Podcasts about Emi

Olivier Legrain, un millionnaire français mécène de la presse indépendante, cosigne avec le journaliste Vincent Edin un livre intitulé Sauver l'information de l'emprise des milliardaires (Payot, 2025). Dans L'atelier des médias, tous deux détaillent la mainmise d'une dizaine d'oligarques, en France, sur les secteurs de la presse et de l'édition. Ils avancent aussi des pistes de solutions face au péril que cette situation fait peser sur la démocratie française. L'entretien débute par la présentation du livre Sauver l'information de l'emprise des milliardaires, publié par l'éditeur français Payot en mai 2025. Olivier Legrain, millionnaire français et mécène de la presse indépendante, et Vincent Edin, journaliste indépendant, y décrivent la « concentration inédite des médias français » aux mains de « 10 milliardaires qui accaparent à eux seuls 90 % des ventes de quotidien nationaux, 55 % de l'audience des télévisions et 40 % de celle des radios ». Olivier Legrain explique cette concentration par un « capitalisme d'influence » et une « guerre culturelle et idéologique ». Il affirme que pour ces milliardaires, « perdre de l'argent est complètement secondaire ».  Les menaces sur la démocratie et la qualité de l'information Olivier Legrain exprime son inquiétude et sa révolte face à cette situation, prévenant d'un « risque très important » de « vrai basculement dans notre pays » lors de la présidentielle de 2027. Il dénonce une « information à bas coût » qui « bafoue » la Charte de Munich. Vincent Édin critique le manque de fermeté du régulateur français des médias (l'Arcom), soulignant que les chaînes de Vincent Bolloré ont été « sanctionnées 52 fois pour manquement à leurs obligations à la déontologie journalistique » sans interdiction temporaire d'émettre.  Le projet d'une Maison des médias libres à Paris Olivier Legrain, multimillionnaire, affirme que l'achat de médias n'est « absolument pas [sa] philosophie ». Il se considère comme un citoyen engagé, utilisant son patrimoine pour « la liberté de la presse, le côté pluraliste » et l'accueil des réfugiés en France. Depuis une décennie, Olivier Legrain a accompagné financièrement plus de 50 médias indépendants. Son projet de la Maison des médias libres, situé au 70 boulevard Barbès à Paris, représente un investissement de 25 millions d'euros pour 4 500 m² et 350 postes. L'objectif est de « créer de l'émulation » et des « synergies » entre les médias indépendants, leur permettant de mutualiser des fonctions et de « créer une puissance de feu supplémentaire ». Vincent Edin perçoit ce lieu comme un « petit phalanstère qui protège les médias indépendants » et un moyen de « se rassembler pour pas se faire écraser ». L'ouverture est espérée durant l'année 2027. Pistes de solutions et réformes Les auteurs plaident pour « changer les lois » afin d'interdire à un milliardaire de posséder plus d'un média, souhaitant qu'ils « ne fasse plus système ». Ils proposent un renforcement des sanctions pour les manquements à la déontologie et une distribution plus proportionnelle des aides à la presse. Olivier Legrain souligne l'importance de « sanctuariser le service public de l'information » et milite pour un « droit d'agrément » des journalistes sur la nomination de leur directeur de la rédaction. Vincent Édin plaide pour généraliser l'éducation aux médias (EMI) à tous les âges, car l'information est un « bien commun » et non une marchandise. Un combat pour le pluralisme et la démocratie Olivier Legrain explique qu'ils se bat pour que « la science, les faits, les sources fiables soient débattues sans être considérés comme des opinions comme les autres », et pour « sauver le pluralisme de l'information ». Pour lui, l'information, la justice et la science sont « les trois combats fondamentaux pour une démocratie ». Il conclut en citant Jacques Kayser (1955) : « L'information, au lieu d'être un bien commun au service des peuples tend à devenir une marchandise livrée aux lois du profit. » 

durée : 01:28:38 - Relax ! du mardi 24 juin 2025 - par : Lionel Esparza - Cette semaine, Warner édite un coffret de 35 disques de Sir Thomas Beecham : de quoi redécouvrir tout ce qu'il a gravé en stéréo chez Emi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:38 - Relax ! du mardi 24 juin 2025 - par : Lionel Esparza - Cette semaine, Warner édite un coffret de 35 disques de Sir Thomas Beecham : de quoi redécouvrir tout ce qu'il a gravé en stéréo chez Emi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

