Podcast appearances and mentions of Nadine Labaki

Pourquoi la saison 2 de « Vigil » tient-elle toutes ses promesses ? Après une enquête dans un sous-marin dans la saison 1, quel univers explore cette saison 2 de l'excellente série anglaise ? Amy Adams fait-elle un grand retour gagnant avec le film « Nightbitch » ? Et où peut-on revoir l'actrice/réalisatrice libanaise Nadine Labaki, créatrice du grand film « Capharnaüm » ? Les découvertes musicales : -Pommelien Thijs - Het Beste Moet Nog Komen -William - Croco -Keshi - Soft Spot -Rufus-Wainwright - Dream Requiem Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

I am so pleased to be joined by groundbreaking filmmaker Mira Shaib, director of Arzé, a brilliant first feature comedy-drama about the relationship of a family in Lebanon. (In North America, it should be released early next year.)Mira Shaib is an alumnus of prestigious film development labs and residencies, including Robert Bosch Stiftung, where she attended the Film Academy Baden-Württemberg, Film Independent's Global Media Makers LA Residency, the Red Sea Lodge, and the Torino Film Lab. Her first feature film was among the first recipients of the Red Sea Film Festival Foundation Production Fund. Mira is the cofounder of Cinema For All, an arts initiative with a mission to make cinema accessible in rural Lebanon. The initiative was launched in 2019 in Ain Ebel with film-making workshops and outdoor screenings of Sophie Boutros' Mahbas and Cyril Aris's documentary feature The Swing.In this episode, we talk about:how she got started and the amazing sense of place for this film -- did she ever feel pressure to downplay the Lebanese aspect?what they should expect to see when they watch the film;how she made a first feature without writing the script and the importance of making it as team with the writers;what it's like being a female director with a Lebanese film and the inspiration of other female directors like Nadine Labaki being nominated for the Oscars;the strength of her female characters in the film;the importance of the sense of place in Arzé and how she showed the colors of Lebanon;how she wouldn't feel comfortable making a film in a place she didn't know intimately;her thoughts on production grants, Arab film, and the Red Sea Film Festival;what the process was like for Arzé to be Lebanon's selection to the Oscars;how she feels about where she lives -- Montreal -- and its role in independent film;and what her next film will be -- "set in Lebanon...about sisters fighting over a house"Mira's Indie Film Highlight: TO A LAND UNKNOWN (2024) dir. by Mahdi Fleifel Links:Follow Mira On InstagramFollow Arzé On InstagramArzé On LetterboxdArzé On WikipediaSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Enter the heart-wrenching streets of Beirut with Movie Mistrial as we dive into Nadine Labaki's powerful drama, Capernaum.Capernaum is a deeply moving exploration of poverty, survival, and the resilience of the human spirit. Featuring a remarkable performance by young Zain Al Rafeea, the film confronts audiences with harsh realities through the eyes of a child, offering an emotional and impactful narrative that lingers long after the credits roll.While Capernaum is widely acclaimed for its raw and realistic storytelling, some critics argue that its unrelenting depiction of hardship may feel overly bleak, potentially leaving viewers emotionally overwhelmed by its relentless portrayal of suffering.Join us for an emotional and thought-provoking discussion as we unpack the layers of Capernaum and its significant impact on global cinema.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Com o desafio de criar uma lista de sugestões de 15 filmes que (quase) ninguém viu, mas devia ver, a Mónica Moreira, o Miguel Tomar Nogueira e o Ricardo Correia escolheram 5 filmes cada, e a lista é a seguinte: 1 - "The Field", Jim Sheridan (1990) 2 - "La leggenda del pianista sull'oceano", Giuseppe Tornatore (1998) 3 - "Everything is illuminated", Liev Shreiber (2005) 4 - "Three Burials of Melquiades Estrada", Tommy Lee Jones (2005) 5 - "Et maintenant on va où?", Nadine Labaki (2011) 6 - “Top Secret!”, David Zucker, Jim Abrahams, Jerry Zucker (1984) 7 - “Wings of Desire”, Wim Wenders (1987) 8 - “Naked Lunch”, David Cronenberg (1991) 9 - “Dark City”, Alex Proyas (1998) 10 - “A Bittersweet Life”, Kim Jee-woon (2005) 11 - “Hedwig and The Angry Inch”, John Cameron Mitchell (2001) 12 - “In America”, Jim Sheridan (2002) 13 - “The Tree of Life”, Terrence Malick (2011) 14 - “Jagten/The Hunt”, Thomas Vinterberg (2012) 15 - “Relatos Salvajes”, Damián Szifron (2014) Música utilizada: naked Lunch, de Howard Shore.

Heute überraschen wir euch gleich doppelt! Nicht nur haben wir mit Christian aka Tinn einen spannenden Gast am Start, sondern wir servieren euch auch eine extralange Folge. Zunächst stellen wir euch Tinn ausführlich vor, bevor wir in die Film- und Serienwelt eintauchen. Deniz bringt den packenden Film The Trial of the Chicago 7 mit, während Moe sich in die zweite Staffel von The Boys stürzt. Tinn hat gleich mehrere Serien beendet, darunter Atlanta, Shogun und House of the Dragon – und darüber müssen wir natürlich reden. Gemeinsam haben wir uns auch einen Film vorgenommen: Capernaum – Stadt der Hoffnung von Nadine Labaki (2018). Dieser eindrucksvolle Film hat uns alle tief bewegt, und es gibt viel zu besprechen. Zum Abschluss wird es spielerisch: Moe, Deniz und Tinn stellen ihre Schauspieler-Expertise unter Beweis. Freut euch auf eine Folge voller Überraschungen und intensiver Diskussionen! Viel Spaß bei Filmriss! — Tretet mit uns in Kontakt! Instagram @Filmriss_podcast TikTok @Filmriss_podcast Threads @Filmriss_podcast - - - - - - - - - - - - - - Wenn euch gefällt, was ihr hier hört, dann könnt ihr uns gerne etwas in unserem digitalen Klingelbeutel auf https://ko-fi.com/filmriss_podcast hinterlassen, wir würden uns sehr darüber freuen! — 00:00:00 Begrüßung/Vorgespräch 00:19:08 Fragen an den Gast 00:31:48 Themen 00:40:20 Trial of the Chicago 7 00:45:19 Shogun 00:52:01 House of the Dragon Staffel 2 01:08:26 Atlanta 01:16:39 The Boys Staffel 2 01:17:50 Spoilerfrei Capernaum – Stadt der Hoffnung 01:51:55 SPOILERTEIL Capernaum – Stadt der Hoffnung 02:24:13 Spiel: Wer bietet mehr? 02:42:37 Verabschiedung

Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the 2018 Lebanese masterwork directed by Nadine Labaki, CAPERNAUM, and field their very first guest recommendation! Follow Blindspotting on Facebook and Buzzsprout and look for our newest endeavor on YouTube: FLICKER with Jack and Scott!

"As a distributor, I've learned that you have to be agile and ready to embrace change" Elba McAllister CEO and Co-Founder Cineplex Elba McAllister is the Co-founder of Cineplex, the Colombia-based Independent film distributor and other countries in Latin America since 1993. In this episode, Eliba discussed her distirbution jouney, the changing face of Colombian distirbution, international sales and how she found herself exec producing content for major streaming platforms. In her 30 years of the film distribution, Elba has succeeded in promoting over 500 titles in Colombia and Internationally in all media (theatrical, video & TV) from well-known directors such: Ang Lee, Asghar Farhadi, Wong Kar Wai, Susanne Bier, Ken Loach, Lars von trier, Katherine Bigelow, Aki Kaurismaki, Nadine Labaki among others. Elba represents Colombian productions for international sales and has Executive Produced content for SVOD Platforms (Netflix & Amazon). Cineplex content for Colombia is available in www.cineplex.com.co and international in www.cineplexusa.com

Eine deutsche Produktion ganz oben in den Netflix Trends? Das kann ja was werden! Und was passiert, wenn man eine alte Horrorserie WIEDER neu auflegt? Timon guckt lieber Comedy-Empfehlungen...aber ob die wirlich witzig sind? Was garantiert nicht witzig ist: Unser heutiger Bestenlisten-Film. Aber gut ist er! Schickt uns euer Feedback: https://www.instagram.com/42podcast/ - - -

Un père journaliste, une mère librairie, un frère écrivain… Dans la famille Toussaint la culture est mise plus haut que tout. Le cinéma personne n'y touchait. Peut-être Anne-Dominique pouvait-elle faire sa place sur ce terrain vierge qui deviendrait le sien? Après des études d'Histoire Médiévale (avec Umberto Eco) et un stage dans le cinéma (à Cinecitta) -car c'est ainsi qu'elle fonctionne : autant côtoyer le meilleur- elle a, assez vite, lancé Les Films des Tournelles qui deviendrait sa “boite de prod'”. Visionnaire, courageuse, curieuse, cette productrice sensible est à l'origine de nombreux succès comme “Caramel” de Nadine Labaki, “Les Beaux Gosses” de Riad Sattouf, ou encore, très récemment, “L'Innocent” de Louis Garrel. À côté de cette activité dense et riche, elle a créé, avec "La Galerie Cinéma", une “cour de récréation” exigeante où réalisateurs, acteurs, photographes, habitués du 7ème art s'expriment par d'autres moyens.

El día de hoy hablaremos de tres grandes #directorasdecine , tales como Alice Guy, Dee Rees y Nadine Labaki, grandes mujeres las cuales han hecho historia en el mundo del #cine.

From Lebanon, filmmaker Nadine Labaki. Her most recent film, Capernaum — about refugees and the impoverished lives of children — was nominated for Best Foreign Language Film at the Oscars. Her first two features focus on the lives of women, including Caramel, a comic social drama set in a beauty parlour, which Labaki both directed and stars in. She spoke with Eleanor Wachtel in 2018 at the Toronto International Film Festival.

