺を彩っている。En: In the autumn of Kyoto, the vibrant autumn leaves adorn Kiyomizu-dera.Ja: 境内は参拝者でにぎわっており、労働感謝の日の祝福が空気に漂っている。En: The temple grounds were bustling with worshippers, and the blessing of Labor Thanksgiving Day floated in the air.Ja: 大輔は友達の浩志と恵美と一緒に訪れていた。En: Daisuke had visited with his friends Koji and Emi.Ja: 彼の心は小さな秘密でいっぱいだった。En: His heart was full of a small secret.Ja: 大輔は恵美に特別な木彫りのお守りを贈ろうと考えていた。En: Daisuke planned to give Emi a special hand-carved charm.Ja: お守りは、寺の露店で見つけたものだった。En: He had found the charm at one of the temple's stalls.Ja: 彼の心はどきどきしていた。En: His heart was pounding.Ja: 願いをかなえると信じられるそのお守りで、恵美を驚かせたい。En: He wanted to surprise Emi with this charm, believed to grant wishes.Ja: しかし、運命のいたずらが大輔を待っていた。En: However, a twist of fate awaited Daisuke.Ja: お守りを取り出した瞬間、一匹のリスが現れた。En: Just as he took out the charm, a squirrel appeared.Ja: リスはピカピカ光るものに興味を持ち、大輔の手からお守りを奪って去っていった！En: The squirrel, interested in the shiny object, snatched the charm from Daisuke's hand and scurried away!Ja: 大輔は驚きと焦りでいっぱいになった。En: Daisuke was filled with shock and anxiety.Ja: 「おい、待て！」と叫んで、リスを追い始めた。En: "Hey, wait!" he shouted, starting to chase after the squirrel.Ja: 境内を走り回るリスはとても素早く、人混みにもまれながらも決して立ち止まらなかった。En: The squirrel darted swiftly through the temple grounds, never stopping even as it was jostled by the crowd.Ja: 大輔は戸惑った。どうすればこの騒動を大きくせずに取り戻せるのだろう？En: Daisuke was bewildered. How could he retrieve it without making a bigger scene?Ja: 頭の中で考えながら、大輔は決断した。En: Thinking it through, Daisuke made a decision.Ja: 大胆な戦略をとることにした。近道を使って、リスを先回りする。En: He decided to employ a bold strategy: use a shortcut to get ahead of the squirrel.Ja: 池のほとりでリスが少し立ち止まっているのを見て、大輔は決意を固めた。En: Spotting the squirrel pausing slightly by the pond, Daisuke solidified his resolve.Ja: 彼は小さな池を越えるために大きく跳ねた。En: He made a big leap to cross the small pond.Ja: リスがその瞬間にお守りを手放し、大輔の指先に輝きを戻してくれた。En: At that moment, the squirrel released the charm, returning its shine to Daisuke's fingertips.Ja: 周りの人々は一瞬驚き、すぐに歓声を上げ始めた。En: The surrounding people were momentarily surprised, then began to cheer.Ja: 大輔はお守りをしっかりと握りしめ、浩志と恵美の元へ戻った。En: Grasping the charm tightly, Daisuke returned to Koji and Emi.Ja: 少し恥ずかしいながらも、自信を持ってお守りを恵美に渡した。En: A bit embarrassed but confident, he handed the charm to Emi.Ja: 「これ、どうしても君に渡したかったんだ。」そう言って照れ笑いを浮かべる。En: "I really wanted to give this to you," he said with a bashful smile.Ja: 恵美は微笑み、「ありがとう、大輔。君って、ほんとにすごいのね。」と答えた。En: Emi smiled back, "Thank you, Daisuke. You're really something," she replied.Ja: 大輔の心は温かく満たされた。En: Daisuke's heart was warmly filled.Ja: 彼は自分の不完全さが逆に魅力となったことに気づいた。En: He realized that his imperfections had turned into an appealing trait.Ja: その日は、大輔にとって最高の労働感謝の日となった。En: That day became the best Labor Thanksgiving Day for Daisuke.Ja: 彼は志を新たに、清水寺の光景とともに心に刻まれた新たな自信を大切にした。En: He treasured the newfound confidence etched in his heart alongside the sight of Kiyomizu-dera.Ja: 秋の清水寺は、一生の思い出を飾る場所になった。En: Autumn at Kiyomizu-dera became a place to cherish for a lifetime. Vocabulary Words:autumn: 秋vibrant: 色とりどりのadorn: 彩るbustling: にぎわっているworshippers: 参拝者blessing: 祝福floated: 漂っているheart: 心charm: お守りsnatched: 奪ってanxiety: 焦りchase: 追うsquirrel: リスdarted: 走り回るbewildered: 戸惑ったretrieve: 取り戻せるemploy: 取るstrategy: 戦略shortcut: 近道solidified: 固めたresolve: 決意leap: 跳ねたgrasping: 握りしめbashful: 照れappealing: 魅力trait: 性格treasured: 大切にしたconfidence: 自信etched: 刻まれたcherish: 飾る

Der aktuelle HCOB-Einkaufsmanagerindex (EMI) liegt bei 49,5 Punkten – die deutsche Industrie bleibt damit in der Kontraktionszone. Ein geteiltes Bild: Während die Produktion anzieht, bremsen sinkende Neuaufträge, längere Lieferzeiten und Unsicherheit die Dynamik. In dieser Folge zeige ich dir:

