Podcasts about 1970s

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1970: Ryan H Law shares practical, real-world advice to help small business owners take the stress out of tax season. With simple steps for organizing finances, choosing the right accounting tools, and understanding when and how to pay estimated taxes, this guide empowers entrepreneurs to manage their business taxes with confidence and clarity. Read along with the original article(s) here: https://ryanhlaw.com/small-business-taxes/ Quotes to ponder: "The key to doing your taxes is to KEEP GOOD RECORDS!" "If you don't make a profit at least 3 out of every 5 years the IRS will classify your business as a hobby." "A good tax professional is worth their fee." Episode references: IRS: What kind of records should I keep: https://www.irs.gov/Businesses/Small-Businesses-&-Self-Employed/What-kind-of-records-should-I-keep IRS: Self-Employed Individuals Tax Center: https://www.irs.gov/Businesses/Small-Businesses-&-Self-Employed/Self-Employed-Individuals-Tax-Center WAVE Accounting Software: https://www.waveapps.com/accounting/

In Part III of the Blaxploitation miniseries we look at films like Blacula, Ganja & Hess and Sugar Hill; and explore the messages they were sending.--Special Thanks to Michael Harriot (Author of Black AF History) for lending his voice and knowledge to this.Follow Michael Harriot on Instagram Follow That Was Pretty Scary on Instagram and TikTokFollow Jon Lee Brody on Instagram Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After a bit of a break, we return to discuss what we remember of The American Soldier.

EPYSODE 71: Story, by Honeybus. Guest: Honeybus guitarist Colin Hare. Additional commentary by Uncle Herff. This week we drop the needle on Story, the lone and luminous album from Honeybus, a band forever linked to one perfect song, yet capable of so much more. Blending baroque pop, pastoral psychedelia, and late-'60s studio ambition, Story captures a moment when British pop was quietly shifting gears. Guitarist Colin Hare joins us with exclusive commentary, sharing firsthand memories of the band's creative highs, industry frustrations, and the strange afterlife of an album that slipped through the cracks. Story is what happens when the music outlives the moment it was born into. I hope you dig Story as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon for as little as $2/month using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Dutch program dicussing one-hit wonders: ⁠https://www.youtube.com/watch?v=WxesvcavSOU⁠ Check out Colin's solo albums here: ⁠https://colinhare.bandcamp.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured. *denotes track is not available on Spotify. https://open.spotify.com/playlist/2u8Bq59frvsExdybMYeRgi?si=XT39-WwjTp6DV7eEzDQhOw PETER KAUKONEN "That's A Good Question" GRANT TRACY "Everybody Shake" THE APPLEJACKS "Over Suzanne" HONEYBUS "Delighted To See You" CLIFF RICHARDS & THE SHADOWS "Move It" THE BEATLES "Bad Boy" THE HONEYCOMBS "Have I The Right" HONEYBUS "(Do I Figure) In Your Life" HONEYBUS "I Can't Let Maggie Go" HONEYBUS "Throw My Love Away" *HONEYBUS "Francoise" HONEYBUS "Girl Of Independent Means" HONEYBUS "Would You Believe" ENGLEBERT HUMPERDINCK "Release Me" HONEYBUS "Story" HONEYBUS "Black Mourning Band" HONEYBUS "Scarlet Lady" HONEYBUS "Fresher Than The Sweetness Of Water" HONEYBUS "He Was Columbus" HONEYBUS "Celings No. 1" HONEYBUS "Under The Silent Tree" HONEYBUS "She's Out There" THE ROLLING STONES "She Said Yeah" HONEYBUS "She Said Yes" HONEYBUS "I Remember Caroline" HONEYBUS "How Long" HONEYBUS "Celings No. 2" *COLIN HARE "Underground Girl" *COLIN HARE "New Day" *COLIN HARE "Just Like Me" PETE DELLO & FRIENDS "A Good Song" PETE DELLO & FRIENDS "It's The Way" *HONEYBUS "Big Ship" HONEYBUS "Cross Channel Ferry" HONEYBUS "Be Thou By My Side" COLIN HARE "Saw Her Face" COLIN HARE "Incredibly Bad" ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "Beauty In The Wasteland" ^^That' my band. This is shameless self-promotion!! Here's a link to our music: https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=MiKHDGQwQ6Kyzw1t4QM0Gg Learn more about your ad choices. Visit megaphone.fm/adchoices

On Today's Show Vince will be Rating and Reviewing:  Wuthering Heights (1939),  Wuthering Heights (1970),  Wuthering Heights (1992),  Wuthering Heights (2026) TimeCodes: Wuthering Heights 1939:  11:28 Wuthering Heights 1970:  25:07 Wuthering Heights 1992:  42:27 Wuthering Heights 2026:  57:17   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

In this episode Pax takes Mike to Lincoln County New Mexico and they talk about the misadventures of John Wayne as Chisum!

