Podcasts about Orson Welles

If the Western is the godfather of American cinema, then the crime film is its son. With tough guys, shootouts, and explorations of morality, these movies capture the seedy underbelly of a post-war urban world. So, for today's video, I'll be ranking a list of crime films chosen by my producer. Hot takes are bound to happen. - - - Today's Sponsor: Helix Sleep - Go to https://helixsleep.com/klavan to get 27% Off Sitewide + Free Bedding Bundle (Sheet Set and Mattress Protector) with any Luxe or Elite Mattress Order.

Join me on a trip back to 1943 and my favorite episodes of Suspense from that year. It was the year production of the show moved from New York to Hollywood, which meant it was easier for film stars to make appearances, and it picked up a sponsor in the form of Roma Wines. We'll hear Maureen O'Hara as a debutante turned detective in “The White Rose Murders” (originally aired on CBS on July 6, 1943), and Warren William reprise his big screen role as The Lone Wolf - a reformed jewel thief turned sleuth - in “Murder Goes for a Swim” (originally aired on CBS on July 20, 1943). Agnes Moorehead cements her status as the “first lady of Suspense” in the legendary “Sorry, Wrong Number” (originally aired on CBS on August 21, 1943), and Orson Welles plays a hunter who tracks human prey in “The Most Dangerous Game” (originally aired on CBS on September 23, 1943). Finally, Charles Laughton is a patriarch whose family reputation may be sullied by murder in “Wet Saturday” (originally aired on CBS on December 16, 1943), and Peter Lorre finds his foolproof murder scheme had an unexpected complication in “Back for Christmas” (originally aired on CBS on December 23, 1943).

“And one year, Ariel [Detergent] was, like, you know that 95 % of the people in India still think laundry is a woman's job. And Ariel was just, like, gosh, that doesn't seem like it's, this was 2017 or ‘18 at the time, [and] they're like, that doesn't seem right. Like, it's, haven't we all moved past that? So they created a campaign they called ‘Share the Load.' And what they did is they went out there and they advocated a hashtag, #sharetheload with, for everybody in the family to help with the laundry. It shouldn't just be mom's job anymore. And of course, this kind of air cover for someone who is burdened with this task would just elicit a huge thank you because you're just helping to make their lives better, and you haven't done a darn thing. It's not about the product. It's positioning. Yeah, it's, like, ‘here's what we know you care about, and so we're going to prove that we care about you because we care about that.' Sales went up 76%.” – Reid HolmesThis episode's guest has spent over thirty years leading the creative departments of some of the best ad agencies in America. His idea for H&R Block, “You Got People,” garnered four million new clients, and his work changed the trajectory of brands like Burger King, The Mayo Clinic, KeyBank, and many others. He also has multiple public-speaking awards as he helps audiences gain a deeper understanding of how clarity creates impact. He's won almost every award in advertising and has been featured in The New York Times, Adweek, Advertising Age, Forbes, and Communication Arts.But as his kids started graduating, he realized he wanted to leave a legacy. He found an approach that inspires businesses, marketing teams, and those they wish to attract. His #1 best-selling book, Appreciated Branding: Transform Your Brand from Ignored to Irreplaceable, has become a go-to mature-brand playbook. His name is Reid Holmes, and he'll be sharing his perspective on advertising today, how brands can use sound to stand out and be more memorable, and where he thinks things will go from here. If you're looking to boost your brand, you won't want to miss this one!As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(0:00:00) - The Power of Audio in AdvertisingOur conversation begins with a look back at the early memories that sparked Reid's love of sound, which include his father's copy of the famous War of the Worlds broadcast. “You picture these big, huge Martian creatures that are described,” he says, “and they're coming down through New Jersey and the whole country was freaking out. And it was Orson Welles, who has the pipes for audio.” He tells us more about his family's history in advertising and about how it led to his own career. “I was like, well, my mom was in advertising and my uncle's doing really well in it,” Reid explains. “I should give it a shot because it seems like it runs in the family, and maybe I'd be pretty good at it.”(0:13:02) - The Evolution of Radio...

Presenting a replay of The Black Museum "A Shilling" aired in the 1960's. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

Presenting a replay of The Black Museum "The Leather Bag" aired in the 1960's. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

SCR: Brian and Chelsea, DIRT ALERT: Kid Cudi to testify at Diddy trial, Orson Welles AI, and ABFAB: Let's have more vintage band pop-ups Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/ja! #rulapodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Presenting a replay of The Campbell Playhouse "Hurricane" aired on Nov 05, 1939. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

We took a deep dive into how two incredible women, Lindsey Davis Stover and Shivam Mallick Shah, went from senior roles in government and business to building their own tequila brand. We discussed what inspired them, the challenges of women entrepreneurs in the spirits industry and their unique process for making tequila.Thanks for tuning in! If you found value in today's episode, please subscribe, rate, and leave a review. Remember: “We need encouragement more than we admit.” — Orson Welles.Let us know how this episode helped you in the comments! And don't forget to connect with us on social media using #DoingItRight.Top Takeaways:Stay true to your vision and valuesTurn “no” into “yes” — let rejection fuel your driveThe best investment is in yourselfBuild your safety net earlyWhen in doubt, move forward — make decisions with the imperfect info you haveTo receive Valerie's Voice free monthly Leadership Tips and to learn more about her leadership programs and coaching, visit her website: https://valerieandcompany.com/ Call Valerie to learn how to level up your Executive Presence: 214-502-3334Listen and watch Doing it Right the Stories that Make Us: https://www.valerieandcompany.com/PodcastSubscribe, rate, and write a review on Apple Podcast- https://apple.co/2SHDDmo Follow Valerie Sokolosky Online:LinkedIn: https://www.linkedin.com/in/valeriesokolosky/Facebook: https://www.facebook.com/ValerieAndCompany

Fibber McGee and Molly. October 11, 1937. Red net. Sponsored by: Johnson's Wax. Chicago origination. A fun visit to the Wistful Vista auto show. Possibly Harold Peary's first appearance on the program. Jim Jordan, Marian Jordan, Harlow Wilcox (announcer), Ted Weems and His Orchestra, Elmo Tanner (whistler), Perry Como (vocal), Bill Thompson, Harold Peary, Hugh Studebaker.  The Columbia Workshop. May 04, 1941. CBS net. "Radio Primer". Sustaining. A funny look at the radio industry from A to Z. The first program of "Twenty-Six By Corwin.". Norman Corwin (writer), Everett Sloane, Frank Gallop.Mr. and Mrs. Blandings. May 13, 1951. NBC net. Sponsored by: Trans World Airlines. Mr. Blandings tries so hard not to forget his anniversary, that he remembers it a week too soon. Part of one of the commercials has been deleted. Cary Grant, Betsy Drake (performer, writer as "M. Winkle"), Warren Lewis (director), Don Stanley (announcer), Alan Reed, Eric Hodgins (creator).Barrie Craig, Confidential Investigator. October 17, 1951. NBC net. "The Judge and The Champ". Sustaining. Al White, a crusading columnist, is murdered after threatening to expose a fixed fight and political corruption. William Gargan, Santos Ortega, Don Pardo (announcer), Frank Kane (writer), Edward King (director). The Black Museum. 1952. Program #6. Syndicated, WRVR-FM, New York aircheck. "The Blue .22". Sponsored by: Participating sponsors. Vivian is a woman scorned, and she has a little blue pistol. The date is approximate. Syndicated rebroadcast date: October 23, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 2000 Plus. October 10, 1951. Mutual net. "The Rocket and The Skull". Sustaining. The most important man in the country's race to the Moon is wounded in a plane crash...and starts to hear strange messages to Mars! This program has also been dated September 6, 1950. Arnold Robertson, Emerson Buckley and His Orchestra, William Griffis, Sherman H. Dreyer (creator, producer), Robert Weenolsen (producer), Gregory Morton, Nat Polen, Merril E. Joels, Elliot Jacoby (composer), Walt Shaver (sound), Adrian Penner (sound), Bob Albright (engineer), Ken Marvin (announcer). TOTAL TIME: 2:52:41.832SOURCES: Wikipedia and The RadioGoldindex.com

Presenting a replay of The Lives of Harry Lime "Art Is Long And Lime Is Fleeting" aired on Nov 09, 1951. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

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Presenting a replay of The Black Museum "The Khaki Handkerchief" aired in the 1960's. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

We talked about the final film by Orson Welles on today's show, getting into the production circumstances, film culture, party time, and more. Get the full episode and a lot more at patreon.com/extended_clip

New Guest Expert! On this week's Aftermath, Rebecca is back in the recording studio with national bestselling author William Hazelgrove discussing Orson Welles' War of the Worlds broadcast. Williams 2024 book Dead Air: The Night that Orson Welles Terrified America illustrates the level of pandemonium that ensued and he shares a few more interesting tidbits that really alter our understanding of this moment in American history. Afterwards, Patreon subscribers can revisit the board with Fact Checker Chris Smith and Producer Clayton Early to see if Brilliant Natural Acting remains in The Alarmist Jail. Not on Patreon?! Join us below!Join our Patreon!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistThe Support this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:50:20 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires Sensibles, la Guerre des Mondes, d'Orson Welles. Ou l'histoire d'une panique généralisée qui, en fait, n'a pas eu lieu. - réalisé par : David Leprince

Presenting a replay of The Lives of Harry Lime "Mexican Hat Trick" aired on Nov 02, 1951. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

The conversation delves into a thrilling narrative involving ancient Egyptian relics, a mysterious curse, and a murder mystery intertwined with supernatural elements. The characters explore the implications of their past actions related to an archaeological discovery, leading to a series of events that reveal threats of vengeance and deadly encounters with poisonous spiders. The story unfolds with suspense and intrigue, culminating in a chilling confrontation with the unknown.takeawaysThe allure of ancient relics often comes with dark histories.Curses and legends can have real psychological effects on people.The consequences of greed can lead to tragic outcomes.Vengeance can drive individuals to irrational actions.The presence of danger can be masked by familiarity.Murder mysteries often reveal deeper truths about human nature.Supernatural elements can heighten the tension in storytelling.The symbolism of spiders can represent fear and death.Friendship can be tested in times of crisis.The past can haunt individuals in unexpected ways.Sound Bites"He who was dead is returning.""We could spy the world!""I was very young.""It's the bite of a poisonous insect.""What are you doing?"The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.Egyptian relics, pharaoh's curse, murder mystery, black widow spider, ancient curses, vengeance, archaeology, supernatural, suspense, thriller

The tenth episode of our season on the awesome movie year of 1941 features the Best Film pick from both the National Board of Review and New York Film Critics Circle, Orson Welles' Citizen Kane. Directed and co-written by Orson Welles and starring Welles, Joseph Cotten, Dorothy Comingore, Everett Sloane, Ruth Warrick and William Alland, Citizen Kane is widely considered the greatest film ever made.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/05/02/archives/orson-welless-controversial-citizen-kane-proves-a-sensational-film.html), C.A. Lejeune in The Guardian (https://www.theguardian.com/film/1941/oct/12/derekmalcolmscenturyoffilm), and Mae Tinee in the Chicago Tribune.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at

Our continuing journey into the world of Orson Welles's Citizen Kane finds Antony beginning a scene-by-scene analysis, starting with the film's Gothic horror opening,possibly the best-known final word of a character in any film, and then the sudden and jarring segue into the newsreel obituary of the world-famous Charles Foster Kane. We try to make sense of the sometimes absurdly non-linear structure of the film while admiring the remarkable artistry contained in every scene. The young Kane isbrash, charismatic and successful in his professional and personal life, but his downfall will soon begin… Part 4 will be out next month We hope you enjoy the show! 'Film Gold' is on all the main podcast platforms.  Feedback tocontrafib2001@gmail.com  Facebook⁠⁠https://www.facebook.com/filmgoldpod⁠⁠ Twitter⁠⁠https://twitter.com/FilmGold75⁠⁠ Antony's website (blog, music, podcasts) ⁠⁠https://www.antonyrotunno.com⁠⁠Antony's John Lennon/Beatles and Psychology/Alt.Media podcasts ⁠⁠https://glassoniononjohnlennon.comhttps://lifeandlifeonly.podbean.com/ Support Antony's podcast work (Film Gold, Glass Onion:On John Lennon and Life And Life Only) at⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/antonyrotunno⁠⁠⁠⁠⁠OR⁠⁠⁠⁠⁠https://www.buymeacoffee.com/antonyrotunno⁠⁠⁠⁠⁠ episode linksCitizen Kane film pages⁠https://www.imdb.com/title/tt0033467/?ref_=fn_all_ttl_1⁠⁠https://en.wikipedia.org/wiki/Citizen_Kane⁠ Original trailer for the film⁠https://www.youtube.com/watch?v=8dxh3lwdOFw⁠ The life of Charles Foster Kanehttps://en.wikipedia.org/wiki/Charles_Foster_Kane The Citizen Kane files (Wellesnet archive)⁠https://www.wellesnet.com/citizen-kane-resources/⁠ The electric opening to the filmhttps://www.youtube.com/watch?v=BFSjHBVx-xk News On The March!https://www.youtube.com/watch?v=rZ6QnaEQ7sY The projection roomhttps://www.youtube.com/watch?v=iZjkzM8N_oQ The full first half of the filmhttps://www.youtube.com/watch?v=74ol6mKC3aY The Union Forever- The White Stripes vs Citizen Kanehttps://www.youtube.com/watch?v=0X6PoXzpyz0 Renee Zellweger as Judy Garlandhttps://www.youtube.com/watch?v=B_dizVjNTbg

Who's to blame for the Orson Welles' War of the Worlds Broadcast Panic?This week, The Alarmist (Rebecca Delgado Smith) is celebrating 300 EPISODES with a LIVE taping at The Elysian Theater in Los Angeles! Together with special guests Amanda Lund, Jamila Webb and Dusty Warren they find out who's to blame for the Orson Welles' 1938 radio broadcast of the War of the Worlds and the pandemonium which ensued. Fact Checker Chris Smith and Producer Clayton Early join in on the fun and the audience has plenty to say about this particular board. One of the biggest in Alarmist history! Literally. You'll see. Happy 300 Alarmy! We couldn't have done it without you!Join our Patreon!Tell us who you think is to blame at http://thealarmistpodcast.comEmail us at thealarmistpodcast@gmail.comFollow us on Instagram @thealarmistpodcastFollow us on Twitter @alarmistThe Support this show http://supporter.acast.com/alarmist. Hosted on Acast. See acast.com/privacy for more information.

Today's episode is on Orson Welles' Citizen Kane. I don't think any further introduction is necessary. Plus, an e-mail concerning late Wilder and pimping. Get access to every episode and support the show at patreon.com/extended_clip Write to us at extendedclippodcast@gmail.com

In this episode we try our damnedest to avoid the golden path. But no matter how much emo teenage pouting we do it still all ends up in genocide and our kid turning into an immortal homicidal worm. That's right, it's Frank Herbert's seminal epic Dune. We will once again look for Satan in Science Fiction through the lens of the Christ Myth. The idea of a chosen one, a demi god, not exactly god but more than human with supernatural powers coming to rescue us all from evil. Special guest star appearances from The Justice League, Alabama, University of Washington, Paul Atreides, Caladan, David Lynch, Kwisatz Haderach, Zendaya, George Lucas, The Phantom Menace, Bene Gesserit, Baron Vladimir Harkkonnen, Geidi Prime, Timothée Chalamet, Palpatine, Vladimir Putin, Chris Angel, Feyd-Rautha, Austin Butler, Freman, Don't Look Up, Katnis, Marjorie Taylor Greene, David Lean, Ridley Scott, Orson Welles, Cannonball Run II, Exterminator II, Breakin II: Electric Boogaloo, Stinkers Bad Movie Award, Hollywood, Gene Siskel, Syfy Channel, Denis Villeneuve, Dune 2000, ornithopter, Marvel, Ralph Macchio, Leto,   #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #leftist #SatanIsMySuperhero #ScienceFiction #SciFiSend us a text

In this one, Jerry and Eddie get a little more caught up on Andor and still love it and go all in on some Transformers the Movie speculation... enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean? The siblings discuss this and more in their listener-requested discussion of Kafka's Orson Welles's THE TRIAL, also known as the pine cone jam of classic Cinema. Contains spoilers. Thank you for listening!  www.orwhatevermovies.com 818-835-0473 orwhatevermovies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

“He was some kind of a man. What does it matter what you say about people?” – Touch of Evil (1958)This week, we're crossing into the shadowy borderlands of noir with special guest Ryan Luis Rodriguez to unpack Orson Welles' Touch of Evil. From its legendary opening tracking shot to Welles' haunting turn as the corrupt Hank Quinlan, the film stands as a dark, complex swan song to the classic noir era.Together, we explore the film's bold visual language, its controversial casting choices, and the fascinating story behind the restored cut that finally honored Welles' original vision. Touch of Evil isn't just a masterwork of style—it's a film that continues to challenge how we think about authority, morality, and the boundaries we draw. Episode Notes:Touch of Evil (1958) was directed by Orson Welles and stars Charlton Heston, Janet Leigh, and Welles himselfSelected to the National Film Registry in 1993Famous for:A 3+ minute opening tracking shot widely regarded as one of the best in cinemaWelles' portrayal of the morally bankrupt Captain Hank QuinlanA studio-meddled post-production process that was later corrected by a 1998 restoration using Welles' notesDiscussion topics include:The film's place at the end of the classic noir eraInnovations in camera movement, sound design, and lightingHow Touch of Evil navigates race, identity, and law enforcement on the U.S.–Mexico borderThe legacy of the restored version and its impact on Welles' reputationFeaturing special guest:Ryan Luis Rodriguez, film podcaster and host of The Coolness Chronicles and Reels of Justice Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Nigel Farage is going to be Prime Minister! Reform are going to eat the Tory Party alive! A plague of bats will devour Kate Middleton! As the locals and Runcorn/Helsby fallout settles we look at Starmer's panic over Reform, ask whether Badenoch can survive, and stare into the dark heart of Farage Derangement Syndrome. Plus: Was the 2015 General Election – ten years ago this week if you're planning a party! – the true moment when Britain went inexorably down the pan? ESCAPE ROUTES • Seth says rent the VRBO property with Orson Welles' ashes in the well. • Hannah recommends Blue Sisters by Coco Mellors and Birding by Rose Ruane • Zöe recommends Perambulations guides and Stath Lets Flats.  • Andrew recommends Doctor Who: Lucky Day.  • Come to The Angry Brigade – Anarchy In N16 at the Hackney History Festival on Sunday 11 May.  • Back us on Patreon for ad-free listening, bonus materials and more.  Written and presented by Andrew Harrison with Hannah Fearn, Zöe Grünewald and Seth Thévoz. Audio production by Robin Leeburn. Theme music by Cornershop. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this thrilling episode titled 'The Oracle of Death', Lamont Cranston encounters a man with psychic abilities who predicts a series of crimes, including a bank heist. As the story unfolds, Cranston, alongside his companion Margo Lane, navigates the complexities of crime and supernatural predictions, ultimately leading to a confrontation with the criminals. The episode explores themes of trust, the supernatural, and the battle between good and evil, culminating in a dramatic resolution where justice prevails.TakeawaysThe story revolves around a psychic who predicts crimes.Cranston's skepticism leads him to investigate further.The police commissioner is under pressure to solve petty crimes.The psychic's predictions create tension and urgency.Cranston believes the predictions are part of a larger scheme.The Shadow intervenes to thwart the criminals' plans.The episode highlights the theme of trust in uncertain situations.Cranston's character embodies the fight against evil.The resolution showcases the triumph of good over evil.The narrative intertwines elements of suspense and supernatural intrigue.Chapters00:00 Introduction to The Shadow01:30 The Shadow's Character and Abilities03:36 The Police Commissioner's Dilemma05:58 The Oracle of Death's Predictions10:50 The Investigation Unfolds14:10 The Power of Prediction20:06 The Threat of Terrorism24:07 Confrontation with the Criminals29:13 Resolution and ReflectionThe Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.Oracle of Death, psychic predictions, crime, mystery, The Shadow, bank heist, supernatural, Lamont Cranston, suspense, drama

Der Schauspieler Orson Welles ließ einst in einem genial gestalteten Hörspiel feindliche Marsianer auf der Erde landen und munter meucheln. Die Aufregung über seinen "Krieg der Welten" war groß – und verriet viel über die Angst vor Außerirdischen. Lorenzen, Dirk www.deutschlandfunk.de, Sternzeit

GGACP celebrates Jewish American Heritage Month with this ENCORE of a memorable interview with Oscar- and Emmy-nominated producer, director and actor Bob Balaban. In this episode, Bob talks about his family's history in the movie theater business, his affection for horror films, his transition from acting to directing and his admiration for colleagues Wes Anderson, Christopher Guest and Steven Spielberg. Also, Orson Welles inspires fear, Robert Altman tackles a whodunit, Bill Murray perfects his short game and Bob “apprentices” for Sidney Lumet. PLUS: “Brewster McCloud'! The Marx Brothers on stage! The brilliance of Eugene Levy! Uncle Miltie meets an extraterrestrial! And Bob remembers the late, great Fred Willard! Learn more about your ad choices. Visit megaphone.fm/adchoices

Viajamos a Una quinta portuguesa, segundo largometraje de Avelina Prat, con ella y su protagonista, Manolo Solo. Recordamos, con Pablo de María, a Orson Welles- que nació hace 110 años, el 6 de mayo de 1915- a través del libro Ciudadano Welles. Conversaciones con Peter Bogdanovich editado en España por Capitán Swing.Escuchar audio

Una invasión marciana. Un apagón masivo. Una plaga zombi. Una hecatombe clásica. Una tormenta solar. ¿Cómo ha reflejado la ficción el fin del mundo? ¿Qué películas y libros nos han contado el apocalipsis? ¿Cuántos apagones hemos visto en la televisión? ¿Y por qué la radiofónica 'La guerra de los mundos' de Orson Welles (adaptando la novela de H.G. Wells) es el gran referente cultural del pánico masivo? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino, recomendando libros como 'La carretera' de Cormac McCarthy o la 'Anábasis' de Jenofonte, además de series como 'Galería nocturna'. Además, adelantamos la exposición ‘Los Machado: Retrato de familia', que se puede visitar en la RAE.

Una invasión marciana. Un apagón masivo. Una plaga zombi. Una hecatombe clásica. Una tormenta solar. ¿Cómo ha reflejado la ficción el fin del mundo? ¿Qué películas y libros nos han contado el apocalipsis? ¿Cuántos apagones hemos visto en la televisión? ¿Y por qué la radiofónica 'La guerra de los mundos' de Orson Welles (adaptando la novela de H.G. Wells) es el gran referente cultural del pánico masivo? Lo analizamos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino, recomendando libros como 'La carretera' de Cormac McCarthy o la 'Anábasis' de Jenofonte, además de series como 'Galería nocturna'. Además, adelantamos la exposición ‘Los Machado: Retrato de familia', que se puede visitar en la RAE.

Your hosts dive into the 1958 film by Orson Welles, “TOUCH OF EVIL.” Unsane therapy at its finest.Quinlan: Come on, read my future for me.Tanya: You haven't got any.Quinlan: Hmm? What do you mean?Tanya: Your future's all used up. LINKSWee Freekz FBUnsane Radio WebsiteTarr and Fether's WebsitePsycho Cinema FBUnsane Radio FBUnsane Radio XPsycho Cinema YTHeavy … Continue reading "Unsane Radio 0293 – Touch of Evil"

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

TPCCafe Radio Presents Classic Thrillers, Suspense: Lazarus Walks featuring Orson Welles

This week, we went to Twin Oaks for some pizza. We swear we're coming back for their other entrees, but we've been in a pizza mood. It's Pizza Spring. This Bridgeport institution has been in business since 1957, located at 818 W. Main St. Open Tue-Sun 4-9 PM.Here's what we tried:14" pizza with house made sauce, pepperoni, sausage, and black olivesThen, the Martians are coming! Matt brings a well known fable back from the 30s. In October of 1939, just before Halloween, the folks at CBS wanted to cook up something special to scare the kiddies young and old, and they definitely did. Matt goes into detail on the panic and mass hysteria caused by the Orson Welles radio broadcast of War of the Worlds, a false reporting long before the eras of the fake serial, the mockumentary, or found footage. Matt also goes into the wild broadcast aftermath that happened later in Quito, Ecuador.They also talk about silly geese, the classics, WWII weirdness, giant offset trucks, and the infamous missing food from Episode 46...

GGACP's celebration of National Couples Appreciation Month continues with a revisit of this conclusion of a 2-part interview with veteran screen performers Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about sharing the stage with their children, celebrating 60 years of marriage, casting the comedy classic “My Favorite Year” and filming “The Stepford Wives,” “Westworld,” Diary of a Mad Housewife” and “The Parallax View.” Also, Mel Brooks produces “The Elephant Man,” Orson Welles intimidates the cast of “Catch-22,” Paula's mom chats up William S. Burroughs and Richard lists his favorite Paula Prentiss performances. PLUS: “Captain Nice”! Elsa Lanchester! The genius of Michael Crichton! The irrepressible Bill Macy! And Richard and Paula remember Yul Brynner, Buck Henry, Jack Klugman and George Segal! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

Step into the fog and crank the dial—because we're taking you back to the golden age of radio horror. In this special intro episode, Foggy Jack himself summons the eerie essence of Lights Out and Suspense—two of the most haunting shows to ever echo through a speaker.Discover the origins of Lights Out, the 1934 series that turned bedtime into a nightmare, and Suspense, the long-running thriller packed with legendary voices like Orson Welles and Vincent Price. These aren't just stories—they're audio seances.

Suspense || Philomel Cottage || Broadcast: October 7, 1943Philomel Cottage -- A short story by Agatha Christie and stars Geraldine Fitzgerald as Alex Martin and Orson Welles as her devoted husband, a husband who she comes to realize is a perfect stranger to her.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

The Shadow is a collection of serialized dramas originating in 1930s pulp novels and later expanding to various media. The titular character has been featured in radio dramas, pulp magazines, comic books, television, serials, video games, and films. Initially created as a radio show narrator, The Shadow was developed into a literary character by Walter B. Gibson in 1931. The radio drama, featuring Orson Welles, premiered in 1937. The Shadow character was depicted as having the power to manipulate men's minds, making them unable to see him. The radio program's iconic introduction, voiced by Frank Readick, and accompanied by a musical theme, has become a part of American idiom. Each episode concluded with a reminder that crime does not pay and The Shadow knows.

A chaotic, shambolic and critically panned parody, the first on-screen incarnation of Ian Fleming's novel ‘Casino Royale' received its London premiere on 12th April, 1967 - with final edits still being made in the projection room. Nonetheless, it went on to take an extraordinary $40 million at the box office.  Hardnut hero James Bond's adventures had become a swinging Sixties sex comedy starring Peter Sellers, thanks to Fleming's disasterous decision to sell the movie rights to actor Gregory Ratoff for a song long before Bond was known all around the world thanks to the highly succesful film versions of his later books ‘Dr No' and ‘From Russia With Love'. In this episode, Arion, Rebecca and Olly reveal how producer Charles K Feldman assembled such an impressive cast list for his 007 ensemble, including Orson Welles, Ronnie Corbett and Ursula Andress; explain how an on-set visit by Princess Margaret prompted an enormous clash of egos; and ponder why ‘the Spice World of the Sixties' became such a box office hit…  Further Reading: • ‘Casino Royale movie review & film summary' (Roger Ebert, 1967): https://www.rogerebert.com/reviews/casino-royale-1967 • ‘The Casino Royale calamity: how Peter Sellers turned Bond into a laughing stock' (Daily Telegraph, 2021): https://www.telegraph.co.uk/films/0/casino-royale-calamity-peter-sellers-turned-bond-laughing-stock/ • ‘Casino Royale: Official Trailer' (MGM, 1967): https://www.youtube.com/watch?v=onhWav2DejM Love the show? Support us!  Join 

Korku biz insanlığın hayatta kalmasını sağlayan en kritik duygulardan birisi. Belki de türümüzün devamlılığını buna borçluyuz. Fakat korku, yanımızdaki insanlardan bize de sirayet edebilen bir şey. Daha da kötüsü bu duygunun bulaşıcı özelliği, toplumu kontrol edebilmek için bir araca da dönüşebiliyor. Fakat bir panzehrimiz de var, cesaret. 111 Hz'in bu bölümünde insan davranışları üzerine düşünüyoruz. Korku ve cesaretin bulaşıcı etkilerine ve bunların nasıl yayıldığına odaklanıyoruz.Sunan: Barış ÖzcanHazırlayan: Özgür YılgürSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam talks with British writer, director, actor and comedian Richard Ayoade about David Lynch, whether it was easy inventing the compete works of the fictional director and playwright Harauld Hughes, what Richard thought of David Letterman's enthusiasm for him and his work, the weirdness of interviews, the art of putting yourself down, why Orson Welles hated Woody Allen, and why Mick Jones of The Clash made Richard cry.Conversation recorded face-to-face in London on March 19th, 2025Thanks to Séamus Murphy-Mitchell for production support and conversation editing.Podcast illustration by Helen GreenPRE-ORDER 'I LOVE YOU, BYEEE' by Adam Buxton - 2025NORD VPNEXCLUSIVE NordVPN Deal Try it risk-free now with a 30-day money-back guarantee!RELATED LINKS (on Adam's website) Hosted on Acast. See acast.com/privacy for more information.

Best known as Effie, the loyal secretary to Sam Spade in The Maltese Falcon, Lee Patrick enjoyed great success on the Broadway stage and worked steadily as a character actress on the big and small screens. We'll hear her in a pair of shows from Suspense: first, she's half of a murderous married couple in "Just One Happy Little Family" (originally aired on CBS on April 6, 1958), and then she plays a woman whose part-time job takes a turn for the dangerous in "My Dear Niece" (originally aired on CBS on November 16, 1958). Plus, she recreates one of her great Broadway roles alongside Orson Welles and Jack Benny in a Campbell Playhouse production of "June Moon" (originally aired on CBS on March 24, 1940).

Milton's epic new comic, “Orson Welles: Warrior of the Worlds” ... Comics culture, then and now ... The real story behind the faux War of the Worlds broadcast ... Why Milton was drawn to Orson Welles ... What (or who) really derailed Welles's career? ... Will Milton's comic go multimedia? ... Heading to Overtime—with Bob in the hot seat ...

Milton's epic new comic, “Orson Welles: Warrior of the Worlds” ... Comics culture, then and now ... The real story behind the faux War of the Worlds broadcast ... Why Milton was drawn to Orson Welles ... What (or who) really derailed Welles's career? ... Will Milton's comic go multimedia? ... Heading to Overtime—with Bob in the hot seat ...