1975 veröffentlichten Queen ihr viertes Studioalbum "A Night At The Opera", das für viele bis heute als ihr größtes Werk gilt. Auf dem Album befindet sich auch der legendäre Hit "Bohemian Rhapsody". Der Albumtitel lässt es schon erahnen, bei "A Night At The Opera" handelt es sich um ein Meisterwerk, das wie eine Oper klingt. In diesem Jahr feiert die Platte 50-jähriges Jubiläum. Zum Zeitpunkt seiner Veröffentlichung war "A Night At The Opera" das teuerste Album, das je aufgenommen wurde. Queen standen damals aufgrund von Management- und Vertragsproblemen kurz vor dem finanziellen Ruin. Obwohl das vorherige Album "Sheer Heart Attack" ein kommerzieller Erfolg war, sah die Band kaum etwas von den Einnahmen. Ihr damaliges Label Trient zahlte ihnen wöchentlich gerade mal 60 Pfund. Zusätzlich gab es Streit mit ihrem damaligen Manager Norman Sheffield. 1974 trennten sich Queen von Trient und von Sheffield, wechselten zu EMI und begannen unter ihrem neuen Manager John Reid die Produktion von "A Night At The Opera". Brian May beschrieb das Album einmal sogar als entscheidend für das Fortbestehen von Queen. Zum bis dahin teuersten Album überhaupt wurde es unter anderem, weil die Aufnahmen in sieben verschiedenen Studios stattfanden. Im Sommer 1975 zogen sich Queen aus London zurück und probten in einer Scheune auf einer Farm im Süden Englands. Zwischendurch arbeiteten sie in den Rockfield Studios in Wales, bevor sie die Produktion in verschiedenen Londoner Studios fortsetzten. "Bohemian Rhapsody" gehört zu den größten Hits von Queen und vermutlich zu den wichtigsten Songs der Rockgeschichte. Die Geschichte dahinter ist genauso außergewöhnlich wie der Song selbst. Freddie Mercury hatte bereits Ende der 1960er-Jahre die ersten Grundideen zu "Bohemian Rhapsody". 2023 kam heraus, dass das Lied ursprünglich "Mongolian Rhapsody" hieß. Diesen Titel hatte Mercury 1974 auf einem Briefpapier notiert. Warum aus "Mongolian" schließlich "Bohemian" wurde, bleibt bis heute ein Rätsel. Klar ist jedoch, dass das Wort "Bohemian" im künstlerischen Kontext einen Freigeist beschreibt, jemanden, der sich nicht an vorgegebene Strukturen hält. Genau das trifft sowohl auf Freddie Mercury als auch auf "Bohemian Rhapsody" zu. Der Song löst sich von traditionellen Konventionen. Meilensteine-Redakteurin Katharina Heinius erklärt, dass er aus drei Elementen besteht: einer Ballade am Anfang, einem Opernteil in der Mitte und einem Rockpart am Ende. Mit einer Länge von fünf Minuten und 55 Sekunden entspricht das Lied zudem kaum einem typischen Hitmuster, weshalb sich das Label zuvor fragte, ob es gut ankommen würde. Queen setzten sich dennoch durch. Das Lied blieb so, wie es gedacht war, und wurde zunächst stückchenweise im Radio gespielt. Die Neugier der Fans wuchs dadurch nur noch mehr und verschaffte "Bohemian Rhapsody" am Ende die Aufmerksamkeit, die es verdient. __________ Über diese Songs vom Album "A Night At The Opera" sprechen wir im Podcast (03:11) – "'39" (11:20) – "Death On Two Legs"(21:10) – "I'm In Love With My Car"(28:44) – "You're My Best Friend"(36:00) – "Love Of My Life"(39:04) – "Good Company"(49:06) – "Bohemian Rhapsody" __________ Alle Shownotes und weiterführenden Links zur Folge "A Night At The Opera" findet ihr hier: https://1.ard.de/queen-a-night-at-the-opera __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

This has been the hardest ep of BYAMPOD ever to put together. It's another experiment with Suno, throwing new light on some Marillion old songs using some of the website's new features - but we take a different approach to last time. We tried to bring new life to some pre-EMI demos, and reimagined the back catalogue in wildly different ways to shed new light on the music. It's further terrifying evidence of what AI can do... but also, reassuringly, a demonstration of what it can'tyet do and probably never will. We'd never take an AI Marillion - or any musician - over the real thing. The fact this ep has taken days to make shows just how limited it is. It's also an epic of an episode, so you might want to break it up. ..Watch us on YouTube: https://www.youtube.com/@PaulAndSanjaSupport us on Patreon: https://www.patreon.com/c/MrBiffo Hosted on Acast. See acast.com/privacy for more information.

Send us a textWe return with industry updates and a stack of field questions, then dig into failed tests, fiber versus copper, PoE planning, hospital retrofit estimating, and the QA habits that prevent rework. The throughline is simple: document, communicate, and draw a hard line at safety and code.• Saving original test files and reading diagnostics• Verifying calibration and retesting comparable links• Choosing copper or fiber based on EMI, distance, and PoE• Proposing compliant alternatives when pushed to cut corners• Breaking hospital retrofits into zones and shifts• Building bid assumptions and weekly communication plans• Pulling four‑pair and matching connectors for PoE reliability• Running dual cables for wireless capacity and resilience• Establishing a QA process with 10 percent checks and photos• Assigning work by crew with traceable sign‑offs• Scheduling postmortems to capture and share lessonsMake sure you pay attention to my feed on December 6th. I have a huge announcement coming out.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

In this episode of The Team Engagement Podcast, host Shawn Richards talks with Emi Kirschner, Business Strategist and Founder of Emi Kirschner Coaching. They explore how fun and energy go hand in hand when leading teams and growing a business.Emi shares how simple actions can re-energize teams, promote learning, and create stronger connections. She also talks about effective delegation and how leaders can align their mission and values to everyday operations.What you'll learn:Ways to re-energize your team through fun and creativityHow to build a learning culture in your organizationWhy delegation outside your zone of genius increases growthHow to connect company mission and values with team engagementConnect with Emi: Website: https://emikirschner.com LinkedIn: https://www.linkedin.com/in/emikirschner/ Instagram: https://www.instagram.com/theemikirschner/Listen to more episodes at: https://teamengagementpodcast.com#Leadership #TeamEngagement #Podcast #BusinessGrowth #EmiKirschner

De plus en plus de personnes racontent avoir « vu la lumière » ou « quitté leur corps » lors d'une *expérience de mort imminente* (EMI).Mais… que faut-il vraiment en penser ?

