Podcasts about Emi

Fluent Fiction - Japanese: Tradition Meets Innovation: Haruto's Startup Success Story Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-07-15-22-34-02-ja Story Transcript:Ja: 真夏の東京、渋谷の中心にあるスタートアップインキュベーターは熱気に包まれていました。En: In the peak of summer, in the heart of Tokyo, a startup incubator in Shibuya was enveloped in bustling energy.Ja: 窓越しに差し込む日差しはビルの影を落とし、街の喧騒がかすかに聞こえてきます。En: Sunlight peeked through the windows, casting shadows from the buildings, and the faint sounds of the city's hustle and bustle could be heard.Ja: このモダンなオフィススペースで、ハルトとエミは次の一手を考えていました。En: In this modern office space, Haruto and Emi were contemplating their next move.Ja: ハルトはテックスタートアップを立ち上げようと奮闘する若手起業家です。En: Haruto is a young entrepreneur striving to launch a tech startup.Ja: お盆が近づく中、祖先を敬う気持ちとスタートアップの成功へのプレッシャーが彼を動かしていました。En: As the Obon holiday approached, his respect for his ancestors and the pressure to make his startup successful fueled his motivation.Ja: エミはハルトのサポート役ですが、現実的な考え方を持っています。En: Emi plays a supporting role to Haruto, providing a realistic perspective.Ja: 彼らは信頼できる投資家を探しており、ケンタに期待を寄せていました。En: They were seeking a trustworthy investor and pinned their hopes on Kenta.Ja: ケンタは慎重な投資家で、彼らのスタートアップが本当に価値があるのか疑問を持っています。En: Kenta is a cautious investor who harbors doubts about whether their startup truly holds value.Ja: 「ケンタさんに良い印象を与えるにはどうしたらいいかな？」とハルトは考えました。En: "What can we do to leave a good impression on Kenta-san?" Haruto pondered.Ja: エミは「オフィスの雰囲気も大事よ。高品質で予算に合うオフィス用品を揃えましょう。」と言いました。En: Emi said, "The office atmosphere is important too. Let's gather high-quality office supplies that fit our budget."Ja: ハルトはインキュベーターの周りを散策し、渋谷の店を巡って適切なアイテムを選びました。En: Haruto explored around the incubator and browsed through the shops in Shibuya to select appropriate items.Ja: お盆用の提灯や扇風機、和紙で包んだノート。それはハルトの熱意と、伝統を大切にする想いを表していました。En: Lanterns for Obon, fans, and notebooks wrapped in washi paper—all of which represented Haruto's enthusiasm and his respect for tradition.Ja: 数日後、ついにケンタとのピッチミーティングの日が来ました。En: A few days later, the day of their pitch meeting with Kenta finally arrived.Ja: エミとハルトは準備万端です。En: Emi and Haruto were fully prepared.Ja: ミーティングルームには、新しく揃えた文具が綺麗に並び、涼しい風鈴の音が心地よく響いていました。En: In the meeting room, the newly gathered stationery was neatly arranged, and the soothing sound of wind chimes resonated comfortably.Ja: ハルトは熱心にプレゼンテーションを始めました。En: Haruto began his presentation passionately.Ja: 「私たちの技術はテクノロジー業界に革新をもたらします。そして、これらのアイデアは日本の伝統を尊重しつつ未来を開くものです。」と語りました。En: "Our technology will bring innovation to the tech industry, and these ideas honor traditional Japanese values while opening doors to the future," he stated.Ja: その姿は、自信に満ち溢れ、誠実さが感じられました。En: His demeanor was confident, with sincerity shining through.Ja: ケンタは彼の言葉を真剣に聞き、オフィスの細部に目を向けました。En: Kenta listened intently to his words and took note of the office's intricate details.Ja: ミーティングの終了後、ケンタは微笑みました。En: After the meeting ended, Kenta smiled.Ja: 「素晴らしいアイディアと情熱を感じました。私の投資を約束します。」En: "I felt your great ideas and passion. I promise my investment," he said.Ja: その言葉を聞いて、ハルトとエミは喜びでいっぱいになりました。En: Hearing those words, Haruto and Emi were filled with joy.Ja: この経験を通じて、ハルトはリーダーシップに自信を持つようになり、祖先への敬意が単なる伝統でないことを理解しました。En: Through this experience, Haruto gained confidence in his leadership and understood that respect for ancestors is not merely a tradition.Ja: それは努力と誠実さによって示されるものなのです。En: It's something to be demonstrated through effort and sincerity.Ja: お盆を迎える夏の日、彼は新たな決意を胸に抱きました。En: On a summer day as Obon approached, he embraced a new determination within his heart. Vocabulary Words:enveloped: 包まれていましたbustling: 喧騒contemplating: 考えていましたentrepreneur: 起業家striving: 奮闘するapproached: 近づく中perspective: 考え方trustworthy: 信頼できるharbors: 疑問を持っていますdemeanor: 姿sincerity: 誠実さintently: 真剣にhonor: 尊重demonstrated: 示されるdetermination: 決意heritage: 伝統innovation: 革新persuasion: 説得faint: かすかにshadows: 影amidst: 中心にあるgather: 揃えるsoothing: 心地よくresonated: 響いていましたlanterns: 提灯stationery: 文具embellishment: 装飾pitch: ピッチheartened: 喜びでいっぱいsupporting: サポート役

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Zondag 13 juli 2025 Ivo de Wijs deel 1 Stomme verbazing, Het menselijk verval (De Wijs) Ivo de Wijs 0'55 Van de DVD Nacht van de Poëzie 2006 Uitg. Rubinstein Kont (I. de Wijs) Kabaret Ivo de Wijs 3'02 Van de cd 25 Cameretten CDJD06CA Wim Ibo over Kabaret Ivo de Wijs (waarin Seksklubje) 2'55 Eigen opname Seksklupje (I. de Wijs/P. Nieuwint) Kabaret Ivo de Wijs 4'10 van de LP De wortels van het kwaad Bovema 5C 054-24 513 Paal (I. De Wijs/P. Nieuwint) Kabaret Ivo de Wijs 2'42 Van de cd Terug naar de wortels EMI 7243 8274002 5 Discriminatie (I. De Wijs/P. Nieuwint) Kabaret Ivo de Wijs 3'23 Van de cd Terug naar de wortels EMI 7243 8274002 5 Ivo de Wijs (Gerritsen) Tjeerd Gerritsen 3'00 Eigen opname Durp (Trad/I. de Wijs) Kabaret Ivo de Wijs 4'00 Van de cd De mooiste cabaretliedjes EMI 99165 Verhaal (I. De Wijs/P. Nieuwint) Kabaret Ivo de Wijs 2'35 Van de cd Terug naar de wortels EMI 7243 8274002 5 Sosjale Oenit Open Doel (I. de Wijs) Kabaret Ivo de Wijs 13'44 Van de Lp Beschaafd amusement EMI 5C 18425164/5 Een moment voor jezelf (I. De Wijs/P. Nieuwint) Kabaret Ivo de Wijs 2'11 Van de cd Terug naar de wortels EMI 7243 8274002 5 Weggelopen echtgenoten (I. de Wijs) Kabaret Ivo de Wijs 2'14 Van de cd Formule 2 bij het boek Het gaat goed met Nederland Uitg. Nijgh & van Ditmar Tristoire (I. de Wijs/P. Nieuwint) Kabaret Ivo de Wijs 2'52 Van de cd Formule 2 bij het boek Het gaat goed met Nederland Uitg. Nijgh & van Ditmar

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L'Institut Reuters, rattaché à l'université d'Oxford, mène chaque année une grande enquête sur l'état de l'information dans le monde. Pour discuter de son édition 2025, parue récemment, L'atelier des médias reçoit la directrice de l'école de journalisme de Sciences Po Paris, Alice Antheaume qui a supervisé la partie française de cette étude internationale. Le Reuters Institute publie chaque année son Digital News Report, rapport mondial sur l'état de l'information, une vaste enquête menée auprès de 100 000 personnes réparties dans 48 pays. Les données du rapport 2025 révèlent une poursuite de l'exode des audiences des médias traditionnels vers les plateformes comme YouTube et les réseaux sociaux. La télévision poursuit sa baisse continue comme source d'information. Les podcasts connaissent un dynamisme notable, offrant des « voix nouvelles dans des formats différents » et s'adressant davantage aux moins de 35 ans avec des formats « plus incarnés » et moins liés à l'actualité chaude.  La confiance dans les médias demeure « très mitigée », la France se classant à une décevante 41e position sur 48 pays, avec seulement 29 % des sondés déclarant une confiance satisfaisante. Alice Antheaume explique ce faible score par un « mauvais esprit français », culturellement méfiant, et une « mauvaise compréhension de ce qu'est notre métier » de journaliste, le travail de vérification étant « sans doute mal saisi ». Cette défiance est fortement corrélée à une crise de confiance plus globale envers les institutions. Concernant le paiement pour l'information en ligne, la France affiche un faible taux de 11 %, un chiffre « stationnaire » depuis des années. Pour Alice Antheaime, une des explications réside dans une « mauvaise éducation » à la valeur de l'information, le public ayant été habitué à l'accès gratuit via internet. De fait, seuls 11% des Français déclarent avoir reçu une éducation à l'information, soit le plus mauvais score parmi les pays étudiés. Pour y remédier, Alice Antheaume insiste sur l'importance de « nommer les choses » et d'instaurer de la « récurrence » dans l'éducation aux médias et à l'information (EMI) dans les cursus scolaires. Face à l'« accablement » et l'« impuissance » ressentis face aux nouvelles, 36 % des Français disent éviter activement l'information. Dans ce paysage, de nouveaux acteurs tels que HugoDécrypte attirent les jeunes audiences, avec 22 % des moins de 35 ans en France qui consultent ses contenus. Ses formats sont qualifiés de « très pédagogique » et aident à une meilleure compréhension d'un monde complexe. Malgré une perception peu populaire et des conditions d'exercice difficiles, le métier de journaliste conserve une « attractivité folle » chez les jeunes, assure Alice Antheaume. Mais une école de journalisme comme celle de Sciences Po Paris doit s'attacher à former les étudiants pour qu'ils puissent « durer dans ce métier », assure la directrice. La formation insiste sur le fact-checking, le reportage de terrain, et la compréhension des grands enjeux mondiaux. L'intégration de l'intelligence artificielle (IA) est également primordiale, avec des ateliers où les étudiants « ont produit des prototypes pour des médias déjà installés en intégrant et de l'info et des outils d'intelligence artificielle tout en se questionnant sur l'éthique ».

Entre vie et mort : récit d'une greffe et d'un ange gardien Bonjour mes amis, Avec ce 22ème épisode, on fête les 2 ans du podcast. Merci pour votre soutien sans faille et votre écoute. Saviez-vous que près de 10 % des patients ayant frôlé la mort rapportent des expériences dites « de mort imminente » ? Flottement hors du corps, tunnel de lumière, voix mystérieuses… Certains y voient un bug du cerveau, d'autres une porte entrouverte sur l'au-delà. Parfois, la vie nous réserve des surprises… mais franchement mon héroïne aurait préféré gagner au Loto plutôt que de se retrouver à l'hôpital de Seattle avec des poumons en grève. Ellen, Ellen, 26 ans, bosse dans l'événementiel et collectionne les galères médicales. Elle se sent vieille avant l'âge. Mais la vraie loterie, c'est celle du don d'organes : un matin, coup de fil du docteur Peters, et elle obtient une greffe inespérée ! Encore faut-il survivre à l'opération… et au personnage du chirurgien, prototype du golden boy misogyne, obsédé par son image et par l'idée de dominer tout ce qui porte une blouse (spéciale dédicace à Nancy, la jeune infirmière harcelée sous couvert de hiérarchie). Mais la vraie aventure commence quand Ellen, entre deux mondes sur la table d'opération, fait une expérience de mort imminente. Flottant au-dessus de son corps, elle assiste à la scène, découvre l'envers du décor hospitalier et croise une mystérieuse présence lumineuse : ange gardien, fantôme, ou… un peu des deux ? À son réveil, rien ne sera plus comme avant : nouveaux goûts, nouvelles envies, et surtout, la sensation persistante qu'elle n'est plus seule dans sa poitrine. Impossible de parler de cet épisode sans évoquer le Dr Peters : chirurgien star, sourire ultra-bright, ego surdimensionné et… comportement de prédateur. Sous ses airs de sauveur, il profite de sa position pour harceler la jeune Nancy, tout juste débarquée dans le service. Il est la caricature même du médecin qui pense que tout lui est dû, y compris le respect et le silence de ses collègues féminines. Heureusement, Ellen – même à moitié anesthésiée – ne compte pas se laisser faire, et l'équipe va enfin oser lever le voile sur ses agissements. Cet épisode est un hommage à toutes celles et ceux qui traversent l'épreuve de la maladie, mais aussi à celles qui osent briser le silence face à l'injustice. Et si, parfois, la vie (ou la mort) nous met sur la route d'anges gardiens insoupçonnés, il ne tient qu'à nous d'écouter les signes… et de nous autoriser à vivre, pleinement. Pour bien terminer ce voyage en ma compagnie, je vous propose une reprise d'une chanson que j'adore : Le tunnel d'or - AaRON Casting :  Callie Hope : Ellen Watson Rodolphe Campeggia : Dr Peters Charlotte Jardat : Gillian Delphine Lidove : Patricia Betty Scouarnec : Infirmière au réveil d'Ellen Margaux Rinaldi : Nancy Écriture, composition, montage et réalisation sonore par Juliette Dargand, tous droits réservés Membre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media Soutenez le podcast et choisissez votre contrepartie originale sur https://fr.tipeee.com/rencontres-surnaturelles-juliette-dargand Soutenez-nous sur Tipeee !

Expériences de mort imminente : conscience, science et mystère – Entretien avec le Dr Jean-Jacques CharbonierEt si la conscience ne s'arrêtait pas avec l'activité cérébrale ?Et si des patients déclarés en mort clinique vivaient des expériences d'une intensité bouleversante… et inexplicables scientifiquement ?

What happens when a chance meeting turns into a real love story across continents?In this episode of International Love Story, Emi (from Ecuador) shares how she met her now-husband Anish (from India) during a Eurotrip in Belgium. What started as a casual social media connection turned into long video calls, a month-long visit to Ecuador, and eventually moving to Germany — all while navigating cultural differences and distance.Emi opens up about the challenges of moving abroad, adapting to life in Germany, and how her Indian in-laws went from skeptical to fully embracing her as family. They now live in Berlin and recently had a beautiful Indian wedding with both families present — a celebration of love, trust, and cultural curiosity.If you're in a long-distance or intercultural relationship, or thinking about moving abroad for love, this episode is packed with honest reflections, real challenges, and inspiring takeaways.

Music Revolution esplora come la musica abbia manifestato idee, rivoluzionato stili e offerto resistenza contro le brutture della vita. Massimo Bonelli, con oltre 30 anni in discografia, è passato da ruoli di rilievo in EMI e Sony Music a riscoprire la passione per la musica autentica, abbandonando il business per tornare all'essenza dell'arte sonora come rifugio e bellezza. A cura di Massimo Bonelli Regia - casalinga - di Ivana Masiero

Expériences de mort imminente : conscience, science et mystère – Entretien avec le Dr Jean-Jacques CharbonierEt si la conscience ne s'arrêtait pas avec l'activité cérébrale ?Et si des patients déclarés en mort clinique vivaient des expériences d'une intensité bouleversante… et inexplicables scientifiquement ?

On this week's show we take a first look at the proposed HDMI 2.2 specification. We also read your emails and take a look at the week's news. News: YouTube Once Again Dominates TV Usage In May SunBrite Debuts Full Sun 4K Smart TV Series XGIMI Releases MoGo 4 Series Projectors Amazon to Shutter Freevee in September 2025, Merging Content into Prime Video HDMI 2.2 Specification The HDMI 2.2 specification, announced by the HDMI Forum at CES 2025, introduces several advanced features to support higher resolutions, refresh rates, and enhanced audio-visual performance. Below is a summary of the key features included in the HDMI 2.2 specification based on the information we have today: Increased Bandwidth (Up to 96 Gbps): HDMI 2.2 doubles the bandwidth of HDMI 2.1 (from 48 Gbps to 96 Gbps), enabling support for higher resolution and refresh rate combinations, as well as data-intensive applications.  This increased bandwidth supports uncompressed and compressed video formats, making it suitable for advanced applications like AR/VR, spatial reality, light field displays, medical imaging, and machine vision. Support for Higher Resolutions and Refresh Rates: Uncompressed Formats 4K at 240 Hz and 480 Hz (4:4:4 chroma sampling, 10-bit and 12-bit color). 8K at 60 Hz and 240 Hz (4:4:4 chroma sampling, 8-bit and 10-bit color). 10K at 120 Hz. 12K at 120 Hz. 16K at 60 Hz. Compressed Formats (using Display Stream Compression or similar): Supports higher refresh rates like 4K at 480 Hz, 8K at 240 Hz, and 10K at 120 Hz, which require compression to achieve these rates within the bandwidth constraints. Next-Generation Fixed Rate Link (FRL) Technology: HDMI 2.2 introduces an advanced version of Fixed Rate Link signaling technology, optimized for better support of uncompressed content at high resolutions and refresh rates, ensuring pristine image quality and low latency Ultra96 HDMI Cable: A new cable type, the Ultra96 HDMI Cable, is introduced to support the full 96 Gbps bandwidth and all HDMI 2.2 features. These cables are backward compatible with older HDMI devices but are required to fully utilize HDMI 2.2's capabilities. The Ultra96 cables are part of the HDMI Cable Certification Program, requiring testing and certification with a visible Ultra96 certification label to ensure compliance. Features low electromagnetic interference (EMI) for stable and reliable data transmission. Latency Indication Protocol (LIP): A new feature designed to improve audio and video “‘video synchronization, particularly in multi-hop setups involving devices like AV receivers or soundbars. LIP enhances synchronization over existing methods, reducing issues like lip-sync lag, especially for fast-paced content or gaming. Support for Advanced Color and Chroma Formats: Supports high-quality color spaces like BT.2020 with 10-bit, 12-bit, and 16-bit color depth. Enables uncompressed full chroma formats (e.g., 4:4:4) at high resolutions, ensuring richer colors and pristine image quality. Additional Notes Availability: The HDMI 2.2 specification was announced at CES 2025, with Ultra96 cables expected to be available in Q3/Q4 2025. HDMI 2.2-compliant devices (e.g., TVs, monitors, GPUs) are expected to appear in late 2025 or 2026 Optional Features: Like previous HDMI versions, features such as Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), Quick Frame Transport (QFT), and Enhanced Audio Return Channel (eARC) remain optional and depend on device manufacturer implementation. Consumer Guidance: The Ultra96 feature name helps consumers identify cables and devices capable of supporting 64 Gbps, 80 Gbps, or 96 Gbps bandwidth, ensuring optimal performance.

(Recorded the evening of 7/3/2025. We forgot to turn on some of the microphones so I did my best to compensate.) Ryan and I talk to our classmates Emi, Julia, and Avery. We talk about where they're going to school and why they chose their majors, how I feel about sea salt & vinegar chips, and the differences between the American west and east coasts.

FirstMetroSec's Anjz Baccay shares our updated insights on Emperador Inc. (EMI). In this episode, Anjz discussed our target price and recommendation for the stock. These and more, only here on Philippine Stock Market Weekly.

Zondag 29 juli 2025 Willy Alberti bedankt (M.J. Smit/A. v. Duin/F. de Groot) André van Duin 3'35 Van de cd De leukste liedjes CNR 2004885 Over verjaarspartijtje Prins Bernhard (Noordmans) Johan Noordmans 5'19 Eigen opname Me auto (Manders) Dorus 2'45 Van de cd De 30 grootste successen Mercury 514 568-2 Een minuutje (Been) Cherry 3'00 Van de LP Als je dat maar weet! Vertigo 818 430-1 Rije (Visser) Joop Visser 1'23 Van de cd Voor de zieken en zeevarenden Eigen beheer A2 (Van Vliet/Eskes) Paul van Vliet 5'15 Van de cd Hoogtepunten 1984-1994 Mercury 536 740-2 De snelwegkat (P. Nieuwint/I. de Wijs) Kabaret Ivo de Wijs 3'12 Van de cd Formule 2 Bij het boek Het gaat goed met Nederland Nijgh & Van Ditmar De Bonaire-menéér (Myer) Jochem Myer 6'22 van de DVD Adem in, adem uit Eigen beheer Van Zwolle naar Kampen (De Corte) Jules de Corte 2'05 Van de cd Over the rainbow Eigen beheer Bericht aan de reizigers (Vermeulen/De Jonge) Neerlands Hoop 5'10 van de cd Ingenaaid of gebonden EMI 0946 3423752 9 Treinen (Drs. P/Lovsky) Fay Lovsky 3'33 Van de cd Eigen weg BASTA 30-9107-2 De fiets is beter, ja natuurlijk (Jan Kal/Martin van Dijk) Adèle Bloemendaal 3'57 van de cd Natuurlijk Nederlands CNR 655.328-2 Gebed van een fietser (Krijger) Jaap Krijger 3'12 Eigen beheer

Olivier Legrain, un millionnaire français mécène de la presse indépendante, cosigne avec le journaliste Vincent Edin un livre intitulé Sauver l'information de l'emprise des milliardaires (Payot, 2025). Dans L'atelier des médias, tous deux détaillent la mainmise d'une dizaine d'oligarques, en France, sur les secteurs de la presse et de l'édition. Ils avancent aussi des pistes de solutions face au péril que cette situation fait peser sur la démocratie française. L'entretien débute par la présentation du livre Sauver l'information de l'emprise des milliardaires, publié par l'éditeur français Payot en mai 2025. Olivier Legrain, millionnaire français et mécène de la presse indépendante, et Vincent Edin, journaliste indépendant, y décrivent la « concentration inédite des médias français » aux mains de « 10 milliardaires qui accaparent à eux seuls 90 % des ventes de quotidien nationaux, 55 % de l'audience des télévisions et 40 % de celle des radios ». Olivier Legrain explique cette concentration par un « capitalisme d'influence » et une « guerre culturelle et idéologique ». Il affirme que pour ces milliardaires, « perdre de l'argent est complètement secondaire ».  Les menaces sur la démocratie et la qualité de l'information Olivier Legrain exprime son inquiétude et sa révolte face à cette situation, prévenant d'un « risque très important » de « vrai basculement dans notre pays » lors de la présidentielle de 2027. Il dénonce une « information à bas coût » qui « bafoue » la Charte de Munich. Vincent Édin critique le manque de fermeté du régulateur français des médias (l'Arcom), soulignant que les chaînes de Vincent Bolloré ont été « sanctionnées 52 fois pour manquement à leurs obligations à la déontologie journalistique » sans interdiction temporaire d'émettre.  Le projet d'une Maison des médias libres à Paris Olivier Legrain, multimillionnaire, affirme que l'achat de médias n'est « absolument pas [sa] philosophie ». Il se considère comme un citoyen engagé, utilisant son patrimoine pour « la liberté de la presse, le côté pluraliste » et l'accueil des réfugiés en France. Depuis une décennie, Olivier Legrain a accompagné financièrement plus de 50 médias indépendants. Son projet de la Maison des médias libres, situé au 70 boulevard Barbès à Paris, représente un investissement de 25 millions d'euros pour 4 500 m² et 350 postes. L'objectif est de « créer de l'émulation » et des « synergies » entre les médias indépendants, leur permettant de mutualiser des fonctions et de « créer une puissance de feu supplémentaire ». Vincent Edin perçoit ce lieu comme un « petit phalanstère qui protège les médias indépendants » et un moyen de « se rassembler pour pas se faire écraser ». L'ouverture est espérée durant l'année 2027. Pistes de solutions et réformes Les auteurs plaident pour « changer les lois » afin d'interdire à un milliardaire de posséder plus d'un média, souhaitant qu'ils « ne fasse plus système ». Ils proposent un renforcement des sanctions pour les manquements à la déontologie et une distribution plus proportionnelle des aides à la presse. Olivier Legrain souligne l'importance de « sanctuariser le service public de l'information » et milite pour un « droit d'agrément » des journalistes sur la nomination de leur directeur de la rédaction. Vincent Édin plaide pour généraliser l'éducation aux médias (EMI) à tous les âges, car l'information est un « bien commun » et non une marchandise. Un combat pour le pluralisme et la démocratie Olivier Legrain explique qu'ils se bat pour que « la science, les faits, les sources fiables soient débattues sans être considérés comme des opinions comme les autres », et pour « sauver le pluralisme de l'information ». Pour lui, l'information, la justice et la science sont « les trois combats fondamentaux pour une démocratie ». Il conclut en citant Jacques Kayser (1955) : « L'information, au lieu d'être un bien commun au service des peuples tend à devenir une marchandise livrée aux lois du profit. » 

Most dreams don't die from failure. They die quietly - under EMI pressure, family expectations, and the fear of standing out. This show questions the inherited beliefs of the middle class: safety over risk, survival over growth, compromise over courage. It exposes how this mindset slowly suffocates ambition, and why unlearning is the first step toward reclaiming your own path.This is your reminder to elevate your class because life needs a mindset shift, persistency and endeavor to make it big.Do share your feedback or comments on my socials:E-mail: hello@rohitkokane.comLinkedIn: https://www.linkedin.com/in/kokanerohit/X: https://x.com/rohitkokane_Instagram: https://www.instagram.com/podcasterrohitkokane/Glitters of Life Podcast: www.youtube.com/@rohitkokaneGrab the copy of E-book: https://topmate.io/rohitkokane

E ftuar në “Live From Tirana” me Ronaldo Sharkën, ka qenë Emi, konkurrente e këtij edicioni të “Përputhen”. Ajo foli më shumë për eksperiencën në këtë program, por jo vetëm…

Is consumerism in India really making our lives better?Or is it a trend everyone is chasing because of FOMO?From the latest gadgets to fashion trends, the young generation is bombarded by ads, influencers and social media. But at what cost? Are they even thinking about the consequences of overconsumption?This week, the roundtable isn't here to judge, it only unpacks how Gen Z deals with the pressure of staying on top of trends with the mindset of "buy now, pay later".In the new episode of ‘The Bridge', Shantanu is joined by Aseem Dhru (MD & CEO, SBFC Finance Ltd) and Damodar Mall [CEO (Grocery Retail), Reliance Retail], two industry veterans who bring their years of experience and wisdom to the table, alongside Gauri Bansal (Strategy Manager, South Asia, Middle East, and Africa at Spotify) and Avi Anurag (Business Analyst at McKinsey & Company), the next-gen leaders who are unafraid to confront the world head-on.If you've ever bought something just to feel better or questioned where your money's going, this episode is for you.Here's what went down:If 70% of iPhones in India are sold on EMI, how do we save for the future or do we even want to?How social media is amplifying FOMO and fueling consumerism.Is consumerism a tool for empowerment or a path to more debt?Now, get ready for a real conversation about how consumerism affects wallets and mental health. This problem is not shopping; it's purchasing decisions that make a difference in your life.Tune in to hear from both sides of the spectrum, and let us know if you also feel trapped by your own spending habits.Drop your comments below, and let's bridge the gap.

durée : 01:28:38 - Relax ! du mardi 24 juin 2025 - par : Lionel Esparza - Cette semaine, Warner édite un coffret de 35 disques de Sir Thomas Beecham : de quoi redécouvrir tout ce qu'il a gravé en stéréo chez Emi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

« Informer à l'heure de la post-vérité » était le sujet d'une table ronde du 3e Festival international du journalisme de Carleton-sur-mer, au Québec, mi-mai 2025. L'atelier des médias propose un compte rendu des échanges qui réunissaient une universitaire et trois directeurs de médias francophones canadiens. Il a été question d'intelligence artificielle, de régulation des plateformes ou encore de la notion de confiance.  Marie-Ève Carignan est professeure titulaire au Département de communication de l'Université de Sherbrooke et cotitulaire de la chaire Unesco en prévention de la radicalisation et de l'extrémisme violents. Elle a aussi aussi été responsable des communications et analyste au Conseil de presse du Québec. Marc Gendron est éditeur chez Le Soleil et directeur principal croissance numérique des Coops de l'information Luce Julien est directrice générale de l'information à Radio-Canada depuis 2018. Brian Myles est le directeur du quotidien Le Devoir depuis 2016 mais il y travaille depuis trois décennies. Il a enseigné le journalisme à l'UQAM, de 2000 à 2016. Il a aussi été président de la Fédération professionnelle des journalistes du Québec (FPJQ) de 2009 à 2013. Marie-Ève Carignan commence par rappeler que la post-vérité est un concept qui, bien qu'il ait été le mot de l'année du dictionnaire Oxford en 2016, ne fait pas l'unanimité parmi les chercheurs. Ce terme est apparu pour décrire une ère où l'on accorde moins d'importance aux faits et à l'information factuelle, et davantage aux émotions et aux croyances personnelles. Une époque du « tout se vaut ». Les évolutions technologiques, notamment la démocratisation d'Internet, l'explosion des réseaux sociaux et l'intelligence artificielle (IA), ont eu un impact sur le secteur des médias, ces derniers ayant perdu leur « centralité » dans la diffusion de l'information. Aujourd'hui, « n'importe qui peut devenir un créateur et surtout un diffuseur de contenu », et sur l'espace numérique, « on est presque tous à armes égales », explique Marc Gendron, du quotidien Le Soleil. Les théories du complot, auparavant confinées à des cercles restreints, peuvent désormais être diffusées à grande échelle et atteindre des personnes sensibles à ce type de propos. L'IA a encore amplifié ce phénomène, permettant l'existence de « fermes à fausses nouvelles ». Cependant, Brian Myles, directeur du quotidien Le Devoir, rappelle que « le premier facteur de désinformation, c'est un être humain », soulignant que la désinformation précède largement la révolution numérique. Pour lui, l'enjeu de notre époque est le passage de l'insulte « fake news » appliquée aux médias traditionnels à « un empire de fausses nouvelles » qui a engendré une « communauté qui est dans la croyance pour ne pas dire dans la crédulité », menant à une ère où « ce n'est plus je pense donc je suis, c'est je le pense donc c'est vrai ». Il précise que des études montrent qu'une personne sur quatre s'informe désormais sur les réseaux sociaux, et la moitié des personnes interrogées dans ces études considèrent Facebook comme « très crédible », alors que la plateforme a été un puissant véhicule de désinformation. Le blocage des contenus d'actualité sur Facebook et Instagram au Canada depuis le 1er août 2023, riposte de Meta à une loi canadienne obligeant le géant américain à payer les médias pour reprendre leur contenus, a eu des impacts mitigés. Un tiers des Canadiens ne sauraient même pas que les contenus d'actualités sont bloqués sur ces plateformes, rappelle Marie-Ève Carignan. À l'inverse, Brian Myles qualifie ce blocage de « bénédiction », car cela a poussé les utilisateurs à chercher directement l'information, apportant plus de trafic direct et d'abonnements numériques pour son média. À écouter aussi«L'ère de la post-vérité»: le regard d'un économiste sur les effets du capitalisme numérique Face à ces défis, plusieurs pistes de solutions ont été proposées pour continuer d'informer à l'ère de la post-vérité : Rétablir la confiance : Brian Myles insiste sur le fait que la confiance est le bien le plus précieux des journalistes. La transparence est essentielle : sur les méthodes, la structure de propriété, la séparation entre faits et opinions, l'admission et la correction des erreurs. Il faut également des journalistes de terrain qui reflètent la réalité des gens, des médias capables de connecter avec leur public et des espaces de rétroaction intégrants le lecteur. Développer les communautés et la proximité : Marc Gendron souligne l'importance de réinvestir dans des espaces de commentaires modérés sur les environnements propres (sites et applications) des médias pour créer un engagement et une communauté autour des contenus. Il faut que les médias de proximité aillent sur le terrain, fassent écho aux préoccupations des gens pour rétablir un lien de confiance fondamental. Le dialogue social : Marie-Ève Carignan mentionne des projets mettant en relation des personnes aux croyances radicalement opposées (par exemple, sur l'immigration ou le changement climatique) pour encourager l'écoute et l'ouverture aux différentes opinions. Des méthodes comme l'« entretien motivationnel » ont montré leur efficacité pour amener les gens à réfléchir à leurs valeurs et potentiellement modifier leurs croyances, notamment en santé publique. L'éducation aux médias : Marie-Ève Carignan et Luce Julien insistent sur le potentiel de l'éducation aux médias (EMI). Des projets pilotes ont montré que les participants comprennent mieux le fonctionnement des médias et sont plus ouverts aux sources d'information, mais ces initiatives manquent de financement et de structuration uniforme.  La régulation des plateformes numériques : Le problème de l'économie des médias en crise est que la création de contenu dédié à chaque réseau social n'est pas rentable, car les médias sont « écartés de la chaîne de valeur » et ne tirent pas de revenus de ces plateformes. Brian Myles insiste sur l'absence d'un cadre réglementaire juste pour les plateformes numériques. Il affirme que les plateformes ne sont ni de simples compagnies de technologies ni des médias traditionnels, mais un « entre-deux ». Il suggère que des actions judiciaires antitrust aux États-Unis, visant à démanteler des géants comme Google et Facebook, pourraient potentiellement « régler l'enjeu pour nous tous ». Le rôle des gouvernements : Marie-Ève Carignan considère l'information comme un « bien public » qui coûte cher à produire et devrait être financé par le gouvernement par le biais des taxes, et non pas seulement par l'abonnement. Brian Myles s'inquiète de la « montée des gouvernements populistes qui arrivent avec un agenda de remise en question des institutions médiatiques » et qui « vont laisser le mensonge investir l'espace d'élaboration des politiques publiques », ce qui est « profondément dangereux dans une démocratie ». Malgré ces défis, Luce Julien offre une note d'espoir, affirmant que « l'industrie va mal » financièrement, mais que « on fait du meilleur journalisme qu'on en faisait il y a plusieurs années », avec par exemple de nombreux médias réalisant du journalisme d'enquête de qualité. Elle encourage les citoyens à « poser des questions aux médias » s'ils doutent d'un reportage, soulignant l'importance du lien direct avec le public. 

Lucie Burns is an Industry Leading Performance Coach, Speaker, and bestselling Author of "The Art of Live Performance Unlocked". She is the Founder of Stage Ready Artists and Host of The Singing Buddha Podcast. She was named 'A performance coach to follow' by LA Weekly, and has been featured on two TV documentaries, showcasing her transformational work with musicians. Lucie believes in creatively nurturing the person behind the performer, working holistically and intuitively, focusing on the connection between mind, body and emotion.   With nearly 30 years in the industry, Lucie's unique approach makes her a go-to expert for those looking to own the stage and transform their craft. She is also known as the artist, songwriter and music producer Lazy Hammock. She has achieved 4 x #1s, released 11 self-produced albums, and amassed over 25 million streams. Her music has been licensed to TV shows and major labels including Sony BMG, Ministry of Sound, Hed Kandi, and EMI. 

Today, we're diving into a critical topic in modern healthcare: the perioperative management of patients with implanted electronic devices undergoing noncardiac surgery. With significant advancements in cardiology and cardiothoracic surgery, cardiac implantable electronic devices (CIEDs), including pacemakers, implantable cardioverter-defibrillators (ICDs), and cardiac resynchronization therapy devices, are becoming increasingly common in the surgical population. From pre-op assessment and EMI planning to post-op reprogramming, this deep dive breaks down complex protocols into actionable, life-saving steps. Here's some of what we discuss in this episode:

Beloved Austin-based photographer and friend to all, Matt Lankes, passed away on Sunday. My heart goes out to his family and friends. Matt was a really sweet, gentle and loving man and loved by everyone who got to meet him. I met him 40 years ago when we were both at Austin High School and reconnected when I moved back to Austin in the early 90's. Matt came on the show last summer and we had a great, fun conversation about his journey. I feel very lucky to have known him. Rest in peace, old friend. Below are my original notes for episode 1419. Austin based photographer Matt Lankes is my guest for episode 1419! Matt has an extensive client list that includes HBO, LiveStrong, Fox Searchlight, Texas Monthly, New York Times, Amazon, Netflix, Time Inc., Newsweek, Austin Monthly, Lee Jeans, CBS, Random House, Warner Brothers, EMI, Sony, Universal, and many more. He currently has his work in the permanent collection of The National Portrait Gallery at the Smithsonian and at The Wittliff Collections at Texas State University. Matt has also been the photographer on a handful of Richard Linklater films including 2014's Boyhood. His book Boyhood: Twelve Years on Film, captured the progression of the film and the actors through the lens of a 4x5 camera, creating a series of arresting portraits and behind-the-scenes photographs, and is available through University of Texas Press. Find it HERE. Go to mattlankes.com for all of your Matt needs. I had a great time getting to know Matt and his journey as an artist. I'm sure you will too.

In this episode, Limahl shares the story behind Kajagoogoo's 1983 smash hit “Too Shy,” reflecting on the band's rapid rise from local gigs to global stardom. He details his chance meeting with Nick Rhodes of Duran Duran, whose mentorship helped land them a deal with EMI, and breaks down the experimental recording process that gave “Too Shy” its distinct synth-pop sound. Limahl also opens up about his early days working as a waiter at a celebrity hotspot, the playful inspiration behind the lyrics, and how the band's diverse musical influences shaped their unique identity. With a mix of behind-the-scenes insights and personal reflections, this conversation captures the magic and momentum behind a song that still shines more than four decades later. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes  For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com  Follow Chris DeMakes A Podcast on Instagram: https://www.instagram.com/chrisdemakesapodcast/ Join the Chris DeMakes A Podcast community on Facebook: https://www.facebook.com/groups/2643961642526928/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fasten your tech-hipster bum bags—Chad, Lieven, and Emi globe-trot through HR mayhem, startup soap operas, and political facepalms.

In this news-packed episode, Brian and Gabby break down the biggest happenings shaking up the market research space. Ipsos is expanding its European footprint with the proposed acquisition of the BVA Group, and AckWest continues its M&A spree, this time adding healthcare research firm Reckner to its growing roster. The industry is also seeing a wave of rebrands—Toluna is consolidating under one name, and Sympler now goes by “Okay, Humans” in a nod to human-focused research amid rising AI tension. Speaking of AI, the hosts dig into Pulsar's launch of Narratives AI—a public opinion search engine with promise (and bot-related pitfalls). Meanwhile, Numerator introduces a Tariff Risk Index to monitor price volatility, and EMI's new Sample Landscape report tests synthetic data against real respondents, explores AI prompting tools, and dives deep into high-frequency survey takers. It's a can't-miss conversation for anyone watching the balance between innovation and insight. Thanks for listening! Want to download your copy of The Sample Landscape: 2025 Edition? Get it here: https://content.emi-rs.com/sample-landscape-report-2025 Did you miss one of our webinars, or would you like to access some of our whitepapers and reports? You can find it all on our Resources page on our website here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Ciani pubblicò il suo primo album per la EMI nel 1963, tre anni dopo il suo arrivo in Australia, realizzando la passione che lo aveva mosso fin da bambino e che lo portò nel 1967 a vincere nel programma televisivo "Showcase".

RBI REPO RATE குறைப்பு வீடு,வாகன கடன் EMI குறையுமா, Trump Vs Elon Musk சண்டை, இந்திய பங்குச்சந்தையை பாதிக்குமா, TESLA ஒரே நாளில் 14% சரிவு பங்கு விலை மீளுமா, NSE -க்கு ESG Rating அனுமதி கொடுத்த SEBI, REPO RATE குறைப்பு, வீடு, வாகன கடன் EMI குறையுமா போன்ற பல விஷயங்களை பேசியிருக்கிறார் பங்குச்சந்தை நிபுணர் வ.நாகப்பன்.

Send us a textWe dive into the world of network cabling, answering 20 questions about Cat5e, Cat6, and Cat6A cables in a fast-paced, information-packed session to help you make better cable choices.• Cat5e vs Cat6: Cat6 offers more bandwidth (250MHz vs 100MHz) and headroom for future applications• Cat6 can handle 10Gbps up to 37-55 meters, while Cat6A supports 10Gbps to the full 100 meters• The "A" in Cat6A stands for augmented, doubling frequency from 250MHz to 500MHz• Shielded cabling is usually only needed in high-EMI environments and requires proper grounding • Use the "John Deere rule" – it's better to install higher category cable now than replace it later• Plenum-rated cable is required by code for air handling spaces but costs more• Never buy "copper-clad aluminum" (CCA) cable – it's unsafe and may void insurance• Cat8 is designed for data centers, not homes – Cat6A is sufficient for future-proofing residences• Professional installations should include certification testing as documentation Make sure you follow proper cable selection and installation practices to create reliable, future-ready networks that will serve your needs for years to come.Support the showKnowledge is power! Make sure to stop by the webpage to buy me a cup of coffee or support the show at https://linktr.ee/letstalkcabling . Also if you would like to be a guest on the show or have a topic for discussion send me an email at chuck@letstalkcabling.com Chuck Bowser RCDD TECH#CBRCDD #RCDD

Jesus told His disciples that when He left earth He would send another advocate, the Holy Spirit to guide us in life and empower us to do what Jesus had been doing. During this service Pastor Becky shares who Holy Spirit is and how Holy Spirit operates while sharing the events that took place during EMI's 25 year anniversary celebration in Mexico City.To support the ministry of Melbourne Inclusive Church go to: www.michurch.org.au/giveMelbourne Inclusive Church boldly and proudly proclaims Christ's equal love for all people regardless of their ability, socio-economic status, sexual orientation, age, gender, race, ethnicity, or culture.Melbourne Inclusive Church is part of the EMI Global family of churches.

Anything to Squish by Emi by 826 Valencia

Marv and I are honored to be joined by Chris O'Dell, as we discuss her travels through rock and roll.     After some initial forays into the industry, she met Derek Taylor (who introduced her to her new roommate, Teri Garr.     Soon enough, she found herself in EMI with the Beatles (and cameo-ing on both "Hey Jude" and "Revolution"), the Apple rooftop, then the Concert for BanglaDesh, the Rolling Stones, and a decade WORKING for both the solo Beatles and many other members of rock royalty.     Her story is now streaming in a documentary "Miss O'Dell" (based in part on her book), available on Peacock, Tubi, Amazon Prime in the US with UK (and worldwide) distribution in the works.

durée : 00:19:29 - Disques de légende du lundi 26 mai 2025 - En 1969, EMI réussit un grand coup marketing en réunissant quatre des artistes les plus célèbres de l'époque, pour le triple concerto de Beethoven : David Oistrakh au violon, Mstislav Rostropovitch au violoncelle et Sviatoslav Richter au piano – sans oublier Herbert von Karajan à la baguette.

Fluent Fiction - Japanese: From Writer's Block to Breakthrough: The Power of Collaboration Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-05-25-22-34-02-ja Story Transcript:Ja: 春のやわらかな陽光が「フリーランサーズ・ホーム」の大きな窓から差し込んでいた。En: The soft spring sunlight streamed through the large windows of "Freelancers' Home".Ja: このコワーキングスペースは、都会の喧騒の中にありながら、クリエイティブなプロフェッショナルたちにとっては避難所のような場所だった。En: This coworking space, situated amid the bustle of the city, served as a refuge for creative professionals.Ja: 壁にはインスピレーションを与えるアートが飾られ、新鮮なコーヒーの香りが漂っている。En: Inspirational art adorned the walls, and the aroma of freshly brewed coffee filled the air.Ja: ある日、物語を書くことに行き詰まっていたHarukiは、数冊のノートと共に机に座っていた。En: One day, Haruki was seated at a desk with several notebooks, feeling stuck in his writing.Ja: 彼は、これ以上書けないのではないかという不安に駆られながらページを見つめていた。En: He stared at the pages, gripped by the fear that he might not be able to write anymore.Ja: そこに、活発なグラフィックデザイナーのAkiraがやってきた。En: Then, Akira, a lively graphic designer, came over.Ja: 彼女はいつも明るく、人々の物語を視覚化することに喜びを見いだしていた。En: She always brought a cheerful energy and found joy in visualizing people's stories.Ja: 「こんにちは、Harukiさん！」とAkiraは声をかけた。En: "Hello, Haruki-san!" Akira called out.Ja: Harukiは、彼女のエネルギーにいつも少し圧倒されつつも、心地良さを感じていた。En: Though Haruki sometimes felt a bit overwhelmed by her energy, he also found it comforting.Ja: 二人には共通の友人、Emiがいた。彼女は、二人が一緒に働くことを密かに応援していた。En: They shared a mutual friend, Emi, who secretly hoped they would work together.Ja: Harukiは自分のアイデアを共有することに不安を感じていた。批判や拒絶を恐れていたのだ。En: Haruki felt anxious about sharing his ideas, afraid of criticism and rejection.Ja: しかし、彼は思い切って小説のプロットをAkiraに話すことにした。En: However, he decided to take a chance and tell Akira the plot of his novel.Ja: 「Akiraさん、ちょっと聞いてもらえますか？」En: "Akira-san, could I talk to you for a moment?"Ja: Akiraはにっこり笑って言った。「もちろん！何でも聞きますよ。」En: Akira smiled brightly and said, "Of course! I'll listen to anything."Ja: 彼女の反応に勇気づけられ、Harukiは物語の概要を話し始めた。En: Encouraged by her response, Haruki began outlining the story.Ja: Akiraは興味深く耳を傾け、Harukiのビジョンを形にする手助けを約束した。En: Akira listened intently and promised to help shape Haruki's vision.Ja: 忙しい最中であっても、彼女は時間をさいて彼をサポートすることに決めた。En: Even amid her busy schedule, she decided to set aside time to support him.Ja: 数週間後、二人は集中的なブレインストーミングセッションを行った。En: A few weeks later, the two engaged in an intensive brainstorming session.Ja: Akiraは、Harukiの物語に新しい視点を与えた。En: Akira offered new perspectives on Haruki's story.Ja: 「この部分をこうしたらどうですか？」「このキャラクターにはこんな背景があったら面白いかも。」Akiraのアイディアは、Harukiの創作意欲を再び燃え上がらせた。En: "How about doing this part like this?" "It might be interesting if this character had such a background." Akira's ideas reignited Haruki's creative passion.Ja: その結果、Harukiはついに小説を書き上げた。彼のストーリーは、以前よりもはるかに豊かなものとなった。En: As a result, Haruki finally completed his novel, which became much richer than before.Ja: 彼はその小説を、プロとしても個人としても大切な存在となったAkiraに捧げた。En: He dedicated the book to Akira, who had become an important presence both professionally and personally.Ja: 物語の執筆を通して、Harukiは他者と協力することの大切さを学んだ。En: Through writing the story, Haruki learned the value of collaborating with others.Ja: そして、彼は自分の語りの力に自信を持てるようになったのだった。En: He also gained confidence in his storytelling abilities.Ja: 春の「フリーランサーズ・ホーム」には、彼とAkiraの笑い声が心地良く響いていた。En: In spring, the cheerful laughter of Haruki and Akira resonated warmly within "Freelancers' Home".Ja: 彼らは新しい物語を形にすることを楽しみ、新たな季節を迎えたのだった。En: They enjoyed shaping new stories and welcomed a new season. Vocabulary Words:streamed: 差し込んでいたamid: 中にありながらbustle: 喧騒refuge: 避難所adorned: 飾られfreshly: 新鮮なbrewed: 淹れたてのgripped: 駆られながらlively: 活発なvisualizing: 視覚化するoverwhelmed: 圧倒されつつもmutual: 共通のrejection: 拒絶encouraged: 勇気づけられoutlining: 概要を話し始めたintently: 興味深くintensive: 集中的なbrainstorming: ブレインストーミングperspectives: 視点background: 背景reignited: 再び燃え上がらせたcollaborating: 協力するconfidence: 自信storytelling: 語りabilities: 力cheerful: 明るいlaughter: 笑い声resonated: 響いていたshaping: 形にするwelcomed: 迎えた

In this episode of The Slay Podcast, Dr. Emi Hosoda reveals how we can use our own genetic makeup to tailor our fitness and nutritional goals. Dr. Emi shares her personal health journey, including her own struggles with weight and how nutrigenomics helped her transform her health. She emphasizes the importance of individualized health approaches through nutrigenomics. Want to know how to personalize your health strategies and achieve better outcomes? Then this episode is for you!

Buckle up for a wild ride with Joel Cheesman and Emi Beredugo, where they sling HR hot takes with the finesse of a fast-food fry cook! This episode's a rollercoaster of laughs and eye-rolls, diving into the AI-first workplace fiasco like it's a soap opera. Klarna's CEO got a reality check after ditching 700 customer service reps for AI, only to realize bots can't sweet-talk angry customers. Now they're on a hiring spree to bring back the human touch—oops! Duolingo, meanwhile, thought AI could teach languages better than people, but TikTok's Gen Z army clapped back, rage-quitting the app and calling it “disgusting.” Ouch, that's gotta sting.Then there's IBM's bigwig, Arvind Krishna, tossing shade at HR by saying AI freed up cash for “essential” jobs like sales. Emi's not having it, firing back that HR's the backbone of fairness and inclusion, not just fluffy admin work. She's all about adapting to AI without yeeting humans into oblivion. LinkedIn's new AI job search gets a nod for letting you type “I wanna save the world in sweatpants” and matching you with dream gigs, aiming to hook passive job seekers while sparing recruiters from resume spam. Wrapping up, they tackle the EU's 2026 Pay Transparency Directive, a game-changer forcing companies to spill salary tea upfront to shrink gender pay gaps and stop wasting everyone's time. But, plot twist: firms better get their org charts in order or face a discrimination lawsuit mess. And they serve it all with wit juicier and tastier than a McDonald's chicken strip! Chapters 00:00 - Introduction and Personal Updates 05:54 - Shout Outs and Industry News 10:02 - Layoffs and Job Market Challenges 19:01 - AI in the Workplace: Klarna and Duolingo 23:59 - The Human Element in Automation 26:56 - The Automation Dilemma 30:15 - The Role of HR in an Automated World 36:40 - Earnings Insights: Recruit Holdings vs. ZipRecruiter 40:22 - LinkedIn's AI Job Search Innovations 46:16 - EU Pay Transparency Directive: A Game Changer

What does it mean to call something “Christian music”? Nick Barré has spent decades in the music industry—from working at EMI with early Switchfoot to managing major names like Casting Crowns, KB, Brandon Heath, and more. In this 200th episode of The Biblical Mind, he joins Dru Johnson to reflect on the Christian music label, the tension between calling and category, and how artists navigate faith and fame. Nick argues that labeling music—or restaurants or plumbers—as “Christian” may do more harm than good. He shares why genre categories are a business necessity but spiritually unhelpful, and why the most important questions artists must answer are about calling, audience, and identity—not chart placement. From spiritual burnout to public affirmation, from the temptations of platform to the dangers of envy, Nick shares pastoral, industry-hardened wisdom on how to guide artists into longevity and spiritual wholeness. He even offers advice for aspiring Christian musicians—and what it really means to “show, not tell” when pursuing a creative calling. Nick Barre's Company "Proper Management" can be found here: https://www.propermanagement.net We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Defining Christian Music 03:11 The Evolution of Music Genres 06:10 Navigating the Music Industry 08:57 The Dangers of Labeling 12:09 The Role of Artists in Ministry 15:16 The Impact of Fame on Identity 18:24 Identifying Unique Gifts in Artists 25:41 Exploring Diverse Artist Portfolios 28:29 Navigating Hard Conversations in the Music Industry 31:05 Defining Success in the Arts 33:15 The Challenge of Artistic Compromise 37:06 Understanding Market Dynamics in Music 40:22 Fragmentation of the Music Industry 46:39 Advice for Aspiring Christian Artists

The Kelly Alexander Show welcomes Montreal-based alt-pop recording artist Emi Jeen who has released a new song called “I'm Not Good.” Emi tells us all about the song and how she got the opportunity to perform at this year's upcoming world-renowned music festival Osheaga. Then Kelly talks to you about some entertainment news including a new Netflix show about horse racing called "Race for the Crown," a Yellowstone spinoff featuring actor Luke Grimes and rock band Soundgarden releasing their final album. Enjoy the conversation and thank you for listening!

Once A DJ is brought to you by:https://www.sureshotshop.com/ - Record adapters (including customs) & accessorieshttps://myslipmats.com/ - Custom and off the shelf Slipmats, dividers and more.Once A DJ is a https://remote-ctrl.co.uk productionOther ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up the Once A DJ Instagram PageSubscribe to the Once A DJ PatreonBuy your Once A DJ Sureshot 45 adapter clampsGreg on Instagram - https://www.instagram.com/dj_greg_wilson/ Greg on Facebook - https://www.facebook.com/DJGregWilson Record Mirror Disco Chart Podcast - https://shows.acast.com/record-mirror-disco-charts This week, we had the absolute pleasure of diving into the fascinating journey of the legendary Greg Wilson! He took us way back to his childhood in Merseyside, where the magic of the 60s and the ever-present soundtrack of The Beatles became deeply ingrained. It wasn't a distraction from anything, but more of an exploration of that incredible era's creativity and optimistic spirit. Imagine growing up a stone's throw from the Tower Ballroom where The Beatles and The Rolling Stones were tearing it up!Greg shared how his deep dives into artists like Bowie and Dylan fueled his passion for understanding the evolution of music. This meticulous approach would later come into play in unexpected ways.Then, we took a turn into the vibrant world of early UK street dance with Broken Glass. Greg recounted how a chance encounter with Kermit (later of the Rap Assassins and Black Grape) led to managing this groundbreaking breakdancing crew. Their "street tour" of the Northwest sounds legendary, breaking down barriers and even sparking connections across racial lines in a time when such interactions were less common in some areas. He fondly remembers seeing young white and black kids connecting over the music and dance – a real moment of positive social impact.The conversation then shifted to the emergence of the Ruthless Rap Assassins. Greg vividly described the raw energy and unique attitude of their early tapes, particularly the track "We Don't Care." Their originality and unexpected humor immediately grabbed him, leading to him taking on management and production duties. He walked us through their journey, from getting studio time to eventually signing with EMI – a "mad" move for such an uncompromising act.The story of their time with EMI is a rollercoaster, from creative freedom with their first album ("Sample City" with its insane sample layering – think Hendrix, Jerry Lee Lewis, Ringo Starr, Happy Mondays, and even Sergeant Pepper!) to the clash with the main marketing department who, fresh off the success of MC Hammer and Vanilla Ice, didn't...

From Club Space to Regatta Grove, Emi Guerra has seen it all. We trace his journey from hustling in high school as a club promoter to launching iconic venues like Club Space, The Wharf, and Regatta Grove. Emi opens up about the rollercoaster ride of entrepreneurship — the early struggles, near-collapse, and the eventual rise of Breakwater Hospitality.It's a raw, insightful look at what it takes to build Miami's most memorable nightlife and hospitality experiences and a powerful reminder that you don't fail until you quit.Connect with usWant to dive deeper into Miami's commercial real estate scene? It's our favorite topic—and we're always up for a good conversation. Whether you're just exploring or already making big moves, feel free to reach out at felipe@builtworldadvisors.com or give us a call at 305.498.9410. Prefer to connect online? Find us on LinkedIn or Instagram—we're always open to expanding the conversation. Ben Hoffman: LinkedIn Felipe Azenha: LinkedIn We extend our sincere gratitude to Büro coworking space for generously granting us the opportunity to record all our podcasts at any of their 8 convenient locations across South Florida.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The teenage Alan Parsons was hired as a tape op by EMI and worked with the Beatles, Pink Floyd, Steve Harley, orchestras, comedians, Pinky And Perky and countless others in the control room at Abbey Road, and saw almost 60 years of technical revolution. He's just finished a 50th anniversary box set of Harley's the Best Years Of Our Lives and talks here from his Santa Monica home studio about …   … the things you find buried in old recordings.  … how AI will allow anyone to remix their favourite record.  … the miraculous transformation of Make Me Smile (Come Up And See Me) from a vindictive dirge to a No 1 pop hit, its backing vocalists and its DJ-baffling false ending. … cutting the tape with John Lennon to end I Want You (She's So Heavy). … seeing himself - ‘in an orange shirt and black knitted tie' - in the Get Back movie 52 years later. ‘It proves I was there!' … recording the clocks, footsteps and airport announcer for The Dark Side Of The Moon - ‘playing Abbey Road studios as an instrument'. … recording He Ain't Heavy, He's My Brother with Reg Dwight on piano. … the magical ‘60s technology that made Pinky And Perky. … opening the door at Savile Row and first seeing the Beatles and all their girlfriends. … recording Pilot, the Hollies and the Joe Loss Orchestra. … the story of Clare Torry and The Great Gig In The Sky.  … Abbey Road recordings stored at a nearby squash court. … working with David Gilmour on an Earls Court show from the 1990s. … touring with the Alan Parsons Project (who never toured originally). … why Papa Was A Rollin' Stone is the greatest record of all time (clue: the hi-hat and bass figure). Pre-order Steve Harley's ‘The Best Years of Our Lives' here:https://SteveHarley.lnk.to/TBYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's EYE ON NPI features a new 'everything' sensor, the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) . This is a highly-anticipated update to the SEN5x (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) goes hard on gas sensing, with VOC, NOx and CO2 sensors built in. You can even update to the SEN68 and get formaldehyde HCHO sensing! What we like about this series is the complete solution for all kinds of environmental sensing with a single cable. Sensirion is one of our fav sensor companies: from classics like the SHT45 (https://www.adafruit.com/product/5665) to the popular SGP30 (https://www.adafruit.com/product/3709) and the high quality SCD30 (https://www.adafruit.com/product/4867) we have made breakouts for many-a-sensor from this company. Lately they've started to do fully integrated products - like the SEN5x series (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) that we covered earlier on EYE ON NPI. The SEN54 series has particulate matter (PM1, PM2.5, PM4, PM10) dust sensing, plus temperature, humidity, volatile organic compounds (VOCs), with the SEN55 adding NOx. We saw this sensor often paired with an SCD30 (https://www.digikey.com/short/d1h3t1n4) or SCD4x (https://www.digikey.com/short/zmh2zjz3) to add CO2 sensing. Those folks will like the look of the SEN6x series as now we get CO2 sensing in all but the lowest-cost SEN60. One thing to note with CO2 sensing is that once a week it needs to 'self-calibrated' by letting it sense fresh outdoor air which will be ~400ppm. This isn't a bad idea for your health either. Another new sensor added in the upcoming SEN68 is formaldehyde, which integrates the SFA30 (https://www.digikey.com/short/2d5fb8rt). If you've used the SEN5x series, (https://www.digikey.com/en/videos/s/sensirion/eye-on-npi-sen54-environmental-sensor-node) you're probably familiar with their connection interface: a JST GH 6-pin cable is used to connect and provide power and I2C data connection. However, one thing to note is that the cable is the same but the pinout has changed. Power is now 3.3V instead of 5.0 and there's no UART interface, so the SEL pin is not available. For that reason, if you'd like to use the same cable, go for it - but the circuitry will need to change...for example we're revising our SEN5x breakout (https://www.digikey.com/short/h0jffnm2)! We like that, just as with the SEN5x series, the SEN6x (https://www.digikey.com/en/product-highlight/s/sensirion/environmental-sensor-node-sen6x) uses plain I2C to communicate. This makes it easy to integrate with any microcontroller or microcomputer, and the added CRC helps avoid accidental data corruption from EMI or loose cables. The interface is not just to each individual sensor - there's only one I2C address and command structure and once you initialize the sensor you can read all values at once for 'timestamped' consistency. The commands are easy to implement, but if you want a head-start, check out the Sensirion GitHub account (https://github.com/Sensirion?q=sen6&type=all&language=&sort=), they have code in C and Python for a 5-minute quick start. Excited to check this fancy new combo-sensor out? You're in luck because DigiKey has the Sensirion SEN66 Environmental Sensor Node (https://www.digikey.com/short/0d4jt424) in stock right now for immediate shipment! Order today and DigiKey will ship it you in an instant - you will be sensing up a storm by tomorrow afternoon! See at DigiKey https://www.digikey.com/short/0d4jt424 See Sensiron's video https://www.digikey.com/api/videos/videoplayer/smallplayer/6371044300112 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

James Copnall, presenter of Newsday, speaks to Emi Mahmoud, Sudanese activist and poet, about the war that has claimed more than 150,000 lives since it began two years ago. In what the United Nations has called the world's largest humanitarian crisis, about 12 million people have also been forced to flee their homes.Emi speaks about the pain of losing many members of her family, the brutality of the current conflict in the western region of Darfur which she believes to be genocide, and the trafficking of women and girls caught up in the fighting. In the aftermath of the destruction of the Zamzam camp for displaced people, she describes life in the community there - and calls on the world to do more to resolve the violence in Sudan. As an award-winning poet, she uses her poems to spread her message.The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds, Apple, Spotify or wherever you get your podcasts.Presenter: James Copnall Producers: Clare Williamson, Lucy Sheppard, Madeleine Drury Editor: Max DevesonGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.

Why Us the Series Is the sapphic drama we needed!

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sir Tim Rice, lyricist extraordinaire, is Gyles's guest today. Tim is one of the few people in the entertainment world to have won an Emmy, a Grammy, an Oscar and a Tony Award, and his songs for shows like Joseph, Evita, Jesus Christ Superstar, Chess and the Lion King are known and loved all around the world. And yet Sir Tim remains modest and charming, as you'll hear in this conversation - perhaps thanks to the good manners he inherited from his father. Tim tells Gyles about his childhood, his schooldays at Lancing College and how, despite his lack of ambition, he moved to London and got a job with EMI. Much of this conversation, not surprisingly, is about music: the records Tim listened to as a teenager, the band he played with at school, and the first songs he wrote and which helped him to get noticed. We find out how he met Andrew Lloyd Webber and started to make musical history. Thank you Sir Tim Rice for your warmth, wit and wonderful stories. Tim Rice is on a nationwide tour telling his brilliant stories and featuring some of his best-known songs until the end of May, tickets available here Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Sir Tim Rice, lyricist extraordinaire, is Gyles's guest today. Tim is one of the few people in the entertainment world to have won an Emmy, a Grammy, an Oscar and a Tony Award, and his songs for shows like Joseph, Evita, Jesus Christ Superstar, Chess and the Lion King are known and loved all around the world. And yet Sir Tim remains modest and charming, as you'll hear in this conversation - perhaps thanks to the good manners he inherited from his father. Tim tells Gyles about his childhood, his schooldays at Lancing College and how, despite his lack of ambition, he moved to London and got a job with EMI. Much of this conversation, not surprisingly, is about music: the records Tim listened to as a teenager, the band he played with at school, and the first songs he wrote and which helped him to get noticed. We find out how he met Andrew Lloyd Webber and started to make musical history. Thank you Sir Tim Rice for your warmth, wit and wonderful stories. Tim Rice is on a nationwide tour telling his brilliant stories and featuring some of his best-known songs until the end of May, tickets available here Learn more about your ad choices. Visit podcastchoices.com/adchoices

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Rank Squad! Dean's back in London, so it's less of a Transatlantic Job this week, but that doesn't mean there's not still plenty to discuss. Today, we're looking at the Champions League Quarter Finalists, but in a slightly different way - examining who the most important player is for each of the eight teams remaining in the competition, from the perspectives of how they've played so far, as well as who is most likely to step up going forward. We take the eight teams in turn ahead of their QF matchups, thinking about star performers across the course of the competition, but also about which player their opposition would remove from these games if they were given a choice to do so - giving us some interesting names and discussions around how we rank players in systems. We finish by trying to pick a top three each, but we found that was a harder task than either of us envisaged to begin with! It's Ranks!  And remember, if you'd like more from the Rank Squad, including extra podcasts every Monday and Friday (including our weekly Postbox taking a look at the whole weekend of football) and access to our brilliant Discord community, then why not join us here on Patreon?