In the summer of 1971, outside of Houston, Texas, Claire Wilson is six minutes late to pick up her 13-year-old daughter, Colette, after band practice. In those six minutes, Colette Wilson disappears. Weeks of frantic searching reveal nothing. For the next six years, girls vanish from the area between Houston and Galveston with frightening regularity. As their dead bodies begin to appear, they become known as the Galveston 11. Go to Incogni.com/infamous or use code INFAMOUS at checkout to get 60% off an annual plan with Incogni! Thanks to our sponsor, Quince! Use this link for Free Shipping and 365-day returns: Quince.com/infamousamerica Thanks to our sponsor, Rocket Money! Use this link to start saving today: RocketMoney.com/InfamousA Join Black Barrel+ for ad-free episodes and bingeable seasons: blackbarrel.supportingcast.fm/join   Apple users join Black Barrel+ for ad-free episodes, bingeable seasons and bonus episodes. Click the Black Barrel+ banner on Apple to get started with a 3-day free trial.   On YouTube, subscribe to INFAMOUS+ for ad-free episodes and bingeable seasons: hit “Join” on the Legends YouTube homepage.   For more details, please visit www.blackbarrelmedia.com or @blackbarrelmedia on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 70's Buzz hits a million downloads and we celebrate by interviewing Bobby Watman, host of the 70s on 7 weekend show on SiriusXM. Bobby started a chain of 70s themed dance clubs called Polly Esther's. 

In this 1851st episode of Toronto Mike'd, Todd Bueler paints a picture for Mike as to what it was like to be a 1970s teenager in Swansea. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, Nick Ainis, and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com.

Send a textOrder a copy of my acting debut film, Cape Cod Cthulhu!The last games released for the original Nintendo. The story of the infamous Dating Game Killer. Some of the popular teen idols and teen queens of the 1970s.Episode 232 keeps the month of love rolling on.It starts with the ending of a beloved gaming console. For several years, and with more than a thousand titles to its ranks, the original Nintendo Entertainment System changed the gaming when it came to gaming. All good things must end though, and we will look back at the final 10 games ever released for the NES.The month of love meets true crime. One of the most infamous true crime stories of the 1970s is that of 'Dating Game Killer' Rodney Alcala. How did a man in the midst of a killing spree end up as a bachelor on the popular game show? What is the story behind the notorious 1978 Dating Game appearance? Have any other killers appeared on game shows?The 1970s weren't all serial killers on game shows. This week's Top 5 goes in a more wholesome direction as we look at some of the most popular teen idols and teen queens that dominated the disco decade. There is a brand new This Week In History and Time Capsule looking back at the life and career of beloved comedian Chris Farley.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyHidden Track Podcast #1Retro Games.czListen to Episode 231 hereSupport the show

AP correspondent Julie Walker reports Jill Biden's first husband pleads not guilty to his current wife's death.

