Podcasts about macmillan

Melvyn Bragg and guests discuss the life and role of one of the most significant figures in early 20th Century German history. Paul von Hindenburg (1847-1934) had been famous since 1914 as the victorious commander at the Battle of Tannenberg against Russian invaders, soon burnishing this fame on the Western Front and Hindenburg was to claim he would have won there too, if enemies at home had not 'stabbed Germany in the back'. He won Germany's Presidential election twice during the Weimar Republic, as a candidate of national unity and, while he gained his second term as a ‘stop Hitler' candidate, President Hindenburg was to appoint Hitler as Chancellor and transfer some of his charisma onto him – a move so disastrous that Germans were later to ask if the myth of Hindenburg had always been an illusion. WithAnna von der Goltz Professor of History at Georgetown University, Washington DCChris Clark Regius Professor of History at the University of CambridgeAndColin Storer Associate Professor in Modern European History at the University of WarwickProducer: Simon TillotsonReading list:William J. Astore and Dennis E. Showalter, Hindenburg: Icon of German Militarism (Potomac Books, 2005)Benjamin Carter Hett, The Death of Democracy: Hitler's Rise to Power (William Heinemann, 2018) Andreas Dorpalen, Hindenburg and the Weimar Republic (first published 1964; Princeton University Press, 2016)Jürgen W. Falter, 'The Two Hindenburg Elections of 1925 and 1932: A Total Reversal of Voter Coalitions' (Central European History, 32/2, 1990)Peter Fritzsche, 'Presidential Victory and Popular Festivity in Weimar Germany: Hindenburg's 1925 Election' (Central European History, 32/2, 1990) Larry Eugene Jones, Hitler Versus Hindenburg: The 1932 Presidential Elections and the End of the Weimar Republic (Cambridge University Press, 2016) Martin Kitchen, The Silent Dictatorship: The Politics of the German High Command under Hindenburg and Ludendorff, 1916-1918 (first published 1976; Routledge, 2021) John Lee, The Warlords: Hindenburg and Ludendorff (Weidenfeld & Nicolson, 2005) Frank McDonough, The Weimar Years: Rise and Fall, 1918-1933 (Apollo, 2023) Nadine Rossol and Benjamin Ziemann (eds.), The Oxford Handbook of the Weimar Republic (Oxford University Press, 2022)Richard Scully, 'Hindenburg: The Cartoon Titan of the Weimar Republic, 1918-1934' (German Studies Review, 35/3, 2012)Colin Storer, A Short History of the Weimar Republic (Revised Edition, Bloomsbury, 2024)Anna von der Goltz, Hindenburg: Power, Myth and the Rise of the Nazis (Oxford University Press, 2009) Alexander Watson, Ring of Steel: Germany and Austria-Hungary at War, 1914-1918 (Penguin, 2015)J. W. Wheeler-Bennett, Hindenburg: The Wooden Titan (first published 1936; Macmillan, 1967)In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the life and role of one of the most significant figures in early 20th Century German history. Paul von Hindenburg (1847-1934) had been famous since 1914 as the victorious commander at the Battle of Tannenberg against Russian invaders, soon burnishing this fame on the Western Front and Hindenburg was to claim he would have won there too, if enemies at home had not 'stabbed Germany in the back'. He won Germany's Presidential election twice during the Weimar Republic, as a candidate of national unity and, while he gained his second term as a ‘stop Hitler' candidate, President Hindenburg was to appoint Hitler as Chancellor and transfer some of his charisma onto him – a move so disastrous that Germans were later to ask if the myth of Hindenburg had always been an illusion. WithAnna von der Goltz Professor of History at Georgetown University, Washington DCChris Clark Regius Professor of History at the University of CambridgeAndColin Storer Associate Professor in Modern European History at the University of WarwickProducer: Simon TillotsonReading list:William J. Astore and Dennis E. Showalter, Hindenburg: Icon of German Militarism (Potomac Books, 2005)Benjamin Carter Hett, The Death of Democracy: Hitler's Rise to Power (William Heinemann, 2018) Andreas Dorpalen, Hindenburg and the Weimar Republic (first published 1964; Princeton University Press, 2016)Jürgen W. Falter, 'The Two Hindenburg Elections of 1925 and 1932: A Total Reversal of Voter Coalitions' (Central European History, 32/2, 1990)Peter Fritzsche, 'Presidential Victory and Popular Festivity in Weimar Germany: Hindenburg's 1925 Election' (Central European History, 32/2, 1990) Larry Eugene Jones, Hitler Versus Hindenburg: The 1932 Presidential Elections and the End of the Weimar Republic (Cambridge University Press, 2016) Martin Kitchen, The Silent Dictatorship: The Politics of the German High Command under Hindenburg and Ludendorff, 1916-1918 (first published 1976; Routledge, 2021) John Lee, The Warlords: Hindenburg and Ludendorff (Weidenfeld & Nicolson, 2005) Frank McDonough, The Weimar Years: Rise and Fall, 1918-1933 (Apollo, 2023) Nadine Rossol and Benjamin Ziemann (eds.), The Oxford Handbook of the Weimar Republic (Oxford University Press, 2022)Richard Scully, 'Hindenburg: The Cartoon Titan of the Weimar Republic, 1918-1934' (German Studies Review, 35/3, 2012)Colin Storer, A Short History of the Weimar Republic (Revised Edition, Bloomsbury, 2024)Anna von der Goltz, Hindenburg: Power, Myth and the Rise of the Nazis (Oxford University Press, 2009) Alexander Watson, Ring of Steel: Germany and Austria-Hungary at War, 1914-1918 (Penguin, 2015)J. W. Wheeler-Bennett, Hindenburg: The Wooden Titan (first published 1936; Macmillan, 1967)In Our Time is a BBC Studios Audio Production

Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics. In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan's present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China. Tune in as we chat with Chris about everything from stinky tofu, Chris' go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan's former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan. Ghost Nation will be released on July 17, 2025, and is available for pre-order today.  Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics. In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan's present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China. Tune in as we chat with Chris about everything from stinky tofu, Chris' go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan's former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan. Ghost Nation will be released on July 17, 2025, and is available for pre-order today.  Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics. In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan's present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China. Tune in as we chat with Chris about everything from stinky tofu, Chris' go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan's former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan. Ghost Nation will be released on July 17, 2025, and is available for pre-order today.  Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics. In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan's present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China. Tune in as we chat with Chris about everything from stinky tofu, Chris' go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan's former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan. Ghost Nation will be released on July 17, 2025, and is available for pre-order today.  Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics. In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan's present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China. Tune in as we chat with Chris about everything from stinky tofu, Chris' go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan's former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan. Ghost Nation will be released on July 17, 2025, and is available for pre-order today.  Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

After talking last week about his government's achievements in the social sphere, this episode looks at the difficulties Wilson faced in economics and foreign affairs.One way Wilson explored to address economic problems was to make a second application for Britain's entry to the Common market, then called the European Economic Community and now the European Union. However, like Macmillan before him, he ran into the immovable obstacle of de Gaulle, despite believing like Trump that he could overcome opposition by personal conversation with political leaders.He had the same disappointment in personal negotiations twice more. Once waswith the Rhodesian Prime Minister, Ian Smith, the second in his offer to mediate over the Vietnam War between US President Johnson and the Soviet Premier Kosygin.He did have some success, though it attracted him more ridicule than admiration, in the military intervention he authorised on the tiny Caribbean island of Anguilla and which came to be mocked as ‘the Bay of Piglets'.On the domestic front he'd long balanced the leadership ambitions of Jim Callaghan against those of George Brown. After Brown's departure, he did the same with Callaghan and Roy Jenkins. His hold on office came under threat as his public credibility sank. The threat intensified following the controversy over the proposals to control union activity through the courts, outlined in the paper ‘In Place of Strife'. Surprisingly advanced by a leftwinger, Barbara Castle, and backed by Wilson, it seemed to fly in the face of the rationale of Labour's very existence, founded as it had been to defend the unions.Eventually the proposals were dropped. Then with better economic news Labour began to climb in the polls. Encouraged, Wilson called a general election in June 1970. But it turned out that any optimism generated by the opinion pollsters was illusory.Ted Heath's Conservatives won the election and formed a new government.Incidentally, the German translation of the podcast has now moved past the Tudors and is now dealing with the Stuarts. It's available at:https://open.spotify.com/show/08M357CvtiWJsnEGyxitco?si=64613c2919df4a27Illustration: the kind of military action we can all appreciate. British forces restoring order in Anguilla in the 1969 ‘Bay of Piglets' operation (from Anguilla Police Unit 1969... By: Taff Bowen (AKA "Dickiebo"))Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

Nous sommes en juin 1936. C'est aux éditions Macmillan que paraît le roman de Margaret Mitchell « Gone with the wind ». Six mois plus tard, à Noël, il s'en est vendu un million d'exemplaires. La première édition française sort, deux ans plus tard, chez Gallimard, sous le titre de « Autant en emporte le vent ». L'histoire est celle d'une femme, Scarlett O'Hara qui se bat pour faire valoir ses droits et entendre ses idées. La Guerre de Sécession gronde entre les Etats du Sud et ceux du Nord et l'esclavage reste une réalité. Aujourd'hui, le roman de Margaret Mitchell pose question sur la vision idyllique d'un monde où la ségrégation entre les noirs et les blancs faisait des ravages. Alors, pourquoi devrait-on encore lire une œuvre aussi contestable ? La réponse est peut-être à aller chercher du côté d'un autre roman, un autre classique de la littérature américaine, paru quatre-vingt-quatre ans plus tôt, en 1852, qui revisite, lui aussi, l'histoire du racisme : « La case de l'oncle Tom » écrit par une autre femme Harriet Beetcher Stowe. Lorsqu'en 1862, le président Abraham Lincoln rencontre cette dernière, il l'accueille en lui disant : « Ainsi c'est vous la petite dame qui a écrit le livre qui a déclenché cette grande guerre ? » De « La case de l'oncle Tom » à « Autant en emporte le vent », c'est l'histoire qui interroge la littérature qui interroge l'histoire… Avec nous : Daniel Mangano, traducteur et interprète. Sujets traités : Margaret Mitchell, Oncle Sam, Scarlett O'Hara, Sécession, Guerre, littérature, américaine, roman,oncle Tom , Harriet Beetcher Stowe, Abraham Lincoln Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Paul Hawksbee and Andy Jacobs brought you today's show Live from the George pub in association with Macmillan. Enjoy! Hosted on Acast. See acast.com/privacy for more information.

In her fascinating book about the dying process, "The Call to the Far Shore", Nancy MacMillan reveals the very real imaginal world where nature, myth, dreams, ancestors, and those yet to be born whisper from the far shore, a place beyond our last breath".   She reminds us that caring for our dying consciously is a transformative act to replenish meaning within our place and purpose in the universe.    "Through her own close encounters with the specter of death, Nancy shows how to follow the ancient wisdom of “learning to die before you die” and find a seaworthy passage to the far shore.

Keeping details straight while writing a chronologically organized series is difficult enough. Focusing four full-length novels on the events of a single group experience in a single year, with back stories and future developments for a small group of heroines, each of whom has a chance to tell her own story of the central event and its consequences, requires even greater skill. Yet Karen Swan pulls off this mammoth enterprise in her Wild Isle series, which concludes with The Midnight Secret (Macmillan, 2025). The Last Summer, the first book in the series, opens in June 1930 with three friends sitting on a rock plucking fulmars, a kind of seabird. Effie, Mhairi (the Gaelic form of Mary, pronounced VAH-ree), and Flora already know that they will have to evacuate their island home in the Outermost Scottish Hebrides within a few months. Flora greets the change with enthusiasm, Effie with cautious pragmatism, and Mhairi with despair. From this first book and the two that follow, The Stolen Hours and The Lost Lover, we discover what drives each young woman's response. We also delve ever deeper into the circumstances leading up to a mysterious death, highly unusual in the history of this isolated island with its tightly intertwined population of thirty-six individuals. The Midnight Secret begins in 1926 with the perspective of Jayne Ferguson, the slightly older wife of a handsome but, she soon learns, abusive man. It then jumps forward to 1930. From her mother, Jayne has inherited a particular form of second sight that shows her the faces of people in her vicinity who are destined to die soon. The visions haunt her until the death occurs, but they do not come with useful information about what will cause it or how to prevent it. Sometimes even the “who” remains murky at first. The combination of this rather disturbing gift and what Jayne sees as the necessity to conceal her husband's abuse erect a barrier between her and those around her, especially after the transition to the unfamiliar landscape of the Scottish mainland. At the same time, Effie, Mhairi, and Flora are wrestling with the consequences of their own prior choices as well as the difficulties of adapting to a completely unfamiliar world. And as things heat up, with various characters accused of involvement in the mysterious death, Jayne's extrasensory ability becomes ever more important to the survival of her community even as it undermines her already rocky relationship with her spouse.  Karen Swan is the bestselling author of twenty-eight novels to date, most recently The Midnight Secret and All I Want for Christmas.  C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her Song of the Steadfast (Songs of Steppe & Forest 6) appeared in June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Keeping details straight while writing a chronologically organized series is difficult enough. Focusing four full-length novels on the events of a single group experience in a single year, with back stories and future developments for a small group of heroines, each of whom has a chance to tell her own story of the central event and its consequences, requires even greater skill. Yet Karen Swan pulls off this mammoth enterprise in her Wild Isle series, which concludes with The Midnight Secret (Macmillan, 2025). The Last Summer, the first book in the series, opens in June 1930 with three friends sitting on a rock plucking fulmars, a kind of seabird. Effie, Mhairi (the Gaelic form of Mary, pronounced VAH-ree), and Flora already know that they will have to evacuate their island home in the Outermost Scottish Hebrides within a few months. Flora greets the change with enthusiasm, Effie with cautious pragmatism, and Mhairi with despair. From this first book and the two that follow, The Stolen Hours and The Lost Lover, we discover what drives each young woman's response. We also delve ever deeper into the circumstances leading up to a mysterious death, highly unusual in the history of this isolated island with its tightly intertwined population of thirty-six individuals. The Midnight Secret begins in 1926 with the perspective of Jayne Ferguson, the slightly older wife of a handsome but, she soon learns, abusive man. It then jumps forward to 1930. From her mother, Jayne has inherited a particular form of second sight that shows her the faces of people in her vicinity who are destined to die soon. The visions haunt her until the death occurs, but they do not come with useful information about what will cause it or how to prevent it. Sometimes even the “who” remains murky at first. The combination of this rather disturbing gift and what Jayne sees as the necessity to conceal her husband's abuse erect a barrier between her and those around her, especially after the transition to the unfamiliar landscape of the Scottish mainland. At the same time, Effie, Mhairi, and Flora are wrestling with the consequences of their own prior choices as well as the difficulties of adapting to a completely unfamiliar world. And as things heat up, with various characters accused of involvement in the mysterious death, Jayne's extrasensory ability becomes ever more important to the survival of her community even as it undermines her already rocky relationship with her spouse.  Karen Swan is the bestselling author of twenty-eight novels to date, most recently The Midnight Secret and All I Want for Christmas.  C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her Song of the Steadfast (Songs of Steppe & Forest 6) appeared in June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

A group of teenage lesbians finds comfort, support and even love with one another in late 90's Richmond, Virginia. The harmonious environment is disturbed however when love triangles emerge, lies blend with truth and friendships turn deadly.Sources:Burrows, Thomas. “Stacey Hanna's Mom's Anger after Discovering Stephanie Cull Is Released Early | Daily Mail Online.” Mail Online, Daily Mail, 28 July 2015, https://www.dailymail.co.uk/news/article-3177594/Mother-s-anger-discovering-woman-killed-daughter-lesbian-slaying-released-early-anniversary-death.html.Chew, Sally. A Fatal Lie. Macmillan, 1999.Davis, Patricia. Washington Post, 29 Sept. 1997.Murder Among Friends. 2017.The Roanoke Times, 31 July 1997.The Roanoke Times, 2 May 1998.This Week's Episode is Brought To You By:Shopify - The Platform Commerce is Built On - $1 per month trial https://shopify.com/lovemurderHoneylove - Treat yourself to the best shapewear on the market and save 20% Off at honeylove.com/lovemurderFind LOVE MURDER online:Website: lovemurder.loveInstagram: @lovemurderpodTwitter: @lovemurderpodFacebook: LoveMrdrPodTikTok: @LoveMurderPodPatreon: /LoveMurderPodCredits: Love Murder is hosted by Jessie Pray and Andie Cassette, researched by Sarah Lynn Robinson and researched and written by Jessie Pray, produced by Nathaniel Whittemore and edited by Kyle Barbour-HoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nancy MacMillan is a Registered Psychotherapist and former Certified Spiritual Health Practitioner who has worked in acute care, palliative care, and long-term care. She is now in private practice. Nancy holds a degree in economics from Carleton University. Followed by graduate work in Adult Education at the University of Toronto. She did further graduate work at Queen's University in Theology, specializing in Spiritual Care in a Pluralistic Society. Taking advanced clinical units in CPE, she became a certified spiritual health practitioner (SHP) under CASC. Nancy is the author of “Call to the Far Shore: Carrying Our Loved Ones through Dying, Death and Beyond.”Become a supporter of this podcast: https://www.spreaker.com/podcast/mission-evolution-with-gwilda-wiyaka--2888020/support.

Artificial intelligence powers many cybersecurity applications, and government agencies are increasingly using AI to augment systems in national security and intelligence capacities. The complexities of AI implementation require careful architectural considerations and robust governance frameworks to ensure safe execution. William MacMillan, former CISO at CISA and current chief product officer at Andesite AI, noted how AI holds tremendous potential to enhance efficiency and accuracy, particularly through "human in the loop" systems that manage vast amounts of data. MacMillan also talks about the critical role of leadership in establishing international AI standards and the necessity of user training and human-AI collaboration for effective implementation.

Edward MacMillan is a seasoned IT and sales leader with over 25 years of experience in operations, support, and strategic technology solutions. As Director of Sales & Marketing at IMS Solutions Group, he drives customer acquisition, revenue growth, and team development across the Southeast and Midwest regions. His expertise includes cloud services, cybersecurity, managed support, and network infrastructure, with a strong track record in service excellence and organizational leadership. Edward is known for leading high-performance, multicultural teams and delivering impactful business outcomes through innovative IT strategies and integration expertise. Website: https://www.imssolutionsgroup.com/  LinkedIn: https://www.linkedin.com/in/edwardmacmillan/  YouTube: https://www.youtube.com/@IMSSolutionsGroup/    Pamela Sichel is a seasoned Marketing Communications Director at OnPath Testing, bringing over 20 years of expertise to help organizations produce reliable, effective software. She is passionate about crafting engaging marketing strategies that drive real results, combining creativity with a data-driven approach. Pamela's diverse skill set spans content and digital marketing, social media, editorial publishing, project management, and AI prompt engineering across industries including SaaS, CPG, natural health, nonprofit, higher ed, and more. Known for her curiosity and collaborative spirit, she continually explores new trends and technologies to elevate brand storytelling and performance. Website: https://www.onpathtesting.com/  LinkedIn: https://www.linkedin.com/in/pamela-sichel/  Facebook: https://www.facebook.com/OnPathTesting/    In this episode, we discover innovative strategies and discuss AI's role in sales growth with marketing experts Edward and Pamela.   Apply to join our marketing mastermind group: https://notypicalmoments.typeform.com/to/hWLDNgjz   Follow No Typical Moments at: Website: https://notypicalmoments.com/ LinkedIn: https://www.linkedin.com/company/no-typical-moments-llc/ YouTube: https://www.youtube.com/channel/UC4G7csw9j7zpjdASvpMzqUA Instagram: https://www.instagram.com/notypicalmoments Facebook: https://www.facebook.com/NTMoments

We have an anniversary to celebrate: one hundred episodes of the This IS Research podcast. We mark the occasion by answering questions we received from our audience: Which bear is the best, who likes a hug more... and what advice would we give about starting as an assistant professor, pivoting your research, and what books to read. All this and much more in part one of our “ask us anything” episode. Episode reading list Fort, T. (2003). The Book of Eels. HarperCollins. Nazar, S. (1999). A Beautiful Mind. Simon & Schuster. Frankl, V. E. (1946). Man's Search for Meaning. Beacon Press. Ashby, W. R. (1956). An Introduction to Cybernetics. Chapman & Hall. Card, O. S. (1985). Ender's Game. Tor Books. Beer, S. (1974). Designing Freedom. CBC Learning Systems. Simon, H. A. (1947). Administrative Behavior: a Study of Decision-Making Processes in Administrative Organization. Macmillan. Newell, A., & Simon, H. A. (1972). Human Problem Solving. Prentice-Hall. March, J. G., & Simon, H. A. (1958). Organizations. John Wiley & Sons. Urquhart, C., Berente, N., Recker, J. (2021). Naughty Grounded Theory. . Zwass, V., Berente, N., Recker, J. (2023). Never create a journal unless it is JMIS. . Berente, N., Recker, J. (2022). Why we love what we do. .  

Edward MacMillan is a seasoned IT and sales leader with over 25 years of experience in operations, support, and strategic technology solutions. As Director of Sales & Marketing at IMS Solutions Group, he drives customer acquisition, revenue growth, and team development across the Southeast and Midwest regions. His expertise includes cloud services, cybersecurity, managed support, and network infrastructure, with a strong track record in service excellence and organizational leadership. Edward is known for leading high-performance, multicultural teams and delivering impactful business outcomes through innovative IT strategies and integration expertise. Website: https://www.imssolutionsgroup.com/  LinkedIn: https://www.linkedin.com/in/edwardmacmillan/  YouTube: https://www.youtube.com/@IMSSolutionsGroup/    Pamela Sichel is a seasoned Marketing Communications Director at OnPath Testing, bringing over 20 years of expertise to help organizations produce reliable, effective software. She is passionate about crafting engaging marketing strategies that drive real results, combining creativity with a data-driven approach. Pamela's diverse skill set spans content and digital marketing, social media, editorial publishing, project management, and AI prompt engineering across industries including SaaS, CPG, natural health, nonprofit, higher ed, and more. Known for her curiosity and collaborative spirit, she continually explores new trends and technologies to elevate brand storytelling and performance. Website: https://www.onpathtesting.com/  LinkedIn: https://www.linkedin.com/in/pamela-sichel/  Facebook: https://www.facebook.com/OnPathTesting/    In this episode, we discover innovative strategies and discuss AI's role in sales growth with marketing experts Edward and Pamela.   Apply to join our marketing mastermind group: https://notypicalmoments.typeform.com/to/hWLDNgjz   Follow No Typical Moments at: Website: https://notypicalmoments.com/ LinkedIn: https://www.linkedin.com/company/no-typical-moments-llc/ YouTube: https://www.youtube.com/channel/UC4G7csw9j7zpjdASvpMzqUA Instagram: https://www.instagram.com/notypicalmoments Facebook: https://www.facebook.com/NTMoments

Here we're focusing on the changes that took place in Britain after Supermac (Harold Macmillan) stood down as Prime Minister.A lot of how that went depended on the Opposition formed by the Labour Party. Initially it was led by Hugh Gaitskell from the right of the party, with Aneurin Bevan giving him a bad time from the left, while a serious threat was growing from Harold Wilson, formerly of the left which he'd deserted, now of the right which wasn't sure it could trust him. An object of suspicion across most of the parliamentary party, Wilson was nonetheless appreciated for his ability and for his excellent rapport with voters.Then two key figures died. Bevan, the man seen by so many, for so long, as the leader in waiting, died in 1960. Then, in 1962, it was the turn of Gaitskell himself. All of a sudden, the way was clear for Wilson to forge ahead. Though not fully trusted by either wing of the party, both saw him as something of a least bad option – the left felt he at least had roots amongst them, the right that he'd at least worked with Gaitskell. Wilson secured the leadership with exactly as many MPs voting against him and voted for him, winning only because neither of the other two candidates could take more votes than he did.Wilson showed his skill in the last months of Macmillan's government, giving him a bad time over such matters as the Profumo scandal. Over that row, Wilson played his cards with great intelligence, enhancing his stature while Macmillan lost his credibility and eventually stood down. He was succeeded by Alec Douglas Home (pronounced Hume), cheating RAB Butler of the prize yet again.As a result, both main parties went into the 1964 general election under new leaders. Home gave Wilson a heck of a run for him money, but in the end Labour won though by a painfully small majority in the Commons. So small that Wilson would be under constant threat of being brought down if a small number of his MPs turned against him.It was clear there would have to be another election pretty soon.Illustration: Harold Wilson by Walter Bird, 25 May 1962National Portrait Gallery x45598, and Alec Douglas Home, unknown photographer, circa 1955, National Portrait Gallery x136159Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

Welcome to a new podcast series focused on the Banbury Don Mills Community. Have you ever wondered how a small village transformed into a bustling community? Join us as we delve into the fascinating history of Don Mills, Ontario. Starting as a humble agricultural settlement in the 1800s, Don Mills has undergone a remarkable transformation. With the rise of urbanization in the early 20th century, the village began transitioning into a suburb, setting the stage for further growth. The late 1940s marked a pivotal moment as visionary developer Elliot H. O'Connor, alongside architect R.S.T. Macmillan, crafted a plan for a modern community complete with homes, schools, and shopping centers. By the 1950s, this vision materialized into a thriving suburb, highlighted by the opening of the Don Mills Center in 1961. Today, Don Mills is a vibrant blend of modern architecture and green spaces, testament to its rich history and forward-thinking planning. Discover the unique story of Don Mills' transformation and explore its landmarks and community spirit. Your next adventure awaits in this dynamic suburban landscape. Keep this link handy for more exciting updates, interviews, real estate updates and more. 1) Sign up here to make sure you are part of the VIP Newsletter Club. 2) Interested in being a guest? 

Carole Beu of the Women's Bookshop in Auckland reviews Always Home, Always Homesick by Hannah Kent published by Macmillan

72 minuter tros det ta innan världen som vi känner den går under vid ett totalt kärnvapenkrig. Dan Jönsson reser till Hiroshima och ser hur ingenting tycks ha hänt och allt förändrats. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.AtomvårSom ett förfärligt fossil från något av framtidens naturhistoriska museer ligger den där och ruvar i all sin nakenhet: den suddiga konturen, skuggan av en mänsklig kropp. Fortfarande tydligt urskiljbar efter så många år tecknar den sin svartnade silhuett i det slitna brottstycket av den stentrappa som fram till den 6 augusti 1945 utgjorde entrén till bankkontoret i Hiroshima. På morgonen den dagen, som verkade bli varm och solig, hade någon slagit sig ner på trappan i väntan på att banken skulle öppna; någon, som när atombomben briserade klockan kvart över åtta i likhet med tiotusentals andra invånare i denna storstad helt enkelt försvann, förintades i den extrema hettan. Men skuggan blev kvar. Framtida civilisationer till varnagel och besinning.Nu ingår stenen med skuggan bland artefakterna på Fredsmuseet i Hiroshima, bland föremål som smälta klockor, sönderbrända skor, väggbitar med spåren av det svarta, radioaktiva regn som följde senare på dagen – ett museum som i sin krampaktiga saklighet kramar hjärtat ur besökaren. Plötsligt förstår jag precis vad han menar, den japanske mannen i Alain Resnais film ”Hiroshima, mon amour”, när han gång på gång förnekar att hans tillfälliga franska älskarinna skulle kunna förstå något: ”Tu n'as rien vu a Hiroshima.” Du såg ingenting i Hiroshima. Ute i parken blommar körsbärsträden; vid utgången skriver jag en rad i museets gästbok och hajar till vid något som någon har präntat dit ett litet stycke ovanför. ”If only they had surrendered earlier…” läser jag på engelska. Om de bara gett upp tidigare.Föreställningen att atombomberna över Hiroshima och Nagasaki var moraliskt försvarbara eftersom de gjorde slut på kriget och tvingade fram den japanska kapitulationen några veckor senare, hör till den västerländska historieskrivningens mest långlivade myter. Men sann, det är den inte. Bomben bör kallas för vad den var, en förbrytelse; vill man förklara den bör man förstå den som en maktdemonstration inte bara mot Japan utan kanske främst mot Sovjetunionen, vars röda armé i krigets slutskede avancerade mot de japanska öarna. Men förödelsen i Hiroshima ska också ses som det logiska slutsteget i en process som påbörjats nästan femtio år tidigare, en vetenskaplig omvälvning som redan i grunden hade skakat bilden av vår värld och vår plats i den. Människan hade dyrkat upp naturens lås, sprängt den gamla världsbilden i småbitar. Det återstod att demonstrera.Fram till dess hade naturvetenskapen varit överens om att materiens minsta beståndsdelar utgjordes av ett slags rörliga partiklar, atomer. Ordet atom användes första gången av den grekiske naturfilosofen Leukippos på 400-talet före vår tideräkning och betyder odelbar – när den moderna atomläran formulerades i början av 1800-talet var det alltså ett sätt att hävda just att vetenskapen i dessa elementarpartiklar hade identifierat en materiens orubbliga grund, en fast punkt. Den rubbades 1897, när fysikern Joseph John Thomson lyckades visa att atomen förutom sin positiva kärna också består av en mindre, negativ partikel, elektronen. Året innan hade Henri Becquerel upptäckt det som Marie Curie några år senare skulle ge namnet radioaktiv strålning, och decennierna som följde kom genombrotten slag i slag: makarna Curies utforskande av radioaktiviteten, Ernest Rutherfords kartläggning av atomens inre struktur och hans modell – som sedan utvecklades och förfinades av den danske fysikern Niels Bohr – av hur elektronerna kretsar runt kärnan som i ett litet solsystem.Människan öppnade dörren till atomåldern, och världen var förändrad. ”Upplösningen av atomen,” skrev den ryske konstnären Vassily Kandinsky 1913, ”var för min själ detsamma som upplösningen av världen. De tjockaste murar störtade med ens samman. Allt blev osäkert, instabilt, mjukt.” Det var ungefär samtidigt som Kandinsky gjorde sina första helt abstrakta bilder – och känslan av en värld i upplösning var han knappast ensam om. Kubister, futurister, rayonnister: alla försökte de på olika sätt spegla denna söndersprängda verklighet. ”Jag är en atom i universum,” skrev Hilma af Klint om sina målningar i serien ”Atom”, och i Paris uppförde dansösen Loïe Fuller sin experimentella ”Radiumdans” med fosforescerande kostymer och – enligt uppgift – Marie och Pierre Curie som förundrade åskådare.Men fascinationen för det nya och oerhörda bar redan från början på ett mörkt stråk. 1909 publicerade H G Wells sin autofiktiva roman ”Tono-Bungay” där kvacksalvaren George Ponderevo upptäcker det radioaktiva materialet ”quap”, ett ämne med en outsinlig inre energi som också med tiden drabbar dem som kommer i kontakt med det med en dödlig, lepraaktig sjukdom. Detta kärnfysikens janusansikte var alltså tidigt uppenbart för både forskare och konstnärer, liksom för den breda allmänheten. I USA inleddes mot slutet av 20-talet en rättsprocess när en grupp kvinnliga arbetare i en urfabrik, ”the radium girls”, stämde staten efter att många av dem drabbats av cancer på grund av exponering för fluorescerande radiumfärg. Bävande anade man i den nya fysiken samtidigt lösningen på många av mänsklighetens problem – och fröet till dess slutgiltiga undergång.Men någon väg tillbaka fanns inte. Modernitetens bild av den tekniska utvecklingen som ett framåtskridande till varje pris laddade atomteorin med en ödesmättad förening av utopiska löften och dödliga hot. Dadaisten Hugo Ball förkunnade hur ”elektronteorin orsakat en märklig vibration i alla ytor, linjer och former”, hur ”dimensionerna krökte sig och gränser föll”. Men det slutliga genombrottet kom först 1938 när en grupp tyska fysiker gjorde upptäckten att en urankärna kunde klyvas när den besköts med neutroner. Och hur det då frigjordes extrema mängder energi.Det återstod nu sju år till Hiroshima. Om vetenskapen fram till dess stått på tröskeln till atomåldern togs nu de sista stegen in i den – och som så ofta var det vapenindustrin som gick i bräschen. Redan i januari 1939 tog USA:s president Roosevelt emot en rapport som visade hur man med en nukleär kedjereaktion skulle kunna producera en förödande bomb; samma teknik kunde också användas för att producera fredlig elektricitet, men med det krig som snart bröt ut kom andra prioriteringar. Från nyåret 1943 sysselsatte det så kallade Manhattanprojektet mer än hundratusen personer runt om i USA och efter två och ett halvt år, i juli 1945, gjordes den första provsprängningen. Bara tre veckor kvar: vid tvåtiden på morgonen den 6 augusti lyfte bombplanet Enola Gay från sin bas på ön Tinian i Marianerna. Vid spakarna satt piloten Paul Tibbets och i lastutrymmet fanns en fyra ton tung bomb som kärleksfullt fått namnet Little Boy. Knappt sju timmar senare nådde den sitt mål. Framtidens portar hade sprängts. Och ljuset flödade. AtomsommarDet sägs att det första som sker när en atombomb exploderar är att allt blir vitt. Berättelserna från dem som överlevde och kan berätta är fyllda av en vantrogen bävan, en övertygelse om att ha varit med om något som är omöjligt att beskriva. Ändå måste man försöka. Hisashi Tohara var arton år och satt just på ett tåg i väntan på att det skulle lämna perrongen. Dagen var en måndag, skriver han. Höstterminen hade precis börjat. Eleverna i hans gymnasieklass var mobiliserade vid ett stålverk, men den här dagen hade strömmen slagits ut och arbetarna fått ledigt. Pendeltåget in till centrum skulle alldeles strax gå när plötsligt allt flammade upp i ett bländande ljus – ögonblicket efter var det som om jorden skakade i sina grundvalar och hans nacke blixtrade till av en ohygglig smärta.Hisashi Tohara ägnar nästan en sida åt att försöka ge en föreställning om detta oerhörda ljus. Det var, förklarar han, ett ljus som aldrig slutade att strömma ut: ”oräkneliga partiklar av ljus” – ”bländande, gyllene med röda reflexer” – ”mikroskopiska, finare än ett damm av ljus” – ”en stormflod av ljus som översvämmade världen” – ”himmel och jord flöt i ett rött, gult, gyllene skimmer där man urskilde myriader av partiklar, än mer strålande. Under två eller tre sekunder kanske? Men det tycks mig” – minns han – ”som det varade betydligt längre. Och ändå inte mer än ett ögonblick.”Ögonvittnesskildringarna från Hiroshima har alla det gemensamt att de står mer eller mindre vanmäktiga inför den intensiva intighet som bomben utlöser. Hisashi Toharas minnesbilder är nedtecknade ett år efter bomben, därefter skrev han aldrig något mer. Enligt hans hustru var det heller ingenting han någonsin talade om; först efter hans död 2011 hittade hon berättelsen i en byrålåda. Som hos så många andra som överlevt liknande katastrofer genomsyras den inte bara av försöken att ge konkret gestalt åt det obeskrivliga, utan också av en dov, irrationell skam över att vara den som skonades. De sargade, sönderbrända, fastklämda, drunknande offer som kantar flyktvägen ut ur den förstörda staden hemsöker hans minnen som en kör av tysta, anklagande spöken.Samma dunkla upplevelse av hur skulden på något obevekligt vis faller på de oskyldiga offrens axlar går också som en sugande underström genom den främsta litterära skildringen av katastrofen i Hiroshima: Masuji Ibuses dokumentära kollektivroman ”Kuroi ame” – Svart regn. Ibuse var redan före kriget en av Japans mest uppburna författare, och ”Svart regn” blev bland det sista han skrev. Boken utgavs först 1969 och bygger på ett stort antal vittnesmål som fogats samman till en lågmäld, kollektiv berättelse. Titeln, ”Svart regn”, syftar på det våldsamma skyfall som bröt ut några timmar efter explosionen och som många av de brännskadade offren hälsade med jubel – utan att veta, förstås, att vattnet var radioaktivt och att de som drack det gick en säker död till mötes.Detta historiska markperspektiv är det fina med Ibuses roman. Ingen vet ju riktigt vad som hänt. Men att det är något exceptionellt blir uppenbart redan under de första veckor efter bomben när berättelsen utspelar sig. Ogräsen skjuter fart och blir monsterhöga, mystiska utslag visar sig på de överlevandes kroppar och leder snabbt till döden. Inga förklaringar ges, allt framstår som en obarmhärtig prövning. Frågan är, å andra sidan, om någon alls skulle bli lugnad av att veta vad sådana fenomen beror på, vad som faktiskt sker i en kropp som smittas av akut strålsjuka. Hur vävnaderna i de inre organen faller sönder, hur blodkärlens väggar drabbas av nekros, hur blodet slutar producera antikroppar och immunförsvaret upphör att fungera. Hur vatten tränger ut under huden där det bildar stora blåsor som brister, hur syrebristen i blodet orsakar så kallad cyanos, ett slags lilafärgade utslag som spricker upp och blöder. Hur bakterier från inälvorna tar sig ut och infekterar blodet och leder till akut sepsis.Som sagt, jag vet inte om det gör katastrofen mer begriplig. Men allt detta vet vi idag. Det är helt enkelt några av de nya kunskaper atomåldern fört med sig. Dessutom: med bomben föddes insikter som också utlöste en helt ny etisk diskussion. Den tyske filosofen Günther Anders, som besökte Hiroshima och Nagasaki i slutet av femtiotalet, beskrev det som att det som drabbat dessa båda städer var den första konkreta erfarenheten av hur kärntekniken och dess konsekvenser från och med nu förenar hela mänskligheten i en kuslig ödesgemenskap. Historiefilosofiskt, skriver han, är dessa vapensystem inte längre ett medium utan själva scenen där historien utspelar sig.Efter hemkomsten från Japan tar Anders kontakt med Hiroshimapiloten Claude Eatherly, som vid den här tiden sitter intagen på ett mentalsjukhus för sina samvetsbetänkligheter. Deras korrespondens, som sträcker sig över nästan två år, utkommer så småningom under titeln ”Samvete förbjudet” – och i ett av dessa publicerade brev minns Eatherly hur han på morgonen den 6 augusti slås av den förfärande insikten om vad som är på väg att ske. Han sitter själv inte i bombplanet, utan flyger i förväg för att rekognoscera målet: en järnvägsbro i utkanten av staden. Han ser den tydligt genom de lätta cumulusmolnen. I samma ögonblick som han ger klartecken glider molnen bort, bomben riktas fel och han inser att den nu kommer att träffa stadens centrum.Claude Eatherly kommer så länge han lever aldrig att bli fri från det han varit med om. Samma sak gäller förstås de tusentals överlevande, på japanska hibakusha, som likt offren för de nazistiska förintelselägren bär sitt ofattbara trauma i tysthet mitt i en till synes likgiltig omvärld. Vad är det för mening att berätta? Hur beskriver man det obeskrivliga? Hur förklara skuldkänslorna hos den som överlevt? ”Du såg ingenting i Hiroshima”, som det heter i Marguerite Duras manuskript till Alain Resnais ”Hiroshima, min älskade”. Nej – men på stadens Fredsmuseum finns några konkreta kvarlevor: en bit vägg med långa strimmor av det svarta, radioaktiva regnet, trappstenen med skuggan efter någon som satt och väntade på att banken skulle öppna. Men också mängder med teckningar, utförda av hibakusha under åren efter bomben; bilder som började dyka upp i offentligheten på sjuttiotalet och sedan vuxit till en egen genre av vittnesmål. Enkla, expressiva försök att skildra förödelsen, paniken, massdöden. Mänskliga spöken med håret på ända, kläderna i trasor och skinnslamsor hängande från kroppen. Floden som svämmar över av lik. Vanmäktiga bilder av de första sekundernas intensiva ljus.Barnen som överlevde, skriver Hisashi Tohara, kom att kalla bomben för ”pikadon”: av orden för ”ljus” och ”dån”. Det ljuset, och det dånet, är det som lyser upp och genljuder genom decennierna som följer. Med skuggorna av hundratusen döda. Atomhöst”Din första tanke när du vaknar skall vara 'atom'.” Så inleder Günther Anders sina Atomålderns bud, publicerade i dagstidningen Frankfurter Allgemeine 1957. Den tyske filosofen och författaren hade då sedan ett decennium ägnat sig åt att försöka greppa den moraliska vidden av atombomberna mot Hiroshima och Nagasaki – och kommit till slutsatsen att bombens själva existens i grunden hade förändrat mänskligheten som kollektiv. Som han uttryckte det i sin brevväxling med den olycklige Hiroshimapiloten Claude Eatherly något år senare hade hotet om planetens totala förintelse fört oss alla samman i en ofrivillig ödesgemenskap av ”oskyldigt skyldiga”. Eatherly, med sina förtärande självförebråelser – som till slut drev honom så långt att han upprepade gånger begick våldsbrott och bankrån, bara för att bevisa sig skyldig till något, och slippa ifrån sin roll som krigshjälte – framstod för Anders som en förebild i denna universella olycksgemenskap. Ett offer för bomben, han också.Om någon tycker det här påminner om hur man idag tänker kring klimatförändringarna, ligger det mycket i det. Men detta första decennium efter bomben var det inte många i västvärlden som delade Anders tankar. När han och Eatherly brevväxlade satt piloten inspärrad på ett militärt mentalsjukhus med sina skuldkänslor. I femtiotalets USA fanns ingen plats för sådana som han. Det skulle så småningom förändras – men trots att bilderna och vittnesmålen från Hiroshima nått den amerikanska allmänheten redan 1946, i John Herseys berömda reportage, fick de väldigt liten effekt i offentligheten. Här dominerade den officiella historieskrivningen där det som skett i Hiroshima och Nagasaki var ett nödvändigt ont, närmast framtvingat för att äntligen få den japanska krigsmakten att kapitulera. Den berättelsen gäller till stor del än idag, trots att den faktiskt inte har mycket fog för sig. Som historikern Tsuyoshi Hasegawa kunde visa redan 2005 var Japans kapitulation bara en tidsfråga; det som fick USA att detonera bomberna var att Sovjetunionen efter Tysklands kapitulation fått händerna fria i Fjärran Östern. I en stormoffensiv hade Röda armén ockuperat Manchuriet och var på väg mot Japan över öarna i norr. Vad det handlade om för USA:s del var att inte Sovjet skulle hinna först.Atombombsåldern kom alltså att inledas i en stämning av förnekelse och förträngning. Medan efterkrigstidens optimistiska konsumtionssamhälle tog form började en vanvettig atomkapprustning. Från de första bomberna hade den amerikanska atombombsarsenalen vuxit till 170 stycken 1949, när Sovjetunionen gjorde sitt första kärnvapenprov, och åren som följde gick det slag i slag. 1952 testsprängde USA sin första termonukleära vätebomb, stark som tusen Hiroshimabomber, och redan i mitten av decenniet hade de båda kärnvapenmakterna bomber nog för att med marginal spränga hela den mänskliga civilisationen till grus. Detta samtidigt som politikerna drömde om en framtida teknokratisk utopi flödande av billig energi, där bilarna drevs av små kärnreaktorer. Skulle kriget ändå råka bryta ut fick skolbarnen lära sig att krypa ner under bänkarna, och speciella dräkter tillverkades för att skydda mot strålningen.Under tiden drogs ritningarna upp för den oundvikliga förintelsen. 2008 berättade den pensionerade amerikanske försvarstjänstemannen John Rubel hur han i december 1960 suttit med under ett hemligt möte där ett par höga officerare lade fram de detaljerade planerna för en så kallad förebyggande kärnvapenattack mot Sovjetunionen. Som Rubel mindes det skulle angreppet enligt ingenjörernas beräkningar leda till döden för cirka sexhundra miljoner människor. Rubel erkände att han själv i stunden saknat civilkurage för att protestera, och jämförde med den nazistiska Wannseekonferensen där planerna för den slutliga, industriella lösningen av judefrågan tog form. ”Jag kände,” skrev han, ”att det jag bevittnade var ett liknande nedstigande i mörkrets hjärta, en grumlig underjordisk värld som styrdes av ett disciplinerat, noggrant och livaktigt men hjärndött grupptänkande med syfte att utrota hälften av människorna som levde på nästan en tredjedel av jordytan.”I Japan däremot var de postnukleära stämningarna annorlunda – av naturliga skäl. Trots att det under hela femtiotalet rådde ett offentligt tabu mot att diskutera katastrofen och dess följder är det ingen överdrift att säga att hela den japanska konsten och litteraturen under efterkrigstiden utvecklades i skuggan av Hiroshima och Nagasaki. Bomberna och den amerikanska ockupationen sände chockvågor genom den japanska kulturen och födde experimentella konströrelser som den minimalistiska arte poveragruppen Mono-ha, eller den betydligt våldsammare Gutai, vars medlemmar besköt sina målardukar med kanon: bägge strömningar som i sin tur också gjorde djupa intryck på yngre konstnärer som Yoko Ono, Tetsumi Kudo och Yayoi Kusama. Nobelpristagaren Kenzaburo Oe gav 1965 ut sina Anteckningar från Hiroshima, en samling personliga reportage där de överlevande, som efter tjugo år fortfarande lever i skräck för blodcancer och andra efterverkningar, lyfts upp till en sorts nationella, moraliska förebilder: ”Bara genom liv som deras,” skriver Oe, ”kan människor framträda med värdighet i vårt samhälle.”Och med tiden växte protesterna i styrka även i västvärlden. Precis som man likt Theodor Adorno kunde se det som ”barbariskt” att skriva poesi efter Auschwitz kunde man som Günther Anders spekulera i vad det betydde att bedriva filosofi efter Hiroshima. Hans kollega Hannah Arendt delade synen på bomben som en mänsklighetens vändpunkt – men för henne stod den framför allt för en förlust av politiskt handlingsutrymme, där teknologins råa styrka tog förnuftets plats. Man frestas citera president Trumans tillkännagivande den 6 augusti 1945, där han proklamerar Hiroshimabomben som ”den organiserade vetenskapens största historiska bragd”. Som Arendt uttrycker det i Människans villkor har denna etiskt förblindade vetenskap trätt ut i offentligheten som en av ”de mäktigaste, maktgenererande grupperingar historien skådat.”Atomålderns etik måste med andra ord ta formen av en civilisationskritik. Mot slutet av sextiotalet uppgick antalet atombomber i världen till över 30 000 – men då var också motståndet i full kraft. Ett motstånd som inte bara riktades mot kärnvapenrustningen utan också mot den fredliga atomkraften och hela den teknokratiska kultur som gjort det möjligt att spela med så fruktansvärda insatser. Att en olycka vid ett kärnkraftverk kan få precis samma förödande effekter som en bomb har världen sedan dess tvingats till insikt om, gång på gång: i Harrisburg, Tjernobyl, Fukushima. Namnen hemsöker vår tid, som skuggan av en mardröm. Den där tanken som man nuddar när man vaknar. Och som sedan försvinner. AtomvinterEtt minne från när det kalla kriget var som kallast, början på åttiotalet: jag sitter hemma i soffan i föräldrahemmet och ser på teven där USA:s president Reagan flinande avslöjar att en kärnvapenattack mot Sovjetunionen kommer att starta om fem minuter. Ett skämt, tydligen. Mitt minne av händelsen är lite oklart: eftersom ”skämtet” gjordes inför en radiosändning borde ljudupptagningen ha spelats upp till stillbilder, jag vet inte – men det jag tydligt minns är hur det medan skratten klingar ut i teven ändå hinner gå ett frostigt spöke genom vardagsrummet. Hur mina föräldrar liksom fryser till i tevesoffan och hur vi sedan också skrattar, lättade – och lite chockade: det var nära ögat. Om det är något vi har förstått på sista tiden är det ju hur nära det faktiskt verkar vara. Atomklockan, som den kallas, har länge stått på bara någon minut i tolv.Världen, kanske särskilt Europa, gick i detta tidiga åttiotal nästan bara och väntade på den stora smällen. Om vi idag förskräcks av de klimatförändringar som utsläppen av växthusgaser är på väg att leda till så är de trots allt ingenting emot det som skulle bli följden om ett fullskaligt kärnvapenkrig bröt ut. Inte som en effekt av själva explosionerna – men allt stoft de rörde upp, alla bränder de orsakade skulle lägga sig som ett lock på atmosfären i flera års tid och sänka temperaturen på jordytan till katastrofala nivåer. Fenomenet gick under begreppet atomvinter: ett ord som de här åren låg som ett kylelement under den dystopiska tidsandan med dess undergångsfantasier och nihilistiska yuppieideal. Med dess apolitiska alienering, och en popkultur som manglade ut sin svarta depprock och sina frostiga syntslingor över en ekande posthistorisk avgrund.Men den hotande atomvintern gav också näring åt en växande proteströrelse. Civilisationskritiken, som under sextio- och sjuttiotalen blivit ett allt tyngre inslag i kärnvapenmotståndet förenades på åttiotalet med feministiska, postkoloniala och antikapitalistiska strömningar i en gränsöverskridande skepsis mot den tekniska utvecklingen som filosofen och antikärnvapenveteranen Günther Anders såg som ett senkommet historiskt genombrott när han i början av åttiotalet samlade sina reflexioner i de här frågorna i boken Hiroshima ist überall, Hiroshima är överallt. I England tog ett feministiskt fredsläger form i protest mot utplaceringen av kärnvapen vid armébasen i Greenham Common. I Australien protesterade urbefolkningen mot uranbrytningen på traditionell aboriginsk mark, i New Mexico i USA krävde Navajofolket kompensation för kärnvapenprovens radioaktiva kontaminering. Och i Oceaniens övärld växte rörelsen för ”ett kärnvapenfritt Stilla Havet”, som en reaktion på de franska och amerikanska provsprängningar som gjort många öar obeboeliga. För dem som tvingats bort från sina hem var stormakternas så kallade ”nukleära kolonialism” bara ännu en form av cyniskt imperialistiskt våld.Denna världsomspännande folkrörelse såg för en kort tid ut att faktiskt stå inför ett globalt genombrott. I juni 1982 samlade en demonstration i New York en miljon deltagare i protest mot kärnvapenrustningen; några veckor tidigare hade bortåt hundratusen människor tågat genom Göteborg under samma paroller. Jag var själv en av dem. Liknande fredsmarscher ägde rum över hela den europeiska kontinenten. Vad vi kanske inte riktigt förstod, tror jag – hur vi nu skulle kunnat göra det, där vi vällde fram, mitt i alltihop – var hur snärjda vi alla redan var i den nukleära terrorbalansens världsordning. För om nu ”Hiroshima är överallt”, som Günther Anders skrev – måste det då inte betyda att också protesterna blir en del av systemet: en balanserande motvikt som invaggar oss i tron att den nukleärteknologiska utvecklingen trots allt ska gå att tämja och hantera? Sedda från dagens tidsavstånd kan de ju faktiskt se så ut, som en avledande, kringgående rörelse, en historiens list som tillfälligt öppnade en politisk ventil och lät oron pysa ut, utan att i grunden ändra något överhuvudtaget. Allt medan utvecklingen gick vidare i sina obevekliga spår.Nej, jag vet inte. Men kanske var det en sådan insikt som landade i världens medvetande i april 1986, med haveriet i Tjernobyl. Plötsligt visade det sig mycket konkret – om man nu inte redan hade förstått det – att Hiroshima verkligen var överallt: i luften, i vattnet, i maten vi äter. Helt oberoende av nationsgränser och politiska system. Sociologen Ulrich Beck skrev i sin uppmärksammade bok Risksamhället hur händelser som just den i Tjernobyl tvingar hela samhället att orientera sig efter potentiella risker, försöka förutse och förebygga – och inte minst: uppfostra sina medborgare i riskmedvetenhet, eller uttryckt på ett annat sätt, i oro. Vi får i förlängningen ett samhälle där rädslan är det som binder samman, ett samhälle vars främsta uppgift blir att vidmakthålla en bedräglig illusion om säkerhet.I detta risksamhälle måste till slut också kärnteknologin banaliseras och kläs i termer av säkerhet. Det talas om kärnvapnen som ett skyddande ”paraply”, om kärnenergin som en trygghet i en osäker och föränderlig omvärld. Hiroshima känns mycket avlägset. Att besöka staden idag ger upphov till en märklig svindelkänsla: åttio år efter bomben sjuder staden av liv som vilken modern metropol som helst, de hypersnabba shinkansentågen anländer och avgår på sekunden på den centrala järnvägsterminalen, nästan som om inget hänt. Men det har det. Det har det, verkligen – under ytan ömmar fortfarande traumat, men med sin ärrvävnad av monument och museala artefakter, all denna rekvisita i en minneskultur som hoppas läka det som inte går att läka.Kanske är det det han menar, den japanske mannen i Alain Resnais film Hiroshima, min älskade, när han säger till sin franska älskarinna att hon aldrig har sett något i Hiroshima. För det som skett går inte att se. Med varje gest som återkallar minnet följer en som hjälper till att utplåna det. I filmen är den franska kvinnan själv på flykt undan ett krigstrauma: hennes första kärlek var en tysk ockupationssoldat – och minnet av hur hon blev vittne till hans död för en anonym kula från en motståndsman är, förstår man, det hon nu på ett bakvänt sätt försöker bearbeta genom att vara med och spela in en ”fredsfilm” (som det kallas) i Hiroshima.Men traumat, visar det sig, går inte att förtränga. Det finns kvar. Precis som atomvintern finns kvar – som en iskall, omedveten rysning under kärnvapenparaplyet. Spöket från Hiroshima, skuggan av den okände som satt och väntade på bankens trappa just när bomben föll, har vuxit till ett skymningsdunkel som vi mer eller mindre tycks ha vant oss vid. Om det totala atomkriget bryter ut skulle det, enligt en vanlig uppgift, ta sjuttiotvå minuter innan det mesta av vår civilisation är ödelagd. En dryg timme. Längre är den inte, framtiden.Dan Jönssonförfattare och essäistLitteraturAnnie Jacobsen: Kärnvapenkrig – ett scenario. Översättare: Claes-Göran Green. Fri Tanke, 2024.Tsuyoshi Hasegawa: Racing the Enemy – Stalin, Truman, and the Surrender of Japan. Harvard University Press, 2005.Marguerite Duras: Hiroshima, mon amour – filmmanus och berättelse. Översättare: Annika Johansson. Modernista, 2014.H. G. Wells: Tono-Bungay. (Ej översatt till svenska i modern tid, original: Macmillan, 1909.)Günther Anders: Hiroshima ist überall. C. H. Beck, 1982.Hisashi Tōhara: Il y a un an Hiroshima. översättare: Dominique Palmé. Gallimard, 2011 (postum utgåva från återfunnen text).Masuji Ibuse: Black Rain. Översättare: John Bester. Kodansha International, 1969.Claude Eatherly / Günther Anders: Samvete förbjudet – brevväxling. Översättare: Ulrika Wallenström. Daidalos, 1988.Kenzaburō Ōe: Hiroshima Notes. Översättare: David L. Swain & Toshi Yonezawa. Marion Boyars, 1995.Peter Glas: Först blir det alldeles vitt – röster om atomvintern. Natur & Kultur, 1984.Ulrich Beck: Risksamhället – på väg mot en annan modernitet. Översättare: Svenja Hums. Bokförlaget Daidalos, 2018.Hannah Arendt: Människans villkor. Översättare: Alf Ahlberg. Rabén & Sjögren, 1963.LjudSylvain Cambreling, Nathalie Stutzmann, Theresa Kohlhäufl, Tim Schwarzmaier, August Zirner med Bayerska Radions Kör och Symfoniorkester (München): Voiceless Voice In Hiroshima. Kompositör: Toshio Hosokawa med texter från liturgin, Paul Celan och Matsuo Bashō. Col legno, 2001.Sveriges Radios arkiv.US National archives.Hiroshima mon amour (1959), regi: Alain Resnais, manus: Marguerite Duras. Producent: Argos Films. Musik: Georges Delerue och Giovanni Fusco.

Last time we looked at the continuing disintegration of the British Empire. In this episode we look at two other key aspects of Macmillan's foreign policy, Britain's relations with the US and with potential European partners.Towards the US, what the experience confirmed is Britain's declining influence and its increasing dependence on, and even subordination to, American policies. Towards Europe, Britain became directly hostile towards the European Economic Community (EEC), trying to build a rival to it in the European Free Trade Area (EFTA). As it became increasingly clear that this was never going to really fly, and as the British economy weakened, Macmillan found himself having to swallow his pride, reverse his position and apply for membership of the EEC after all. To the government's shock, the perception of Britain as increasingly dominated by the United States led to the French president, Charles de Gaulle – never an Anglophile and now increasingly mistrustful – applying the French veto to British accession. To top all that, Macmillan's increasingly battered and unpopular government was further hit by a series of three scandals: John Vassal was found to be an Admiralty employee spying for the Soviet Union; Kim Philby who Macmillan had backed against suspicions that he was a Soviet spy confirmed that he actually was by defecting to Moscow; and the scandal around Christine Keeler and the Secretary of State for War, John Profumo, did even further damage to the government's credibility.By October, Macmillan could stand it no longer and, genuinely not well, he decided to resign as Prime Minister on health grounds.This episode runs a little longer than most, because it also mentions the new German translation of the podcast. It's available at:https://open.spotify.com/show/08M357CvtiWJsnEGyxitco?si=64613c2919df4a27Illustration: Christine Keeler 1963, photograph by Lewis Morley. Keeler claimed that she wasn't actually naked. © Victoria and Albert Museum, London/Lewis MorleyMusic: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

In this episode, the Agony Aunties address a heart-wrenching question from a listener facing a terminal diagnosis. They offer invaluable advice on how to communicate this devastating news to teenage children without causing unnecessary fear or resorting to dishonesty. They emphasise the importance of honesty and ongoing dialogue, suggest starting the conversation by asking the children what they already understand about the illness, and provide strategies to help manage the emotional burden for both the parent and the children. They also discuss the benefits of using supportive resources from organisations like Child Bereavement UK and Macmillan, and the option of preparing messages and videos for future milestones in the child's life. The discussion concludes with advice on engaging schools and other family members for additional support. Support links:  Macmillan Cancer Support: https://www.macmillan.org.uk/ Child Bereavement UK: https://www.childbereavementuk.org/ Please subscribe and leave a review—it truly makes all the difference! Follow Julia at @juliasamuelmbe for more insights, tips, and conversations on life's challenges and how to improve your mental well-being. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Consumer spending is holding steady. Despite tariff announcements and a widening trade deficit, U.S. consumer spending increased solidly in March. But are we out of the woods? And how is Fidelity's research culture empowering analysts to challenge ideas and drive results? Joining the show today are Director of Research and Portfolio Manager Steve MacMillan, and Equity Research Analysts David Cochrane and Nic Everett for a look at what's driving U.S. equities, and where opportunity for investors may lie. Recorded on May 6, 2025. At Fidelity, our mission is to build a better future for Canadian investors and help them stay ahead. We offer investors and institutions a range of innovative and trusted investment portfolios to help them reach their financial and life goals. Fidelity mutual funds and ETFs are available by working with a financial advisor or through an online brokerage account. Visit fidelity.ca/howtobuy for more information. For a fourth year in a row, FidelityConnects by Fidelity Investments Canada was ranked #1 podcast by Canadian financial advisors in the 2024 Environics' Advisor Digital Experience Study.

Bharat Karnad is Emeritus Professor for National Security Studies, Centre for Policy Research, New Delhi and Distinguished Fellow at the United Service Institution of India. His most recent book, Staggering Forward: Narendra Modi and India's Global Ambition was published by Penguin in September 2018. Previous books include Why India is Not a Great Power (Yet) (Oxford University Press, October 2015), Strategic Sellout: India-US Nuclear Deal (2009), India's Nuclear Policy (Praeger, 2008), Nuclear Weapons and Indian Security: The Realist Foundations of Strategy, now in its second edition (Macmillan, 2005, 2002), and Future Imperilled: India's Security in the 1990s and Beyond (Viking-Penguin, 1994).He was Member of the (First) National Security Advisory Board, Member of the Nuclear Doctrine-drafting Group, National Security Council, Government of India, and, formerly, Advisor on Defence Expenditure to the Finance Commission, India.Educated at the University of California (B.A., Santa Barbara; M.A., Los Angeles), he has been a Visiting Scholar at Princeton University, University of Pennsylvania, and the University of Illinois, Urbana-Champagne, and Foreign Fellow at the Shanghai Institutes of International Studies and the Henry L. Stimson Centre, Washington, DC. He lectures at the top military training and discussion forums, including CORE (Combined Operational Review and Evaluation), DRDO Annual Directors' Conference, National Defence College, Higher Command Courses at the Army War College, College of Air Warfare, College of Naval Warfare, College of Defence Management, College of Military Engineering, and at Army Command and Corps level fora and equivalent in the other two Armed Services, and Defence Services Staff College, and also at the Indian Administrative Service Academy, Foreign Service Institute, and the National Police Academy.He was commissioned by the Headquarters, Integrated Defence Staff, Ministry of Defence, to conceptualize, conduct for several years, and lecture at the annual Strategic Nuclear Orientation Course for Brigadier-rank officers and equivalent from the three Armed Services, and conceived and conducted the first ever high-level inter-agency war game on the nuclear tripwire in the subcontinent (at the Army War College, 2003).

Larry Ostola speaks with Tim Falconer about his book, Windfall: Viola MacMillan and Her Notorious Mining Scandal. Viola MacMillan was a trailblazing prospector and mining executive who rose to prominence in a male-dominated industry. In 1964, after decades of success, she became the central figure in a major stock scandal. Shares in her company, Windfall Oil and Mines, soared on unverified rumors of a big find. MacMillan remained silent as the price climbed—until the company admitted it had nothing. The crash devastated small investors and led to a royal commission and reforms in Canadian financial regulation. Though convicted and jailed, MacMillan was later awarded the Order of Canada. Tim Falconer is the author of Bad Singer: The Surprising Science of Tone Deafness and How We Hear Music and Klondikers: Dawson City's Stanley Cup Challenge and How a Nation Fell in Love with Hockey, both named to The Globe and Mail's Top 100 Books. He lives in Toronto, Ontario. Image Credit: ECW Press If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.

Melvyn Bragg and guests discuss one of the best known events and figures in Irish history. In 1014 Brian Boru, High King of Ireland, defeated the Hiberno-Norse forces of Sigtrygg Silkbeard and allies near their Dublin stronghold, with Brian losing his life on the day of battle. Soon chroniclers in Ireland and abroad were recording and retelling the events, raising the status of Brian Boru as one who sacrificed himself for Ireland, Christ-like, a connection reinforced by the battle taking place on Good Friday. While some of the facts are contested, the Battle of Clontarf became a powerful symbol of what a united Ireland could achieve by force against invaders.WithSeán Duffy Professor of Medieval Irish and Insular History at Trinity College DublinMáire Ní Mhaonaigh Professor of Celtic and Medieval Studies at the University of Cambridge and a Fellow of St John's College, CambridgeAnd Alex Woolf Professor of Medieval Studies at the University of St AndrewsProducer: Simon TillotsonReading list:Howard B. Clarke, Sheila Dooley and Ruth Johnson, Dublin and the Viking World (O'Brien Press Ltd, 2018)Howard B. Clarke and Ruth Johnson (ed.), The Vikings in Ireland and Beyond: Before and After Clontarf (Four Courts Press, 2015)Clare Downham, ‘The Battle of Clontarf in Irish History and Legend' (History Ireland 13, No. 5, 2005)Seán Duffy, Brian Boru and the Battle of Clontarf (Gill & Macmillan, 2014)Seán Duffy (ed.), Medieval Dublin XVI: Proceedings of Clontarf 1014–2014: National Conference Marking the Millennium of the Battle of Clontarf (Four Courts Press, 2017)Colmán Etchingham, ‘North Wales, Ireland and the Isles: The Insular Viking Zone' (Peritia 15, 2001)Colmán Etchingham, Jón Viðar Sigurðsson, Máire Ní Mhaonaigh and Elizabeth Ashman Rowe, Norse-Gaelic Contacts in a Viking World (Brepols N.V., 2019)David Griffiths, Vikings of the Irish Sea (The History Press, 2nd ed., 2025)James Henthorn Todd (ed. and trans.), Cogadh Gaedhel re Gallaibh: The War of the Gaedhil with the Gaill, or, the Invasions of Ireland by the Danes and other Norsemen (first published 1867; Cambridge University Press, 2012)Máire Ní Mhaonaigh, Brian Boru: Ireland's greatest king? (The History Press, 2006)Máire Ní Mhaonaigh, ‘Tales of Three Gormlaiths in Medieval Irish Literature' (Ériu 52, 2002)Máire Ní Mhaonaigh, ‘Cogad Gáedel re Gallaib: Some Dating Consierations' (Peritia 9, 1995)Brendan Smith, The Cambridge History of Ireland, vol. 1, 600–1550 (Cambridge University Press, 2018), especially ‘The Scandinavian Intervention' by Alex WoolfIn Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss one of the best known events and figures in Irish history. In 1014 Brian Boru, High King of Ireland, defeated the Hiberno-Norse forces of Sigtrygg Silkbeard and allies near their Dublin stronghold, with Brian losing his life on the day of battle. Soon chroniclers in Ireland and abroad were recording and retelling the events, raising the status of Brian Boru as one who sacrificed himself for Ireland, Christ-like, a connection reinforced by the battle taking place on Good Friday. While some of the facts are contested, the Battle of Clontarf became a powerful symbol of what a united Ireland could achieve by force against invaders.WithSeán Duffy Professor of Medieval Irish and Insular History at Trinity College DublinMáire Ní Mhaonaigh Professor of Celtic and Medieval Studies at the University of Cambridge and a Fellow of St John's College, CambridgeAnd Alex Woolf Professor of Medieval Studies at the University of St AndrewsProducer: Simon TillotsonReading list:Howard B. Clarke, Sheila Dooley and Ruth Johnson, Dublin and the Viking World (O'Brien Press Ltd, 2018)Howard B. Clarke and Ruth Johnson (ed.), The Vikings in Ireland and Beyond: Before and After Clontarf (Four Courts Press, 2015)Clare Downham, ‘The Battle of Clontarf in Irish History and Legend' (History Ireland 13, No. 5, 2005)Seán Duffy, Brian Boru and the Battle of Clontarf (Gill & Macmillan, 2014)Seán Duffy (ed.), Medieval Dublin XVI: Proceedings of Clontarf 1014–2014: National Conference Marking the Millennium of the Battle of Clontarf (Four Courts Press, 2017)Colmán Etchingham, ‘North Wales, Ireland and the Isles: The Insular Viking Zone' (Peritia 15, 2001)Colmán Etchingham, Jón Viðar Sigurðsson, Máire Ní Mhaonaigh and Elizabeth Ashman Rowe, Norse-Gaelic Contacts in a Viking World (Brepols N.V., 2019)David Griffiths, Vikings of the Irish Sea (The History Press, 2nd ed., 2025)James Henthorn Todd (ed. and trans.), Cogadh Gaedhel re Gallaibh: The War of the Gaedhil with the Gaill, or, the Invasions of Ireland by the Danes and other Norsemen (first published 1867; Cambridge University Press, 2012)Máire Ní Mhaonaigh, Brian Boru: Ireland's greatest king? (The History Press, 2006)Máire Ní Mhaonaigh, ‘Tales of Three Gormlaiths in Medieval Irish Literature' (Ériu 52, 2002)Máire Ní Mhaonaigh, ‘Cogad Gáedel re Gallaib: Some Dating Consierations' (Peritia 9, 1995)Brendan Smith, The Cambridge History of Ireland, vol. 1, 600–1550 (Cambridge University Press, 2018), especially ‘The Scandinavian Intervention' by Alex WoolfIn Our Time is a BBC Studios Audio Production

An interview with Tim Falconer about his new book, Windfall! Find the book here or at your local bookstore. --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); recommended reading (https://historiacanadiana.wordpress.com/books/)

Marissa Valdez is a #1 New York Times best-selling children's book author and illustrator. Her clients include Penguin Random House, Candlewick, Hachette, Macmillan, and Highlights Magazine for Children. In our interview we celebrate her new picture book Hedgehogs Don't Wear Underwear (Roaring Brook Press, 2025), which she both authored and illustrated.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Marissa Valdez is a #1 New York Times best-selling children's book author and illustrator. Her clients include Penguin Random House, Candlewick, Hachette, Macmillan, and Highlights Magazine for Children. In our interview we celebrate her new picture book Hedgehogs Don't Wear Underwear (Roaring Brook Press, 2025), which she both authored and illustrated.  Learn more about your ad choices. Visit megaphone.fm/adchoices

#canada #folktaleIn this opening story, we learn about the mighty wolf wind and his hunger for flesh. Then we get to meet the creator spirit named Glooscap (Glooskap/Kluscap). From the tragedy of the trees losing their leaves, we are rewarded with birds.Source: Canadian Fairy Tales by Cyrus MacMillan Narrator: Dustin SteichmannMusic: Honour SongSound Effects: storm wind in trees by klankbeeld on freesound.org, crickets by Kibranoz on freesound.orgPhoto credit: "Terrible Twos" by BozDoz is licensed under CC BY 2.0.Podcast Shoutout: Philippine Campfire Stories is a storytelling podcast focused on creating content that celebrates the local stories of haunted places, true supernatural experiences, urban legends, Philippine folklore, and myths. Bone-chilling stories and scary tales that will make you shiver during the cold and spooky nights.. even if you're right next to the campfire.Listener Shoutout: Limerick, IrelandMore sandman? After Dark Patreon here

Macmillan overcame the terrible legacy of the Suez catastrophe and, running an economy focused on growth to fund increasing living standards, giving him the opportunity to annouce that people had never had it so good. That reflect both a genuine concern with eliminating poverty and as an effective electoral strategy, pulled off the trick by increasing the Conservative majority in its third consecutive general election win in 1959.Meanwhile, in the Labour Party, in opposition, the left-right split was causing serious dissension, with Nye Bevan leading the left and winning great support for his brilliance and his charisma, but a lot of criticism too for the damage done by views that were sometimes extremist. His group of troublemakers included the young and ambitious Harold Wilson. He, however, when he realised that aligning with the left wing was getting him nowhere, drifted rightwards, ending up by taking Bevan's seat on the Labour Shadow Cabinet instead of backing his resignation from it. He then supported the rightwinger Gaitskell's campaign to become Labour leader against Bevan. Macmillan found himself facing Gaitskell and Wilson in opposition to him as his continued dash for economic growth, alongside fear or inflation and pressure on the currency, led to his alternating between periods of economic relaxation and periods of retrenchment. Gaitskell and Wilson denounced ‘boom and bust' economics.Things were beginning to turn nasty for Macmillan. But we haven't seen how nasty yet.Illustration: Supermac as seen by Vicky Public Domain.Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

Imagine a cartoon opening a door to transform a challenging conversation into a productive and meaningful conversation in your team.  In this episode, we explore how listening and observation can engage humor which can shift our mindset and enhance our ability to engage with others meaningfully. Dave Coverly is the award-winning creator of the internationally syndicated cartoon Speed Bump, featured in hundreds of publications including The Washington Post, The New Yorker, and The Globe & Mail. A four-time winner of the National Cartoonists Society's “Best Newspaper Panel” award, he received their highest honor, the Reuben Award for “Outstanding Cartoonist of the Year,” in 2009. His work appears on greeting cards, in books, and across major media outlets, and he serves as the principal cartoonist for BarkBox.  Dave Coverly has authored several cartoon collections and children's books published by Macmillan namely Speed Bump: A Collection of Cartoon Skidmarks (Andrews McMeel), Cartoons for Idea People (ECW), Just One %$#@ Speed Bump After Another (ECW),  Dogs Are People, Too, and its sequel, Cats Are People, Too. And his children's picture books include Sue MacDonald Had a Book (with Jim Tobin, Macmillan), The Very Inappropriate Word (with Jim Tobin, Macmillan), and How To Care For Your T-Rex (with Ken Baker, Macmillan). His chapter book trilogy began with Night of the Living Worms, and continued with Night of the Living Shadows, and Night of the Living Zombie Bugs.   With a career spanning over 30 years, Dave has mastered the art of observational humor, using his cartoons to reflect on the human experience and the nuances of everyday life. In this conversation, Dave shares personal stories and insights that have shaped his career as a cartoonist with listening playing a core role. Not just as a skill, but as a vital part understanding human patterns and through this tapping into human connection.  We explore how humor can serve as a bridge to deeper conversations and how the act of listening can inform and inspire creativity.  Listen to the end, where David also shares how humor can help navigate serious conversations and lighten the mood. Enjoy listening in! “Listening is about connecting with people and understanding their experiences.” – Dave Coverly SUPERPOWER Notes: 00:08 – The Power of Humor. Dave discusses how humor can provide a different perspective on serious topics and enhance communication. 02:50 – Early Influences. Reflecting on his childhood experiences with his uncle and teacher that sparked his interest in listening and humor. 10:15 – The Role of Observation. Dave explains how being an observant listener informs his cartooning process and helps him create relatable content. 15:30 – The Importance of Context. Understanding how context shapes humor and the need to stay relevant in a changing world. 22:00 – Listening as a Creative Tool. How deep listening can lead to new ideas and insights in both cartooning and everyday interactions. 30:00 – The Impact of Silence. Exploring how silence can enhance the listening experience and foster deeper connections. 35:00 – Humor in Serious Situations. Dave shares how humor can help navigate serious conversations and lighten the mood. 42:00 – The Evolution of Humor. A discussion on how humor adapts to cultural changes and the importance of authenticity in comedic expression. Key Takeaways: “Doing humor is kind of that right brain, left brain thing." – Dave Coverly “Humor is a way to connect with people and share experiences.” – Dave Coverly “Listening is not just about hearing words; it's about understanding the context and emotions behind them.” – Dave Coverly "I love the idea of having a cartoon as a pause for, to take a breath or pause to reset or a pause to allow another perspective or pause to give permission to another perspective."– Dave Coverly   People Mentioned: Mike Peters - A cartoonist who provided Dave with valuable advice about humor and authenticity in cartooning. Christy Ottaviano - Dave's children's book editor, described as a legend in the industry.   Connect with Dave Coverly: https://www.speedbump.com/ https://www.instagram.com/speedbumpcomic/  

Why are Black women still expected to carry everything without complaint? They keep telling Black women to be strong, to push through, to hold it all together. But what they never address is the damage that message leaves behind—mentally, physically, emotionally. The burnout, the silence, the pressure to succeed at the expense of our well-being. If you've ever felt like you're doing everything right and still paying too high a price, you're not imagining it. You're navigating systems that were never designed with your safety in mind. In this special National Black Girl Month™ episode, you're invited into a powerful conversation with Dr. Vanessa Perry, global thought leader, psychologist, and CEO of The Perry Group. Alongside Dr. Rikesha Fry Brown, we explore what Superwoman Syndrome actually costs Black women—and how to stop carrying what was never ours to begin with. This episode answers the unspoken questions so many Black women ask themselves: Why do I feel like success is wearing me down? Is it possible to lead without losing myself? How do I reclaim peace when the world expects performance? Dr. Perry shares insights from over 25 years of research and executive advising in Fortune 500 companies, federal agencies, and high-level leadership spaces. Together, we discuss how to name the cycle, build supportive community, and create spaces—personally and professionally—where Black women no longer have to prove themselves to belong. This isn't just about workplace equity. It's about redefining what thriving looks like on our own terms. → Learn more and access your free toolkit at nationalblackgirlmonth.com → Join our virtual community: facebook.com/groups/nationalblackgirlmonth → Connect with Dr. Venessa Perry: https://www.linkedin.com/in/venessam/ → Connect with Dr. Rikesha Fry Brown: www.instagram.com/dr.rikesha → Connect with Felicia Ford: www.threads.net/@friendscallmefe Join Momentum Lab: https://lab.feliciafordandco.com About Dr. Venessa Perry: Dr. Venessa M. Perry is a trailblazing organizational psychologist, executive coach, author, and global thought leader, recognized for her dynamic impact in shaping inclusive, high-performing organizations. As the visionary Founder and CEO of Health Resources Solutions dba The Perry Group, she has led the firm for over 25 years, delivering transformational leadership and organizational development consulting with an unwavering commitment to equity. Her expertise has empowered C-suite executives at Fortune 500 companies, government agencies, and non-profits to drive meaningful, sustainable change for their organizations and communities. Dr. Venessa's groundbreaking research centers on the career mobility and well-being of Black and Brown women in the workplace, with a focus on gendered racism and the often-overlooked impact of peri(menopause) on leadership potential. Her forthcoming book, The Path to Inclusivity: How to Create Safety, Well-Being, and Belonging for Black Women in Financial Services, set to be released by Palgrave and Macmillan in early 2025, is already being hailed as a must-read for executives committed to fostering diversity and inclusion. A powerhouse speaker and contributor, Dr. Venessa is in high demand across national and international stages, where she has captivated audiences on topics such as leadership, equity, and women's health in the workplace. She has been featured on a variety of influential podcasts, including Intentional Conversations, Wills, Women and Wealth, What's Possible, Embodied Justice, and The WhatNow Movement. In July 2024, she delivered a landmark presentation on peri(menopause) in the workplace at the Diversity Network Inclusion Festival in the UK, sparking global dialogue. Named one of the top leadership voices on LinkedIn and consistently recognized as one of Washington, DC's top executive coaches from 2022 to 2024, Dr. Venessa's thought leadership continues to shape the future of business and organizational health. She has been featured in Forbes, Medium, CanvaRebel, HuffPost, Cosmopolitan, and more, sharing her insights with diverse audiences around the world. Dr. Venessa is a respected member of the Forbes Coaches Council, Harvard Business Review Advisory Council, and the American Psychological Association. A proud Desert Storm veteran, she passionately advocates for veteran mental health, entrepreneurship, and homelessness solutions. With a PhD in Organizational Psychology, as well as master's degrees in Public Health and Psychology, Dr. Venessa is a lifelong learner who believes in giving back. She actively serves her community through her involvement with Delta Sigma Theta Sorority, Inc., the Diversity Council at the University of Michigan, and as the first Black President of George Washington University's Alumni Association. A mentor and coach to countless emerging leaders, Dr. Venessa embodies the belief that "We are better when we are together." Her life's work is a testament to the power of collaboration, inclusion, and transformative leadership.  

Anthony Eden started his premiership well, chalking up a general election win and the lowest level of unemployment Britain has seen at any time since the Second World War. Little else went well, however. His Foreign Secretary, Harold Macmillan made a statement to the House of Commons exonerating Kim Philby from suspicion of being a Soviet spy. That was a statement he would live to regret.Far worse for Eden was what happened in Egypt. The nationalist Egyptian President Gamel Abdel Nasser nationalised the Suez Canal in 1956. Despite Eden's lack of enthusiasm for European integration and his far greater commitment to the Commonwealth, and to the so-called special relationship between the UK and the United States, he decided to respond without consulting the US and in concert with France, one of those European powers he was so unenthusiastic on getting close to. They in turn colluded with Israel to invade the Egyptian territory of Sinai, after which they would react with horror, call on both sides to cease firing, and when that didn't happen, send in troops themselves.Unfortunately, the world reacted with widespread anger at the actions of the Israeli-French-British coalition. The US, indeed, put huge pressure on Britain by threatening to sell British bonds, which would have massively damaged the British currency. They later blocked oil supplies to Britain.The result was that though the military action only got started on 29 October 1956, when Israel went into the Sinai, Britain called a ceasefire on 7 November. That angered the French, who have behaved with little confidence in the British or American military ever since. It also led to the ultimate defeat of the coalition, with the British government having to announce an unconditional withdrawal of its forces on 3 December 1956.Eden was made the scapegoat for the debacle. He resigned in January 1957, after less than two years in post. Many expected the succession to go to Rab Butler, who'd deputised for Eden while the latter was away recovering from a collapse in his health at the height of the crisis, but Harold Macmillan proved much too wily for him, outmanoeuvring him and taking the top position himself.We'll be getting to know Macmillan era next week.Illustration: Smoke rises from oil tanks beside the Suez Canal hit during the initial Anglo-French assault on Port Said, 5 November 1956. Public DomainMusic: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

In this episode we discuss our sad bank accounts, hairlines and head circumferences, the connection between 9/11 and the origin of bratz dolls, Blair's passion for James Cameron and his Titanic-obsessed ass, being a girlie girl, Maddy's penchant for eating Polly Pocket hats, the size of modern teens' jeans, how old these damn dolls are and SO MUCH MORE!!!

Robin Unger comes on to talk with Aaron about Carroll Quigley. Infamous in the world of conspiracy culture, some of his best work continues to go mostly unnoticed. His book, The Evolution of Civilizations, is looked at here.    Topics include: Canada, Carroll Quigley, Evolution of Civilizations, Historical Analysis, Tragedy and Hope, Cecil Rhodes, Council on Foreign Relations, foreign policy think tanks, Georgetown University, Bill Clinton, right wing conspiracy culture, John Birch Society, Alan Watt, Anglo-American Establishment, scientific method applied to history, social sciences, Anna's Archive, Weapon Systems and Political Stability, unfinished manuscript, Classical Civilization, Western Civilization, Middle Ages, 7 stages of civilization, mixing of civilizations, instruments of expansion, institutions become special interests, MacMillan publishing issues, book plates destroyed, Allen Dulles, no true secrets in intelligence work, open source intelligence, no secrets in nuclear research during the Cold War, GSG & Associates, Milner Group, DeBeers Diamonds, Rhodes Scholars, All Souls, British Empire, Lyndon LaRouche, current Age of Conflict, inner class wars, tech takeover, Technocracy Incorporated, Robin's art projects

The Age of Transitions and Uncle 4-11-2025AoT#456Robin Unger comes on to talk with Aaron about Carroll Quigley. Infamous in the world of conspiracy culture, some of his best work continues to go mostly unnoticed. His book, The Evolution of Civilizations, is looked at here. Topics include: Canada, Carroll Quigley, Evolution of Civilizations, Historical Analysis, Tragedy and Hope, Cecil Rhodes, Council on Foreign Relations, foreign policy think tanks, Georgetown University, Bill Clinton, right wing conspiracy culture, John Birch Society, Alan Watt, Anglo-American Establishment, scientific method applied to history, social sciences, Anna's Archive, Weapon Systems and Political Stability, unfinished manuscript, Classical Civilization, Western Civilization, Middle Ages, 7 stages of civilization, mixing of civilizations, instruments of expansion, institutions become special interests, MacMillan publishing issues, book plates destroyed, Allen Dulles, no true secrets in intelligence work, open source intelligence, no secrets in nuclear research during the Cold War, GSG & Associates, Milner Group, DeBeers Diamonds, Rhodes Scholars, All Souls, British Empire, Lyndon LaRouche, current Age of Conflict, inner class wars, tech takeover, Technocracy Incorporated, Robin's art projectsUtp#364Uncle has an exciting broadcast with a lot of callers and more Hard Mountain Dew. Topics include: cranberry juice, more Hard Mountain Dew, Michelob Ultra, sugar free, Livewire, Jack Daniels food, Arnold Schwarzenegger, Hornitos, Junior, Pabst Blue Ribbon, Predator movies, Uncle cursing, DDP, not a tumor, crazy crack room, drink reviews, Philadelphia Eagles, Hulk Hogan at Republican National Convention, Thiel and Gawker, unclethepodcast TikTok account, high mountain, Ochelli RadioFRANZ MAIN HUB:https://theageoftransitions.com/PATREONhttps://www.patreon.com/aaronfranzUNCLEhttps://unclethepodcast.com/ORhttps://theageoftransitions.com/category/uncle-the-podcast/FRANZ and UNCLE Merchhttps://theageoftransitions.com/category/support-the-podcasts/Email Chuck or PayPalblindjfkresearcher@gmail.comBE THE EFFECTListen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Ochelli Link Treehttps://linktr.ee/chuckochelli

Send us a textSeason 2, Episode 38We are delighted to welcome this weeks guest Angharad Binder(Public Health Nurse) in the agricultural sector, delivering the Rural Communities Cancer Project with Farming Community Network (FCN) & Macmillan in the South East of England.Resources (‘Nip it in the Bud' campaign)People in rural communities often have more advanced cancer when they are diagnosed and are 5% less likely to survive than people in urban areas.​Farmers often won't get checked until the last minute.​ We need your help to change this. ​This campaign have developed a range of resources which can be utilised to raise awareness of cancer and to encourage early detection, and to back our campaign. Resources below are free to use and can be widely shared and printed off.Download our ‘Nip it in the Bud' campaign pack and help them to raise awareness of cancer in farming and rural communities. This contains key messages and information about how to get involved.The FCN are involved in a UK-wide partnership with Macmillan Cancer Support which is helping to improve the support available to those living with cancer in farming communities and rural areas.As part of this partnership FCN is working closely with Macmillan Cancer Support, including raising awareness in rural communities of the signs and symptoms of cancer and building referral bridges to and from Macmillan's services.Farmers, farm workers and people living in rural communities can have lower access to cancer services and support due to the nature of their work and rural life in often isolated areas.Farmers can be particularly at-risk of certain types of cancer – such as skin cancer, prostate cancer, or cancers caused by exposure to carcinogens.Cancer can impact a family business that may employ many people and can have significant impacts on an individual and their families – including their housing and extended family situation, or immediate welfare issues for livestock.FCN can be contacted in confidence on 03000 111 999, 7am-11pm, 365 days of the year. Speak to an empathetic volunteer who understands farming life.The Macmillan Support Line is available on 0808 808 00 00, seven days a week, 8am to 8pm.Further information about cancer and support available is available on FCN's FarmWell websiteNo Joke of the week this week but Martin has something very special lined up for next weeks Podcast, don't miss it.Check out our website at www.whostomanddick.com

Claire Rowney joined Breast Cancer Now as Chief Executive Officer in 2024. In this episode, she talks about why she chose Breast Cancer Now, and her personal connection to breast cancer that happened while she was applying. Claire also talks about her career in charities including her time at Macmillan and Cancer Research UK, and outlines her ambitious plans for Breast Cancer Now to make sure that by 2050, everyone diagnosed with breast cancer not only lives, but lives well. You can listen to our previous episode we mention about breast cancer in South Asian communities here. We're Breast Cancer Now, the research and support charity. However you're experiencing breast cancer, we're here. For information and support, visit our website breastcancernow.org or phone our free helpline on 0808 800 6000 (UK only). Every episode is available to watch or listen to on the Breast Cancer Now website. You can also watch this episode on YouTube. Key Topics 0:09 Laura's thoughts on the episode ahead 1:46 Getting to know a bit more about who Claire is 3:59 Why Claire chose Breast Cancer Now 5:03 Claire shares how breast cancer affected her family 8:13 How Claire's personal experience of breast cancer has shaped her approach to running Breast Cancer Now 10:04 A day in the life of the CEO of Breast Cancer Now 14:09 Discussing Breast Cancer Now's 2050 vision 19:36 The challenges Breast Cancer Now faces 23:30 Claire's personal goals for Breast Cancer Now 24:28 Claire talks about the increasing rate of breast cancer diagnoses in the UK 26:36 Breast Cancer Now's work to improve diagnosis and outcomes for people from ethnic minority backgrounds 29:20 Claire outlines Breast Cancer Now's cutting-edge research 39:17 How Breast Cancer Now is raising awareness and understanding of secondary breast cancer 47:31 Claire's ambition for 5 years' time 48:20 How to get involved raising vital funds for Breast Cancer Now 51:53 What "living well" means to Claire

My guest today on the Online for Authors podcast is Larry Bograd, author of the book Blood Flow. Larry s an award-winning, widely translated author whose works have been published by Farrar/Straus, Harper and Macmillan. In addition to a UK edition, his books were translated into Japanese, French, Swedish, Danish and German. His first book, Felix in the Attic, won the Bank Street College Irma Simonton Black “Best Book for Children” award, and his novel Los Alamos Light was selected as a UNESCO Book for Peace. He has an extensive backlist and several anthologized short stories.   His success as a children's book and young adult author was cut short by censorship and book banning because he wrote honestly about childhood poverty and adolescent sexuality. When it became clear that no publisher would promote his work, he turned to playwriting, screenwriting and documentary filmmaking. He lives in Denver, Colorado.   In my book review, I stated Blood Flow is a look at a son's journey to understand his father's suicide. This memoir is real and sometimes raw, but it always brings us back to the understanding that Larry's father had a mental illness. His death when Larry was just 13 was unexpected for Larry but not for those around his father who understood the truth.   Larry spends years writing and rewriting the story as he uncovers facts gleaned from relatives, old friends, and even trips to his father's homeland. We also see some of Larry's own struggles as he deals with heart issues in his mid-40s that threaten to derail the life he has created despite his early trauma.   I enjoyed this memoir because it solidified what I've come to understand about people - we simply don't know what is going on with them by looking on the outside. We need to do a better job to get to know and understand those around us. And this can be as easy as sitting down and asking questions.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Larry Bograd: Website: https://www.larrybograd.com/ FB: @larry.bograd IG@ @larrybograd LinkedIn: @Larry Bograd   Purchase Blood Flow on Amazon: Paperback: https://amzn.to/42lpKx4 Ebook: https://amzn.to/3QUJUI4   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   #larrybograd #bloodflow #memoir #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Musical premiere in Bemidji tackles small-town healingKevin Cease of Bemidji is a funeral director and fan of community theater. He's looking forward to the world premiere of “Water from Snow,” a new musical by Janet Preus, co-written with Robert Elhai and Fred Steele. The show runs through Sunday, April 13. Tickets here.NOTE: The “Water from Snow” premiere has been postponed until April 11.Kevin said: I'm looking forward to the world premiere of local playwright Janet Preus's show “Water from Snow.” It is an original musical play co-written by her and Robert Elhai and Fred Steele of the Steele family. As it is set in a small town on a lake in northern Minnesota, Bemidji seems perfect for its premiere!Important and universal themes drive this story: healing wounds caused by abuse; overcoming racism against Indigenous people; bridging generational differences; valuing elderly community members; and championing women supporting each other. They hope to generate meaningful conversations among audience members, performers and the creative team.The roughhewn nature of the Rail River School venue in Bemidji lends additional character and dimension to the play. The music is diverse from a mix of music from country and blues, to pop, ballads and R&B, even a song from old farts at the setting of the café — there are 22 original songs! The lively local cast has chosen their roles carefully, with a range of characters drawn from the writer's lifetime in rural Minnesota.— Kevin CeaseMacMillan's transformative choral workStephen Kingsbury is a choral director and educator who wrote his doctoral dissertation on Scottish composer Sir James MacMillan. He recommends two upcoming events celebrating MacMillan's music.MacMillan will conduct seven Twin Cities choirs in a free performance called “Voices for a Cathedral” at the Cathedral of St. Paul, Friday, April 4 from 7:30 to 9:30 p.m. VocalEssence will also perform an all-MacMillan program Sunday, April 6 at 4 p.m. at the Ordway in St. Paul, with both MacMillan and Philip Brunelle conducting. The program features “Seven Last Words from the Cross” and “The Sun Danced,” with soprano Goitsemang Lehobye joining the U of M University Singers and orchestra.Kingsbury describes his first encounter with MacMillan's work over 25 years ago:Stephen says: One day, in deep frustration, I was going through my collection of recordings looking for inspiration. I found a disc that I had no recollection of purchasing. It was of MacMillan's “Seven Last Words from the Cross.” I popped in the player and spent the next hour laying on the floor of my apartment, wrapped in the music, staring up at the ceiling, silently weeping. I had never encountered anything like it. In that hour, I was transformed by a new awareness of what the choral art could be: how it touch the soul in deep and transformative ways. I knew then that MacMillan had to be the topic of my study. Since then, MacMillan's music has served as one of the centers of my artistic and scholarly life. I've since written a number of additional articles about his music and had the pleasure of being able to conduct many of MacMillan's compositions. His music strikes a balance between passion and craft; it is both deeply emotional and thoughtful.— Stephen KingsburyZappa's legacy lives on in Mankato tributePaula Marti of New Ulm is a classically trained oboist and manager of Morgan Creek Vineyards & Winery, where she curates summer concerts. She also has a lifelong love of Frank Zappa's music, and she recommends a tribute concert this weekend.Joe Tougas and his ensemble Joe's Garage return to perform “Joe's Garage, Act Two,” a Frank Zappa tribute concert. The event is Saturday, April 6 at 7 p.m. at the Morson-Ario-Strand VFW in Mankato.Paul says: What's unique about this particular group is because there's so many professional musicians in it, they really have been able to achieve the sound that Frank Zappa attempts to create in his works. He has this diverse sensibility about sound and rhythm. It's integrated in a marvelous way that has this orchestral effect. It's just amazing as a classical musician myself, enjoying what comes out of these interesting themes that Zappa puts together, which are unique, they're cultural expressions of our time and our era. And he does that in a way that's very, very respectful to the instrumentation that has to go on that represents, you know, the harmonies, the diversities and the the challenges of the message of the music.— Paul Marti

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveFriend of Wisdom of Crowds and frequent podcast guest Samuel Moyn is a professor of law and history at Yale University, and author of several books, including Humane: How the United States Abandoned Peace and Reinvented War (2021, Macmillan) and Liberalism Against Itself: Cold War Intellectuals and the Making of Our Times (2023). He is also the author of a recent article saying that no, sorry, the courts cannot save American democracy.If you've been following our podcast lately, you'll know that Shadi and Damir think differently. Both are preoccupied with the question of whether we're in a constitutional crisis. And both have argued that it's the Judiciary branch which can stop Trump from becoming a tyrant. We are in a state of “brinksmanship with the Courts,” as Damir puts it. Moyn, however, warns that “Judicial processes can launder radical political change,” like the ones Trump is trying to make. The Supreme Court might cede a lot of ground to the Executive before we get a big decisive case that checks Trump. In fact, we might never even get such a case. The real test for democracy, Moyn argues, will come at the ballot box: “Do we have elections that stay competitive where the loser accepts his loss?” A lot will depend on whether Democrats can figure out how to make a popular platform. A lot, too, will depend on Republicans, and whether at least some of them will part ways with Trump. Shadi asks Moyn for some historical perspective. Is this the biggest crisis in US history? Probably not, but what can we learn from historical perspective? What is the baseline against which we should judge ourselves today? Moyn argues that “The only use of the past is to make a better future. … Let's try to understand why things broke before.”In our bonus section for paid subscribers, Moyn and our hosts discuss recent White House legal challenges against birthright citizenship; anti-Trump lawfare; why Moyn believes that “what the law is is decided in the present political struggle”; why a parliamentary system is usually more democratic than a presidential one; whether the US is culturally attached to a strong executive branch; and much more.Required Reading and Listening:* Samuel Moyn and Ryan D. Doerfler, “Don't count on the courts to save democracy” (Washington Post).* Samuel Moyn and Ryan D. Doerfler, “We Are Already Defying the Supreme Court” (Dissent). * Our last podcast episode with Samuel Moyn: “Did the Supreme Court Just Subvert Our System of Government?” (WoC). * Live taping: “Samuel Moyn and Osita Nwanevu on Voters vs Judges” (WoC). * Podcast episode, “Is Democracy Ending?” (WoC).* Juan J. Linz, “The Perils of Presidentialism” (Journal of Democracy).* CrowdSource about the Mahmoud Khalil case (WoC).* Santiago Ramos, “From the Harper's Letter to the Khalil Case” (WoC).* “Judge warns of consequences if Trump administration violated deportation order” (Reuters).This post is part of our collaboration with the University of Pittsburgh's Center for Governance and Markets.Free preview video:

In 1916, the National Institution for Moral Instruction had a contest to see who could come up with the best morality code. For kids. Evolving views on childhood, child labor laws, patriotism, and eugenics influenced this effort. Research: “$5000 Prize Winners Announced Oct. 1” Dean Bennion in Race.” Daily Utah Chronicle. April 23, 1917. https://www.newspapers.com/image/289878324/?match=1&terms=%22Morality%20Code%22%20winner “93 Virtues Make the Perfect Man.” Tulsa World. Dec. 22, 1919. https://www.newspapers.com/image/884436330/?match=1&terms=Iowa%20%22character%20education%22%20 Brimi, Hunter. “Academic Instructors or Moral Guides? Moral Education in America and the Teacher’s Dilemma.” The Clearing House, vol. 82, no. 3, 2009, pp. 125–30. JSTOR, http://www.jstor.org/stable/30181093 Character Education Inquiry. “Studies in the nature of Character.” New York. Macmillan. 1928. https://archive.org/details/studiesinnatureo0001char/page/n7/mode/2up “Character Education Methos Research.” Atlanta Constitution. Sept. 30, 1917. https://www.newspapers.com/image/26907400/?match=1&terms=%22Morality%20Code%20Competition%22 “The Children’s Morality Code.” Virginia Teacher. March 1924. https://commons.lib.jmu.edu/cgi/viewcontent.cgi?article=2194&context=va-teacher “College Professors and Others in All States Take Part in Contest to Decide Best Method of Character Building in the Growing Generation.” Washington Post. March 4, 1917. https://www.newspapers.com/image/28849374/?match=1&terms=%22Morality%20Code%20Competition%22 Davis, Emily C. “Why Children Lie.” Springfield Daily Republican. May 20, 1928. https://www.newspapers.com/image/1062989775/?match=1&terms=%22Character%20Education%20Inquiry%22 “Dean Competes in $5000 Contest.” Daily Utah Chronicle. Nov. 23, 1916. https://www.newspapers.com/image/289875150/?match=1&terms=%22National%20Morality%20Codes%20Competition%22 DEPARTMENT OF THE INTERIOR BUREAU OF EDUCATION. “Character Education.” REPORT OF THECOMMITTEE ON CHARACTER EDUCATION OFTHE NATIONAL EDUCATION ASSOCIATION. Washington Government Printing Office. 1926. https://files.eric.ed.gov/fulltext/ED541955.pdf “Educational Body Offers Big Prize.” New Britain herald. April 4, 1922. https://chroniclingamerica.loc.gov/lccn/sn82014519/1922-04-04/ed-1/seq-12/ “Efficiency Methods Applied to Task of Codifying Ethics.” Times Herald. Jan. 27, 1917. https://www.newspapers.com/image/79883841/?match=1&terms=%22Morality%20Code%20Competition%22 “Educating Body Offers Big Prize.” New Britain Herald. April 04, 1922. https://chroniclingamerica.loc.gov/lccn/sn82014519/1922-04-04/ed-1/seq-12/ Fairchild, Stephen G. “Character education in the United States.” University of Georgia, PhD Dissertation. Mary Frances Early College of Education. 2006. https://esploro.libs.uga.edu/esploro/outputs/doctoral/Character-education-in-the-United-States/9949334479002959 Hartshorne, H., & May, M. A. (1930). A Summary of the Work of the Character Education Inquiry. Religious Education, 25(7), 607–619. https://doi.org/10.1080/0034408300250702 Hutchins, William J. “The 5,000 Prize Code of Morals for Children.” The Mahoning Dispatch. September 13, 1918. https://chroniclingamerica.loc.gov/lccn/sn84028473/1918-09-13/ed-1/seq-4/ Jackson, Allison. “THE CHARACTER EDUCATION WORK OF MILTON FAIRCHILD: A PRISM FOR EXPLORING THE DEBATE BETWEEN LIBERAL PROGRESSIVES AND CONSERVATIVE PROGRESSIVES IN THE EARLY 20TH CENTURY.” Notre Dame of Maryland University. https://www.proquest.com/dissertations-theses/character-education-work-milton-fairchild-prism/docview/2125417636/se-2 “Keating-Owen Child Labor Act (1916).” National Archives. https://www.archives.gov/milestone-documents/keating-owen-child-labor-act “New Statement of Old Principles.” Democrat and Chronicle. April 4, 1916. https://www.newspapers.com/image/135312787/?match=1&terms=%22Morality%20Code%20Competition%22 “The plans of the Interstate Character Education Method … “ Kansas Teacher. April 1, 1918. https://www.newspapers.com/image/390015780/?match=1&terms=%22Character%20education%20methods%22 “VERIFIED AND REVISED CHILDREN’S MORALITY CODE.” The Journal of Education, vol. 100, no. 5 (2491), 1924, pp. 130–32. JSTOR, http://www.jstor.org/stable/42750282 “What a Child Should Do in a Moral Emergency.” Richmond Times-Dispatch. May 21, 1916. https://chroniclingamerica.loc.gov/lccn/sn83045389/1916-05-21/ed-1/seq-49/ Yarrow, Andrew L. “History of U.S. Children’s Policy, 1900-Present.” First Focus. April 2009. https://firstfocus.org/wp-content/uploads/2014/06/Childrens-Policy-History.pdf See omnystudio.com/listener for privacy information.

On this episode of You Are What You Read, we are diving into a conversation about publishing with someone at the top of the game, the former publisher and CEO of Macmillan, John Sargent. Before he was a leader in the world of books, John was raised on a ranch in Wyoming. He worked at three different publishers before going to Simon and Schuster to run the children's book division at the age of twenty-nine. He spent six years there, followed by three years as the CEO of DK Publishing. In 1996, he went to work as the CEO of St Martin's Press. Three years later, he was put in charge of Holtzbrinck's US publishers and was responsible for forming the company that is today's Macmillan. He worked there as CEO until the end of 2020. All of this is chronicled in John's memoir, Turning Pages, which we discuss in this episode.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Sam, TC and Mel chat about the notorious house know-it-alls – Terry Boot and Ernie MacMillan! Did they get along? Were they competing with each other? Who would be the most fun to hang out with? What was Terry doing in Dumbledore's office? Listen and decide!  Don't forget to visit our social medias to answer this episode's Show Host Question: “If there were a wizard entertainment award show (in the same vein as Oscars, Tonys, Grammys), what would it be called?  *** Spoilers, Adult Language, Adult Themes Music note: All music are excerpts of the Pottership Shanty (Copyright: Darwin Ray and the Pottership Podcast.)  Follow us on Facebook and Instagram! Subscribe to the show on Apple Podcast, Spotify, Stitcher, or iHeart Radio podcasts! Or send us a message at PottershipPodcast@gmail.com  

Guest: Graham Macmillan What role does corporate philanthropy play in balancing the social sector? In this episode of Untapped Philanthropy, Graham Macmillan, President of Visa Foundation, explains why corporate giving is the “third leg of the stool” that provides stability and drives innovation. Graham shares insights into how the Visa Foundation blends financial resources, employee expertise, and technology to create systemic impact. Tune in to learn how businesses can move beyond charity to become true agents of social change, bridging gaps across sectors and building trust in transformative ways.To learn more about Visa Foundation, visit: www.visa.com/foundationTo learn more about Fluxx, visit: www.fluxx.ioTo learn more about NeonOne, visit: www.neonone.comEpisodes of Untapped Philanthropy are edited, mixed, and mastered by Rocket Skates Recording.