Podcasts about Killing Joke

The sun is consistently setting after 9pm and that means Summer Party Season has officially begun! Now the folks at DT!HQ wont settle for anything less than the most Super Summer Party the world has ever seen. A few years ago, we barbequed with bad guys. This time, we're going wild with good guys as we determine which superhero team would host the best seasonal soirée. Matt needs you to steel your resolve. Andrew needs to make sure your sunscreen doesn't dissolve. Kyle needs you to make sure no one's relationship devloves. The title of this week's episode was selected by our Patrons in our Discord Community! If you want to help us choose the next one, join our discord, and/or get some bonus content, become part of #ButtThwompNation at patreon.com/debatethiscast! Have you seen our Instagram? instagram.com/debatethiscast Have you seen our YouTube? https://www.youtube.com/@debatethiscast Want to send us an email? debatethiscast@gmail.com MERCH! We have that! Right now you can go on the internet and order things that say Debate This! On them! All you need to do is head to MerchThis.net and give us your money! Ever wanted socks with the DT! logo on them? Well now you can get em! One more time that website is MerchThis.net! Properties we talked about this week: The Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn), The Great Lakes Avengers, The X-Men, Star Wars: The Mandalorian and Grogu, The Killing Joke, The West Coast Avengers, The Marvel Swimsuit Issue, Marvel Rivals Music for Debate This! is provided by composer Ozzed under a creative commons license. Check out more of their 8-bit bops at www.ozzed.net!

Vier Songs, vier Geschichten – und jede davon geht unter die Haut. In dieser besonderen „Mein Lieblingssong“-Espresso-Folge erwarten dich die emotionalsten, spannendsten und inspirierendsten Momente aus dem vergangenen Monat. Ein Best-of, das zeigt, wie unterschiedlich Lieblingssongs sein können – und warum sie uns alle auf ihre ganz eigene Weise prägen.Begleite Björn Nonnweiler auf eine Reise voller Nostalgie mit „Heute hier, morgen dort“ von Hannes Wader – ein Song, der nach Kindheit, Fernweh und musikalischen Wurzeln klingt. Spüre die Kraft des Neuanfangs mit Dorothee Hacker und „Neuanfang“ von Clueso – eine Geschichte über Veränderung, Mut und die Konstante im Leben. Tauche ein in die düstere, intensive Klangwelt mit Thomas Dahl und „Hosannas from the Basements of Hell“ von Killing Joke – ein Song zwischen Apokalypse und innerer Stärke. Und erlebe pure musikalische Magie mit Klaus Pelizaeus, der mit „Good Vibrations“ von The Beach Boys zeigt, wie Musik Generationen verbindet und Lebensfreude transportiert.Diese Episode ist wie ein musikalischer Espresso: kurz, intensiv und voller Geschmack. Perfekt für alle, die sich inspirieren lassen wollen – und für alle, die vielleicht ihren nächsten Lieblingssong entdecken möchten. Hör rein und erlebe die schönsten Momente aus „Mein Lieblingssong“ – gebündelt in einer Folge, die Lust auf mehr macht.Dein Lieblingskaffee zum Lieblingssong von den AroMagiern aus der Kaffeerösterei Martermühle.Höre deinen Lieblings-Podcast und deine Lieblingsmusik doch einfach auf einem sonoro Musiksystem.Das sonoro MEISTERSTÜCK und viele andere Produkte aus der sonoro Klangschmiede findet ihr hier: sonoro.comKonzerte, Lesungen, Theater, Comedy, Kunst und vieles mehr gibt es im beliebten Hinterhofsalon im Herzen Kölns. Alle aktuellen Termine im Hinterhofsalon: TerminkalenderHinterlasse gerne eine Bewertung und abonniere unseren Podcast bei deinem Streamingportal der Wahl und verpasse keine Folge. Und wenn du alle Neuigkeiten zum Podcast „Mein Lieblingssong“ mitbekommen möchtest, dann melde dich hier für unseren wöchentlichen Newsletter an: Kostenloser NewsletterHier findest du uns auf Facebook, Instagram oder YouTube.Du möchtest selbst mal Gast in unserem Podcast sein und von deinem Lieblingssong erzählen? Dann schreibe uns einfach eine E-Mail an: post/at/meinlieblingssong.com und wir melden uns bei dir. Geschichten aus den 70ern: Mein Lieblingssong - Album 1 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Geschichten aus den 80ern: Mein Lieblingssong - Album 2 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Habt ihr Lust auf eine „Mein Lieblingssong“-Tasse oder T-Shirt? Dann schaut mal in unserem Shop vorbei: Hier klicken!Folge unserem kostenlosen Podcast dort, wo Du uns hörst - abonniere uns!Teile auch gerne deine Lieblingsfolge in den sozialen Medien.Du möchtest gerne bei uns zu Gast zu sein?Schreibe an post@meinlieblingssong.com Hosted on Acast. See acast.com/privacy for more information.

Post-Punk-Songs ohne Gesang - darum geht es in dieser Folge. Viele Bands haben reine Instrumentals produziert. Als Intros, als Single-B-Seiten, als "Lückenfüller" oder als eigenständige Tracks. Und wenn man sich auf die Suche danach begibt, ist man erstaunt, was man alles findet. Lasst euch also überraschen, wie vielseitig Instrumentals sein können und welche Bands solche Songs im Repertoire haben. Mit dabei sind Die Haut, The Cure, The Sisters Of Mercy, New Order, Depeche Mode, Ultravox, Killing Joke, And Also The Trees, Yello, Simple Minds und noch viele andere. Eine Playlist aller Tracks ist unterhalb der Podcastbeschreibung verlinkt. Mail an: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Ein Song wie ein apokalyptisches Manifest und zugleich eine persönliche Rettungsleine. Tauche mit dem Journalisten, Autor und Dozenten Thomas Dahl ein in die wuchtige Welt von „Hosannas from the Basements of Hell“ von Killing Joke aus dem Jahr 2006. Warum übt gerade dieser düstere, kompromisslose Track eine solche Faszination aus? Und wie kann Musik über weltpolitische Spannungen, zivilisatorischen Zerfall und menschliche Selbstzerstörung Kraft spenden? In dieser Episode von „Mein Lieblingssong“ erzählt Thomas, warum gerade dieser Song für ihn mehr ist als nur ein sehr geräuschvolles Statement. Zwischen apokalyptischen Visionen und brachialen Gitarren entfaltet sich eine Klangwelt, die nicht tröstet, sondern konfrontiert. Ein Stück, das den Zustand der Welt seziert – und gerade dadurch Halt geben kann. Wir sprechen über die Wucht, die dieser Song beinhaltet, und über die Frage, warum manche Songs uns gerade dann auffangen, wenn sie selbst vom Abgrund und der Apokalypse erzählen. Was macht einen Song, der von Endzeitstimmung durchzogen ist, zu einem persönlichen Hoffnungsträger? Hör rein und entdecke, wie aus einem Lobgesang aus der Hölle ein Soundtrack der Stärke werden kann.Passend zu dieser Folge von "Mein Lieblingsong" ist die Folge 87 mit unserem Gast Thomas Manegold, der mit uns über seinen Lieblingssong „Hunger Strike“ von Temple Of The Dog spricht.Höre deinen Lieblings-Podcast und deine Lieblingsmusik doch einfach auf einem sonoro Musiksystem.Das sonoro MEISTERSTÜCK und viele andere Produkte aus der sonoro Klangschmiede findet ihr hier: sonoro.comKonzerte, Lesungen, Theater, Comedy, Kunst und vieles mehr gibt es im beliebten Hinterhofsalon im Herzen Kölns. Alle aktuellen Termine im Hinterhofsalon: TerminkalenderHinterlasse gerne eine Bewertung und abonniere unseren Podcast bei deinem Streamingportal der Wahl und verpasse keine Folge. Und wenn du alle Neuigkeiten zum Podcast „Mein Lieblingssong“ mitbekommen möchtest, dann melde dich hier für unseren wöchentlichen Newsletter an: Kostenloser NewsletterHier findest du uns auf Facebook, Instagram oder YouTube.Du möchtest selbst mal Gast in unserem Podcast sein und von deinem Lieblingssong erzählen? Dann schreibe uns einfach eine E-Mail an: post/at/meinlieblingssong.com und wir melden uns bei dir. Geschichten aus den 70ern: Mein Lieblingssong - Album 1 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Geschichten aus den 80ern: Mein Lieblingssong - Album 2 als Hörbuchversion.Gibt es überall, wo es gute Hörbücher gibt.Habt ihr Lust auf eine „Mein Lieblingssong“-Tasse oder T-Shirt? Dann schaut mal in unserem Shop vorbei: Hier klicken!Folge unserem kostenlosen Podcast dort, wo Du uns hörst - abonniere uns! Teile auch gerne deine Lieblingsfolge in den sozialen Medien. Du hast eine Frage? Schreibe an post@meinlieblingssong.com Hosted on Acast. See acast.com/privacy for more information.

Watch it here: https://youtu.be/Dvuf1v_NIr0

... and Youth from Killing Joke.In the 90's, Macca decided he needed a new sound, and like Rudi and Spider, he set off to find it.With the keen eye of Killing Joke looking down on him, join Nik and Duncan as they unwrap it.

The Music That Made WE welcomes FEM APPEAL who has chosen 10 songs that up her story, with a soundtrack that includes Killing Joke, Michael Buble, Dokken, and more. + Stick around for Viktor's hidden bonus track.  Sorry to the folks, but all the music has been crudely culled from this recording. more Fem: https://www.instagram.com/theladyappeal/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.]

The Music That Made WE welcomes FEM APPEAL who has chosen 10 songs that up her story, with a soundtrack that includes John Newman, Bronski Beat, Depeche Mode, and more. + Stick around for Viktor's hidden bonus track. more Fem: https://www.instagram.com/theladyappeal/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque

The Clayface movie is coming and we've got you covered with everything you need to know.This week we're digging into the vault. Zach and Mike break down the full history of Clayface, all the versions, all the clay. Then dive straight into Clayface: One Bad Day, the 2023 DC one-shot that might just be the blueprint for what the movie does with this character.First: how do you go from Basil Karlo, a horror movie actor driven to murder by a remake of his greatest film, to Matt Hagan, to Preston Payne, to the shapeshifting monster we know today? Zach walks Mike through the whole muddy lineage. Mike's prior Clayface knowledge: a talking blob from a kids' show called Gigglesnort Hotel. We start there.Then: Clayface One Bad Day. A struggling Hollywood actor named Clay Pots lands his dream role and loses himself completely in the process. What follows is one of the darkest, most quietly tragic Clayface stories ever told. He suffocates a man, steals his face, walks onto a movie set, and spends the entire issue auditioning for a role he's already taken. The ending, with ten figures watching him deliver his monologue one final time, hits harder than it has any right to.Also in this episode:- The full Clayface family tree — Basil, Matt, Preston, Sondra, Cassius, and more- The Killing Joke connection hidden in the One Bad Day one-shot- Whether the Batman: Killing Joke animated movie deserved the extra 45 minutes (it did not)- Zach getting accused of being a porch pirate while retrieving his own DoorDash orderCheck out Feat of Clay. Our episode on the Batman: The Animated Series two-parter that inspired the film. Back to back Clayface. You're welcome.Read it yourself: Clayface One Bad Day is available now on DC Universe Infinite and wherever comics are sold.Follow us:YouTube Shorts & TikTok: @brofoeheroInstagram: @brofoeheroSpotify, Apple Podcasts, iHeart & more: search Bros Foes and Heroes#clayface #batman #dccomics #dcu #dc #brosfoesandheroes Thank you to our sponsors! Click on them below:puzzle.io : https://puzzleio.pxf.io/3J0Y4yMagikFlame: https://magikflame.pxf.io/K0dgQvHello Cake: https://cake.sjv.io/kOoEjvSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Parecía único… y resulta ser toda una cadena evolutiva del rock: 'Come As You Are', uno de los himnos de Nirvana, esconde una historia mucho más compleja de influencias y posibles "préstamos". Su icónica línea de guitarra remite directamente a 'Eighties', de Killing Joke, cuyo parecido levantó sospechas e incluso amenazas de demanda cuando el éxito de 'Nevermind' explotó. Pero la cosa no termina ahí: tirando del hilo aparece 'Life Goes On', de The Damned, donde ya asoma esa misma progresión que acabaría mutando con los años. Más que un plagio claro, lo que emerge es un ejemplo casi darwiniano de cómo funciona la música popular: ideas que nacen en el underground, se transforman, se endurecen o se refinan… hasta convertirse, años después, en un himno global.

Parecía único… y resulta ser toda una cadena evolutiva del rock: 'Come As You Are', uno de los himnos de Nirvana, esconde una historia mucho más compleja de influencias y posibles "préstamos". Su icónica línea de guitarra remite directamente a 'Eighties', de Killing Joke, cuyo parecido levantó sospechas e incluso amenazas de demanda cuando el éxito de 'Nevermind' explotó. Pero la cosa no termina ahí: tirando del hilo aparece 'Life Goes On', de The Damned, donde ya asoma esa misma progresión que acabaría mutando con los años. Más que un plagio claro, lo que emerge es un ejemplo casi darwiniano de cómo funciona la música popular: ideas que nacen en el underground, se transforman, se endurecen o se refinan… hasta convertirse, años después, en un himno global.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

We launch the polaris and get into one of our giddiest ever album clubs on Megadeth's delirious Rust In Peace, the suffocating global anger of Killing Joke 2003, the launchpad for second wave emo in Sunny Day Real Estate's Diary, and Gorguts returning to once again up the game for avant-garde death metal with Colored Sands.This episode was originally published April 2025 on patreon.com/thatsnotmetal.

  Killing Joke er ein ógurlegasta síðpönksveit sögunnar, algerlega einstök mætti segja, og áhrifarík fyrir allan peninginn. Að velja hina poppuðu „Night Time“ sem bestu plötuna mun strjúka einhverjum öfugt en gefum BP-liðum færi á að útskýra sitt mál (doktornum aðallega).

On the final (main series) episode our retrospective Batman podcast, we discuss arguably one of the most popular Batman books of all time, The Killing Joke by Alan Moore, Brian Bolland, John Higgins and Richard Starkings! We deep dive into the origins of this now classic Bat-book, the various versions available and it's place in the Bat-Canon! Don't forget to like, share and subscribe or drop us your thoughts on The Killing Joke. You can tune in here, on Apple Podcasts or Spotify!Check out The Comic Crush Website: https://www.thecomiccrush.com/ Get Batman Comics: https://www.thecomiccrush.com/shop-batmanCheck out all our shops: https://www.thecomiccrush.com/our-comic-shop-links Sign up to our Patreon for just £2: https://www.patreon.com/the_comiccrush_com Follow Us! On Bluesky: https://bsky.app/profile/thecomiccrush.bsky.socialOn Instagram: https://www.instagram.com/thecomiccrush/ On Threads: https://www.threads.com/@thecomiccrush Facebook: https://www.facebook.com/thecomiccrush/

Movie Theater Time Machine #podcast ends the month with a #review of The Killing Joke (2016). For more reviews, visit movietheatertimemachine.com  

In this episode, Martin Atkins (Public Image Ltd., Killing Joke, Pigface) joins the show from his Post-Punk and Industrial Music Museum to discuss the upcoming 45th-anniversary recreation of Public Image Ltd.'s third album, The Flowers of Romance. On Saturday, April 11, Martin returns to Reggie's in Chicago with a "murderers' row" of talent, including Chris Connelly, Robert Byrne, Leyla Royale, Orville Kline, Alicia Gaines, and Alan Lake, to bring the stark, experimental, and percussive record back to the stage. Martin reflects on the "Music Concrete" nature of the original recording sessions, which were defined by improvisation and disregard for traditional rock structures. He shares fascinating stories behind the album's signature sounds, such as the ticking of a Mickey Mouse watch used for the track "Four Enclosed Walls" and the CO2 fire extinguisher that opens "Under the House". He also sheds light on the band's internal dynamics during that era, including the departure of bassist Jah Wobble and Keith Levene's intense focus on video game. The conversation also covers Martin's recent performance of Killing Joke's "Extremities" and his complex, perhaps a bit strained, relationship with John Lydon. Martin discusses how his museum has become a surprising hub for younger generations who are just now discovering the textures and stories of the post-punk movement. I adore Martin, respect his career and business mind, and always love talking with him. Hope you enjoy the chat, and to see you at Reggie's!   ###   This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.  

In this episode, Martin Atkins (Public Image Ltd., Killing Joke, Pigface) joins the show from his Post-Punk and Industrial Music Museum to discuss the upcoming 45th-anniversary recreation of Public Image Ltd.’s third album, The Flowers of Romance. On Saturday, April 11, Martin returns to Reggie’s in Chicago with a "murderers' row" of talent, including Chris Connelly, Robert Byrne, Leyla Royale, Orville Kline, Alicia Gaines, and Alan Lake, to bring the stark, experimental, and percussive record back to the stage. Martin reflects on the "Music Concrete" nature of the original recording sessions, which were defined by improvisation and disregard for traditional rock structures. He shares fascinating stories behind the album's signature sounds, such as the ticking of a Mickey Mouse watch used for the track "Four Enclosed Walls" and the CO2 fire extinguisher that opens "Under the House". He also sheds light on the band’s internal dynamics during that era, including the departure of bassist Jah Wobble and Keith Levene’s intense focus on video game. The conversation also covers Martin’s recent performance of Killing Joke’s “Extremities” and his complex, perhaps a bit strained, relationship with John Lydon. Martin discusses how his museum has become a surprising hub for younger generations who are just now discovering the textures and stories of the post-punk movement. I adore Martin, respect his career and business mind, and always love talking with him. Hope you enjoy the chat, and to see you at Reggie’s! ### This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote.See omnystudio.com/listener for privacy information.

This week on Panel Chewing Pick of the Week, Steve and Jarrod dive into another stack of comics and break down the books that stood out from the week's pull list.Before jumping into the comics, the conversation kicks off with a nostalgic look at the comic-magazine era. From Wizard Magazine to Comic Shop News, the hosts reflect on the lost culture of comic journalism and how the internet—and now social media—has changed how fans interact with the hobby.Then it's time to talk comics.Highlights this week include discussions on new releases like Absolute Superman #17, Astral Quantum #2, and Save Now #3, along with the finale of a recent Detective Comics arc and the latest chapter of Rick Remender's The Sacrificers. The guys also dig into indie titles, time-travel chaos, noir mysteries, and the continuing brilliance of Conan the Barbarian.A few books nearly steal the show, including:The Peril of the Brutal Dark — a noir mystery blending archaeology and pulp adventureAssorted Crisis Events #8 — a deeply emotional comic about fading relationships and lost connectionsConan the Barbarian #29 — an issue so strong it works even without Conan appearing until the final pageBut the biggest surprise of the week?Steve's Pick of the Week ends up being Batman #7, a haunting psychological story featuring a silent Joker, an uneasy conversation with Batman, and echoes of The Killing Joke.Finally, the hosts continue their Grant Morrison Batman group read, discussing issues 657–658 from the Batman and Son storyline. Damian Wayne enters the story with a bang—and not in a good way—raising questions about Batman's judgment and the darker implications of the character's introduction.If you're reading along, the next discussion will cover issues 663–664 after a short break.Send us a message (I'm not able to reply)Support the showPage Chewing Blog Page Chewing Forum Film Chewing PodcastSpeculative Speculations Podcast Support the podcast via PayPal Support the show by using our Amazon Affiliate linkJoin Riverside.fm Co-Hosts: Jarrod Varsha Chris Jose Carl D. Albert (author) Thomas J. Devens (author) Alex French (author) Intro and Outro Music by Michael R. Fletcher (2024-Current)

Episode 458, including tracks from The Riptides, Last Ditch Effort, Filthy Traitors, SUX, Proton Packs, North Sea Fever, American Lips, mugger, Horace Pinker, Killing Joke, Wasted, Cold Drop, and Black Whiskey. Eric adds his upcoming releases, but is unable to make it this episode. The episode is loaded with a bunch of new music shared with us, a great album, and wrap up the show with a couple rock tracks.

Chris Hawkins is joined by Alex Paterson, co-founder of The Orb, for a deep dive into the origins of ambient house and a life spent pushing musical boundaries. From punk gigs and roadie days with Killing Joke to raves with the KLF and the creation of The Orb's landmark album Adventures Beyond the Ultraworld, Alex shares the stories, influences and chance encounters that shaped his career. Along the way he reflects on sampling, DJ culture, the evolution of dance music and why the spirit of the '90s still resonates today. How to DJ is a Listening Dog Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nueva entrega de Música de Contrabando, semanario de actualidad musical (5/03/2026)Entrevistas:- Los Amigos de los Animales ponen la clausura al Sombra FestivalEmilio Cortés, Juanma Martínez y Juan A. Ross nos llevan en un viaje hipnótico y misterioso a los Cárpatos de Nosferatu. Noticias: Los BRIT Awards premian a Olivia Dean, Geese, Wolf Alice, Noel Gallagher .Casi tres décadas después de su participación en el proyecto original, el regreso de Oasis a la serie 'HELP' subraya su apoyo permanente a la misión de War Child de proteger, educar y defender los derechos de los niños afectados por conflictos .Muere el cantante y compositor Neil Sedaka. Ringo Starr anuncia un nuevo disco: Long long road. Gorillaz celebran el lanzamiento de su nuevo disco, The mountain, con el vídeo de ocho minutos “The Mountain, The Moon Cave & The Sad God” . La cantante italiana Mina, que este mes cumplirá 86 años, ha lanzado una versión de la canción “A costo di morire”, como homenaje al fallecido Giorgio Armani . Nace Spain On Stage, un encuentro para internacionalizar la música española, que tendrá lugar del 20 al 22 de abril en Cádiz y El Puerto de Santa María. Turnstile homenajean a Mani (The Stone Roses) versionando “I Wanna Be Adored”. Ty Segall anuncia gira europea con fechas en Barcelona y Madrid. La estadounidense Suzanne Vega actuará a finales de marzo en Barcelona, Pamplona y Madrid presentando su último disco, “Flying With Angels”. WARM UP Estrella de Levante completa las confirmaciones para su edición de 2026. Entre ellas se encuentran nombres destacados como Bloc Party, Lori Meyers y Midnight Generation. Gene y Hoodoo Gurus se suman al cartel del Visor Fest. Killing Joke publican disco de rarezas y sesiones con Steve Albini. Love of Lesbian anuncian su retirada de los escenarios, tras 25 años de carrera, para iniciar un periodo de silencio. Novedades musicales:Morrissey, Gnarls Barkley , Ezra Collective & Greentea Peng, American Football, Deadletter, Weird Nightmare, The New Pornographers, Alcalá Norte, Gia Margaret, Lima Negra, Lala Lala, J'Aime, Love of Lesbian, Fangoria, Iván Ferreiro ft Sole Giménez, Levitants, Ultraligera, Russian Red, Bianca Castafiore, María José Llergo, Comic Sans, Kitai y Pignoise, Rikas, Guille Galván, Ángel Calvo, Noise Box, Amante Laffon, Calum Scott ft Aitch, Señora Biónica, Mena, Agenda de conciertos:The Silencers, Maldita Nerea, Bobby Martínez Sextet( Murcia Jazz Festival), HMC Espectros Fest, Lady Banana, Alec López, Pole., Mafalda Cardenal, Aló Presidente, Koki, Vacío...

The 2 Geeks are cranking the speakers to the breaking point. Today, we're dropping the needle on the DC High Volume audio adaptation of the legendary graphic novel, Batman: The Killing Joke. Is this the ultimate way to experience the "One Bad Day" philosophy? We're reviewing the immersive soundscapes of Gotham's twisted amusement park, the visceral impact of that scene with Barbara Gordon, and Troy Baker's haunting performance as the Clown Prince of Crime. Grab your headphones as we break down whether the audio format finally solves the mystery of the world's most famous ambiguous ending. We're turning the volume to 11—let's dive into the madness. Support the show: Make sure to visit our affiliate sponsor Live Bearded. Grab some premium beard care and support the pod by using our link! https://livebearded.com/2GEEKS.

This week on The Metro, Rev. Jeff Ivins brings you the following artists for your time warp to the 1980s: Kim Wilde, The Human League, Simple Minds, Olivia Newton-John, Killing Joke, Gleaming Spires, Cutting Crew, ABC, Paul Hardcastle, Public Image Ltd., David Bowie, XTC, Kim Carnes, and finishing up with The Police.

This week, new releases from Billy Bragg, Bruce Springsteen,Dropkick Murphys, Beyond Chaotic, Ghinzu and The Dollheads. Plus faves from, Radiohead, Macy Gray, The Cramps, Killing Joke and more. Roll up a couple for The Duane Strain, strap in for a Friday The 13th set and we go Cover To Cover, Rock. Mock. Dance. Laugh.

DAPHNI, VOICES FROM THE LAKE, APPARAT + ROBYN top highlights for this edition of ABSTRACT SCIENCE with JOSHUA P. FERGUSON + HENRY SELF. JOSHUA’s first-hour set moves from the hypnotic jazz-ish realm to dubwise electronic sounds, with some deep techno + house mixed in. HENRY slowly builds up the energy with a more driving set touching on techno, deep house, balearic breaks + electro dub. [aired 23 January 2026 on WLUW-Chicago 88.7FM] >JOSHUA P. FERGUSON Oren Ambarchi, Johan Berthling & Andreas Werliin “Yek” (Ghosted III, Drag City, 2025) TOMAGA “Bluest” (Extended Play 1, Negative Days, 2019) Floating Points “Corner of My Eye” (Pluto, 2025) Apparat “Hum of Maybe” (Hum of Maybe, Mute, 2026) Voices from the Lake “Blue Noa” (II, Spazio Disponible, 2025) Yello “Frautonium” (Half Life – Andrew Weatherall remix) (Blank Media, 2017) Andachan & Bicep “Aapoq” (TAKKUUK soundtrack, Ninja Tune, 2025) Axel Boman “Hold On (Trensum Tribe dub) (Luz / Quest For Fire In Dub!, Studio Barnhus, 2025) Low End Activist “They Only Come Out at Night (Andy Martin Remix) (Municipal Dreams Remixes, Sneaker Social Club, 2025) drames rurals “l’empelt” (Shackleton mix) (Hivern Discs, 2025) Leif “How to Eat an Orange part 2” (Collide, AD93, 2025) >HENRY SELF Helado Negro “Protector” (The Last Sound On Earth, Big Dada, 2025) Max Styler “You & Me” (Vintage Culture Extended Remix) (Nu Moda, 2025) Robyn “Dopamine” (KASI Extended Remix) (soundcloud.com/clubofkasi, 2025) MK & Clementine Douglas “Come Find Me” (Columbia, 2025) Daphni “Waiting So Long” (Butterfly, Jiaolong, 2026) Oneohtrix Point Never “Cherry Blue” (Tranquilizer, Warp, 2025) Daniel Lopatin “The Necklace” (Marty Supreme Original Soundtrack, A24, 2025) Tangerine Dream “Love on a Real Train” (Trance Wax Remix) (Trance Wax Five, Trance Wax, 2019) Harks and Mudd “Susta” (Ron Trent Dub) (Leng, 2021) Ex Generation “Aao Naa” (The Mumbai Exchange, Energy Exchange, 2025) Tom Vek “Cover” (Gus Alt-J Remix) (We Have Sound Remixed, Stratasonic, 2025) Killing Joke “Love Like Blood” (Your Heart Is a Weapon Dub) (In Dub, Killing Joke, 2014) Effy “Raging” (Effy, 2021) The post absci radio 1405 – joshua p ferguson + henry self appeared first on abstract science >> future music chicago.

I might overuse this word a little bit, but on this week's episode we do have a true pair of legends in conversation on the Talkhouse Podcast this week: Maynard James Keenan and Daniel Ash. Keenan is of course best known as the frontman for Tool, the dark, complex, heavy band he formed way back in 1990—but whose records come few and far between. Keenan is also the frontman for A Perfect Circle, but the reason for today's chat is yet another band, Puscifer. This one started out almost as a solo outlet for Keenan's weirdest ideas: There are comedic elements, and—fun fact—Puscifer actually sprung to life as part of a Mr. Show sketch. (Google it, it's a good story.) But the band has evolved over the years into a steady trio that features Keenan alongside Carina Round and Mat Mitchell, and that more recently has explored Keenan's most theatrical and straightforward impulses. It's funny, weird, and heavy, and the brand new Puscifer album, Normal Isn't, even nods sonically to UK post-punk bands like Killing Joke. Check out “Self Evident” right here. The other half of today's conversation is Daniel Ash, whose resume also includes a remarkable number of incredible bands, starting with Bauhaus, moving directly into Tones on Tail, and then heading for a long stretch into Love and Rockets, which reunited a couple of years ago for some very welcome shows. Ash's guitar playing over the years has been quietly influential on a ton of players; you can hear his tone in a remarkable swath of bands. Last year, he released the first album by his latest outfit, Ashes & Diamonds. Called Ashes & Diamonds Are Forever, it's unmistakably Ash's voice and tone, though in some flashier dressing on occasion. It's a lot of fun. Check out “Teenage Robots” right here. In this wide-ranging conversation, Ash and Keenan talk about Keenan's wine business—he was nice enough to send Ash some bottles in advance of this chat—as well as touring, making videos, and the seemingly inevitable future of AI. Ash thinks it's going to be good, so even if he's wrong, it's nice to hear some optimism. Ash is also obsessed with motorcycles, leading Keenan to suggest an intervention. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Maynard James Keenan and Daniel Ash for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the other great shows in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

In 1989 after notable releases of Watchmen, The Killing Joke, and wrapping up V for Vendetta , one of the great comic book writers of all time Alan Moore sets to tell another gripping tale based on the Whitechapel murderers during the 1800s around the question: Who is Jack the Ripper? With illustrations of talented Eddie Campbell, this Eisner Winning graphic novel explores circumstances around the time period of when these tragedies occurred, who, or whom could have been involved in the crimes, and an idea of what the world was like in East End of London. Every angle, motive and perspective is explored by a core cast of characters. Alan Moore himself thoroughly researched the historical manuscripts with notes of the Victorian Era, which are included in the collected editions. It is a stunning tale that is recommended for fans of true crime, horror, historical fiction, and fans of this creative team to truly appreciate all that From Hell has to offer. The graphic novel can be read in the hardcover Master Edition with full colors or the black/white tradition paperback copies as well.

It's a very special encore interview with legendary producer Martin “Youth” Glover! This is one of my favorite episodes ever! Not only because we talk about some his production credits such as working with Paul McCartney, Pink Floyd, Gun & Roses, U2, Kate Bush, The Verve, and many others. But also, because he was the longtime bass player from one of my all-time favorite bands: Killing Joke. An absolute thrill of an interview! (Note: This interview was recorded just four months before the death of Killing Joke guitarist Geordie Walker). Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Martin Atkins's three decades in the music industry in nearly every aspect of record production, gives him a rare perspective on the music business past, present, and future. After early success as a drummer with Public Image Ltd. and later work with acts like Killing Joke, Ministry, and Nine Inch Nails, he launched his own projects including Pigface and the influential Invisible Records. He has since become an author, speaker, and educator, sharing his expertise at major conferences and now teaching music business at Millikin University. A father of four, he lives in Chicago with his wife, Katrina.

Randy interviews drummer/professor Martin Atkins from the legendary bands, Killing Joke, PIL, Pigface and so m any more. He is playing a speacial show this weekend at Reggies in Chicago. Link below! https://www.reggieslive.com/show/extremities-live-for-the-first-time-in-33-years/ https://martinatkins.com/ https://www.instagram.com/flowersfightforsunshine/?hl=en

As I continue to recover (and prepare for a couple of procedures and impending surgery) from appendix issues, I’ve excitedly turned Car Con Carne over to guest hosts. For this episode, Karen and Ivan from the Chicago bass duo Bellhead steal the keys to the car while I recover. Their guest is a post-punk legend, entrepreneur, author, and museum founder: the infamous Martin Atkins (Pigface, NIN, PiL). They recorded at Martin’s Museum of Post Punk and Industrial Music (natch) and discuss (among other things): *Martin’s decision to perform Killing Joke’s “Extremities” in its entirety for the first time in 33 years at Reggies Rock Room on November 28th and 29th *The cast of characters invited to take on this endeavor *Martin’s early days with Killing Joke, including how some of the “Extremities” songs came to life. *The creation of PPIM and updates, and why you should come visit. Thanks for supporting Car Con Carne, especially during this weird period where I’m off the grid. Please support my guest hosts and their guests (go to Reggie’s or watch the live stream Thanksgiving weekend)! Thank you for listening and watching. -JVO ## Car Con Carne is sponsored by Easy Automation: If you’re looking to transform your home, office, or business into a smart, seamlessly connected space, Easy Automation delivers custom automation solutions that are tailored to your lifestyle. Easy Automation makes technology work for you—effortlessly, reliably, and always with your satisfaction guaranteed. Visit easy-automation.net or call Dan at 630-730-3728 and take control of your environment today! ## Car Con Carne is also sponsored by Exploding House Printing. Bands, brands, listeners who want to get the word out: Exploding House Printing can help with your screen printing, embroidery and other merch needs. Exploding House delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at (at)explodinghouse, or go to their website or just email info@explodinghouseprinting.com to get a quote!See omnystudio.com/listener for privacy information.

As I continue to recover (and prepare for a couple of procedures and impending surgery) from appendix issues, I've excitedly turned Car Con Carne over to guest hosts.   For this episode, Karen and Ivan from the Chicago bass duo Bellhead steal the keys to the car while I recover. Their guest is a post-punk legend, entrepreneur, author, and museum founder: the infamous Martin Atkins (Pigface, NIN, PiL). They recorded at Martin's Museum of Post Punk and Industrial Music (natch) and discuss (among other things):   *Martin's decision to perform Killing Joke's "Extremities" in its entirety for the first time in 33 years at Reggies Rock Room on November 28th and 29th *The cast of characters invited to take on this endeavor *Martin's early days with Killing Joke, including how some of the "Extremities" songs came to life. *The creation of PPIM and updates, and why you should come visit.   Thanks for supporting Car Con Carne, especially during this weird period where I'm off the grid. Please support my guest hosts and their guests (go to Reggie's or watch the live stream Thanksgiving weekend)! Thank you for listening and watching.    -JVO   ##   Car Con Carne is sponsored by Easy Automation:    If you're looking to transform your home, office, or business into a smart, seamlessly connected space, Easy Automation delivers custom automation solutions that are tailored to your lifestyle.    Easy Automation makes technology work for you—effortlessly, reliably, and always with your satisfaction guaranteed.   Visit easy-automation.net or call Dan at 630-730-3728 and take control of your environment today! ## Car Con Carne is also sponsored by Exploding House Printing.   Bands, brands, listeners who want to get the word out: Exploding House Printing can help with your screen printing, embroidery and other merch needs.     Exploding House delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices.  Check out their work on Instagram at (at)explodinghouse, or go to their website or just email info@explodinghouseprinting.com to get a quote!

Scorpion Milk's Mat McNerny joins us today to discuss the most joyous of terrifying movies of the 80s, The Stuff. Mat's latest album is called 'Slime of the Times'  and I can not stop listening to it. So why not ask him to come onto a show about horror movies and combine my two passions. BOOM!

I do think of my formative years a lot – and I think this started to happen more when my parents died in 2022. Music started to become huge for me around 1976 when I was 8 and started playing the cello…but I did have some music differences of opinion let's say as I got a bit older and started to  listen to “bang and thump music” as my dad used to call it  – I really struggled to reconcile what I now know is a beautiful instrument with the Ramones, who were changing my life and pulling me in the other direction – it was like I had an alter ego. I mean, it's not a big deal in the whole scheme of things, but you know, each to their own.  Anyway, I just devoured more and more music – bands like Killing Joke, Siouxsie, Au Pairs, Minutemen, Husker Du - and as I found more and more stuff through, mainly listening to Peel and other local radio – like Steve Barker's On The Wire and Tony Michaelides on Piccadilly or just taking a chance based on whether I liked the sleeve, I started to get into more of the avant garde, off kilter, skrunky, weird – Neubauten, Alien Sex Fiend, Bush Tetras, The Fall, Butthole Surfers and then there was a bit of a lightbox moment with Tackhead's Hard Left around 86, I think before Public Enemy came along and changed things again. There was also another band who completely flummoxed, intrigued and excited me - and that was Fini Tribe. There was the underground and there was Fini Tribe. I had no idea how to describe them. They didn't sound like anyone else. I had no idea what they looked like. And I didn't know much about them. And I had no idea what to expect. And of course, we lived in an age of genre obsession – still do - so they were real genre party poopers. So, by the time I was listening to Splash Care or Detestimony, there were frequent shouts of “turn that shit off”. I was very used to this. Especially from the fella that liked Dire Straits. But Fini Tribe awakened an excitement in me – listening to them was like Alice Through The Looking Glass stepping into another world that felt as distant and exciting to me as when I got those first Killing Joke records… I never got to see them live so to now have a wonderful compilation of their 1982-1987 years called The Sheer Action of Fini Tribe, diligently and lovingly brought to life by the band with tracks I've never heard before including some live tracks, well, it's well worth the wait. This is such an exhilarating and fascinating insight with Christopher Connelly and Davie Miller.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

Die letzte Oktoberwoche gehört traditionell dem Sounds!-Rückblick auf jene Musik, die vor exakt vier Jahrzehnten erschienen ist. Bis und mit Freitag hören wir ausschliesslich Musik aus dem Jahrgang 1985: New Order, Prefab Sprout, Kate Bush, The Cure, und und und. Es war ein Jahr, in dem Synthesizer und britische Unterkühltheit gemeinsam die Klanglandschaft prägten: Auf der einen Seite New-Wave-Hits von Tears for Fears, den Simple Minds und auch die Pet Shop Boys standen bereits in den Startlöchern, auf der anderen Seite die düstere, goth-y Melancholie von The Smiths, The Cure, The Sisters of Mercy oder Killing Joke. Wir laden euch herzlich dazu ein, im Verlaufe der Woche mit uns Tracks von Prince, Prefab Sprout, Tom Waits, The Jesus and Mary Chain, Grace Jones, Sade und vielen mehr (wieder) zu entdecken. Wie immer ist unser Flashback thematisch aufgeteilt: Morgen Dienstag gibt's z. B. den Rückblick auf die Metal- und Punkkracher aus dem Jahrgang 85.

R.E.M. : Losing My Religion La Reprise L'originale Battleme : Hey Hey My My Neil Young : Hey Hey My My Johnny Irion : Back Ohe Daddy Killing Joke : Love Like Blood Slomosa : Rice Ozzy Osbourne : Diary Of A Madman Coilguns : Nighshifter Jeff Buckley : Everybody Here Wants You Haevn : Till The Morning (Feat Lily Meola) Sleep Token : Bloodsport (From The Room Below) The Beatles : Good Night Pixies : Monkey Gone To Heaven La Reprise L'original Pierce The Veil : Karma Police Radiohead : Karma Police Daffo : Habit Wendy & Lisa : Waterfall Golden Earring : Radar Love (Live) Fleetwood Mac : I'm So Afraid (Live) Foreigner : Girl On The Moon Eevah : I Didn't See It Comming Moddi : Magpie Eggs Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

www.missingwitches.com/ep-280-mw-killing-joke-we-must-dream-of-promised-lands About Missing WitchesAmy Torok and Risa Dickens produce the Missing Witches Podcast. We do every aspect from research to recording, it is a DIY labour of love and craft. Missing Witches is entirely member-supported, and getting to know the members of our Coven has been the most fun, electrifying, unexpectedly radical part of the project. These days the Missing Witches Coven gathers in our private, online coven circle to offer each other collaborative courses in ritual, weaving, divination, and more; we organize writing groups and witchy book clubs; and we gather on the Full and New Moon from all over the world. Our coven includes solitary practitioners, community leaders, techno pagans, crones, baby witches, neuroqueers, and folks who hug trees and have just been looking for their people. Our coven is trans-inclusive, anti-racist, feminist, pro-science, anti-ableist, and full of love. If that sounds like your people, come find out more. Please know that we've been missing YOU. https://www.missingwitches.com/join-the-coven/

Crush was an alternative rock[1] band with East West Records from 1991 to 1993.[2] Original members included singer-songwriter Michael Bramon, English guitarist-songwriter John Valentine Carruthers (formerly of Siouxsie and the Banshees), English drummer-songwriter Paul Ferguson (formerly of Killing Joke), and American bassist/backing vocalist/songwriter John Micco.[3] -- Audiomorphs is an Animorphs podcast which is actually not so much a podcast as a bootleg Animorphs audiobook. Releases every Friday. Visit https://www.theapodcalypse.com/ Twitter: @audiomorphs

"Wait For Fire Burning" Formed in Oakland in 1985, Legal Reins were comprised of singer/guitarist Danny Benatar, bassist Eden Unger and drummer Tim Freund. They tore up the Bay Area scene, playing show after show and cementing themselves as one of the best live bands around. This is a band who did the work, got in the reps and eclipsed the Gladwellian idea of 10,000 hours. Opening for everyone from Madness to Killing Joke, Legal Reins proved themselves time and again that they could step on any stage and match anyone in terms of power and heart. Their exhilarating blend of sweeping pop epics and punchy hook laden rock and roll brought to mind everyone from The Sound to Echo and the Bunnymen to the Waterboys. After a bit of a bidding war, they signed to Arista in 1987, put out their debut album Please, The Pleasure soon after and then? Well, then things turned the other way. I'm going to let Tim tell you the story, but let me say this: In 1986 I was the music director of KVHS, an all-metal station located conveniently on my high school campus. I was in the habit of sneaking in The Smiths and The Chameleons in between Accept and Venom just to see if anyone noticed--they did, by the way. It was slightly terrifying to be 16 and getting death threats for not playing King Diamond, but I digress. Legal Reins called me up and they were very kind and I loved their music and one time I played them in between Y&T and Armored Saint and this one guy called up and said, very aggressively, Who was that you played after Y&T? I told him Legal Reins and he was quiet for second and then he said, That was pretty good... TEED: https://open.spotify.com/track/64o01ap4UeiY5Y8fVaqChx www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com

Martin Atkins is a drummer, producer, educator, author, and museum operator. He has worked with PIL, Ministry, NIN, Skinny Puppy, Killing Joke and was a founding member of Pigface alongside fellow drummer and multi-instrumentalist, Bill Rieflin.  He also works as a consultant, has written multiple books on the music industry, and is the music industry studies coordinator at Millikin University. Martin is the owner and operator of the Museum of Post Punk and Industrial Music. Joe jumps in with a burning question about Four Enclosed Walls by PIL and gets a more robust answer than he expected. The two discuss Martin's extensive contribution to Post Punk and Industrial music and why he is driven to share his knowledge and experience. Martin shares his experience of joining Killing Joke, why he felt the record Extremities, Dirt and Various Repressed Emotions needed to be made and what has motivated him to perform the record live 35 years later. Joe and Martin delve into drum talk, share a few memories from their mutual friend, the late, great Bill Rieflin and Martin reveals a few surprises for the upcoming Killing Joke show celebrating Extremities, Dirt and Various Repressed Emotions. Martin Atkins Please visit and support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for continued exclusive listener discounts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the leader in audio repair, mixing and mastering. Ruinous uses ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you should too. Trust us. The best way to get your music into the worlds ears is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive.

In Episode 382, we cover the announcement of the Hot Toys The Killing Joke Joker, inspired by the iconic DC Comics graphic novel. We discuss the sculpt, outfit details, and whether this release captures the chilling essence of Alan Moore's Joker. #HotToys #TheKillingJoke #Joker #DCComics #SixthScale #CollectingWeekly #batman Want to support our show? Check us out on Patreon: http://patreon.com/collectingweekly​== Channel Memberships: https://www.youtube.com/channel/UCU01yk5tPw_JMZ6Tc8rs09w/join Buy a shirt here: https://bit.ly/3wVXAHh Want to chat with us outside of the show? Check us out on Facebook! https://bit.ly/3seiNsv If you like our video podcast and want to hear our full library of audio releases check us out on Apple Podcasts: https://apple.co/3uL64iE

This week, our old pal Greg Lamberson is back, and in honor of his upcoming film, Frenzy Moon, we review the four werewolf films from 1981: The Howling, Wolfen, An American Werewolf in London, and Full Moon High. That's three Mount Rushmore werewolf movies and I don't know what the hell Full Moon High is. Some howling tunes: "Frenzy" by Killing Joke, "The Howling" by Bloody Hammers, "Wolfen" by Mortician, "American Werewolves in London" by Wednesday 13, "On a Night of Full Moon" by Mercyful Fate, and "The Killing Moon" by Echo and The Bunnymen. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week's Suburban Underground is an hour of poker-related songs. Or, if they are not directly related to poker or card playing, they at least mention terms used in poker. (A cheat, I know.)    In this show you will hear artists Electric Light Orchestra, Dave Edmunds, Killing Joke, The Clash, Link Wray, Sonichrome, Pale Lips, Modest Mouse, Tsar, The Vaccines, Iron Maiden, Everclear, Reverend Horton Heat, Toad The Wet Sprocket, Japanese Breakfast, The Other Two.   AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

While everyone is talking about the horror of two Jewish embassy aides being shot and killed at the Capital Jewish Museum in Washington, D.C., on May 21, 2025, there are three major details lacking from the conversation: 1) within the same 24-hour timeframe, Israeli soldiers began shooting at a group of diplomats from Egypt, Jordan, Spain, France, Italy, the U.K., and Canada, who were touring the West Bank. Israel quickly ran cover claiming that the workers, there on a tour organized by the Palestinian Authority, were in danger and the IDF was letting them know by firing their guns in the same direction. In reality, it was likely a method of intimidation and threat against those countries. But while Israel can shoot at embassy staff and diplomats, others cannot. Israel also bombed an Iranian embassy annex building in Syria in 2024, killing six, and received virtually no condemnation, an action that mirrors their deliberate killings of aide workers and medics. 2) the importance of two Jews once again takes precedence over every other life, regardless the context 3) the crackdown on the 1st Amendment as a result of the shooting, with the ADL's David Goldenberg demanding mass censorship of social media, and Attorney General Pam Bondi - who is investigating the state of Washington for requiring clergy in the church to report child abuse, and who has yet to release the Epstein files - promising to prosecute the shooter to the fullest extent of the law. The shooter also, interestingly, has a jewish name - Elias. This also comes on the heels of the Jewish Stephen Miller talking about the suspension of habeas corpus, something already violated with the deportation programs not of illegal immigrants but of visa holders because 88 Jewish organizations called on the White House to stop illegal deportations and because Jewish spy groups like Canary Mission, and the Esther Project, demanded it. In other words, jewish leaders, organizations, and groups directly assaulting the Bill of Rights, attacking speech, protest, publication and religion, and habeas corpus - not to mention one of the biggest anti-gun lobby groups is the Jewish Bloomberg. If that weren't bizarre enough, it's the response to pointing these facts out that turn up the heat, something that wouldn't happen if one were pointing out the influence of Islamic and Muslim radicals. In response to the shooting of two Jewish workers, the President sent the Secretary of Homeland Security to Israel so she could pray at the Western Wall and honor the dead. Kristi Noem then, after praying, wrote in the visitors' book: “Israel is the chosen people, and the United States stands by you.” Regardless of one's opinion about anything relating to Israel, that statement, and the White House offering full support to Israel under any circumstance, is tantamount to treason. It is not only putting a foreign country first, or even a small group of Jews, but allowing the USA to become vulnerable to all the threats such as suicidal alliance brings. That is not America First, nor is it providing for Homeland Security; it is Jews first, not even Israeli, and a threat to national security. It also puts American Jews in danger, since they are part of the American public. So to rewrite a line from the Dark Knight: “If I say that tomorrow a group of soldiers or kids will be blown up, nobody panics, because it's all part of the plan; but if I say that two Jews get shot, then everybody loses their minds.”*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable Paypal email rdgable1991@gmail.comEMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

Forgot about Bates! Old Man Will Weldon of I Hate Bill Maher joins All-Star Gita Jackson and World's Finest Alex Jaffe for issue 39, and in the process confront DC's Aquaman problem, fancast Oolong Island, and introduce the world to Saddam Hitler. Show Notes: 52 Geoff Johns Grant Morrison Greg Rucka Mark Waid Keith Giffen I Hate Bill Maher Will Weldon Real Time with Bill Maher Dan DiDio Chuck Dixon Dennis Miller Rob Liefeld Politically Incorrect LeBron James Marvel Comics The Avengers Black Knight Sersi Eternals Superboy Batman Infinite Crisis Civil War Joss Whedon Blackest Night Avengers vs. X-Men The Avengers (2012) Thanos Death James Gunn Booster Fucking Gold Aubrey Plaza Adam Warlock Guardians of the Galaxy vol. 3 (2023) Deadpool X-Men Spider-Man Superman Karen Berger Vertigo Swamp Thing Alan Moore The Sopranos Promethea Justice League Steve Orlando Neil Gaiman The Sandman Robert Kanigher Flashpoint Miss Martian Watchmen Kieron Gillen Peter Cannon, Thunderbolt Doomsday Clock Barry Allen The New 52 Our Brian Clevinger Episode Batman: the Killing Joke (animated) Brian Azzarello Batman: the Killing Joke 1: Let's Talk Talent and the Cover (25:41) Andy Smith Ray Snyder Wonder Woman Attach Your Resume Lex Luthor Elon Musk Superman (1978) Mister Terrific Ethan Van Sciver Renee Montoya Richard Dragon Vic Sage J. G. Jones 2: Let's Talk About 52 #39 (27:47) Shonen Jump Natasha Irons Black Adam Skyman Scooby-Doo Tesla John Henry Irons Superman & Lois Lois Lane Friday Night Lights Buffy the Vampire Slayer Dragon Ball Z Akira Toriyama Buu Goku Freiza Katherine Heigl James Marsden Zachary Levi Aquaman Aquaman: Sword of Atlantis Ralph Dibny Helmet of Fate Spectre Inhumans Countdown Dragon Age series Powerless Harley Quinn the Animated Series The Office Mike Myers Doctor Sivana Michael Emerson Ludwig Will Magnus Metal Men T. O. Morrow Red Tornado Mercury The Pitt ER Star Trek Isis Osiris Boom Tube Apokolips Mother Box Big Barda Hannibal Bates Jojo's Bizarre Adventure Iron Man 2 (2010) Ultimate Spider-Man Chris Batista Animorphs Vixen: NYC Mark Russell Octavia Butler Jerry Siegel 3: The Backup (01:07:20) John Ostrander Hawkman Metamorpho Mars Argo Titanic Sinclair George Carlin Prince 4: What's your favorite part of the issue? (01:13:35) Dr. Tyme Doom Patrol Harley Quinn Fartacular: Silent Butt Deadly Poison Ivy 5: The Blackboard (01:20:01) Aquaman (2018) Jason Momoa Julie Andrews Joker: Last Laugh Doctor Doom Mad Hatter The Riddler 6: Asking The Questions at 52mailbag@gmail.com (01:26:24) Sailor Moon Naruto Iron Man (2008) Goodbye Pork Pie Hat Bat-Mite DC Action News The Losers 52 Pickup is an Aftermath production, created by Gita Jackson and Alex Jaffe, and edited by Esper Quinn, with original music by Jon Ehrens. Hosting for 52 Pickup is provided by Insert Credit. If you'd like to follow along, you can check out 52 at your local comic book store or library, or the DC Universe Infinite subscription service. The views and opinions expressed on this show are solely those of the show's personalities, and do not reflect those of DC Entertainment or Warner Bros. Please rate and review our show wherever you can, and send your questions and comments to 52mailbag@gmail.com. Never stop reading comics.

The lads continue their examination of October 1980 with debuts from Bauhaus, Killing Joke and U2. Plus, has J discovered his new favorite "Post-punk Country Death Rock" album? Listen to the full playlist on Spotify: https://spoti.fi/3Gsh93r Email us at deepdives.deepcuts@gmail.com.

This week on The Metro, Rev. Jeff Ivins brings you the following bands for your weekly time warp to the 1980s: Big Audio Dynamite, Sparks, Tears For Fears, Romeo Void, Killing Joke, Fashion, A Flock Of Seagulls, Big Country, Boomtown Rats, Erasure, Katrina & The Waves, Paul Hardcastle, Roxy Music, then finally with Martha and the Muffins.

Dive deep into the shadows of Gotham as Geek History Lesson embarks on a gripping journey through Batman's Dark Age—spanning from 1985 to 2000. This era redefined the Caped Crusader, courtesy of visionary creators like Frank Miller, whose "The Dark Knight Returns" brought a gritty realism to Bruce Wayne's world. Alongside Alan Moore's "The Killing Joke," which delved into the twisted psyche of the Joker, and Grant Morrison's innovative narratives in "Arkham Asylum," these stories sculpted a darker, more complex Batman. This period ushered in a renaissance of the Dark Knight, transforming him into a symbol of vigilante justice steeped in moral ambiguity, setting the stage for Batman's evolution for years to come. Time to listen to Batman's Dark Age!Listen to Batman The Golden Age here: https://www.spreaker.com/episode/107-batman-the-golden-age--50775746Listen to Batman the Silver Age here: https://www.spreaker.com/episode/383-batman-the-silver-age--50775415Listen to Batman the Bronze Age here: https://www.spreaker.com/episode/446-batman-the-bronze-age-1970-1985--52438219Listen to Batman the Dark Age here: https://www.spreaker.com/episode/494-batman-the-dark-age-1985-2000--58894962For exclusive bonus podcasts like our Justice League Review show, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!

Today we're checking out an all time classic Batman story with "The Killing Joke"! As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness. Join us for this unique look at the relationship between Batman and the Joker who are similar in many ways yet find themselves in a seemingly everlasting dance of destruction.  We hope you enjoy this review! If you'd like to unlock bonus episodes from Talking Back every month, then check out our page on Patreon! Check out our Youtube Channel Demo Dash! You can also support Talking Back by sending us a Coffee at Buy Us a Coffee!  Please consider leaving a 5 star rating and review on Apple Podcasts! This helps make our Podcast easier for listeners to find.  Feel free to drop us a line on Social Media at Instagram, and Facebook. Or drop us an email us at talkbackpod@gmail.com. This podcast is part of the BFOP Network