Podcasts about Orson Welles

What were you doing at 25? Some of the greatest filmmakers in history were making masterpieces. Mike explores the youngest directors to ever break through in Hollywood, from Orson Welles and Steven Spielberg to modern filmmakers like Kane Parsons and Curry Barker, and examines what it takes to make movie history before turning 30. In the Movie Review, Mike talks about Masters of the Universe. It’s about a young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom. Mike shares his experience seeing the movie in 4DX, Jared Leto’s performance as Skeleton and why this movie hit him on an emotional level that he wasn’t expecting. In The Trailer Park, Mike talks about How To Rob A Bank. It’s about a crew of social media-savvy bank robbers broadcasts their daring heists, unaware that their growing viral fame has put them in the crosshairs of a veteran FBI agent and a brilliant software engineer. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on Threads: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.

The OTRNow Radio Program  Father's Day 01The Jell-O Program Starring Jack Benny. June 18, 1939. Red net. Jell-O. The cast does down to the railroad station to leave for Waukegan. Carmichael the bear is going along too! The last program on which Kenny Baker appears. Andy Devine, Don Wilson, Jack Benny, Kenny Baker, Mary Livingstone, Phil Harris and His Orchestra, Eddie Anderson, Harry Baldwin, Ed Beloin (writer, performer), Bill Morrow (writer), Cliff Nazarro, Frank Nelson, Blanche Stewart.The Quiz Kids. June 20, 1948. NBC net. Alka-Seltzer, One-A-Day. The first question is, "Why would Pennsylvania and protactinium remind you of the third Sunday in June?" The Quiz Kids vs. The Quiz Kids' fathers. Joe Kelly (host), Bob Murphy (announcer), Joel Kupperman, Joe Kelly Jr. (temporary host), Patrick Owen Conlon, Naomi Cooks, Mark Mullin, Joel Kupperman Sr., Joe Mullin, Patrick Conlon, Julius Cook.Hollywood Star Playhouse. April 23, 1951. CBS net. "Father's Day". Bromo Seltzer. The start of the program's second year on the air. Jeff Alexander and His Orchestra (composer, conductor), Maurice Zim (writer), Jack Johnstone (director), Norman Brokenshire (commercial spokesman), Johnny Schneller (engineer), Gus Bayes (sound effects), Ross Murray (sound effects), Carleton Young, Theodore Von Eltz, Jeanette Nolan, Robert Griffin, Bea Benaderet, Anne Whitfield, David Brian (recorded preview of next week's program), Barbara Stanwyck, Herbert Rawlinson (host)This Is Your FBI. June 08, 1951. ABC net. "The Return of Father Crime".The Black Museum. 1952. Syndicated, WRVR-FM, New York aircheck. "The Chain". Participating sponsors. A woman has been hearing ghosts, dragging a chain. The date is approximate. Syndicated rebroadcast date: October 30, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). Baby Snooks Clip 1944-06-14 Worlds Most Patient FatherSOURCES:Radiogoldindex.com;  Wikipedia

30 października 1938 roku Orson Welles i jego zespół wyemitowali słuchowisko będące adaptacją powieści "Wojna światów" które, według legendy, miało wywołać masową panikę wśród Amerykanów. Czy rzeczywiście setki tysięcy ludzi uwierzyły w inwazję Marsjan na Ziemię? Co naprawdę wydarzyło się w czasie emisji "Wojny Światów" na ulicach USA? W tym odcinku Misji specjalnej odkrywamy kulisy jednej z najsłynniejszych audycji w historii radia! #płatnawspółpraca Partnerem odcinka jest United International Pictures, dystrybutor najnowszego filmu Stevena Spielberga i Davida Koeppa pt. "Dzień Objawienia". W kinach od 10.06.2026.

Step right up, ladies and gentlemen, and prepare to be deceived. This week we're taking a stroll down a rabbit hole of lies, art, and magic as they watch Orson Welles' final completed film, the 1973 docudrama F for Fake. Or as I call it, the first Video essay! Credits: Hosts: Jesse McAnally & Andrew DeWolf & Liz Esten Podcast Edited By: Jesse McAnally Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Social Media: ⁠⁠⁠⁠⁠Our WEBSITE⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals with Cheese on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Musicals W/ Cheese on Instagram⁠⁠⁠⁠⁠ Email us at ⁠⁠⁠⁠⁠musicaltheatrelives@gmail.com⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Merch!!⁠⁠⁠⁠⁠ Jess Socials ⁠⁠⁠⁠⁠Jesse McAnally ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Jess McAnally on Instagram⁠⁠⁠⁠⁠ Andrew Socials ⁠⁠⁠⁠⁠Andrew DeWolf on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Andrew DeWolf on Twitter⁠⁠⁠⁠⁠ Liz Socials ⁠⁠⁠⁠⁠Liz Esten on Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Liz Esten on Twitter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Use our Affiliate Link⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we've got a rare find: Inner Sanctum Mystery with the long-lost 1944 episode “The Dream,” with an appearance by Orson Welles, of all people, as star on the show, at a time where Welles had reached the peak of his celebrity status. Host John Tefteller shares the story behind the recording, made by engineer Rudy Van Gelder. The story follows Judge Robert Branscolm, a respected man troubled by a vivid, violent dream, one where he murders a stranger with a silver-handled cane. Disturbing enough… until he finds himself presiding over a case involving that exact crime. A true rediscovery, and a great moment for vintage radio fans and historians alike. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

For our 300th(!!) episode we finally become respectable movie podcasters and sit down with Orson Welles' celebrated film Citizen Kane! We discuss the film's legacy and spot on movie ranking lists, why movie ranking lists are obsolete, the life and lie of Orson Welles, how coming from radio impacted the style of Citizen Kane and what we would whisper on our death beds. Also: nuts! small men with straw hats! Old man makeup! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

MONA- the Mutual Oral Network Assistant comes in hot this week with our double-feature of Sonic Society #906, guest hosting John Bell, and Mutual Presents #7.20- Part 5 of Les Miserables from Orson Welles!

