Podcast appearances and mentions of alejandro gonz

ADVERTENCIA: Este capítulo de 4 horas y 30 minutos contiene información y argumentos que pudieran incomodar a ciertas personas. Acompáñame en esta profunda conversación con Alejandro González, contactado mexicano por varias razas de seres extraterrestres principalmente por seres benevolentes de Sirio, quien además de narrar su increíble historia nos cuenta detalles increíbles que nunca había revelado.INVITADO: ALEJANDRO GONZÁLEZ ► http://www.alejandrog.ning.com ► https://youtube.com/@CulturaCosmica ► zoomalejandrogonzalez@gmail.comHOST DEL PODCAST: FEPO ► https://twitter.com/fepomx/ ► https://instagram.com/fepomx/ ► https://www.tiktok.com/@fepomx

Another year has wrapped production, and the production assistants are here to clean up! Just in time for the 2023 Oscars, Ben, Wilson, and Eli mop up the mess left by superheroes and conductors, stop motion shells and Na'vi, interdimensional travelers and cannibals, mourners and partiers. By breaking down the year's big trends–– directors fictionalizing their autobiographies, Marvel sinking slowly, rich filmmakers attempting to pillory wealth inequality–– the Deep Cut trio gets a handle on what made 2022 so weird. The boys get personal, too, talking about the movies and moments from last year that shaped who they are as moviegoers and friends. Finally, each co-host's coveted top 3 films of the year are revealed… Dunk on the Oscars with us in our Discord server. Keep up with Deep Cut on Instagram, Facebook, and Letterboxd. Movies discussed on this episode: Aftersun (dir. Charlotte Wells) Ambulance (dir. Michael Bay) Armageddon Time (dir. James Gray) Autobiography (dir. Makbul Mubarak) Avatar the Way of Water (dir. James Cameron) Babylon (dir. Damien Chazelle) Banshees of Inisherin (dir. Martin McDonagh) Bardo, False Chronicles of a Handful of Truths (dir. Alejandro González Iñárritu) The Batman (dir. Matt Reeves) Benediction (dir. Terrence Davies) Black Panther: Wakanda Forever (dir. Ryan Coogler) Bones and All (dir. Luca Guadagnino) Broker (dir. Kore-eda Hirokazu) - Listen to our Kore-eda episode here. The Cathedral (dir. Ricky D'Ambrose) A Couple (dir. Frederick Wiseman) - Find our episode on this here, and our interview with Wiseman here! Crimes of the Future (dir. David Cronenberg) Decision to Leave (dir. Park Chan-wook) Deep Water (dir. Adrian Lyne) Everything Everywhere All At Once (dir. Daniel Kwan & Daniel Scheinert, a.k.a. The Daniels) The Fabelmans (dir. Steven Spielberg) Fire Island (dir. Andrew Ahn) - Find our episode on this here. Girl Picture (dir. Alli Haapasalo) Glass Onion: A Knives Out Mystery (dir. Rian Johnson) Hit the Road (dir. Panah Panahi) Il Buco (dir. Michelangelo Frammartino) Joyland (dir. Saim Sadiq) Leila's Brothers (dir. Saeed Roustayi) Low Tide: A Newly Restored Work by Thomas Wright (dir. George Matthews) Marcel the Shell with Shoes On (dir. Dean Fleischer Camp) Memoria (dir. Apichatpong Weerasethakul) The Menu (dir. Mark Mylod) No Bears (dir. Jafar Panahi) Nope (dir. Jordan Peele) The Northman (dir. Robert Eggers) The Novelist's Film (dir. Hong Sang-soo) Guillermo del Toro's Pinocchio (dir. Guillermo del Toro & Mark Gustafson) Ponniyan Selvan Part 1 (dir. Mani Ratnam) - Find our episode on this here. Return to Sender (dir. Russell Goldman) - Watch Russell's short here! Return to Seoul (dir. Davy Chau) RRR (dir. S. S. Rajamouli) - Our extended coverage on this forthcoming! Small, Slow But Steady (dir. Sho Miyake) Tár (dir. Todd Field) Teenage Emotions (dir. Frédérick Da) The Territory (dir. Alex Pritz) To My Nineteen-Year-Old Self (dir. Mabel Cheung & William Kwok Wai-Lun) Top Gun Maverick (dir. Joseph Kosinski) Trenque Lauquen (dir. Laura Citarella) Triangle of Sadness (dir. Ruben Östland) Under the Fig Trees (dir. Erige Sehiri) The Whale (dir. Darren Aronofsky) When the Waves Are Gone (dir. Lav Diaz) White Noise (dir. Noah Baumbach) The Worst Person in the World (dir. Joachim Trier) 2022 TV Mentions: Better Call Saul (created by Vince Gilligan & Peter Gould) Irma Vep (created by Olivier Assayas) The Rehearsal (created by Nathan Fielder)

Y además en El Gordo y La Flaca: Alfonso Cuarón, Guillermo del Toro y Alejandro González Iñárritu están nominados y compiten por un Óscar este domingo. Aquí te contamos la historia de 'los tres amigos': cineastas mexicanos que están conquistando la meca del cine.El pupilo de Oscar de la Hoya por fin enfrentará a Gervonta Davis en una pelea que promete grandes emociones.Al parecer Don Omar y Anuel dejaron atrás las peleas y se dejan ver como los mejores amigos.  