The story behind SALMA'S HOME eschews the usual woman in peril narrative that is often presented in today's Arabic cinema. Director and writer Hanadi Elyan, one of the few female Arab filmmaking voices, follows beautifully in the footsteps of bold voices like Nadine Labaki, Raja Amari, and Jocelyn Saab. SALMA (Juliet Awad) is a talented baker living alone in a large old house overlooking downtown Amman, her daughter FARAH (Sameera Asir) is a young working mother with marital problems. Their lives are disrupted by the death of Salma's ex-husband- BAKRI. The funeral takes place at his current wife's house, LAMIA (Rania Al Kurdi), an aspiring socialite who is obsessed with building her brand online. After the funeral, shocking facts come to light leading to clashes and finally forcing the three women to accept some harsh realities and take control of their lives. Director / writer / editor Hanadi Elyan (Reel Arab Productions) stops by to talk about finding the superb cast of actors who help make the film take flight, as well as the inspiration for writing and directing this beautifully told story of heartbreak, betrayal, renewal, friendship and love. For news and updates go to: hanadielyan.com

Welcome back to the Taking The Charge Podcast and this week's interview is with Deniz Aksoy, Turkish basketball commentator. Deniz talks about growing up in the game of basketball and then her rise in the media world and how she became one of the biggest basketball media personalities in Turkey.Before that … let's take a quick look around the world of basketball with the Big Three3:55 Story we are watching - The Turkish Airlines EuroLeague decided to void all games played against the three Russian teams - not just future games. 6:40 - Young player of the week - Jaime Pradilla, 2001-born center Valencia Basket. Don't look now but he has scored in double figures in his last four games with Valencia - two each in the EuroCup and ACB. He is averaging 13.5 points, 3.0 rebounds, 2.0 assists and 0.5 steals in those games. Pradilla also picked up 8 points and 3 rebounds for the Spanish national team against Ukraine.8:20 - Up-coming event we are watching - Real Madrid will be hosting AX Armani Exchange Milan on Friday March 11 in the EuroLeague. Real have lost four straight games as well as eight of the last 13 games. Before we get into the talk with Deniz Aksoy, we would like to give you a sneak peak of the Taking The Charge Prospects Podcast interview with German forward Luc van Slooten from Basketball Löwen Braunschweig - which is part of the paid subscription section of the TTC substack.10:45 - Sneak preview of interviewDeniz Aksoy, Turkish basketball commentator (17:25)Here is a rundown of the interview18:15 - If she ever gets confused knowing which show she is actually doing20:20 - Her insight into the status of Fenerbahce Beko Istanbul 25:30 - How she thinks Anadolu Efes Istanbul are holding up as reigning EuroLeague champs30:05 - The start of her journey in the basketball world - and early memories of Efes33:00 - About going to Italian high school in Istanbul36:00 - Why she studied in Milan 37:05 - As someone who really shows her fashion, what was it like being in Milan39:10 - Why Salma Hayek, Nadine Labaki, Monica Bellucci and Penelope Cruz are her role models41:20 - Which one movie from that quartet she would watch as a final movie42:55 - What she learned from traveling in Peru about 10 years ago45:10 - How she started getting in the media world47:25 - What she did at FIBA EuroBasket 2017 in Istanbul - working for YouFirst49:40 - How she remembers her experience working in China at the FIBA Basketball World Cup 201952:55 - About moving from Milan back to Istanbul to work for S Sport54:50 - What other job she would do if she had had a chance55:25 - What her favorite interview was58:50 - Any role models/mentors among media people1:00:05 - About her role as a role model as a female in the basketball world 1:03:25 - What she has learned from Murat Murathanoglu1:06:20 - What was the experience like being at the NBA Draft with Alperen Sengun1:10:35 - About watching Anadolu Efes Istanbul winning the EuroLeague title - but watching it from home. 1:13:50 - Future goals/aspirationsAre you looking for more Taking The Charge? Here are the first 300 episodes of Taking The Charge, just click here and head over to heinnews.com.If you enjoyed this interview or any of the other content on the Taking The Charge substack, please, do yourself a favor and click on that “Subcribe now” button. That way you will not miss any posts when they are published. If you decide to be a paid subscriber, you will get access to the Taking The Charge Prospects podcast as well as the archived editions of the Talking Talent podcast. Get full access to Taking The Charge at takingthecharge.substack.com/subscribe

Last month Netflix's Arabic movie Perfect Strangers quickly became the number 1 streamed movie across the Middle East. So just like everyone else, we recently watched the Arabic adaptation. The movie is set in Lebanon, and the plot revolves around a group of friends who decide to read every message they receive on their phones over the course of a dinner. Suffice it to say: chaos ensues. In this episode of Who Run the Time, we discuss the different plot points, and whether we would take part in a similar game with our friends and partners (oh hell no). We also take a look at the significance of this movie in regards to the Arab content landscape (we celebrate more genre films) as well as take a deeper look into the backlash the film faced (team Mona Zaki over here).Did you watch Perfect Strangers? What did you think of the plot? What about the backlash the movie faced in Egypt and elsewhere? We'd love to hear from you! You can write to us on sayhi@whoruntheworldpodcast.com as well as on instagram: @whoruntheworldpod . As always, we would love it for you to find it in your hearts to donate to one of these causes in Lebanon, as the country is going through a crippling economic crisis.Every little bit counts. Lebanese Red CrossBeit el BarakaOffre Joie.

