Podcast appearances and mentions of Claire Denis

Claire Denis, Isaach de Bankolé, Matt Dillon, and Tom Blyth discuss The Fence with NYFF Artistic Director Dennis Lim at the 63rd New York Film Festival. In Claire Denis's absorbing and intimate film, set at a white-run construction site in West Africa, Albouny (Isaach de Bankolé) demands the return of his brother's body, killed in a mysterious work accident, but the site's foreman (Matt Dillon) is clearly hiding the truth. The 63rd New York Film Festival is presented in partnership with Rolex.

The loneliness of eternity. The horrors of the 20th century. Nick Cave's hair. Yes, this week Pop Screen is tackling the biggest things possible with Wings of Desire, in which Wim Wenders's observations of Berlin, fondness for the poetry of Rilke and Bad Seeds fandom combined to form one of the most unlikely masterpieces of the 1980s.Join Joe and Graham as they discuss Wenders's wayward, rewarding career and the notes of unexpected reality in this grand fantasy - from Peter Falk's supporting turn as himself to Solveig Dommartin's real-life trapeze skillz. We also talk about the film's sequels and remakes, Claire Denis's talent for novelty casting decisions, which era of Nick Cave's work appeals to us the most, and why every sufficiently highbrow artist needs their own Berlin period.For a more sustained taste of heaven, you should donate to our Patreon, where you'll get a bonus episode of this show every month plus an end-of-month round-up podcast, Last Night..., that isn't available anywhere else. All this and weekly written articles on The X-Files, The Twilight Zone and the various things Doctor Who's cast and crew get up to away from the show in Outside the Blue Box. Follow us on Bluesky, Instagram and Facebook to find out more.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 322: Beau Travail Released 24 September 2025 For this episode, we watched Claire Denis's 1999 story of three men in the French Foreign Legion, drawn in part from Herman Melville's unfinished novella Billy Budd. The film stars Denis Lavant, Michel Subor and Grégoire Colin and Denis also wrote the script along with Jean-Pol Fargeau. It has an 87% rating on Rotten Tomatoes and it's at number seven in the 2022 Sight & Sound poll. We also feature an exclusive clip from Tom's new podcast All British Comedy Explained. Check it out here. https://podfollow.com/all-british-comedy-explained Next time we will be discussing 2001: A Space Odyssey. If you want to watch it before listening to the next episode, you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can stream it via Apple TV+ (UK) or Apple TV+ (USA). Blood Shine https://mubi.com/en/gb/films/blood-shine The One I Love https://www.netflix.com/gb/title/70299863 https://www.earwolf.com/episode/the-snowman-live-w-erin-gibson-bryan-safi/ BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

Primer podcast especial des del Festival de Donosti en el que l'Héctor i la Teresa Beitia analitzen el bo i millor del certamen. Per començar la cobertura tenim les esperadíssimes 'Sentimental Value' de Joachim Trier o la 'Nouvelle Vague' de Richard Linklater. També hem vist 'Los Tigres', la nova proposta d'Alberto Rodríguez o 'El mago del Kremlin', el biopic sobre l'home que va crear Vladimir Putin dirigit per Olivier Assayas. Altres títols a esmentar són la sorprenent 'Bad Apples' o 'The Fence', la nova obra d'un clàssic del festival com la Claire Denis.

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Park Chan-wook, Gus Van Sant, Kleber Mendonça Filho, Guillermo Del Toro, Claire Denis, Jafar Panahi, Benny Safdie, Oliver Laxe, Matt Johnson, Lav Diaz, Mona Fastvold, Bryan Fuller, Romain Gavras, Laura Poitras, Kenji Tanigaki, Rian Johnson, Christian Petzold, Alex Winter, Chandler Levack, Ben Wheatley, Nic Pizzolatto, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on THE BAD SLEEP WELL (1960) + HIGH AND LOW (1963), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:37 Day 1 -- SENTIMENTAL VALUE // 17:37-22:18 MAGELLAN // 22:18-28:24 SIRAT // 28:24-33:34 THE SECRET AGENT // 33:34-41:22 IT WAS JUST AN ACCIDENT // 41:22-51:00 HONEY BUNCH // 51:00-55:49 Day 2 -- MOTOR CITY // 55:49-1:04:52 NO OTHER CHOICE // 1:04:52-1:17:07 GOOD NEWS // 1:17:07-1:23:45 Day 3 -- THE LOST BUS // 1:23:45-1:26:38 UNIDENTIFIED // 1:26:38-1:28:46 THE TESTAMENT OF ANN LEE // 1:28:46-1:34:48 FUZE // 1:34:48-1:39:26 JUNK WORLD // 1:39:26-1:47:17 Day 4 -- DEAD MAN'S WIRE // 1:47:17-1:55:20 SACRIFICE // 1:55:20-2:00:48 THE FURIOUS // 2:00:48-2:07:26 ROOFMAN // 2:07:26-2:13:38 LUCKY LU // 2:13:38-2:17:22 HEDDA // 2:17:22-2:23:42 Day 5 -- THE BALLAD OF A SMALL PLAYER // 2:23:42-2:28:01 PROJECT Y // 2:28:01-2:29:42 GOOD BOY // 2:29:42-2:31:33 EXIT 8 // 2:31:33-2:32:45 ADULTHOOD // 2:32:45-2:36:20 TUNER // 2:36:20-2:43:32 Day 6 -- THE SMASHING MACHINE // 2:43:32-2:51:27 ORPHAN // 2:51:27-2:53:41 COVER-UP // 2:53:41-2:57:41 TRAIN DREAMS // 2:57:41-3:03:45 Day 7 -- RETREAT // 3:03:45-3:06:26 CAROLINA CAROLINE // 3:06:26-3:10:33 MADDIE'S SECRET // 3:10:33-3:15:23 IT WOULD BE NIGHT IN CARACAS // 3:15:23-3:17:17 NORMAL // 3:17:17-3:22:16 Day 8 -- FUCK MY SON! // 3:22:16-3:30:55 THE UGLY // 3:30:55-3:36:18 WAKE UP DEAD MAN (KNIVES OUT 3) // 3:36:18-3:42:00 THE FENCE // 3:42:00-3:50:24 OBSESSION // 3:50:24-3:56:58 Day 9 -- EASY'S WALTZ // 3:56:58-4:04:08 DUST BUNNY // 4:04:08-4:09:10 LITTLE LORRAINE // 4:09:10-4:13:14 FRANKENSTEIN // 4:13:14-4:23:13 Day 10 -- MILE END KICKS // 4:23:13-4:29:36 MIROIRS NO. 3 // 4:29:36-4:34:30 Day 11 -- NIRVANNA THE BAND THE SHOW THE MOVIE // 4:34:30-4:50:13 Outro // 4:50:13-4:53:46 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

As a new People's Choice Winner has been crowned and all the stars have left Toronto, so too has Andy returned from his pilgrimage to the festival. He and Emilio got on the line to break down everything he saw, from new films from Park Chan-Wook, Richard Linklater, and Claire Denis, to the people's choice winner HAMNET. Documentaries, undistributed musicals, Cannes prize winners, we've got a little bit of everything! Our twitter is @CannesIKickIt Our bluesky is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone

This week, we discuss two films dealing with colonialism in Africa. The first is Cobra Verde, directed by Werner Herzog and starring Klaus Kinski, in their fifth and final collaboration. Based upon Bruce Chatwin's 1980 novel The Viceroy of Ouidah, the film depicts the life of a fictional slave trader who travels to the West African kingdom of Dahomey. The second is White Material, directed by Claire Denis and co-written with Marie NDiaye. The film stars Isabelle Huppert as Maria Vial, a struggling French coffee producer in an unnamed French-speaking African country who decides to stay at her coffee plantation in spite of an erupting civil war. Timestamps What we've been watching (00:00:30) – Alan Partridge: Alpha Papa, Alan Partridge: Welcome to the Places of My Life, Alan Partridge's Scissored Isle, Barry season four, Robot Dreams Cobra Verde (00:14:20) White Material (00:42:50) Coin toss (01:08:25)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Ep. 348: Mark Asch on Toronto 2025: Christy, Maggie's Secret, Claire Denis's The Fence, Sacrifice Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Toronto International Film Festival began its 50th edition, and for this jubilee year, I kicked things off with critic Mark Asch, a past TIFF correspondent on the podcast who is writing for The Art Newspaper and Little White Lies. Among the TIFF premieres discussed are Christy (directed by David Michod and starring Sydney Sweeney), The Fence (directed by Claire Denis), Maggie's Secret (directed by and starring John Early), and Sacrifice (a Romain Gavras joint). Stay tuned for more on TIFF's sprawling slate! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.CW: Discussions of cinematic sexual assault and violence.Film Critic Lex Briscuso joins us to discuss Satoshi Kon's masterful animated psychological thriller Perfect Blue. The film follows Mima, a former J-Pop idol who has recently left the music group Cham! that made her famous and beloved in order to pursue a career as an actress. As Mima struggles to adapt to the demands of her new profession, she becomes the victim of an obsessive stalker and steadily begins to lose her grip on reality. Visceral, confounding, and richly layered with considerations about celebrity, artifice, and the toll of creating a public persona, Perfect Blue represents the very best animated cinema has to offer and showcases what the medium is capable of in the hands of a brilliant artist.We begin by unpacking the film's contemplations of public image and the fledgling internet; how Kon anticipates the production of digital avatars and how these versions of ourselves skew people's perceptions of our interiority. Then, we discuss Perfect Blue's perspective on patriarchal, predatory systems within entertainment and art, as well as how the film conveys the top-down proprietary relationships that we build around celebrity. Finally, we examine the film's core tragedy - the loss of agency and sense of self that necessary follows any participation within a larger system of public visibility and the subsequent collapse of solidarity these losses breed.Follow Lex Briscuso on Twitter.....Our theme song is "Mirror" by Chris Fish.

This month Tim is joined by film academic Dr Lindsay Hallam to discuss Claire Denis' Beau Travail (1999). –––––––––––––––––––––––––––––– Beau Travail is no 7 on the Sight & Sound critic's list. You can read Lindsay's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– This episode includes discussions about suicide. If this issue has affected you and you'd like support in the UK you can speak with someone at the Samaritans or Campaign Against Living Miserably (CALM); in the States there is the American Foundation for Suicide Prevention. Alternative services may be available in other countries, so please reach out. The world is better with you in it. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Michael continues the current round of retro reviews with Otto Preminger's 1959 courtroom drama, Anatomy of a Murder. Joe revisits a signature Claire Denis picture, while Michael recommends the second season of a Netflix docuseries.

From July 4 to July 8, Film Comment Editor Devika Girish presented a series at the Brooklyn Academy of Music called Let Them Cook: Cinema of the Rice Cooker, which spotlit movies where the humble household appliance takes on a poetics and pragmatism uniquely suited to the screen. Some of the films in the series included Payal Kapadia's All We Imagine as Light (2024), Claire Denis's 35 Shots of Rum (2008), Wong Kar-wai's In the Mood for Love (2000), Raymond Yip's Sixty Million Dollar Man (2005), Yasujiro Ozu's Good Morning (1959), and Bong Joon Ho's Incoherence (1994).  After a screening of Seijun Suzuki's Branded to Kill (1967)—which follows a yakuza assassin with a fetish for the smell of cooking rice—Devika recorded a panel discussion with film scholar and critic Phoebe Chen, The Philadelphia Inquirer's Bedatri Datta Choudhury, and Bon Appétit's Joseph Hernandez about the cinematic appeal of the rice cooker.

Paul and Erin share their impressions of Wes Anderson's capitalist caper THE PHOENICIAN SCHEME, Danny Boyle's postapocalyptic sequel 28 YEARS LATER, Celine Song's sophomore feature MATERIALISTS, David Cronenberg's grief-stricken drama THE SHROUDS and the Netflix hit KPOP DEMON HUNTERS before delving into older features such as MILLENNIUM MAMBO, STARS AT NOON and KHOON BHARI MAANG.

Deep in the desert of Djibouti, the French Foreign Legion trains their bodies to become living weapons. This tight-knit squad of highly specialized individuals are prepping for a conflict that never finds them, where individuality is ground down into dust, and all that's left is the collective militaristic identity. The salted flats and arid landscape make for an operatic backdrop of Claire Denis' 1999 feature, Beau Travail, where bodies become the only means for outward expression, and creeping thoughts tear at the soul. An adaption of Herman Melville's novella, Billy Budd, this film follows Adjudant-Chef Galoup as he reflects on his life during his time in Africa leading a group of soldiers, and his inner tension towards a new gifted recruit, Sentain, up to where he ends up back at his home in Marseilles. This film excels in creating space for what is left unsaid, and holding onto moments that exist in-between action and reaction. Like a rocket primed for launch, all we can do is hold our breath and see what comes next. As always, thank you for listening, and we hope you enjoy our discussion. Where to watch the film: Max Criterion Channel Send us film recommendations or feedback at: lefilmpodcast@gmail.com

Comme tu le sais, le nom des réalisateurs peuvent parfois nous jouer des tours : de type Claire Simon et Claire Denis deux documentaristes / réalisatrices habituées des festivals dont on parlait il y a quelques mois. Bon je ne reviens pas là-dessus. Mais le nom des films également peuvent […] The post Here, un film contemplatif et ascétique first appeared on Radio Vostok.

Comme tu le sais, le nom des réalisateurs peuvent parfois nous jouer des tours : de type Claire Simon et Claire Denis deux documentaristes / réalisatrices habituées des festivals dont on parlait il y a quelques mois. Bon je ne reviens pas là-dessus. Mais le nom des films également peuvent […] The post Here, un film contemplatif et ascétique first appeared on Radio Vostok.

fWotD Episode 2958: Robert Pattinson Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 10 June 2025, is Robert Pattinson.Robert Douglas Thomas Pattinson (born 13 May 1986) is an English actor. His filmography often sees him portraying eccentric characters across a diverse range of genres. Known for starring in both major studio productions and independent films, Pattinson has been ranked among the world's highest-paid actors, and his works have grossed over $4.7 billion worldwide. In 2010, Time included him in its list of the 100 most influential people in the world, and he was also featured in the Forbes Celebrity 100.Born and raised in London, Pattinson started acting at age thirteen in a London theatre club. He made early screen appearances in supporting roles, including in Vanity Fair (2004), and played Cedric Diggory in the fantasy film Harry Potter and the Goblet of Fire (2005) before making his debut as a leading actor in The Haunted Airman (2006). Pattinson achieved global recognition as Edward Cullen in The Twilight Saga film series. Its five films—released yearly between 2008 and 2012—each were among the highest-grossing films of their respective release years and collectively grossed over $3.3 billion worldwide. Pattinson also led the romantic dramas Remember Me (2010) and Water for Elephants (2011).Pattinson subsequently began working in independent films from auteur directors. He was praised for his performances in David Cronenberg's drama Cosmopolis (2012), James Gray's adventure drama The Lost City of Z (2016), the Safdie brothers' crime drama Good Time (2017), Claire Denis's science fiction drama High Life (2018) and Robert Eggers' psychological horror The Lighthouse (2019). Pattinson then returned to big-budget mainstream cinema, starring as a spy handler in Christopher Nolan's thriller Tenet (2020), portraying the titular superhero in Matt Reeves's superhero film The Batman (2022), and playing an expendable astronaut in Bong Joon-ho's science fiction film Mickey 17 (2025).Pattinson has also contributed vocals to several film soundtracks. He is involved in philanthropy, supporting organisations such as the GO Campaign. Pattinson began modelling as a child and has served as the face of Dior Homme fragrance since 2013. Labelled as a sex symbol by the media, he is frequently called one of the most attractive actors; People included Pattinson on its list of the "Sexiest Men Alive" in 2008 and 2009. He has been in a relationship with singer and actress Suki Waterhouse since 2018, with whom he has a child.This recording reflects the Wikipedia text as of 00:08 UTC on Tuesday, 10 June 2025.For the full current version of the article, see Robert Pattinson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Justin.

HIGH LIFE ist ein Film, der mich beim Schauen (und beim Podcast direkt danach) überfordert und mich oft orientierungslos zurückgelassen hat. Claire Denis erzählt eine Geschichte, die auch in einem abgelegenen Krankenhaus oder auf einer Gefängnisinsel spielen könnte: Neun Strafgefangene werden zusammengesperrt, eine fanatische Ärztin versucht, aus dem Sperma und den Eizellen der anderen Insassen im Brutkasten ein Kind zu "erschaffen". Nur ist das Gefängnis ein schuhschachtelförmiges Raumschiff, das auf ein Schwarzes Loch zutreibt. Ein optisch oft sprödes Kammerspiel um Fruchtbarkeit und Gewalt, Einsamkeit, Schuld und Elternschaft. Eher Theater als Science-Fiction, mehr Szenen als Handlung. Ohne das Etikett "Science-Fiction" und der damit verbundenen Erwartung, hätte es HIGH LIFE bei mir leichter gehabt. Im Podcast direkt nach dem Film sprechen wir über bedrückende Gewaltausbrüche, über Robert Pattinson und Juliette Binoche, Low-Tech-Ausstattung und über fragmentarische Dramaturgie - und streiten etwas darüber wie wichtig die Ambitionen der Künstler:innen sind.

Abby Monteil returns with us for Claire Denis' space odyssey "High Life" together we discuss the view of assault and violence in the movie, Rob Pattinson, queuer making scifi, using Mia Goth and nihilism

On this episode of the podcast, host Dr Pasquale Iannone is joined by MSc Film Studies student Lauren Thompson to discuss one of the most critically acclaimed and influential films of all time. Andrei Tarkovsky's fourth feature Mirror (1975) weaves together moments in the life of dying poet in a bold, non-linear style. It's a deeply personal cinematic poem about memory, history and family, and 2025 marks its 50th anniversary.Lauren and Pasquale begin by offering their thoughts on Tarkovsky's work more broadly and then they turn to an extended discussion of Mirror, covering elements such as the use of editing and voiceover. The discussion rounds off with a consideration of the film's influence on successive generations of filmmakers, from Christopher Nolan to Claire Denis.

We finally bring the brilliant, indelible work of Claire Denis to the pod with a discussion of her 1994 TV movie U.S. Go Home. Produced as part of the anthology series Tous les garcons et les filles de leur age… alongside work from other French visionaries like Chantal Akerman, Olivier Assayas and André Téchiné, Denis' film is an elliptical, compassionate coming-of-age story that regularly subverts expectations and never succumbs to the potentially regressive tendencies of its narrative milieu. We begin with some chatter about recent Hit Factory-featured filmmaker Edward Yang and a recent watch of his final work, Yi Yi. Then, we explore Denis' film - its lyrical formalism, its exquisite soundtrack - and how she crafts a work of simultaneously keen observation and hypnotic ambiguity. Watch U.S. Go Home on YouTubeThe Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

The 80th film in the A24 catalog is the Sci-Fi space drama High Life starring Robert Pattinson, Juliette Binoche, Andre 3000, and Mia Goth. Directed by French filmmaker Claire Denis, High Life explores a group of convicts that were sent into space for mysterious reasons. Pattinson portrays Monte, who has a daughter at the start of the film, but also inhabits a spaceship with no one else on it. What happened to the crew he was with? How did he end up alone wandering through space? Caution: movie spoilers.Intro- 0:00 to 7:08.Film Discussion- 7:08 to 1:02:37.Film Ratings/Outro- 1:02:37 to End.Upcoming Podcast Release Schedule-5/14- Top 16 Midwestern Films, a Blind Ranking.5/21- Native Son.5/28- Hundreds of Beavers.

durée : 00:54:57 - Le grand atelier - par : Vincent Josse - "Le Bon Denis", dernier livre de Marie Ndiaye, est l'histoire d'une fille à la recherche son père, à la fois une quête et une enquête. Avec elle, la cinéaste Claire Denis. Elles ont co-signé le film "White Material", en 2010, avec Isabelle Huppert dans le rôle principal. - invités : Marie Ndiaye, Claire Denis - Marie NDiaye : Romancière et dramaturge, Claire Denis : Réalisatrice - réalisé par : Lucie Lemarchand

durée : 01:48:10 - Comme un samedi - par : Arnaud Laporte - Trois années que Tiago Rodrigues signe la programmation du festival d'Avignon ! Et avant que les trois coups ne retentissent et que le rideau ne se lève, le dramaturge convie la cinéaste Claire Denis, la chorégraphe Mathilde Monnier et la metteuse en scène Lorraine de Sagazan... Prenez place ! - réalisation : Alexandre Fougeron - invités : Tiago Rodrigues Dramaturge et metteur en scène portugais; Lorraine de Sagazan Autrice et metteuse en scène; Claire Denis Réalisatrice; Mathilde Monnier Chorégraphe; Ensemble Chakâm Formation musicale formée par Sogol Mirzaei, Christine Zayed et Marie-Suzanne de Loye

Get atmospheric! Get to the F***k Box! We're talking about Claire Denis' film, High Life!

A delegação em França da Fundação Calouste Gulbenkian faz 60 anos e o programa de aniversário apoia vários eventos com artistas lusófonos. Há parcerias com o Festival de Avignon, o Festival de Outono, o Théâtre de la Ville de Paris e a Bienal de Dança de Lyon, mas há, também, dois novos festivais: um de músicas da diáspora ("Lisboa nu bai Paris") e outro de dança, filme e artes visuais ("Les Jardins de l'Avenir"). Na prática, a agenda cultural francesa vai contar, ao longo do ano, com nomes como Marlene Monteiro Freitas, Tânia Carvalho, Vera Mantero, Joana Craveiro, Dino D'Santiago, Branko, Maro, Camané, Mário Laginha, B Fachada e muitos mais. O programa foi apresentado esta segunda-feira, no Théâtre de la Ville, em Paris, por Miguel Magalhães, director da delegação em França da Fundação Gulbenkian. Há teatro e dança, com Marlene Monteiro Freitas, Tânia Carvalho, Vera Mantero e Joana Craveiro, música com Dino D'Santiago, Branko, Maro, Camané, Mário Laginha e B Fachada. Há, ainda, cinema, conferências, residências e exposições, entre muitos eventos.Um dos momentos centrais é o apoio ao espectáculo de Marlene Monteiro Freitas que vai abrir a edição deste ano do Festival de Avignon, dirigido pelo português Tiago Rodrigues. A peça vai estar, mais tarde, no Festival de Outono, em Paris, com o qual a delegação francesa da Gulbenkian volta a colaborar. Além da programação de Marlene Monteiro Freitas nesse festival, há, ainda, um espectáculo de dança de Tânia Carvalho e Israel Galvan e outra performance encenada por Tânia Carvalho com alunos dos conservatórios de Paris e Lyon em torno do centenário de Pierre Boulez.No Théâtre de la Ville - Sarah Bernhardt, a Gulbenkian vai apoiar o festival de artes do palco Chantiers d'Europe, que nesta edição reúne artistas de sete países, incluindo de Portugal. A 9 de Junho, o Théâtre de la Ville –Sarah Bernhardt, é palco de um encontro entre música clássica e fado tradicional, com a Orquestra Filarmónica Portuguesa, Camané e Mário Laginha. O autor e compositor B Fachada sobe a palco a 5 de Junho no Théâtre de la Ville-Les Abbesses. De 10 a 15 de Junho, Joana Craveiro apresenta-se, pela segunda vez, neste festival, agora com a peça de teatro “Intimidades com a Terra”. Na dança, Tânia Carvalho e um bailarino do Ballet National de Marselha / (La) Horde sobem ao palco a 28 e 29 de Junho.Ainda no Théâtre de la Ville - Sarah Bernhardt, em Maio e Setembro, estão previstas leituras, encontros e criações em torno da obra que, em 1972, abalou e foi proibida pela ditadura - “Novas Cartas Portuguesas” - de Maria Isabel Barreno, Maria Teresa Horta e Maria Velho da Costa. A delegação em França da Gulbenkian também apoiou uma nova tradução para francês da obra, por Ilda Mendes dos Santos e Agnès Levecot, a qual chega às livrarias a 18 de Abril.A 7 e 8 de Junho, no Parque Enclos Calouste Gulbenkian, em Deauville, acontece a primeira edição de “Les Jardins d'Avenir”, um festival entre dança, filme e artes visuais. Nestes jardins, vão ser apresentadas, por exemplo, a peça “L'oracle végétal” das coreógrafas Ola Maciejewska e Vera Mantero e a performance participativa de Ana Rita Teodoro e Alina Folini. Há, ainda, uma projeção de filmes de Jorge Jácome e Ana Vaz e obras plásticas de Christodoulos Panayotou e Elsa Sahal.A encerrar o programa de aniversário, está o festival de músicas urbanas de inspiração africana “Lisboa nu bai Paris”, comissariado por Dino D'Santiago e que vai decorrer na Gaité Lyrique, em Paris, no final do ano.Nas artes visuais, a delegação promove várias residências artísticas e curatoriais em França para artistas e comissários lusófonos. Este ano, por exemplo, a artista moçambicana Lizette Chirrime vai estar três meses em Paris no âmbito do programa Gulbenkian -Thanks for Nothing.Para reforçar a divulgação da criação portuguesa em França, a delegação continua o programa “Expositions Gulbenkian”, um apoio que se destina às instituições culturais que pretendam mostrar artistas portugueses.A Biblioteca Gulbenkian de Paris vai organizar, ainda, conferências e jornadas de estudo em torno dos 500 anos do nascimento de Luís de Camões. Por outro lado, a realizadora francesa Claire Denis está a preparar um filme sobre a “Ode Marítima” de Fernando Pessoa.A agenda dos 60 anos conta, também, com o lançamento do podcast “Parcours d'artistes”, uma série sobre histórias de artistas portugueses que viveram ou vivem entre Paris e Lisboa.

A delegação em França da Fundação Calouste Gulbenkian faz 60 anos e o programa de aniversário apoia vários eventos com artistas lusófonos. Há parcerias com o Festival de Avignon, o Festival de Outono, o Théâtre de la Ville de Paris e a Bienal de Dança de Lyon, mas há, também, dois novos festivais: um de músicas da diáspora ("Lisboa nu bai Paris") e outro de dança, filme e artes visuais ("Les Jardins de l'Avenir"). Na prática, a agenda cultural francesa vai contar, ao longo do ano, com nomes como Marlene Monteiro Freitas, Tânia Carvalho, Vera Mantero, Joana Craveiro, Dino D'Santiago, Branko, Maro, Camané, Mário Laginha, B Fachada e muitos mais. O programa foi apresentado esta segunda-feira, no Théâtre de la Ville, em Paris, por Miguel Magalhães, director da delegação em França da Fundação Gulbenkian. Há teatro e dança, com Marlene Monteiro Freitas, Tânia Carvalho, Vera Mantero e Joana Craveiro, música com Dino D'Santiago, Branko, Maro, Camané, Mário Laginha e B Fachada. Há, ainda, cinema, conferências, residências e exposições, entre muitos eventos.Um dos momentos centrais é o apoio ao espectáculo de Marlene Monteiro Freitas que vai abrir a edição deste ano do Festival de Avignon, dirigido pelo português Tiago Rodrigues. A peça vai estar, mais tarde, no Festival de Outono, em Paris, com o qual a delegação francesa da Gulbenkian volta a colaborar. Além da programação de Marlene Monteiro Freitas nesse festival, há, ainda, um espectáculo de dança de Tânia Carvalho e Israel Galvan e outra performance encenada por Tânia Carvalho com alunos dos conservatórios de Paris e Lyon em torno do centenário de Pierre Boulez.No Théâtre de la Ville - Sarah Bernhardt, a Gulbenkian vai apoiar o festival de artes do palco Chantiers d'Europe, que nesta edição reúne artistas de sete países, incluindo de Portugal. A 9 de Junho, o Théâtre de la Ville –Sarah Bernhardt, é palco de um encontro entre música clássica e fado tradicional, com a Orquestra Filarmónica Portuguesa, Camané e Mário Laginha. O autor e compositor B Fachada sobe a palco a 5 de Junho no Théâtre de la Ville-Les Abbesses. De 10 a 15 de Junho, Joana Craveiro apresenta-se, pela segunda vez, neste festival, agora com a peça de teatro “Intimidades com a Terra”. Na dança, Tânia Carvalho e um bailarino do Ballet National de Marselha / (La) Horde sobem ao palco a 28 e 29 de Junho.Ainda no Théâtre de la Ville - Sarah Bernhardt, em Maio e Setembro, estão previstas leituras, encontros e criações em torno da obra que, em 1972, abalou e foi proibida pela ditadura - “Novas Cartas Portuguesas” - de Maria Isabel Barreno, Maria Teresa Horta e Maria Velho da Costa. A delegação em França da Gulbenkian também apoiou uma nova tradução para francês da obra, por Ilda Mendes dos Santos e Agnès Levecot, a qual chega às livrarias a 18 de Abril.A 7 e 8 de Junho, no Parque Enclos Calouste Gulbenkian, em Deauville, acontece a primeira edição de “Les Jardins d'Avenir”, um festival entre dança, filme e artes visuais. Nestes jardins, vão ser apresentadas, por exemplo, a peça “L'oracle végétal” das coreógrafas Ola Maciejewska e Vera Mantero e a performance participativa de Ana Rita Teodoro e Alina Folini. Há, ainda, uma projeção de filmes de Jorge Jácome e Ana Vaz e obras plásticas de Christodoulos Panayotou e Elsa Sahal.A encerrar o programa de aniversário, está o festival de músicas urbanas de inspiração africana “Lisboa nu bai Paris”, comissariado por Dino D'Santiago e que vai decorrer na Gaité Lyrique, em Paris, no final do ano.Nas artes visuais, a delegação promove várias residências artísticas e curatoriais em França para artistas e comissários lusófonos. Este ano, por exemplo, a artista moçambicana Lizette Chirrime vai estar três meses em Paris no âmbito do programa Gulbenkian -Thanks for Nothing.Para reforçar a divulgação da criação portuguesa em França, a delegação continua o programa “Expositions Gulbenkian”, um apoio que se destina às instituições culturais que pretendam mostrar artistas portugueses.A Biblioteca Gulbenkian de Paris vai organizar, ainda, conferências e jornadas de estudo em torno dos 500 anos do nascimento de Luís de Camões. Por outro lado, a realizadora francesa Claire Denis está a preparar um filme sobre a “Ode Marítima” de Fernando Pessoa.A agenda dos 60 anos conta, também, com o lançamento do podcast “Parcours d'artistes”, uma série sobre histórias de artistas portugueses que viveram ou vivem entre Paris e Lisboa.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, ilgimizi çeken konuları tartışıyoruz.00:00 | Giriş9:05 | Beetlejuice Beetlejuice15:40 | Nobody Wants This24:45 | Erşan Kuneri 2. Sezon33:15 | The Franchise36:45 | The Old Man 2. Sezon38:25 | Deneme Çekimi47:05 | SİYAD'ın Açıklaması58:55 | Sinematek'in Yeni Programı1:03:20 | Anora'dan Yeni Fragman  1:09:10 | A Complete Unknown'dan Yeni Fragman 1:11:10 | Blitz'den İlk Fragman 1:13:30 | Berlinale'nin Skandal Açıklaması 1:16:00 | Claire Denis'nin Yeni Filminin Kadrosu 1:17:40 | Emma Stone x Lanthimos 1:22:00 | Caught Stealing'den Yeni Set Görüntüleri 1:23:25 | Guillermo del Toro'nun Frankenstein Uyarlaması 1:28:30 | David Cronenberg'den Cannes Yorumu 1:32:30 | Chloé Zhao'nun Hamnet'i 1:33:05 | Josh Safdie'nin Yeni Filmi Marty Supreme 1:34:35 | Nolan'ın Yeni Filmi Duyuruldu 1:36:15 | Coppola'dan Todd Phillips'e Övgü 1:37:05 | Scorsese'nin Yeni Projeleri 1:39:00 | Sam Raimi Köklerine Dönüyor1:40:10 | Kelly Reichardt'ın Yeni Başrolü1:41:30 | Nosferatu'dan Yeni Görsel1:43:45 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler 

rWotD Episode 2684: High Life (2018 film) Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Sunday, 8 September 2024 is High Life (2018 film).High Life is a 2018 science fiction horror film directed by Claire Denis, in her English-language debut, and written by Denis and her long-time collaborator Jean-Pol Fargeau. Starring Robert Pattinson and Juliette Binoche, it focuses on a group of criminals sent on a space mission toward a black hole while taking part in scientific experiments.Physicist and black hole expert Aurélien Barrau was hired as a consultant, and Danish-Icelandic artist Olafur Eliasson designed the film's spacecraft. High Life premiered on 9 September 2018 at the Toronto International Film Festival.This recording reflects the Wikipedia text as of 00:27 UTC on Sunday, 8 September 2024.For the full current version of the article, see High Life (2018 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

James is still absent while he devotes every waking hour to recovering from the Taylor Swift concert, so Boyd and Kay are joined by all-round legend Sophie Butcher, who recently compared Dating Naked UK and Love Island to Claire Denis' masterpiece Beau Travail. Up for review this week are season 4 of Only Murders In The Building on Disney+ (we will not be doing a spoiler special for this season, though, due to public demand), plus French series Sambre: Anatomy Of A Crime on BBC4, and the new fourth series of ITV1 crime drama Grace, starring John Simm. And yes, Grace episodes are 90 minutes long. Apologies all round. As for the guests we have the lovely comedians Rob Beckett and Romesh Ranganathan discussing their Rob & Romesh Vs series on Sky Max and NOW. Just to underline that James is away this week…

In space, no one can hear you scream "CINEMA TO THE LETTER!" For their Hard Sci-Fi season's I for Indie episode, Thomas & Bryan are looking to the stars as they cover Claire Denis' very strange version of an interstellar thriller High Life! Together, our duo answers the crucial questions. How does High Life capture the experience of living in our modern world? Why does Robert Pattinson pick the weirdest projects to be in? Will Andre 3000 get to know what's going inside that peculiar box? Well, head toward that wormhole in your practical spaceship while you listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on the socials! Artwork by Michelle Kyle! Music by Burial Grid!

In space, no one can hear you scream "CINEMA TO THE LETTER!" For their Hard Sci-Fi season's I for Indie episode, Thomas & Bryan are looking to the stars as they cover Claire Denis' very strange version of an interstellar thriller High Life! Together, our duo answers the crucial questions. How does High Life capture the experience of living in our modern world? Why does Robert Pattinson pick the weirdest projects to be in? Will Andre 3000 get to know what's going inside that peculiar box? Well, head toward that wormhole in your practical spaceship while you listen to find out! Join our Patreon for $1 for monthly bonus episodes and the chance to vote for new podcasts at patreon.com/cinema2letter! Follow us @cinema2letter on the socials! Artwork by Michelle Kyle! Music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

Who thought putting criminals in space would be a great idea? I mean, if everyone was kind and everything was successful, would it make a great story? Who can tell but that's the basis of the Claire Denis film HIGH LIFE. Starring Robert Pattison, Mia Goth, Juliette Binoche, André "3000" Benjamin, and Ewan Mitchell, we follow a doomed space mission to a Black Hole and the obvious antics that ensue from locking a bunch of criminals on a spaceship and expecting them to produce offspring. What could go wrong? There's a bunch of fluids being slung around this vessel in scenes wetter than those in ALIEN where Harry Dean Stanton takes a shower in the cargo hold with his clothes on and every other scene where the Xenomorph shows up and it's drooling everywhere. HIGH LIFE is considered a sci-fi horror as well just so you know. That's why I mention it.

This episode features Paolo Tizón and his documentary “Night Has Come”, which just won the Special Jury Award and the FIPRESCI (Critic) Award at the 58th Karlovy Vary International Film Festival. His main inspiration for the film: ‘Beau Travail' (1999) by Claire Denis.We discuss cinematic techniques used in documentaries, the importance of not knowing and being open to surprises while filming - how to listen to the material, editing and structuring a documentary, and the personal motivations behind making his film. We also touch on the connection between music and cinema, the importance of taking breaks during editing, and the value of test screenings. Paolo discusses the stress and excitement of delivering and premiering ‘Night Has Come', and shares his strong love for the medium of film.Short EndsGetting into film festivals can exceed expectations and open doors to bigger opportunities.Using cinematic techniques in documentaries can create a more engaging and immersive experience for the audience.Not knowing and being open to surprises while filming is an important part of documentary filmmaking.Editing and structuring a documentary can be a challenging task, but it is crucial to listen to the material and let it guide the process.Personal motivations and curiosity can drive the creation of a documentary film.There is a strong connection between music and cinema, and pairing music with images can enhance the storytelling. Taking breaks during the editing process allows for fresh eyes and new perspectives.Test screenings are crucial for understanding audience reactions and making necessary changes.Directing and shooting the film as a cinematographer can create a unique and personal connection to the material.Delivering a film can be a stressful and often overlooked aspect of the filmmaking process.Premiering a film at a festival is a mix of excitement and pressure to make the most of the experience.Drawing inspiration from other films can inform and shape the creative choices in a documentary.The filmmaker's next project involves experimenting with fiction and challenging themselves with different formats and cameras.Filmmaking is a deeply engaging and fulfilling art form that allows for personal growth and connection with others.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In the second of three (or maybe even four!) episodes on Queer Cinema this month, Dhruv and Cris rhapsodize about Claire Denis' formally groundbreaking masterwork of queer and post-colonial cinema, "Beau Travail" (1999). Initially, we planned to make this a 25-30 minute "extra" episode because Cris' recent obsession with the film matched Dhruv's unwavering love for it. But the film, loosely based on Herman Melville's unfinished 1888 novella, "Billy Budd, Sailor," about male camaraderie that gives way to envy and jealousy, inspires a much longer discussion. Everything from the film's Godardian influences to Denis Lavant's staggering central performance to Agnès Godard's unforgettably haunting cinematography is discussed in detail here, with Dhruv and Cris recounting numerous instances from the film that continue to prove elusive even after three or four viewings. Listen to the full episode to hear us wax lyrical about Denis' subtle lyricism and her whole-hearted embrace of fragmented, elliptical storytelling. These formal and narrative transgressions, we argue, are what make "Beau Travail" an unforgettable, radical queer text. TIME CODES Introduction - [00:00 - 02:56] Claire Denis - [02:57 - 08:06] Herman Melville's "Billy Budd, Sailor" & Jean-Luc Godard's "Le Petit Soldat" - [08:06 - 12:20] "Beau Travail" - [12:20 - 01:34:55] Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast YOU CAN (& SHOULD!) FOLLOW CRIS IN ALL THESE PLACES - Twitter - https://twitter.com/limjaeseven Letterboxd - https://letterboxd.com/crislim/ Instagram - https://www.instagram.com/prdscris/ Audio Excerpts - 1. "Beau Travail Re-Release" Trailer 2. Tarkan's "Kiss Kiss" (1997) 3. Franky Vincent's "Tourment D'Amour" (1991) 4. Corona's "The Rhythm of the Night" (1993)

This week we join the French Foreign Legion in Claire Denis' 1999 masterpiece, "Beau Travail." We discuss the film's influences including "Le Petit Soldat" and "Billy Budd, Sailor" as well as the film's beginnings as a TV movie. We then dive into the plot, interpreting and providing context to the story and imagery. Finally, we each pair the film with another for a pair of double bills!Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Climb aboard the dog ship and fly into a black hole for an episode on prisoners, mothers, and spaghetti with Claire Denis' High Life. When we first saw you, you were a filthy little podcast. Now look at you. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky  Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe) Learn more about your ad choices. Visit megaphone.fm/adchoices

Directed by Claire Denis and released in 1999, Beau Travail follows a Master-at-arms within the French Foreign Legion, named Galloup. He lives for the Legion and strives to be the perfect Legionnaire until one day a new recruit arrives, which raises doubts, questions, and unfamiliar feelings within Galloup. A love story about the Legion itself it is has been heralded as one of the great cinematic works of all time and one that continues to move and inspire audiences to this day.

In his new book The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon, Adam Shatz writes that, “The American poet Amiri Baraka described James Baldwin, who was born a year before Fanon, as ‘God's Black revolutionary mouth.' What Baldwin was for America, Fanon was for the world, especially the insurgent Third World, those subjects of European empires who had been denied what Edward Said called the ‘permission to narrate.'” Shatz's book explores, in lucid detail, the complex life and thought of the Martinican psychiatrist and anticolonial theorist,  whose life was tragically cut short in 1961. Fanon's epochal books Black Skin, White Mask and The Wretched of the Earth have long been a source of inspiration for politically minded filmmakers, including Med Hondo, Claire Denis, and many others. Film Comment Editors Devika Girish and Clinton Krute invited Adam on the podcast to talk about Fanon's interest in cinema, filmmakers who've engaged the theorist's works, and what exactly makes a movie “Fanonian.” In addition to films by Hondo and Denis, we talked about Ivan Dixon's The Spook Who Sat by the Door, Antonioni's The Passenger, Gillo Pontecorvo's The Battle of Algiers, Ousmane Sembène's Black Girl, and more.

We're considering the male form this week with two movies about masculinity. Representing the arthouse, it's Claire Denis's BEAU TRAVAIL (1999) and representing the mainstream, it's the breakout movie for Rob Schneider and Happy Madison Productions, DEUCE BIGALOW: MALE GIGOLO (1999). Which movie will enter the canon? And which will enter the trash canon and we can never watch it again for the rest of our lives??? Listen to find out! NEXT WEEK: eXistenZ vs Wild Wild West THE CANON & TRASH CANON (LETTERBOXD): https://letterboxd.com/weekendbergman/lists FOLLOW US ON LETTERBOXD: https://letterboxd.com/breyyyattt https://letterboxd.com/joecilio FOLLOW WEEKEND AT BERGMAN'S https://twitter.com/weekendbergman https://www.instagram.com/weekendbergman https://www.tiktok.com/@weekendbergman BUY MERCH https://www.teepublic.com/user/weekend-at-bergmans WEEKEND AT BERGMAN'S IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/weekend-at-bergmans Learn more about your ad choices. Visit megaphone.fm/adchoices

A father and his daughter struggle to survive in deep space where they live in isolation. Directed by Claire Denis Written by Claire Denis, Jean-Pol Fargeau, Geoff Cox, Andrew Litvack & Nick Laird @thedeadlightspod

Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack FINALLY experience a long-awaited Blindspot of sheer cinematic genius: Beau Travail by Claire Denis!Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!

The language is English but the sensibility is French with the Claire Denis sci-fi film High Life starring Robert Pattinson. Brothers J and Eric agreed that it is a well made and beautiful but bleak movie which J enjoyed but Eric did not.   Housekeeping starts at 43:10 during which they discussed Homeland, weather, car dealer service departments, Flatliners, the cult of Mother God, marijuana, and the documentary Full Circle.   File length 1:17:35 File Size 56.4 MB   Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

durée : 00:55:29 - Certains l'aiment Fip - À l'occasion de la sortie du film "La Tête Froide", nous sommes avec la célèbre Marie-Jeanne du "Bureau des Légendes" pour une plongée dans les B.O de ses rôles initiés par Claire Denis, Solveig Anspach, Aurélia Georges, Jeanne Balibar, Zabou Breitman ou Michael Haneke...

Celebrate our 450th episode with us as we catch up with two cinematic blindspots, Michael Mann's "Heat" and Claire Denis' "Beau Travail" and allow us to discuss toxic masculinity, terrifying heists and who is the real assistant to the regional manager. Thank you to everyone that emailed in their blind spots and to everyone that listens to the show! Email us at onlymoviepodcast@gmail.com or find us on Twitter and InstagramAs always you can catch our episodes early and ad free over on Nebula. And if you sign up with the link below, it really helps out the pod!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Heaven discusses yet ANOTHER French film because she is apparently a bigger Francophile than she thought! In this episode, she covers the 1999 Claire Denis film, BEAU TRAVAIL Heaven delves into masculinity through the Female Gaze, as well as French colonialism in Africa, how colonialism is a trait of toxic masculinity, as well as how influential this film has become since it was released over twenty years ago.Support Me:linktr.ee/FromMyLipsPod

So, why do they call it "the little death"? Will is joined by film critic Adam Nayman to discuss Claire Denis's transgressive masterpiece TROUBLE EVERY DAY (2001) and how it scandalized film culture circa 2001. PLUS: What is it like to teach the history of satire at a university?Follow Adam Nayman on Twitter and find his books here.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

So, why do they call it "the little death"? Will is joined by film critic Adam Nayman to discuss Claire Denis's transgressive masterpiece TROUBLE EVERY DAY (2001) and how it scandalized film culture circa 2001. PLUS: What is it like to teach the history of satire at a university? Adam Nayman on Twitter - https://twitter.com/brofromanother Adam's books - https://www.abramsbooks.com/contributor/adam-nayman_19289396/

Washington and Rapinoe are among this year's recipients of the Presidential Medal of Freedom. Washington's films include "Malcolm X," "Philadelphia," "Glory," and "Training Day." Rapinoe is a soccer champion and LGBTQ activist. She fought for, and helped win, equal pay in women's soccer. Also, Justin Chang reviews the new French film Both Sides of the Blade, starring Juliette Binoche and directed by Claire Denis.

Sean is joined by Joanna Robinson to reflect on the passing of the great James Caan, before breaking down Taika Waititi's latest installment of the Thor story, ‘Love and Thunder' (6:37). Then, Sean is joined by the French filmmaker Claire Denis to talk about her brilliant career and her latest film, ‘Both Sides of the Blade' (67:11). HOST: Sean Fennessey GUESTS: Joanna Robinson and Claire Denis PRODUCER: Steve Ahlman Learn more about your ad choices. Visit podcastchoices.com/adchoices