No saber lo que sigue de ti no es tan malo como muchos piensan que es. Eso fue algo de lo que me lleve de la plática de hoy. Mariana Casas, una lagunera de Torreón, Coahuila. Estudio comunicación, es facilitadora de Reiki y una apasionada del cine que ha dirigido varias en producciones muy reconocidas. Participó en Bardo, la nueva película de Alejandro González Iñárritu, que está nominada a los Oscares; y en Luis Miguiel La Serie. Quédate a escuchar la plática. Mariana Casas: https://instagram.com/marianacasaszu?igshid=YmMyMTA2M2Y=Colaboraciones: booking@beyond306.comCanal de Telegram: https://t.me/+Iffhi3Fss5E3MDcxCumple tus metas: https://beek.app.link/R3PSno4fnxb Hosted on Acast. See acast.com/privacy for more information.

The mission of Monsters Aliens Robots Zombies (MARZ) is to deliver feature-film quality visual effects on television timelines by harnessing GPU clusters, game engine technology, AI and senior industry talent. Leveraging these pillars allows us to consistently execute with both speed and quality for our premium television projects. Lon Molnar is the Co-President of MARZ. With more than 20 years of experience, Lon has contributed a vast amount of visual effects to film and television as an Artist, VFX Supervisor, and former CEO of the award winning VFX company Intelligent Creatures. Inspired by the magic of TOY STORY, Lon attended the Vancouver Film School with the single goal of opening up his own VFX studio. As he built his resume, he became dissatisfied with working on VFX for tv, and set his sights on feature films. He became a VFX generalist, working in animation, lighting, compositing and modelling, while using a vast array of software.  After serving as the CG Supervisor on the groundbreaking films CHICAGO and THE CELL, he fulfilled his earlier dream and opened up Intelligent Creatures in 2002. Working with talented creators like Mark Forster, Darren Aronofsky, Alejandro González Iñárritu, David Tattersall, Oliver Stone and others, Lon quickly built the Toronto-based VFX house into an award-winning studio. Intelligent Creatures lent its creativity to dozens of projects such as MR AND MRS SMITH, THE WITCH, and BABEL. They built robust pipelines to tackle critically-acclaimed projects, such as the WATCHMEN's famous Rorschach mask of moving inkblots. Some of their later work, such as the award-winning series ORPHAN BLACK and the Emmy-nominated CURIOSITY: BATTLEFIELD CELL pushed the boundaries of visual effects on TV. Fifteen years after the formation of Intelligent Creatures, Lon recognized that unlike when he had started in the industry, TV was no longer the "lesser" medium for VFX. When he spoke to Jonathan Bronfman, the two found themselves sharing symbiotic ideas. They saw a gap that others didn't. What if, they asked, we can build a company that focuses on serving only one market, and defines the standard of excellence in that market? That was the beginning of MARZ. In this Podcast, Allan McKay interviews Co-President of MARZ Lon Molnar about the company's history and leveraging its technology innovations; the invisible visual effects and the development of the de-aging technology; positive outcomes of the COVID-19 pandemic in the field of VFX an so much more! For more show notes, visit www.allanmckay.com/391.

Mexican-born filmmaker Alejandro González Iñárritu talks to John Wilson about his cultural influences. Iñárritu's movies are often epic in scale and ambition. He made his name with the Mexican gangland drama Amores Perros, and won critical acclaim with his next two Hollywood movies; 21 Grams and Babel. His 2015 black comedy Birdman won him three of his five Academy Awards - for best film, best director and best screenplay. He picked up another Oscar the following year for the brutal 19th century frontiersman drama The Revenant and was awarded a Special Achievement Academy Award for his virtual reality installation Carne y Arena in 2017. His most recent movie is Bardo, False Chronicle of a Handful of Truths an epic dream-like, semi-autobiographical black comedy-drama, which he co-wrote, co-composed, edited, produced, and directed. Iñárritu reveals how working on cargo ships as a teenager later influenced the global scope of his filmmaking, and recalls his early career in the 80s and early 90s as a popular radio DJ in Mexico City. He talks about the powerful effect that the Austrian poet Rainer Maria Rilke's Letters to a Young Poet had on him. This collection of ten letters, published posthumously at the turn of the 20th century, advise developing a rich inner life in order to make great art, words that made a big impression on the aspiring filmmaker Iñárritu. He also discusses his love for the work of Italian film director Sergio Leone, and in particular his 1984 epic crime film Once Upon a Time in America. Producer: Edwina Pitman

EPISODE 64 - INFECTED On this episode we're covering episode 2 of The Last of Us! We also discuss the films of Alejandro González Iñárritu and ask what are some of the most underrated movie score done by musicians. --- THE LINEUP 00:00:28 - Alejandro González Iñárritu 00:15:08 - The Last of Us - Ep02: Infected 00:29:00 - Underrated Movie Scores --- Support this podcast: https://anchor.fm/fn-nerds/support

