Podcasts about Wear

This is Episode #292 and today we'll read Mark chapters 10-11 together.  Suffering and service, the triumphal entry, the cleansing of the temple…and more.Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

In my dreams, I'm falling. It's 9.8 straight down. But YOU? You're having FLYING DREAMS, babyyyyy!! ALSO IN THIS EPISODE: The only podcast with big DBE (Double Beta Energy)! Evan eats a sandwich. The B.E.T.T.E.R. method! BONUS SEGMENT: TOE TO TOE! Saker's Kickstarter: http://tinyurl.com/2d6kicks Get yourself some IABD shirts! Wear a logo on your chest!: https://www.teepublic.com/user/itsallbeendonepodcast Catch us on the 'net!: Facebook: https://www.facebook.com/profile.php?id=1593559714014720 Twitter: @beendonepod Thanks to The Orange Groves (theorangegroves.com) for hosting us. Subscribe to their Patreon: https://www.patreon.com/theorangegroves and join their discord: https://discordapp.com/invite/GdTsg8C !

This is Episode #291 and today we'll read Mark chapters 8-9 together.  Jesus predicts His death and resurrection, and His transfiguration is witnessed by Peter, James and John. Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Keeping a straight lead arm in the golf swing is a key fundamental that will help you achieve more consistent, reliable ball striking. In this episode of The Golf Podcast we dive into three easy things you can do to help maintain a straight, but not locked, lead arm in your golf swing. Listen to This Week's Show Download on iTunes here Download on Stitcher here Download on Spreaker here Download on SoundCloud here Listen on Spotify here Links from this Week's Show Article: The Key to Keeping Your Lead Arm Straight in the Golf Swing Get the Golficity App: Download the Free Golficity App Here Join the Golficity Facebook Group: Click Here to Join Our Free Listener Group Watch this Week's Show https://www.youtube.com/watch?v=uAUFRAqsrjU Thanks to this Week's Sponsors Titleist is committed to ensuring that every golf ball delivers superior quality and consistency.  From ball to ball, dozen to dozen we should expect our golf ball to perform exactly the same way, shot after shot. That's why Titleist owns the design, the technology and the manufacturing to make sure consistency spot on every time. They even conduct all the testing and quality checks to make sure nothing slips through the cracks.  Titleist is the #1 ball for every player and the #1 ball in golf.  Choose the best for your game and find out more at Titleist.com. The Shot Scope V3 is the only GPS watch on the market that combines GPS distances to greens and hazards with automatic performance tracking.  It's essentially, GPS + Automatic Performance Tracking – ALL IN ONE WATCH. Wear the V3 like a watch and play your golf like normal, the magic happens in the background  -- no phone needed.  Find out more by visiting ShotScope.com/Golficity. Trust your golf game to FootJoy, the number one Shoe in Golf. Shop now at FootJoy.com. Thanks for tuning to The Golf Podcast!

This is Episode #290 and today we'll read Mark chapters 6-7 together.   A lot of hardened hearts in this one…in Nazareth and surprisingly, the disciples!  Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Podcast Saturday - Brett From Canes Wear Joins The Big O Show 10 16 2021 by Orlando Alzugaray

Weekly Top 10: How Young Is Too Young To Wear Makeup?    See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/the-bert-show.

This is Episode #289 and today we'll read Mark chapters 4-5 together.   A little girl is raised from the dead, Jesus calms a storm, and 2000 pigs take a dive off a cliff. Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

What are you growing into?  What do you long to embody? What if something you experienced was the last time you'd experience it? What if the last kiss you had was the last one? And what if it wasn't but you let yourself remember that everything will change—how would you bring your whole self into the next kiss? Into grief and sadness? Into this moment? Into whatever you love? Appreciating being here. What can you find home in right now? Being rearranged, knowing the sacredness of it, even when it doesn't feel that way. Inviting the breath in, letting it show you the way with its elegant rhythm, moving in and out.  If you pick one thing to wear today that would represent how you want to live into this moment like it's the last moment, what would it be? Your favorite shirt? A piece of jewelry? An essential oil? Choose comfort and ceremony. How will you wear your love? Slowing down and growing into the journey of this life. Letting longing be birthed as a spark from within.  Getting acquainted with the fire of our soul.  The practice of living your wildly naked truth. Remembering to trust. And the trust in remembering. I share the poem Deep Violets, Wild Pines. Where can you let go of being so careful and live your you-ness now. Seek it out. What would living more wildly look like? Begin a new alchemy. “Wear your love like perfume.” Saturday, October 23rd, join me for Permission, a luscious and sacred virtual retreat. https://www.shegathersbeauty.com/booking/three-divine-doors If you'd like to receive invitations to special offerings and love notes from me, visit www.shegathersbeauty.com to sign up for my weekly newsletter. As soon as you land on the home page, a little note will pop up and you can sign up there.  

Patrick Jackson discusses the history of and the future Haegels West, one of the oldest western wear and tack stores in the nation. ​ Listen In...Guests and Links Episode 75:Hosts:  Mike Donnell, Kacee Willbanks Colletti, and Sophia JagellaGuest: Patrick Jackson of Haegles West | Fifth generation takes over Haegle'sVisit the WESA WebsiteSupport the show (https://www.patreon.com/user?u=87421)

This is Episode #288 and today we'll read Mark chapters 1-3 together.   Mark starts us out with Jesus' baptism and the unforgivable sin.  Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Matthew 6:25-34Andrew and Edwin discuss overcoming anxieties, leaving them up to God, and instead seeking the Kingdom of God and His Righteousness first. Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=7723The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

In this episode, we review the high-yield topic of Wear & Osteolysis Basic Science from the Recon section. Follow Orthobullets on Social Media: Facebook: www.facebook.com/orthobullets Instagram: www.instagram.com/orthobulletsofficial Twitter: www.twitter.com/orthobullets LinkedIn: www.linkedin.com/company/27125689 YouTube: www.youtube.com/channel/UCMZSlD9OhkFG2t25oM14FvQ --- Send in a voice message: https://anchor.fm/orthobullets/message

New York runs its unbeaten string to six with a nervy one goal victory over Miami. With the third Hudson Derby ahead of them, can the Red Bulls vault over the line? Roberto Abramowitz of NYCFC Radio is our guest.  Support Seeing Red by visiting the new Seeing Red Shop! T-Shirts, Sweatshirts, Stickers, Magnets & More! Listen. Wear. Support.

The award-winning blues guitar player, vocalist, and songwriter migrated from Canada to Austin on invitation from legendary impresario Clifford Antone. The young Tele slinger immediately found herself sharing stages with giants like Albert Collins, Buddy Guy, and Jimmy Vaughan. Fifteen solo records later, she celebrates the release of “Pinky’s Blues,” backed by Mike Flanigin (Billy Gibbons), Chris Layton (SRV), and her original bassist, Jon Penner. Sue holds her own as she goes a couple of rounds with the Troubled Men. Topics include recovery, a tenant, a DUI charge, assassins, Manny for Mayor, Malevitus, a trash threat, #1 with a bullet, a blues introduction, a James Cotton show, touring with Mark Hummel, visa hassles, the blues circuit, an Antone’s residency, shooting dice, Texas love, Johnny Winter, Koko Taylor, lost legends, Will and Charlie Sexton’s birthday gig, the Continental Club, a calling, the paisley Telecaster, the Sue Foley Podcast, Charo, meeting the Iguanas, and much more. Intro music: Styler/Coman Break music: “Come To Me” featuring Charlie Sexton from “The Ice Queen” by Sue Foley Outro music: “The Lucky Ones” featuring Jimmy Vaughan from “The Ice Queen” by Sue Foley Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram Sue Foley Homepage Sue Foley Facebook Sue Foley Instagram

This is Episode #287 and today we'll read Matthew chapters 27 & 28 together: The death and resurrection of Jesus Christ.Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Start an entirely new venture way out of one's career experience at age 52? How audacious, but why not.  Stacy shows us how to be an absolute beginner, to believe you can do it, and to thrive. Fashion editor, stylist, author, star of “What Not to Wear”, and now founder of State Of Menopause, Stacy continues to evolve and show that the only things that can hold you back are self-limiting beliefs and expectations. After going through menopause, Stacy realized how under-prepared women are for this time in their lives. She felt isolated, overwhelmed, and stuck. Now, she is determined to create a language and community for all women to feel confident and educated going into an inevitable phase in their life. She wants to talk about menopause and aging in a way that is productive and meaningful.How are women unprepared for menopause? Why must we stop pining over who we used to be and stay present in who we are now? Why is it beneficial to have a variety of friends younger, older, and the same ages us? What do I do if I'm scared to pivot careers or try something new? How has technology changed how we live and our ability to be present? How do we let go of expectations?  “People don't realize how much power they possess over the way they're perceived.” “Create a life that you don't want to run away from.” “As I've aged, my interest in style has kind of grown into an interest in wellness.” “Why not change or pivot and do something at 52? What else should I be doing? Should I be sitting around, mourning that I don't have the career that I had at 32? What would be the point of that? Where does the purpose lie in that?” What you will learn in this episode: How Stacy is reimagining how we approach menopause Why we must stay present and stop pining over who we used to beWhy we should seek out a friend group of a variety of ages, older, younger, and the same as usHow to let go of self-limiting beliefs and try something new, no matter your ageHow technology has changed our lives and what Stacy thinks social media will become in the futureStacy and David's life non-negotiables  Why letting go of expectations will change your lifeListen to the SuperAge podcast wherever you get your pods.Connect with Stacy: Instagram: https://www.instagram.com/stacylondonreal/?hl=en Twitter: https://twitter.com/stacylondon?lang=en State Of: https://www.stateofmenopause.com

Nora's daughter wants to be Harley Quinn for Halloween since ALL her friends are going as her too, but Nora feels that the costume is a little RISQUE...  What should she do? See omnystudio.com/listener for privacy information.

Wear a costume, hand out candy, and don't blow out a jack-o-lantern - we're recapping Trick 'r Treat! The perfect movie to brush up on your Halloween rules to avoid any unfortunate mishaps this holiday season. This episode also includes a mini recap of the new A24 film Lamb. Trick 'r Treat is streaming on HBO Max and Lamb is in theaters now. 09:45 - Lamb intro/recap 26:16 - Trick 'r Treat recap If you like the podcast and would like to support us, please subscribe wherever you get your podcasts! Or rate and review us on Apple Podcasts. You can also join our Patreon and get some fun perks like bonus episodes, bingo cards, trailer reaction videos and more.  Follow us on Instagram and Twitter @tsdwpodcast Check out our merchandise here

Anthony, Donny, and Quin are back and trying to figure out what Erika will be damned for NOT doing in Beverly Hills as well as marvel over Crystal's Chinese New Year party before heading over to Potomac, where they still think Candiace is awful but at least attempt to understand her (if not the Candee stans). Then they tackle the Jen/Brooks sit-down in Salt Lake City, bask in the glow of Mary's storytelling skills, and unpack the Whitney vs. Lisa dynamic. Wear your seat belt! Want bonus episodes? (https://www.patreon.com/knowthatpod) Want something to listen to besides Housewives podcasts? Check out the co-hosts' other endeavors! "This Is Gonna Be Good," a podcast co-hosted by Quin and fellow comic Carol Scudder to discuss everything from politics to pop culture "I Am The Cute One: A Mary-Kate & Ashley Podcast," a new podcast from The Dipp co-hosted by Donny & Chelsea (@ohnobravo) "Bad Gay: A Cultural Conversation," a podcast hosted by Anthony where he unpacks popular gay culture through candid conversations REMEMBER TO SUBSCRIBE, RATE AND REVIEW! E-Mail Us: knowthatpod@gmail.com Follow Us on Instagram and Twitter: @knowthatpod

What you'll learn in this episode: Why Marc's box art jewelry was inspired by his time working in the theater industry How Marc went from selling his work on the streets of New York City to selling them to Hollywood's biggest celebrities Why artists have always borrowed from each other's work Why box art is a conversation starter that breaks down barriers How every box tells a story Additional Resources: Instagram Photos: Museum of Israel Exhibition  Currently on view at SFO Airport  Marc Cohen and Lisa Berman (no relation)  About Marc Cohen: Marc Cohen is a highly regarded artist known for his wearable box art. As a former actor, stage manager and set designer, Cohen's two-inch-square boxes resemble stage sets with three-dimensional figures and images. His one-of-a-kind pieces sit on the shelves of numerous celebrities and can be worn like a brooch or pin. The archive of Cohen's work is housed at California art jewelry gallery Sculpture to Wear. Transcript: Inspired by his time in theater and created to resemble a stage, Marc Cohen's box art pieces are well-known among rare jewelry lovers and Hollywood's most famous artists, actors and producers. Part three-dimensional art, part jewelry, the two-by-two boxes feature images and tiny figures that reflect our world. He joined the Jewelry Journey Podcast to talk about his process for creating box art; what it was like to work with theater greats like Tom O'Horgan and Paula Wagner; and why his pieces are more than just shadow boxes. Read the episode transcript for part 2 below.  Sharon: You've arrived, it sounds like. Marc: It's kind of an affirmation. Sharon: Absolutely. Do you think the boxes would be as effective if you hadn't had this experience as a set designer or stage manager in the theater? If I sat down and made a box, I could just stick some figures in it. Do you think that really impacted your work? Marc: To answer you in an honest way, I think if I hadn't done those things—all I did before was put little seashells in boxes. I'm skirting away from your answer, so excuse me. I think because I already was someone who had been traveling around the world and already had experiences that were theatrical, because I was meeting people and talking to people standing in the middle of the street in Paris, I was already getting the idea. It was being planted. When I got involved in theater—I also did film—I saw what that was about and how everything was in a frame. A stage in a theater on Broadway, it's in a box. Sharon: That's true. Marc: It all made a lot of sense to me. There are also ironies about it for me. For example, when I talked about when I was going to high school and people would look at me and think I'm an artist, what they were doing was putting me in a box. I like to think the boxes I create are about that, but they're beyond. Once someone engages themselves in looking at it and then they end up talking to somebody, it opens up a whole other kind of thing. It breaks down that barrier that a lot of us have with each other. It came from working in theater with someone like Tom O'Horgan, who was way ahead of his time as a Broadway theater director. He did a lot of avant garde, off-off Broadway stuff. He's no longer alive. He was my best friend in the entire world. There's not a moment I don't have gratitude about that friendship, but since then I've married. I have a beautiful wife.  My wife is a filmmaker, and she and I are developing another kind of box art. I know; we don't make jewelry. I'm doing video with her. We have a series called Traveler's Ball. It's on YouTube. People can watch it if they want. It's very cutting edge. She was inspired by what I do, where I do images layered in a box. A lot of our videos have layered images. Along those lines, I have always wanted to create a box video on a small scale. A long time ago, when I first started making these things—I'm a man with a lot of information and ideas in my brain—the technology wasn't there yet. The nanos and the microscopic things, images on the head of a pin, that wasn't around when I first started. For example, I made three-dimensional, two-inch-square watches on a band. I don't have one to show you—Lisa might have one—but I made these. When I was selling on the street, I would wear one and boxes on my lapel. People would see this thing on my wrist and go, “What is that?” I would show them, and they would all go, “Wow, that's unreal! It's big, but that's amazing! When are you going to sell these?” I said, “I'm not ready to sell them yet.” I did eventually sell some. I only made two dozen of them in my life.  If you look at an Apple Watch, they finally did what I was thinking about doing in 1985. The only difference is theirs is a one-dimensional object you wear on your wrist. It is amazing to see somebody with an Apple Watch and all the different things it does, but for me, there's a missing ingredient. The missing ingredient is a point of view. A point of view is putting characters in front of something, like we are in real life; people standing on the street corner talking, meanwhile the bus is going by. I always wanted to take that idea and put it on a small scale and add the element of art to it. I didn't want it to be cookie cutter, we're making five million Apple Watches and everybody's going to have one. Not everyone's going to have a Marc Cohen version of that, and I want to keep it that way. I'm famous for a lot of things, but I'm also famous for the fact that I never like to make any of these things more than once or twice. There's something about that I only made one-of-a-kind images.  In the beginning, I used other people's images—the fine art of appropriation. There's a guy who's no longer alive who I learned a lot about; his name was Joseph Cornell. Joseph Cornell is probably the grandfather of appropriation art. Rauschenberg and Warhol, when they talk about their own art and their influences, they always bring up the name Joseph Cornell. Joseph Cornell made boxes. He handmade them himself. He was an eccentric guy who lived in Utopia, New York. Think about that: Utopia, New York. Joseph Cornell was this rather interesting guy. He was a poet. He was curious. He made all these different boxes, and you can't buy one. They're incredibly expensive. But I've had people along the way say, “You're like a modern-day Joseph Cornell.” I don't know what that exactly means. I'm a modern-day Joseph Cornell? But they talk about what I've done and what I've accomplished. It's an interesting thing for me that has followed me in this jewelry story. What else could I tell you? Sharon: I'm curious. Do people commission you and say, “It's my husband's anniversary. I want a box with us and our wedding picture with it.” Marc: Exactly. For example, Lisa Berman has a relative whose name is Virginia Apgar. Virginia Apgar is famous because she created the Apgar Score. I don't know if your viewers know what that is, but they can look it up. There was an event Lisa was going to be doing. Lisa, being an old friend of mine, I felt like I wanted to give her a memento. There's a forever stamp, and this is Virginia Apgar. Sharon: A frame with the brooch. Marc: A frame with the brooch in the middle, and all around are these images of Virginia. Warhol and Hockney did this thing where they took a person's face—I don't know if you've ever seen any of those silkscreens that Warhol used to do. I'm influenced by that too. That's how I came up with this idea of making Lisa a one-of-a-kind, object of art concept.  Sharon, I want to tell you another thing: how the box art thing really started. Originally, when I first started doing things, I started a company called Still Life. Still Life was the early stages of box art, but it wasn't in a box. It was a flat piece of plastic, circular most of the time, and it was either blue or white or green. On top of that, I would marry other things. I had little three-dimensional palm trees, and I would glue them to the surface of this round, circular piece of plastic, and then I would glue those figures I'm telling you about. I would have people at the beach. If it was a travel map, I would have people with suitcases. I had a whole series. I had like Still Life Creations Beach, Still Life Creations Travel, on and on. Still Life creation stages is how it evolved to the boxes. The point is that when I was doing Still Life, one night, I came across the idea of taking a little box and turning it into something you wear. That doorway I was speaking about earlier opened me up even further into where I am to this day. I'm still very fertile with a lot of ideas. You live in this visual world. Sharon: Right, absolutely. I love the idea that they're door openers and conversation starters that break down barriers. It's not easy to do in New York or anywhere, but I don't think New York is the conversation-starting capital of the world, let's say. Marc: Right. All the world's a stage, and all of us are players on that stage. Some people have the ability to get on that stage and act and do, while other people are off on the side watching. They're not as easily going to jump in. Ruth Bader Ginsberg whom we all love—who didn't love Ruth Bader Ginsberg? What an incredibly magnificent woman. When she was out of being a Supreme Court justice, Lisa had this idea for a show. She invited all her wearable art friends to come up with a collar idea. She mentioned it to me, and I was trying to figure out what I could do with boxes to make a collar. I'm going to try to do this carefully. Behind me— Sharon: We'll show a picture of this when we post the podcast so people can see it. Marc: Right, behind me is this. This is a series of 18 boxes in a square. I mounted it on leather. I made it in such a way that you could take this off and wear it around your neck as a necklace. My wife, who is very gorgeous—she used to be a model, among other things in her life—she wore it. Lisa has a picture of her wearing it. It's one of those objects that, if you wear it among the other incredible collars that all of Lisa's artists made, this is even more of a conversation piece because of the image of Ruth. In each box I put her most-known rulings, the titles of them. Wearing that, going to an opening somewhere, it's going to draw people's attention. That's why I keep on saying the same thing over again: every box tells a story. Sharon: Where do you get the little figures? Do you buy them at doll stores where people make doll houses, or do you go to the toy store? Marc: It used to be a trade secret. I tried in the beginning to keep everything I did very secret, but if you're a creative person and you buy one of my boxes, if you really want to know how I made it, you can take it all apart and figure it out. If they're really curious, they could look at the figures, and now that we Google everything, they could find out that the figures are made in Europe. When I first started, I bought the figures at a model train store. Model train stores have everything for making dioramas.  Sharon: They're too large for what you're doing, but I was thinking about the little plastic toy soldiers my brother used to have. Marc: Exactly. I have made boxes bigger than two inches square to be worn. That's easy to wear, but suddenly six inches to wear—that's a major statement. I used to take top hats and other hats and make a whole diorama around the hat, one-of-a-kind. I made a whole bunch of those, and I sold those pretty quickly. I made sunglasses that had a whole scene in the rim of the sunglasses. They didn't last very long because they're fragile; the wrong windstorm and they break. That's why the box, in the end, became the most utilitarian object to protect what was inside, the image and the little characters. There's meaning in that, protecting ourselves. Sharon: Where are you getting your ideas from? Are you walking down the street and seeing the World Trade Center and saying, “Oh, that would be great”? Marc: That's interesting, too. I don't live in New York City anymore. I really wish I was living in New York City. I can't afford it right now, but in the early days when I first was doing this, the mid-80s, early 90s when I was selling on the street, I would walk up and down all the fashion streets where all the storefronts are, a million different shops. There are boxes, but they have mannequins inside them. They are large versions of what I was doing on a small scale, and I would get inspired just by seeing what other window display people were doing. I would go to Barney's. Barney's uptown was amazing, the designers of the windows there. So were the windows in Tiffany. Because I'm a box artist, I see these things and they inspire me. I'd hear political news of the day, and then I'd try to match something with what was happening in the world with an image, either one I would create or one I would find and appropriate. Sharon: Do you call yourself a box artist if people ask, “What do you do?” Do you say you're an artist or a maker of jewelry? What do you call yourself? Marc: I call myself a box artist.  Sharon: A box artist. Marc: I want to call myself a box artist. First of all, I like to think I created that name. Let's put it another way. When I was doing what I was doing, people used to say, “Oh, it's a shadow box,” because that's how people can connect with the idea. Shadow boxes, if you know what they are, are mostly that. They are cardboard most of the time, and people put things in them and they create shadows against the inside of the box. When I first started making these things, everybody was asking, “What is it? What do you call it?” and I would say, “It's a box and it has a little bit of art inside of it. It's box art.” The name stuck, and every time people would come up to me, they'd say, “What's your latest box art?” When you could get on the internet and Google things, I never saw the word box art in relationship to what I do, but I also never saw the word box art in relationship to anything. Once I started using the name, and when I would make my business cards and they would say, “Marc Cohen, Box Art,” then people would have that. You know how it is. The buzz gets out, so the word eventually stuck. So, I claim box art and I claim myself as a box artist. I claim myself as a lot of other things too, but some of them I can't mention.  It's a funny journey, all of this. Now, it's Box Art Dreams. What is Box Art Dreams? Box Art Dreams is video, because that's the next level. I want to get even more intimate. I'd like the store to be even bigger in its depth and in its message. One image can do that on a certain level. For the person that's looking at it, one image can stimulate a lot of images in their head, but think about on top of it. If I have a two-inch square box and it has a little video screen inside of it, and there's a little movie in there and there are characters standing in front of it looking at it, I don't think I'm going to be able to make them fast enough. Sharon: It's an interesting idea.  Marc: That's the goal. Now, I can't do that alone. My wife is a video maker and editor. I'm plugging Julia Danielle—she's a genius at video. One of our goals is to take the wearable art idea and give it even more of an attraction. It's not just on your lapel; there's something flickering in the box. Sharon: That would be really cool, yes. Marc: If it lights up, God almighty, what people would think. That's where I'm at. Once I do that, I don't know. Then, the next is large-scale exhibition. Starting with little boxes and leading me on a journey of jewelry and art. Sharon: I do want to mention, for those who are interested, that your boxes at this stage are with Lisa at Sculpture to Wear. We'll also be posting a link and a lot of other information about today. It'll be with the podcast. Marc, thank you so much. That was just so interesting. Marc: I appreciate it. Thank you. I want to tell you I'm honored for what you're doing. Sharon: Thank you very much. I appreciate that. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.  

Model, body-positivity advocate, and newly dawned influencer Remi Bader exploded last year when her realistic clothing hauls went absolutely viral on TikTok. Now, she's been tapped by brands like Good American, Aerie, The RealReal, and Abercrombie & Fitch for her valuable insights. In this episode, Hillary chats with Remi about the behind-the-scenes aspect of her famous clothing hauls, her favorite size-inclusive brands she goes to first, and the fall essentials currently in her shopping cart.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 This is Episode #286 and today we'll read Matthew chapter 26 together.   Judas betrays Jesus to the Pharisees, and Peter denies his Lord…3 times.Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

In the classic movie, Annie, the Boylan Sisters sing, “You're never fully dressed without a smile.” But what about a leader? What does the leader need to be ‘fully dressed' for the role? In today's conversation with Patricia Omoqui and Amy Steindler, we unpack what leadership looks like, whether leaders have to don a specific way of being in order to be effective. Where to find Patricia Omoqui:WebFacebookTwitterInstagramLinkedInWhere to find Amy Steindler:WebLinkedInFollow us on all our other platforms!WebInstagramFacebookTwitterLinkedIn

Join Julie for today's encouraging Devotional!“...Don't fuss about what's on the table at mealtimes or if the clothes in your closet are in fashion. There is far more to your inner life than the food you put in your stomach, more to your outer appearance than the clothes you hang on your body. “ Luke 12: 22b-23

This week's episode is sponsored by:     Carry your creativity with Erin Lane Bags! Whether you show your fiber fandom with the woolly wonder Sheepleverse, or dive into history with the Curiosities collection, our project bags, totes, and hook and needle         organizers are at the ready to keep your hobby happy.   Go to HelloFresh dot com slash knitmore14 and use code knitmore14 for up to 14 free meals, plus free shipping!       When was the last time your knitting yarn was a work of art? Infinite Twist produces one-of-a-kind semi-solid gradients featuring speckles, high-lights, low-lights, and gorgeous color transitions. From 700 y Giant Gradients to 200 y matching sock sets, Infinite Twist Gradients will hold your interest from cast on to bind off. See the currently available gradients at infinitetwist.com, or be the first to know when new colors are posted by signing up for our newsletter at infinitetwist.com/newsletter-signup       Have you ever had to frog because you forgot a step several rows back? Or lost your spot because you dropped your magnet board or lost track with your highlighter tape? Instead of wrestling with paper, use the knitCompanion app. It keeps you on track so you can knit more and frog less. knitCompanion works with ALL your patterns and is available for Apple, Android, and Kindle Fire Devices         Bummed about missing Rhinebeck? So are we! Lisa Souza dyeworks specializes in dyeing mill spun yarns and fabulously decadent luxury handspun yarns, for discerning collectors. Soothe your Rhinebeck FOMO with some delicious decadence at Lisaknit.com       Are you feeling dis-GRUNT-eled about your stash? Are you browsing Insta-HAM looking for knitting inspiration? Is color "kind of a PIG deal" in your life? Oink Pigments offers over one hundred forty PIG-ture perfect colorways to make you SQUEAL with delight.   For a limited time only, bring home the bacon with code KNITMORE and get fifteen percent off in-stock yarns and fibers at oinkpigments dot com. Shop soon, because these pigs will FLY!     One minute Health update  On the Needles:(0:49)   Genevieve wound Little Skein, Targee sweater, in Cider Donuts 2x Jasmin has finished the first sleeve and started the second on her #RhinebeckSweater- Bare Branches by Alana Dakos in Little Skein in the Big Wool, Targhee Sweater “Cider Donuts”. Gigi is working on autopilot socks for Jasmin: Online SuperSocke 2317 from Black Squirrel in Berkeley Genevieve worked on a hat at school, Gigi has a flashback Jasmin started a silk embroidery project with Little Skein silk embroidery floss from “The Embroidered Garden” by Kazuko Aoki (Join Anne's mailing list) Jasmin recommends Infinite Twist's mailing list Gigi finished knitting the green and yellow Changing of the Gourd. Musselburg hat Genevieve wound Oink Pigments, Targee Sock, in This is the Weigh, September 2021 Gigi cast on another Musselberg hat  by Ysolda out of Oink Pigments in the Halloween colorway This is the Weigh. Jasmin called it. Gigi is working on the second sleeve of the Rocky Coast Cardigan   Decreases for the upper arm are done. Working on the underarm decreases   In Stitches:(23:15)  Gigi snuggled under the Halloween quilt, and the KAL King quilt . She wore the flannel shirt from the beginning clothing construction class Genevieve wore her Anna cardigan, Gryffindor hat and scarf set, and hand sewn masks, Also: Pantasic hoodie, Waters Edge cardigan, Payne Pullover Rex wore his fox hat, hand sewn masks and the Lion heart Hoodie Jasmin used the comforter that she visibly mended    Events:(29:04) Pacific International Quilt Fest 13- 17 October  RHINEBECK! October 16-17 2021, and Indie Untangled ! Stitches West 2022, Sacramento CA (March 3-6, 2022) Digital COVID19 Vaccine Record website Mother Knows Best:(33:26) Google what you can, ask a friend who knows more when you can't (fixing the OTT lite)   When Knitting Attacks:(41:16) Buy a new one, find the old one strikes again (pellon 541)   Purloined: from the Yarniacs :(46:31) Wear a shawl every day in November!   Knits in Space:(48:55) Aru Shah books Percy Jackson books Rick Riordan Presents The Gentle Art of Fortune Hunting (m/m regency romance)   And Sew On: (54:33) Trouser Drafting class at Cañada  College : Gigi finished the basic pants pattern, and from that pattern, drafted a jeans pattern and sewed the muslin. Genevieve helped. Also :Sew painful! Gigi traced, and Jasmin cut clear templates for fussy cut masks

In this episode I am sitting down with Paul LaSage aka Torch from Mechanic Wear, Nate Bowman the Weld Scientist and Rush Kane form Kane Industries to talk about the next innovation in welding gloves. Ive been trying these gloves out for a while now and love every pair that I have bought. I figured you all may want to know about them as well. Mechanic Wear Website: https://www.mechanix.com/us-en/ Follow Torch on Instagram: @torchwear Follow Nate on Instragram: @weldscientist Follow Rush on Instagram: @Kane.Industries   Arc Junkies Website: https://arc-junkies.podsite.io Arc junkies Merch: https://shop.threadmob.com/arcjunkie/shop/home   Friends of the Show:                                             Everlast Welders Instagram: @everlastwelders  YouTube: Everlast Welders         Online: https://bit.ly/37xJstI Use Codeword ARCJUNKIES at checkout to get upgraded to a free Nova Foot Pedal and TIG Torch with the purchase of any machine that comes with a stock foot pedal and TIG Torch.  Rockmount Research and Alloys, Inc. Rockmountwelding.com Instagram: @Rockmountwelding   Strong Hand Tools Stronghandtool.com/arcjunkies Instagram @Strong_hand_tools Fronius USA: https://shopweldingsupplies.com/pages/search-results-page?q=fronius Instagram: @froniususa   Stepped Wedge Online: Gapandtack.com Use ArcJunkies at checkout for 10% off   AHP Welders Ahpwelders.com https://ahpwelds.com/arcjunkies   ISOTUNES: Instagram: @isotunesaudio Online: https://bit.ly/36s7aFj  Use ARCJUNKIES10 at checkout and save $10 on your purchase   SUM DUM Welders: Instagram: @sumdumwelderapparel  Online: www.sumdumwelder.com  Use ARCJUNKIES at checkout and save 15% off your entire order.   Outlaw Leather Instagram: @outlawleatherusa Online: www.outlawleatherusa.com  Use Codeword ARCJUNKIES at checkout and save 15% on your entire order.   Arc Junkies Podcast: Instagram: @Arcjunkiespodcast TIKTOK: @Arcjunkiespod Email: Show@arcjunkies.com

*** Show Notes ***The Clothing Brand Marketing System: https://clothingbrandmarketing.com/Design Crowd (DISCOUNT CODE - "APPAREL"): https://www.designcrowd.com/apparelBook A Brand Review: https://www.apparelsuccess.com/Facebook Group: https://www.facebook.com/groups/243380772810772/QUESTION — Have a question about how to run your clothing brand? Post in comments section of this video!About This Video:In this episode of Apparel Success, Rob talks about how powerful email marketing is for ecommerce brands in 2021. Email marketing tools such as Klaviyo allow you to supplement your sales generated by advertising and organic reach on social media. Once you have a customer list at all, it is a powerful form of growth hacking to maintain a steady stream of sales by running email marketing campaigns. In my opinion, Klaviyo is the best email marketing platform for shopify based ecommerce stores. Email marketing is an excellent way to establish repeat customers and having a form on your website is a powerful strategy for lead generation. Email marketing on Shopify has never been easier. This info applies to all entrepreneurs and business owners but is specifically made for clothing brands, clothing lines, fashion brands, fashion lines, streetwear brands, t shirt business, print on demand (POD), dropshipping and beyond!

FULL SHOW | Today we get your "What are the chances" stories; Loren takes on Marty in Loren's Little Quiz; and we find out how you got fired See omnystudio.com/listener for privacy information.

814. Sir Nick Faldo. John Daly. Jim McLean. Rick Smith. All wear SQAIRZ golf shoes because they improve their golf game. A wild statement that usually means a paid endorsement. But that's not the case. Each of these high profile golf professionals discovered SQAIRZ golf shoes on their own, tested them out and were convinced that these are the best golf shoes ever made. And now there's science to back up some of these outrageous claims. Our guest this week is CEO and Founder of SQAIRZ, Bob Winscowicz and makes an important point. There's only two points of contact in golf. Your hands with the club, and our feet with the ground. Listen to hear how the wrong shoes can rob you of distance, consistency, and swing speed. Check them out at sqairzgolf.com Golf Smarter is your podcast forecaddie! As an entertainment service that enhances your game like a great caddie, we're now accepting tips on the homepage at GolfSmarter.com. Please show your support so that we can continue to provide weekly, helpful, and entertaining content. Your donation can be as much, or as little as you'd like. It can be a one time offering or your can even do it recurring. Thank you very much. This week on Golf Smarter Mulligans 130 is a pretty funny conversation with author of “Straight Down The Middle” Josh Karp. Josh wanted to find out for himself all these claims about the spiritual connection that so many golfers profess to achieve. So he took lessons from many of the mental coaches that have been featured on Golf Smarter including Fred Shoemaker, Dr. Joseph Parent, and Jamie Zimron. This book is about his adventure and mis-adventures to complete his quest. Originally published in 2010.

Does your spouse hate a piece of clothing you wear? Raven's wife, Alicia, didn't want him to leave their home wearing these. Was she overreacting? Catch up with the podcast.

Michael and Elisa discuss what clothing means in Dreams.

For a while, her 11-year-old daughter has been wanting to wear makeup. She loves this and wants to take her daughter makeup shopping. BUT, her husband is not on board.He thinks their daughter is too young to use makeup, and she should be focused on being a kid.Should she listen to her husband's input? Or should she take her daughter to get makeup behind his back?  See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/the-bert-show.

E130:   After speaking with so many people from so many places it's great to speak to another creative near my home again but when you hear his story you'll hear many places far away from it. On this episode we speak with author, hasher, and paintball aficionado Dave Norman. We speak on creating an income from what you love starting as kid by adding value and understanding where and how the money moves in the business to place yourself in it. We talk on traveling and taking an opportunity when it comes to you instead of letting it pass by. How cities become really cool from art then because of that exact creation become too expensive for artists to live in like many other unfortunate cycles. Great episode for authors, writers, travelers, and of course creatives trying to make a living doing what they love.     In This Episode We Cover Getting into writing as a job How to pitch articles Figuring out how to make a living off your craft Creating the gig Add value Seeing how it works and finding a way to get involved Wear a cup Take the ride Taking the opportunity as it happens City gentrification and population movements in the art community Say yes   Quotes   “What's happening here, you have these mentors, they say this where money is moving, this is what's adding value, these are the dollar signs of what's happening. You saw this is how it works, this is where they are adding value. These are what I'll do to join those and bring something to the community as well!” - Host Dave Swillum   “There's a clear but not easily defined line between being stubborn and good self advocacy.” - David Norman   “If you bought the ticket, take the ride, ride it till the end as long as it's ethical to others, who cares what others think.” - David Norman   Resources Noted In This Podcast   Find a mentor anywhere you have done a lot of growth and learning and ask them to hang out then learn from them.   Dave Norman's Links   Website www.DaveThinksTooMuch.com   Facebook https://www.facebook.com/theauthordavenorman/   Dave's Books   Following Josh https://amzn.to/3BDtvOM   White River Junctions https://amzn.to/3Fx4KpX   Email: dave@davethinkstoomuch.com     Waking Up From Work Podcast Links    IG / Tik Tok / Clubhouse / Twitter / HiHo Follow & DM Me! @davewakeup   Merch To Support Us! https://wakeup.itemorder.com/sale?fbclid=IwAR30nyVXdpFaax0mN0CRcC_mVjNzafbMo0spds82eoG-GMo01HG6Uq0dvzw   Patreon (If you want to support the show check out our sweet offers for you) https://www.patreon.com/wakingupfromwork   Facebook Community to connect to creatives https://www.facebook.com/groups/wakingupfromwork/about/   Email wakeupfromworkpodcast@gmail.com   Youtube Channel & Series https://www.youtube.com/channel/UCJeddF25VuWn8Eg3Fhy13fQ?view_as=subscriber   For audio advice and more in depth music content from Dave www.crawlspaceaudio.com   Dave's Indie Band Broadwing https://distrokid.com/hyperfollow/broadwing/tennessee

This is Episode #285 and today we'll read Matthew chapters 24 & 25 together. Signs of the End of the Age, Ten Virgins, Talents, and Sheep & Goats…these two chapters have it all! Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

We're BACK! We NAVIGATEd our way by starlight to you, dear listeners, and here we are. Listen to this too-electronic jam and enjoy! ALSO IN THIS EPISODE: Wizard Night School I WANT TO SEE BANJO-KAZOOIE Big Zappa's behind it all. BONUS SEGMENT: CELEBRITY! Get yourself some IABD shirts! Wear a logo on your chest!: https://www.teepublic.com/user/itsallbeendonepodcast Catch us on the 'net!: Facebook: https://www.facebook.com/profile.php?id=1593559714014720 Twitter: @beendonepod Thanks to The Orange Groves (theorangegroves.com) for hosting us. Subscribe to their Patreon: https://www.patreon.com/theorangegroves and join their discord: https://discordapp.com/invite/GdTsg8C !

Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Music written and performed by Jeff Foote.

Doug Dieken talks about the Browns' loss to the Chargers, the success in the run game despite offensive line injuries, the struggles of the defense, Kevin Stefanski's second guessing and more. See omnystudio.com/listener for privacy information.

What you'll learn in this episode: Why Marc's box art jewelry was inspired by his time working in the theater industry How Marc went from selling his work on the streets of New York City to selling them to Hollywood's biggest celebrities Why artists have always borrowed from each other's work Why box art is a conversation starter that breaks down barriers How every box tells a story Additional Resources: Instagram Photos: Museum of Israel Exhibition  Currently on view at SFO Airport  Marc Cohen and Lisa Berman (no relation)  About Marc Cohen: Marc Cohen is a highly regarded artist known for his wearable box art. As a former actor, stage manager and set designer, Cohen's two-inch-square boxes resemble stage sets with three-dimensional figures and images. His one-of-a-kind pieces sit on the shelves of numerous celebrities and can be worn like a brooch or pin. The archive of Cohen's work is housed at California art jewelry gallery Sculpture to Wear. Transcript: Inspired by his time in theater and created to resemble a stage, Marc Cohen's box art pieces are well-known among rare jewelry lovers and Hollywood's most famous artists, actors and producers. Part three-dimensional art, part jewelry, the two-by-two boxes feature images and tiny figures that reflect our world. He joined the Jewelry Journey Podcast to talk about his process for creating box art; what it was like to work with theater greats like Tom O'Horgan and Paula Wagner; and why his pieces are more than just shadow boxes. Read the episode transcript for part 1 below.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, my guest is Marc Cohen. Marc is a former actor, set designer and stage manager. He is a highly regarded artist recognized for his box art, which graces the shelves of many celebrities. The box art pieces are often worn as brooches. We'll hear all about his jewelry journey today, but before we do that, I want to thank Lisa Berman of Sculpture to Wear for making it possible for Marc to be with us today. Marc, so glad to have you. Marc: As am I. Thank you for inviting me. Sharon: Great to be with you. Tell us about your jewelry journey. It started with you traveling around the world from what you've said. Tell us about that and how everything worked from there. Marc: I was a 20-year-old young man and I left America, basically, on a freight ship. That's how I started the journey. I have a saying now, which is “Every box art tells a story.” The irony of that is that when I travel, because I was on the road for a very long time, going all over the world, I liked collecting things but I had no place to put them. I found these little, tiny boxes that I used to take candy out of, and when they were empty, I went, “Oh, this is a great thing to put little things inside of.” I already was starting the idea of collecting little objects that I might go back to at some point and use it as a part of the art. But I traveled; I went around the world all the way to India until 1970. Then in 1970, I decided to return to America and relocate myself within the country. Prior to that, I had left in 1966. It was during the Vietnam War.  I was raised in Southern California, so I came back to America and went back to my roots. I have a stepsister, and she had a friend named Tom O'Horgan. Tom O'Horgan is actually very famous in the theater world, primarily because he directed the show on Broadway called “Hair.” He directed many other shows after that, but that is the one he's most known for. In meeting each other for the first time, he asked me about myself, and I said, “I traveled around the world and I don't have any real direction about what I want to do next.” He said, “Well, I need a driver because I'm working on these film projects. Do you drive?” and I said, “Yeah, I drive.” So, he hired me as a driver.  During that period, which was in the mid-70s, I drove him around Los Angeles. I knew Los Angeles like the back of my hand, and we went to all these different studios and met all these different, incredibly famous people; directors, writers and the like, actors and so on and so forth. I was getting a little bit of a background, but what I didn't know at the time, not until many years later, was how I ended up becoming a curator and jewelry maker. I was influenced by the work of Tom O'Horgan. Being a set director, he did plays. The things he worked on in LA ended up getting finished, and he said, “I'm going back to New York. Keep in touch with me. Maybe there's some work for you in New York.”  About six months later, I called him on the phone. He said, “Marc, we're doing this show on Broadway. It's about Lenny Bruce and I have a great job. I'd love you to come and work on it.” I said, “Well, I've never lived in New York, but I do know who Lenny Bruce is. So yeah, I'm coming.” I went to New York and got a room at the Chelsea Hotel. It was during the time of Andy Warhol and a lot of other people living in the Chelsea Hotel. So here I am, in the middle of this incredible epicenter of activity; there was so much different art on the walls of the Chelsea Hotel back in those days, and all these Warhol people and other characters from the avant garde world in New York City. That's the background of how I got to where I got. What I mean is that as a young guy, I didn't know a lot, and I didn't have a lot of background in art per se. I was more like a young guy who was just wandering on the planet, as I said earlier.  So, here I am in New York. I'm in the middle of an epicenter of activity, and Tom says to me, “Well, we're in pre-production for the show, and there are a lot of other things I would like you to do for me.” He gave me a lot of different jobs, and I went around and did that for a while until the show went into production. During those pre-production meetings, he would meet with all these different designers. One of those designers is now a very famous set designer by the name of Robin Wagner. Robin Wagner went on to design “A Chorus Line” and a lot of other incredible Broadway productions. Robin, over the years, became one of my closest friends. The reason I bring him up is because we used to go his studio, which at the time was in a building called 890 Studios, which is owned by Michael Bennett, who was the director of “A Chorus Line.” I'd go to his studio with Tom, and he would have models of shows. I was picking up the incredibly creative process of how you put together an idea for a show and a stage. He would have little characters he would use to put on models of shows. I took note of those little figures, but I kept it hidden in the back of my brain, not knowing anything, nothing preplanned about what I was doing other than being Tom's assistant. We eventually went to Broadway with “Lenny.” “Lenny” opened. It was a big success and for about 30 years, I worked primarily with Tom O'Horgan in theater.  Sharon: Is it Tom O'Horgan? Marc: Yes, it's spelled O-‘-H-o-r-g-a-n. He was an artist. He always considered himself to be one of those people that didn't do things that are the typical Broadway. I mean, when you think about “Hair”—I didn't work on the original. I worked on a later production with Tom, but by that point, I had already worked on “Lenny Bruce,” “Jesus Christ Superstar” and so many other amazing things. We did opera. Tom did a lot of things, and Tom's influences and Robin's influences are guides to what I eventually ended up becoming, which is an artist who creates wearable art.  When you think about jewelry, for me, typically jewelry would be semiprecious stones, silver, gold, pearls, all that kind of stuff. I'm not the kind of creator or designer that would even know where to start to put those things together. I love beads. In the 60s, I made my own beads and necklaces, but I didn't see that as where I wanted to go. Because of my memory of the stage and theater and stories—when I told you earlier about the boxes, during the period I was living in New York, I collected a lot of things in my little East Village apartment.  I happened to be downtown in the Soho area; I was down on Canal Street. I was walking along the street, and all the shops had things out in front of them for sale. I walked by, and there were empty boxes and lots of other things. I was just motivated to buy them, so I bought them. I brought them back to my apartment and I was sitting at my little worktable looking at all these objects. I'm thinking, “Maybe I could make something out of this. I know that this coming year, Tom has this big Christmas party, and usually he's the guy who gives everybody something unique for a present.” There I was, looking at all these things, and I looked at the little box and glued a little figure I had inside the box. For example, this is a box. It's an empty one. Sharon: Like an acrylic, plastic box. Marc: A plastic box, an acrylic plastic box. Most people would take this box. It has a lid. They would put anything in it, but they didn't think they could put a whole story together. When I put the little figures in the box like that, and it has a lid and I put it like that, then I have a box with people standing in front of it, but they're sort of looking through. What are they looking at? I started to figure out I needed to have an image to tell the story. This is the World Trade Center. Sharon: So, you're creating little worlds inside the box. Marc: Right. Since I started the idea in 1985, I have made thousands, and out of those thousands, many of them are one-of-a-kind. How I can I put it? Because of my traveling and because I'm a very sentimental guy—with these boxes, the little characters can't talk; they're little plastic figures. They only way you could tell the story, as jewelry tells a story, is by what you put behind them. So, in this case, I put the World Trade Center. I had a little character standing there looking at it. I actually made this before the World Trade Center fell down.  My meaning of all of this is that it was something in the beginning I was aware of. The one I'm wearing on my lapel—this one is a door. There's a woman standing, looking not at us; she's looking towards the doorway. Anybody who would come up and look at my work, they would say, “Wow, that is amazing! Where did you get that?” This is how it started and how I got into fashion. “Where did you get that?” and I said, “Well, I made it.” And they said, “Really? Where can I get one?” And I said, “You can buy this one.” In the beginning, I used to sell right off my lapel. I love dressing. Double-breasted suits are my favorite attire, so I would have a box on my lapel. As I said, I would go all over New York City to openings, plays and the like. At openings and galleries and museums or wherever I went, people from across the gallery, they would see me dressed and see this thing on my lapel, curious to what it is. They would walk up to me. They wouldn't even look at me; they would look right at the box and go, “Oh my god, what is that?” When I said, “Well, it's a box and I made it,” they would go, “Wow! I want it.”  It got me to the point where—this is the most interesting thing—many years later, after traveling and having lived in Israel—one of the places I did live—after about 25 years, I decided to go back there for a visit. I had friends that had immigrated to Israel, and some of my friends were there to stay. I went to visit them, and they all are in the arts. When I was there, one day they said, “Why don't we go to the Israel Museum up in Jerusalem?” I was in Tel Aviv staying with them. We go up to Jerusalem. I was wearing a box. I'm walking around the Israel Museum—this is so amazing to me—and a woman from across the room, a very tiny lady, walks up to me. She says the same thing many other people said: “Wow! What is that? Where did you get that?” I said, “Well, I made it,” as I said earlier.  The point of it is that these boxes have a story in them. For me, every story leads into another. How I mean that is that a person who I don't even know comes up to me, looks at my work; they're inspired by it; they talk about it; they tell me things about it that I've never myself, as the creator of it, imagined how significant it was or what it meant to them. As in theater, as in my relationship to Tom O'Horgan—who broke the fourth wall when he did “Hair” on Broadway—during the period I was creating these, people in New York and probably everywhere else didn't exactly walk up to each other and start a conversation with strangers. I had the object that changed all that, and I had not realized that until I started going out and wearing them.  Getting back to Israel, this woman, who I later found out was named Tammy Schatz, she was the curator of one of the wings in the Israel Museum. She invites me the next day to come and sit and talk with them, because they were planning this show and exhibition the following year called “Heroes.” So, I went back the next day. I sat with her and bunch of other people and they started telling me what they were planning. They said, “Well, you're an American, and you must know a lot about American pop culture. You know Superman and Batman and all the stuff like that,” and I said, “Yeah, I do.” Once they learned I worked in theater and designed sets—because by this point, I was not only making little box sets, I was also making large set pieces for shows. I have also done installations and the like. So, they invited me based on an illustration I sent to them. The next year, I went back to Israel, and I did this 10-feet-high, 25-feet-long three-dimensional cityscape. It was boxes, another version of boxes. It goes on and on from there, Sharon. It's always been fascinating me, how these boxes have gotten me into all kinds of great trouble. As I continue to say, every box tells a story. Sharon: We'll have pictures of the boxes when we post the podcast, but I want to describe it to people. These are small. What, two by two?  Marc: Two-inch square, three quarters of an inch deep. When you buy them, they're empty; they don't have anything except the lid and the box. I basically invented an idea; up to that point, I never saw anybody else doing what I was doing. Later on, I found that I inspired other people's creativity. There was these little boxes, and every picture tells a story. A picture's worth a thousand words. Sharon: Marc, before all this happened, before you befriended Tom and he befriended you, did you consider yourself artistic or creative? Was that a field you wanted to pursue? Marc: Kind of. I didn't literally say, “Wow, I'm an artist! I'm going to create.” When I was a young guy growing up—I grew up in Philadelphia until I was about 13. My father and mother were in the beauty business. My father was a very well-known women's hairdresser. He had his own beauty parlor. My parents were beatniks back in the 50s in Philadelphia. They were very artistic people, and all their friends were very artistic. When you're a 13, 14-year-old, it doesn't register, “Oh, I'm going to grow up to be like my parents,” but they are influences. They all wore black all the time, and as I was growing up, that was my look; I wear all black. I'm going to high school during the 60s, and it's all surfers and bleach blond hair, and here comes me with skin-tight black pants and Beatle boots and cravats. Kids who were friends, they would come up and say, “Who are you? What do you think you're doing? You must be an artist.” The idea stuck, but as I said about journeys through life, the fascinating thing for me is that I could go around the world, have all these different things happening in my 20s, return to New York and be on this journey where I'm still at.  I know your podcast has to do with why we're here: to talk about jewelry. I came up with a way for people to wear jewelry that has a story in it and it isn't just a beautiful necklace. Most of my clients over the years have been women, and women know something much more than men know about wearing an object that attracts attention. Women know how to find beautiful objects and adorn themselves, whether it's a necklace or earrings or the like. What I also found was interesting—and this actually happened; I neglected to mention this, but at one point when I stopped doing theater with Tom and only focused on making box art, I ended up becoming a street artist.  I was selling in the beginning to every major department store, and I was getting orders for thousands of boxes that I had to come up with. I was a one-man factory, so I was pulling my hair out of my head thinking, “How the hell am I going to get all these boxes out?” Eventually I discovered there's no way I can be a manufacturer of these things; they're all one-of-a-kind. I'm not going to make 12 of the same thing. A friend of my said, “There's a street fair down on Broadway. Maybe you should go there and sell on the street.” That opened a doorway, like this doorway that's on my lapel, into a world that I have never been able to look back on. What I mean by that is that once I discovered going to Soho, which was in the early stages of its evolution to become an epicenter for artists, many of them very famous—Keith Haring, David Hockney, the list is incredible of the people that were living in Soho during this period.  I went down there; on West Broadway there were very few artists, and I was one of them. I would be standing there all dressed, and people would be walking up and down the street. It was the most incredible way for them to find out if I was marketing what I had on my lapel. People would walk by, they'd see this guy with a fedora all in black, wearing a box, and they'd be curious. “What's he wearing?” They'd come up. They wanted to ask me a about them and how much they were. They would say, “I'll take that one, that one and that one,” and that used to happen to me constantly. I never could make enough. The thousands I had made that never got sold in department stores were being sold like crazy on the streets of Soho. I started to get a reputation as the box man. One of the clients that bought from me called me the box man. There were times I would go down to Soho in the early morning on Saturday or Sunday, and there were people milling around where I would stand, waiting for me. They would go, “Here comes the box man.” It was crazy.  Among all those people, some of the people that stopped and looked at my work were people like David Hockney. David Hockney actually came up to me one day, after a lot of people walked away buying my stuff, and he was looking at them real close up. He started talking to me and giving me suggestions about what I could do with them and how I could display them. He said, “You've got this little box. Where are you going to put it? Maybe you should put it in something, like a frame?” That was the most incredibly brilliant selling idea for my boxes. What I did with the frame idea, when I figured out how to do it—there are many of them behind me; they're all frames. The idea was that you can wear it, but you can also put it on your wall, and your wall can wear your art. I made it so the frame had an opening in it that the box sat inside of. If you're going out to an opening or a fashion show or something like that, “I think tonight I'll wear one of the Marc Cohens.” That was the idea, and that took off like crazy from there.  I have to also tell you I didn't have any agents. I didn't have a rep or anything like that. The only rep I had was Marc Cohen. So, it was a cool journey through art. I evolved the idea of being an artist selling on the street, where I just had an easel, to having a pushcart. It was like immigrants coming to America way, way back, my family being some of them that went to Philadelphia. My great, great grandmother, she had a pushcart on South Street in Philadelphia. It's another part of the story of jewelry. It bridged into me getting even more known.  I went back to California where I grew up. I found that in Santa Monica, they had a promenade they were developing. They actually had people with carts they rented they would put out on the promenade. I found out I could rent carts, so I rented one and came up with this idea. It actually came from people on the street. People would walk by and say, “Wow, you're like a tiny gallery with all your art.” I came up with this name, the World's Smallest Art Gallery. I took the cart and turned it into a miniature to scale, like if you went into a gallery, but it was open to the people to see it from all different sides. I had walls and characters that were larger than the ones in my boxes. They were standing looking at the art. It was all on that level; it was very interactive. People would walk by, and there would be a lot of celebrities all the time on the street. Suddenly, not only was it regular people buying work, not only David Hockney, but very famous people in Hollywood. Along the way, I reconnected with a friend of mine who was very famous, Paula Wagner. She's now very famous for being a producer with Tom Cruise; they had a company called Cruise Wagner. She's a friend of mine from all the way back to the “Lenny” days. We rekindled our friendship in LA. She knows everybody in Hollywood, and once she saw my work, she flipped out and said, “We've got to do something with this.” She hired me, and the first thing I did for her was wearable box art in a frame. It was for Oliver Stone.  Sharon: I'm sorry, who it was for? I didn't hear. Marc: Oliver Stone the director. Sharon: Oliver Stone, oh wow!  Marc: She also represented Val Kilmer and Tom Cruise and Demi Moore. Before you know it, she's asking me if I can make a box for this person, on and on. The biggest thing for me at the time was Madonna. I knew Madonna from a long time ago. When I say I knew her, I lived in New York in the early 70s and 80s, and I used to go to all these clubs. I would go to this one called Danceteria. At the time, Madonna was a coat check girl there, and eventually she did a show there, which I saw with a bunch of my friends. Then she went on to do whatever she wanted on her own.  Somehow or another, a friend of hers bought one my pieces to give to her as a gift, but this is the best part of it. I didn't know this until much later on. One night in LA, I went to this private photo exhibition; it was a photographer who had done all the photography for Rudi Gernreich, the fashion designer with those bathing suits. I'm going to the exhibition with friends. I had my box on my lapel. I'm walking around and it's a tiny, little gallery, so people don't follow each other—everybody goes wherever they're going. A bunch of people are coming that way and we're walking, walking, walking. We come to this one, most famous photograph of a topless model. I'm looking at photograph, and standing next to me is Madonna. I turn and right away, she looks at me and goes, “I have one of those boxes.” I said, “I'm the artist. I made it,” and she said to me, “I Iove that box and I have it right by my bed,” and I said, “Oh, how cool.” She asked me a few questions and I filled her in on my background. I didn't bring up the fact that I remember her from Danceteria.  Then it was like an avalanche. I got picked up by Maxfield's Clothing Store in LA when I started the frames. Everybody saw how cool it is as an art piece, but you can wear it. Maxfield loved what I was doing, and he took me on and carried my stuff in his store. This is another amazing thing: the dresser for Arsenio Hall was in the store one day buying things for him to wear on the show. I don't know whether it was a man or a woman, but they bought an outfit for Arsenio, and the salesperson said, “We just got this new wearable art piece in. You've got to see this.” They looked at it and bought one. That night on the Arsenio Hall Show—if you ever watch his talk show, there's intro music, and then the curtain goes away and he stands there; it's Arsenio Hall. On that particular night, he's standing there, wearing a collarless Armani suit, and on his jacket is a square.  From a distance you can't tell what it is. I found out this afterwards. I got the tape. It was amazing; he didn't himself know what it really was, but he came out and the camera zooms up on him. When I saw what the box was, I got a chill. It was a period where I started to not just do people standing in the box, looking at the image or looking out away from the image; it was a period where I was putting images up against the face, so it would be a three-dimensional idea. In this particular one, it was Martin Luther King. I had done part of his face in profile in the foreground, and then I had done some backdrop. It had something to do about racial issues.  I didn't just make cutesy box art. I really am not about cutesy box art. I'm very passionate about a lot of things in life. I'm very political about certain things, and I want people to have an opportunity to talk with each other about things that are meaningful, particularly where we live these days. It's important to have that doorway of how people get through it and interact with each other without being sensitive and thinking you're going to be judged by whatever they say or do. We are in a period where people have to be careful about that. So, it amazes me that this tool—because it is a tool—is, in a way, much different than things made by other jewelry designers that Lisa Berman curates or represents. That is mostly what Lisa represents, like Robert Lee Morris. I knew Robert Lee Morris personally. He's a genius and he's a friend. Thomas Mann is one of my closest friends. I'm friends with others as well because of how we interact with each other.  The image is what it's about. It's how the characters are placed within the box. Along the way, I started thinking, “I want to get out even more than what I've done. I want to try to make work even more original.” We live in a period where they have this thing called a 3D printer. It prints pretty much anything. I can create a series of my own characters, which is something I always wanted to do. I've only just started doing this. I started developing this idea, where I custom make three-dimensional boxes on this scale and a much larger scale. That's where I'm headed. I have lots of collectors. They would be more than happy if I started making little box art again. My newest work is much larger. I make boxes now that are 20 feet big, installation pieces.  Sharon: They're hard to wear. Marc: They're hard to wear, right? I know your program is primarily about jewelry. The thing about that, though, is what I am planning to do. When I do have that exhibition, the large-scale Marc Cohen box art exhibition, I will have miniatures of that exhibition, like many other people do when they market things. The Van Gogh Experience—I don't know if you've seen this, but there's a thing on the road right now that's video mapping Van Gogh's paintings on a building. When you go to the gift shop, they've marketed Van Gogh's work to death. I would do something similar as a collectable.  I had Sotheby's in London; they heard about me through our people in Israel. I was invited to do this big exhibition at Sotheby's. It's a big auction and a silent auction. I got commissioned to make three boxes with lights. There weren't any more wearable, but I did that, and it sold for the equivalent to $10,000. Suddenly, my prices are changing. The people that bought my boxes on the street from the beginning—it's embarrassing to say—but when I first started selling them, my boxes were $20. They're no longer $20. They have been selling at auction for a lot more than $20. Now there's talk about me in way that I never, ever imagined, and it's joyful. After 40 years of doing nothing but making boxes, I don't know what— This is part 1 of a 2 part episode please subscribe so you can get part 2 as soon as its released later this week! Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

This week is a mini episode! Brief recaps of Real Housewives of Potomac and Salt Lake, Meghan King Edmonds is marrying a Biden(!?), and more!   Find my Patreon, social media and more here! 

At True North Gear® / Dragon Wear, they know tough tools are essential for tough jobs. And your job is one of the toughest. That's why founder Alyx Fier started building rugged, groundbreaking gear in his garage in 1992. His work began with an idea and a home sewing machine after he learned how fire gear wasn't being designed around the specialised needs of the crews who actually used it. Fier also knew that fit and design issues were causing back problems for wildland firefighters, and he thought he could make a difference with his brand of intelligently-designed packs and gear. That's how the company was born. Nearly three decades later, They've grown into a multi-brand company that distributes ISO 9001 registered products around the world. Even with their growth, they continue to be a family owned company, operated out of Seattle, Washington, and just up the street from that garage where it all began. Throughout the years they've remained focused on their mission of keeping their customers at the center of everything that they do. They regularly ask for and harness user feedback to create brand new designs or improve upon current products. Designing dependable, high-performance gear is the way they support your valuable work in life-risking environments each and every day. I thoroughly enjoyed this conversation and I know you will learn a lot from it.   Discount Promo Starting today thru November 19th get 10% off your first order at DragonWear using promo code DWPODCAST10. Find DragonWear on Facebook, Instagram, Twitter, and LinkedIn,  and hit that follow.   Powerline Podcast merch www.powerlinepodcast.com *Totally revamped with new gear and free shipping*  

This is Episode #284 and today we'll read Matthew chapters 22 & 23 together.  Here is Jesus, teaching His disciples through more of his pointed parables, and criticizing the Pharisees for their hypocrisy.  Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Hey Howdy Hey! Welcome to episode 87 of Disney Assembled! We love costuming for Halloween! There are plenty of options related to Disney. This includes Marvel, Pixar, and Lucasfilm. In this episode, we share the 10 costumes we would wear. If you enjoy the show, please consider showing us some love in any of the following ways: Buy us a Dole Whip! Please consider becoming a Disney Assembled patron on Patreon. For the price of a cup of coffee, you can help us out, get access to patron only content, and get a shout out on our show. Visit us on Patreon for details. Subscribe to the show on your podcast player of choice. If it is Apple Podcasts, consider giving us a 5-star rating and review. Find and subscribe to our YouTube channel. Visit our Disney Assembled store to purchase some excellent Disney Assembled merch. Have a Disney Dad Joke of the Week for consideration? Have an idea for a future episode? Follow and shoot us a message on our socials: @DisneyAssembled on Facebook, Instagram, and Twitter or email us at disneyassembled@gmail.com. Our show can also be heard on Tuesday, Thursday, and Saturday at 9am EST on Magic of the Mouse Radio. Be sure to check out our Spotify Playlist, "Disney Assembled's Favorites" - click here to listen. You can find links to all of the above, as well as links to where you can subscribe to the show, on our website: disneyassembled.com See you real soon! Troy & Mimi :) --- Send in a voice message: https://anchor.fm/disneyassembled/message

Make no mistake, putting is hard...and putting under pressure, well that's even harder! In this week's episode of The Golf Podcast we dive into our three favorite drills to help you putt better under pressure. Listen to This Week's Show Download on iTunes here Download on Stitcher here Download on Spreaker here Download on SoundCloud here Listen on Spotify here Links from this Week's Show Article: Three Drills to Help You Putt Better Under Pressure Get the Golficity App: Download the Free Golficity App Here Join the Golficity Facebook Group: Click Here to Join Our Free Listener Group Watch this Week's Show https://www.youtube.com/watch?v=mxgCgKuorFk Thanks to this Week's Sponsors Titleist is committed to ensuring that every golf ball delivers superior quality and consistency.  From ball to ball, dozen to dozen we should expect our golf ball to perform exactly the same way, shot after shot. That's why Titleist owns the design, the technology and the manufacturing to make sure consistency spot on every time. They even conduct all the testing and quality checks to make sure nothing slips through the cracks.  Titleist is the #1 ball for every player and the #1 ball in golf.  Choose the best for your game and find out more at Titleist.com. The Shot Scope V3 is the only GPS watch on the market that combines GPS distances to greens and hazards with automatic performance tracking.  It's essentially, GPS + Automatic Performance Tracking – ALL IN ONE WATCH. Wear the V3 like a watch and play your golf like normal, the magic happens in the background  -- no phone needed.  Find out more by visiting ShotScope.com/Golficity. Trust your golf game to FootJoy, the number one Shoe in Golf. Shop now at FootJoy.com. Thanks for tuning to The Golf Podcast!

This is Episode #283 and today we'll read Matthew chapters 20 & 21 together.   More parables, with several taking place in vineyards.   Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

This is Episode #282 and today we'll read Matthew chapters 18 & 19 together.   Parables galore: lost sheep, an unforgiving servant, and the rich young ruler.  Show Notes·       These will help!  Overview videos of all books of the BibleVisit·        Visit my website·        Visit my church·        Visit The German Shepherd·        Find me on Facebook,  Instagram and Twitter. Bible Study Resources·        CSB Study Bible – Hardcover or Kindle!·        The Bible Project's Bible Basics – Free!·        Every Bible You Could Ever Want!·        The Bible Hub – Free!·        Bible Study Tools – Free!·        The Bible Project- Free!          Beth Moore Daniel – Great for Church or Small Group StudyOther Resources·        Want to use your tablet for Bible reading? Consider Kindle .·        I love Audible! Try it for free!·        Want it? FaithGear has it!·        Wear your faith! Christian Strong·        Bet Hannon Business Websites designed and maintains my website.·        Title of song used in the podcast is 3 Joys & the Truth, by Daniel O'Connor Disclosure:  This post may contain affiliate links. That means if you purchase anything, I may get a small commission.  This does not cost you anything and it helps offset the costs of the podcast.  Thank you in advance.View my Broadcast License.

Please share our clips on Social Media.  Tell somebody about our show.Venmo us $5 and we send you 5 stickers @WTUS_podMEME PAGE: https://www.facebook.com/groups/73813...Podcast: https://feeds.buzzsprout.com/1183286.rssCall 619-736-5813 and leave a voicemail for the show TikTok: @universespeaks69Twitter: @universe_whenInstagram: @the_universespeaksPatreon: universespeaks69KOVR: https://theactivelifecompany.com/disc...Mad Mamma Salsa: https://madhotmamma.com#comedy #navyvet #craftbeer

Simply put, Tracey Cunningham is a hair color god, responsible for the perfect hues on some of the biggest Hollywood names like Emma Stone, Halle Berry, Jennifer Lopez, and Margot Robbie. On this episode, she dishes on how to achieve those coveted looks, the colors her clients are requesting the most this fall, and just how to take care of your color—from the pre-salon checklist to the best ways to preserve color, and everything in between. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.