May Pang is our guest this week on The City's Backyard Podcast! Few people knew John Lennon as intimately as May Pang. Pang was Lennon's lover during the infamous “Lost Weekend” which lasted 18 months. During this creative time for Lennon, Pang took candid photos of Lennon in a comfortable, relaxed environment.Matt Zako interviews May about her relationship with John Lennon, her documentary called The Lost Weekend and the May Pang "The Lost Weekend" photo exhibition! Check out the May Pang “The Lost Weekend” photo exhibition. Free Admission, All Photographs available for purchase. May Pang will be in attendance.***Please note – As per gallery requirements, May can only autograph items purchased at the exhibition.Friday, February 20 – Sunday, February 22, 2026Athens, GA (Winterville, GA)Winterville Cultural Center, 371 N. Church St, Winterville, GA“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Friday 4p-8p, Saturday 12p-6p & Sunday 1p-5pTuesday, February 24 & Wednesday, February 25Roswell, GA (Atlanta area)“The Lost Weekend – The Photography of May Pang” featuring appearance by May PangMimms Museum of Technology & Art, 5000 Commerce Parkway, Roswell, GAHours: 12p – 7pFriday, February 27 – Sunday, March 1Macon, GA“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceGallery West, 447 3rd Street, Macon, GAHours: Friday 12p – 7p (opening reception 5p – 7p), Saturday 11a – 5p & Sunday, 12p – 4pFriday, March 13 – Sunday, March 15Jacksonville, FLGallery 725, 13475 Atlantic Blvd, Jacksonville, FL“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Friday 5p – 8p, Saturday 1p – 6p and Sunday 12p – 4pFriday, March 20 – Sunday, March 22, 2026Winter Garden, FL (Orlando, FL)The Grotto at Stoneybrook West, 12572 Stoneybrook West Pkwy, Winter Garden, FL“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Friday 4p – 7p, Saturday 12p – 6p & Sunday, 12p – 4pSaturday, March 28 – Saturday, April 4“Flower Power Cruise featuring the Beach Boys, Rascals, Micky Dolenz, Tommy James, Cowsills & more!Fort Lauderdale, FLFriday, April 17 – Sunday, April 19, 2026Roanoke, VAWilson Hughes Gallery, 117 Campbell Ave SW, Roanoke, VA“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Friday 4p – 7p, Saturday 12p – 6p & Sunday, 12p – 4pTuesday, April 21 & Wednesday, April 22Richmond, VAanne's Visual Art Studio gallery, 208 W. Broad Street, Richmond, VA“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: 1p – 7pFriday, April 24 – Sunday, April 26, 2026Virginia Beach, VAStravitz Sculpture & Fine Art Gallery, 1217 Larkin Rd, Virginia Beach, VA“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Friday 10a – 6p, Saturday 10a – 6p & Sunday, 12p – 4pFriday, June 5 – Sunday, June 7Rochester, MNStudio 324 (First Floor in the Fagan Studios Bldg.), 324 Broadway Ave S, Ste 100, Rochester, MN“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceHours: Fri 2p – 7p, Sat 12p – 6p & Sun 12p – 4pTuesday, June 9 & Wednesday, June 10Fargo, NDUnderbrush Gallery, 1450 25th Street South, Fargo, ND“The Lost Weekend – The Photography of May Pang” featuring May Pang appearanceFor more info and dates click on the link:https://www.maypang.com/

The Steelers and Raiders were two of the defining teams of the decade, opposites in almost every way. Pittsburgh was a homegrown powerhouse built through the draft, while Oakland thrived by embracing outcasts and unconventional talent. The Steelers were new to winning; the Raiders had already captured an AFL championship. Both embodied the brutal style of the era - gritty defenses, punishing hits, and a brand of football so violent it forced rule changes. The rivalry, and the intensity that fueled it, may never be matched again in the history of the NFL.Get our Steelers-Ravens book here! E-Book | HardcoverConnect with the show:Visit us on the webFollow us on FacebookFollow us on Instagram

Gracias a todos los compañeros_as, amigos_as, por felicitarme, en este día de mi cumpleaños, soy un señor mayor que pertenece a la generación X.Ya sabeis Si naciste en 1970, perteneces a la Generación X. Esta cohorte abarca generalmente a los nacidos entre mediados de los años 60 y principios de los 80 (1965-1980), caracterizándose por ser una generación puente que vivió la transición analógica a la digital y el auge del consumismo. @thor_4

This 1970 sci-fi is more chilling today that it was originally. Colossus: The Forbin Project (1970) - Blu-Ray Review ROCKFILE Podcast 960 #colossustheforbinproject #moviereview #rockfile  ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group:  https://www.facebook.com/groups/rockfilesroom -Official Website:  https://therockfile.com/ -YouTube channel:  https://www.youtube.com/@rockfile -Interview Archive:  https://therockfile.com/Interviews/    ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV  ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.  