El martes salieron las nominaciones a los Premios Oscar y las pelis de los “Tres Amigos” Alfonso Cuarón, Guillermo del Toro y Alejandro González Iñárritu, fueron nominadas. Estados Unidos y Alemania se pusieron de acuerdo y decidieron mandar tanques pesados con el fin de ayudar a Ucrania.Además… AMLO aseguró que dará los updates más importantes sobre el juicio de Genaro García Luna todos los días en su mañanera.Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

Se han anunciado las nominaciones de los premios Oscar 2023. La expectativa para películas como ‘Bardo' de Alejandro González Iñárritu, y ‘Pinocho' de Guillermo del Toro era que fueran nominadas en categorías como ‘Mejor película extranjera', ‘Mejor directo' e incluso como ‘Mejor película'. Sin embargo, las cintas de los mexicanos fueron nominadas solamente en las categorías de ‘Mejor película animada' y ‘Mejor cinematografía'.

https://patreon.com/cineyalcohol Juan y Chava platican sobre la nueva serie original de HBOMax del personaje de Scooby-Doo, por fin Chava me puede contar sobre la película de Alejandro González Iñárritu y la serie de HBO basada en el videojuego del mismo nombre. Todo esto mientras toman una bebida prepara de tequila.

Se dio a conocer la lista de nominados al Oscar y, contrario a otras ediciones, en este 2023 los mexicanos no lograron la misma aceptación. Guillermo del Toro sólo logró colocar 'Pinocho' como mejor película animada. En el caso de 'Bardo', de Alejandro González Iñárritu, sólo logró mejor fotografía. Y el cortometraje 'Le pupille' producido por Alfonso Cuarón, fue nomidado en esa categoría.

Larry Mantle and KPCC film critics Lael Loewenstein, Andy Klein and Charles Solomon review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘When You Finish Saving The World,' ‘Missing,' ‘Beautiful Beings' And More (0:15) “When You Finish Saving The World,” In Select Theaters “Missing,” Wide Release “Beautiful Beings,” Laemmle Glendale “The Super 8 Years,” Laemmle Glendale, Laemmle Monica Film Center [Santa Monica] & Laemmle Claremont January 23 “JUNG_E,” Streaming on Netflix “Chess Story,” Laemmle Monica Film Center [Santa Monica] “That Time I Got Reincarnated As A Slime The Movie,” Wide Release “Out Of Exile,” Galaxy Theater Mission Grove; On Digital & On Demand “Bezos: The Beginning,” On VOD January 24 “New Gods: Yang Jian,” In Select Theaters “Blaze,” Cinelounge Sunset; Available to Stream “Brotherhood Of The Wolf,” Alamo Drafthouse [DTLA] “Flying Boat,” Laemmle Monica Film Center [Santa Monica] John Horn's Interview with filmmakers Guillermo del Toro, Alfonso Cuarón, and Alejandro González Iñárritu at a Netflix event held at The Academy Museum (31:49) In recent years, Netflix has become a platform known for its foreign films and television series, as streaming platforms allow more opportunities for foreign filmmakers to reach wider audiences. Just this year Mexican filmmakers Guillermo del Toro and Alejandro González Iñárritu partnered with Netflix on the respective projects of “Pinocchio” and “Bardo,” and in 2019 Alfonso Cuarón won an Oscar for his film “Roma” which was also produced by Netflix. All three filmmakers, who share a friendship spanning their film careers, sat down with KPCC's John Horn at a Netflix event earlier this month to discuss their various projects in this new age of movie-making.

Today on AirTalk, what the record-setting storm left behind in California. Also on the show, the latest in education as local catholic schools increases in enrollment?; FilmWeek; and more. Surveying Water Districts In Southern California After Heavy Rainfall. A Look Into Water Districts Across The Region (0:15) Local Catholic Schools See Uptick In Enrollment, What's Behind This? (18:24) Why Are Some Football Players Wearing Collars Now? (37:23) FilmWeek: ‘When You Finish Saving The World,' ‘Missing,' ‘Beautiful Beings' And More (51:32) John Horn's Interview with filmmakers Guillermo del Toro, Alfonso Cuarón, and Alejandro González Iñárritu at a Netflix event held at The Academy Museum (1:22:06)

