Podcasts about Gaelic

There’s a divide between Scotland and Ireland as fierce as the Protestant/Catholic split during the Thirty Years’ War or the battles between Sunnis and Shias in the Iran-Iraq War of the 1980s. It’s the debate over who invented whisky. Both Ireland and Scotland claim to have originated the spirit. Ireland cites its early monastic traditions and the term "uisce beatha" (Gaelic for "water of life") as evidence of whisky production dating back to the 12th century. Scotland, however, argues that its distillation practices, documented in the 1494 Exchequer Rolls mentioning "aqua vitae," predate Ireland’s clear records and point to their refined techniques in the Highlands. Irish advocates emphasize that their missionaries spread distillation knowledge to Scotland, while Scots counter that their innovations in barrel aging and malting set whisky apart as a distinctly Scottish craft. The argument often hinges on differing definitions of what constitutes "whisky," with no definitive proof resolving the dispute, leaving both sides to proudly defend their heritage. Whisky stands out from other alcohols, like beer, due to its intricate production process, which relies on advanced distillation technology to create a high-potency spirit from fermented grains. The use of oak barrels for aging imparts complex flavors, such as vanilla, caramel, and smoky notes, giving whisky its distinctive depth and character. Today’s guest is Noah Rothbaum, a world-renowned drinks expert and author of The Whiskey Bible: A Complete Guide to the World’s Greatest Spirit. He reveals the history and lore of whisky. We discuss the possibly 5,000-year history of distillation and whisky, how phylloxera wiped out Europe’s vineyards and decimated the market for wine in the early 19th century but kickstarted interest in spirits, how Americans created a separate and distinct spirit, and the future of the drink.See omnystudio.com/listener for privacy information.

We have an interview with Open The Door For Three today on the Irish & Celtic Music Podcast #730  -  -  Subscribe now! Open The Door For Three, Fir Aida, Billy Treacy & the Scope, Adam Young, Willowgreen, Thom Dunn, Dublin Gulch, Chance the Arm, The Inland Seas GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:13 - Fir Arda  "Young Catherine" from Carolan's Receipt for Drinking 4:07 - Billy Treacy & the Scope "The Sally Gardens" from Life 7:38 - Adam Young "Watch the Weather (trad version) " from Yearbook 11:09 - Willowgreen "Scottish Settler's Lament" from Willowgreen III 16:37 - Open The Door For Three "The Fairy Jig Set" from A Prosperous Gale 20:36 - Open The Door For Three "The Jackson and Jane Suite" from A Prosperous Gale 30:14 - Open The Door For Three "Celia Connellan" from A Prosperous Gale 35:13 - Thom Dunn "The Boys From County Cork" from Forfocséic, Volume 1 38:02 - Dublin Gulch "Dispute at the Crossroads/Maids of Mount Cisco/The Scholar" from Tap 'Er Light 42:33 - Chance the Arm "Seven Shields" from All in Good Time 46:37 - The Inland Seas "Cold Blows the Wind" from Crown of Clover 50:36 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic CELTIC CHRISTMAS MUSIC Visit http://celticchristmaspodcast.com IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest dancer Kevin Doyle on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

It's Fuck Yeah Friday, and Lesley is back with wins and wisdom to brighten your week. She shares a surprising story about how time was once measured, highlights an inspiring Pilates win from listener Lisa MacDonald, and reflects on her 10th wedding anniversary with Brad. Along the way, she reminds us that noticing even the smallest victories—like making it through a tough day—can transform how habits take root.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:How ancient calendars connected women's cycles with timekeeping.The role of daily recognition in building lasting habits.Lisa MacDonald's Pilates win and how she reframed a setback.The significance of celebrating milestones like anniversaries.Why the mantra “I do not rise and fall for another” fosters self-trust.Episode References/Links:Submit your wins or questions - https://beitpod.com/questionsStella Porta's Instagram Post - https://beitpod.com/13month If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Lesley Logan 0:00  It's Fuck Yeah Friday. Brad Crowell 0:03  Fuck yeah. Lesley Logan 0:04  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.  Lesley Logan 0:48  Hello, Happy FYF. Happy Friday. Happy Fuck Yeah Friday, where we get some inspiration, we have a little bit of fun, we celebrate your wins and mine, and we leave with a little affirmation or mantra or just something to kick our weekend off. Thank you so much for being here. If you're new to the Be It Till You See It Podcast, we do interviews on Tuesday, recaps on Thursday, and this is my time to share a win of yours. You can send your wins into beitpod.com/questions as we can send your questions as well, but you can also send your wins. And I want them. I want more wins from you. Lesley Logan 1:15  So something that inspired me, or like sometimes I feel like it can be educational. So they erased the 13th month because it was ruled by women. So this is from Stella Porta on Instagram. And this is interesting because I definitely had done some research and learned how, like, we got the Roman calendar, which is, like, makes no sense, and we have winter starting the new year off in the middle of winter, which makes zero sense. We should start the middle. We should start the year off at Spring, right? I just think so. But okay, here we go. Before the church ruled time, women followed a different calendar, one based not on the sun, but on the moon. It had 13 months of 28 days, mirroring the menstrual cycle. This wasn't just myth. It was math, 13 times 28 equals 364. Plus one holy day equals 365, Brad just walked in and I just blew his mind. So by the way, the Instagram has sources. So if you're like, this is baloney. No, it's not. There's like little sources. This lunar calendar shaped everything. It had four sacred weeks per month, New Waxing, Full and Waning. Sabbaths were tied to moon phases and a full year, called a year and a day, a phrase still found in spells and folklore. I have seen that in some stuff, and I was like, whoa, that's interesting. So a year and a day, right? Cultures around the world honored it. Maya, Maya women said that their calendar came from menstruation. Chinese women divided the sky into 28 lunar mansions, and in Gaelic words for menstruation and calendar are the same, miosach and miosachan. I don't know, M-I-O-S-A-C-H and M-I-O-S-A-C-H-A-N. So there you go. The Romans used the word menstruation for measuring time. It comes from mensura, measure, from the same root, we get mensis, month and the word menses, the monthly cycle. So one is mensis, maybe, and menses. A woman's body was the first clock, mind blown. But this body-based time was slowly erased. The church replaced the 13-moon year with a 12-month solar one. They called 13 unlucky, moon rites became witchcraft, even menstruation became taboo. Still the signs survived. Witch covens honor the number 13, The 13 Treasures of Britain. Sow with 13 teats in Malta's temples, Twelfth Night fires, 12 small flames, plus one large one to represent the 13th moon of the new year. So lots of little people, just like keeping that history around. I love it, generations, hundreds of years later, right? The church flipped time inside out. Pagans began their days at sunset. The Saxon word for day actually meant night. Good night was once good den or good moonday. Christianity didn't release the goddess calendar. It was rebranded. Christmas Eve equals the pagan night of the mother. Easter equals set by the first full moon after the spring equinox. May Eve, Midsummer Eve, Llamas Eve, All Hallow's Eve, all began as a lunar right. This is interesting. This source that's here I started on another podcast. Pretty much every amazing holiday used to be a pagan holiday, and then the church just rebranded it. So anyways, always good to know where these things came from because I just think you should know. I think you should know what things really are. Alright. They tried to rewrite time, to flatten her curves into straight lines, but the moon cycles never left. They pulse in the mirror of stories and the tides of women in the hush between full moons. And now she's being remembered, not as superstition, but as origin. So hopefully I can get this girl who posted this on the pod. I really. She was cool. And I thought this information is cool. And ladies, we need to know. Right? Time was actually all about us. And I just think that's amazing. Lesley Logan 5:08  So okay, a win of yours. Lisa MacDonald, had a summer cancelation hole on my schedule, but turned what could be considered a negative to a positive, and did Boom Boom Pow! with Lesley on the Reformer, finished with my boomerang on the mat, stood up and said awesome out loud, it felt great. Such a win. Coming off my duet session with Lesley and Melissa Hargrove last night, I felt strong, connected and fabulous. Thank you, Lesley, for inspiring me to look for a win and celebrate. Lisa MacDonald, of course, of course. Lisa is an OPC member. She's done my mentorship program, and so the Boom Boom Pow! was one of the OPC classes. And at OPC, we have a name for every class you have access to it for two weeks. And it's really fun when you get, if you're a teacher, you get a cancelation and you take class because then you get to have extra time with your Pilates practice, which I love. Lesley Logan 5:57  Okay, my win didn't get celebrated last week. We were out of town, and I wanted to make sure I told you, Brad and I celebrated 10 years of being married last week, which is insanity. It's so crazy. I don't know if you maybe this is maybe I'm not the only one, but please let me know if you feel like you are. Like, hold on, how long I've been with this person, or how long I've been doing any anniversary, right? Like, how long have I been doing this? Like it felt like we just got married, and actually, obviously we haven't, but, like, doesn't feel like it's been 10 years, which I guess is great, but then I look back and I'm like, wow, we have done so much in 10 years, like, an insane amount in 10 years. And it's really cool, because this is, like, the first time we have so much more to go and so much more to grow, but just really grateful that we got to celebrate that together, because sometimes our anniversaries line up where we are on a plane and we're together, but like, one of us probably sleeping, and also several times it's happened where we've, like, taken off on a flight on the second, we've landed on the fourth, because we lost today. So it's really nice that we were around together in the daylight hours, not on a plane, able to actually celebrate our 10 year anniversary, which is really, really great. So normally, the wins are something that you want to celebrate. Sometimes they're big, like a 10 year, you know, I'll celebrate 11 as well, but I think it's important that, you know, we celebrate wins, big or small. In the coming months, we're going to have a Habits Series on the program, and one of the biggest things you can start doing to big habits happen is start to notice the things that you actually are getting done, the wins that are actually happening in your life. All right, there's little ones every single day, and we are just not taking enough time to celebrate what we did do. And you know what? Maybe you've got a lot going on in your life, and the only thing to celebrate is that you took a shower and you put on a different change of clothes. That's a huge win. If that was the hardest thing you could do in the day. You know, like, I think you I think we have to start giving ourselves credit for what we have done. And I really, I interviewed someone to be on the pod, and I really like what they're saying. There's so many people who are doing outward actions to get outward affirmation, versus looking and glowing from within, and you can only do that if you're actually recognizing that you're doing really great stuff based in grace, babe. Lesley Logan 8:13  All right, your mantra. You ready for it? I do not rise and fall for another. I do not rise and fall for another. I do not rise and fall for another. No, you don't. You rise. You rise for you. Got it? So easy to do it for other people, and it hurts because it's hard that way. So I do not rise and fall for another. Lesley Logan 8:39  You guys, have an amazing week. We've got a great guest coming up next week. Can't wait for you to hear it and until then, Be It Till You See It. Lesley Logan 8:46  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 9:28  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 9:34  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 9:38  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 9:45  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 9:49  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hear the lively hooley of The Drowsy Lads, the poetry of Yeats set to song by Dave Curley, and the timeless tradition of Bua's ballads—on the Irish & Celtic Music Podcast #729  -  -  Subscribe now! The Drowsy Lads, Hanneke Cassel, The Ciderhouse Rebellion with Molly Donnery, The Homespun Ceilidh Band, Ed Miller, Bua, Seán Heely, Dave Curley, Tami Curtis, Brad Tuck, Jiggy, Open The Door For Three, Jamison Celtic Rock, Conamara Chaos GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - The Drowsy Lads "Lost and Found Hooley (Feat. Joanna Hyde, Tadgh Ó Meachair, Randy Clepper, Tom Fitzgerald, Enda Scahill, Ian King)" from Time Flies 5:30 - WELCOME 7:34 - Hanneke Cassel "The Marathon (for Boston)" from Dot the Dragon's Eyes 10:28 - The Ciderhouse Rebellion with Molly Donnery "Murphy's Running Dog" from A Little Bit Slanted 15:18 - The Homespun Ceilidh Band "Bananas On The Hats / Bee In The Helmet" from Home With The Homespun Ceilidh Band 17:09 - Ed Miller "The Wide Rio Grand" from Many's The Fine Tale 21:39 - FEEDBACK 24:46 - Bua "Soldier, Soldier" from Down the Green Fields 28:38 - Seán Heely "The Dram Circle / Quarantune / The E - B - E Reel" from Dramagical 35:13 - Dave Curley "Never Give All the Heart" from I Am of Ireland / Yeats in Song 37:13 - Tami Curtis "Grave" from Cavort 40:35 - THANKS 42:13 - Brad Tuck "Tie Me Down" from Stages 45:45 - Jiggy "Rise" from Hypernova 49:30 - Open The Door For Three "The Mermaid of Mullaghmore" from A Prosperous Gale 53:32 - Jamison Celtic Rock "Through Hills for Water" from Hafaguone 56:34 - CLOSING 57:54 - Conamara Chaos "Another Day" from Anord 1:01:10 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Want to wear your love of Celtic music? Check out our album pins—these are striking lapel pins inspired by our official podcast compilation albums, featuring some of the best Celtic bands we've ever had on the show. Each pin comes with a full digital album download, so you get great music and great style. Get all the details at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? Follow Marc Gunn on Substack. IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest dancer Kevin Doyle on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and a special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

The Quiraing is not a gentle place. Stone spires jut skyward, cliffs crumble toward the sea, and paths twist like they're still being carved by giants. It's a landscape that doesn't promise safety—it dares you to take another step. On Skye, they say even dragons once hid in these folds, rising to defend the island from invaders. And standing here, staring into that mist and stone, you can feel it: adventure isn't slaying dragons. It's choosing to face the one within. Music from Kinnfolk, Ed Miller, and Marc Gunn. This is Quest & Chorus #308 0:39 -  - Kinnfolk “Highland Laddie” from Star Above The Mountain 4:21 - WELCOME TO QUEST & CHORUS Where every hill might hide a dragon, and every fear might be your map. We stand on the edge… of a cliff, of a journey, of ourselves. The Quiraing, on the Isle of Skye, is a land caught between movement and stillness… earth sliding slowly toward the sea. And standing here, staring out over stone teeth and mist-choked valleys, you might ask: Should I go forward? Or turn back? I'm your bard, Marc Gunn, also host of the Irish & Celtic Music Podcast, and typically host of this show as Folk Songs & Stories, but today, we call it Quest & Chorus. Quest & Chorus is a 6-part podcast series. I fuse my love of Celtic and folk music, science fiction and fantasy, and travel into a podcast with a quest. In each episode, you will get a clue to unlock a secret reward. And at the end of the season, you will combine all of those clues to unlock an even bigger amazing reward. If you're new to the show, please follow us. You can do that PubSong.com or Just send me an email to follow@celtfather. Review of ALEP 6: A Long Expected Party. Stories: 6 mile hike Dressing like a hobbit Playing music with Kelly and Mitch in the Dancing Pony. Providing the atmosphere for Middle-Earth Sunrise over The Shire Singing beneath the stars. Ed Miller has a gift for turning lived experience into song. In “The Wide Rio Grande,” he tells the story of a young Scottish singer facing the sting of rejection at the U.S. border — and how that moment bound him to countless others who've risked everything to cross into a new life. It's a song about displacement and determination, about rules that separate and courage that refuses to be denied. From Houston to Laredo, from Scotland to Mexico, it is both personal and universal — a reminder that behind every border there are human hearts, still daring to cross. 11:19 - Ed Miller “The Wide Rio Grand” from Many's The Fine Tale The Wide Rio Grande Lyrics and music by Brian McNeill Fifteen years gone, the airport in Houston A young Scottish singer stands waiting in line He's been too long apart from the home of his heart It's a young Texas sweetheart so fair and so fine But the man at the desk with his uniform shoulders Gives uniform reasons and a uniform smile Takes more than a song son. The paperwork's wrong son Fly back where you came from just 5000 miles Come all you brave lads who follow my story I'll stand at the border and give you my hand Here's honor and luck, good health, and glory To those who would try for the wide Rio Grande London to Mexico, ready to try again Walk through a border that thousands have crossed Join the bold dispossessed of the South and the West For a white boy from Scotland, no irony lost But he knows as he reaches the light in Laredo With the guards looking on and the sun beating down That the hard law and order, the rules on the border Has made him at one with the men who have drowned Come all you brave lads who follow my story I'll stand at the border and give you my hand Here's honor and luck, good health, and glory To those who would try for the wide Rio Grande So the next time you walk the wrong side of the border Remember this song as you think on your lot For every man, Jack, who can take the road back Should think on the fortune of those who cannot For Wetback's a name that they whisper in corners But there's one man hear who will wear it with pride For a fence or a wall means nothing at all For a heart full of courage will ne'er be denied Come all you brave lads who follow my story I'll stand at the border and give you my hand Here's honor and luck, good health, and glory To those who would try for the wide Rio Grande Compadres and amigos who follow my story I'll stand at the border and give you my hand Here's honor and luck, good health, and glory To those who would try for the wide Rio Grande 15:50 - UPCOMING SHOWS OCT 11: The Lost Druid Brewery, Avondale Estates, GA OCT 17-19: MultiVerse, Peachtree City, GA NOV 1: Georgia Renaissance Festival Fall Festival, Fairburn, GA NOV 8: IrishFest Atlanta, Roswell, GA with Inara NOV 14-16: CONjuration, Duluth, GA NOV 22: Georgia Renaissance Festival Fall Festival, Fairburn, GA DEC 6: Georgia Renaissance Festival Fall Festival, Fairburn, GA DEC 7: Nerdy Wonderland at The Lost Druid, Avondale Estates, GA @ 12 - 5 PM. Please leave a comment on the podcast show notes at pubsong.com or wherever you listen. Email pictures of where you're listening to follow@celtfather . I'll send you a free gift and you can learn more about how to follow this podcast. News There is also a 10-day Sale at com for the 2025 Firefly Drinking Songs t-shirts. This is the only time you'll be able to get a copy of this shirt this year. The store closes on October 10. So get those orders in! October Patreon Membership Drive. I'm running a Patreon Membership Drive from October 1-10, 2025. When you become a Patron, you get a free album: Kilted Drinking Songs. I say a free album. But to be fair, you get several free albums. This is the latest. It features songs that were once recorded exclusively for this podcast. It's now together as a digital-only album. There's only one way to get it. A big thanks to my… GUNN RUNNERS ON PATREON If you enjoy this podcast or you love listening to my music, please follow my Celtfather Patreon page. You can sign up for free and get updates on what's new and you can get an ad-free edition of this podcast before public listeners. But you get so much more when you become a Patron of the Arts. Patreon is one of the ways modern musicians and podcasters make a living. For just $5 per month, you'll get exclusive, unreleased songs, podcasts, video concerts, bootleg concerts, and so much more. Email follow@celtfather to get more details! 18:38 - Marc Gunn “Paddy Murphy” from Kilted Drinking Songs 24:17 - TODAY'S SHOW IS BROUGHT TO BY CELTIC INVASION VACATIONS Every year, I take a small group of people on a relaxing adventure to one of the Celtic nations. We don't see everything. Instead we stay in one area. We get to know the region through its culture, history, and legends. You can join me with an auditory and visual adventure through podcasts, blogs, videos, and photos. In 2026, you can join me for a Celtic Invasion of Galicia in Spain. Sign to the Celtic Invasion Vacations mailing list at CelticInvasion.com. Let's begin the… QUEST & CHORUS of QUIRAING, SCOTLAND The Quiraing lies on the northern Trotternish Ridge of Skye. It's part of the largest landslip in Britain — a massive collapse of rock that stretches nearly the length of the peninsula. What makes the Quiraing remarkable is that it's still moving. Every year, the road below must be repaired, because cracks open and the land shifts. The cliffs and pinnacles here are not frozen in time; they are alive, in motion, reshaping themselves even now. Within this landscape are some striking features: The Needle, a tall jagged spike of rock; The Prison, a crag shaped like a fortress; and The Table, a grassy plateau hidden away within the folds of the cliffs. These names reflect how the landscape feels — not just natural, but storied. The word Quiraing comes from Old Norse — Kví Rand — which means “round fold.” It's thought to describe the way the land curves inward, almost like a natural pen or hollow. Local lore says the hollows were once used to hide cattle, especially during Viking raids. The geography itself became a shield, a place of protection. There are stories of dragons living in the Quiraing. However, the dragon stories don't come from ancient Gaelic tradition. They appear more in modern folklore retellings and travel writing — stories told to capture the atmosphere of the landscape. It's easy to see why. The Prison, a huge crag that looks like a fortress, seems like the perfect lair. The Needle rises like a spear ready to strike. The Table, hidden within the fold of the cliffs, feels like a secret clearing where wings could unfurl. One version says the dragons hid in the folds of the Quiraing, guarding the people of Skye from Viking invaders. When longships came over the horizon, the dragons rose from the cliffs themselves — wings beating like thunder, breath as fierce as the Atlantic spray. The Vikings fled, and the people survived. It's not a tale you'll find in the oldest manuscripts.  In a place where the land still moves, where cliffs shift and stones crash down, dragons feel less like fantasy and more like a natural explanation for the Quiraing's wild power. So when you set foot there today, you're not just walking among rocks and landslides. You're stepping into a landscape that invites adventure — where the air feels charged, as if dragons might still be hiding just behind the next ridge, waiting for the moment to rise again. In Middle-earth, places like this are where heroes are tested. This is where Frodo keeps walking. Where Aragorn faces the dead. Where you ask: Am I brave enough to keep going? Talk prompts: Fear is not the enemy—stagnation is. Talk about how fear can be a compass, not a wall. The illusion of safety: The “door” we hide behind may protect us—but it can also trap us. Personal story: Have you ever reached a moment of internal Quiraing? When you had to keep going even if you were shaking? D&D parallel: Every great campaign starts with a hesitant first step. Players choose to walk into darkness. The song's core idea: Adventure is not slaying dragons. It's choosing to face the dragon within. This song came from that moment— That catch in the chest before you say ‘yes.' That step forward that feels like a leap. It's about choosing the road that scares you… Because it also might save you. This is Come Adventure With Me. 29:24 - Marc Gunn “Come Adventure With Me” from Come Adventure With Me Your next clue is locked in the lyrics. What turns you to stone? Listen again. Write it down. Because sometimes, it hardens into walls. And sometimes… you have to break them. Thanks for walking the edge with me today. The Quiraing doesn't give answers.  But it gives perspective. Next time, we dive into a different kind of exile, on Skellig Michael, where legends go to disappear beneath the waves. Until then, wherever you are… Come adventure with me. 33:52 - CREDITS Thanks for listening to Quest & Chorus. This episode was edited by Mitchell Petersen. You can follow and listen to the show on my Patreon or wherever you find podcasts. Sign up to my mailing list to learn more about songs featured in this podcast and discover where I'm performing. Remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Join the Quest and Sing Along at www.pubsong.com! #pubstories  

"Aberdeen Calling!"   On 10 October 1923, the BBC opened its seventh station: 2BD Aberdeen.    Its station director R.E. Jeffrey was fresh from the success of Rob Roy - a drama he'd produced and starred in - and in later years he'd head up BBC drama, with contributions arguably including radio's first sci-fi and first sitcom (not at the same time - Red Dwarf was a while away yet).   Our experts include author Gordon Bathgate (whose book Aberdeen Calling is recommended - link below)... academic Dr Aleksandar Kocic of Edinburgh Napier University on why the BBC doesn't really do local radio in Scotland... plus notes from Prof Tim Crook on R.E. Jeffrey's later career... and much more.   We recreate for you Aberdeen's opening night - hear the songs and some of the voices. We look at the challenges of the weather, and the shrinking nature of BBC local radio - both in 1923 and in 2025.   Thoughts on any of this? Email me: paul at paulkerensa dot com. And see the below links for more on this marvellous tale...   SHOWNOTES: Original music is by Will Farmer.  Gordon Bathgate's excellent book Aberdeen Calling: 100 Years of the BBC in Aberdeen is available for your bookshelf: https://amzn.to/42mDDuJ Dr Aleksandar Kocic's thesis - 'What perceptions of local radio by its journalists and listeners tell us about its role and future' - is here: https://dspace.stir.ac.uk/handle/1893/35995?mode=full Graham Stewart's website Scotland On Air has more on the 2BD Aberdeen story here: https://wiki.scotlandonair.com/wiki/2BD Prof Tim Crook's article on R.E. Jeffrey and his pioneering sci-fi dramas is here: https://kulturapress.com/2022/08/29/r-e-jeffrey-pioneer-science-fiction-audio-playwright/ Our survey of what you like/don't about this podcast is here - do please spare 5mins to let me know your thoughts: http://tiny.cc/bbcenturysurvey Paul's latest Substack is on the Boat Race leaving the BBC... and how it first arrived: https://paulkerensa.substack.com/p/the-boat-race-drifts-from-the-bbc Paul's live show on the BBC origin story visits a variety of tour stops: www.paulkerensa.com/tour. This podcast is nothing to do with the BBC. Y'hear? Please like/share/rate/review this podcast - it all helps. Support us on Patreon (£5/mth), for bonus videos etc. Coming soon: a thing that involves me paying for a few things to make a one-off fuller bigger episode. Help fund it? Thanks if you do! Or a one-off tip to Ko-fi.com/paulkerensa? Thanks! All keeps the podcast afloat. Next time: Episode 106: The launch of 6BM Bournemouth, and an interview with radio futurologist James Cridland. More on this broadcasting history project at paulkerensa.com/oldradio

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

We follow how a remote landmass on the far western fringe of Europe became the home of a lasting Gaelic civilization and a major center of classical and Christian knowledge, before coming under attack by Viking raiders and Anglo-Norman invaders. We examine the English Crown's shifting and increasingly desperate strategies to control Ireland, and the long battle over control of land and religion before Ireland was finally subjected to Protestant domination following the Glorious Revolution. Recommended further reading: Cronin, “A History of Ireland”; Foster, ed., “The Oxford Illustrated History of Ireland”; Ranelagh, “A Short History of Ireland”; Roberson, “The Irish Ice Sheet,” Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq -- used with the kind authorization of Les Arts Florissants Image: Lavabo, Mellifont Abbey, Ireland Please sign up as a patron at any level to hear patron-only lectures, including the series on the Epic of Gilgamesh! -- www.patreon.com/c/u5530632

Multiple All-Ireland winner with Kerry and one of The Last Word's GAA analysts, Marc Ó'Sé, has released his autobiography ‘Ó'Sé: A Kerry Family, A Football Dynasty.He spoke to Matt about being part of one of the most famous families in the GAA which saw him play alongside his brothers Darragh and Tomás, and under the management of his uncle, Páidí.He also discussed how Gaelic football evolved from the early days of his career to the latter stages, and what his relationship was like with former managers Jack O'Connor and Eamonn Fitzmaurice.Hit the ‘Play' button on this page to hear the chat.

From barndances with Téada to soulful ballads by Niamh Dunne, and a Donegal homecoming with The Byrne Brothers—this week brings songs and tunes to move your feet and your heart, on the Irish & Celtic Music Podcast #728  -  -  Subscribe now! Téada, Eimear Arkins & Eileen Gannon, Niamh Dunne, Faoileán, Ashley Davis, Adrianna Ciccone & Ellen Gibling, The Byrne Brothers, Natalie Padilla, Toby Bresnahan, Dublin Gulch, Eamonn Flynn, Sylvia Platypus, The Irish Rovers, The Muckers, Ryan Roubison GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Téada "John Egan's/Saunders'/ Fort (barndances)" from Give Us a Penny and Let Us Be Gone 4:02 - WELCOME 5:43 - Eimear Arkins & Eileen Gannon "Comb Your Hair And Curl It/Boys Of Ballisodare/The Promenande (hop jigs)" from The Belles of St. Louis 9:00 - Niamh Dunne "Strange Affair" from Portraits 12:41 - Faoileán "An Bradán Feasa / Gan Ainm / The Changeling" from Far Hills 16:59 - Ashley Davis  "Lessons In Irish (feat. Cathy Jordan)" from Down By the Sea 21:03 - FEEDBACK 23:59 - Adrianna Ciccone & Ellen Gibling "L'Abbiamo / Tu Scendi Dalle Stelle" from The Pear Tree 28:18 - The Byrne Brothers "Home to my Donegal (Patsy Cavanagh)" from Living the Dream 32:14 - Natalie Padilla "Ngen" from Eostre 34:48 - Toby Bresnahan "Raggle Taggle  -  Congress Reel" from All In Good time 39:21 - Dublin Gulch "Sarah Daly/The Copper King's Daughter" from Tap 'Er Light 43:43 - THANKS 46:06 - Eamonn Flynn "The Anne's" from Anywhere But Home 51:21 - Sylvia Platypus "9th Street" from Last Hurrah 55:08 - The Irish Rovers "The Ballad of Tom Archer" from No End in Sight 59:28 - The Muckers “Black Irish” from One More Stout 1:03:12 - CLOSING 1:05:10 - Ryan Roubison "Nyth Y Gog" from Songs from the Willow Glen 1:10:07 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and a special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com SHOP FOR NEW IRISH & CELTIC MUSIC PODCAST MERCH IN OCTOBER From October 1–8 only, the Mage Records store has new Irish & Celtic Music Podcast merch. Pick up limited - edition CDs, exclusive album pins, and a special bundle. These are rare collections—once they're gone, they're gone. Don't miss this one - week chance to celebrate Celtic music and support the podcast. Get yours at magerecords.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

The American-born folklorist and musician Margaret Fay Shaw's passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells' house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The American-born folklorist and musician Margaret Fay Shaw's passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells' house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

The American-born folklorist and musician Margaret Fay Shaw's passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells' house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

The American-born folklorist and musician Margaret Fay Shaw's passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells' house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The American-born folklorist and musician Margaret Fay Shaw's passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell. Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells' house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing. The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The Sonas Hotel Collection's story spans three generations, and a blend of spontaneity, resilience, and family values have transformed a single guesthouse into a beloved group of hotels.From the very first purchase with Anne's late husband Ken, to the latest ambitious renovations, the Gracie family's journey is filled with unexpected turns, laughter, and a deep sense of purpose.Anne and Jennifer are this week's very special guests, as they open up about the joys and challenges of working side by side as mother and daughter, and how their different personalities and skills have become the perfect balance for their business. The episode delves into the emotional moments that shaped their path, and the strength they found in each other during difficult times. This behind-the-scenes look at the Sonas Hotel Collection uncovers the heart, humour, and hope that drive this extraordinary family forward.