Et si on sortait le popcorn ? Ce mardi 18 janvier 2022 commence la Semaine de prière pour l'unité des chrétiens : catholique, protestants, orthodoxes et orientaux se réunissent dans la prière pour réaffirmer leur foi commune de chrétiens et partager leurs différences. Dans ce souci d'œcuménisme, le cycle « Regards Œcuméniques », porté par le Grand Temple de Lyon en collaboration avec la Basilique Saint-Bonaventure, vous propose 4 projections au cinéma Bellecombe (61 rue d'Inkerman - Lyon 6e) à 7,50 € la séance. Avant-première radio avec Denis Nové-Josserand, un des quatre chrétiens animateurs de ce cycle. - lundi 17 janvier 2022 à 19h30 : Adam (Maryam Touzani, 2019) - jeudi 20 janvier 2022 à 19h30 : Au travers des oliviers (Abbas Kiarostami, 1994) - samedi 22 janvier 2022 à 10h : Et maintenant on va où ? (Nadine Labaki, 2011) - samedi 22 janvier 2022 à 14h30 : Les 2 Alfred (Bruno Podalydès, 2020) Samedi midi, une rencontre autour d'un buffet syrien à la Rose de Damas sera proposée entre les deux derniers films. Tarif : 18 € (à l'avance par mail à film.cycle.2022@gmail.com ou lors des premières séances) ou 20 € (le jour J).

We continue our 10 Year Anniversaries series with Nadine Labaki's 2011 film ‘Where Do We Go Now?' Labaki uses a touch of magical realism and musical elements to weave a tale of an isolated village where the woman try to keep the men from going to war with one another. We had a great time with this movie, which surprised both of us with its tone that balances comedy and drama well. It's a fun conversation too! Tune in!

We continue our 10 Year Anniversaries series with Nadine Labaki's 2011 film ‘Where Do We Go Now?' Labaki uses a touch of magical realism and musical elements to weave a tale of an isolated village where the woman try to keep the men from going to war with one another. We had a great time with this movie, which surprised both of us with its tone that balances comedy and drama well. It's a fun conversation too! Tune in!

Nadine Labaki started as an actress but starting in 2007 with Caramel, she started working as a writer/director. Her films look at life in Lebanon but through unique prisms that aren't confined by the grim realities. In her 2011 film Where Do We Go Now?, Labaki uses a magical realist tone with musical elements to craft a story about the women in an isolated village working together to stop the men – divided by Christian and Muslim faiths – from constantly fighting. Join us – Pete Wright and Andy Nelson – as we continue our 10 Year Anniversary series with Labaki's Where Do We Go Now?. We clearly enjoy Where Do We Go Now? and have a lot to say about Labaki's film. This is a film that may work for some people and not others, but it worked for us. The story shines with magical realism, creating this isolated town where the news is sparse, allowing for the women to craft their own narrative essentially. That allows for a unique story, one that surprises as much as it delights. The women of the town, led by Labaki playing Amal, keep trying ploy after ploy to stop the men, divided by religion, from fighting. Not all their plans work, but they're always thinking and ready to try new things, even if that means hiring Ukranian exotic dancers for a week. That's an area we struggled with a bit, but it still generally works. And with Labaki at the helm, this unique story feels cohesive. The cinematography and music come together wonderfully in the musical elements. Could it have used more songs? Maybe. But we like it as-is and think it would have to be double its length to really include more songs. It works the way it is with just the few musical moments. They're enough to remind us of the magic of this world It's a fun movie about a serious subject and allows for a unique vision of this community without saying that Labaki's solved religious conflicts the world over by allowing women to be the ones driving the decisions. It's a beautiful story of community and one that really surprised us with its warmth. Check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

Nadine Labaki started as an actress but starting in 2007 with Caramel, she started working as a writer/director. Her films look at life in Lebanon but through unique prisms that aren't confined by the grim realities. In her 2011 film Where Do We Go Now?, Labaki uses a magical realist tone with musical elements to craft a story about the women in an isolated village working together to stop the men – divided by Christian and Muslim faiths – from constantly fighting. Join us – Pete Wright and Andy Nelson – as we continue our 10 Year Anniversary series with Labaki's Where Do We Go Now?. We clearly enjoy Where Do We Go Now? and have a lot to say about Labaki's film. This is a film that may work for some people and not others, but it worked for us. The story shines with magical realism, creating this isolated town where the news is sparse, allowing for the women to craft their own narrative essentially. That allows for a unique story, one that surprises as much as it delights. The women of the town, led by Labaki playing Amal, keep trying ploy after ploy to stop the men, divided by religion, from fighting. Not all their plans work, but they're always thinking and ready to try new things, even if that means hiring Ukranian exotic dancers for a week. That's an area we struggled with a bit, but it still generally works. And with Labaki at the helm, this unique story feels cohesive. The cinematography and music come together wonderfully in the musical elements. Could it have used more songs? Maybe. But we like it as-is and think it would have to be double its length to really include more songs. It works the way it is with just the few musical moments. They're enough to remind us of the magic of this world It's a fun movie about a serious subject and allows for a unique vision of this community without saying that Labaki's solved religious conflicts the world over by allowing women to be the ones driving the decisions. It's a beautiful story of community and one that really surprised us with its warmth. Check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Theatrical trailer Poster artwork Flickchart Letterboxd

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity. The post Nadine Labaki – Costa Brava #Venezia78 appeared first on Fred Film Radio.

Pollution and trauma threaten idyllic home and family unity.Nadine Labaki – Costa Brava #Venezia78 was first posted on September 10, 2021 at 5:21 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Re-bonjour ! En complément de l'interview avec la sociologue Marion Maudet, je voulais dans ce second épisode du jour plonger dans la spécificité des personnes Arabes et chrétiennes.  On parle beaucoup de ce que l'islam interdit et on dit maintenant de plus en souvent que les autres monothéismes, « c'est pas beaucoup mieux hein ». Loin de vouloir faire de la concurrence victimaire entre christianisme et islam, pour savoir qui est le plus tolérant, le plus laxiste en termes de sexualité, le plus en phase avec la modernité, il s'agit plus de savoir si l'identité chrétienne et l'identité arabe se sont co-construites de ce qu'on appelle l'Orient à ce qu'on appelle l'Occident.  En tant que première et deuxième religions de France, qu'est-ce que l'identité proche-orientale ajoute au rapport qu'on a au religieux, au culturel, au linguistique, au corporel et au sexuel ? Qui sont les Chrétiens d'Orient qui constituent beaucoup de groupuscules minoritaires dans les Églises de France aujourd'hui ? Comment ces Chrétiens d'origine proche-orientale se sont construits dans leur identité multiple, peut-être même hybride depuis les croisades jusqu'au 21ème siècle ? Il me semblait important de poser la question à un spécialiste des Chrétiens d'Orient, il s'agit de Bernard Heyberger. Il est historien et agrégé d'arabe, directeur d'études à l'École des Hautes Études en Sciences Sociales et à l'École pratique des hautes études. Ses recherches portent sur les chrétiens et sur les relations islam/christianisme au Proche-Orient. Il a écrit un ouvrage nommé Les Chrétiens d'Orient, il a remis au goût du jour la complexité des relations religieuses en Syrie, au Liban, en Palestine à l'époque ottomane et aussi abordé l'érudition orientaliste depuis ses premières heures. On peut difficilement trouver mieux pour parler du sujet du jour.  « Le mariage a comme principal but la procréation dans toute la tradition chrétienne aussi bien en Orient qu'en Occident. Les Chrétiens d'Orient s'alignent sur les consignes morales du pape mais leurs affaires sexuelles et de mariage sont aussi soumises au regard des musulmans. » --- Bernard Heyberger Si vous voulez bouquiner

If you are an actor,  you've probably stressed a lot about this question. What's my type? On this weeks solo episode, Charlie talks about how you should consider this question, and some ways to keep it from filling you with anxiety. Charlie also shares his thoughts on the importance of Nadine Labaki's film Capernaum, and the Cuban artists who are literally risking their lives to give voice to the fight for freedom. And he confesses his love for Ted Lasso, Shmigadoon, and the amazing documentary Summer of Soul. You can follow CBP on Instagram @creatingbehavior, and Charlie's NYC acting conservatory, the Maggie Flanigan Studio @maggieflaniganstudio. For written transcripts, Charlie's blog, or to contact him for private coaching, check out https://www.creatingbehaviorpodcast.com

La judokate Lola Mansour est notre Belge bien barrée de la semaine. Elle se remet d'une chute qui a mis sa prometteuse carrière entre parenthèse, elle écrit, et comme elle est généreuse, elle nous conseille, chaque matin, une pépite. Petite ou grande, un trésor à découvrir ou re visiter. Et ce matin, elle vient avec du lourd qui sait se faire léger : le cinéma de Nadine Labaki. Son dernier film, Capharnaum, a remué tout le monde, Lola Masour comprise.

La judokate Lola Mansour est notre Belge bien barrée de la semaine. Elle se remet d'une chute qui a mis sa prometteuse carrière entre parenthèse, elle écrit, et comme elle est généreuse, elle nous conseille, chaque matin, une pépite. Petite ou grande, un trésor à découvrir ou re visiter. Et ce matin, elle vient avec du lourd qui sait se faire léger : le cinéma de Nadine Labaki. Son dernier film, Capharnaum, a remué tout le monde, Lola Masour comprise.

On the podcast this week, Steven and Sean are once again joined by the fantastic Eimanne El Zein. This time, we're trading in the absurd hilarity of The Room and getting into a deep conversation about a sobering 2018 film from Nadine Labaki, Capernaum. Get ready for a tough film. You know us. We're not going to sugarcoat things for you. This film is challenging, rough, and sad. Most of the film will feel like a grand and real tragedy, and in many ways it is. This is not a fantasy film; there are too many people living a grueling and desperate life like that of Zain. It's happening right now as you listen to this episode. I'll let you know now, though—there's some redemption at the end. There's a glimmer of much-needed hope. Like finding a pool of water after being lost in the blazing desert for days, the ending is restorative. To get there, you have to cross through a river of agonizing emotions. On the plus side, we've also got a wonderful guest to help us navigate those waters. At least there's that. We talk about it in the podcast, but it should be put into writing here. The performance that first-time actor, Zain Al Rafeea, give is astonishing. It's unlike anything you've ever seen before. There's an authenticity and rawness with which he imbues his character. It would be an astonishing feat for any actor, but when the person in question is a child? That brings on a new level of admiration. His performance is well worth the heaviness of this film. There's a lot to be troubled by with this story's subject matter. Extreme poverty, lack of compassion, and neglect for human life are a lot to take. We all think it's a necessary film, though. It's all too easy to forget that our lives are probably better than we think they are. We lack the perspective we need to appreciate our lives to the fullest. This film can give that very necessary shot of perspective. It's powerful and worth anyone's time. (Recorded on June 07, 2021) Links to Stuff We Mentioned: Capernaum - IMDb Capernaum trailer - YouTube Nadine Labaki - IMDb Lebanon - Wikipedia Zain Al Rafeea - IMDb Amy Saves Starship UK | Doctor Who - YouTube Yordanos Shiferaw - IMDb Alaa Chouchnieh - IMDb Kawsar Al Haddad - IMDb Fadi Yousef - IMDb Cedra Izzam - IMDb Boluwatife Treasure Bankole - IMDb Shoplifters - IMDb Parasite - IMDb Follow Eimanne: Eimanne's Instagram profile! Eimanne's website! Follow Us: Give us a rating and review on Apple Podcasts! Our Libsyn site! Our Instagram profile! Our Twitter profile!

In this Sarde with Writer, Director, Actress, and Activist Nadine Labaki, we discussed the following: - The duality that comes with telling tragic stories & leading normal lives afterwards - The creative process behind Nadine's work and Lebanese Cinema Industry - Armchair criticism and impossible standards - The Thawra Slaughterhouse “No one is pure enough” - Motherhood and alternative schooling - Can you make a movie about August 4th?   تحدّثنا في هذه السردة مع الكاتبة والمخرجة والممثلة والناشطة نادين لبكي عن: - الازدواجية بين رواية القصص المأساوية والمتابعة في حياة طبيعية بعدها - العملية الابداعية وراء اعمال نادين وصناعة السينما اللبنانية - الانتقاد والتنظير عن بعد والمعايير المستحيلة - مسلخ الثورة "لا احد نقيّ كفاية" - الامومة وطرق التعليم البديلة - هل يمكن انجاز فيلم عن ٤ آب ؟   Join the community on Patreon! https://www.patreon.com/sardeafterdinner   Sarde (noun), [Sa-r-de]: A colloquial term used in the Middle East to describe the act of letting go & kicking off a stream of consciousness and a rambling narrative.   The Sarde After Dinner Podcast is a free space based out of the heart of Beirut, Lebanon, where Médéa Azouri & Mouin Jaber discuss a wide range of topics (usually) held behind closed doors in an open and simple way with guests from all walks of life.   SARDE EVERY SUNDAY with NEW EPISODES released WEEKLY! 8:00 PM

DUVAR - Şenay Aydemir'in hazırlayıp sunduğu 'Bir Film Bir Konuk'a yazar Ayşen Şahin konuk oluyor. İkili, Nadine Labaki'nin “Peki Şimdi Nereye” filmini konuşuyorlar...

De nouvelles infos redonnent espoir cette semaine du 22 avril 2021 sur la possible réouverture des salles en mai prochain. en attendant, voici notre sélection de 4 films à voir à la maison : le prodigieux film d'animation "L’Ile aux chiens" de Wes Anderson, le bucolique et enivrant Sideways de Alexander Payne, le redoutable et sombre "A perdre la raison" de Joachim Lafosse et enfin le sensuel et méditerrannéen "Caramel" de Nadine Labaki. Bonne semaine avec Cinecritik.

Sophie Ghaziri talks to Sara El Yafi about Lebanon, her recent instagram lives and their purpose as well as her the recent collaborative video Sara did with Nadine Labaki & Cate Blanchett. #Lebanon #BeirutBlast #GovernmentCorruption 

Nadine chats with us about how her love for film began, the years of preparation and work for her 2018 film Capernaum, and her journey to becoming the first Lebanese woman in history to be nominated for an Academy Award.  Note: The first airing of this episode mistakenly claimed Nadine was the first Arab woman to be nominated for an Academy Award. That distinction goes to Jehane Noujaim, another brilliant director. This episode was produced by Dana Ballout and Tamara Rasamny, with editorial support by Hebah Fisher and Alex Atack. Sound design by Mohamad Khreizat, and fact-checking by Zeina Dowidar. Original sting composed by Ramzi Bashour. al empire is a Kerning Cultures Network production. Search ‘Kerning Cultures Network' to hear other podcasts like this one, and follow @kerningcultures on Instagram to stay in touch! Support this podcast on patreon.com/kerningcultures for as little as $1 a month.

In the second episode of the LevantX Podcast, Alan continues his conversation with Nadine as they push further in their discussion surrounding the importance of art, good storytelling, and the representation of Arab Voices in the film industry. What makes this conversation resonate is that it occured on August 4th, 2020... 15 minutes before the Beirut Port blast. You can follow LevantX on Instagram: @levant_x You can follow Alan on Instagram: @alan.mehanna You can follow Nadine Labaki on Instagram: @NadineLabaki

In the first episode of The LevantX Podcast, cultural host Alan Mehanna, sits down to chat with Academy Award Nominee and UN Ambassador Nadine Labaki about the importance of art, good storytelling, and the representation of Arab Voices in the film industry. What makes this conversation resonate is that it occured on August 4th, 2020... 15 minutes before the Beirut Port blast. You can follow LevantX on Instagram: @levant_x You can follow Alan on Instagram: @alan.mehanna You can follow Nadine Labaki on Instagram: @NadineLabaki

An extract from the online conversation with Nadine Labaki organized by Mastercard during the 77th Venice International Film Festival. The post A virtual conversation with Nadine Labaki #Venezia77 appeared first on Fred Film Radio.

In the latest installment of The Middle Geeks, we review Nadine Labaki's 2018 heartbreaking masterpiece, Capernaum. Mae and Swara reflect on the state of conflict in the region, how institutions fail children, immigrants, and the most vulnerable, and how generational trauma affects us as Middle Eastern-Americans. It's a hard but necessary set of discussions to have. On much lighter topics, we discuss the slew of news from D23, and express our dismay at a change in DC's Legends of Tomorrow's upcoming season. (We start our Capernaum discussion at the 32:51 mark.) We are a proud member of the Hard NOC podcast family.

Avec Lyna Malandro, Sidox, Amal, Nesrine, Kawter et Théophile. Aujourd'hui dans L'Atay, on discute de la double vie qu'on mène lorsqu'on est issu d'une double culture. Comment jongler entre les attentes des parents, de la religion et de la communauté et celles de la société et du pays dans lequel on vit ? Les filles parlent de la difficulté de vivre une vie sociale normale avec des parents parfois protecteurs, et tout le monde rigole des schémas de pensées chez les parents qu'on retrouve chez tous : le "inchallah" qui veut dire non, la peur de se retrouver entre ses parents et des amis problématiques. Sidox parle de la difficulté de vivre sa double vie pendant le Ramadan. Alors, la France ou le bled ? Tu supportes quelle équipe dans le foot ? CHOUF (Les Recommandations) Lyna : Ce que les jeunes arabes cachent à leurs parents (article) https://bit.ly/2vY96Uh Good Muslim Bad Muslim (podcast) http://www.goodmuslimbadmuslim.com/ Nesrine : Les années Hasni : Un mémoire pour l'oubli [Première partie] | Vintage Arab Emission 4(podcast) https://bit.ly/2WFr9dH Kawter : Cool Girls Run https://www.instagram.com/coolgirlsrun/ Amal : Caramel, Nadine Labaki (film) Sidox : Fayrouz - Nassam Alayna El Hawwa (musique) https://bit.ly/2JgRNqr Nous sommes (aussi) la nation, Marwan Muhammad (livre) Théophile : Si les Gilets Jaunes avaient un film (tweet) https://bit.ly/2Q2gnvN Credits: Générique : Raina Raï - Ya Zina Dounia - Casablanca Chouf jingle: Koba La D - Freestyle Booska VII

Dubai-based film critic William Mullally is joined by Nadine Labaki, director of Capernaum, to talk how she tried hypnotism in order to edit the film down from 12 hours, meeting Steven Spielberg, and the whether she wants Hollywood to be her next step. Butheina Kazim, founder of Cinema Akil, Dubai's first arthouse cinema, joins to discuss the film, the landscape for Arab cinema, and why some Arab films are embraced worldwide when others are not. Capernaum review with Butheina Kazim: 01:50 Interview with Nadine Labaki: 57:56

Í tilefni af alþjóðlegum degi ljóðsins á morgun, fimmtudaginn 21. mars, efna Svikaskáld til ljóðastundar þar sem verður ort, lesið, ruplað og rænt, í samstarfi við Reykjavík Bókmenntaborg UNESCO. Svikaskáldin bjóða til ljóðaviðburðar sem fram fer á Slippbarnum annað kvöld, þar sem þátttakendur yrkja saman að hætti Svikaskálda. Kvöldið byrjar með stuttum ljóðalestri, úr ljóðum þekktra skálda frá öllum heimshornum. Síðan er skrifað í 10 mínútur og þátttakendur eru loks hvattir til að stela línum og/eða hugmyndum úr því sem lesið var á undan. Tvö svikaskáld taka sér far með Lestinni í dag, þær Sunna Dís Másdóttir og Þóra Hjörleifsdóttir. Fleiri skáldkonur koma við sögu í Lestinni í dag, þeirra á meðal skáldið Renée Vivien, og Karl Ólafur Hallbjörnsson ræðir í þættinum í dag við heimspekinginn Finn Ulf Dellsén, dósent við Háskóla Íslands, sem hlaut hin virtu norrænu Nils Klim fræðaverðlaun á dögunum. Verðlaunin hlýtur Finnur fyrir rannsóknir sínar á þekkingarfræði og vísindaheimspeki, en hann er fyrstur Íslendinga til að hljóta verðlaunin sem eru veitt árlega norrænum fræðimanni yngri en 35 ára. Og Marta Sigríður Pétursdóttir fjallar í dag um tvær kvikmyndir, Capernaum eftir líbanska kvikmyndaleikstjórann Nadine Labaki sem fjallar um 12 ára dreng sem lögsækir foreldra sína fyrir vanrækslu. Myndin hefur slegið í gegn á kvikmyndahátíðum út um allan heim, en aðalhlutverk myndarinnar er í höndum hins unga leikara, Zain Al Rafeea, sem var sjálfur flóttamaður frá Sýrlandi í Líbanon. Marta fjallar einnig um kvikmyndina Taka 5 sem er ný íslensk gamanmynd eftir Magnús Jónsson.

On this week's episode of the Curzon Film Podcast we're joined by Hollywood A-lister Armie Hammer, who talks to us about his new film On the Basis of Sex. Plus we discuss the BAFTA and Oscar-nominated Capernaum.We begin with Nadine Labaki's Capernaum, a Lebanese film set on the streets of Beirut where a world-weary 12 year old, Zain, decides to sue his negligent parents for bringing him into his poverty stricken existence. A gritty and authentic film, it's being touted as a modern day Bicycle Thieves, telling a harrowing story of endurance that still manages to find hope in the darkest of situations. Head over to the Curzon blog to read our interview with the director, Labaki.We then hear from the ever-charming Armie Hammer, star of one of Curzon's favourite films of recent years, Call Me By Your Name. He joins us to talk about the impact of the MeToo and TimesUp movements, good husband goals, and his new film On the Basis of Sex, a biopic of Ruth Bader Ginsberg that charts the formative years of her ongoing battle for gender equality in the United States. Felicity Jones plays the Supreme Court Justice known to many as RBG, and Hammer plays Martin Ginsberg, supportive husband to Ruth and an all round stand up guy. Discussing the films this week are Kelly Powell, Sam Howlett, Jake Cunningham and Ella KempFollow the team on Social Media:@ks_powell - Kelly@jakehcunningham - Jake@efekemp - Ella@SamHowlett_1 - SamProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

The 2019 Oscars are on Sunday and no women are in the Best Director category. However, one woman's made it in the Best Foreign Language category. She's Nadine Labaki, the director of Capernaum. She's also the first Lebanese woman ever to be nominated for an Oscar. Capernaum is set in the slums of Beirut and follows a young boy called Zain who sues his parents for giving him life. Staying with the Oscars, this year we have the hashtag #OscarsSoMale. That's because some categories contain no women nominees at all. They are: Best Director, Original Score, Film Editing and Best Picture. Overall women make up just a quarter of this year's nominees across the board. Melody Bridges who presenters a Radio 4 podcast about films joins us to shine a light on some of her favourite women in film history who haven't been nominated, but deserve recognition.Photos of a hundred vulvas. That's what Laura Dodsworth's latest book is all about. It's called Womanhood: The Bare Reality. Laura was last on Woman's Hour talking about a companion book called Manhood: The Bare Reality which included pictures of a hundred penises. Lily and Saschan are also with us in the studio talking about why they agreed to take part in the book.

La cinta libanesa nominada al Oscar en película extranjera, abusa de la forma en que retrata la pobreza. Nadine Labaki, la misma realizadora del agradable film Caramel, de 2007, llega a la cartelera con su más reciente trabajo donde cambia por completo su tono narrativo, adentrándose en los terrenos del más profundo drama.@caracoldepeli

Lebanese director Nadine Labaki discusses her Oscar nominated film Capharnaüm, about a young boy in Beirut who sues his parents for giving him life. Actor Ewen Leslie talks about his role in the new ABC series The Cry, and Lena Dunham's first TV creation since Girls. Plus, artist Zanny Begg and producer Philippa Bateman on their experimental documentary about an unsolved murder.

Lebanese filmmaker Nadine Labaki cast street children as the stars of ‘Capernaum,' her gritty tale of 12-year-old Zain, who runs away from home and ultimately sues his parents for condemning him to a life of poverty and desperation. Labaki tells us what drew her to the story and describes the scramble to get her cast members the paperwork they needed to go to Cannes, where ‘Capernaum' won the Jury Prize.