Martín Hernández es editor de sonido. Él es el encargado de supervisar y diseñar todo lo relacionado al audio de las películas de los directores con los que trabaja para que sus obras se disfruten de la mejor manera posible y nazcan de la manera en la que se han concebido. Martín ha conquistado galardones de ceremonias como los Premios de Cine de la Academia Británica, los Goya, los Ariel y los Golden Reel, además de haber tenido numerosas nominaciones, entre las que destacan dos a los Premios Oscar por las películas Birdman y The Revenant.  Martín ha trabajado codo a codo con directores como Sean Penn, Guillermo del Toro y, especialmente, Alejandro González Iñárritu, a quien conoce desde que trabajaban juntos en radio en WFM.   Con el dominio del sutil pero fundamental arte del sonido en el cine, Martín le ha dado esencia a cintas como Babel, el Laberinto del Fauno, Amores Perros y, la película más reciente de Iñárritu, Bardo. Martín lleva ya muchos años trabajando en la industria, por lo que su experiencia resulta muy enriquecedora al momento de conocer cuestiones como el proceso de sonorización de una película y las cosas que hay que tener en cuenta al momento de realizarla.  En este episodio platicamos sobre: -No querer adelantarse a las cosas -Su experiencia trabajando en Bardo, Amores Perros y The Revenant -El valor de la experiencia -El significado de recibir un premio Regístrate al SietedeSiete, un newsletter semanal donde puedes encontrar los mejores recursos, videos, artículos y herramientas que te ayudan a abrir la mente y llevar tu vida al siguiente nivel. DEMENTES Podcast: @dementespodcast Diego Barrazas: Instagram & Twitter

Known for award-winning movies such "Amores Perros,” "Babel,” "Birdman” and "The Revenant," five-time Oscar-winning director Alejandro González Iñárritu opens up to host Giselle Fernandez about his latest film, "Bardo: False Chronicle of a Handful of Truths.” Iñárritu says he identifies closely with the story, which uses surrealism and humor to explore stories of his own life. Just as the main character grapples with his insecurities and identity, so too has Iñárritu, who once used his Oscar acceptance speech to shine a light on Mexican immigrants living in the U.S. Iñárritu plans to continue to use his voice, work and platform to continue to uplift immigrants.

El actor Jorge Salinas reacciona al incidente de Bad Bunny a quién le da un poderoso consejo para que el artista tenga los pies en la tierra.Lo que descubre Jorge Ramos durante su entrevista al director mexicano Alejandro González Irrañitu que será revelado en Algo Personal.

El mundo se despide de Pelé, O Rei del fútbol Las horas más bajas de Donald Trump Un nuevo programa de inteligencia artificial causa asombro en todo el mundo La imaginación desbordante de Alejandro González Iñárritu vuelve a las pantallas

In this episode, Dhruv, Amartya, and Sanjeet (again!) discuss two newly released Netflix films - GDT and Mark Gustafson's stop-motion iteration of "Pinocchio" and AGI's auto-fiction diary film "Bardo: False Chronicle of a Handful of Truths." Listen to the full episode to hear the three collectively champion the idiosyncrasy of one of these films while being at polar opposite ends about the other! Time Codes 01:15 - 33:40 - GDT's Pinocchio (Mild Spoilers!) 33:41 - 01:01:00 - Bardo: False Chronicle of a Handful of Truths (Mild Spoilers!) 01:01:01 - 01:07:20 - Oscar Chatter 01:07:21 - 01:12:20 - Bardo: False Chronicle of a Handful of Truths (Again!) Do hit 'Follow' on Spotify and rate us if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can also follow us on Instagram at: Sanjeet: https://www.instagram.com/pixel_baba/ Amartya: https://www.instagram.com/amartya25/ Dhruv: https://www.instagram.com/terminalcinema/ Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Sanjeet: https://letterboxd.com/Sanjeet_Singh/ Amartya: https://letterboxd.com/amartya/ --- Support this podcast: https://anchor.fm/queenisdead/support

On this episode of Gaybros Can't Agree on Greatness or Onanism (or Maybe Both), we talk about the most recent Alejandro González Iñárritu, Bardo, False Chronicle of a Handful of Truths (2022)

Comentamos Bardo, la nueva película de Alejandro González Iñárritu, que sin duda es la peor película que ha hecho en su vida, pero consideremos que las demás que ha hecho son todas obras maestras. 

Alejandro González Iñarritu hace su regreso con "Bardo, Falsa Crónica de Unas Cuantas Verdades" disponible en Netflix. --- Support this podcast: https://anchor.fm/emanuel-pag341n-col363n/support

Pocas cosas son más inspiradoras que mujeres rompiéndola en el mundo, y la invitada de hoy es una de ellas. Anna Terrazas es una premiada diseñadora de vestuario a nivel internacional. Ha trabajado en Spectre (James Bond) de Sam Mendes, fue nominada al Ariel por ROMA de Cuarón, y también trabajó con Alejandro González Iñarritu en Bardo, de la cual nos contó anécdotas del rodaje, los principales retos y cómo fue el proceso creativo detrás de esta épica película.Puedes seguirnos en Instagram, Facebook y Youtube como @sensiblesychingonas, también puedes suscribirte a nuestro newsletter en www.sensiblesychingonas.com. Espera un nuevo capítulo cada miércoles y escríbenos a info@sensiblesychingonas para que nos digas a quién quieres que entrevistemos en el podcast.