In this first installment of our conversation with Greg Taylor, Ian Priston explores what it means to remember a cultural moment from the inside, not as nostalgia, but as lived perception. Greg reconstructs his introduction to Pink Floyd through a series of encounters: a poster on King's Road, the underground press, the first shock of a single, and the genuinely unfamiliar experience of the Floyd's early vision performed amid kinetic sculpture and liquid light. Rather than treating Syd Barrett era Floyd as a set of canonical artefacts, Greg's incredible recollections move between the tangible (equipment, ticketing, sight-lines and the physical layout of venues) as well as the interpretative (Barrett's “painterly” logic in sound, the band's rejection of conventional stage charisma and the early tension between pop, mainstream visibility and avant-garde intent). Part 1 ends with the story still in motion, moving towards Greg's attendance of a five-man Floyd Concert in January 1968 and the next phase of the group's evolution. Part 2 arrives next month, so stay tuned!Subscribe for more, and share your own recollections or questions in the comments.

Send a textTodd and I are on the edge of a huge milestone: The 70's Buzz Podcast is about to hit one million downloads.In this special episode, I rewind the tape and go from growing up in Enid in the 1970s (long summer nights on W. Broadway with the neighborhood crew) to my early days of blogging and experimenting with podcasts way back in 2005.You'll hear how a “let's try something” idea turned into a real studio, real microphones, and eventually a weekly show that's become part of our lives since 2017. We talk about the early projects (CurtisTucker.com, E-Talk, radio spots, livestream adventures), the wild Broadway Tower rooftop supermoon moment that helped launch our first studio space, the bumps we hit (including a building fire that shut us down for a while), and the decision that changed everything: stop doing random shows and go all-in on one subject—growing up in the 70s.As of February 12, 2026, we've released 429 episodes and we're sitting at 998,792 downloads with listeners all over the world (especially the US, Australia, Canada, and the UK). We also share what's working best (our 70s song episodes) and where people listen most (Spotify, iHeartRadio, Apple Podcasts, and Amazon Music).This episode is a celebration, a behind-the-scenes origin story, and a thank-you to everyone who's been along for the ride. One million is happening like, any minute now.Support the show

Send a textPart two of a three-part docuseries deep dive into the best-selling evangelical marriage book Love & Respect.LOVE & RESPECT DOCUSERIES:Watch the video version of thisHere's episode 1. To see episode 3 next week, subscribe to the Good Fruit Faith ChannelThis podcast delves into what Love & Respect is based on--recycled ideas from a 1970s best-seller; faulty stats; misrepresented research--and editing the Bible.BONUS CONTENTGain bonus content, full videos of the interviews and MORE if you become a patron! https://patreon.com/baremarriageSupport Good Fruit Faith, that paved the way for this projectLINKS: Op-ed on the history of ordination of women and the SBCShaunti Feldhahn's original surveyDouble-barrelled questionsStudy on shoulder-to-shoulder communicationThe Authoritarians book  Breakdown of Eggerichs misunderstanding marital rape and saying you can't tell if a woman is arousedPodcast about the mystery of a woman being "turned on"Dr. Shauna Springer's original PsychologyToday articleEXPERT INTERVIEWEES INFORMATION: Dr. Chuck DeGroat Dr. Shauna Springer Dr. Andrew Bauman Dr. Beth Felkner Jones and her Substack Jay Stringer and his book DesireSupport the showJoin Sheila at Bare Marriage.com!Check out her books: The Great Sex Rescue She Deserves Better The Marriage You Want and the Study Guide The Good Girl's Guide to Great Sex and The Good Guy's Guide to Great Sex And she has an Orgasm Course and a Libido course too!Check out all her courses, FREE resources, social media, books, and so much more at Sheila's LinkTree.

Heavy Metal: die härtere Weiterentwicklung des Hardrock.

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes! Stories Covered in this Episode: "Weapon of the Soul" - Master of Kung Fu #20, written by Gerry Conway and Doug Moench, art by Paul Gulacy with Al Milgrom, letters by Dave Hunt, colors by George Roussos, edited by Roy Thomas, ©1974 Marvel Comics"Season of Vengeance..." - Master of Kung Fu #21, written by Doug Moench, art by Ron Wilson and Al Milgrom, letters by John Costanza, colors by Stan Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Death Masque!" - Giant-Size Master of Kung Fu #1, written by Doug Moench, art by Paul Gulacy, Dan Adkins, and Craig Russell, letters by Artie Simek, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Reflections In a Rippled Pool" - Giant-Size Master of Kung Fu #1, written by Doug Moench, art by Ron Wilson and Mike Esposito, letters by Dave Hunt, edited by Roy Thomas, ©1974 Marvel Comics "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Those Buzz Guys go live on Facebook and talk Super Bowl half times in the 70s and it's trivia time!