In this episode, Alexa is joined by Becky Morton, Principal of Further Education at ACM, to explore what the FE academic route can offer young singers stepping into today's music industry. Becky shares how the curriculum is structured with project-based training, and how this helps students to build both industry awareness and artistic identity from the age of sixteen. The pair dig into why early professional habits matter, how the diploma pathway compares to traditional A-levels, and what young performers gain from learning to work with producers, bands and music businesses in a real-world environment. Becky also talks about current vocal trends, the technical demands of pop-rock singing, and how ACM is adapting its teaching to industry changes, including the rise of AI. You better press play, then.  WHAT'S IN THIS PODCAST?0:44 Becky's desert island song03:50 The role of Principle of FE at the Academy of Contemporary Music5:00 Benefits and challenges of an academic route into music10:13 A look at technique for pop-rock12:50 Defining the pop-rock aesthetic15:14 Artists to study in this genre18:16 How important is music theory and sight singing?22:54 2025 vocal and musical trends30:56 What Becky wishes every singer understoodAbout the presenter HERERELEVANT MENTIONS & LINKSACMUALSinging Teachers Talk - Ep.231 Evolving Vocal Trends: Training Functional Registration in Contemporary Commercial Music with April YoungSinging Teachers Talk - Ep.222 The Rise of AI: What it Means for Singers & Teachers with Singing Teachers Talk - Ep,226 The Rise of AI: Practical Tools and Strategies for the Singing Teachers with Rachael DruryISMSunoUdioFollow Becky's Bands: The Likeness; Two's Up; The Hooch TootsABOUT THE GUEST Rebecca Morton, Principal of FE at ACM, is a professional musician, vocal coach, and musical director with 20+ years of experience. She has collaborated with artists such as Adrian Smith, Imogen Heap, and Alexander O'Neal, and toured as the solo backing vocalist for Hitomi Yaida across major UK and Japanese arenas. Her work includes recordings with Crispian Mills, Mattafix, cast albums, and dance releases with EMI and Hed Kandi. A vocal coach since 2002, she has supported artists like James Toseland and Marlon Roudette. Holding a Masters in Music Psychology, she champions passion, reliability, and excellence at ACM.SEE FULL BIO HEREInstagram: @acm_ldnFree Resource: Get your copy of How to Assess the Singer's Voice with Confidence — a practical guide to help you understand what's going on in any singer's voice. Download >>> HERE At BAST Training, we help singers like you turn passion into purpose — building the confidence, knowledge, and real-world skills to teach successfully without feeling like an imposter. You don't have to figure it out alone. “The BAST Advanced Foundation has given me more than the tools I need to teach — it's given me confidence, a community, and a future.” Jess McGlinchey, UK Join other singers becoming confident teachers at basttraining.com basttraining.com | Updates | Email Us | Free Group

Jed recommends Paolo Bordoni's delightful survey of each and every Waltz that Schubert composed for solo piano, once available from EMIHere's a link to the pianist's rare EMI recording of Schubert's "Unfinished" Sonata in C Major D. 840:https://www.youtube.com/watch?v=3bXlwC8Lf68

En 'Buenos días, Javi y Mar', José Real informa sobre lluvias en Cataluña y Galicia, con aviso naranja, y la inundación en Cáceres. La asesora de Moncloa, Pilar Sánchez Acera, no recuerda a quién envió el correo del novio de Ayuso, mientras que Juan Lobato afirma habérselo enviado ella. El Gobierno negocia subidas salariales para funcionarios. Francia prohíbe temporalmente Shein por venta de muñecas sexuales infantiles, coincidiendo con la inauguración de su tienda física en París. Se celebra en Madrid la primera feria de la marca blanca, donde España lidera en calidad y producción; más de la mitad del carro de la compra son productos de marca blanca. Fernando Martín ofrece un monólogo sobre la "dejadez" y lo "moderno", usando ejemplos como la ropa Balenciaga. El TAC se descubre gracias a EMI y los Beatles. Una oyente se hizo pis encima en una fiesta y otra no llegó al baño durante un viaje familiar. Una tercera se pilla en un atasco y debe buscar una solución de emergencia. El disco ...