Get in your tops and tails for Monday Matinee's special of Orson Welles', incredible seven part performance for Mutual of "Les Miserables"! And now, Part Five "The Grave" for Mutual Presents!

El primer tema de discusión tratará sobre un cambio potencial importante al proceso de ampliación de la Unión Europea. Los miembros del grupo se están planteando denegar a los nuevos estados miembro el derecho a veto durante varios años después de que se hayan incorporado. Después hablaremos de la encíclica del papa León, donde hace un llamamiento a actuar de forma urgente para asegurar que la IA sirva a la humanidad en lugar de perjudicarla. El segmento de ciencia lo dedicaremos a un nuevo estudio que ha descubierto que participar de forma habitual en actividades artísticas y culturales podría ralentizar el envejecimiento biológico, de forma similar a la práctica regular de ejercicio físico. Y concluiremos la primera parte del programa comentando el episodio final de "The Late Show with Stephen Colbert", que marcó el fin de uno de los programas más populares del late night. El resto del episodio de hoy lo dedicaremos a la lengua y la cultura españolas. La primera conversación incluirá ejemplos del tema de gramática de la semana, The Pronominal Verbs. Verbs of Emotions and Feelings. En esta conversación discutiremos si los famosos, como los futbolistas, deben posicionarse ante una opinión personal en un acto público. Pondremos como ejemplo a Lamine Yamal, jugador del F.C. Barcelona, que apareció en lo alto de un autobús descapotable ondeando una bandera palestina el día de la celebración de la victoria en la Liga española. Y, en nuestra última conversación, aprenderemos a usar una nueva expresión española, A trancas y barrancas. Hablaremos de la película Don Quijote de Orson Welles. Esta filmación fue realizada con fragmentos conservados del rodaje de la película Quijote del director estadounidense Orson Welles y editada por el cineasta español Jesús Franco. La película de Welles nunca fue terminada. Pero con ese material se hizo otra película. Para algunos fue un error. Para otros una alegría reencontrarse con material del genio fallecido. La UE se plantea postergar la concesión del derecho a veto a los nuevos estados miembro En una gran encíclica, el papa León advierte de los peligros de la IA a los que se enfrenta la humanidad El arte y la cultura están vinculados con una ralentización del envejecimiento biológico Stephen Colbert presenta el episodio final del legendario "Late Show" Posicionarse ante una opinión Don Quijote de Orson Welles

Robert Kaplow is the author of numerous novels. In 2008, director Richard Linklater filmed an adaptation of Robert's novel ME AND ORSON WELLES. In the past, Robert has taught English and Creative Writing, and for over a decade, he and his band (“Moe Moskowitz and the Punsters”) wrote, produced, and performed satirical sketches for NPR's Morning Edition. BLUE MOON is his first original screenplay. BLUE MOON tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!". The film stars Ethan Hawke, Margaret Qualley, and Andrew Scott. In this interview, we talk about the film adaptation of his novel ME AND ORSON WELLES, the development of the screenplay for BLUE MOON with Richard Linklater and Ethan Hawke, the creative process of writing a plausible voice for Lorenz Hart, plus advice for writers on patience, persistence, and keeping the faith when facing rejection. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Blamison are back and better than ever! On this episode we welcome Brian Rose the filmmaker behind the reconstruction of Orson Welles' second film The Magnificent Ambersons which has been in the news a lot lately including this terrific write-up by The New Yorker. In this episode we discuss what led to his work on this reconstruction and its controversial use of AI.Then we dig into the film he chose for us to watch Gabriel Over The White House from 1933 which tracks newly inaugurated president from party-line hack to an American Mussolini. We talk about how politics blended with power can end in authoritarianism and fascism from any point on the political spectrum. It's a harrowing film, but also deeply engaging and instructive. This is a great episode and we hope you all enjoy it!Clip: Drunk Orson Welles champagne commercial outtakesSound Engineering by Justin Wiechic

In this bonus episode Sebastian takes questions about episode 249, 250, and 251. First, he does his best to grapple with how morality should factor into history education. Then a listener provides an epic email about Orson Welles' legendary production of "Voodoo Macbeth" and cursed run of Romeo and Juliet. Finally, Sebastian looks at the weird legacy of the phrase "bunga bunga." Tune-in and find out how missing chickens, corrupt Italian Prime ministers, and a wounded Benvolio al play a role in the story! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This podcast episode delves into the animated feature film "Transformers: The Movie," a significant entry in the Transformers franchise, released on August 8, 1986. We commence by acknowledging its historical relevance, particularly as it marks the final role of the esteemed actor Scatman Crothers during his lifetime, alongside the notable Orson Welles, who completed his dialogue mere days before his passing. The crux of our discussion centers on the film's narrative, which encapsulates the Autobots' struggle against the colossal planet-eating entity, Unicron, while simultaneously defending against an assault from the Decepticons. Throughout the episode, we reflect on the film's choppy storytelling and its reliance on nostalgia, which may render it less accessible to those unfamiliar with the broader Transformers universe. Ultimately, we offer our critical assessments, juxtaposing our personal experiences with the film against its cultural significance and legacy within the realm of animated cinema.Visit Our Sponsor: https://dubby.gg10% Off Code: OURVERDICTSupport us:https://www.patreon.com/whatsourverdictEmail us:hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

Hailed by many as the greatest film ever made, Citizen Kane was the debut feature from Orson Welles and featured many of his colleagues from the Mercury Theatre productions of Broadway and radio. We'll hear Mr. Welles and his co-stars in radio thrillers: Ray Collins in "Marry for Murder" (originally aired on CBS on September 9, 1943); Welles in "Lazarus Walks" (AFRS rebroadcast from October 19, 1943); Joseph Cotten in "You'll Never See Me Again" (originally aired on CBS on September 14, 1944); George Coulouris in "The Long Shot" (AFRS rebroadcast from January 31, 1946); Agnes Moorehead in "The Evil of Adelaide Winters" (originally aired on CBS on September 10, 1951); and Everett Sloane in "Alibi" (AFRS rebroadcast from July 7, 1957).

Power, ego, and one of the most legendary media grudges in Hollywood history. This week, Shane and Duncan dive into the explosive feud between Orson Welles and William Randolph Hearst, from the making of Citizen Kane to the full-court press to destroy it. Newspapers, blacklists, threats, and enough spite to power a small city. Hollywood has always loved a drama queen. ~ Become an Insomniac! Support the show on PATREON and unlock exclusive bonus content. ~ Join the community, chat with fellow insomniacs, and vote on episode topics via DISCORD ~ Send Shane and Duncan a message at midnightfactsforinsomniacs@gmail.com ~ Rep the show! Grab a tee or mug at the MIDNIGHT MERCH store and spread the word. ~ Follow us on INSTAGRAM    

We've been looking for them, at least since I was a kid. Life forms from somewhere else in the universe. In the 1930s for example, famed actor, Orson Welles, freaked out a nation with a radio broadcast of simulated news bulletins. Millions were convinced an alien invasion was taking place. And then in the 1950's, sightings of UFO's triggered reports of downed aliens secretly kept in New Mexico's infamous “Area 51.” And then in the 1990s, the hit TV series, “X Files.” Now our government has started releasing extensive files with all kinds of footage of aerial phenomena. Is it military technology? The interplanetary visitors we've been waiting for? Or spiritual forces, as the Bible talks about in a section about “how Satan works. He will use all sorts of displays of power through signs and wonders that serve the lie” (2 Thessalonians 2:9). I'm Ron Hutchcraft and I want to have A Word With You today about “Aliens – And Beyond.” In our broader popular culture, extraterrestrial life is one of the most enduring mysteries of the past century. But it's just one of many things in the “beyond us” category. Astronauts return from space in awe of the magnitude of what they have seen beyond our world. And millions of us are endlessly curious about a buffet of spiritualities and unexplainable spiritual phenomena. And while our fascination with things “beyond us” takes us down many different trails, there is one common source. There's a yearning in our soul that needs something bigger than ourselves. Bigger than can be explained. And the revealing explanation for this comes from the greatest “beyond us” of all. The God who created us. Who says in Ecclesiastes 3:11, our word for today from the Word of God: “God has placed eternity in the human heart” (Ecclesiastes 3:11). We are looking for something that will last forever! Which effectively eliminates everything “earth.” Oh, we try all kinds of relationships and accomplishments and experiences – but they don't last! And all of our ventures into the unknown and unexplainable are ultimately, well, substitute supernaturals. Little bridges that leave us stranded. Because none of them reach the destination our soul craves. Knowing our Creator. For He tells us that we were “created by Him and for Him” (Colossians 1:16). And as He prayed, Jesus said, “This is the way to have eternal life – to know You, the only true God” (John 17:3). But our search for lasting love and peace and meaning has not taken us to Him. It has taken us away from Him. God describes it this way: “We all, like sheep, have gone astray; each of us has turned to our own way” (Isaiah 53:6). The opposite of God's way. Tragically, that has left us “without God and without hope” (Ephesians 2:12). Alone in His universe. By our choice, not His. A lot of religions talk about God at the top of a mountain. And us on many different roads, hoping they will lead to Him. But the divine bombshell is this amazing reality: we can't possibly reach a sinless God, no matter which road we choose. But God loves us too much to leave us lost. So in the greatest act of love in human history, He came down from the mountain to bring us to Him! At the unspeakable price of dying to pay the penalty for the very sinning we've done against Him. In the Bible's words: “Christ died for sinners to bring you safely home to God” (1 Peter 3:18). Then He rose from the dead to give us a gift that answers the eternity in our heart. Life. Eternal life! That life is within your reach today. That's what our website is all about, and I encourage you to go to ANewStory.com. There you'll see from the Bible how to begin this life-changing relationship with the Jesus. Suddenly all the scattered pieces of our life make something. All our fear of the future is swallowed up by life that lasts forever. And the cosmic loneliness of our life is finally satisfied by the endless love of God. No, the answer is not “out there." It's right here. In the Savior waiting for us with arms open wide.

Únete a nuestra comunidad El Mapa de la Ansiedad en Skool: https://www.skool.com/elmapadelaansiedad Un espacio con cursos, recursos y una comunidad donde compartir, aprender y comprender mejor la ansiedad desde dentro. ¿Qué tiene la mente humana para convertir una amenaza imaginada en una reacción completamente real? En este episodio de La teoría de la mente / AMADAG TV, viajamos por la historia de la ansiedad a partir de una escena inolvidable: la famosa retransmisión radiofónica de La guerra de los mundos, dirigida por Orson Welles en 1938. Miles de personas creyeron estar escuchando una invasión extraterrestre en directo. Los marcianos no existían, pero la taquicardia, el sudor, el miedo y la urgencia de huir fueron absolutamente reales. A partir de ahí nos hacemos una pregunta clave: ¿por qué nuestro cerebro puede reaccionar con tanta intensidad ante algo que todavía no ha ocurrido? En este recorrido hablamos de la diferencia entre miedo y ansiedad. El miedo aparece ante un peligro real e inmediato. La ansiedad, en cambio, vive en la anticipación: en el “¿y si…?”, en la incertidumbre, en la amenaza imaginada. Es una emoción que intenta protegernos, pero que a veces toma el control y nos encierra. Recorremos la evolución histórica de la ansiedad desde la antigua Grecia, con Hipócrates y la teoría de los cuatro humores, hasta la Edad Media, donde el sufrimiento psicológico podía interpretarse como castigo divino o posesión demoníaca. También pasamos por el Renacimiento, la Ilustración, la aparición del concepto de neurosis, la neurastenia del siglo XIX y el nacimiento de la psiquiatría moderna. Hablamos de Freud y su idea de la angustia como señal interna, del conductismo y el aprendizaje del miedo, de Watson, de las fobias, de las benzodiacepinas, de Donald Klein y la diferenciación entre pánico y ansiedad generalizada. También llegamos a la terapia cognitivo-conductual, con Aaron Beck y Albert Ellis, para entender cómo nuestras interpretaciones pueden convertir una señal ambigua en una amenaza de supervivencia. Pero este episodio no se queda solo en la historia. También nos acercamos al presente: a la amígdala, la corteza prefrontal, el apego, los traumas, el contexto social, el lenguaje interno y la forma en que hoy entendemos la ansiedad como un sistema de protección descalibrado. Y, por supuesto, hablamos de Intensamente 2, donde la ansiedad aparece no como una villana, sino como una emoción protectora, hipervigilante y agotadora, que intenta anticiparse a todo para evitar el dolor. Quizá el objetivo no sea vivir sin ansiedad, sino aprender a escucharla sin obedecerla siempre. Entender cuándo nos protege y cuándo nos limita. Cuándo señala algo importante y cuándo convierte un perchero en un fantasma. Porque no toda alarma dice la verdad. Y comprender la ansiedad puede ser el primer paso para colocarla en el lugar que le corresponde. Enlaces importantes Comunidad El Mapa de la Ansiedad: https://www.skool.com/elmapadelaansiedad Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw Keywords ansiedad, historia de la ansiedad, miedo y ansiedad, trastornos de ansiedad, ataques de pánico, pánico, agorafobia, salud mental, psicología, psiquiatría, Orson Welles, La guerra de los mundos, Intensamente 2, ansiedad anticipatoria, terapia cognitivo conductual, Freud ansiedad, Hipócrates ansiedad, neurosis, neurastenia, benzodiacepinas, amígdala cerebral, corteza prefrontal, ansiedad generalizada, AMADAG TV, El Mapa de la Ansiedad #️⃣ Hashtags #Ansiedad, #SaludMental, #Psicologia, #AtaquesDePanico, #Agorafobia, #ElMapaDeLaAnsiedad

En esta primera parte dedicada a la relación entre cómic y cine, Alberto Azcueta nos guía por una fascinante selección de novelas gráficas y biografías ilustradas sobre los grandes nombres del séptimo arte. Desde pioneras como Alice Guy hasta leyendas como Charles Chaplin, Fritz Lang, Bela Lugosi, Orson Welles, Akira Kurosawa o Fellini, descubrimos cómo el cómic se convierte en una herramienta única para narrar la historia del cine y sus sombras. También hablamos de expresionismo alemán, Hollywood clásico, true crime, Pasolini, Metrópolis y obras imprescindibles como Filmish, el ensayo gráfico que analiza el lenguaje cinematográfico. ️ Una conversación imprescindible para amantes del cine, el cómic y la cultura visual. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

War of the Worlds by Orson Welles is perhaps the most famous radio play on Earth. But what's left out of the story is where the play was set — a real, little town in New Jersey. It took decades, but the people who live in Grover's Mill have come to embrace their part in one of the biggest media hoaxes of all time. In fact, they've turned it into something to be proud of.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 01:28:06 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“The whole idea of the film business is based on a reactionary idea.” — Jonathan Rosenbaum"Orson Welles was considered a failed Hollywood Director"A Great Episode of THE ARTISTS has dropped on our you tube Watch

“The whole idea of the film business is based on a reactionary idea.” — Jonathan Rosenbaum

Our month-long salute to mystery writing legends continues with the queen of crime herself - Agatha Christie. She wrote over sixty novels, dozens of short stories, and created two of the genre's most beloved sleuths - Hercule Poirot, the fastidious and brilliant Belgian detective, and Miss Marple, the kindly amateur investigator. We'll hear four of Dame Agatha's tales recreated for radio: "The Murder of Roger Ackroyd" with Orson Welles as Poirot from The Campbell Playhouse (originally aired on CBS on November 12, 1939); "The Tragedy of Marsdon Manner" from Murder Clinic (originally aired on Mutual on October 6, 1942); and "The ABC Murders" and "Where There's a Will" from Suspense (originally aired on CBS on May 18, 1943 and February 24, 1949).

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Únete a nuestra comunidad El Mapa de la Ansiedad: https://www.skool.com/elmapadelaansiedad Un espacio donde tendrás acceso a cursos, recursos y una comunidad en la que compartir con otras personas que también están aprendiendo a comprender y manejar la ansiedad. Nuestra escuela de ansiedad: www.escuelaansiedad.com ️ Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw En esta primera parte viajamos a 1938, a una de las emisiones radiofónicas más famosas de la historia: La guerra de los mundos, de Orson Welles. Pero no nos interesa tanto hablar de marcianos, ni siquiera de la leyenda del supuesto pánico colectivo que rodeó aquella retransmisión. Lo que realmente nos importa es algo mucho más profundo y clínicamente muy relevante: una amenaza puede ser falsa y, aun así, provocar una reacción corporal completamente real. Los alienígenas no existían. Pero la taquicardia sí. El gas venenoso no estaba llegando. Pero el sudor, la urgencia, el miedo, la tensión muscular y la necesidad de escapar eran reales. A partir de esta escena, abrimos una pregunta fundamental para comprender la ansiedad: ¿qué necesita el cerebro para activar una alarma? ¿Necesita un peligro real, presente y demostrable? ¿O le basta con una posibilidad creíble, una voz convincente, una sospecha, una imagen futura o una interpretación amenazante? La ansiedad muchas veces funciona precisamente así. No espera a que el peligro esté delante. No necesita pruebas definitivas. Le basta con el famoso “¿y si…?”. ¿Y si me pasa algo? ¿Y si pierdo el control? ¿Y si me da un ataque de ansiedad? ¿Y si no puedo salir? ¿Y si los demás lo notan? ¿Y si esta sensación significa algo grave? En este vídeo diferenciamos entre miedo y ansiedad. El miedo responde a una amenaza clara, presente e inmediata: un perro que gruñe, un coche que se acerca, una mala noticia que acaba de llegar. El miedo mira al ahora y nos prepara para actuar. La ansiedad, en cambio, vive más cerca del futuro. Es una emoción anticipatoria. No dice simplemente “corre”. Dice: “prepárate por si acaso”. Y ese “por si acaso”, cuando se vuelve constante, puede convertirse en una forma agotadora de vivir. También veremos por qué la ansiedad no puede reducirse únicamente a pensamientos negativos, ni a síntomas físicos, ni a química cerebral. La ansiedad es un sistema complejo en el que se mezclan cuerpo, mente, imaginación, aprendizaje, historia personal, contexto y experiencias pasadas. Comprender esto es importante porque muchas personas se culpan por sentir ansiedad ante amenazas que “no son reales”. Pero que una amenaza no sea real no significa que la reacción sea fingida. El cuerpo puede responder con absoluta intensidad a algo que solo existe como posibilidad. Este vídeo es una invitación a mirar la ansiedad con menos juicio y más comprensión. No como una debilidad, sino como una alarma que a veces se activa demasiado pronto, demasiado fuerte o durante demasiado tiempo. Porque quizá el problema no es que tu cuerpo esté roto. Quizá el problema es que tu sistema de alarma ha aprendido a tomarse demasiado en serio ciertas señales. Keywords ansiedad, miedo, diferencia entre miedo y ansiedad, Orson Welles, La guerra de los mundos, ansiedad anticipatoria, qué es la ansiedad, síntomas de ansiedad, taquicardia ansiedad, ataques de ansiedad, pánico, alarma cerebral, amenaza imaginaria, amenaza falsa reacción real, psicología ansiedad, ansiedad clínica, trastorno de ansiedad, agorafobia, miedo al futuro, pensamientos intrusivos, por si acaso ansiedad, sistema de alarma, cuerpo y ansiedad, AMADAG TV, El mapa de la ansiedad #️⃣ Hashtags #Ansiedad, #MiedoYAnsiedad, #SaludMental, #AtaquesDeAnsiedad, #Psicologia, #ElMapaDeLaAnsiedad

Orson Welles stars in the “The Marvelous Barastro,” an episode of Suspense about a carnival magician who marries a blind but ill-omened woman. He also plays the role of a rival magician who becomes a companion to the couple. How extreme will their rivalry go? Is Welles an acting genius or an indulgent ham? Who […]

Today's episode was recorded in front of a live audience at the Regent Street Cinema in London: David talks to the writer and broadcaster Misha Glenny about Carol Reed's 1949 masterpiece The Third Man, written by Graham Greene and featuring a notorious film-stealing performance from Orson Welles. It's a film about friendship and betrayal, double-crosses and double lives, divided loyalties and dubious moralities. It is also all about Vienna, a city with a double life of its own. Everyone involved in this film had something to hide: the question is, what? Join us on Wednesday 20th May at the Regent Street Cinema in London for the next film in our spring and summer season: a screening of George Clooney's Good Night, and Good Luck followed by a live podcast recording with David and writer and broadcaster Helen Lewis. Tickets available now https://bit.ly/4wfM5tb  You can find out everything you need to know about this podcast – who we are, what we do, plus merch, events and full lists of all episodes including PPF+ bonus episodes on our website https://www.ppfideas.com Next time: Where Are We Going? The Future of Work Learn more about your ad choices. Visit podcastchoices.com/adchoices

Explicit Content: Authorized Eyes OnlyAgent Codenames: Old Dude; Diabolu FrankAssignment: Father & Son Spy-Fi PodcastMission: Discuss the off-brand “Jimmy” Bond Climax! teleplay with Barry Nelson & Peter Lorre; as well as the non-Eon James Bond 007 film starring David Niven, Peter Sellers, Ursula Andress, Woody Allen, Orson Welles, and a great many more.See Also:

In this week's episode (no halfsies!), the men complain of their latest bodily woes, Tommie considers doggie day care for Louie, the men meet a Georgian Shepherd, learn Sigmund Freud's middle name, share a glass of Paul Masson with Orson Welles, pay their respects to the late Ted Turner, learn the origin of the words "homosexual" and "transsexual," watch the Hindenburg disaster, Tommie enjoys a nice, cool glass of lemon water on the porch while Patrick dines on Crepe Suzette, they learn the good and bad news about cannabis as a medication, condemn the Supreme Court's decision gutting the Voting Rights Act, argue over the reasons why one should vote, wonder if they should still care about the Tony Awards, name their favorite stoner/druggie films, Tommie wonders why there aren't any drive-in liquor stories, and they don't know what's wrong with these kids today..

In honor of his May 6th birthday, we're saluting the great Orson Welles with a pair of radio performances set on Baker Street. First, he's the great detective himself in "The Immortal Sherlock Holmes" from The Mercury Theatre On the Air (originally aired on CBS on September 25, 1938). Then, he's Holmes' archnemesis Professor Moriarty - opposite John Gielgud and Ralph Richardson as Holmes and Watson - in a syndicated production of "The Final Problem."

Morgan Neville is an Academy Award-winning filmmaker whose work has captured some of the most iconic figures in American music, film, and television. Neville’s 2013 film “20 Feet from Stardom” won the Oscar for best documentary feature. A few years later, his 2018 film about Fred Rogers, “Won’t You Be My Neighbor?” became the highest-grossing biographical documentary of all time. Neville has directed films about subjects ranging from Keith Richards to Anthony Bourdain, from Orson Welles to Steve Martin, and Paul McCartney.In addition to his Academy Award, Neville has earned a Grammy, an Emmy, and a Peabody award for his work. A native of Southern California, Neville studied colonial American history at the University of Pennsylvania. He began his career as a journalist and later founded his film company, Tremolo Productions, in 1999. Neville's most recent film “Lorne” profiles the creator of Saturday Night Live.See omnystudio.com/listener for privacy information.

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will's search for parenting advice takes us back to the NewHollywood of the 1970s as we investigate Peter Bogdanovich's 1973 film Paper Moon! Join in as we discuss cinematic scams, the debut (and Oscar-winning performance) of Tatum O'Neal, Madeline Kahn's performance as Trixie Delight, and the current state of Nick Vallelonga's potentially forthcoming That's Amore. Plus: What role did production designer Polly Platt play in shaping the movie? What exactly is Trixie's act? Does Moses (Ryan O'Neal) have any ultimate goals? And, most importantly, is this charming comedy actually a huge bummer?Make sure to rate, review, and subscribe! Next week: Neighbors 2: Sorority Rising--------------------------------------------------Key sources and links for this episode:Paper Moon in the TCM Archive"Behind the Camera: Paper Moon" (TCM)"Orson Welles, What's Up Doc?, and Paper Moon" (You Must Remember This)Inside Oscar: The Unofficial History of the Academy Awards (1987) by Mason Wiley and Damien Bona"Paper Moon Changes its Outlook as a Musical" (New York Times)"Green Book Co-Writer Nick Vallelonga has Legal Book Thrown at Him by IATSE over Unpaid That's Amore Crew" (Deadline)"Catch Me if You Can Conman Frank Abagnale Jr. Lied about His Lifetime of Lies, Sources Claim" (New York Post)

Professional Failure and the HUAC AssaultAfter purchasing a story idea about a serial killer from Orson Welles, Chaplin produced Monsieur Verdoux, which became his first major professional flop in America. The film's failure coincided with a massive assault by the House Un-American Activities Committee and J. Edgar Hoover, who targeted Chaplin for his personal life and perceived radicalism. Despite FBI evidence that Chaplin was never a communist, authorities used his British citizenship and films like The Great Dictator to build a narrative of un-Americanism. This cumulative character assassination was spearheaded by columnists like Hedda Hopper, who harbored a deep personal loathing for Chaplin. Guest: Scott Eyman. (5/8)1905, RESIDENCE OF E.T. EARL, WILSHIRE AVENUE LA

Steve Darnall of Nostalgia Digest Magazine talks about the Spring edition, including features on Orson Welles and the Chicago Cubs' College of Coaches, as well as his upcoming novel, Marvels: The Novelization. Visit nostalgiadigest.com for more!

Crime on a SaturdayFirst,  a look at this day in History.Then, The Mysterious Traveler, originally broadcast May 2, 1950, 76 years ago, SOS. Three desperadoes plan to rob a rocket liner of five million dollars in uncut diamonds...by threatening to explode the uranium that's on board!Followed by the Lives of Harry Lime starring Orson Welles,  originally broadcast May 2, 1952, 74 years ago, Suzie's Cue.  Harry's in Vienna, very interested in a diamond necklace formally owned by Marie Antoinette.   Then, Inner Sanctum Mysteries, originally broadcast May 2, 1945, 81 years ago, No Coffin For the Dead.  Who killed Peter Frame? The assailant is identified as the insane son of Peter Frame's housekeeper. However, the son has been shot while escaping from an asylum and is unable to walk.  Followed by the Adventures of Red Ryder starring Reed Hadley,  originally broadcast May 2, 1942, 84 years ago,  Riata Springs.   Turtleneck Pass has been fenced off, keeping Red and his friends from completing their cattle drive. Finally, Fibber McGee and Molly, originally broadcast May 2, 1955, 71 years ago, McGee Finds a Phone Number in an Old Wallet.  Whose phone number is it?Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

Welcome to It's A Wonderful Podcast!A scintillating series on the Main Show in May as Morgan and Jeannine take a look at an incredible selection of highlights from the career of one of the defining actors of a shifting Hollywood, the immortal PAUL NEWMAN!Starting the series with one of two star-making turns for Paul in grand Southern melodramas released in 1958 as we talk family tension, dying legacies, and an enemies to lovers romance in Martin Ritt's THE LONG HOT SUMMER (1958) starring Newman alongside his wonderful wife Joanne Woodward, Orson Welles, Lee Remick, Anthony Franciosa & Angela Lansbury!Our YouTube Channel for all our video content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

On les surnommait un peu perfidement « La belle et le cerveau ». Elle était un sex-symbol célébré et lui un génie tortueux, mais leur histoire les révèle plus simplement, humains, blessés. Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Westerns and Crime on a FridayFirst,  a look at this day in History.Then, The Shadow starring Orson Welles and Margot Stevenson, originally broadcast April 24, 1938, 88 years ago, The Power of the Mind.  A famous psychiatrist, kidnapped aboard a foreign freighter, uses telepathy to call the Shadow to the rescue. Followed by Have Gun Will Travel starring John Dehner,  originally broadcast April 24, 1960, 66 years ago,  Irish Luck.  Paladin makes friends with an Irishman named O'Bannon on St. Patrick's Day. Shortly thereafter, O'Bannon finds himself on trial for a robbery and murder. Paladin testifies at the trial, and O'Bannon is acquitted.   Then, Gunsmoke starring William Conrad, originally broadcast April 24, 1954, 72 years ago, Murder Warrant.   Likeable Lee Prentiss has been shot in an ambush. Jake Harbin is not so likeable, but he's a deputy sheriff with a warrant for Prentiss' arrest. Followed by Frontier Town starring Reed Hadley, originally broadcast on April 24, 1953, 73 years ago, Sundown Valley.  Violet Kennedy and her young son are being run out of Sundown Valley by an unscrupulous rancher. A broken leg, a landslide, and a wedding soon follow!  Finally, Fibber McGee and Molly, originally broadcast April 24, 1955, 71 years ago, McGee Judges a Beauty Contest.   Fibber is going to be the judge at a beauty contest, but the contestants are younger than he expects. Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

What's the perfect alibi? Being at the doctor's office while your dogs do the dirty work. Mike White and Chris Stachiw sink their teeth into Season Seven's "How to Dial a Murder," a 1978 episode that features one of the most ingeniously gruesome murder methods in the entire Columbo canon. Nicol Williamson commands the screen as Dr. Eric Mason, a behavioral psychologist with iron self-control, a house full of movie memorabilia, and two very well-trained Dobermans named Laurel and Hardy. When he discovers that his late wife had been having an affair with his best friend Dr. Charles Hunter (Joel Fabiani), Mason devises a kill that's equal parts Pavlov and Orson Welles: dial home, ask a question about Citizen Kane, and let the dogs handle the rest.  There's also the small matter of Columbo's complicated feelings about the dogs — and whether they deserve what the legal system has in store for them.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Hey Reservos! This week we are discussing Orson Welles' adaptation of The Trial (1962). Listen as we breakdown this disorienting, surreal depiction of the controlled chaos that is the criminal justice system. Enjoy!

What's the perfect alibi? Being at the doctor's office while your dogs do the dirty work. Mike White and Chris Stachiw sink their teeth into Season Seven's "How to Dial a Murder," a 1978 episode that features one of the most ingeniously gruesome murder methods in the entire Columbo canon. Nicol Williamson commands the screen as Dr. Eric Mason, a behavioral psychologist with iron self-control, a house full of movie memorabilia, and two very well-trained Dobermans named Laurel and Hardy. When he discovers that his late wife had been having an affair with his best friend Dr. Charles Hunter (Joel Fabiani), Mason devises a kill that's equal parts Pavlov and Orson Welles: dial home, ask a question about Citizen Kane, and let the dogs handle the rest.  There's also the small matter of Columbo's complicated feelings about the dogs — and whether they deserve what the legal system has in store for them.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-shabby-detective-yet-another-columbo-podcast--5084441/support.

Le point commun entre Orson Welles, Alfred Hitchcock, François Truffaut et Brian de Palma ? La musique, entêtante et d'une grande originalité, qui a fait de Bernard Herrmann durant de nombreuses années l'homme-orchestre indispensable d'Hollywood.Franck Ferrand nous plonge dans la vie fascinante de Bernard Herrmann, l'un des plus grands compositeurs de musique de film du XXe siècle. Découvrez comment ce génie new-yorkais a marqué à jamais l'histoire du cinéma grâce à ses collaborations légendaires avec des réalisateurs tels qu'Orson Welles et Alfred Hitchcock.Né dans une famille d'immigrants juifs russes à New York, Bernard Herrmann montre très tôt un talent exceptionnel pour la musique. Après des études à l'Université de New York et à la Juilliard School, il se fait rapidement remarquer dans le milieu de la radio et se voit confier la direction de l'orchestre de la CBS. C'est là qu'il rencontre le jeune prodige Orson Welles, avec qui il va vivre une collaboration fructueuse et mouvementée.Ensemble, ils vont révolutionner la musique de film avec leur travail sur des chefs-d'œuvre comme Citizen Kane et La Splendeur des Amberson. Herrmann développe alors un style musical unique, fait de motifs courts et obsédants qui viennent souligner l'intensité des images à l'écran.

This week, I'm sharing another of my favorite movies - Carol Reed's classic noir drama set on the streets of postwar Vienna The Third Man. Orson Welles makes one of his most memorable screen appearances as the charming rogue Harry Lime, and Joseph Cotten is Holly Martins, Lime's friend who struggles to face the truth about his pal's criminal nature. We'll hear the two stars in Suspense shows - Welles in "The Dark Tower" (originally aired on CBS on May 4, 1944) and Cotten in "Fly By Night" (originally aired on CBS on September 28, 1950). Then, Cotten recreates his film role in a Lux Radio Theatre presentation (originally aired on CBS on April 9, 1951), and finally Welles stars again as Lime in an episode of the radio series The Lives of Harry Lime - "Clay Pigeon."

HT2589 - The Value of Limits Perhaps you've heard that great Orson Welles quote that "The absence of limitations is the enemy of art." I think he's right, and I say this because of experiences I've had in making art. Limits become defining parameters, motivating deadlines, and achievable endpoints. There are numerous ways we can define limits. Each has its own value and purpose. We can limit the equipment we use, the number of raw captures we'll collect, the number of finished images, the time we allow ourselves with a given project, or the geographic boundaries we will explore. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

3. Headline: The Innovation and Controversy of Voodoo MacbethGuest Author: James Shapiro Orson Welles modernized *Macbeth* by setting it in 19th-century Haiti, substituting traditional witches for voodoo drumming and chanting. This "Voodoo Macbeth"became a national sensation, touring cities like Dallas and breaking local Jim Crow laws. Despite its success, the production faced scrutiny; Langston Hughesexpressed ambivalence, questioning whether the project truly represented the Black experience or merely used Black performers to tell white stories for white audiences. The play's impact on interracial performance remains a subject of cultural discussion regarding representation and voice. (3)1938 ILLINOIS

8. Guest Author: James Shapiro James Shapiro recounts the 1938 congressional hearings where Hallie Flanagan defended the Federal Theater Project. In a famous exchange, a committee member questioned if Renaissance playwright Christopher Marlowe was a communist. Despite her defense, the project was eventually defunded, leading to a tragic decline in Flanagan's later life. Shapiro also debunks the legend of a "voodoo curse" supposedly placed on critic John Hammond, identifying it as a fabrication by Orson Welles and John Houseman. He concludes that the political tactics used against the arts in the 1930s remain a modern "playbook". (8)1931

2. Headline: Developing Talent in Harlem's Negro Unit Guest Author: James Shapiro The Federal Theater Project aimed to develop Black talent by establishing "negro units" across America. The New York unit at the Lafayette Theater was initially led by Broadway star Rose McClendon, who recognized the importance of developing Black actors and directors. She brought in John Houseman, then a struggling administrator, who subsequently recruited a nineteen-year-old Orson Welles to direct his first professional Shakespeare play. This initiative provided revolutionary opportunities for Black performers in an industry where they were previously barred from even working as ushers. (2)1940

3. Guest Author: James Shapiro James Shapiro details the creation of the famous "Voodoo Macbeth" in Harlem, directed by a twenty-year-old Orson Welles. Replacing Shakespeare's traditional Scottish setting with 19th-century Haiti, the production substituted witches with voodoo drummers and chanters. Welles, influenced by the rise of global fascism, framed evil as a systemic cultural force rather than a personal failing. The production was a massive hit, eventually moving to Broadway and touring nationally. This tour broke Jim Crow boundaries by bringing a professional Black cast to states where Black citizens lacked political representation. (3)1917