Carlos Boyero comenta esta semana Mantícora, lo nuevo de Carlos Vermut, en La Ventana del cine. Además, 'Bardo, falsa crónica de unas cuantas verdades' de Alejandro González Iñárritu y 'Broker', una producción surcoreana dirigida por Hirokazu Koreeda, pasarán por el veredicto del crítico

Sean and Amanda share their 10 favorite performances of the year (1:00). Then, Adam Nayman joins the show to discuss Alejandro González Iñárritu's new Netflix film ‘Bardo, False Chronicle of a Handful of Truths' (33:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Very excited about our latest guest on Soundtracking - the Mexican filmmaker Alejandro González Iñárritu  Alejandro's latest offering is Bardo: False Chronicle Of A Handful Of Truths - a semi-autobiographical tale that follows a journalist & documentarian who returns to his native country of Mexico and begins having an existential crisis in the form of dreamlike visions. As well as co-writing and directing the film, Alejandro also collaborated with friend of the pod Bryce Dessner on the score

It's our last episode of 2022, and to celebrate, Zach and Cole return to Pandora to discuss James Cameron's long awaited The Way of Water. The king of sequels and lord of the blockbuster returns to remind us how exciting, vivid and soaring they can be. We also take some time to discuss (spoiler free!) the latest films from Guillermo Del Toro, Alejandro González Iñárritu and Laura Poitras' Golden Lion winner, All the Beauty and the Bloodshed.

Silverio Gama (Daniel Gimenez Cacho) is a multi-hyphenate. Not only is he an acclaimed journalist and documentarian, he also finds himself caught between multiple identities. Is he a champion of Mexican culture, a shining example of national pride? Or is he an Americanized bridge between two countries, useful for political maneuvering? Is it more likely he's just something else entirely? This labyrinthine odyssey through his psyche, insecurities and idiosyncrasies is what BARDO follows, and man, I can't use the term "fever dream" as a higher compliment. Carlos Aguilar's NYT feature on Daniel Gimenez Cacho described by the Three Amigos: https://www.nytimes.com/2022/12/16/movies/daniel-gimenez-cacho-bardo.html ------------------- Follow Daniel on: Twitter - @TheMovies_Pod Instagram - themoviespod Letterboxd - https://letterboxd.com/Daniel_Berrios/

This week, after 13 long years, we return to Pandora with AVATAR: THE WAY OF WATER (29:52), while Amon talks to Colonel Miles Quaritch himself, Stephen Lang (14:12). We lace up with historical drama CORSAGE (56:00), find the doughnut hole in the doughnut's hole with Rian Johnson's GLASS ONION: A KNIVES OUT MYSTERY (1:15:11), and get existential with BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (1:59:56), as Hanna talks to the man behind it all, the one and only Alejandro González Iñárritu (1:39:39). And, since this is our last episode of the year – we're taking a well-earned (we think) break for the holidays – we'll be delivering our official Fade to Black 2022 Wrapped as our HOT TAKE (2:15:55), revisiting the very best moments on film this year. If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

Nos metimos (o por lo menos lo intentamos) a la mente del director mexicano ganador del Oscar, Alejandro González Iñárritu para gozar sobre lo surrealista que es su nueva película. Y para ello, nos acompañó otro ganador del Oscar, Eugenio Caballero, diseñador de producción de “Bardo”.

In front of an audience at Chapman University, the Mexican filmmaker who has been recognized with four competitive Oscars and one honorary Oscar reflects on how music informs his movies, why his films focus on parent-child relationships and immigration and what drives him to tackle massively challenging projects like 'Birdman,' 'The Revenant' and his latest, Mexico's submission for this year's best international feature Oscar race. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guillermo del Toro joins the show to talk about his latest film, Guillermo del Toro's Pinocchio. Brought to life using classic stop-motion techniques, it's a bold reimagining of Carlo Collodi's classic fairytale.Del Toro shares why he was deeply impacted by the story of Pinocchio as a child, describes the incredible artistry and scope of work that went into bringing the film to life, and digs into the fascinating role that Catholicism plays throughout the story. He also explains how loving monsters as a child taught him to embrace his imperfections, reflects on his relationship with Alejandro González Iñárritu and Alfonso Cuarón, and opens up about the healing experience of his 2018 Oscar night. 

En este episodio, nos volvemos a adentrar en la profesión de diseño de vestuario, pero esta vez con un enfoque cinematográfico. Hoy hablamos con Anna Terrazas, una de las voces más importantes en esta industria. Ella ha trabajado en largometrajes, como Roma, y su más reciente trabajo es Bardo, de Alejandro González Iñárritu. Esto es Hablemos de moda con Claudia Cándano y Jordi Linares, disponible en video en Youtube y en audio en todas las plataformas de podcast. Suscríbete a nuestro canal en Apple Podcast y escúchalo un día antes.

When drummer Antonio Sanchez released his album Bad Hombre back in 2017, he was responding to a few events that took place in his world at the same time.  On a political level, the music was a response to the racism of the Trump campaign against Mexicans. In fact the title of the record Bad Hombre seemed to be an answer to Trump's assertion that a wall needed to be built at the US Mexican border in order to get the “bad hombres” out of the US.  An immigrant from Mexico himself, Sanchez reappropriated the phrase. Itseemed, in fact, to be a perfect fit for him because not only did it work as a form of resistance - by using the term he made his feelings clear without having to say too much about it - but it also borrowed from the jazz vernacular. You know, when musicians really respect someone, they will often refer to them as “bad”. And in that context, Antonio Sanchez is definitely a bad hombre. Sanchez moved to the US in his early 20s from his native Mexico to go to music school. One of his first teachers, the Panamanian born Danilo Perez, was a supporter, and their work together was one of the early launchpads for Antonio.  While he was playing with Danilo, the guitarist Pat Metheny heard him, and that led to a musical relationship that has been at the center of his life for 20 years. Sanchez went on to become one of the most sought-after drummers on the international jazz scene. Has won four Grammys, and has been named Modern Drummer's "Jazz Drummer of the Year” three times, and appeared on the covers of all the big jazz magazines.  From early on he thought about drumming, and particularly soloing, as a form of storytelling. He says “I'm a sucker for a good story.” So it was only a matter of time before some great storyteller would find a way to use Antonio Sanchez's drums to help tell a story. And that was exactly what happened when the Mexican film director Alejandro González Iñárritu asked Antonio to do an all drum score for his film Birdman in 2014.  The film went on to win three academy awards and the score earned Antonio awards (including a Grammy for Best Score Soundtrack for Visual Media) and nominations at the Golden Globe and BAFTA Awards. As significant as the awards and accolades were, maybe more significant was that the sound of Antonio's drumming truly entered the zeitgeist after Birdman. And though he hadn't planned for it to turn out that way, he realized that the level of expectation, curiosity, and even pressure on him to follow up that success with something equally resonant had risen.  So when in 2017 Antonio went into his newly built home studio to record Bad Hombre, he had a lot of psychic energy stored up and ready to use. He made an entirely instrumental solo record, he played all the instruments and did what has become his trademark production work of mixing drones, samples, programming and live drumming. In fact the only collaborator on the record was his nonagenarian grandfather, the Mexican actor Ignacio López Tarso who appears on the first track.  Five years, one pandemic, a few political cycles, and a handful of other projects later, he's back this year with Shift: Bad Hombre Vol. II. This time the list of collaborators is a bit longer.  Somewhere in the dense fog of the pandemic, Sanchez decided to ask some of his favorite singers and songwriters — for material he could deconstruct and reimagine. The result sees Dave Matthews & Pat Metheny, Trent Reznor & Atticus Ross, Meshell Ndegeocello, Lila Downs, Rodrigo y Gabriela, Kimbra, Ana Tijoux, Becca Stevens, Silvana Estrada, MARO, Thana Alexa (who is his wife)  & SONICA sitting in on their own tunes — or ideas co written by Sánchez. The idea of “shifting” might not only apply to the songs on Bad Hombre Vol. II, but also to a change in Antonio's approach - In the first Bad Hombre release, he was extremely political. Over the years, his outrage and fury with Trump and the turmoil at the US–Mexican border muted – and Sánchez himself “shifted” how he thinks about what he does, and where he wants to go next.  We talked recently about that search, the same one that started back in Mexico when he was a competitive gymnast, classical pianist and aspiring rock drummer and brought him all the way to where he is today, the Bad Hombre. www.third-story.com www.patreon.com/thirdstorypodcast https://www.wbgo.org/podcast/the-third-story

En esta edición del podcast de Próxima Tanda, me acompaña el cineasta puertorriqueño Oswaldo Colón Ortiz para discutir dos de los filmes más celebrados del 2022: Tár, del director Todd Field, y Bardo: Falsa crónica de unas cuantas verdades, de Alejandro González Iñárritu. Spoiler Warning para ambas. Escucha más episodios suscribiéndote a Patreon.com/marioalegre Hosted on Acast. See acast.com/privacy for more information.

El abogado y cinéfilo Alejandro González visita Maula desde la costa para hablar con Villalobos de la era del vhs, los cines de provincia, los videoclubes de barrio y, a la larga, acerca de esas películas de asesinos en serie y adolescentes aterrados que poblaron los '80. 

Kyle (I Know Movies And You Don't) and I review Alejandro González Iñárritu's Bardo. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit deadreckoner.substack.com/subscribe

@rodrigovqz y @trevi.dan hablan CON Y SIN SPOILERS acerca de la nueva película del director Alejandro González Iñárritu: BARDO.

