Podcasts about thomas bey william bailey

Welcome to the 16th episode of Anechoic Chamber, featuring Johnson City, TN-based artist Bryan Lewis Saunders. Working in a wide array of disciplines from drawing to sound recording, Saunders is in many ways the quintessential American folk artist: having himself identified risk-taking as one of the key identifying features of American creativity, his own forays into this field have coupled the boundary-testing ethos of 1970s American performance artists with an intensely dedicated level of documentation that itself combines scientific rigor and journalistic honesty. For decades now, Saunders has maintained his vow to draw daily self-portraits that reveal fluctuations in his psychic makeup, and has done this in tandem with projects in which he imposes severe restraints upon himself: living for a month deprived of sight. Drawing while under the influence of a new drug for two straight weeks. Subjecting himself to extreme temperatures for extensive periods, and choosing to document the effects of completely monochromatic living environments during quarantine. In addition to this, Saunders' experiments with sleep-talking and his unique form of confessional performance known as “stand-up tragedy” hint at an individual for whom no obscure corner of human experiential terrain is to be left un-explored or un-mapped. credits: Remixed excerpts of Bryan Lewis Saunders' "Deaf Month", "Blind Month", and "Temperature Month" Vinyls by Thomas Bey William Bailey. Background music by Razen. Audio recordings by Christopher Fleeger, Bryan Lewis Saunders and Thomas Bey William Bailey. Artist link: www.bryanlewissaunders.org Anechoic Chamber links: Donate via Paypal - tbwb@protonmail.com General host info: www.thomasbeywilliambailey.net

Please enjoy the second lecture/podcast in the Fenris Wolf series. This one is called “Onwards to the Source!” Shamanism & Magico-anthropology to the People, forever and in all dimensions! If you enjoyed this recording, you will very likely enjoy the rest of The Fenris Wolf 10: 422 pages of inspiring occulture and pure delightenment. This jubilee volume contains material by Ludwig Klages, David Beth, Henrik Dahl, Peter Sjöstedt-H, Jesse Bransford, Max Razdow, Christopher Webster, Kendell Geers, Kadmus, Billie Steigerwald, Fred Andersson, Zaheer Gulamhusein, Charlotte Rodgers, Craig Slee, Damien Patrick Williams, Philip H. Farber, Thomas Bey William Bailey, Mitch Horowitz, Ramsey Dukes, Anders Lundgren, Peggy Nadramia, Nina Antonia, Jack Stevenson, Andrea Kundry, Joan Pope, Genesis Breyer P-Orridge, Vanessa Sinclair, Claire-Madeline Corso, and Carl Abrahamsson... ... On topics as diverse as magico-anthropology, sexual magic, eroto-psychedelic art, Friedrich Nietzsche’s use of psychoactive drugs, the occult meaning of the Fenris Wolf in Scandinavian Asatro, joint dreaming, mytho-historical traces within Völkish photography, the magic and influence of African art, disease as magical incentive, Cripkult, daoism, buddhism and machine consciousness, memetic entities, memetic magick, the transformative power of causative thinking, an interview with author Gary Lachman about Colin Wilson and his magical writings, dark Hollywood, Mike “Hellboy” Mignola and the Lovecraft connection, the full story of Benjamin Christensen’s cinematic masterpiece “Witchcraft Through the Ages (1922), the full story of Anton LaVey’s Satanic Bible, the gnostic-alchemical eroticism in the art of Joan Pope, Genesis P-Orridge’s memories of a life of occultural experimentation, and much more… Trapart Books 2020. Cover art by Val Denham. 6 x 9” paperback. 422 pages. For more information, please visit: https://store.trapart.net/ Please sign up for the Fenris Wolf newsletter: https://thefenriswolf.substack.com/ Please support this and our other endeavours by joining our Patreon: https://www.patreon.com/vanessa23carl Thank you for your interest and support. Keep on howling! Carl Abrahamsson, Stockholm, December 12th, 2020 Photograph by Vanessa Sinclair

As the tenth issue of The Fenris Wolf is now out there and howling so beautifully, let’s zoom in a bit closer by listening to the “podcast” reading of the text on Fenris proper: Carl Abrahamsson: “Lux Per Nox – The Fenris Wolf as Libidinal Liberator.” If you enjoyed this recording, you will very likely enjoy the rest of The Fenris Wolf 10: 422 pages of inspiring occulture and pure delightenment. This jubilee volume contains material by Ludwig Klages, David Beth, Henrik Dahl, Peter Sjöstedt-H, Jesse Bransford, Max Razdow, Christopher Webster, Kendell Geers, Kadmus, Billie Steigerwald, Fred Andersson, Zaheer Gulamhusein, Charlotte Rodgers, Craig Slee, Damien Patrick Williams, Philip H. Farber, Thomas Bey William Bailey, Mitch Horowitz, Ramsey Dukes, Anders Lundgren, Peggy Nadramia, Nina Antonia, Jack Stevenson, Andrea Kundry, Joan Pope, Genesis Breyer P-Orridge, Vanessa Sinclair, Claire-Madeline Corso, and Carl Abrahamsson... ... On topics as diverse as magico-anthropology, sexual magic, eroto-psychedelic art, Friedrich Nietzsche’s use of psychoactive drugs, the occult meaning of the Fenris Wolf in Scandinavian Asatro, joint dreaming, mytho-historical traces within Völkish photography, the magic and influence of African art, disease as magical incentive, Cripkult, daoism, buddhism and machine consciousness, memetic entities, memetic magick, the transformative power of causative thinking, an interview with author Gary Lachman about Colin Wilson and his magical writings, dark Hollywood, Mike “Hellboy” Mignola and the Lovecraft connection, the full story of Benjamin Christensen’s cinematic masterpiece “Witchcraft Through the Ages (1922), the full story of Anton LaVey’s Satanic Bible, the gnostic-alchemical eroticism in the art of Joan Pope, Genesis P-Orridge’s memories of a life of occultural experimentation, and much more… Trapart Books 2020. Cover art by Val Denham. 6 x 9” paperback. 422 pages. For more information, please visit: https://store.trapart.net/ Please support this and our other endeavours: https://www.patreon.com/vanessa23carl Please subscribe to the Fenris Wolf newsletter at: https://thefenriswolf.substack.com/

Dr Jenny Butler is a well known folklorist and the leading authority on the academic study of contemporary Paganism in the Irish context, having conducted the first ever ethnographic study of Irish contemporary Paganism. Her book on this topic, 21st Century Irish Paganism: Worldview, Ritual, Identity, is forthcoming from Routledge. Also forthcoming are the edited collections including Folk Metal: Critical Essays on Identity, Myth and Culture (Palgrave Macmillan) and The Twin Peaks Phenomenon: Essays on a Show Both Wonderful and Strange (McFarland). http://drjennybutler.com Dr Jenny Butler is a Lecturer in the Department of Study of Religions at University College Cork where she teaches various courses including 'Death, Dying and the Afterlife', 'Myth & Magic: An Introduction to the Study of Irish Folklore and Mythology', 'Western Esotericism and New Religious Movements', and 'Contemporary Religions in Ireland'. Her research specialisms are ritual, festival, myth, magical and supernatural traditions, sacred landscape and pilgrimage, and death studies. https://youtu.be/i1DVAw5RKKo Dr. Butler is organizing 8th Biannual Conference of the European Society for the Study of Western Esotericism (ESSWE): https://www.esswe.org Follow her work: https://twitter.com/Jenny_Butler_ https://www.facebook.com/DrJennyButler/ Rendering Unconscious Podcast is hosted by psychoanalyst Dr. Vanessa Sinclair, who interviews psychoanalysts, psychologists, scholars, creative arts therapists, writers, poets, philosophers, artists & other intellectuals about their process, world events, the current state of mental health care, politics, culture, the arts & more. Episodes are also created from lectures given at various international conferences. http://www.renderingunconscious.org You can support the podcast at: www.patreon.com/vanessa23carl Vanessa Sinclair, Psy.D. is a psychoanalyst based Stockholm, who sees clients internationally, specializing in offering quality psychoanalytic treatment remotely and online. Her books include Switching Mirrors (2016), The Fenris Wolf vol 9 (2017) – collected papers from the Psychoanalysis, Art & the Occult conference, London, 2016 – co-edited with Carl Abrahamsson, On Psychoanalysis and Violence: Contemporary Lacanian Perspectives (2018) co-edited with Manya Steinkoler, and Scansion in Psychoanalysis and Art: the Cut in Creation forthcoming from Routledge 2020. She is a founding member of Das Unbehagen: A Free Association for Psychoanalysis. http://www.drvanessasinclair.net Rendering Unconscious Podcast can be found at Spotify, iTunes, Podbean, YouTube... Please visit www.renderingunconscious.org/about for links to all of these sites. The track at the end of the episode is "Someone is Waiting for Me" by Vanessa Sinclair and Thomas Bey William Bailey from the compilation album "Message 23" available from Highbrow Lowlife: https://vanessasinclair.bandcamp.com Portrait of Dr Jenny Butler http://drjennybutler.com

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present... Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its origins in mail-art networks of the 1970s to the present day practice of using antiquated media – the humble cassette tape – for the dissemination of experimental sounds. Net-labels, mp3 blogs, tape traders, and their many casts of characters are examined along the way as changing technologies impact the strategies for resilience among self-releasing audio artists. Learn more about your ad choices. Visit megaphone.fm/adchoices