On a sun-kissed Autumn's afternoon on the banks of the River Nith two National Poets sat down to chat about Rabbie Burns, Bob Marley, Dante's Inferno, the Gaelic and Jamaican tongues, and much more besides. In this special edition of the SPL podcast, Scotland's current Makar, Peter Mackay, and the former Poet Laureate of Jamaica, Lorna Goodison, exchanged poems, stories, thoughts and much laughter at Ellisland Farm, once home to Robert Burns and his family, where he famously composed such works as Auld Lang Syne and Tam o' Shanter. The conversation took place during the poets' four day residency at the Ellisland Farm Burns Museum: who the Scottish Poetry Library partnered with to help bring the two national poets together for this unique collaboration. What unfolds in this fascinating and generous conversation is an exploration of seemingly disparate cultures and languages, that may be closer than we at first think. We can also report that Peter Mackay and Lorna Goodison got on like the proverbial house on fire!

Second Captains co-host, Irish Times columnist and author, Ciaran Murphy, has published his second book ‘Old Parish: Notes on Hurling”.He tells the story of how despite being an avid Galway GAA fan – one of the few dual counties in Ireland – he had only ever played Gaelic football.So, in the lead up to his 42nd birthday, he decided to move to Co. Waterford and play hurling with An Sean Phobal, the club that his father played for in the 1960s.Ciaran joined Matt on Monday's The Last Word to tell him why he felt compelled to do it.Hit the ‘Play' button on this page to hear the conversation.

uisge beatha is the Gaelic term. We often overlook the water that is not only in our whiskey but it makes up us. I promise you will love this deep dive. So come on in the water is fine.Thewhiskeyshaman.comPatreon.com/the_whiskeyshamanBadmotivatorbarrels.com/shop/?aff=3https://www.instagram.com/zsmithwhiskeyandmixology?utm_source=ig_web_button_share_sheet&igsh=MWZ4dGp2MzlucjVvdw==Uisge beatha (pronounced approximately "ish-ka-ba-ha" or "ISH-ka BY-ah") is a Gaelic term meaning "water of life" from which the word "whiskey" ultimately derives. This ancient term, originally a translation of the Medieval Latin aqua vitae ("water of life"), was used by Irish monks and later evolved into variations like usquebaugh and ultimately the English "whisky". Meaning and OriginLatin Roots: The Gaelic term is a direct translation of the Latin aqua vitae. Early Use: Irish monks in the Middle Ages first applied the term uisce beatha to distilled spirits. Evolution: The term evolved phonetically and was anglicized into usquebaugh before becoming the "whisky" we know today. PronunciationIrish Gaelic: The pronunciation is often described as "ISH-ka BY-ah". Scottish Gaelic: Another variation is "ISH-ka BY-ah". Significance"Water of Life":The name highlights the perceived life-sustaining and medicinal properties of early distilled spirits, which were believed to have healing abilities. Direct Link to Whiskey:It is the direct etymological ancestor of the English word "whiskey" and "whisky". The journey from aqua vitae to whiskeyThe story of uisge beatha begins with the Latin term aqua vitae ("water of life"), which was used throughout medieval Europe to describe distilled alcohol. Irish monks and early distillation: During the Early Middle Ages, Irish monks who traveled throughout the Mediterranean brought distillation techniques back to Ireland. With no grapes available for wine, they adapted the process to ferment and distill grain and barley instead. This was the first creation of what we know as whiskey today. The monks translated the Latin aqua vitae into the Gaelic uisce beatha.Early medicinal use: The initial purpose of the distilled spirit was medicinal. It was used as a cure-all for ailments, a disinfectant for wounds, and a form of anesthesia. The annals of Clonmacnoise in Ireland record an instance in 1405 where a chieftain died from "taking a surfeit of aqua vitae," implying overconsumption of the spirit.Spread to Scotland: Irish monks, who were also instrumental in Christianizing Scotland, are believed to have carried the knowledge of distillation with them. By 1494, a record from the Scottish Exchequer noted an order of malt "to Friar John Cor, by order of the King, to make aqua vitae," an entry that confirms the practice was well-established by that time. The anglicization of the nameOver time, as the popularity of the distilled spirit grew, the long Gaelic name was shortened and adapted by English speakers.Early spellings: Early English forms included uskebeaghe (1581) and usquebaugh (1610), which were phonetic approximations of the Gaelic pronunciation.Final abbreviation: The process of abbreviation and mispronunciation eventually led to "whiskey" (or "whisky"), dropping the second half of the phrase.The "whiskey" vs. "whisky" divide: The variation in spelling between "whiskey" (Ireland and the United States) and "whisky" (Scotland and most other countries) emerged in the 19th century. During that period, the quality of some Scotch whiskies declined, leading Irish distillers to add the "e" to distinguish their perceived higher-quality product in the American market. Cultural significanceBeyond its medicinal origins, uisge beatha came to play a vital cultural role, reflecting the craftsmanship and resourceful nature of its makers.Farmhouse production: Distillation provided a way to use surplus grain and could be easily stored or traded. 

On Wednesday, it was reported that Cuala GAA had agreed a €2 million deal for a six-acre site owned by Bective Rangers rugby club.However, the availability of facilities across the capital is a constant struggle for many GAA clubs.Denis Walsh, Sportswriter with the Irish Times, reported this week that out of 412 pitches that are available for Gaelic games in Dublin, only 124 are owned by GAA clubs.He spoke to Matt about the issue on Friday's The Last Word.Hit the ‘Play' button on this page to hear the chat.

Fiddles fly, voices soar, and traditions come alive on the Irish & Celtic Music Podcast #727  -  -  Subscribe now! Jigjam, Téada, Jeff Blaney, Norse Gael, Bealtaine, Goitse, Dan Possumato, Crikwater, Jocelyn Pettit & Ellen Gira, Golden Bough, Brobdingnagian Bards, Enda Reilly, Tartanic, Caliceltic, Liz Carroll GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Jigjam "Greenhill's Gold" from Phoenix 4:16 - WELCOME 6:21 - Téada "Reels: The Reel with the Birl / Carraigín Ruadh / Ryan's Rant" from Ainneoin na stoirme / In spite of the storm 9:29 - Jeff Blaney "When I Am Home (In America)" from Exodus 11:43 - Norse Gael "Creadeamh Sí" from Finscéal 15:12 - Bealtaine "The Ducks of Dublin Town" from Factories & Mills, Shipyards & Mines 18:43 - FEEDBACK 22:06 - Goitse "Write Me Down" from Rosc 25:46 - Dan Possumato "Planxty Dermot Grogan (feat. Teresa Baker & Elizabeth Nicholson)" from An Teachín Gorm 29:40 - Crikwater "Yarmouth Town (Live)" from Live in Buffalo 33:09 - Jocelyn Pettit & Ellen Gira "Road Trip to Cape Breton" from Here To Stay 36:56 - Golden Bough "Glencoe" from Westering Home 40:49 - THANKS 44:15 - Brobdingnagian Bards "Mother's Blood" from Another Faire to Remember 48:00 - Enda Reilly "An Bua Ag Bláth Chliath" from Hy - Brasil 50:57 - Tartanic "Ballz/Ringworm" from Unleashed 55:46 - Caliceltic "The Man in the Boat" from Paddy Paradise 58:40 - CLOSING 59:42 - Liz Carroll "Hanley's House of Happiness” from Lake Effect 1:03:01 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest Liz Carroll on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Learn more about tours at IrelandByBike.com Donegal Coast 1 Day Self-guided Electric Bike Tour When travelers dream of Ireland, names like Dublin, Galway, and the Ring of Kerry often come to mind. But on Ireland's wild northwest edge lies a county that quietly outshines them all: Donegal. Rugged and soulful, this region is home to towering cliffs, glacial valleys, and a living Gaelic culture where fiddle music and friendly welcomes are part of everyday life. If you've ever wanted to explore Ireland beyond the usual highlights, this episode is your invitation. Donegal offers something rare: a landscape as dramatic as its culture is warm. Whether you cycle with Seamus, hike along the cliffs, or sip a pint at a music session, you'll find an Ireland that still feels wild, authentic, and deeply welcoming. In this episode of the Sunshine Travelers Podcast, we slow down to savor Donegal's unique spirit with local guest Seamus Gallagher, who runs Ireland by Bike with his wife, Nora, in the village of Carrick. Their self-guided cycling tours connect travelers to Donegal's stunning landscapes and small villages—but Seamus' stories go far beyond the bike. What You'll Discover in This Episode: Why Donegal remains one of Ireland's least-visited—and most authentic—counties The secret behind Donegal's distinct fiddle music and Gaelic dialect What it's like to cycle to Sliabh Liag Cliffs, which rival the Cliffs of Moher The difference between e-bikes in Ireland and the U.S.—and why pedal-assist makes exploring easier Hidden gems like Granny Valley and Glencolmcille Tips for catching a traditional pub session Gaelic phrases like Céad Míle Fáilte (“100,000 welcomes”) and Sláinte (“cheers”) Why staying in family-run B&Bs creates the most meaningful connections How slowing down—walking, cycling, and lingering—leads to the richest travel experiences Learn more about tours at IrelandByBike.com Other Episodes You'll Love: Episode 132 - Northern Ireland Travel Guide: Belfast, Dark Hedges, Causeway Coastal Route & Giant's Causeway Episode 18: Dublin & Southern Ireland Road Trip Episode 113 - Our Experience Walking Through Umbria Italy with MACS Adventure Resources & Links Want curated travel deals every week? Subscribe to Travel Deal Insiders — the best travel deals sent straight to your inbox. Get Our Ultimate Packing Guide for Traveling Smart and Packing Light + Access to Exclusive Weekly Content here. Don't waste your precious vacation time with Jet Lag, get Flykitt and watch Jet Lag disappear! Protect your privacy, boost your security, and keep your browsing data safe with Express VPN. Plus, get 3 months free with a yearly plan. Follow Sunshine Travelers Listen on Apple Podcasts | Spotify | YouTube Read more about this and other travel destinations on our BLOG Follow our travels on TikTok @sunshinetravelerspodcast Follow us on X @sunshinetrvlrs Connect with us on LinkedIn @sunshinetravelerspodcast Get travel tips and follow our travels on Instagram: @sunshinetravelerspodcast Connect with us on Threads @sunshinetravelerspodcast Connect with us on Threads See our travel videos on YouTube @sunshinetravelerspodcast Save our travel ideas on Pinterest @sunshinetravelerspodcast Music: This Acoustic Happy Music by Dmitrii Kolesnikov from Pixabay

This episode of Prove All Things continues the deep dive into the mystery of the lost tribes of Israel. Using Scripture, Assyrian records, and historical sources, the hosts explore what happened to the deported Israelites and challenge the theory that they simply vanished or assimilated. Evidence is presented connecting the Israelites to the Scythians, Cimmerians, and later Celtic and Gaelic peoples. The discussion highlights how history, language, and archaeology support the biblical record of Israel's dispersion.

In this episode, composer Julian Anderson discusses his new work Life Cycle, to be premiered by Birmingham Contemporary Music Group in September 2025. Conducted by Stephan Meier, and featuring soprano Anna Dennis, the concert also includes Charlotte Bray's Reflections in Time and the premiere of Serpentine by Birmingham composer Marcus Rock.At the heart of this conversation, though, is Anderson's Life Cycle: eight songs that span English, French, Spanish, German and Gaelic traditions, exploring themes of identity, memory, belonging, life and death. For Julian, it's both a deeply personal project – shaped by family, friendship, and loss – and a vision of music that travels freely beyond nationality. It's also a project that began life in an unusually unexpected way.We also talk about the early encouragement that set him on the path to composing, how musicology sharpened his creativity, and why he believes memory and play sit at the core of everything he writes.Our conversation was recorded on a hot Bank Holiday Monday in August, at a busy Southbank Centre in London.

Ahead of a Presidential visit to the United Kingdom this week, we learn about the heritage of Donald Trump's mother, who was born and raised in one of the UK's northernmost islands. Our correspondent takes us to the Scottish island where Mary Ann MacLeod was born and learned English as her second language after Gaelic.  Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Interview with Teada today on the Irish & Celtic Music Podcast #726  -  Subscribe now! Teada, Ryan Mccombe, Eimear Arkins, We Banjo 3, Caliceltic, Wylde Nept, No Murder No Moustache GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:15 - Ryan Mccombe “My Side of the Ocean (NYC Session 2025)” from My Side of the Ocean 3:28 - WELCOME 5:53 - Eimear Arkins “Thirteen Arches / The Hairy Chested Frog (Reels)” from Here & There 8:40 - We Banjo 3 “Alive With You” from Open The Road 11:33 - INTERVIEW WITH TEADA – INTRO 11:59 - INTERVIEW WITH TEADA 19:03 - Téada "The League Reel/Peter Horan's/The Flannel Jacket (reels)" from Give Us a Penny and Let Us Be Gone 22:41 - INTERVIEW WITH TEADA 28:06 - Téada "March / Hornpipe / Slow Reel - Among Friends / Hornpipe No. 139 / The Staten Island" from Coiscéim Coiligh / As the Days Brighten 33:14 - INTERVIEW WITH TEADA 42:21 - Téada "Reels - Greta's Favourite / Grist for the Mill / Ríl Johnny Phádraig Pheter" from Coiscéim Coiligh / As the Days Brighten 46:14 - THANKS 48:09 - Erin Ruth “Estrelina” from Traditions & Original Work 52:12 - Lane to the Glen “Aughamore / The Bog of Allen / Tom Maguire's Fancy (Reels)” from Lane to the Glen 55:42 - CLOSING 56:27 - No Murder No Moustache “Feels Like Home” from The Odds Are Stacked Against [Explicit] 59:00 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Want to wear your love of Celtic music? Check out our album pins—these are striking lapel pins inspired by our official podcast compilation albums, featuring some of the best Celtic bands we've ever had on the show. Each pin comes with a full digital album download, so you get great music and great style. Get all the details at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest Liz Carroll on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com TULUA CONCERT I finally posted the Tulua concert from my Celtic Invasion of Wexford, Ireland. It is exclusively available on Patreon THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Michael Moynihan, author and journalist with the Irish Examiner, has published his latest book 'More Than A Game: The GAA and Where It's Going".How will Gaelic football's rejuvenation impact the popularity of hurling across the country? Can the GAA, the LGFA and the Camogie Association realistically exist under one roof? How might rural depopulation impact the future of clubs in the west of Ireland? Michael extensively delves into what the coming years may look like for the association.He joined Matt on Thursday's The Last Word.Hit the 'Play' button on this page to hear their chat.

Celtic music isn't just a heritage—it's alive through the women who sing, play, and share it. From harps and fiddles to pipes and song, hear their strength and beauty on the Irish & Celtic Music Podcast #725  -  -  Subscribe now! Olivia Barrett, Carroll Sisters Trio, Eimear Arkins & Eileen Gannon, Scottish Fish, Muireann Nic Amhlaoibh, Niamh Dunne, Old Man Flanagan's Ghost, Chloe Matharu, Jen Midkiff, Rambling Sailors, The Bordercollies, Plunk Murray, The Friel Sisters GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:09 - Olivia Barrett "The Mountain Blessing/The Secret Elsewhere" from Elsewhere Olivia Barrett: fiddle 4:40 - WELCOME 6:35 - Carroll Sisters Trio "Liam Childs  -  Baby Dragon" from Radiance Emilie and Nora Carrol: fiddle 10:32 - Eimear Arkins & Eileen Gannon "Lough Erne's Shore (song)" from The Belles of St. Louis Eimear Arkinis: Vocals, fiddle, Irish dancer Eileen Cannon: harp 15:27 - Scottish Fish "Zoe's / 3x" from Currently Ava Montesi: fiddle Caroline Dressler: fiddle Giulia Haible: cello, piano Julia Homa: fiddle, piano Maggie MacPhail: fiddle, piano 22:14 - Muireann Nic Amhlaoibh "Blackwaterside" from Thar Toinn / Seaborne Muireann Nic Amhlaoibh: flute, whistles, vocals 26:40 - FEEDBACK 31:14 - Niamh Dunne "Ballyneety's Walls" from Portraits Niamh Dunne: fiddle, vocals 34:34 - Old Man Flanagan's Ghost "Danny Boy Set (Devil's Dream/Uncle Henry's Reel/Angus Campbell)" from LIVE Bexy Ashworth: fiddle, vocals 37:30 - Chloe Matharu "Butterfly" from Sailors and Rolling Stones Chloe Matharu: Scottish Indian singer songwriter, harpist and harmonium player 43:04 - THANKS 45:18 - Jen Midkiff "Phoenix" from All in Good Time Jed Midkiff: harp, vocals 49:05 - Rambling Sailors "Fish in the Sea" from Kenway's Favorites Susan Csikos: vocals, guitar 50:39 - The Bordercollies "Mormund Braes" from To The Hills and Back Carrie Thompson: vocals Anna Darmanska: fiddle Lisa McCann: bodhran, vocals 52:53 - Plunk Murray "Johnny I Hardly Knew Ye" from Another Drink Erin “Boom Chick” Bliss: drums 58:18 - CLOSING 59:56 - The Friel Sisters "On Diarach (Song)" from Northern Sky Anna Friel: Flute, tin whistles, vocals Sheila Friel: Uilleann pipes, flute, tin whistles and vocals Clare Friel: Fiddle, tin whistles and vocals 1:05:03 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Supplies are limited. Grab your album pin now before they're gone! These stunning lapel pins feature bold designs inspired by our official podcast compilation albums—packed with some of the best Celtic bands around.And here's the kicker: each pin comes with the full digital album. Art you can wear, music you can love. Get yours at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest Liz Carroll on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

From the standing stones of Carnac to the wild roar of the March of Cambreadth, Celtic music carries us across oceans, centuries, and imaginations. Discover fiddles, flutes, and fiery voices from around the globe… on the Irish & Celtic Music Podcast  #724  -  -  Subscribe now! Andrew Finn Magill, On the Lash, The Sternwheelers, DRD, Jocelyn Pettit & Ellen Gira, SeeD, Dublin Gulch, McFloosey, Téada, Billy Treacy & the Scope, Mànran, Andrew D. Huber + the Gecko Club, Coastland Fair, Phoenyx GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:10 - Andrew Finn Magill "Carnac" from Courting the Sun 3:37 - WELCOME 6:34 - On the Lash "Verandler" from Fireside 11:05 - The Sternwheelers "Lakes of Ponchatrain" from Woke Up Old 15:47 - DRD "Frayon" from DRD 20:19 - Jocelyn Pettit & Ellen Gira "Going Home" from Here To Stay 23:48 - FEEDBACK 26:58 - SeeD "We Will Fly" from FAE 31:19 - Dublin Gulch "Dispute at the Crossroads/Maids of Mount Cisco/The Scholar" from Tap 'Er Light 35:51 - McFloosey "The Briar and the Rose" from Fiacre's Fell 39:25 - Téada "Slides: Deálaí's No. 1 & 2 / The Peeler and the Goat" from Ainneoin na stoirme / In spite of the storm 42:08 - THANKS 44:21 - Billy Treacy & the Scope "The Sally Gardens" from Life 47:52 - Mànran "Mire" from To the Wind 50:46 - Andrew D. Huber + the Gecko Club "Kickin' Whiskey" from Sailor's Rescue 54:22 - Coastland Fair "The One Of Us All" from The One Of Us All  -  Single 57:22 - CLOSING 58:30 - Phoenyx "March of Cambreadth" from Keepers of the Flame 1:03:22 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. I launched a new 6 - part podcast series this week called Quest & Chorus, where every place has a story, every story has a song, and every song is a step in the quest. New episodes will come out every two weeks and you get special rewards by completing your quest. However, this podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Supplies are limited. Grab your album pin now before they're gone! These stunning lapel pins feature bold designs inspired by our official podcast compilation albums—packed with some of the best Celtic bands around. And here's the kicker: each pin comes with the full digital album. Art you can wear, music you can love. Get yours at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7 - 9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest Liz Carroll on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

You'll enjoy an interview with Tulua this week on the Irish & Celtic Music Podcast #723 -- Subscribe now! Tulua, Sarah Copus, Carroll Sisters Trio, Sybil and Sorley, Scottish Fish, Chloe Matharu, Eimear Arkins & Eileen Gannon, Ockham's Razor, Nathan Gourley, Joey Abarta, and Owen Marshall GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2-3 weeks. THIS WEEK IN CELTIC MUSIC 0:08 - Sarah Copus "Harvest Home-Boys of Bluehill" from Moorland Winds 4:06 - WELCOME 6:53 - Carroll Sisters Trio "Pitlochry High School Centenary - Scenic Overlook" from Radiance 11:31 - Sybil and Sorley "Lilly the Pink" from Street Side Songs 15:47 - Scottish Fish "Dog and Rabbit" from Currently 20:39 - FEEDBACK 24:32 - TULUA INTERVIEW 1:12:04 - THANKS 1:15:04 - Chloe Matharu "Sailing's a Weary Life" from Sailors and Rolling Stones 1:20:25 - Eimear Arkins & Eileen Gannon "George White's/McGettrick's/Cedars of Lebanon (reels)" from The Belles of St. Louis 1:24:25 - Ockham's Razor "My Lagan Love" from Ockham's Razor 1:28:57 - CLOSING 1:30:24 - Nathan Gourley, Joey Abarta, and Owen Marshall "Loftus Jones" from Copley Street 2 1:34:03 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.cascadialawalaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record - breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music-only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic IRISHFEST ATLANTA Join us at IrishFest Atlanta on Nov 7-9, 2025. You'll enjoy exclusive concerts with Open the Door For Three with Special Guest Liz Carroll on Friday and Teada on Saturday night. Plus enjoy music from Kathleen Donohoe, O'Brian's Bards, Olivia Bradley, Roundabouts, The Kinnegans, The Muckers, Irish Brothers, Celtic Brew, Station 1 2 3 and special set from Inara and Marc Gunn. There are music and dance workshops, Irish cooking competitions, IrishTea, Irish Films, and of course, LOTS of Irish dancing. Celebrate your Irish heritage at IrishFest Atlanta in November. Bring a friend! Learn more at IrishFestAtlanta.com GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Want to wear your love of Celtic music? Check out our album pins—these are striking lapel pins inspired by our official podcast compilation albums, featuring some of the best Celtic bands we've ever had on the show. Each pin comes with a full digital album download, so you get great music and great style. Get all the details at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music-only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

On fire with the Irish & Celtic Music Podcast #722  -  Subscribe now! Tulsa, Carroll Sisters Trio, Jocelyn Pettit & Ellen Giro, Scottish Fish, McFloosey, Melanie Gruben, Eimear Arkins & Eileen Gannon, Crikwater, DRD, Bealtaine, Jaywalkers, Andrew D. Huber + the Gecko Club, Jiggy, Willowgreen GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 7:12 - Tulua "The Cabin Reels" from No Coming No Going 2:30 - WELCOME 4:30 - Carroll Sisters Trio "Sparks in the Fire  -  Freddy's" from Radiance 8:48 - Jocelyn Pettit & Ellen Gira "Blow Ye Winds" from Here to Stay 12:51 - Scottish Fish "Annie's" from Currently 17:40 - McFloosey "The Flower of Magherally" from Fiacre's Fell 21:23 - FEEDBACK 24:08 - Melanie Gruben "Irish Fire" from Irish Fire (Single) 28:31 - Eimear Arkins & Eileen Gannon "My Mind Will Never Be Easy/Humors of Derrycrossane (slip jigs)" from The Belles of St. Louis 31:46 - Crikwater "A Pint of Plain (Live)" from Live in Buffalo 34:44 - DRD "Seique" from namai 38:16 - THANKS 40:25 - Bealtaine "McAlpine's Fusiliers" from Factories & Mills, Shipyards & Mines 43:41 - Jaywalkers "Ain't Nobody's Business" from Move On 48:03 - Andrew D. Huber + the Gecko Club "Here with Me" from Sailor's Rescue 51:08 - Jiggy "Taraka" from Translate 56:09 - CLOSING 56:56 - Willowgreen "Wave over Wave" from Willowgreen 1:02:12 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.cascadialawalaska.com Support for this program comes from Hank Woodward. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and you will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Supplies are limited. Grab your album pin now before they're gone! These stunning lapel pins feature bold designs inspired by our official podcast compilation albums—packed with some of the best Celtic bands around .And here's the kicker: each pin comes with the full digital album. Art you can wear, music you can love. Get yours at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Cayman's Gaelic footballers are in Philadelphia this weekend -- three teams chasing national titles at the USGAA Finals.It's Week Six in the Coca‑Cola Summer Flag Football League -- can the Cobras and Titans hang on to the top spots?I‑Reign still leads the women's side -- action continues Saturday at Ed Bush Stadium.and Cayman Rugby is calling all girls -- no matter your size, shape, or skill level -- to join the new season.Plus - a wave of new swim safety programmes in the Sister Islands aiming to keep the community safe in the water.

This fascinating novel—dual-time historical with a fantastical overlay, based in part on the life of the author's great-grandfather, a nineteenth-century charlatan—follows the career of a young Scotswoman named Nairna Liath. When we meet her in 1900, Nora, sixteen years old, travels the Scottish countryside at the insistence of her father, Tavish, who supports himself and his daughter by hawking her supposed skills as a medium—expressed through his own mangled Gaelic mixed with a series of parlor tricks that Nairna has mastered. But we soon find out that the joke's on Tavish: Nairna really does have psychic talents, especially in reading Tarot cards. Her ability attracts attention from the Society for Psychical Research, setting Nairna on her path to become the spiritualist Nora Grey. Her tale is intertwined with (in fact, propelled by) that of Nairna's grandmother, Lottie Liath, in the 1860s. Lottie has just lost her husband in a coal mining accident, and when she protests the lack of financial support provided by the uncaring mine administration, the manager has her arrested and thrown in jail. From there, the pregnant Lottie ends up in an asylum. And it's the asylum, where she is subjected to psychic experiments, that brings her increasingly into conversation with Nora. The Entirely True Story of the Fantastical Mesmerist Nora Grey (Kensington Books, 2025) is rich in drama—both tragedy and comedy—as well as rapid switches of identity accompanied by pseudo news reports from various types of sources that illuminate Nora's and Lottie's stories in various ways. It's tremendous fun and heartbreaking at the same time, and it's best just to suspend disbelief and go with the flow. If you do, I guarantee you will love every minute of this story. Kathleen Kaufman, a native Coloradan and long-time resident of Los Angeles, California, is the author of six previous books. A University of Southern California alum, she teaches high school English and is a writing and composition adjunct professor at Santa Monica College. The Entirely True Story of the Fantastical Mesmerist Nora Grey is her latest novel. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her latest book, Song of the Steadfast, appeared in June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ahead of the All Ireland camogie final today a new study has revealed high prevalence of fatigue and menstrual disturbance among camogie players and female Gaelic footballers. Dr Aoife Courtney, endocrinologist and co-writer of the study, told Justin why the study was carried out.

You say farewell to Belfast. I say hello on the Irish & Celtic Music Podcast #721  -  -  Subscribe now! Andrew Finn Magill, Adam Agee & Jon Sousa, Willowgreen, Ghost Of A Banshee, The Gothard Sisters, The AML Trio, The Lilies of the Midwest, McFloosey, Celia Farran, The Langer's Ball, Chloe Matharu, Austral, Jaywalkers, Journey North, The Friel Sisters GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06   - Andrew Finn Magill "The Fiddle Bridge, The Littlest Pint, Rémi's Reel" from Courting the Sun 4:02   - WELCOME 5:44   - Adam Agee & Jon Sousa "Farewell to Belfast" from Ceol na gCarad 9:11   - Willowgreen "Walking on the Waves" from Sheila's Brush 13:26   - Ghost Of A Banshee "Celtic Cannon (Reel)" from Along The Rural Trail 15:41   - The Gothard Sisters "Cat and the Fiddle" from Midnight Sun 19:17   - FEEDBACK 21:36   - The AML Trio "Pride of Pimlico" from Sons Of Erin's Isle 23:56   - The Lilies of the Midwest "A Walk on the Shore" from Cat's Ceili 28:58   - McFloosey "Preab san Ol" from Fiacre's Fell 31:27   - Celia Farran "Bridget's Well" from Irish Song Compilation by Celia Farran 35:13   - The Langer's Ball "Jug of This" from Drinking Song Sing - A - Long (2025) 38:11   - THANKS 40:27   - Chloe Matharu "Sailors and Rolling Stones" from Sailors and Rolling Stones 46:26   - Austral "Edgy in Zurich" from Thylacine 50:12   - Jaywalkers  "Playsuit" from Move On 53:28   - Journey North "Kruger's pipe set" from Journey North (Revisited) 57:00   - CLOSING 58:10   - The Friel Sisters "Just A Note (Song)" from Northern Sky 1:00:10   - CREDITS Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.cascadialawalaska.com Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and You will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Supplies are limited. Grab your album pin now before they're gone! These stunning lapel pins feature bold designs inspired by our official podcast compilation albums—packed with some of the best Celtic bands around.And here's the kicker: each pin comes with the full digital album. Art you can wear, music you can love. Get yours at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Up for the MatchOff on Sunday morning to Croke Park. Dark skies. Lots of grey clouds. Our journey was delayed by Féile An Phobail's 5km and 10km run. Diverted and distracted we eventually got out of West Belfast and on the road to Dublin. Enroute the dark skies lightened. The grey clouds gave way to blue heavens and gentle sunshine. We were off to watch Antrim's Lady Footballers in our own All Ireland against Louth. As we crossed the Border KneeCap kept our spirits high. Their ceol blasted out and the car rocked as we hip hopped to the Capital. A morning after the night before follow-on from Saturday evening's Falls Park Country frolicks.The match in Croker started off positively with Antrim taking an early lead but Louth soon asserted themselves and Antrim was chasing the game from then until the last ten minutes. Some of the players may have been overwhelmed by the big occasion.  If so who could blame them? To play in Croke is mighty and Antrim supporters were out in strength. Everyone, including us, as proud as could be.  Family members, club mates. The number of Northern Gaels was swelled by Tyrone supporters who later went on to win their championship against Laois. Dublin went on to best Meath in the Seniors. A great day of Gaelic football.Gaza – An Gorta Mór – The StarvationThe scenes of desperation as starving people in Gaza try to get basins or pots filled with soup, are shocking images. It is a famine we are told. Last week the Integrated Food Security Phase Classification (IPC), a United Nations panel which had long warned of the threat of famine, concluded that it was now a reality.The use of the word ‘famine' and the images of starving children are a reminder for many in Ireland of what life must have been like during An Gorta Mór in the 1840s. But it is important to note that in a famine there is no food. In Ireland there was plenty of food. During those years the quaysides of ports along our coast were lined each day with abundant produce - all bound for export. It was a starvation.The hunger in Gaza is an Israeli made starvation. Aid agencies and the UN have more than enough food and medical aid ready to enter Gaza. Israel prevents this. It is not a famine – it is a starvationOrangism in the New IrelandThe northern statelet was built for unionism. It was constructed and then managed in a way to ensure that nationalists would never have a say in running the place.We are less than three years off the 30th anniversary of the Good Friday Agreement. Most citizens, and many within the broad unionist section of our people, have grown accustomed to the stability and peace it has brought but there are others who still hanker after the old days of supremacy. The DUP shares the office of the First Minister with Sinn Féin but their strategy is focused on the next Assembly election in two years' time and their aim is to remove Michelle O'Neill as First Minister. That is why there is a battle a day over Irish language rights. That is why there has been no start on building the new Casement. That is why there is negative nonsense over bi-lingual signage in public places.

On this episode we sample Kilkerran 12 year Single Malt Scotch Whisky while chatting about vacation beers, Campbeltown whisky, Kyle's Gaelic pronunciations, a nostalgic nose, that Campbeltown funk, the new Superman, the most James Gunny of the Superman films, what they've done with Superman as a character, the silliness of the film, underlying comments, Kryptonite and picking up massive objects, some complaints about Marvel, an extended baseball metaphor, whether this could be the start of good things, ne need less homework, 1960s futurism, starting in the middle of a narrative, things getting in the way of trying to be a good person, sacrifices, our old friend Michael Giacchino, and The Doomsday Era Tour.  Support Us On Patreon: https://www.patreon.com/DrepandStone We'd love to hear from you! https://linktr.ee/DrepandStone Don't forget to subscribe! Music by @joakimkarudmusic Episode #306

The first guest on our 'We Need To Talk About Mayo' series is a true Mayo great, four-time All-Star Keith Higgins.Keith speaks with Rob and Edwin about his own journey as a footballer, the lessons learned, his time coaching the Mayo Under 20s. He channels his huge experience to give great insight into just how Mayo GAA can and must improve.To get in touch with us and to become involved in this discussion, club members can contact us on the Mayo Football Podcast's Discord server or on Patreon at patreon.com/mayopodcast. We're also looking to stimulate discussion on the Mayo GAA Blog (mayogaablog.com) and anyone who wants to contact us directly about the issues raised in this podcast series can email us at themayofootballpodcast@gmail.com.This is a discussion for everyone with an interest in the future direction of Gaelic football in the county. We really do need to talk about Mayo.

We're sailing across the ocean on the Irish & Celtic Music Podcast #720 . Subscribe now! Lussa, Tulua, Chloe Matharu, Andrew Finn Magill, Doolin', Marc Gunn Fir Arda, The Irish Lassies, Natalie Padilla, Jaywalkers, Brynmor, Wooden Legs, Celtica Pipes Rock, Moher  -  BZH GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:06 - Lussa "Lussa Reels" from Lussa Reels 3:57 - WELCOME 6:22 - Tulua "The Opening Set" from No Coming No Going 10:56 - Chloe Matharu "The Silkie of Sule Skerry" from Sailors and Rolling Stones 17:37 - Andrew Finn Magill "Charles Dickens' Jig, Erynn & Carl's Jig" from Courting the Sun 21:31 - Doolin' "Sailing Across the Ocean" from Doolin' 24:18 - FEEDBACK 26:36 - Fir Arda  "Boys of Ballycastle/The Dunmore Lasses" from At Home 30:29 - The Irish Lassies "Andersonville" from Andersonville 35:02 - Natalie Padilla "Terra" from Eostre 39:02 - Marc Gunn "Bunny in the Bracken" from Patreon Single 41:15 - THANKS 43:49 - Jaywalkers "The Longest Day" from Move On 47:44 - Brynmor "Musical Preist" from The Great Hill 49:58 - Wooden Legs "We Ne'er Shall Wean Her" from Animali 55:25 - Celtica Pipes Rock "Beyond Avalon" from Legends And Visions 59:04 - CLOSING 59:57 - Moher  -  BZH "Le reel du Cheval Blanc" from single 1:04:13 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember—our planet's future is in our hands. The overwhelming evidence shows that human activity is driving climate change, from record  -  breaking heat waves to rising sea levels. But the good news? We have the power to fix it. Every choice we make—reducing waste, conserving energy, supporting clean energy, and lobbying our political leaders—moves us toward a more stable climate. Start a conversation today. The facts are out there, and the future is ours to shape. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Folk Songs & Stories with a new feature coming soon. It's called Quest & Chorus: Where every place has a story, every story has a song, and every song is a step in the quest. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and You will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic Todd Wiley, the Celtic Music Magazine editor, relaunched his old podcast. Celtic Indy Podcast is now available online. He's currently aiming at new episodes every two weeks. You'll learn about new Celtic music concerts in the Midwest on the show. A big thanks to our very first underwriter of the podcast. Joseph Dumon is an international speaker. He teaches the ancient roots of the Gaelic people at Sightedmoon.com. You'll hear me mention him in each episode of the podcast at the end of the show. This is not exactly advertising. It's awareness promotion. I have no more than four more slots available every month if you, your business or your band want to be mentioned as an underwriter of the podcast. GET AN IRISH & CELTIC MUSIC PODCAST ALBUM PIN Supplies are limited. Grab your album pin now before they're gone! These stunning lapel pins feature bold designs inspired by our official podcast compilation albums—packed with some of the best Celtic bands around.And here's the kicker: each pin comes with the full digital album. Art you can wear, music you can love. Get yours at magerecords.com And if you're a musician, I've got a full blog post with templates and tips to help you design your own album pin jacket.  WHAT IS AN ALBUM PIN? THANK YOU PATRONS OF THE PODCAST! Because of generous patrons like you, the Irish & Celtic Music Podcast releases new episodes nearly every single week. Your support doesn't just fund the show—it fuels a movement. It helps us share the magic of Celtic music with thousands of new listeners and grow a global community of music lovers. Your contributions pay for everything behind the scenes: audio engineering, stunning graphics, weekly issues of the Celtic Music Magazine, show promotion, and—most importantly—buying the music we feature from indie Celtic artists. And if you're not yet a patron? You're missing out! Patrons get: Early access to episodes Music - only editions Free MP3 downloads Exclusive stories and artist interviews A vote in the Celtic Top 20 Join us today and help keep the music alive, vibrant, and independent.

Join us as we explore the captivating history of Beaver Island, a unique gem in Lake Michigan, especially its ties to the enigmatic figure of James Strang and his Mormon community. https://youtu.be/PC9lq1Z1sGY Don't miss our other conversations about Strangism: https://gospeltangents.com/denominations/strangites/ Copyright © 2025 Gospel Tangents All Rights Reserved Except for book reviews, no content may be reproduced without written permission. 3 Mormon Print Shop   Arrival and Reign of King Strang James Strang, a self-proclaimed prophet, settled on Beaver Island around 1848, having arrived in 1847. He led a group of Mormon dissenters who broke away from Brigham Young's leadership and settled on the island in 1846. By 1850, Strang was declared King of his community, which constituted the majority of the island's population. The main hub of the island is even named St. James, after him. Strang's influence extended to societal norms, where he apparently mandated that women wear bloomers or pants to prevent pneumonia, with husbands being whipped if their wives didn't comply. He also reportedly told non-Mormons (like the Irish settlers and original Ottawa/Ojibwe inhabitants) that they needed to convert, leave, or pay a tax. The Mormon Print Shop A pivotal location in Strang's community was the Old Mormon Printing House, erected in 1850 by Strang and his followers2. This building was significant as it published the Northern Islander, which was the first daily newspaper north of Grand Rapids. During the 1850s, Strang's group published religious works and two newspapers: the Northern Islander and the Daily Northern Islander. After Strang's assassination, the print shop was ransacked and later became a boarding house. Today, it stands as a museum and serves as the headquarters for the Beaver Island Historical Society. Tragic End of King Strang The growing friction within Beaver Island's Mormon community reached a violent climax in 1856. James Jesse Strang was fatally shot and clubbed by two of his disgruntled followers while walking towards the dock to meet the captain of the USS Michigan. These assassins were reportedly hiding behind a woodpile near the Johnson McCulla store. It's notable that two of the assassins were husbands who had been whipped under Strang's controversial bloomers policy. Strang died from his wounds 23 days later. The assassins were taken to Mackinaw Island by the USS Michigan's captain, who refused to allow the Mormon police to arrest them. They were soon released by the Mackinaw sheriff, celebrated by Strang's enemies, and astonishingly, each was fined only 50 cents, though the exact charge is unknown. The Aftermath and Island Life In the wake of Strang's assassination, an angry mob from the mainland stormed Beaver Island, destroying buildings and forcing the Mormons to flee. Beaver Island is the only island in Lake Michigan inhabited year-round, with a population of 500 to 800 people that swells to 3,000 in the summer. The island has a strong Irish presence, with many historical inhabitants speaking Gaelic and even naming a local bay "Donegal Bay" after a place in Ireland. Historically, the island's primary industries were lumber and fishing. Overfishing, particularly using a now-outlawed net fishing method, led to severe depletion, prompting Michigan and other states to ban the practice. Today, tourism is the main industry. The island didn't even get electricity until around 1939. Beaver Island Townships Cemetery Visitors can also explore the Beaver Island Townships Cemetery, one of two cemeteries on the island (the other being a Catholic cemetery). The oldest grave dates back to 1853, within James Strang's era. An interesting feature of the cemetery is the presence of posts marking older graves where the original wooden crosses have long since deteriorated, indicating a body is buried there even if the identity is unknown. The second oldest grave, dated July 27, 1859,

As the Kerry team win yet another GAA All Ireland final, beating champions over Meath, Donegal, on the weekend of the Lughnasa festival in Cloghane and Brandon, I share the story of Sam Maguire and the contribution he made to Ireland's 1916 Rising and ultimate semi-independence, his relationship with the "Big Fella" Michael Collins, and why Ireland's most prestigious Gaelic football trophy is named in his honour, despite his home county of Cork not winning it the year it was first presented. I also share a connection I made between Saint James, or Santiago de Compostela, the landing zone of Camino de Santiago pilgrims, Ireland's God of Light Lú, Croagh Patrick, and the Catholic Church. Substack coming soon. Stay tuned.Credits: https://crokepark.ie/tours/gaa-museum/exhibitions/sam-maguirehttps://www.westkerrylive.ie/ Hosted on Acast. See acast.com/privacy for more information.

How do you stop a genius? How does a genius thrive? David Clifford is the greatest Gaelic football who has ever lived but will that be enough on its own to bring Kerry an All-Ireland?On Free State today, Joe explains the different type of genius that is Jimmy McGuinness. McGuinness has taken advantage of the new rules, the way he took hold of the old but can the spirit of Clifford be contained in Croke Park?Joe and Dion also look at the princes who have taken the stage at Croke Park before. Dion looks at old Kerry lore and remembers the players he was told about by his Kerry father. He also reveals a family split that will become apparent on final day. Hosted on Acast. See acast.com/privacy for more information.

Margot McNaull didn't plan to be a jewelry designer, but creating her own engagement ring sparked a mission to empower women through fine jewelry. She joins Lesley Logan to explore self-worth, the symbolism of rings, and why you don't need permission to craft heirlooms that celebrate your life. Margot's story will inspire you to see jewelry as a bold declaration of who you are.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:What sparked Margot's shift from consumer to jewelry designer.What she's learned about self-worth through her own life journey.The psychological barrier of asking permission to invest in yourself.How the Ring Transformations program helps women reclaim their style.Why crafting heirlooms celebrates the important moments in your life.Episode References/Links:Stór by Margot Instagram - https://www.instagram.com/storbymargotStór by Margot Website - https://www.storbymargot.com Margot McNaull's Website - https://www.margotmcnaull.comGuest Bio:Margot McNaull is the founder of Legacy – the luxury ring experience where she empowers women to live a life of legacy. With nearly ten years in the fine jewelry industry and having worked closely with thousands of women, I've witnessed firsthand the transformative moment when a woman finds the ring she's always dreamed of. Margot started her jewelry design journey in the wedding world, collaborating with countless couples to honor and celebrate a pivotal milestone. However, she soon realized that the ring held a deeper significance. It symbolized a moment, a longing—a reflection of the woman who wore it, beyond just a gift from someone else. Margot's passion quickly deepened as she realized her desire to serve every woman who crossed her path. She wanted each one to feel represented in the ring design, to recognize their worth, and to know that every creation was inspired by them. Inspired by this vision, came the Legacy Experience. (https://margotmcnaull.com/legacy) If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/ Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Margot McNaull 0:00  You deserve something that you truly love and truly honors who you are and what you want every day. And so I just think, if you do that for yourself first, before getting into a wedding ring, you're not going to compromise on that wedding ring either. You're going to know what you're doing. Lesley Logan 0:15  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Lesley Logan 0:58  Hello, Be It babe. How are you? We're going to talk about a topic that you might not think has anything to do with being it until you see it. We're talking about jewelry. We're talking about rings. We're going to talk about buying the ring for you, right? And if you're like, oh that, I don't need to do that right now, I would strongly encourage you to listen to it. I think we had a great discussion about worthiness and permission versus discussion. And my single ladies like, what are we waiting for? Right? Why are we waiting for a person to come to our life put a ring on that finger? So it was really fun. It's really powerful. And I know when you see Margot McNaull's Instagram and see all the different ways that she designs rings, I think you'll be inspired to really create your own legacy with that. So here is Margot McNaull. Lesley Logan 0:58  All right, Be It babe, this is really fun. This is a conversation I've been wanting to have for a really long time ever since I met our guest today. It's going to be fun. We've never talked about jewelry and diamonds and worthiness to buy our own. So, Margot McNaull, thank you so much for being here. Can you tell everyone who you are and what you rock at?Margot McNaull 1:55  Absolutely, thanks for having me. So I'm Margot. I started a fine jewelry company about 10 years ago, and I went straight into a big need I saw on the market, which was cookie cutter jewelry pieces and mass produced jewelry pieces, which I absolutely hated. And I, actually, when I was about to get engaged, now, I guess that's like 13 years ago now, I'm getting old.Lesley Logan 2:20  No, not at all. No, because I, I will be married this year, 10 years, and then I'm not getting old yet. Margot McNaull 2:25  There you go. We're not, we're young, we're young. But yeah, I said to my then boyfriend, I said, I don't want you to buy me a ring in North America. I'm Canadian, so we were in Canada. I said, don't buy me a ring in Canada. I want to go to India. I want to buy a ring. And he's like, okay, you know, he doesn't know anything, but he was happy to let me choose because he knew he could never. So we went to India, designed my ring, and I had the most special experience, because I got to select everything myself. And for, you know, listeners who don't know, India is like the Mecca of jewelry. That's where it all flows from. They cut most of the diamonds in the world. They're the experts. So by saying India, we're not saying, like, you know, it's not cheapening anything. It's actually, they value jewelry so much that they, they don't even manufacture 10 karat gold. They don't think that's gold. So, yeah, it's fascinating. So I go there, design it. I'm like, in love with the process, and then I come back and I see all these cookie cutter pieces, and I wanted women to have the experience I had, and that's what actually made me start the business. I was I was not in this at all. I didn't plan to be in it. My own engagement ring design led me to this, and that's how I started in the jewelry world.Lesley Logan 3:38  I mean, what a cool, first of all, I think what a great story to have together with your just your jewelry, your ring alone. I think that there is, there is so much around the ring that should have a good story, and then for you to, like, go into this business after that, having no experience like you went to school for, like, metal making or like, what did, you know what I mean, like, were you nervous about it? Did you, did it feel like a big learning curve? What was the, what was it like to go from like, okay, I designed my own ring, but now I've got to design for other people, so now I'm ordering for like, how was that? How did you do that? How was that journey? Margot McNaull 4:16  Yeah, that was a really intense journey, because it really brought out the self-doubt in me. And the best way to explain what I do to people is it's like the interior designer coming in and making it beautiful after the architect, you know, put up the house. So I'm a little bit of both. I create the structure, I design the structure and how it's going to look, but the what makes our rings and jewelry so unique is actually the little tweaks that I make. It's the, it's, you know, how I see it, and you don't actually need to be a goldsmith for that. And I, what I realize now further along in, is I actually have something very rare and unique. And there are a lot of metal workers out there, and there are a lot of people making jewelry out there that don't have that eye and don't have that ability to make something so like, you know, tweak it in just a way. Like, just today, I flipped the three stone ring, pretty unique custom ring for a client who happens to be a wedding photographer. So of course, she's like, pretty picky about what she wants. Lesley Logan 5:07  Because she's seen it all. She's seen everything. Margot McNaull 5:19  Exactly. So she's like, I do not want that. So she's doing this very cool, unique ring. And I just took, I just flipped it. So all I did was like, go one I saw it I'm like, no, I don't love it. Something's wrong. And I flipped it. And I was like, wow. So these are the little things that I realized a long, you know, it took me a long time to overcome the self-doubt, because I would look around, I would feel like I don't know anything. I don't know what I'm doing, but I think all of that stuff actually made me better at it. But yes, it was a very intense emotional learning curve, I would say. Lesley Logan 5:49  Yeah, because I think like, so here's, this is how I'm going to equate it to my life. Like, I booked commercials and gigs in in L.A. before I took a commercial acting class. Soon as I took the commercial acting class, I went on a string of, like, zero callbacks, and I finally had to go, my agent was like, girl, what is going on? You booked a bunch of stuff before you had any skill, and we gave you skill, and now you suck. And I was, that's how they they actually say things more meaner and more direct. And I said, I said, I think that the class screwed me up. I think I started thinking I had to do it in this form you lay it way when I was just being myself before with what was going on. So I'm just gonna forget everything gal taught me and try again. And I booked a couple more gigs. And then I was like, I don't actually really like this, so I'm gonna quit, but, but, like, I think that, you know, we can tell ourselves a story that we have to, oh, I want to start a jewelry business now. I need to go and take all these jewelry classes, and actually, by you owning that you see, like owning your own eye, and not putting about, like, putting your worthiness on the education or the history of jewelry-making by you just owning what your own skill sets were from your own intuition is what makes you so unique and what makes your experience so unique. Margot McNaull 7:12  Absolutely, it, once you can get there, it's awesome, but, I mean, I can, I know a lot of women struggle with this. I'm right there with you, like, you know, the learning curve and the doubt and overcoming all of that is very difficult. I think it's why a lot of people quit in business as well.Lesley Logan 7:28  Yeah, how did, so, do you, do you remember what your tools were to overcome it? Was it just like deep therapy? Was it journaling? Like, what?Margot McNaull 7:36  Honestly, great question. I feel like it took me a long time, because maybe I didn't implement like, I probably could have had some better tools and done it faster. But what it took me towards, and, you know, I feel like in 10 more years, I'm going to have this amazing story to share about what I'm just entering right now. But when I just started, so I went right into the wedding side of things. I was like, I want to work with engaged couples. Now I'm way more excited, not way more. I love working with women. So now we've really tailored the women, whether it is a woman designing her engagement ring,woman designing something for herself. But back then, I was all wedding, so I went into it thinking, I'm going to make a really cool experience for women to feel special that they have this unique piece that's theirs. The jewelry company is called Stór by Margot, which is a Gaelic word, S-T-O-R which is, my treasure. I wanted them to feel like it was their treasure and it wasn't just another piece from the mall that three other women are wearing at the same time. So I go into that, but it actually completely knocks me off my feet as I'm going through my own journey of self-doubt and realizing, you know, self-worth because it there's actually a really deep psychological issue that appears when women are looking at jewelry and talking to you about jewelry, and it is that they don't feel like they're worthy of it. And this is something that then I had to go into and realize, where do I feel, like, where do I stand? Where's my, how do I feel about my worth? Pretty low. And this is like, years into being married. Have a great husband, great family, but those things aren't going to make you feel worthy. They might help you feel good, but the only person who's going to make you feel worthy is you. And that's why I feel like it took me a really long time to kind of get out of that, but I think it brought me to this conversation, which is exciting, and I'm and I want to spend kind of the rest of my life doing is, you know, talking to women about how worthy they are. And I guess that's the benefit of the slow journey just uncovering. And like I said, I just wanted women to feel happy and excited. And now I see all of the nuances that you should see in my appointments. You can see the in the relational interactions and the doubts and the hesitations. You know. Versus the women who are like in and they're like, this is what I want. I'm getting it. I know I'm strong and but even those women have their moments, right, where you can see through it and but all of it is, I think, how you feel about yourself. Lesley Logan 10:13  Yeah, I, 100% I so agree. I, thank you for sharing that. I think it is. I used to work at a jewelry store. And my jewelry store was, it wasn't like just diamonds. It was more like unique ways of working with diamonds and stones. And so some of our designers, like Kathy Waterman, who, like, makes platinum or 22 karat gold, it looks like ivy that makes the shape of a heart, and this really unique stuff. So, like, even though she would make a few of those pieces, it felt very unique. And so it was really fun. But I would watch women come in by themselves and go, oh, this is a piece that makes me feel so special. And then they might come with their partner or a friend or a family member, and that person's interpret, like, they would almost change how they like something based on if that person would think they were spending too much money, or you're never gonna wear it, or, you know, like that, you can make that far cheaper, like all these different things from the other person's story. And then there'd be the women who came and go, I really love this. They'd write it down. The husband just come in, go, she wants that. That's gonna make her happy. That's exactly, like, so you could see these different relationships. And because I worked at that store for so long, I saw those relationships evolve together or evolve apart, you know, because, and it was really the more she felt firm at what she wanted, and the more it's not like, and I don't mean it's like, he buys her whatever she wants, or she buys for herself whatever, but like, the more confident she was, and the more, the more the partner validated that confidence and validate what they wanted, that, that actually allowed those relationships to be stronger together. And it was just really cool to watch. So my favorite people were the ones that didn't wait for someone to buy it for them, the ones they bought it for themselves. So I want to talk about that, because I know that's where your business has evolved. And our mutual friend, Lauren Zoeller, who's been on the show before, y'all, she designed a piece with you, and I really enjoyed the story of why she got that piece. So can we talk a little bit about why, why you're so excited about women mining their own diamond and like not waiting for the one ring with the one person that.Margot McNaull 12:23  So true. Okay, I love this topic so much. And like I said, our business, there's part of our business that's always going to be rooted in that one ring, because it's, it's a specialty. But where I am personally moving towards is this legacy experience of women designing a piece for themselves, and this is all rooted in what we just talked about. And the concept of the experience is we're going to walk through your own personal journey, and we're going to take all of the tidbits and pieces out of that, and I'm going to do my thing and put that into your final piece, you know, which, which I do think most of the time is going to be a ring, because the main, the good thing about a ring is you see it, right? Because you're using your hands, you're looking at it. It's a reminder, versus a necklace. You don't see that much yourself, right, unless you're looking in the mirror. So there's something about a ring that is so powerful, and it's also seems to be the thing that's always passed down, right? So creating a legacy beyond just something that you know is going to be passed down is almost honoring your journey. And what do you want to do with your life, and what you know, what story do you want to leave at the end, and just encouraging and honoring women to walk through that process and not be afraid to do that, and not like you said, tame themselves because they don't think that they're worthy to do it, or the opinion of someone else. And so what was really great about doing that with Lauren is, you know, she knows, she knows what she wants, she, she's not letting somebody else come in there and tell her what to do. And we got to create this beautiful moment of this big transition in her life, of a ring that actually goes back and the story that came out when we were talking together was just how important her grandmother was in her life, and then we got to put that into the final touches of her ring, and it's going to be her symbol forever, of her mission and how she wants to honor her grandmother. And her grandmother almost called that out in her life when she was younger, and she didn't even know what that meant at the time. So this whole experience of and then working like, I love what you said, because most people haven't worked at a jewelry store, when someone can come in and give themselves permission to just do what they want is a completely different experience and outcome. And going ahead and saying, I deserve it. I want to design my own piece. You know, whether it's a legacy experience, whether you just come one on one, say, I'm finally going to do the thing I wanted to do is very empowering. And there is something about jewelry that I mean, jewelry is one of the only things that lasts, if you think about it, right. There's something about gold and stones and where they come from, and they, they last forever, yeah, and it's really special. Lesley Logan 15:02  Yeah. I think, like, I think that's one of the things, like, what I love about what you're doing, why I wanted to talk with you on the show, is, like, we have so many women listeners. Some of them are in a wonderful relationship, some of them are on their own, and they're, as someone who has a lot of, a lot of amazing jewelry, and I get to look at it. I walk into my room all the time. I wear as many rings as possible because I just, it reminds me of who I am, but also like, yes, there is something that I do. I have no children, but I do hope that someday, you know, when I'm not here for this earth, people will will use my jewelry in different ways, or it will remind them of me. But there's something about having in my jewelry box, I have, like, my grandmother's engagement ring, and I have my father's wedding band. I have these things, and I like want to do something with them at some point someday. But there's just something about, like, we have these things that it has that memory. And if you can create something that is from you, that has all of your worthiness, and then you put it on your finger, and you get to look at it every day. It's like a symbol of reminding of who you are and the worthiness that you have. And I think it can be really easy. We've a lot of people have been raised in material possessions are like a waste of time, but actually, like, sometimes it's the only memory we have of somebody like having, like having built that in and put that together like you did with Lauren, like having that that grandmother's touch inside, kind of brings that legacy around and brings that worthiness, and like you're putting them together, I will say this quick little story. It has nothing to do with diamonds, but does have to do with the ring. We're recording this during the L.A. fires, and on my Instagram the other day the these firefighters were like searching this realist come up, this firefighters are searching in this house for another firefighter. His house burned down while he was fighting someone else, the fire somewhere else, his house burned down, and they found his wedding ring because he wasn't wearing it when he was fighting the fires. He left it at home. And they figured out what part of the house it might be at, and they search through the rubble, and they pull out this ring. And it was so emotional, because, like, they've lost everything, right? They have nothing, but they do have that. And it's just, I'm crying now because, like, even though it's not their, a diamond ring, it's this piece, it's like, gives them some sort of, like, semblance of stability and hope and memories and all that stuff that encompasses it. So I, I really do think that jewelry can have so much more than a material possession. It can have all of you, your history, your life, your journey into a piece. Lesley Logan 17:32  Absolutely, that's such a beautiful story, especially because, oh my goodness, especially because that's a miracle, because it should have melted. So that's kind of insane.Lesley Logan 17:40  Kind of insane, that, like, it should have melted it, right, it was like, in the rubble of a house, there's nothing left, and they found this band, and it's fine, and he put it on his finger and like, and he's and he's like, he's like, he's like, what's your wife gonna say? He's like, well, she didn't know I lost it yet. So now I have to tell her, it's found. But so cute, so cute, so special. Margot McNaull 18:03  So cute.Lesley Logan 18:05  So okay, so tell me, tell us a little bit more, because I think that some people may get overwhelmed by the idea of, like, designing a ring and worthiness. Let's talk about like, what, if we were to do that with you what's the process? How do we make it less overwhelming? How do we, how do we and I guess maybe even, like, what are some things that women should go through to even give themselves permission to do this? Maybe that's a better place to start. Margot McNaull 18:29  Okay, I really love that question, because I, there's one thing that we can all really relate to, and that is, you know, there's no, nobody hesitates now, it's they're, you're like, I want that handbag. I'm buying that handbag in six months. Or, you know, I need a Chanel in my closet like it's everyone has permission now to go and buy these very, very extravagant bags, right? Much more expensive ones than that. And there's no question. Nobody says, I'm not worthy of buying an Hermes bag. Right? So they've overcome that hurdle. But when it comes to diamonds, there's something that stops us. And there, and honestly, I talk a lot, obviously I talk about jewelry a lot, and now it bugs me every time it happens, everybody says, oh, I'll tell my partner, I'll tell my husband, I'll ask them for it. And it's, this is still a thing. It's like we don't feel like we have permission to buy it for ourself yet, right? Sure, a $200 silver ring you're gonna buy for yourself. But why, when you're celebrating something so big, do you not feel like I want that eternity band, you know, like I'm buying that for myself. Or even women, my goodness, well, the idea of the push present, it's like they're still not even asking for their push presents, it's like you almost died putting your kid into this world, at least get her the diamond. So, you know it's, it's, it's a permission issue, and so that's the first thing to overcome is think about that and let that sit with you and really think why do I why am I not giving myself permission? Because, sure, the easy way out is it's expensive. I have to think about it. Yeah, of course, there's a lot of things in life that are expensive that you can plan for. There's also ways to do these rings in this jewelry that are very cost-friendly, you know. And my team can help you figure that out. But there's the I think the issue is, there's, there's a stop so there's, there's a permission issue. Lesley Logan 20:26  I think that's a really, what a, you know, I'm a Pilates instructor. I'm not a therapist, and when people move, trauma really leaves by through movement. And so I've had to up level myself in areas of training so that I can spot when that's happening, and not therapies, because I still don't have that license. But also, like, notice when it's just like, leaving the body, and when it's like, hey, you know here, like, how to handle that, right? And you are, like, going to, like, making jewelry, because, like, it was a great experience. And now it's also like, oh, I also have to be able to identify and help a woman go so maybe you should, like, let's talk about why you think that you can't have this yet, like, why you're not worthy of it now. And it's true, like, maybe you do have to go, okay, I am worthy of it, and I need to buy it in a year after I've, like, that's a different story. But, like. Margot McNaull 21:16  Of course. Lesley Logan 21:16  But it I think that there's a habit, and for the single women like, you're not good, you've got it, you've got it. You have one less thing to think about. But as a married person like I was raised in a house where I hear my mom go, I've had to check with my, my husband check with this. And also, by the way, yes, households have budgets. There are things to check on, but also you could also know what your budget is to spend on yourself and you like that should be a thing that's part of a marital household like my, my husband has his money to spend on his things without checking on me. I have my money spent on my things without checking with him. Then we have our money that, you know, if it's going to be in the household, we have to discuss. But there's not permission there. It's a discussion. And I think that's a difference in that, ooh, we just talked that through.Margot McNaull 22:03  That's it. I love that's it. Jewelry is always lands, most of the time, lands on this, I need to ask permission when it really should just be I just really, I just really want them to know I want it, and it's okay, you know. And we'll decide when I'm getting it. It is not a permission. Lesley Logan 22:22  Yeah, and I think, you know, it's really, it's really interesting is, like most partners, I would like to think, I know that that's not all the case in the world that we're living in today, but most partners actually don't want to, don't want to give you permission. They, they, they want you to have what you want. You know, like, I was asking something of Brad, and he's like, you don't need permission to buy it. You just buy it. And I was like, oh, that's right. Where did that come from? How did that come back? How did that come into me? I've never asked before. Like, who did I just hang out with? You know? So, like, so I think, like, it is, I think it's worth evaluating, if you're listening to this and you're like, I can't do I don't know, like, or you're feeling resistance around this, like, I would just ask, like, are you guys having discussions in your relationship around what you'll invest in, or is one person always asking permission, you know, and like, how can we change that? Because I think that that, you know, is worthy of evaluating and putting you know, some time in journaling and discussion into, so.Margot McNaull 23:20  I love that. Lesley Logan 23:21  Okay, so you, let's like, let's go back to the I want all the women who listen to this to feel worthy and also have something that they have chosen for themselves. So you got into this idea of like, she doesn't have, she can, she can get her own ring. And this is like, with, not the marriage ring, not the left hand finger ring, but another finger ring. What is that like? Who is grabbing these? Who did you think of this for? Like, what? Tell me more about it. Maybe I'll have one. I have an empty finger. I have an empty one.Margot McNaull 24:01  I know. I remember meeting you, and I was like, I love her. She loves jewelry. No finger is unadorned. Except maybe the one we have to fill, but you have to do something with the metal from your parents ring (inaudible). Lesley Logan 24:13  Yes, yeah, we'll have to talk about that, yes.Margot McNaull 24:15  Absolutely. That's perfect. It's like the sentimental piece that you need to add. So what I love about this is there are some women who are doing this for themselves. You know, let's say after, after having a baby, they're saying, I want a ring to commemorate that. I'm like, awesome. Go for it. Good for you. Then there's women like, we mentioned Lauren, who's like, I really want to honor my journey and my legacy, which is super exciting. Now we just started, we actually just really, speaking of the left hand ring finger, we just released ring transformations, which we are incur, basically like giving permission to women to say, this ring from when I got married 10 years ago is not in style and I don't even like it anymore, and revamping it and doing something with it. Lesley Logan 25:01  I love, that. I love that.Margot McNaull 25:02  It's so good. And, you know what's fascinating is us releasing the program. It's like they knew they could do this this whole time. Us saying apply for a ring transformation is like the permission they needed, because so many more people came out of the woodwork and are doing it now, because we, because we said it, you know?Lesley Logan 25:22  Well, I think also, like, it's on your to-do list, but then you're like, it just feels daunting. You're not really sure, you know, you almost like, need the prompt. I love this. I think that's really cool. I also, um, for the women who are, you know, letting go of relationship. I have seen women get beautiful rings, like, divorced rings.Margot McNaull 25:40  Yes, I know I've done that, and there's some funny names for them, and they've done something cool for themselves afterwards, which I love. And then I also hate, you know, because I don't want to just focus on this one finger. I hate when women say, like, you know, if I have a ring on that finger, then someone always ties it to a relationship. And then there's this whole other tangent of, why is this piece of our body belonging to someone else? It's like, I feel sorry for the single women who just want to wear a ring, and if they go on either side, right, people be like, oh, are you with someone? It's so frustrating. Lesley Logan 26:13  Yeah, no, it really is. Also like, I don't know. Maybe it's because I live in California, and people can judge how they want to, but like, I, whenever I wore a ring on that finger before I was married, it wasn't like people, it stopped anyone. Like, I got engaged, and I got more people asking me out on the first date at the Whole Foods in WeHo which, by the way, is where everyone is gay. So I should have been, like, left alone. So, so I would just say, like, I don't think anyone's actually that observant anymore.Margot McNaull 26:39  So true. So true. Yeah? Like, they should have permission to wear whatever they want on whatever finger and celebrate themselves in whatever way they want, right? And it's so interesting, because it's like, at, some women are waiting for that to happen, for that moment, for that someone to give it to them. And like, if you're listening right now, you do not need to wait for that, you know, do it for yourself. And if you do it for yourself first, and that happens later, it's probably going to be even more special because you're honoring yourself first. Lesley Logan 27:09  Yeah, oh I'm into that. I'm so into that. So ladies, put a ring on that finger and just put something that makes you feel powerful and wonderful and special. You know, it's just be it till you see it. And I think oftentimes, like the acting as if you are worthy before you might feel it is also helpful, because it's like, okay, if I did feel worthy, what would I do? What would I wear? What would how would I say yes to this? Would I would I be concerned about putting a ring on that finger or buying myself the ring that I've always wanted? You know, I think that that, and then all of a sudden, you you can, like, start to step into those shoes easily. And so when that ring is ordered and put on that you it doesn't feel foreign. It doesn't feel like something you're embarrassed about. Yeah.Margot McNaull 27:53  Yes, you're gonna love it so much more, too, because I've been working with a lot of couples for many years now. Like you said, they're partial therapist, partial ring designer. And honestly, if you don't go through that process first, you're not going to honor yourself enough in a way to actually get a ring you want to wear. You're going to compromise in ways that, and this is a piece you have to wear forever. This is where now, when, you know, people come without their partners, it kind of freaks me out of it, you know, like when the wearer of the ring isn't there, it'll, because it's so how do you nail all those details without the person wearing it? It's going to be on their body everyday maybe. So you deserve something that you truly love and truly honors who you are and what you want everyday. And so I just think, if you do that for yourself first, before getting into a wedding ring, you're, you're not going to compromise on that wedding ring either. You're going to know what you're doing. Lesley Logan 28:45  Yeah, yeah. And I think, like, what a symbol of a ring, if you've compromised all the way, like, you know, like, what is, what's going to happen? What's the be it till you see it, if everything to the detail of the ring is a compromise, you know? Versus like, I like this. I want this, yeah. Oh, my, oh, I could talk to you forever about jewelry, like, I really could. I got a new emerald, by the way, I'll have to show it to you.Margot McNaull 28:46  Ooh, yes, please. One of my faves. Lesley Logan 29:07  It's so pretty. It's like, I like, I put it on my finger, and I was like, I said, my friend, my the person who made my wedding ring. I was at her house, and I she had it out, and I was like, what is this that I don't need but I truly want? And I put it on. I was like, well, just look at that. And I was like, put, I tried to put, I was like, well, maybe I'll put the pink one on, you know? And then I was like, no, it's the one, I want, the green one. So I just wore it. And I sent a picture to Brad. I said, hey, babe, what do you think about this? And he didn't respond. And I was like, well, you know, silence is admission, like, it's permission. So this is like, I like, and so I bought it. And he's like, oh, what'd you get? And I was like, well, I hope you like that green one. Margot McNaull 29:55  I love that. Yes, I need to see that with your hair, too. Like, green emerald.Lesley Logan 30:00  It is so bright when, when we're done recording, I'll grab it. So anyways, okay, we're gonna take a brief break, because we could talk jewelry forever. But I want to find out some Be It Action Items from you and where people can work with you. Margot McNaull 30:11  Amazing. Lesley Logan 30:12  All right, Margo, where do you like to hang out? Where can people find you, follow you, connect with you, work on a ring with you?Margot McNaull 30:18  Yeah, let's do it. So our I'm most active on Instagram @StorbyMargot. So that's S-T-O-R-B-Y Margot with the T. And my two websites are storbymargot.com and margotmcnaull.com which will be you'll have them up, but my personal brand website, which is more women-focused, and then Stór By Margot is more tailored to the wedding side.Lesley Logan 30:37  Wonderful. Okay, we've talked a lot about some really good stuff, but Be It Action Item, it's the bold, executable, intrinsic or targeted steps women can take who are listening and the few good men, by the way, we do have a few good men. Margot McNaull 30:51  Love it. Lesley Logan 30:53  We always call them out, they're listening, that they can take to be it till they see it.Margot McNaull 31:02  Love it. Okay, so I'm glad you gave me some time to think about this, but came down to don't give up on yourself, because to go through what you need to go through to be that strong, successful, driven woman, you have to go through some pretty dark valleys, and you do have to look at things in a way that other people maybe don't want to. It's easier not to look at those things, but then you're going to come out with a less powerful message. So the thing that I reflected on was going through a decade where many times I wanted to quit. Well, I'm I very much am not a quitter, I would say, like, I'm more of a beat myself up and keep going. But there would have been times where it would have been easier to quit, and I didn't quit, and instead I had to, like, look deep and figure out what was so uncomfortable and raw. And that's where I'm coming out of, I feel like, in a way. And you know, it seems like 10 years. When you start a business, I mean, you know this, when you start a business, you you'd think you'd be a long way in at year 10, right? Or you look at other people and you're like, man, look how well they did. And honestly, I feel like it's just the beginning, because of all of these things I had to figure out. And if you do not want to look deep into yourself, and you do, do not want to do deep work, definitely don't start a business, because I really, I feel like it's really similar to having kids. It takes a lot out of you, you know, I did both at the same time. So, hence, the very deep, dark valleys of self-reflection and what purpose I wanted to have. But that's what I thought about be it till you see it is I just kept going through the darkness, and I just keep having faith in the process. And that's what I would say in terms of being it till you see it. Because even, I mean, I'm very excited soon to be moving to the U.S. but. Lesley Logan 32:56  Yeah. You're being it until you see it on that U.S. move for, I think, few months after I met you. So it's kind of amazing that it's happening. Margot McNaull 33:06  I'm so excited expanding the business into the U.S. and but in, like some of you know, in Canada, we had the longest shutdowns. We had some of the longest shutdowns in the world. In from 2020-2022 we were still closed January 2022, can you even believe that? Lesley Logan 33:22  It's insane. Margot McNaull 33:23  And running a business at that point in time, you had to be great. And so I was thinking about, you know, life would have been a lot easier if I had given up, but I wouldn't be here today, and I wouldn't be talking about this message that I'm so excited to keep sharing and encouraging women with and so that's my Be It for you, for sure. Lesley Logan 33:44  Yeah, I love that, and it's true. Like, if you don't want to get to know yourself and go through all the dark valleys, there's good too. But like, you don't get the good without the dark. Like, that's just how the world is, how everything is in our lives, then go work for someone else, where you can clock in, repeat things and clock out, because it's, yeah, running, every single day, I learn something about myself. I'm like, oh, I wish I could take that back. I wish I could do that differently. Okay, I get to do that differently next time, but I have to live with what I did this time. Margot McNaull 34:19  Exactly. Lesley Logan 34:20  Yeah, it's, it's interesting, a journey it's a journey. But ladies and gentlemen, please consider, one, your worthiness, for this episode. Two, get the ring that you want for any finger. And three, share this with a friend who needs to hear it. You know, share this with a friend who's like needs to remember that they like are truly married to themselves and and that is how we can, I think, uplift each other and helping those around us feel worthy as well. So Margot, thank you so much. Y'all make sure that you tag any takeaways with Margot, the Be It Pod, share with a friend and until next time, Be It Till You See It. Lesley Logan 35:04  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 35:46  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 35:52  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 35:56  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 36:02  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 36:06  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to "We Need To Talk About Mayo" - a brand new series on the Mayo Football Podcast.There is often an obsession with who the next Mayo manager will be, something we are witnessing right now. We feel that is but one part of the jigsaw and that now is an ideal time to step back and look at the wider picture relating to Mayo GAA.This involves thinking about things like structures, coaching, people, money and the bricks and mortar. In this podcast series we aim to dive into the issues that have the potential to shape the future of the game in Mayo and to ask the questions grassroots volunteers tell us do not often get the time of day.Over the coming weeks, we'll shine a light on those areas that seem to be working well and those on which honest reflection is needed. Most people working at the coalface of Mayo GAA do so with the best of intentions but any organisation which has had repeated issues cropping up needs introspection and to ask itself how can things be done better. What can we learn from the past to improve our decision-making on current issues?At its heart, this podcast series is about a shared ambition in us all: success for Mayo football across the board off the back of a thriving, purposeful, cohesive GAA community.Whether you're spilling out footballs for a training session, lacing up the boots for your next game, painting the dressing rooms, chairing the meetings, driving the county's roads with a car full of future Mayo hopefuls or trekking through the local pub on a Saturday night with a lotto book in hand and tickets to sell, this is a conversation for you!Everyone who cares deeply about the Green and Red and the great game of Gaelic football in Mayo, everyone who cares about the long-term viability of communities that express themselves through the sport and yes, whisper it, everyone who shares the elusive dream of one day seeing Mayo lift Sam for the fourth time. This is a conversation for you!Over the last few weeks, series co-producers Rob Murphy and Edwin McGreal have been speaking to dozens of people with a huge amount of collective knowledge, insight and experience about what they feel are the issues that most need addressing and where the potential for improvement lies.We've broken these topics into four main categories - coaching, infrastructure, governance and culture. This will frame our conversations and we'll be asking for feedback and ideas from our podcast listeners as we go along.We begin today with a scene-set from our regular Mayo Football Podcast crew of Rob Murphy, Mike Finnerty, John Gunnigan and Edwin McGreal.To get in touch with us and to become involved in this discussion, club members can contact us on the Mayo Football Podcast's Discord server or on Patreon at patreon.com/mayopodcast. We're also looking to stimulate discussion on the Mayo GAA Blog (mayogaablog.com) and anyone who wants to contact us directly about the issues raised in this podcast series can email us at themayofootballpodcast@gmail.com.This is a discussion for everyone with an interest in the future direction of Gaelic football in the county. We really do need to talk about Mayo. 

Episode Overview:In this episode of The Catholic Man Show, hosts Adam Minihan and David Niles dive into a lighthearted yet profound discussion about the phrase "killing two birds with one stone," the joys and challenges of high school reunions, and a deep exploration of friendship—both human and divine. The episode centers on John 15:14-15, where Jesus calls His disciples friends, not servants, offering a transformative perspective on what it means to live in communion with Christ. A powerful confession experience ties the conversation together, emphasizing the shift from doing things for God to doing them with Him.Key Discussion Points:Opening Banter (00:00:16 - 00:04:55): Adam and David humorously debate the origins and modern misuse of the phrase "killing two birds with one stone," referencing historical and biblical imagery like David and Goliath, and even a viral video of Nolan Ryan hitting a bird with a baseball.Life Updates (00:05:00 - 00:11:39): David shares his excitement for an upcoming family reunion in Wyoming, while Adam talks about his son Leo's second-place finish in mutton busting at a local rodeo and his anticipation for a 20-year high school reunion, sparking a funny reflection on aging and pride.Sponsorship Spotlight (00:12:00 - 00:13:15): The hosts highlight their long-time sponsor, Select International Tours, encouraging listeners to explore pilgrimage opportunities at selectinternationaltours.com and join their upcoming trip to Italy in October.What We're Drinking (00:13:29 - 00:15:47): Adam and David enjoy The Sassenach, a blended Scotch whiskey with a Gaelic name meaning "outsider" or "stranger." They praise its Highland-like flavor and art deco bottle, likening it to a Mad Men-style decanter.Literature and Reading (00:16:46 - 00:20:43): David discusses reading G.K. Chesterton's Man Alive, recommended by Monsignor Gallus, a Chesterton scholar, and touches on Plato's The Republic. The hosts reflect on Chesterton's whimsical style and the influence of classical works on Christian thought.Main Topic: Friendship with Christ (00:22:08 - 00:58:51):Biblical Foundation: Adam introduces John 15:14-15, where Jesus says, “You are my friends if you keep what I command you. No longer do I call you servants… but I have called you friends.” This passage sets the stage for a discussion on authentic friendship.Philosophical Insights: Drawing from Aristotle's Nicomachean Ethics (Books 8-10), the hosts explore his three types of friendship—pleasure, utility, and authentic (virtuous) friendship. Aristotle views authentic friendship as the highest moral achievement, impossible without virtue, as vice renders true friendship unattainable.Christian Perspective: The discussion connects Aristotle's ideas to Christian theology, with references to Augustine, Aquinas, and Cicero. Aquinas describes charity as the highest form of friendship, requiring mutual love, willing the good of the other, and a shared life—mirrored in Christ's relationship with His disciples.Old vs. New Covenant: The hosts contrast the Old Covenant's servanthood (e.g., Abraham obeying without full understanding) with the New Covenant's friendship, where Christ shares divine knowledge, inviting us into intimacy and communion.Confession Insight: Adam shares a transformative moment from confession, where a priest challenged his mentality of doing things for God, urging him to focus on doing things with God. This shift reframes Christian life as a...

Zach was still a teen when he was scouted by the AFL in Ireland, beginning a great adventure in Australia, where he fell in love and unexpectedly became a dad. On his way home from training, a 24-year-old Zach would have to pull over on the side of the road to cry before he got home to his young family.Zach Tuohy was just 17 years old when he was scouted by the Carlton Football Club at a Gaelic football tournament in his home country of Ireland.He did two trials for the club before taking the plunge, leaving his family behind in Portlaoise and moving to Australia to become a professional footballer, first for Carlton and then for the Cats in Geelong.By the time Zach retired from the AFL in 2024, he had accumulated an astonishing 288 games, a premiership title, a loving Aussie wife and two beautiful sons.But Zach's great Irish-Australian adventure wasn't always a dream run.He struggled as a young, first-time dad, and didn't know who to turn to.On the way home from training, Zach would feel compelled to pull over on the side of the road and cry, alone in his car before coming home to his young family, pretending everything was ok.Further informationThe Irish Experiment is co-authored by Catherine Murphy and published by Simon and Schuster.Keep up to date with Zach's post-footy exploits on his Instagram page.Find out more about the Conversations Live National Tour on the ABC website.This episode of Conversations was produced by Meggie Morris and presented by Sarah Kanowski. Executive Producer is Nicola HarrisonIt explores the AFL, Carlton, Geelong Cats, Premiership, Grand Final, West Coast Eagles, fatherhood, post postpartum depression, postnatal depression in men, young fathers, migration, Irish in Australia, Aussie Rules, hurling, grandma's love, relationships, raising children, life after sport, professional athletes, Sydney Swans, Grand Final, footy.

The Gaelic name for the Cairngorm Mountains of the Scottish Highlands translates to The Red Mountains.  The mountains are formed from granite and once had a rosy hue to them before time and the rough conditions battered them into a more grayish coloring. The Cairngorms have always been popular for skiing and hiking and feature high plateaus and rounded summits. In and amongst these mountains was an area once referred to by locals as the Hill of Christie. That hill was the scene of a murder mystery that took place centuries ago and the key to solving that mystery came at the hands of a ghost. Intro and Outro music: Bad Players - Licensed under a non-exclusive, non-transferable, non-assignable, single-site, worldwide, royalty-free license agreement with Muse Music c/o Groove Studios. The following music was also used: Title: "Mercury Fever Dream" Artist: Tim Kulig (timkulig.com) Licensed under Creative Commons By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/ IMDB: https://www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1

What occurred on Bloody Sunday on 21 November 1920 - a turning point in the Irish War of Independence and one of the bloodiest and most brutal moments in Irish history? How many British Army Officers were assassinated on the instructions of firebrand political leader, Michael Collins, that morning? Then, how many civilians did the British army gun down during a Gaelic football match at Croke Park that afternoon, and why given it was largely unprovoked? And, what events did that fateful day set in motion along the road to Irish Independence, by turning Irish public opinion against the British government? In today's episode, Dominic and Tom are joined once more by historian Paul Rouse, to discuss one of the most tragic events of the entire Irish War of Independence; Bloody Sunday.  ⁠The Rest Is History Club⁠: Become a member for exclusive bonus content, early access to full series and live show tickets, ad-free listening, our exclusive newsletter, discount book prices on titles mentioned on the pod, and our members' chatroom on Discord. Just head to ⁠therestishistory.com⁠ to sign up, or start a free trial today on Apple Podcasts: ⁠apple.co/therestishistory⁠. For more Goalhanger Podcasts, head to ⁠www.goalhanger.com⁠ _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

For more than 400 years, Irish warfare was dominated by the Galloglass, elite Norse-Gael mercenary warriors who reshaped battles with their two-handed sparth axes and claymores. Why did Gaelic chieftains and Norman lords alike rely on these foreign fighters? And what drove the Galloglass to fight with such ferocity that English observers would later write, "When they strike they inflict a dreadful wound"?To find out more, Matt Lewis is joined by Fergus Cannan-Braniff, a descendant of Rob Roy MacGregor and Robert the Bruce, and author of Galloglass 1250-1600: Gaelic Mercenary Warrior.MORECastles and the Conquest of Irelandhttps://open.spotify.com/episode/4mQSY11BBAru3Q3tDQgXWAMedieval Ireland: Death & Politicshttps://open.spotify.com/episode/3sGKfux9jioLnvOUcydbovGone Medieval is presented by Matt Lewis and edited by Amy Haddow. The producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, including Matt's series Castles that Made Ireland, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Shannon Heaton of Irish Music Stories presents “Ancient Tongues, Modern Times:  How Gaelic languages carry tradition” on the Irish & Celtic Music Podcast #713. Subscribe now! This Irish Music Stories episode aired October 13, 2020. Find the transcript for that show here. GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2024 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2-3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos. THIS WEEK IN CELTIC MUSIC Do you really need to know any Gaelic when visiting Ireland and Scotland? With behind-the-scenes guidance from Stateside Irish speaker Brian Ó hAirt, and set against the backdrop of the forthcoming U.S. Presidential election, this episode of IMS scratches the surface of Irish and Scottish Gaelic. And explores how these ancient languages inform traditional music, and how they resonate today. You'll hear beautiful conversations and music from Mairéad Ní Mhaonaigh, Séamus Ó Flatharta, Ciarán Bolger, Michael Coult, Julie Fowlis, and Mary Jane Lamond. We talk regional songs, apple crumble, and President Obama's gracious Gaelic address to the Irish people back in 2011. Learn how inspired musicians think in ancient words in 2020. Explore connections between language and music, how songs in Irish and Scottish Gaelic transmit emotion and carry history, and how languages lift people up (and ward off the evil eye). _____ Thank you to everybody for listening. And a special thank you to this month's underwriters: Jane Knight, Tinka, Roland Hebborn, Marina Poggemann, Emil Hauptmann, David Vaughan, Brian Benscoter, Susan Walsh, Rick Rubin, Randy Krajniak, Jon Duvick, Suezen Brown, John Ploch, Joel DeLashmit, and Gerry Corr. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. This podcast is for fans of Celtic music. Not just the big names you've probably heard of. But also the Celtic bands in your neck of the woods, at your festivals. It is here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to keep making music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their communities on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. THANK YOU PATRONS OF THE PODCAST! You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week. Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week. As a patron, you get ad-free and music-only episodes before regular listeners, vote in the Celtic Top 20, stand-alone stories, you get a private feed to listen to the show or you can listen through the Patreon app.  All that for as little as $1 per episode. HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every week, $1, $5, $25. Make sure to cap how much you want to spend per month. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? Please email me. I'd love to see a  picture of what you're doing while listening or of a band that you saw recently. How are you listening to this podcast? I'd love to know that as well. The show is available on a bunch of podcast apps like Apple Podcast, Amazon Music, Podcast Addict, iHeartRadio, Player.FM, Pocket Casts, Cast Box, Pandora, Podbean, and my favorite Overcast Email me at follow@bestcelticmusic.