« Informer à l'heure de la post-vérité » était le sujet d'une table ronde du 3e Festival international du journalisme de Carleton-sur-mer, au Québec, mi-mai 2025. L'atelier des médias propose un compte rendu des échanges qui réunissaient une universitaire et trois directeurs de médias francophones canadiens. Il a été question d'intelligence artificielle, de régulation des plateformes ou encore de la notion de confiance.  Marie-Ève Carignan est professeure titulaire au Département de communication de l'Université de Sherbrooke et cotitulaire de la chaire Unesco en prévention de la radicalisation et de l'extrémisme violents. Elle a aussi aussi été responsable des communications et analyste au Conseil de presse du Québec. Marc Gendron est éditeur chez Le Soleil et directeur principal croissance numérique des Coops de l'information Luce Julien est directrice générale de l'information à Radio-Canada depuis 2018. Brian Myles est le directeur du quotidien Le Devoir depuis 2016 mais il y travaille depuis trois décennies. Il a enseigné le journalisme à l'UQAM, de 2000 à 2016. Il a aussi été président de la Fédération professionnelle des journalistes du Québec (FPJQ) de 2009 à 2013. Marie-Ève Carignan commence par rappeler que la post-vérité est un concept qui, bien qu'il ait été le mot de l'année du dictionnaire Oxford en 2016, ne fait pas l'unanimité parmi les chercheurs. Ce terme est apparu pour décrire une ère où l'on accorde moins d'importance aux faits et à l'information factuelle, et davantage aux émotions et aux croyances personnelles. Une époque du « tout se vaut ». Les évolutions technologiques, notamment la démocratisation d'Internet, l'explosion des réseaux sociaux et l'intelligence artificielle (IA), ont eu un impact sur le secteur des médias, ces derniers ayant perdu leur « centralité » dans la diffusion de l'information. Aujourd'hui, « n'importe qui peut devenir un créateur et surtout un diffuseur de contenu », et sur l'espace numérique, « on est presque tous à armes égales », explique Marc Gendron, du quotidien Le Soleil. Les théories du complot, auparavant confinées à des cercles restreints, peuvent désormais être diffusées à grande échelle et atteindre des personnes sensibles à ce type de propos. L'IA a encore amplifié ce phénomène, permettant l'existence de « fermes à fausses nouvelles ». Cependant, Brian Myles, directeur du quotidien Le Devoir, rappelle que « le premier facteur de désinformation, c'est un être humain », soulignant que la désinformation précède largement la révolution numérique. Pour lui, l'enjeu de notre époque est le passage de l'insulte « fake news » appliquée aux médias traditionnels à « un empire de fausses nouvelles » qui a engendré une « communauté qui est dans la croyance pour ne pas dire dans la crédulité », menant à une ère où « ce n'est plus je pense donc je suis, c'est je le pense donc c'est vrai ». Il précise que des études montrent qu'une personne sur quatre s'informe désormais sur les réseaux sociaux, et la moitié des personnes interrogées dans ces études considèrent Facebook comme « très crédible », alors que la plateforme a été un puissant véhicule de désinformation. Le blocage des contenus d'actualité sur Facebook et Instagram au Canada depuis le 1er août 2023, riposte de Meta à une loi canadienne obligeant le géant américain à payer les médias pour reprendre leur contenus, a eu des impacts mitigés. Un tiers des Canadiens ne sauraient même pas que les contenus d'actualités sont bloqués sur ces plateformes, rappelle Marie-Ève Carignan. À l'inverse, Brian Myles qualifie ce blocage de « bénédiction », car cela a poussé les utilisateurs à chercher directement l'information, apportant plus de trafic direct et d'abonnements numériques pour son média. À écouter aussi«L'ère de la post-vérité»: le regard d'un économiste sur les effets du capitalisme numérique Face à ces défis, plusieurs pistes de solutions ont été proposées pour continuer d'informer à l'ère de la post-vérité : Rétablir la confiance : Brian Myles insiste sur le fait que la confiance est le bien le plus précieux des journalistes. La transparence est essentielle : sur les méthodes, la structure de propriété, la séparation entre faits et opinions, l'admission et la correction des erreurs. Il faut également des journalistes de terrain qui reflètent la réalité des gens, des médias capables de connecter avec leur public et des espaces de rétroaction intégrants le lecteur. Développer les communautés et la proximité : Marc Gendron souligne l'importance de réinvestir dans des espaces de commentaires modérés sur les environnements propres (sites et applications) des médias pour créer un engagement et une communauté autour des contenus. Il faut que les médias de proximité aillent sur le terrain, fassent écho aux préoccupations des gens pour rétablir un lien de confiance fondamental. Le dialogue social : Marie-Ève Carignan mentionne des projets mettant en relation des personnes aux croyances radicalement opposées (par exemple, sur l'immigration ou le changement climatique) pour encourager l'écoute et l'ouverture aux différentes opinions. Des méthodes comme l'« entretien motivationnel » ont montré leur efficacité pour amener les gens à réfléchir à leurs valeurs et potentiellement modifier leurs croyances, notamment en santé publique. L'éducation aux médias : Marie-Ève Carignan et Luce Julien insistent sur le potentiel de l'éducation aux médias (EMI). Des projets pilotes ont montré que les participants comprennent mieux le fonctionnement des médias et sont plus ouverts aux sources d'information, mais ces initiatives manquent de financement et de structuration uniforme.  La régulation des plateformes numériques : Le problème de l'économie des médias en crise est que la création de contenu dédié à chaque réseau social n'est pas rentable, car les médias sont « écartés de la chaîne de valeur » et ne tirent pas de revenus de ces plateformes. Brian Myles insiste sur l'absence d'un cadre réglementaire juste pour les plateformes numériques. Il affirme que les plateformes ne sont ni de simples compagnies de technologies ni des médias traditionnels, mais un « entre-deux ». Il suggère que des actions judiciaires antitrust aux États-Unis, visant à démanteler des géants comme Google et Facebook, pourraient potentiellement « régler l'enjeu pour nous tous ». Le rôle des gouvernements : Marie-Ève Carignan considère l'information comme un « bien public » qui coûte cher à produire et devrait être financé par le gouvernement par le biais des taxes, et non pas seulement par l'abonnement. Brian Myles s'inquiète de la « montée des gouvernements populistes qui arrivent avec un agenda de remise en question des institutions médiatiques » et qui « vont laisser le mensonge investir l'espace d'élaboration des politiques publiques », ce qui est « profondément dangereux dans une démocratie ». Malgré ces défis, Luce Julien offre une note d'espoir, affirmant que « l'industrie va mal » financièrement, mais que « on fait du meilleur journalisme qu'on en faisait il y a plusieurs années », avec par exemple de nombreux médias réalisant du journalisme d'enquête de qualité. Elle encourage les citoyens à « poser des questions aux médias » s'ils doutent d'un reportage, soulignant l'importance du lien direct avec le public. 

Lucie Burns is an Industry Leading Performance Coach, Speaker, and bestselling Author of "The Art of Live Performance Unlocked". She is the Founder of Stage Ready Artists and Host of The Singing Buddha Podcast. She was named 'A performance coach to follow' by LA Weekly, and has been featured on two TV documentaries, showcasing her transformational work with musicians. Lucie believes in creatively nurturing the person behind the performer, working holistically and intuitively, focusing on the connection between mind, body and emotion.   With nearly 30 years in the industry, Lucie's unique approach makes her a go-to expert for those looking to own the stage and transform their craft. She is also known as the artist, songwriter and music producer Lazy Hammock. She has achieved 4 x #1s, released 11 self-produced albums, and amassed over 25 million streams. Her music has been licensed to TV shows and major labels including Sony BMG, Ministry of Sound, Hed Kandi, and EMI. 

Today, we're diving into a critical topic in modern healthcare: the perioperative management of patients with implanted electronic devices undergoing noncardiac surgery. With significant advancements in cardiology and cardiothoracic surgery, cardiac implantable electronic devices (CIEDs), including pacemakers, implantable cardioverter-defibrillators (ICDs), and cardiac resynchronization therapy devices, are becoming increasingly common in the surgical population. From pre-op assessment and EMI planning to post-op reprogramming, this deep dive breaks down complex protocols into actionable, life-saving steps. Here's some of what we discuss in this episode:

Beloved Austin-based photographer and friend to all, Matt Lankes, passed away on Sunday. My heart goes out to his family and friends. Matt was a really sweet, gentle and loving man and loved by everyone who got to meet him. I met him 40 years ago when we were both at Austin High School and reconnected when I moved back to Austin in the early 90's. Matt came on the show last summer and we had a great, fun conversation about his journey. I feel very lucky to have known him. Rest in peace, old friend. Below are my original notes for episode 1419. Austin based photographer Matt Lankes is my guest for episode 1419! Matt has an extensive client list that includes HBO, LiveStrong, Fox Searchlight, Texas Monthly, New York Times, Amazon, Netflix, Time Inc., Newsweek, Austin Monthly, Lee Jeans, CBS, Random House, Warner Brothers, EMI, Sony, Universal, and many more. He currently has his work in the permanent collection of The National Portrait Gallery at the Smithsonian and at The Wittliff Collections at Texas State University. Matt has also been the photographer on a handful of Richard Linklater films including 2014's Boyhood. His book Boyhood: Twelve Years on Film, captured the progression of the film and the actors through the lens of a 4x5 camera, creating a series of arresting portraits and behind-the-scenes photographs, and is available through University of Texas Press. Find it HERE. Go to mattlankes.com for all of your Matt needs. I had a great time getting to know Matt and his journey as an artist. I'm sure you will too.

In this episode, Limahl shares the story behind Kajagoogoo's 1983 smash hit “Too Shy,” reflecting on the band's rapid rise from local gigs to global stardom. He details his chance meeting with Nick Rhodes of Duran Duran, whose mentorship helped land them a deal with EMI, and breaks down the experimental recording process that gave “Too Shy” its distinct synth-pop sound. Limahl also opens up about his early days working as a waiter at a celebrity hotspot, the playful inspiration behind the lyrics, and how the band's diverse musical influences shaped their unique identity. With a mix of behind-the-scenes insights and personal reflections, this conversation captures the magic and momentum behind a song that still shines more than four decades later. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes  For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com  Follow Chris DeMakes A Podcast on Instagram: https://www.instagram.com/chrisdemakesapodcast/ Join the Chris DeMakes A Podcast community on Facebook: https://www.facebook.com/groups/2643961642526928/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Zondag 15 juni 2015 Vaderdag Zo vader zo zoon zo heilige geest (De Jonge) Freek de Jonge 1'39 Van de cd De mars Ariola 259.160 Sandra (M. van der plas/R. van Otterloo) Frans Halsema 2'58 Van de cd Het beste van Frans Halsema Mercury 536 310-2 A kwadraat plus b kwadraat is C kwadraat (Wilmink/Bannink) Frits Lambrechts 2'21 van de cd Portret BIS 073 Pepijn (van 't Hek) Youp van 't Hek 1'40 van de eerste officiële Nederlandse echtscheidings-cd CNR 100.112 Medea (Visser) Joop Visser 3'16 van de cd Intimiteiten Eigen Beheer Vaders en dochters (Annie Schmidt/Ru van Veen) Wim Kan 2'53 Van de cd Ongehoord FAV 2 23001 Wiegeliedje (Annie Schmidt/Harry Bannnink) Conny Stuart 3'04 Van de cd Ongehoord FAV 2 23001 Bitter en bot (Van het Groenewoud) Raymond van het Groenewoud 3'37 Van de cd Speel WM 5 054197 067846 Mijn vader had gelijk (Ferdy/E. Defacq) Will Ferdy 2'23 Van de LP Ik ben van ver teruggekomen Philips 6320 012 Vader slaat erop los (Bomans) Godfried Bomans 3'05 van de cd De kopstukken EMI 7243 8 54871 2 5 Als ik aan vader denk (Elsink) Henk Elsink 3'25 Eigen opname Peter (Deborah Smit/Leon Mooren) Deborah 3'48 Eigen opname Elke week (Breedijk) Barbara Breedijk 2'49 Eigen opname Vader en zoon (Cole Porter/R. Carrell) André en Rudi Carrell 2'03 Van de LP Het beste van toen en thans 1 Readers Digest DRDS 9001 Plankjes (Goossens) Johan Goossens 2'28 Van de cd Plankjes Eigen beheer Schouder aan schouder (Van Dongen/Breebaart) Lenette van Dongen 2'18 Van de cd Vedette Eigen beheer Pa wil niet in bad (R. Ortega/R. de Gooyer/Hartman) Johnny en Rijk 2'56 Van de cd Oh Waterlooplein CNR BX 649642

Fasten your tech-hipster bum bags—Chad, Lieven, and Emi globe-trot through HR mayhem, startup soap operas, and political facepalms.

In this news-packed episode, Brian and Gabby break down the biggest happenings shaking up the market research space. Ipsos is expanding its European footprint with the proposed acquisition of the BVA Group, and AckWest continues its M&A spree, this time adding healthcare research firm Reckner to its growing roster. The industry is also seeing a wave of rebrands—Toluna is consolidating under one name, and Sympler now goes by “Okay, Humans” in a nod to human-focused research amid rising AI tension. Speaking of AI, the hosts dig into Pulsar's launch of Narratives AI—a public opinion search engine with promise (and bot-related pitfalls). Meanwhile, Numerator introduces a Tariff Risk Index to monitor price volatility, and EMI's new Sample Landscape report tests synthetic data against real respondents, explores AI prompting tools, and dives deep into high-frequency survey takers. It's a can't-miss conversation for anyone watching the balance between innovation and insight. Thanks for listening! Want to download your copy of The Sample Landscape: 2025 Edition? Get it here: https://content.emi-rs.com/sample-landscape-report-2025 Did you miss one of our webinars, or would you like to access some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Ciani pubblicò il suo primo album per la EMI nel 1963, tre anni dopo il suo arrivo in Australia, realizzando la passione che lo aveva mosso fin da bambino e che lo portò nel 1967 a vincere nel programma televisivo "Showcase".

RBI REPO RATE குறைப்பு வீடு,வாகன கடன் EMI குறையுமா, Trump Vs Elon Musk சண்டை, இந்திய பங்குச்சந்தையை பாதிக்குமா, TESLA ஒரே நாளில் 14% சரிவு பங்கு விலை மீளுமா, NSE -க்கு ESG Rating அனுமதி கொடுத்த SEBI, REPO RATE குறைப்பு, வீடு, வாகன கடன் EMI குறையுமா போன்ற பல விஷயங்களை பேசியிருக்கிறார் பங்குச்சந்தை நிபுணர் வ.நாகப்பன்.

Send us a textWe dive into the world of network cabling, answering 20 questions about Cat5e, Cat6, and Cat6A cables in a fast-paced, information-packed session to help you make better cable choices.• Cat5e vs Cat6: Cat6 offers more bandwidth (250MHz vs 100MHz) and headroom for future applications• Cat6 can handle 10Gbps up to 37-55 meters, while Cat6A supports 10Gbps to the full 100 meters• The "A" in Cat6A stands for augmented, doubling frequency from 250MHz to 500MHz• Shielded cabling is usually only needed in high-EMI environments and requires proper grounding • Use the "John Deere rule" – it's better to install higher category cable now than replace it later• Plenum-rated cable is required by code for air handling spaces but costs more• Never buy "copper-clad aluminum" (CCA) cable – it's unsafe and may void insurance• Cat8 is designed for data centers, not homes – Cat6A is sufficient for future-proofing residences• Professional installations should include certification testing as documentation Make sure you follow proper cable selection and installation practices to create reliable, future-ready networks that will serve your needs for years to come.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

Jesus told His disciples that when He left earth He would send another advocate, the Holy Spirit to guide us in life and empower us to do what Jesus had been doing. During this service Pastor Becky shares who Holy Spirit is and how Holy Spirit operates while sharing the events that took place during EMI's 25 year anniversary celebration in Mexico City.To support the ministry of Melbourne Inclusive Church go to: www.michurch.org.au/giveMelbourne Inclusive Church boldly and proudly proclaims Christ's equal love for all people regardless of their ability, socio-economic status, sexual orientation, age, gender, race, ethnicity, or culture.Melbourne Inclusive Church is part of the EMI Global family of churches.

Anything to Squish by Emi by 826 Valencia

Marv and I are honored to be joined by Chris O'Dell, as we discuss her travels through rock and roll.     After some initial forays into the industry, she met Derek Taylor (who introduced her to her new roommate, Teri Garr.     Soon enough, she found herself in EMI with the Beatles (and cameo-ing on both "Hey Jude" and "Revolution"), the Apple rooftop, then the Concert for BanglaDesh, the Rolling Stones, and a decade WORKING for both the solo Beatles and many other members of rock royalty.     Her story is now streaming in a documentary "Miss O'Dell" (based in part on her book), available on Peacock, Tubi, Amazon Prime in the US with UK (and worldwide) distribution in the works.

durée : 00:19:29 - Disques de légende du lundi 26 mai 2025 - En 1969, EMI réussit un grand coup marketing en réunissant quatre des artistes les plus célèbres de l'époque, pour le triple concerto de Beethoven : David Oistrakh au violon, Mstislav Rostropovitch au violoncelle et Sviatoslav Richter au piano – sans oublier Herbert von Karajan à la baguette.

Fluent Fiction - Japanese: From Writer's Block to Breakthrough: The Power of Collaboration Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-05-25-22-34-02-ja Story Transcript:Ja: 春のやわらかな陽光が「フリーランサーズ・ホーム」の大きな窓から差し込んでいた。En: The soft spring sunlight streamed through the large windows of "Freelancers' Home".Ja: このコワーキングスペースは、都会の喧騒の中にありながら、クリエイティブなプロフェッショナルたちにとっては避難所のような場所だった。En: This coworking space, situated amid the bustle of the city, served as a refuge for creative professionals.Ja: 壁にはインスピレーションを与えるアートが飾られ、新鮮なコーヒーの香りが漂っている。En: Inspirational art adorned the walls, and the aroma of freshly brewed coffee filled the air.Ja: ある日、物語を書くことに行き詰まっていたHarukiは、数冊のノートと共に机に座っていた。En: One day, Haruki was seated at a desk with several notebooks, feeling stuck in his writing.Ja: 彼は、これ以上書けないのではないかという不安に駆られながらページを見つめていた。En: He stared at the pages, gripped by the fear that he might not be able to write anymore.Ja: そこに、活発なグラフィックデザイナーのAkiraがやってきた。En: Then, Akira, a lively graphic designer, came over.Ja: 彼女はいつも明るく、人々の物語を視覚化することに喜びを見いだしていた。En: She always brought a cheerful energy and found joy in visualizing people's stories.Ja: 「こんにちは、Harukiさん！」とAkiraは声をかけた。En: "Hello, Haruki-san!" Akira called out.Ja: Harukiは、彼女のエネルギーにいつも少し圧倒されつつも、心地良さを感じていた。En: Though Haruki sometimes felt a bit overwhelmed by her energy, he also found it comforting.Ja: 二人には共通の友人、Emiがいた。彼女は、二人が一緒に働くことを密かに応援していた。En: They shared a mutual friend, Emi, who secretly hoped they would work together.Ja: Harukiは自分のアイデアを共有することに不安を感じていた。批判や拒絶を恐れていたのだ。En: Haruki felt anxious about sharing his ideas, afraid of criticism and rejection.Ja: しかし、彼は思い切って小説のプロットをAkiraに話すことにした。En: However, he decided to take a chance and tell Akira the plot of his novel.Ja: 「Akiraさん、ちょっと聞いてもらえますか？」En: "Akira-san, could I talk to you for a moment?"Ja: Akiraはにっこり笑って言った。「もちろん！何でも聞きますよ。」En: Akira smiled brightly and said, "Of course! I'll listen to anything."Ja: 彼女の反応に勇気づけられ、Harukiは物語の概要を話し始めた。En: Encouraged by her response, Haruki began outlining the story.Ja: Akiraは興味深く耳を傾け、Harukiのビジョンを形にする手助けを約束した。En: Akira listened intently and promised to help shape Haruki's vision.Ja: 忙しい最中であっても、彼女は時間をさいて彼をサポートすることに決めた。En: Even amid her busy schedule, she decided to set aside time to support him.Ja: 数週間後、二人は集中的なブレインストーミングセッションを行った。En: A few weeks later, the two engaged in an intensive brainstorming session.Ja: Akiraは、Harukiの物語に新しい視点を与えた。En: Akira offered new perspectives on Haruki's story.Ja: 「この部分をこうしたらどうですか？」「このキャラクターにはこんな背景があったら面白いかも。」Akiraのアイディアは、Harukiの創作意欲を再び燃え上がらせた。En: "How about doing this part like this?" "It might be interesting if this character had such a background." Akira's ideas reignited Haruki's creative passion.Ja: その結果、Harukiはついに小説を書き上げた。彼のストーリーは、以前よりもはるかに豊かなものとなった。En: As a result, Haruki finally completed his novel, which became much richer than before.Ja: 彼はその小説を、プロとしても個人としても大切な存在となったAkiraに捧げた。En: He dedicated the book to Akira, who had become an important presence both professionally and personally.Ja: 物語の執筆を通して、Harukiは他者と協力することの大切さを学んだ。En: Through writing the story, Haruki learned the value of collaborating with others.Ja: そして、彼は自分の語りの力に自信を持てるようになったのだった。En: He also gained confidence in his storytelling abilities.Ja: 春の「フリーランサーズ・ホーム」には、彼とAkiraの笑い声が心地良く響いていた。En: In spring, the cheerful laughter of Haruki and Akira resonated warmly within "Freelancers' Home".Ja: 彼らは新しい物語を形にすることを楽しみ、新たな季節を迎えたのだった。En: They enjoyed shaping new stories and welcomed a new season. Vocabulary Words:streamed: 差し込んでいたamid: 中にありながらbustle: 喧騒refuge: 避難所adorned: 飾られfreshly: 新鮮なbrewed: 淹れたてのgripped: 駆られながらlively: 活発なvisualizing: 視覚化するoverwhelmed: 圧倒されつつもmutual: 共通のrejection: 拒絶encouraged: 勇気づけられoutlining: 概要を話し始めたintently: 興味深くintensive: 集中的なbrainstorming: ブレインストーミングperspectives: 視点background: 背景reignited: 再び燃え上がらせたcollaborating: 協力するconfidence: 自信storytelling: 語りabilities: 力cheerful: 明るいlaughter: 笑い声resonated: 響いていたshaping: 形にするwelcomed: 迎えた

In this episode of The Slay Podcast, Dr. Emi Hosoda reveals how we can use our own genetic makeup to tailor our fitness and nutritional goals. Dr. Emi shares her personal health journey, including her own struggles with weight and how nutrigenomics helped her transform her health. She emphasizes the importance of individualized health approaches through nutrigenomics. Want to know how to personalize your health strategies and achieve better outcomes? Then this episode is for you!

Comme les trois autres séries de magical girl produites par le Studio Pierrot, Creamy, merveilleuse Creamy a été diffusée sur La Cinq, dans l'émission Youpi l'école est finie, à partir du printemps 1988. La création du générique est calquée sur le même modèle de ceux diffusés à l'époque sur la chaîne. C'est d'ailleurs le dernier qu'enregistre Valérie Barouille après Jeanne et Serge, Emi magique, Dans les Alpes avec Annette et Vanessa et la magie des rêves…

durée : 00:18:05 - Disques de légende du jeudi 22 mai 2025 - Au milieu des années 50, Samson François enregistrait chez EMI les oeuvres pour piano de Chopin : un must, tout simplement.

durée : 00:20:08 - Disques de légende du mardi 20 mai 2025 - En 1962 paraissait chez EMI la 4ème symphonie de Mahler par l'orchestre Philharmonia, avec à la baguette d'Otto Klemperer, et Elisabeth Schwarzkopf pour le final.

Buckle up for a wild ride with Joel Cheesman and Emi Beredugo, where they sling HR hot takes with the finesse of a fast-food fry cook! This episode's a rollercoaster of laughs and eye-rolls, diving into the AI-first workplace fiasco like it's a soap opera. Klarna's CEO got a reality check after ditching 700 customer service reps for AI, only to realize bots can't sweet-talk angry customers. Now they're on a hiring spree to bring back the human touch—oops! Duolingo, meanwhile, thought AI could teach languages better than people, but TikTok's Gen Z army clapped back, rage-quitting the app and calling it “disgusting.” Ouch, that's gotta sting.Then there's IBM's bigwig, Arvind Krishna, tossing shade at HR by saying AI freed up cash for “essential” jobs like sales. Emi's not having it, firing back that HR's the backbone of fairness and inclusion, not just fluffy admin work. She's all about adapting to AI without yeeting humans into oblivion. LinkedIn's new AI job search gets a nod for letting you type “I wanna save the world in sweatpants” and matching you with dream gigs, aiming to hook passive job seekers while sparing recruiters from resume spam. Wrapping up, they tackle the EU's 2026 Pay Transparency Directive, a game-changer forcing companies to spill salary tea upfront to shrink gender pay gaps and stop wasting everyone's time. But, plot twist: firms better get their org charts in order or face a discrimination lawsuit mess. And they serve it all with wit juicier and tastier than a McDonald's chicken strip! Chapters 00:00 - Introduction and Personal Updates 05:54 - Shout Outs and Industry News 10:02 - Layoffs and Job Market Challenges 19:01 - AI in the Workplace: Klarna and Duolingo 23:59 - The Human Element in Automation 26:56 - The Automation Dilemma 30:15 - The Role of HR in an Automated World 36:40 - Earnings Insights: Recruit Holdings vs. ZipRecruiter 40:22 - LinkedIn's AI Job Search Innovations 46:16 - EU Pay Transparency Directive: A Game Changer

What does it mean to call something “Christian music”? Nick Barré has spent decades in the music industry—from working at EMI with early Switchfoot to managing major names like Casting Crowns, KB, Brandon Heath, and more. In this 200th episode of The Biblical Mind, he joins Dru Johnson to reflect on the Christian music label, the tension between calling and category, and how artists navigate faith and fame. Nick argues that labeling music—or restaurants or plumbers—as “Christian” may do more harm than good. He shares why genre categories are a business necessity but spiritually unhelpful, and why the most important questions artists must answer are about calling, audience, and identity—not chart placement. From spiritual burnout to public affirmation, from the temptations of platform to the dangers of envy, Nick shares pastoral, industry-hardened wisdom on how to guide artists into longevity and spiritual wholeness. He even offers advice for aspiring Christian musicians—and what it really means to “show, not tell” when pursuing a creative calling. Nick Barre's Company "Proper Management" can be found here: https://www.propermanagement.net We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Defining Christian Music 03:11 The Evolution of Music Genres 06:10 Navigating the Music Industry 08:57 The Dangers of Labeling 12:09 The Role of Artists in Ministry 15:16 The Impact of Fame on Identity 18:24 Identifying Unique Gifts in Artists 25:41 Exploring Diverse Artist Portfolios 28:29 Navigating Hard Conversations in the Music Industry 31:05 Defining Success in the Arts 33:15 The Challenge of Artistic Compromise 37:06 Understanding Market Dynamics in Music 40:22 Fragmentation of the Music Industry 46:39 Advice for Aspiring Christian Artists

The Kelly Alexander Show welcomes Montreal-based alt-pop recording artist Emi Jeen who has released a new song called “I'm Not Good.” Emi tells us all about the song and how she got the opportunity to perform at this year's upcoming world-renowned music festival Osheaga. Then Kelly talks to you about some entertainment news including a new Netflix show about horse racing called "Race for the Crown," a Yellowstone spinoff featuring actor Luke Grimes and rock band Soundgarden releasing their final album. Enjoy the conversation and thank you for listening!

Once A DJ is brought to you by:https://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsGreg on Instagram - https://www.instagram.com/dj_greg_wilson/ Greg on Facebook - https://www.facebook.com/DJGregWilson Record Mirror Disco Chart Podcast - https://shows.acast.com/record-mirror-disco-charts This week, we had the absolute pleasure of diving into the fascinating journey of the legendary Greg Wilson! He took us way back to his childhood in Merseyside, where the magic of the 60s and the ever-present soundtrack of The Beatles became deeply ingrained. It wasn't a distraction from anything, but more of an exploration of that incredible era's creativity and optimistic spirit. Imagine growing up a stone's throw from the Tower Ballroom where The Beatles and The Rolling Stones were tearing it up!Greg shared how his deep dives into artists like Bowie and Dylan fueled his passion for understanding the evolution of music. This meticulous approach would later come into play in unexpected ways.Then, we took a turn into the vibrant world of early UK street dance with Broken Glass. Greg recounted how a chance encounter with Kermit (later of the Rap Assassins and Black Grape) led to managing this groundbreaking breakdancing crew. Their "street tour" of the Northwest sounds legendary, breaking down barriers and even sparking connections across racial lines in a time when such interactions were less common in some areas. He fondly remembers seeing young white and black kids connecting over the music and dance – a real moment of positive social impact.The conversation then shifted to the emergence of the Ruthless Rap Assassins. Greg vividly described the raw energy and unique attitude of their early tapes, particularly the track "We Don't Care." Their originality and unexpected humor immediately grabbed him, leading to him taking on management and production duties. He walked us through their journey, from getting studio time to eventually signing with EMI – a "mad" move for such an uncompromising act.The story of their time with EMI is a rollercoaster, from creative freedom with their first album ("Sample City" with its insane sample layering – think Hendrix, Jerry Lee Lewis, Ringo Starr, Happy Mondays, and even Sergeant Pepper!) to the clash with the main marketing department who, fresh off the success of MC Hammer and Vanilla Ice, didn't...

From Club Space to Regatta Grove, Emi Guerra has seen it all. We trace his journey from hustling in high school as a club promoter to launching iconic venues like Club Space, The Wharf, and Regatta Grove. Emi opens up about the rollercoaster ride of entrepreneurship — the early struggles, near-collapse, and the eventual rise of Breakwater Hospitality.It's a raw, insightful look at what it takes to build Miami's most memorable nightlife and hospitality experiences and a powerful reminder that you don't fail until you quit.Connect with usWant to dive deeper into Miami's commercial real estate scene? It's our favorite topic—and we're always up for a good conversation. Whether you're just exploring or already making big moves, feel free to reach out at felipe@builtworldadvisors.com or give us a call at 305.498.9410. Prefer to connect online? Find us on LinkedIn or Instagram—we're always open to expanding the conversation. Ben Hoffman: LinkedIn Felipe Azenha: LinkedIn We extend our sincere gratitude to Büro coworking space for generously granting us the opportunity to record all our podcasts at any of their 8 convenient locations across South Florida.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

À l'occasion du 80e anniversaire de la victoire de l'Union soviétique contre le nazisme, le Kremlin réécrit l'Histoire. La date du 9 mai, puissant vecteur de propagande, permet de diffuser le narratif d'une guerre sans fin contre le nazisme, servant de prétexte à la poursuite de l'offensive russe en Ukraine. Ce 9 mai à Moscou, les commémorations de la victoire sur l'Allemagne nazie prennent une dimension symbolique inédite. Soucieux avant tout de justifier la poursuite de sa guerre contre l'Ukraine, Vladimir Poutine érige le passé en un récit de propagande visant l'Ukraine et ses alliés.Notre invité est Paul Gogo, correspondant en Russie pour plusieurs médias francophones et auteur du livre Opération spéciale, dix ans de guerre dans le Donbass, entre Donetsk et Moscou, aux éditions du Rocher.Inde-Pakistan : guerre de l'information à haute intensitéLes affrontements entre l'Inde et le Pakistan suscitent un torrent d'infox sur les réseaux sociaux, au point d'éclipser le réel. Ce sera la chronique de Grégory Genevrier de la cellule info vérif de RFI:Puis, nous mettons le cap sur le Cameroun, pour parler éducation aux médias avec la journaliste Laure Nganlay, lauréate du prix EMI 2025, décerné à son organisation AFF Cameroun lors des Assises du journalisme de Marseille. Les travaux de fact checking de cette ONG de lutte contre la désinformation sont à retrouver sur la plateforme 237 check.

This week's EYE ON NPI features a new 'everything' sensor, the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) . This is a highly-anticipated update to the SEN5x (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) goes hard on gas sensing, with VOC, NOx and CO2 sensors built in. You can even update to the SEN68 and get formaldehyde HCHO sensing! What we like about this series is the complete solution for all kinds of environmental sensing with a single cable. Sensirion is one of our fav sensor companies: from classics like the SHT45 (https://www.adafruit.com/product/5665) to the popular SGP30 (https://www.adafruit.com/product/3709) and the high quality SCD30 (https://www.adafruit.com/product/4867) we have made breakouts for many-a-sensor from this company. Lately they've started to do fully integrated products - like the SEN5x series (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) that we covered earlier on EYE ON NPI. The SEN54 series has particulate matter (PM1, PM2.5, PM4, PM10) dust sensing, plus temperature, humidity, volatile organic compounds (VOCs), with the SEN55 adding NOx. We saw this sensor often paired with an SCD30 (https://www.digikey.com/short/d1h3t1n4) or SCD4x (https://www.digikey.com/short/zmh2zjz3) to add CO2 sensing. Those folks will like the look of the SEN6x series as now we get CO2 sensing in all but the lowest-cost SEN60. One thing to note with CO2 sensing is that once a week it needs to 'self-calibrated' by letting it sense fresh outdoor air which will be ~400ppm. This isn't a bad idea for your health either. Another new sensor added in the upcoming SEN68 is formaldehyde, which integrates the SFA30 (https://www.digikey.com/short/2d5fb8rt). If you've used the SEN5x series, (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) you're probably familiar with their connection interface: a JST GH 6-pin cable is used to connect and provide power and I2C data connection. However, one thing to note is that the cable is the same but the pinout has changed. Power is now 3.3V instead of 5.0 and there's no UART interface, so the SEL pin is not available. For that reason, if you'd like to use the same cable, go for it - but the circuitry will need to change...for example we're revising our SEN5x breakout (https://www.digikey.com/short/h0jffnm2)! We like that, just as with the SEN5x series, the SEN6x (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) uses plain I2C to communicate. This makes it easy to integrate with any microcontroller or microcomputer, and the added CRC helps avoid accidental data corruption from EMI or loose cables. The interface is not just to each individual sensor - there's only one I2C address and command structure and once you initialize the sensor you can read all values at once for 'timestamped' consistency. The commands are easy to implement, but if you want a head-start, check out the Sensirion GitHub account (https://github.com/Sensirion?q=sen6&type=all&language=&sort=), they have code in C and Python for a 5-minute quick start. Excited to check this fancy new combo-sensor out? You're in luck because DigiKey has the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/short/0d4jt424) in stock right now for immediate shipment! Order today and DigiKey will ship it you in an instant - you will be sensing up a storm by tomorrow afternoon! See at DigiKey https://www.digikey.com/short/0d4jt424 See Sensiron's video https://www.digikey.com/api/videos/videoplayer/smallplayer/6371044300112 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Fluent Fiction - Japanese: Under the Sakura: A Journey of Renewal in Kyoto Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-05-08-22-34-02-ja Story Transcript:Ja: 春の朝、哲学の道は美しい桜の花で彩られていました。En: On a spring morning, the Tetsugaku-no-michi was adorned with beautiful sakura blossoms.Ja: 花びらが風に舞い、川の水面に静かに降り注ぎます。En: Petals danced in the wind, gently settling on the surface of the river.Ja: ハルトはその景色を見ながら、心の中で何かが変わることを期待していました。En: As Harto gazed at the scenery, he hoped for something to change within his heart.Ja: ハルトは会社でいつも忙しい生活を送っていました。En: Harto led a busy life at work.Ja: だが、今回はユキの勧めで、仕事を忘れて京都へ来ました。En: However, upon Yuki's suggestion, he came to Kyoto to forget about work.Ja: ユキは彼に休息が必要だと感じていました。En: Yuki felt that he needed a break.Ja: 「二人で週末を過ごそう」と彼女は言い、自然の中で肩の荷を降ろせる場所を求めました。En: "Let's spend the weekend together," she said, seeking a place in nature where he could lay down his burdens.Ja: しかし、旅行の計画は少し変わりました。En: However, the travel plan changed slightly.Ja: ハルトの友人、エミが突然に同行することになったのです。En: Harto's friend, Emi, unexpectedly decided to join them.Ja: ユキは少し驚きましたが、エミはいつも優しくて気の利く友達でした。En: Yuki was a little surprised, but Emi was always a kind and considerate friend.Ja: 彼女が一緒でも、楽しい時が過ごせると思いました。En: She thought they could still have a good time together.Ja: 道を歩くうちに、ハルトは体の異変に気が付きます。En: As they walked along the path, Harto noticed something wrong with his body.Ja: 頭が重く、視界がぼんやりし始めました。En: His head felt heavy, and his vision started to blur.Ja: 最初は、それが一時的なものだと思い、彼は黙っていました。En: At first, he thought it was temporary and kept silent.Ja: ユキとエミに心配をかけたくなかったのです。En: He didn't want to worry Yuki and Emi.Ja: でも、時間が経つにつれて、ハルトの調子は悪化していきました。En: But as time passed, Harto's condition worsened.Ja: 最後に彼は、桜の下で力尽き、地面に崩れ落ちました。En: Finally, he collapsed under the cherry blossoms, unable to stand any longer.Ja: 青空の下で、ユキとエミは驚き、すぐに彼を助けました。En: Under the blue sky, Yuki and Emi were shocked and immediately came to his aid.Ja: エミが急いで救急車を呼び、ユキはハルトの手を握りしめて励まします。En: Emi quickly called an ambulance, and Yuki held his hand tightly, offering encouragement.Ja: 救急車が到着し、ハルトはすぐに手当てを受けました。En: The ambulance arrived, and Harto received immediate care.Ja: 彼の病状は深刻ではなかったものの、ストレスと過労が原因だと医者に言われました。En: Although his condition was not severe, the doctor said it was due to stress and overwork.Ja: それを聞いて、ハルトは自分の生活を見直す必要があると強く感じました。En: Hearing this, Harto felt a strong need to reassess his life.Ja: そして、ホテルに戻った後、ハルトはユキに素直な気持ちを打ち明けました。En: Later, back at the hotel, Harto candidly expressed his feelings to Yuki.Ja: 「僕はもっと自分を大事にしなければならないね」と彼は小さな声で言いました。En: "I need to take better care of myself," he said in a small voice.Ja: 「これまで君にも心配をかけて、本当にごめん。」En: "I'm really sorry for making you worry all this time."Ja: ユキは、そんなハルトの変化を嬉しく思いました。En: Yuki was pleased to see this change in Harto.Ja: 「一緒に乗り越えようね。大切なのは、これからだよ。」と優しく微笑みました。En: "Let's overcome this together. The important part is what comes next," she replied with a gentle smile.Ja: ハルトは、ユキとともに京都の静かな夜を過ごしながら、自分のこれからについて静かに考えました。En: As Harto spent a quiet night in Kyoto with Yuki, he contemplated his future.Ja: そして、桜の季節は終わりを迎えますが、彼の心には新たな芽が育ち始めていました。En: The season of sakura may come to an end, but a new bud was beginning to grow in his heart. Vocabulary Words:adorned: 彩られていましたpetals: 花びらgazed: 見ながらscenery: 景色reassess: 見直すcontemplated: 考えましたunexpectedly: 突然にencouragement: 励ましますgentle: 優しくconsiderate: 気の利くburdens: 肩の荷blur: ぼんやりcollapse: 崩れ落ちましたseason: 季節temporary: 一時的なvision: 視界head: 頭surface: 水面air: 風severe: 深刻aid: 助けforced: 力尽きcandidly: 素直な気持ちを打ち明けましたreplied: 優しく微笑みましたbuds: 芽stress: ストレスovercome: 乗り越えようquiet: 静かなadmit: 打ち明けましたrealize: 気が付きます

James Copnall, presenter of Newsday, speaks to Emi Mahmoud, Sudanese activist and poet, about the war that has claimed more than 150,000 lives since it began two years ago. In what the United Nations has called the world's largest humanitarian crisis, about 12 million people have also been forced to flee their homes.Emi speaks about the pain of losing many members of her family, the brutality of the current conflict in the western region of Darfur which she believes to be genocide, and the trafficking of women and girls caught up in the fighting. In the aftermath of the destruction of the Zamzam camp for displaced people, she describes life in the community there - and calls on the world to do more to resolve the violence in Sudan. As an award-winning poet, she uses her poems to spread her message.The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds, Apple, Spotify or wherever you get your podcasts.Presenter: James Copnall Producers: Clare Williamson, Lucy Sheppard, Madeleine Drury Editor: Max DevesonGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Why Us the Series Is the sapphic drama we needed!

In this episode of Intellicast, host Brian Peterson is joined by Mary Draper and Aron Wilson for a timely and candid discussion about the state of data quality in market research. The team unpacks the recent indictment involving OP4G and Slice MR, accused of orchestrating a $10 million fraud scheme using fabricated survey data. They explore how this scandal highlights long-standing challenges around fraud detection, insider manipulation, and the limitations of current quality safeguards. The conversation also recaps key insights from the recent Insights Association Ignite Data Quality Conference, including the growing push for sample transparency, the nuanced role of ISO certifications, and the critical need for a respondent-first approach to survey design. With perspectives from both supplier and full-service backgrounds, this episode explores how the industry can work together to raise the bar for quality, combat fraud, and ultimately rebuild trust. Whether you're a panel provider, research buyer, or full-service agency, this episode is packed with insights you don't want to miss. Want a better understanding of EMI data quality processes? Click Here Heading to Washington D.C. for IIeX – be sure to connect with Matthew and Brian! Did you miss one of our webinars or want to get some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

今回のエピソードでは、「うまくいっているのに、なぜか心が苦しい」 「結果は出ているけど、魂が置き去りになっている気がする」 ——そんな経験がある方に向けてお話しします。 成功しているように見えても、そこに自分の真実がなければ、いずれ違和感が心の中に残ります。 私自身の選択の葛藤や、本当にクライアントに貢献できるビジネスとは何かを見直した体験を通して、 “魂から創るビジネス”の大切さについて深く掘り下げていきます。 このエピソードで分かち合うのは： エゴからの選択と、魂からの選択の違い 成果が出ていてもズレているときの“違和感”のサイン クライアントやオファーの進化に気づくためのポイント 「ビジネス＝自己表現」であるという視点 あなたの内なる違和感を無視せず、それを成長と創造の種に変えるヒントを受け取ってください。 Learn from Emi 無料のコースアクセス

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sir Tim Rice, lyricist extraordinaire, is Gyles's guest today. Tim is one of the few people in the entertainment world to have won an Emmy, a Grammy, an Oscar and a Tony Award, and his songs for shows like Joseph, Evita, Jesus Christ Superstar, Chess and the Lion King are known and loved all around the world. And yet Sir Tim remains modest and charming, as you'll hear in this conversation - perhaps thanks to the good manners he inherited from his father. Tim tells Gyles about his childhood, his schooldays at Lancing College and how, despite his lack of ambition, he moved to London and got a job with EMI. Much of this conversation, not surprisingly, is about music: the records Tim listened to as a teenager, the band he played with at school, and the first songs he wrote and which helped him to get noticed. We find out how he met Andrew Lloyd Webber and started to make musical history. Thank you Sir Tim Rice for your warmth, wit and wonderful stories. Tim Rice is on a nationwide tour telling his brilliant stories and featuring some of his best-known songs until the end of May, tickets available here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sir Tim Rice, lyricist extraordinaire, is Gyles's guest today. Tim is one of the few people in the entertainment world to have won an Emmy, a Grammy, an Oscar and a Tony Award, and his songs for shows like Joseph, Evita, Jesus Christ Superstar, Chess and the Lion King are known and loved all around the world. And yet Sir Tim remains modest and charming, as you'll hear in this conversation - perhaps thanks to the good manners he inherited from his father. Tim tells Gyles about his childhood, his schooldays at Lancing College and how, despite his lack of ambition, he moved to London and got a job with EMI. Much of this conversation, not surprisingly, is about music: the records Tim listened to as a teenager, the band he played with at school, and the first songs he wrote and which helped him to get noticed. We find out how he met Andrew Lloyd Webber and started to make musical history. Thank you Sir Tim Rice for your warmth, wit and wonderful stories. Tim Rice is on a nationwide tour telling his brilliant stories and featuring some of his best-known songs until the end of May, tickets available here Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Send us a textChuck Bowser, RCDD, addresses crucial questions about low-voltage systems, covering EMI detection, IP ratings, camera lenses, and safety procedures in this technical deep-dive episode.• Signs of electromagnetic interference include humming audio, equipment damage, fuzzy screens, ESD shocks, and signal glitches• Standard installation practices like separation from power cables can often prevent EMI without requiring shielded cabling• IP ratings use a two-digit system where the first number (0-6) indicates protection against solids and the second (0-8) shows water protection• Camera lens types include fixed (unchangeable), variable (manually adjustable), zoom (motorized remote control), and multiple (multifocal) options• Front projection systems require consideration of projector placement, presenter location, screen height, aesthetics, acoustics, and lens selection• Wire map testing identifies issues like split pairs that continuity testing might miss• Data center redundancy models range from N (minimum required) to 2N+1 (two complete systems each with spares)• Lockout tagout procedures prevent injuries during maintenance by ensuring equipment remains powered off• Never substitute regular grout for proper firestop material as it can damage cables and violate building codesJoin us next Wednesday at 6pm Eastern for more expert low-voltage advice and industry insights.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

Seattle Opera presents its first-ever Gilbert & Sullivan in October 2025: The Pirates of Penzance, in a charming, traditional production that has already delighted many American opera audiences. Jonathan Dean explains the difference between opera and operetta, shares a bit of the music and humor of Pirates, and attempts to explain what The Pirates of Penzance is all about. Musical examples from Seattle Opera recordings of Rigoletto and Il trovatore, plus a recording of Pirates provided by the Atlanta Opera Film Studio (with Susanne Burgess as Mabel and Santiago Ballerini as Frederic, Chorus and Orchestra of Atlanta Opera conducted by Francesco Milioto) and another recorded in 1959 by EMI, featuring George Baker as the Major-General, James Milligan as the Pirate King, Owen Brannigan as the Police Sergeant, plus the Glyndebourne Festival Chorus and the Pro Arte Orchestra conducted by Sir Malcolm Sargent.

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera's story, and explores the meaning of the myth. Musical examples from the 2005 Decca recording of Daphne (West Deutscher Rundfunk Orchestra conducted by Semyon Bychkov, with Renee Fleming, Johan Botha, Michael Schade, Anna Larsson, Kwanchul Youn, Julia Kleiter, and Twyla Robinson); the 1983 EMI recording (Bayerischen Rundfunks conducted by Bernard Haitink, with Lucia Popp, Reiner Goldberg, Peter Schreier, Ortrun Wenkel, and Kurt Moll); and the 1965 Deutsche Gramophon recording (Vienna Symphony conducted by Karl Böhm, starring Hilde Gueden, James King, Fritz Wunderlich, Vera Little, and Paul Schöffler).

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textChuck explores the complex dynamics between electricians and low-voltage specialists while discussing how to choose between fiber optics and copper cabling in various project scenarios.• Explaining to customers that specialists are best for specialized work, using the analogy of not going to a podiatrist for a root canal• Fiber offers more bandwidth, EMI immunity, and longer distances but isn't always necessary and costs more• Effective project management requires planning, scheduling, resource optimization, and regular quality inspection• Getting as much information upfront for estimates leads to more accurate pricing and fewer change orders• Continuous learning and networking with industry professionals is vital for career advancement in ICT• Future trends to watch include AI applications in project management, smart building technologies, and evolving industry standardsLive after hours with your favorite RCDD every Wednesday at 6 PM Eastern - bring your questions and join the conversation!Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

[MÉTAMORPHOSE PODCAST] Anne Ghesquière reçoit Patrice van Eersel, journaliste et grand reporter. Ensemble, ils explorent le sujet de la conscience. La conscience habite-elle l'univers tout entier ? La réalité de la matière présente-t-elle des similarités avec la conscience ? Où la conscience est-elle logée ? Que nous enseignent les sagesses et les EMI ? La nature est-elle consciente ? Et les animaux ? Faut-il renouer avec une vision animiste du monde ? Le Soleil est-il conscient ? Patrice Van Eersel nous expose les résultats de sa longue enquête avec humour et légèreté. Son dernier livre est paru aux éditions Guy Trédaniel : Le Soleil est-il conscient ? Et les dauphins, et les baobabs, et le cristal, et l'IA, et nous-mêmes ? En voilà des questions étranges. Allons-nous pouvoir y répondre ? Épisode #580À réécouter :#278 Patrice Van Eersel : NoosphèreQuelques citations du podcast avec Patrice van Eersel :"Nous sommes en wifi les uns avec les autres en permanence.""Les humains ont commencé à exister quand ils ont pris conscience qu'ils allaient mourir.""Plus la plante est ancienne dans l'évolution, plus elle a un spectre de musique."Thèmes abordés lors du podcast avec Patrice van Eersel :00:00 Introduction03:43 La question essentielle de la conscience.10:47 Qu'est-ce que la conscience ? 14:52 L'enquête de Patrice Van Eersel sur les EMI.19:23 Elisabeth Kübler-Ross ou l'art d'accompagner la douleur.30:49 Le tournant de Source noire.34:22 Vers une définition restreinte de la conscience dans l'Histoire.39:23 La double révolution de la mécanique quantique et de la phénoménologie.44:41 Que nous enseignent les Indiens Kogis.51:28 La conscience animale.54:20 : La Terre a-t-elle une conscience ?01:01:16 La musique des plantes01:13:42 Le fonctionnement quantique.01:20:44 Lien entre conscience et physique quantique.01:23:06 Le soleil est-il conscient ?Avant-propos et précautions à l'écoute du podcast Découvrez Objectif Métamorphose, notre programme en 12 étapes pour partir à la rencontre de soi-même.Recevez chaque semaine l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Hello Rank Squad! Dean's back in London, so it's less of a Transatlantic Job this week, but that doesn't mean there's not still plenty to discuss. Today, we're looking at the Champions League Quarter Finalists, but in a slightly different way - examining who the most important player is for each of the eight teams remaining in the competition, from the perspectives of how they've played so far, as well as who is most likely to step up going forward. We take the eight teams in turn ahead of their QF matchups, thinking about star performers across the course of the competition, but also about which player their opposition would remove from these games if they were given a choice to do so - giving us some interesting names and discussions around how we rank players in systems. We finish by trying to pick a top three each, but we found that was a harder task than either of us envisaged to begin with! It's Ranks!  And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?

Hosts Jim DeRogatis and Greg Kot speak with author David Rowell about his new book, The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The hosts also review the new albums by Bartees Strange and Sasami.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Bartees Strange, "Sober," Horror, 4AD, 2025Bartees Strange, "Wants Needs," Horror, 4AD, 2025Bartees Strange, "Baltimore," Horror, 4AD, 2025Bartees Strange, "17," Horror, 4AD, 2025Bartees Strange, "Doomsday Buttercup," Horror, 4AD, 2025Sasami, "Slugger," Blood On the Silver Screen, Domino, 2025Sasami, "Love Makes You Do Crazy Things," Blood On the Silver Screen, Domino, 2025Sasami, "The Seed," Blood On the Silver Screen, Domino, 2025Sasami, "I'll Be Gone," Blood On the Silver Screen, Domino, 2025Tom Petty, "You Don't Know How it Feels," Wildflowers, Warner, 1994Kajagoogoo, "Too Shy," White Feathers, EMI, 1983Journey, "Lights," Infinity, Columbia, 1978The Rolling Stones, "Jumpin' Jack Flash," Single, Decca, 1968Neil Young, "Tonight's the Night," Tonight's the Night, Reprise, 1975Hüsker Dü, "Sorry Somehow," Candy Apple Grey, Warner, 1986Men at Work, "Down Under," Business as Usual, Columbia, 1981The Selecter, "On My Radio," On My Radio (Single), 2 Tone, 1979See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.