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

How can a single bottle of wine completely change your understanding of what wine can be? What makes a wine so remarkable that you can almost taste it again in your memory decades later? Why are people drawn to tasting notes even when words can never fully capture the experience of tasting and smelling wine? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Neal Hulkower, a PhD rocket scientist, who has just published his first book, Grape Explications. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks.   Giveaway Three of you are going to win a copy of Neal Hulkower's terrific new book, Grape Explications. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose three people randomly from those who contact me. Good luck!   Highlights What surprised Neal most when he reread five decades of his own wine writing while compiling Grape Explications? How has his palate, perspective, and choice of writing topics evolved throughout his life? Why did self-publishing matter so much to Neal? How did Neal's first experience with wine shape his early expectations of wine? How did tasting classified growth Bordeaux as a college student completely reset his understanding of what wine could be? How did the Duncan Hines Memorial Bon Vivant Fellowship turn academic milestones into structured wine rituals? Why did Neal choose a 1959 Steinberger Trockenbeerenauslese to mark his PhD, and what made that bottle unforgettable? How did keeping meticulous notes help Neal develop his palate and his writing voice? What pushed him to leave academia for industry? Which emerging wine regions was Neal exposed to through moving across the US? What changed when Neal left a high-level technology career to become a freelance wine writer? How has Neal merged his two passions, wine and mathematics?   About Neal Hulkower Neal D. Hulkower is an applied mathematician and freelance writer living in McMinnville, Oregon. His first contributions to a wine publication appeared in the early 1970s. Since 2009, he has been writing regularly about wine-related topics for academic, trade, and popular publications including the Journal of Wine Research, the Journal of Wine Economics, American Wine Society Wine Journal, Oregon Wine Press, Practical Winery & Vineyard, Wine Press Northwest, the Slow Wine Guide USA, and The World of Fine Wine and on wine-searcher.com, trinkmag.com, and guildsomm.com. Neal is a member of the American Wine Society, the American Association of Wine Economists, and the Circle of Wine Writers. His first book, Grape Explications, was released in 2025. He can occasionally be found pouring some of Oregon's finest in a tasting room at the top of the Dundee Hills.           To learn more, visit https://www.nataliemaclean.com/376.

Wild & Free is a pop/hits music podcast. Most music is from the 2010s. Please check out these great songs. Artist names and song titles are in order of play... BRUNO MARS-THE LAZY SONG (2010), JESSIE J-PRICE TAG (2011), TRAVIE McCOY-BILLIONAIRE (2010), GYM CLASS HEROES-STEREO HEARTS (2011), MAGIC (Sean Paul)-LAY YOU DOWN EASY (2016), SEAN PAUL-GOT 2 LUV U (2012), MAROON 5-ONE MORE NIGHT (2012), IGGY AZALEA-FANCY (2014), MACKLEMORE & RYAN LEWIS-THRIFT SHOP (2012), BLACK EYED PEAS-WHERE IS THE LOVE (2003), THE CHAINSMOKERS-CLOSER (2016), FAR EAST MOVEMENT-ROCKETEER (2010), SNOOP DOG & WIZ KHALIFA-YOUNG, WILD, AND FREE (2011), JUSTIN BIEBER-BOYFRIEND (2012), MAJOR LAZER & DJ SNAKE-LEAN ON (2015), DJ SNAKE & JUSTIN BIEBER-LET ME LOVE YOU (2016), JUSTIN BIEBER-SORRY (2015), MIKE POSNER-I TOOK A PILL IN IBIZA (2016), SEAN PAUL-NO LIE (2017), CLEAN BANDIT/SEAN PAUL-ROCKABYE (2016), FLO RIDA-WHISTLE (2014), B.O.B. & BRUNO MARS-NOTHIN' ON YOU (2010). End. Thanks for listening to Ken Steele Music.

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Claire Nicolas, a chercheuse du Fonds National Suisse at Basel University, a holder of a prestigious Ambizione Research Grant, and the author of Une si longue course: Sport, genre, et citoyenneté au Ghana et en Côte d'Ivoire (années 1900-1970) (Presses Universitaires de Rennes, 2024). In our conversation, we discussed physical culture in colonial and post-colonial Cote d'Ivoire and Ghana, the differences and the similarities between the imperial and post-imperial biopolitical strategies in both places, and the way that sports histories benefit from sustained engagement with critical theory. In Une si longue course, Nicolas engages in a sustained comparison between the colonial and post-colonial physical cultural life of Cote d'Ivoire and Ghana. She organizes her work into two sections: one on colonial West Africa and another on post-colonial West Africa. Each section has three chapters covering physical education, scouting and sports. Her work addresses athletic life from the top down and the bottom up. In doing so, she shows that contrary to any simple history of teleological progress or sport as a crucible for nationalism, physical education, scouting and sport have been imperfect tools for imperial and post-imperial states. Athletes, scouts, and students found innovative ways to reshape the physical cultural priorities of the state to suit their own agendas. This deeply ambitious work significantly adds to our understanding of physical culture in colonial and post-colonial West Africa through a comparative approach. It draws upon extensive primary source research: Nicolas works in the archives of the British and French colonial states, the ministries of post-colonial Cote d'Ivoire and Ghana, and the repositories of international sporting organizations in Switzerland. She also relies upon oral histories conducted with Ghanaian and Ivoirian sportsmen and women. Cote d'Ivoire, Ghana, Great Britain, and France: their physical cultural programmes shared continuities and ruptures. Colonial empires concerned with the mise en valeur of their subjects sought biopolitical solutions to increase the birthrate, expand agricultural and industrial production, and prepare men for the defence of the empire. They worried that physical cultural programs – if poorly managed – would become sites for resistance, but Nicolas' work shows that sporting clubs, scouting halls, and schools could confound any simple collaboration/resistance dichotomy. Nicolas' work also demonstrates the deeply gendered nature of both colonial and post-colonial physical culture. Newly emergent post-colonial nations sought to produce new men (and women) in ways that replicated the essentialism of their imperial predecessors. Nicolas' engaging work, thoroughly researched, and beautifully presented will be of broad interest to people invested in British, French, and West African history. It has broader conclusions for people interested in colonial and post-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Investigators reopen a 1970 cold case in Utah and plan to exhume remains Newly released video shows moments from the day of the fatal Brown University shooting Trial set to begin in Georgia for the father of the Apalachee High School shooting suspect FBI found no evidence Jeffrey Epstein ran a sex-trafficking ring for powerful men, records show See omnystudio.com/listener for privacy information.

Bertrand Russell showed that clear thinking is a moral act

After a 40-year drought, Hollywood studios let women control films behind the camera with Elaine May's "A New Leaf". In the documentary world, Barbara Kopple released her epic chronicling of the coal miners' strikes in "Harlan County, USA". And in Europe, Chantal Akerman put out the notorious "Jeanne Dielman". Hosted by Brad Garoon & Jake Ziegler, with guest James Sanford. 0:00 Introduction0:58 A New Leaf19:17 Harlan County, USA36:26 Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles#newhollywood #classicmovies #womeninmovies

This week, Dru and Josh discuss the arthouse classic, Valerie and her Week of Wonders. From wiki: “Valerie and Her Week of Wonders (Czech: Valerie a týden divů) is a 1970 Czechoslovak gothic coming-of-age surrealist dark fantasy film[1][2][3] co-written and directed by Jaromil Jireš, based on the 1935 novel by Vítězslav Nezval. It is considered part of the Czechoslovak New Wave movement.[3] The film portrays the heroine as living in a disorienting dream, cajoled by priests, vampires, and men and women alike. The film blends dark fantasy, eroticism and Gothic horror genres.[4]”Also discussed: The Future is Wild, Mars Attacks and the career of Tim Burton, Little Shop of Horrors, the Czech New Wave, and more. NEXT WEEK: Bram Stoker's Dracula (1992) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Uma máquina do tempo foi encontrada nos estúdios da Radar. Ao entrarmos, viajamos sem nunca saber para que ano nos transportará. Uma expedição sonora para lá de todas as fronteiras temporais. Com Maria Espírito Santo

We sat down with Matthew Thompson to discuss his forthcoming book: On Life Support: Eco-Dystopian Cinema in the Long 1970s. The book charts various environmentalisms in 1970s films, containment vs. contamination, that evolved out of the environmentalist work of the 1960s typified by Rachel Carson and Paul Ehrlich. Thompson's idea of "contamination" jockeys with the conceptual north star of recent ecocriticism: interconnectivity. This connects to an earlier episode we had with Steven Swarbrick and Jean-Thomas Tremblay on Negative Life: The Cinema of Extinction.   For more of Thompson:   Website: https://matthewithompson.com   ASLE EcoCast: If you have an idea for an episode, please submit your proposal here: https://forms.gle/Y1S1eP9yXxcNkgWHA   Twitter: @ASLE_EcoCast Lindsay Jolivette: @lin_jolivette Alex Tischer: @ak_tischer   If you're enjoying the show, please consider subscribing, sharing, and writing reviews on your favorite podcast platform(s)!   Episode recorded February 4, 2025 CC BY-NC-ND 4.0

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which 1970s movie, featuring Sylvester Stallone, was re-released under the rhyming title "The Italian Stallion"? Question 2: What is the name of the radio presenter, played by Kelsey Grammer, on the TV show 'Frasier'? Question 3: Who won the 1975 Academy Award for Best Leading Actress for playing the role of Nurse Mildred Ratched in One Flew over the Cuckoo's Nest? Question 4: What part of the US government makes the laws? Question 5: Name the movie that matches the following plot summary: 'A car designer and driver battle to build a revolutionary race car.' Question 6: According to the bible, who are Gaspar, Balthazar and Melchior? Question 7: In which year was Jurassic Park released? Question 8: Name the movie that matches the following plot summary: 'A destitute family builds a symbiotic relationship with a wealthy family.' This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen without Ads at www.patreon.com/dopeypodcastThis week on the replay we remember supreme Dopey Legend, Chuck Negron of Three Dog Night! Chuck was a world class drug addict in the height of sex, drugs, and rock and roll debauchery in the 1960's and 1970's! He smashed his face whilst on seconals and his legendary penis exploded from too much sex with loving fans! Most importantly Chuck was a beautiful soul who helped scores of people to get better and to enjoy their lives! Rest in Peace Chuck Negron and Thank you!Also Rest in Peace to Chris who is on the show too. PLUS emails, voicemails and more on a super fun and legendary trip down memory lane! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textIn this episode, I talk about 22 things I've kept from my childhood! Many items are nearly 50 years old and still packed with meaning. From magic tricks and marbles to comic books and cassette tapes, these aren't just keepsakes. They're time capsules, each one tied to a memory, a feeling, or a moment that never quite left.Support the show

Mars aka ThatComicGirl has been delivering spicy comics takes since her days co-hosting Casually Comics with our dearly missed friend Jennifer (Comics Will Break Your Heart). Follow her on Instagram, TikTok, and YouTube for some of the most delightful comics commentary on the internet.For TWO HOURS of bonus content — including our coverage of Doctor Doom's humiliation of Magneto in Super-Villain Team-Up #14, plus 22 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"Doctor Bong!" - Howard the Duck #17, written by Steve Gerber, art by Gene Colan with Klaus Janson, letters by Annette Kawecki, colors by Janice Cohen, edited by Steve Gerber, ©1977 Marvel Comics"Where No X-Man Has Gone Before!" - X-Men #107, written by Chris Claremont, art by Dave Cockrum with Dan Green, letters by Joe Rosen, colors by Andy Yanchus, edited by Archie Goodwin, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Listen to our interview with Gabriel Rotello. He tells all about the New York club called CBGB in 1977. It was the center of the Punk Rock movement. Gabriel has written a book set in the summer of '77 in New York. Great storytelling about the 70s in "The CBGB Conspiracy".

