Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship and their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their journey of cinematic di
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack RETURN to the studio for a preview of Season 3 and answer YOUR pressing questions from our listener mailbag!Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott.PLEASE like and follow us or leave a review- we would be so thankful.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack look back on ALL the amazing performances, moments, memories, and films that they encountered from Season 2 and give their annual "end of season" awards!Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott.PLEASE like and follow us or leave a review- we would be so thankful.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the 1978 British folk-horror cult masterwork THE SHOUT directed by Jerzy Skolimowski via their very first guest recommendation! Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the 2018 Lebanese masterwork directed by Nadine Labaki, CAPERNAUM, and field their very first guest recommendation! Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack marvel at the first feature film directed by an African-American woman to be theatrically released in the United States- the STUNNING Daughters of the Dust.Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack FINALLY experience a long-awaited Blindspot of sheer cinematic genius: Beau Travail by Claire Denis!Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack explore the stylish and TRAGICALLY cool masterwork from Japanese cult auteur Seijun Suzuki- BRANDED TO KILL (1967)Join us as we discuss the legacy of the Japanese New Wave, yakuza cult offerings, and why there would NEVER have been a Tarantino without Seijun Suzuki...
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack explore the beautifully framed, absurdist world of Swedish auteur Roy Andersson and his masterwork from 2000, SONGS FROM THE SECOND FLOOR. Join us as we also discuss Andersson's artist influences, the humanist poetry of César Vallejo, and Criterion's upcoming program on Teen Horror- along with a special "visit" from our dear friend and critic Roger Ebert who weighs in on the film via a never before published interview clip.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack deconstruct the STUNNING debut of Senegalese filmmaker Ousmane Sembène.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the cult masterwork by Andrzej Żuławski- POSSESSION, from 1981.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack use their Season 1 Finale to award Superlatives to the films, moments, and performances that stood out in Season 1.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the startling and audacious 1973 debut from Senegalese director Djibril Diop Mambéty, TOUKI BOUKI.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss a radical docufiction offering from the Iranian New Wave- 1990's CLOSE UP from director Abbas Kiarostami.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the groundbreaking film debut of the great Indian auteur Satyajit Ray- PATHER PANCHALI
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the startling and devastating film debut of Mexican auteur Alejandro González Iñárritu- Amores perros.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the cult masterwork of the early African-American Independent Film Movement: Bill Gunn's 1973 experimental horror film, Ganja & Hess.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the 1942 "alternate film" by the great Orson Welles, THE MAGNIFICENT AMBERSONS.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the 1972 auteur thriller by Brian De Palma, SISTERS.
Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the arthouse masterwork by Wim Wenders, Paris, Texas from 1984.
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