Fluent Fiction - Japanese: Serendipity in the Bamboo Grove: A Tale of Inspiration Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-11-04-23-34-02-ja Story Transcript:Ja: 京都の嵐山は、日本の文化の日を迎える秋のある日、静寂に包まれていました。En: KyotoのArashiyama was enveloped in tranquility on an autumn day as Japan celebrated Culture Day.Ja: 竹林は、静かなカテドラルのようにそそり立つ竹の葉で覆われ、その風景に澄んだ空気が漂っていました。En: The bamboo grove stood tall like a quiet cathedral, covered with bamboo leaves, and the landscape was filled with clear, fresh air.Ja: ハルキは、京都の大学に通う学生で、伝統的な日本の芸術に情熱を持っていました。En: Haruki was a student attending a university in Kyoto, passionate about traditional Japanese arts.Ja: 彼は次のプロジェクトのために、特別なインスピレーションを探していました。En: He was searching for special inspiration for his next project.Ja: 彼はいつもと違う小径を選び、竹林の中を歩いていました。En: Choosing a different path than usual, he walked through the bamboo grove.Ja: 一方、エミは作家で、新しい小説のための静かな場所を探していました。En: Meanwhile, Emi was a writer looking for a quiet place for her new novel.Ja: 彼女はちょうどスランプに陥っており、頭の中の霧を晴らすために、自然との対話を求めていました。En: She had recently hit a slump and sought communion with nature to clear the fog clouding her mind.Ja: 竹の葉が静かに揺れる音が響く中で、ハルキとエミが偶然出会います。En: Amidst the sound of quietly rustling bamboo leaves, Haruki and Emi met by chance.Ja: エミは周りの美しさに心を打たれ、彼に声をかけました。「ここで何をしているんですか？」と彼女が尋ねました。En: Struck by the beauty around her, she approached him. "What are you doing here?" she asked.Ja: ハルキは微笑んで答えました。「新しい視点を見つけたいんです。あなたは？」エミは答えました。「最新の小説のためにインスピレーションが必要です。」En: Haruki smiled and answered, "I'm looking for a new perspective. And you?" Emi replied, "I need inspiration for my latest novel."Ja: 二人は竹林を歩きながら、各々の創作の苦しみについて話し始めました。En: As they walked through the bamboo grove, they started talking about the struggles of their respective creative endeavors.Ja: エミは自身の考えを声に出すことで新たな洞察を得ることを理解し、ハルキは彼女の視点から多くを学べると気付きました。En: Emi realized that voicing her thoughts brought new insights, and Haruki found he could learn much from her perspective.Ja: 彼らの話は深まり、竹の静寂が彼らを包み込む中で、共鳴し始めました。En: Their conversation deepened, and in the silence of the bamboo, they began to resonate with each other.Ja: 「あなたの視点はとても新鮮です」とハルキは言いました。「エミさんのおかげで、私の作品に新しい命が吹き込まれたようです。」En: "Your perspective is quite refreshing," Haruki said. "Thanks to you, it feels like new life has been breathed into my work."Ja: エミもまた、「ハルキさんと話すことで、私の小説に新たな光が差しました」と微笑みました。En: Emi also smiled, "Talking with you, Haruki-san, has cast new light on my novel."Ja: 日が暮れる頃には、二人は各々のインスピレーションを得ていました。En: By the time dusk fell, both had found their respective inspirations.Ja: ハルキはプロジェクトのためのユニークなアイデアを持ち帰り、エミは小説を書く新たな視点と自信を取り戻しました。En: Haruki returned with unique ideas for his project, and Emi regained a fresh perspective and confidence in her writing.Ja: 二人は竹林を後にし、心が軽くなったように感じました。En: They left the bamboo grove feeling as if a weight had been lifted from their hearts.Ja: ハルキは協力の大切さを学び、エミは他者からインスピレーションを得ることの素晴らしさを発見しました。En: Haruki learned the importance of collaboration, and Emi discovered the beauty of finding inspiration in others.Ja: こうして、秋のある日の嵐山での出会いは、二人にとって永遠の宝物となりました。En: Thus, the encounter in Arashiyama on that autumn day became an eternal treasure for them both.Ja: 竹林の静寂とともに、新しい季節の始まりを告げる風がそよいでいました。En: Along with the tranquility of the bamboo grove, a breeze heralded the beginning of a new season. Vocabulary Words:enveloped: 包まれてtranquility: 静寂bamboo grove: 竹林cathedral: カテドラルlandscape: 風景inspiration: インスピレーションslump: スランプcommunion: 対話breeze: 風dusk: 日が暮れる頃perspective: 視点endeavor: 創作resonate: 共鳴unique: ユニークcollaboration: 協力insights: 洞察fog: 霧rustling: 揺れるslump: スランプvoices: 声に出すeternal: 永遠cherish: 宝物breeze: そよいでautumn: 秋novel: 小説creative: 創作rustling: 揺れるsilence: 静寂confidence: 自信treasure: 宝物

BioVale! ULB The Sound of Cabana Bounce. Most of Vale! ULB's lyrics flow effortlessly between Spanish and English, but even if you don't speak the language, their energy translates loud and clear. Their latest single, “Devórame,” is a high-speed, high-energy celebration from a five-member band that has crafted an entirely new genre where the primary language is fun.“The band made a new genre called Cabana Bounce,” says lead vocalist Val. “Most of our songs are about joy, movement, and connection. ‘Devórame' is one of them.”Born in Colombia and raised in a musically rich family, Val is the daughter of Dante Vargas, a multi Latin Grammy Award-winning musician and producer from Peru. Her dual heritage shines through her powerhouse voice strong, expressive, and versatile enough to adapt to any sound the band explores.“Devórame,” which translates to “Devour Me,” captures that playful and passionate essence. “It's not a romantic song,” explains trumpeter Emi, “it's about confidence, presence, and living in the moment.”Come take a bite of me now / Before it's too late papi / Come take me down / Baby devórame ya.In this context, ya literally meaning “already” becomes a demand for right now.The Band's Global RootsVale! ULB is a collective of musicians whose diverse cultural backgrounds shape the band's vibrant sound:Val – Lead Vocals (Colombia/Peru)Emi – Trumpet (Argentina)Anier – Percussion (Cuba)Friki – Guitar (Cuba), son of a founder of the legendary Buena Vista Social ClubDeezle – Bass, Production, and Vocals (New Orleans, USA)The “ULB” in their name stands for United Latin Band, while Vale! is colloquial Spanish for “Let's go!” a perfect reflection of their energy and message.“The band is all about celebration,” says Val. “We're from Miami, and our producer is from New Orleans. So, New Orleans plus Miami equals party.”Deezle adds, “We love so many kinds of music and can play almost anything. Imagine taking a little of the Black Eyed Peas, some No Doubt, some Santana, some Stevie Wonder and then pouring gumbo juice on top.”A Band of Acclaimed TalentEach member of Vale! ULB brings a deep professional pedigree to the group:Deezle is a three-time Grammy-winning producer who's worked with Lil Wayne, Drake, and Nicki Minaj.Emi is also a Grammy winner, with credits including The United States vs. Billie Holiday soundtrack and tours with Ricky Martin and Marc Anthony.Anier is a multi-time champion of Cuba's Fiesta del Tambor (Festival of Drums).Carlos “Los” Battey, the band's manager, is a Grammy-winning songwriter and music executive who has penned hits for Madonna, Justin Bieber, Jason Derulo, David Guetta, Chris Brown, and more.“Los isn't just a managerhe's part of the creative process,” says Emi. “He's in the studio with us, collaborating and shaping songs. He's the real deal.”The Creation of Vale! ULBThe band's story began when a music executive contacted Deezle about developing a group of talented musicians. “They flew me to LA, we got a band house, and ordered all the gear,” recalls Deezle. “Within 30 minutes of setting up, we wrote our first song. Everything just clicked.”Soon after, Emi joined as music director and invited Val to front the band. When the original guitarist left, Friki joined, and Vale! ULB officially took shape.“We complement each other perfectly,” says Emi. “It's like a puzzle where every piece just fits.”“Our band shows how people from different walks of life different backgrounds, cultures, and opinions can come together to create something powerful,” adds Deezle. “We've got that chemistry unlocked.”The Future of Cabana BounceVale! ULB's music embodies warmth, rhythm, and pure joy what they call Cabana Bounce. “It's like sunshine, a poolside party, full of color and life,” says Deezle. “It's a mix of all our flavors from every country and city we represent.”“Devórame” is the band's fourth single this year, and their momentum is just getting started. The team plans to release more singles, videos, and eventually an EP and full album. Manager Carlos is also developing an interactive virtual concert experience on platforms like Discord or Patreon, making it easy for fans worldwide to tune in and celebrate together.“For me,” says Val, “one of our biggest goals is to perform live and connect with people around the world.”“We're limitless,” concludes Deezle. “We never wanted to be confined to one sound. We're musicians first and we're here to create without boundaries.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Another full serving of red meat on The Chad & Cheese Podcast. Joel unleashes the layoff bloodbath: Amazon axes 14K corporate jobs for automation, Target cuts 1.8K amid sales slumps, GM drops 3K+, Rivian 600, UPS a brutal 48K. Military.com? DOA via Valnet. Chad blames UPS pain on automation, ditching Amazon volume, and shrinking wallets; ties GM to the EV tax-credit cliff—“Trump economy killer!” Joel says companies hate chaos, froze post-election, now tariffs (⅓ each: importer, company, consumer) drip inflation, crushing spending and jobs. Amazon's BlueJay bots are coming for warehouses. Emi (Europe) confirms global instability fuels automation through '27; Target may need holiday humans, but HQ already slashed layers. Mercor—those zygote founders roasted for bias-free matching—pivots to AI-model eval, grabs $350M Series C at $10B. 30K experts at $85/hr tell OpenAI why outputs rock or rot. Chad salutes the “picks-and-shovels” genius; Joel dubs it the mother of pivots. AuditBoard scoops FairNow for AI-governance; Chad smells PE acqui-hire for HG's $180B empire, Joel's skeptical—flat headcount, no terms, RecFest whispers “smoke.” Emi loves Mercor's 500M ARR path, reserves FairNow judgment. iCIMS wakes up: AI Sourcing Agent, turnkey I-9/E-Verify (backgrounds/assessments next), Apply Network adds LinkedIn/Veritone. Chad groans—5 yrs post-Opening.io, 3 post-Candidate.ID, rebranding old tech as “agents” in me-too panic. Joel sees ATS arms race: bundle sourcing/SEO or lose to SmartRecruiter clones. Emi hopes CTO Deepak Pandya saves the day; Chad/Joel want retention—“We've got agents too!” H-1B mess: White House defends $100K fee vs. Chamber lawsuits over fraud/wage suppression. DeSantis bans H-1Bs at FL universities (13.6% biz faculty gone), citing Chinese nationals teaching U.S. policy. Chad recalls 2020 Chamber suit—immigrants power innovation/supply chains. BC runs Reagan ads during NHL, fast-tracks Trump-weary U.S. nurses: 1.4K+ apps, 113 registered, 100+ hired. Joel predicts Canada-wide poach; Emi: fee won't spawn American nurses. Bold (Monster/CB owners) drops 2007 cringe-video: wrinkled CEO, Trumpasaurus, resume subs, predatory paid services. Chad gags at “ick,” slams Jeff Taylor for cheering a flaming brand. Joel: ChatGPT could do better; Emi: euthanize the dead horse—trust gone. Trio signs off with Joel the Chicken & Agent Chad pitching iCIMS mascot gigs. Death, taxes, layoffs—baby.  Chapters00:00 - Intro13:32- Layoffs21:44 - AI News30:29 - iCIMS38:23 - H-1B47:04 - Bold 

This episode features Margarida's interview with Emi who studies the genetic and molecular basis of circadian rhythms and Parkinsons disease

On October 14th, singer, songwriter and multi-instrumentalist D'Angelo died at the age of 51. Throughout his too short life, he made three unforgettable albums and cemented his legacy as one of the great artists of his time. Hosts Jim DeRogatis and Greg Kot pay tribute to D'Angelo by talking about his life, career and musical impact. They'll also revisit their classic album dissection of D'Angelo's masterpiece, Voodoo.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967D'Angelo, "Brown Sugar," Brown Sugar, EMI, 1995D'Angelo, "Playa Playa," Voodoo, Virgin, 2000D'Angelo, "Chicken Grease," Voodoo, Virgin, 2000D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000D'Angelo, "One Mo'gin," Voodoo, Virgin, 2000D'Angelo, "Africa," Voodoo, Virgin, 2000D'Angelo, "The Root," Voodoo, Virgin, 2000D'Angelo, "Send It On," Voodoo, Virgin, 2000D'Angelo, "Feel like Makin' Love," Voodoo, Virgin, 2000D'Angelo and the Vanguard, "Sugah Daddy," Black Messiah, RCA, 2014D'Angelo and the Vanguard, "The Charade," Black Messiah, RCA, 2014D'Angelo and the Vanguard, "1000 Deaths," Black Messiah, RCA, 2014David Bowie, "Moonage Daydream," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Intellicast! On today's episode, Brian is joined by Gabby Blados to cover one of the busiest news weeks the insights industry has had in a while, featuring a billion-dollar merger, a major leadership shake-up, and plenty of questions about what's next. The episode kicks off with the biggest headline of the week: Qualtrics' announcement that it plans to acquire Press Ganey Forsta for over $6 billion. Brian and Gabby dive into what this means for the market research world, especially as two of the most widely used survey programming platforms — Qualtrics and Decipher — will soon fall under one roof. Brian wonders if this level of consolidation could raise antitrust or competition concerns within the industry, while Gabby reflects on what this might mean for current Decipher users, including EMI. They also explore whether this deal might spark a new wave of innovation from smaller, niche platforms looking to position themselves as alternatives to the latest “industry Goliath.” Next, Brian and Gabby turn their attention to the surprising news that dropped the same morning — Melanie Courtright, CEO of the Insights Association, is stepping down after five years to join Sego as Chief Strategy Officer. Both agree that this was a major surprise for many across the industry. The pair discusses Melanie's strong legacy with the Insights Association, including how she unified chapters, modernized the association's structure, and strengthened its position as the leading voice for research professionals. Gabby and Brian share their excitement for her new role at Sego, while also speculating about what comes next for IA's leadership and the direction the organization will take. In between these two major headlines, Brian and Gabby also touch on a few other key stories — including the Census Bureau's recent layoffs and their potential implications for data accuracy, and new developments in the ongoing conversation around data quality and AI-driven fraud detection. And because no episode would be complete without a little fun, they close out the episode by ranking their top Halloween candies. Thanks for tuning in! Want to download your copy of The Sample Landscape: 2025 Edition? Get it here: https://content.emi-rs.com/sample-landscape-report-2025 Did you miss one of our webinars or want to get some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Monika turns the spotlight on a silent financial burden many carry — not bad investments, but chaos. After years of conversations and examining real money lives, she observes that it is not low returns that do the most damage; it is clutter — too many accounts, scattered assets, forgotten subscriptions, and decisions made only to save tax. She shares the story of someone who bought faraway properties just to avoid capital gains tax, only to be trapped in years of maintenance, legal risk, and stress. A simple tax payment and a clean investment could have cost far less. It's a reminder that financial tidiness is not frugality — it is clarity and peace.Monika walks through the common clutter that silently erodes wealth: multiple bank accounts with no defined purpose, excessive credit cards increasing the risk of missed repayments, auto-renewing subscriptions eating into monthly budgets, and multiple investment platforms that fragment portfolios. She warns against buying assets only for tax breaks or collecting funds without strategy. This “confusion tax” — paid in stress, oversight, and poor decisions — is rarely acknowledged but deeply felt. A clean money box, she argues, does not just save time; it restores control.In listener questions, T. P. Singh, aged 55, seeks resources to decide the right allocation between fixed deposits and equity while already owning property and having no loans. Anonymous, a 52-year-old from the IT industry, asks whether selling his house to clear a heavy EMI is wiser as retirement nears and future job security is uncertain. Nikilesh K wants guidance on finding a disciplined investment vehicle with commitment like an insurance plan, but without the rigid lock-ins, to prevent impulsive withdrawals.Chapters:(00:00–00:00) The Real Cost of Financial Clutter(00:00–00:00) Decluttering Bank Accounts, Cards & Subscriptions(00:00–00:00) Simplifying Investments and Real Estate Decisions(00:00–00:00) Allocating Assets Safely in Retirement(00:00–00:00) Preparing for Retirement Under PressureIf you have financial questions that you'd like answers for, please email us at ⁠mailme@monikahalan.com⁠ Monika's book on basic money management⁠⁠https://www.monikahalan.com/lets-talk-money-english/⁠⁠Monika's book on mutual funds⁠https://www.monikahalan.com/lets-talk-mutual-funds/⁠Monika's workbook on recording your financial life⁠⁠https://www.monikahalan.com/lets-talk-legacy/⁠⁠Calculators⁠⁠https://investor.sebi.gov.in/calculators/index.html⁠⁠You can find Monika on her social media @monikahalan. Twitter ⁠⁠@MonikaHalan⁠⁠Instagram ⁠⁠@MonikaHalan⁠⁠Facebook ⁠⁠@MonikaHalan⁠⁠LinkedIn ⁠@MonikaHalan⁠Production House: ⁠www.inoutcreatives.com⁠Production Assistant:⁠ Anshika Gogoi⁠

Te recomendamos EMI

Lorenzo Fazzini"Dio è sempre tra le righe"Ancora Editricewww.ancoralibri.itPuò un romanzo parlarci di fede? Una scrittrice o un narratore, tramite i loro personaggi e le loro storie, sanno comunicarci qualcosa di nuovo del cristianesimo? L'immaginazione letteraria fa bene a chi crede?In queste pagine Lorenzo Fazzini, che da anni come giornalista indaga i punti di contatto fra letteratura contemporanea e teologia, prova a rispondere a tali interrogativi facendo parlare alcuni dei grandi narratori di oggi – Marilynne Robinson, Cormac McCarthy, Colum McCann, Jon Fosse, Michel Houellebecq, per citarne alcuni.Si scopre così che parole antiche come fede, speranza e carità, il mistero di Dio e lo scandalo del Vangelo trovano un'eco inedita in tanti romanzi di oggi, anche in quelli scritti da autori che si dichiarano non credenti. Perché lo Spirito di Dio sa soffiare ovunque, soprattutto in quei libri che prendono sul serio la complessità umana.Il vostro modo di leggere un romanzo non sarà più lo stesso dopo aver gustato questo libro, prezioso e originale: vi ritroverete anche voi a cercare se esiste un Dio (e c'è sempre) nelle righe di un racconto. "In questi intensi bozzetti, Lorenzo Fazzini riesce a volgere lo sguardo del finito verso l'infinito. Nella letteratura trova una ragione di vita. Dio è presente tra le righe, ma lo è anche prima che esse prendano forma e pure quando si dissolvono. Nella letteratura si può incontrare la redenzione, perfino la risurrezione. Questi saggi sono frammenti di luce nel buio."Colum McCannLorenzo Fazzini, nato nel 1978 a Bellano (LC) e residente in provincia di Verona, laureato in Lettere moderne e in Scienze religiose, dal 2021 è il responsabile editoriale di Libreria Editrice Vaticana, la casa editrice della Santa Sede. Giornalista, scrittore, autore televisivo e traduttore, scrive di religioni e cultura su Avvenire, L'Osservatore Romano e L'Arena. Ha pubblicato una decina di libri, alcuni dei quali tradotti in varie lingue, fra i quali Nuovi cristiani d'Europa (Lindau 2009) e Dio fra le righe (Il Pellegrino 2024). Con il cardinale Matteo Maria Zuppi ha scritto Odierai il prossimo tuo (Piemme 2019) e con il cardinale Luis Antonio Tagle Ho imparato dagli ultimi (Emi 2016). Insegna «Letteratura e teologia» all'Istituto Superiore di Scienze Religiose «Mons. Onisto» di Vicenza. Dal 2020 è consulente per l'editoria religiosa del Salone internazionale del libro di Torino. Per i suoi lavori editoriali e giornalistici ha ottenuto il premio Capri San Michele, il premio Giorgio Fallani e il premio Natale Ucsi. È sposato con Anna, medico, con la quale ha avuto quattro figli: Marco, Maria, Chiara ed Elia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Te recomendamos EMI

Latino Economic Development Center was born out of the Mount Pleasant riots, an historic event in Washington DC ignited in 1991 by police violence and the city's failure to meet the pressing needs of thousands of newly arrived Salvadorian civil war refugees. Since then, LEDC has been at the forefront of equipping Latino communities in DC, Maryland and Virginia with the knowledge and resources needed to create wealth through home ownership and entrepreneurship. Now, in another historic moment, the federal takeover of DC, LEDC is expanding its services into rural regions with immigrant populations and is guiding Latino federal workers who have lost their jobs and are exploring entrepreneurship by necessity. It is doing so while navigating the targeting, demonization and detention of community members and staff. Emi Reyes, my guest on this week's episode of Power Station, is the most inspiring of nonprofit leaders. As the daughter of Salvadorian restaurant owners, she knows first-hand about the barriers immigrants face in building economic security. She knows that Latino economic power is on the rise and that her resilient community will survive. Emi is a macro thinker with deep community roots. Hear her.

Send us a textEmi Tull is a seasoned yoga instructor renowned for her transformative journey from a professional dancer to a Dharma Yoga teacher. Born in Japan and now living in London, Tull's dedication to yoga, particularly under the guidance of Sri Dharma Mittra, highlights her deep spiritual commitment. She is celebrated for teaching across various prestigious studios in London, passionately sharing the teachings and spiritual intricacies of Dharma Yoga, and engaging her community in kirtan and mantra chanting.Visit Emi here: https://lifetohappiness.com/Key Takeaways:Emi Tull's journey from a dancer in Japan to a respected Dharma Yoga instructor in London underscores the importance of spiritual connection and perseverance.Language and cultural challenges are part of Emi's unique journey, leading to deeper insights and personal growth within her yoga practice.The transformative power of kirtan and mantra chanting is integral to Emi's spiritual evolution, emphasizing the emotional depth and community connection these practices foster.Despite yoga's physical focus in Western countries, Emi advocates balancing spiritual and physical practices within yoga teaching.The experience of aging and evolving within one's yoga practice is natural, and Emi underscores the significance of this acceptance in fostering a lifelong commitment to yoga.Thanks for listening to this episode. Check out:

Emiとコネクトするリンク  

This week, hosts Chad and Joel, joined by career guru J.T. and Emi, sling snark and wisdom like a comedy roast for the recruiting world. They dive into The Muse's shady “acquisition” drama, where a LinkedIn post from an engineering honcho claims a buyout, but with zero press release or website proof, it smells more like a corporate ghosting than a deal—think two dinosaurs slow-dancing as meteors rain down. The crew then skewers Trump's H1B visa fee hike to $100,000, a move that lets tech titans like Google and Meta flex their fat wallets while startups choke, sending America's “brain gain” packing to Canada and Europe. J.T. drops a truth bomb: job security's a myth, so job seekers better channel their inner influencer and monetize their skills on social media, because full-time gigs are fading faster than a bad Tinder date. Meanwhile, Indeed's playing mafia boss, slashing agency commissions and strong-arming them into direct-apply schemes, prompting Chad to call it “agency castration by 10,000 paper cuts.” IBM's AI saga gets a laugh—8,000 HR folks got the boot for a chatbot, only for the company to rehire for creative roles when AI couldn't handle the human touch, proving even robots can't fake empathy. Finally, they tackle LinkedIn job scams, with losses skyrocketing from $90 million to $501 million in four years, blaming desperate job seekers, apathetic employers, and a government too busy to care. Chad's three-legged stool metaphor—job seekers, employers, government—falls flat when all three are slacking. Chapters00:00 - Introduction and Podcast Overview00:33 - Trump's Controversial Remarks on Europe01:58 - Chad's Return from Europe and Personal Reflections04:18 - Emerging Content Creators and the Knowledge Economy11:36 - Industry Ethics and Accountability15:26 - Celebrating Milestones and Upcoming Events19:36 - Industry Events and Networking Opportunities23:13 - The Muse Acquisition Controversy28:18 - The Impact of H1B Visa Changes34:24 - The Future of Work and Job Security37:11 - Indeed's Strategic Moves in Recruitment40:13 - The Agency Dilemma45:00 - The Evolution of Recruitment48:10 - AI's Role in Workforce Changes52:47 - Job Scams in a Tight Market

The face of lending has changed forever. In this episode, we unpack the new era of digital lending and its impact on the modern consumer. Our special guest, Sachin S from CRIF, explains how credit bureaus work, the rise of quick loans and EMIs, and the importance of monitoring your credit score. Learn how to build a healthy score from scratch, understand what lenders look for, and discover essential strategies to protect yourself from online fraud. Get your questions answered on personal loans, credit cards, and how to master your personal finance journey.✔ Digital Lending: The shift to a quick, tech-driven lending ecosystem, especially for Gen Z. ✔ Building Credit: How to responsibly start your credit score journey with small loans and credit cards. ✔ Role of Bureaus: Credit bureaus like CRIF get data from lenders to build your report. ✔ Fraud Vigilance: Protect your data and check your free RBI-mandated credit report for fraud. ✔ Your Credit Report: Understand what's on your report and how to dispute errors.From decoding your personal finances to demystifying business models, Paisa Vaisa delivers candid, insightful, and jargon-free conversations.Listen on Spotify, Apple Podcasts, Amazon Music, JioSaavn, Gaana & more Watch full episodes right here on YouTube Explore more at ivmpodcasts.comConnect with Anupam Gupta: Twitter: @b50 Instagram: @b_50 LinkedIn: Anupam Gupta Follow IVM Podcasts We’re @ivmpodcasts on Facebook, Twitter & InstagramSee omnystudio.com/listener for privacy information.

Annabella Lwin in conversation with David Eastaugh https://www.annabellalwin.com/ Bow Wow Wow signed a recording contract with EMI Records in July 1980, and released their first single, "C·30 C·60 C·90 Go!", shortly afterwards. Originally only released on cassette, it was the world's first-ever cassette single. EMI did not promote the cassingle due to lyrics ("Off the radio I get constant flow/Hit it, pause it, record and play/Turn it, rewind and rub it away") that promoted home taping during an era when music piracy was a hot button issue and the use of cassette recorders to record music from the radio was still a controversial practice.

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

Find the complete episode here:   / offplanetmedia  ​ - free 7 day trial herehttps://emilymoyer.loc...​ - free trial month here w/ code - JOINEMILYFind Emily here: https://emilycmoyer.com​ https://emilymoyer.loc...​ - free trial month here w/ code - JOINEMILY   / offplanetmedia  ​ - free 7 day trial herehttps://rokfin.com/Emi...​ https://projectkids.lo...​ - free trial month here w/ code - PKLOVESYOUhttps://wordspodcast.l...​ - free trial month here w/ code - WELCOMETOWORDShttps://youtube.com/@emilymoyer?si=CiWmiiCcTRNacvvwBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

In this episode, we recap Richmond's 2-0 road win at Westchester, highlighted by Emi's spectacular early bicycle kick and Landon Johnson's breakaway finish off a goalkeeper error. We also dive into how the Kickers controlled the match, the momentum this result builds, and what it means moving forward in the season.

Romain Vivien is the Global Head of Music and President of Europe at Believe, one of the world's leading digital music companies supporting independent artists and labels. With nearly 30 years of experience, including senior leadership roles at Virgin and EMI, Romain has been instrumental in shaping Believe's global music strategy across 50+ markets. A passionate advocate for fairness and transparency, he continues to champion artist development, identity, and storytelling as essential pillars for success in today's rapidly evolving music industry.In this episode, Romain shares how independent artists can thrive in a digital-first music landscape by leaning into authenticity, storytelling, and the power of local music movements.Key Takeaways:Why understanding and defining your artist identity is the foundation for growth.How digital platforms are reshaping opportunities for independent artists.The future of music trends, including the rise of local artists and diverse genres.---→ Learn more about Romain and Believe at believe.com.Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Long before he became famous as the sharp-tongued TV personality who launched the careers of pop stars, Simon Cowell was a rebellious teenager who dropped out of school and started his career in the mailroom at EMI. After a failed business left him nearly bankrupt, he found success by zigging where others zagged—initially by selling hit records based on TV shows like Power Rangers and WrestleMania. Eventually Simon got behind the TV camera himself, where his brutally honest feedback on shows like American Idol and The X Factor made him a household name. Today, through his company Syco Entertainment, Simon continues to discover new talent. His latest challenge: an upcoming Netflix show where he'll try to build a boy band from scratch.This episode was produced by Josh Lash, and edited by Neva Grant, with research by Iman Maani. Our audio engineers were Patrick Murray and Jimmy Keeley.You can follow HIBT on X and Instagram, and email us at hibt@id.wondery.com. Sign up for Guy's newsletter at guyraz.com or Substack.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.