De película llega a Sevilla dónde nos recibe José Luis Cienfuegos, director del Festival Europeo de Sevilla, con él comentamos todas las novedades de una edición que llega cargada de sorpresas. Abrimos el programa con la cinta que inaugura el certamen, Los hijos de Otros, con su directora Rebecca Zlotwski y la actriz protagonista Virginie Efira charlamos de esta historia que reflexiona sobre la maternidad, con agravios, sueños, también arrepentimientos y que participa en la Sección Oficial. Matadero del cineasta argentino Santiago Fillol al que escuchamos esta madrugada, es otra de las cintas que participa en la sección oficial, una historia en la que Un legendario cineasta estadounidense de serie B se enfrenta al estreno tardío y polémico de su película maldita, una adaptación de El matadero de Esteban Echeverría.  Hablamos con Javier García Pelayo coordinador de Siete Jereles, Película dirigida por Pedro G. Romero y Gonzalo García-Pelayo, una cinta muy andaluza, que tiene al caballo como uno de los protagonistas que huele a jerez, al vino y a su ciudad, que suena a flamenco. No dejamos el sonido porque el siguiente invitado es Kiko Veneno y Alejandro G. Salgado, director del documental Un día Lobo López que compite en Las Nuevas Olas No Ficción. Acercamos el palmarés de la 67ª, Edición de la Seminci de Valladolid, y nos detenemos en tres de las cintas premiadas que llegan esta semana a las salas: las españolas No mires a los Ojos de Félix Viscarret, Vasil de Avelina Prats y Los pasajeros de la noche, de Mikhael Hers y repasamos el resto de la cartelera en la que nos detenemos en Bardo: Falsa crónica de unas cuantas verdades del director mexicano Alejandro González Iñárritu, 13 exorcismos, el agua y cartas mojadas. Nuestro colaborador Luis Alegre nos lleva a otro festival, el de Tudela y cerramos con La V edición del Festival Cine por Mujeres Madrid que se clausura mañana con sus protagonistas. Escuchar audio

Esta semana nos acompaña el creador de este concepto para platicar los detalles de la nueva cinta de Alejandro González Iñárritu

En su colaboración con Luis Cárdenas, Saúl Arellano, especialista en temas de cine habló sobre Bardo, del cineasta mexicano Alejandro González Iñárritu, entre otras de las mejores recomendaciones para el fin de semana.

En entrevista con Luis Cárdenas para la Primera Emisión de MVS Noticias, Susana Moscatel, periodista de espectáculos, habló sobre la película del director mexicano, Alejandro González Iñárritu, 'Bardo'.

El  cineasta mexicano Alejandro González Iñárritu presenta su última película, “Bardo (o falsa crónica de unas cuantas verdades)“. El filme explora, de una manera muy particular, la experiencia de emigrar. Carmen Aristegui charla con González Iñárritu sobre cómo desarrolló la película.Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Alejandro González Iñárritu, cineasta

Above: Christine Molloy in The Future Tense (2022) This is the first of two episodes we will bring you from the London Film Festival. Dario is joined for both by Savina Petkova as co-host. Savina is published in Film Comment and MUBINotebook and many other places. She is on the editorial board of @photogenie_be, Is a programmer for the upcoming Cambridge Film Festival and and is soon to complete her PhD at Kings College London. As is our style on The Cinematologists, our festival coverage in not a comprehensive overview of the festival or a breakdown of competition films or sections. We bring you more of a snapshot of our experiences, viewings and conversations. So, Savina and Dario begin by discussing the place of London on the European festival calendar and four recommendations of films we've seen in person and on the digital platform. These are Blue Jean (Georgia Oakley), Unrest (Cyril Schäublin), All the Beauty and the Bloodshed (Laura Poitras) and The Eternal Daughter (Joanna Hogg). The centrepiece of this first episode is Dario's interview with Christine Molloy and Joe Lawler, who bring a new Essay Film The Future Tense. Very difference from their last psychological revenge horror Rose Plays Julie, in The Future Tense, they turn the lens back on themselves and specifically the sense of being Irish while living in England during the political and social tumult of the last decade. Finally, Dario talks to blogger Andrew Pope of Whitlock and Pope website about Alejandro González Iñárritu's latest film Bardo, False Chronicles of a Handful of Truths. --- You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing      

Él es Andrés Ramírez Pulido, director de la película La Jauría. Su película fue la ganadora de El Grand Prix de la Semana de la Crítica 2022 y el premio SACD otorgado por la sociedad de autores (cine, televisión, radio, animación, web, artes escénicas y danza de Francia). El Grand Prix ha sido obtenido por directores emblemáticos como Alejandro González Iñarritu o Santiago Mitre. Como siempre en Gente que hace Cine, fuimos un poco más allá, hablamos de su vida en Ibagué, de cómo este cineasta bogotano terminó viviendo en esa región de Colombia y cómo fue encontrando en las calles, en las conversaciones con los jóvenes y su realidad, el material para expresarse y construir un camino que por lo que hemos visto se muestra super interesante.Te invito a que te sientes conmigo a charlar con el autor de la Jauría, película que si estas escuchando esto en octubre de 2022, la puedes ver en salas. Para más info de Andrés, aquí:https://proimagenescolombia.com/secciones/cine_colombiano/perfiles/perfil_persona.php?id_perfil=4526Para más info de la Jauría https://linkr.bio/Lajauria_PublicEste episodio es posible gracias a: •Nuestra productora Gente que: https://www.instagram.com/gentequeproductora/•El patrocinio de Lemaitre Consultores https://lemaitre.co/•El amor y confianza de nuestros amigos y amigas en Patreon (Nicolás Segura, Marco Antonio Ramírez, Diana Piñeres y Felix Riaño). Apóyanos como ellos desde 1 dólar https://www.patreon.com/gentequehacecine•El apoyo de Mowies, gracias a quienes tenemos nuestra videotienda de renta y compra de películas colombianas. Aquí te dejamos el link: https://www.mowies.com/my-mowies/gentequehacecine•El apoyo de la Escuela Nacional de Cinehttps://enacc.co/

This week we're going balls to frozen forest floor as we trudge through 2015's “The Revenant.” Directed by Alejandro González Iñárritu, crawled by Leonardo DiCaprio, mumbled by Tom Hardy, and challenged by climate change - the only person having fun in this one was the guy in the CGI bear suit. No D's were harmed in the making of this podcast. 

The sandwich is one of humanities greatest discoveries, along with the wheel and RollBot, the robotic toilet paper valet, so we sat down to chat about them. Perhaps it's the sheer variety of fillings that you can put in between two pieces of bread which inspired us but there's a real assortment of unusual choices this week; once we get on a roll, it becomes difficult to wrap things up. Ever since my youngest discovered Paddington I've been quietly chuckling about pairing Alejandro González Iñárritu's THE REVENANT with it for one of our reviews, due to the bear content which binds them both together, however I've yet to find anybody who thinks this is as funny as I do. Happily though the 2015 revenge drama and multiple Academy Award winner stands on its own right without my futile attempts at humour. When frontiersman Hugh Glass (Leonardo DiCaprio) sustains horrific injuries in a brutal bear attack and is left for dead by his hunting team in the Alaskan wilderness of the 1820's, the grief stricken trapper must use his survival skills to find his way home, fuelled by a single thought: vengeance. A superb arthouse thriller with a refreshing lack of tedious discussions about the morality of revenge until the very end, it features a strong and often revolting lead performance from DiCaprio which finally snagged him a Best Actor Oscar opposite a terrific mumbly-mouthed Tom Hardy as the ruthless Fitzgerald, and fellow brits Domhnall Gleeson and Will Poulter particularly strong amongst the supporting cast. Iñárritu's collaborations with Emmanuel Lubezki often dazzle in a technical sense and this is no exception, but this really has one of the qualities of great cinema: that sense of transporting you to another time and place, and though plot wise it's all fairly simple stuff, the film has the confidence to plunge you into its world without holding your hand. THE ADVENTURES OF PADDINGTON is a 2020 CGI continuation of the Paddington Cinematic Universe (PCU), set between the events of the first and second Paddington movies but closely mimicking the visual style and thoughtful morality of the original 1976 stop motion animation. You'll never f*cking guess what Paddington finds in Season 1, Episode 1's “Paddington Finds a Pigeon”. Sidey relives terrible memories and Paddington is almost universally panned, with Reegs a sole voice of reason against the braying moaning of the rest of the dads. Gary Barlow wrote the theme tune though so if you were on the fence before that might just sway your vote.We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Saludos a la Banda! Esta semana, Piro tuvo una charla buenísima con el gran músico mexicano Antonio Sánchez, baterista de Pat Metheny y compositor de la música de la película BIRDMAN, de Alejandro González Iñárritu. Platicaron de toda su carrera y de su nuevo disco SHIFT / Bad Hombre Vol 2, en el que cuenta con la colaboración de Trent Reznor, Dave Matthews y muchos otros músicos de talla mundial ¡Los invitamos a que chequen lo interesante que se puso el asunto! Además, Piro recomienda el primer álbum de estudio de la banda de rockabilly Stray Cats, una mezcla de country, western y rhythm & blues!

In this week's jam-packed edition of the BFG podcast, editor Neal Pollack welcomes Jake Harris to talk about the unfortunate practice of review-bombing. Unfortunately, they conclude, it's here to say and there's nothing we can do to police the bombers. Maybe we can summon the Department of Homeland Security.Next up, resident Tolkien expert G.L. Ford stops by the podcast to talk about the review-bombed ‘The Rings of Power,' the Lord of the Rings prequel series now airing on Amazon Prime. Unlike many online critics, Ford doesn't care about the fact that there are Black Elves and Dwarves, and doesn't think Tolkien would have cared either. He does care about the thin motivations and lack of moral seriousness of some of the characters. But he prefaces all his criticisms with “so far,” because the series still has a shot to deliver.Kaveh Jalinous is spending this fall on the continent, la di da, and filed a report for us from the Venice Film Festival. He and Neal talk about new projects from directors Todd Field, Lars Von Trier, Noah Baumbach, Alejandro González Iñárritu, and Luca Guadagnino. If you're going to see a movie at 8:30 a.m., be sure to see it with a strong Italian coffee in hand. Words to live by.Enjoy the show!

Venice 2022: Tar, White Noise, Bardo with Jonathan Romney Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week, the Venice Film Festival opened, and I hereby begin my annual coverage of the festival's highlights, live from the Lido. I talk with the veteran critic Jonathan Romney about the first volley of films at this annual showcase that inaugurates the fall season: Noah Baumbach's White Noise, an adaptation of the Don DeLillo novel, with Adam Driver and Greta Gerwig; Todd Field's Tár, starring Cate Blanchett, with Nina Hoss and Noémie Merlant; and Bardo, the latest opus from Alejandro González Iñárritu, starring Daniel Giménez Cacho. Stay tuned for more from Venice! Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass