Podcasts about Emi

Hosts Jim DeRogatis and Greg Kot talk with music journalist and author Barry Walters about his new book Mighty Real: A History of LGBTQ Music 1969-2000. They discuss how gay artists, industry execs and audiences changed mainstream music. They also chat about artists like R.E.M., Pet Shop Boys, Donna Summer and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:David Bowie, "Rebel Rebel," Diamond Dogs, RCA, 1974The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sylvester, "You Make Me Feel (Mighty Real)," Step II, Fantasy, 1978Pet Shop Boys, "Opportunities (Let's Make Lots of Money)," Please, Parlophone, 1986R.E.M., "Pretty Persuasion," Reckoning, I.R.S., 1984Gang of Four, "Call Me Up," Songs of the Free, EMI, 1982Prince, "Controversy," Controversy, Warner Bros., 1981Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980Laura Nyro, "Stoned Soul Picnic," Eli and the Thirteenth Confession, Columbia, 1968Donna Summer, "Queen For a Day," Once Upon a Time, Casablanca, 1977Indigo Girls, "Closer to Fine," Indigo Girls, Epic, 1989Michael Jackson, "Childhood," HIStory: Past, Present and Future, Book I, Epic, 1995The Smiths, "There Is a Light That Never Goes Out," The Queen Is Dead, Rough Trade, 1986David Bowie, "Space Oddity," David Bowie, Philips, 1969Frankie Goes to Hollywood, "Relax," Welcome to the Pleasuredome, ZTT, 1984Robyn, "Blow My Mind," Sexistential, Konichiwa and Young, 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailWe take rapid-fire questions from the field and turn them into practical guidance for low voltage pros who want stronger designs, cleaner execution, and fewer budget surprises. We get blunt about what really drives performance and profit, from cable pathways and fiber choices to labor risk, change control, and training. • Framing AI-ready buildings around business outcomes not hype • Future-proofing with larger cable pathways and extra dark fiber • Building leadership by earning trust through quality and problem solving • Communicating clearly with project managers and customers • Thinking like a leader by learning budgets schedules and expectations • Avoiding estimating traps like labor guesswork missed infrastructure and site logistics • Handling scope creep by documenting every change and showing schedule impact • Planning cabling for Wi-Fi 7 including Cat 6A considerations and PoE realities • Reducing healthcare infrastructure risk through growth planning and EMI awareness • Protecting quality during labor shortages with training mentorship and visible recognition • Keeping smart buildings usable through interoperability and outcome-driven automation • Staying involved in construction so designers learn from the field and improve bids • Tracking hyperscale data center trends like high-density fiber prefabrication and single mode • Knowing when a bid is too risky by spotting red flags and GC reputation Make sure to send me your questions. They might show up in next week's show. Support the showKnowledge is power!  Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling .  Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

On this episode of The Bandwich Tapes, I sit down with the extraordinary Wendy Moten for a conversation about longevity, versatility, professionalism, and the many different ways a singer can build a meaningful life in music. Wendy has one of those careers that musicians know and revere: a major-label artist in the 1990s, a world-class touring vocalist, a sought-after session singer, a member of the Grammy-winning Time Jumpers, a regular performer on the Grand Ole Opry, and, more recently, a powerful presence for a new generation of listeners through The Voice. What struck me most in this conversation is how clearly she understands her craft, her purpose, and the discipline required to sustain both.We begin by talking about the busy season she is in now, balancing solo work, sessions, weekly performances with the Time Jumpers, and another major tour with Vince Gill. Wendy shares the story of how Vince first called her out of the blue after her run with Martina McBride had ended, and how that invitation opened an entirely new chapter in her career. From there, we get into what she calls her “version of country music,” and how she found it not by imitating the genre, but by studying its history, listening closely, and finding an authentic way to bring herself into the tradition.One of my favorite parts of the conversation centers on harmony singing and what it really means to support another artist. Wendy talks beautifully about what she learned during 15 years as Julio Iglesias's duet partner, including how to listen, how to match breath and phrasing, how to stay out of the way, and how to make someone else sound even better. She says she was “getting paid for self-control,” which is one of the best descriptions of professional background singing I have ever heard. That whole section of the conversation is full of insight for anyone who cares about what it means to serve the music at a very high level.We also talk about church, family, and the support system that made her life in music possible. Wendy reflects on growing up in Memphis, singing in church, and learning early how to stand in front of people, even when she was shy and uncomfortable. She shares how much her parents sacrificed to create opportunities for her and her siblings, and how much those sacrifices still mean to her now. We also spend time talking about her Grand Ole Opry appearances, including the emotion of making her Opry debut without her parents there to see it, and the significance of standing on that stage as a Black woman in a space where history has not always made room for everyone.Along the way, we get into her years at EMI, the pressure to be shaped into whatever version of success the label wanted at the time, and the freedom she eventually found by building a career outside the usual boxes. Wendy talks openly about not needing fame in the conventional sense, about loving the role of underdog, and about continuing to surprise people. This is a conversation about singing, certainly, but also about resilience, humility, excellence, and how to remain generous and grounded across four decades in music.Key TakeawaysWendy Moten reflects on building a career across pop, country, jazz, Americana, sessions, television, and touring without being confined to one lane.She shares how 15 years with Julio Iglesias taught her phrasing, breath, dynamics, communication, and the art of listening more deeply.Wendy talks about singing with Vince Gill and the Time Jumpers, and how she developed her own authentic relationship to country music.She offers a sharp and memorable perspective on background vocals: great harmony singing requires self-control, consistency, and leaving your ego at home.The conversation explores how the church shaped her confidence, artistry, and ability to recover from mistakes in front of an audience.Wendy also reflects on The Voice, why she chose to do it, and how it introduced her to a new audience without diminishing everything that came before it.We discuss the Grand Ole Opry, the emotional weight of her debut, and the significance of taking up space in a tradition that has not always been inclusive.Music from the EpisodeOde to Billy Joe - Wendy MotenDon't Touch Me - Wendy MotenDriving Nails in My Coffin - Wendy MotenFaithless Love - Wendy Moten (with Vince Gill)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, singers, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the life experiences that shape the music. It is a show about artistry, process, and the human side of a life in music.Connect with the Showcontact@thebandwichtapes.com

Suggest an interview for Cheryl Lee or let us know who your favorite interviewee is so farJoin Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musiciansA London record deal with EMI, the early grind of cover gigs, six months touring with Van Halen and a festival in the outback that feels like a pilgrimage. Cheryl Lee sits down with Suze DeMarchi, the unmistakable voice of The Baby Animals, for a wide-ranging chat that connects the dots between where an artist starts and how they last.We talk about Suze's musical roots and the family soundtrack that shaped her, including the mother she credits as a truly great singer. From there, Suze walks us through the working-band years that taught her how to survive on stage, the leap to the UK, and the “sliding doors” moments that pushed her to back herself as a rock singer. If you love Australian rock history, you'll want to hear her reflections on massive tours, what that kind of schedule demands, and the stories that still feel too big to fit into one conversation.Then we bring it back to the present: Baby Animals heading to the Mundi Mundi Bash, what makes the event so special (red dust, huge skies, community, and surprisingly sharp organization), and why Suze calls it quintessentially Australian. She also shares where the band's new album is at, when to expect fresh songs, and what's coming on the road next year.If you enjoyed this one, follow the show, share it with a fellow live-music obsessive, and leave a review so more people can find Still Rockin' It. What's the Baby Animals song you'd most want to hear down the front?What are The Baby Animals up to at the moment?  Let's find out!Get out when you can, support local music and I'll see you down the front!!Visit:  ThatRadioChick.com.au

Flipkart is accelerating its AI ambitions with a wave of senior hires from leading tech and consumer companies, while Vodafone Idea non-executive chairman Kumar Mangalam Birla has reassured investors about the telecom operator's revival plans. Rising smartphone and laptop prices are driving more consumers toward EMI financing, even as the FIFA World Cup 2026 sparks a boost in television and merchandise sales across India. Meanwhile, Anthropic has apologised after developers criticised restrictions embedded in its latest Claude Fable 5 AI model, raising fresh questions about AI governance and transparency.

In this episode of the What the FinTech? podcast, host and FinTech Futures Managing Editor Paul Hindle is joined by Cassie Craddock, Managing Director for UK and Europe at Ripple, to explore the work Ripple is doing to transform cross-border payments through blockchain technology and stablecoins and learn more about the company's expansion plans. Paul and Cassie discuss how Ripple's recent EMI licences in the UK and Luxembourg are positioning the company for significant growth across European markets, and what these regulatory milestones mean for clients and partnerships in the region. The conversation also covers the growing role of stablecoins in cross-border transactions, examining the advantages they offer over traditional methods, and how Ripple's USD stablecoin fits into the company's broader vision. And finally, we find out what fintech buzzword Cassie wants to throw into our Fintech Jail! ----------------------------------------------------------------------- ABOUT FINTECH FUTURES FinTech Futures is the #1 provider of global fintech news and intelligence. With a mission to empower the financial technology community, we bring you the latest updates and thought leadership from across the industry. From startups to established players, we cover the entire fintech ecosystem. Stay Connected with FinTech Futures: Visit our website: www.fintechfutures.com Follow us on LinkedIn: www.linkedin.com/company/fintechfutures/ Sign up to our newsletter: www.fintechfutures.com/newsletter Subscribe to our channel: www.youtube.com/@FinTechFutures

John Leckie is one of British rock’s greatest producers, who started out as a tape operator at Abbey Road in 1970, thrown immediately into sessions for George Harrison’s All Things Must Pass and John Lennon’s Plastic Ono Band. This interview, conducted live at The CAT Club in September 2025, focuses on Sunburst Finish, the Be Bop Deluxe album that gave Leckie his first official production credit, and covers both the making of the album and his creative partnership with Bill Nelson. Additionally, Leckie gives a first-hand account of Syd Barrett’s unannounced appearance during the Wish You Were Here sessions, an encounter he stumbled into while raiding Pink Floyd’s beer fridge, only for Roger Waters to stop the tape and ask who the stranger standing next to him was. The Q&A session draws out further stories about working with The La’s, the Stone Roses’ debut, and how XTC – who idolised Bill Nelson, led Leckie to leave EMI and go independent. Further information Support The Strange Brew Podcasts also available: Bill Nelson – Be Bop Deluxe, Rob Chapman on Syd Barrett, Ken Scott on The Beatles, Bowie, Alan Parsons This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post John Leckie on Be Bop Deluxe and the Making of Sunburst Finish appeared first on The Strange Brew .

It is officially Joel-Free June, which means Joel is off on an extended European holiday while Chad holds down the fort with two brilliant industry heavyweights: Emi Beredugo and JT O'Donnell. From boardroom coups and high-stakes acquisitions to massive corporate grifts, the trio dives deep into a chaotic week of HR technology news. Stepstone's Plot Twist JobGet Snaps Up Ripple Match The Job.com Meltdown The Point Solution Funeral Billionaires, Layoffs, & Job Slop AI Lost in Translation Listener Shoutout: A massive shoutout to TA champion Terry Dewey for slashing their organization's Indeed spend over the past 12 months by putting our podcast strategies to work! Keep the cash, Terry, but feel free to ship that bottle of whiskey to the studio anyway. Don't miss Chad and Emi live at Recfest UK on July 2nd at Knebworth Park! Emi is taking over the Innovate Stage as MC, while Chad and a freshly returned Joel will be bringing the noise to the Disrupt Stage. Get your incredibly soft The Chad & Cheese t-shirts, free beer, and free whiskey by heading over to chadandcheese.com/free.

The conductor Klaus Tennstedt was born on June 6, 1926. After his arrival from East Germany to the West, he held chief conductor posts with the NDR Symphony Orchestra in Hamburg (1979-81), and with the London Philharmonic Orchestra (1983-87), with whom he recorded extensively, including a Mahler symphony cycle (of which No 8 won a Gramophone Award back in 1987). To mark the anniversary Warner Classics has issued a 41-CD set of all of the conductor's EMI recordings. Additionally, there is a substantial Tennstedt catalogue on the LPO's own label as well as numerous off-air performances on YouTube and various other record labels. A century on, we celebrate Tennstedt's artistry with a special Gramophone podcast in which the critic and broadcaster Edward Seckerson – who interviewed the conductor, attended recording sessions and heard him live many time – talks to James Jolly about what made him such an admired musician. See omnystudio.com/listener for privacy information.

Fluent Fiction - Japanese: Hiroto's New Path: Balancing Dreams and Duty at Tsukiji Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-06-05-07-38-19-ja Story Transcript:Ja: 東京の築地市場は、毎朝、日の光で光る海鮮で賑やかだ。En: The Tsukiji market in Tokyo is bustling every morning with seafood that sparkles in the sunlight.Ja: 販売者たちは、お互いに負けじと声を張り上げている。En: The vendors raise their voices, competing with each other.Ja: その中に、古くから海産物の屋台を営む店がある。En: Among them is a stall that has been in the seafood business for many years.Ja: そこは、広人の家族の店だ。広人は家族の最年長の息子で、その業務に欠かせない存在である。En: It's run by the family of Hiroto, the eldest son, who is an indispensable part of the business.Ja: しかし、彼の心には他の夢があった。En: However, in his heart, he had other dreams.Ja: 広人の妹、エミはいつも元気だ。En: Hiroto's sister Emi is always full of energy.Ja: 彼女は家業に情熱を持ち、朝早くから来るお客さんに笑顔で商品を勧めている。En: She is passionate about the family business, cheerfully recommending products to customers who come early in the morning.Ja: 彼女は広人の悩みに気づいていない。En: She is unaware of Hiroto's dilemma.Ja: このままでは二人の間に亀裂が入るかもしれない。En: If things continue this way, it could cause a rift between them.Ja: そんな時、隣の店で働くユキさんが彼に話しかけた。En: At such a time, Yuki from the neighboring stall spoke to him.Ja: ユキさんは長年の友で、経験豊富な販売者だ。En: Yuki is a long-time friend and an experienced vendor.Ja: 「おはよう、広人。元気がないようだな」と声をかけた。En: "Good morning, Hiroto. You seem down," he said.Ja: 広人はため息をついて、「最近、ずっと考えているんです。家を出て、他の仕事をしてみたいって」と話した。En: Hiroto sighed and replied, "Lately, I've been thinking. I want to leave home and try another job."Ja: 「他の道を選ぶことは、悪くないぞ」と、ユキさんは自分の若い頃の話を始めた。En: "Choosing a different path isn't bad," Yuki said, starting to talk about his own youth.Ja: 彼もまた、家業の期待に悩まされていたのだ。En: He, too, struggled with the expectations of the family business.Ja: しかし、彼はそれを乗り越え、新しい道を切り開いたと言う。En: But he overcame it and carved out a new path for himself.Ja: 広人はある日、エミと真剣に話すことを決めた。En: Hiroto decided one day to have a serious talk with Emi.Ja: 「エミ、僕は違う仕事をしてみたいんだ」と伝えた。En: "Emi, I want to try a different job," he conveyed.Ja: その時、エミは少し驚いてから、微笑んで答えた。「お兄ちゃんの幸せが一番大事だよ」と。En: Emi was a bit surprised at first, but then smiled and replied, "Your happiness is what matters the most, brother."Ja: その言葉を受けた広人は、安心感に包まれた。En: With those words, Hiroto felt a sense of relief.Ja: そして、彼は家業をエミに任せる準備を始めた。En: He then started preparing to entrust the family business to Emi.Ja: エミは意欲的に店を継ぐことを約束した。En: Emi eagerly promised to take over the shop.Ja: 広人は新しい仕事の面接に向けて準備し始めた。En: Hiroto began preparing for interviews for a new job.Ja: 彼は、自分の夢を追い求めることが大切だと学んだ。En: He learned that pursuing his own dreams was important.Ja: 家族の期待と自分の願いのバランスを取ること、新しい一歩を踏み出す勇気を持つことを決意したのである。En: He decided to balance family expectations with his own desires and to have the courage to take new steps forward.Ja: 築地の市場は、今日も活気に満ちている。En: The Tsukiji market is full of energy again today.Ja: エミは笑顔でお客様を迎え、広人は新しい未来に向かって歩み出した。En: Emi greets the customers with a smile, and Hiroto walks towards his new future.Ja: 古い香りの中に、確かに新しい風が吹いていた。En: Amidst the old familiar scents, a new breeze was definitely blowing. Vocabulary Words:bustling: 賑やかvendor: 販売者indispensable: 欠かせないdilemma: 悩みrift: 亀裂expectations: 期待overcame: 乗り越えたcarved out: 切り開いたrelief: 安心感entrust: 任せるeagerly: 意欲的にpursuing: 追い求めるbalance: バランスを取るcourage: 勇気amidst: 中にsparkles: 光るcompeting: 負けじとconveyed: 伝えたsurprised: 驚いてhappiness: 幸せdesires: 願いscents: 香りbreeze: 風long-time: 長年experienced: 経験豊富passionate: 情熱familiar: 古いentrust: 任せるpreparing: 準備smiled: 微笑んで

Pour découvrir les livres de Thomas Rabeyron : https://amzn.to/4nYgGaEThomas Rabeyron est psychologue clinicien, professeur de psychologie clinique et de psychopathologie. Il est également chercheur et ses travaux portent entre autres sur ce que l'on nomme les « expériences exceptionnelles ».Il nous parle des phénomènes que l'on qualifie de paranormaux en Occident, vécus par de nombreuses personnes, parmi lesquels les sorties de corps, les EMI, la médiumnité, abductions etc...01:14 Alors pour commencer, qu'est-ce que le PSI et pourquoi vous y êtes-vous intéressé en tant que psychologue ?03:01 Vous avez co-fondé l'organisme CIRCEE, le Centre International de Recherche et de Consultation sur les Expériences Exceptionnelles, à Lyon, qui reçoit des personnes vivant des phénomènes extraordinaires. Quelles sont les diverses activités de CIRCEE et quels sont les cas qui vous ont le plus interpellé ?09:43 Quand vous parlez des poltergesit, qu'est-ce qui vous fait penser que ce sont somatisations externes des personnes ?13:14 Vous avez de plus en plus de personnes qui vous contactent. Est-ce parce qu'il y a de plus en plus de cas ou est-ce parce que les gens osent en parler plus facilement ?14:15 Est-ce qu'il y a une catégorie de phénomènes qui est surreprésentée ?17:04 Dans les témoignages de régression vers des vies antérieures, Antoine Bioy, psychothérapeute spécialiste des transes, constate que les personnes témoignent d'histoires dont le cadre est différent mais le fond reste le même que leur vie présente. Qu'en pensez-vous ?18:18 Si les expériences extraordinaires sont des projections de la psychée dans l'environnement extérieur, que penser des abductions ?25:28 Que pensez des projections dans l'environnement des sujets PSI, d'éléments dont ils n'ont pas connaissance, qui ne font pas partie de leur culture (dans les cas d'observations d'OVNI par exemple)?31:16 Dans votre livre Codex Anomalia vous relatez le cas de Ted Serios, pouvez-vous nous en parler et en quoi son cas est un des plus exceptionnels qui ait été étudié?39:23 Vous expliquez que les phénomènes exceptionnels auraient une fonction pour la personne qui les vit, que vous nommez solution paranormale. Pouvez-vous nous expliquer cela ?46:47 Vous avez créé le modèle ORPHEE qui propose une vision du réel entre modèle matérialiste réductionniste auquel nous adhérons en occident et le modèle idéaliste postulant que le conscience crée la matière. Pouvez-vous nous décrire le modèle Orphée ?55:03 Pouvez-vous nous parler du projet Stargate aux Etats-Unis ?56:53 Que serait la créativité selon le modèle Orphée ?01:05:14 Comment penser l'IA avec ce modèle Orphée ? Pourrait-elle devenir consciente selon vous ?01:11:02 Quels ponts faites-vous entre les connaissances actuelles en physique quantique et le modèle que vous proposez ?01:16:23 Dans Codex Anomalia, vous vous referez régulièrement à la psychanalyse qui est de plus en plus critiquée. Pourquoi et en quoi cette approche vous semble-t-elle pertinente ?01:22:40 Vous expliquez que ce qui cause la souffrance des gens c'est le non représenté et le non ressenti, pouvez-vous nous en dire plus? Et pourquoi une représentation plus large du monde permet aux gens d'aller mieux ?01:28:00 A la fin du livre, vous expliquez que dans l'histoire de l'humanité, notre société occidentale est la première à avoir objetisé le monde et les personnes, que tout ce qui est inconnu est évacué tel que le PSI.Or de nombreux mythes tels que celui d'Orphée racontent comment vouloir tout connaitre et tout savoir, et donc évacuer l'inconnu comme une anomalie, est une voie vers la destruction. Il semble que ce que nous vivons actuellement sur la planète donne raison à ces mythes. Pouvez-vous développer cette idée ?01:32:08 Existe-t-il encore selon vous des populations qui vivent connectés à ce monde ontique ?01:35:18 Pour ceux qui aimeraient se reconnecter à cette « intelligence de la vie », à ce monde ontique, que pourriez-vous conseiller?Pour découvrir les Masterclass La psychologie pour tous Pour découvrir la chaine Youtube : Pour découvrir le site de La psychologie pour tous Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us Fan MailPerfect-looking terminations and clean certification results can still hide the interference that slows networks weeks later. We break down EMI, RFI, and crosstalk in plain terms, then lay out the practical install rules that protect performance and your reputation. • why EMI is invisible but disruptive to Ethernet signals • common EMI sources on job sites, from lights to motors to transformers • the real cost of downtime and why customers only remember performance • how crosstalk differs from EMI and where it comes from • near-end, far-end, power sum, and alien crosstalk explained • termination mistakes that create marginal passes and failures • Cat 6A, higher frequencies, and the cable combing debate • prevention rules: separation, preserving twists, pathway fill, and bend limits • cable tray and bundling tips, including PoE heat concerns • shielding done right with proper bonding and grounding If you're watching this show on YouTube, would you mind hitting the subscribe button and the bell button to be notified when new content's being produced? If you're listening to us on one of the audio podcast platforms, would you mind leaving us a five-star rating? I'd love to hear from you in the comments below what's the worst EMI or crosstalk issue that you've ever encountered in a project. Drop your story in the comments below. Support the showKnowledge is power!  Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling .  Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

This interview features MobiKwik CEO Bipin Preet Singh discussing how India's FinTech landscape is shifting from payments to sustainable, compliant credit ecosystems. He emphasises that innovation must align with the “spirit of regulation,” advocating proactive engagement with regulators and industry‑led SROs. With UPI now commoditised, Singh sees differentiation emerging through credit‑first products, embedded financial services, CBDC integration, and innovations like Pocket UPI and the F1rst RuPay credit card. MobiKwik's pivot from BNPL to longer‑tenure EMI and secured lending reflects a risk‑balanced, regulation‑aligned strategy supported by co‑lending partnerships under FLDG norms. As the company scales toward its post‑IPO vision, its full‑stack platform—spanning payments, credit, savings, and merchant services—aims to drive responsible, profitable growth

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Welcome to The Money Trench! This week, Mark is joined by Guy Moot, Co-Chair and CEO of Warner Chappell Music.  Having enjoyed triumphant stints at EMI and Sony, Guy is one of the most successful music publishers of all time. Ahead of picking up the MITS Award in November, the pair discuss his career, and why championing future talent is more important than ever. NEWSLETTER ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for the TMT newsletter - featuring each week's hottest music industry stories. SOUNDON The Money Trench is sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SoundOn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. TIXEL The Money Trench is sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tixel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. KEEP UP TO DATE For the latest podcast and music business updates, make sure to follow us on:  Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@the_money_trench⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ LinkedIn: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Money Trench⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Money Trench⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET IN TOUCH If you have any feedback, guest suggestions or general comments? We'd love to hear from you! -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thanks to our partners ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SoundOn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tixel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Earth/Percent⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tom A Smith⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Deviate Digital⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fourth Pillar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sennheiser⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Junkhead Studio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tape Notes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Mike Walsh Producer: Tape Notes 

It's official – Aston Villa is your 2026 Europa League champion! We recap how Villa triumphed over SC Freiburg for their first European trophy since 1982 (and Emery's 5th!), discussing how they dominated virtually every phase of the game, the phenomenal goals from Tielemans, Buendia, and Rogers, Emery's usual tactical mastery, Emi doing Emi things, and much more. Then we review what went wrong for Freiburg, whose magical run ended with a bitter pill, including why they missed Suzuki, Grifo and Beste's lack of involvement, and Manzambi's lively efforts. Finally, we debate what each side needs to accomplish over the summer to push on to another season of Europe (Villa in the Champions League, Freiburg in the Conference). Can Villa and Emery build on this triumph and strengthen the squad? Can Freiburg replace some of their aging veterans? Major credit to both clubs for a wonderful season, but Villa were the form team throughout the competition and rolled through the knockouts. Thoroughly deserved champions. Big cheers to Unai Emery and the Villains!

SpaceX gaat naar de beurs in wat de grootste IPO ooit kan worden, en onthult terloops een bitcoinbezit van 18.712 BTC. Verder maken Nederlandse grootbanken een opvallende cryptodraai door een Europese stablecoin te steunen, trekt Trump zijn ETF-aanvragen in én sluit hij een deal met de Belastingdienst. We bespreken ook de CFTC-rechtszaak rond voorspellingsmarkten, Tether die SoftBank's belang in Twenty One overneemt en de vraag wat er in 2036 met bitcoin mining gebeurt. En oh ja: Bankless-host David verkoopt al z'n ETH.Probeer de eerste maand voor 5 euro (80% korting)Satoshi Radio wordt mede mogelijk gemaakt door: Watson Law en onze hoofdsponsor Bitvavo.Timestamps(00:00:00) Welkom en Podcast Introductie(00:09:00) Bookmark van Peter: CFTC sleept Minnesota voor de rechter om voorspellingsmarkten(00:20:00) Bookmark van Bert: WSJ: SpaceX Is Aiming to Go Public on June 12 in What Stands to Be Biggest IPO Ever(00:31:00) Bookmark van Bert: WSJ: OpenAI kondigt misschien vrijdag al beursgang aan(00:39:00) Bookmark van Bert: “HL provided price discovery that was very accurate”(00:46:00) Bookmark van Peter: Trump sluit deal met Amerikaanse Belastingdienst(00:51:00) Bookmark van Peter: Trump trekt zijn ETF-aanvragen terug(00:53:00) Bookmark van Peter: Trump geeft opdracht aan Fed om weg vrij te maken voor fintechs(00:56:00) Bookmark van Peter: SEC komt binnenkort met ‘innovation exemption' voor on-chain securities(01:03:00) Bookmark van Bart: Nederlandse grootbanken maken cryptodraai en steunen Europese stablecoin(01:18:00) Bookmark van Bert: The 2036 Issue: Bitcoin Mining Is Dead, Long Live the Miners!(01:34:00) Bookmark van Bert: Bankless-host David verkoopt al z'n ETH(01:44:00) Bookmark van Bart: Tether International Deepens Commitment to Twenty One Capital Through Acquisition of SoftBank's Stake(01:53:00) MarktupdateBookmarksBertThe 2036 Issue: Bitcoin Mining Is Dead, Long Live the Miners!WSJ: SpaceX Is Aiming to Go Public on June 12 in What Stands to Be Biggest IPO EverSpaceX onthult bezit van 18.712 BTCWSJ: OpenAI kondigt misschien vrijdag al beursgang aanFT: Waardering boven de $1 biljoen“HL provided price discovery that was very accurate”HyperLiquid #1 application revenue$25 miljoen in HYPE ETF'sBankless-host David verkoopt al z'n ETHEn de ene na de andere EF-coryfee vertrektniet normaalBartTether International Deepens Commitment to Twenty One Capital Through Acquisition of SoftBank's StakeI am the sole controller and board authority of Strike. Twenty One does not own any part of Strike.Nederlandse grootbanken maken cryptodraai en steunen Europese stablecoinPeterBitcoinfondsen lopen ‘leeg'Saylor's kluis loopt ‘vol'CFTC sleept Minnesota voor de rechter om voorspellingsmarktenTrump sluit een deal met de BelastingdienstTrump trekt zijn ETF-aanvragen terugTrump geeft opdracht aan Fed om weg vrij te maken voor fintechsFed zet volgende stap in formalisering ‘payment accounts'Iran de facto poortwachter van Straat van HormuzIran lanceert Hormuz Safe, veilige vaart tegen betaling van BTCSEC komt binnenkort met ‘innovation exemption' voor on-chain securitiesRevolut lanceert eerste cryptobetaalkaart (Doge-thema)Zerohash krijgt EMI-vergunning van DNB

Hosts Pastor Rico Basso and Pastor Robert Baltodano Question Timestamps: Eileen, email (2:21) - Can you explain John 20 verse 23? Robert, OR (4:46) - Are any non-Israelites counted in the number of Israelites in Numbers? Frank, NJ (10:07) - When did the "AD" calendar start? Emi, email (14:29) - If I start a ministry or outreach, do I need it to be under a church's banner? Carlos, NJ (17:30) - Is there such a thing as eternal torment? Joshua, email (23:31) - Are ministers or pastors required to go to seminary? Joey, email (27:41) - Does attending church affect your salvation status? Rocio, Facebook (32:36) - Is purgatory Abraham's Bosom? How do you defend your stance that there is no purgatory? Scott, NY (36:10) - If a Bible study leader isn't lined up with scripture, should they still be a teacher? Mark, NJ (41:43) - Is it sinful to sit under a woman teacher? Dennis, NJ (46:51) - Were we placed on this Earth to suffer because of free will? Bobby, FL (50:43) - Does Paul's instruction on women teaching not prohibit women pastors? Ask Your Questions: Call: 888-712-7434 Email: Answers@bbtlive.org

Fluent Fiction - Japanese: Sakura Serenade: Riku's Unforgettable First Date Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-05-20-22-34-01-ja Story Transcript:Ja: 春の優しい風が吹く中、桜が満開の公園で、リクとエミは花見を楽しんでいました。En: In the gentle breeze of spring, sakura were in full bloom in the park, where Riku and Emi were enjoying a flower viewing.Ja: 色とりどりの提灯が揺れ、甘い桜の香りが漂います。En: Colorful lanterns swayed, and the sweet scent of sakura wafted through the air.Ja: リクは心の中で、今日はエミとの初めてのデートを特別なものにしたいと思っていました。En: Deep down, Riku wanted to make this first date with Emi special.Ja: 彼らは屋台でたこ焼きや焼きそばを買い、笑顔で食べながら公園を歩きます。En: They bought takoyaki and yakisoba from the food stalls and strolled through the park with smiles.Ja: エミは「あそこの演奏ステージ面白そうね！」と興奮気味に言いました。En: Emi excitedly said, "That performance stage over there looks interesting!"Ja: リクは、音楽が好きなエミを楽しませたいと思い、「行ってみよう！」と返事をしました。En: Riku, wanting to entertain music-loving Emi, replied, "Let's go check it out!"Ja: ステージの近くに到着すると、リクは突然、カラオケ大会の参加者として名前を呼ばれました。En: When they arrived near the stage, Riku was suddenly called up as a participant in the karaoke contest.Ja: 「えっ、どうして？！」驚くリク。En: "What, why?!" Riku was surprised.Ja: どうやら参加者名簿にいたずらで名前が書きこまれてしまったようです。En: It seemed someone had mischievously written his name on the participant list.Ja: 人込みから見つめるエミの期待に満ちた目を見て、リクは悩みます。En: Seeing the hopeful eyes of Emi in the crowd, Riku was conflicted.Ja: 彼の心は緊張でいっぱいになりました。ステージで歌うなんて、夢にも思っていませんでした。En: His heart was filled with anxiety, as he had never dreamed of singing on stage.Ja: エミは「大丈夫だよ、リク！頑張って！」と笑顔で応援してくれます。En: Emi cheered him on with a smile, "You'll be fine, Riku! Do your best!"Ja: その笑顔に勇気をもらい、リクは少しだけ心を決めました。En: Encouraged by her smile, Riku made up his mind a little.Ja: 「やるしかない」そう自分に言い聞かせ、ステージに上がります。En: "I have to do it," he told himself, and stepped onto the stage.Ja: リクの手には冷たい汗が流れ、小さく震えています。En: Cold sweat ran down Riku's hands, slightly trembling.Ja: しかし、エミの応援を思い出し、深呼吸します。En: But remembering Emi's support, he took a deep breath.Ja: 音楽が始まり、リクはゆっくりとマイクを口に近づけ、歌い始めました。En: The music started, and Riku slowly brought the microphone to his lips and began to sing.Ja: 最初は緊張していましたが、次第に歌のリズムに乗ってきました。En: At first, he was nervous, but gradually he caught the rhythm of the song.Ja: ところが、突然マイクの音が消えてしまいました。En: However, suddenly the sound of the microphone went out.Ja: リクは驚き、ステージ上で立ち尽くします。En: Riku was startled and stood frozen on stage.Ja: しかし、観客の中からエミの笑い声が聞こえました。En: But from the audience, Emi's laughter could be heard.Ja: 「リク、上手だったよ！」彼女の言葉に、リクも思わず笑顔になります。En: "Riku, you were great!" Her words brought a smile to Riku's face.Ja: 緊張がほぐれ、リクも笑い始めました。En: The tension loosened, and Riku started laughing too.Ja: 「まぁ、面白い想い出にはなったかもね」と冗談を言い、二人はステージを後にしました。En: Jokingly he said, "Well, it became an amusing memory," and the two left the stage.Ja: その後、リクとエミは手をつないで祭りを楽しみました。En: Afterward, Riku and Emi held hands and enjoyed the festival.Ja: 大道芸や美味しい食べ物がいっぱいで、楽しい時間が過ぎていきます。En: There were street performances and lots of delicious food; fun times passed by.Ja: リクは心の中で、今日はエミを喜ばせたかったけれど、結局自然体の自分でいることが一番だと気づきました。En: Riku realized deep down that although he wanted to make Emi happy, being his natural self was the best.Ja: 夜が更けると、帰り道で二人は満開の桜を見上げました。En: As night fell, on their way home, the two looked up at the sakura in full bloom.Ja: 「今日は素敵な日だったね」とエミが言うと、リクは「うん、ありがとう」と優しく答えました。En: "Today was a wonderful day," Emi said, to which Riku gently replied, "Yeah, thank you."Ja: そして二人は、春の風に吹かれながら家路を急ぎました。En: And they hurried home, blown by the spring breeze.Ja: リクは心の中で、今日が特別な日になったことを感じていました。En: Riku felt in his heart that today had become a special day. Vocabulary Words:breeze: 風bloom: 満開swayed: 揺れwafted: 漂いますstrolled: 歩きますperformance: 演奏entertain: 楽しませparticipant: 参加者mischievously: いたずらでhopeful: 期待に満ちたanxiety: 緊張trembling: 震えrhythm: リズムstartled: 驚きfrozen: 立ち尽くしますaudience: 観客tension: 緊張amusing: 面白いmemory: 想い出festival: 祭りperformance: 大道芸realized: 気づきnatural: 自然体night fell: 夜が更けるwonderful: 素敵なreplied: 答えましたhurried: 急ぎましたspecial: 特別stage: ステージperformance: 演奏

幻冬舎の暗号資産（仮想通貨）/ブロックチェーンなどWeb3領域の専門メディア「あたらしい経済 https://www.neweconomy.jp/ 」がおくる、Podcast番組です。 ーーーーー 【番組スポンサー】 この番組は、暗号資産取引におけるフルラインナップサービスを提供する「SBI VCトレード」のスポンサーでお届けします。 ーーーーー SBI VCトレードは、「暗号資産もSBI」のスローガンのもと、国内最大級のインターネット総合金融グループであるSBIグループの総合力を生かし、暗号資産取引におけるフルラインナップサービスを提供しております。暗号資産交換業者・第一種金融商品取引業者・電子決済手段等取引業者として高いセキュリティ体制のもと、暗号資産の売買にとどまらない暗号資産運用サービスや法人向けサービスの展開、さらにステーブルコインのユーエスディーシー（USDC）を国内で初めて取り扱っております。 ーーーーー SBI VCトレード公式サイト：https://account.sbivc.co.jp/signup?hc_ak=1RNML.3.M06AS ーーーーー 【紹介したニュース】 ・要件満たす外国信託型ステーブルコイン、「電子決済手段」として規定 ・ビットトレードに「ジパングコインシルバー（ZPGAG）」と「ジパングコインプラチナ（ZPGPT）」上場へ ・電算システムとフィナンシェが資本業務提携、地域創生プラットフォーム共同展開へ ・英中銀、ステーブルコイン保有上限の代替策を検討。6月に規則草案公表へ ・ポリマーケット、未上場企業イベント連動の予測市場を開始、Nasdaq Private Marketのデータ活用で ・エコープロトコルのMonadデプロイメントでインシデント、管理者キー侵害が原因 ・ビットワイズの最高投資責任者、ハイパーリキッドを高評価。HYPEを「第2世代トークン」と説明 ・トランプ大統領関連ブランド、ビットコインとイーサリアム関連ETF2本の届出を取下げ請求 ・米政府、「戦略的ビットコイン準備金」を近日に正式発表か＝報道 ・暗号資産・ステーブルコインインフラ「ゼロハッシュ」、オランダ中銀からEMIライセンス取得 ・ゴールドマン、XRPとSOL関連ETFポジション売却か。前期保有もQ1報告書で開示せず ・BNBチェーン、BSCのポスト量子暗号移行を検証。署名サイズ37倍に 【あたらしい経済関連リンク】 ニュースの詳細や、アーカイブやその他の記事はこちらから https://www.neweconomy.jp/

Rappin' 4-Tay is a pioneering rapper from San Francisco's Fillmore District. After being discovered by Too Short and joining the Dangerous Crew, 4-Tay became a local superstar. He cofounded Ragtop Records and dropped his biggest hit "Playaz Club" through a major label deal with EMI. Although legal troubles interrupted his career, 4-Tay recorded classics with 2pac, Mac Dre, Suga Free Messy Marv, and many more. He came into national attention again when he initiated a lawsuit against Drake for using his lyrics on "Who Do U Love" with YG. After a diagnosis with myeloma cancer, 4-Tay has been staying strong and fighting to stay healthy and active.Support 4-Tay: https://beats4hope.org and https://rappin4-tay.com4-Tay's autobiography: https://www.barnesandnoble.com/w/ill-be-around-anthony-forte/11478109824-Tay wines: https://vallejocellars.com/4tay-collection--Join the Patreon: https://www.patreon.com/dregsone--Essential Bay Area Rap Playlist: https://fanlink.tv/historyofthebay-playlist--For promo opportunities on the podcast, e-mail info@historyofthebay.com--Online Store: https://dregsone.myshopify.com --Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Intro02:16 Fillmore to HP06:53 KPOO & local hip-hop10:32 Home Turf & early style14:36 Too Short & the Dangerous Crew18:57 Fly & Frankie J, Ragtop Records24:32 Player's Club29:24 Off Parole32:20 2pac38:39 Messy Marv & street struggles43:12 Mac Dre & Suga Free45:12 Drake dispute 49:17 Fighting cancer

De Amerikaanse Senaatscommissie voor Bankzaken heeft deze week de Clarity Act goedgekeurd. Met vijftien stemmen voor en negen tegen, inclusief twee Democraten, is dat een politiek signaal. Maar het echte werk begint nu pas: de Senaat heeft zestig stemmen nodig om de wet door te loodsen, en dat betekent dat de cryptobranche nog minstens zeven Democraten moet overtuigen. De discussie van de afgelopen maanden draaide om twee grote struikelblokken. Het eerste: stablecoin yield. Stablecoins zijn cryptomunten waarvan de waarde gekoppeld is aan een gewone valuta, doorgaans de dollar. Banken vreesden oneerlijke concurrentie met spaargeld, de cryptosector wilde gelijke behandeling. Het compromis dat senatoren Tillis en Alsobrooks uitwerkten: een stablecoin die stilstaat als spaarpot keert geen rente uit. Maar wie hem gebruikt voor handel, transacties of staking, mag wel beloond worden. De cryptolobby lijkt hier vrede mee te hebben. Het tweede knelpunt is politiek gevoeliger. De kwartaalrapportage van president Trump laat honderden miljoenen dollars en duizenden transacties zien. Daartussen zitten aankopen in Coinbase, Robinhood en Marathon, exact de bedrijven die het hardst lobbyen voor de Clarity Act. Een amendement om de president te verbieden zelf te handelen haalde het niet, en de Democraten houden dit punt scherp in de gaten. Voorspelmarkten als Polymarket en Kalshi geven een kans van 61 tot 67 procent dat de wet dit jaar wordt aangenomen. Een symbolische deadline van 4 juli drijft rond in Washington, maar realistischer is augustus. In Nederland heeft blockchainbedrijf Zerohash een EMI vergunning gekregen van De Nederlandsche Bank. Zerohash verzorgt de infrastructuur voor cryptodiensten van banken, fintechs en betaaldiensten, en had al een MiCAR vergunning. Maar om stablecoinoverdrachten te kunnen verwerken is ook een betaalvergunning nodig, zo verduidelijkte de Europese Bankautoriteit in juni 2025. Met beide vergunningen kan Zerohash nu volledige stablecoinbetalingen combineren met cryptodiensten voor zijn klanten in de EU. Mauro verwacht dat meer cryptobedrijven dit voorbeeld volgen, zeker naarmate 2027 dichterbij komt en de regels voor stablecoinbetalingen van kracht worden. Portfoliomanager Tim Stolte van Amdax bespreekt de koers, die na een week boven tachtigduizend dollar terugzakte naar zesenzeventigduizend. Co-host is Mauro Halve. Over de podcast Cryptocurrency are here to stay. In deze wekelijkse podcast gidst Daniel Mol je door het belangrijkste cryptonieuws, langs hypes en trends, voor- en tegenstanders en winst en verlies. In het A-deel bespreken we het laatste nieuws en in het B-deel gaan we in gesprek met een gast. Van cypherpunkpioneers tot grootbanken die aan de haal gaan met stablecoins, van Bitcoin tot Ethereum tot CBDC's. Alles passeert de revue. Reageren? Stuur dan een mail naar cryptocast@bnr.nl Gasten Mauro Lorenzo Halve is voorzitter van branchevereniging VBNL en co-host van de BNR Cryptocast. Tim Stolte is portfoliomanager bij Amdax en host van Een Nieuwe Koers. Links Overzicht van de ingediende amendementen op de Clarity Act Senaatscommissie stemt voor doorsturen van de Clarity Act Analisten: Clarity Act staat ondanks commissiestem voor grote hobbels Nomineer je favoriet voor de Dutch Blockchain Awards 2026 Zerohash ontvangt EMI vergunning van De Nederlandsche Bank Host Daniel Mol is presentator en redacteur van de Cryptocast. Hij is sinds 2017 met Bitcoin bezig en kwam in 2021 bij het team van de Cryptocast. Redactie Daniel Mol Matthijs Damsteeg See omnystudio.com/listener for privacy information.

DL kicks off the Verse Chorus Verse Radiohead series with the first two albums — solo, no Evil, no Rachel, just a man and his favorite band.Pablo Honey (1992) gets a 7/10. It's a gateway drug, not a masterpiece — a Brit rock album from the early 90s that happens to contain one of the most important songs ever recorded. The story behind Creep: recorded in one take, initially hated by the band, ignored until Arsenio Hall found the tape in his car, made enormous by a Beavis and Butt-Head segment. Top songs: Creep, Rip Chord, You.The Bends (1995) gets a 9/10 and a full reassessment — DL argues this album is massively underrated and better than he'd ever given it credit for. Jonny Greenwood's octatonic guitar work on "Just" (inspired by an obscure French composer), the story of EMI threatening to drop them after Pablo Honey, Tom York's stage breakdown and the NME calling it a "temper tantrum," and why Fake Plastic Trees is great even if it's not a personal favorite. Top songs: Just, My Iron Lung, Bulletproof I Wish I Was.Part 1 of a 6-episode Radiohead dissection series. OK Computer with Rachel and Evil is next.

Check out upGrad School of Technology & their scholarship test: https://sot.upgrad.com/s/64f64862Guest Suggestion Form: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/bnaeY3FpoFU9ZjA47⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Disclaimer: This video is intended solely for educational purposes and opinions shared by the guest are his personal views. We do not intent to defame or harm any person/ brand/ product/ country/ profession mentioned in the video. Our goal is to provide information to help audience make informed choices. The media used in this video are solely for informational purposes and belongs to their respective owners.(00:00) - Intro(03:22) - 3 Phases of Life, Phase 1: Crack(15:57) - Phase 2: Switch(18:47) - Phase 3: EMI(19:37) - The World Is Undergoing an AI Revolution(28:17) - What Is Quantum Computing?(30:25) - Do Stanford University & MIT Graduates Get an Upper Hand?(38:00) - Top 3 Skills Companies Assume You Know While Joining(42:20) - LinkedIn's Hiring Process(44:57) - Amazon's Hiring Process(49:31) - Why Are They Offering Degree Courses if They Think Degrees Are Worthless?(59:09) - Which Are the 3 Jobs That Would Not Exist in the Next 3 Years?(1:01:14) - 3 Jobs That Don't Exist Now but Will Be High-Paying in a Few Years(1:05:24) - Which Engineers Survive Automation and Which Don't?(1:13:52) - AI-World-Ready or Not, How to Self-Audit?(1:19:03) - How Can Someone Make Their Career Bulletproof?(1:34:23) - What's One Indian Mindset Framework the World Is Copying?(1:38:40) - India Will Grow When...(1:39:49) - OutroIn today's episode, we sit down with Vishwa Mohan, Founder & CEO of upGrad School Of Tech, for an honest conversation about engineering, placements, AI, and the future of work.He talks about the reality behind the IIT dream, what students are rarely told about placement packages, and why chasing salary numbers often creates the wrong expectations. The conversation also covers AI, layoffs, hiring trends, and the skills needed to stay relevant in a fast-changing world. He explains the warning signs that show your job could be at risk, the litmus test to know if you are truly AI-ready, and why learning to build real-world applications matters more than simply collecting certificates. Subscribe for more such conversations.Follow Vishwa Mohan here:Instagram: https://www.instagram.com/vishwa.mohan.singh/ Linkedin: https://www.linkedin.com/in/vishwa-mohan/ Follow upGrad School Of Tech here:Instagram: https://www.instagram.com/upgrad_schooloftech/ Linkedin: https://www.linkedin.com/company/upgrad-school-of-technology/ Youtube: https://www.youtube.com/@upGradSchoolofTechnology Facebook: https://www.facebook.com/upGradSOT/ Follow upGrad here:Instagram: https://www.instagram.com/upgrad_edu/?hl=en Youtube: https://www.youtube.com/@upGrad_edu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠About Raj ShamaniRaj Shamani is an Entrepreneur at heart that explains his expertise in Business Content Creation & Public Speaking. He has delivered 200+ speeches in 26+ countries. Besides that, Raj is also an Angel Investor interested in crazy minds who are creating a sensation in the Fintech, FMCG, & passion economy space.

With the show coming back into dropping regular episodes this year, we're dropping a few flashback shows for everyone!Here is a throwback FuseBox Radio Broadcast episode from the week of November 8, 2020 with some new and classic music from the international Black Diaspora, news and commentary.This week's radio show breakdown (by minutes/hours):0:00 - 1:03:30 Introduction & Commentary1:03:30 - 2:34:24 DJ Fusion Music Mix2:34:24 - 3:35:17 Ausar Ra Black Hawk Music MixSome of the things we talked about during a relatively freeform bit of commentary included getting in the live news updates of the America Presidential Election cycle hopefully finally being over with the election of the Joe Biden/Kamala Harris ticket & it's potential after-effects, the cycle of Gen X and above Hip-Hop personalities suddenly getting into politics more for clout than continued progress regardless of how they label their beliefs, how it's cool to see Black Music creativity with music releases not being on lock via age as of late with quality recent releases and some other random stuff here and there.DJ Fusion Extended 2016 Flashback Music Mix [tunes listed by artist/song title/label(s) in order]1. Little Shalimar feat. Run The Jewels/Rubble Kings Theme (Dynamite)/Mass Appeal2. N.W.A./Express Yourself/Ruthless3. Murs & 9th Wonder/Wait...Back It Up/Jamla4. Adrian Younge/Hands Of God/Linear Labs5. Kanye West/Real Friends/GOOD Music & Def Jam6. Anderson .Paak/Hear Don't Stand A Chance/Steel Wool, OBE, Art Club & EMPIRE7. Louie Vega feat. Monique Bingham/Elevator (Going Up) (Louie Vega Long Album Mix)/Vega Records8. Steve Bug & Mr. V/The Long Run (Mr. V Vocal Mix)/Dessous Recordings9. Bluey/Ain't Nobody's Business/Dome Records & Shanachie Ent.10. The Chemical Brothers feat. Beck/Wide Open/Astralwerks11. RJD2 feat. Jordan Brown/Peace of What/RJ's Electrical Connections12. David Bowie/Changes (Live at the BBC; 1968 - 1972)/EMI & Virgin13. Natalie Cole/This Will Be (An Everlasting Love)/Capitol14. Otis Clay/Love & Happiness + Soul Man (Live in Tokyo 1985)/White Label15. Torae/Get Down/Internal Affairs Ent.16. B.B. & The Underground Kingz/Get Out The Way/AmerigoMusic.com17. Pollyn/Distress Signals (Larry Gus RMX)/White Label18. Keys N Krates/U Already Know/Dim Mak19. 6Blocc/Buggin' (Ghetto Journey RMX)/6Blocc.bandcamp.comPLUS the BRAND NEW Ausar Ra Black Hawk Master Mix w/ Old School Black Music Classics, New School Tunes and Independent Music Finds and more!___FuseBox Radio Broadcast Website: http://www.FuseBoxRadio.comFuseBox Radio Broadcast Facebook Page: http://www.facebook.com/FuseBoxRadioShowThe Futon Dun:http://www.TheFutonDun.comFuseBox Radio Broadcast Twitch Page:http://www.twitch.tv/FuseBoxRadio

The U.K. band The Pretty Things created what is arguably, the first concept album with a storyline, "S.F. Sorrow". In other words, the first rock opera. They began the recordings in 1967, but the album was released a year by their label EMI. The Summer of Love was over, and the concept was too new for rock audiences to take in, and so the album sold poorly. Over the decades, the album as gained a huge following, and the record is new assessed as a true classic. Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Listen to previous shows at the main webpage at:https://www.buzzsprut.com/1329053Other Items of Interest:Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII Support the showPlease feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII 

Emi Galvan: Flowing 058 (May 2026). For tracklist and more info, please visit https://www.youtube.com/emigalvantv

Emi Galvan: Flowing 057. Live in Rosario. For more info, please visit www.emigalvan.com

This playlist is 73% vinyl friendly. Not bad. From 2016, the TechDas Air Force One Premium turntable might well have been aimed initially at the present user of said plane, if features like vacuum clamping, pneumatic bearings, the Disc suction system and an impressive Wow & Flutter ratio of 0.03% (WRMS) were his or her thing and depending on the spec required it retailed at between $140,000 and $152,000. You read that right. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 151 Nearly as good as captured cinematically. A busy day in the life of Joni. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Sunrise (Writing Session Recording) – Low-Life, Definitive Edition box set – Warner Music – 2023 Yep, slower than the version most will know – either from the album or when played live, or indeed the equally vocal-less ‘Rough Mix’ take the band generously gave me for the Discreet Campaigns v/artist cassette that kickstarted the short-lived Rorschach Testing label – but it’s another where you’re practically hearing the band getting to grips with a rhythm and/or the shell of a song. My money’s on Hooky being the one who suggested the tempo should be taken up a notch or two. 04.48 THE WAKE – The Calendar (demo) – Unreleased – 1983 Onwards to become The Torn Calendar but here it was one of three tracks demo’d (along with ‘Places’ {pre Send Them Away} and Rise and Shine) on a TEAC 4-track reel to reel the band borrowed from me. They certainly made far better use of it than I ever did. The written lyrics given to Bedford’s Katie Possum at some point, along with her review in the local paper of the band’s second gig at Winkles… and that’s Stephen, my dog, Flanagan and Mac at my house the day before said gig. 08.10 A CERTAIN RATIO – And Then She Smiles – Force, LP – Factory – 1986 It’ll be no surprise to those that know me that I’m a bigger fan of the ‘tougher’ earlier ACR but here Jez Kerr’s voice is so sublime over a more ‘reflective’ sound. 11.59 THE OUBLIETTE – That’s Enough – Stream only – 2026 This is a complete first! Here – by complete accident – sits the first ever AI generated track to feature on 41 Rooms! And who knows re the video? It’s not an area I intend actively searching out, so expect them very infrequently but The Oubliette’s Youtube channel has a bucket load of tracks if you fancy your ’80s indie and darkwave-sounding tunes on the ‘artificial’ side. 15.18 LOVELAND (feat RACHEL McFARLANE) – Let the Music (Lift You Up) (Full On Vocal Radio Edit) – 12″ – Big Beat – 1994 ‘The Full On Vocal Mix, with its pounding piano and hackneyed lyrics, is undeniably old-fashioned and is about as cheesy as a lorry-load of Wotsits. But it comes with a guarantee to create absolute mayhem on all but the most elite of dancefloors. For those DJs who are more concerned about their own credibility than their audience’s enjoyment levels, there is also a much cooler garage-style remix from Olympic’s Bottom Dollar crew plus some deep and funky dubs‘. – Andy Beevers, Record Mirror (Music Week), 5.3.94 There are times when storming vocals, ‘less than critical’ lyrics and hands in the air are all you need… and this Big Beat belter had me smiling back then. 18.30 MARCO BENEVENTO – Houdini – Glera, LP – Big Crown Records – 2026 A bit of a broken beat and summery, Latin thing going on here, like someone taking a late ’60s Sergio Mendes vocal snippet on a wild ride. 20.59 MIDNIGHTROBA – Day’s Gon’ Come – Raise A Symphony, 2LP – Sonder – 2026 Roba El-Assawy has been heard far too infrequently since her days fronting Attica Blues. 22.42 THE ISLEY BROTHERS (feat RONALD ISLEY and ANGELA WINBUSH) – Float On (Bad Boy Remix) (Instrumental edit) * – Floatin’ On Your Love, 12″ – 4th & Broadway – 1996 I cut out all the ‘bump and grind’ lurrrv thang lyrics, as it was the beats, bv’s and ad libs stuff on this mix that made me buy the 12″ in the first place. Oh, and Ronald Isley could always sound like he was just itching to break into Summer Breeze any second. No bad thing. 24.31 HONEY DIJON (feat. JACOB LUSK) – Satisfied – The Nightlife, download only – Someothershit -2026 On first listen I briefly thought that Anohni (previously of Antony and the Johnsons) was on board here sounding soul sexy but it’s ‘competitor in American Idol’ (Season 10, apparently), Jacob Lusk quivering and sailing high on Ms Dijon’s production. African beat vibes sparkling all the way. 28.32 THE YOUNG DISCIPLES – Apparently Nothin’ – 12″ – Talkin’ Loud – 1991 Early in the Gilles Peterson and Norman Jay’ label catalogue and one hell of a funky strut. The wonderful Straight No Chaser mag was always a must read, even if a lot of the sounds and artists passed me by. I could still find tunes I’d never happen on anywhere else, unless I’d stood all day in London Soho’s Mr Bongo’s shop (or the likes) back in the day. 32.55 RÓISÍN MURPHY – If We’re In Love – 12″ – Echo – 2005 Strut Part 2! Between her Moloko days and solo career the Arklow, Ireland girl is a regular of sorts at 41 Rooms. Not sure about that sleeve cover, though. 37.20 CAN – I Want More – 7″ – Virgin – 1976 ‘German experimental electronic artist makes the UK’s Top 30 singles chart’ shock, horror probe. 40.34 FINITRIBE – Catch The Whistle – Promo 12″ only – Finiflex – 1993 First heard by me as a Tommy Vance-spoken ‘One FM exclusive’ on the Beeb’s lead radio station, though my mixtape forever played it slower than intended. Still rather it a tad pitched down. Squelchy sounding snares were often the order of them days. 46.14 ZIN MIYAKEZAWA – A Sanctuary Of Twilight Filled With Tranquility * – Classical Music, Vol. 108- Instrumental BGM – Download only – Audiostock – 2025 BGM = Background music, but ‘Incidental’ sounds so much classier, don’t you think? I’m slightly doubting whether Zin Miyakezawa is a real human but either way A Sanctuary… brings to mind Richard Harvey’s Elegy (the theme from TV’s 1983 Shroud For A Nightingale) and to a certain degree, parts of Harry’s Theme – Terminus (Silent Witness, S10, E10), and as all three have now made it to 41 Rooms you’ll instantly remember them all, I’m sure. You’re welcome, though a proper musician would tell me where exactly I’m right or wrong on all that. 48.39 ROBIN TROWER – Bluebird – Robin Trower, 12″ EP – Chrysalis – 1977 With a lot more guitar here than is usually found on 41 Rooms, for me with any Robin Trower I heard back in the day it was always Jimmy Dewar’s vocals that I took to. 54.07 KELELA – Idea 1 – Download only – Warp – 2026 A wash of a sound from the decade-long Warp label artist. 57.23 CALLERS – Young People – Life Of Love, LP – Western Vinyl – 2010 Dark Folk, I reckon. When Sara Lucas’ vocal gets earthy and ‘gutteral’ and let’s loose. It’s a switch that used to get me with Liz Fraser, though her ‘switch’ sounded more polarised. 01.01.01 THIS MORTAL COIL – Strength Of Strings – Filigree & Shadow, 2LP – 4AD – 1986 The first of two times vocalist Dominic Appleton fronted TMC, and I have to admit that I got the title wrong on the show. So, without time to correct it you got no title and I’d have better gotten away with it (or sounded less vague?) if there hadn’t been twenty five TMC tracks on the release, all with different personnel involved. Sod’s Law. 01.05.11 DRY CLEANING – Sliced By A Fingernail – Download only – 4AD – 2026 And from the 4AD label in 1986… to their 2026 output and I’d be slight wary of anybody saying ‘Happy birthday’ in this tone to me. 01.09.10 GNAG OF FOUR – He’d Send In The Army – Solid Gold, LP – EMI – 1981 Always saying it like they saw it. 01.12.56 YOUNG MARBLE GIANTS – Cakewalking – Final Day, 7″ – Rough Trade – 1980 In a most understated manner they sort of made a statement when they appeared on BBC 2’s Something Else in late ’80. 01.15.42 OSCAR FARRELL – Tripping Up In A Rush – I’ve Already Called, 12″ EP – dh2 – 2025 I might have to keep an eye and ear on this chap. 01.18.40 CABARET VOLTAIRE – Sleepwalking (John Peel session track, 1984) – Radiation (BBC Recordings 84-86), LP – Get Back – 2001 Having earlier been Cakewalking, now we’re Sleepwalking. All part of the service. Though actually released three years earlier (but only on CD) the above Get Back-label vinyl release has been followed up in 2026 by a bootleg version. The people dictate… and I’ll be with them catching the very last CV gigs ever, near the end of the year. 01.24.03 GIFT – Pinkhouse Secret Rave (Redux) – Download only – Self-released – 2026 A track from their 2022 debut album, Momentary Presence given a 2026 rework/remix, sorry ‘Redux’ and according to Discogs there are at least 33 acts called Gift! In this day and age – what with both the clamber for attention and the availability of info out there – you’d think… 01.28.16 GANZHEIT – Bolt It Down (Why Work?) * – Summer Of ’84 (demo cassette only) – Self-released – 1984 Out of Bedford. Clattering and driving punk electronic stuff. From the same time-frame, this one reminding a bit of Portion Control, a band who’d played the town earlier in the year above. 01.34.21 SUPER EXTRA BONUS PARTY (feat SORCA McGRATH) – Some Dark Forces – LovesVinyl Issue 02, v/artist 12″ – LovesVinyl – 2019 Ex-Ships vocalist sails over a Running Up The Hill-like drum pattern. 01.38.30 TRACEY THORN – Easy – Out Of The Woods, LP – Virgin – 2007 On the quieter side, One of the ‘signature’ voices, 01.41.49 BETH HIRSCH – Miner’s Son (Aquatic Mix) – 10″ – Artefact – 1997 Bang Bang’s mix sets Beth back a bit in the mix but if lesser known than Ms Thorn above, it’s yet another signature voice. 01.46.43 JONI MITCHELL – Song For Sharon – Hejira, LP – Asylum – 1976 Epic storytelling in a single song. 01.54.46 WAR (feat JOSE FELICIANO) – East L.A. – Peace Sign, 2LP – Avenue – 1994 This show had to be totally put together on the fly, between daily meet ups with friends back in Bedford and London, but the weather was brill right through and the piecing together ended up in the Leytonstone sunshine… even though that’s nowhere near East L.A. There’s a longer, more up front vocals version of the song where Jose also takes on the verses and given my JF leanings I could have placed that one here, but I actually like him ‘countering’ to War vocalist, Lonnie Jordan. Everything about Jose’s vocal when he first drops in here is why I first loved the man back in the late 60’s/early ’70s. I once reminded Jose of the track’s two versions and also (importantly) why I liked this one more… and maybe understandably he seemed a bit disappointed. Show 152 will be here June 7. Dec x The post Post Punk Plus Podcast Playlist 151 – Original upload 3.5.26 appeared first on 41Rooms.

This week on Enjoying Orange Slices with Jeff & Ian

In this rigorously honest conversation, author, speaker, advocate, and young woman in recovery Emi Nietfeld joins Dr. Tiffany Wynn to challenge the cultural narratives that equate suffering with strength and healing with achievement. Together, they explore what it means to reject recovery as a redemption arc and to release the pressure to turn pain into proof of worth.Emi shares her journey through foster care, homelessness, and significant mental health struggles, alongside the complex reality of later achieving many of the success markers society celebrates. She reflects on the dissonance of being seen as a story of resilience while still living with the lasting impacts of trauma, and how ambition can become entangled with survival, shame, and the need to justify one's suffering.Together, Emi and Dr. Tiffany unpack the myths of toxic resilience culture, including the expectation that trauma survivors package their pain into inspirational narratives. They explore the importance of creating communities where young women can be honest about struggling without feeling broken or behind, and how healing is shaped not only by individual effort, but by systems, relationships, and spaces that offer truth, connection, and a sense of belonging.Woven throughout the conversation are reflections from Emi's memoir, Acceptance, and a reminder that recovery is not about becoming stronger, more successful, or more palatable in the aftermath of pain. It is about telling the truth, being witnessed in our humanity, and remembering that we are always worthy of love and belonging—even when we are still healing.About EmiEmi Nietfeld is the author of Acceptance (Penguin Press, 2022), a memoir chronicling her journey through foster care and homelessness while interrogating the true meanings of resilience, ambition, and success.After graduating from Harvard in 2015, she worked as a software engineer, an experience she wrote about in her viral New York Times essay, “After Working At Google, I'll Never Let Myself Love a Job Again.”Emi's passionate about mental health, helping young people navigate their careers, and the connection between engineering and creativity. A dynamic, sought-after speaker, she regularly appears on podcasts, delivers conference keynotes, and speaks at universities and companies.Her essays have appeared in The New York Times, The Atlantic, Teen Vogue, Fortune, The Information, and other publications, been nominated for the Pushcart Prize, noted in The Best American Essays, and taught in classrooms from high schools to MFA programs.Connect with Emi: https://www.eminietfeld.com/ About Dr. TiffanyDr. Tiffany Wynn is a behavioral health leader with a PhD in Counsellor Education who focuses on trauma and resiliency, behavioral management, leadership, and professional development. She serves as trainer and consultant for academic and treatment organizations and is also a woman in long-term recovery. Connect with Dr. Tiffany Wynn: https://www.newexperiencescc.com/ Episode Resources:SHE RECOVERS Support for the Next Generation: https://sherecovers.org/support-for-the-next-generation/ Acceptance, A Memoir:  https://www.eminietfeld.com/books “After Working At Google, I'll Never Let Myself Love a Job Again.” New York Times Essay: https://www.nytimes.com/2021/04/07/opinion/google-job-harassment.html 

Fluent Fiction - Japanese: Mystical Blooms: Secrets of the Forbidden Garden Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-04-26-22-34-01-ja Story Transcript:Ja: 春の光が庭園に差し込むと、桜の花びらが風に舞い、地面に影の模様を描いた。En: As the spring light streamed into the garden, cherry blossom petals danced in the wind, casting shadow patterns on the ground.Ja: それは黄金週間の穏やかな日曜日だった。En: It was a calm Golden Week Sunday.Ja: 人々は日本植物園を訪れ、色とりどりの花々を楽しんでいた。En: People visited the Japanese botanical garden, enjoying the colorful flowers.Ja: 晴斗（はると）は植物園の中で特別な場所を知っていた。En: Haruto knew a special spot within the botanical garden.Ja: それは普段は立ち入り禁止のエリアであり、そこには魔法の力があると噂されている珍しい植物が咲いていた。En: It was usually a restricted area, where rare plants rumored to possess magical powers bloomed.Ja: エミも一緒にいた。En: Emi was with him.Ja: 彼女は元々新しい謎を追求するのが好きだった。En: She had always liked pursuing new mysteries.Ja: 「晴斗、あの花を見たいよ。En: "Haruto, I want to see that flower.Ja: この季節に咲くなんておかしいよね。」とエミは言った。En: It's strange for it to bloom in this season, isn't it?" Emi said.Ja: 「確かに。En: "That's true.Ja: でもそのためには忍び込むしかないよ。」晴斗が答えた。En: But to do that, we'll have to sneak in," Haruto replied.Ja: ふたりは園内の祭りの日を利用することにした。En: The two decided to take advantage of the festival day within the garden.Ja: その日はガーデンスタッフが忙しく、気を取られている。En: On that day, the garden staff would be busy and distracted.Ja: しかし、そこに行くことはリスクが伴っていた。En: However, going there came with risks.Ja: にもかかわらず、好奇心は抑えられなかった。En: Despite this, their curiosity couldn't be suppressed.Ja: 祭りの人混みを利用して、ふたりはこっそりその場所に侵入した。En: Using the festival crowd to their advantage, they quietly entered the spot.Ja: 密やかな緑のトンネルを抜けると、その植物が咲いているのが見えた。En: As they passed through a secretive green tunnel, they saw the plant in bloom.Ja: 太陽の光が花びらにあたり、きらめくようだった。En: The sunlight hitting the petals made them sparkle.Ja: 「これが伝説の花か…思っていたより美しいね。」晴斗が目を輝かせて言った。En: "This is the legendary flower... It's more beautiful than I imagined," Haruto said with sparkling eyes.Ja: 晴斗は懐から小さなナイフを取り出し、慎重に一部を切り取った。En: Haruto took out a small knife from his pocket and carefully cut a piece.Ja: 「研究に使える。En: "This can be used for research.Ja: これは貴重なサンプルだ。」En: It's a valuable sample."Ja: エミは花の周りを調べ始めた。En: Emi began to examine around the flower.Ja: 「この花の近くに魔法の手がかりがあるかも。」彼女は周囲を注意深く見渡した。En: "There might be magical clues near this flower." She scanned the surroundings carefully.Ja: しかし、ふたりはすぐにガーデンスタッフに見つかってしまった。En: However, they were quickly found by the garden staff.Ja: 「ここは立ち入り禁止だよ！」スタッフが厳しい表情で言った。En: "This area is off-limits!" a staff member said with a stern expression.Ja: 晴斗とエミは慌てて自分たちの意図を説明した。En: Haruto and Emi hurriedly explained their intentions.Ja: 晴斗はサンプルを見せ、植物の早すぎる開花についてのデータを話した。En: Haruto showed the sample and talked about the data on the plant's premature bloom.Ja: エミは伝説についての新しい理解を披露した。En: Emi shared new insights about the legend.Ja: スタッフたちはしばらく考えた後、ふたりの情熱を認めた。En: After considering for a while, the staff recognized the duo's passion.Ja: そして、次第に植物に対する関心が高まった。En: Gradually, their interest in the plant grew.Ja: 伝説と科学が新たに交わる場になったのだ。En: The place became a new intersection of legend and science.Ja: 晴斗はその経験から、新しい発見は必ずしも科学に反するものではないことを理解した。En: From that experience, Haruto understood that new discoveries do not necessarily contradict science.Ja: 同時に、エミも科学的なアプローチが謎の解明に役立つことを認識した。En: At the same time, Emi realized that a scientific approach could aid in solving mysteries.Ja: 庭園を後にするふたりは、花が春の日差しの中で揺れながら、未来への道を示しているように思えた。En: As they left the garden, the flowers seemed to sway in the spring sunlight, as if pointing the way to their future.Ja: 夢と現実が交差するこの場所で、ふたりの心もまた新たな旅を始めたのだった。En: In this place where dreams and reality intersected, their hearts began a new journey. Vocabulary Words:streamed: 差し込むpettals: 花びらcasting: 描いたcalm: 穏やかrestricted: 立ち入り禁止possess: 持つrare: 珍しいrumored: 噂されているsneak: 忍び込むadvantage: 利用するdistracted: 気を取られているsparkle: きらめくlegendary: 伝説のimagined: 思っていたpremature: 早すぎるcuriosity: 好奇心intersected: 交差するmysterious: 謎approach: アプローチjourney: 旅botanical: 植物pursuing: 追求するbloom: 咲くdiscovery: 発見examine: 調べるscan: 見渡したstern: 厳しいintentions: 意図valuable: 貴重なrecognize: 認める

EPISODE 144: Charlie Feldman joined BMI's New York creative team in October of 1988 after having overseen EMI Music Publishing's Nashville office as Vice President and General Manager. He spent fourteen years in Nashville with EMI and thirty one years in New York with BMI, retiring at the end of 2019. As Vice President of BMI's New York creative department Feldman and his team signed Taylor Swift, Norah Jones, Gavin DeGraw, Lady Gaga, Rihanna, Chris Brown, R Kelly and John Legend, to name a few. Feldman has worked closely with such songwriters as Chip Taylor, Sandy Linzer, Carole King, Gregg Allman, Nile Rodgers, Tony Joe White, Holland/Dozier/Holland, Hall & Oates, Rihanna, Full Force and Cage the Elephant. He is a past Trustee of The Recording Academy and a two-time New York Chapter past president. He also serves as a Vice Chairman of the Entertainment Media division of UJA-Federation and is a board member of the T.J. Martell Foundation and The Songwriters Hall of Fame. He is a member of the Country Music Association, AIMP and The Academy of Country Music. Feldman received his Bachelor of Arts degree from the University of Alabama. He and his wife live in Scarsdale, New York. charliefeldmanart.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

I had hoped not to be bringing this episode to my listeners until many years hence. Alas, my dear teacher and mentor John Wustman, one of the most influential, pathbreaking, and inspired of all accompanists (a term he far preferred to “collaborative pianist”) died this past Thursday at the age of 95. I have already featured his magnificent artistry on countless episodes, including two devoted expressly to his superb artistry and musicianship. Rather than simply reissuing one of those episodes (or recycling an additional bonus episode already published for my Patreon supporters), I decided to focus on his work with one singer in particular, the French soprano Régine Crespin. Wustman's work with singers such as Luciano Pavarotti and others is well-remembered and documented, but at a crucial point in his career, it was his recital work with Crespin that was (at her insistence) documented on two commercial releases of art song, both recorded in the mid-1960s, one on EMI, the other on London/Decca. These form a central part of Wustman's recorded legacy. Today, however, I am focusing on rare live recordings of the pair in recital between 1967 and 1970, the twilight of Crespin's prime. From these, I have chosen five different song cycles that were featured in those performances, works by Poulenc, Debussy, Milhaud, Schumann, and Hugo Wolf. These recordings have not received widespread circulation, and for that reason alone they would constitute essential listening, but what is even more exceptional is the strong musical bond between the two performers, one which emanates out to their audience in a way which is utterly remarkable. I shall be featuring further episodes with my beloved Mr. Wustman in months to come, but I am particularly honored to share these with you today, as we mourn his death and celebrate his ongoing legacy. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

L'atelier des médias reçoit Fatou Diéry Diagne, journaliste fact-checkeuse au quotidien sénégalais Le Soleil. Elle a publié « Résister à la désinformation : Journal d'une fact-checkeuse sénégalaise ». Dans cet entretien, elle explique son approche dans la vérification des faits et partage les impacts de son activité journalistique sur sa vie personnelle. À 28 ans, Ndèye Fatou Diéry Diagne s'est imposée dans le paysage médiatique sénégalais en se spécialisant dans la lutte contre les infox. Sortie major de sa promotion au Cesti, elle est devenue journaliste au quotidien national Le Soleil, au sein duquel elle a cofondé « Soleil Check », la cellule de vérification en vidéo du journal.  À écouter aussiSénégal : Lamine Niang veut « faire revivre » le quotidien national « Le Soleil » Dans son livre, Résister à la désinformation : Journal d'une fact-checkeuse sénégalaise (éditions Le Carré culturel, 2025), elle raconte un parcours sinueux guidé par une curiosité d'enfant. Elle y décrit sa démarche d'autrice comme « une halte pour reprendre mon souffle et, surtout, laisser une trace ». Des vidéos en wolof pour parler au plus grand nombre Pour contrer la viralité des rumeurs, la journaliste a fait le choix du smartphone et de la vidéo, mais surtout celui de la langue locale. Environ 80 % de la population sénégalaise comprend le wolof, contre seulement un tiers pour le français. « On s'est dit qu'il fallait que le fact-checking parle aux Sénégalais. Et qu'est-ce qui parle mieux au Sénégal actuellement ? C'est la vidéo, c'est la langue locale », explique-t-elle. Cette stratégie permet de toucher toutes les générations, notamment lorsque des fausses informations sur la santé ou la politique circulent massivement. Le poids psychologique de sa mission à l'ère des réseaux sociaux Le métier de fact-checkeur n'est pas sans risques. Entre les attaques sur son physique, sa foi ou sa crédibilité, Fatou Diéry Diagne évoque un « prix psychologique » lourd à encaisser. Pour se protéger, elle s'astreint à une discipline de fer, notamment dans sa vie privée. Elle écrit : « Ma réputation est devenue mon armure et mon fardeau. Je choisis mes relations avec précaution, parfois avec froideur [...] Une seule photo, un seul mot mal interprété et c'est tout un travail qui peut s'effondrer. » Pour une réponse régionale à la désinformation Au-delà de son travail de terrain, elle milite pour une réponse institutionnelle et régionale à la désinformation. Elle propose la création d'un centre technique ouest-africain et l'intégration de l'éducation aux médias (EMI) dans les politiques publiques. Pour elle, le fact-checking agit comme une « arme nucléaire douce » : invisible et silencieuse, mais déterminante pour la stabilité d'une société. Malgré les obstacles et le manque d'accès aux données publiques, la passion de Fatou Diéry Diagne reste intacte et elle entend la rendre contagieuse, notamment auprès des filles et des femmes qui prendront la peine de l'écouter.

  This week on Enjoying Orange Slices with Jeff & Ian

durée : 00:14:01 - par : Lionel Esparza - En 1976-1977, deux jeunes pianistes français — Michel Béroff, 26 ans, et Jean-Philippe Collard, 28 ans — enregistrent à Paris le Carnaval des animaux de Saint-Saëns pour EMI, entourés d'une brochette de solistes français de premier plan. Un disque qui reste aujourd'hui une référence. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven On this episode Jed discusses Warner Classics' box set edition of Italian piano legend Maria Tipo's complete EMI and Fonit Cetra recordings.Here are links to several cited examples:Bach Italian Concerto - https://www.youtube.com/watch?v=JUweFba-MfMBeethoven Piano Sonata Op. 2 No. 3 Mvt. 4 - https://www.youtube.com/watch?v=u1mvD4vONvUChopin Nocturne Op. 9 No. 1 - https://www.youtube.com/watch?v=zba5nlwcnYU

The Second Act Advantage: Reinvent Yourself in the Age of AI | Jay Samit . What if the identity that made you successful… is now the very thing making you irrelevant? . Most leaders don't fail from lack of skill. They fail because they refuse to outgrow who they've been. In this episode, Dov Baron sits down with innovation expert Jay Samit to break down how AI, disruption, and identity are colliding, and why your Second Act isn't optional, it's survival.

Hosts Jim DeRogatis and Greg Kot explore the history of Chicago's Bloodshot Records, an iconic, insurgent country music label. They talk with co-founder Rob Miller about the music and the business of running an independent label. They'll also share some of their favorite songs from the vast catalog. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Robbie Fulks, "Every Kind Of Music But Country," Country Love Songs, Bloodshot, 1996The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Bottle Rockets, "Every Kinda Everything," For A Life of Sin: Insurgent Chicago Country, Bloodshot, 1994Jason & the Scorchers, "Lost Highway," Lost & Found, EMI, 1985Hank Williams, "Lost Highway," Lost Highway (Single), MGM, 1949Scott H. Biram, "Blood Sweat and Murder," For a Decade of Sin: 11 Years of Bloodshot Records, Bloodshot, 2005Handsome Family, "Tower of Song," Too Late to Pray: Defiant Chicago Roots, Bloodshot, 2019Justin Townes Earle, "Far Away in Another Town," The Good Life, Bloodshot, 2008Alejandro Escovedo, "Castanets," A Man Under the Influence, Bloodshot, 2001Lydia Loveless, "Bad Way to Go," Indestructable Machine, Bloodshot, 2011Neko Case, "Deep Red Bells," Blacklisted, Bloodshot, 2002Neil Young, "Rockin' in the Free World," Freedom, Reprise, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Imagine sitting down at a gig in Stockholm, striking up a conversation with the person next to you, and realising you're talking to a man who didn't just witness music history—he helped package and sell it. From the tactile era of vinyl to the invisible world of streaming, he's seen it all.Today's episode is a special one. It's the result of a chance meeting at a Quint Starkie gig with a man named Sven Ake Peterson. Sven spent his entire career as a music executive for EMI in Sweden.We're talking about a career spent in the company of icons—David Bowie, Paul McCartney, Tina Turner—but more than that, we're talking about the soul of the industry. We dive into the transition from physical records to the digital age, what it actually takes to 'make it,' and where the music world is heading next. Beyond the industry talk, this conversation is a testament to why you should always talk to strangers. You truly never know what you might learn or whose hand you're shaking. Here is my conversation with the incredibly warm and insightful, Sven Ake Peterson.Question or comment? Send us a text message.www.undercurrentstories.com

Que se passe-t-il réellement dans notre esprit au moment où le cœur cesse de battre ? Si les récits d'expériences de mort imminente (EMI) — tunnel lumineux, sensation de paix ou défilé de la vie — ont longtemps été relégués au rang de témoignages mystiques, les neurosciences apportent aujourd'hui un éclairage biologique saisissant. Une étude menée par la professeure Jimo Borjigin de l'Université du Michigan révèle une hyperactivité cérébrale inattendue qui défie nos conceptions traditionnelles de la mort.Une explosion d'activité dans un cerveau mourantContrairement à l'idée reçue d'une extinction progressive et silencieuse, le cerveau semble connaître un baroud d'honneur électrisant. En observant le cas d'une patiente en état de mort cérébrale après l'arrêt de la ventilation assistée, les chercheurs ont détecté une augmentation massive des ondes gamma.Ces oscillations à haute fréquence sont normalement associées à des fonctions cognitives supérieures : la perception consciente, la mémoire et l'intégration d'informations complexes. Plus surprenant encore, cette activité a persisté plusieurs minutes après l'arrêt de l'oxygénation, atteignant des niveaux jusqu'à douze fois supérieurs à ceux observés durant l'état de veille normale.La biologie derrière les visionsCette "tempête" électrique n'est pas chaotique. Elle se caractérise par une synchronisation accrue entre différentes régions cérébrales, notamment les zones liées au traitement visuel et à la mémoire.L'activation des zones mémorielles pourrait expliquer le célèbre « film de la vie ».La synchronisation entre les zones sensorielles pourrait être à l'origine des visions intenses ou du sentiment de détachement du corps.Ces découvertes suggèrent que les EMI ne sont pas de simples hallucinations dues au manque d'oxygène, mais le résultat d'un processus neurobiologique structuré et complexe.Repousser les frontières de la mortCes recherches en « thanatologie » scientifique bousculent la définition clinique de la mort. Si le cerveau reste capable d'une telle activité organisée après un arrêt cardiaque, à quel moment précis la conscience s'éteint-elle vraiment ?Au-delà de la curiosité scientifique, ces travaux ouvrent des perspectives en réanimation. Si nous comprenons mieux comment et pourquoi le cerveau s'active ainsi, nous pourrions un jour identifier des fenêtres d'intervention jusqu'ici insoupçonnées. Entre mystère de la conscience et réalité biologique, la science de la mort est en train de vivre sa propre révolution, nous invitant à repenser l'ultime frontière de notre existence. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Sir George Martin was the Beatles' extraordinary producer and the most acclaimed and celebrated music producer of the rock era. No one comes close to Sir George for the innovation and sheer perfection of his body of work. It's almost an accident that he worked with the Beatles. Before meeting them he was in charge of EMI's Parlophone label where he produced comedy and novelty acts like Peter Sellers and Spike Milligan. His introduction to the Beatles only came about after they were rejected by 17 other record labels. When he brought them in for an audition he was not very impressed, but he was intrigued by their energy and charisma. Sir George has said that in the beginning he was the master and they were the students, but in time this role reversed and they became the masters and he the student. This transformation was due to the genius of Lennon and McCartney and their constant pushing him to create more and different sounds and effects. It's beyond discussion that the Beatles would not have been the Beatles without George Martin. From convincing Paul to use a string quartet on “Yesterday”, to his slowed down then sped up piano solo on “In My Life”, to his creation of a circus swirl on “Being For The Benefit Of Mr Kite”, to his seamless combination of two takes at different speeds and different keys on “Strawberry Fields” - he truly was the 5th Beatle. He went on to produce a host of other artists and hits including Jeff Beck, the Mahavishnu Orchestra, America and Gerry and the Pacemakers. In his career, he produced 30 number-one hit singles in the UK and 23 number-one hits in the United States, winning six Grammys. Think about how lucky we were that fate brought together the Beatles and Sir George Martin. Together they changed the world. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Que se passe-t-il réellement dans notre esprit au moment où le cœur cesse de battre ? Si les récits d'expériences de mort imminente (EMI) — tunnel lumineux, sensation de paix ou défilé de la vie — ont longtemps été relégués au rang de témoignages mystiques, les neurosciences apportent aujourd'hui un éclairage biologique saisissant. Une étude menée par la professeure Jimo Borjigin de l'Université du Michigan révèle une hyperactivité cérébrale inattendue qui défie nos conceptions traditionnelles de la mort.Une explosion d'activité dans un cerveau mourantContrairement à l'idée reçue d'une extinction progressive et silencieuse, le cerveau semble connaître un baroud d'honneur électrisant. En observant le cas d'une patiente en état de mort cérébrale après l'arrêt de la ventilation assistée, les chercheurs ont détecté une augmentation massive des ondes gamma.Ces oscillations à haute fréquence sont normalement associées à des fonctions cognitives supérieures : la perception consciente, la mémoire et l'intégration d'informations complexes. Plus surprenant encore, cette activité a persisté plusieurs minutes après l'arrêt de l'oxygénation, atteignant des niveaux jusqu'à douze fois supérieurs à ceux observés durant l'état de veille normale.La biologie derrière les visionsCette "tempête" électrique n'est pas chaotique. Elle se caractérise par une synchronisation accrue entre différentes régions cérébrales, notamment les zones liées au traitement visuel et à la mémoire.L'activation des zones mémorielles pourrait expliquer le célèbre « film de la vie ».La synchronisation entre les zones sensorielles pourrait être à l'origine des visions intenses ou du sentiment de détachement du corps.Ces découvertes suggèrent que les EMI ne sont pas de simples hallucinations dues au manque d'oxygène, mais le résultat d'un processus neurobiologique structuré et complexe.Repousser les frontières de la mortCes recherches en « thanatologie » scientifique bousculent la définition clinique de la mort. Si le cerveau reste capable d'une telle activité organisée après un arrêt cardiaque, à quel moment précis la conscience s'éteint-elle vraiment ?Au-delà de la curiosité scientifique, ces travaux ouvrent des perspectives en réanimation. Si nous comprenons mieux comment et pourquoi le cerveau s'active ainsi, nous pourrions un jour identifier des fenêtres d'intervention jusqu'ici insoupçonnées. Entre mystère de la conscience et réalité biologique, la science de la mort est en train de vivre sa propre révolution, nous invitant à repenser l'ultime frontière de notre existence. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome back to Intellicast! On this episode, Brian is joined by EMI's VP of Operations, Kathleen Hock, who is back from Georgia and ready to give all the details from SampleCon 2026. Kicking off the episode, Kathleen talks about the resort where SampleCon was held this year. She also talks about how this year's location compares with last year's in Pasadena, and some of the benefits of having everything on-site. Next, Kathleen discusses some of the main themes from this year's conference. They include: Data Quality AI Synthetic Data And The Future of Insights She details how it felt that while everyone seems to be on the same page in understanding the current challenges facing the industry, it is really time to start focusing on the solutions. Kathleen then talks about the Quality R Us booth that the team at Verisoul was running, and how unique it was, including the ways people could earn tokens. In the last segment, Brian and Kathleen talk about travel to and from the conference, and how it went. Thanks for tuning in! We've launched our new whitepaper, The Fraud Detection Reality Check. Get your copy and find out why relying on a single fraud detection tool is a mistake. Download here: https://content.emi-rs.com/fraud-detection-report   Did you miss one of our webinars or want to get some of our whitepapers and reports? You can find it all on our Resources page on our website here: https://emi-rs.com/resources/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Intellicast! On today's episode, Brian is joined by EMI's Director of Research, Aron Wilson, to talk about the latest news from around the market research industry. Kicking off the episode, the two dive into a new partnership between the Data Quality Co-op and Dig Insights. The partnership brings continuous, independent quality validation into the research process, signaling a shift toward greater accountability across providers. As Brian notes, the industry is moving toward a “prove it” moment for quality claims, where measurement and transparency are becoming table stakes. The conversation then shifts to concerns raised by the Insights Association around proposed changes to the 2026 census. Aron outlines how adjustments to the methodology of such a critical benchmark could impact the accuracy of research that depends on it. They note that any disruption to how the census is conducted could introduce bias into research outputs. AI continues to dominate the industry conversation, with Brian and Aron reviewing several recent product launches. Brian and Aron examine how tools like ChatHarmoni, PackSee, and Linara are positioning themselves to enhance research workflows. The episode also touches on AckWest's continued growth through acquisitions, with the latest being the purchase of Answerpoints UK. In the final segment, Brian and Aron discuss a recent article on the impact of the new EU Data Act. They postulate on what it could mean for data privacy, compliance, and the future use of data within AI systems. Thanks for tuning in! We've launched our new whitepaper, The Fraud Detection Reality Check. Get your copy and find out why relying on a single fraud detection tool is a mistake. Download here: https://content.emi-rs.com/fraud-detection-report   Did you miss one of our webinars or want to get some of our whitepapers and reports?  You can find it all on our Resources page on our website here: https://emi-rs.com/resources/  Learn more about your ad choices. Visit megaphone.fm/adchoices

Fluent Fiction - Hungarian: Sunlight and Tulips: A Journey Toward Healing Together Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-03-20-07-38-19-hu Story Transcript:Hu: Az áprilisi napfény óvatosan szűrődött be a kórterem hatalmas ablakain.En: The April sunlight cautiously filtered through the large windows of the hospital ward.Hu: A tavaszi frissesség betöltötte a levegőt, amit csak a steril intézeti illat próbált elnyomni.En: The freshness of spring filled the air, which only the sterile institutional scent tried to overpower.Hu: A falakat halványkék és pasztellsárga színek díszítették, mintha a festők azt remélték, hogy ezek az árnyalatok megkönnyítik a nehéz beszélgetéseket.En: The walls were decorated with light blue and pastel yellow colors, as if the painters hoped these shades would ease difficult conversations.Hu: Áron óvatosan lépett be a terembe, kezében egy csokor frissen szedett tulipánt tartva.En: Áron stepped cautiously into the room, holding a bouquet of freshly picked tulips.Hu: A virágok szirmai még harmattól csillogtak.En: The petals of the flowers still glistened with dew.Hu: Emese az ablak melletti ágyon ült, arca vékony és sápadt volt, de amikor meglátta Áront, halvány mosoly jelent meg rajta.En: Emese was sitting on the bed by the window, her face thin and pale, but when she saw Áron, a faint smile appeared.Hu: Áron leült mellé, és gyengéden megérintette a kezét.En: Áron sat down next to her and gently touched her hand.Hu: "Szervusz, Emi," mondta, miközben leült. "Hogy érzed magad ma?"En: "Hello, Emi," he said as he sat down. "How are you feeling today?"Hu: Emese vállat vont. "Ma jobban. A nap gyönyörű, kár, hogy nem tudok kimenni."En: Emese shrugged. "Better today. The sun is beautiful, too bad I can't go out."Hu: Áron bólintott, majd mindketten kicsit csendben maradtak.En: Áron nodded, and they both remained silent for a bit.Hu: A világ odakint épp életre kelt, míg itt bent minden nyugodt és tervezett volt.En: The world outside was coming to life, while inside everything was calm and planned.Hu: "Tudod, mindig aggódok miattad," mondta Áron halkan. "Sokszor úgy érzem, hogy nem teszek eleget."En: "You know, I always worry about you," Áron said quietly. "Sometimes I feel like I'm not doing enough."Hu: Emese a szemébe nézett. "Nem akarom, hogy miattam aggódj. Annyi dolgod van a munkahelyeden is."En: Emese looked into his eyes. "I don't want you to worry about me. You have so much to do at work too."Hu: "Nem csak munka," válaszolta Áron. "Néha, én is elveszek a saját gondjaimban. De azért vagyok itt, hogy veled legyek."En: "It's not just work," replied Áron. "Sometimes, I get lost in my own troubles. But I'm here to be with you."Hu: Emese elgondolkodott, majd lassan bólintott. "Néha... néha attól félek, hogy túl nagy teher vagyok. Hogy nem fogok tudni soha igazán jobban lenni."En: Emese pondered for a moment, then slowly nodded. "Sometimes... sometimes I'm afraid that I'm too much of a burden. That I'll never really get better."Hu: Áron mélyen Emese szemébe nézett. "Mindannyian hordozunk terheket. Én is. De attól függetlenül, itt vagyok neked. Ezt tudd."En: Áron looked deeply into Emese's eyes. "We all bear burdens. I do too. But regardless, I am here for you. Remember that."Hu: A csend lassan a bizalom meleg érzésével töltötte meg a teret.En: The silence slowly filled the space with a warm feeling of trust.Hu: Emese mély lélegzetet vett, majd halkan megszólalt. "Tudod, talán kipróbálom azt a csoportterápiát, amit az orvos ajánlott. Ha te hiszel bennem, talán én is tudok."En: Emese took a deep breath, then spoke softly. "You know, maybe I'll try that group therapy the doctor suggested. If you believe in me, maybe I can too."Hu: Áron elmosolyodott, és finoman megszorította Emese kezét. "Ez nagyszerű ötlet. És ígérem, még gyakrabban látogatlak meg."En: Áron smiled and gently squeezed Emese's hand. "That's a great idea. And I promise, I'll visit you even more often."Hu: A napfény most már teljes erővel áradta be a szobát, mintha a kinti tavasz mutatná az utat a gyógyulás felé.En: The sunlight now fully flooded the room, as if the spring outside was showing the way to recovery.Hu: Emese és Áron úgy érezték, mintha most először látnák a reményteli jövőt.En: Emese and Áron felt as if they were seeing a hopeful future for the first time.Hu: Mindkettejüknek volt egy új célja: hogy egymást támogassák ebben a nehéz időszakban.En: They both had a new goal: to support each other through this difficult time.Hu: Az ablaknál ülve, a frissen szedett tulipánok között, újra összekapcsolódtak a szeretet és a megértés ereje által, és ez adott nekik erőt továbbmenni.En: Sitting by the window, among the freshly picked tulips, they reconnected through the power of love and understanding, which gave them the strength to move forward. Vocabulary Words:cautiously: óvatosanfiltered: szűrődöttward: kórteremfreshness: frissességsterile: sterilinstitutional: intézetiscent: illatoverpower: elnyomnidecorated: díszítettékshades: árnyalatokeased: megkönnyítikbouquet: csokorglistened: csillogtakdew: harmattólpale: sápadtfaint: halványshrugged: vállat vontnod: bólintburdens: terheketregardless: függetlenülpondered: elgondolkodotttrust: bizalomdeep breath: mély lélegzetsoftly: halkansuggested: ajánlottsqueeze: megszorítottaflooded: áradtrecovery: gyógyulásreconnected: újra összekapcsolódtakunderstanding: megértés

If you were stranded on a desert island today, what's the one song you couldn't live without? This week hosts Jim DeRogatis and Greg Kot round up a handful of Desert Island Jukebox picks from previous guests of Sound Opinions. The hosts also review the new albums from Peaches and Danny Brown.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "In My Life," Rubber Soul, Parlophone, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Peaches, "No Lube So Rude," No Lube So Rude, Kill Rock Stars, 2026Peaches, "Be Love," No Lube So Rude, Kill Rock Stars, 2026Peaches, "Not In Your Mouth None Of Your Business," No Lube So Rude, Kill Rock Stars, 2026Danny Brown, "Copycats," Stardust, Warp, 2025Danny Brown, "Whatever The Case," Stardust, Warp, 2025Danny Brown, "Book of Daniel," Stardust, Warp, 2025Danny Brown, "All4u," Stardust, Warp, 2025Danny Brown, "Lift You Up," Stardust, Warp, 2025Roxy Music, "Virginia Plain," Roxy Music, Island and Reprise, 1972Soft Machine, "Hope For Happiness," The Soft Machine, ABC and Probe, 1968Spoon, "Let Me Be Mine," They Want My Soul, Loma Vista and ANTI, 2014Rolling Stones, "Emotional Rescue," Emotional Rescue, Rolling Stones, 1980Jeff Tweedy, "Lou Reed Was My Babysitter," Twilight Override, dBpm, 2025Tyrannosaurus Rex, "A Beard of Stars," A Beard of Stars, Regal Zonophone, 1970Tyrannosaurus Rex, "By the Light of the Magical Moon," A Beard of Stars, Regal Zonophone, 1970Afrika Bambaataa and Soulsonic Force, "Planet Rock," Planet Rock (Single), Tommy Boy, 1982The Spinners, "Mighty Love," Mighty Love, Atlantic, 1973The Delfonics, "La-La Means I Love You," La-La Means I Love You, Philly Groove, 1968Kate Bush, "Running Up That Hill (A Deal With God)," Hounds of Love, EMI, 1985Local H, "How's The Weather Down There?," Whatever Happened To P.J. Soles?, Studio.E, 2004Mark Lannigan, "Solitaire," Imitations, Vagrant, 2013Mark Lannigan, "Ugly Sunday," The Winding Sheet, Sub Pop, 1990Nirvana, "Lithium," Nevermind, DGC, 1992Tsunami, "In a Name," Deep End, Simple Machines, 1993The Lemon Twigs, "Any Time Of Day," Everything Harmony, Captured Tracks, 2023Nicholas Krgovich, "Rosemary," Rosemary (Single), Tin Angel, 2018The Butterfield Blues Band, "East-West," East-West, Elektra, 1966The Third Mind, "East West (Live)," Live Mind, Yep Roc, 2025Beach Bunny, "Dream Boy," Honeymoon, Mom + Pop, 2020Redd Kross, "Candy Coloured Catastrophe," Redd Kross, In The Red, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Portuguese pilot Emi Carvalho got into hang gliding over a decade ago. Now living in Switzerland Emi is fully bi-wingual, and has instructed both hang gliding and paragliding. His passion these days is bivvy flying and depending on the weather will pick the kit that fits the mission, but more often than not the kit that fits the bill to have more fun is a short-pack hang glider. It's a bit heavier (similar to a light-weight paragliding tandem set up) and a bit more bulky, but you get to fly prone! In this fun talk Emi shares his expertise with short pack hang gliders, their development, and their application in adventure flying and bivvy trips.

Episode 160 of the Truth About Vintage Amps Podcast, where amp tech Skip Simmons fields all of your questions about tube amps.  Thank our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts.  Some of the topics discussed this week: 1:09 Fishing and weather report, Tule fog 4:43 Skip's amp backlog 5:19 A West guitar amp with a Dynaco 454216 transformer, a paper plate breakfast hack 10:45 Our sponsors! 12:56 What's on Skip's bench: A 1950 Princeton, a White amplifier, a Tweed Deluxe AND a Vibrolux; Electromuse amps 14:39 The Lonesome Captain's music video (YouTube link) 17:31 A Webster-Chicago 166-1 with a post phase-inverter tone control 20:36 The Valco/National/Supro single 6V6 with reverb and tremolo 28:06 A Silvertone 1472 with replaced parts; terminal strip grounds 30:55 Two filter cap Princetons (link to TDPRI forum) 32:11 An original Garnet Session Man; modding a Masco ME-27; recommended reading 39:49 The Wood Wire & Volts show; the Benson Babylon (as mentioned on episode 158!) 44:16 Speaker impedance mismatch on a Danelectro amp and its effect on tone, Spanish rice, Goya pasta 50:21 Suggestions for an unused triode in a Geloso G226A amp 54:32 Bill Krinard's return?; Dr. Z's new, single-ended PhD amp; Emery Sound amps 57:18 A new speaker for my Traynor YGM-3?; Peavey amps; smoked pork tenderlions 1:03:35 Making a baby Leslie speaker at home and adding caps to filter out EMI/interference (check out more pics on our Patreon) 1:11:00 Getting spray paint off a grill cloth (3M Safest Stripper); fixing a Fender speaker baffle; and a cursed reverb unit 1:16:50 A Cunningham CX322 tube giveaway; Alembic stereo pre-amps, redux Note: Starting around minute 60, our Zoom connection went bad and Skip can be a little hard to hear. We tried to clean it up as best we could. Sorry! Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Want to share your top secret family recipe? Need relationship advice? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Want to support the show? Join our Patreon page to get to the front of the advice line, see exclusive pics, the occasional video and more.  Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.