Send JD a text message and be heard!Hey @thomaswdonovan @lindseyvonn would have been a hell of a hockey player.  Not sure how she'll be able to do the downhill race on a torn ACL.  Need that stability in the knee but Lindsey says it's 90 seconds.  I'm rooting for her.   @milanocortina2026 will also have the first #phillipines

260204(2) [그 남자의 T.M.I] (1) 에쵸티·동방신기 Y2K 펜띠가 '볼꾸'로 돌아왔다 / (2) 1970~90년대 '화장품 방문판매' 온라인서 부활 / (3) 요즘 관광 온 외국인, 라식 받고 목욕탕서 '때 민다' - 최민석

In this episode of Look Behind the Look, host Tiffany Bartok welcomes the dynamic duo Barbara Guillaume & Amy Komorowski , renowned groomers who have worked with Hollywood's elite, including Bradley Cooper, Adam Driver and Leo DiCaprio. Together, they unveil the secrets behind their innovative product, Circa 1970 face oil, a, gender-neutral skincare product, formulated with bakuchiol to serve as a natural, non-irritating alternative to retinol. The women are transparent with their challenges (thank you, ladies, we are not alone it seems:), and reveal why their (ahem) very famous clients pay retail to secure this magic potion for themselves. Entirely self-funded and deeply inspirational, Amy and Barbara tell all about this extraordinary product and how it found its way to the most elite vanities in Hollywood and beyond.I've used this magic potion and the smell alone is heaven-on-earth, not to mention the power of the product… and its two founders.Head Here for Circa 1970 Oil Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

[14x5] He's back! Yes, Dracula, but also... Christopher Lee! Spanish filmmaker Jesús Franco made a more faithful version of Bram Stoker's story in 1970's Count Dracula, with the Hammer legend returning to the role with a distinguished moustache... And making his third appearance on the show is the Assistant Lecturer in Film & English at the University of Alberta, Murray Leeder...

Winter Storm Fern is on Shane and The Howler's minds. The storm hit millions over the weekend. They reminisce about the Blizzard of 1978 and how different Gen X is compared to today's kids. Please like, comment, and share this episode if you enjoyed the interview.  From The Shadows Podcast is a program where we seriously discuss the supernatural, paranormal, cryptozoology, and ufology. Anything that cannot be rationally explained has a platform for discussion on the From The Shadows Podcast.   Join us on Patreon https://www.patreon.com/fromtheshadowsShare your story with us through our Website https://www.fromtheshadowspodcast.com Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcastFacebook - https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove - https://www.instagram.com/shanegroveauthorInstagram - Podcast - https://www.instagram.com/fromtheshadowspodcast#GenX #snow #blizzard #WinterStormFern #1970s #funny #storytime #podcast #Interview 

Every other week, we focus on a Marvel series that sits on the fringes of mainstream Marvel continuity. The first episode of every new series that we cover is available on the public feed. The rest of the episodes are exclusive to our Patreon supporters.Not a Patron yet? Support us at patreon.com/marvelbythemonth for just $5 a month to get instant access to our bonus feed of nearly 200 extended and exclusive episodes! Stories Covered in this Episode: "Lair of the Lost!" - Master of Kung Fu #17, written by Steve Englehart, art by Jim Starlin with Al Milgrom, letters by Tom Orzechowski, colors by George Roussos, edited by Roy Thomas, ©1974 Marvel Comics"Attack!" - Master of Kung Fu #18, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Roy Thomas, ©1974 Marvel Comics"Retreat" - Master of Kung Fu #19, written by Steve Englehart, art by Paul Gulacy with Al Milgrom, letters by Tom Orzechowski, colors by Stan Goldberg, edited by Roy Thomas, ©1974 Marvel Comics "MASTER (of Kung Fu) by the Month" theme written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Remember hearing all about the coming Ice Age in the 70s? Whelp! The 1970s was the decade of snow storms so... Listen up as we talk all about the biggest and baddest 1970s Snow Storms.

Many thanks to SRAA contributor Dan Greenall, who shares the following recording and notes:Broadcaster: Radio Barquisimeto, Venezuela 1970Frequency: 4.990 MHzReception location: Ancaster, Ontario, CanadaReceiver and antenna: Hallicrafters S-52 using a longwire antennaNotes: On 4990 kHz shortwave, Radio Barquisimeto in Venezuela was one of the "regulars" on the 60 metre band here in southern Ontario Canada during the evening hours in the 1970's. On nearby 4980 kHz, you could find Ecos del Torbes from San Cristobal.

Al & Eddie: We discuss the great NFL items in the Sears catalog in the 1970s To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices